WEBVTT - Clare Stephens Was Always ‘The Twin’ or ‘The Editor.’ What Happened When She Walked Away?

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<v Speaker 1>You're listening to a MoMA Mia podcast. Mama Mia acknowledges

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<v Speaker 1>the traditional owners of land and waters that this podcast

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<v Speaker 1>is recorded on.

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<v Speaker 2>I'm comparing myself to a person who objectively, You're the

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<v Speaker 2>hardest working person I've ever known. You're one of the

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<v Speaker 2>smartest people I've ever known. You're so creative, Like, Oh

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<v Speaker 2>my god, did that have to be my twin?

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<v Speaker 1>Oh my goodness. I cannot wait for today's guest.

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<v Speaker 3>It is someone who has spent most of her adult

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<v Speaker 3>life right here in the Mamma Mia office. It's Claire Stevens,

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<v Speaker 3>who once was known as Claire from Mamma Mia, where

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<v Speaker 3>she rose to become editor in chief, shaping some of

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<v Speaker 3>the most viral stories and conversations in the Australian media landscape.

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<v Speaker 1>And she's also a twin. You might have heard of

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<v Speaker 1>her sister.

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<v Speaker 3>It's an identity that has defined her since birth, but

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<v Speaker 3>in recent years Claire has been on a journey to

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<v Speaker 3>discover who she is when those labels are stripped away.

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<v Speaker 3>Her career has taken her from the newsroom to screenwriting

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<v Speaker 3>on the hit series Strife, to creating a podcast about

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<v Speaker 3>public pylons, and now to publishing.

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<v Speaker 1>Her first novel.

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<v Speaker 3>It's really good, the worst thing I've ever done, A sharp,

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<v Speaker 3>compassionate look at cancel culture and the way the Internet

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<v Speaker 3>can turn on anyone at any time.

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<v Speaker 1>Claire has also.

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<v Speaker 3>Lived through her own defining moments, from a traumatic birth

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<v Speaker 3>to navigating the brutality of online scrutiny, and she has

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<v Speaker 3>thought deeply about the invisible cost of how we treat

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<v Speaker 3>women online. This is truly a conversation about identity and

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<v Speaker 3>what happens when the Internet forgets is a human being

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<v Speaker 3>on the other side of the screen.

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<v Speaker 1>Stevens, Welcome to No Filter.

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<v Speaker 4>Thank you for having me now.

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<v Speaker 1>I don't know if you know about this organization.

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<v Speaker 4>Haven't heard much.

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<v Speaker 1>Mumma maya.

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<v Speaker 3>Yeah interesting, although, as Siri pronounces it on my phone, mammaemia.

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<v Speaker 4>Oh no, that's so upsetting.

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<v Speaker 1>And it's a platform for women and girls, Okay.

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<v Speaker 4>Is it related to the ab song or.

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<v Speaker 3>Oh well, I don't know what the genesis of it.

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<v Speaker 2>Was, ok Because often when I used to tell people

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<v Speaker 2>I worked from Mayo.

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<v Speaker 4>Go oh my god, I love the musical.

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<v Speaker 2>The Aba Musical, And I'm like, honestly, some days I'd

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<v Speaker 2>love to work for the Aba Musical.

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<v Speaker 3>Not if it's the part where Piterce Brosnan is singing,

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<v Speaker 3>oh no, no, no, that was very bad.

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<v Speaker 4>Every every Meryl Street moment, all.

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<v Speaker 3>Of those exactly, we take any merrill. Now listen, this

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<v Speaker 3>is your exit interview.

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<v Speaker 1>Oh my god, no, oh no. So when did you leave,

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<v Speaker 1>Mamma Mia.

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<v Speaker 4>I left beginning of this year.

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<v Speaker 1>It was sort of recently.

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<v Speaker 2>Yes, so I sort of wrapped up end of last year, right,

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<v Speaker 2>and then wasn't coming back in the new year. So

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<v Speaker 2>it's mean I'm trying to remind myself sometimes a panic,

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<v Speaker 2>I'm like.

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<v Speaker 4>Oh my gosh, I've been gone for that long and

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<v Speaker 4>have I done all the things that I wanted to do?

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<v Speaker 4>And then I think, hold on, it hasn't actually been

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<v Speaker 4>that long.

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<v Speaker 3>No, that's not long. And also because you were here

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<v Speaker 3>for ten years years. Yeah, you came as after a

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<v Speaker 3>phone call you got from Maya. Yeah that you thought

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<v Speaker 3>was a prank.

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<v Speaker 2>Yes, I got an email, an email from Maa, and

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<v Speaker 2>I thought, this is so mean that somebody would pretend

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<v Speaker 2>to be me a freedman. Because Jesse and I were

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<v Speaker 2>my sister and I were writing a blog together that

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<v Speaker 2>we loved and writing for a couple of very fringe publications,

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<v Speaker 2>and then this email came from someone claiming to be

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<v Speaker 2>Maya Friedman saying that they loved our writing.

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<v Speaker 1>And wanted to that stage.

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<v Speaker 3>You were doing the recaps of The Biggest Loser, which

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<v Speaker 3>is that puts it in a time.

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<v Speaker 4>It really does, it really does.

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<v Speaker 2>And I was doing at the time, I was doing

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<v Speaker 2>a Masters of research in eating disorders and obesity, and

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<v Speaker 2>I wanted to get these kind of semi academic ideas

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<v Speaker 2>about the way we talk about body shape and health

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<v Speaker 2>and all of that. I wanted to put them in

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<v Speaker 2>the mainstream and communicate them. So Jess and I had

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<v Speaker 2>always watched The Biggest Loser for reasons we can't explain.

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<v Speaker 4>We all did.

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<v Speaker 3>Yeah, by the way, well I think we could explain it.

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<v Speaker 3>I think we probably could. Yeah, yeah, yeah, it was fascinating.

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<v Speaker 4>Yeah yeah, yeah yeah.

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<v Speaker 2>And so we were recapping that, and yeah, Maya reached out,

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<v Speaker 2>and from there I was so excited that somebody liked

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<v Speaker 2>our writing.

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<v Speaker 3>And also because then you were I mean you were

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<v Speaker 3>born a unit. Yeah, the pair of you, you and Jesse,

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<v Speaker 3>and then you came to Mauma Maya as a unit.

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<v Speaker 3>Now that's what was Jesse's studying when you was doing

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<v Speaker 3>your psyche.

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<v Speaker 2>Jesse had finished her masters of research the year before

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<v Speaker 2>she was She has a master's in history, history and

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<v Speaker 2>gender studies, so she had finished.

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<v Speaker 1>She really wanted to be unemployed.

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<v Speaker 2>I know, I'm like, I want to study psychology, but

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<v Speaker 2>I don't want to be a psychologist.

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<v Speaker 1>Yeah, that's right. What do I want to do?

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<v Speaker 4>A really great idea for employment.

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<v Speaker 2>And so both of us in that year had sort

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<v Speaker 2>of realized that we wanted to write, and we were

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<v Speaker 2>looking at the media landscape thinking, you know, even looking

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<v Speaker 2>at people who were social commentators almost and thinking how

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<v Speaker 2>do you get to do that?

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<v Speaker 1>And so was that at that time? What were you

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<v Speaker 1>looking at? What was around?

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<v Speaker 4>Remember, we were obsessed with Mamaya, Rosie Water.

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<v Speaker 1>And the Bachelors and weirdly, who do you?

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<v Speaker 2>A few months before Mia reached out, my cousin gifted

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<v Speaker 2>us tickets to go and see Rosie's book launch. In

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<v Speaker 2>conversation with Mia and so Jess and I sat in

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<v Speaker 2>this audience and it was one of those moments where

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<v Speaker 2>you go, oh God, I'd love to be part of

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<v Speaker 2>this organization.

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<v Speaker 4>I'd love to be Rosie Wonder, I'd love to do

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<v Speaker 4>all these things.

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<v Speaker 2>And then you go, but look around, probably all of

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<v Speaker 2>these women would love that, and so it's not going

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<v Speaker 2>to happen. And then so when Mia reached out, we

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<v Speaker 2>were so surprised. But interestingly, on that first meeting, she

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<v Speaker 2>said she was almost She said, oh, I thought that

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<v Speaker 2>maybe you wouldn't maybe you're kind of too edgy for Mamya,

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<v Speaker 2>Like you wouldn't think Mamya was cool.

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<v Speaker 4>And we're like, ah, We're like, no, we love it. Well.

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<v Speaker 1>I think you know that's been a hallmark of your

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<v Speaker 1>work is very.

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<v Speaker 3>Accessible, yep, yep, yeah, but also incorporating like some of

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<v Speaker 3>these ideas for lutin ideas at university yea hopefully, which

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<v Speaker 3>is a very difficult thing to do, to make the

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<v Speaker 3>esoteric relatable and clear and to refine it so that

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<v Speaker 3>people go, oh, oh, I hadn't thought about it that way.

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<v Speaker 4>Yeah. Yeah, I hope.

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<v Speaker 2>I hope that that's what both Jess and I are

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<v Speaker 2>able to do, because when you're at UNI, you realize

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<v Speaker 2>that you work on.

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<v Speaker 4>Something for so long and.

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<v Speaker 2>It in some cases will only be read by so

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<v Speaker 2>few people, and you think there's a lot of research

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<v Speaker 2>I did for my novel, like a lot of academic research,

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<v Speaker 2>and I thought it's so interesting because this academic research

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<v Speaker 2>is so clever and complex, and I wish everyone could

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<v Speaker 2>read it, but it's behind a paywall. It is the

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<v Speaker 2>type of language that not everybody can understand.

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<v Speaker 1>It involves reading, exactly.

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<v Speaker 2>It involves reading and understanding, you know, the all the

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<v Speaker 2>layers of research, and it involves a whole lot of

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<v Speaker 2>stuff that not everybody can access. So I think that

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<v Speaker 2>there is something really important about getting those ideas and

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<v Speaker 2>putting them in a palatable way that people can.

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<v Speaker 1>Unders And also, what you and Jesse did together was

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<v Speaker 1>use humor.

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<v Speaker 4>Yeah, yeah, yeah, yeah, which is.

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<v Speaker 3>Such a gateway and it's it's actually I'm often amused

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<v Speaker 3>by comedian friends who then go down a kind of

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<v Speaker 3>more strident or political pathway because I think so few

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<v Speaker 3>people have the gift of humor.

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<v Speaker 4>Yep, ye, yeah.

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<v Speaker 3>There's so many people that can tub thump and whatever,

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<v Speaker 3>and that's important, but so few people have the gift

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<v Speaker 3>of being able to parlay a thought through humor. And

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<v Speaker 3>you two both had that.

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<v Speaker 1>Oh thank you.

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<v Speaker 3>And so at what point did you realize when you

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<v Speaker 3>came in to Mum and Mia And to me, it

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<v Speaker 3>kind of feels that you've always been here, Yeah, what

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<v Speaker 3>point did you?

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<v Speaker 1>Oh, way this is working?

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<v Speaker 2>I think it was a couple of years in like

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<v Speaker 2>we both of us when we started had a moment

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<v Speaker 2>of thinking, oh wow, I feel like this was where

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<v Speaker 2>I was always meant to be.

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<v Speaker 4>Like we both, I'll speak myself.

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<v Speaker 2>I love ideas and building concepts and challenging each other

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<v Speaker 2>and all of that, and the being around women who

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<v Speaker 2>just were so clever and so creative I found really exciting.

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<v Speaker 2>The other thing And I don't know if you feel this,

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<v Speaker 2>but growing up I thought it was actually quite radical

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<v Speaker 2>to be a funny woman. I don't think that there

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<v Speaker 2>are that many, especially when you're a teenager and young

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<v Speaker 2>adult and your value is coming from, you know, your appearance,

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<v Speaker 2>or the validation that you get from romantic partners all

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<v Speaker 2>of that. I always looked at funny women with a

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<v Speaker 2>type of awe and respect that I just thought, I

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<v Speaker 2>think there is power in that.

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<v Speaker 4>There is so much power in somebody laughing at you.

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<v Speaker 1>Where did the funny come from? So in your family dynamic.

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<v Speaker 2>Dad's got a pretty weird sense of humor, very very dry.

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<v Speaker 2>Mum is also is also very funny. But I think

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<v Speaker 2>my sister and I and then we've got twin brothers.

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<v Speaker 2>Have always have always had a very specific sense of humor.

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<v Speaker 4>But growing up, I remember watching TV.

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<v Speaker 2>My mum watched every episode of the Panel, and I

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<v Speaker 2>remember looking at you and being obsessed and thinking, she

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<v Speaker 2>is so funny, and that is rare.

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<v Speaker 4>That is really rare.

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<v Speaker 2>And it was rare when I was growing up to

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<v Speaker 2>see a really funny woman on television.

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<v Speaker 3>It's funny because when I was looking, I started reading

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<v Speaker 3>your book last night. This is the Bookations, by the way,

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<v Speaker 3>because a baby in a book and a new life.

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<v Speaker 1>And it's a lot.

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<v Speaker 4>It's a lot. It's a lot, and you always like

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<v Speaker 4>a lot.

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<v Speaker 1>Fuck you girls are I'm going to say you're overachieved.

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<v Speaker 4>I don't feel like that, but thank you. No.

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<v Speaker 3>I think I think you probably never do, because you

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<v Speaker 3>seem to be aware of what you haven't done.

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<v Speaker 1>This is about what you have done. Okay, just take

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<v Speaker 1>a little moment to that.

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<v Speaker 3>But it's funny that you mentioned that because this is

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<v Speaker 3>about a girl who gets canceled. And I was thinking

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<v Speaker 3>and MEA and I have discussed this before because she's

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<v Speaker 3>had her own uncomfortable ride at that Rodano, and I

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<v Speaker 3>don't think I've been canceled, But the closest I came

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<v Speaker 3>was doing the panel.

