WEBVTT - A Brutally Honest Review Of Gladiator II

0:00:10.869 --> 0:00:11.189
<v Speaker 1>So much.

0:00:11.229 --> 0:00:13.909
<v Speaker 2>You're listening to a Muma Mia podcast.

0:00:14.829 --> 0:00:18.389
<v Speaker 3>MoMA Maya acknowledges the traditional owners of land and waters

0:00:18.389 --> 0:00:21.109
<v Speaker 3>that this podcast is recorded on. Did you love the

0:00:21.149 --> 0:00:25.069
<v Speaker 3>episode we did on Paul Mescal about how he supposedly

0:00:25.149 --> 0:00:28.309
<v Speaker 3>runs away from his one night stance. That wasn't all

0:00:28.309 --> 0:00:30.309
<v Speaker 3>we talked about, but let's be real, it was the

0:00:30.309 --> 0:00:32.629
<v Speaker 3>most absurd part of it. We thought we'd share an

0:00:32.629 --> 0:00:36.389
<v Speaker 3>episode of mum MIA's daily celebrity podcast, This Spill, because

0:00:36.429 --> 0:00:39.669
<v Speaker 3>they did a brutally honest review of Paul's new movie

0:00:39.709 --> 0:00:43.109
<v Speaker 3>Gladiator two. It's not just Paul's movie, of course, there

0:00:43.109 --> 0:00:46.029
<v Speaker 3>are other big names in it too, like Pedro Pascal

0:00:46.189 --> 0:00:50.349
<v Speaker 3>and Denzil Washington, but it is being called Paul Mescal's

0:00:50.429 --> 0:00:53.549
<v Speaker 3>movie by all the young, cool people like us. You're

0:00:53.589 --> 0:00:56.109
<v Speaker 3>about to hear about all the best and worst moments

0:00:56.109 --> 0:00:59.069
<v Speaker 3>from Gladiator too, and also an acknowledgment of Russell Crow's

0:00:59.109 --> 0:01:07.069
<v Speaker 3>hurt feelings for not being included. Enjoy from MoMA Mia.

0:01:07.269 --> 0:01:10.509
<v Speaker 2>Welcome to the Spill, your daily pop culture fix. I'm

0:01:10.629 --> 0:01:14.709
<v Speaker 2>m Burnham and I'm Laura Brednick Hand. On today's show,

0:01:15.229 --> 0:01:18.869
<v Speaker 2>get your horses and carriages out because we're diving deep

0:01:19.309 --> 0:01:22.989
<v Speaker 2>back into the BC time. Also AD unclear, it's AD.

0:01:23.389 --> 0:01:27.069
<v Speaker 2>We're going back to the Roman Empire where Paul Mescal

0:01:27.709 --> 0:01:31.309
<v Speaker 2>killed everyone. We are going to be doing much anticipated,

0:01:31.749 --> 0:01:34.509
<v Speaker 2>brutally honest review of Gladiator too.

0:01:34.869 --> 0:01:36.389
<v Speaker 1>Yes, and we can watch us always in there if

0:01:36.389 --> 0:01:39.589
<v Speaker 1>you're not across our brilliant honest reviews, they are where

0:01:39.869 --> 0:01:42.069
<v Speaker 1>we let you the audience know they're coming. So you

0:01:42.109 --> 0:01:44.389
<v Speaker 1>know whichever movie or TV show that we're going to

0:01:44.389 --> 0:01:47.989
<v Speaker 1>be having a passionate debate about, and it's really just

0:01:48.029 --> 0:01:50.189
<v Speaker 1>a space for us to give out honest thoughts, behind

0:01:50.229 --> 0:01:54.269
<v Speaker 1>the scenes stories really go deep into the core of

0:01:54.309 --> 0:01:56.549
<v Speaker 1>this thing that has we have been obsessing over us

0:01:56.629 --> 0:01:59.309
<v Speaker 1>since we saw it. And obviously spoiler alert, we're going

0:01:59.349 --> 0:02:01.429
<v Speaker 1>to be talking about the ending. So we've given you.

0:02:01.349 --> 0:02:03.749
<v Speaker 2>A full week, which we are very kind people, We'll

0:02:03.749 --> 0:02:06.389
<v Speaker 2>give you a week to watch it. But yeah, spoilers.

0:02:06.589 --> 0:02:08.749
<v Speaker 1>Yes, I mean Paul Meskal said he wanted people to

0:02:08.789 --> 0:02:11.389
<v Speaker 1>see this in cinemas and if you've disappointed Paul, I'm

0:02:11.389 --> 0:02:12.349
<v Speaker 1>just gonna say that's on you.

0:02:12.349 --> 0:02:13.269
<v Speaker 2>You disappointed us.

0:02:13.589 --> 0:02:17.309
<v Speaker 1>So Gladiator two with what we're here today to discuss. So,

0:02:17.429 --> 0:02:18.989
<v Speaker 1>first of all, life to ask you a very important question.

0:02:19.029 --> 0:02:20.429
<v Speaker 1>You've seen Gladiator the original?

0:02:20.549 --> 0:02:20.669
<v Speaker 3>Right?

0:02:21.069 --> 0:02:25.749
<v Speaker 2>Yes? But I saw the original after it was announced? Yes,

0:02:25.989 --> 0:02:27.349
<v Speaker 2>but you went did your home or I didn't know

0:02:27.389 --> 0:02:29.789
<v Speaker 2>where you went to the premiere? Many did not bes

0:02:29.829 --> 0:02:32.909
<v Speaker 2>a mess, Russell Crow because.

0:02:32.589 --> 0:02:36.389
<v Speaker 1>As we were sitting in the premiere and Paul Mescale

0:02:36.429 --> 0:02:38.309
<v Speaker 1>had just come out on stage, and it was clapping

0:02:38.309 --> 0:02:40.109
<v Speaker 1>and the lights were about to go down, and that

0:02:40.269 --> 0:02:43.069
<v Speaker 1>is when a number of people around me leaned over

0:02:43.149 --> 0:02:44.549
<v Speaker 1>and whispered, what.

0:02:44.469 --> 0:02:47.469
<v Speaker 2>Is Gladiator the first one about? Right? You can't be

0:02:47.509 --> 0:02:49.709
<v Speaker 2>Australian and not know what Gladiator is.

0:02:49.949 --> 0:02:51.709
<v Speaker 1>Well, just in case some of our listeners are also

0:02:51.749 --> 0:02:53.749
<v Speaker 1>in that boat that they just have no idea where

0:02:53.749 --> 0:02:55.709
<v Speaker 1>the original movie is. No, no, your points did.

0:02:55.789 --> 0:02:57.669
<v Speaker 2>I was in that boat until like a month ago.

0:02:57.909 --> 0:03:00.229
<v Speaker 1>I just thought that everyone was sitting in the cinema

0:03:00.349 --> 0:03:02.509
<v Speaker 1>about to watch this movie. And it's fair enough that

0:03:02.549 --> 0:03:04.469
<v Speaker 1>you hadn't watched the first one if that was your choice,

0:03:04.509 --> 0:03:06.429
<v Speaker 1>and that's the piece you'd made with what over God

0:03:06.429 --> 0:03:09.029
<v Speaker 1>that you subscribed to. However, it's a weird thing to

0:03:09.069 --> 0:03:11.949
<v Speaker 1>start worrying about it as the lights go down. So

0:03:12.069 --> 0:03:14.349
<v Speaker 1>just in case anyone else is in that boat. Gladiator

0:03:14.429 --> 0:03:15.869
<v Speaker 1>came out in the year two thousand.

0:03:16.109 --> 0:03:17.549
<v Speaker 2>You've had twenty four years to watch it.

0:03:17.789 --> 0:03:22.109
<v Speaker 1>Yeah, time is it digging historical epic drama directed by

0:03:22.309 --> 0:03:25.909
<v Speaker 1>Ridley Scott. It was a huge success when it came

0:03:25.909 --> 0:03:27.549
<v Speaker 1>out in the year two thousand. It was actually the

0:03:27.629 --> 0:03:31.589
<v Speaker 1>second highest grossing film of the year. It received almost

0:03:31.749 --> 0:03:35.389
<v Speaker 1>universal critical and fam acclaim. Everyone was basically saying, this

0:03:35.509 --> 0:03:37.989
<v Speaker 1>is the best movie we've ever seen. It also went

0:03:38.029 --> 0:03:41.269
<v Speaker 1>on to win five Academy Awards, including the very coveted

0:03:41.309 --> 0:03:44.589
<v Speaker 1>Best Picture and also Best Actor for young Russell.

0:03:44.309 --> 0:03:46.749
<v Speaker 2>Crowe, Ah, Little Hotty and.

0:03:46.749 --> 0:03:49.389
<v Speaker 1>The most Oscars I believe one of any movie that year.

0:03:49.469 --> 0:03:53.029
<v Speaker 1>So a real clean sweep across the board. So in

0:03:53.069 --> 0:03:56.549
<v Speaker 1>the original movie, Russell Crowe plays a Roman general called

0:03:56.709 --> 0:03:58.509
<v Speaker 1>Maximus who is betrayed.

0:03:58.589 --> 0:04:00.949
<v Speaker 2>I won't get into the backstory. It's you know, it'siler

0:04:01.069 --> 0:04:04.789
<v Speaker 2>last twenty four Yes, spoilers, classic guy staff betrayal, revenge.

0:04:04.949 --> 0:04:08.069
<v Speaker 1>You know man is Megan Man killing other Mega men? Yeah,

0:04:08.109 --> 0:04:09.709
<v Speaker 1>men don't know how to work with their feelings. And

0:04:09.709 --> 0:04:12.069
<v Speaker 1>it said they go on epic quest to you know,

0:04:12.149 --> 0:04:17.669
<v Speaker 1>take down their enemy Barton. So Russell Crowe is you know,

0:04:17.909 --> 0:04:20.069
<v Speaker 1>Russell Crowe, Maximus, they're.

0:04:19.789 --> 0:04:21.789
<v Speaker 2>All very entertain it's Russell and Paul.

0:04:22.189 --> 0:04:24.429
<v Speaker 1>Yeah, we're gonna be calling them Russell and Paul henceforth

0:04:24.429 --> 0:04:27.509
<v Speaker 1>instead of their character names. So Russell Crowe reduced to slavery,

0:04:27.709 --> 0:04:30.549
<v Speaker 1>becomes a gladiator and rises through the ranks of the arena,

0:04:31.029 --> 0:04:34.829
<v Speaker 1>and spoiler Rolert because it's very crucial to Gladiator two,

0:04:35.269 --> 0:04:37.709
<v Speaker 1>he dies at the end, which brings.

0:04:37.509 --> 0:04:39.909
<v Speaker 2>Us to he had a good run? Did I think

0:04:39.949 --> 0:04:42.069
<v Speaker 2>he did? I guess he died trying to like save

0:04:42.109 --> 0:04:45.709
<v Speaker 2>his feet for a purpose, something greater than him as

0:04:45.749 --> 0:04:46.269
<v Speaker 2>a man.

0:04:46.309 --> 0:04:48.549
<v Speaker 1>Any of us can ask for. I meant, I don't

0:04:48.549 --> 0:04:49.109
<v Speaker 1>want that to be me.

0:04:49.269 --> 0:04:50.469
<v Speaker 2>No, I would never die for anyone.

0:04:50.509 --> 0:04:52.189
<v Speaker 1>I wouldn't if anyone wouldn't die for you, wouldn't I

0:04:52.349 --> 0:04:53.949
<v Speaker 1>Kim our producer. I'm just saying that now.

0:04:53.989 --> 0:04:57.589
<v Speaker 2>But speaking of Kim our producer, So you're saying this,

0:04:57.589 --> 0:05:00.349
<v Speaker 2>this is a recap of Gladiator one, because okay, you

0:05:00.429 --> 0:05:02.429
<v Speaker 2>do kind of have to have a sense of Gladiator

0:05:02.469 --> 0:05:05.509
<v Speaker 2>one before you watch Gladiator two. However, I was sitting

0:05:05.629 --> 0:05:10.509
<v Speaker 2>between our video producer Julian and our producer Kim. Both

0:05:10.549 --> 0:05:12.869
<v Speaker 2>have watched Gladiator, both had no idea what was going on.

0:05:12.909 --> 0:05:15.469
<v Speaker 2>The amount of questions I got from these two people

0:05:16.069 --> 0:05:16.749
<v Speaker 2>was insane.

0:05:16.949 --> 0:05:20.029
<v Speaker 1>People asking me questions in the movie quite stresses me

0:05:20.069 --> 0:05:21.829
<v Speaker 1>out because I'm like, please hold questions to the end.

0:05:21.829 --> 0:05:24.109
<v Speaker 2>First of all, no talking during the movie. You're interrupting

0:05:24.149 --> 0:05:25.829
<v Speaker 2>me watching men kill themselves.

0:05:25.829 --> 0:05:27.469
<v Speaker 1>Second of all, I hate it when like, I guess

0:05:27.469 --> 0:05:28.909
<v Speaker 1>this is different, because they could be like, is that

0:05:28.909 --> 0:05:31.109
<v Speaker 1>the guy from the first movie, and you can be like, no,

0:05:31.189 --> 0:05:31.629
<v Speaker 1>shut up.

0:05:31.789 --> 0:05:33.469
<v Speaker 2>But it's more so when I want to see like

0:05:33.469 --> 0:05:34.469
<v Speaker 2>one hundred years old.

0:05:34.949 --> 0:05:36.509
<v Speaker 1>There's so many movies I go to and listen to

0:05:36.589 --> 0:05:39.229
<v Speaker 1>a brand new story, and like a friend or whoever

0:05:39.229 --> 0:05:41.589
<v Speaker 1>I'm with from work will lean over and say, what's

0:05:41.589 --> 0:05:44.469
<v Speaker 1>happening here? I'm like, we have the same information. We're

0:05:44.509 --> 0:05:45.589
<v Speaker 1>watching the same movie.

