WEBVTT - Our Meghan Review & The Cloud Over MAFS

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<v Speaker 1>You're listening to a MoMA Mia podcast.

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<v Speaker 2>Mamma Mia acknowledges the traditional owners of land and waters

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<v Speaker 2>that this podcast is recorded on.

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<v Speaker 3>And I watched her have her friend over. They made candles,

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<v Speaker 3>and then they made a cake, and then they made

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<v Speaker 3>tea and also the skillet spaghetti. And I was like,

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<v Speaker 3>if I went to a friend's house and they said

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<v Speaker 3>let's go make some candles, I would say, I have

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<v Speaker 3>diarrhea and I need to live because that is my idea.

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<v Speaker 3>And you know what this is the types of people

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<v Speaker 3>think some people love that.

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<v Speaker 2>Hello, Hello, and welcome to Mamma Mia. Out loud, what

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<v Speaker 2>women are actually talking about? On Wednesday, the fifth of March.

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<v Speaker 2>I'm Hollywayn Wright and I'm speaking in.

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<v Speaker 3>My b voice.

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<v Speaker 1>I'm mea Friedman and my bacon brings all the boys

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<v Speaker 1>to the yard.

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<v Speaker 3>I'm Jesse Stevens and I love birds song.

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<v Speaker 2>If you don't know what we're talking about, then you

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<v Speaker 2>didn't spend last night watching with Love Megan. They nearly

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<v Speaker 2>got the title wrong. As Ever Megan, Yeah.

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<v Speaker 1>As ever, We love Mergan. Montecito, Riviera, American Now.

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<v Speaker 2>Anyway, sorry, we're already cracking ourselves up handle making flower

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<v Speaker 2>sprinkles and that damn jam Welcome to Megan's world. We're

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<v Speaker 2>getting to that. And a high school has banned mirrors

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<v Speaker 2>in the kids' bathrooms. Some of us wonder if we

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<v Speaker 2>could extend that band to the universe. Also, there's a

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<v Speaker 2>cloud hanging over this season. That's Married at First Sight,

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<v Speaker 2>that most watched ever and it's dB but first Mia.

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<v Speaker 1>We couldn't start today's show without sending our love to

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<v Speaker 1>all our out louders who are currently preparing for cyclone

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<v Speaker 1>Alfred to hit southeastern Queensland and northeastern New South Wales.

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<v Speaker 1>The warning zone extends from north of the Sunshine Coast

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<v Speaker 1>all the way down to Yamber. Schools are closed today.

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<v Speaker 1>Evacuation notices have been issued for several areas in Southeast Queensland.

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<v Speaker 1>Panic buying has commenced. There are five hour lineups for sandbags.

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<v Speaker 1>We've been speaking to out louders in Brisbane this morning.

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<v Speaker 1>There are lines going down the street at bakeries and

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<v Speaker 1>for basic supplies. A lot of supermarket shelves are bere

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<v Speaker 1>and of course North Queenslanders are experienced with these kinds

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<v Speaker 1>of natural disasters, but for Brisbane people it might be

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<v Speaker 1>their first time. So I'm told that region or Queenslanders

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<v Speaker 1>are offering some great advice to people in Brisbane who

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<v Speaker 1>themselves have some real PTSD about fear of their houses

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<v Speaker 1>flooding again for those who experienced that last time. And look,

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<v Speaker 1>the city is built on a floodplain, so it is

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<v Speaker 1>part of Brisbane's history. But that doesn't make it easy.

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<v Speaker 1>So our hearts go out to you. Queensland is pulled

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<v Speaker 1>together really well in a crisis. We know that, and

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<v Speaker 1>more than four million people are currently in the impact

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<v Speaker 1>zone potentially, and it must be such a scary time.

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<v Speaker 2>And the waiting too. As we're recording this now, obviously

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<v Speaker 2>it's the waiting period and we're just sending so much

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<v Speaker 2>love and hopefully a little bit of distraction.

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<v Speaker 4>The biggest thing is keeping the low tone to talk

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<v Speaker 4>in our b voice.

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<v Speaker 2>That's a fool. It is so heavy, the weight of

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<v Speaker 2>the honey, you know what it is.

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<v Speaker 4>It's like also that reminder to do something that scares

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<v Speaker 4>your movement.

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<v Speaker 1>I think that's part of it.

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<v Speaker 4>Like I'm trying to stay in the phone of it

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<v Speaker 4>because it's beautiful.

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<v Speaker 2>To be disconnected.

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<v Speaker 4>It's not my perfume that's bringing them all in My

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<v Speaker 4>bacon brings all the boys.

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<v Speaker 1>Megan marcle has eaten Jack in the box and loves

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<v Speaker 1>funny too.

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<v Speaker 4>Do you keep saying, Megan Markle, you know I'm Sussex.

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<v Speaker 4>Now you have kids and you go no, I share

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<v Speaker 4>my name with my children.

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<v Speaker 1>Yes, and that feels so.

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<v Speaker 4>I didn't know how meaningful it would be to me,

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<v Speaker 4>but it just means so much to see where our

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<v Speaker 4>rainbow is coming together here. And you don't have to

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<v Speaker 4>do a big platter of this. You could do this

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<v Speaker 4>with one small row for your kids for breakfast, genuinely,

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<v Speaker 4>and it makes the morning alone are fun. It's real

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<v Speaker 4>delight in being able to be a present parent, and

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<v Speaker 4>it's a luxury sometimes because we all have to work,

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<v Speaker 4>we all have a.

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<v Speaker 2>Lot of stuff to do.

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<v Speaker 4>But when you can take a minute to.

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<v Speaker 1>Just starting, Meg, and I want to ask about your luke?

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<v Speaker 1>Who your luke?

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<v Speaker 4>Your luck?

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<v Speaker 3>Megan?

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<v Speaker 5>Oh, my luke?

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<v Speaker 2>Your Luke?

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<v Speaker 1>Did I not say it right? I don't know. I

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<v Speaker 1>mean we're cooler than I am. I don't know what

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<v Speaker 1>you're talking my luke.

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<v Speaker 2>My look, she likes my luke. Welcome to Megan's World,

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<v Speaker 2>where every guest gets a personalized bees wax candle, you're

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<v Speaker 2>always fishing flower pedals out of your drinks and crew

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<v Speaker 2>de taye plates are a much mentioned thing. When was

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<v Speaker 2>the last time you thought about a crew to tay plate?

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<v Speaker 2>What is to vegetables on a plate to dip in stuff?

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<v Speaker 2>They feature in almost every episode that I've watched of

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<v Speaker 2>Megan's show. They're a big deal.

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<v Speaker 1>Smell the home.

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<v Speaker 2>Cut flowers, sip the blood orange mimosa, and keep back

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<v Speaker 2>in tasteful neutrals. While we get to our review of

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<v Speaker 2>With Love Megan, but before we do, we need to

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<v Speaker 2>talk a little bit about the complexities of discussing one

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<v Speaker 2>of the most discussed women in the world. Megan Sussex

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<v Speaker 2>as we now know she's called, and we will get

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<v Speaker 2>to that in a minute of why she's called. That

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<v Speaker 2>definitely attracts a level of vitriol that is usually reserved

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<v Speaker 2>for psychopaths, c criminals, murderers. There is no question about that,

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<v Speaker 2>and the level of shit that this woman endures, particularly

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<v Speaker 2>on social media, but also in the legacy media, who

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<v Speaker 2>have various beefs with her husband and who sued a

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<v Speaker 2>lot of them, and in the comments section of absolutely

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<v Speaker 2>everything is entirely disproportionate. To anything that Megan might have

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<v Speaker 2>in inverted commas done.

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<v Speaker 3>And it's underpinned with a tone of racism and sexism

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<v Speaker 3>question entirely unnecessary, and that.

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<v Speaker 1>Can make it really hard because it means that any

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<v Speaker 1>not even legitimate commentary, but discussion about her that's anything

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<v Speaker 1>other than favorable. It's like going to a protest and

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<v Speaker 1>finding yourself next to someone with a sign you really

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<v Speaker 1>think is awful and going, oh, no, I'm protesting this issue,

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<v Speaker 1>but I don't want to be associated.

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<v Speaker 3>With those It's not on your team.

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<v Speaker 1>Yeah, and so I don't want to be with the

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<v Speaker 1>racists and the misogynists who attack Megan, the peers Morgan

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<v Speaker 1>of it all. But then are we just unrelentingly positive

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<v Speaker 1>if that doesn't feel real either.

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<v Speaker 2>I think we should be allowed to take the piss

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<v Speaker 2>out of what is unquestionably one of the most entertainingly

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<v Speaker 2>nonsense television shows that we've seen in a while, Like

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<v Speaker 2>it's not dangerous or harmful, like this TV show, like

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<v Speaker 2>it's it's lovely, but we're allowed to point out that

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<v Speaker 2>it's a little bit ridiculous without I think, jumping into

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<v Speaker 2>a pit of Megan hate, which I certainly and I know,

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<v Speaker 2>none of us want to add to that. It's so

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<v Speaker 2>toxic and so awful. It doesn't matter. This show could

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<v Speaker 2>have been the most incredible thing that ever happened on TV.

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<v Speaker 2>You could predict what all the headlines were going to say.

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<v Speaker 1>Yeah, Freens, didn't matter what she put out.

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<v Speaker 3>I am Meghan Markle's defender on this show, okay, yes,

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<v Speaker 3>And I wanted to love this. I wanted I pressed

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<v Speaker 3>play and I went, come on, Megan. Who doesn't love

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<v Speaker 3>a cake, a candle and a fruit platter.

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<v Speaker 1>We all love it, especially when the fruit platter is

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<v Speaker 1>in the colors of the rainbow.

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<v Speaker 3>I mean, what could go wrong? There were moments where

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<v Speaker 3>I was holding my hand over my mouth in shock.

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<v Speaker 1>It's about what I watched.

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<v Speaker 2>I want to just tell everybody what the format is

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<v Speaker 2>in case they didn't watch it, because some people didn't

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<v Speaker 2>put themselves through it or enjoy it. As the case,

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<v Speaker 2>maybe the format is a guest, not a very famous guest,

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<v Speaker 2>which is one of the things that I'm interested in,

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<v Speaker 2>but usually one of Megan's mates or someone she admires

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<v Speaker 2>comes to a pretend house. There's no shade in that.

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<v Speaker 2>Because very few of the lifestyle shows that we Watch

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<v Speaker 2>and Consume are ever filmed in somebody's real house or

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<v Speaker 2>certainly the host.

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<v Speaker 1>Real housing shows are never filmed in almost It is.

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<v Speaker 2>A little bit disappointing that it's not a bit more believable.

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<v Speaker 2>And she declares in the first episode, in the first

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<v Speaker 2>ten minutes, this is not my house, up and down

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<v Speaker 2>to this place, because so much of it is about

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<v Speaker 2>her home, her life, her vibe. You're a little bit like, oh,

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<v Speaker 2>I'd love to see your real garden.

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<v Speaker 1>But anyway, she does film in her real garden. So

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<v Speaker 1>the bits where she's in that picking a lot of

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<v Speaker 1>the beds, not all of them, but some of the ones,

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<v Speaker 1>like when she's picking berries and stuff, Apparently that is

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<v Speaker 1>in her garden and it's her real I haven't seen

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<v Speaker 1>the chickens yet. I'm only up to episode three, the

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<v Speaker 1>chickens and the bees, so there are a good well

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<v Speaker 1>that's her bees.

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<v Speaker 2>It would have to be right, because the garden is

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<v Speaker 2>so beautiful it makes you want to cry. I also

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<v Speaker 2>want to know you might know this if that's her

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<v Speaker 2>real view with the mountains, because that's the best view

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<v Speaker 2>I've ever seen her view. Anyway, the people come over

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<v Speaker 2>to the pretend house and they do things together like

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<v Speaker 2>make fried chicken cakes, rainbow fruit platters, make jam et cetera,

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<v Speaker 2>and they chat while they're doing it. Right as you say, Jesse,

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<v Speaker 2>I too very much wanted to love it because I'm

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<v Speaker 2>team Meghan. I found it hard to not criticize any

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<v Speaker 2>of it. But I've worked really hard to find five

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<v Speaker 2>positive things about it. Should we discuss some of them?

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<v Speaker 2>Because I know you agree.

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<v Speaker 1>I want to just say firstly what I thought of it,

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<v Speaker 1>because I was a bit like, I'm a bit the

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<v Speaker 1>black hat when it comes to Meghan. I am reputationally

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<v Speaker 1>without louders. I'm seen as someone who's very critical of her.

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<v Speaker 1>I did not have that same reaction when I watched

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<v Speaker 1>the first episode. I found it in the way that

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<v Speaker 1>those shows can be that are on like the Lifestyle

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<v Speaker 1>Channel or you know, Nigella, just quite soothing. There have

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<v Speaker 1>been times in my life where I've really got quite

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<v Speaker 1>involved in them in that they're just lovely, pleasant, white

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<v Speaker 1>background noise. And we talk a lot about the New

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<v Speaker 1>Cycle being so horrible at the moment that sometimes it

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<v Speaker 1>is nice to just retreat into a world where making

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<v Speaker 1>a gift bag for a child's birthday party is your

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<v Speaker 1>whole purpose, your whole purpose.

