1 00:00:00,240 --> 00:00:02,920 Speaker 1: If you want to chat to Kelly Crocker. That's the vibe. 2 00:00:03,000 --> 00:00:05,960 Speaker 1: Kelley is here. How we feeling feeling good? 3 00:00:06,000 --> 00:00:08,000 Speaker 2: Feeling good. I'm so so glad to be back. 4 00:00:08,720 --> 00:00:10,319 Speaker 1: It's nice to have you back. I know the last 5 00:00:10,320 --> 00:00:12,360 Speaker 1: time when we had a conversation, we were chatting about 6 00:00:12,360 --> 00:00:13,440 Speaker 1: a certain song. 7 00:00:18,160 --> 00:00:18,960 Speaker 2: Myself. 8 00:00:30,040 --> 00:00:31,840 Speaker 1: You know, when I heard this song for the first time, 9 00:00:32,479 --> 00:00:34,640 Speaker 1: it's like I pictured a pictured her like a slow 10 00:00:34,760 --> 00:00:36,760 Speaker 1: rap on the song as well. You know, I think 11 00:00:36,760 --> 00:00:39,600 Speaker 1: it needs one, just like a slow rap, but but 12 00:00:39,760 --> 00:00:40,920 Speaker 1: something like contemplative. 13 00:00:41,000 --> 00:00:42,280 Speaker 2: I think we should add you onto it. 14 00:00:42,360 --> 00:00:44,559 Speaker 1: That's it, just a small one saying like, you know, 15 00:00:45,479 --> 00:00:48,479 Speaker 1: just with that that just play it again. In my head, 16 00:00:48,520 --> 00:00:50,879 Speaker 1: I was like, you know, if you're looking for feeling 17 00:00:51,720 --> 00:00:56,800 Speaker 1: and a little bit of healing, listen to Keeley. This 18 00:00:56,840 --> 00:01:00,880 Speaker 1: is how we sway every single day on the lyrics. 19 00:01:01,000 --> 00:01:06,479 Speaker 1: We play contemplative thoughts everybody out and you know, I 20 00:01:06,520 --> 00:01:12,679 Speaker 1: shall do us out Katie Kraker and if your Marco 21 00:01:13,319 --> 00:01:19,400 Speaker 1: bake gotta break you down, right, so welcome? Great was 22 00:01:19,400 --> 00:01:22,920 Speaker 1: that there was? Of course, it's improblem it's never never, 23 00:01:24,680 --> 00:01:27,320 Speaker 1: never do these things. Just that. But it's nice to 24 00:01:27,360 --> 00:01:29,000 Speaker 1: have you back. Okay, we need a bit of a 25 00:01:29,000 --> 00:01:31,919 Speaker 1: catch up. The last time we chatted with that amazing track, 26 00:01:32,240 --> 00:01:34,240 Speaker 1: there's been a nice gap between it. I thought we'd 27 00:01:34,280 --> 00:01:37,360 Speaker 1: just say you, you know, just because you you, we 28 00:01:37,480 --> 00:01:39,679 Speaker 1: want a lot of you. But I needed people to 29 00:01:40,080 --> 00:01:42,200 Speaker 1: you know, be left wanting more, and now we want more. 30 00:01:42,200 --> 00:01:44,080 Speaker 1: There's a new track out and I love the track. 31 00:01:44,120 --> 00:01:45,679 Speaker 1: But before we get there, catch me. 32 00:01:45,760 --> 00:01:47,120 Speaker 2: Up, catching you up. 33 00:01:47,200 --> 00:01:50,200 Speaker 3: So I actually did release another song called Forgotten City 34 00:01:50,320 --> 00:01:53,200 Speaker 3: a few months ago, but then something happened with my 35 00:01:53,320 --> 00:01:55,720 Speaker 3: health for a little bit, so then I couldn't actually advertise, 36 00:01:56,560 --> 00:01:58,040 Speaker 3: so I kind of just let it. 37 00:01:57,920 --> 00:01:59,720 Speaker 2: Be into the world, you know, I know. 38 00:02:00,120 --> 00:02:03,040 Speaker 1: Just whatsapped me or something. She is a forgotten citution. 