WEBVTT - "I'm Done With Being Interviewed By Women"

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<v Speaker 1>You're listening to a MoMA Mia podcast.

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<v Speaker 2>Mamma Mia acknowledges the traditional owners of land and waters

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<v Speaker 2>that this podcast is recorded on Hello and welcome to

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<v Speaker 2>Mama Mia out Loud, where women come to debrief. I'm

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<v Speaker 2>Holly wayIn Wright.

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<v Speaker 3>I'm Meya Friedman, and I'm Jesse Stevens and I'm a

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<v Speaker 3>little irritable. Would you like to know why I'm irritable today?

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<v Speaker 3>It is because over the weekend I went to the

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<v Speaker 3>gym because all the people on the Instagram a telling me,

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<v Speaker 3>I need you got to limp and if you gotta

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<v Speaker 3>lift heavy, however much you're lifting, lift more.

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<v Speaker 2>Was a big conversation on mid the other.

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<v Speaker 3>Wak exactly right, And I listened to that and I went,

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<v Speaker 3>all right, bone density tick, gonna.

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<v Speaker 4>Go and lift heavy.

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<v Speaker 3>So I went and I lifted four kilos heavier than

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<v Speaker 3>I normally would.

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<v Speaker 4>I did well. This was like I was doing like

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<v Speaker 4>a squat.

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<v Speaker 3>Thing and I got a twelve kilo ped all bell

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<v Speaker 3>whatever you call it. Anyway, I did a squat and

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<v Speaker 3>I felt my lower back go and like it was

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<v Speaker 3>in the first two minutes of being at the gym,

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<v Speaker 3>and I have been limping all.

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<v Speaker 4>Weekend, because it's not like you can stop lifting.

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<v Speaker 3>I've got a twelve kilo toddler who isn't just a

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<v Speaker 3>dead weight.

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<v Speaker 4>She actually resists.

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<v Speaker 3>Against me a lot of the time when I'm holding her. Now,

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<v Speaker 3>I just have this terrible back.

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<v Speaker 1>That's funny because I was also lifting on the weekend,

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<v Speaker 1>and I lifted a bit hard too. I don't think

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<v Speaker 1>I did twelve kilos, but somehow lifting a toddler doesn't

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<v Speaker 1>feel as heavy as lifting a weight.

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<v Speaker 3>It does mean when they're trying to throw themselves out

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<v Speaker 3>of your hand.

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<v Speaker 1>But I've also been lifting a little hard.

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<v Speaker 4>Holly has your back, mate.

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<v Speaker 2>The only thing I lifted on the weekend was a

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<v Speaker 2>cup of tea in a sandwich, So my back's just fine.

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<v Speaker 2>I'm ignoring all that wise health advice anyway. Friends, unless

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<v Speaker 2>you're perhaps wisely avoiding everything news, you would know that

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<v Speaker 2>this weekend America back to Israel's war with Iran, and

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<v Speaker 2>talk of what this escalation means for the world is everywhere.

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<v Speaker 2>If you want a calm headed explainer of that, please

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<v Speaker 2>go and listen to today's episode of The Quickie, where

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<v Speaker 2>Claire Murphy and Taylor Strano do what they do best

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<v Speaker 2>and give a very clear overview, complete with some expert commentary.

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<v Speaker 2>It's really good listen.

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<v Speaker 1>But here is what is on our agenda for today.

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<v Speaker 3>We're going to unpackage because the jury is out and

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<v Speaker 3>I'm part of the jury.

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<v Speaker 2>I tried to sneak it in twice last week. Now

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<v Speaker 2>I'm doubting it.

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<v Speaker 1>I am responsible for this new piece of podcast furniture

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<v Speaker 1>agenda sogenda is vernacular that we use. We do when

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<v Speaker 1>we're talking about put that on the agenda. Usually it's

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<v Speaker 1>before we have dinner. I used this with a lot.

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<v Speaker 3>Of groups, so a portmanteau it is of and agenda.

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<v Speaker 2>It's not really clear why our agenda has anything to

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<v Speaker 2>do with the vagina, but it does. Sometimes we actually

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<v Speaker 2>have a vagenda notesapp going we do for dinner where

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<v Speaker 2>we put the things in.

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<v Speaker 1>Well, because I'm just like a group of women talking

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<v Speaker 1>about some things, they have some things on the vergenda.

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<v Speaker 1>Yeah right, it's tongue in cheek. It wasn't meant to

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<v Speaker 1>be thought of this series. Well. Anyway, on our agenda

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<v Speaker 1>for today, if you haven't heard about the wedding of

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<v Speaker 1>the year that's happening in Venice this week, you won't

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<v Speaker 1>be able to miss it. Pretty soon, Amazon founded Jeff

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<v Speaker 1>Bezos and astronaut Lauren Sanchez and making it official, and

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<v Speaker 1>we are going to unpack the twenty seven dresses, the protests,

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<v Speaker 1>and the affair that kicked it all off.

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<v Speaker 2>What you have heard of friends is let them. And

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<v Speaker 2>if you came to our Mama Maya out loud live show,

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<v Speaker 2>you've also heard a foul mouthed version of that. But

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<v Speaker 2>there's a new one. There's a new let them. It's

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<v Speaker 2>called who says, Oh, we're going to tell you about that?

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<v Speaker 3>And Jamila Jamil is done being interviewed by other women.

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<v Speaker 4>Does she kind of have a point?

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<v Speaker 2>But first, if your dad was a Russian billionaire, would

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<v Speaker 2>you expect a cut of his fortune?

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<v Speaker 4>I think my dad is the opposite of a Russian billionaire.

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<v Speaker 2>No fortune coming for you. What about if you'd never

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<v Speaker 2>even met him? I want you to meet this guy

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<v Speaker 2>called Pavel Durov. Now he founded the controversial messaging platform Telegram.

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<v Speaker 2>You might have heard about him. He got arrested in

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<v Speaker 2>France a while ago. He's a little bit dubious, but anyway,

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<v Speaker 2>he is worth a rumored twenty one billion Australian dollars

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<v Speaker 2>and He also, like other billionaires, really really really likes

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<v Speaker 2>father and kids. Apparently between the kids his father in

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<v Speaker 2>what you might call the conventional way with a partner,

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<v Speaker 2>and the sperm donation that he kind of advertised, like

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<v Speaker 2>want to have my baby, come and do it. He

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<v Speaker 2>reckons he's got more than one hundred children, and so

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<v Speaker 2>far that's quite typical. There are quite a few of

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<v Speaker 2>these guys that called pro natalists, who believe that smart

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<v Speaker 2>masters of the universe, like themselves, should breed more. But

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<v Speaker 2>what's a bit different about him is that he's gone

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<v Speaker 2>public saying that in about thirty years he's going to

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<v Speaker 2>split his entire fortune between all of the children. So

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<v Speaker 2>the more than one hundred children, whether they are children

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<v Speaker 2>that he has fathered actively or just the sperm donory ones,

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<v Speaker 2>that will probably mean, depending on how many more he has,

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<v Speaker 2>that these kids will get about two hundred and sixty

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<v Speaker 2>million each.

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<v Speaker 4>Wow.

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<v Speaker 1>So what he's done this is really interesting. He's essentially

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<v Speaker 1>gamified it and it'll now become like a hunger game

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<v Speaker 1>situation among women who want to have children and have

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<v Speaker 1>access to that kind of life. The lottery.

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<v Speaker 3>Yeah, there is this term that I learned over the

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<v Speaker 3>weekend called accidental incest, which is being referred to because

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<v Speaker 3>you do have some sperm donors who are donating so

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<v Speaker 3>much and creating so many kids. There was an instance

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<v Speaker 3>in Australia where woman was talking about it where she

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<v Speaker 3>said that people that were half siblings were finding each

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<v Speaker 3>other at parties not knowing that they were half siblings.

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<v Speaker 1>Did you watch that documentary The Man with one hundred

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<v Speaker 1>Children a thousand? That was about exactly this. And there

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<v Speaker 1>are these men, the pro natalists or whatever their issue

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<v Speaker 1>is or their reasoning for it, is that they are

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<v Speaker 1>just spreading their sperm literally everywhere. And most sperm banks

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<v Speaker 1>in most countries and states have limitations on how many

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<v Speaker 1>times you can donate for this exact way, because in

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<v Speaker 1>a particular town, for example, you can't have too many

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<v Speaker 1>kids that are around the same age they might you know,

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<v Speaker 1>hook up. But these men get around it by going

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<v Speaker 1>to different countries because there's not like one international sperm

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<v Speaker 1>bank that regulates these things. So it's a real issue.

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<v Speaker 3>I'm worried about the proliferation of these precise genes right

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<v Speaker 3>because it's like, what are we genetically privileging? If you're

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<v Speaker 3>a pro natalist you're a particular type of person. Think

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<v Speaker 3>about Elon Musk. What does that do to the human race?

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<v Speaker 3>If you've got a very specific type of man who

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<v Speaker 3>is fathering hundreds and hundreds of children like that is

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<v Speaker 3>worrying going forward.

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<v Speaker 4>Jamila Jamil is.

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<v Speaker 3>Done being interviewed by women. Jamil is a thirty nine

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<v Speaker 3>year old actress. People might know her from The Good Place.

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<v Speaker 3>She was in that, but she's more so known as

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<v Speaker 3>a body positivity advocate. She was very vocal when the

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<v Speaker 3>Kardashians were spooking their dietees, and she hosted a podcast

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<v Speaker 3>called Iway with Umila Jamil, which was very very popular. Recently,

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<v Speaker 3>she was actually a guest on No Filter. She was

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<v Speaker 3>in Australia.

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<v Speaker 1>I have seen her in The Good Place. She was

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<v Speaker 1>great in that, but more people would probably know her

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<v Speaker 1>from Instagram. She's a feminist, well, she's identified as a

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<v Speaker 1>feminism and speaks out about all different kinds of things.

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<v Speaker 1>She's very outspoken on.

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<v Speaker 4>A bit of a commentator.

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<v Speaker 3>Yeah, and over the weekend she published a sub stack

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<v Speaker 3>with the subject line I think I'm done being interviewed

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<v Speaker 3>by women. I am disgusted, and she says her trust

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<v Speaker 3>has been broken for the last time after a toothy

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<v Speaker 3>opinion piece in the UK Times, which we're going to

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<v Speaker 3>get to in a moment, but after being interviewed in

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<v Speaker 3>print for more than seventeen years, she says she's only

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<v Speaker 3>been treated fairly by women three times, where she says

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<v Speaker 3>that male journalists have always given her a fair shot.