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<v Speaker 3>It's opened with Meghan making bath salts for her friend

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<v Speaker 3>who is staying in her guest room, and she says,

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<v Speaker 3>you always want someone who's staying in your guest cottage

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<v Speaker 3>to know how much you've thought of them. And I thought,

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<v Speaker 3>that's the most unrelatable shit I have ever heard in

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<v Speaker 3>my life. She was like, you want obviously a moment at.

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<v Speaker 1>The bedside table was moments moment who.

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<v Speaker 3>Has a guest? Secondly who has a bedside table? Thirdly

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<v Speaker 3>who has a bathroom for their guests?

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<v Speaker 1>I don't like people staying at the house.

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<v Speaker 2>This gets to one of the very big things about

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<v Speaker 2>it is relatability what Meghan's going for, because no, I

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<v Speaker 2>don't think it is no.

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<v Speaker 3>But what I found I'm going to use the word

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<v Speaker 3>insufferable about it is that I like lifestyle shows. Right. So,

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<v Speaker 3>Martha Stewart's stick is that she is a self described perfectionist,

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<v Speaker 3>and she owns that, and there's something quite self aware

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<v Speaker 3>about it. Meghan won't acknowledge that she's a perfectionist. She

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<v Speaker 3>keeps saying it doesn't have to be perfect. The other

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<v Speaker 3>thing I like about lifestyle shows is that while they

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<v Speaker 3>cook or while they potter, we learn things about their lives.

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<v Speaker 2>That's usually the format.

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<v Speaker 3>That's the format is that there's something quite revealing about

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<v Speaker 3>who that person is or what they think. There is

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<v Speaker 3>none of that the depth of the conversation. The only

0:10:58.982 --> 0:11:01.462
<v Speaker 3>place it goes to is Meghan saying to her friend,

0:11:01.582 --> 0:11:04.782
<v Speaker 3>do you like tomatoes? Who doesn't like tomatoes? They're making

0:11:04.782 --> 0:11:06.902
<v Speaker 3>a pasta and then they go and make.

0:11:06.942 --> 0:11:09.302
<v Speaker 1>I liked that pasta. It was like, why I would

0:11:09.342 --> 0:11:11.822
<v Speaker 1>like to it past He right? So I was like, oh,

0:11:11.862 --> 0:11:14.261
<v Speaker 1>this is interesting. I'm actually learning things. I wrote down

0:11:14.262 --> 0:11:15.662
<v Speaker 1>a list of the things that I learned in this

0:11:15.742 --> 0:11:19.582
<v Speaker 1>show list. Yes, yes, I stopped writing down things after

0:11:19.582 --> 0:11:20.942
<v Speaker 1>a while because there was a lot of things that

0:11:21.022 --> 0:11:21.822
<v Speaker 1>I will never do.

0:11:21.942 --> 0:11:22.102
<v Speaker 2>Right.

0:11:22.142 --> 0:11:24.342
<v Speaker 1>It's a bit like watching porn. You can go, well,

0:11:24.342 --> 0:11:26.942
<v Speaker 1>that's interesting, but I'll never do that. But it's interesting

0:11:27.022 --> 0:11:29.702
<v Speaker 1>to watch things go in different holes. I was like,

0:11:30.062 --> 0:11:33.622
<v Speaker 1>it's interesting to see someone make bath salts from scratch,

0:11:33.742 --> 0:11:37.142
<v Speaker 1>or someone pop corn with a dried corn, thing like

0:11:37.262 --> 0:11:39.702
<v Speaker 1>stuff I would never do. But it did feel quite

0:11:39.742 --> 0:11:42.822
<v Speaker 1>soothing in a way. Some other things that I learned

0:11:43.102 --> 0:11:46.062
<v Speaker 1>is how to harvest honey. That's when she was talking

0:11:46.062 --> 0:11:48.862
<v Speaker 1>in the clip that we had about the bees and bees.

0:11:50.662 --> 0:11:53.302
<v Speaker 3>Do you think that how to harvest honey and like

0:11:53.742 --> 0:11:56.022
<v Speaker 3>how she still needs a beekeeper year on is a

0:11:56.022 --> 0:11:56.982
<v Speaker 3>relatable life hack.

0:11:57.262 --> 0:12:00.502
<v Speaker 1>No, but I don't think these shows are relatable necessarily

0:12:00.542 --> 0:12:02.822
<v Speaker 1>because I also learned that you can get wax. If

0:12:02.822 --> 0:12:06.342
<v Speaker 1>you don't have your own bee harvest hive, you can

0:12:06.422 --> 0:12:09.182
<v Speaker 1>get wax from your local beekeeper. She did mention that.

0:12:09.182 --> 0:12:11.942
<v Speaker 3>Where's our local beekeeper? Because I I'd have to go I.

0:12:11.822 --> 0:12:14.582
<v Speaker 1>Had I learned how to make a local beekeeper. So,

0:12:14.702 --> 0:12:18.062
<v Speaker 1>you know, people, you know what, celebrities aren't meant to

0:12:18.142 --> 0:12:21.982
<v Speaker 1>be like us. They're not like Megan Markle is royal.

0:12:22.102 --> 0:12:24.261
<v Speaker 1>We would be kind of disappointed if she was.

0:12:24.422 --> 0:12:25.462
<v Speaker 3>Just she's actually not.

0:12:25.462 --> 0:12:28.582
<v Speaker 1>In her tracks and she is royal. Will you talk

0:12:28.622 --> 0:12:29.502
<v Speaker 1>about the sussex things?

0:12:29.782 --> 0:12:32.302
<v Speaker 2>Explain that one of the things I learned is about

0:12:32.302 --> 0:12:35.462
<v Speaker 2>the sussexness of it all. You said there isn't revealing stuff.

0:12:35.462 --> 0:12:37.702
<v Speaker 2>There is definitely revealing stuff in this It's just you

0:12:37.782 --> 0:12:39.422
<v Speaker 2>have to work quite hard for it because it's.

0:12:39.262 --> 0:12:41.462
<v Speaker 1>Not later Also, she stopped after the first episode.

0:12:41.662 --> 0:12:43.662
<v Speaker 2>The second one is Mandy Kayling and that was my

0:12:43.702 --> 0:12:47.302
<v Speaker 2>favorite so far. Mindy Kayling good friend of Megan. They've

0:12:47.302 --> 0:12:49.582
<v Speaker 2>already been on a show together on the podcast comes

0:12:49.582 --> 0:12:51.381
<v Speaker 2>around with their mom friends. Apparently there's a lot of

0:12:51.422 --> 0:12:54.022
<v Speaker 2>mommy in episode two. That's why you have to watch it, Jesse,

0:12:54.142 --> 0:12:57.542
<v Speaker 2>because it's aimed at you and her second birthday party.

0:12:58.462 --> 0:13:02.302
<v Speaker 1>Many Kayling is very glam like. She comes over wearing

0:13:02.342 --> 0:13:05.582
<v Speaker 1>double denim with a Valentino belt and very big fake

0:13:05.622 --> 0:13:08.622
<v Speaker 1>eyelashes and more hair and makeup than I saw her

0:13:08.622 --> 0:13:11.222
<v Speaker 1>wear at the Oscars. So I thought that was interesting.

0:13:11.302 --> 0:13:13.982
<v Speaker 2>Well, I think that's the vibe, right, because what I

0:13:14.022 --> 0:13:16.382
<v Speaker 2>quite liked about Mindy is she was very clearly like,

0:13:16.462 --> 0:13:18.502
<v Speaker 2>oh my god, I'm going to Megan Michael's house, even

0:13:18.542 --> 0:13:20.582
<v Speaker 2>though she wasn't going to Mega michaels house, and she

0:13:20.702 --> 0:13:23.982
<v Speaker 2>kept saying that, and that's why Meghan had to say

0:13:24.022 --> 0:13:26.102
<v Speaker 2>but I thought with a little point, like a little

0:13:26.142 --> 0:13:28.102
<v Speaker 2>bit of like, oh, you know what I mean, because

0:13:28.142 --> 0:13:29.862
<v Speaker 2>if you're a famous person, you don't really want people

0:13:29.942 --> 0:13:32.662
<v Speaker 2>keeping saying like, oh my god, you're so famous. And

0:13:32.702 --> 0:13:36.022
<v Speaker 2>that's why Meghan then goes, it's so funny that you

0:13:36.182 --> 0:13:38.942
<v Speaker 2>keep calling me Megan Michaels. She didn't mean funny. She

0:13:38.982 --> 0:13:42.062
<v Speaker 2>said that she meant annoying, she met annoying, but she

0:13:42.182 --> 0:13:45.742
<v Speaker 2>was being polite. She said, because I'm Sussex. Now now

0:13:45.742 --> 0:13:47.702
<v Speaker 2>what she means by that? And then she said, obviously

0:13:47.742 --> 0:13:49.862
<v Speaker 2>not relatable to me that you have to have the

0:13:49.902 --> 0:13:52.222
<v Speaker 2>same name as your children, otherwise you're not a unit.

0:13:52.222 --> 0:13:53.622
<v Speaker 2>And I'm like, well that leaves all of us in

0:13:53.702 --> 0:13:57.302
<v Speaker 2>quite a lot of trouble. But anyway, yeah, anyway, the

0:13:57.342 --> 0:14:01.182
<v Speaker 2>reason she's a Sussex now is Harry's official surname, Like

0:14:01.262 --> 0:14:03.422
<v Speaker 2>as in, if he had an official surname but it

0:14:03.542 --> 0:14:06.902
<v Speaker 2>was Windsor, it's Mount Batton, Windsor, right, that's' official surname.

0:14:06.942 --> 0:14:11.302
<v Speaker 2>But royals, very often the surname is their title. So

0:14:11.342 --> 0:14:13.662
<v Speaker 2>when Harry was at school, he was known as Harry Wales.

0:14:13.662 --> 0:14:15.381
<v Speaker 2>When he was in the army, he was known as

0:14:15.462 --> 0:14:18.622
<v Speaker 2>whatever rank he was Wales, right, William Wales. That's the

0:14:18.622 --> 0:14:22.302
<v Speaker 2>way it works. So now that his title is Sussex,

0:14:22.382 --> 0:14:24.902
<v Speaker 2>the Duke of Sussex, Sussex is kind of like his

0:14:24.982 --> 0:14:29.862
<v Speaker 2>surname now, so Harry Sussex, Megan Sussex, but Sussex. So

0:14:29.942 --> 0:14:32.662
<v Speaker 2>that's how it works. So it's very much a royal

0:14:33.182 --> 0:14:35.902
<v Speaker 2>thing that they've taken on, so she is still royal.

0:14:36.062 --> 0:14:37.822
<v Speaker 1>What would be cool is if she was just called

0:14:37.822 --> 0:14:39.062
<v Speaker 1>Meghan Sussex.

0:14:38.662 --> 0:14:42.502
<v Speaker 3>Then, because even in the Executive Producer it's the first

0:14:42.582 --> 0:14:46.182
<v Speaker 3>name that comes up. Is But I couldn't get through

0:14:46.342 --> 0:14:50.062
<v Speaker 3>more than one. And I watched her have her friend over.

0:14:50.382 --> 0:14:52.702
<v Speaker 3>They wanted to gossip like anyone does, but they couldn't.

0:14:52.782 --> 0:14:55.462
<v Speaker 3>So he said things like, your peas look like pearls,

0:14:56.182 --> 0:15:00.582
<v Speaker 3>actual green peas, and then they made candles, and then

0:15:00.622 --> 0:15:02.822
<v Speaker 3>they made a cake, and then they made tea and

0:15:02.862 --> 0:15:05.142
<v Speaker 3>also the skillet spaghetti. And I was like, if I

0:15:05.182 --> 0:15:07.822
<v Speaker 3>went to a friend's house and they said let's go

0:15:07.862 --> 0:15:10.902
<v Speaker 3>make some candles, I would say, I have diarrhea and

0:15:10.942 --> 0:15:13.942
<v Speaker 3>I need to live, because that is my idea. And

0:15:13.942 --> 0:15:15.662
<v Speaker 3>you know what, this is the types of people thing.

0:15:16.022 --> 0:15:18.822
<v Speaker 3>Some people love that. But there was something in the

0:15:18.942 --> 0:15:21.062
<v Speaker 3>tone as well that I felt was like when I

0:15:21.142 --> 0:15:24.662
<v Speaker 3>take lunar to a craft class where the teacher's going

0:15:24.742 --> 0:15:27.062
<v Speaker 3>and now get your paddle pop stick and put it

0:15:27.102 --> 0:15:29.702
<v Speaker 3>here that she was speaking to her friend like that.