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<v Speaker 1>What happened when I.

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<v Speaker 4>Breastfeed I remember, I remember that moment.

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<v Speaker 1>My first son, and that was before socials or whatever.

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<v Speaker 3>But the insane level of feedback on that of a

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<v Speaker 3>woman who'd gone back to work and just dropped in.

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<v Speaker 3>I say, go back to work, but it was I

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<v Speaker 3>dropped in at my friends. We'd done a show. I

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<v Speaker 3>think Lewis was like three or four weeks old, and

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<v Speaker 3>I had said to my husband, if Lewis makes a sound,

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<v Speaker 3>just bring him down to me.

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<v Speaker 1>An old feeder. That's all I knew how to do.

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<v Speaker 3>I knew how to do with a baby anything. If

0:12:35.525 --> 0:12:37.685
<v Speaker 3>he pulled a face or whatever, it was just titt

0:12:37.725 --> 0:12:40.605
<v Speaker 3>in the mouth, that was. If he had hiccups or whatever,

0:12:40.845 --> 0:12:41.565
<v Speaker 3>it was just feeding.

0:12:41.645 --> 0:12:42.005
<v Speaker 1>Anyway.

0:12:42.645 --> 0:12:44.685
<v Speaker 3>So that happened, and it was towards the end of

0:12:44.725 --> 0:12:48.405
<v Speaker 3>the show look in an ad break, Peter brought Lewis down.

0:12:48.525 --> 0:12:49.165
<v Speaker 1>I popped him on.

0:12:49.845 --> 0:12:53.485
<v Speaker 3>I'd been with the guys the day earlier, I'd been

0:12:53.565 --> 0:12:54.765
<v Speaker 3>feeding him at a meeting.

0:12:55.485 --> 0:12:56.165
<v Speaker 1>They enjoyed it.

0:12:56.365 --> 0:12:59.885
<v Speaker 3>Yeah, I don't care if people enjoy watching me breastet.

0:12:59.885 --> 0:13:02.125
<v Speaker 1>You can, That's not what I'm doing it for I'm

0:13:02.165 --> 0:13:04.165
<v Speaker 1>doing it for him anyway.

0:13:04.245 --> 0:13:08.325
<v Speaker 3>But the cancelation thing is an extraordinary concept. So I

0:13:08.445 --> 0:13:10.845
<v Speaker 3>know you did the show canceled, Yep, yep.

0:13:11.285 --> 0:13:13.565
<v Speaker 1>What is your interest in that?

0:13:15.005 --> 0:13:18.565
<v Speaker 2>I think from being at my MAA for a decade,

0:13:18.805 --> 0:13:23.525
<v Speaker 2>I was in the unique experience of seeing those things

0:13:23.605 --> 0:13:27.445
<v Speaker 2>that blow up in the media, whether it's someone said

0:13:27.485 --> 0:13:32.045
<v Speaker 2>the wrong thing, they've published an article that had the

0:13:32.125 --> 0:13:35.725
<v Speaker 2>wrong language, whether they've just done something that makes no

0:13:35.925 --> 0:13:39.685
<v Speaker 2>sense to other people. I was in the unique position of,

0:13:41.365 --> 0:13:45.725
<v Speaker 2>through the network of media, actually finding myself face to

0:13:45.805 --> 0:13:51.085
<v Speaker 2>face with those people and realizing that they are not monsters.

0:13:51.605 --> 0:13:56.205
<v Speaker 2>They are a mass of vulnerabilities, and you it is

0:13:56.405 --> 0:14:02.245
<v Speaker 2>so easy to dehumanize somebody and to see them as

0:14:03.245 --> 0:14:06.405
<v Speaker 2>almost an avatar. We all become avatars online. And I

0:14:06.445 --> 0:14:09.285
<v Speaker 2>think the reason I was fascinated by it was because

0:14:09.925 --> 0:14:12.445
<v Speaker 2>I have been on both sides of it.

0:14:13.165 --> 0:14:15.525
<v Speaker 3>I've been on both all right, all right, so you've

0:14:16.485 --> 0:14:20.205
<v Speaker 3>been leading the witch hunts, yeah, and like, not to a.

0:14:20.365 --> 0:14:27.445
<v Speaker 2>Huge extent, but I realized that something would happen to

0:14:27.605 --> 0:14:29.845
<v Speaker 2>me and I'd think, oh gosh, I used to be

0:14:29.925 --> 0:14:31.645
<v Speaker 2>the person who would call people.

0:14:31.405 --> 0:14:35.765
<v Speaker 1>Out for that, and I enjoy them getting called out yes.

0:14:36.085 --> 0:14:39.285
<v Speaker 4>And I like yeah, yeah, yeah yeah, and feeling really

0:14:39.365 --> 0:14:42.085
<v Speaker 4>morally superior because I am above that and I would

0:14:42.165 --> 0:14:46.925
<v Speaker 4>never make such a mistake. And there was one particular person.

0:14:47.245 --> 0:14:49.485
<v Speaker 2>When I first started writing on the internet, I really

0:14:49.565 --> 0:14:52.405
<v Speaker 2>wanted to do kind of social commentary, and I think

0:14:52.485 --> 0:14:56.525
<v Speaker 2>what women do. Women are so emotionally intelligent that I

0:14:56.605 --> 0:14:58.685
<v Speaker 2>think what we want to do is we want to

0:14:58.885 --> 0:15:04.045
<v Speaker 2>explore morality through the prism of people. And so there

0:15:04.205 --> 0:15:09.405
<v Speaker 2>was one particular woman in Australian public life that I

0:15:09.525 --> 0:15:13.685
<v Speaker 2>looked at and I wrote a lot about her and

0:15:13.845 --> 0:15:19.125
<v Speaker 2>seeing her as almost a symbol of greed, money, exploitation,

0:15:19.285 --> 0:15:20.005
<v Speaker 2>of all these things.

0:15:20.045 --> 0:15:22.125
<v Speaker 4>And I wrote so much about her.

0:15:22.205 --> 0:15:24.725
<v Speaker 1>Who was that, don't do you don't want to name them?

0:15:25.285 --> 0:15:28.165
<v Speaker 4>Well, who i'd like to know. I'd like to know

0:15:28.285 --> 0:15:30.405
<v Speaker 4>from you, if you think I can say it. It's

0:15:30.525 --> 0:15:31.205
<v Speaker 4>Roxy Jasenko.

0:15:31.965 --> 0:15:33.125
<v Speaker 1>Oh okay, all right.

0:15:33.205 --> 0:15:35.405
<v Speaker 4>I don't know if she would mind. I don't know

0:15:35.445 --> 0:15:36.445
<v Speaker 4>if she would mind.

0:15:36.285 --> 0:15:38.085
<v Speaker 1>Because I think she wouldn't surprise her.

0:15:38.205 --> 0:15:39.525
<v Speaker 4>Yeah yeah, yeah, yeah, yeah.

0:15:40.445 --> 0:15:45.765
<v Speaker 2>So I had written about Roxy Jasenko and then through

0:15:46.445 --> 0:15:49.245
<v Speaker 2>work stuff, I met her and I found myself face

0:15:49.325 --> 0:15:51.565
<v Speaker 2>to face with her and she was lovely.

0:15:52.525 --> 0:15:54.325
<v Speaker 4>She was lovely, and I went, you know.

0:15:54.445 --> 0:15:58.645
<v Speaker 2>What I don't and thank god she's such a busy woman.

0:15:58.965 --> 0:16:01.205
<v Speaker 2>But she had no idea that I had written she

0:16:01.325 --> 0:16:04.245
<v Speaker 2>had and this was years later, But I just thought,

0:16:05.245 --> 0:16:09.125
<v Speaker 2>I don't actually know you. I don't I don't know you,

0:16:09.485 --> 0:16:13.845
<v Speaker 2>and what I've done is dehumanize you. I have not

0:16:14.045 --> 0:16:18.285
<v Speaker 2>offered you the dignity of slow, considered judgment. I've jumped

0:16:18.285 --> 0:16:20.765
<v Speaker 2>on the tiny, surface level things I know about you,

0:16:21.645 --> 0:16:25.725
<v Speaker 2>and I have had fun with that in quite a

0:16:26.725 --> 0:16:28.525
<v Speaker 2>icky way that I don't feel comfortable.

0:16:28.565 --> 0:16:34.485
<v Speaker 3>It's interesting because I mean, she was big on conspicuous consumption, yep, yep.

0:16:35.365 --> 0:16:41.885
<v Speaker 3>But some people are allowed to the Kardashians carte blanche

0:16:42.045 --> 0:16:48.165
<v Speaker 3>for you know, for any whatever, bucci, lambeau, blah blah

0:16:48.165 --> 0:16:52.805
<v Speaker 3>blah blah blah blah blah blah. And yet in when

0:16:53.005 --> 0:16:57.885
<v Speaker 3>certain other people manifest those traits or show off what

0:16:58.045 --> 0:17:04.885
<v Speaker 3>they have, it elicits anger from us, competition, comparison, a sense,

0:17:05.045 --> 0:17:07.725
<v Speaker 3>like you said, of this morality, Yeah.

0:17:07.845 --> 0:17:10.485
<v Speaker 4>Like practicing your morality to someone.

0:17:10.245 --> 0:17:12.565
<v Speaker 1>That is, as someone who has a psych degree.

0:17:13.965 --> 0:17:15.965
<v Speaker 4>That is I think what happens.

0:17:16.205 --> 0:17:20.325
<v Speaker 2>We really do want to prosecute moral questions, and I

0:17:20.365 --> 0:17:23.165
<v Speaker 2>think that is so important that we do that, and

0:17:24.285 --> 0:17:27.725
<v Speaker 2>I think there is something to be said about analyzing

0:17:28.365 --> 0:17:32.525
<v Speaker 2>conspicuous consumption. However, I do not think the way to

0:17:32.645 --> 0:17:37.005
<v Speaker 2>do that is through tearing apart an individual, because when

0:17:37.085 --> 0:17:41.565
<v Speaker 2>you do that, you are placing that individual in contempt,

0:17:41.725 --> 0:17:45.445
<v Speaker 2>you are not considering their complex humanity, and.

0:17:45.605 --> 0:17:49.805
<v Speaker 4>It also takes away from the entire point.

0:17:49.885 --> 0:17:52.605
<v Speaker 2>Like I do think the media, the way that our

0:17:52.685 --> 0:17:55.485
<v Speaker 2>media has evolved, has made this really hard because.

0:17:55.245 --> 0:17:56.405
<v Speaker 4>There are issues.

0:17:56.645 --> 0:17:59.645
<v Speaker 2>You will find that most of the big issues in

0:17:59.685 --> 0:18:04.725
<v Speaker 2>the zeitgeist we explore through individuals. So there will be

0:18:05.445 --> 0:18:09.205
<v Speaker 2>a global conflict, there will be a you know, a

0:18:09.605 --> 0:18:13.325
<v Speaker 2>question about feminism, and instead of having a philosophical conversation

0:18:13.405 --> 0:18:15.325
<v Speaker 2>about it, we point to a person. We go, you

0:18:15.405 --> 0:18:17.565
<v Speaker 2>are a symbol of this size, You are a symbol

0:18:17.605 --> 0:18:21.165
<v Speaker 2>of this side, and we play that off. That is

0:18:21.645 --> 0:18:25.285
<v Speaker 2>because no one's going to pay attention to the philosophical

0:18:25.565 --> 0:18:28.325
<v Speaker 2>debate about it. We want the faith, we want the

0:18:28.725 --> 0:18:30.765
<v Speaker 2>which hunt, we want the scapegoat.

0:18:31.045 --> 0:18:32.485
<v Speaker 4>That's the only way we're going to pay attention.

0:18:32.645 --> 0:18:35.765
<v Speaker 3>And also, I think once upon a time, like we've

0:18:35.925 --> 0:18:41.485
<v Speaker 3>lost the institutions where we would probably analyze that no

0:18:41.565 --> 0:18:44.405
<v Speaker 3>one goes to church. Once upon a time everyone went

0:18:44.485 --> 0:18:46.325
<v Speaker 3>to church and then you were told this is good

0:18:46.405 --> 0:18:47.245
<v Speaker 3>and this is bad.

0:18:47.845 --> 0:18:51.245
<v Speaker 1>We don't have that. So now is social media the

0:18:51.325 --> 0:18:51.845
<v Speaker 1>new church?

0:18:52.005 --> 0:18:52.205
<v Speaker 4>Yep?

0:18:52.325 --> 0:18:54.485
<v Speaker 1>Yeah, and it's not a broad church.

0:18:55.045 --> 0:18:55.085
<v Speaker 4>No.

0:18:55.805 --> 0:19:00.805
<v Speaker 3>If you deviate from what is considered acceptable, and those

0:19:00.925 --> 0:19:07.925
<v Speaker 3>parameters shift all the time, yes, exactly. Do not go

0:19:08.165 --> 0:19:12.525
<v Speaker 3>anywhere there's more insight, more honesty, and yes, more laughter

0:19:12.685 --> 0:19:14.725
<v Speaker 3>with Clay Stevens after this short break.

0:19:17.685 --> 0:19:18.885
<v Speaker 1>Did you ever get canceled?

0:19:19.845 --> 0:19:23.325
<v Speaker 2>I have had a few experiences. I wouldn't call it

0:19:23.405 --> 0:19:28.165
<v Speaker 2>the scale of being canceled. I've had tiny, tiny moments

0:19:28.485 --> 0:19:33.125
<v Speaker 2>where I have been, say, called out online, and those

0:19:33.245 --> 0:19:38.285
<v Speaker 2>moments are so sickening and all consuming that when it happened,

0:19:39.125 --> 0:19:43.325
<v Speaker 2>I thought there's a book in this, and I really

0:19:43.445 --> 0:19:47.765
<v Speaker 2>wanted to give myself the challenge of showing, rather than telling,

0:19:47.965 --> 0:19:50.485
<v Speaker 2>how that feels. And so a couple of times, I

0:19:50.565 --> 0:19:53.565
<v Speaker 2>remember when I was editor in chief, it was the

0:19:53.725 --> 0:19:55.685
<v Speaker 2>most bizarre story.