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<v Speaker 3>When she read the profile, which was written to promote

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<v Speaker 3>schod new podcast out called Wrong Turns and a Pixar

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<v Speaker 3>movie called Elio where she voices one of the characters,

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<v Speaker 3>she said it was like reading the gossip section of

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<v Speaker 3>her Wikipedia page. She said it was cheap and bit

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<v Speaker 3>she intended to embarrass her. And we don't interview men

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<v Speaker 3>like this, opening with paragraphs about all of their controversies. Holly,

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<v Speaker 3>before we go any further, can you give us a

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<v Speaker 3>sense of our primary source here the Times piece? What

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<v Speaker 3>was the vibe of the Times piece?

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<v Speaker 2>Yes, so it was written by a journalist called Liz Edwards,

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<v Speaker 2>and Jamala Jamil makes the point in her piece that

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<v Speaker 2>usually she's a travel writer at the time, so that's

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<v Speaker 2>kind of true. She does do a lot of travel content.

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<v Speaker 2>But one of the things that is eye opening about

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<v Speaker 2>this really is that when I read it. It didn't

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<v Speaker 2>strike me as particularly toothy, but I see Jamala's points.

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<v Speaker 2>So here's just a taste of it.

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<v Speaker 1>Right.

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<v Speaker 2>So the first thing is is that the online headline

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<v Speaker 2>is Jamala Jamil I stood up for Megan long before

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<v Speaker 2>I met her, referencing Meghan Markle. It has a different

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<v Speaker 2>headline in the actuals. I think it's from the magazine

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<v Speaker 2>from Sunday Time with magazine, and it starts like this,

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<v Speaker 2>It says Jamala Jamal says she does not need your approval.

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<v Speaker 2>I don't personally like that many people, so I think

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<v Speaker 2>it's ridiculous for me to expect other people like me,

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<v Speaker 2>says the thirty nine year old TV presenter Da Da

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<v Speaker 2>Da Da Da. Talk about her social media rows, as

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<v Speaker 2>they say, and they cherry pick a few comments when

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<v Speaker 2>she called a famous actor a freshly wanked cock, for example,

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<v Speaker 2>and she said some pissy things about several people. And

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<v Speaker 2>then the writer says, all of this might mean you'd

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<v Speaker 2>expect her to be prickly company, but she's more cats

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<v Speaker 2>poor than cactus spikes. She's in velvet. She's funny and

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<v Speaker 2>self aware and disarmingly polite to me, to the hotel

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<v Speaker 2>bar staff, whose best efforts at finding us at the

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<v Speaker 2>quiet table come to nothing, and to the waiters.

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<v Speaker 1>Blah blah blah.

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<v Speaker 2>So this to any journalist, they're establishing color right like,

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<v Speaker 2>they're giving you a sense of the person. This is

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<v Speaker 2>what profiles do. She goes on to talk about what

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<v Speaker 2>she's wearing, what she looks like. She says that she

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<v Speaker 2>looks great in what she's wearing. It takes a bit

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<v Speaker 2>of a turn. The writer talks about some of Jamila

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<v Speaker 2>Jamil's stated life story, which is she says she has

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<v Speaker 2>had several different health issues, She's struggled with the eating disorder,

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<v Speaker 2>She's been in two different car accidents. And the rider

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<v Speaker 2>seems to be saying a lot of things have happened

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<v Speaker 2>to Jamila.

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<v Speaker 3>Which the writer isn't the first person to say that.

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<v Speaker 3>There's been enormous controversy and kind of an internet massive

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<v Speaker 3>discussion about whether or not some of those claims are true.

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<v Speaker 2>Yeah, And the journalist brings up, for example, a spat

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<v Speaker 2>I guess a social media spat she had with Piers Morgan,

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<v Speaker 2>and Jamil says, I have no interest in even continuing

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<v Speaker 2>this line of conversation. Jamil now says, coolly, echoed by

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<v Speaker 2>alarmed murmurs from her publicists at the next table, foolishness

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<v Speaker 2>is something we should discourage in the media. She records

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<v Speaker 2>our whole conversation, if I go down in flames, I

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<v Speaker 2>want to go down in flames based on my own words,

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<v Speaker 2>not via made up nonsense. And then, and this line

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<v Speaker 2>is one that Jamela particularly took issue with. The writer says,

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<v Speaker 2>the clause retract and congeniality resumes. As we chat over

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<v Speaker 2>the array of tapas that arrives.

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<v Speaker 3>The clause is are loaded. There is something sexist about that.

0:10:59.222 --> 0:11:02.902
<v Speaker 3>You would not use that terminology about a man. And

0:11:02.942 --> 0:11:07.942
<v Speaker 3>a lot of what Jamila Jamil writes is true, and

0:11:08.062 --> 0:11:12.782
<v Speaker 3>she's right, but there's an irony to it because I

0:11:12.862 --> 0:11:16.662
<v Speaker 3>thought that some of what Jamil wrote in her substack

0:11:16.822 --> 0:11:19.222
<v Speaker 3>was also laced with a little bit of sexism about

0:11:19.382 --> 0:11:19.822
<v Speaker 3>the writer.

0:11:19.982 --> 0:11:21.142
<v Speaker 4>Did anyone else notice that?

0:11:21.622 --> 0:11:23.782
<v Speaker 2>Yeah. One of the things I think is hard to

0:11:23.862 --> 0:11:30.782
<v Speaker 2>unpick here is celebrity profile writing suddenly feels very different now,

0:11:30.902 --> 0:11:32.742
<v Speaker 2>and it's not as in the form is not like

0:11:32.782 --> 0:11:35.582
<v Speaker 2>the way that this article starts. Jamila Jimil says she

0:11:35.622 --> 0:11:39.462
<v Speaker 2>doesn't need to approval full stop. It's like classic magazine writing.

0:11:39.582 --> 0:11:42.982
<v Speaker 2>You start with a really pithy line, a statement, and

0:11:43.022 --> 0:11:45.582
<v Speaker 2>then you're building a case. Almost That's what every profile

0:11:45.622 --> 0:11:47.342
<v Speaker 2>writer does, is they meet a person, they spend some

0:11:47.382 --> 0:11:49.462
<v Speaker 2>time with them, and then they're kind of laying out

0:11:49.502 --> 0:11:52.582
<v Speaker 2>their case. And this is what Jamil takes issue with.

0:11:52.742 --> 0:11:56.022
<v Speaker 2>She says, you know, why are they always prosecuting me

0:11:56.222 --> 0:11:58.702
<v Speaker 2>and whether or not I have a right to say things,

0:11:59.142 --> 0:12:01.502
<v Speaker 2>you know, my personality rather than my work. And this

0:12:01.542 --> 0:12:03.702
<v Speaker 2>is something we've discussed on this podcast a lot. Women

0:12:03.782 --> 0:12:06.862
<v Speaker 2>do very often get judged much more for who they

0:12:06.862 --> 0:12:10.662
<v Speaker 2>are than what they do. One of the things I

0:12:10.702 --> 0:12:12.662
<v Speaker 2>have issue with here is I also think this is

0:12:12.702 --> 0:12:15.942
<v Speaker 2>how male profile happened to a little bit less commentary

0:12:15.942 --> 0:12:18.381
<v Speaker 2>on what they're wearing. But this is the nature of

0:12:18.422 --> 0:12:21.022
<v Speaker 2>the beast with a celebrity profile. And now that we

0:12:21.062 --> 0:12:24.342
<v Speaker 2>all speak so directly, like when Jamela, for example, was

0:12:24.382 --> 0:12:27.462
<v Speaker 2>on Now Filter with kateline Brook, brilliant interview, really insightful,

0:12:27.902 --> 0:12:31.302
<v Speaker 2>she is entirely presenting herself right. There's no editorializing, and

0:12:31.342 --> 0:12:33.342
<v Speaker 2>that's one of the reasons why it feels so authentic

0:12:33.382 --> 0:12:37.582
<v Speaker 2>and real, Whereas the whole point of a celebrity profile

0:12:37.662 --> 0:12:40.222
<v Speaker 2>is it as editorialized right, Maya.

0:12:40.822 --> 0:12:47.062
<v Speaker 1>I find this whole thing completely exhausting, completely exhausting. I

0:12:47.142 --> 0:12:51.942
<v Speaker 1>find to be Frank Jamila Jamil pretty exhausting. I think

0:12:51.982 --> 0:12:57.862
<v Speaker 1>she's quite typical of a certain type of online personality.

0:12:58.262 --> 0:13:00.862
<v Speaker 1>And I probably used to be a bit this myself

0:13:01.302 --> 0:13:04.982
<v Speaker 1>many years ago, until I made a conscious decision not

0:13:05.102 --> 0:13:08.502
<v Speaker 1>to be. It's like, you want to dish it out,

0:13:08.982 --> 0:13:14.022
<v Speaker 1>but then when someone criticizes you, despite her saying, including

0:13:14.062 --> 0:13:18.062
<v Speaker 1>in this profile, she says, perhaps this is my superpower.

0:13:18.182 --> 0:13:21.782
<v Speaker 1>It makes me untouchable and quite dangerous. I'm immune to

0:13:21.862 --> 0:13:25.062
<v Speaker 1>being judged because I don't care. Except she does care,

0:13:25.622 --> 0:13:28.702
<v Speaker 1>to the point where she's written this multi thousand word

0:13:29.542 --> 0:13:32.742
<v Speaker 1>takedown on substack, which is absolutely her right, and I

0:13:32.782 --> 0:13:34.902
<v Speaker 1>have to say I empathize.

0:13:34.382 --> 0:13:35.062
<v Speaker 2>With her a lot.

0:13:35.302 --> 0:13:38.222
<v Speaker 1>I've had profiles written of me that have made me

0:13:38.302 --> 0:13:39.782
<v Speaker 1>feel exactly like this.

0:13:40.022 --> 0:13:43.222
<v Speaker 2>I remember in the earlier years of me working with you, Mia,

0:13:43.262 --> 0:13:46.102
<v Speaker 2>I remember in our old office, an esteemed publication was

0:13:46.102 --> 0:13:48.381
<v Speaker 2>doing a profile. A journalist basically followed you around for

0:13:48.382 --> 0:13:50.542
<v Speaker 2>a couple of days, right, sat in on a few meetings,

0:13:51.182 --> 0:13:54.582
<v Speaker 2>interviews you like, this is how profiles work. Yeah, And

0:13:54.662 --> 0:13:57.302
<v Speaker 2>how how do you feel about those or did you

0:13:57.342 --> 0:14:00.142
<v Speaker 2>feel about those It's not necessarily that specific one, but

0:14:00.342 --> 0:14:03.342
<v Speaker 2>those pieces that sort of conceit of journalism. How did

0:14:03.382 --> 0:14:05.422
<v Speaker 2>it make you feel when you saw yourself reflected in

0:14:05.742 --> 0:14:06.382
<v Speaker 2>those eyes.