0:05:45.749 --> 0:05:48.989
<v Speaker 2>My mom does that all like opening credit. Yeah, She'll

0:05:48.989 --> 0:05:51.269
<v Speaker 2>be like, why are we at the beach? I'm like, Mom,

0:05:51.309 --> 0:05:53.189
<v Speaker 2>this is literally the first thing. I don't know why

0:05:53.229 --> 0:05:55.389
<v Speaker 2>they're gonna tell us. Okay, now we put that gripe

0:05:55.429 --> 0:05:55.789
<v Speaker 2>out there.

0:05:56.269 --> 0:05:58.709
<v Speaker 1>We had to get that's just a love letter to

0:05:58.749 --> 0:06:00.309
<v Speaker 1>all of our friends and family not to talk to

0:06:00.389 --> 0:06:04.349
<v Speaker 1>us in the movies. So basically, Gladiator two takes place

0:06:04.469 --> 0:06:07.029
<v Speaker 1>many many years, like well over a decade after Gladiator one.

0:06:07.069 --> 0:06:11.109
<v Speaker 1>And we know this because the son of Maximum Lucius,

0:06:11.309 --> 0:06:13.949
<v Speaker 1>Lucius was a child in the first movie, and now

0:06:13.989 --> 0:06:16.789
<v Speaker 1>he's a grown up, buff, adult man in the form

0:06:16.829 --> 0:06:19.309
<v Speaker 1>of Paul Mescal looking very hot. It must be said

0:06:19.309 --> 0:06:21.229
<v Speaker 1>and will be said many times throughout this podcast.

0:06:21.229 --> 0:06:24.309
<v Speaker 2>So that is the biggest spoiler in the entire film.

0:06:24.709 --> 0:06:27.469
<v Speaker 2>I think people knew that growing in, right, Yeah, I

0:06:27.589 --> 0:06:30.309
<v Speaker 2>knew it, But that's because, like we're Gladiator fans, there

0:06:30.309 --> 0:06:32.309
<v Speaker 2>are some people in the cinema, Kim, who were like,

0:06:32.989 --> 0:06:34.229
<v Speaker 2>what's going on? Who was that?

0:06:34.589 --> 0:06:38.829
<v Speaker 1>So after Maximus was killed, Lucius was like spirited away

0:06:38.869 --> 0:06:41.829
<v Speaker 1>secretly by his mother Lucilla, played by Connie Nielsen, who

0:06:41.869 --> 0:06:45.469
<v Speaker 1>is reprising her role from the first movie as Maximus's lover.

0:06:45.749 --> 0:06:48.549
<v Speaker 2>Can we talk about some low brow rumors for a second.

0:06:48.589 --> 0:06:51.269
<v Speaker 2>Oh sure. I was watching an interview when they were

0:06:51.309 --> 0:06:54.629
<v Speaker 2>doing the press junket with Paul Mescal and Fred Hegenjer,

0:06:54.949 --> 0:06:59.349
<v Speaker 2>and the interviewer asked Paul if Russell Crowe had called

0:06:59.429 --> 0:07:02.029
<v Speaker 2>him and like given him some tips, and Paul straight

0:07:02.069 --> 0:07:04.229
<v Speaker 2>away was like, no, I haven't talked to Russell Crowe,

0:07:04.269 --> 0:07:05.669
<v Speaker 2>Like I haven't talked to him at all, and I

0:07:05.709 --> 0:07:09.429
<v Speaker 2>was like, knowing what we know about Russell Crowe, he's

0:07:09.469 --> 0:07:12.309
<v Speaker 2>an angry man. It has to be said. He would

0:07:12.349 --> 0:07:14.589
<v Speaker 2>agree with that. He would agree with that. I Oh,

0:07:15.069 --> 0:07:17.349
<v Speaker 2>I feel bad for Paul, But you know what, this

0:07:17.469 --> 0:07:19.829
<v Speaker 2>movie was great, and I just wish I just feel

0:07:19.869 --> 0:07:22.589
<v Speaker 2>like if Russell just gave him like a few like tips,

0:07:22.709 --> 0:07:25.789
<v Speaker 2>or like had like a few little cameo roles like

0:07:25.829 --> 0:07:28.629
<v Speaker 2>I think that could have just been like the perfect movie.

0:07:28.989 --> 0:07:30.749
<v Speaker 2>It was a great movie. I think that could have

0:07:30.749 --> 0:07:31.389
<v Speaker 2>made it perfect.

0:07:31.749 --> 0:07:33.909
<v Speaker 1>Can I tell you a rumor that I think an

0:07:34.029 --> 0:07:37.749
<v Speaker 1>unfounded and unfounded accusation it must be said around why

0:07:37.829 --> 0:07:41.269
<v Speaker 1>there might be bad blood between Paul Mescal and Russell Crowe,

0:07:41.269 --> 0:07:43.349
<v Speaker 1>a rumor that we are starting here on this very podcast.

0:07:43.349 --> 0:07:44.829
<v Speaker 1>I mean, the bad blood. This one's been around for

0:07:44.829 --> 0:07:46.829
<v Speaker 1>a while. I mean, when you have a blockbuster movie

0:07:46.829 --> 0:07:49.949
<v Speaker 1>like that, of course everyone starts saying afterwards, after one

0:07:49.989 --> 0:07:52.349
<v Speaker 1>of the oscars have made that much money, sequel, what

0:07:52.389 --> 0:07:54.949
<v Speaker 1>do we do next? And so Ridley Scott and the

0:07:54.989 --> 0:07:57.389
<v Speaker 1>team behind the first Gladiator movie were in talks for

0:07:57.429 --> 0:07:59.589
<v Speaker 1>a long time to try and get a sequel up

0:07:59.669 --> 0:08:03.509
<v Speaker 1>much sooner than twenty years but Russell Crowe well, allegedly

0:08:03.629 --> 0:08:07.509
<v Speaker 1>again massive. Allegedly, Russell Crowe had thought he could probably

0:08:07.629 --> 0:08:09.709
<v Speaker 1>come back because the biggest role of his career at

0:08:09.709 --> 0:08:10.109
<v Speaker 1>this point.

0:08:10.189 --> 0:08:12.189
<v Speaker 2>How did he think he'd come back he died?

0:08:12.429 --> 0:08:15.989
<v Speaker 1>Well, apparently he favored a fantasy element in bringing Maximus

0:08:16.069 --> 0:08:19.269
<v Speaker 1>back to life. But the studio were the ones who

0:08:19.269 --> 0:08:22.589
<v Speaker 1>were like, no, it's not we can't bring you back

0:08:22.629 --> 0:08:25.629
<v Speaker 1>to life in any kind of way. And they were

0:08:25.669 --> 0:08:28.389
<v Speaker 1>the ones who were really pushing on having his son

0:08:28.789 --> 0:08:31.269
<v Speaker 1>take on the main storyline because they were like, that kid,

0:08:31.309 --> 0:08:33.549
<v Speaker 1>what happened to him? Surely he grows up to be

0:08:33.629 --> 0:08:35.669
<v Speaker 1>a little mini Russell Crowe when he cast a hot

0:08:35.709 --> 0:08:37.389
<v Speaker 1>young actor done.

0:08:37.229 --> 0:08:39.749
<v Speaker 2>Something like a faster situation. Do you know where he

0:08:39.789 --> 0:08:42.709
<v Speaker 2>appears in the stars and he's like Lucius looked to

0:08:42.829 --> 0:08:47.189
<v Speaker 2>the sky, I am always with to you and he's like, wait,

0:08:47.229 --> 0:08:49.389
<v Speaker 2>you're my dad. I thought you were just some idol.

0:08:49.429 --> 0:08:51.989
<v Speaker 1>I liked It's funny because they kept having all these

0:08:52.029 --> 0:08:55.109
<v Speaker 1>almost like ghostly moments rut the scene where Maximus aka

0:08:55.189 --> 0:08:57.189
<v Speaker 1>Russell Crowe was meant to be there, like did you

0:08:57.189 --> 0:08:59.749
<v Speaker 1>see how like the wind swept some of the gradd

0:09:01.229 --> 0:09:01.989
<v Speaker 1>They tried.

0:09:01.829 --> 0:09:03.909
<v Speaker 2>So hard to make it look like Russell was there,

0:09:03.949 --> 0:09:06.189
<v Speaker 2>and we knew he wasn't there. Well, that scene right

0:09:06.229 --> 0:09:08.989
<v Speaker 2>at the end where he's like stroking some flowers, like

0:09:09.029 --> 0:09:11.749
<v Speaker 2>a field of flowers, and he was stroking the gravel

0:09:11.749 --> 0:09:13.989
<v Speaker 2>where his father died. My god, I wonder whose hand

0:09:14.069 --> 0:09:16.229
<v Speaker 2>that was. I wonder how much I got paid.

0:09:16.309 --> 0:09:19.469
<v Speaker 1>You know, to be Russell Crowe's hand. So that all happened. Okay,

0:09:19.509 --> 0:09:22.309
<v Speaker 1>back to the original movie. So yeah, it was a

0:09:22.349 --> 0:09:24.269
<v Speaker 1>little fun segue rap Russell Ckroe.

0:09:24.269 --> 0:09:28.309
<v Speaker 2>He's still alive. But is his career? I don't know. No,

0:09:28.429 --> 0:09:30.389
<v Speaker 2>it's fine, it's fine, it's fine.

0:09:30.429 --> 0:09:32.349
<v Speaker 1>I once bumped into Russell crow at a premiere and

0:09:32.389 --> 0:09:34.829
<v Speaker 1>because of whoy we're standing our faces smashed together and

0:09:34.869 --> 0:09:37.469
<v Speaker 1>our noses touched, and that's beautiful. And he looked angry

0:09:37.469 --> 0:09:39.069
<v Speaker 1>at me, but he looked angrier at all the people

0:09:39.069 --> 0:09:42.909
<v Speaker 1>around us who were there to support his movie. So okay,

0:09:43.549 --> 0:09:44.309
<v Speaker 1>just an angry man.

0:09:44.509 --> 0:09:47.669
<v Speaker 2>So it starts off with Paul feeding some chickens, right,

0:09:47.869 --> 0:09:51.509
<v Speaker 2>He's like in his beautiful country home with his beautiful wife,

0:09:51.589 --> 0:09:53.989
<v Speaker 2>his hot hot were the most good looking people in

0:09:54.069 --> 0:09:57.629
<v Speaker 2>all of the land, probably in that entire century. Everyone

0:09:57.669 --> 0:09:59.669
<v Speaker 2>who looks at them, just can't stop staring because you

0:09:59.709 --> 0:10:03.069
<v Speaker 2>know what, they've got vineers, they've got great they've got

0:10:03.149 --> 0:10:05.309
<v Speaker 2>great skin, they're muscly, they're.

0:10:05.269 --> 0:10:08.429
<v Speaker 1>They're both warriors too, two sexy warriors who fell in

0:10:08.429 --> 0:10:09.069
<v Speaker 1>love and got married.

0:10:09.109 --> 0:10:11.709
<v Speaker 2>I don't have a single nick on them until we'll

0:10:11.749 --> 0:10:13.709
<v Speaker 2>get there. We'll get to the next But they're living

0:10:13.749 --> 0:10:17.509
<v Speaker 2>in this place called Numidia. It's a place around Rome,

0:10:17.909 --> 0:10:20.429
<v Speaker 2>and it's during the time where the Romans wanted to

0:10:20.429 --> 0:10:25.029
<v Speaker 2>take over every village, town, country city around them because

0:10:25.029 --> 0:10:28.749
<v Speaker 2>they wanted to be the ultimate ultimate city. So I

0:10:28.749 --> 0:10:31.109
<v Speaker 2>think Numidia was the last one that Rome had to

0:10:31.149 --> 0:10:34.149
<v Speaker 2>take over. So Paul's like, got the boys together, we

0:10:34.229 --> 0:10:36.349
<v Speaker 2>got to get ready. We also find out that he's

0:10:36.509 --> 0:10:40.469
<v Speaker 2>somewhat a prominent figure in his hometown army. He gives

0:10:40.469 --> 0:10:43.549
<v Speaker 2>like a lot of speeches. He's like, what we do

0:10:43.749 --> 0:10:46.669
<v Speaker 2>we do together, and we do it to fight for Numidia.

0:10:47.069 --> 0:10:50.269
<v Speaker 2>And everyone's like, fuck yeah. I'd be like pissing myself

0:10:50.309 --> 0:10:51.989
<v Speaker 2>because I'd be so scared. I don't have time to

0:10:52.069 --> 0:10:53.909
<v Speaker 2>listen to this. I'm like, can we all just watch

0:10:53.989 --> 0:10:57.789
<v Speaker 2>what's happening? These ships are coming so fast. They've got

0:10:57.829 --> 0:11:00.389
<v Speaker 2>like I don't know. They probably had some motors back there.

0:11:00.509 --> 0:11:03.389
<v Speaker 2>They were going very fast, really fast. And also like,

0:11:03.629 --> 0:11:06.149
<v Speaker 2>I don't know how they got their aim so good,

0:11:06.269 --> 0:11:09.349
<v Speaker 2>Like with all the bombs and the like catapults, Like

0:11:09.389 --> 0:11:11.309
<v Speaker 2>how could they aim so well when they do the

0:11:11.469 --> 0:11:14.309
<v Speaker 2>training soldiers. Yeah, but they'd had no telescopes. I was

0:11:14.349 --> 0:11:16.669
<v Speaker 2>just very stressful. So when I saw the ships, I

0:11:16.709 --> 0:11:18.709
<v Speaker 2>was like, Ah, this is dumb. You think you can

0:11:18.749 --> 0:11:21.109
<v Speaker 2>fight this massive land of people while you're coming on

0:11:21.109 --> 0:11:23.869
<v Speaker 2>your little rickety boat. And you were wrong. I was

0:11:23.869 --> 0:11:26.549
<v Speaker 2>wrong because you know what, Then I saw Pedro Pascal,

0:11:26.909 --> 0:11:30.069
<v Speaker 2>and I was like, no one's safe here. The minute

0:11:30.069 --> 0:11:32.429
<v Speaker 2>I see Pedro Pascal, he did one of those things

0:11:32.429 --> 0:11:34.909
<v Speaker 2>where like he sees his soldiers fighting and trying to

0:11:34.949 --> 0:11:37.309
<v Speaker 2>get up a ladder and he's like, oh, I have

0:11:37.389 --> 0:11:39.509
<v Speaker 2>to do it myself, and he just like pushes everyone

0:11:39.549 --> 0:11:41.629
<v Speaker 2>away and he's like, I'll get up there. He gets

0:11:41.709 --> 0:11:45.669
<v Speaker 2>up there, he kills some prominent people are my prominent.