0:19:55.925 --> 0:19:57.805
<v Speaker 4>We ran an.

0:19:57.725 --> 0:20:01.485
<v Speaker 2>Interview with somebody who called out somebody else, and then

0:20:01.565 --> 0:20:03.965
<v Speaker 2>that somebody else got in touch with me and said, no,

0:20:04.445 --> 0:20:06.925
<v Speaker 2>she's the one who's actually done this, and before I

0:20:06.965 --> 0:20:08.685
<v Speaker 2>knew it, it was ten am, and I was on

0:20:08.845 --> 0:20:11.085
<v Speaker 2>phone call to these two women who are like, I'm

0:20:11.165 --> 0:20:13.285
<v Speaker 2>taking her to the police because she's trolling me, and

0:20:13.325 --> 0:20:15.405
<v Speaker 2>the other one's like, I have a private detective, and

0:20:15.485 --> 0:20:17.165
<v Speaker 2>I was like, I have a team of twenty people

0:20:17.205 --> 0:20:19.165
<v Speaker 2>and I'm meant to be editing their work. I'm sorry,

0:20:19.245 --> 0:20:22.005
<v Speaker 2>I don't have time for this. So I said, guys,

0:20:22.045 --> 0:20:24.165
<v Speaker 2>I'm so sorry. We're just gonna take it down. I

0:20:25.005 --> 0:20:28.085
<v Speaker 2>don't nobody here has the resources to work out what's happening.

0:20:28.485 --> 0:20:31.445
<v Speaker 2>And one of those women, when on social media, posted

0:20:31.525 --> 0:20:36.125
<v Speaker 2>my because my email signature had my phone number, so

0:20:36.325 --> 0:20:40.485
<v Speaker 2>posted my photo photos of my family, photos of my

0:20:40.685 --> 0:20:44.565
<v Speaker 2>dogster yeah, and phone number, and just like this woman

0:20:44.845 --> 0:20:47.205
<v Speaker 2>is doing all these things to me and silencing me

0:20:47.325 --> 0:20:52.125
<v Speaker 2>and burh rauh. And it is so frustrating because you

0:20:52.965 --> 0:20:55.645
<v Speaker 2>have no pat and you just feel like saying one,

0:20:55.765 --> 0:20:58.125
<v Speaker 2>that's not a very good way of showing me that

0:20:58.285 --> 0:21:02.365
<v Speaker 2>you were the moral, righteous person in this direction, because

0:21:02.365 --> 0:21:04.925
<v Speaker 2>that's a pretty rash thing to do. I don't have

0:21:05.005 --> 0:21:07.605
<v Speaker 2>any control over that, Like I don't. I can't say

0:21:07.645 --> 0:21:10.445
<v Speaker 2>there's no board, remember I can go to to say

0:21:10.525 --> 0:21:15.445
<v Speaker 2>not this is unfair. I've also had what I have

0:21:15.525 --> 0:21:19.365
<v Speaker 2>found fascinating is the situations where the brutality of real

0:21:19.485 --> 0:21:20.965
<v Speaker 2>life collides.

0:21:20.605 --> 0:21:21.965
<v Speaker 4>With something going on in the internet.

0:21:22.165 --> 0:21:25.525
<v Speaker 2>Going on on the internet, So there have been moments

0:21:25.565 --> 0:21:31.085
<v Speaker 2>where I'm being called out for something running, like running

0:21:31.125 --> 0:21:33.805
<v Speaker 2>a story that used the wrong language.

0:21:33.805 --> 0:21:34.965
<v Speaker 4>I remember there was a moment.

0:21:35.685 --> 0:21:37.245
<v Speaker 2>I don't know if you remember this, and we've sort

0:21:37.285 --> 0:21:40.645
<v Speaker 2>of gone past it now, but there was a lot

0:21:40.725 --> 0:21:44.085
<v Speaker 2>of conversation about if you were going to do a

0:21:44.125 --> 0:21:47.645
<v Speaker 2>story about women's health, whether you could say women or

0:21:47.685 --> 0:21:51.645
<v Speaker 2>if you had to say people with vaginas or people.

0:21:51.485 --> 0:21:53.685
<v Speaker 4>With volvers or uteruses or whatever.

0:21:54.285 --> 0:21:57.205
<v Speaker 2>And we ran a story that I think actually erred

0:21:57.245 --> 0:22:01.125
<v Speaker 2>on the side of inclusivity and said people with vaginas

0:22:01.165 --> 0:22:07.045
<v Speaker 2>or something like that, and people were furious and saying, no,

0:22:07.365 --> 0:22:11.885
<v Speaker 2>this is invalidating women's experiences and all this, and I

0:22:12.045 --> 0:22:14.805
<v Speaker 2>was sort of trying to navigate that, and at the

0:22:14.885 --> 0:22:17.885
<v Speaker 2>same time, someone really close to me was in hospital,

0:22:18.885 --> 0:22:21.845
<v Speaker 2>and so I was in hospital looking around. You know,

0:22:22.045 --> 0:22:24.725
<v Speaker 2>the stakes of life are never higher than when somebody

0:22:24.805 --> 0:22:27.245
<v Speaker 2>you know is really sick and you just want to

0:22:27.245 --> 0:22:28.005
<v Speaker 2>scream me your phone.

0:22:28.205 --> 0:22:32.245
<v Speaker 4>This is ridiculous. This is absolutely ridiculous.

0:22:31.805 --> 0:22:33.725
<v Speaker 3>And yet you are also a quog in the machine

0:22:33.845 --> 0:22:36.205
<v Speaker 3>exactly exactly, and like AI.

0:22:36.085 --> 0:22:37.725
<v Speaker 1>The machine is turning on you.

0:22:38.045 --> 0:22:41.325
<v Speaker 4>Yep, yeah, as it will all of us. Yes, yes,

0:22:42.045 --> 0:22:43.085
<v Speaker 4>and so and so.

0:22:43.325 --> 0:22:47.125
<v Speaker 2>I really wanted to with the book basically hold those

0:22:47.205 --> 0:22:51.845
<v Speaker 2>two things at once. The absurdity of what we're arguing

0:22:52.005 --> 0:22:55.005
<v Speaker 2>on the internet, and it's a zero sum game. And

0:22:55.085 --> 0:22:59.165
<v Speaker 2>I don't think we're actually doing anything. I don't think

0:22:59.205 --> 0:23:03.725
<v Speaker 2>we're kind of reaching consensus in the way that we

0:23:03.845 --> 0:23:06.445
<v Speaker 2>think we are. I don't think we're changing people's minds

0:23:06.525 --> 0:23:08.885
<v Speaker 2>in the way that I wish we were. I think

0:23:09.525 --> 0:23:14.685
<v Speaker 2>the discourse online is increasingly really really toxic and unhelpful.

0:23:15.405 --> 0:23:18.125
<v Speaker 4>And then contrasting that with what real life is.

0:23:18.805 --> 0:23:23.085
<v Speaker 2>And the other thing about real life that I would

0:23:23.125 --> 0:23:27.485
<v Speaker 2>think in these moments is you forgive people. In real life,

0:23:27.765 --> 0:23:32.965
<v Speaker 2>when a friend is shitty, you forgive them, and you

0:23:33.085 --> 0:23:34.685
<v Speaker 2>have a blueprint for how to move forward.

0:23:35.045 --> 0:23:36.605
<v Speaker 4>We do not have that online.

0:23:37.245 --> 0:23:42.485
<v Speaker 2>If somebody stuffs up online, the glee in always holding

0:23:42.765 --> 0:23:45.125
<v Speaker 2>that person to the worst thing they ever did.

0:23:45.885 --> 0:23:46.525
<v Speaker 4>There is no.

0:23:48.205 --> 0:23:51.325
<v Speaker 2>Way forward where we go, Okay, you know what, We've

0:23:51.405 --> 0:23:55.725
<v Speaker 2>made our point. I think we've been heard. That person

0:23:55.845 --> 0:23:58.045
<v Speaker 2>has apologized, So let's move on.

0:23:58.205 --> 0:23:59.405
<v Speaker 4>That doesn't it's not a thing.

0:23:59.885 --> 0:24:00.805
<v Speaker 1>No, that's not a thing.

0:24:02.085 --> 0:24:06.205
<v Speaker 3>Although the grace of it is, if there's anything, is

0:24:06.285 --> 0:24:08.405
<v Speaker 3>that things move on so cool exactly.

0:24:08.325 --> 0:24:10.365
<v Speaker 1>That if you can just keep your head down, it'll

0:24:10.485 --> 0:24:11.285
<v Speaker 1>totally blow over.

0:24:11.405 --> 0:24:17.405
<v Speaker 3>Like people yeah, constantly, like remember things that you're like, oh, yeah,

0:24:17.445 --> 0:24:20.925
<v Speaker 3>what seems so significant at the time is now like, yeah,

0:24:21.325 --> 0:24:23.885
<v Speaker 3>did that happen. There's always something in the room that goes, oh,

0:24:23.965 --> 0:24:26.125
<v Speaker 3>that's right, I've got about that. At the time, it

0:24:26.205 --> 0:24:27.085
<v Speaker 3>seemed monumintalk.

0:24:27.205 --> 0:24:29.085
<v Speaker 2>Yeah, And to the individual at the center of it,

0:24:29.685 --> 0:24:33.725
<v Speaker 2>it feels like everyone's talking about it, everyone's watching, and

0:24:33.885 --> 0:24:36.845
<v Speaker 2>it's pretty much never the case, like if you go out.

0:24:36.725 --> 0:24:39.045
<v Speaker 4>Into the real world, no one knows what the hell

0:24:39.085 --> 0:24:41.965
<v Speaker 4>you're talking now, But for you, it feels like that.

0:24:42.085 --> 0:24:44.645
<v Speaker 2>And the scary thing is for people who've had these experiences,

0:24:44.725 --> 0:24:49.325
<v Speaker 2>and I've for the book, I interviewed many, many media

0:24:49.565 --> 0:24:52.285
<v Speaker 2>figures who have had these experiences, and they will say

0:24:53.165 --> 0:24:59.245
<v Speaker 2>the scary thing is that months, years after they've been canceled,

0:24:59.285 --> 0:25:02.365
<v Speaker 2>piled on, whatever you want to call it, they will

0:25:02.445 --> 0:25:05.125
<v Speaker 2>still be on their way to an event and get

0:25:05.165 --> 0:25:08.045
<v Speaker 2>a call saying I'm sorry, we've had a complaint from oh,

0:25:08.445 --> 0:25:12.605
<v Speaker 2>we can't have. And even if the person organizing the

0:25:12.645 --> 0:25:16.765
<v Speaker 2>event disagrees with the complaint thinks that it's ridiculous, there

0:25:16.925 --> 0:25:21.245
<v Speaker 2>is this fear of things blowing up, and of like,

0:25:21.445 --> 0:25:23.405
<v Speaker 2>if you're running an event, you want things to go smoothly.

0:25:24.045 --> 0:25:27.645
<v Speaker 2>So for those people, it does follow them in really

0:25:27.685 --> 0:25:29.845
<v Speaker 2>subtle ways, and even if it doesn't. I think it's

0:25:29.885 --> 0:25:33.405
<v Speaker 2>the fear that if these people will.

0:25:33.325 --> 0:25:35.765
<v Speaker 3>Come back of us, and that is the pac mentality

0:25:35.885 --> 0:25:38.645
<v Speaker 3>of it, exactly that the people in the herd as well,

0:25:38.685 --> 0:25:42.285
<v Speaker 3>are like, oh, I better join the rest in you know,

0:25:42.765 --> 0:25:44.245
<v Speaker 3>tearing down the wilderbeast.

0:25:44.485 --> 0:25:46.565
<v Speaker 1>Yes, because otherwise they're coming for me.

0:25:47.485 --> 0:25:51.245
<v Speaker 2>And this is part of our Yeah, this is kind

0:25:51.285 --> 0:25:53.525
<v Speaker 2>of how we prosecute morality.

0:25:53.605 --> 0:25:56.885
<v Speaker 4>And if you say, hey, I don't know if all the.

0:25:56.965 --> 0:26:00.405
<v Speaker 2>Name calling and the shaming and the doxing and the

0:26:01.445 --> 0:26:04.445
<v Speaker 2>really dehumanizing this person and not allowing them any dignity,

0:26:04.485 --> 0:26:06.165
<v Speaker 2>I don't know. If this is how we go about this,

0:26:06.805 --> 0:26:11.605
<v Speaker 2>then you're complicit, you know, and then you're then you're

0:26:11.645 --> 0:26:14.165
<v Speaker 2>part of the problem. But I think we really need

0:26:14.285 --> 0:26:18.645
<v Speaker 2>to look at what we're doing. Your very good friend

0:26:18.685 --> 0:26:23.405
<v Speaker 2>who I admire from a fart. Walid Ali writes about

0:26:23.445 --> 0:26:26.885
<v Speaker 2>this so brilliantly. He wrote a quarterly essay called with

0:26:27.045 --> 0:26:32.205
<v Speaker 2>Scott Stevens called Uncivil Wars How contempt is corroding Democracy,

0:26:32.845 --> 0:26:36.085
<v Speaker 2>and both of them basically argued that the level of

0:26:36.205 --> 0:26:38.765
<v Speaker 2>discourse has become so.

0:26:40.645 --> 0:26:46.445
<v Speaker 4>So dysfunctional that we are not going to see the

0:26:46.565 --> 0:26:48.005
<v Speaker 4>progress that we used to.

0:26:48.365 --> 0:26:50.285
<v Speaker 3>But you know what Walid does as well, he's not

0:26:50.365 --> 0:26:52.925
<v Speaker 3>on socials because he's the most evolved person.

