1 00:00:00,160 --> 00:00:03,360 Speaker 1: The safteras the South African Film and Television Awards took 2 00:00:03,360 --> 00:00:07,560 Speaker 1: place this weekend at Gallagher Estate in johannes Beg celebrating 3 00:00:07,680 --> 00:00:10,280 Speaker 1: the very best in local film and television, and one 4 00:00:10,280 --> 00:00:13,200 Speaker 1: production house that had a particularly strong night was Quizzical Pictures, 5 00:00:13,400 --> 00:00:17,520 Speaker 1: whose productions racked up. I gathered nineteen nominations across four 6 00:00:17,560 --> 00:00:21,520 Speaker 1: shows and walked away with six awards, including Best TV 7 00:00:21,600 --> 00:00:25,960 Speaker 1: Drama Series for Raker season two. Joining us now, I'm 8 00:00:26,000 --> 00:00:29,200 Speaker 1: delighted to say, is the executive producer of Quisical Pictures, 9 00:00:29,480 --> 00:00:34,440 Speaker 1: Harriet Gavshan, widely regarded as really one of the industry's powerhouses, 10 00:00:34,440 --> 00:00:37,080 Speaker 1: and it's been quite a week for Harriet, who also 11 00:00:37,159 --> 00:00:41,400 Speaker 1: received a Lifetime Achievement awards at the Johannesburg Film Festival 12 00:00:41,880 --> 00:00:44,680 Speaker 1: just days ago. So Harriett, welcome to the show, Welcome 13 00:00:44,720 --> 00:00:48,040 Speaker 1: to the weekend breakfast, and congratulations. Quite a double celebration 14 00:00:48,159 --> 00:00:49,720 Speaker 1: for you. Good to have you with us this morning. 15 00:00:50,520 --> 00:00:52,680 Speaker 2: Thank you, Thanks, good morning. 16 00:00:53,560 --> 00:00:57,280 Speaker 1: Let's start then with the safters Raykier season two taking 17 00:00:57,360 --> 00:01:00,920 Speaker 1: a Best TV Drama and several other awards. How are 18 00:01:00,920 --> 00:01:02,800 Speaker 1: you and the team feeling after such a great night? 19 00:01:05,120 --> 00:01:07,880 Speaker 2: Great? I mean, it's always wonderful to be written azzed 20 00:01:07,880 --> 00:01:11,160 Speaker 2: by one's peers, and you know, it's always hit and myths. 21 00:01:11,240 --> 00:01:13,240 Speaker 2: You know, you never know, you can never bangcrum it, 22 00:01:13,720 --> 00:01:16,840 Speaker 2: and so when it arrived you have to regard it 23 00:01:16,880 --> 00:01:20,760 Speaker 2: as lack a very sweet gift that not rely on. 24 00:01:20,840 --> 00:01:23,319 Speaker 2: It's because it could go either way. There are lots 25 00:01:23,360 --> 00:01:26,720 Speaker 2: and there were lots of very good productions of them, 26 00:01:27,200 --> 00:01:29,560 Speaker 2: including another one of our own in fact, which we 27 00:01:29,600 --> 00:01:30,800 Speaker 2: are competing against them. 28 00:01:31,040 --> 00:01:34,800 Speaker 1: I really the productions. I mean ray Can obviously people know, 29 00:01:35,760 --> 00:01:38,200 Speaker 1: which did incredibly well the first season as well, White 30 00:01:38,240 --> 00:01:43,280 Speaker 1: Lives Savage Beauty have managed to attract both local audiences 31 00:01:43,319 --> 00:01:47,640 Speaker 1: and international attention, and we're noticing. I think with the 32 00:01:47,640 --> 00:01:52,160 Speaker 1: streaming services, particularly the broader reach, what do you think 33 00:01:52,200 --> 00:01:56,240 Speaker 1: it takes for a local show to travel successfully internationally? 34 00:01:58,840 --> 00:02:01,960 Speaker 2: You know, I think that kind of a deep authenticity 35 00:02:02,320 --> 00:02:06,720 Speaker 2: is important. I think a strong voice, a strong authorial voice, 36 00:02:06,720 --> 00:02:09,720 Speaker 2: so that it's something it's not run of the mill, 37 00:02:10,160 --> 00:02:12,600 Speaker 2: it's as it has to stand out above the noise. 