0:15:30.582 --> 0:15:33.142
<v Speaker 2>In one of my uncharitable moments, I did write in

0:15:33.222 --> 0:15:35.982
<v Speaker 2>my notes because I was taking notes. Obviously, if Megan

0:15:36.182 --> 0:15:38.262
<v Speaker 2>was in my mother's group, I would fake a seizure

0:15:38.302 --> 0:15:42.622
<v Speaker 2>and leave. And that's only because not because of her.

0:15:42.942 --> 0:15:45.382
<v Speaker 2>But that second episode that was about hosting a child's

0:15:45.382 --> 0:15:47.662
<v Speaker 2>birthday party triggered me, like I know that it did.

0:15:47.742 --> 0:15:50.222
<v Speaker 2>In the group chat, you turned it that I turned,

0:15:50.342 --> 0:15:53.222
<v Speaker 2>I wrote, I have turned because.

0:15:53.382 --> 0:15:54.582
<v Speaker 1>You announced your turning.

0:15:54.702 --> 0:15:56.782
<v Speaker 2>I am out of that phase of parenting now my

0:15:56.862 --> 0:16:01.302
<v Speaker 2>kids are teenagers. I found that very stressful. She uses

0:16:01.342 --> 0:16:04.782
<v Speaker 2>hostessing as a verbal lot like hostessing never stops. Hostessing

0:16:05.222 --> 0:16:07.662
<v Speaker 2>demands a lot of it. I am a terrible hostess,

0:16:08.022 --> 0:16:10.262
<v Speaker 2>and anyone who cuts their which is in the little

0:16:10.302 --> 0:16:13.462
<v Speaker 2>star shapes immediately triggers me. Never mind the balloon art stop.

0:16:13.942 --> 0:16:16.462
<v Speaker 2>But in that episode two I did learn something that

0:16:16.462 --> 0:16:18.902
<v Speaker 2>I think is quite profound, right because I kept wondering

0:16:18.942 --> 0:16:21.622
<v Speaker 2>why she's the friend clearly when Daniel comes over in

0:16:21.662 --> 0:16:23.942
<v Speaker 2>the first episode that you saw, she's clearly the friend

0:16:23.942 --> 0:16:26.702
<v Speaker 2>who goes you look tired. I'm going to run you

0:16:26.742 --> 0:16:28.542
<v Speaker 2>a bath and make you some tea for your allergies

0:16:28.622 --> 0:16:31.262
<v Speaker 2>right now. Sometimes you love that friend, and other times

0:16:31.262 --> 0:16:34.022
<v Speaker 2>you want to throttle that friend because you're like, you're controlling.

0:16:34.102 --> 0:16:35.582
<v Speaker 1>What do you mean I look tired, bitch?

0:16:35.662 --> 0:16:39.022
<v Speaker 2>I'm working hard. But anyway, in the second episode, because

0:16:39.142 --> 0:16:40.742
<v Speaker 2>I kept thinking, why does she want to look after

0:16:40.782 --> 0:16:42.622
<v Speaker 2>everyone so much? And why is she so obsessed with

0:16:42.662 --> 0:16:45.022
<v Speaker 2>everything being beautiful? And in sad episode, she talks to

0:16:45.062 --> 0:16:47.702
<v Speaker 2>me and nikayling about the tacos and how when she

0:16:47.742 --> 0:16:50.062
<v Speaker 2>was a kid, and Mindy says, did you eat like

0:16:50.142 --> 0:16:52.222
<v Speaker 2>this growing up? So she's talking about her veggie cru

0:16:52.302 --> 0:16:54.942
<v Speaker 2>to tape platters and arrange the kids love. Yeah, that

0:16:54.982 --> 0:16:58.222
<v Speaker 2>the kids love also triggered me. I am with vegetables

0:16:58.222 --> 0:17:02.662
<v Speaker 2>and children. My children have never knowingly eaten the vegetables. Still, anyway,

0:17:03.022 --> 0:17:05.821
<v Speaker 2>she says, No, I was a latch key kid, she said,

0:17:05.862 --> 0:17:08.102
<v Speaker 2>and I ate a lot of fast food. She came home,

0:17:08.182 --> 0:17:10.302
<v Speaker 2>she put a microwave meal and they did a plate

0:17:10.341 --> 0:17:13.581
<v Speaker 2>and ate alone because she had two very busy working

0:17:13.621 --> 0:17:15.821
<v Speaker 2>divorced parents and no one was making her crew to

0:17:15.861 --> 0:17:17.821
<v Speaker 2>tape plates. And so I think that one of the

0:17:17.861 --> 0:17:20.061
<v Speaker 2>things that's really interesting there is an insight about Megan.

0:17:20.982 --> 0:17:24.782
<v Speaker 2>She knows that the greatest privilege of having money really

0:17:25.262 --> 0:17:27.861
<v Speaker 2>is that you can spend our times and she said

0:17:27.861 --> 0:17:29.101
<v Speaker 2>that quite a few times.

0:17:28.821 --> 0:17:32.901
<v Speaker 1>And you can spend time making them waffles for breakfast, setting,

0:17:33.861 --> 0:17:34.142
<v Speaker 1>and I.

0:17:34.101 --> 0:17:37.621
<v Speaker 2>Think she's you know, she's clearly knows that, is self

0:17:37.621 --> 0:17:39.982
<v Speaker 2>aware enough to know that, and she's leaning into it

0:17:40.061 --> 0:17:40.702
<v Speaker 2>in a big way.

0:17:40.861 --> 0:17:43.461
<v Speaker 3>Can I ask you, Holly, what your five positives were?

0:17:43.542 --> 0:17:46.341
<v Speaker 3>I have one positive. My one positive is that she

0:17:46.381 --> 0:17:50.782
<v Speaker 3>has beautiful handwriting, a lot of writing.

0:17:50.462 --> 0:17:54.782
<v Speaker 1>Labels, and beautiful nails, very gorgeous hands. She could be handed.

0:17:55.222 --> 0:17:57.462
<v Speaker 2>I did admire the money. Yeah right, she actually looks

0:17:57.502 --> 0:18:00.181
<v Speaker 2>amazing full stop. As we've already discussed, the food is

0:18:00.182 --> 0:18:03.222
<v Speaker 2>good and not that complicated, That pasta dish fantastic.

0:18:03.581 --> 0:18:05.622
<v Speaker 3>I meant that I want that recipe and the.

0:18:05.621 --> 0:18:09.382
<v Speaker 1>Quick except you can't because it isn't anywhere that did.

0:18:09.742 --> 0:18:11.782
<v Speaker 2>We have to address this at a later day. I

0:18:11.821 --> 0:18:14.262
<v Speaker 2>want to know, Mia, why you can't get all the recipes.

0:18:14.302 --> 0:18:17.861
<v Speaker 1>Well, it's interesting because you would think the logical tie

0:18:17.901 --> 0:18:20.141
<v Speaker 1>in if you were walking in the shoes of your audience,

0:18:20.341 --> 0:18:23.421
<v Speaker 1>is you then click and go to the website and

0:18:23.462 --> 0:18:25.782
<v Speaker 1>it shows you step by step how to do the

0:18:25.821 --> 0:18:28.421
<v Speaker 1>balloon arch, how to make the bath salts, you know,

0:18:28.462 --> 0:18:32.741
<v Speaker 1>how to make the little Lady Bug chrostini, all of

0:18:32.782 --> 0:18:35.181
<v Speaker 1>those things, and they could just use steals from the

0:18:35.341 --> 0:18:38.782
<v Speaker 1>filming of the show the recipes because I couldn't follow

0:18:38.821 --> 0:18:40.581
<v Speaker 1>all of that. I'm up to episode three where they're

0:18:40.581 --> 0:18:42.701
<v Speaker 1>making fried chicken and there are so many steps and

0:18:42.742 --> 0:18:45.141
<v Speaker 1>there's brining and all of these things, and not that

0:18:45.141 --> 0:18:46.661
<v Speaker 1>I'm ever going to make it anyway, but if you

0:18:46.742 --> 0:18:49.341
<v Speaker 1>wanted to, you couldn't, So that was surprising.

0:18:49.982 --> 0:18:52.741
<v Speaker 2>Another positive for me is that she's clearly on the

0:18:52.782 --> 0:18:55.262
<v Speaker 2>sash she's a health nut, but she still offers boos

0:18:55.262 --> 0:18:58.621
<v Speaker 2>at kids parties, which is something I approve of very much,

0:18:58.702 --> 0:19:00.742
<v Speaker 2>and she at least pretends to drink the beer left

0:19:00.782 --> 0:19:02.982
<v Speaker 2>over from that Brian for the fried chicken. So she's

0:19:03.101 --> 0:19:04.902
<v Speaker 2>like kind of trying to show you.

0:19:05.182 --> 0:19:06.101
<v Speaker 1>I'm a good time.

0:19:06.222 --> 0:19:09.022
<v Speaker 2>I'm a good time. I also liked and I learned,

0:19:09.022 --> 0:19:11.262
<v Speaker 2>and I was like positives that she shares a good fortune.

0:19:11.302 --> 0:19:13.942
<v Speaker 2>So Daniel in that first episode, who's a makeup artist,

0:19:13.982 --> 0:19:16.222
<v Speaker 2>who makes the point in a funny moment that where

0:19:16.222 --> 0:19:18.141
<v Speaker 2>she's like, you and your boyfriend could just sit at

0:19:18.141 --> 0:19:20.181
<v Speaker 2>the counter and eat this, and he's like, there's no

0:19:20.302 --> 0:19:24.542
<v Speaker 2>counter in my New York compartment. Queen like he looked

0:19:24.581 --> 0:19:26.502
<v Speaker 2>like he'd had a rainbow shot up his bum when

0:19:26.502 --> 0:19:28.501
<v Speaker 2>he was sitting on that amazing deck, and he's like,

0:19:28.542 --> 0:19:30.502
<v Speaker 2>I like staying in your guest cottage and going home

0:19:30.542 --> 0:19:32.542
<v Speaker 2>with all my free dab like she on the A

0:19:32.702 --> 0:19:36.022
<v Speaker 2>club's doing that for people, which I thought was really nice.

0:19:36.101 --> 0:19:40.501
<v Speaker 1>What's interesting is also I was just enchanted by what

0:19:40.581 --> 0:19:43.542
<v Speaker 1>she was wearing to cook and you know people are

0:19:43.542 --> 0:19:45.421
<v Speaker 1>going to deconstruct this, and so you wouldn't cook them.

0:19:45.742 --> 0:19:49.422
<v Speaker 1>It's like, of course, television's not real. Television shows aren't real.

0:19:49.742 --> 0:19:53.061
<v Speaker 1>You don't have a whole crew there. There's a crew

0:19:53.101 --> 0:19:55.341
<v Speaker 1>of eighty. Because she was asked in a People magazine

0:19:55.341 --> 0:19:58.141
<v Speaker 1>interview why she didn't shoot at home, and she said, look,

0:19:58.742 --> 0:20:01.942
<v Speaker 1>my home is my sanctuary, which I completely understand when

0:20:01.982 --> 0:20:04.061
<v Speaker 1>you're that much in the public eye. And she said,

0:20:04.061 --> 0:20:05.581
<v Speaker 1>and also there was you know, when you've got a

0:20:05.621 --> 0:20:08.262
<v Speaker 1>crew of eighty, that's a lot of people to have

0:20:08.341 --> 0:20:12.542
<v Speaker 1>in one house, and it's very disruptive. And I understood that.

0:20:12.702 --> 0:20:16.061
<v Speaker 1>But I think what she did achieve because what I

0:20:16.222 --> 0:20:19.862
<v Speaker 1>liked about it was it got to show Megan being

0:20:20.782 --> 0:20:23.742
<v Speaker 1>what she clearly loves doing. So sometimes people go a

0:20:23.821 --> 0:20:26.581
<v Speaker 1>whited blah blah do this reality show? The reason that

0:20:26.581 --> 0:20:29.581
<v Speaker 1>most people give for doing reality shows or interviews is

0:20:29.581 --> 0:20:32.061
<v Speaker 1>that they just want to be understood for who they are,

0:20:32.141 --> 0:20:34.262
<v Speaker 1>and they feel that the public has the wrong idea

0:20:34.302 --> 0:20:34.661
<v Speaker 1>about that.

0:20:34.821 --> 0:20:36.102
<v Speaker 3>I think that's what this project.

