1 00:00:04,920 --> 00:00:07,280 Speaker 1: Funny son. 2 00:00:08,560 --> 00:00:13,200 Speaker 2: It's Lady Smith Black Mambazo Musso Casa Dottor Dodozo Macatini 3 00:00:13,240 --> 00:00:15,400 Speaker 2: on your say note to You weekend Breakfast with the 4 00:00:15,400 --> 00:00:18,919 Speaker 2: beautiful sounds of a song called the Togola Mama. It's 5 00:00:18,920 --> 00:00:22,639 Speaker 2: taken off the latest album by Lady Smith Black Mambazo 6 00:00:22,960 --> 00:00:27,800 Speaker 2: in collaboration with Mussokoza and doctor Markartini, an album called 7 00:00:27,960 --> 00:00:32,280 Speaker 2: One Voice, One World, and we're thrilled for this morning's 8 00:00:32,360 --> 00:00:35,519 Speaker 2: music Horner to be joined by Swoonseni Shabalala who's the 9 00:00:35,600 --> 00:00:39,599 Speaker 2: leader of Lady Smith Black Mambaso, also joined by musician 10 00:00:39,760 --> 00:00:45,040 Speaker 2: cultural historian Visionary Musokoza also joins us on the line 11 00:00:45,240 --> 00:00:47,280 Speaker 2: song Sony, I'd like to start with you this morning, 12 00:00:47,400 --> 00:00:51,360 Speaker 2: good morning, tell us about the idea behind One Voice, 13 00:00:51,479 --> 00:00:54,320 Speaker 2: One World and how this collaboration came about. 14 00:00:56,520 --> 00:01:02,720 Speaker 1: Good morning, good money, Thank you, thank you for inviting 15 00:01:02,800 --> 00:01:10,520 Speaker 1: you to the show. The album as an idea from 16 00:01:10,640 --> 00:01:14,760 Speaker 1: our manager to learn my chosen who wanted us to 17 00:01:14,840 --> 00:01:19,600 Speaker 1: do something different and just collaborate with our friend of 18 00:01:19,720 --> 00:01:22,880 Speaker 1: South African musicians, and we put the idea on the 19 00:01:22,959 --> 00:01:27,400 Speaker 1: table and we liked it and said it's a good idea. 20 00:01:27,560 --> 00:01:30,319 Speaker 1: Let's do it and see what's going to come up with. 21 00:01:31,360 --> 00:01:34,679 Speaker 1: And when we met at the studio with the with 22 00:01:34,800 --> 00:01:40,400 Speaker 1: the guys doctor Macrtin and Lusso Coroson, we didn't have anything, 23 00:01:41,400 --> 00:01:46,080 Speaker 1: but we agreed that everything we are going to do 24 00:01:46,280 --> 00:01:51,200 Speaker 1: is gonna We're going to compose at the studio and 25 00:01:51,360 --> 00:01:54,040 Speaker 1: see how the album goes, and. 26 00:01:54,160 --> 00:01:59,840 Speaker 3: Also just choose a few of old classics. 27 00:01:59,280 --> 00:02:04,200 Speaker 1: Of members or to put on the album. And so 28 00:02:04,200 --> 00:02:08,400 Speaker 1: so it started like that and just give ourselves chance 29 00:02:08,560 --> 00:02:13,720 Speaker 1: that each one of us are going to compose a song, 30 00:02:15,520 --> 00:02:21,799 Speaker 1: the me and my two brothers Mooso, and so that 31 00:02:22,000 --> 00:02:26,919 Speaker 1: is how the album came about. We chose to compose 32 00:02:27,040 --> 00:02:32,440 Speaker 1: songs and then work on them together and distinct. 33 00:02:33,360 --> 00:02:37,760 Speaker 2: And so we know in members for keeping Statamia alive, 34 00:02:37,919 --> 00:02:42,400 Speaker 2: taking Statamia around the world to you know, audiences and 35 00:02:42,480 --> 00:02:45,960 Speaker 2: other countries and so. But we've also seen in Mambasa 36 00:02:46,040 --> 00:02:50,640 Speaker 2: while doing that kind of bringing new influences, new sounds 37 00:02:51,000 --> 00:02:54,239 Speaker 2: to their music. Talk to us about how that sound 38 00:02:54,320 --> 00:02:56,600 Speaker 2: has done. I think your sound has been able to 39 00:02:56,639 --> 00:03:00,400 Speaker 2: do two things. One stay true to the essence what 40 00:03:00,560 --> 00:03:06,320 Speaker 2: Mambazo always was, but also embracing and evolving with new sounds. 