1 00:00:00,920 --> 00:00:04,800 Speaker 1: This is Breakfast with Bongani on seven two. 2 00:00:05,280 --> 00:00:12,399 Speaker 2: Little you're looking for powerful, thought provoking theater, look no further. 3 00:00:13,160 --> 00:00:19,200 Speaker 2: Momo stepping out of character and this time into her 4 00:00:19,280 --> 00:00:24,400 Speaker 2: own story. I'm Momo and I have issues. She's here 5 00:00:24,440 --> 00:00:28,200 Speaker 2: to tell us all about it. Pleasure to have you 6 00:00:28,240 --> 00:00:28,880 Speaker 2: on the show. 7 00:00:28,960 --> 00:00:32,120 Speaker 1: Good morning, good morning, Thank you so much for having me. 8 00:00:32,479 --> 00:00:38,000 Speaker 2: This is raw, funny but uncomfortable self examination, is. 9 00:00:38,000 --> 00:00:42,600 Speaker 1: It not, Yes, it is, but it's necessary in order 10 00:00:42,680 --> 00:00:45,599 Speaker 1: for not just me to reflect on where I am, 11 00:00:45,720 --> 00:00:48,840 Speaker 1: the country I live in, and how everything that happens 12 00:00:49,200 --> 00:00:52,879 Speaker 1: continues to influence you socio politically or economically. But it's 13 00:00:52,920 --> 00:00:55,720 Speaker 1: also an opportunity for the audience to also come and 14 00:00:55,800 --> 00:00:59,080 Speaker 1: see their issues in me and leave understanding that we 15 00:00:59,160 --> 00:01:01,440 Speaker 1: have a lot of work to do. As the civilians 16 00:01:01,440 --> 00:01:02,400 Speaker 1: of this concert. 17 00:01:02,160 --> 00:01:07,440 Speaker 2: Listen without being that Nami friend, I'm writing. I'm writing 18 00:01:07,480 --> 00:01:10,200 Speaker 2: an autobiography. And one of the first things as you 19 00:01:10,280 --> 00:01:13,160 Speaker 2: share things, you think, gosh, what are people going to say? 20 00:01:13,240 --> 00:01:14,280 Speaker 2: How did you overcome that? 21 00:01:15,160 --> 00:01:18,240 Speaker 1: Oh my gosh, I almost did not publish. So I've 22 00:01:18,280 --> 00:01:21,520 Speaker 1: just recently published this book called Played by More Moments 23 00:01:21,600 --> 00:01:24,639 Speaker 1: Nani Volume one, and it consists of three of my works, 24 00:01:24,720 --> 00:01:29,880 Speaker 1: namely Penny and Learn and and I was freaking out 25 00:01:29,920 --> 00:01:32,880 Speaker 1: because I'm just like it was going to be scrutinizing 26 00:01:32,920 --> 00:01:36,959 Speaker 1: my writing. What I'm no, you know, Shakespeare. I'm just 27 00:01:37,160 --> 00:01:39,559 Speaker 1: more moments nanny with a whole bunch of stories to share. 28 00:01:40,080 --> 00:01:42,080 Speaker 1: But really, at the end of the day, what matters 29 00:01:42,160 --> 00:01:44,440 Speaker 1: most is that the stories exist and that they're out there, 30 00:01:44,480 --> 00:01:46,479 Speaker 1: and more importantly, that they're accessible. 31 00:01:46,760 --> 00:01:52,120 Speaker 2: It's a go easy, go easy on me. Listen. It's 32 00:01:52,120 --> 00:01:56,320 Speaker 2: such a South African thing to use humor to talk 33 00:01:56,360 --> 00:02:00,880 Speaker 2: about heavy issues, right, Yes, and that's what you do 34 00:02:01,560 --> 00:02:03,560 Speaker 2: in terms of being able to bring up topics like 35 00:02:03,640 --> 00:02:05,720 Speaker 2: mental health and trauma. 36 00:02:05,760 --> 00:02:08,720 Speaker 1: Sure, look, I think it's a dicey space. I think 37 00:02:08,840 --> 00:02:12,079 Speaker 1: the trauma of post Abatgate has kind of allowed us 38 00:02:12,120 --> 00:02:15,720 Speaker 1: into a comato's humorous state, right, and so as a 39 00:02:15,720 --> 00:02:18,960 Speaker 1: way of coaching, which is constantly making jokes, which to 40 00:02:19,040 --> 00:02:21,359 Speaker 1: a certain degree has also just made us a lot 41 00:02:21,440 --> 00:02:25,680 Speaker 1: more complacent and with less agency as a society. However, 42 00:02:26,240 --> 00:02:29,519 Speaker 1: I use humor. So I also studied comedy in university. 