1 00:00:08,234 --> 00:00:11,474 Speaker 1: You're listening to a MoMA mea podcast. 2 00:00:18,754 --> 00:00:21,633 Speaker 2: From MoMA Mia. Welcome to this spill your daily pop 3 00:00:21,674 --> 00:00:23,794 Speaker 2: culture Fixed. I'm Laura Brodnick. 4 00:00:23,434 --> 00:00:25,834 Speaker 1: And I'm kissemi Legitch and coming. 5 00:00:25,594 --> 00:00:27,874 Speaker 2: Up today, we are talking about a bit of a 6 00:00:27,874 --> 00:00:31,954 Speaker 2: wild sexual at least a one person sexual. We'll explain 7 00:00:32,034 --> 00:00:35,674 Speaker 2: it admission from one of our favorite actors, Matthew McConaughey. 8 00:00:35,674 --> 00:00:38,074 Speaker 2: We're going to get into that. Lots to say, lots 9 00:00:38,074 --> 00:00:41,793 Speaker 2: to unpack. Also, Wicked has broken some records at the 10 00:00:41,833 --> 00:00:44,074 Speaker 2: box office, but that is not what people are talking about. 11 00:00:44,114 --> 00:00:47,353 Speaker 2: They are talking about the relationship between Ariana Grande and 12 00:00:47,434 --> 00:00:50,593 Speaker 2: Cynthia Rivo. There's a lot to unpack there. There's some 13 00:00:50,634 --> 00:00:52,594 Speaker 2: things that people don't want to touch on, but we're 14 00:00:52,593 --> 00:00:55,274 Speaker 2: going to dive into that. But first up, some movie 15 00:00:55,314 --> 00:00:59,154 Speaker 2: news that has both thrilled and horrified me in equal measure, 16 00:00:59,874 --> 00:01:02,634 Speaker 2: and that is the fact that the writer director of 17 00:01:03,034 --> 00:01:07,474 Speaker 2: my favorite Christmas movie of all time. Yeah, that's true. 18 00:01:07,474 --> 00:01:08,634 Speaker 2: I'm gonna go on the record and say it my 19 00:01:08,634 --> 00:01:10,474 Speaker 2: favorite Christmas movie all the time, and not just that, 20 00:01:10,714 --> 00:01:12,394 Speaker 2: one of my favorite movies of all time. And I've 21 00:01:12,434 --> 00:01:13,954 Speaker 2: seen every movie in the whole world, so I feel 22 00:01:13,954 --> 00:01:16,154 Speaker 2: like that's quite a big deal, and that movie is 23 00:01:16,554 --> 00:01:17,634 Speaker 2: The Family Stone. 24 00:01:17,834 --> 00:01:19,474 Speaker 1: You don't have to be nervous. I'm not. 25 00:01:19,754 --> 00:01:20,754 Speaker 2: They're gonna love you. 26 00:01:20,794 --> 00:01:22,313 Speaker 1: Well, you have a lovely help. 27 00:01:22,554 --> 00:01:24,154 Speaker 2: I've better to entertain you, my dear. 28 00:01:24,834 --> 00:01:27,314 Speaker 1: Don't billy downy there, pretty lady. We're all gonna be 29 00:01:27,314 --> 00:01:28,554 Speaker 1: down here talking about your. 30 00:01:29,434 --> 00:01:32,714 Speaker 2: She is completely uptime. I'm not sleeping with you in 31 00:01:32,754 --> 00:01:34,714 Speaker 2: your bed in your parents' house. 32 00:01:34,954 --> 00:01:38,714 Speaker 1: They hate me, hate you. You have a freak flag. 33 00:01:39,314 --> 00:01:44,514 Speaker 3: You just don't fly it. 34 00:01:44,594 --> 00:01:45,994 Speaker 1: The shock on my face when you said it was 35 00:01:45,994 --> 00:01:49,514 Speaker 1: your favorite Christmas movie all time that flowed me. It 36 00:01:49,594 --> 00:01:51,154 Speaker 1: is a great movie. I will give it well. 37 00:01:51,194 --> 00:01:52,994 Speaker 2: I mean like I love watching it at Christmas time, 38 00:01:52,994 --> 00:01:54,554 Speaker 2: but I love watching during the year. I just think 39 00:01:54,554 --> 00:01:58,234 Speaker 2: it's so beautiful, and I do love the Holiday. I'm 40 00:01:58,274 --> 00:02:00,794 Speaker 2: not a complete monster, but for me, The Family Stone 41 00:02:00,874 --> 00:02:03,274 Speaker 2: just something about it edges the Holiday out. I don't 42 00:02:03,274 --> 00:02:05,394 Speaker 2: love love. Actually, I think it's fine of people like it. 43 00:02:05,394 --> 00:02:07,634 Speaker 2: It's not my personal favorite. I don't watch every year 44 00:02:07,674 --> 00:02:10,514 Speaker 2: on a loop like I do other movies. What's your 45 00:02:10,554 --> 00:02:11,633 Speaker 2: favorite Christmas movie? 46 00:02:11,834 --> 00:02:12,714 Speaker 1: I like The Holiday? 47 00:02:13,073 --> 00:02:15,434 Speaker 2: Yeah, I like the Great solid Choice. Yeah. 48 00:02:15,554 --> 00:02:16,914 Speaker 1: I actually really like the Grinch. 49 00:02:17,154 --> 00:02:18,634 Speaker 2: Okay, well The Grinch. I don't know if that's going 50 00:02:18,674 --> 00:02:20,394 Speaker 2: to be a sequel, but The Family Stone looks like 51 00:02:20,434 --> 00:02:23,674 Speaker 2: it is because Thomas Bizuko, who was the writer director 52 00:02:24,034 --> 00:02:26,354 Speaker 2: of the original movie, which came out in two thousand 53 00:02:26,354 --> 00:02:29,154 Speaker 2: and five. God bless that man, said that he is 54 00:02:29,234 --> 00:02:32,354 Speaker 2: working on a sequel script at the moment. He's actually 55 00:02:32,394 --> 00:02:34,594 Speaker 2: sitting down. He has put his fingers on the computer, 56 00:02:34,674 --> 00:02:37,114 Speaker 2: he's typing, he's good ideas, he's talked to the car. 57 00:02:37,314 --> 00:02:39,234 Speaker 2: So many of them are keen to do it. And 58 00:02:39,314 --> 00:02:42,394 Speaker 2: this is all fantastic news because if there's one movie 59 00:02:42,434 --> 00:02:45,554 Speaker 2: like I don't need a sequel to The Holiday because 60 00:02:45,874 --> 00:02:50,514 Speaker 2: it's not my business. What happened after that camera pulled away, well. 61 00:02:50,754 --> 00:02:51,314 Speaker 1: I think too. 62 00:02:51,514 --> 00:02:53,994 Speaker 2: I think that that's just a moment in time. Whereas 63 00:02:54,034 --> 00:02:56,314 Speaker 2: The Family Stone, if anyone hasn't watched it, First of all, 64 00:02:56,314 --> 00:02:58,034 Speaker 2: the Family Stone has one of the best casts of 65 00:02:58,074 --> 00:03:02,474 Speaker 2: all time. It's Craig T. Nelson, It's Luke Wilson, Dermot mulrooney, 66 00:03:02,874 --> 00:03:06,234 Speaker 2: Rachel McAdams, Elizabeth Reesa, Sarah Jessica Parker in one of 67 00:03:06,234 --> 00:03:08,394 Speaker 2: her greatest role was Next to Carrie and Sex and 68 00:03:08,394 --> 00:03:10,394 Speaker 2: the City it's a ten out of ten movie. And 69 00:03:10,434 --> 00:03:12,674 Speaker 2: Sarah Jessica Parker plays this like kind of stuck up 70 00:03:12,674 --> 00:03:15,714 Speaker 2: woman who's dating her new boyfriend Everett, and she goes 71 00:03:15,714 --> 00:03:17,554 Speaker 2: home to his family for the holiday. 72 00:03:17,594 --> 00:03:20,114 Speaker 1: If she is unhinged to this movie, it's so funny, 73 00:03:20,154 --> 00:03:23,194 Speaker 1: but it's so good, like if you look at it objectively, 74 00:03:23,234 --> 00:03:26,034 Speaker 1: like the movie's great, but if you look at it objectively, yeah, 75 00:03:26,074 --> 00:03:29,554 Speaker 1: and it's just her like going and sleeping with her 76 00:03:29,714 --> 00:03:34,954 Speaker 1: almost fiance's brother, sister coming in, and then her. 77 00:03:34,874 --> 00:03:36,714 Speaker 2: Sister Days who was ten out of ten of this 78 00:03:36,754 --> 00:03:37,194 Speaker 2: movie as well. 79 00:03:37,274 --> 00:03:39,394 Speaker 1: Her sister ends up with her. It's bizarre when you 80 00:03:39,434 --> 00:03:41,074 Speaker 1: look at it objectively, but it is great. 