41 00:03:06,560 --> 00:03:07,720 Speaker 2: Talk to us about. 42 00:03:07,400 --> 00:03:13,440 Speaker 1: That as a musician. It's also it's very important to 43 00:03:13,480 --> 00:03:18,720 Speaker 1: be able to work with other musicians. For instance, Ladies 44 00:03:18,800 --> 00:03:24,760 Speaker 1: Mambaso too. For the group to be able to open 45 00:03:24,880 --> 00:03:28,720 Speaker 1: those around the world, it was their collaboration. 46 00:03:28,240 --> 00:03:29,520 Speaker 3: With Paul Simon. 47 00:03:30,280 --> 00:03:33,320 Speaker 1: But Heving said that it's also very important. 48 00:03:34,160 --> 00:03:40,200 Speaker 3: To stay true to you, to yourself and your music 49 00:03:40,480 --> 00:03:46,200 Speaker 3: and your culture, because when people are inviting you to 50 00:03:46,240 --> 00:03:48,760 Speaker 3: do something with them, they invite you. 51 00:03:48,800 --> 00:03:52,280 Speaker 1: Because they like what you're doing, they like your culture, 52 00:03:52,320 --> 00:03:55,640 Speaker 1: they like your music, they want you to share that 53 00:03:55,880 --> 00:03:59,400 Speaker 1: with them. So it's very important to stay strong and 54 00:03:59,520 --> 00:04:06,320 Speaker 1: not allow yourself to be a change by the collaborations 55 00:04:06,360 --> 00:04:09,520 Speaker 1: that you do. So we always make sure that we 56 00:04:09,640 --> 00:04:16,640 Speaker 1: do a collaboration, but we also take time to rehears 57 00:04:17,279 --> 00:04:24,040 Speaker 1: and also do a traditional Stataia album because the mission 58 00:04:24,080 --> 00:04:26,560 Speaker 1: of Ladies with Flag Members or the mission of our 59 00:04:26,640 --> 00:04:31,360 Speaker 1: fathers when they studied the music, they wanted to preserve 60 00:04:32,279 --> 00:04:36,320 Speaker 1: our culture, our music, and also to. 61 00:04:36,279 --> 00:04:38,560 Speaker 3: Be able to share it with the world. 62 00:04:39,279 --> 00:04:45,560 Speaker 1: So we want to keep that letasicoring as they as 63 00:04:45,560 --> 00:04:48,159 Speaker 1: they wish that my father wanted to do, and instead 64 00:04:48,200 --> 00:04:50,599 Speaker 1: the Ladies and Flag members as. 65 00:04:50,480 --> 00:04:54,680 Speaker 2: Mentioned, I also joined on the line by a historian 66 00:04:54,880 --> 00:04:59,880 Speaker 2: musician who also joins us is part of the collaborate 67 00:05:00,240 --> 00:05:04,200 Speaker 2: on One Voice, One World. Biso, very good morning to you. 68 00:05:04,279 --> 00:05:06,560 Speaker 2: Thank you so much for your time talk to us 69 00:05:06,600 --> 00:05:08,880 Speaker 2: about why it was so important to be part of 70 00:05:09,680 --> 00:05:13,040 Speaker 2: One Voice, One World and what it meant to be 71 00:05:13,080 --> 00:05:16,040 Speaker 2: working with Lady Smith Black Members or such an iconic 72 00:05:16,600 --> 00:05:18,240 Speaker 2: group on this body of work. 73 00:05:20,400 --> 00:05:23,279 Speaker 4: Thank you so much for having us. I think for me, 74 00:05:24,640 --> 00:05:28,080 Speaker 4: when I started as a musician, my only hope was 75 