0:11:45.749 --> 0:11:47.069
<v Speaker 2>I mean Paul's.

0:11:46.629 --> 0:11:49.829
<v Speaker 1>Wife, Paul's hot wife. That was actually a very sad moment.

0:11:49.909 --> 0:11:51.669
<v Speaker 1>A lot of moments in this movie are very cheesy

0:11:51.709 --> 0:11:53.309
<v Speaker 1>and silly, especially it has to be a lot of

0:11:53.309 --> 0:11:55.109
<v Speaker 1>the deaths because some of them as the movie goes along,

0:11:55.229 --> 0:11:56.629
<v Speaker 1>some of them get a bit comical.

0:11:56.749 --> 0:11:57.749
<v Speaker 2>We'll get to it shucks.

0:11:58.029 --> 0:12:01.269
<v Speaker 1>But Paul Muscal's wife I thought was quite sad because

0:12:01.429 --> 0:12:02.549
<v Speaker 1>they make eye contact.

0:12:02.589 --> 0:12:03.749
<v Speaker 2>Everyone around them is dying.

0:12:04.069 --> 0:12:06.429
<v Speaker 1>And then that arrow just like pierces her heart and

0:12:06.429 --> 0:12:08.429
<v Speaker 1>she looks so shocked, and then she just falls into

0:12:08.469 --> 0:12:11.389
<v Speaker 1>the water. And then they have almost like a dream

0:12:11.429 --> 0:12:14.269
<v Speaker 1>sequence where you see, you know the legend that you

0:12:14.309 --> 0:12:16.309
<v Speaker 1>get when you pass away, you get rowed across the

0:12:16.389 --> 0:12:18.829
<v Speaker 1>river sticks by the ferryman, and that's what Paul was

0:12:18.829 --> 0:12:21.429
<v Speaker 1>seeing as his wife got onto the faeryom was rowed away,

0:12:21.429 --> 0:12:22.549
<v Speaker 1>which means she died.

0:12:22.349 --> 0:12:24.509
<v Speaker 2>Because he got knocked out as well, so he was

0:12:24.549 --> 0:12:26.989
<v Speaker 2>having that dream. And then he wakes up on the

0:12:26.989 --> 0:12:28.909
<v Speaker 2>beach like the soldiers pulled him on to shore, and

0:12:28.909 --> 0:12:31.789
<v Speaker 2>he sees his wife's body floating in the ocean, and

0:12:31.789 --> 0:12:33.509
<v Speaker 2>he goes to run towards her. I don't know how

0:12:33.509 --> 0:12:34.869
<v Speaker 2>he got there so fast, because I thought it was

0:12:34.909 --> 0:12:36.669
<v Speaker 2>a riptid because he was going back and forth. But

0:12:36.709 --> 0:12:39.189
<v Speaker 2>he gets there eventually, and then he does like this

0:12:39.269 --> 0:12:41.309
<v Speaker 2>big sob and.

0:12:41.229 --> 0:12:43.109
<v Speaker 1>Then we I thought it was he can see that

0:12:43.149 --> 0:12:45.029
<v Speaker 1>he wants to bury her, but he knows the soldiers

0:12:45.029 --> 0:12:47.069
<v Speaker 1>are coming to take him, so he does that really

0:12:47.109 --> 0:12:49.189
<v Speaker 1>beautiful thing where he just tries to pull as much

0:12:49.229 --> 0:12:51.389
<v Speaker 1>as the arrow out of her heart and then pushes

0:12:51.429 --> 0:12:53.229
<v Speaker 1>her ount to the ocean because it's obviously He's like,

0:12:53.269 --> 0:12:55.389
<v Speaker 1>I can't do anything, but I don't want my wife's

0:12:55.389 --> 0:12:57.509
<v Speaker 1>body floating with an arrow sticking out of it, So

0:12:57.589 --> 0:12:58.949
<v Speaker 1>all I can do is pull it out and just

0:12:58.949 --> 0:13:00.389
<v Speaker 1>push her, and he keeps the arrow.

0:13:00.749 --> 0:13:02.589
<v Speaker 2>Yeah, the arrow is like a little motif of a

0:13:02.629 --> 0:13:05.349
<v Speaker 2>reminder of his wife throughout the entire film. Oh yeah,

0:13:05.349 --> 0:13:05.869
<v Speaker 2>I was quite much.

0:13:05.989 --> 0:13:16.949
<v Speaker 4>Yeah, it is an art choosing gladiators, they're usually prisoners

0:13:16.949 --> 0:13:17.389
<v Speaker 4>of war.

0:13:19.189 --> 0:13:22.069
<v Speaker 2>I claim this city for the glory of Rome.

0:13:25.269 --> 0:13:30.349
<v Speaker 4>You have something in you wait, never let it go.

0:13:32.669 --> 0:13:36.829
<v Speaker 4>It will carry you to quatness.

0:13:37.629 --> 0:13:41.469
<v Speaker 2>Okay, So that was like probably the saddest part. Oh

0:13:41.549 --> 0:13:43.029
<v Speaker 2>there was a few sad parts, but that was like

0:13:43.069 --> 0:13:44.829
<v Speaker 2>the big sad one where we're like, oh shit, this

0:13:44.949 --> 0:13:48.429
<v Speaker 2>is real. We then find out that Pedro Pascal is

0:13:48.469 --> 0:13:51.389
<v Speaker 2>the general of the Roman Army. He doesn't seem to

0:13:51.549 --> 0:13:54.029
<v Speaker 2>crash hot about his job. It just seems like something

0:13:54.029 --> 0:13:57.069
<v Speaker 2>he's got to do. He's trying to quite quit pay

0:13:57.109 --> 0:13:59.389
<v Speaker 2>the bills. He's trying to quite quit not conquer any

0:13:59.429 --> 0:14:01.309
<v Speaker 2>more countries, but no one will let him. He did

0:14:01.349 --> 0:14:05.069
<v Speaker 2>something really interesting where when he claims the land, he

0:14:05.189 --> 0:14:08.949
<v Speaker 2>seems so not disinterested but ashamed almost, And that's I

0:14:08.949 --> 0:14:11.189
<v Speaker 2>think where we get the first clear said Pedro Pascal

0:14:11.349 --> 0:14:13.149
<v Speaker 2>might sort of be a different character than what we

0:14:13.269 --> 0:14:13.749
<v Speaker 2>think he is.

0:14:13.949 --> 0:14:16.069
<v Speaker 1>Yeah, because he set it through the eyes of poor Mescal.

0:14:16.189 --> 0:14:18.389
<v Speaker 1>He is seen to be like this vicious killer, and

0:14:18.429 --> 0:14:19.909
<v Speaker 1>I guess you know, he was leading the army that

0:14:19.989 --> 0:14:22.589
<v Speaker 1>killed his wife and his friends. But what we see

0:14:22.629 --> 0:14:27.029
<v Speaker 1>about acacious Pedro Pascal's character is that he is a

0:14:27.029 --> 0:14:32.669
<v Speaker 1>soldier and a general who thrives off defending Rome and defending.

0:14:32.309 --> 0:14:35.669
<v Speaker 2>They have the best character development in the entire film. Yeah,

0:14:35.669 --> 0:14:37.549
<v Speaker 2>he really because you see him in this impossible situation.

0:14:37.669 --> 0:14:40.349
<v Speaker 2>And then now he's because no one's actually attacking Rome

0:14:40.429 --> 0:14:42.389
<v Speaker 2>because they hold all the armies in land and all

0:14:42.389 --> 0:14:45.909
<v Speaker 2>that sort of stuff. Now, the two emperors geta played

0:14:45.909 --> 0:14:49.309
<v Speaker 2>by Joseph Quinn and Emperor karro Kella played by a

0:14:49.309 --> 0:14:54.069
<v Speaker 2>good friend Fred, basically just thirsty for more power and

0:14:54.109 --> 0:14:57.029
<v Speaker 2>more land. A young men who don't know anything different.

0:14:57.069 --> 0:15:00.029
<v Speaker 2>They've had everything handed to them on a silver pladdle, literally,

0:15:00.869 --> 0:15:03.589
<v Speaker 2>and now they're only getting their only form of entertainment

0:15:03.589 --> 0:15:05.509
<v Speaker 2>because they don't have TVs back there. They'd hate the spill.

0:15:05.509 --> 0:15:07.549
<v Speaker 2>They'd have no idea what we're talking about. Yeah, the

0:15:07.549 --> 0:15:09.989
<v Speaker 2>only form of entertainment they have is to watch men

0:15:10.269 --> 0:15:12.669
<v Speaker 2>kill each other, and they are thriving off.

0:15:12.629 --> 0:15:15.029
<v Speaker 1>It and sending a Casius out to all these different

0:15:15.029 --> 0:15:16.549
<v Speaker 1>places to conquer, where he's like, I just want to

0:15:16.549 --> 0:15:18.389
<v Speaker 1>be at home with my wife. Let's talk about the

0:15:18.389 --> 0:15:20.829
<v Speaker 1>Empress for a second, because they were very well done

0:15:21.109 --> 0:15:21.709
<v Speaker 1>and as.

0:15:21.629 --> 0:15:23.309
<v Speaker 2>Scary they were because they.

0:15:23.149 --> 0:15:24.909
<v Speaker 1>Have that thing, like we were saying when we did

0:15:24.909 --> 0:15:27.069
<v Speaker 1>our little review of this on a previous episode, is

0:15:27.069 --> 0:15:29.589
<v Speaker 1>that they have that thing is that they're entertaining to watch.

0:15:29.589 --> 0:15:31.549
<v Speaker 1>But they're also like I have like a deep hatred

0:15:31.589 --> 0:15:33.389
<v Speaker 1>for them, and I think that's very hard because to

0:15:33.469 --> 0:15:35.589
<v Speaker 1>hate a character, you also have to see them as

0:15:35.629 --> 0:15:38.949
<v Speaker 1>like fully formed people. And I really could just see

0:15:38.949 --> 0:15:42.189
<v Speaker 1>these two spoiled, awful men who were just being brought

0:15:42.269 --> 0:15:46.149
<v Speaker 1>up with immense power and privilege, no idea what to

0:15:46.189 --> 0:15:49.189
<v Speaker 1>do with it, and instead they weren't even that power hungry.

0:15:49.309 --> 0:15:51.589
<v Speaker 1>They were to extent, but they actually cared more about

0:15:51.989 --> 0:15:54.189
<v Speaker 1>entertainment and being really sadistic.

0:15:53.669 --> 0:15:56.309
<v Speaker 2>And they wanted people to take them seriously. It reminded

0:15:56.349 --> 0:15:59.229
<v Speaker 2>me so much of Jeoffrey and Game of Throne had

0:15:59.229 --> 0:16:01.989
<v Speaker 2>that same character one hundred percent. And I think we

0:16:02.029 --> 0:16:04.749
<v Speaker 2>talked about in the last episode in such a dangerous

0:16:04.829 --> 0:16:07.869
<v Speaker 2>villain because they don't kill out of hatred, they kill

0:16:07.949 --> 0:16:11.589
<v Speaker 2>out of joy. Yeah, one hundred percent. They're just completely unhinged,

0:16:11.629 --> 0:16:14.269
<v Speaker 2>like no one is safe, Like anytime they feel like

0:16:14.269 --> 0:16:16.749
<v Speaker 2>someone's betrayed them, or they think someone's making fun of them,

0:16:16.829 --> 0:16:19.069
<v Speaker 2>or they think someone's on their side, just immediately killed.

0:16:19.309 --> 0:16:22.829
<v Speaker 1>So Ridley Scott described the characters as damaged goods from birth,

0:16:23.349 --> 0:16:25.749
<v Speaker 1>and this is the wildest thing I've ever heard. So

0:16:26.229 --> 0:16:29.469
<v Speaker 1>Apparently Joseph Quinn, who plays guitar, said that he was

0:16:29.509 --> 0:16:33.669
<v Speaker 1>being really careful not to soil Joaquin Phoenix's performance in

0:16:33.709 --> 0:16:36.589
<v Speaker 1>the original movie, who was the villain, and so he

0:16:36.869 --> 0:16:40.549
<v Speaker 1>didn't look to him. Instead, he took inspiration from Philip

0:16:40.549 --> 0:16:44.149
<v Speaker 1>Simoor Hoffman's villain in Mission Impossible three one of your favors,

0:16:44.189 --> 0:16:48.069
<v Speaker 1>I'm sure, and also Gary Oldman's character from the Fifth Element.

0:16:48.669 --> 0:16:52.229
<v Speaker 1>But Ridley Scott has said that the two evil Emperors

0:16:53.029 --> 0:16:56.389
<v Speaker 1>are actually based well, one of their inspirations, I feel like.

0:16:56.389 --> 0:16:58.709
<v Speaker 2>You're gonna drop a troop bomb right now, are based

0:16:58.749 --> 0:17:01.909
<v Speaker 2>on the cartoon Beavis and butt Head. No you can't

0:17:01.949 --> 0:17:04.469
<v Speaker 2>take me, but you cannot take my bumbhole. I am

0:17:04.469 --> 0:17:08.349
<v Speaker 2>the Great Corn And once you hear it, oh my god,

0:17:08.389 --> 0:17:12.469
<v Speaker 2>you can't unsee it. He watched Bea.

