1
00:00:00,160 --> 00:00:03,360
Speaker 1: There's an awful lot going on on social media and

2
00:00:03,400 --> 00:00:06,120
Speaker 1: things like that. It's awful lot of content, an awful

3
00:00:06,160 --> 00:00:10,440
Speaker 1: lot of content, Darling. Some content that I have enjoyed

4
00:00:10,600 --> 00:00:14,560
Speaker 1: enormously comes courtesy of my next guest. And let's take

5
00:00:14,600 --> 00:00:16,680
Speaker 1: a little listen to him in action.

6
00:00:17,480 --> 00:00:20,360
Speaker 2: Okay, No, we love it. Okay, Well, good luck and

7
00:00:21,040 --> 00:00:23,680
Speaker 2: good luck with the renovation. Hey, I hope it goes well.

8
00:00:24,040 --> 00:00:26,200
Speaker 2: Don't be anibbed not.

9
00:00:26,400 --> 00:00:30,160
Speaker 1: In his kway jacket today. Glenn Vidaman Palm is in

10
00:00:30,240 --> 00:00:30,960
Speaker 1: studio with us.

11
00:00:31,040 --> 00:00:34,240
Speaker 2: Hello, it's so good to be here. Thank you, Sarah Jane.

12
00:00:34,440 --> 00:00:36,199
Speaker 1: I am mildly obsessed with you.

13
00:00:36,280 --> 00:00:38,880
Speaker 2: I'm a big fan of you too. I like your smile,

14
00:00:39,240 --> 00:00:41,960
Speaker 2: I love your studio, and I like your show very much.

15
00:00:42,040 --> 00:00:44,479
Speaker 1: You are a sweetheart. I've been wanting to have you

16
00:00:44,520 --> 00:00:47,320
Speaker 1: in studio for such a long time and it's entirely

17
00:00:47,360 --> 00:00:49,400
Speaker 1: indulgent of me because I just like to pick people

18
00:00:49,440 --> 00:00:52,959
Speaker 1: who I find funny and fun and exciting, and so

19
00:00:53,080 --> 00:00:56,480
Speaker 1: that is your Remit, be funny, fun and exciting, please

20
00:00:56,600 --> 00:00:56,960
Speaker 1: or leave.

21
00:00:57,240 --> 00:00:59,840
Speaker 2: That's I'll do my best. I mean, it is Saturday

22
00:00:59,840 --> 00:01:01,760
Speaker 2: more and I did have one or two glasses of

23
00:01:03,040 --> 00:01:05,680
Speaker 2: sparkling water was last night.

24
00:01:05,920 --> 00:01:08,680
Speaker 1: You've come straight from the marathon. I got it, Yes, exactly,

25
00:01:08,840 --> 00:01:09,720
Speaker 1: shouted and change.

26
00:01:09,720 --> 00:01:12,160
Speaker 2: Absolutely, it was lovely. A big shout out to the

27
00:01:12,480 --> 00:01:15,120
Speaker 2: marathon people for doing that for us. We yeah, the

28
00:01:15,160 --> 00:01:18,160
Speaker 2: fifty six I think I did. I can't remember.

29
00:01:18,200 --> 00:01:21,119
Speaker 1: It was a blur all of that stuff. Listen here,

30
00:01:22,360 --> 00:01:27,640
Speaker 1: you're when you were a small glen, younger glen. What

31
00:01:27,760 --> 00:01:30,720
Speaker 1: was the what was the what was the idea that

32
00:01:31,040 --> 00:01:33,200
Speaker 1: you would be as a bigger Glen.

33
00:01:34,080 --> 00:01:41,560
Speaker 2: I've always been weirdly obsessed with affirmation. I can't get

34
00:01:41,680 --> 00:01:45,240
Speaker 2: enough of it. I need it. I thrive off it.

35
00:01:45,520 --> 00:01:49,520
Speaker 2: But life blood, Yeah, it's it's it's almost impossible not to.

36
00:01:50,480 --> 00:01:52,800
Speaker 2: But but on a serious note, performing was something that

37
00:01:52,800 --> 00:01:57,800
Speaker 2: I fell in love with very early on stage theater,

38
00:01:58,480 --> 00:02:02,280
Speaker 2: studied drama, you see t when we were able to

39
00:02:02,480 --> 00:02:05,360
Speaker 2: do some some fun stuff there, and then went on

40
00:02:05,440 --> 00:02:08,359
Speaker 2: to to get into stand up comedy and now a

41
00:02:08,480 --> 00:02:13,639
Speaker 2: more kind of social stand up comedy, a social media content.