00:05:28,120 --> 00:05:31,119 Speaker 4: to have a picture with the Black Members. So now 76 00:05:31,320 --> 00:05:36,560 Speaker 4: being involved in the recording, it's something unimaginable even for 77 00:05:36,839 --> 00:05:39,960 Speaker 4: where I come from in a show, I think it's 78 00:05:39,960 --> 00:05:42,039 Speaker 4: going to bring a hope if you look at the 79 00:05:42,240 --> 00:05:46,599 Speaker 4: history or what bons Chab just said, the history of 80 00:05:46,680 --> 00:05:51,200 Speaker 4: a collaborative nature of the brand Lady Smith Black Members. 81 00:05:51,880 --> 00:05:55,880 Speaker 4: This now sets a tone for the next generation to 82 00:05:55,960 --> 00:06:00,920 Speaker 4: come that Professor Joseph Schabalali and other icons to come 83 00:06:00,960 --> 00:06:04,000 Speaker 4: to South Africa. This is a trend we need to 84 00:06:04,240 --> 00:06:08,240 Speaker 4: ascribe value to our own heritage and culture. And if 85 00:06:08,279 --> 00:06:11,120 Speaker 4: you look at the History Office Katamir where people who 86 00:06:11,160 --> 00:06:15,040 Speaker 4: are living their homes, this is a very important story 87 00:06:15,800 --> 00:06:18,000 Speaker 4: to tell because there were times where people who are 88 00:06:18,000 --> 00:06:22,920 Speaker 4: missing their homes, working in file, working in Joe bag Devin. Now, 89 00:06:23,160 --> 00:06:26,080 Speaker 4: if they're missing their families, they will try to sing 90 00:06:26,120 --> 00:06:28,240 Speaker 4: and turn and someone who else will say, hey, they're 91 00:06:28,279 --> 00:06:33,480 Speaker 4: gonna arrest you some fine. So it black mambas symbolizes 92 00:06:33,920 --> 00:06:37,320 Speaker 4: the very, very epitome of our heritage and history in 93 00:06:37,320 --> 00:06:38,440 Speaker 4: South Africa. 94 00:06:38,600 --> 00:06:42,320 Speaker 2: So much of the work that you do is around archiving, 95 00:06:42,520 --> 00:06:47,440 Speaker 2: around history, about remembering, you know, kind of going back 96 00:06:47,520 --> 00:06:51,040 Speaker 2: to remember what was lost and kind of help us 97 00:06:51,160 --> 00:06:54,680 Speaker 2: know who we are. And I'm interested in how this 98 00:06:54,839 --> 00:06:57,719 Speaker 2: also fits in the work you've done now with Lady Smith, 99 00:06:58,080 --> 00:07:02,040 Speaker 2: how that fits into that important work of archiving and 100 00:07:02,160 --> 00:07:06,760 Speaker 2: kind of memorializing important history. 101 00:07:07,760 --> 00:07:12,200 Speaker 4: What excites me more about this project with Lady Smith 102 00:07:12,200 --> 00:07:15,880 Speaker 4: blad Mambasi and talked him to Zmacating, is that it 103 00:07:16,000 --> 00:07:20,640 Speaker 4: start Amya actually is mothered by the indigenous music called 104 00:07:20,800 --> 00:07:24,880 Speaker 4: mahob only when people began to move and work in 105 00:07:24,920 --> 00:07:29,600 Speaker 4: the eppening areas were exposed to three part harmony. And 106 00:07:30,040 --> 00:07:33,559 Speaker 4: but if you look at the plate mambasos music, because 107 00:07:33,600 --> 00:07:37,200 Speaker 4: it's start Ama has different styles. There is a scholar Joe, 108 00:07:40,320 --> 00:07:43,400 Speaker 4: but if we look at plet Mambasa, it's more I 109 00:07:43,440 --> 00:07:50,160 Speaker 4: can come UPSU. There is a dignity w if you 110 00:07:50,240 --> 00:07:52,960 Speaker 4: if you think of Professor Shabala, then