38 00:02:13,480 --> 00:02:17,519 Speaker 2: And I think Racer particularly did that extremely well. And 39 00:02:18,400 --> 00:02:21,440 Speaker 2: Rayka has been seen in at least one hundred and 40 00:02:21,440 --> 00:02:25,200 Speaker 2: fifty countries around the world. So it just shows that 41 00:02:25,280 --> 00:02:26,440 Speaker 2: it can happen. 42 00:02:26,360 --> 00:02:30,120 Speaker 1: Yeah, for sure. And White Lies of course, brilliant actor 43 00:02:30,240 --> 00:02:32,720 Speaker 1: Brendan Daniels who has been in studio with us, and 44 00:02:32,960 --> 00:02:35,639 Speaker 1: also the British actres Natalie Dormer who we know from 45 00:02:35,919 --> 00:02:39,640 Speaker 1: Game of Thrones and The Hunger Games. How in terms 46 00:02:39,680 --> 00:02:43,519 Speaker 1: of securing international talent, I mean, there's certainly no lack 47 00:02:43,560 --> 00:02:45,440 Speaker 1: of talent on our own shores. But in terms of 48 00:02:45,840 --> 00:02:52,640 Speaker 1: securing international talent to take part in local productions, well. 49 00:02:53,000 --> 00:02:56,800 Speaker 2: You know, we work sometimes we work for international casting 50 00:02:56,919 --> 00:03:00,640 Speaker 2: agents and that's their job, that's what they do, so 51 00:03:00,840 --> 00:03:05,480 Speaker 2: that's very helpful. And you know sometimes in our in 52 00:03:05,600 --> 00:03:07,720 Speaker 2: the terms of Raker, you know, I had a British 53 00:03:07,720 --> 00:03:12,680 Speaker 2: co producer, Serena Callen, and so that also helped for that, 54 00:03:14,280 --> 00:03:16,840 Speaker 2: so you know, and also as the world, you know, 55 00:03:17,000 --> 00:03:19,880 Speaker 2: I mean, I think actually television is under enormous stress 56 00:03:19,919 --> 00:03:25,320 Speaker 2: all over the world. So in fact, people people, you know, 57 00:03:25,320 --> 00:03:27,280 Speaker 2: people are happy to do it, particularly to come to 58 00:03:29,680 --> 00:03:32,640 Speaker 2: and that it's expensive, you know, because of our because 59 00:03:32,639 --> 00:03:34,359 Speaker 2: of the said of our rand. You know, it is 60 00:03:34,840 --> 00:03:36,160 Speaker 2: something that's very expensive. 61 00:03:36,560 --> 00:03:38,720 Speaker 1: There has been a lot of concern in the industry 62 00:03:38,760 --> 00:03:42,280 Speaker 1: recently about really the state of the industry, delays in 63 00:03:42,560 --> 00:03:47,120 Speaker 1: government film and TV remates, the knock on effect on jobs. 64 00:03:47,360 --> 00:03:50,280 Speaker 1: How how serious is the situation right now for for 65 00:03:50,320 --> 00:03:51,600 Speaker 1: the local production sector. 66 00:03:53,200 --> 00:03:55,800 Speaker 2: It's been I think it's been dire. It's been dire 67 00:03:55,920 --> 00:03:59,960 Speaker 2: because you know that the the it's really only neft 68 00:04:00,040 --> 00:04:03,280 Speaker 2: because that's been commissioning over the last you know, good 69 00:04:03,320 --> 00:04:07,560 Speaker 2: few months because of you know, the merger with Canna 70 00:04:07,640 --> 00:04:12,880 Speaker 2: plus Magetars and Cannot PLUSBC is under normous stress. E 71 00:04:13,000 --> 00:04:16,120 Speaker 2: TV has been scaling back, so it's I think it's 72 00:04:16,120 --> 00:04:19,920 Speaker 2: been terribly hard on cruise and you know an actors. 73 00:04:19,960 --> 00:04:24,760 Speaker 2: It's but and you know, all all governments, well many 74 00:04:24,880 --> 00:04:31,600 Speaker 2: many governments do give subsidies and rebates and it's not charity, 75 00:04:32,160 --> 00:04:35,039 Speaker 2: but they do it because it's very good for the economy. 