39 00:02:03,800 --> 00:02:06,040 Speaker 2: You forgot about WhatsApp. I can tell you that you need. 40 00:02:05,960 --> 00:02:09,320 Speaker 1: To release, re release that it'll be a good idea. 41 00:02:09,320 --> 00:02:11,639 Speaker 1: I think you should. Maybe you think, yeah, I do. 42 00:02:11,760 --> 00:02:14,720 Speaker 1: I don't think there's anything wrong was re releasing? Okay, 43 00:02:14,800 --> 00:02:17,160 Speaker 1: I think there's nothing. It's not like, oh I'm just 44 00:02:17,240 --> 00:02:20,360 Speaker 1: going back. I'm being redundant in my marketing strategy. No 45 00:02:20,480 --> 00:02:22,840 Speaker 1: re release, Okay, you should totally do. 46 00:02:22,760 --> 00:02:24,560 Speaker 2: You onto something? I think I think I'll do that. 47 00:02:24,720 --> 00:02:26,959 Speaker 1: Yeah, do it, But health ski I'm sorry to hear that. 48 00:02:27,320 --> 00:02:30,520 Speaker 3: Yeah, no, you know what, we all go through that sometimes, yent, 49 00:02:30,720 --> 00:02:31,280 Speaker 3: it happens. 50 00:02:31,560 --> 00:02:32,959 Speaker 2: But I'm doing so much better now. 51 00:02:33,160 --> 00:02:35,440 Speaker 3: I am like slowly getting back into things and it's 52 00:02:35,480 --> 00:02:38,400 Speaker 3: so fun. So glad to be part of the industry again. Yeah, 53 00:02:38,440 --> 00:02:41,160 Speaker 3: and all my I'm also watching all my friends performing, 54 00:02:41,280 --> 00:02:41,799 Speaker 3: so I was. 55 00:02:41,760 --> 00:02:43,520 Speaker 2: Like, I missed that. I need to get back into it. 56 00:02:44,720 --> 00:02:48,320 Speaker 3: But yeah, I've even joined this amazing team called Hello Media. 57 00:02:48,360 --> 00:02:50,800 Speaker 3: They've they obviously they've put my name out there to 58 00:02:50,840 --> 00:02:51,680 Speaker 3: get the show. 59 00:02:52,000 --> 00:02:53,320 Speaker 2: They're amazing, brilliant. 60 00:02:53,360 --> 00:02:55,680 Speaker 3: Also, I've started with pretty Loud, which is a group 61 00:02:55,680 --> 00:02:59,240 Speaker 3: of women supporting women in the music industry, which are incredible. 62 00:02:59,280 --> 00:03:00,800 Speaker 2: So shout out to them with their listening. 63 00:03:01,000 --> 00:03:04,200 Speaker 3: Yes, yeah, and so I'm just excited to get going 64 00:03:04,200 --> 00:03:04,960 Speaker 3: in the industry again. 65 00:03:05,320 --> 00:03:08,760 Speaker 1: It's great and pretty Loud I love that concept as well. Right, 66 00:03:09,320 --> 00:03:12,280 Speaker 1: it's just a it's great to create a community because 67 00:03:12,840 --> 00:03:15,440 Speaker 1: I keep on saying it's this is not an industry 68 00:03:15,440 --> 00:03:17,919 Speaker 1: where you can just roll through alone and figure it out. 69 00:03:17,960 --> 00:03:20,840 Speaker 1: Do you need people to say it's going to be okay. 70 00:03:20,880 --> 00:03:22,840 Speaker 1: You need people to also share some of their problems 71 00:03:22,840 --> 00:03:24,560 Speaker 1: with you so that you can say Oh, the same 72 00:03:24,600 --> 00:03:27,880 Speaker 1: for me, and and you know, just writing camps, et cetera. 73 00:03:27,960 --> 00:03:30,160 Speaker 1: We have to nourish creativity. It's not something that you 74 00:03:30,240 --> 00:03:32,400 Speaker 1: just at, you know, just born with yes and you 75 00:03:32,480 --> 00:03:35,240 Speaker 1: leave it like that. You have to work on your creativity. 