42
00:02:14,320 --> 00:02:18,639
Speaker 2: And the reason for that was because, well a few reasons,

43
00:02:18,680 --> 00:02:21,600
Speaker 2: but mainly because you can reach a much larger audience

44
00:02:22,080 --> 00:02:25,799
Speaker 2: with you know, with a joke or a sketch. You've

45
00:02:25,840 --> 00:02:29,239
Speaker 2: also got a little bit more kind of devices with

46
00:02:29,680 --> 00:02:33,720
Speaker 2: a camera and you know, you can use locations and

47
00:02:33,800 --> 00:02:36,920
Speaker 2: you can paint the picture a little bit better. And

48
00:02:37,040 --> 00:02:40,320
Speaker 2: but you know, a huge shout out to the stand

49
00:02:40,400 --> 00:02:44,840
Speaker 2: up comedy icons of South Africa. Those guys and girls

50
00:02:44,840 --> 00:02:48,840
Speaker 2: are are really it's hard. It's a very difficult industry.

51
00:02:49,120 --> 00:02:52,200
Speaker 2: Not just because it's difficult to write jokes and do

52
00:02:52,320 --> 00:02:55,600
Speaker 2: well in front of an audience, but the lifestyle itself

53
00:02:55,720 --> 00:02:59,880
Speaker 2: is really tough. If you imagine, you know, you're often

54
00:03:00,240 --> 00:03:03,920
Speaker 2: relaxing while everyone else is working on a Tuesday afternoon,

55
00:03:03,960 --> 00:03:06,440
Speaker 2: and then you've got to go to work when everyone

56
00:03:06,480 --> 00:03:09,200
Speaker 2: comes home from from work, and you've got to leave

57
00:03:09,240 --> 00:03:12,519
Speaker 2: your bry and go and perform somewhere in Monte Casino

58
00:03:12,919 --> 00:03:15,960
Speaker 2: or Grand West or wherever it is. So it's a

59
00:03:16,000 --> 00:03:19,239
Speaker 2: difficult job. And just bear that in mind when when

60
00:03:19,240 --> 00:03:21,400
Speaker 2: you guys go out to watch the Mark Lotterings and

61
00:03:21,400 --> 00:03:23,760
Speaker 2: the Alan Committees and the Sculper Sad Notes and all

62
00:03:23,760 --> 00:03:28,320
Speaker 2: those wonderful comics that you know, it's a grind and

63
00:03:28,360 --> 00:03:30,720
Speaker 2: it's difficult, and they've put a lot of work into

64
00:03:30,840 --> 00:03:35,560
Speaker 2: the material and it's unfortunate that there are such The

65
00:03:35,600 --> 00:03:38,640
Speaker 2: pool has shrunk quite a lot but there are a

66
00:03:38,680 --> 00:03:41,760
Speaker 2: lot of many, many, many social media comedians that are

67
00:03:41,920 --> 00:03:47,600
Speaker 2: just as good. I think of Jam Jam Yeah, Robin Timber.

68
00:03:47,680 --> 00:03:51,960
Speaker 2: Robin is amazing as well. The other day. Yeah, yeah,

69
00:03:52,000 --> 00:03:53,920
Speaker 2: I just I just come to talk about other people.

70
00:03:53,960 --> 00:03:55,200
Speaker 2: That's what I come to.

71
00:03:55,600 --> 00:03:58,040
Speaker 1: Taylor also, how I also enjoy enormously not that a

72
00:03:58,040 --> 00:03:58,800
Speaker 1: stand up comedian, but I.

73
00:03:58,880 --> 00:04:03,320
Speaker 2: Enjoy Yes, very very close friend of mine. And yeah,

74
00:04:03,360 --> 00:04:05,360
Speaker 2: we were at school together, and then we were also

75
00:04:05,400 --> 00:04:12,680
Speaker 2: on the same school. It's somewhere in RONDI bosh. Yeah, somewhere, dh,

76
00:04:12,720 --> 00:04:18,960
Speaker 2: it's a small Yes, I don't think you know, it's Bishops.

77
00:04:19,000 --> 00:04:20,640
Speaker 2: That's where I asked why I came here, just to

78
00:04:20,680 --> 00:04:23,000
Speaker 2: tell everyone on your show that I went to Bishops

79
00:04:23,839 --> 00:04:26,560
Speaker 2: and they can call in. My work is done. But

80
00:04:26,600 --> 00:04:29,160
Speaker 2: Anton and I were We were on a fun show

81
00:04:29,200 --> 00:04:33,679
Speaker 2: called Tally Babes, Tully's Wedding Diary, Tully's Joe Burg Diary.

82
00:04:33,720 --> 00:04:38,479
Speaker 2: And then yes, exactly, and and so we grew close

83
00:04:38,600 --> 00:04:43,560
Speaker 2: then and we've we were just chatting this morning. In fact, yes, yeah,

84
00:04:43,640 --> 00:04:45,880
Speaker 2: we we Our wives are friends. Will his fiance and

85
00:04:45,920 --> 00:04:46,320
Speaker 2: my wife.

86
00:04:48,000 --> 00:04:49,720
Speaker 1: That's a lovely force them to.