0:17:13.069 --> 0:17:15.509
<v Speaker 1>So it ran from nineteen ninety three to twenty eleven,

0:17:15.549 --> 0:17:17.869
<v Speaker 1>like it went for so long, and it was basically

0:17:17.909 --> 0:17:21.549
<v Speaker 1>about these like really dumb teenagers and all the crazy,

0:17:21.949 --> 0:17:23.589
<v Speaker 1>ridiculous antiques.

0:17:23.149 --> 0:17:24.669
<v Speaker 2>They get, but you love them.

0:17:24.709 --> 0:17:27.229
<v Speaker 1>It was like the epitome of like dumb humor. Yeah,

0:17:27.589 --> 0:17:30.749
<v Speaker 1>oh my god, and how they each other up and everything. Literally,

0:17:30.829 --> 0:17:34.189
<v Speaker 1>this whole epic dramatic story is based on Beavis and

0:17:34.229 --> 0:17:34.829
<v Speaker 1>butt Head.

0:17:34.989 --> 0:17:38.229
<v Speaker 2>And it was, yeah, their whole thing, and they're like obsession,

0:17:38.309 --> 0:17:40.469
<v Speaker 2>Like I think my favorite scene in the whole movie

0:17:41.229 --> 0:17:45.429
<v Speaker 2>was them calling in Paul to watch him fight. Yes,

0:17:45.549 --> 0:17:48.549
<v Speaker 2>So what we just skipped over was like all the

0:17:48.549 --> 0:17:51.949
<v Speaker 2>strong men from Pedro Pascal from the place that he

0:17:52.069 --> 0:17:55.109
<v Speaker 2>just kind of violently murdered all the survivors and the

0:17:55.149 --> 0:17:58.229
<v Speaker 2>strong men were taken prisoner back to Rome to be

0:17:58.389 --> 0:18:01.749
<v Speaker 2>sold as gladiators. The person who controls the gladiators and

0:18:01.789 --> 0:18:05.349
<v Speaker 2>owns them as Denzel Washington, very sexy men. Yes, everyone

0:18:05.549 --> 0:18:07.549
<v Speaker 2>is really sexy in this movie and have great tea.

0:18:07.549 --> 0:18:11.069
<v Speaker 1>Even there being evil, campy, ridiculous, Like Denzel Washington was like,

0:18:11.269 --> 0:18:13.909
<v Speaker 1>it's so funny because everyone feels a bit like they're

0:18:13.909 --> 0:18:16.429
<v Speaker 1>in a different movie, but it all kind of works,

0:18:16.709 --> 0:18:18.189
<v Speaker 1>so it actually.

0:18:17.909 --> 0:18:19.469
<v Speaker 2>It feels like they're in a different movie because they

0:18:19.469 --> 0:18:22.269
<v Speaker 2>all kept their accents. Yeah, everyone kept their own accents.

0:18:22.309 --> 0:18:24.789
<v Speaker 1>Everyone's like, we're all in Rome, but we all apparently

0:18:24.869 --> 0:18:27.109
<v Speaker 1>grew up in different places and we will not address it.

0:18:27.349 --> 0:18:29.949
<v Speaker 1>Paul Mescale feels like he's in a limited drama series.

0:18:30.029 --> 0:18:31.429
<v Speaker 2>Yeah, what's going on? And I do well.

0:18:31.469 --> 0:18:35.149
<v Speaker 1>Apparently Ridley Scott cast him after he watched Normal People

0:18:35.189 --> 0:18:37.549
<v Speaker 1>because he was looking for a comfort show. I love

0:18:37.589 --> 0:18:39.909
<v Speaker 1>that Ridley Scott watched that show before you did. He's

0:18:39.949 --> 0:18:42.269
<v Speaker 1>like became a Normal People fan before you because you.

0:18:42.189 --> 0:18:44.029
<v Speaker 2>Haven't called Normal People a comfort show.

0:18:44.669 --> 0:18:44.949
<v Speaker 1>Deeply.

0:18:45.029 --> 0:18:46.429
<v Speaker 2>Yeah, I was like, oh my god, Ridley, please, I

0:18:46.469 --> 0:18:48.869
<v Speaker 2>can give you much better. You're clearly not on something.

0:18:48.909 --> 0:18:51.109
<v Speaker 2>You're a woman struggling Forella.

0:18:50.989 --> 0:18:53.829
<v Speaker 1>And he was like, oh, that man's interesting. There was

0:18:53.869 --> 0:18:55.589
<v Speaker 1>many people up for the role. One of them was

0:18:55.629 --> 0:18:58.109
<v Speaker 1>Austin Butler, and I'm just glad that didn't happen because

0:18:58.229 --> 0:19:00.749
<v Speaker 1>he's such a method actor. He would have tried to

0:19:00.789 --> 0:19:03.029
<v Speaker 1>like fight actual gladiators and he would be killed.

0:19:03.269 --> 0:19:05.429
<v Speaker 2>Find him in the zoo just trying to slay.

0:19:05.149 --> 0:19:07.389
<v Speaker 1>All the other monkeys have like taken him out because like,

0:19:07.429 --> 0:19:08.709
<v Speaker 1>I think you could take Austin Butler.

0:19:08.789 --> 0:19:10.949
<v Speaker 2>Yeah, it can't be a method actor. I'm glad it

0:19:10.989 --> 0:19:13.669
<v Speaker 2>was Paul. Also, we forget that they filmed this really

0:19:13.749 --> 0:19:16.709
<v Speaker 2>early on, yeah, because I forgot that, like he did

0:19:16.749 --> 0:19:18.429
<v Speaker 2>all of the other stuff that's come out, like after

0:19:18.469 --> 0:19:22.429
<v Speaker 2>some and things like after Gladiator. Yeah. And it's crazy

0:19:22.509 --> 0:19:25.029
<v Speaker 2>how he probably filmed all of this with like no

0:19:25.149 --> 0:19:27.749
<v Speaker 2>press because straight after normal people. It was during COVID,

0:19:28.029 --> 0:19:29.709
<v Speaker 2>so no one really knew him. He had time to

0:19:29.709 --> 0:19:32.429
<v Speaker 2>put his Instagram on private, he did all of this stuff.

0:19:32.469 --> 0:19:35.069
<v Speaker 2>He only has like two hundred thousand followers, and then

0:19:35.229 --> 0:19:37.669
<v Speaker 2>like imagine making a movie where no one really cares

0:19:37.709 --> 0:19:40.709
<v Speaker 2>about and then suddenly everyone suddenly cares and the premiere

0:19:40.749 --> 0:19:42.629
<v Speaker 2>is just ten times bigger than I don't imagine.

0:19:42.389 --> 0:19:44.269
<v Speaker 1>It's the sequel too, of the biggest movies in the world.

0:19:44.269 --> 0:19:46.069
<v Speaker 1>It's funny because Ridley it's like, oh yeah, I jumped

0:19:46.069 --> 0:19:47.549
<v Speaker 1>on the zoom with Paul and gave him the role

0:19:47.629 --> 0:19:49.549
<v Speaker 1>after he saw him with normal people. And I'm just

0:19:49.589 --> 0:19:52.589
<v Speaker 1>imagine how that conversation went. Is like Ridley Scott saying, so,

0:19:52.629 --> 0:19:54.189
<v Speaker 1>do you want to be in Gladiator too? And Paul

0:19:54.229 --> 0:19:58.629
<v Speaker 1>going yeah, all right then and look it worked out.

0:19:58.749 --> 0:20:02.029
<v Speaker 1>And then Pedro Pascal, I think he's in Gladiator. He's

0:20:02.029 --> 0:20:04.749
<v Speaker 1>in the Gladiator that the film. Pascal's like, shut up,

0:20:04.869 --> 0:20:07.749
<v Speaker 1>I'm the Gladiator. He's in the movie that the Gladiator

0:20:07.749 --> 0:20:09.429
<v Speaker 1>team want us think we're seeing, which is a very

0:20:09.469 --> 0:20:12.789
<v Speaker 1>pristie drama, but very you know, based on history and

0:20:12.869 --> 0:20:16.309
<v Speaker 1>character development all those things. And then Denzel Washington isn't

0:20:16.309 --> 0:20:20.789
<v Speaker 1>a Ryan Murphy TV show camp, crazy over the top,

0:20:21.189 --> 0:20:23.389
<v Speaker 1>having the time of his life playing a villain, And

0:20:23.429 --> 0:20:25.149
<v Speaker 1>somehow all these men it just works.

0:20:25.269 --> 0:20:28.789
<v Speaker 2>It just works, and somehow Denzel Washington is still best.

0:20:30.949 --> 0:20:32.989
<v Speaker 2>Probably he's probably like now taking as a joke and

0:20:33.109 --> 0:20:35.029
<v Speaker 2>is trying like maybe I'll just try to like chill,

0:20:35.109 --> 0:20:38.189
<v Speaker 2>chill with this one. You're still Denzel watching.

0:20:37.629 --> 0:20:40.109
<v Speaker 1>There's such an opulent like kind of flair to his

0:20:40.229 --> 0:20:42.549
<v Speaker 1>character Macretus, we should say, although we just call him

0:20:42.549 --> 0:20:45.269
<v Speaker 1>Denzel as he goes through, because you can see.

0:20:45.069 --> 0:20:46.829
<v Speaker 2>That he plays like a queer icon.

0:20:47.269 --> 0:20:50.469
<v Speaker 1>He's plotting, and he's dangerous, and he's moving all the

0:20:50.469 --> 0:20:51.589
<v Speaker 1>pieces around, and.

0:20:51.629 --> 0:20:53.229
<v Speaker 2>He's the one who he thought was safe and then

0:20:53.269 --> 0:20:56.549
<v Speaker 2>we realize he's not safe and he's actually insane.

0:20:56.269 --> 0:20:58.469
<v Speaker 1>And he'll shake your hand, pour your drink, and then

0:20:58.589 --> 0:21:00.709
<v Speaker 1>kill you. That kind of a villain because so many times,

0:21:00.749 --> 0:21:02.789
<v Speaker 1>just before he takes someone out does something, he's so

0:21:02.789 --> 0:21:04.709
<v Speaker 1>soothing and he's so calm, and he'll give you a

0:21:04.789 --> 0:21:06.469
<v Speaker 1>kiss on the cheek and he patting your head and

0:21:06.509 --> 0:21:08.949
<v Speaker 1>next mente he'll stab you through the heart or have

0:21:09.029 --> 0:21:11.309
<v Speaker 1>your brother slit your throat, or turn you out of

0:21:11.349 --> 0:21:12.829
<v Speaker 1>your home, like there's no stopping there.

0:21:12.989 --> 0:21:16.909
<v Speaker 2>So true. And also because Denzel Washington plays such like wholesome,

0:21:17.109 --> 0:21:18.909
<v Speaker 2>like the good guy, like he's the main good but

0:21:19.069 --> 0:21:20.469
<v Speaker 2>he's got a lot of villains. Over he had a

0:21:20.509 --> 0:21:22.229
<v Speaker 2>lot of villains, but he's always like the guy that

0:21:22.269 --> 0:21:25.029
<v Speaker 2>everyone just wants to be. Like. He's a good action hero.

0:21:25.269 --> 0:21:26.189
<v Speaker 2>He's so good.

0:21:26.269 --> 0:21:28.949
<v Speaker 1>He's a good, quiet dramatic actor, which is why it's

0:21:28.949 --> 0:21:31.069
<v Speaker 1>interesting that he chose to like he's one of those

0:21:31.109 --> 0:21:34.269
<v Speaker 1>actors where he can just like be very like very

0:21:34.349 --> 0:21:36.589
<v Speaker 1>still in a scene, but he can still carry the

0:21:36.629 --> 0:21:38.309
<v Speaker 1>drama of it, and you see the camera just like

0:21:38.389 --> 0:21:40.669
<v Speaker 1>finds him wherever he is. He doesn't amag saying he

0:21:40.669 --> 0:21:42.949
<v Speaker 1>makes everyone lean. Then yeah, he makes everyone leaning to him.

0:21:43.269 --> 0:21:46.429
<v Speaker 1>I just imagine I've got to yell for everything. Imagine

0:21:46.429 --> 0:21:49.269
<v Speaker 1>people leading. But in this you didn't just see. He

0:21:49.309 --> 0:21:51.189
<v Speaker 1>came in and he was like, I can see other

0:21:51.229 --> 0:21:54.269
<v Speaker 1>people around me maybe going smaller and quieter, and I'm

0:21:54.269 --> 0:21:56.469
<v Speaker 1>gonna go big and I'm gonna stay big for the

0:21:56.509 --> 0:21:57.229
<v Speaker 1>whole movie.

0:21:57.469 --> 0:21:59.709
<v Speaker 2>He comes across firstly as someone you feel like you

0:21:59.749 --> 0:22:03.789
<v Speaker 2>can trust, Like he almost is like a mentor to Lucius,

0:22:03.829 --> 0:22:06.389
<v Speaker 2>to like Paul mescal where he wants Paul to be

0:22:06.469 --> 0:22:08.949
<v Speaker 2>like his best fighter. Yeah, and he's like, what do

0:22:08.989 --> 0:22:13.549
<v Speaker 2>you want? And Paul's like the entire and then dells

0:22:13.589 --> 0:22:15.989
<v Speaker 2>and Washington's like too much, But then he does it.

0:22:16.189 --> 0:22:18.149
<v Speaker 2>He gives it, and he's like, here's your army. I've

0:22:18.269 --> 0:22:19.949
<v Speaker 2>done my job. What are you going to do for

0:22:19.989 --> 0:22:20.309
<v Speaker 2>me now?

0:22:20.349 --> 0:22:22.389
<v Speaker 1>And then he's like I want the head of General Acacius.