go back to 111 00:07:52,960 --> 00:08:00,560 Speaker 4: a mahob when it start at home saying no and 112 00:08:00,640 --> 00:08:05,480 Speaker 4: go to It's one of the same thing but in 113 00:08:05,680 --> 00:08:09,240 Speaker 4: a completely evolved well. So for me, this is a 114 00:08:09,440 --> 00:08:13,040 Speaker 4: very exciting time and I think South Africa, especially the 115 00:08:13,200 --> 00:08:16,040 Speaker 4: young people, this is the time to learn about who 116 00:08:16,040 --> 00:08:18,640 Speaker 4: they are that I. 117 00:08:18,680 --> 00:08:22,000 Speaker 2: Just want to come back to you here. So One Voice, 118 00:08:22,000 --> 00:08:24,080 Speaker 2: One World is out. I know you guys are in 119 00:08:24,160 --> 00:08:26,840 Speaker 2: the country briefly last year and we were lucky enough 120 00:08:26,840 --> 00:08:29,920 Speaker 2: to catch the show at the State Theater. Any plans 121 00:08:30,280 --> 00:08:33,960 Speaker 2: to launch the album or perform the album in South 122 00:08:34,000 --> 00:08:35,280 Speaker 2: Africa this year. 123 00:08:37,559 --> 00:08:41,480 Speaker 1: Yes, that's what we are talking about. We want to 124 00:08:41,559 --> 00:08:44,439 Speaker 1: launch the album when we come back because right now 125 00:08:44,480 --> 00:08:48,440 Speaker 1: we are on tour in America. We just finished the 126 00:08:48,520 --> 00:08:54,760 Speaker 1: show in Missouri Saint Louis. We're going to Ohio tomorrow, 127 00:08:55,920 --> 00:08:59,280 Speaker 1: but we're coming back end of a plane. So we 128 00:08:59,360 --> 00:09:04,160 Speaker 1: are planning to launch the album and also maybe do 129 00:09:04,679 --> 00:09:09,880 Speaker 1: two or three shows together before the end of the 130 00:09:09,920 --> 00:09:15,880 Speaker 1: time tends because as you know, doctor Dodoso is very 131 00:09:15,920 --> 00:09:20,520 Speaker 1: busy touring as well. Also it's in out theater is 132 00:09:20,720 --> 00:09:26,720 Speaker 1: out touring some way, so therese are very busy people. 133 00:09:26,800 --> 00:09:30,080 Speaker 1: The two we can't just say tomorrow, let's do this, 134 00:09:30,200 --> 00:09:34,680 Speaker 1: but we are planning on doing something when we come back. 135 00:09:34,800 --> 00:09:38,000 Speaker 1: We are doing a launch in starting launch wonderful. 136 00:09:38,040 --> 00:09:40,680 Speaker 2: That sounds exciting. And thank you both very much for 137 00:09:40,679 --> 00:09:43,520 Speaker 2: giving us your time this morning. I really appreciate you 138 00:09:43,640 --> 00:09:46,319 Speaker 2: giving us part of your Sunday to join us on 139 00:09:46,360 --> 00:09:49,480 Speaker 2: the music Horner, thank you so much. 140 00:09:49,600 --> 00:09:53,520 Speaker 4: One the album is out, One Voice, One Wild, the 141 00:09:53,600 --> 00:09:55,120 Speaker 4: Ladies Miss Black members. 142 00:09:54,920 --> 00:09:57,680 Speaker 2: Thank you very much. Joined on the line by sponsor 143 00:09:58,440 --> 00:10:03,080 Speaker 2: Leader of Ladies, Smith Mambaso. Also joined by Rabin Busso Carza, 144 00:10:03,440 --> 00:10:07,280 Speaker 2: a historian, a cultural activist, a visionary who's also a 145 00:10:07,320 --> 00:10:11,640 Speaker 2: co collaborator along with doctor Duduzo Marcatini on One World, 146 00:10:11,800 --> 00:10:13,920 Speaker 2: One Voice, Coming Up. We find out what's coming up 147 00:10:14,200 --> 00:10:16,120 Speaker 2: on Soulful Sunday with Kenny Maistry