76 00:03:35,280 --> 00:03:37,280 Speaker 1: And I think that community is going to help you 77 00:03:37,320 --> 00:03:37,560 Speaker 1: a lot. 78 00:03:37,760 --> 00:03:39,320 Speaker 2: Yeah, No, it's great, it's great. 79 00:03:39,360 --> 00:03:41,560 Speaker 3: I love writing as well, so it's been a very 80 00:03:41,800 --> 00:03:43,840 Speaker 3: very safe space and that's sense good. 81 00:03:44,000 --> 00:03:49,120 Speaker 1: All right, So writing, looking after your health. Yeah, taking walks. 82 00:03:49,040 --> 00:03:50,240 Speaker 2: Taking walks. I love walks. 83 00:03:50,240 --> 00:03:53,320 Speaker 3: We were talking about this. I love taking walks. Yeah, 84 00:03:53,320 --> 00:03:56,080 Speaker 3: it balances. It's actually like a study. It balances at 85 00:03:56,080 --> 00:03:58,440 Speaker 3: both sides of your brain. Like so if you're having 86 00:03:58,440 --> 00:04:01,000 Speaker 3: an argument or you like over thinking something, they always 87 00:04:01,000 --> 00:04:02,960 Speaker 3: say go for walk because it balances out both sides 88 00:04:02,960 --> 00:04:04,360 Speaker 3: of your brain so you can think of it from 89 00:04:04,360 --> 00:04:05,160 Speaker 3: like all aspect. 90 00:04:05,280 --> 00:04:07,360 Speaker 1: Definitely, I love that. No, it's good that you go 91 00:04:07,440 --> 00:04:09,280 Speaker 1: for walks. And then I know that you also have 92 00:04:09,480 --> 00:04:12,400 Speaker 1: ano another job. Yes, yes, start start us. 93 00:04:12,480 --> 00:04:14,480 Speaker 2: I work at Starters. Yeah, shout out start us. 94 00:04:14,520 --> 00:04:17,360 Speaker 1: I was I've only ever been there once and it 95 00:04:17,400 --> 00:04:23,120 Speaker 1: was about don't laugh seventeen years ago. 96 00:04:23,960 --> 00:04:26,320 Speaker 3: Wow, okay, that was when it was in a different 97 00:04:26,360 --> 00:04:27,400 Speaker 3: venue complete. 98 00:04:27,320 --> 00:04:29,080 Speaker 1: Yeah, I think it was in a rounder box. Yeah. 99 00:04:29,520 --> 00:04:30,760 Speaker 2: Yeah, have you had the food? 100 00:04:31,480 --> 00:04:33,520 Speaker 1: I had the food. I remember that a moment. I 101 00:04:33,520 --> 00:04:35,239 Speaker 1: think I was like dabbling in that sort of dinner 102 00:04:35,279 --> 00:04:38,160 Speaker 1: theater because there was my dam Zingara and then there 103 00:04:38,200 --> 00:04:41,040 Speaker 1: was like Stardust, and I'd really enjoyed that type of dining. Yeah, 104 00:04:41,080 --> 00:04:43,039 Speaker 1: And I kind of wandered that all the time. Is 105 00:04:43,040 --> 00:04:45,480 Speaker 1: it the same it start us though? Yes? Yes, So 106 00:04:45,520 --> 00:04:47,279 Speaker 1: what is it like when the starters come out? Suddenly 107 00:04:47,279 --> 00:04:47,560 Speaker 1: there's a. 108 00:04:47,600 --> 00:04:50,360 Speaker 3: Number, so it's like they so they bring out the food, yeah, 109 00:04:50,360 --> 00:04:52,600 Speaker 3: and then we like perform while they're all eating, and 110 00:04:52,640 --> 00:04:54,880 Speaker 3: then we bring out the more because we are the waitresses. 111 00:04:54,880 --> 00:04:56,680 Speaker 2: So the performances are the waitresses. 