87
00:04:49,680 --> 00:04:51,479
Speaker 2: Be Well, you just said for some theme but I'm

88
00:04:51,480 --> 00:04:54,240
Speaker 2: just going to continue on with that. Take a sip

89
00:04:54,240 --> 00:04:57,279
Speaker 2: of your water. But yes, So to answer your question,

90
00:04:58,080 --> 00:05:01,000
Speaker 2: the performance side is made. I love it. I have

91
00:05:01,040 --> 00:05:04,560
Speaker 2: a lot of fun with it. But since having kind

92
00:05:04,560 --> 00:05:07,159
Speaker 2: of stepped back from stand up, I've gotten a lot

93
00:05:07,160 --> 00:05:12,120
Speaker 2: more into production and commercials directing. So I have a

94
00:05:12,120 --> 00:05:17,000
Speaker 2: production company called GBP Films, in which we shoot commercials

95
00:05:17,040 --> 00:05:20,880
Speaker 2: for big brands like you know, Checkers and Checkers sixty

96
00:05:20,920 --> 00:05:23,520
Speaker 2: sixty and Coca Cola and all the big ones, and

97
00:05:23,720 --> 00:05:29,360
Speaker 2: also direct two client smaller brands, but you know, interesting

98
00:05:29,440 --> 00:05:34,440
Speaker 2: amazing businesses, like We've just done a campaign for MoU Foods,

99
00:05:34,480 --> 00:05:38,400
Speaker 2: which is Nomu is the amazing skinny hot chocolate that's

100
00:05:38,560 --> 00:05:42,120
Speaker 2: very popular and they've got incredible spices. Yeah, they are

101
00:05:42,240 --> 00:05:45,320
Speaker 2: quind of sort of a premium brand, very very tasty.

102
00:05:45,360 --> 00:05:47,800
Speaker 2: They also do pink milk for the kids, which is

103
00:05:47,839 --> 00:05:51,440
Speaker 2: also tasty. And we did a four a four film

104
00:05:51,600 --> 00:05:56,240
Speaker 2: campaign with them now which we wrote and produced and

105
00:05:56,279 --> 00:05:59,719
Speaker 2: it's gone really really well on the socials, really funny,

106
00:05:59,760 --> 00:06:04,040
Speaker 2: quit edgy, it's about a family. It's all on their

107
00:06:04,360 --> 00:06:08,360
Speaker 2: social channels, on on Nomu's social channels or mine. It's

108
00:06:08,400 --> 00:06:13,440
Speaker 2: a it's kind of almost a sitcommy world. Yeah, a family.

109
00:06:13,480 --> 00:06:16,680
Speaker 2: We've called them the Maloyees, and it's it's it's all

110
00:06:16,680 --> 00:06:20,640
Speaker 2: about honesty. Honesty is the best ingredient. So there's a

111
00:06:20,680 --> 00:06:22,680
Speaker 2: the mom and her son and they're in the kitchen

112
00:06:22,720 --> 00:06:24,400
Speaker 2: and you think it's going to be quite a kind

113
00:06:24,400 --> 00:06:28,640
Speaker 2: of you know, easy, sort of almost washing powder commercial,

114
00:06:28,760 --> 00:06:31,039
Speaker 2: where you know, everything's quite clean and clinical, and he

115
00:06:31,080 --> 00:06:35,039
Speaker 2: says he's sad, and he says, you know, I'm I'm

116
00:06:35,080 --> 00:06:38,320
Speaker 2: really bad at soccer and rugby and she and she

117
00:06:38,440 --> 00:06:42,120
Speaker 2: continues and says and cricket and tennis, and but that's

118
00:06:42,160 --> 00:06:45,000
Speaker 2: okay because there's pink milk for that. Oh, very good,

119
00:06:45,040 --> 00:06:47,360
Speaker 2: and she slides it across. So it's those family moments

120
00:06:47,440 --> 00:06:50,000
Speaker 2: that are relevant and that we can all kind of agree,

121
00:06:50,320 --> 00:06:52,919
Speaker 2: agree that maybe it happened behind closed doors that we

122
00:06:52,960 --> 00:06:54,839
Speaker 2: want to say. We want to say, it's fine that

123
00:06:54,880 --> 00:06:57,520
Speaker 2: you suck at sport, but you're good at other things,

124
00:06:57,800 --> 00:06:59,680
Speaker 2: Like you came fifth in your math test, which I

125
00:06:59,680 --> 00:07:01,600
Speaker 2: don't know if that's good or not, but it's something

126
00:07:01,720 --> 00:07:04,479
Speaker 2: you know. And those are the kinds of human truths

127
00:07:04,480 --> 00:07:07,760
Speaker 2: that we're tapping into with GBP films and the kinds

128
00:07:07,800 --> 00:07:11,239
Speaker 2: of comedies that we want to be making with brands

129
00:07:11,280 --> 00:07:13,520
Speaker 2: that are a little bit more kind of a bit

130
00:07:13,560 --> 00:07:16,680
Speaker 2: more brave and and have a little bit more because

131
00:07:16,720 --> 00:07:18,360
Speaker 2: there's so much clutter out there. You know.