0:26:52.925 --> 0:26:56.685
<v Speaker 1>Well, well, there you go. But then are you evolved

0:26:56.805 --> 0:26:58.525
<v Speaker 1>if you're not evolving with the world?

0:26:58.645 --> 0:27:02.645
<v Speaker 3>I know, I know, yeah, yeah, what are you if

0:27:02.725 --> 0:27:06.165
<v Speaker 3>you're the last bastion of someone who doesn't know that

0:27:06.285 --> 0:27:07.125
<v Speaker 3>Katie Perry went to.

0:27:07.205 --> 0:27:09.165
<v Speaker 1>The y, which is so important.

0:27:09.645 --> 0:27:11.485
<v Speaker 4>It's so important to know that.

0:27:12.325 --> 0:27:15.245
<v Speaker 3>Yes, you know, you very casually tossed in when I

0:27:15.325 --> 0:27:17.845
<v Speaker 3>became editor in chief. Oh yes, yes, yeah mum and

0:27:17.925 --> 0:27:21.125
<v Speaker 3>maya Yeah. So what was the trajectory? So you and

0:27:21.565 --> 0:27:26.925
<v Speaker 3>Jesse came here, you're doing your bits of content? At

0:27:26.965 --> 0:27:30.325
<v Speaker 3>what point did you become editor in chief or was

0:27:30.445 --> 0:27:31.645
<v Speaker 3>there a career tragedy?

0:27:31.925 --> 0:27:37.045
<v Speaker 2>Yes, So we were interns who wouldn't leave. Literally, we

0:27:37.205 --> 0:27:40.005
<v Speaker 2>just wouldn't leave. We just kept turning up and then

0:27:41.205 --> 0:27:44.725
<v Speaker 2>they had an editorial assistant job, and I think maybe

0:27:44.805 --> 0:27:45.285
<v Speaker 2>I did that.

0:27:46.005 --> 0:27:49.365
<v Speaker 4>Yeah, I did that. Jesse got a she was editing video.

0:27:49.565 --> 0:27:52.165
<v Speaker 2>She has a very funny story about having to film

0:27:52.245 --> 0:27:55.125
<v Speaker 2>something with me or and completely stuffing it up. Just

0:27:55.645 --> 0:27:58.045
<v Speaker 2>no one's ever been as bad it video as Jeffy Stevens.

0:27:58.125 --> 0:28:02.725
<v Speaker 2>But we kind of eventually got into junior editorial role.

0:28:02.805 --> 0:28:05.965
<v Speaker 2>So I was editorial assistant for a few years. Then

0:28:06.125 --> 0:28:08.165
<v Speaker 2>I was a content producer, which is like a writer.

0:28:08.685 --> 0:28:12.405
<v Speaker 2>Then I was a weekend editor for a couple of years,

0:28:12.845 --> 0:28:17.725
<v Speaker 2>and then the editor in chief position came up, and

0:28:18.365 --> 0:28:20.565
<v Speaker 2>that was really exciting to get that. Like I don't

0:28:20.565 --> 0:28:25.645
<v Speaker 2>think I ever imagined that I would have that opportunity,

0:28:25.845 --> 0:28:28.605
<v Speaker 2>and I didn't know if I would be you know,

0:28:29.085 --> 0:28:31.245
<v Speaker 2>like it's such a chat to manage people and to

0:28:31.645 --> 0:28:34.725
<v Speaker 2>see the editorial direction. But I did realize, and I

0:28:34.765 --> 0:28:37.645
<v Speaker 2>think other people around me picked up. I love to

0:28:38.765 --> 0:28:40.885
<v Speaker 2>actually love to make decisions and I love to be

0:28:40.965 --> 0:28:43.605
<v Speaker 2>in control, and I don't I'm not.

0:28:45.645 --> 0:28:48.165
<v Speaker 4>I'm quite brave when it comes to decision making, like

0:28:48.285 --> 0:28:50.685
<v Speaker 4>quite I stand by my convinion.

0:28:50.805 --> 0:28:53.085
<v Speaker 2>Yeah yeah, And people kind of said, hold on that's

0:28:53.125 --> 0:28:56.445
<v Speaker 2>actually that's something that is needed in that role.

0:28:56.965 --> 0:28:58.845
<v Speaker 4>So I loved those few years.

0:28:58.885 --> 0:29:01.765
<v Speaker 2>Ab I was editor in chief for maybe three years,

0:29:02.125 --> 0:29:06.245
<v Speaker 2>and it was during COVID when so for a chunk

0:29:06.325 --> 0:29:09.125
<v Speaker 2>of it everybody was working remotely, which was interesting managing

0:29:09.805 --> 0:29:14.525
<v Speaker 2>people totally remotely. But I loved that and the single

0:29:14.605 --> 0:29:20.805
<v Speaker 2>thing or no, So I've always not always, I've never.

0:29:20.885 --> 0:29:23.005
<v Speaker 1>Actually it's true, you weren't born single.

0:29:24.645 --> 0:29:25.085
<v Speaker 3>You weren't.

0:29:25.285 --> 0:29:27.805
<v Speaker 4>And then I met my partner at seventeen, so you

0:29:28.045 --> 0:29:31.085
<v Speaker 4>were born when you were seventeen, so we've been together forever.

0:29:31.525 --> 0:29:35.365
<v Speaker 3>So we were together then Wow, and then Jesse. So

0:29:35.525 --> 0:29:38.845
<v Speaker 3>you're working side by side and I love it. I

0:29:38.925 --> 0:29:40.605
<v Speaker 3>think the first time that I ever met you too.

0:29:41.125 --> 0:29:44.125
<v Speaker 3>And it's obviously standard bit of stick that you two have,

0:29:44.285 --> 0:29:47.485
<v Speaker 3>which is that she's looks like you, but she's bigger

0:29:47.525 --> 0:29:50.605
<v Speaker 3>than you. She took all the nutrients in the wood.

0:29:51.845 --> 0:29:54.965
<v Speaker 3>And then when you left Mamma Mia, a part.

0:29:54.845 --> 0:29:57.165
<v Speaker 1>Of me thought, did she take all the nutrientts at

0:29:57.245 --> 0:30:02.805
<v Speaker 1>Mamma May as well? Would you like clear leaving because.

0:30:02.485 --> 0:30:06.165
<v Speaker 3>She starts she starts going out with the bosses, So yeah,

0:30:07.805 --> 0:30:12.485
<v Speaker 3>how was that you in that moment when you realize

0:30:12.525 --> 0:30:14.405
<v Speaker 3>that there was like a flutation that was going on

0:30:14.525 --> 0:30:15.285
<v Speaker 3>to the next level.

0:30:15.605 --> 0:30:19.045
<v Speaker 2>I have been very open about the fact that I

0:30:19.205 --> 0:30:21.325
<v Speaker 2>was against it from the start, Jesse.

0:30:21.325 --> 0:30:24.085
<v Speaker 1>For hr reasons or personal reasons.

0:30:24.685 --> 0:30:30.045
<v Speaker 2>So Jesse for yes, and Jesse was making tip for

0:30:30.125 --> 0:30:33.565
<v Speaker 2>a long time. She had made terrible romantic decisions and

0:30:34.605 --> 0:30:38.245
<v Speaker 2>that I didn't understand. And in hindsight, that's a bit

0:30:38.365 --> 0:30:40.805
<v Speaker 2>unfair because I was very lucky to have met my partner,

0:30:40.845 --> 0:30:44.245
<v Speaker 2>so I didn't go through all the early twenties dating,

0:30:44.605 --> 0:30:47.885
<v Speaker 2>getting rejected, feeling like you've got bullet holes all over you,

0:30:48.125 --> 0:30:49.405
<v Speaker 2>and having to go into a date.

0:30:49.845 --> 0:30:52.645
<v Speaker 4>So we're working at Maya.

0:30:52.725 --> 0:30:57.885
<v Speaker 2>I actually trained Luca, which was really funny because training

0:30:57.925 --> 0:30:59.525
<v Speaker 2>the boss's son is terrifying.

0:30:59.165 --> 0:31:01.245
<v Speaker 4>Because I was like, what if I actually don't know

0:31:01.365 --> 0:31:02.085
<v Speaker 4>what I'm doing?

0:31:02.445 --> 0:31:04.845
<v Speaker 1>And I remember, what if he's no good? Yeah, yeah,

0:31:05.085 --> 0:31:07.565
<v Speaker 1>he's going to deliver that shit sound exactly.

0:31:08.405 --> 0:31:11.445
<v Speaker 4>Yeah, I remember just being so skeptic to date. He's like,

0:31:11.485 --> 0:31:13.165
<v Speaker 4>you were very good at training me, thank you.

0:31:13.765 --> 0:31:17.285
<v Speaker 2>But so I trained him and then he and Jessie

0:31:17.325 --> 0:31:19.285
<v Speaker 2>were working just happened to be working in the same

0:31:19.325 --> 0:31:24.805
<v Speaker 2>team together and they became very very good friends and

0:31:25.685 --> 0:31:28.605
<v Speaker 2>she sort of would tell me that there were rumors

0:31:28.645 --> 0:31:30.765
<v Speaker 2>that Luke had a crush on her, and I was like, oh, nice,

0:31:30.885 --> 0:31:37.565
<v Speaker 2>but like that's irrelevant, because yeah, exactly, I'm like lovely.

0:31:38.285 --> 0:31:40.445
<v Speaker 2>And there was an age gap and I just was like,

0:31:40.685 --> 0:31:44.405
<v Speaker 2>don't go there, and I very much said age gap.

0:31:44.565 --> 0:31:48.605
<v Speaker 2>So I think the age gap is six seven years

0:31:48.965 --> 0:31:53.485
<v Speaker 2>something like that, and so I just said, I was like,

0:31:53.605 --> 0:31:55.885
<v Speaker 2>absolutely not. And I said, you know, we've worked so

0:31:56.085 --> 0:32:01.005
<v Speaker 2>hard to like both our parents teachers, we had never

0:32:01.165 --> 0:32:06.045
<v Speaker 2>been into any kind of office before we walked into moment.

0:32:06.165 --> 0:32:09.325
<v Speaker 2>Like we went from doing some work atmum and dad's

0:32:09.325 --> 0:32:13.285
<v Speaker 2>schools to working at university and so it was our

0:32:13.285 --> 0:32:15.725
<v Speaker 2>first time being in an office. And I kind of

0:32:15.845 --> 0:32:19.125
<v Speaker 2>was saying to Jess, well, I don't want anyone to

0:32:19.245 --> 0:32:21.805
<v Speaker 2>think that the only reason you're here or the only

0:32:21.885 --> 0:32:25.925
<v Speaker 2>reason I'm here is because of some connection, Like that's

0:32:26.005 --> 0:32:30.245
<v Speaker 2>not it. And so I was very adamant. And then

0:32:30.605 --> 0:32:31.845
<v Speaker 2>the more I got to know him, I was like.

0:32:31.885 --> 0:32:36.005
<v Speaker 4>Ah, he's a really good person. This is so annoying,

0:32:37.245 --> 0:32:40.285
<v Speaker 4>and he is. He's a bloody good person, and he's

0:32:40.405 --> 0:32:42.565
<v Speaker 4>body smart and creative and him and Jesse are just

0:32:42.925 --> 0:32:48.245
<v Speaker 4>their brains are just alive together. So eventually I was like, well,

0:32:48.725 --> 0:32:50.325
<v Speaker 4>she kind of went ahead and did it anywhere, and

0:32:50.405 --> 0:32:52.885
<v Speaker 4>then I said, okay, fine, And then.

0:32:52.805 --> 0:32:54.645
<v Speaker 1>You had babies similarly.

0:32:55.005 --> 0:32:55.205
<v Speaker 4>Yeah.

0:32:55.245 --> 0:32:58.645
<v Speaker 1>I think she had Luna first. Then ye had Matilda.

0:32:59.085 --> 0:33:00.005
<v Speaker 4>About six months later.

0:33:00.085 --> 0:33:04.325
<v Speaker 2>Yeah, right, yeah, which has been incredible to do all

0:33:04.365 --> 0:33:08.205
<v Speaker 2>of that together. Mostly, like I keep thinking about it, financially,

0:33:08.325 --> 0:33:10.965
<v Speaker 2>I just got everything down to me, like every like

0:33:11.125 --> 0:33:12.165
<v Speaker 2>she had a snoop, I got.

0:33:12.085 --> 0:33:16.285
<v Speaker 4>A snoop, she had all the all the I'm like,

0:33:16.525 --> 0:33:17.685
<v Speaker 4>I just had a baby for free.

0:33:19.765 --> 0:33:21.165
<v Speaker 1>Did she give you her obstitution?

0:33:22.085 --> 0:33:25.165
<v Speaker 2>No, when we're a different obstetrition, because I was like,

0:33:25.245 --> 0:33:29.845
<v Speaker 2>you know what, we should probably diverge somewhere. But having

0:33:29.885 --> 0:33:33.925
<v Speaker 2>those experiences together has been such a gift, such a gift.

0:33:33.925 --> 0:33:34.645
<v Speaker 4>I don't know what I do.

0:33:35.005 --> 0:33:38.725
<v Speaker 3>Well, because you've also, as we just said, you've you

0:33:38.965 --> 0:33:40.605
<v Speaker 3>came into the world together. Yeah.

0:33:40.805 --> 0:33:41.965
<v Speaker 1>Yeah, you've always had each other.

0:33:42.045 --> 0:33:46.405
<v Speaker 3>The twin thing is like to you obviously it's not

0:33:46.685 --> 0:33:50.525
<v Speaker 3>not a mystery, Yeah, but it is an extraordinary thing

0:33:51.045 --> 0:33:55.805
<v Speaker 3>to witness from the outside because you always have each other.