0:22:22.429 --> 0:22:23.829
<v Speaker 2>And then yeah, and then Paul had to go and

0:22:23.869 --> 0:22:26.269
<v Speaker 2>be like, actually, this is not what I want. It's like, well,

0:22:26.309 --> 0:22:27.389
<v Speaker 2>too late, So.

0:22:27.349 --> 0:22:29.229
<v Speaker 1>I've drawn you away from your favorite part of the movie,

0:22:29.229 --> 0:22:30.669
<v Speaker 1>which I have to circle back to. So that's that's

0:22:30.669 --> 0:22:33.109
<v Speaker 1>where all our players sit at this part. And then

0:22:33.269 --> 0:22:35.309
<v Speaker 1>they have the first task where they have to even

0:22:35.349 --> 0:22:38.189
<v Speaker 1>just see if all these slaves who they've brought in,

0:22:38.269 --> 0:22:39.869
<v Speaker 1>who was going to be strong enough to even be

0:22:40.109 --> 0:22:42.629
<v Speaker 1>up for auction as a gladiator. And that's where some

0:22:42.789 --> 0:22:43.589
<v Speaker 1>creatures come in.

0:22:43.869 --> 0:22:46.669
<v Speaker 2>Oh my god. Okay, so I got really confused in

0:22:46.709 --> 0:22:50.429
<v Speaker 2>this scene because the first gladiator scene where the gladiators

0:22:50.429 --> 0:22:53.149
<v Speaker 2>are fighting, you think they're going to fight each other,

0:22:53.309 --> 0:22:56.989
<v Speaker 2>but then like there's herd of monkeys just come out

0:22:56.989 --> 0:23:00.349
<v Speaker 2>of nowhere ready to attack them. And I was looking

0:23:00.389 --> 0:23:04.309
<v Speaker 2>at these monkeys and I was like, my monkeys like

0:23:04.349 --> 0:23:06.909
<v Speaker 2>this back then, what do you mean? They were like

0:23:07.149 --> 0:23:09.549
<v Speaker 2>they were insane monkeys. They were like dinosaur monkeys.

0:23:09.589 --> 0:23:14.069
<v Speaker 1>They I'm not completely that surely is not what they

0:23:14.069 --> 0:23:16.269
<v Speaker 1>look like back then. I mean, potentially, I don't know

0:23:16.309 --> 0:23:18.149
<v Speaker 1>how much monkeys have changed over time. I guess they have,

0:23:18.269 --> 0:23:19.949
<v Speaker 1>Like the thing is where would they have gotten shots?

0:23:19.949 --> 0:23:21.909
<v Speaker 1>So I'm jumping her head, I'm jumping ahead.

0:23:22.429 --> 0:23:24.829
<v Speaker 2>Going back to the monkeys. So it's hard because they

0:23:25.029 --> 0:23:28.509
<v Speaker 2>they were smart monkeys as well. Yeah, like they knew

0:23:28.989 --> 0:23:31.669
<v Speaker 2>they kill a man, and they knew they had to

0:23:31.749 --> 0:23:33.949
<v Speaker 2>kill a man in the first place. If I was

0:23:33.989 --> 0:23:35.429
<v Speaker 2>just a monkey there, I'd be like, oh what am

0:23:35.429 --> 0:23:37.589
<v Speaker 2>I doing? How have they thought? The monkeys from fighting

0:23:37.589 --> 0:23:37.909
<v Speaker 2>each other?

0:23:38.069 --> 0:23:43.029
<v Speaker 1>Because each month an individual fighter I had a game.

0:23:44.149 --> 0:23:46.789
<v Speaker 2>They were sitting with Denzel Washington and are watching it

0:23:46.829 --> 0:23:47.549
<v Speaker 2>was giving them a fight.

0:23:47.949 --> 0:23:51.109
<v Speaker 1>They were weirdly like CGI monkeys, but in a weird way,

0:23:51.829 --> 0:23:54.669
<v Speaker 1>like could that have been real? Apparently they actually did.

0:23:54.789 --> 0:23:58.229
<v Speaker 1>Used to put many different animals in those arenas. Soles

0:23:58.309 --> 0:23:59.149
<v Speaker 1>exist back.

0:23:59.029 --> 0:24:01.909
<v Speaker 2>Like, yes, Emily monkeys, he been around for a long time.

0:24:02.029 --> 0:24:04.909
<v Speaker 2>But those kind of monkeys were crazy. The CGI monkeys,

0:24:04.949 --> 0:24:07.029
<v Speaker 2>I think they knew they looked insane. They look like

0:24:07.109 --> 0:24:10.069
<v Speaker 2>monkeys from like Planet of the Apes, if Planet of

0:24:10.229 --> 0:24:11.629
<v Speaker 2>a took place in like.

0:24:11.749 --> 0:24:15.469
<v Speaker 1>Twenty thirty four. Yeah, they was an alien element to

0:24:15.509 --> 0:24:16.069
<v Speaker 1>the monkeys.

0:24:16.229 --> 0:24:16.709
<v Speaker 2>You're right.

0:24:16.749 --> 0:24:18.829
<v Speaker 1>And even though they were throwing those darts at them

0:24:18.869 --> 0:24:21.829
<v Speaker 1>through the different cracks in the coliseum to make them angrier.

0:24:22.069 --> 0:24:24.029
<v Speaker 1>They still I guess we're very targeted. But then also

0:24:24.109 --> 0:24:27.109
<v Speaker 1>poor Mescal has a very kind of throw down moment

0:24:27.149 --> 0:24:28.429
<v Speaker 1>with the monkey that he's fighting.

0:24:28.549 --> 0:24:31.669
<v Speaker 2>He first tried to protect his friend, who tragically died. Yeah,

0:24:31.789 --> 0:24:34.309
<v Speaker 2>he just but he was ready to die. He was like,

0:24:34.349 --> 0:24:36.909
<v Speaker 2>it's my time. And then yeah, poor Mescal, I don't know,

0:24:36.989 --> 0:24:38.069
<v Speaker 2>pulled out some chain.

0:24:38.269 --> 0:24:40.309
<v Speaker 1>You're forgetting the moment where he bit the monkey's arm

0:24:40.629 --> 0:24:42.029
<v Speaker 1>and the monkeys screamed that was.

0:24:42.269 --> 0:24:45.389
<v Speaker 2>I And they didn't have raby shots back then, so

0:24:45.549 --> 0:24:46.909
<v Speaker 2>that was a gambling itself.

0:24:47.949 --> 0:24:50.269
<v Speaker 1>I just remember going, ew what, I'm like, it's literally

0:24:50.309 --> 0:24:52.429
<v Speaker 1>germs the least off his problem is. But imagine putting

0:24:52.469 --> 0:24:54.309
<v Speaker 1>your mouth on a monkey. I was like Poorman Scale,

0:24:54.309 --> 0:24:55.669
<v Speaker 1>I would never And.

0:24:56.149 --> 0:24:58.389
<v Speaker 2>The monkey then like kind of respected him for a

0:24:58.389 --> 0:25:00.429
<v Speaker 2>little bit, Like there was a hot second with a

0:25:00.469 --> 0:25:03.149
<v Speaker 2>monkey looked at him and he was like, I cannot

0:25:03.149 --> 0:25:06.149
<v Speaker 2>believe he just did that to me. But honestly, reprospect,

0:25:06.389 --> 0:25:08.989
<v Speaker 2>he's like, he fights sturdy and I'm loving it. Somewhere

0:25:09.029 --> 0:25:11.309
<v Speaker 2>in the universe there is an old script where poor

0:25:11.349 --> 0:25:15.109
<v Speaker 2>Mescal and the monkey form an alliance and then we

0:25:15.189 --> 0:25:19.149
<v Speaker 2>have Planet of the Apes. This is actually the prequel

0:25:19.189 --> 0:25:20.709
<v Speaker 2>prequel series, the Apes.

0:25:20.749 --> 0:25:22.909
<v Speaker 1>Even though they've made lots of those, no one talks

0:25:22.949 --> 0:25:23.309
<v Speaker 1>about it.

0:25:23.349 --> 0:25:25.469
<v Speaker 2>No one's going to talk about it except us, okay.

0:25:25.509 --> 0:25:27.509
<v Speaker 2>And then they had a few more animals, so there

0:25:27.509 --> 0:25:30.509
<v Speaker 2>were a lot of fight scenes, all like one step

0:25:30.549 --> 0:25:33.229
<v Speaker 2>bigger than the last ones. We had monkeys. Then we

0:25:33.269 --> 0:25:34.789
<v Speaker 2>had the rhinos scene.

0:25:34.669 --> 0:25:36.749
<v Speaker 1>Yeah, which iize, I do believe they had back then

0:25:36.829 --> 0:25:38.669
<v Speaker 1>in the cool fights.

0:25:38.309 --> 0:25:39.949
<v Speaker 2>And we talked about how it's okay to use a

0:25:39.989 --> 0:25:42.189
<v Speaker 2>rhino because back then they weren't extinct and they didn't

0:25:42.189 --> 0:25:43.669
<v Speaker 2>know what's going to happen to rhinos now in twenty

0:25:43.709 --> 0:25:45.589
<v Speaker 2>twenty four, So they were like, it's fine to use

0:25:47.469 --> 0:25:48.229
<v Speaker 2>I own you.

0:25:48.349 --> 0:25:52.109
<v Speaker 4>Now, but whose head could I give you to satisfy

0:25:52.229 --> 0:25:54.069
<v Speaker 4>your fury?

0:25:54.309 --> 0:25:55.229
<v Speaker 2>The General will do.

0:25:56.109 --> 0:26:00.669
<v Speaker 4>Rome has taken everything from me, but I will have

0:26:00.749 --> 0:26:01.509
<v Speaker 4>my vengeance.

0:26:05.109 --> 0:26:07.949
<v Speaker 2>It's clinic of meeting for you in the next life.

0:26:08.629 --> 0:26:10.669
<v Speaker 2>I don't know why you are so really freed in

0:26:10.749 --> 0:26:13.829
<v Speaker 2>this one. It will clear my path to the throng.

0:26:14.909 --> 0:26:16.149
<v Speaker 2>You will be my instrument.

0:26:17.029 --> 0:26:20.309
<v Speaker 4>I will never be your instrument in this life for

0:26:20.429 --> 0:26:21.029
<v Speaker 4>the next.

0:26:21.309 --> 0:26:25.229
<v Speaker 1>We then had the ship scene. Yes, And now this

0:26:25.269 --> 0:26:27.629
<v Speaker 1>brings me to my favorite part. Of my notes I've

0:26:27.669 --> 0:26:30.829
<v Speaker 1>made under a subheading called Ridley Scott and the Sharks

0:26:30.909 --> 0:26:35.709
<v Speaker 1>the Internet. No, so, really, Scott does not like when

0:26:35.749 --> 0:26:38.909
<v Speaker 1>people question his movies in any way. He particularly doesn't

0:26:38.989 --> 0:26:42.109
<v Speaker 1>like when people question the historical accuracy of his movies.

0:26:42.349 --> 0:26:45.629
<v Speaker 2>He's protective of his art. So when he released Napoleon,

0:26:45.709 --> 0:26:48.149
<v Speaker 2>remember did Napoleon movie? It kind of didn't didn't really

0:26:48.149 --> 0:26:48.549
<v Speaker 2>take off.

0:26:48.669 --> 0:26:52.109
<v Speaker 1>Yeah, with Yking and Phoenix, there was a scene that

0:26:52.149 --> 0:26:55.429
<v Speaker 1>turned out to be quite controversial movie. He does love

0:26:55.429 --> 0:26:57.309
<v Speaker 1>a water scene. He also loves a cannon scene. So

0:26:57.549 --> 0:27:00.669
<v Speaker 1>in the scene he has Napoleon fire cannons at the Pyramids,

0:27:00.989 --> 0:27:03.029
<v Speaker 1>and people got very upset about it and saying it

0:27:03.069 --> 0:27:06.509
<v Speaker 1>wasn't historically accurate. How dare you he wouldn't have done that.

0:27:06.509 --> 0:27:08.149
<v Speaker 1>They didn't have those type of cannons back then. Like,

0:27:08.189 --> 0:27:09.309
<v Speaker 1>people got very intense.

0:27:09.149 --> 0:27:11.229
<v Speaker 2>Anything Napoleon beckted the Pyramids.

0:27:12.109 --> 0:27:14.149
<v Speaker 1>That was like, did Poline actually do that? You're like

0:27:14.189 --> 0:27:17.389
<v Speaker 1>tarnishing his name? And then really Scott didn't into the

0:27:17.429 --> 0:27:19.749
<v Speaker 1>times and they asked him like big backlash to the

0:27:19.749 --> 0:27:21.789
<v Speaker 1>cannon scene, do you want to speak on that? And

0:27:21.829 --> 0:27:25.069
<v Speaker 1>he said, excuse me, mate, were you there? No, we'll

0:27:25.109 --> 0:27:29.789
<v Speaker 1>shut the fuck up. And anytime anyone has asked me

0:27:29.829 --> 0:27:31.509
<v Speaker 1>about the cannons, he's like, were you fucking there?

0:27:31.549 --> 0:27:32.429
<v Speaker 2>Were you fucking there?

0:27:32.549 --> 0:27:32.749
<v Speaker 4>No?

0:27:33.109 --> 0:27:33.669
<v Speaker 2>Oh my god.

0:27:33.709 --> 0:27:36.109
<v Speaker 1>And look he makes it because you know what, we

0:27:36.109 --> 0:27:38.189
<v Speaker 1>weren't there, and also neither were you. But he's just

0:27:38.189 --> 0:27:40.989
<v Speaker 1>saying we should all like leaves making scenes. No, unless

0:27:41.029 --> 0:27:43.869
<v Speaker 1>you're making your alternative cannon scene, leave them alone. So

0:27:44.189 --> 0:27:46.589
<v Speaker 1>they see in the movie they flood the Colosseum with

0:27:46.709 --> 0:27:49.669
<v Speaker 1>water and they have two different ships coming.