0:14:06.422 --> 0:14:09.381
<v Speaker 1>There's a good reason they don't do them anymore, because

0:14:09.782 --> 0:14:12.302
<v Speaker 1>they have to find an angle. It's not a what's

0:14:12.382 --> 0:14:17.262
<v Speaker 1>you know called a hagiography, It's not a fluff piece. No,

0:14:17.502 --> 0:14:19.702
<v Speaker 1>And she says, why didn't she engage with me about

0:14:19.702 --> 0:14:21.582
<v Speaker 1>the issues I talk about? It's like, it's not up

0:14:21.622 --> 0:14:24.342
<v Speaker 1>to you. You're not the editor of the Times. You

0:14:24.382 --> 0:14:27.702
<v Speaker 1>don't get to decide what this journalist says about you.

0:14:27.782 --> 0:14:30.582
<v Speaker 1>Another one of her complaints is that this woman who

0:14:30.662 --> 0:14:33.662
<v Speaker 1>didn't know me, who didn't know anyone who knows me,

0:14:34.422 --> 0:14:37.742
<v Speaker 1>how very DAEs she write about me in this way?

0:14:37.822 --> 0:14:41.342
<v Speaker 1>And it's like, well, that's how interviews work, Like that's

0:14:41.342 --> 0:14:44.102
<v Speaker 1>actually how interviews work. And then she goes on to say, well,

0:14:44.142 --> 0:14:46.462
<v Speaker 1>I've interviewed people and this is how I do it.

0:14:47.262 --> 0:14:50.742
<v Speaker 1>What I thought about is, in this age of social media,

0:14:50.942 --> 0:14:53.582
<v Speaker 1>when everybody's used to being able to speak for themselves

0:14:53.662 --> 0:14:57.382
<v Speaker 1>and control the narrative, when someone else speaks about you,

0:14:57.822 --> 0:15:01.462
<v Speaker 1>it's suddenly like, how very dare you, and again I

0:15:01.502 --> 0:15:02.902
<v Speaker 1>also know how that feels too.

0:15:03.342 --> 0:15:07.742
<v Speaker 3>If I was sitting in the editorial team for The Times,

0:15:08.262 --> 0:15:12.702
<v Speaker 3>my defense would be, it is a profile promoting Jamila Jamil.

0:15:12.742 --> 0:15:14.542
<v Speaker 3>There was a photo shoot involved in it. She was

0:15:14.582 --> 0:15:16.622
<v Speaker 3>getting something very clear out of this. It wasn't a

0:15:16.622 --> 0:15:20.542
<v Speaker 3>community service engagement, and she wasn't there being the face

0:15:20.582 --> 0:15:23.022
<v Speaker 3>of a charity. She was there promoting her work, which

0:15:23.062 --> 0:15:26.662
<v Speaker 3>is her right, and her work is a new podcast

0:15:26.742 --> 0:15:31.182
<v Speaker 3>called Wrong Turns. That podcast is all about failures, embarrassing moments,

0:15:31.462 --> 0:15:35.702
<v Speaker 3>perhaps vulnerabilities. Yes, what the author wrote about was thematically

0:15:36.302 --> 0:15:39.742
<v Speaker 3>not irrelevant, like you could see how even I'm a

0:15:39.782 --> 0:15:43.582
<v Speaker 3>pervert for failure or whatever was the line, It was

0:15:43.742 --> 0:15:46.342
<v Speaker 3>sort of relevant to the subject matter.

0:15:46.542 --> 0:15:48.782
<v Speaker 1>But I think that people have really got to understand,

0:15:48.982 --> 0:15:53.742
<v Speaker 1>including people who are interviewed, is the journalist doesn't choose

0:15:53.782 --> 0:15:57.262
<v Speaker 1>the headline, doesn't choose the pool quotes. So those quotes

0:15:57.262 --> 0:15:59.742
<v Speaker 1>that come out, that's all chosen by the sub editor

0:16:00.262 --> 0:16:03.742
<v Speaker 1>or by the editor, And of course it's designed to

0:16:03.862 --> 0:16:09.742
<v Speaker 1>take the most interesting, controversial part of the interview in

0:16:09.782 --> 0:16:13.742
<v Speaker 1>the same way that she did that with hers by

0:16:14.062 --> 0:16:18.942
<v Speaker 1>using the very rage baity headline I'm done being interviewed

0:16:19.022 --> 0:16:22.342
<v Speaker 1>by women, which she did the exact same thing.

0:16:22.502 --> 0:16:25.142
<v Speaker 2>That's what I take issue in a bit, because I

0:16:25.182 --> 0:16:26.942
<v Speaker 2>think she's got a lot, as we've discussed, she's got

0:16:26.942 --> 0:16:28.462
<v Speaker 2>a lot of fair points about it. It is true that

0:16:28.502 --> 0:16:31.302
<v Speaker 2>women can be very highly critical of other women. We're

0:16:31.382 --> 0:16:34.222
<v Speaker 2>very aware of that. But by doing that and taking

0:16:34.262 --> 0:16:37.222
<v Speaker 2>that headline, for a start, it makes every female journalist,

0:16:37.222 --> 0:16:41.502
<v Speaker 2>probably including myself, very defensive because you're like, well, you know,

0:16:41.622 --> 0:16:43.902
<v Speaker 2>we're not all out here trying to take people down.

0:16:44.422 --> 0:16:47.142
<v Speaker 2>But also it is rage bait, just in the way

0:16:47.142 --> 0:16:50.102
<v Speaker 2>that she complained that the reason that the Times Online

0:16:50.542 --> 0:16:53.302
<v Speaker 2>editor chose the Megan Markel quote, which was one tiny

0:16:53.342 --> 0:16:55.862
<v Speaker 2>bit of the interview where basically the journalist says, do

0:16:55.902 --> 0:16:57.502
<v Speaker 2>you know Megan, do hang out? And she's like no,

0:16:57.862 --> 0:17:00.902
<v Speaker 2>Like I was interviewed by I once, I defended her

0:17:00.982 --> 0:17:02.782
<v Speaker 2>publicly in the same way of defendants of women who

0:17:02.782 --> 0:17:04.022
<v Speaker 2>are criticized.

0:17:03.982 --> 0:17:06.502
<v Speaker 1>Which was a very understandable question. And I have to

0:17:06.542 --> 0:17:08.462
<v Speaker 1>say all three of us have read the original source

0:17:08.502 --> 0:17:12.341
<v Speaker 1>materials as well as Jamila Jamil's piece, and that was

0:17:12.341 --> 0:17:14.262
<v Speaker 1>in the context of her talking about how her and

0:17:14.302 --> 0:17:17.421
<v Speaker 1>her boyfriend moved to La You know She's also been

0:17:17.422 --> 0:17:20.341
<v Speaker 1>interviewed on Megan's podcast Jamila Lamil. So it wasn't a

0:17:20.381 --> 0:17:22.982
<v Speaker 1>crazy question to say, hey, did you hang out? There's

0:17:22.982 --> 0:17:24.942
<v Speaker 1>another couple there that have also moved from the UK

0:17:25.022 --> 0:17:27.462
<v Speaker 1>and around the same time, do you guys hang out?

0:17:28.061 --> 0:17:30.182
<v Speaker 1>It was a reasonable question and she was like, yeah,

0:17:30.182 --> 0:17:31.142
<v Speaker 1>we've had dinner a bit like.

0:17:31.621 --> 0:17:33.341
<v Speaker 2>I know, but it's been pulled as the news line,

0:17:33.422 --> 0:17:35.702
<v Speaker 2>which is what every journalist does, right as you pull

0:17:35.742 --> 0:17:38.581
<v Speaker 2>the news line the most interesting, sallacious bits.

0:17:38.661 --> 0:17:40.782
<v Speaker 1>That's not the journalist's fault because they write the piece

0:17:40.821 --> 0:17:42.261
<v Speaker 1>and they don't know what's going to be pulled out

0:17:42.262 --> 0:17:45.061
<v Speaker 1>as the headline or as the pull quote. That's not

0:17:45.182 --> 0:17:45.862
<v Speaker 1>in their control.

0:17:46.061 --> 0:17:48.302
<v Speaker 3>So what I struggle with, and I've seen this within

0:17:48.462 --> 0:17:51.422
<v Speaker 3>feminists fears quite a bit lately, which is that someone

0:17:51.702 --> 0:17:55.821
<v Speaker 3>sees something that they think is sexist or misogynistic by

0:17:55.821 --> 0:17:59.302
<v Speaker 3>another woman, and then in the name of feminism, they

0:17:59.302 --> 0:18:01.982
<v Speaker 3>call that woman old or ugly or a pick me

0:18:02.141 --> 0:18:06.662
<v Speaker 3>girl or something, or a misogynist, which which I still go, mate,

0:18:06.702 --> 0:18:09.061
<v Speaker 3>you're using the same trope. So for example, there was

0:18:09.101 --> 0:18:11.782
<v Speaker 3>one line where she said, please God, may I never

0:18:11.821 --> 0:18:14.021
<v Speaker 3>find this is Jimi La Jamil Please, God, may I

0:18:14.022 --> 0:18:17.462
<v Speaker 3>never find myself middle aged dedicated to taking women trying

0:18:17.462 --> 0:18:19.462
<v Speaker 3>to do something positive in the world down a peg

0:18:19.542 --> 0:18:23.101
<v Speaker 3>or two. I hope I'm still directing my energy towards progress,

0:18:23.182 --> 0:18:25.341
<v Speaker 3>not taking the bins out for the patriarchy for a

0:18:25.341 --> 0:18:28.302
<v Speaker 3>paycheck and a pat on the head. There were lines

0:18:28.341 --> 0:18:30.741
<v Speaker 3>like that in it that I just thought that just

0:18:30.821 --> 0:18:33.782
<v Speaker 3>feels as though it's laced with sexism in the same way.

0:18:33.942 --> 0:18:37.462
<v Speaker 1>Yeah, there's a certain type of online feminist who I've

0:18:37.462 --> 0:18:41.181
<v Speaker 1>read described as a self aggrandizing and abrasive version of

0:18:41.222 --> 0:18:45.782
<v Speaker 1>feminism that they're peddling. So it's they'll really dish it out,

0:18:46.022 --> 0:18:48.621
<v Speaker 1>but then when it comes back to them, they cri misogyny,

0:18:48.661 --> 0:18:51.621
<v Speaker 1>they cry how unfair it is, and it's just very

0:18:52.742 --> 0:18:54.622
<v Speaker 1>I don't know, either you're in the arena or you're

0:18:54.621 --> 0:18:55.742
<v Speaker 1>not in the arena.

0:18:55.502 --> 0:18:59.662
<v Speaker 2>But well, yes, but not everything's fair in the arena, right,

0:18:59.782 --> 0:19:01.902
<v Speaker 2>Like I think it's fair enough to call out when

0:19:01.901 --> 0:19:04.502
<v Speaker 2>you've been misrepresented. I think it's fair enough to call

0:19:04.542 --> 0:19:08.341
<v Speaker 2>out when something's damaging or defamatory or whatever. Like, I

0:19:08.381 --> 0:19:10.661
<v Speaker 2>don't think it's fair to go in the name of

0:19:10.702 --> 0:19:13.222
<v Speaker 2>selling a TV show. You should be fair game for

0:19:13.262 --> 0:19:13.862
<v Speaker 2>all kinds.