132
00:07:18,400 --> 00:07:20,320
Speaker 1: I'll tell you I love a brave brand, and I

133
00:07:20,360 --> 00:07:23,720
Speaker 1: say that completely not I'm being very I really do.

134
00:07:23,880 --> 00:07:26,040
Speaker 1: I love when a brand will be like, you know what.

135
00:07:26,160 --> 00:07:30,960
Speaker 1: Let's just because the amount of stuff that's being thrown

136
00:07:31,000 --> 00:07:33,880
Speaker 1: at us every day, and it's like if you if

137
00:07:33,920 --> 00:07:36,080
Speaker 1: you want, if you want me, work for me, and

138
00:07:36,120 --> 00:07:39,560
Speaker 1: that I find to be a metaphor.

139
00:07:39,160 --> 00:07:41,400
Speaker 2: For lost absolutely. I mean, we did it with in

140
00:07:41,440 --> 00:07:43,920
Speaker 2: the early days with sixty sixty where you know, and

141
00:07:43,960 --> 00:07:46,559
Speaker 2: we still do with you know where we we cause

142
00:07:46,560 --> 00:07:49,160
Speaker 2: a little bit of chaos, you know, drop a few

143
00:07:49,200 --> 00:07:52,040
Speaker 2: bombs and get a little bit risky with the rugby stuff,

144
00:07:53,120 --> 00:07:55,360
Speaker 2: you know, just but it's all in good faith. That's

145
00:07:55,360 --> 00:07:57,840
Speaker 2: the big thing. And the same with Creepy Crawley. That

146
00:07:58,000 --> 00:08:01,280
Speaker 2: there was a Creepy Crawley spoof that I did called

147
00:08:01,360 --> 00:08:05,760
Speaker 2: My Creepy Teacher was spectacular. Thank you. That's very kind

148
00:08:05,840 --> 00:08:09,040
Speaker 2: of you. I appreciate that was brilliant, thank you. And

149
00:08:09,080 --> 00:08:12,920
Speaker 2: that's also a testament to my dear friend Mike Sharman,

150
00:08:13,000 --> 00:08:16,240
Speaker 2: who's I'm sure you know of brilliant advertiser. But the

151
00:08:16,280 --> 00:08:18,920
Speaker 2: big thing that I'm I'm trying to get at here

152
00:08:19,080 --> 00:08:21,480
Speaker 2: is it's important not to punch down. So we were

153
00:08:21,480 --> 00:08:24,160
Speaker 2: never trying to take the mickey out of Craig and

154
00:08:24,200 --> 00:08:24,679
Speaker 2: his team.

155
00:08:24,880 --> 00:08:30,360
Speaker 1: Most good, thinking, intelligent people got that.

156
00:08:30,840 --> 00:08:32,120
Speaker 2: Thank you. That's kind.

157
00:08:32,200 --> 00:08:34,760
Speaker 1: It's hard, and there is where I will leave my

158
00:08:34,880 --> 00:08:35,679
Speaker 1: comments on that.

159
00:08:36,040 --> 00:08:41,200
Speaker 2: Okay, I pick up what you're putting down. They all

160
00:08:41,240 --> 00:08:43,880
Speaker 2: loved it. His team liked it. I think the yeah

161
00:08:44,000 --> 00:08:47,839
Speaker 2: they did, they sent, they sent congratulations and thank you

162
00:08:47,920 --> 00:08:49,800
Speaker 2: because I mean, we also just a lot of people

163
00:08:49,800 --> 00:08:53,240
Speaker 2: who hadn't seen the Creepy documentary or the No the

164
00:08:53,280 --> 00:08:56,440
Speaker 2: Octopus documentary. Sorry I get confused which one was first.

165
00:08:56,760 --> 00:08:58,079
Speaker 2: I thought mine was first.

166
00:08:58,800 --> 00:09:00,880
Speaker 1: I did too. Actually he came along with his.

167
00:09:01,280 --> 00:09:03,880
Speaker 2: Yes, yes, Oscar winning things.

168
00:09:03,960 --> 00:09:05,720
Speaker 1: Yeah yeah, I mean what is an oscar?

169
00:09:05,920 --> 00:09:08,760
Speaker 2: Who knows? Who knows? Yeah?

170
00:09:08,800 --> 00:09:11,440
Speaker 1: Do you the fact that you're able to have fingers

171
00:09:11,440 --> 00:09:18,920
Speaker 1: in different pies and diversify your income essentially? Is that

172
00:09:18,960 --> 00:09:22,680
Speaker 1: but for a passion and stuff that keeps you excited?

173
00:09:22,720 --> 00:09:24,880
Speaker 1: Point of view? Is that really important for.

174
00:09:24,880 --> 00:09:27,600
Speaker 2: You absolutely, and they all bleed into each other, you know.