43 00:02:29,560 --> 00:02:32,000 Speaker 1: In third year, we had an opportunity to choose improvisation 44 00:02:32,040 --> 00:02:34,639 Speaker 1: of comedy, and I chose comedy because even as I 45 00:02:34,680 --> 00:02:37,200 Speaker 1: was growing up, there was something about comedy that made 46 00:02:37,200 --> 00:02:40,600 Speaker 1: people look so vulnerable, and I saw how audiences were 47 00:02:40,639 --> 00:02:44,040 Speaker 1: able to let their guards down and participate, but not 48 00:02:44,120 --> 00:02:46,840 Speaker 1: in a way that they feel judged. And so this 49 00:02:47,280 --> 00:02:51,360 Speaker 1: I mean, I like to describe comedy and tragedy as siblings. 50 00:02:51,440 --> 00:02:53,920 Speaker 1: You know, one can't exist without the other. And so 51 00:02:54,120 --> 00:02:57,040 Speaker 1: sometimes in order to really deal with the serious stuff, 52 00:02:57,400 --> 00:03:00,040 Speaker 1: you allow the audience to relax, make them think this 53 00:03:00,120 --> 00:03:02,840 Speaker 1: is going to be a party, and then you oo, 54 00:03:03,000 --> 00:03:04,320 Speaker 1: is a real issue. 55 00:03:05,840 --> 00:03:09,360 Speaker 2: I suppose you want your audiences certainly to be challenged, 56 00:03:10,040 --> 00:03:14,560 Speaker 2: maybe even entertained, but dare I say even healed. 57 00:03:15,600 --> 00:03:19,880 Speaker 1: Absolutely, because that's why we make art, right. We make 58 00:03:20,040 --> 00:03:23,000 Speaker 1: art so we can reflect the time. There's a saying 59 00:03:23,000 --> 00:03:25,200 Speaker 1: that if you want to know about a society, look 60 00:03:25,280 --> 00:03:27,800 Speaker 1: to the art of the time, and so it's important 61 00:03:27,840 --> 00:03:30,639 Speaker 1: that we don't just create this to point fingers. We're 62 00:03:30,680 --> 00:03:33,840 Speaker 1: also implicating ourselves in the state of our nation, but 63 00:03:33,919 --> 00:03:37,400 Speaker 1: at the same time saying, how can we do something 64 00:03:37,440 --> 00:03:40,040 Speaker 1: about it and move forward? Yes, it's funny, but at 65 00:03:40,040 --> 00:03:43,000 Speaker 1: the same time, there's a truth that sits in the audience. 66 00:03:43,040 --> 00:03:47,080 Speaker 1: Someone described the work as like bold, and just when 67 00:03:47,160 --> 00:03:49,280 Speaker 1: you think you're laughing, there's an echo of a gasp. 68 00:03:49,840 --> 00:03:52,960 Speaker 1: But it's also in aid of the healing that desperately 69 00:03:53,000 --> 00:03:53,720 Speaker 1: needs to happen. 70 00:03:54,200 --> 00:03:57,320 Speaker 2: It's called I Am More More and I Have Issues. 71 00:03:57,400 --> 00:04:00,160 Speaker 2: You can catch us from the twenty sixth to the 72 00:04:00,160 --> 00:04:03,840 Speaker 2: twenty eighth of March, so that's this weekend and starting 73 00:04:03,840 --> 00:04:07,120 Speaker 2: at seven pm at the Joebig Theater and you can 74 00:04:07,120 --> 00:04:10,320 Speaker 2: get your tickets for a lowly one hundred and eighty 75 00:04:10,480 --> 00:04:18,160 Speaker 2: RM for entertainment, challenge and healing. Good luck, have a fun, 76 00:04:18,839 --> 00:04:21,039 Speaker 2: have a fun show this weekend and break a leg 77 00:04:21,040 --> 00:04:23,400 Speaker 2: as they say, hey, thank you so much. 78 00:04:23,440 --> 00:04:26,080 Speaker 1: I will definitely break all the leaks. 79 00:04:26,120 --> 00:04:30,720 Speaker 2: Fantastic stuff. I'm Mormo and I Have Issues. Don't miss it. 80 00:04:31,000 --> 00:04:35,040 Speaker 1: Seven podcasts are on seven suits dot co dot