0:19:13.661 --> 0:19:15.502
<v Speaker 1>But whole Why does she keep saying I'm immune to

0:19:15.542 --> 0:19:17.262
<v Speaker 1>being judged. I don't care what people think of me.

0:19:17.302 --> 0:19:18.862
<v Speaker 1>I don't care what people think of me. And then

0:19:18.861 --> 0:19:22.702
<v Speaker 1>there's a profile and again she talks about I did

0:19:22.742 --> 0:19:27.142
<v Speaker 1>contact the journalist. There's been no response, no apology, no deletion,

0:19:27.742 --> 0:19:30.942
<v Speaker 1>no removal of the piece. And it's like this other

0:19:30.982 --> 0:19:33.302
<v Speaker 1>media the world, this is the Internet. And if you're

0:19:33.341 --> 0:19:35.022
<v Speaker 1>going to again, if you're going to be in the arena,

0:19:35.462 --> 0:19:37.901
<v Speaker 1>you're probably going to get a bloody nose in the arena.

0:19:37.942 --> 0:19:41.262
<v Speaker 1>And as a woman of color, she cops so much

0:19:41.302 --> 0:19:46.222
<v Speaker 1>more than most women. And it's true, she gets trolled.

0:19:46.861 --> 0:19:50.421
<v Speaker 1>Every woman online does she does that little.

0:19:50.141 --> 0:19:53.502
<v Speaker 3>Bit more well, and outspoken women do cop it more.

0:19:53.502 --> 0:19:55.141
<v Speaker 3>And I think that you could read a profile on

0:19:55.182 --> 0:19:57.861
<v Speaker 3>someone like Harvey Weinstein and he wouldn't be described as controversial.

0:19:57.901 --> 0:20:00.421
<v Speaker 3>Like controversial every woman in the public eye is described.

0:20:00.462 --> 0:20:04.542
<v Speaker 2>That's true. Even the word outspoken. How often do you

0:20:04.581 --> 0:20:06.661
<v Speaker 2>hear Troman being described as outspoken. I think there's a

0:20:06.702 --> 0:20:09.061
<v Speaker 2>lot of truth in what she says. It just really

0:20:09.141 --> 0:20:12.742
<v Speaker 2>riles me that in saying it, she has smeared a

0:20:12.782 --> 0:20:17.342
<v Speaker 2>whole lot of women in a moment the new theory

0:20:17.422 --> 0:20:23.581
<v Speaker 2>that challenges MeTL robins Let them friends? Why do you

0:20:23.621 --> 0:20:24.022
<v Speaker 2>wear a bra?

0:20:24.381 --> 0:20:26.302
<v Speaker 4>Because I'd hit myself in the face if I didn't.

0:20:26.542 --> 0:20:29.702
<v Speaker 1>Yeah, so that my boobs don't hurt yourself?

0:20:29.782 --> 0:20:31.182
<v Speaker 4>Well, yeah, because it's I.

0:20:31.101 --> 0:20:33.502
<v Speaker 1>Feel uncomfortable, although I also feel uncomfortable.

0:20:34.182 --> 0:20:37.581
<v Speaker 2>So the reason I'm asking this question is because of

0:20:37.621 --> 0:20:40.061
<v Speaker 2>a story that I just read. It's an important part

0:20:40.141 --> 0:20:42.822
<v Speaker 2>in this column I just read by the Herald journalist

0:20:42.861 --> 0:20:46.901
<v Speaker 2>Kate Halfpenny about a counterpoint to the let them obsession.

0:20:47.141 --> 0:20:49.741
<v Speaker 2>She is writing in defense of the who says theory

0:20:49.942 --> 0:20:52.661
<v Speaker 2>and let me explain the bra bit. She opens with

0:20:52.742 --> 0:20:55.462
<v Speaker 2>the story of a friend who was complaining that her

0:20:55.502 --> 0:20:58.902
<v Speaker 2>bra was cutting into her shoulders right, and a friend

0:20:58.942 --> 0:21:01.342
<v Speaker 2>who was with her said that she never wears a bra,

0:21:01.462 --> 0:21:04.141
<v Speaker 2>particularly in winter when you've got five layers on, like

0:21:04.182 --> 0:21:07.981
<v Speaker 2>who knows whether your boobs are down round your waist

0:21:08.061 --> 0:21:10.661
<v Speaker 2>or up near your chin, and said, why would you

0:21:10.702 --> 0:21:14.261
<v Speaker 2>wear one unless you were meeting the bank manager. The conversation,

0:21:14.462 --> 0:21:17.382
<v Speaker 2>Kate writes, spurred Amy to do two things. First, abandon

0:21:17.422 --> 0:21:21.181
<v Speaker 2>a bra unless she's working out. Second, ask why it

0:21:21.222 --> 0:21:23.862
<v Speaker 2>took her until she was forty to question doing something

0:21:23.942 --> 0:21:27.821
<v Speaker 2>every day that she hated. Now she asks who says

0:21:27.901 --> 0:21:30.341
<v Speaker 2>when making decisions, Who says you have to wear a

0:21:30.422 --> 0:21:34.022
<v Speaker 2>wretched undergarment just to create a pleasing silhouette. Who says

0:21:34.061 --> 0:21:37.022
<v Speaker 2>you have to have porridge if you want pancakes? Who

0:21:37.141 --> 0:21:41.142
<v Speaker 2>says you have to behave mia. Let them was your

0:21:41.182 --> 0:21:44.061
<v Speaker 2>word of the year this year, but your relationship with

0:21:44.101 --> 0:21:44.862
<v Speaker 2>it has changed.

0:21:45.182 --> 0:21:48.061
<v Speaker 1>I think that this idea of let them is very

0:21:48.141 --> 0:21:51.861
<v Speaker 1>linked with passivity, and that can sometimes be a good

0:21:51.861 --> 0:21:54.341
<v Speaker 1>thing because we can twist ourselves into notts about things

0:21:54.341 --> 0:21:59.381
<v Speaker 1>we can't change people in our lives, geopolitical situations, and

0:21:59.422 --> 0:22:02.022
<v Speaker 1>so let them was just basically the only thing you

0:22:02.022 --> 0:22:04.942
<v Speaker 1>can control is how you feel about a situation. We

0:22:05.022 --> 0:22:06.661
<v Speaker 1>sort of started to talk we talked about on the

0:22:06.702 --> 0:22:10.942
<v Speaker 1>show about Michelle. Obama brought a slightly different energy, which

0:22:10.982 --> 0:22:14.222
<v Speaker 1>is a little bit more fuck em, which is kind

0:22:14.262 --> 0:22:17.821
<v Speaker 1>of like, you don't have to be all sort of

0:22:17.861 --> 0:22:21.181
<v Speaker 1>Buddhist and zen about these terrible things that are happening,

0:22:21.262 --> 0:22:23.222
<v Speaker 1>or these people that you don't like, all these situations

0:22:23.262 --> 0:22:25.982
<v Speaker 1>that you're not comfortable with. You can actually be a

0:22:26.022 --> 0:22:27.262
<v Speaker 1>little bit more burn it down.

0:22:27.702 --> 0:22:30.222
<v Speaker 4>Yeah. I think that when we say let them.

0:22:30.302 --> 0:22:31.302
<v Speaker 1>I've tried. I've tried.

0:22:32.022 --> 0:22:33.742
<v Speaker 4>I'm not being honest with myself for others.

0:22:34.182 --> 0:22:36.621
<v Speaker 3>I sometimes you do need a little bit more venom,

0:22:36.782 --> 0:22:39.702
<v Speaker 3>which is why I think fuckham has really helped. I'm

0:22:39.742 --> 0:22:42.382
<v Speaker 3>not going to do anything like I think that Jimila

0:22:42.462 --> 0:22:45.061
<v Speaker 3>Jamial probably should have said fuck him and then like

0:22:45.621 --> 0:22:48.382
<v Speaker 3>quietly to yeah, just quietly to herself, for example, rather

0:22:48.422 --> 0:22:51.421
<v Speaker 3>than going into that fight mode, which is you know,

0:22:51.502 --> 0:22:55.101
<v Speaker 3>totally understandable as well. But I really liked the who

0:22:55.141 --> 0:22:58.982
<v Speaker 3>says theory because who says I can't wear a shirt

0:22:58.982 --> 0:22:59.981
<v Speaker 3>with a bleached stain on it?

0:23:00.022 --> 0:23:01.621
<v Speaker 4>I have two bleach stains on this shirt.

0:23:01.661 --> 0:23:04.981
<v Speaker 3>I just who says I can't wear the same jeans

0:23:04.982 --> 0:23:06.302
<v Speaker 3>and the same shoes to work every day?

0:23:06.422 --> 0:23:08.502
<v Speaker 1>Who says I have to wax or lays in my

0:23:08.542 --> 0:23:09.222
<v Speaker 1>bikini line?

0:23:09.821 --> 0:23:11.702
<v Speaker 4>It's funny. When I was going through the who says though,

0:23:11.782 --> 0:23:12.742
<v Speaker 4>I went, oh.

0:23:12.581 --> 0:23:18.461
<v Speaker 2>Maya, like, it's true that this is what Kate for one?

0:23:18.742 --> 0:23:20.941
<v Speaker 4>Who says that I can't wear the same James to

0:23:20.982 --> 0:23:21.581
<v Speaker 4>wake everything?

0:23:22.182 --> 0:23:25.341
<v Speaker 2>Kate Halfpenny was riding about that. Increasingly, it feels like

0:23:25.381 --> 0:23:27.781
<v Speaker 2>there's an army of people on the Internet giving us

0:23:27.821 --> 0:23:29.982
<v Speaker 2>more rules, like more rules all the time, rules about

0:23:29.982 --> 0:23:34.182
<v Speaker 2>your face, rules about your food, rule camelte, rules about

0:23:34.182 --> 0:23:36.462
<v Speaker 2>your gene shape, rules about your socks, ruled about shoes.

0:23:36.462 --> 0:23:40.102
<v Speaker 2>And she's like, we all absorb them and then constantly

0:23:40.182 --> 0:23:43.262
<v Speaker 2>feel like we're wrong. And she's like, the anecdote about

0:23:43.262 --> 0:23:45.461
<v Speaker 2>the bra is kind of like, obviously, if it's for

0:23:45.502 --> 0:23:48.502
<v Speaker 2>your comfort, go for it. But if it's just because

0:23:48.901 --> 0:23:51.661
<v Speaker 2>the world has decided there should be something between your

0:23:51.742 --> 0:23:55.542
<v Speaker 2>nipples and your outer garments. Who says, I like this

0:23:55.702 --> 0:23:58.182
<v Speaker 2>energy and I should have written this bloody story because

0:23:58.341 --> 0:24:00.221
<v Speaker 2>I have a post it on the wall of my

0:24:00.302 --> 0:24:03.781
<v Speaker 2>office that says, you don't have to and it is

0:24:03.861 --> 0:24:05.782
<v Speaker 2>like my little mantra because for.