0:27:49.869 --> 0:27:51.829
<v Speaker 2>So I thought the water would just sink through the ground.

0:27:51.869 --> 0:27:54.949
<v Speaker 1>Well apparently they actually did that. Yes, I went, Brad,

0:27:55.029 --> 0:27:57.509
<v Speaker 1>I went to the Colisseum this year, that's right.

0:27:57.629 --> 0:27:57.949
<v Speaker 2>Yeah.

0:27:58.069 --> 0:27:59.869
<v Speaker 1>And as I walked around, I was trying to just

0:27:59.869 --> 0:28:01.429
<v Speaker 1>listen to the history from the guy because it was

0:28:01.429 --> 0:28:02.309
<v Speaker 1>amazing and.

0:28:02.269 --> 0:28:03.509
<v Speaker 2>I was just going through a drought.

0:28:05.509 --> 0:28:07.669
<v Speaker 1>As I was doing the tour of the Colosseum in Rome,

0:28:07.709 --> 0:28:08.829
<v Speaker 1>I was trying to listen to the guide. I was

0:28:08.869 --> 0:28:10.509
<v Speaker 1>also trying to look for the cat that was there

0:28:10.549 --> 0:28:12.949
<v Speaker 1>that apparently it like attacks people, but if you scratch

0:28:12.989 --> 0:28:15.629
<v Speaker 1>it's tummy, it rolls over. So that was really taking

0:28:15.669 --> 0:28:17.189
<v Speaker 1>up a lot of my time. But I also I

0:28:17.229 --> 0:28:19.509
<v Speaker 1>was thinking about poor mescal and Pedro Pascal because I

0:28:19.549 --> 0:28:21.109
<v Speaker 1>knew this movie was coming out and so I was

0:28:21.109 --> 0:28:23.069
<v Speaker 1>trying to store all the thoughts in my mind. And

0:28:23.109 --> 0:28:24.749
<v Speaker 1>the guy was saying that they did used to fill

0:28:24.789 --> 0:28:27.349
<v Speaker 1>the Colisseum with water. They did used to bring boats in,

0:28:27.549 --> 0:28:29.629
<v Speaker 1>and they did used to have a gladiators with different

0:28:29.629 --> 0:28:33.909
<v Speaker 1>people fight like a stage naval battle, either constructed in

0:28:33.949 --> 0:28:36.109
<v Speaker 1>a body of water, natural or man made, or in

0:28:36.109 --> 0:28:38.029
<v Speaker 1>a building. And so there is some evidence that they

0:28:38.029 --> 0:28:39.149
<v Speaker 1>did fill the Colosseum.

0:28:39.349 --> 0:28:41.989
<v Speaker 2>That's pretty cool, I mean tragic, but cool. I don't

0:28:42.029 --> 0:28:43.429
<v Speaker 2>want to see one be killed for fun.

0:28:43.509 --> 0:28:46.549
<v Speaker 1>But apparently when this movie came out, because as we

0:28:46.549 --> 0:28:48.429
<v Speaker 1>were watching, even though I had that in my head

0:28:48.469 --> 0:28:50.189
<v Speaker 1>that they had filled the Colosseum with water, as we

0:28:50.189 --> 0:28:53.749
<v Speaker 1>were watching this scene in Gladiator too, I was like, guys,

0:28:54.189 --> 0:28:56.309
<v Speaker 1>you've literally jumped the shark. And not just because there

0:28:56.309 --> 0:28:58.949
<v Speaker 1>are sharks on screen, but like it just seems so

0:28:59.069 --> 0:29:00.589
<v Speaker 1>silly of the way they were doing it, with like

0:29:00.629 --> 0:29:03.549
<v Speaker 1>the sharks swirling around them, and then the boats were

0:29:03.589 --> 0:29:06.309
<v Speaker 1>on fire, and then different like gladiators kept getting knocked

0:29:06.309 --> 0:29:08.909
<v Speaker 1>off the boat, and then the sharks were like viciously

0:29:08.949 --> 0:29:12.309
<v Speaker 1>like them. Yeah, which we know unless they were like

0:29:12.309 --> 0:29:13.749
<v Speaker 1>I don't know, but like that's not sharks. It's not

0:29:13.829 --> 0:29:15.789
<v Speaker 1>real shark behavior. I don't get the sharks in there.

0:29:15.949 --> 0:29:17.429
<v Speaker 1>How did they find so many sharks?

0:29:17.749 --> 0:29:21.349
<v Speaker 2>Y're all like big size sharks family, so many sharks.

0:29:21.749 --> 0:29:24.109
<v Speaker 2>Where were the baby sharks? I guess they have the

0:29:24.109 --> 0:29:26.469
<v Speaker 2>sharks before putting them, maybe because maybe that's why they

0:29:26.629 --> 0:29:29.109
<v Speaker 2>ate the men so quickly. The sharks eat themselves.

0:29:28.829 --> 0:29:31.589
<v Speaker 1>Because like sharks don't just see any kind of human

0:29:31.629 --> 0:29:33.269
<v Speaker 1>being and being like I'm just going to instantly, like

0:29:33.589 --> 0:29:35.229
<v Speaker 1>revenolessly attack that person.

0:29:35.669 --> 0:29:38.949
<v Speaker 2>Like there's different sharks like eating people. I was listening

0:29:38.989 --> 0:29:41.189
<v Speaker 2>to an episode of The Quickie and they had a

0:29:41.229 --> 0:29:44.469
<v Speaker 2>shark and they asked him where their sharks in the

0:29:44.469 --> 0:29:46.669
<v Speaker 2>callers there. No, They asked him like about like shark

0:29:46.669 --> 0:29:50.389
<v Speaker 2>attacks on people, and they said that shark attacks happen

0:29:50.589 --> 0:29:52.269
<v Speaker 2>out of accident, not because the shark wants to eat

0:29:52.309 --> 0:29:55.429
<v Speaker 2>the person. Apparently, people for sharks kind of like how

0:29:55.509 --> 0:29:58.109
<v Speaker 2>we smell perfume, Like it smells good, so they kind

0:29:58.109 --> 0:29:59.509
<v Speaker 2>of taste it and they're like, no, but I can't

0:29:59.509 --> 0:30:02.349
<v Speaker 2>actually eat that stuff for me, so doesn't make sense

0:30:02.389 --> 0:30:04.909
<v Speaker 2>to me. Well really Scott would beg to differ because

0:30:04.949 --> 0:30:09.629
<v Speaker 2>I would not tell Scott if you're listening, sharks, I

0:30:09.629 --> 0:30:12.109
<v Speaker 2>love to see ga sharks. I think it's completely believable.

0:30:12.189 --> 0:30:14.069
<v Speaker 1>Well, during the press too, someone did ask him from

0:30:14.069 --> 0:30:16.749
<v Speaker 1>Collider and they said the sharks weren't there in real life,

0:30:16.829 --> 0:30:20.309
<v Speaker 1>and Ridley Scott said, you're dead wrong. The Colosseum did

0:30:20.349 --> 0:30:22.869
<v Speaker 1>flood with water and there were sea battles. Dude, if

0:30:22.869 --> 0:30:25.029
<v Speaker 1>you can build a colosseum, you can flood it with

0:30:25.109 --> 0:30:27.349
<v Speaker 1>fucking water, are you kidding? And to get a couple

0:30:27.429 --> 0:30:29.509
<v Speaker 1>of sharks in a net from the sea, are you kidding?

0:30:29.589 --> 0:30:32.629
<v Speaker 1>Of course they can, Yeah, you're idiot. I love.

0:30:34.269 --> 0:30:35.829
<v Speaker 2>How we just had a conversation about how to get

0:30:35.829 --> 0:30:37.189
<v Speaker 2>the sharks in and he's just like, what do you

0:30:37.229 --> 0:30:39.109
<v Speaker 2>mean they got a net? No further question.

0:30:40.749 --> 0:30:43.669
<v Speaker 1>So Ridley Scott says it's historically accurate, So we're gonna

0:30:43.669 --> 0:30:46.069
<v Speaker 1>say it's historically accurate, even though it was very funny

0:30:46.069 --> 0:30:46.469
<v Speaker 1>to watch.

0:30:46.949 --> 0:30:49.869
<v Speaker 2>So I also want to talk about Colie Nielsen's role,

0:30:49.949 --> 0:30:54.829
<v Speaker 2>the role that she reprised Lucilla, who played Maximus's lover

0:30:55.189 --> 0:30:59.749
<v Speaker 2>and then Paul Mescal's mum in this new movie. I mean,

0:30:59.789 --> 0:31:04.589
<v Speaker 2>what a woman. I found her role quite interesting. It

0:31:04.709 --> 0:31:06.789
<v Speaker 2>feels like her role was the one that kind of

0:31:06.869 --> 0:31:12.389
<v Speaker 2>pieced everything together because she had like a few dramatic scenes,

0:31:12.789 --> 0:31:15.669
<v Speaker 2>but it also felt weirdly rushed, Like I felt like

0:31:15.789 --> 0:31:19.749
<v Speaker 2>her scenes in particular were very rushed, especially between the

0:31:19.789 --> 0:31:24.909
<v Speaker 2>second and third act. Then it's just very confusing because

0:31:24.949 --> 0:31:27.389
<v Speaker 2>if you took out all the fighting and all the

0:31:27.549 --> 0:31:31.149
<v Speaker 2>like bleeding and the staring and the politics and stuff,

0:31:31.149 --> 0:31:34.749
<v Speaker 2>and you just focused on, like the heartfelt storyline between

0:31:34.789 --> 0:31:36.909
<v Speaker 2>Paul finding out who he really is and like his

0:31:37.029 --> 0:31:41.149
<v Speaker 2>mom and his dad and mourning his wife, it feels

0:31:41.229 --> 0:31:45.549
<v Speaker 2>quite disjointed. So the part where she goes visits him

0:31:45.589 --> 0:31:48.989
<v Speaker 2>for the first time and kind of he figures out

0:31:48.989 --> 0:31:51.989
<v Speaker 2>while she's there that he is her son, like she

0:31:52.189 --> 0:31:55.509
<v Speaker 2>is his birth mother. He yells at her, He's.

0:31:55.349 --> 0:31:57.389
<v Speaker 1>Like, well, of course, because he feels like, just to

0:31:57.389 --> 0:32:00.269
<v Speaker 1>defend Paul mescal for a moment, he feels like he

0:32:00.389 --> 0:32:03.429
<v Speaker 1>was sent away and then forgotten about. And he's looking

0:32:03.429 --> 0:32:05.229
<v Speaker 1>at this woman and you can kind of feel like

0:32:05.269 --> 0:32:06.829
<v Speaker 1>he knew straightaway that was his mum, but he was

0:32:06.909 --> 0:32:08.989
<v Speaker 1>kind of repressing it. And then he's looking at this

0:32:09.029 --> 0:32:11.589
<v Speaker 1>woman who he sees living this life of luxury with

0:32:11.629 --> 0:32:13.949
<v Speaker 1>the people that killed his wife, and he's pretty much like,

0:32:13.989 --> 0:32:16.069
<v Speaker 1>you forgot about me and you left me out there

0:32:16.069 --> 0:32:17.909
<v Speaker 1>to die, and now I want nothing to do with you.

0:32:17.949 --> 0:32:19.869
<v Speaker 1>And I understand marry the general.

0:32:20.029 --> 0:32:22.309
<v Speaker 2>Yeah, he killed my wife. Yeah, it's actually quite a

0:32:22.349 --> 0:32:24.989
<v Speaker 2>good setup. It's good. And he yells, he's like, get

0:32:25.069 --> 0:32:27.029
<v Speaker 2>out of my room. And then she tries to say something.

0:32:27.069 --> 0:32:31.549
<v Speaker 2>He's like, gout and then they don't talk again. And

0:32:31.549 --> 0:32:33.509
<v Speaker 2>then the next time they talk, I'm like, oh, no,

0:32:33.589 --> 0:32:35.509
<v Speaker 2>he's going to yell at her again. He's gonna yell.

0:32:35.589 --> 0:32:39.389
<v Speaker 2>They haven't talked since that first yelling situation. Immediately forgive him.

0:32:39.549 --> 0:32:41.989
<v Speaker 2>He's like, Okay, well he's got a lot going on.

0:32:42.189 --> 0:32:44.349
<v Speaker 2>He's trying to save Rome. He's like, oh, he's trying

0:32:44.349 --> 0:32:47.829
<v Speaker 2>to enemy. Get out of my room. So she like

0:32:47.909 --> 0:32:51.909
<v Speaker 2>they suddenly make up randomly, and she gives him Maximus's

0:32:51.949 --> 0:32:53.669
<v Speaker 2>ring that she's been wearing, and he was like, I

0:32:53.669 --> 0:32:55.709
<v Speaker 2>will wear this ring next to my wife's ring.

0:32:56.029 --> 0:32:57.829
<v Speaker 1>That's actually meant to be a really beautiful moment. And

0:32:57.869 --> 0:32:59.429
<v Speaker 1>I just feel like you haven't taken it in here.

0:32:59.469 --> 0:33:01.629
<v Speaker 1>It's so every time I see you recently, you'll just

0:33:01.669 --> 0:33:03.149
<v Speaker 1>say that randomly, Oh.

0:33:03.309 --> 0:33:06.789
<v Speaker 2>This ring next to my wife's. He's trying to be

0:33:06.869 --> 0:33:10.229
<v Speaker 2>nice about it. Thank you, mom, I forgive you to

0:33:10.309 --> 0:33:10.989
<v Speaker 2>give you mom.

0:33:11.149 --> 0:33:13.629
<v Speaker 1>Because because Paul Beskil doesn't have a lot of lines,

0:33:14.029 --> 0:33:15.109
<v Speaker 1>he doesn't have a lot.

0:33:15.509 --> 0:33:18.229
<v Speaker 2>I think that's a except for that one poem yes,

0:33:18.269 --> 0:33:19.949
<v Speaker 2>which is like the one line that he says that

0:33:19.989 --> 0:33:20.869
<v Speaker 2>everyone remembers.