0:33:56.085 --> 0:33:59.365
<v Speaker 2>Yes, yes, And it occurs to me every now and

0:33:59.445 --> 0:34:02.965
<v Speaker 2>then that probably one of the scariest things about life

0:34:03.085 --> 0:34:03.845
<v Speaker 2>is that you enter.

0:34:04.605 --> 0:34:09.205
<v Speaker 4>The world alone, and you enter every situation alone.

0:34:09.805 --> 0:34:13.125
<v Speaker 2>And Jess and I got to walk into primary school

0:34:13.125 --> 0:34:18.005
<v Speaker 2>together and walk into high school together, and yeah, that bond.

0:34:18.085 --> 0:34:22.005
<v Speaker 2>It's something I feel incredibly lucky to have and gives

0:34:22.965 --> 0:34:25.165
<v Speaker 2>I think gives a lot of meaning to life to

0:34:25.245 --> 0:34:28.205
<v Speaker 2>have a witness and to have someone you're constantly in

0:34:28.285 --> 0:34:29.005
<v Speaker 2>conversation with.

0:34:29.365 --> 0:34:31.245
<v Speaker 4>Yeah, yeah, And I think a lot of people feel

0:34:31.245 --> 0:34:32.085
<v Speaker 4>like that about there.

0:34:32.565 --> 0:34:35.605
<v Speaker 3>Do you have to explain yourself to each other ever?

0:34:35.885 --> 0:34:38.445
<v Speaker 3>Or is there an innate no understanding?

0:34:38.765 --> 0:34:46.085
<v Speaker 2>There's just like an emotional slash language shortcut where we

0:34:46.165 --> 0:34:49.285
<v Speaker 2>are always tapped in emotionally to where the other person is.

0:34:50.085 --> 0:34:54.405
<v Speaker 2>And I think also because through virtue of working at

0:34:54.445 --> 0:34:57.365
<v Speaker 2>the same place and having similar interests, we're kind of

0:34:57.525 --> 0:35:01.765
<v Speaker 2>very much on the same path in what we're interested

0:35:01.845 --> 0:35:03.605
<v Speaker 2>in and what kind of.

0:35:03.805 --> 0:35:05.885
<v Speaker 3>Little The reason you worked at the same place is

0:35:05.925 --> 0:35:07.565
<v Speaker 3>because you had that yeah yeah.

0:35:07.485 --> 0:35:10.245
<v Speaker 4>Yeah, yeah, exactly, it's exact.

0:35:10.205 --> 0:35:13.565
<v Speaker 3>Separate the strand no, and yet you decided to separate

0:35:13.605 --> 0:35:14.365
<v Speaker 3>the strand yes.

0:35:14.725 --> 0:35:14.925
<v Speaker 4>Yeah.

0:35:15.245 --> 0:35:17.605
<v Speaker 2>Part of it was I wanted to take myself out

0:35:17.645 --> 0:35:21.085
<v Speaker 2>of the context of the comparison to Jesse being so easy,

0:35:21.725 --> 0:35:26.125
<v Speaker 2>Like I was aware that I found that hard and

0:35:26.245 --> 0:35:26.805
<v Speaker 2>I found that.

0:35:27.125 --> 0:35:29.645
<v Speaker 1>What do you mean? I don't understand the comparison.

0:35:30.605 --> 0:35:33.605
<v Speaker 2>So our whole lives, we've been compared, like at school

0:35:33.765 --> 0:35:36.845
<v Speaker 2>and all of that little you know, little comments about

0:35:37.565 --> 0:35:41.245
<v Speaker 2>who's smarter and who's more attractive, and who's more creative

0:35:41.285 --> 0:35:42.725
<v Speaker 2>and who's better at this and that and all that,

0:35:43.405 --> 0:35:44.845
<v Speaker 2>And I was becoming.

0:35:44.805 --> 0:35:46.605
<v Speaker 1>Well, how does that lead you? Look? By the way,

0:35:47.245 --> 0:35:48.925
<v Speaker 1>how do how does the lead you look?

0:35:51.045 --> 0:35:52.525
<v Speaker 4>It changes, it changes.

0:35:53.005 --> 0:35:55.405
<v Speaker 2>We were joking the other day about how when we're

0:35:55.405 --> 0:35:59.165
<v Speaker 2>at UNI, a tutor said to us. He ran into

0:35:59.245 --> 0:36:01.125
<v Speaker 2>us and he was like, ah, I've marked your essays.

0:36:01.165 --> 0:36:03.325
<v Speaker 2>One of you can write and one of you can't. Anyway,

0:36:03.445 --> 0:36:05.845
<v Speaker 2>and then he walked away and write. But then we

0:36:05.925 --> 0:36:07.685
<v Speaker 2>got the marks back and I was the one who

0:36:07.725 --> 0:36:10.165
<v Speaker 2>could write, which we like that out because we're like,

0:36:10.325 --> 0:36:11.085
<v Speaker 2>Jesse can write.

0:36:11.165 --> 0:36:13.405
<v Speaker 4>She's got two best selling books. I think she can write.

0:36:13.885 --> 0:36:18.125
<v Speaker 2>But there was always kind of that comparison, and I think,

0:36:18.205 --> 0:36:22.125
<v Speaker 2>I don't know if I'm more sensitive. Jesse's always been

0:36:22.125 --> 0:36:24.725
<v Speaker 2>a bit more resilient to it. She got the nutrients, Yeah,

0:36:24.765 --> 0:36:27.205
<v Speaker 2>she got the nutrients, and so I've got all the

0:36:27.325 --> 0:36:33.125
<v Speaker 2>bloody you know. I my psychologists say, apparently, when you're

0:36:33.965 --> 0:36:36.165
<v Speaker 2>because I was very very little when I was born,

0:36:36.925 --> 0:36:39.685
<v Speaker 2>you do have vulnerabilities to certain mental health.

0:36:39.845 --> 0:36:44.325
<v Speaker 3>Right, Oh okay, oh good to know she doesn't have

0:36:45.165 --> 0:36:45.965
<v Speaker 3>she doesn't.

0:36:45.645 --> 0:36:49.205
<v Speaker 4>Have that like certain things. But I'm like, I feel

0:36:49.245 --> 0:36:51.165
<v Speaker 4>like maybe you're more resilient to that because you got

0:36:51.205 --> 0:36:53.405
<v Speaker 4>more nutrients. But anyway, that's my theory.

0:36:53.805 --> 0:36:56.205
<v Speaker 3>But yeah, what was the moment at which you went like,

0:36:56.445 --> 0:36:59.725
<v Speaker 3>was there a moment away gradual?

0:37:00.245 --> 0:37:01.445
<v Speaker 4>I think it was a gradual.

0:37:01.645 --> 0:37:04.245
<v Speaker 2>I think I would sometimes look at what Jesse was

0:37:04.325 --> 0:37:06.085
<v Speaker 2>doing and think, oh, I want to be doing that,

0:37:06.525 --> 0:37:09.605
<v Speaker 2>and I didn't want to be in that position, like

0:37:09.725 --> 0:37:11.485
<v Speaker 2>it felt a bit icky.

0:37:12.005 --> 0:37:16.085
<v Speaker 3>And then for her, conversely, you can sometimes get it.

0:37:16.165 --> 0:37:17.805
<v Speaker 3>And this is not even a twin thing. This is

0:37:17.925 --> 0:37:19.605
<v Speaker 3>just like a close friend you might be in the

0:37:19.685 --> 0:37:22.245
<v Speaker 3>same industry or whatever. You don't want her to be

0:37:22.285 --> 0:37:25.845
<v Speaker 3>in the position where she's having to be almost apologetic

0:37:26.165 --> 0:37:28.965
<v Speaker 3>for her success because it's somehow.

0:37:29.085 --> 0:37:33.845
<v Speaker 2>Exactly or when something amazing happens for her, the fact

0:37:33.885 --> 0:37:37.685
<v Speaker 2>that it's a bittersweet because she's aware that you know

0:37:38.925 --> 0:37:41.685
<v Speaker 2>that I might be seeing that from my own perspective,

0:37:41.725 --> 0:37:44.045
<v Speaker 2>like I didn't. I was like, yuck, this just has

0:37:44.125 --> 0:37:48.645
<v Speaker 2>to be that. You know, you do your own thing

0:37:48.805 --> 0:37:51.805
<v Speaker 2>and you are brilliant, and I've got to kind of

0:37:51.925 --> 0:37:54.765
<v Speaker 2>carve my own path. And it's sort of I use

0:37:54.805 --> 0:37:59.325
<v Speaker 2>the analogy of like in a swimming race, if you're

0:37:59.365 --> 0:38:01.405
<v Speaker 2>always checking over your shoulder to see how the person

0:38:01.485 --> 0:38:02.965
<v Speaker 2>next to you is going, you're going to slow down.

0:38:03.445 --> 0:38:06.005
<v Speaker 2>And I thought, I just need to be in my

0:38:06.085 --> 0:38:11.205
<v Speaker 2>own lane and stop that. And because it's just the

0:38:11.365 --> 0:38:13.645
<v Speaker 2>environment that if you're going to work with somebody every day,

0:38:13.725 --> 0:38:18.285
<v Speaker 2>you are aware of all the things they're doing and compare.

0:38:18.085 --> 0:38:21.845
<v Speaker 1>And also you're both amazing. So it's true.

0:38:21.925 --> 0:38:24.685
<v Speaker 3>I mean, it's fine if the person's you know, five

0:38:24.765 --> 0:38:27.485
<v Speaker 3>body links behind you, yeah, yeah, yeah, but neither of

0:38:27.565 --> 0:38:30.285
<v Speaker 3>you are either going to be five body links behind. Yeah.

0:38:30.445 --> 0:38:37.125
<v Speaker 2>Like the fact is like I'm comparing myself to a

0:38:37.285 --> 0:38:41.525
<v Speaker 2>person who I'm like, objectively, you're the hardest working person

0:38:41.605 --> 0:38:44.685
<v Speaker 2>I've ever known. You're one of the smartest people I've

0:38:44.685 --> 0:38:47.925
<v Speaker 2>ever known. You're so creative, Like, oh my god.

0:38:48.005 --> 0:38:51.565
<v Speaker 4>Did that have to be my Twitter? That's so true.

0:38:53.045 --> 0:38:57.245
<v Speaker 2>So I think getting out of that comparison dynamic was important.

0:38:57.805 --> 0:39:04.365
<v Speaker 2>And also I think I wanted some creative ownership or

0:39:04.445 --> 0:39:06.405
<v Speaker 2>I just got to the point. I don't know if

0:39:06.405 --> 0:39:10.805
<v Speaker 2>it's maturity wise or just LifeWise, where you think I

0:39:10.965 --> 0:39:13.885
<v Speaker 2>want to make mistakes. I'm happy to make mistakes, but

0:39:13.885 --> 0:39:16.285
<v Speaker 2>I want them to be my mistakes. I want to

0:39:16.365 --> 0:39:19.845
<v Speaker 2>learn stuff for myself, whether that's you know, if I

0:39:19.925 --> 0:39:21.925
<v Speaker 2>want to work on a creative project, I want to

0:39:21.965 --> 0:39:25.005
<v Speaker 2>have my hands all over it and it be me

0:39:25.325 --> 0:39:29.085
<v Speaker 2>forging the outcome and if it doesn't work, although that's

0:39:29.125 --> 0:39:29.285
<v Speaker 2>on me.

0:39:29.485 --> 0:39:32.605
<v Speaker 3>It's like moving out of home, which is really the

0:39:32.725 --> 0:39:38.165
<v Speaker 3>equivalent to leave Mauma Maya the only job you had,

0:39:38.805 --> 0:39:42.605
<v Speaker 3>and to leave Jesse is really I'm going to get

0:39:42.645 --> 0:39:45.005
<v Speaker 3>a foot on and put it on the floor and

0:39:45.125 --> 0:39:46.325
<v Speaker 3>it's going to be mine.

0:39:46.645 --> 0:39:49.285
<v Speaker 1>And I might have trouble making rent exactly, but this

0:39:49.485 --> 0:39:50.725
<v Speaker 1>is what's.

0:39:50.365 --> 0:39:53.165
<v Speaker 2>Mine, and I'm going to decorate it how I want

0:39:53.205 --> 0:39:55.285
<v Speaker 2>to decorate it. And you might think it's hideous, but

0:39:55.325 --> 0:39:56.005
<v Speaker 2>it doesn't matter.

0:39:57.125 --> 0:39:59.605
<v Speaker 1>And how did you want to decorate it? By the way, I.

0:40:01.605 --> 0:40:03.085
<v Speaker 2>Kind of got to a point, and it was Weirdly,

0:40:03.525 --> 0:40:06.605
<v Speaker 2>people say that when you write a book, you are

0:40:06.645 --> 0:40:08.845
<v Speaker 2>a different person by the time you get to the end,

0:40:08.925 --> 0:40:12.805
<v Speaker 2>because if you're taking a character on an emotional journey,

0:40:12.845 --> 0:40:13.365
<v Speaker 2>you take.

0:40:13.205 --> 0:40:14.685
<v Speaker 4>Yourself through that journey you have to.

0:40:15.005 --> 0:40:21.405
<v Speaker 2>And so the through osmosis, I had kind of thought, hmm,

0:40:22.925 --> 0:40:27.245
<v Speaker 2>there's something happening in media and digital media and attention

0:40:27.445 --> 0:40:30.165
<v Speaker 2>wise and with AI and with social.

0:40:29.925 --> 0:40:35.685
<v Speaker 4>Media where I need to have a life where I

0:40:36.565 --> 0:40:38.045
<v Speaker 4>slow down and pay attention.