0:24:05.901 --> 0:24:11.061
<v Speaker 3>Someone with that post at Hollywayen right, you things that

0:24:11.141 --> 0:24:11.861
<v Speaker 3>you don't want to do.

0:24:12.422 --> 0:24:14.101
<v Speaker 2>I know, but you know how it's supposed to be

0:24:14.101 --> 0:24:16.861
<v Speaker 2>my year of not which is clearly going on really

0:24:16.901 --> 0:24:20.341
<v Speaker 2>really well. But as me and well as you guys

0:24:20.341 --> 0:24:22.821
<v Speaker 2>know very well, I don't like feeling like I have

0:24:22.901 --> 0:24:25.422
<v Speaker 2>to do things, and I get a lot of freedom

0:24:25.462 --> 0:24:27.581
<v Speaker 2>when I can reframe it. It's like, you don't have to,

0:24:27.661 --> 0:24:30.022
<v Speaker 2>but you're choosing to, even if it's kind of bush.

0:24:30.061 --> 0:24:32.502
<v Speaker 1>So I sometimes get this phrase in my head, you're

0:24:32.502 --> 0:24:34.302
<v Speaker 1>not the boss of me. Yeah, exactly right.

0:24:34.381 --> 0:24:36.942
<v Speaker 2>It's like that. So it's like I don't have to

0:24:36.982 --> 0:24:39.421
<v Speaker 2>be governed by my group chats. I don't have to

0:24:40.262 --> 0:24:43.221
<v Speaker 2>like look forty when I'm fifty. I don't have to

0:24:44.022 --> 0:24:45.981
<v Speaker 2>say yes to everything everyone asked me to do. That

0:24:46.022 --> 0:24:49.182
<v Speaker 2>would make so life easier. It's like who says, who says?

0:24:49.621 --> 0:24:50.901
<v Speaker 2>It's a little bit toddler though, isn't it?

0:24:50.861 --> 0:24:51.942
<v Speaker 4>It's very two year old.

0:24:52.101 --> 0:24:55.061
<v Speaker 1>I don't think it always is, because sometimes it's just

0:24:55.101 --> 0:25:00.102
<v Speaker 1>about really challenging your own internalized preconceptions, because you're right,

0:25:00.141 --> 0:25:04.861
<v Speaker 1>you're like, well, who says and apart from me says like, well, why,

0:25:05.141 --> 0:25:07.581
<v Speaker 1>I remember once interviewing someone and I can't even remember

0:25:07.581 --> 0:25:10.101
<v Speaker 1>how it came up because I'm soogynist, and I was

0:25:10.141 --> 0:25:13.102
<v Speaker 1>asking her about VPL Remember when that was the thing

0:25:13.182 --> 0:25:14.182
<v Speaker 1>visible panty line?

0:25:14.262 --> 0:25:15.982
<v Speaker 4>Oh you've never never taken that a.

0:25:15.942 --> 0:25:18.621
<v Speaker 1>Long time ago, And she's just like, well, who says

0:25:18.661 --> 0:25:20.461
<v Speaker 1>it has to be something that you're ashamed of? Who

0:25:20.502 --> 0:25:22.982
<v Speaker 1>says it's something that you should have to try and hide?

0:25:23.302 --> 0:25:25.461
<v Speaker 3>See, I think that my mantra is a little bit

0:25:25.542 --> 0:25:28.502
<v Speaker 3>it's none of my business, Like my VPL. My visible

0:25:28.542 --> 0:25:29.821
<v Speaker 3>panty line, which I know I have, is none of

0:25:29.821 --> 0:25:31.542
<v Speaker 3>my business because I can't say, only you can.

0:25:31.782 --> 0:25:33.462
<v Speaker 4>But then you bring it up, and that's who says.

0:25:33.302 --> 0:25:40.702
<v Speaker 5>Then I says, Mia says after the break, We've got

0:25:40.742 --> 0:25:45.702
<v Speaker 5>some scarless gossip about Katie Perry. Every Tuesday and Thursday

0:25:45.742 --> 0:25:47.742
<v Speaker 5>we drop new segments of Mum and Me are Out

0:25:47.742 --> 0:25:50.621
<v Speaker 5>Loud just for Mum and Me as subscribers. Follow the

0:25:50.661 --> 0:25:52.581
<v Speaker 5>link in the show notes to get your daily dose

0:25:52.621 --> 0:25:55.222
<v Speaker 5>of Out Loud and a big thank you to everyone

0:25:55.341 --> 0:25:56.621
<v Speaker 5>who is already subscribed.

0:26:03.381 --> 0:26:07.061
<v Speaker 3>Friends, I would never engage in scroless gossip. I'm above it,

0:26:07.381 --> 0:26:11.222
<v Speaker 3>unlike you to. However, the news is bleak. There is

0:26:11.262 --> 0:26:13.101
<v Speaker 3>a lot going on in the world keeping me and

0:26:13.182 --> 0:26:15.022
<v Speaker 3>others up at night, and so I would like for

0:26:15.222 --> 0:26:19.101
<v Speaker 3>just one moment to reflect upon Katy Perry's alleged separation

0:26:19.222 --> 0:26:22.101
<v Speaker 3>from Orlando Bloom, for which we have little to note proof.

0:26:22.222 --> 0:26:24.502
<v Speaker 2>Are you ready will allow how alleged is it?

0:26:24.821 --> 0:26:27.901
<v Speaker 4>Sources? Tell people? Okay, can you give me a percentage

0:26:27.942 --> 0:26:28.181
<v Speaker 4>on that?

0:26:28.381 --> 0:26:30.142
<v Speaker 1>Oh, People magazine, People Magazine.

0:26:30.182 --> 0:26:31.341
<v Speaker 2>Yeah, it's pretty solid.

0:26:31.381 --> 0:26:34.302
<v Speaker 1>That's pretty much like a publicist making an announcement. Great, Okay,

0:26:34.341 --> 0:26:36.821
<v Speaker 1>that's or you make announcement on the notes app.

0:26:36.702 --> 0:26:37.341
<v Speaker 4>Great, Okay.

0:26:37.901 --> 0:26:40.661
<v Speaker 3>So the pair met in twenty sixteen and then in

0:26:40.661 --> 0:26:42.941
<v Speaker 3>twenty seventeen they actually had a year long break, but

0:26:42.942 --> 0:26:45.141
<v Speaker 3>then they got back together. They had a daughter who

0:26:45.182 --> 0:26:47.381
<v Speaker 3>can remember her name Daisy, Yes, because she brought the

0:26:47.462 --> 0:26:48.381
<v Speaker 3>Daisy to space.

0:26:48.262 --> 0:26:52.341
<v Speaker 2>Wasting my brain cells. Since nineteen ninety.

0:26:52.061 --> 0:26:58.381
<v Speaker 3>Five, there are reports that Orlando Bloom mocked Katy Perry's

0:26:58.381 --> 0:26:59.022
<v Speaker 3>space flight.

0:26:59.621 --> 0:27:00.141
<v Speaker 5>Very dare he?

0:27:00.381 --> 0:27:01.101
<v Speaker 4>How dare he?

0:27:01.222 --> 0:27:03.782
<v Speaker 3>Because he would have gone up there in a heartbeat?

0:27:03.982 --> 0:27:06.302
<v Speaker 3>Are you telling me that Orlando Bloom would have said no?

0:27:06.861 --> 0:27:08.502
<v Speaker 3>Like he is so a go to space guy?

0:27:08.621 --> 0:27:10.701
<v Speaker 2>Is this the story that the reason they've broken up

0:27:10.782 --> 0:27:11.782
<v Speaker 2>is he was embarrassed by that.

0:27:11.942 --> 0:27:12.942
<v Speaker 4>So there are a few reasons.

0:27:13.101 --> 0:27:15.302
<v Speaker 3>One is that they got into a fight about the

0:27:15.302 --> 0:27:17.741
<v Speaker 3>spaceflight and he said, I told you not to do it,

0:27:17.782 --> 0:27:19.462
<v Speaker 3>I told you they'd be BackFlash and you didn't listen

0:27:19.502 --> 0:27:21.181
<v Speaker 3>to me. Apparently that fight happened in the middle of

0:27:21.182 --> 0:27:23.262
<v Speaker 3>the night, which I just feel like is an important tatail.

0:27:23.381 --> 0:27:25.101
<v Speaker 2>So the leak's here are the house staff?

0:27:25.262 --> 0:27:26.182
<v Speaker 1>Okay, we've got.

0:27:26.022 --> 0:27:27.381
<v Speaker 4>It, or Daisy.

0:27:28.381 --> 0:27:30.981
<v Speaker 3>The second thing is there are reports that he is

0:27:31.022 --> 0:27:33.701
<v Speaker 3>going to the Bezos wedding without her.

0:27:34.022 --> 0:27:35.862
<v Speaker 4>Because she's in Australia tour Australia.

0:27:36.341 --> 0:27:38.981
<v Speaker 3>She was at Laurence hend she was exactly and she

0:27:39.022 --> 0:27:41.381
<v Speaker 3>can't go because she's in Australia and she's mad because

0:27:41.422 --> 0:27:43.821
<v Speaker 3>she's like, Orlando, you're having a go at me for

0:27:43.901 --> 0:27:45.742
<v Speaker 3>doing Blue Origin, but you're going to Lauren's wedding.

0:27:46.262 --> 0:27:47.421
<v Speaker 4>So apparently that's created a.

0:27:47.702 --> 0:27:49.701
<v Speaker 1>Bit different going to wedding and going to Spain.

0:27:49.742 --> 0:27:52.581
<v Speaker 3>But apparently they're not even Orlando's friends, they're her friends.

0:27:53.022 --> 0:27:54.142
<v Speaker 2>No, I wouldn't be happy.

0:27:54.422 --> 0:27:57.941
<v Speaker 3>So then sources told People earlier this month that the

0:27:57.982 --> 0:28:00.621
<v Speaker 3>reception of her new album and reviews of the tour

0:28:00.702 --> 0:28:02.742
<v Speaker 3>has caused tension in her relationships.

0:28:02.742 --> 0:28:03.342
<v Speaker 2>Still having a.

0:28:03.302 --> 0:28:04.262
<v Speaker 1>Great year, She's not.