0:33:21.349 --> 0:33:23.029
<v Speaker 1>That's a creative choice and it does kind of work.

0:33:23.069 --> 0:33:25.669
<v Speaker 1>He's meant to be, you know, he's always watching and

0:33:25.789 --> 0:33:28.669
<v Speaker 1>reacting and when they ask him to speak, he's like

0:33:28.989 --> 0:33:30.709
<v Speaker 1>he's like no, they're like speaking English. He's like yeah,

0:33:30.709 --> 0:33:31.749
<v Speaker 1>sure whatever.

0:33:32.509 --> 0:33:32.709
<v Speaker 2>Yeah.

0:33:32.749 --> 0:33:34.429
<v Speaker 1>He doesn't have a lot of dialogue in the film,

0:33:34.469 --> 0:33:36.189
<v Speaker 1>but I think that kind of works to his character.

0:33:36.309 --> 0:33:38.509
<v Speaker 1>It does a lot of breathing and a lot of

0:33:38.549 --> 0:33:41.629
<v Speaker 1>brooding and a lot of just like what strength.

0:33:41.269 --> 0:33:43.589
<v Speaker 2>And on ah and then everyone's like yeah, I guess

0:33:44.189 --> 0:33:45.549
<v Speaker 2>sure what he said with both of those.

0:33:45.629 --> 0:33:47.349
<v Speaker 1>But a lot of it is just like close ups

0:33:47.349 --> 0:33:49.749
<v Speaker 1>of his face and his body, like reacting to things

0:33:49.789 --> 0:33:51.949
<v Speaker 1>and taking things in. And I think that's interesting choice,

0:33:51.989 --> 0:33:54.189
<v Speaker 1>Like you can convey a lot without dialogue. Sometimes in

0:33:54.229 --> 0:33:56.149
<v Speaker 1>these movies they can be too much dialogue. If you

0:33:56.189 --> 0:33:58.309
<v Speaker 1>get into historical drama, and there's a lot of exposition,

0:33:58.629 --> 0:34:01.109
<v Speaker 1>a lot of explaining, a lot of men walking around

0:34:01.189 --> 0:34:02.029
<v Speaker 1>and brooding.

0:34:02.149 --> 0:34:04.909
<v Speaker 2>Is he educated because they like so. You see a

0:34:04.989 --> 0:34:07.589
<v Speaker 2>scene where like he's a young boy and then they

0:34:07.589 --> 0:34:09.869
<v Speaker 2>come to find him and then he gets sent away

0:34:09.909 --> 0:34:11.109
<v Speaker 2>by himself on a horse.

0:34:11.629 --> 0:34:14.829
<v Speaker 1>Yeah, and the different community, but he still was like

0:34:14.989 --> 0:34:17.509
<v Speaker 1>educated while he was like living in Rome with his family.

0:34:17.829 --> 0:34:19.749
<v Speaker 1>He does speak well, Okay, weird thing for us to

0:34:19.749 --> 0:34:22.829
<v Speaker 1>be debating, but I think that's maybe just how they've

0:34:22.869 --> 0:34:26.189
<v Speaker 1>kind of done his character. It's interesting because with Gladiator too,

0:34:26.269 --> 0:34:28.389
<v Speaker 1>like I just think like if it wasn't done properly,

0:34:28.429 --> 0:34:30.709
<v Speaker 1>it just would have been the most boring movie. And

0:34:30.789 --> 0:34:33.749
<v Speaker 1>I think the original scripts around it very much center

0:34:33.789 --> 0:34:37.429
<v Speaker 1>on like the politics and the internal power struggles. And

0:34:37.469 --> 0:34:39.069
<v Speaker 1>I'm like, when I went to this movie, I'm like,

0:34:39.069 --> 0:34:40.509
<v Speaker 1>if this is going to be a bunch of white

0:34:40.509 --> 0:34:43.949
<v Speaker 1>men standing around in rooms monologuing about their importance, I'm

0:34:43.989 --> 0:34:45.669
<v Speaker 1>out of here. I've had a long day, there's a

0:34:45.709 --> 0:34:46.509
<v Speaker 1>long line to get in here.

0:34:46.549 --> 0:34:46.949
<v Speaker 2>I'm out.

0:34:47.029 --> 0:34:50.269
<v Speaker 1>But the movie caters to I think what people want

0:34:50.269 --> 0:34:52.509
<v Speaker 1>from a movie in terms of like action packed, a

0:34:52.669 --> 0:34:55.309
<v Speaker 1>very fast, fast paced and the stakes are very It's

0:34:55.349 --> 0:34:56.589
<v Speaker 1>kind of like the stakes are out there of like

0:34:56.629 --> 0:34:58.189
<v Speaker 1>this is a really bad guy and this is the

0:34:58.229 --> 0:35:01.349
<v Speaker 1>good guy, and that's it. Everyone's stay in their lane.

0:35:01.429 --> 0:35:03.949
<v Speaker 1>But it kind of does work because it's a it's

0:35:03.949 --> 0:35:07.029
<v Speaker 1>a cadence of storyline that we really recognize.

0:35:06.549 --> 0:35:09.589
<v Speaker 2>The characters are still developing in their lane to an extent.

0:35:09.829 --> 0:35:11.709
<v Speaker 2>It's almost like if you had taken out to the

0:35:11.789 --> 0:35:14.829
<v Speaker 2>Vicious Killing. This is a kid's movie about an orphan.

0:35:14.829 --> 0:35:17.309
<v Speaker 2>This is Disney movie about an orphan taken away from

0:35:17.309 --> 0:35:20.149
<v Speaker 2>his parents, coming back and fighting the bad guys and

0:35:20.189 --> 0:35:23.029
<v Speaker 2>saving everyone, Like if he took out the killer monkeys

0:35:23.069 --> 0:35:26.149
<v Speaker 2>and the killer sharks and the static and the sadistic

0:35:26.229 --> 0:35:28.709
<v Speaker 2>emperors and the fact that one of them is dying

0:35:28.709 --> 0:35:29.509
<v Speaker 2>from syphilis.

0:35:29.589 --> 0:35:33.629
<v Speaker 1>This is a kid's movie. It's very good versus bad,

0:35:33.669 --> 0:35:35.109
<v Speaker 1>but adults need that sometimes too.

0:35:35.269 --> 0:35:38.629
<v Speaker 2>Yeah, it was just such a good watch. Like I definitely,

0:35:38.869 --> 0:35:41.349
<v Speaker 2>as you said, wouldn't watch it because I do feel

0:35:41.389 --> 0:35:44.109
<v Speaker 2>like Gladiator one was more of a drama, like there

0:35:44.189 --> 0:35:46.669
<v Speaker 2>was so much it was more intense in that way

0:35:46.709 --> 0:35:49.149
<v Speaker 2>where the plot line felt like there was so much

0:35:49.189 --> 0:35:52.189
<v Speaker 2>at stake, whereas like with Gladiator two, because it's kind

0:35:52.229 --> 0:35:55.429
<v Speaker 2>of like the same storyline as Gladiator one. You kind

0:35:55.429 --> 0:35:57.269
<v Speaker 2>of know what's at steak already, so you can just

0:35:57.269 --> 0:35:57.829
<v Speaker 2>like enjoy.

0:35:57.989 --> 0:36:00.669
<v Speaker 1>It just feels like more like an action, popcorn summer

0:36:00.829 --> 0:36:02.989
<v Speaker 1>kind of movie. Okay, do you want to get into ending,

0:36:02.989 --> 0:36:05.389
<v Speaker 1>which is actually quite sad because you think a lot

0:36:05.429 --> 0:36:07.549
<v Speaker 1>of people are gonna you think like they're gonna do this.

0:36:07.589 --> 0:36:09.389
<v Speaker 1>They go into you know, get out of here, and

0:36:09.429 --> 0:36:11.309
<v Speaker 1>then death after death after death.

0:36:11.389 --> 0:36:15.269
<v Speaker 2>I got quite confused. What were you confused by? I

0:36:15.309 --> 0:36:17.589
<v Speaker 2>was confused right at the end when he was giving

0:36:17.629 --> 0:36:19.749
<v Speaker 2>that speech and there were thousands of people, and I

0:36:19.789 --> 0:36:21.189
<v Speaker 2>was like, oh, I hope the guys at the back

0:36:21.229 --> 0:36:23.389
<v Speaker 2>can hear him and they don't just start killing people

0:36:23.469 --> 0:36:26.029
<v Speaker 2>because there's no way they can hear him. They're so

0:36:26.069 --> 0:36:28.909
<v Speaker 2>far bad, Like how do they all know that we're

0:36:28.949 --> 0:36:31.309
<v Speaker 2>not fighting? Like, I don't think that message has been

0:36:31.309 --> 0:36:32.309
<v Speaker 2>passed on accurately.

0:36:32.389 --> 0:36:35.589
<v Speaker 1>Okay, So in armies they have like systems in back

0:36:35.629 --> 0:36:37.109
<v Speaker 1>in the olden days, and they have like walkie talkers

0:36:37.189 --> 0:36:38.629
<v Speaker 1>or you think of how to like pass that along,

0:36:38.709 --> 0:36:40.349
<v Speaker 1>like you have a person who's in charge of like

0:36:40.629 --> 0:36:41.509
<v Speaker 1>each section.

0:36:42.629 --> 0:36:45.389
<v Speaker 2>Pass it on, pass it on. Stop you're feeling you're

0:36:45.389 --> 0:36:48.709
<v Speaker 2>getting a message going kill and you're like, wait, kill,

0:36:49.029 --> 0:36:52.549
<v Speaker 2>just because one guy forgot to say stop killing. Okay.

0:36:52.549 --> 0:36:56.069
<v Speaker 1>But before that, we have Denzel Washington rising to the

0:36:56.109 --> 0:36:57.429
<v Speaker 1>power of emperor because.

0:36:57.349 --> 0:36:58.749
<v Speaker 2>Quickly he tricks Overnight.

0:36:59.029 --> 0:37:00.949
<v Speaker 1>That was an intense scene. How he tricks the brothers,

0:37:00.989 --> 0:37:02.949
<v Speaker 1>He tricks the little Emperor. This is how we can describe.

0:37:02.989 --> 0:37:05.509
<v Speaker 1>He tricks the little Emperor, whose brain is at all

0:37:05.549 --> 0:37:07.989
<v Speaker 1>by syphilis, which is very sad for him, tricks him

0:37:07.989 --> 0:37:11.389
<v Speaker 1>into killing his brother because Denzel's thinking like the younger one,

0:37:11.429 --> 0:37:13.509
<v Speaker 1>the little one is easier to control out of these

0:37:13.549 --> 0:37:17.629
<v Speaker 1>two crazy emperors. And then Denzel wrangles it so that

0:37:17.909 --> 0:37:21.149
<v Speaker 1>the little Emperor, who's the one who's ruling now I guess,

0:37:21.229 --> 0:37:24.229
<v Speaker 1>names his monkey first, which everyone was a bit stressed about,

0:37:24.389 --> 0:37:27.029
<v Speaker 1>which is fair enough, it was there for long, and

0:37:27.229 --> 0:37:30.029
<v Speaker 1>then named Denzel. And then when Denzel stabbed him through

0:37:30.029 --> 0:37:33.869
<v Speaker 1>the ear him yeah, that's a bad way to go. Yeah,

0:37:33.869 --> 0:37:35.989
<v Speaker 1>I don't want to go that way, leaving him to

0:37:36.029 --> 0:37:37.829
<v Speaker 1>be in power. But then they're having the big three

0:37:37.869 --> 0:37:40.869
<v Speaker 1>down fight, and then we have the death of Acacius,

0:37:40.869 --> 0:37:43.029
<v Speaker 1>which I actually thought was really sad, but I thought

0:37:43.069 --> 0:37:47.269
<v Speaker 1>that it was very satisfying to have that big throwdown

0:37:47.349 --> 0:37:49.909
<v Speaker 1>fight between Pedro and Paul, because the whole movie had

0:37:49.909 --> 0:37:53.629
<v Speaker 1>been building to that, and see Pedro trying to say, acacius,

0:37:53.669 --> 0:37:56.029
<v Speaker 1>I need to call them the character names, being like no,

0:37:56.149 --> 0:37:57.829
<v Speaker 1>like we're fighting for the same thing, and being like,

0:37:57.869 --> 0:37:59.589
<v Speaker 1>I won't kill you. And then I think the big

0:37:59.629 --> 0:38:02.749
<v Speaker 1>emotional turning point for Paul Mescal was him also putting

0:38:02.749 --> 0:38:04.709
<v Speaker 1>down his sword because the only thing I'd been getting

0:38:04.909 --> 0:38:06.949
<v Speaker 1>up in the morning and getting him through this was

0:38:07.029 --> 0:38:09.469
<v Speaker 1>killing that man, this man who was in front of him,

0:38:09.469 --> 0:38:10.829
<v Speaker 1>and then he had to make the choice to put

0:38:10.829 --> 0:38:11.669
<v Speaker 1>his sword down.

0:38:12.309 --> 0:38:14.709
<v Speaker 2>And then but they killed him anyway, and then Paul went,

0:38:15.509 --> 0:38:18.989
<v Speaker 2>look what you do. Do you like this? You're the

0:38:19.069 --> 0:38:22.629
<v Speaker 2>killing of your general. I'm like, all right, I feel

0:38:22.669 --> 0:38:23.629
<v Speaker 2>like Paul's in the room, that's right.

0:38:24.349 --> 0:38:26.349
<v Speaker 1>I think they were trying because one of the most

0:38:26.349 --> 0:38:28.629
<v Speaker 1>infamous scenes from the original Gladiator, and the one that

0:38:28.629 --> 0:38:31.509
<v Speaker 1>people still repeat to this day, is are you not entertained?

0:38:31.989 --> 0:38:33.469
<v Speaker 1>And so I think they were trying to make that happen.