81 00:03:41,274 --> 00:03:43,514 Speaker 2: Yes. So it's like they're like the Stone family and 82 00:03:43,554 --> 00:03:46,954 Speaker 2: they're this very kind of like bohemian arts, liberal family. 83 00:03:47,434 --> 00:03:49,874 Speaker 2: And then Everett is kind of like melded into being 84 00:03:49,874 --> 00:03:52,634 Speaker 2: more like Meredith's uptight girlfriend. And yeah, it follows the 85 00:03:52,674 --> 00:03:55,394 Speaker 2: event so like the day before Christmas, Christmas even Christmas Day, 86 00:03:55,434 --> 00:03:59,074 Speaker 2: as things in this family get progressively crazier. My toxic 87 00:03:59,114 --> 00:04:01,154 Speaker 2: trait is And I'm a bit of a Meredith apologist. 88 00:04:01,634 --> 00:04:04,434 Speaker 2: Not even Sarah Jessica Parker's a Meredith apologist and she 89 00:04:04,514 --> 00:04:06,914 Speaker 2: played her. But I'm just like, yeah, she didn't want 90 00:04:06,914 --> 00:04:08,754 Speaker 2: to even the same bed of her boyfriend at his 91 00:04:08,874 --> 00:04:11,114 Speaker 2: family's house, Like, yeah, that's a bit weird and I 92 00:04:11,154 --> 00:04:13,114 Speaker 2: wouldn't do it, but I understand why she didn't want 93 00:04:13,114 --> 00:04:15,554 Speaker 2: to do it. Plus Rachel McAdams, who plays Amy, the 94 00:04:15,594 --> 00:04:18,514 Speaker 2: younger sister, is so mean in the best way possible, 95 00:04:18,834 --> 00:04:21,914 Speaker 2: and I detective, Yeah, I would cry too if that 96 00:04:22,113 --> 00:04:22,633 Speaker 2: happened to me. 97 00:04:22,794 --> 00:04:24,714 Speaker 1: But one of the most iconic scenes from it is 98 00:04:24,753 --> 00:04:27,753 Speaker 1: when they're all at dinner and they're talking about having 99 00:04:27,794 --> 00:04:28,433 Speaker 1: a gay son. 100 00:04:28,674 --> 00:04:30,433 Speaker 2: Yeah, see, I fast forward that scene so in my 101 00:04:30,553 --> 00:04:32,993 Speaker 2: version comfortable, in my version of Family Stone, that scene 102 00:04:32,993 --> 00:04:33,794 Speaker 2: doesn't happen. 103 00:04:33,714 --> 00:04:37,113 Speaker 1: And Diane Keaton goes stop. She slams her hands down 104 00:04:37,113 --> 00:04:39,154 Speaker 1: on the table, and then Sarah Jessica Parker does her 105 00:04:39,193 --> 00:04:41,354 Speaker 1: classic and that she hasn't fight in the cup. 106 00:04:41,393 --> 00:04:42,794 Speaker 2: Yeah. I don't like that scene because it makes me 107 00:04:42,834 --> 00:04:44,553 Speaker 2: sad for all of them because they're so upset, but 108 00:04:44,553 --> 00:04:47,073 Speaker 2: that it ends in a cute way anyway. So we 109 00:04:47,193 --> 00:04:49,194 Speaker 2: love that movie. I think it's safe to see. And 110 00:04:49,313 --> 00:04:52,674 Speaker 2: there's been talks for years about a sequel, and obviously 111 00:04:52,873 --> 00:04:56,074 Speaker 2: this year very sadly, Diane Keaton passed away. So Diane 112 00:04:56,154 --> 00:04:58,234 Speaker 2: Keaton is the heart and soul of this movie. She 113 00:04:58,313 --> 00:05:01,073 Speaker 2: is for so many movies. She plays the metriarch of 114 00:05:01,113 --> 00:05:04,033 Speaker 2: the Stone family, Sybil, and she is kind of like 115 00:05:04,073 --> 00:05:06,154 Speaker 2: the catalyst for a lot of the