0:28:04.542 --> 0:28:06.901
<v Speaker 2>Everyone, including lots of that lauders who've been to the

0:28:06.942 --> 0:28:09.542
<v Speaker 2>show in Australia say it's great. Just in a quick

0:28:09.742 --> 0:28:10.701
<v Speaker 2>I've heard Katy Perry.

0:28:10.821 --> 0:28:11.622
<v Speaker 4>I've heard that too.

0:28:12.462 --> 0:28:14.862
<v Speaker 3>I have just a bit of relationship advice looking at this,

0:28:15.101 --> 0:28:16.742
<v Speaker 3>and I think it's just a bit of wisdom that

0:28:16.782 --> 0:28:19.141
<v Speaker 3>we can all live by. You got to choose someone

0:28:19.182 --> 0:28:21.941
<v Speaker 3>who'd stay with you through Blue Origin. Yes, look at

0:28:21.982 --> 0:28:24.262
<v Speaker 3>your partner and go if I had my Blue Origin moment,

0:28:24.302 --> 0:28:25.542
<v Speaker 3>which we all will.

0:28:25.542 --> 0:28:28.022
<v Speaker 1>But he has he has stayed with her past that,

0:28:28.182 --> 0:28:30.061
<v Speaker 1>so people can't directly link the two.

0:28:30.141 --> 0:28:31.262
<v Speaker 2>It was five minutes ago.

0:28:31.702 --> 0:28:34.302
<v Speaker 1>I also think it could have been the final straw.

0:28:34.621 --> 0:28:36.661
<v Speaker 1>They both talked a lot about how hard it is

0:28:36.702 --> 0:28:37.302
<v Speaker 1>to be married.

0:28:37.742 --> 0:28:41.782
<v Speaker 2>I think she stayed with him. Who remembers that disastrous

0:28:41.782 --> 0:28:45.742
<v Speaker 2>interview he did speaking of profiles, speaking of profile pieces

0:28:45.742 --> 0:28:48.701
<v Speaker 2>that paint people in a bad light. Or Lando Bloom,

0:28:48.742 --> 0:28:51.582
<v Speaker 2>who last time I checked was a male. He got

0:28:51.622 --> 0:28:54.062
<v Speaker 2>slammed after he did this is my day in the

0:28:54.142 --> 0:28:56.661
<v Speaker 2>life profile, and it was like I wake up at

0:28:56.702 --> 0:28:59.062
<v Speaker 2>dawn and I measure all my sleep apps, and then

0:28:59.102 --> 0:29:01.181
<v Speaker 2>I play with Lego while I do my body's chanting,

0:29:01.182 --> 0:29:03.582
<v Speaker 2>and then I do twenty five steps in my skincare routine.

0:29:03.661 --> 0:29:06.102
<v Speaker 2>And he got slammed. And did she stand there? Yes,

0:29:06.222 --> 0:29:06.622
<v Speaker 2>she did.

0:29:06.702 --> 0:29:08.062
<v Speaker 1>All you can't back.

0:29:07.862 --> 0:29:10.701
<v Speaker 2>Away because it's damaging for you brand. It's not okay.

0:29:10.782 --> 0:29:13.142
<v Speaker 3>You know what's hard for Katie If she's in therapy

0:29:13.262 --> 0:29:15.622
<v Speaker 3>right now and she's talking about, like I did this

0:29:15.661 --> 0:29:17.742
<v Speaker 3>Blue Origin thing, blah blah blah, and if her therapist

0:29:17.822 --> 0:29:20.222
<v Speaker 3>was to say, who says it was frivolous and out

0:29:20.262 --> 0:29:23.902
<v Speaker 3>of touch everyone. Everyone don't play the who says game Katie,

0:29:23.902 --> 0:29:25.222
<v Speaker 3>it is not a good time to be playing.

0:29:25.262 --> 0:29:27.142
<v Speaker 1>I I think she has to say fuck them.

0:29:27.302 --> 0:29:29.102
<v Speaker 4>I think it's fucking for her anyway.

0:29:30.022 --> 0:29:33.102
<v Speaker 1>Jeff Bezos and Lauren Sanchez are getting married in Venice,

0:29:33.182 --> 0:29:37.422
<v Speaker 1>Italy this week, and the city's locals are pissed. This

0:29:37.502 --> 0:29:40.262
<v Speaker 1>is kind of part of a broader protest movement that's

0:29:40.262 --> 0:29:42.781
<v Speaker 1>happening around Europe about over tourism. I don't know if

0:29:42.782 --> 0:29:43.262
<v Speaker 1>you've heard.

0:29:43.142 --> 0:29:45.022
<v Speaker 2>It's been fortunate for me. I'm about to be a

0:29:45.062 --> 0:29:45.982
<v Speaker 2>tourist in your.

0:29:46.661 --> 0:29:48.742
<v Speaker 4>You might be sprayed with water pistols, I've heard.

0:29:49.102 --> 0:29:52.742
<v Speaker 1>You know, last week the Louver closed in Paris because

0:29:52.782 --> 0:29:55.822
<v Speaker 1>the staff said there's too many people coming, were overwhelmed,

0:29:55.902 --> 0:30:00.142
<v Speaker 1>were stressed, mental health is suffering, we're not working today.

0:30:00.222 --> 0:30:01.502
<v Speaker 4>Why do you think tangent?

0:30:01.582 --> 0:30:04.782
<v Speaker 3>But why do you think over tourism is more of

0:30:04.822 --> 0:30:06.982
<v Speaker 3>an issue now than it was ten years ago?

0:30:07.102 --> 0:30:08.542
<v Speaker 1>For example, I don't know.

0:30:08.822 --> 0:30:12.701
<v Speaker 2>I would like to blame Instagram ah as part of it.

0:30:13.262 --> 0:30:15.701
<v Speaker 2>In that for example, at the Louver, everybody wants to

0:30:15.702 --> 0:30:17.382
<v Speaker 2>go and get their selfie with the Mona Lisa. Do

0:30:17.422 --> 0:30:19.102
<v Speaker 2>they give a shit about the Mona Lisa or not.

0:30:19.142 --> 0:30:19.661
<v Speaker 2>Probably not.

0:30:19.902 --> 0:30:22.661
<v Speaker 3>It's probably still part of the post COVID boom, I

0:30:22.661 --> 0:30:23.181
<v Speaker 3>would imagine.

0:30:23.302 --> 0:30:25.461
<v Speaker 2>Yeah, and there's also that, so no one could travel

0:30:25.502 --> 0:30:27.421
<v Speaker 2>for a couple of years, and now everybody can if

0:30:27.422 --> 0:30:29.661
<v Speaker 2>they've got the disposable income to do it. And you know,

0:30:29.742 --> 0:30:31.661
<v Speaker 2>flights are cheap in certain parts of the world, and

0:30:32.462 --> 0:30:36.342
<v Speaker 2>so maybe that. But also back to Jeff and yeah, so.

0:30:36.622 --> 0:30:40.062
<v Speaker 1>This is a huge, huge deal. The protests are just

0:30:40.142 --> 0:30:43.822
<v Speaker 1>one aspect of this whole situation. But if you've been

0:30:43.862 --> 0:30:47.542
<v Speaker 1>hearing about Lauren Sanchez Jeff Bezos, obviously you'll be familiar

0:30:47.542 --> 0:30:50.221
<v Speaker 1>with him. He is the third wishest man in the world.

0:30:50.542 --> 0:30:53.582
<v Speaker 1>He's sixty one years old, and he founded Amazon.

0:30:54.182 --> 0:30:58.182
<v Speaker 2>And if you're struggling to place them, remember the Trump inauguration.

0:30:58.462 --> 0:30:58.982
<v Speaker 4>Were they there?

0:30:59.062 --> 0:31:01.022
<v Speaker 2>Remember when he had all that He had all the

0:31:01.062 --> 0:31:04.421
<v Speaker 2>tech billionaires sitting in a row, and Lauren wore a

0:31:04.542 --> 0:31:09.942
<v Speaker 2>very eye catching top. And most of the headlines at

0:31:09.982 --> 0:31:14.182
<v Speaker 2>the inauguration were actually about Lauren Sanchez's boobs and how

0:31:14.222 --> 0:31:17.782
<v Speaker 2>Mark Zuckerberg was looking at them, rather than about anything else.

0:31:18.102 --> 0:31:21.502
<v Speaker 1>It's true, she's fifty five and their origin story Blue

0:31:21.542 --> 0:31:25.622
<v Speaker 1>origin is very interesting. Actually, he was previously married to

0:31:25.702 --> 0:31:28.982
<v Speaker 1>Mackenzie Scott for twenty five years since their divorce, and

0:31:29.022 --> 0:31:32.222
<v Speaker 1>she got many billions of dollars. She was instrumental when

0:31:32.262 --> 0:31:34.342
<v Speaker 1>he found out Amazon. She was very much involved in that,

0:31:34.902 --> 0:31:38.062
<v Speaker 1>and she got a huge payout when they divorced. They

0:31:38.102 --> 0:31:40.782
<v Speaker 1>had four kids together, and she's gone on to give

0:31:40.862 --> 0:31:45.582
<v Speaker 1>most of that away. She's an incredible philanthropist. Laurence Sanchez

0:31:45.902 --> 0:31:49.862
<v Speaker 1>is a third generation Mexican American. She is a journalist

0:31:50.022 --> 0:31:53.822
<v Speaker 1>and she was previously married to a very big Hollywood

0:31:53.862 --> 0:31:57.422
<v Speaker 1>agent guy called Patrick Whitzel. They were married for fourteen years.

0:31:57.422 --> 0:32:00.342
<v Speaker 1>They had two kids together, and she had another child

0:32:00.422 --> 0:32:03.502
<v Speaker 1>with an NFL player long term boyfriend of hers before

0:32:03.542 --> 0:32:07.062
<v Speaker 1>she married Patrick. Fun fact, he's gone on to marry

0:32:07.142 --> 0:32:10.902
<v Speaker 1>an Australian. But before we get to that, the most

0:32:10.902 --> 0:32:14.582
<v Speaker 1>interesting thing is they met in twenty sixteen while married

0:32:14.582 --> 0:32:18.582
<v Speaker 1>to other people. It was at an Amazon party for

0:32:18.742 --> 0:32:21.822
<v Speaker 1>the film Manchester by Sea and at the time, Patrick

0:32:21.862 --> 0:32:24.902
<v Speaker 1>Whitesell had a few of his stars that he represented

0:32:25.062 --> 0:32:29.102
<v Speaker 1>in that film and both of them were married and

0:32:29.222 --> 0:32:30.902
<v Speaker 1>their friendship grew from there.

0:32:31.062 --> 0:32:33.221
<v Speaker 2>It must have been quite the moment. I love to

0:32:33.222 --> 0:32:34.382
<v Speaker 2>think about the fireworks.

0:32:34.382 --> 0:32:38.022
<v Speaker 3>Fly wonder at weddings like this, when you do the

0:32:38.062 --> 0:32:41.302
<v Speaker 3>speeches or you do your vows and you.