112 00:04:56,560 --> 00:04:58,600 Speaker 3: And then we bring out the mains and we bring 113 00:04:58,640 --> 00:05:00,640 Speaker 3: out the desserts, and then we like perform in between 114 00:05:00,680 --> 00:05:01,080 Speaker 3: all of that. 115 00:05:01,680 --> 00:05:04,240 Speaker 1: This is interesting. If you say you're a waitress, and 116 00:05:04,360 --> 00:05:07,240 Speaker 1: you are you need to attend to a table, yes, 117 00:05:07,320 --> 00:05:10,640 Speaker 1: but also sing I need to ask this very quickly. 118 00:05:10,839 --> 00:05:14,160 Speaker 1: Pretend that I'm at the table now right, Remember you're 119 00:05:14,200 --> 00:05:14,599 Speaker 1: a singer. 120 00:05:14,720 --> 00:05:16,719 Speaker 2: Okay, okay, okay, I. 121 00:05:16,680 --> 00:05:20,919 Speaker 1: Don't want to hear talking from you. Okay, Sorry, I 122 00:05:20,960 --> 00:05:24,440 Speaker 1: just want to say this food the steak here. Let's 123 00:05:24,720 --> 00:05:27,360 Speaker 1: I ask for medium and this is well done? Can 124 00:05:27,400 --> 00:05:28,080 Speaker 1: you sort it done? 125 00:05:28,960 --> 00:05:33,640 Speaker 3: Shifting, I will get you a medium, Thank you. 126 00:05:33,680 --> 00:05:36,800 Speaker 1: Another thing is that I'm looking for some water. Could 127 00:05:36,800 --> 00:05:37,679 Speaker 1: you get me some water? 128 00:05:38,520 --> 00:05:45,240 Speaker 2: Make me swim? 129 00:05:46,080 --> 00:05:47,680 Speaker 1: You think you can fly me to the moon. 130 00:05:48,600 --> 00:05:54,400 Speaker 3: Fly me to the moon and let me among the stars. 131 00:05:55,920 --> 00:06:00,560 Speaker 3: Let me see what spring is like on do you 132 00:06:00,800 --> 00:06:03,360 Speaker 3: better and mass. 133 00:06:02,920 --> 00:06:03,880 Speaker 1: Be in another world? 134 00:06:04,400 --> 00:06:04,599 Speaker 3: Yeah? 135 00:06:04,640 --> 00:06:05,640 Speaker 2: You can reach those notes. 136 00:06:05,760 --> 00:06:15,480 Speaker 1: Please be true. In another word, I have your food. No, 137 00:06:15,600 --> 00:06:18,359 Speaker 1: that's when I picture start using that pictures start us 138 00:06:18,440 --> 00:06:20,279 Speaker 1: being that way. You don't talk to people, you just 139 00:06:20,279 --> 00:06:21,320 Speaker 1: sing to them all the time. 140 00:06:21,360 --> 00:06:23,160 Speaker 2: I actually wish we could sing to them. It might be. 141 00:06:23,160 --> 00:06:25,760 Speaker 1: Easier that it would be great because then you're not 142 00:06:25,760 --> 00:06:28,400 Speaker 1: going to get any any people that are look looking 143 00:06:28,400 --> 00:06:29,000 Speaker 1: for the manager. 144 00:06:29,200 --> 00:06:30,119 Speaker 2: Yeah, no, it's true. 145 00:06:30,160 --> 00:06:32,400 Speaker 1: Could I look for the song composer, please study. I 146 00:06:32,440 --> 00:06:35,159 Speaker 1: wasn't enjoying the food, right, that might be it. But 147 00:06:35,560 --> 00:06:38,600 Speaker 1: it's great to hear that you You seem invigorated. Am 148 00:06:38,600 --> 00:06:40,359 Speaker 1: I getting that energy from you? Is that what you 149 00:06:40,400 --> 00:06:40,760 Speaker 1: feel like? 150 00:06:40,880 --> 00:06:43,039 Speaker 2: Yes, yes, that's exactly it. 151 00:06:43,279 --> 00:06:45,160 Speaker 1: And so now you've got a couple more songs coming 152 00:06:45,160 --> 00:06:47,880 Speaker 1: out now for you know, Forgotten City re release. You 153 00:06:47,960 --> 00:06:50,120 Speaker 1: got a track all the way, yes, and I'm sure 154 00:06:50,120 --> 00:06:51,920 Speaker 1: you're sitting on a bunch of other tracks. So tell 155 00:06:51,960 --> 00:06:54,880 Speaker 1: me about who you've been working with producer wise, let's 156 00:06:54,880 --> 00:06:55,280 Speaker 1: start there. 