0:40:38.845 --> 0:40:41.365
<v Speaker 2>And so in terms of how I wanted to decorate

0:40:41.485 --> 0:40:47.245
<v Speaker 2>my metaphorical place, I wanted it to be slow and intentional,

0:40:47.925 --> 0:40:54.205
<v Speaker 2>and to build things in a way like when you

0:40:54.565 --> 0:40:57.685
<v Speaker 2>post something on social media, even when you write you

0:40:57.965 --> 0:41:00.525
<v Speaker 2>something for the Internet, it can feel like I was

0:41:00.605 --> 0:41:04.085
<v Speaker 2>addicted to the dopemine high of seeing how it performed

0:41:04.165 --> 0:41:07.765
<v Speaker 2>or whatever, and then you feel like it gets washed

0:41:07.765 --> 0:41:10.805
<v Speaker 2>away so quickly. And I thought, that's the exciting thing

0:41:10.805 --> 0:41:14.645
<v Speaker 2>about writing a book. You're like, at least this stands

0:41:14.725 --> 0:41:17.365
<v Speaker 2>the test of time in some way. And so I

0:41:17.565 --> 0:41:22.205
<v Speaker 2>basically wanted to build a career where it's the two

0:41:22.405 --> 0:41:25.165
<v Speaker 2>speeds of On the one hand, I love writing on

0:41:25.205 --> 0:41:28.525
<v Speaker 2>the Internet, and I love content and ideas and being

0:41:28.605 --> 0:41:31.285
<v Speaker 2>tapped into the zeitgeist. But on the other hand, I

0:41:31.445 --> 0:41:35.925
<v Speaker 2>wanted to write books and write TV and write stuff

0:41:36.205 --> 0:41:40.005
<v Speaker 2>that had a little bit of immunity from the impulsive

0:41:40.165 --> 0:41:42.005
<v Speaker 2>right of the online world.

0:41:42.125 --> 0:41:44.565
<v Speaker 3>And who do you have that conversation with when you've

0:41:44.605 --> 0:41:49.725
<v Speaker 3>had the realization, So obviously you're having this conversation with Rory. Yeah, yeah,

0:41:50.005 --> 0:41:53.205
<v Speaker 3>I do think in this scenario, God, do Rory and

0:41:53.325 --> 0:41:57.565
<v Speaker 3>Luca ever get together to have to debrief about.

0:41:57.445 --> 0:41:59.525
<v Speaker 4>They probably need Yeah, they probably need to.

0:41:59.565 --> 0:42:01.605
<v Speaker 2>I mean often it's the four of us and the girls,

0:42:02.085 --> 0:42:05.685
<v Speaker 2>but they yeah, they they deal with a lot of

0:42:05.805 --> 0:42:07.205
<v Speaker 2>emotional processing.

0:42:07.605 --> 0:42:08.485
<v Speaker 4>But Rory.

0:42:09.765 --> 0:42:13.285
<v Speaker 2>Has been so important for the book for decision making

0:42:13.405 --> 0:42:15.685
<v Speaker 2>all of that because he's known me for so long

0:42:16.205 --> 0:42:20.365
<v Speaker 2>and seeing all these iterations and all these you know,

0:42:20.485 --> 0:42:23.885
<v Speaker 2>maybe emotional challenges that I've had. I feel like he

0:42:24.005 --> 0:42:28.685
<v Speaker 2>knows me so well that he can actually weigh in

0:42:29.325 --> 0:42:32.205
<v Speaker 2>in ways they are aligned, yes, what I actually want.

0:42:33.005 --> 0:42:40.405
<v Speaker 4>But also had all those conversations with Jesse, and that's all.

0:42:40.485 --> 0:42:43.285
<v Speaker 1>Jesse first after Rory, where you were like, I'm thinking.

0:42:43.525 --> 0:42:46.005
<v Speaker 2>The same time, And then I'd go to Rory and say,

0:42:46.085 --> 0:42:48.485
<v Speaker 2>Jesse has Jesse has this point and go to Jesse.

0:42:48.285 --> 0:42:49.885
<v Speaker 1>And saying, oh, but Rory said this, like and Jesse

0:42:49.965 --> 0:42:51.205
<v Speaker 1>would not have wanted you to leave?

0:42:51.365 --> 0:42:55.925
<v Speaker 2>No, no, she well she didn't she didn't. She was

0:42:56.125 --> 0:43:01.365
<v Speaker 2>very much like you know, saying canceled is the highlight

0:43:01.405 --> 0:43:01.805
<v Speaker 2>of my week.

0:43:01.845 --> 0:43:03.325
<v Speaker 4>And I loved it. And I was like, me too,

0:43:03.565 --> 0:43:06.285
<v Speaker 4>me too, I love it. And it is hard to

0:43:06.365 --> 0:43:08.085
<v Speaker 4>walk away from things that you've built.

0:43:08.805 --> 0:43:12.485
<v Speaker 2>But I sort of was trying to say to her,

0:43:12.565 --> 0:43:15.085
<v Speaker 2>this is probably the one tiny part of me that

0:43:15.165 --> 0:43:19.805
<v Speaker 2>you can't understand, because this is an area of your

0:43:19.965 --> 0:43:27.445
<v Speaker 2>life where she just doesn't. She's so good at knowing

0:43:27.525 --> 0:43:30.165
<v Speaker 2>what she wants and not questioning it. It's so and

0:43:30.605 --> 0:43:35.125
<v Speaker 2>she's bolder than I am. So even I in the

0:43:35.245 --> 0:43:39.005
<v Speaker 2>book is dedicated to Jesse, and I say for showing

0:43:39.045 --> 0:43:41.205
<v Speaker 2>me I could, because I think in a lot of ways,

0:43:42.085 --> 0:43:45.645
<v Speaker 2>it's kind of like having that person who is willing

0:43:45.725 --> 0:43:48.765
<v Speaker 2>to dive in before you are so that you can

0:43:48.845 --> 0:43:49.765
<v Speaker 2>see whether it's safe.

0:43:50.165 --> 0:43:52.125
<v Speaker 4>And so she's bolder and she's braver than.

0:43:52.045 --> 0:43:57.245
<v Speaker 1>I am, and so I can't say for you to

0:43:57.405 --> 0:43:59.125
<v Speaker 1>leave was bold and braw.

0:43:59.205 --> 0:44:01.685
<v Speaker 4>Yeah, And I sort of saying to her, that's why

0:44:01.725 --> 0:44:02.325
<v Speaker 4>I need to make.

0:44:02.245 --> 0:44:04.365
<v Speaker 1>This decision, because it's I need to be brave.

0:44:04.565 --> 0:44:06.645
<v Speaker 2>I need to just I need to do it, and

0:44:06.765 --> 0:44:10.045
<v Speaker 2>I need to teach myself to be brave being out

0:44:10.085 --> 0:44:15.325
<v Speaker 2>on my own, so I think she's really she understood

0:44:15.365 --> 0:44:19.445
<v Speaker 2>it and has been. It's actually been amazing for our relationship,

0:44:19.605 --> 0:44:24.245
<v Speaker 2>having that little degree of separation where we're really curious

0:44:24.245 --> 0:44:27.365
<v Speaker 2>about each other's days, and she'll see something that I

0:44:27.525 --> 0:44:29.605
<v Speaker 2>do and think, oh, that's really cool, and I'll see

0:44:29.645 --> 0:44:30.805
<v Speaker 2>something she does and think that's cool.

0:44:30.845 --> 0:44:34.285
<v Speaker 3>And also you're still familiar with the processes she's talking

0:44:34.285 --> 0:44:36.885
<v Speaker 3>about in the people exactly although, are you coming back

0:44:36.925 --> 0:44:39.125
<v Speaker 3>to this office for the first time, Yeah, I've.

0:44:39.005 --> 0:44:41.605
<v Speaker 1>Seen how did that feel?

0:44:42.205 --> 0:44:44.245
<v Speaker 4>Amazed? Like it's really really cool.

0:44:44.405 --> 0:44:48.485
<v Speaker 2>It's sick and even you know downstairs in the lobby

0:44:48.525 --> 0:44:50.605
<v Speaker 2>there's like all those there's place Yea.

0:44:51.285 --> 0:44:55.685
<v Speaker 4>I was like, damn, this would be so hack. Yeah, like, oh,

0:44:55.765 --> 0:44:58.085
<v Speaker 4>it's so good. But at the same time, I'm very

0:44:58.205 --> 0:45:05.565
<v Speaker 4>much I very much feel like I Weirdly, as.

0:45:05.485 --> 0:45:10.765
<v Speaker 2>I was making this decision, I interviewed Depak Chopra, but

0:45:10.845 --> 0:45:13.685
<v Speaker 2>I were happy, and he talks about the concept of dharma.

0:45:14.045 --> 0:45:17.525
<v Speaker 4>You're aware of darma, like kind of like what your path.

0:45:17.405 --> 0:45:18.805
<v Speaker 1>Is not right karma?

0:45:19.005 --> 0:45:21.725
<v Speaker 2>Yeah, no, it does, it does, but like living a

0:45:21.805 --> 0:45:24.885
<v Speaker 2>dharmic life that's in alignment with your values and all

0:45:24.965 --> 0:45:27.885
<v Speaker 2>of that. And I interviewed him and I read his book.

0:45:28.125 --> 0:45:28.685
<v Speaker 1>Was he happy?

0:45:29.445 --> 0:45:29.645
<v Speaker 4>Ah?

0:45:30.605 --> 0:45:36.325
<v Speaker 2>Yes, although he has really he's very optimistic about AI.

0:45:36.605 --> 0:45:38.245
<v Speaker 2>And I wanted to challenge him about that because I

0:45:38.285 --> 0:45:41.085
<v Speaker 2>was like, how are you happy about it? But I

0:45:42.365 --> 0:45:45.445
<v Speaker 2>read all about that and weirdly, that was the time

0:45:45.485 --> 0:45:47.245
<v Speaker 2>I was making the decision to leave, and I thought,

0:45:48.325 --> 0:45:50.605
<v Speaker 2>in my Darma, Yeah, I was like, this is my.

0:45:52.285 --> 0:45:53.965
<v Speaker 4>I'm not weir weird, but this is my Darmak path.

0:45:54.525 --> 0:45:59.605
<v Speaker 1>And then when you left, what was the immediate change,

0:45:59.805 --> 0:46:02.325
<v Speaker 1>Like how did your life look? How was that for Matilda?

0:46:02.525 --> 0:46:05.405
<v Speaker 3>Your time with Matilda, which is always an attendant thing

0:46:05.405 --> 0:46:06.045
<v Speaker 3>as a parent.

0:46:06.325 --> 0:46:11.685
<v Speaker 2>Yeah, finishing the book when I kind of did a big,

0:46:12.165 --> 0:46:14.765
<v Speaker 2>like the big kind of finishing it a few months.

0:46:14.805 --> 0:46:16.685
<v Speaker 2>As you would know from writing books, sometimes you're working

0:46:16.725 --> 0:46:18.605
<v Speaker 2>on it for a really long time and then it's

0:46:18.645 --> 0:46:20.645
<v Speaker 2>crunch time. You've got to put this together and it's

0:46:20.685 --> 0:46:24.885
<v Speaker 2>got to get done. And I did that when Matilda

0:46:25.045 --> 0:46:29.125
<v Speaker 2>was five or six months, like very young. And at

0:46:29.325 --> 0:46:31.885
<v Speaker 2>that point I was going to the library seven days

0:46:31.925 --> 0:46:35.365
<v Speaker 2>a week and sitting down and writing. And the guilt

0:46:35.925 --> 0:46:39.565
<v Speaker 2>and like sadness that I felt, and I still I

0:46:39.645 --> 0:46:43.205
<v Speaker 2>remember doing it and thinking like there is no right

0:46:43.325 --> 0:46:48.765
<v Speaker 2>answer to this, Like, maybe it makes you really appreciate

0:46:48.925 --> 0:46:52.205
<v Speaker 2>you know, the people who give themselves a year to

0:46:52.325 --> 0:46:55.685
<v Speaker 2>stay at home with I'm like, hmm, maybe that's the

0:46:55.805 --> 0:46:56.365
<v Speaker 2>right thing to do.

0:46:56.485 --> 0:47:00.285
<v Speaker 3>Maybe like ing all the women, for instance, who give

0:47:00.325 --> 0:47:02.605
<v Speaker 3>themselves to it in perpetuity.

0:47:02.805 --> 0:47:05.205
<v Speaker 1>Yes, yes, it's extraordinary.

0:47:05.325 --> 0:47:07.925
<v Speaker 2>Yeah, I thought there is no right way to do this,

0:47:08.205 --> 0:47:10.205
<v Speaker 2>and I have to sit in the comfortable reality that

0:47:10.285 --> 0:47:13.965
<v Speaker 2>I don't know that I know that I need to

0:47:14.005 --> 0:47:16.045
<v Speaker 2>do this for me and that I'm going to be

0:47:16.725 --> 0:47:21.045
<v Speaker 2>a really good mum to her knowing I've done the

0:47:21.085 --> 0:47:24.525
<v Speaker 2>thing I've always wanted to do. And so I was

0:47:24.645 --> 0:47:29.125
<v Speaker 2>working crazy hours when she was that young. Then left

0:47:29.205 --> 0:47:32.285
<v Speaker 2>Mum Maya, and I knew that my personality is I

0:47:32.445 --> 0:47:34.725
<v Speaker 2>need structure and routine.

0:47:34.445 --> 0:47:37.765
<v Speaker 4>Otherwise I will la la la la la years.

0:47:38.085 --> 0:47:40.485
<v Speaker 1>That's yeah, a huge thing.

0:47:40.805 --> 0:47:42.205
<v Speaker 4>Yeah yeah, And so how.

0:47:42.085 --> 0:47:43.845
<v Speaker 1>Did you impose that structure on yourself?

0:47:44.085 --> 0:47:48.125
<v Speaker 2>I told myself, you need to be at the library

0:47:48.365 --> 0:47:50.525
<v Speaker 2>in front of a computer at nine am every day,

0:47:51.285 --> 0:47:55.485
<v Speaker 2>otherwise the day's going to be lost. So I was

0:47:55.645 --> 0:47:58.445
<v Speaker 2>doing four days a week where I would go to

0:47:58.485 --> 0:48:02.845
<v Speaker 2>the library. The local libraries know me so well. It's hilarious.