0:38:33.509 --> 0:38:35.829
<v Speaker 1>But which she said that how good would that be?

0:38:36.309 --> 0:38:38.269
<v Speaker 1>Might have been two on the note he was understanding ovation.

0:38:40.949 --> 0:38:42.349
<v Speaker 1>But you know what I thought was the real kind

0:38:42.389 --> 0:38:45.429
<v Speaker 1>of just the one of the ugly kills is when

0:38:45.669 --> 0:38:48.829
<v Speaker 1>Lucilla Connie Nielsen, his character is tied out on the

0:38:49.349 --> 0:38:49.909
<v Speaker 1>thing in the.

0:38:49.829 --> 0:38:53.549
<v Speaker 2>Middle, like she was the last living person for him. Yes,

0:38:53.789 --> 0:38:56.949
<v Speaker 2>like the last person who like probably had love for him.

0:38:57.149 --> 0:38:59.269
<v Speaker 1>Yeah, he lost his wife, he lost all of his friends,

0:38:59.269 --> 0:39:01.309
<v Speaker 1>he lost his mentor, and that was like just when

0:39:01.349 --> 0:39:02.269
<v Speaker 1>he got to Rome, and then.

0:39:02.229 --> 0:39:09.829
<v Speaker 2>He was losing after me. The credits is still it's love.

0:39:10.149 --> 0:39:15.349
<v Speaker 1>It's peoful opening scene. And then he's lost a lot

0:39:15.349 --> 0:39:17.389
<v Speaker 1>of people that he'd made friends with since he got there.

0:39:17.429 --> 0:39:22.389
<v Speaker 1>He's lost Acacius, who was like a new friend, Danizel

0:39:22.509 --> 0:39:25.029
<v Speaker 1>he thought he was going to be there, trained betrayed,

0:39:25.269 --> 0:39:27.989
<v Speaker 1>and then he's only got Connie Nilsen left. And the

0:39:28.029 --> 0:39:30.589
<v Speaker 1>way she dies with Denzel Washington acting, I'm just going

0:39:30.629 --> 0:39:32.989
<v Speaker 1>to say, like a little spoiled brat, like he's losing

0:39:32.989 --> 0:39:34.869
<v Speaker 1>the war and he could just run, he could leave,

0:39:34.909 --> 0:39:35.749
<v Speaker 1>he could find his army.

0:39:35.869 --> 0:39:38.669
<v Speaker 2>He wanted to take everything from Paul mescal and she's like,

0:39:38.709 --> 0:39:43.229
<v Speaker 2>this is not your movie movie, Denzel Washington, and.

0:39:43.109 --> 0:39:46.469
<v Speaker 1>Then Denzel Washington, the man, the actor takes the bowl

0:39:46.469 --> 0:39:49.149
<v Speaker 1>and arrow and shoots her through the heart in the

0:39:49.189 --> 0:39:52.949
<v Speaker 1>same way that Paul Paul Mescal lost his wife in

0:39:52.989 --> 0:39:55.469
<v Speaker 1>the opening scenes the film with an arrow through the heart.

0:39:55.549 --> 0:39:59.789
<v Speaker 2>I'm surprised he's not traumatized by I think he is traumatized,

0:40:00.149 --> 0:40:02.029
<v Speaker 2>is what we see throughout the film.

0:40:02.229 --> 0:40:04.149
<v Speaker 1>And then it's really on I think is a cinematic

0:40:04.189 --> 0:40:05.749
<v Speaker 1>way to describe it in terms of.

0:40:05.989 --> 0:40:07.829
<v Speaker 2>The battle kicking horse chase.

0:40:08.109 --> 0:40:10.509
<v Speaker 1>Yes, but then we have what everyone has been b for,

0:40:10.589 --> 0:40:13.189
<v Speaker 1>which is the epic threw down between Denzel and Paul

0:40:13.389 --> 0:40:14.029
<v Speaker 1>in the river.

0:40:14.229 --> 0:40:16.109
<v Speaker 2>You know what, it reminded me of what Black Panther.

0:40:16.469 --> 0:40:19.309
<v Speaker 2>Oh yeah, bit of a and men fighting in water

0:40:19.389 --> 0:40:22.829
<v Speaker 2>is dangerous game because like when there's drowning involved, that

0:40:23.069 --> 0:40:24.189
<v Speaker 2>takes it to a whole new life.

0:40:24.469 --> 0:40:26.709
<v Speaker 1>Stabbing through the water, stabbing you can't see who's moving

0:40:26.709 --> 0:40:27.669
<v Speaker 1>where or who's doing what.

0:40:27.989 --> 0:40:31.389
<v Speaker 2>They would be very intense people just rises. Yes, man,

0:40:32.949 --> 0:40:35.909
<v Speaker 2>he did look like a became victorious, and then he

0:40:35.949 --> 0:40:39.669
<v Speaker 2>had to stand between the Roman army and the other army,

0:40:39.669 --> 0:40:42.949
<v Speaker 2>which I'm getting the other Roman army, the friendly Roman

0:40:43.029 --> 0:40:46.549
<v Speaker 2>army and the other Roman army and say, look, guys,

0:40:46.789 --> 0:40:49.669
<v Speaker 2>it's been a Dan. Well, let's just put the swords down,

0:40:49.949 --> 0:40:52.909
<v Speaker 2>like we're all fighting for the same thing. Sometimes it's men.

0:40:52.949 --> 0:40:55.149
<v Speaker 2>We need to like let out our emotions in a different,

0:40:55.189 --> 0:40:57.229
<v Speaker 2>more healthier way. I feel like, if we just talked

0:40:57.269 --> 0:40:59.229
<v Speaker 2>about it and didn't kill each other, this could be

0:40:59.269 --> 0:41:01.429
<v Speaker 2>a really beautiful friendship. I really want a version of

0:41:01.469 --> 0:41:03.349
<v Speaker 2>the movie where he says that, and then the guys

0:41:03.349 --> 0:41:04.109
<v Speaker 2>at the back are like, what.

0:41:06.229 --> 0:41:08.509
<v Speaker 1>Telling or not someone tell us? And we're killing great

0:41:08.549 --> 0:41:11.189
<v Speaker 1>and then they kill poor Mescal. Unfortunate with that for me,

0:41:11.589 --> 0:41:13.269
<v Speaker 1>goddamn it. And after that you want to have this

0:41:13.309 --> 0:41:15.989
<v Speaker 1>real victorious moment of like, they won, the good guys won,

0:41:16.189 --> 0:41:19.309
<v Speaker 1>but there are no winners in war. A series Animalphs

0:41:19.309 --> 0:41:20.989
<v Speaker 1>taught me that there are no winners in more. It's

0:41:20.989 --> 0:41:23.909
<v Speaker 1>all really ugly. And so then we have these scenes

0:41:23.909 --> 0:41:27.149
<v Speaker 1>of poor Mescal looking absolutely fucking devastated and broken because

0:41:27.149 --> 0:41:28.989
<v Speaker 1>he's staying in that arena and he was like, that's

0:41:29.029 --> 0:41:31.669
<v Speaker 1>where my dad died, that's where my mom died. Still there,

0:41:31.749 --> 0:41:35.189
<v Speaker 1>that's where Acacius died and my wife also dead.

0:41:35.309 --> 0:41:38.149
<v Speaker 2>Pulls out the little arrow and then he does that

0:41:38.349 --> 0:41:41.189
<v Speaker 2>touchy dirt thing that he loves, and yes, because he's remembering,

0:41:41.349 --> 0:41:43.109
<v Speaker 2>he's trying to feel like tied to his father and

0:41:43.109 --> 0:41:45.749
<v Speaker 2>how he died in that moment and how he's standing there.

0:41:45.989 --> 0:41:48.189
<v Speaker 1>And this is because Paul Mescal is a good actor.

0:41:48.749 --> 0:41:50.829
<v Speaker 1>You see in his eyes that his character is thinking,

0:41:50.869 --> 0:41:53.349
<v Speaker 1>I am alive, but I am dead inside. And even

0:41:53.389 --> 0:41:56.109
<v Speaker 1>though everyone is celebrating around me, there is no celebration

0:41:56.189 --> 0:41:56.709
<v Speaker 1>for Paul.

0:41:56.549 --> 0:41:58.749
<v Speaker 2>Mescal until Gladiator three.

0:41:58.789 --> 0:42:00.909
<v Speaker 1>Do you know? They're talking about that, and it's going

0:42:00.989 --> 0:42:05.229
<v Speaker 1>to follow in his next like through this next part

0:42:05.229 --> 0:42:08.149
<v Speaker 1>where he's been given this big power that he doesn't want.

0:42:08.269 --> 0:42:11.949
<v Speaker 2>But you know, them all the emperor now and he's like, no,

0:42:12.109 --> 0:42:14.189
<v Speaker 2>we talked about this, boys, there's no empress.

0:42:14.189 --> 0:42:16.069
<v Speaker 1>And he's like, you're the emperor and they're like, it's

0:42:16.109 --> 0:42:19.149
<v Speaker 1>either you or the monkey because the monkey is officially

0:42:19.269 --> 0:42:21.789
<v Speaker 1>taken in charge, and so one of you is going

0:42:21.829 --> 0:42:23.509
<v Speaker 1>to have to step up. But you know, one of

0:42:23.549 --> 0:42:26.949
<v Speaker 1>the reasons that people really want Gladiator three besides the

0:42:27.029 --> 0:42:29.189
<v Speaker 1>fact that we all really loved Gladiator two and we

0:42:29.269 --> 0:42:31.149
<v Speaker 1>want to see we want to see what other animals

0:42:31.189 --> 0:42:33.109
<v Speaker 1>they can put in them at Colosseum. We want to

0:42:33.149 --> 0:42:34.509
<v Speaker 1>see more death and blood.

0:42:34.589 --> 0:42:36.029
<v Speaker 2>Is it because they want to rub it into Russell

0:42:36.069 --> 0:42:39.589
<v Speaker 2>Crowe more Russell Cross at home. No, He's like, how

0:42:39.629 --> 0:42:40.789
<v Speaker 2>about come back? And it goes now.

0:42:40.989 --> 0:42:43.429
<v Speaker 1>He's like, if you could have bloodthirsty, mechanical sharks and

0:42:43.509 --> 0:42:45.429
<v Speaker 1>alien monkeys, you can have Russell Crowe back.

0:42:45.509 --> 0:42:48.149
<v Speaker 2>I'm saying, my mafussa pitch is pretty good. It's prett good.

0:42:48.149 --> 0:42:49.469
<v Speaker 2>We should send that to them. No, they want to

0:42:49.469 --> 0:42:52.189
<v Speaker 2>see Paul Mescal have a love story. Ah boring. I

0:42:52.269 --> 0:42:54.429
<v Speaker 2>want to see por Maskell kill more men. Yeah, I

0:42:54.629 --> 0:42:58.469
<v Speaker 2>just think give the guy a minute. Wid Yeah. I

0:42:58.509 --> 0:43:00.549
<v Speaker 2>think it's because people just want killing and they want sex.

0:43:00.589 --> 0:43:03.389
<v Speaker 2>They just want normal people what they want.

0:43:03.709 --> 0:43:07.789
<v Speaker 1>Daisy Ridley appears, Daisy, so Daisy egger Jones appears.

0:43:08.789 --> 0:43:12.109
<v Speaker 2>Well, that's why they cast Joseph Quinn because he Quinn's dead.

0:43:12.189 --> 0:43:13.829
<v Speaker 2>So Paul's like, well, who's.

0:43:13.629 --> 0:43:15.629
<v Speaker 1>Gonna be Oh my god, Daisy ed goad Jones can

0:43:15.669 --> 0:43:18.629
<v Speaker 1>appear as the sister of the emperors, and even though

0:43:18.749 --> 0:43:21.029
<v Speaker 1>women can't have power at that time, it's going to

0:43:21.069 --> 0:43:23.029
<v Speaker 1>be her evil husband, who.

0:43:23.229 --> 0:43:27.029
<v Speaker 2>Like Hell's the evil husband and him and Daisy get

0:43:27.109 --> 0:43:30.509
<v Speaker 2>together and then they make normal people too. In Rome,

0:43:31.269 --> 0:43:33.069
<v Speaker 2>it's like Emily in Paris. In Rome, normal people do.

0:43:33.229 --> 0:43:35.629
<v Speaker 1>In Rome, it's all happening anyway, thank you for listening

0:43:35.669 --> 0:43:40.229
<v Speaker 1>to our very unhinged, brutally honest review of Gladiator two.

0:43:40.549 --> 0:43:41.349
<v Speaker 2>Hope you like the movie.

0:43:42.109 --> 0:43:44.389
<v Speaker 1>The movie because we really enjoyed it. We owed you

0:43:44.429 --> 0:43:46.549
<v Speaker 1>all to see it. And yeah, look, any day where

0:43:46.549 --> 0:43:49.149
<v Speaker 1>we're seeing a mustly poor moss girl and his perfect teeth,

0:43:49.189 --> 0:43:51.829
<v Speaker 1>even though historically and accurate, run across the screen, is

0:43:51.869 --> 0:43:52.269
<v Speaker 1>a good day.

0:43:52.469 --> 0:43:54.869
<v Speaker 2>Thank you so much for listening to this episode of

0:43:54.989 --> 0:43:58.829
<v Speaker 2>the spill. We do so many really honest reviews. We're

0:43:58.869 --> 0:44:01.229
<v Speaker 2>gonna link a bunch of them in the show. Note

0:44:01.389 --> 0:44:03.949
<v Speaker 2>make sure you watch them first because we do talk

0:44:03.989 --> 0:44:06.389
<v Speaker 2>about spoilers and get in deep. But we will be

0:44:06.509 --> 0:44:09.029
<v Speaker 2>back here on your podcast feed at three pm on Monday.

0:44:09.309 --> 0:44:15.269
<v Speaker 2>Bye byell It, Love It.