drama and also 116 00:05:06,193 --> 00:05:09,193 Speaker 2: like the beautiful, warm moments. And there was always talk 117 00:05:09,274 --> 00:05:12,073 Speaker 2: of how do we do even before Diane King passed away, 118 00:05:12,354 --> 00:05:14,513 Speaker 2: how do we do a Family Stone sequel because her 119 00:05:14,594 --> 00:05:17,113 Speaker 2: character and I hope this isn't spoiling it for anyone 120 00:05:17,113 --> 00:05:19,393 Speaker 2: who hasn't seen this movie that's been out for twenty years, 121 00:05:19,433 --> 00:05:21,634 Speaker 2: but still see it, because like, there's so much more 122 00:05:21,633 --> 00:05:23,954 Speaker 2: we haven't said. Her character does pass away at the 123 00:05:24,034 --> 00:05:25,794 Speaker 2: end of the movie, which is a huge kind of 124 00:05:25,834 --> 00:05:28,514 Speaker 2: emotional turning point for everyone at the end and kind 125 00:05:28,513 --> 00:05:31,513 Speaker 2: of like bookends where this story ends for this family. 126 00:05:32,034 --> 00:05:34,113 Speaker 2: And so all the years about doing a talk of 127 00:05:34,154 --> 00:05:37,433 Speaker 2: the Family Stone, the cast and writer always wanted to 128 00:05:37,433 --> 00:05:40,034 Speaker 2: do it, but they're just like, can we have the 129 00:05:40,113 --> 00:05:42,714 Speaker 2: magic there? The writer said that he has been mourning 130 00:05:42,714 --> 00:05:45,313 Speaker 2: the loss of Sybil, her character, for many, many years, 131 00:05:45,873 --> 00:05:49,474 Speaker 2: and that was the reason that they never really made 132 00:05:49,474 --> 00:05:52,713 Speaker 2: a sequel. So recently he did say to CNN and 133 00:05:52,753 --> 00:05:56,273 Speaker 2: the writer Thomas that he is now pushing forward with 134 00:05:56,313 --> 00:05:58,834 Speaker 2: the sequel script in a way he never has before 135 00:05:59,313 --> 00:06:02,474 Speaker 2: in order to honor Diane Keaton after her passing, which 136 00:06:02,513 --> 00:06:05,594 Speaker 2: is really beautiful, and he said, I've been so haunted 137 00:06:05,594 --> 00:06:07,713 Speaker 2: by the loss of Sybil for months that now while 138 00:06:07,753 --> 00:06:10,394 Speaker 2: I worked on it, it was a blow on a 139 00:06:10,433 --> 00:06:14,034 Speaker 2: tender bruise already, but I am moving forward, so it 140 00:06:14,154 --> 00:06:17,234 Speaker 2: kind of looks like it could potentially be happening. What 141 00:06:17,274 --> 00:06:18,113 Speaker 2: do you feel about that? 142 00:06:18,154 --> 00:06:20,153 Speaker 1: And look, a lot of the other supporting pasts have 143 00:06:20,274 --> 00:06:22,993 Speaker 1: also said they would be eager to do it, like 144 00:06:23,073 --> 00:06:26,113 Speaker 1: even Sarah Jesscobaca said she would come back on and 145 00:06:26,154 --> 00:06:29,034 Speaker 1: do a sequel. I do really love this, and I 146 00:06:29,034 --> 00:06:31,873 Speaker 1: actually have since Diane Keaton passed. I've been rewatching a 147 00:06:31,873 --> 00:06:36,394 Speaker 1: lot of her most famous movies, and there's something about 148 00:06:36,393 --> 00:06:38,514 Speaker 1: this movie that really strikes a chord and is one 149 00:06:38,553 --> 00:06:41,953 Speaker 1: of those like classic Christmas movies that you can watch 150 00:06:42,034 --> 00:06:45,234 Speaker 1: over and over again. I don't know where the story 151 00:06:45,274 --> 00:06:48,113 Speaker 1: would go. I would love to know what the plan is. 152 00:06:48,234 --> 00:06:49,993 Speaker 2: I think this is a little bit easier than some 153 00:06:50,034 --> 00:06:52,914 Speaker 2: other franchises to pick up after both the death of 154 00:06:52,953 --> 00:06:55,674 Speaker 2: a character and the death of an actor, because it 155 00:06:55,714 --> 00:06:57,993 Speaker 2: could just be twenty years after the events of the 156 00:06:58,034 --> 00:07:01,034 Speaker 2: first Christmas of them all coming back to that house again. 