0:48:03.245 --> 0:48:05.485
<v Speaker 2>And then now it's five days where I go and

0:48:05.885 --> 0:48:09.605
<v Speaker 2>I'm very very lucky to do a hybrid of my

0:48:09.765 --> 0:48:12.085
<v Speaker 2>mum helping out, my mother in law helping out, and

0:48:12.525 --> 0:48:15.285
<v Speaker 2>I also go to a place called Bubbadesk, which is

0:48:15.325 --> 0:48:17.165
<v Speaker 2>a coworking site with a.

0:48:18.725 --> 0:48:21.125
<v Speaker 4>And so that and that was crucial. I would do

0:48:21.245 --> 0:48:22.205
<v Speaker 4>that a few days.

0:48:22.525 --> 0:48:24.485
<v Speaker 2>When Matilda was little and I was finishing my book

0:48:24.925 --> 0:48:27.725
<v Speaker 2>and being able to write with her there, and you know,

0:48:27.965 --> 0:48:29.565
<v Speaker 2>I'd be stuck and I'd think, I think I just

0:48:29.605 --> 0:48:31.765
<v Speaker 2>need a sniff, and I'd run up, give her a sniff,

0:48:32.205 --> 0:48:35.205
<v Speaker 2>you know, feed her whatever, and then come back down.

0:48:35.605 --> 0:48:39.645
<v Speaker 2>Was great, But yeah, I very much imposed this structure

0:48:39.645 --> 0:48:42.245
<v Speaker 2>of myself. And I also told myself have you read

0:48:42.285 --> 0:48:45.925
<v Speaker 2>Atomic Habits? Oh, it's so good. Basically, the idea is

0:48:46.445 --> 0:48:48.085
<v Speaker 2>if you're at the library nine am in front of

0:48:48.085 --> 0:48:52.965
<v Speaker 2>a computer, you might procrastinate, but you can't procrastinate all day.

0:48:53.005 --> 0:48:54.725
<v Speaker 1>Like it's like thing's going to get done.

0:48:54.845 --> 0:48:55.045
<v Speaker 3>Yeah.

0:48:55.245 --> 0:48:57.565
<v Speaker 4>It's like if your goal was just turn up to

0:48:57.565 --> 0:48:58.445
<v Speaker 4>the gym, you I have to exit.

0:48:58.565 --> 0:48:59.605
<v Speaker 1>Ye, you just got to turn up.

0:48:59.765 --> 0:49:01.125
<v Speaker 4>You're probably not gonna stand.

0:49:01.205 --> 0:49:02.805
<v Speaker 1>And every time I go to do weeks, yes.

0:49:03.045 --> 0:49:05.205
<v Speaker 3>Yes, every time I go to yoga, I'm like, I

0:49:05.285 --> 0:49:07.525
<v Speaker 3>might just line on the man, yeah, and you end

0:49:07.605 --> 0:49:08.285
<v Speaker 3>up doing the class.

0:49:08.445 --> 0:49:10.525
<v Speaker 2>And of course that's kind of how I've done. The

0:49:10.565 --> 0:49:14.845
<v Speaker 2>habit thing is just turn up. Get about that, by

0:49:14.925 --> 0:49:18.245
<v Speaker 2>the way, So it's the atomic The atomic bit is

0:49:18.285 --> 0:49:23.205
<v Speaker 2>about the tininess of a of a habit that feels

0:49:23.285 --> 0:49:26.205
<v Speaker 2>so so so small, but it's actually what changes your life.

0:49:26.605 --> 0:49:30.365
<v Speaker 2>So it's actually the idea of yeah, walk in, get

0:49:30.405 --> 0:49:33.045
<v Speaker 2>yourself in front of the computer. That's the only thing

0:49:33.085 --> 0:49:35.045
<v Speaker 2>to focus on. Next minute, you've written a book, like

0:49:35.165 --> 0:49:42.885
<v Speaker 2>that's the idea of it. Yeah yeah, yeah, yeah, insane?

0:49:42.965 --> 0:49:44.285
<v Speaker 4>And what was the what?

0:49:45.285 --> 0:49:48.285
<v Speaker 1>So there were great things about leaving?

0:49:48.565 --> 0:49:48.765
<v Speaker 4>Yeah?

0:49:49.085 --> 0:49:51.925
<v Speaker 1>Yeah, what were the hardest things about leaving? And what

0:49:52.045 --> 0:49:52.685
<v Speaker 1>have you missed?

0:49:52.965 --> 0:49:58.085
<v Speaker 2>You know what I've missed is I was nervous about

0:49:58.285 --> 0:50:02.205
<v Speaker 2>the social aspect that that being at my maya, I'm like,

0:50:02.325 --> 0:50:05.885
<v Speaker 2>I have like one hundred friends and I can walk

0:50:05.925 --> 0:50:08.125
<v Speaker 2>into that office and these people are my friends.

0:50:08.165 --> 0:50:11.525
<v Speaker 1>And other ways. Hell yes, if you don't know, someone

0:50:11.725 --> 0:50:13.285
<v Speaker 1>always knows something.

0:50:13.325 --> 0:50:16.525
<v Speaker 2>And that bouncing of ideas, like I thought, I'll really

0:50:16.605 --> 0:50:20.125
<v Speaker 2>miss that. That has been I've found that when you

0:50:20.565 --> 0:50:22.285
<v Speaker 2>go out on your own you kind of create your

0:50:22.285 --> 0:50:26.125
<v Speaker 2>own network anyway, so you're meeting people and working with people.

0:50:26.285 --> 0:50:30.805
<v Speaker 2>It's just in a different way. So women, yeah, yeah,

0:50:30.965 --> 0:50:33.885
<v Speaker 2>I find that it is a lot of women. But

0:50:34.765 --> 0:50:37.325
<v Speaker 2>the thing I'm seriously worried about is when you're in

0:50:37.365 --> 0:50:40.685
<v Speaker 2>a workplace, you observe fashion.

0:50:40.445 --> 0:50:42.565
<v Speaker 4>Trends, you see what people are there.

0:50:43.525 --> 0:50:46.725
<v Speaker 2>And I realized that I'm like, I have no barometer

0:50:47.565 --> 0:50:51.765
<v Speaker 2>without wearing, because it's not something I notice when I'm out,

0:50:52.325 --> 0:50:55.165
<v Speaker 2>Like I'm very bad at picking up on like what

0:50:55.325 --> 0:50:58.325
<v Speaker 2>jeans are we wearing, shoes we wearing, Whereas being in

0:50:58.365 --> 0:51:02.405
<v Speaker 2>the momea office, you can't avoid knowing what the fashion.

0:51:02.285 --> 0:51:07.605
<v Speaker 1>No, and GC often gets she knows she gets a cudgeling.

0:51:07.325 --> 0:51:11.925
<v Speaker 4>Exactly exactly because she's explicitly told. And also you absorb it.

0:51:12.405 --> 0:51:14.525
<v Speaker 4>And so I've said to I have to look at

0:51:14.605 --> 0:51:17.285
<v Speaker 4>Jessie and be like, hey, what jeans, what jeans are

0:51:17.325 --> 0:51:18.245
<v Speaker 4>we wearing at the moment?

0:51:18.405 --> 0:51:20.925
<v Speaker 2>What what's the cool jumper? Like I've got no idea.

0:51:21.205 --> 0:51:23.525
<v Speaker 2>So I do feel like a dag because I don't.

0:51:23.565 --> 0:51:26.645
<v Speaker 1>I don't think is that also liberating though, a little bit, Like.

0:51:26.685 --> 0:51:28.685
<v Speaker 2>I literally when I'm at the library, I'm in Traxit

0:51:28.725 --> 0:51:29.365
<v Speaker 2>pants and jumper.

0:51:29.445 --> 0:51:30.285
<v Speaker 4>And I feel very.

0:51:30.285 --> 0:51:35.885
<v Speaker 2>Myself and I feel also fashioned way, and I feel

0:51:36.005 --> 0:51:41.125
<v Speaker 2>very Steve Jobs in it. You know how he didn't

0:51:41.165 --> 0:51:42.285
<v Speaker 2>make decisions about what.

0:51:44.085 --> 0:51:44.325
<v Speaker 4>It's like.

0:51:44.525 --> 0:51:47.885
<v Speaker 2>I'm so important that I don't make decisions about what

0:51:47.965 --> 0:51:48.285
<v Speaker 2>I wear.

0:51:48.685 --> 0:51:50.845
<v Speaker 4>So I'm very that I'm I just wear my TRACKSI

0:51:50.925 --> 0:51:53.405
<v Speaker 4>pants and my jumper, and you know it's not important

0:51:53.405 --> 0:51:55.525
<v Speaker 4>to me. But yeah, no, when I do actually have

0:51:55.605 --> 0:51:58.045
<v Speaker 4>to go out, I realize I don't know what the

0:51:58.125 --> 0:52:01.085
<v Speaker 4>fashion is. I don't have a workplace.

0:52:01.805 --> 0:52:06.285
<v Speaker 3>No, that's right, and and that is the real world

0:52:07.285 --> 0:52:09.245
<v Speaker 3>that you aspired to be a part of. It exactly

0:52:09.445 --> 0:52:13.165
<v Speaker 3>where everyone looks like they've got post natal depression and

0:52:13.325 --> 0:52:18.005
<v Speaker 3>like me, their youngest kid is fifteen, exactly exactly. Okay,

0:52:22.485 --> 0:52:26.285
<v Speaker 3>after this short break, I surprise Claire with a message

0:52:26.325 --> 0:52:30.245
<v Speaker 3>from someone she's known since before birth.

0:52:34.845 --> 0:52:36.365
<v Speaker 1>I've got something I want to share with you.

0:52:36.525 --> 0:52:37.045
<v Speaker 4>Oh what is it?

0:52:37.605 --> 0:52:38.685
<v Speaker 1>Well, it's from your sister.

0:52:39.165 --> 0:52:41.325
<v Speaker 4>Oh no, oh gosh.

0:52:43.165 --> 0:52:43.405
<v Speaker 1>Yeah.

0:52:45.125 --> 0:52:49.085
<v Speaker 3>And because this is your exit interview, Oh yes, yes,

0:52:49.685 --> 0:52:52.485
<v Speaker 3>is there anything you want to say before we Oh?

0:52:53.725 --> 0:52:54.885
<v Speaker 1>What could be improved upon?

0:52:57.085 --> 0:53:01.405
<v Speaker 4>Nothing? I say, I say, mamia, bloody great, thank you?

0:53:01.685 --> 0:53:09.725
<v Speaker 3>So Hi Claire, it's me, Jesse. I probably called you

0:53:09.805 --> 0:53:12.805
<v Speaker 3>four times since you've been in this record. Kind of

0:53:12.885 --> 0:53:15.245
<v Speaker 3>rude for you not to pick up. Have you got

0:53:15.245 --> 0:53:15.565
<v Speaker 3>your phone?

0:53:15.565 --> 0:53:16.645
<v Speaker 1>I want to see if she's called you.

0:53:16.725 --> 0:53:19.885
<v Speaker 4>Actually, I actually because she was in the room next door. Yeah,

0:53:20.445 --> 0:53:25.445
<v Speaker 4>and she sent a message. Yes she has Yeah, yeah,

0:53:25.525 --> 0:53:27.085
<v Speaker 4>yeah said how was Matilda?

0:53:27.285 --> 0:53:33.205
<v Speaker 3>And I've never told you exactly how it felt when

0:53:33.205 --> 0:53:36.125
<v Speaker 3>you left Mama Mia, or rather broke up with me

0:53:36.365 --> 0:53:39.845
<v Speaker 3>because you wanted to be single, which I've always thought

0:53:39.965 --> 0:53:42.885
<v Speaker 3>is a bullshit line people used to get out of relationships.

0:53:44.405 --> 0:53:47.685
<v Speaker 3>After working together for ten years, laughing harder than we've

0:53:47.765 --> 0:53:51.685
<v Speaker 3>ever laughed, writing Married at First Sight recaps, and recording

0:53:51.765 --> 0:53:56.325
<v Speaker 3>episodes of Canceled, I felt like a desperate, pathetic girlfriend

0:53:56.445 --> 0:54:01.405
<v Speaker 3>begging not to be dumped. Alas the begging strategy has

0:54:01.485 --> 0:54:05.005
<v Speaker 3>never worked for anyone, and it didn't work this time.

0:54:06.325 --> 0:54:10.405
<v Speaker 3>Once I moved past my own selfishness, all I've felt

0:54:10.525 --> 0:54:15.085
<v Speaker 3>since is pride. Your words are my favorite to read,

0:54:15.765 --> 0:54:19.045
<v Speaker 3>and your ideas are my favorite to hear. What a

0:54:19.165 --> 0:54:23.205
<v Speaker 3>privilege to watch you from a different advantage point when

0:54:23.245 --> 0:54:25.725
<v Speaker 3>we work together. I don't think either of us know

0:54:26.085 --> 0:54:30.285
<v Speaker 3>or care where we begin or end. But what independence

0:54:30.325 --> 0:54:34.125
<v Speaker 3>has probably allowed is for us to explore those edges

0:54:34.845 --> 0:54:39.685
<v Speaker 3>and stop attributing any success to the other one. Sometimes

0:54:39.725 --> 0:54:42.325
<v Speaker 3>you have to know your success is yours to own.

0:54:43.045 --> 0:54:47.645
<v Speaker 3>And I hope you feel that I never wrote you

0:54:47.765 --> 0:54:52.125
<v Speaker 3>a farewell letter, So consider this ascend off. Thank you

0:54:52.245 --> 0:54:55.125
<v Speaker 3>for being my favorite ever colleague, and I hope we

0:54:55.245 --> 0:54:59.165
<v Speaker 3>cross paths again one day, like tomorrow when you're in

0:54:59.285 --> 0:55:03.125
<v Speaker 3>my house because I left the door unlocked. I love

0:55:03.245 --> 0:55:05.965
<v Speaker 3>you more than anyone could ever love anyone.