0:20:36.182 --> 0:20:38.941
<v Speaker 1>Yeah, And I think what it allowed her to be

0:20:39.022 --> 0:20:43.022
<v Speaker 1>publicly is what her friends, she says repeatedly, know her

0:20:43.022 --> 0:20:48.782
<v Speaker 1>to be privately, which is fun, easy going, nurturing, loves

0:20:48.782 --> 0:20:51.782
<v Speaker 1>a crew, to tap, plate, crafty, all of those things,

0:20:52.101 --> 0:20:57.581
<v Speaker 1>instead of being under siege, complaining about the royal family, traumatized, racism,

0:20:57.661 --> 0:21:01.022
<v Speaker 1>all of that very negative narrative which set in really

0:21:01.101 --> 0:21:04.782
<v Speaker 1>fast after she do that crib shift will work, Yeah,

0:21:04.782 --> 0:21:06.821
<v Speaker 1>I do, because I think in the same way that

0:21:06.861 --> 0:21:09.302
<v Speaker 1>you were saying, you like that she's on Instagram now.

0:21:09.702 --> 0:21:11.782
<v Speaker 1>I think that when you flood the zone, if we've

0:21:11.821 --> 0:21:15.341
<v Speaker 1>learned nothing from Donald Trump, it's this, when you flood

0:21:15.341 --> 0:21:17.861
<v Speaker 1>the zone with content, the only way to change the

0:21:17.861 --> 0:21:20.462
<v Speaker 1>conversation is to start a new conversation. And this show

0:21:20.542 --> 0:21:23.661
<v Speaker 1>is a new conversation. And if we've all said stopped complaining,

0:21:24.222 --> 0:21:25.502
<v Speaker 1>it's not complaining it. Yeah.

0:21:25.542 --> 0:21:30.022
<v Speaker 3>But I think that the problem is probably that the

0:21:30.061 --> 0:21:33.221
<v Speaker 3>show is dull and that it's not going to have traction.

0:21:33.542 --> 0:21:35.061
<v Speaker 3>I don't think it's going to have the kind of

0:21:35.141 --> 0:21:37.581
<v Speaker 3>viral traction that she would have wanted, and what we

0:21:37.901 --> 0:21:38.302
<v Speaker 3>I think.

0:21:38.182 --> 0:21:39.981
<v Speaker 1>She wants to be viral. I think she wants to

0:21:39.982 --> 0:21:42.942
<v Speaker 1>be dull, like the Tig was dull. Her lifestyle website

0:21:43.341 --> 0:21:48.462
<v Speaker 1>was dull. It rubs maybe inoffensive, yeah, it.

0:21:48.422 --> 0:21:52.421
<v Speaker 3>Rubs against maybe an Australian sensibility in that what it

0:21:52.462 --> 0:21:54.821
<v Speaker 3>appears to be is eight episodes of having friends come

0:21:54.821 --> 0:21:59.821
<v Speaker 3>to your house and really talk to Meghan about how

0:21:59.821 --> 0:22:03.101
<v Speaker 3>great she is, and go, Meghan, oh my goodness.

0:22:02.901 --> 0:22:04.022
<v Speaker 1>I can't believe I'm in your hand.

0:22:04.101 --> 0:22:06.501
<v Speaker 3>I can't believe you're so beautiful. Look at this amazing cake.

0:22:06.502 --> 0:22:09.302
<v Speaker 3>Blah blah blah, which might have happened, but in an edit,

0:22:09.621 --> 0:22:11.502
<v Speaker 3>I go just as a viewer, I don't find that

0:22:11.502 --> 0:22:14.262
<v Speaker 3>particularly interesting. Sometimes you interview someone in this job and

0:22:14.262 --> 0:22:15.542
<v Speaker 3>they come in and you do a bit of gushing.

0:22:15.782 --> 0:22:17.821
<v Speaker 3>You cut that no one wants to hear it. But

0:22:18.222 --> 0:22:21.542
<v Speaker 3>this show, to me is fifty percent gushing, which I

0:22:21.581 --> 0:22:25.222
<v Speaker 3>don't find particularly insightful. So I'm stopping at one. I

0:22:25.262 --> 0:22:28.702
<v Speaker 3>don't think I can do it. Please, I will watch Lindy.

0:22:28.782 --> 0:22:30.421
<v Speaker 3>I'll watch Mindy, but I need to know if you

0:22:30.462 --> 0:22:31.901
<v Speaker 3>two are going to finish the series.

0:22:31.982 --> 0:22:35.101
<v Speaker 1>I am when I'm looking for something inoffensive kind of

0:22:35.141 --> 0:22:37.901
<v Speaker 1>background noise. It's a great second screen show where you

0:22:37.942 --> 0:22:39.941
<v Speaker 1>can look up every so often and go this person

0:22:39.982 --> 0:22:43.061
<v Speaker 1>who's been this enigma for what almost ten years now,

0:22:43.101 --> 0:22:45.941
<v Speaker 1>and there's all this drama and gossip. You can just

0:22:46.022 --> 0:22:47.901
<v Speaker 1>see her living a life.

0:22:47.942 --> 0:22:50.981
<v Speaker 2>Absolutely, yes, I will. When the recipes come, I will

0:22:51.462 --> 0:22:54.141
<v Speaker 2>be definitely trying to cook some things. I'm already gonna

0:22:54.141 --> 0:22:56.621
<v Speaker 2>make quickles this weekend because I'm sad like that. And

0:22:56.661 --> 0:23:00.101
<v Speaker 2>the last thing is for everything, quick pickles, quick pickles.

0:23:00.182 --> 0:23:02.262
<v Speaker 1>For those who haven't watched that episode.

0:23:01.942 --> 0:23:06.542
<v Speaker 2>Everybody who is wondering where is the jam today? The

0:23:06.702 --> 0:23:10.821
<v Speaker 2>jams on the website, I can't buite look at it though,

0:23:11.262 --> 0:23:13.621
<v Speaker 2>And and no one who has watched the first two

0:23:13.621 --> 0:23:17.021
<v Speaker 2>episodes of that will be surprised to hear this flower sprinkles.

0:23:16.621 --> 0:23:19.581
<v Speaker 1>You know what. I'm off to find my local beekeeper.

0:23:20.942 --> 0:23:28.621
<v Speaker 3>In a moment. Why one school is banning mirrors in

0:23:28.621 --> 0:23:31.101
<v Speaker 3>case you missed it, A new trend is starting to

0:23:31.141 --> 0:23:33.302
<v Speaker 3>really piss off the hairdressers. And you don't want to

0:23:33.302 --> 0:23:35.741
<v Speaker 3>piss off a hairdresser. They have scissors and they can

0:23:35.782 --> 0:23:38.782
<v Speaker 3>give your pocket if they're in the mood. According to

0:23:38.821 --> 0:23:41.942
<v Speaker 3>a story in the Washington Post, in the last six months,

0:23:41.982 --> 0:23:46.421
<v Speaker 3>some hairdressers have seen a sharp increase in clients presenting

0:23:46.462 --> 0:23:51.061
<v Speaker 3>with AI images when asking for color or cut. The image,

0:23:51.101 --> 0:23:55.302
<v Speaker 3>which is maybe sourced from Pinterest or Instagram, is flawless,

0:23:55.302 --> 0:23:58.261
<v Speaker 3>the hair is too glossy, cut is too perfect, and

0:23:58.302 --> 0:24:00.302
<v Speaker 3>the hairdresser has to say, not.

0:24:00.262 --> 0:24:04.742
<v Speaker 1>Possible on actual hair that looks a lot better than.

0:24:04.661 --> 0:24:08.742
<v Speaker 3>Yours, exactly. And the same is apparently happening with wedding dresses.

0:24:08.982 --> 0:24:11.381
<v Speaker 3>So people come in and show a photo of a

0:24:11.381 --> 0:24:15.141
<v Speaker 3>floor length gown with no back, no size leaves, and

0:24:15.782 --> 0:24:19.862
<v Speaker 3>drap fronts like that defies the laws of physics, and

0:24:19.901 --> 0:24:21.302
<v Speaker 3>we can't make it.

0:24:21.341 --> 0:24:23.941
<v Speaker 1>And I think look to be fair. This is what

0:24:23.942 --> 0:24:29.221
<v Speaker 1>I've always said about body image and why retouching in

0:24:29.262 --> 0:24:32.462
<v Speaker 1>the days of magazines and now using filters and face

0:24:32.542 --> 0:24:36.381
<v Speaker 1>tune is so messed up because you don't know that

0:24:36.422 --> 0:24:39.022
<v Speaker 1>what you're looking at doesn't exist. But when you are

0:24:39.101 --> 0:24:41.821
<v Speaker 1>looking at it and then looking at yourself in the mirror,

0:24:42.022 --> 0:24:44.661
<v Speaker 1>whether you realize it or not, you're subliminally comparing yourself

0:24:44.702 --> 0:24:46.101
<v Speaker 1>to something that actually doesn't exist.

0:24:46.222 --> 0:24:49.182
<v Speaker 3>And experts can tell because even like wedding planners that

0:24:49.222 --> 0:24:51.621
<v Speaker 3>they'll be shown a venue or a table set and

0:24:51.621 --> 0:24:55.381
<v Speaker 3>they'll go that is not real. That is basically a cartoon.

0:24:56.022 --> 0:25:01.381
<v Speaker 3>People are coming into their plastic surgeons with artificially generated bodies. Holly,

0:25:01.542 --> 0:25:04.262
<v Speaker 3>is this really that different to the time you took

0:25:04.262 --> 0:25:06.022
<v Speaker 3>in a photo of Lara Bingal and said, can you

0:25:06.022 --> 0:25:06.661
<v Speaker 3>make me look like this?

0:25:06.942 --> 0:25:09.341
<v Speaker 2>I was only thinking about that the amount of times

0:25:09.661 --> 0:25:11.981
<v Speaker 2>have taken in a photo that might as well have

0:25:12.022 --> 0:25:15.462
<v Speaker 2>been AI and in its relation to my actual head

0:25:16.621 --> 0:25:19.581
<v Speaker 2>humorous Bridget Bardot, I'd like to look like this. Please,

0:25:19.661 --> 0:25:22.141
<v Speaker 2>good luck to hale. Hair is not going to do it. Yes,

0:25:22.141 --> 0:25:25.181
<v Speaker 2>it's exactly like that, and I just think we can

0:25:25.262 --> 0:25:28.542
<v Speaker 2>all dream. But an honest hairdresser is a great gift.

0:25:33.101 --> 0:25:36.782
<v Speaker 3>First, some schools band phones, but one school in the

0:25:36.901 --> 0:25:39.101
<v Speaker 3>UK has put a new ban in place that has

0:25:39.101 --> 0:25:42.742
<v Speaker 3>sparked a very lively debate. William Farr Church of England

0:25:43.022 --> 0:25:46.861
<v Speaker 3>Comprehensive School in Lincolnshire has just banned mirrors, according to

0:25:46.861 --> 0:25:49.342
<v Speaker 3>an article in the Sydney Morning Herald, because they were

0:25:49.381 --> 0:25:52.542
<v Speaker 3>concerned by the amount of time students were spending in

0:25:52.621 --> 0:25:56.702
<v Speaker 3>bathrooms looking at themselves. The head master says the decision

0:25:56.821 --> 0:26:02.302
<v Speaker 3>was made to reduce distractions during school hours, particularly between lessons,

0:26:02.702 --> 0:26:04.581
<v Speaker 3>as students were often late to class.

0:26:04.782 --> 0:26:06.341
<v Speaker 1>Is this the girls on the boys toilets?

0:26:06.542 --> 0:26:08.861
<v Speaker 3>It did say, I think it's a co ed school.

0:26:09.141 --> 0:26:11.741
<v Speaker 2>At school because it's comprehensive and so that means it's

0:26:11.742 --> 0:26:15.182
<v Speaker 2>a public school. But I think, breathing between the lines,

0:26:15.182 --> 0:26:15.981
<v Speaker 2>I think it's the girls.

0:26:16.462 --> 0:26:18.901
<v Speaker 3>Interesting because they did say if students need a mirror

0:26:18.901 --> 0:26:22.302
<v Speaker 3>for medical purposes, they are entitled to ask reception.

0:26:22.302 --> 0:26:23.701
<v Speaker 1>What medical purposes?

0:26:23.742 --> 0:26:27.221
<v Speaker 3>Well, good question. One woman said about her daughter that

0:26:27.262 --> 0:26:30.101
<v Speaker 3>she has contact lenses and braces, so she needs a mirror.

0:26:30.101 --> 0:26:31.942
<v Speaker 3>What if she needs to take her contact lenses out?

0:26:32.022 --> 0:26:32.422
<v Speaker 4>What then?

0:26:32.821 --> 0:26:33.421
<v Speaker 2>Oh?

0:26:33.502 --> 0:26:37.502
<v Speaker 3>Yeah, But another mom said that's quite specific. Yeah it is,

0:26:37.542 --> 0:26:39.421
<v Speaker 3>And I think that's a medical purpose, so you would just,

0:26:39.861 --> 0:26:41.621
<v Speaker 3>you know, go to the office and say I need

0:26:41.661 --> 0:26:44.782
<v Speaker 3>a hand. One mom said though that she was actually

0:26:44.782 --> 0:26:47.422
<v Speaker 3>really supportive of it, and she likes that her daughter

0:26:47.462 --> 0:26:49.422
<v Speaker 3>can't go in and check herself out all the time

0:26:49.542 --> 0:26:52.702
<v Speaker 3>and maybe she'll start getting to class on time. Yeah.