157 00:06:55,320 --> 00:07:00,880 Speaker 3: Oh, so Away Johona Kraling, Right, how amazing love John. Actually, 158 00:07:00,960 --> 00:07:03,239 Speaker 3: I wasn't actually going to release Away as a single. 159 00:07:03,279 --> 00:07:04,839 Speaker 3: I was going to release it just in like a 160 00:07:04,839 --> 00:07:07,479 Speaker 3: small EP. But I just really love how the track 161 00:07:07,520 --> 00:07:09,920 Speaker 3: turned out, and you know what, it's something different putting 162 00:07:09,920 --> 00:07:10,280 Speaker 3: out there. 163 00:07:10,360 --> 00:07:12,280 Speaker 2: So John O, he did a great job on that. 164 00:07:12,640 --> 00:07:15,080 Speaker 3: Yeah, he really got my vision with it. Then I've 165 00:07:15,080 --> 00:07:18,360 Speaker 3: also been working with THEO. His artist's name is Ricky 166 00:07:18,600 --> 00:07:21,680 Speaker 3: Ricky Music, so so people might not know THEO, but 167 00:07:22,000 --> 00:07:23,240 Speaker 3: THEO is a great producer as well. 168 00:07:23,240 --> 00:07:25,400 Speaker 2: So I've just done another song with him. He's great. 169 00:07:25,480 --> 00:07:27,040 Speaker 2: And then Forgotten City was Ben Reid. 170 00:07:27,640 --> 00:07:30,720 Speaker 3: Yeah, it's all that's all the names, all the names 171 00:07:30,720 --> 00:07:31,080 Speaker 3: that you know. 172 00:07:31,160 --> 00:07:33,040 Speaker 1: They're great to know that, but they they're all great. 173 00:07:33,320 --> 00:07:35,520 Speaker 1: I did promise that I'm going to have a producer 174 00:07:36,080 --> 00:07:38,000 Speaker 1: edition of the k from Top twty Wow, where I 175 00:07:38,040 --> 00:07:42,480 Speaker 1: don't want to interview artists, Yes, producers, that's what I'm 176 00:07:42,480 --> 00:07:44,880 Speaker 1: looking for don't worry to watch this space. So give 177 00:07:44,920 --> 00:07:46,640 Speaker 1: me a bit more about a way before we give 178 00:07:46,680 --> 00:07:49,560 Speaker 1: this one a spin. I need to know how long 179 00:07:49,560 --> 00:07:50,880 Speaker 1: did it take to write. 180 00:07:51,000 --> 00:07:52,120 Speaker 2: Oh so Away? 181 00:07:52,280 --> 00:07:54,160 Speaker 3: I actually wrote when I was in high school. I 182 00:07:54,200 --> 00:07:55,680 Speaker 3: think I think it was a Grade tene or something. 183 00:07:55,720 --> 00:07:57,400 Speaker 3: I know, I know it was. It was quite a 184 00:07:57,400 --> 00:08:00,480 Speaker 3: while ago, and it was it wasn't actually me. It 185 00:08:00,560 --> 00:08:02,960 Speaker 3: was about another relationship, a toxic relationship that I was 186 00:08:03,000 --> 00:08:05,200 Speaker 3: witnessing happened, and I was like, oh my word, I 187 00:08:05,200 --> 00:08:06,480 Speaker 3: did around a song about this. 188 00:08:06,480 --> 00:08:07,360 Speaker 2: This is very interesting. 