175
00:09:27,920 --> 00:09:30,160
Speaker 2: I think about it as all these different kind of

176
00:09:30,360 --> 00:09:33,160
Speaker 2: ships and boats in the harbor that are all kind

177
00:09:33,200 --> 00:09:37,920
Speaker 2: of contributing to the same pile of hopefully not junk,

178
00:09:38,000 --> 00:09:42,240
Speaker 2: but gold. And you know, so for example, as I said,

179
00:09:42,360 --> 00:09:46,880
Speaker 2: I can use my directorial skills to shoot a sketch

180
00:09:47,679 --> 00:09:50,480
Speaker 2: and edit it in a way that I understand because

181
00:09:50,520 --> 00:09:54,640
Speaker 2: I've you know, honed those skills from you know, from

182
00:09:55,240 --> 00:09:59,800
Speaker 2: directing and crafting commercials for twelve fifteen years. It's easy

183
00:09:59,800 --> 00:10:03,120
Speaker 2: for just to envision and see how this kind of

184
00:10:03,920 --> 00:10:06,200
Speaker 2: sketch is going to work. And the same goes with

185
00:10:06,280 --> 00:10:10,959
Speaker 2: writing writing comedy for again ten twelve years, bleeds into

186
00:10:11,000 --> 00:10:15,560
Speaker 2: being able to craft commercials for brands like Gnomu or

187
00:10:15,640 --> 00:10:20,720
Speaker 2: sixty sixty or whatever it is, Creepy Crawley. They all

188
00:10:20,800 --> 00:10:23,080
Speaker 2: kind of add to each other and I use those

189
00:10:23,920 --> 00:10:27,679
Speaker 2: It's important to keep those skills going. The performance stuff

190
00:10:27,720 --> 00:10:30,080
Speaker 2: is still there, you know, if you're doing content as

191
00:10:30,120 --> 00:10:33,680
Speaker 2: a I don't love like the word influencer, yeah, but

192
00:10:33,920 --> 00:10:37,680
Speaker 2: seland the hat I'm wearing. They come to me and

193
00:10:37,679 --> 00:10:40,000
Speaker 2: say we want something, you know, but very kind of

194
00:10:40,800 --> 00:10:42,560
Speaker 2: paired down and you don't have to mention us. We

195
00:10:42,679 --> 00:10:46,040
Speaker 2: just want the product to be incidental. I've got that

196
00:10:46,120 --> 00:10:49,280
Speaker 2: in my back pocket. So it's all kind of Yeah,

197
00:10:49,640 --> 00:10:54,120
Speaker 2: they're all interlinked, and it does feel sometimes, you know,

198
00:10:54,160 --> 00:10:59,600
Speaker 2: when someone says, what do you do? It's hard to explain. So, yeah, exactly,

199
00:11:00,240 --> 00:11:02,920
Speaker 2: they've got no idea. Yeah, no, no, I just I

200
00:11:03,000 --> 00:11:07,040
Speaker 2: just tell them I work for KPMG. You know, I

201
00:11:07,040 --> 00:11:09,600
Speaker 2: am Jewish at the end of the day, So the

202
00:11:09,640 --> 00:11:10,480
Speaker 2: accountant is.

203
00:11:10,440 --> 00:11:12,439
Speaker 1: That at the start of the day, folks, He's not just.

204
00:11:12,800 --> 00:11:16,160
Speaker 2: Yes all day, all day, all day. Yeah. Unfortunately, I

205
00:11:16,160 --> 00:11:18,000
Speaker 2: wish my maths was good, but it's not. So I

206
00:11:18,080 --> 00:11:20,240
Speaker 2: have to perform and I have to craft and I

207
00:11:20,280 --> 00:11:22,120
Speaker 2: have to be creative. But it all, you know, it

208
00:11:22,200 --> 00:11:24,480
Speaker 2: leads me to amazing opportunities to be able to talk

209
00:11:24,480 --> 00:11:26,920
Speaker 2: to one for people like yourself, like this.

210
00:11:26,840 --> 00:11:30,880
Speaker 1: Stuff, do you not? You can be totally honest.

211
00:11:31,400 --> 00:11:33,920
Speaker 2: I do enjoy it. I kind of dread it until

212
00:11:33,920 --> 00:11:40,520
Speaker 2: it happens. I'm not a natural extrovert. My friends and

213
00:11:40,559 --> 00:11:43,120
Speaker 2: Anton will will tell you it's you know. In fact,

214
00:11:43,200 --> 00:11:45,520
Speaker 2: he teases me a lot when we shoot tally beebs

215
00:11:45,520 --> 00:11:47,720
Speaker 2: and we call cut I just go into my cell

216
00:11:47,760 --> 00:11:51,600
Speaker 2: phone completely close up, just because I'm garnering a lot

217
00:11:51,640 --> 00:11:53,679
Speaker 2: of energy. It's not easy. We try and make it

218
00:11:53,720 --> 00:11:57,400
Speaker 2: look easy. Sure, and the same goes for you know,

219
00:11:58,400 --> 00:12:01,720
Speaker 2: other comedians and people Jason Goliaths of the World, Donovan

220
00:12:01,760 --> 00:12:05,120
Speaker 2: as well, Donovan Goliath. They are quite quiet people, you