0:26:52.702 --> 0:26:55.262
<v Speaker 1>I've heard this happening at another school where people were

0:26:55.302 --> 0:26:58.022
<v Speaker 1>going in and filming tiktoks and they were going in

0:26:58.061 --> 0:26:59.622
<v Speaker 1>and looking at themselves for a long time, and then

0:26:59.661 --> 0:27:03.381
<v Speaker 1>filming tiktoks at school, and it was disruptive because the

0:27:03.381 --> 0:27:05.142
<v Speaker 1>people who actually had to go to the toilet could

0:27:05.222 --> 0:27:06.782
<v Speaker 1>never get in because it was too busy.

0:27:07.341 --> 0:27:07.742
<v Speaker 2>Was part of that.

0:27:07.821 --> 0:27:10.141
<v Speaker 1>What's interesting A lot of people will assume that this

0:27:10.262 --> 0:27:12.502
<v Speaker 1>is just girls, but what you know if you've got

0:27:12.542 --> 0:27:15.621
<v Speaker 1>teenage boys, is that for a lot of teenage boys,

0:27:15.942 --> 0:27:18.421
<v Speaker 1>they get to this age it's I think it's around

0:27:18.422 --> 0:27:23.341
<v Speaker 1>fourteen fifteen where they suddenly become transfixed with their reflection

0:27:23.901 --> 0:27:27.101
<v Speaker 1>and they cannot see a reflective surface without stopping and

0:27:27.182 --> 0:27:31.262
<v Speaker 1>looking at themselves in it and often flexing. And my

0:27:31.661 --> 0:27:35.222
<v Speaker 1>reasoning for why both teenage girls and boys spend such

0:27:35.222 --> 0:27:38.142
<v Speaker 1>a long time looking in the mirror is that when

0:27:38.182 --> 0:27:43.061
<v Speaker 1>you go through puberty, you change so dramatically, and you know,

0:27:43.141 --> 0:27:48.101
<v Speaker 1>you go from child to young adult essentially, and it

0:27:48.222 --> 0:27:50.421
<v Speaker 1>takes a while for your mind to catch up with

0:27:50.581 --> 0:27:53.982
<v Speaker 1>how you look, and so I think it's about adjusting

0:27:54.101 --> 0:27:56.061
<v Speaker 1>to that. Oh my god, is that me? I mean

0:27:56.101 --> 0:27:57.861
<v Speaker 1>I remember being a little kid and looking at my

0:27:57.901 --> 0:28:00.902
<v Speaker 1>shadow at the beach and seeing that my waist went

0:28:00.982 --> 0:28:03.061
<v Speaker 1>in and being absolutely transfixed.

0:28:03.101 --> 0:28:07.061
<v Speaker 3>It's a fixture of adolescence, the kind of come looking

0:28:07.141 --> 0:28:07.861
<v Speaker 3>at yourself.

0:28:08.141 --> 0:28:10.701
<v Speaker 2>Honestly, I'm not going to throw row any members of

0:28:10.742 --> 0:28:12.621
<v Speaker 2>my family under the bus, but I've spent quite a

0:28:12.661 --> 0:28:15.661
<v Speaker 2>lot of time around fifteen year old girls. They are

0:28:15.702 --> 0:28:21.741
<v Speaker 2>looking at themselves too fucking much all the time. It's changed,

0:28:21.782 --> 0:28:23.702
<v Speaker 2>though it has always been the case to a point.

0:28:23.742 --> 0:28:25.742
<v Speaker 2>But the reason that they're looking at themselves so much

0:28:25.782 --> 0:28:28.101
<v Speaker 2>is because they've never been more surveyed. They have grown

0:28:28.182 --> 0:28:30.181
<v Speaker 2>up looking at their faces in their phone cameras and

0:28:30.262 --> 0:28:32.462
<v Speaker 2>looking at other women's faces in their phone cameras in

0:28:32.502 --> 0:28:33.382
<v Speaker 2>a way that none of.

0:28:33.341 --> 0:28:34.061
<v Speaker 1>Us ever did.

0:28:34.422 --> 0:28:40.181
<v Speaker 2>And they are understandably, completely understandably completely obsessed with what

0:28:40.222 --> 0:28:44.822
<v Speaker 2>they look like. And so they're endless looking in the mirror,

0:28:44.862 --> 0:28:48.702
<v Speaker 2>putting on your makeup, lip gluss, lip gloss off. It's normal,

0:28:48.822 --> 0:28:51.622
<v Speaker 2>it's teenagery. In my opinion, it is getting more and

0:28:51.661 --> 0:28:54.742
<v Speaker 2>more intense for very understandable reasons that are not their fault.

0:28:55.582 --> 0:28:56.742
<v Speaker 1>But I hate it.

0:28:56.862 --> 0:28:58.582
<v Speaker 2>If I could remove all the mirrors from my house,

0:28:58.622 --> 0:29:02.342
<v Speaker 2>I would. I remember Zady Smith, she's a famous British author,

0:29:03.022 --> 0:29:04.622
<v Speaker 2>made a lot of headlines a few years ago for

0:29:04.661 --> 0:29:07.342
<v Speaker 2>saying that she had given her teenage daughter as a band.

0:29:07.462 --> 0:29:09.702
<v Speaker 2>No time limit of how long they're allowed to look

0:29:09.702 --> 0:29:11.542
<v Speaker 2>in the mirror, and a lot of people were outrage.

0:29:11.542 --> 0:29:13.262
<v Speaker 2>I think it was fifteen minutes. It was still a

0:29:13.262 --> 0:29:16.822
<v Speaker 2>long time, right, And she said, this is fifteen minutes

0:29:16.862 --> 0:29:18.982
<v Speaker 2>that you are spending that your brother is not. This

0:29:19.062 --> 0:29:21.221
<v Speaker 2>is time that you are spending staring at yourself and

0:29:21.222 --> 0:29:23.062
<v Speaker 2>fiddling with your face and doing all the stuff that

0:29:23.102 --> 0:29:24.822
<v Speaker 2>the boys are not. Now, I know you see your

0:29:24.822 --> 0:29:28.022
<v Speaker 2>point mere about the transfixed with their appearance, but they're

0:29:28.062 --> 0:29:31.062
<v Speaker 2>not grooming in there for hours and hours. And I

0:29:31.102 --> 0:29:33.182
<v Speaker 2>think we need a little bit of good old fashioned

0:29:33.782 --> 0:29:36.022
<v Speaker 2>stop obsessing about what you look like. But then maybe

0:29:36.022 --> 0:29:37.382
<v Speaker 2>that's just a glimpse into my house.

0:29:37.502 --> 0:29:42.622
<v Speaker 3>I vividly remember being fourteen, and this was before Instagram

0:29:42.622 --> 0:29:45.661
<v Speaker 3>and Facebook and phones. People didn't know if they had anything.

0:29:45.661 --> 0:29:48.142
<v Speaker 3>They had a kind of nockier thing with snake on it.

0:29:48.702 --> 0:29:51.981
<v Speaker 3>But I remember there were some classrooms that had a

0:29:51.982 --> 0:29:54.742
<v Speaker 3>mirror and the girls you couldn't focus because they would

0:29:54.742 --> 0:29:57.342
<v Speaker 3>look at themselves, they'd pull a face, they would redo

0:29:57.502 --> 0:30:01.062
<v Speaker 3>hair up. Well, I'm reading, and then there was this

0:30:01.222 --> 0:30:04.262
<v Speaker 3>big mirror like above the bubblers and above, and the

0:30:04.342 --> 0:30:09.262
<v Speaker 3>fixation on appearance was such a part of my high

0:30:09.262 --> 0:30:12.822
<v Speaker 3>school experience, and I went through probably about two years

0:30:12.862 --> 0:30:15.582
<v Speaker 3>between fourteen and sixteen, where I did not look in

0:30:15.622 --> 0:30:17.981
<v Speaker 3>a mirror. I would brush my teeth in the morning,

0:30:18.102 --> 0:30:21.662
<v Speaker 3>eyes down, I would avoid a mirror at all costs.

0:30:21.782 --> 0:30:25.941
<v Speaker 3>I hated it because if you avoid a mirror, you

0:30:25.982 --> 0:30:28.822
<v Speaker 3>can live in a world where your face doesn't exist,

0:30:29.262 --> 0:30:32.782
<v Speaker 3>and it's great. And I was deeply I was filled

0:30:32.782 --> 0:30:34.662
<v Speaker 3>with self loathing. Was a lot why I didn't want

0:30:34.661 --> 0:30:35.862
<v Speaker 3>to look in the mirror. I didn't like what my

0:30:35.862 --> 0:30:38.062
<v Speaker 3>skin looked like, in my braces and all of the things.

0:30:38.661 --> 0:30:41.222
<v Speaker 3>If the mirrors had been a mirror, it's healthy. I

0:30:41.222 --> 0:30:43.022
<v Speaker 3>don't know if it's particularly healthy to.

0:30:43.022 --> 0:30:45.261
<v Speaker 2>Aspire to, but I think because I know a lot

0:30:45.262 --> 0:30:46.782
<v Speaker 2>of women at the other end of their lives who

0:30:46.782 --> 0:30:48.941
<v Speaker 2>do the same, a lot of older women who go,

0:30:49.062 --> 0:30:51.302
<v Speaker 2>I'm just not doing mirrors anymore for the same reason.

0:30:51.302 --> 0:30:53.942
<v Speaker 2>They're like, it's too confronting, it's stop setting. I don't

0:30:53.942 --> 0:30:56.542
<v Speaker 2>conform to the standards. What's the point? And that living

0:30:56.582 --> 0:30:58.982
<v Speaker 2>in a world where you don't have to think about

0:30:58.982 --> 0:31:01.022
<v Speaker 2>it is liberating because extreme.

0:31:00.862 --> 0:31:04.182
<v Speaker 3>Ultimately it doesn't matter. And I had to keep telling myself.

0:31:04.342 --> 0:31:06.782
<v Speaker 1>That's fourteen, but it's okay.

0:31:06.822 --> 0:31:08.262
<v Speaker 3>It shouldn't matter, of course.

0:31:08.302 --> 0:31:10.822
<v Speaker 1>So there's the way the world should be, and there's

0:31:10.862 --> 0:31:13.382
<v Speaker 1>the way the world is. And given that we live

0:31:13.422 --> 0:31:18.062
<v Speaker 1>in a world where women's appearances are weaponized against us,

0:31:18.382 --> 0:31:23.342
<v Speaker 1>they're monetized by ourselves, by other people, to pretend that

0:31:23.462 --> 0:31:26.421
<v Speaker 1>isn't the case, and to say, the whole world's telling

0:31:26.422 --> 0:31:29.502
<v Speaker 1>you this, but you've got to pretend like they're not

0:31:29.742 --> 0:31:32.461
<v Speaker 1>and not look in a mirror when a girl is

0:31:32.542 --> 0:31:34.662
<v Speaker 1>really you know, at that age, you're also you're right,

0:31:34.742 --> 0:31:37.342
<v Speaker 1>You're starting to realize that you are being perceived by

0:31:37.342 --> 0:31:39.862
<v Speaker 1>others and you need to sort of close that gap

0:31:39.942 --> 0:31:43.342
<v Speaker 1>between how you perceive yourself and how you are being

0:31:43.382 --> 0:31:45.382
<v Speaker 1>perceived by other people, and looking in a mirror is

0:31:45.382 --> 0:31:46.342
<v Speaker 1>the only way to do that.

0:31:46.502 --> 0:31:49.142
<v Speaker 3>I think it's a brave, bold move from a school,

0:31:49.182 --> 0:31:52.502
<v Speaker 3>And what are schools if not trying to imbue certain

0:31:52.582 --> 0:31:55.262
<v Speaker 3>values into you. Do we just accept that people live

0:31:55.262 --> 0:31:58.542
<v Speaker 3>on their smartphones, that people are being perceived, that girls

0:31:58.542 --> 0:32:00.622
<v Speaker 3>at twelve are putting makeup on and doing tiktoks like

0:32:00.661 --> 0:32:03.661
<v Speaker 3>that's why schools go, we're not wearing makeup.

0:32:03.702 --> 0:32:05.102
<v Speaker 1>Don't get me wrong, I think it's a good idea

0:32:05.142 --> 0:32:06.782
<v Speaker 1>that the schools are doing. Yeah, I like in the

0:32:06.822 --> 0:32:10.421
<v Speaker 1>same way as phones. It's nice to have lay in

0:32:10.462 --> 0:32:12.382
<v Speaker 1>your work, but it's also nice to have a place

0:32:12.382 --> 0:32:15.422
<v Speaker 1>in your life a few hours off from being perceived

0:32:15.462 --> 0:32:18.501
<v Speaker 1>from thinking about how you look. I absolutely support that,

0:32:18.542 --> 0:32:21.542
<v Speaker 1>But I think to say girls shouldn't look at themselves

0:32:21.582 --> 0:32:24.062
<v Speaker 1>in the mirror is just not really.