189 00:08:07,840 --> 00:08:09,920 Speaker 3: And I think just as I got older though, and 190 00:08:10,000 --> 00:08:12,600 Speaker 3: obviously I found myself in a toxic relationship. When I 191 00:08:12,640 --> 00:08:16,040 Speaker 3: got older, I know it happens, I started relating more 192 00:08:16,080 --> 00:08:18,040 Speaker 3: to my own songs. So I was like, you know what, 193 00:08:18,080 --> 00:08:19,680 Speaker 3: I can maybe fix up a little bit around the 194 00:08:19,800 --> 00:08:22,400 Speaker 3: edges and put it out there, get it recorded. So 195 00:08:22,760 --> 00:08:25,920 Speaker 3: originally not about my life, but then kind of slowly 196 00:08:25,960 --> 00:08:27,080 Speaker 3: turned into that. 197 00:08:27,440 --> 00:08:30,440 Speaker 1: Yeah, yeah, this is interesting because I mean, do you 198 00:08:30,440 --> 00:08:33,720 Speaker 1: get your inspirational from observing on your walks? 199 00:08:33,800 --> 00:08:35,640 Speaker 2: Yeah? Exactly. 200 00:08:35,720 --> 00:08:38,360 Speaker 3: Yeah, I'll go around a song about a golden retriever soon. 201 00:08:38,600 --> 00:08:42,040 Speaker 1: Obviously that would be very nice what's the song called fetch. 202 00:08:42,480 --> 00:08:45,560 Speaker 2: Yeah, that'd be great. Fetch sits and smile. 203 00:08:45,800 --> 00:08:48,280 Speaker 1: I think that's a good song. So let me guess 204 00:08:48,280 --> 00:08:52,280 Speaker 1: the song about the Golden Retriever. It's about how sometimes 205 00:08:52,320 --> 00:08:55,199 Speaker 1: you think that you're going to like sort of throw away, 206 00:08:55,679 --> 00:08:58,400 Speaker 1: you know, things that you need, but yet you always 207 00:08:58,440 --> 00:09:00,520 Speaker 1: have somebody in your life that puts our spotlight and 208 00:09:00,559 --> 00:09:02,439 Speaker 1: that and brings it back to you and those the 209 00:09:02,440 --> 00:09:04,640 Speaker 1: people who said you that you should keep close. 210 00:09:04,880 --> 00:09:07,080 Speaker 2: I'm definitely gonna call it then Golden Retriever. 211 00:09:07,160 --> 00:09:10,520 Speaker 1: Then got t Yeah, I think it would be wonderful. 212 00:09:10,520 --> 00:09:13,679 Speaker 1: I can already hear the song maybe some like a 213 00:09:13,720 --> 00:09:16,400 Speaker 1: little like a bark that's been worked with picture wise 214 00:09:16,480 --> 00:09:18,120 Speaker 1: and that becomes part of the beat of the track. 215 00:09:18,240 --> 00:09:19,560 Speaker 1: True as well, it would be very very. 216 00:09:19,480 --> 00:09:21,360 Speaker 2: You always give me a great song suggestion. 217 00:09:22,000 --> 00:09:24,120 Speaker 1: That's fine, that's that's okay, And then the song launch 218 00:09:24,120 --> 00:09:27,600 Speaker 1: will be in kennel Worth that way connects to dogs 219 00:09:27,600 --> 00:09:29,959 Speaker 1: a bit more. And then we have a charity we 220 00:09:30,880 --> 00:09:34,280 Speaker 1: get yes love that, and then we launched that track. 221 00:09:34,600 --> 00:09:36,160 Speaker 2: That sounds like a great idea. 222 00:09:35,920 --> 00:09:41,040 Speaker 1: And then we work with John O' greyhound. That's sorry, 223 00:09:41,480 --> 00:09:44,560 Speaker 1: I love loving This is going we're just creating as 224 00:09:44,600 --> 00:09:45,200 Speaker 1: we go along. 225 00:09:45,440 --> 00:09:46,720 Speaker 2: Yes, that's actually. 226 00:09:48,320 --> 00:09:54,400 Speaker 1: Sorry, you get used to me. I'm sorry. That was great, 227 00:09:54,480 --> 00:09:57,000 Speaker 1: Thank you. That's it. So wow, we're just writing songs 228 00:09:57,000 --> 00:09:59,720 Speaker 1: and we do. We have this, this is this is great. 