221
00:12:05,120 --> 00:12:07,360
Speaker 2: know if you if you have lunch with them, and

222
00:12:07,600 --> 00:12:10,400
Speaker 2: because it takes a lot of brain power, So yeah,

223
00:12:10,400 --> 00:12:15,000
Speaker 2: I wouldn't say, you know, of course. And Mark Lottering, well,

224
00:12:15,040 --> 00:12:18,839
Speaker 2: I've the restraining order. I think that he's got is

225
00:12:19,200 --> 00:12:21,079
Speaker 2: coming to an end now, so we will see each

226
00:12:21,120 --> 00:12:23,360
Speaker 2: other soon. But he was a little bit I would

227
00:12:23,360 --> 00:12:24,680
Speaker 2: say stalker ish for a while.

228
00:12:24,920 --> 00:12:26,080
Speaker 1: He can he can be.

229
00:12:26,160 --> 00:12:26,760
Speaker 2: He can be.

230
00:12:26,840 --> 00:12:29,520
Speaker 1: That phone's going to ping in about three promise you

231
00:12:29,880 --> 00:12:31,839
Speaker 1: that phone's going to ping in about three seconds time.

232
00:12:31,880 --> 00:12:34,680
Speaker 1: And Lottering is going to be on their air, isn't

233
00:12:34,720 --> 00:12:41,360
Speaker 1: it tell me the people that you find funny? Who

234
00:12:41,360 --> 00:12:44,120
Speaker 1: do you? Was I have I made this up? Or

235
00:12:44,120 --> 00:12:48,160
Speaker 1: was I watching something with you? And Alan committed some bloopers?

236
00:12:49,400 --> 00:12:56,440
Speaker 2: He yeah, he is honestly breathless, wordless, ineffable is what

237
00:12:56,480 --> 00:13:00,240
Speaker 2: I would describe him as. And it's crazy that I

238
00:13:00,280 --> 00:13:03,040
Speaker 2: can call him my friend. I still think, Yeah, he

239
00:13:03,679 --> 00:13:08,080
Speaker 2: I think he sees it. He's I've grown up watching

240
00:13:08,200 --> 00:13:10,840
Speaker 2: him and I first performed with him at the Cape

241
00:13:10,840 --> 00:13:13,559
Speaker 2: to On Comedy Festival at the Backster a few years ago.

242
00:13:13,559 --> 00:13:15,520
Speaker 2: I couldn't believe it that I was on the same

243
00:13:15,559 --> 00:13:17,920
Speaker 2: lineup as him and Mark as well. I would actually

244
00:13:17,920 --> 00:13:20,000
Speaker 2: do an impression of Mark when he goes to the

245
00:13:20,040 --> 00:13:22,880
Speaker 2: waterfront and then people come up and they think he's

246
00:13:22,880 --> 00:13:26,080
Speaker 2: someone else and they ask for folk this and and

247
00:13:26,120 --> 00:13:28,760
Speaker 2: then I say, no, I'm Mark Lot and they say no,

248
00:13:28,920 --> 00:13:34,680
Speaker 2: I thought you were someone that's my Marks. And the

249
00:13:34,800 --> 00:13:37,719
Speaker 2: people disturb me and they say Mark and I say no,

250
00:13:37,880 --> 00:13:44,640
Speaker 2: I'm but but Alan, Alan is is something else. He's

251
00:13:44,760 --> 00:13:48,160
Speaker 2: just He's just I can't believe it is the intelligence

252
00:13:48,240 --> 00:13:50,640
Speaker 2: behind that man and the fact that I'm able to

253
00:13:50,679 --> 00:13:54,360
Speaker 2: go out for luncheon and and just enjoy his you know,

254
00:13:54,480 --> 00:13:58,160
Speaker 2: his his company. Yeah, yeah, it's something else. So I've

255
00:13:58,200 --> 00:14:01,360
Speaker 2: done a few jobs with him, did some work with

256
00:14:01,360 --> 00:14:05,679
Speaker 2: with Q one q key one International and then Bootlegger

257
00:14:05,679 --> 00:14:09,680
Speaker 2: as well. And it's it's I when I'm having a

258
00:14:09,720 --> 00:14:12,320
Speaker 2: bad day, I go and watch those bloopers that I

259
00:14:12,480 --> 00:14:15,800
Speaker 2: was in that I can just seeing seeing Alan making

260
00:14:15,800 --> 00:14:17,800
Speaker 2: me laugh is just it's too much. And that's the

261
00:14:17,840 --> 00:14:18,520
Speaker 2: fun is.

262
00:14:19,560 --> 00:14:21,920
Speaker 1: Lots of people now messaging in to talk about how one.

263
00:14:22,000 --> 00:14:25,040
Speaker 1: Oh here we go now this morning s J and Glenn.

264
00:14:25,360 --> 00:14:28,200
Speaker 1: So lovely to hear this lovely, creative young man's interview.