0:32:24.182 --> 0:32:25.822
<v Speaker 2>But I don't think it shouldn't look at it. I

0:32:25.902 --> 0:32:27.702
<v Speaker 2>don't think you shouldn't look at yourself in the mirror

0:32:27.742 --> 0:32:29.782
<v Speaker 2>at all. Although I totally relate to what Jesse is

0:32:29.782 --> 0:32:32.662
<v Speaker 2>saying about how freeing it is, but just the amount

0:32:32.822 --> 0:32:35.382
<v Speaker 2>of time and energy, because of course you have to

0:32:35.382 --> 0:32:36.661
<v Speaker 2>deal with the way the world is. But if we

0:32:36.742 --> 0:32:38.582
<v Speaker 2>ever want to change the world, you have to question

0:32:38.661 --> 0:32:41.142
<v Speaker 2>the way the world is. And it's getting worse, not better.

0:32:41.182 --> 0:32:43.262
<v Speaker 2>It's one of my points about this, right is that

0:32:43.661 --> 0:32:45.582
<v Speaker 2>we might be more empowered in so many ways, and

0:32:45.622 --> 0:32:47.382
<v Speaker 2>women have more choices in so many ways, but the

0:32:47.422 --> 0:32:49.542
<v Speaker 2>fixation on appearance, because of.

0:32:49.502 --> 0:32:50.862
<v Speaker 1>The forward facing phone and.

0:32:50.822 --> 0:32:53.382
<v Speaker 2>The and all of those things, and social media is

0:32:53.422 --> 0:32:55.661
<v Speaker 2>getting worse and worse and worse. And I remember so

0:32:55.782 --> 0:32:58.022
<v Speaker 2>clearly my daughter when she was about twelve. Then I'd

0:32:58.022 --> 0:32:59.582
<v Speaker 2>always said to it doesn't matter what you look like.

0:32:59.582 --> 0:33:01.462
<v Speaker 2>It doesn't matter what you look like. And she did

0:33:01.462 --> 0:33:02.782
<v Speaker 2>a me or and she was right. Gave me a

0:33:02.822 --> 0:33:06.702
<v Speaker 2>reality check one day. But Mum, it's all anyone actually

0:33:06.742 --> 0:33:08.742
<v Speaker 2>cares about, and that's heartbreaking.

0:33:08.902 --> 0:33:10.862
<v Speaker 1>But I just don't think think you should shame girls

0:33:10.942 --> 0:33:12.981
<v Speaker 1>or boys for looking in the mirror. Oh I do,

0:33:13.102 --> 0:33:19.262
<v Speaker 1>because I used to. Have you been watching the latest

0:33:19.262 --> 0:33:22.421
<v Speaker 1>season of Married at First Sight? Full disclosure, We have

0:33:22.622 --> 0:33:25.582
<v Speaker 1>not been, but we know so many of you have

0:33:25.862 --> 0:33:29.102
<v Speaker 1>and discussing it in the out Louders Facebook group and

0:33:29.302 --> 0:33:31.582
<v Speaker 1>on our socials. And the reason why we're talking about

0:33:31.622 --> 0:33:35.022
<v Speaker 1>it today is because it has jumped from being a

0:33:35.062 --> 0:33:39.261
<v Speaker 1>reality TV story into the zeitgeist and now the news cycle,

0:33:39.302 --> 0:33:42.342
<v Speaker 1>and also because it's become a story about domestic violence

0:33:42.702 --> 0:33:46.982
<v Speaker 1>and coercive control. But before we discuss whether reality TV

0:33:47.182 --> 0:33:49.822
<v Speaker 1>is the right place to showcase serious issues like this,

0:33:50.422 --> 0:33:54.461
<v Speaker 1>we needed an explainer about what has actually happened on

0:33:54.502 --> 0:33:57.782
<v Speaker 1>the show. So we've invited someone who knows everything about

0:33:57.782 --> 0:34:00.741
<v Speaker 1>this topic. Tina Burke. Muma me is pop culture and

0:34:00.782 --> 0:34:04.462
<v Speaker 1>social editor to people who know nothing about it, which

0:34:04.502 --> 0:34:06.502
<v Speaker 1>is the three of us so we know some things

0:34:06.502 --> 0:34:09.222
<v Speaker 1>about it, we need to know a little bit more. Tina,

0:34:09.822 --> 0:34:12.462
<v Speaker 1>can you tell us, firstly, for the people who really

0:34:12.502 --> 0:34:15.742
<v Speaker 1>know nothing, how does maths work? What's the basic premise.

0:34:15.982 --> 0:34:18.342
<v Speaker 5>I'm so jealous of anyone who doesn't know how maths works.

0:34:19.902 --> 0:34:21.901
<v Speaker 5>But the basic premise is that a panel of three

0:34:21.902 --> 0:34:25.502
<v Speaker 5>love experts, like qualified in various different areas, pull together

0:34:25.582 --> 0:34:28.062
<v Speaker 5>a bunch of total strangers who first meet on their

0:34:28.062 --> 0:34:30.981
<v Speaker 5>wedding days. In Australia it's not a legal wedding day,

0:34:31.062 --> 0:34:33.102
<v Speaker 5>but in other countries it is. So they have their

0:34:33.102 --> 0:34:35.301
<v Speaker 5>fake wedding and then they spend either weeks or up

0:34:35.302 --> 0:34:38.301
<v Speaker 5>to three months in an experiment basically simulating what it

0:34:38.342 --> 0:34:39.341
<v Speaker 5>would be like to be.

0:34:39.382 --> 0:34:40.261
<v Speaker 1>In a relationship.

0:34:40.502 --> 0:34:43.782
<v Speaker 3>Can you explain, because I've watched pretty much every season

0:34:43.862 --> 0:34:46.422
<v Speaker 3>up until now, but I've seen a lot of headlines

0:34:46.542 --> 0:34:50.582
<v Speaker 3>and commentary about a man named Adrian. What has happened

0:34:50.622 --> 0:34:53.542
<v Speaker 3>on the show? Why is he kind of so front

0:34:53.582 --> 0:34:54.422
<v Speaker 3>and center this season?

0:34:54.701 --> 0:34:57.301
<v Speaker 5>So Adrian has been paired with a fena, and so

0:34:57.422 --> 0:34:59.982
<v Speaker 5>their match has been basically one of the most controversial

0:35:00.062 --> 0:35:02.302
<v Speaker 5>so far this season. They were pretty much just matched

0:35:02.302 --> 0:35:04.781
<v Speaker 5>together because they're twins. Like no one can see any

0:35:04.781 --> 0:35:08.102
<v Speaker 5>other reason that they they're not twins. Sorry, they're both

0:35:08.142 --> 0:35:13.542
<v Speaker 5>in sets of twins, twins both twin and that was

0:35:13.622 --> 0:35:15.861
<v Speaker 5>the only reason they were matched. There's no other thing.

0:35:15.982 --> 0:35:17.542
<v Speaker 3>It does feel a bit married at first sight. To

0:35:17.582 --> 0:35:20.461
<v Speaker 3>match twins with each other and be like, prank you're

0:35:20.502 --> 0:35:21.701
<v Speaker 3>married anyway.

0:35:21.502 --> 0:35:24.341
<v Speaker 5>Would have been good TV, but scary TV. But so

0:35:24.382 --> 0:35:26.622
<v Speaker 5>they were matched together. She's a single mother, so she's

0:35:26.701 --> 0:35:28.981
<v Speaker 5>quite like earnestly they're looking for love. And then he's

0:35:29.022 --> 0:35:31.542
<v Speaker 5>made it quite clear that he just wants to be famous,

0:35:31.582 --> 0:35:34.421
<v Speaker 5>as most mass contestants do. And you know, they say

0:35:34.422 --> 0:35:37.022
<v Speaker 5>they've got a good connection, that they've had some loving moments,

0:35:37.022 --> 0:35:39.262
<v Speaker 5>but we've obviously only seen the negative.

0:35:38.902 --> 0:35:41.181
<v Speaker 1>To what's the drama with him is basically.

0:35:40.902 --> 0:35:42.942
<v Speaker 5>That he's coming across very controlling in the way that

0:35:42.982 --> 0:35:46.221
<v Speaker 5>he is behaving towards a femurs. So his behavior has

0:35:46.221 --> 0:35:48.462
<v Speaker 5>been called out by viewers. He's kind of said things like,

0:35:48.781 --> 0:35:50.942
<v Speaker 5>don't tell the experts this when we go in, like,

0:35:51.022 --> 0:35:54.421
<v Speaker 5>don't tell the other contestants that I said this to you.

0:35:54.661 --> 0:35:56.382
<v Speaker 5>And he's also doing things that kind of make her,

0:35:56.462 --> 0:35:58.382
<v Speaker 5>in very small ways, seem a little bit crazy.

0:35:58.741 --> 0:35:59.382
<v Speaker 1>So they'll be.

0:35:59.382 --> 0:36:01.542
<v Speaker 5>Having a conversation and she's talking at a normal volume

0:36:01.542 --> 0:36:03.622
<v Speaker 5>and he'll be like, stop yelling, stop screaming.

0:36:05.382 --> 0:36:08.542
<v Speaker 3>And was there a background before he came on the show.

0:36:08.902 --> 0:36:12.741
<v Speaker 5>Yes, So obviously the thing that happens is that they

0:36:12.781 --> 0:36:15.062
<v Speaker 5>get paired. They go through all of these background checks,

0:36:15.062 --> 0:36:16.942
<v Speaker 5>and in around August last year we found out like

0:36:16.982 --> 0:36:19.542
<v Speaker 5>who was matched through paparazzi photos and things like that.

0:36:19.902 --> 0:36:22.462
<v Speaker 5>So when that did happen, someone who knew of his

0:36:22.582 --> 0:36:25.062
<v Speaker 5>past emailed EndemolShine and they kind of.

0:36:24.942 --> 0:36:26.862
<v Speaker 1>Said that the Channel nine.

0:36:26.942 --> 0:36:28.661
<v Speaker 5>Yeah, so they emailed them. They said that they were

0:36:28.661 --> 0:36:30.542
<v Speaker 5>concerned about the fact that he had had a past

0:36:30.661 --> 0:36:33.822
<v Speaker 5>of domestic abuse charges. But he was found not guilty

0:36:33.942 --> 0:36:37.821
<v Speaker 5>of those charges. So in twenty twenty one, he was

0:36:37.862 --> 0:36:41.022
<v Speaker 5>dismissed in a New South Wales court for assault occasionally

0:36:41.062 --> 0:36:44.782
<v Speaker 5>actual bodily harm, domestic violence, common assault and resisting police

0:36:45.181 --> 0:36:46.861
<v Speaker 5>and that was to do with an ex partner who

0:36:46.902 --> 0:36:48.862
<v Speaker 5>he lived with. But yeah, he was found not guilty.

0:36:48.902 --> 0:36:52.582
<v Speaker 1>So the producers, when they discovered this and when it

0:36:52.622 --> 0:36:56.382
<v Speaker 1>came out publicly said that they don't do police checks.

0:36:56.701 --> 0:36:59.622
<v Speaker 1>They do very basic background checks. But I would have

0:36:59.661 --> 0:37:02.341
<v Speaker 1>assumed even a Google search probably could have come up

0:37:02.342 --> 0:37:06.422
<v Speaker 1>with that that was surprising to hear. But it's actually

0:37:06.502 --> 0:37:10.861
<v Speaker 1>not this story that has been in the news. It's

0:37:10.902 --> 0:37:13.381
<v Speaker 1>another couple and a guy called Paul. Yes.

0:37:13.462 --> 0:37:15.422
<v Speaker 5>So Paul and Karina have kind of been the Cinderella

0:37:15.422 --> 0:37:17.502
<v Speaker 5>love story of the season. They're the ones that everyone

0:37:17.542 --> 0:37:19.942
<v Speaker 5>really loves. They're very happy, and then last week we

0:37:19.982 --> 0:37:22.181
<v Speaker 5>opened up an episode with them having a very serious

0:37:22.181 --> 0:37:25.222
<v Speaker 5>conversation about the fact that he had punched a hole

0:37:25.302 --> 0:37:27.741
<v Speaker 5>in the door after they'd gotten into an argument in

0:37:27.822 --> 0:37:29.741
<v Speaker 5>front of another couple. So they were in an Uba

0:37:30.302 --> 0:37:33.102
<v Speaker 5>and song came on the radio and Caarina says, oh

0:37:33.142 --> 0:37:35.902
<v Speaker 5>I previously slept with the rapper of this song. And

0:37:35.902 --> 0:37:37.861
<v Speaker 5>then when they get home, they have an argument and

0:37:37.942 --> 0:37:39.981
<v Speaker 5>he punches a hole in the wall, and then they're

0:37:39.982 --> 0:37:41.582
<v Speaker 5>separated for the night by the producers.