76 00:04:35,160 --> 00:04:37,360 Speaker 2: You know, there's such a huge multiply effect if some 77 00:04:38,040 --> 00:04:40,200 Speaker 2: if a film or a TV series comes to town, 78 00:04:40,360 --> 00:04:44,159 Speaker 2: there's so many jobs created, so much interested in the 79 00:04:44,240 --> 00:04:48,960 Speaker 2: country itself. So you know, it's been a huge strain, 80 00:04:49,400 --> 00:04:50,200 Speaker 2: it really has. 81 00:04:50,680 --> 00:04:52,720 Speaker 1: I was listening to an interview on our sister station 82 00:04:52,800 --> 00:04:54,560 Speaker 1: on seven and two the other day and talking about 83 00:04:54,560 --> 00:04:57,919 Speaker 1: this situation with with multi choice and canal and the 84 00:04:58,000 --> 00:05:01,680 Speaker 1: situation of being sort of just hundreds of contracts sitting 85 00:05:01,720 --> 00:05:05,280 Speaker 1: on desks in Paris not being able to be signed 86 00:05:05,440 --> 00:05:08,240 Speaker 1: here because to slash the budgets to the extent that 87 00:05:08,279 --> 00:05:11,920 Speaker 1: they're being asked to just means that production becomes becomes impossible. 88 00:05:11,960 --> 00:05:14,760 Speaker 1: What is the way forward? Do you think? Do we 89 00:05:14,800 --> 00:05:16,359 Speaker 1: find ourselves in a stalemate? 90 00:05:18,120 --> 00:05:19,840 Speaker 2: No? I think it's just taking a little time for 91 00:05:19,880 --> 00:05:22,640 Speaker 2: everybody to orientate themselves and just had on this strategy 92 00:05:22,680 --> 00:05:25,520 Speaker 2: and what to do. So you know, I hope that 93 00:05:25,600 --> 00:05:29,839 Speaker 2: actually that will start changing quite soon, right right? Yeah. 94 00:05:29,880 --> 00:05:34,400 Speaker 1: For you receiving a Lifetime Achievement award, congratulations on that. 95 00:05:34,480 --> 00:05:37,960 Speaker 1: Looking back over your career, what are you most proud 96 00:05:38,000 --> 00:05:40,640 Speaker 1: of when you think about the contribution that you in 97 00:05:40,680 --> 00:05:43,760 Speaker 1: Quizical has made to South African storytelling? 98 00:05:43,760 --> 00:05:48,240 Speaker 2: Harriett, Well, when I received the award, it's actually just 99 00:05:48,360 --> 00:05:52,640 Speaker 2: called a special recognition. But when I received it, the 100 00:05:52,720 --> 00:05:57,720 Speaker 2: person who did the citation was another producer called Bongie Solani, 101 00:05:58,320 --> 00:06:02,359 Speaker 2: who is a very successful produced so produced the Happiness series, 102 00:06:02,480 --> 00:06:07,159 Speaker 2: the Happiness Films and things like that, and she was 103 00:06:07,680 --> 00:06:12,080 Speaker 2: the very first intern I ever had. Wow, And actually 104 00:06:12,160 --> 00:06:18,960 Speaker 2: that was extremely emotional and meaningful to me. And and 105 00:06:19,040 --> 00:06:23,440 Speaker 2: I think the fact is that the legacy is really 106 00:06:23,520 --> 00:06:26,440 Speaker 2: leave you know, those people who you've opened some doors for. 107 00:06:26,600 --> 00:06:28,880 Speaker 2: You haven't been able to do it for everybody, but 108 00:06:29,000 --> 00:06:32,760 Speaker 2: over the years, just opening doors, getting you know, letting 109 00:06:32,760 --> 00:06:35,640 Speaker 2: people in, giving people their first break. I think that's 110 00:06:35,880 --> 00:06:36,880 Speaker 2: what I'm most proud of. 111 00:06:37,080 --> 00:06:40,360 Speaker 1: Yeah, yeah, it's wonderful to have you on the show, Harriett. 112 00:06:40,360 --> 00:06:46,159 Speaker 1: Congratulations on your individual and collective success and here's too 113 00:06:46,200 --> 00:06:51,200 Speaker 1: many more and a hopeful and prosperous remainder of twenty 114 00:06:51,320 --> 00:06:53,600 Speaker 1: twenty six despite it being quite a difficult time in 115 00:06:53,640 --> 00:06:55,479 Speaker 1: the industry. We appreciate your time this morning. 116 00:06:56,279 --> 00:06:57,520 Speaker 2: Thank you, and thanks for this