157 00:07:01,113 --> 00:07:03,674 Speaker 2: It would also be like nearly twenty years after Sybil's death. 158 00:07:04,034 --> 00:07:06,714 Speaker 2: They could really hook it off that and you know, 159 00:07:06,794 --> 00:07:08,794 Speaker 2: I'm sure people have broken up, people are back together 160 00:07:08,834 --> 00:07:11,273 Speaker 2: from that family where they all swopt partners. Their kids 161 00:07:11,314 --> 00:07:13,434 Speaker 2: would be grown ups by now, like I feel like 162 00:07:13,474 --> 00:07:15,354 Speaker 2: they could be wouldn't be good. It would never be 163 00:07:15,354 --> 00:07:17,394 Speaker 2: as good as the first movie, but I wouldn't mind 164 00:07:17,434 --> 00:07:20,514 Speaker 2: checking another family stone where they are. It's a bit harder, 165 00:07:20,554 --> 00:07:23,794 Speaker 2: I think sometimes. I think about, like with the continuation 166 00:07:23,874 --> 00:07:26,114 Speaker 2: of Gilmore Girls, and like one of the lead actors, 167 00:07:26,114 --> 00:07:28,514 Speaker 2: the actor who played Richard passing away and having to 168 00:07:28,554 --> 00:07:31,234 Speaker 2: be written to the story and how Dad and how Yeah, 169 00:07:31,393 --> 00:07:33,674 Speaker 2: the actor Edwin Hammond very sadly passed away in real 170 00:07:33,674 --> 00:07:35,314 Speaker 2: life and so his death had to be written to 171 00:07:35,354 --> 00:07:38,394 Speaker 2: the continuation, and it feels like it honors him, but 172 00:07:38,514 --> 00:07:41,394 Speaker 2: also feels like this kind of sad emptiness over that 173 00:07:41,434 --> 00:07:44,314 Speaker 2: show in a way that I wish we hadn't delved 174 00:07:44,354 --> 00:07:46,354 Speaker 2: into a world where which Richard was dead. I wish 175 00:07:46,393 --> 00:07:48,713 Speaker 2: we could have stayed in the original Girlmore Girls world 176 00:07:49,034 --> 00:07:51,194 Speaker 2: and then sometimes to honor the actor, like in the 177 00:07:51,234 --> 00:07:54,914 Speaker 2: Fast and Furious franchise after Paul Walker's death, their way 178 00:07:54,914 --> 00:07:56,634 Speaker 2: to honor him was to not kill him in the 179 00:07:56,674 --> 00:07:59,834 Speaker 2: franchise and to have his character go off and live 180 00:07:59,914 --> 00:08:03,354 Speaker 2: this wonderful, happy, fulfilled life with his wife and child 181 00:08:03,393 --> 00:08:05,434 Speaker 2: and still be part of that family, but just be 182 00:08:05,514 --> 00:08:07,794 Speaker 2: off screen. So sometimes that is also a way to 183 00:08:07,794 --> 00:08:09,634 Speaker 2: do it. They obviously can't do that here because the 184 00:08:09,714 --> 00:08:12,794 Speaker 2: character did die a but it's a very difficult situation 185 00:08:12,874 --> 00:08:13,474 Speaker 2: to navigate. 