0:55:07.125 --> 0:55:12.685
<v Speaker 2>Oh God, I not a crier. I'm not a sentimental person.

0:55:12.805 --> 0:55:15.405
<v Speaker 2>But bloody hell, she's a good writer, is it she

0:55:15.645 --> 0:55:16.565
<v Speaker 2>She's very talented.

0:55:16.645 --> 0:55:19.885
<v Speaker 1>She's a good writer. And also like she knows, she's

0:55:19.965 --> 0:55:21.205
<v Speaker 1>got an audience to impress.

0:55:21.285 --> 0:55:25.165
<v Speaker 3>Yeah, yeah, very hard to impress because you know everything

0:55:25.245 --> 0:55:25.725
<v Speaker 3>about her.

0:55:26.365 --> 0:55:27.005
<v Speaker 1>Did you know that?

0:55:28.005 --> 0:55:32.645
<v Speaker 2>That's the I don't know the thing about about feeling

0:55:33.125 --> 0:55:35.405
<v Speaker 2>feeling proud. I think that we don't really say that

0:55:35.485 --> 0:55:38.205
<v Speaker 2>to each other. And I think she's right about the

0:55:38.405 --> 0:55:42.925
<v Speaker 2>edges that she has definitely had moments in her career

0:55:43.605 --> 0:55:50.565
<v Speaker 2>where yeah, that are hers hers, and I feel so

0:55:50.845 --> 0:55:54.805
<v Speaker 2>much pride. I like her books that there is no

0:55:55.005 --> 0:55:57.965
<v Speaker 2>pride I've ever felt like reading her books because I

0:55:58.165 --> 0:56:01.885
<v Speaker 2>just think, holy shit, ours is my sister, Like this

0:56:02.085 --> 0:56:05.125
<v Speaker 2>is just and it's a fascinating experience because I can

0:56:05.205 --> 0:56:09.045
<v Speaker 2>see certain references and certain inspiration, but there are other bits.

0:56:08.845 --> 0:56:10.405
<v Speaker 1>That you don't know where it came from.

0:56:10.525 --> 0:56:12.685
<v Speaker 2>I'm like, I don't know that is just you. That

0:56:12.925 --> 0:56:15.085
<v Speaker 2>is a part of your soul that was unknown to me.

0:56:15.565 --> 0:56:19.125
<v Speaker 2>I think the book has been a very a very

0:56:19.165 --> 0:56:24.005
<v Speaker 2>important part of forming an identity that is separate. Has

0:56:24.125 --> 0:56:27.045
<v Speaker 2>Jess read She has, so she was the first person

0:56:27.285 --> 0:56:33.645
<v Speaker 2>outside of my publisher to read it. And they say

0:56:33.725 --> 0:56:35.605
<v Speaker 2>that when you write a book, I don't know if

0:56:35.605 --> 0:56:39.965
<v Speaker 2>you've found this, that you always you really have one reader.

0:56:40.445 --> 0:56:43.525
<v Speaker 2>You're you're writing for one person, whether you're conscious of

0:56:43.605 --> 0:56:47.045
<v Speaker 2>it or not, and often you don't really know who

0:56:47.125 --> 0:56:48.285
<v Speaker 2>that is as you're writing.

0:56:49.085 --> 0:56:50.605
<v Speaker 4>But as soon as I gave it to Jesse, oent

0:56:51.085 --> 0:56:51.405
<v Speaker 4>it's her.

0:56:51.645 --> 0:56:54.525
<v Speaker 2>That's her, Like she's she is the audience, She's the

0:56:54.565 --> 0:56:58.285
<v Speaker 2>person I'm When I'm trying to write something funny, I'm

0:56:58.285 --> 0:56:59.885
<v Speaker 2>trying to make Jesse laugh. When I'm trying to write

0:56:59.885 --> 0:57:03.245
<v Speaker 2>something profound, I'm trying to make her feel something. And

0:57:04.565 --> 0:57:09.925
<v Speaker 2>she has just said the absolute kindest things. And we

0:57:10.005 --> 0:57:13.565
<v Speaker 2>also don't bullshit each other. We're not We never Jesse

0:57:13.685 --> 0:57:16.085
<v Speaker 2>said the other day, we never tell each other we're pretty.

0:57:17.965 --> 0:57:18.005
<v Speaker 3>Like.

0:57:18.085 --> 0:57:19.925
<v Speaker 4>I never say you're pretty like, don't.

0:57:19.965 --> 0:57:20.885
<v Speaker 1>We don't do that.

0:57:21.245 --> 0:57:24.405
<v Speaker 2>And so when we do compliment each other, we really

0:57:24.485 --> 0:57:27.365
<v Speaker 2>do mean it. So that's why something like that means

0:57:27.765 --> 0:57:29.645
<v Speaker 2>means a lot, because we don't do that a lot.

0:57:30.165 --> 0:57:34.845
<v Speaker 2>And with the book, she just said that the kindest,

0:57:35.645 --> 0:57:38.805
<v Speaker 2>most moving things about it that made me feel like

0:57:38.885 --> 0:57:41.405
<v Speaker 2>I had succeeded in writing for that reader.

0:57:41.885 --> 0:57:42.085
<v Speaker 4>Yeah.

0:57:42.125 --> 0:57:44.085
<v Speaker 2>That can be interesting in going through the world and thinking,

0:57:44.885 --> 0:57:51.485
<v Speaker 2>I like every experience I have, every idea I hear,

0:57:51.885 --> 0:57:53.165
<v Speaker 2>I really just want to.

0:57:54.165 --> 0:57:54.805
<v Speaker 4>Share it with her.

0:57:55.365 --> 0:57:58.125
<v Speaker 2>And sometimes I have to stop myself and think, hold on,

0:57:58.245 --> 0:58:01.085
<v Speaker 2>is it enough that I've just had this experience. But

0:58:01.165 --> 0:58:03.045
<v Speaker 2>I also think that's the nature of life, like you

0:58:03.125 --> 0:58:03.445
<v Speaker 2>want to.

0:58:03.445 --> 0:58:06.645
<v Speaker 1>Share and people dream of having that person.

0:58:06.925 --> 0:58:11.405
<v Speaker 4>Yeah. Yeah, and relationships, I think of the life is nothing.

0:58:11.445 --> 0:58:13.765
<v Speaker 1>And you're very good at relationships. Both of you are

0:58:13.885 --> 0:58:15.085
<v Speaker 1>very good at relationships.

0:58:15.645 --> 0:58:15.965
<v Speaker 4>Thank you.

0:58:16.645 --> 0:58:18.645
<v Speaker 1>Well, you are obviously are, aren't you.

0:58:19.565 --> 0:58:24.085
<v Speaker 4>I think I like having been a twin. I think

0:58:24.125 --> 0:58:29.605
<v Speaker 4>it makes you really both of us say that.

0:58:30.525 --> 0:58:33.965
<v Speaker 2>Sometimes I feel like I'm not particularly good one on

0:58:34.165 --> 0:58:37.005
<v Speaker 2>one because I'm used to having another person there. I'm

0:58:37.085 --> 0:58:40.645
<v Speaker 2>used to having Jesse that. Yes, yes, but I do

0:58:40.925 --> 0:58:44.165
<v Speaker 2>think it makes you it's probably a little bit toxic.

0:58:44.485 --> 0:58:47.285
<v Speaker 2>But we often give each other like social feedback. So

0:58:47.605 --> 0:58:49.565
<v Speaker 2>after a dinner or whatever where it's been the two

0:58:49.605 --> 0:58:52.165
<v Speaker 2>of us and somebody, we'll give feedback.

0:58:51.845 --> 0:58:55.365
<v Speaker 1>To each other on your performance and what form does

0:58:55.405 --> 0:58:55.925
<v Speaker 1>that haen?

0:58:56.085 --> 0:58:58.605
<v Speaker 2>So sometimes it might be like, hey, just be careful

0:58:58.685 --> 0:59:00.885
<v Speaker 2>when you like, you know, say this kind of thing.

0:59:00.925 --> 0:59:04.045
<v Speaker 2>It might make somebody feel like, oh oh yeah, no, no, no,

0:59:04.165 --> 0:59:06.685
<v Speaker 2>good point point and we won't get offended by that, right,

0:59:07.045 --> 0:59:11.405
<v Speaker 2>But it's sort of this constant feedback which is probably

0:59:11.445 --> 0:59:14.125
<v Speaker 2>helpful because both of us probably feel like we'd quite

0:59:14.245 --> 0:59:15.125
<v Speaker 2>like social feedback.

0:59:15.245 --> 0:59:18.805
<v Speaker 1>Yes, and also it's coming from someone you know loves.

0:59:18.605 --> 0:59:20.765
<v Speaker 3>You, yes, yes, and it's not saying it's always the

0:59:20.805 --> 0:59:22.405
<v Speaker 3>thing about criticism.

0:59:22.005 --> 0:59:27.125
<v Speaker 4>Yes, exactly, exactly. Yeah, you are a delight Thank you.

0:59:27.765 --> 0:59:33.245
<v Speaker 3>You're very missed at Mamma Maya and across the platforms,

0:59:35.805 --> 0:59:41.005
<v Speaker 3>and I think I can speak on behalf of the

0:59:41.245 --> 0:59:48.125
<v Speaker 3>entire million Mumma maas when I say thank you for

0:59:48.245 --> 0:59:53.085
<v Speaker 3>your service and your goodwill and your thoughts and your

0:59:53.205 --> 0:59:57.085
<v Speaker 3>humor and your laughter, and you're sharing yourself, thank you

0:59:57.365 --> 1:00:00.645
<v Speaker 3>and showing yourself you and what happens next.

1:00:02.485 --> 1:00:03.525
<v Speaker 1>You'll go in and see Jesse.

1:00:03.765 --> 1:00:05.885
<v Speaker 2>Yeah yeah, yeah, yeah yeah, I'll go see Jesse and

1:00:06.085 --> 1:00:09.325
<v Speaker 2>we'll just be like, hey, how you going. But Lifelise,

1:00:09.565 --> 1:00:12.165
<v Speaker 2>this book is about to come out, and I hope

1:00:12.165 --> 1:00:15.285
<v Speaker 2>people read it, and I hope it starts a conversation,

1:00:15.765 --> 1:00:19.805
<v Speaker 2>and I hope that there's lots more of kind of that,

1:00:21.285 --> 1:00:23.885
<v Speaker 2>those two speeds of the deep slow work.

1:00:24.245 --> 1:00:29.845
<v Speaker 4>Right and the faster kind of zeitgeisty work. But but yeah,

1:00:30.005 --> 1:00:32.765
<v Speaker 4>it's a space I just I just love to be

1:00:33.125 --> 1:00:36.445
<v Speaker 4>and I think women in media are my people.

1:00:38.405 --> 1:00:42.325
<v Speaker 3>And Clay Stevens, you're our people, thank you, which is nice.

1:00:42.405 --> 1:00:44.005
<v Speaker 3>It's nice to have a I mean, I know you've

1:00:44.045 --> 1:00:46.205
<v Speaker 3>got your twin, but it's also nice to have a tribe,

1:00:46.525 --> 1:00:48.645
<v Speaker 3>even though they could turn on you and destroy you at.

1:00:48.525 --> 1:00:52.005
<v Speaker 4>Any moment, any moment. And that's what the book, that's

1:00:52.045 --> 1:00:52.965
<v Speaker 4>what women are love.

1:00:53.605 --> 1:00:58.685
<v Speaker 1>It's our prerogative to change our minds exactly. Thanks beautiful one,

1:00:58.965 --> 1:01:04.285
<v Speaker 1>thank you. Oh my goodness.

1:01:05.205 --> 1:01:08.685
<v Speaker 3>I love these girls, and I kind of feel bad

1:01:08.805 --> 1:01:10.885
<v Speaker 3>because I know their twins and twins always get.

1:01:12.565 --> 1:01:14.285
<v Speaker 1>Lumped together, but.

1:01:14.405 --> 1:01:17.245
<v Speaker 3>The some of the whole is really not much greater

1:01:17.365 --> 1:01:18.885
<v Speaker 3>than some of the parts because of some of the

1:01:18.965 --> 1:01:23.325
<v Speaker 3>parts with Claire Stevens and Jesse Stevens is so remarkable.

1:01:24.325 --> 1:01:27.565
<v Speaker 1>Claire is a brilliant writer. She's so honest.

1:01:28.405 --> 1:01:32.085
<v Speaker 3>She's an editor, a podcaster, a screenwriter, a twin, a partner,

1:01:32.165 --> 1:01:36.125
<v Speaker 3>a mother. But what makes her remarkable isn't just the

1:01:36.285 --> 1:01:38.925
<v Speaker 3>role she's had, Like I said, it's the honesty with

1:01:38.965 --> 1:01:42.925
<v Speaker 3>which she reflects on them, and the humor and the grace,

1:01:43.125 --> 1:01:45.125
<v Speaker 3>And in the end, her story is less about what

1:01:45.285 --> 1:01:50.845
<v Speaker 3>she does and more about who she is becoming, which

1:01:50.925 --> 1:01:54.165
<v Speaker 3>is even more amazing. Thank you so much for listening

1:01:54.245 --> 1:01:57.365
<v Speaker 3>to No Filter. The executive producer of No Filter is

1:01:57.445 --> 1:02:01.765
<v Speaker 3>Naima Brown. The senior producer is Breed Player. Audio production

1:02:01.965 --> 1:02:05.445
<v Speaker 3>is by Jacob Brown, and video editing is by Josh Green.

1:02:06.085 --> 1:02:10.285
<v Speaker 3>I am your host, Kate lane Brook. See you next week.