0:32:41.342 --> 0:32:43.302
<v Speaker 4>Talk about whether it's love at first sight.

0:32:43.422 --> 0:32:45.382
<v Speaker 3>I wonder how much you have to cloak it when

0:32:45.462 --> 0:32:47.741
<v Speaker 3>it was a controversial meeting story, or if you just

0:32:47.782 --> 0:32:48.342
<v Speaker 3>have to own it.

0:32:48.422 --> 0:32:51.222
<v Speaker 1>No, Wow, everybody knows. And this is what's very very

0:32:51.222 --> 0:32:54.822
<v Speaker 1>interesting is that their friendship apparently deepened in twenty eighteen,

0:32:55.142 --> 0:32:59.022
<v Speaker 1>two years after meeting, when Lauren, who is a licensed

0:32:59.022 --> 0:33:03.062
<v Speaker 1>helicopter pilot, she started working with Jeff Bezos on aerial

0:33:03.062 --> 0:33:06.142
<v Speaker 1>filming projects for his space company Blue Origin. So she

0:33:06.222 --> 0:33:09.142
<v Speaker 1>goes way back with Blue Origin. So they were both

0:33:09.222 --> 0:33:11.542
<v Speaker 1>kind of essentially having this affair. I think we can

0:33:11.582 --> 0:33:15.742
<v Speaker 1>clearly say that in twenty nineteen, something really interesting happened.

0:33:16.542 --> 0:33:21.502
<v Speaker 1>They both suddenly announced their divorce. Divorce that's from their partners. Yeah,

0:33:21.582 --> 0:33:25.062
<v Speaker 1>Because what happened is that some very intimate texts and

0:33:25.182 --> 0:33:29.582
<v Speaker 1>photos on her phone somehow fell into the hands of

0:33:29.582 --> 0:33:32.701
<v Speaker 1>her brother, who then tried to sell them to the

0:33:32.782 --> 0:33:33.662
<v Speaker 1>National Enquirer.

0:33:34.862 --> 0:33:38.382
<v Speaker 2>Their hands were forced, yesly betrayal.

0:33:38.542 --> 0:33:41.181
<v Speaker 1>There was Dick Picks involved, There were nude selfies and

0:33:41.582 --> 0:33:43.302
<v Speaker 1>one of her very famous texts do you remember this?

0:33:43.422 --> 0:33:46.741
<v Speaker 1>I love you? A live girl. He called her a

0:33:46.862 --> 0:33:49.502
<v Speaker 1>live girl, And there's a really great profile of her

0:33:49.661 --> 0:33:52.941
<v Speaker 1>in the Cut this week where they sort of interview

0:33:52.942 --> 0:33:54.421
<v Speaker 1>a lot of people who've already known her in this

0:33:54.502 --> 0:33:58.262
<v Speaker 1>idea of her being a live girl. Everyone that has

0:33:58.302 --> 0:34:01.422
<v Speaker 1>ever known her says that she's always been a hustler

0:34:01.502 --> 0:34:05.701
<v Speaker 1>in a good sense. But she's always incredibly charismatic, very magnetic,

0:34:05.822 --> 0:34:09.542
<v Speaker 1>the life of the party, lights up, full of energy,

0:34:10.222 --> 0:34:15.102
<v Speaker 1>wildly ambitious, never take stepbacks badly, just will always come

0:34:15.142 --> 0:34:17.701
<v Speaker 1>back and be like you know, She's done all sorts

0:34:17.741 --> 0:34:21.022
<v Speaker 1>of really interesting things in her life. So this idea

0:34:21.062 --> 0:34:23.982
<v Speaker 1>of a live girl. He then was kind of like

0:34:24.022 --> 0:34:27.622
<v Speaker 1>a geeky, nerdy Amazon tech billionaire.

0:34:27.661 --> 0:34:29.062
<v Speaker 4>He's had a total rebrand.

0:34:29.221 --> 0:34:32.981
<v Speaker 1>He glowed up. She's always been quite very glowy. I've

0:34:32.982 --> 0:34:36.542
<v Speaker 1>watched a lot of videos about her facial transformation. She's

0:34:36.701 --> 0:34:41.701
<v Speaker 1>got that very hard bodied, big fake boobs, a lot

0:34:41.741 --> 0:34:45.022
<v Speaker 1>of very noticeable plastic surgery on her face. She's fifty

0:34:45.022 --> 0:34:49.462
<v Speaker 1>five and he's become really jacked. He shaved his head.

0:34:49.822 --> 0:34:53.502
<v Speaker 1>So they've both really clearly share this love of what

0:34:53.542 --> 0:34:56.261
<v Speaker 1>would you call it aesthetics ypt. What do we know?

0:34:56.661 --> 0:34:57.742
<v Speaker 4>What do we know about the wedding?

0:34:57.822 --> 0:35:00.142
<v Speaker 2>So the wedding is in vanit has discussed it costs

0:35:00.181 --> 0:35:02.301
<v Speaker 2>at least ten million, we think probably more so. The

0:35:02.302 --> 0:35:05.701
<v Speaker 2>protests are about the fact that Venice over Tauru said

0:35:05.701 --> 0:35:07.301
<v Speaker 2>it's going to close it down, blah blah blah. But

0:35:07.422 --> 0:35:09.901
<v Speaker 2>also it's about the idea of this spec to call

0:35:10.022 --> 0:35:13.421
<v Speaker 2>the uber rich while the world is burning. There were

0:35:13.462 --> 0:35:15.982
<v Speaker 2>lots of speculation that Trump might go. I imagine that

0:35:16.102 --> 0:35:18.422
<v Speaker 2>now he might be too busy. Yeah, but lots of

0:35:18.502 --> 0:35:21.341
<v Speaker 2>very famous people will be there. Obviously, the Kardashians will

0:35:21.342 --> 0:35:23.941
<v Speaker 2>have as strong showing. Chris Jenna will certainly be there,

0:35:23.982 --> 0:35:26.982
<v Speaker 2>that the Clooney will be there. A lot of very famous,

0:35:26.982 --> 0:35:28.622
<v Speaker 2>great and good will be there. It's all going to

0:35:28.622 --> 0:35:31.701
<v Speaker 2>be in vogue because Anna Win Tour. One of the

0:35:31.741 --> 0:35:33.821
<v Speaker 2>things I find fascinating. If you're wondering why we're telling

0:35:33.822 --> 0:35:35.622
<v Speaker 2>you about all this a it's going to be everywhere

0:35:35.622 --> 0:35:37.102
<v Speaker 2>you look by the end of this week, because this

0:35:37.142 --> 0:35:39.381
<v Speaker 2>wedding lasts for three days and it's going to be

0:35:39.822 --> 0:35:42.941
<v Speaker 2>on every screen because people want to distract themselves from

0:35:42.942 --> 0:35:44.982
<v Speaker 2>the terrible things going on. But one of the reasons.

0:35:45.022 --> 0:35:48.462
<v Speaker 2>I find them fascinating. My current obsession is like the

0:35:48.542 --> 0:35:51.102
<v Speaker 2>sort of women in the culture who are looming large,

0:35:51.142 --> 0:35:55.022
<v Speaker 2>and Sanchez is a really interesting one of those, because

0:35:55.422 --> 0:35:57.341
<v Speaker 2>it would have been not that long ago that there

0:35:57.342 --> 0:36:01.982
<v Speaker 2>would have been something kind of shameful gold diggery about

0:36:02.022 --> 0:36:05.502
<v Speaker 2>this other woman who stole Jeff Bezos away, and they

0:36:05.502 --> 0:36:07.821
<v Speaker 2>would kind of hide their light under a bushel a bit.

0:36:08.261 --> 0:36:11.142
<v Speaker 2>But Sanchez and Bezos, as you were just saying me,

0:36:11.422 --> 0:36:14.661
<v Speaker 2>have like been massively out and proud with this. And

0:36:14.701 --> 0:36:18.862
<v Speaker 2>she is a very like archetype of aspiration, like looking

0:36:18.862 --> 0:36:21.982
<v Speaker 2>the way she looks, which is not fifty five, for example,

0:36:22.422 --> 0:36:25.981
<v Speaker 2>the way they spend their money, which is incredibly sort

0:36:25.982 --> 0:36:29.502
<v Speaker 2>of up. There's yachts and there's It's really interesting because

0:36:29.582 --> 0:36:31.062
<v Speaker 2>I think that's not as long as her we were

0:36:31.181 --> 0:36:33.261
<v Speaker 2>out luck, we would have thought it wasn't classy, and

0:36:33.302 --> 0:36:35.782
<v Speaker 2>Anna win Tour certainly would have thought it wasn't classy.

0:36:36.142 --> 0:36:38.062
<v Speaker 2>But now she also sees which way the wind is

0:36:38.062 --> 0:36:40.181
<v Speaker 2>blowing and she's like, we will be having this wedding pan.

0:36:40.342 --> 0:36:43.622
<v Speaker 1>Yeah. I think she does still see it as not classy.

0:36:44.022 --> 0:36:48.422
<v Speaker 1>But Anna win Tour is a survivor and she is

0:36:48.942 --> 0:36:52.821
<v Speaker 1>very savvy, and she knows that this is the new

0:36:52.822 --> 0:36:56.902
<v Speaker 1>world order. You know, in Magaworld it's not about quiet luxury.

0:36:57.102 --> 0:36:59.901
<v Speaker 1>Then you know they have a wide philanthropic arm and

0:36:59.942 --> 0:37:02.102
<v Speaker 1>she calls herself a philanthropist. She also just wrote a

0:37:02.181 --> 0:37:04.942
<v Speaker 1>children's book about a fly he goes to space. So

0:37:05.741 --> 0:37:07.422
<v Speaker 1>I've been watching some interviews with her of trying to

0:37:07.422 --> 0:37:09.382
<v Speaker 1>get a bit of a sense of her. She doesn't

0:37:09.382 --> 0:37:12.302
<v Speaker 1>try how it be anything that she's not. She seems

0:37:12.342 --> 0:37:13.382
<v Speaker 1>like she'd be a good time.

0:37:13.741 --> 0:37:17.422
<v Speaker 3>My only note is I was looking at the protesters thinking,

0:37:17.462 --> 0:37:19.781
<v Speaker 3>I wonder what specifically they're protesting, And of course it

0:37:19.902 --> 0:37:22.902
<v Speaker 3>is about Venice in particular has been overrun and historic

0:37:23.221 --> 0:37:25.181
<v Speaker 3>sites have been damaged by tourists and all that kind

0:37:25.181 --> 0:37:25.501
<v Speaker 3>of stuff.

0:37:25.542 --> 0:37:26.582
<v Speaker 4>And they're basically like.

0:37:26.741 --> 0:37:29.182
<v Speaker 1>Which has been happening long before, yes, wedding.