0:37:42.142 --> 0:37:44.422
<v Speaker 1>So does that then play out the next day in

0:37:44.422 --> 0:37:48.022
<v Speaker 1>front of this panel of relationship experts.

0:37:47.622 --> 0:37:49.781
<v Speaker 5>So they kind of were reunited the next day. They

0:37:49.781 --> 0:37:52.221
<v Speaker 5>had a dinner party first where all the contestants kind

0:37:52.221 --> 0:37:54.181
<v Speaker 5>of weigh in on this very serious topic, and then

0:37:54.221 --> 0:37:56.341
<v Speaker 5>they did have the commitment ceremony, which is in front

0:37:56.382 --> 0:37:58.861
<v Speaker 5>of all of the experts. So that is where they

0:37:58.902 --> 0:38:01.062
<v Speaker 5>were called out for the behavior, and.

0:38:00.982 --> 0:38:03.782
<v Speaker 1>That's what Chill said. I felt disrespected, Yeah.

0:38:03.582 --> 0:38:05.622
<v Speaker 5>And so throughout even at the dinner party. In their

0:38:05.622 --> 0:38:08.701
<v Speaker 5>first conversation, he kind of yoged between like I feel ashamed,

0:38:08.741 --> 0:38:11.582
<v Speaker 5>but also like I was just angry and I had emotions,

0:38:11.622 --> 0:38:14.142
<v Speaker 5>and like he doesn't really take responsibility and he does

0:38:14.382 --> 0:38:17.261
<v Speaker 5>try to sneak back onto Karna the stutus of this.

0:38:17.342 --> 0:38:18.981
<v Speaker 1>Police are now involved, Is that right?

0:38:19.221 --> 0:38:21.941
<v Speaker 5>Yes, so police are investigating along with Safe Work because

0:38:21.942 --> 0:38:24.022
<v Speaker 5>obviously this is an incident between coworkers.

0:38:24.181 --> 0:38:27.142
<v Speaker 3>And what did the show actually do. Did it provide

0:38:27.181 --> 0:38:30.102
<v Speaker 3>a therapist? Did it provide the opportunity for either of them?

0:38:30.221 --> 0:38:31.142
<v Speaker 1>Was he ab to leave?

0:38:31.542 --> 0:38:33.422
<v Speaker 5>So he wasn't asked to leave, but he was put

0:38:33.542 --> 0:38:35.622
<v Speaker 5>on notice. So he was explained that, like, if he

0:38:35.661 --> 0:38:37.502
<v Speaker 5>wanted to move forward in the experiment, he has to

0:38:37.502 --> 0:38:40.781
<v Speaker 5>do counseling to ensure that he doesn't let himself do

0:38:40.862 --> 0:38:43.502
<v Speaker 5>it again. Was she offered counseling, Not that we know of,

0:38:43.661 --> 0:38:46.221
<v Speaker 5>but they do say that they have counseling available to everybody.

0:38:46.462 --> 0:38:49.022
<v Speaker 5>She was kind of explained to by the experts that,

0:38:49.062 --> 0:38:51.341
<v Speaker 5>like this was deeply troubling because she was defending his

0:38:51.422 --> 0:38:54.062
<v Speaker 5>actions in front of the experts and saying we're European

0:38:54.542 --> 0:38:56.701
<v Speaker 5>and they kind of said, that's not a justification.

0:38:57.142 --> 0:38:57.462
<v Speaker 2>Yeah.

0:38:57.542 --> 0:38:59.742
<v Speaker 1>Yeah. I wanted to just ask you one final question

0:38:59.781 --> 0:39:03.102
<v Speaker 1>about the dynamics, because even though the women are free

0:39:03.142 --> 0:39:06.982
<v Speaker 1>to leave or end, as you say, the experiment, if

0:39:06.982 --> 0:39:09.342
<v Speaker 1>they don't like their partner or they're concerned about their behavior,

0:39:09.661 --> 0:39:11.382
<v Speaker 1>that would then mean the end of their time on

0:39:11.422 --> 0:39:15.142
<v Speaker 1>the show, right and the end of their what opportunity

0:39:15.181 --> 0:39:17.221
<v Speaker 1>to win something become more famous.

0:39:17.542 --> 0:39:20.221
<v Speaker 5>Yes, So obviously this season we did have someone quit

0:39:20.302 --> 0:39:22.662
<v Speaker 5>in like their honeymoon phase, and they were allowed to return.

0:39:22.701 --> 0:39:24.142
<v Speaker 5>But for the most part, if you quit the show,

0:39:24.181 --> 0:39:26.462
<v Speaker 5>you don't get to come back. So most people have

0:39:26.542 --> 0:39:29.422
<v Speaker 5>quit their jobs. They've obviously come on here because they

0:39:29.422 --> 0:39:30.862
<v Speaker 5>see what it can do for you and the success

0:39:30.862 --> 0:39:32.381
<v Speaker 5>that you can have. So if you leave the show,

0:39:32.422 --> 0:39:34.741
<v Speaker 5>it does mean that you're cutting down your screen time

0:39:34.822 --> 0:39:36.902
<v Speaker 5>and like how much the public gets to see if

0:39:36.942 --> 0:39:38.302
<v Speaker 5>you and fall in love with you because.

0:39:38.062 --> 0:39:40.741
<v Speaker 1>You can turn into an influencer and have can you

0:39:40.741 --> 0:39:42.822
<v Speaker 1>have a lucrative career or is that just the carrot

0:39:42.822 --> 0:39:43.462
<v Speaker 1>that's dangled.

0:39:43.701 --> 0:39:45.582
<v Speaker 5>I think it's for most of them, just the carrot

0:39:45.622 --> 0:39:47.221
<v Speaker 5>that's dangled. They might get a few years of like

0:39:47.302 --> 0:39:50.582
<v Speaker 5>influencer deals and Instagram ads, but for the most part,

0:39:50.741 --> 0:39:53.741
<v Speaker 5>with the exception of maybe Jules Robinson and Martha Kelleftitis,

0:39:53.781 --> 0:39:56.222
<v Speaker 5>there's not many mass contestants who've turned it into something

0:39:56.261 --> 0:39:57.221
<v Speaker 5>long term.

0:39:57.582 --> 0:40:02.102
<v Speaker 1>That's incredibly helpful infam Currently, both couples are still on

0:40:02.142 --> 0:40:06.661
<v Speaker 1>the show. Yes, both are still investigating. Yes, yeah, after

0:40:06.701 --> 0:40:10.821
<v Speaker 1>the break we will unpack whether but reality TV is

0:40:10.862 --> 0:40:13.542
<v Speaker 1>the right place for those kinds of issues to be discussed.

0:40:14.062 --> 0:40:17.822
<v Speaker 2>One unlimited out loud access. We drop episodes every Tuesday

0:40:17.862 --> 0:40:21.901
<v Speaker 2>and Thursday exclusively for Mamma Mia subscribers. Follow the link

0:40:21.942 --> 0:40:23.662
<v Speaker 2>at the show notes to get us in your ears

0:40:23.942 --> 0:40:26.701
<v Speaker 2>five days a week. And a huge thank you to

0:40:26.862 --> 0:40:32.381
<v Speaker 2>all our current subscribers.

0:40:35.102 --> 0:40:39.582
<v Speaker 1>That was really interesting what Tina explained. And I'm of

0:40:39.661 --> 0:40:42.982
<v Speaker 1>two minds because the argument can be made that this

0:40:43.022 --> 0:40:47.861
<v Speaker 1>should not be glamorized normalized by being on reality TV,

0:40:48.022 --> 0:40:50.102
<v Speaker 1>or that it's exploited if But on the other hand,

0:40:50.382 --> 0:40:53.862
<v Speaker 1>is it a teachable moment? Is it good to highlight

0:40:54.382 --> 0:40:56.062
<v Speaker 1>how bad this behavior is?

0:40:56.302 --> 0:40:58.222
<v Speaker 3>There are a few issues at play. I think because

0:40:58.342 --> 0:41:00.902
<v Speaker 3>I look at this and my friends who are watching it,

0:41:01.022 --> 0:41:04.102
<v Speaker 3>the overwhelming question seems to be shouldn't Paul have just

0:41:04.142 --> 0:41:06.221
<v Speaker 3>been let go? I mean, any act of violence on

0:41:06.261 --> 0:41:08.221
<v Speaker 3>reality television, It's like, can we just.

0:41:08.622 --> 0:41:10.542
<v Speaker 1>Pause the guy that punched the walls? Yes, the guy

0:41:10.582 --> 0:41:11.702
<v Speaker 1>that had charge.

0:41:12.221 --> 0:41:14.902
<v Speaker 3>I think the context as well for punching the wall

0:41:14.942 --> 0:41:16.582
<v Speaker 3>was that that was her way out of the room,

0:41:17.102 --> 0:41:21.102
<v Speaker 3>so there was something kind of doubly threatening about it,

0:41:21.382 --> 0:41:24.821
<v Speaker 3>and like watching that in context.

0:41:24.422 --> 0:41:25.622
<v Speaker 1>It's incredibly threatening.

0:41:25.862 --> 0:41:28.582
<v Speaker 3>It's an incredibly threatening thing to do. It is escalating,

0:41:29.181 --> 0:41:30.582
<v Speaker 3>you know, it is an act of violence to have

0:41:30.622 --> 0:41:34.701
<v Speaker 3>someone It's really really menacing. And I would look at

0:41:34.701 --> 0:41:37.341
<v Speaker 3>that and go all right, especially in a country that

0:41:37.542 --> 0:41:41.661
<v Speaker 3>has the domestic violence epidemic that we do, can we

0:41:41.701 --> 0:41:44.782
<v Speaker 3>just draw a really firm line on this? To be clear,

0:41:45.102 --> 0:41:48.821
<v Speaker 3>this show has a dubious history with contestants who have

0:41:48.902 --> 0:41:51.861
<v Speaker 3>been accused of certain crimes, like there are examples of that.

0:41:52.701 --> 0:41:57.262
<v Speaker 3>On the other hand, there are particular forms of abuse,

0:41:57.462 --> 0:42:03.582
<v Speaker 3>emotional coercive control, psychological abuse that are almost impossible to explain.

0:42:04.062 --> 0:42:07.102
<v Speaker 3>And when you sit with your girlfriends and you say

0:42:07.582 --> 0:42:09.741
<v Speaker 3>it's just this argument and he says, I'm yelling, but

0:42:09.822 --> 0:42:11.822
<v Speaker 3>I don't think like it sounds.

0:42:11.862 --> 0:42:14.302
<v Speaker 1>So I used to have those conversations in my head.

0:42:14.422 --> 0:42:16.381
<v Speaker 1>I wouldn't even say them to a girlfriend because I'd

0:42:16.422 --> 0:42:17.022
<v Speaker 1>feel crazy.

0:42:17.102 --> 0:42:18.741
<v Speaker 3>And where do we see them? We don't because they

0:42:18.781 --> 0:42:23.301
<v Speaker 3>happen behind closed doors. This television show is one of

0:42:23.342 --> 0:42:27.941
<v Speaker 3>the most watched television shows ever created in Australia. Right

0:42:28.142 --> 0:42:31.502
<v Speaker 3>there are millions of people watching this. When you have

0:42:31.542 --> 0:42:35.022
<v Speaker 3>a country all looking in the same direction, is this

0:42:35.542 --> 0:42:38.142
<v Speaker 3>holding up a mirror and going here are the real

0:42:38.622 --> 0:42:41.461
<v Speaker 3>nuances and the early red flags and the early red

0:42:41.502 --> 0:42:47.422
<v Speaker 3>flags of a complicated, toxic relationship that not only do

0:42:47.502 --> 0:42:49.622
<v Speaker 3>you get to see it and go when I see

0:42:49.622 --> 0:42:51.742
<v Speaker 3>someone else in that, I don't like it. You're sitting

0:42:51.902 --> 0:42:55.022
<v Speaker 3>on the couch going, oh, all right, this is maybe

0:42:55.062 --> 0:42:58.261
<v Speaker 3>not so normal. The experts over the years, they used

0:42:58.302 --> 0:43:00.941
<v Speaker 3>to kind of just watch and not intervene so much.

0:43:00.982 --> 0:43:02.982
<v Speaker 3>Over the years they've started to intervene a little bit

0:43:02.982 --> 0:43:05.982
<v Speaker 3>more and provide more commentary. Even mel Schilling, who's one

0:43:05.982 --> 0:43:09.462
<v Speaker 3>of their psychologists, she's now on a podcast with Elizabeth Days.

0:43:09.542 --> 0:43:12.261
<v Speaker 3>I've been elevated as someone who who can give real

0:43:12.342 --> 0:43:15.942
<v Speaker 3>relationship advice. I think they've got better at calling it

0:43:15.942 --> 0:43:18.701
<v Speaker 3>out and going that is not appropriate. That is not

0:43:18.741 --> 0:43:21.582
<v Speaker 3>how you behave see that thing you did, don't do that.

