1 00:00:00,120 --> 00:00:06,400 Speaker 1: Another big interview Top forty year are wety David Durman. 2 00:00:06,559 --> 00:00:08,680 Speaker 1: You know Morning Lights is doing very well on the 3 00:00:08,760 --> 00:00:11,440 Speaker 1: k from Top forty. By the way, I didn't message 4 00:00:11,440 --> 00:00:13,360 Speaker 1: you when it actually debuted. Apologies. 5 00:00:13,480 --> 00:00:16,120 Speaker 2: I saw a lot of nice comments from people coming through. 6 00:00:16,200 --> 00:00:18,160 Speaker 1: I think it's because the way you set it up 7 00:00:18,200 --> 00:00:18,840 Speaker 1: was so beautiful. 8 00:00:18,880 --> 00:00:19,000 Speaker 2: Man. 9 00:00:19,079 --> 00:00:21,440 Speaker 1: It was connected to family and you know, being an uncle, 10 00:00:21,480 --> 00:00:23,480 Speaker 1: and I think that's the beauty of it. But now, 11 00:00:23,680 --> 00:00:25,640 Speaker 1: in that interview that you and I had, you played 12 00:00:25,640 --> 00:00:28,600 Speaker 1: me two songs from your phone. Yes, well, one of 13 00:00:28,640 --> 00:00:31,400 Speaker 1: those tracks I know you, YOU know me, I know you. 14 00:00:31,880 --> 00:00:33,800 Speaker 1: But what I don't know is one of the tracks 15 00:00:33,800 --> 00:00:35,760 Speaker 1: you played me was was it I know you? 16 00:00:36,040 --> 00:00:40,479 Speaker 3: That's the one. So the songs out yesterday? I know you? 17 00:00:40,920 --> 00:00:43,320 Speaker 1: Now you need to tell me I Know You is 18 00:00:43,440 --> 00:00:45,080 Speaker 1: a track that you played for me from the cell phone. 19 00:00:45,120 --> 00:00:47,400 Speaker 1: Now I can hear the mastered copy. Now you can 20 00:00:47,440 --> 00:00:50,040 Speaker 1: give it the proper introduction it deserves. It's no longer 21 00:00:50,040 --> 00:00:53,559 Speaker 1: a ring tone. It's now live, mastered and ready, So 22 00:00:53,640 --> 00:00:56,440 Speaker 1: give it the backing. Remember when you set up Morning Light, 23 00:00:56,520 --> 00:00:59,080 Speaker 1: it was perfect. People were like in tears. Now I 24 00:00:59,120 --> 00:01:00,680 Speaker 1: know you give it the same setting. 25 00:01:00,680 --> 00:01:03,160 Speaker 2: Why not, well, this is the song that's going to 26 00:01:03,240 --> 00:01:05,480 Speaker 2: be that, you know, I believe in a live show. Yeah, 27 00:01:05,520 --> 00:01:07,520 Speaker 2: you need your upsolutely downs, and this is going to 28 00:01:07,520 --> 00:01:09,480 Speaker 2: be the top up of the ups, you know, in 29 00:01:09,560 --> 00:01:11,560 Speaker 2: the lights of flashing, when we've got the energy and 30 00:01:11,600 --> 00:01:14,120 Speaker 2: we're sweating on stage and the crowd's jumping. This is 31 00:01:14,120 --> 00:01:17,319 Speaker 2: my song that's under you. And I've always envisioned it 32 00:01:17,360 --> 00:01:18,880 Speaker 2: to be that way, and I've been holding it for 33 00:01:18,920 --> 00:01:21,120 Speaker 2: a while and I just decided, Okay, now it's a 34 00:01:21,120 --> 00:01:22,640 Speaker 2: good time to get it out there for all the 35 00:01:22,680 --> 00:01:25,080 Speaker 2: shows I'll be playing in you know, early next year. 36 00:01:24,880 --> 00:01:27,960 Speaker 3: In the summertime shows. So just so excited to get 37 00:01:27,959 --> 00:01:30,360 Speaker 3: it going. Man, I don't believe in genre. I tell 38 00:01:30,400 --> 00:01:31,000 Speaker 3: everybody this. 39 00:01:31,319 --> 00:01:33,319 Speaker 1: I think that you need to express yourself in the 40 00:01:33,360 --> 00:01:35,080 Speaker 1: way you want to express yourself. You don't have to 41 00:01:35,080 --> 00:01:38,000 Speaker 1: say I'm a folk artist. I can't go there. I 42 00:01:38,040 --> 00:01:41,320 Speaker 1: can't like Lincoln Park because I'm a folk artist. No, Like, 43 00:01:41,360 --> 00:01:43,720 Speaker 1: you want to express yourself and you want to use 44 00:01:43,760 --> 00:01:46,319 Speaker 1: whatever pen that you have in front of you to 45 00:01:46,440 --> 00:01:49,520 Speaker 1: color in what the message is, and that's how it goes, dude. 46 00:01:49,560 --> 00:01:52,640 Speaker 3: So I'm so happy. Absolutely, you need your story to 47 00:01:52,680 --> 00:01:53,800 Speaker 3: be your first. 