0:37:29.221 --> 0:37:31.822
<v Speaker 3>But I thought, if you think that what Jeff Bezos

0:37:31.902 --> 0:37:34.142
<v Speaker 3>is doing to Venice is bad, wait until you learn

0:37:34.181 --> 0:37:35.702
<v Speaker 3>what he's been doing to the rest of the planet.

0:37:35.781 --> 0:37:39.622
<v Speaker 1>Because he is. And it's interesting that the publicity machine

0:37:39.622 --> 0:37:42.422
<v Speaker 1>has already started swinging into action. There've been lots of

0:37:42.661 --> 0:37:45.902
<v Speaker 1>stories being planted about here are all the local artisans

0:37:45.902 --> 0:37:47.941
<v Speaker 1>that they're working with and this person's made the cake,

0:37:47.982 --> 0:37:50.502
<v Speaker 1>and this local person's done this, and you know it's

0:37:50.542 --> 0:37:51.861
<v Speaker 1>going to be phenomenal.

0:37:51.942 --> 0:37:55.142
<v Speaker 3>This is that's ironic, given that Jeff Bezos solely destroyed

0:37:55.142 --> 0:37:56.542
<v Speaker 3>local economies exactly.

0:37:56.902 --> 0:38:00.542
<v Speaker 1>Well, it's very interesting this idea of over tourism protests,

0:38:00.542 --> 0:38:03.261
<v Speaker 1>because tourism is the backbone of the economy of a

0:38:03.261 --> 0:38:05.982
<v Speaker 1>lot of these big cities. But the locals always say, well,

0:38:06.022 --> 0:38:08.102
<v Speaker 1>we can't afford to live here anymore. So you know,

0:38:08.181 --> 0:38:10.221
<v Speaker 1>we have that in our own city, like Baron Bay,

0:38:10.261 --> 0:38:12.582
<v Speaker 1>for example, there's a lot of protests about over tourism

0:38:12.622 --> 0:38:15.142
<v Speaker 1>there and about how people are being driven out and

0:38:15.142 --> 0:38:18.021
<v Speaker 1>can't afford rents anymore. So it's going to be really

0:38:18.022 --> 0:38:22.142
<v Speaker 1>interesting to watch. Apparently she's had twenty seven dresses commissioned

0:38:22.462 --> 0:38:26.181
<v Speaker 1>that are all pretty much cautore I would She's probably

0:38:26.221 --> 0:38:28.502
<v Speaker 1>gonna wear Oscar dela Rena. That's what she wore to

0:38:28.502 --> 0:38:31.462
<v Speaker 1>the met gala. There was a bit of a holding

0:38:31.542 --> 0:38:34.142
<v Speaker 1>nose over who would design it, and also around all

0:38:34.181 --> 0:38:37.781
<v Speaker 1>the MAGA people, but you know, Milania Trump and all

0:38:37.822 --> 0:38:40.902
<v Speaker 1>the Magas. But now the designers again have seen the

0:38:40.902 --> 0:38:44.142
<v Speaker 1>way the wind blows. This is incredibly lucrative for them.

0:38:44.342 --> 0:38:47.142
<v Speaker 1>Can you imagine how much publicity it's going to get

0:38:47.422 --> 0:38:49.022
<v Speaker 1>and how much money is going to be spent. She's

0:38:49.022 --> 0:38:51.022
<v Speaker 1>also been at dot Chain and Gabana. I'm sure she's

0:38:51.181 --> 0:38:53.502
<v Speaker 1>spreading the love around. If she's got twenty seven dresses

0:38:53.502 --> 0:38:54.102
<v Speaker 1>to wear.

0:38:54.221 --> 0:38:56.381
<v Speaker 2>Out louders, that's all we've got time for on our

0:38:56.382 --> 0:38:57.142
<v Speaker 2>Monday show them.

0:38:57.302 --> 0:39:01.381
<v Speaker 1>That'sot One more thing, Jesse, I was at your house

0:39:01.382 --> 0:39:04.462
<v Speaker 1>for dinner last night. You were there. I was having

0:39:04.542 --> 0:39:08.422
<v Speaker 1>dinner with Luca and my other kids. And did you

0:39:08.462 --> 0:39:09.821
<v Speaker 1>notice anything different? This morning?

0:39:09.902 --> 0:39:11.901
<v Speaker 4>The house was a little messy, so I knew you'd

0:39:11.942 --> 0:39:12.341
<v Speaker 4>been there.

0:39:12.422 --> 0:39:14.622
<v Speaker 1>Did you notice anything different in Luna's room? No?

0:39:15.422 --> 0:39:16.102
<v Speaker 4>What did you do?

0:39:16.261 --> 0:39:18.942
<v Speaker 1>So? Last night I went upstairs to put it to

0:39:18.982 --> 0:39:21.341
<v Speaker 1>bed after her bath, and I went to get her

0:39:21.342 --> 0:39:24.781
<v Speaker 1>pajamas and I tried to open the drawer where the

0:39:24.942 --> 0:39:28.942
<v Speaker 1>clothes pajamas might be. It was jammed, was so stuffed

0:39:28.982 --> 0:39:33.221
<v Speaker 1>so couldn't open it. Now that might remember a while

0:39:33.261 --> 0:39:37.582
<v Speaker 1>ago again, when Jesse was out, I went through Luna's

0:39:37.582 --> 0:39:40.102
<v Speaker 1>clothes and that was a boundary.

0:39:41.622 --> 0:39:43.142
<v Speaker 4>Yeah, yeah, so.

0:39:43.502 --> 0:39:48.221
<v Speaker 1>I was a woman possessed last night. I reckon two

0:39:48.422 --> 0:39:50.982
<v Speaker 1>thirds of the stuff there were two drawers. Luna did

0:39:50.982 --> 0:39:53.462
<v Speaker 1>it with me. We had a great time. Two thirds

0:39:53.462 --> 0:39:56.422
<v Speaker 1>of the stuff is now bagged and put away.

0:39:57.382 --> 0:39:58.022
<v Speaker 2>Come to my hand.

0:39:58.261 --> 0:40:00.142
<v Speaker 4>Yeah, you could actually do my clothes. How you're at it?

0:40:00.261 --> 0:40:01.181
<v Speaker 2>That sounds really.

0:40:01.302 --> 0:40:05.142
<v Speaker 1>It made me so happy. There were like newborn rashes

0:40:05.342 --> 0:40:07.022
<v Speaker 1>in there. There were a few things that went in

0:40:07.022 --> 0:40:09.062
<v Speaker 1>the bit I'm telling you want There are a few

0:40:09.102 --> 0:40:10.661
<v Speaker 1>things that I I was just like, this is just

0:40:10.661 --> 0:40:12.982
<v Speaker 1>looks like sadness to me. It has to go.

0:40:13.502 --> 0:40:16.502
<v Speaker 2>Out loud as. Please direct your anger.

0:40:18.502 --> 0:40:20.941
<v Speaker 1>Connection to that rash. I did mind, I did think

0:40:20.942 --> 0:40:22.342
<v Speaker 1>about that. I didn't check the rash she out. I

0:40:22.382 --> 0:40:24.901
<v Speaker 1>only chucked out things that were disgusting. But the things

0:40:24.942 --> 0:40:27.661
<v Speaker 1>that don't fit her anymore, I've all put away in

0:40:27.781 --> 0:40:30.341
<v Speaker 1>two huge bags in a cupboard, on top of all

0:40:30.382 --> 0:40:31.821
<v Speaker 1>the stuff I put away last time.

0:40:32.142 --> 0:40:34.421
<v Speaker 3>So I can't remember if I said this last time,

0:40:34.862 --> 0:40:38.741
<v Speaker 3>I'll speak to you. I saved her newborn singlet from

0:40:38.781 --> 0:40:41.102
<v Speaker 3>the hospital, and I will say I have not been

0:40:41.102 --> 0:40:43.222
<v Speaker 3>able to find that stuff.

0:40:43.261 --> 0:40:45.502
<v Speaker 4>And if that's singles got bin.

0:40:45.822 --> 0:40:48.582
<v Speaker 2>No, she's not sentimental, you see, but.

0:40:48.741 --> 0:40:50.902
<v Speaker 4>I know some of us are very sentimental.

0:40:50.942 --> 0:40:52.461
<v Speaker 1>Yeah, No, I would have saved that because I would

0:40:52.462 --> 0:40:53.941
<v Speaker 1>have got. Oh my god, it's so small and cute.

0:40:53.982 --> 0:40:55.862
<v Speaker 1>It just you probably just haven't looked in that cupboard.

0:40:56.142 --> 0:40:58.461
<v Speaker 4>I haven't. I actually don't know what cupboard you're talking about.

0:40:58.462 --> 0:41:00.781
<v Speaker 1>I was actually more ruthless this time. Last time, I

0:41:00.862 --> 0:41:03.421
<v Speaker 1>was really nervous about overstepping boundaries, and then I told

0:41:03.422 --> 0:41:05.422
<v Speaker 1>you like a week later, and you haven't noticed. So

0:41:05.462 --> 0:41:06.622
<v Speaker 1>this time I had more confidence.

0:41:06.741 --> 0:41:10.022
<v Speaker 2>She also hadn't noticed. Have you noticed that she'd It's

0:41:10.022 --> 0:41:10.421
<v Speaker 2>going to be.

0:41:10.382 --> 0:41:11.582
<v Speaker 1>So much easier to get addressed.

0:41:11.622 --> 0:41:16.102
<v Speaker 2>Now you're welcome, Okay, please come over back to where

0:41:16.102 --> 0:41:18.781
<v Speaker 2>we were out louders. A big thank you to all

0:41:18.822 --> 0:41:22.181
<v Speaker 2>of you for being with us on this Monday, and

0:41:22.221 --> 0:41:24.462
<v Speaker 2>of course to our fabulous team for putting the show together.

0:41:24.741 --> 0:41:27.502
<v Speaker 1>Our studios are styled with furniture from Fenton Fenton. In

0:41:27.502 --> 0:41:30.022
<v Speaker 1>case you hadn't heard, visit Fenton and Fenton dot com

0:41:30.062 --> 0:41:31.902
<v Speaker 1>dot au. Great stuff there.

0:41:31.822 --> 0:41:33.661
<v Speaker 4>And we'll be back in your ears tomorrow.

0:41:33.701 --> 0:41:34.622
<v Speaker 1>Bye bye.

0:41:35.982 --> 0:41:38.941
<v Speaker 3>Shout out to any mum and mea subscribers listening. If

0:41:38.942 --> 0:41:40.901
<v Speaker 3>you love the show and you want to support us,

0:41:41.142 --> 0:41:44.062
<v Speaker 3>subscribing to MoMA Mia is the very best way to

0:41:44.142 --> 0:41:46.542
<v Speaker 3>do so. There's a link in the episode description,