265
00:14:28,520 --> 00:14:30,960
Speaker 1: I loved the creepy October story and proudly showed it

266
00:14:31,000 --> 00:14:32,760
Speaker 1: to my friends. I met him when he was a

267
00:14:32,800 --> 00:14:36,000
Speaker 1: young boy with two boovier dogs, So please, so please

268
00:14:36,000 --> 00:14:38,520
Speaker 1: give him a hug from me, says Dorothy Deployed.

269
00:14:38,840 --> 00:14:44,920
Speaker 2: Dorothy Deployed, I remember her very well. She was our families.

270
00:14:45,760 --> 00:14:47,800
Speaker 1: Yeah, and dog and a half to have. I used

271
00:14:47,800 --> 00:14:49,000
Speaker 1: to live in a house with four of them.

272
00:14:49,080 --> 00:14:51,960
Speaker 2: Oh yeah, no, they are quite something something yeah, big

273
00:14:52,040 --> 00:14:56,640
Speaker 2: big black bears. But Dorothy deploy I remember from Pineland's

274
00:14:56,640 --> 00:14:58,240
Speaker 2: I think she used to live and she was I

275
00:14:58,360 --> 00:15:01,400
Speaker 2: had my I needed a Z for an ankle thing

276
00:15:01,480 --> 00:15:04,200
Speaker 2: that I had, and she helped me. And I remember

277
00:15:04,680 --> 00:15:07,840
Speaker 2: very clearly her. There was an alphabet on the wall.

278
00:15:07,920 --> 00:15:11,440
Speaker 2: I was probably I don't know, five or four. Yeah, no,

279
00:15:11,800 --> 00:15:14,000
Speaker 2: shout out to Dorothy deploy I'll never forget. I mean

280
00:15:14,040 --> 00:15:14,840
Speaker 2: what a name as well.

281
00:15:15,160 --> 00:15:16,840
Speaker 1: That's pretty good, isn't it, ah.

282
00:15:16,720 --> 00:15:20,720
Speaker 2: Man, Yes, love her we'll always love her shout out.

283
00:15:21,120 --> 00:15:23,360
Speaker 1: I love that, listen, I love that your memory has

284
00:15:23,400 --> 00:15:23,960
Speaker 1: taken us back.

285
00:15:24,080 --> 00:15:25,600
Speaker 2: No, I mean my memory. I don't know what I

286
00:15:25,640 --> 00:15:27,880
Speaker 2: did this morning, but I will never forget Dorothy deploy

287
00:15:28,040 --> 00:15:30,760
Speaker 2: we've gone. In fact, I was in Pineman's this morning

288
00:15:31,360 --> 00:15:33,880
Speaker 2: for puppy training. That's why I look like I do.

289
00:15:34,960 --> 00:15:39,520
Speaker 2: I've got a little golden doodle. Yes, yeah, I must

290
00:15:39,520 --> 00:15:44,720
Speaker 2: give a shout out to him. Yeah, his name is Blicky.

291
00:15:44,840 --> 00:15:45,720
Speaker 2: His name's Blicky.

292
00:15:46,280 --> 00:15:50,120
Speaker 1: How's the training going? Because that can be that can

293
00:15:50,200 --> 00:15:50,920
Speaker 1: be difficult.

294
00:15:51,000 --> 00:15:53,920
Speaker 2: It is difficult. Yeah, but luckily he's very food driven.

295
00:15:54,040 --> 00:15:55,240
Speaker 1: Do your hands smell of meat?

296
00:15:55,760 --> 00:15:58,240
Speaker 2: Yes? And I've probably got cheese and meat all over

297
00:15:58,320 --> 00:16:04,200
Speaker 2: my heart, jumper tree, I am. Yes, No, it's going well.

298
00:16:04,200 --> 00:16:06,320
Speaker 2: And he's got an older brother called Freddy, and they're

299
00:16:06,440 --> 00:16:10,200
Speaker 2: very cute. And yes, everyone's doing very well. They're out

300
00:16:10,240 --> 00:16:14,920
Speaker 2: in Pinelands doing the puppy training. But anyway, great, great

301
00:16:14,920 --> 00:16:16,520
Speaker 2: to hear that. What else can you tell me? Just

302
00:16:16,560 --> 00:16:18,520
Speaker 2: make make one up? Make one up?

303
00:16:19,080 --> 00:16:19,880
Speaker 1: Who is this?

304
00:16:20,880 --> 00:16:23,600
Speaker 2: Is it? Some hate? Is it? Anton? It's Anton? Haye?

305
00:16:24,200 --> 00:16:25,440
Speaker 2: Tell him I'm not talking to him.

306
00:16:25,720 --> 00:16:28,120
Speaker 1: Lottering and Anton and they've doubled up and they're coming.

307
00:16:29,600 --> 00:16:33,400
Speaker 1: There's there's nothing I can do about the entire Bishop's School. No,

308
00:16:33,640 --> 00:16:35,760
Speaker 1: that's something else, that's that's something I'm not going to read.