229 00:10:00,160 --> 00:10:02,200 Speaker 1: But I'm looking forward to to what's happening. I know, 230 00:10:02,320 --> 00:10:04,680 Speaker 1: summer is coming up. It's big, it's beautiful, so I 231 00:10:04,720 --> 00:10:08,080 Speaker 1: know I'm gonna drop away now. But in terms of 232 00:10:08,120 --> 00:10:11,000 Speaker 1: dabbling in all sorts of types of music, oh yeah, 233 00:10:11,440 --> 00:10:13,640 Speaker 1: so because you know what, if I hear your voice, 234 00:10:14,160 --> 00:10:16,800 Speaker 1: I would love to hear your voice in some dance. 235 00:10:17,040 --> 00:10:19,319 Speaker 2: Yeah, okay, like some house music. 236 00:10:19,760 --> 00:10:22,760 Speaker 3: Yeah, okay, like some house I'm thinking about it. 237 00:10:22,800 --> 00:10:23,400 Speaker 2: House music. 238 00:10:23,480 --> 00:10:25,160 Speaker 1: Yeah, you know what I mean, just like I think 239 00:10:25,160 --> 00:10:27,319 Speaker 1: there's something about it, man, especially with summer. I find 240 00:10:27,360 --> 00:10:30,800 Speaker 1: I find people that we have like these lifestyle rhythms 241 00:10:30,840 --> 00:10:33,800 Speaker 1: in our calendar year because of the weather, and people 242 00:10:33,960 --> 00:10:36,840 Speaker 1: like a certain house to danciness in summer and then 243 00:10:36,880 --> 00:10:38,720 Speaker 1: a bit of a sing a long comfort in the 244 00:10:38,800 --> 00:10:40,559 Speaker 1: colder months. Have you noticed that about music? 245 00:10:40,720 --> 00:10:43,520 Speaker 3: Yeah, I know, it's like that's actually when I release 246 00:10:43,600 --> 00:10:47,040 Speaker 3: Drive Myself Insane, it was winter as well. Even Forgotten 247 00:10:47,080 --> 00:10:48,800 Speaker 3: City is kind of like a little bit of like 248 00:10:48,800 --> 00:10:51,319 Speaker 3: a rock kind of vibe for that season. 249 00:10:51,440 --> 00:10:53,040 Speaker 2: So I think you're on something. 250 00:10:53,080 --> 00:10:56,119 Speaker 1: I think you should honestly team up with the producer 251 00:10:56,880 --> 00:10:59,720 Speaker 1: and do a little dance, just just to play with 252 00:10:59,800 --> 00:11:02,720 Speaker 1: havev some fun, hut some lyrics together. They don't have 253 00:11:02,760 --> 00:11:05,920 Speaker 1: to be particularly like sort of deep deep deep, but 254 00:11:06,040 --> 00:11:08,840 Speaker 1: they could have like significant meaning where you can move 255 00:11:08,880 --> 00:11:11,520 Speaker 1: a bit and still have a little contemplation and they 256 00:11:11,559 --> 00:11:12,720 Speaker 1: want to play it again and again. 257 00:11:12,840 --> 00:11:14,200 Speaker 2: This gonna be the Golden Retriever track. 258 00:11:14,440 --> 00:11:17,760 Speaker 1: This actually could be. Yeah, oh my word. You see 259 00:11:18,120 --> 00:11:20,040 Speaker 1: you're welcome, by the way, at the end of meeting. 260 00:11:20,080 --> 00:11:22,920 Speaker 1: Thank you very much, appreciate you. This is do you 261 00:11:22,960 --> 00:11:25,400 Speaker 1: want to introduce your track? You may welcome, but remember 262 00:11:25,400 --> 00:11:27,320 Speaker 1: you're a waitress that starred us. 263 00:11:27,360 --> 00:11:32,520 Speaker 3: Okay, everybody, This is Away by Keeley Crocker. 264 00:11:33,679 --> 00:11:34,480 Speaker 1: Thank you very much.