48 00:01:53,680 --> 00:01:57,200 Speaker 2: And foremost grounding of the song. The story is there now, 49 00:01:57,240 --> 00:01:59,560 Speaker 2: whatever you want to do to accompany that story where 50 00:01:59,600 --> 00:02:02,200 Speaker 2: that's you know, the happy major chords, the sad minor chords, 51 00:02:02,480 --> 00:02:04,640 Speaker 2: the power of the kick. You decide how you. 52 00:02:04,560 --> 00:02:06,840 Speaker 3: Want to kind of compliment that story. Yeah, and for 53 00:02:07,000 --> 00:02:08,160 Speaker 3: this powerful story. 54 00:02:07,920 --> 00:02:10,600 Speaker 2: You know, I want that pop rock kind of impact. 55 00:02:10,800 --> 00:02:13,080 Speaker 3: Well, while we're here, I'm gonna play. I know you. 56 00:02:13,280 --> 00:02:15,320 Speaker 1: But the thing is, you can't be in your room 57 00:02:15,360 --> 00:02:18,480 Speaker 1: on this conversation showing me visually like there's a guitar 58 00:02:18,600 --> 00:02:20,480 Speaker 1: next to you, and not use the guitar for like 59 00:02:20,639 --> 00:02:22,000 Speaker 1: just an outro of the interview. 60 00:02:22,840 --> 00:02:23,400 Speaker 3: I feel like. 61 00:02:24,880 --> 00:02:28,520 Speaker 1: Good perfect, give me, give me the most out of 62 00:02:28,560 --> 00:02:31,360 Speaker 1: tune one, and let's make something up while we go. 63 00:02:31,560 --> 00:02:34,040 Speaker 3: You know it's spring, David, it's spring. 64 00:02:34,160 --> 00:02:36,480 Speaker 1: Its spring, So who needs a good string when you 65 00:02:36,560 --> 00:02:37,359 Speaker 1: got a good spring? 66 00:02:38,000 --> 00:02:42,600 Speaker 2: Oh that's quick, Pas, that's quick. What are you doing? 67 00:02:42,720 --> 00:02:43,400 Speaker 3: What do you what? 68 00:02:43,400 --> 00:02:43,880 Speaker 1: Do you want? 69 00:02:43,880 --> 00:02:48,120 Speaker 3: A nice a nice spring jingle? You know, yeah, spring 70 00:02:48,240 --> 00:02:49,880 Speaker 3: jingle for the KFIM top forty. 71 00:02:49,919 --> 00:02:53,080 Speaker 1: You know, like you know, just yes, that's what that 72 00:02:53,120 --> 00:02:54,240 Speaker 1: one looks very out of tune. 73 00:02:54,400 --> 00:02:57,480 Speaker 3: That's perfect. Let's use that one. I give you three 74 00:02:57,520 --> 00:03:06,639 Speaker 3: lines go this is a string. 75 00:03:09,320 --> 00:03:13,919 Speaker 2: Well you don't, and you better felt messure issue you 76 00:03:14,040 --> 00:03:18,320 Speaker 2: still out there, Melty fell round to the cracks and. 77 00:03:18,320 --> 00:03:23,720 Speaker 3: Now you're on KFM Top forty stay tuned. I love that. 78 00:03:25,680 --> 00:03:27,560 Speaker 1: I'm so glad I could use that, because I was 79 00:03:27,600 --> 00:03:30,200 Speaker 1: wondering that the guitars that glowed me man by the way, 80 00:03:30,200 --> 00:03:36,480 Speaker 1: that one wasn't out of tune magic whoa magic fingers? Okay, 81 00:03:36,600 --> 00:03:41,000 Speaker 1: David Durmotto. Honestly, I'm excited for this whole package that 82 00:03:41,080 --> 00:03:43,720 Speaker 1: you are creating here, and it's just it's feeling very 83 00:03:43,760 --> 00:03:44,920 Speaker 1: epy in my head. 84 00:03:44,960 --> 00:03:46,120 Speaker 3: If I look at what you're doing. 85 00:03:46,160 --> 00:03:48,600 Speaker 1: It's been very intimate in the beginning, and now I 86 00:03:48,720 --> 00:03:50,720 Speaker 1: know you is like setting us off for a really 87 00:03:50,720 --> 00:03:54,400 Speaker 1: good night. I imagine you're probably gonna drop another song for summer. 88 00:03:54,480 --> 00:03:58,280 Speaker 3: I know you. I do know you one or another three. 89 00:03:58,400 --> 00:04:01,960 Speaker 1: I had a conversation at a friend of mine's album launch, 90 00:04:02,040 --> 00:04:04,240 Speaker 1: and I said, I wish more people would make all 91 00:04:04,280 --> 00:04:07,160 Speaker 1: of their tracks on their album or EPs available for radio. 92 00:04:07,320 --> 00:04:10,480 Speaker 1: That way, the radio station can pick and choose and 93 00:04:10,520 --> 00:04:12,560 Speaker 1: they can say, oh, my word, have you heard this song? 94 00:04:12,600 --> 00:04:14,680 Speaker 3: But have you heard that song? And at the moment. 