186 00:08:13,594 --> 00:08:15,874 Speaker 1: It also reminds me a lot of like when they 187 00:08:15,953 --> 00:08:19,074 Speaker 1: do have to recast certain actors when they pass like 188 00:08:19,554 --> 00:08:22,114 Speaker 1: most notably think of like Dumbledore in the Harry Potter 189 00:08:22,234 --> 00:08:25,794 Speaker 1: series when they had to replace the original Dumbledore, and 190 00:08:26,074 --> 00:08:28,593 Speaker 1: you know, even Philip Seymour Hoffman who passed away in 191 00:08:28,594 --> 00:08:31,713 Speaker 1: the second half of The Hunger Games. It can bring 192 00:08:31,794 --> 00:08:35,834 Speaker 1: up some challenges, and it seems like Thomas Bazouka is 193 00:08:36,674 --> 00:08:39,594 Speaker 1: very conscious of honoring her, and he said that very 194 00:08:39,794 --> 00:08:41,994 Speaker 1: very directly, so I feel like he'll give it what 195 00:08:41,994 --> 00:08:43,514 Speaker 1: it needs to be, yeah, exactly. 196 00:08:43,554 --> 00:08:45,994 Speaker 2: So we have no information on whether the movie is 197 00:08:45,994 --> 00:08:48,274 Speaker 2: officially going for we just know the script is in 198 00:08:48,314 --> 00:08:51,474 Speaker 2: the works. I actually think it really would honor Diane Keaton. 199 00:08:51,514 --> 00:08:54,514 Speaker 2: It's one of her most memorable roles. And as fans 200 00:08:54,554 --> 00:08:56,554 Speaker 2: of the movie, no, the very last shot of the 201 00:08:56,554 --> 00:09:02,114 Speaker 2: Family Stone is a very slow moving close up shot 202 00:09:02,354 --> 00:09:05,514 Speaker 2: of this beautiful black and white photo of Sybil, of 203 00:09:05,634 --> 00:09:08,834 Speaker 2: Diane Kington as that character. So I think the movie 204 00:09:08,954 --> 00:09:11,074 Speaker 2: ends on honoring her. So the next movie could very 205 00:09:11,114 --> 00:09:13,874 Speaker 2: much start on honoring her, So hopefully it happens. 206 00:09:15,594 --> 00:09:20,034 Speaker 1: Matthew McConaughey has made a confession on his lyrics for 207 00:09:20,114 --> 00:09:21,594 Speaker 1: Living newsletter Are you. 208 00:09:21,554 --> 00:09:25,714 Speaker 2: Ready please tell me every detail Matthew McConaughey's wet dream 209 00:09:25,914 --> 00:09:28,594 Speaker 2: led him to True Love Get Perfect. I have no 210 00:09:28,674 --> 00:09:29,474 Speaker 2: notes on that title. 211 00:09:29,714 --> 00:09:32,314 Speaker 1: I really never thought i'd be saying that that sentence 212 00:09:32,754 --> 00:09:33,154 Speaker 1: I did. 213 00:09:33,234 --> 00:09:34,833 Speaker 2: I always knew this was going to happen. Tell you 214 00:09:34,914 --> 00:09:35,234 Speaker 2: knew that? 215 00:09:35,314 --> 00:09:36,634 Speaker 1: You knew that I was going to say? 216 00:09:36,954 --> 00:09:39,994 Speaker 2: I knew it one day, Given how that man speaks 217 00:09:39,994 --> 00:09:41,834 Speaker 2: and the stuff he talks about, I just knew this 218 00:09:41,954 --> 00:09:43,474 Speaker 2: was coming. Nothing about this as a shock to me. 219 00:09:43,794 --> 00:09:47,714 Speaker 1: Okay, So this newsletter that he writes, it's like poetry, 220 00:09:47,834 --> 00:09:50,674 Speaker 1: it's musings, it's in a life advice, and this is 221 00:09:50,714 --> 00:09:52,794 Speaker 1: the sort of things that he talks about now. He 222 00:09:53,274 --> 00:09:56,074 Speaker 1: talks about how he had this dream and that is 223 00:09:56,114 --> 00:09:58,914 Speaker 1: what led him to the marriage that he has now 224 00:09:58,914 --> 00:10:02,634 Speaker 1: with Camilla Alvas. I'm going to read the majority of 225 00:10:02,914 --> 00:10:04,714 Speaker 1: what he wrote, just word for word, and then we 226 00:10:04,754 --> 00:10:06,434 Speaker 1: can kind of unpack it. I feel like such a 227 00:10:06,434 --> 00:10:08,994 Speaker 1: prude when I