309
00:16:36,160 --> 00:16:38,480
Speaker 1: What's next for you? What's next that we need to

310
00:16:38,640 --> 00:16:40,280
Speaker 1: that we need to be on the pulse of.

311
00:16:40,640 --> 00:16:43,880
Speaker 2: Yeah, so you know, it's a it's an interesting one.

312
00:16:43,920 --> 00:16:47,600
Speaker 2: We've we've got who's that sorry trolling Glenn.

313
00:16:47,640 --> 00:16:49,840
Speaker 1: He needs to spend more time on his paddle and

314
00:16:49,960 --> 00:16:52,640
Speaker 1: less time doing press tools. Love Bruce.

315
00:16:53,240 --> 00:16:56,160
Speaker 2: Okay, that's that's Bruce to Sinton. I think and I

316
00:16:56,160 --> 00:16:58,240
Speaker 2: think the last time we played he did beat me.

317
00:16:58,360 --> 00:17:00,880
Speaker 2: But but I think he might have. Isn't my coffee?

318
00:17:00,960 --> 00:17:03,080
Speaker 2: Before we went on, I wasn't feeling very well.

319
00:17:05,400 --> 00:17:09,919
Speaker 1: But rolling on live radio, more power to your Albert.

320
00:17:10,080 --> 00:17:10,760
Speaker 1: What's coming up?

321
00:17:10,840 --> 00:17:13,920
Speaker 2: Yeah, so we've got well, there's a there's a couple

322
00:17:14,000 --> 00:17:17,199
Speaker 2: of big campaigns coming up that I'm working with with

323
00:17:17,320 --> 00:17:20,600
Speaker 2: the the Shopwright Group, which is Shopwright Checkers, all of

324
00:17:20,640 --> 00:17:25,040
Speaker 2: those big, lovely, lovely people there. You know, it's an

325
00:17:25,040 --> 00:17:28,840
Speaker 2: interesting one. We're in an interesting time with with Show

326
00:17:28,880 --> 00:17:32,000
Speaker 2: Max and well what with what was Show Max and

327
00:17:32,000 --> 00:17:35,320
Speaker 2: and Canal Plus and and things happening there, So I

328
00:17:35,320 --> 00:17:37,200
Speaker 2: don't know. Yeah, I don't know how much I can

329
00:17:37,240 --> 00:17:40,560
Speaker 2: say about it, but there are there's a there's a

330
00:17:40,560 --> 00:17:43,480
Speaker 2: big one in development. So yeah, watch the space.

331
00:17:43,840 --> 00:17:45,760
Speaker 1: It's been signed no longer on the desk in Paris.

332
00:17:46,119 --> 00:17:49,439
Speaker 2: Well we'll see about that. Yeah, so watch the space.

333
00:17:49,480 --> 00:17:53,000
Speaker 2: I'll be posting about it soon. There needs to be

334
00:17:53,080 --> 00:17:56,080
Speaker 2: more comedy South African comedy out there. That the the

335
00:17:56,200 --> 00:18:00,880
Speaker 2: Contour guys just did a great job. Come on, very good,

336
00:18:01,080 --> 00:18:03,800
Speaker 2: very good. And that's that's some good friends of mine.

337
00:18:03,920 --> 00:18:07,320
Speaker 2: But yeah, there needs to be more English stuff out there,

338
00:18:07,359 --> 00:18:10,640
Speaker 2: and and that's what we're chasing after. And we've we've

339
00:18:10,640 --> 00:18:13,600
Speaker 2: got stuff in development and hopefully we can get it

340
00:18:13,640 --> 00:18:16,320
Speaker 2: over the line very very soon. There's just this little

341
00:18:16,359 --> 00:18:21,560
Speaker 2: French speed bump that we're trying to navigate. Betty on

342
00:18:21,760 --> 00:18:24,000
Speaker 2: blin small moment, Patty, yes.

343
00:18:23,920 --> 00:18:28,520
Speaker 1: Petty, not for me to say it's nine thirty seven.

344
00:18:28,920 --> 00:18:31,280
Speaker 1: Glen Am I pronouncing that correct?

345
00:18:31,320 --> 00:18:35,119
Speaker 2: No, Glenn Close, I liked to co by Glenn.

346
00:18:34,880 --> 00:18:36,920
Speaker 1: Close and studio with us this morning. You can catch

347
00:18:37,000 --> 00:18:39,920
Speaker 1: his her very content. Where's what's that? What's that?

348
00:18:40,119 --> 00:18:43,240
Speaker 2: And Glenn Bidam and Pam there we go oh gbp films.

349
00:18:43,240 --> 00:18:45,200
Speaker 2: You can look for that as well. Thank you.

350
00:18:45,400 --> 00:18:46,560
Speaker 1: This has been really a treat.

351
00:18:46,680 --> 00:18:47,520
Speaker 2: Love trying to you.

352
00:18:47,720 --> 00:18:49,000
Speaker 1: I have enjoyed this enormously