0:43:22.382 --> 0:43:27.181
<v Speaker 3>So is there some couples or some behaviors that are

0:43:27.181 --> 0:43:30.622
<v Speaker 3>being held to account that we might not see otherwise, Holly,

0:43:30.661 --> 0:43:31.942
<v Speaker 3>is that a ridiculous position.

0:43:32.181 --> 0:43:34.142
<v Speaker 2>I don't think it's a ridiculous position because I think

0:43:34.142 --> 0:43:36.301
<v Speaker 2>one of the reasons why people like this show is

0:43:36.342 --> 0:43:38.622
<v Speaker 2>it reflects the very messy nature of a lot of

0:43:38.701 --> 0:43:41.941
<v Speaker 2>human relationships that don't always go exactly you know by

0:43:41.942 --> 0:43:44.301
<v Speaker 2>the book, Like he said something disrespectful to me. I

0:43:44.422 --> 0:43:46.422
<v Speaker 2>left him immediately, Like that's not how a lot of

0:43:46.422 --> 0:43:50.062
<v Speaker 2>relationships go. And I know exactly why people really like that.

0:43:50.462 --> 0:43:54.181
<v Speaker 2>But I am intensely irritated by the fact that New

0:43:54.221 --> 0:43:58.822
<v Speaker 2>South Wales Police, who get four hundred domestic violence calls

0:43:58.862 --> 0:44:02.502
<v Speaker 2>every single day and now investigating an incident on a

0:44:02.582 --> 0:44:07.062
<v Speaker 2>ridiculous television show where people deliberately cast men with anger

0:44:07.102 --> 0:44:09.381
<v Speaker 2>issues and put them in situations that will trigger those

0:44:09.582 --> 0:44:12.142
<v Speaker 2>anger issues for drama and ratings, because at the end

0:44:12.142 --> 0:44:14.781
<v Speaker 2>of the day, married at first sight for all of

0:44:14.822 --> 0:44:18.701
<v Speaker 2>it's like this is an experiment, it is a ratings machine.

0:44:19.302 --> 0:44:22.381
<v Speaker 2>They do this deliberately. We have talked a million times

0:44:22.422 --> 0:44:24.861
<v Speaker 2>about how you need drama and conflict, and drama and

0:44:24.902 --> 0:44:28.062
<v Speaker 2>conflict in relationships can be kind of innocent. You know,

0:44:28.142 --> 0:44:30.341
<v Speaker 2>did he say my bumbluck being in these pants? But

0:44:30.382 --> 0:44:32.221
<v Speaker 2>they're not that that could even not be innocent in

0:44:32.221 --> 0:44:34.301
<v Speaker 2>this situation, or it could be cheating, or it could

0:44:34.302 --> 0:44:37.341
<v Speaker 2>be whatever. But domestic violence surely has to be a

0:44:37.382 --> 0:44:40.102
<v Speaker 2>line that we don't cross just for ratings, because we

0:44:40.142 --> 0:44:42.941
<v Speaker 2>can talk about teachable moments. But the problem is these

0:44:42.942 --> 0:44:45.942
<v Speaker 2>men are being rewarded, they're being made famous, they're being

0:44:46.022 --> 0:44:49.782
<v Speaker 2>displayed as being hot and exciting. The whole reason why Adrian,

0:44:49.862 --> 0:44:52.181
<v Speaker 2>who should never have been cast. I mean, I know

0:44:52.261 --> 0:44:54.741
<v Speaker 2>that he was cleared of those charges, but that still

0:44:54.822 --> 0:44:57.901
<v Speaker 2>seems like a very dangerous choice for producers to then

0:44:57.942 --> 0:45:00.502
<v Speaker 2>put him with a young single mother who has a

0:45:00.542 --> 0:45:04.421
<v Speaker 2>young child. That still seems like a dangerous choice. Right,

0:45:05.062 --> 0:45:07.022
<v Speaker 2>He should never have been cast. And the reason that

0:45:07.062 --> 0:45:09.342
<v Speaker 2>they cast him is because they knew there would be drama,

0:45:09.582 --> 0:45:11.382
<v Speaker 2>they knew there would be excitement. They're hoping it wouldn't

0:45:11.382 --> 0:45:15.741
<v Speaker 2>be dangerous drama and criminal drama. But it's deliberately stoking

0:45:15.781 --> 0:45:17.901
<v Speaker 2>this And that's the thing that I find really hard

0:45:17.942 --> 0:45:20.821
<v Speaker 2>about this show is it's disingenuousness because I watch it

0:45:20.862 --> 0:45:22.982
<v Speaker 2>sometimes I sit with my friend at the beginning and

0:45:23.022 --> 0:45:25.741
<v Speaker 2>Adrian comes in and we go, oh, he seems like

0:45:25.781 --> 0:45:27.462
<v Speaker 2>a nice guy, or actually, you don't, do you go

0:45:27.582 --> 0:45:30.982
<v Speaker 2>he seems like a troubled dude. In the first five minutes.

0:45:31.221 --> 0:45:33.821
<v Speaker 2>I wonder what he's like. The producers know what he's like.

0:45:34.062 --> 0:45:36.821
<v Speaker 2>They know all these things. They know exactly who they're

0:45:36.862 --> 0:45:40.701
<v Speaker 2>putting with, who and why. So teachable moments maybe, but

0:45:40.902 --> 0:45:44.261
<v Speaker 2>also dangerous manipulation, rewarding bad behavior.

0:45:44.661 --> 0:45:47.622
<v Speaker 1>Yes, well you say rewarding bad behavior or is he

0:45:47.741 --> 0:45:52.822
<v Speaker 1>being held accountable publicly shamed? Like that stuff's not happening

0:45:52.862 --> 0:45:55.462
<v Speaker 1>behind closed doors, because if it was, I know that.

0:45:55.902 --> 0:45:59.622
<v Speaker 1>When I was in an emotionally abusive relationship, I didn't

0:45:59.622 --> 0:46:01.582
<v Speaker 1>have the words for it. I thought it was just

0:46:01.661 --> 0:46:04.821
<v Speaker 1>me and him. I didn't know about coercid control or

0:46:04.862 --> 0:46:06.622
<v Speaker 1>gas lighting or any of those things. If I'd have

0:46:06.701 --> 0:46:10.261
<v Speaker 1>seen it reflected on a TV show, that would have

0:46:10.261 --> 0:46:11.462
<v Speaker 1>been a game changer for me.

0:46:11.582 --> 0:46:13.742
<v Speaker 2>I get that, and I think it's a really valid point.

0:46:13.942 --> 0:46:16.982
<v Speaker 2>But let's just remember what happens after this, Like these

0:46:17.022 --> 0:46:20.301
<v Speaker 2>guys then become you know, they're going to nightclub openings.

0:46:20.582 --> 0:46:23.822
<v Speaker 2>They're low level influencers. There's an only fans career waiting

0:46:23.862 --> 0:46:26.741
<v Speaker 2>for you. There are people on the show and off

0:46:26.741 --> 0:46:29.381
<v Speaker 2>the show debating whether or not they're good dudes, whether

0:46:29.462 --> 0:46:30.582
<v Speaker 2>or not that's okay, Well.

0:46:30.462 --> 0:46:32.102
<v Speaker 1>You know what you're getting if you date them?

0:46:32.502 --> 0:46:33.341
<v Speaker 2>Oh do you that?

0:46:33.661 --> 0:46:36.901
<v Speaker 3>I do think as well. With reality TV, in order

0:46:37.062 --> 0:46:39.261
<v Speaker 3>for it to keep growing, it needs to escalate. So

0:46:39.382 --> 0:46:41.502
<v Speaker 3>it started. It was quite innocent the first season, and

0:46:41.502 --> 0:46:43.181
<v Speaker 3>then we went to a cheating scandal, and then there

0:46:43.181 --> 0:46:45.022
<v Speaker 3>needed to be two cheating scandals. And now you can

0:46:45.062 --> 0:46:46.502
<v Speaker 3>set your watch to it and go, all right, it's

0:46:46.502 --> 0:46:48.902
<v Speaker 3>episode three, where are the seeds of a cheating scandal?

0:46:49.462 --> 0:46:51.462
<v Speaker 3>We shouldn't be surprised that this is escalated to New

0:46:51.502 --> 0:46:54.181
<v Speaker 3>South Wales police because where else is there to go?

0:46:54.342 --> 0:46:58.102
<v Speaker 1>Imagine, imagine you said those police. It must just be like, really,

0:46:58.502 --> 0:47:00.382
<v Speaker 1>you think that's bad for the show, bad for the

0:47:00.422 --> 0:47:03.701
<v Speaker 1>show's brand, or just well the real is more advertising.

0:47:04.022 --> 0:47:06.861
<v Speaker 3>It's great for the ratings. Were talking about it, Yeah,

0:47:06.902 --> 0:47:11.382
<v Speaker 3>the ratings are just growing and growing. So the commentary

0:47:11.422 --> 0:47:14.942
<v Speaker 3>will continue, the feminist commentary or the commentary about the ethics.

0:47:15.022 --> 0:47:17.781
<v Speaker 3>But the reality is that every season gets bigger and

0:47:17.781 --> 0:47:20.461
<v Speaker 3>bigger and bigger, So why would you wind it down.

0:47:20.582 --> 0:47:22.942
<v Speaker 2>If you do not approve and you think it's dangerous,

0:47:22.982 --> 0:47:25.422
<v Speaker 2>don't watch it. There is only one thing you can do.

0:47:25.502 --> 0:47:27.221
<v Speaker 2>Vote with your wallet, and your wallet, in this case,

0:47:27.261 --> 0:47:28.022
<v Speaker 2>your eyeballs.

0:47:28.302 --> 0:47:30.781
<v Speaker 3>I know for some particularly women who are watching this,

0:47:31.142 --> 0:47:34.301
<v Speaker 3>it's been really confronting because you might recognize some of

0:47:34.342 --> 0:47:37.782
<v Speaker 3>the behavior. So we have some resources in our show notes.

0:47:37.781 --> 0:47:40.661
<v Speaker 3>You can call one eight hundred respect or for other resources,

0:47:40.781 --> 0:47:41.822
<v Speaker 3>just look at our show notes.

0:47:42.701 --> 0:47:43.822
<v Speaker 2>That's it for our show today.

0:47:43.982 --> 0:47:44.742
<v Speaker 1>Gosh, it was big.

0:47:44.822 --> 0:47:47.381
<v Speaker 2>It's a big show. It was a great show, great show.

0:47:48.542 --> 0:47:52.181
<v Speaker 1>It was a goodtual. We were outstanding. I think it

0:47:52.261 --> 0:47:55.902
<v Speaker 1>was one of our best as a podcast.

0:47:56.102 --> 0:47:58.982
<v Speaker 2>As Megan's mimosas, That's what I wanted to know. She

0:47:59.102 --> 0:48:01.062
<v Speaker 2>was using very posh champagne for those mimosas.

0:48:01.102 --> 0:48:02.301
<v Speaker 1>By the way, she one.

0:48:02.261 --> 0:48:05.382
<v Speaker 2>Of knows you use crap prosecco for mimosas and you

0:48:05.462 --> 0:48:08.942
<v Speaker 2>use really good champagne if people are actually drinking the champagne.

0:48:08.942 --> 0:48:11.301
<v Speaker 1>You, meganis you know? Had it made this show better?

0:48:11.542 --> 0:48:12.542
<v Speaker 1>Some sprinkled flowers.

0:48:14.181 --> 0:48:16.062
<v Speaker 2>A massive thank you to all of you out loud

0:48:16.062 --> 0:48:17.462
<v Speaker 2>as for being here with us, and we'll be back

0:48:17.462 --> 0:48:18.302
<v Speaker 2>in your ears tomorrow.

0:48:18.542 --> 0:48:20.902
<v Speaker 1>But if you are looking for a little bit of

0:48:20.902 --> 0:48:24.622
<v Speaker 1>Oscars goss, we did a subscriber episode with a full debrief,

0:48:24.661 --> 0:48:28.862
<v Speaker 1>including an honestory cap of the Red Carpet, Adrian Brodie's

0:48:28.902 --> 0:48:34.022
<v Speaker 1>obnoxiously long speech, and Demi Moore's really bad night. A

0:48:34.102 --> 0:48:37.822
<v Speaker 1>linkers always will be in the show notes. Bye bye.

0:48:38.582 --> 0:48:41.502
<v Speaker 3>Shout out to any Mum and MEA subscribers listening. If

0:48:41.542 --> 0:48:43.502
<v Speaker 3>you love the show and you want to support us,

0:48:43.741 --> 0:48:46.661
<v Speaker 3>subscribing to MoMA Mia is the very best way to

0:48:46.741 --> 0:48:49.142
<v Speaker 3>do so. There's a link in the episode description.