95 00:04:14,720 --> 00:04:17,480 Speaker 1: If I look at the trend, I mean Edsuran's done it, well, 96 00:04:17,520 --> 00:04:20,000 Speaker 1: Linley's done it where he's dropped like so many singles 97 00:04:20,000 --> 00:04:22,719 Speaker 1: from an album. And the great thing is that most 98 00:04:22,720 --> 00:04:24,680 Speaker 1: of these songs are charting. In fact, like all of 99 00:04:24,880 --> 00:04:28,600 Speaker 1: Ed's songs that he dropped is charting. Most of world's 100 00:04:28,600 --> 00:04:31,320 Speaker 1: song of his album is charting. So I'm saying to 101 00:04:31,400 --> 00:04:34,480 Speaker 1: you that I believe that radio stations should give them 102 00:04:34,480 --> 00:04:36,760 Speaker 1: all the singles, just say all of these, yes, the 103 00:04:36,800 --> 00:04:38,719 Speaker 1: backstory of each one of these tracks. I want to 104 00:04:38,720 --> 00:04:40,920 Speaker 1: put it out there. Allow the people to pick their 105 00:04:40,920 --> 00:04:43,080 Speaker 1: own heroes from the album. I'm not going to force 106 00:04:43,120 --> 00:04:45,800 Speaker 1: anything down their throat. I feel like that should be 107 00:04:45,839 --> 00:04:48,320 Speaker 1: the way music plugging should go. 108 00:04:48,800 --> 00:04:51,240 Speaker 3: In my opinion, absolutely, I agree with that so much. 109 00:04:51,400 --> 00:04:53,960 Speaker 3: I really back the aspects of. 110 00:04:54,040 --> 00:04:55,840 Speaker 2: Not putting it in someone's face. 111 00:04:55,920 --> 00:04:58,720 Speaker 3: Yeah, let them see what you're about. 112 00:04:59,040 --> 00:05:01,320 Speaker 1: I'm glad you agree with me. Drop the tracks, dude, 113 00:05:01,320 --> 00:05:03,960 Speaker 1: We've got three for the summer. Let's hear all of them, 114 00:05:04,040 --> 00:05:06,560 Speaker 1: Let's let's put them on the playlist, Let's enjoy them 115 00:05:06,560 --> 00:05:09,559 Speaker 1: on KFM ninety four point five. Next year, this big 116 00:05:09,600 --> 00:05:12,480 Speaker 1: festival's coming, and I think the more festival people hear 117 00:05:12,560 --> 00:05:15,040 Speaker 1: your music on radio, et cetera, they start saying, hey, 118 00:05:15,160 --> 00:05:18,080 Speaker 1: have we considered David for this gig? Well, let's let's 119 00:05:18,080 --> 00:05:20,480 Speaker 1: give us his manager a call. I believe that's what 120 00:05:20,480 --> 00:05:23,320 Speaker 1: we should be doing as radio stations, is giving you 121 00:05:23,360 --> 00:05:26,080 Speaker 1: those platforms for that particular reason. So I'm looking forward 122 00:05:26,120 --> 00:05:27,440 Speaker 1: to the next one. But I want to enjoy it. 123 00:05:27,440 --> 00:05:28,400 Speaker 1: I know you now, is that? 124 00:05:28,440 --> 00:05:28,719 Speaker 3: Okay? 125 00:05:29,240 --> 00:05:29,520 Speaker 2: Enjoy it? 126 00:05:29,680 --> 00:05:30,000 Speaker 3: Left this? 127 00:05:30,120 --> 00:05:30,359 Speaker 2: Do this? 128 00:05:30,760 --> 00:05:33,320 Speaker 3: Introduce it? Man? Come on, now, you're a DJ already. 129 00:05:33,360 --> 00:05:37,000 Speaker 1: We've had so many of these conversations, so go for it. 130 00:05:37,080 --> 00:05:41,000 Speaker 2: Dude, to the lovely people of Captar on this Saturday morning, 131 00:05:41,600 --> 00:05:48,719 Speaker 2: please enjoy it. I know you. 132 00:05:49,360 --> 00:05:49,960 Speaker 3: No, it's fine. 133 00:05:50,480 --> 00:05:52,360 Speaker 1: By the way, I just thought about it with your 134 00:05:52,400 --> 00:05:54,760 Speaker 1: EP name, all right. I just hope that you give 135 00:05:54,800 --> 00:05:57,880 Speaker 1: it something meaningful because obviously your name is David Durman, 136 00:05:57,960 --> 00:06:00,520 Speaker 1: so don't call you EP double d Okay. I hold that. 137 00:06:00,680 --> 00:06:04,640 Speaker 2: I'm redoing this. I'm reading this whole introducing to the beautiful, 138 00:06:06,400 --> 00:06:08,400 Speaker 2: to the beautiful people of came Town. 139 00:06:08,600 --> 00:06:10,680 Speaker 3: This is honor you coming to you from ninety four 140 00:06:10,720 --> 00:06:11,159 Speaker 3: point five