say, because I've been flawed by this. 228 00:10:09,914 --> 00:10:12,754 Speaker 1: I had met, spent time with, and seriously dated some 229 00:10:12,834 --> 00:10:15,114 Speaker 1: wonderful women in my life, many of whom I am 230 00:10:15,154 --> 00:10:18,554 Speaker 1: still friends with today, but ultimately they were all stops, 231 00:10:18,794 --> 00:10:21,674 Speaker 1: no stays. In my mid thirties, I was looking for 232 00:10:21,714 --> 00:10:25,274 Speaker 1: a lifetime lover, a best friend, and a mother to be. 233 00:10:26,074 --> 00:10:28,194 Speaker 1: I was looking for more. I was looking for the one. 234 00:10:28,674 --> 00:10:33,914 Speaker 1: I was looking for her. Then I had a wet dream. 235 00:10:34,034 --> 00:10:36,794 Speaker 1: This is not quoted anymore. In this dream, he describes 236 00:10:36,834 --> 00:10:40,314 Speaker 1: a scene where he's surrounded by twenty two women, sure 237 00:10:40,434 --> 00:10:41,714 Speaker 1: and eighty eight children. 238 00:10:41,794 --> 00:10:44,474 Speaker 2: All right, well, yeah, actually that math does work out. 239 00:10:44,634 --> 00:10:48,154 Speaker 1: And he continues, each mother and I shared an idyllic memory. 240 00:10:48,674 --> 00:10:51,994 Speaker 1: The children roosted upon my lap. We hugged, we kissed, 241 00:10:52,034 --> 00:10:56,074 Speaker 1: we laughed and joked, we cried tears of happiness. They 242 00:10:56,154 --> 00:11:00,154 Speaker 1: all gathered around me on the porch for a family photograph, 243 00:11:00,194 --> 00:11:03,074 Speaker 1: and we looked down toward a large format box camera 244 00:11:03,354 --> 00:11:05,154 Speaker 1: on a tribottle at the top of the driveway three 245 00:11:05,274 --> 00:11:06,274 Speaker 1: two one. 246 00:11:06,434 --> 00:11:09,474 Speaker 2: Then I came that is the most detailed wet dream 247 00:11:09,594 --> 00:11:13,554 Speaker 2: I have that has that has a storyline, that has backstory. 248 00:11:13,714 --> 00:11:17,074 Speaker 2: He's describing the cinematography of the wet dream. Yeah, this 249 00:11:17,154 --> 00:11:20,074 Speaker 2: is what happens when a true filmmaker has a sexual 250 00:11:20,074 --> 00:11:21,154 Speaker 2: awakening in the night. 251 00:11:21,554 --> 00:11:24,554 Speaker 1: It's filmed in like a cinema scope vibe. It's also 252 00:11:24,634 --> 00:11:27,394 Speaker 1: the countdown three two one. I don't know what it 253 00:11:27,434 --> 00:11:29,953 Speaker 1: is about this particular sentence, but it made me just 254 00:11:30,034 --> 00:11:32,434 Speaker 1: picture him going woo like. 255 00:11:33,034 --> 00:11:34,874 Speaker 2: I really hope it didn't sound like that, otherwise I'm 256 00:11:34,874 --> 00:11:37,114 Speaker 2: not gonna because I always I've had quite a crush 257 00:11:37,154 --> 00:11:38,914 Speaker 2: on with thin mconna Haete in many of his roles, 258 00:11:38,914 --> 00:11:40,554 Speaker 2: and that just really ruined. Honestly. 259 00:11:40,594 --> 00:11:42,314 Speaker 1: I just had this and this is I think why 260 00:11:42,314 --> 00:11:43,794 Speaker 1: I gave you the ick so much, because I could 261 00:11:43,834 --> 00:11:46,794 Speaker 1: really picture him just going through too wide and they're 262 00:11:46,874 --> 00:11:50,154 Speaker 1: just like this. It flawed me. Yeah, so I guess 263 00:11:50,154 --> 00:11:52,074 Speaker 1: it's kind of romantic because then he goes on to 264 00:11:52,114 --> 00:11:56,154 Speaker 1: say he decided to stop searching for the one because 265 00:11:56,154 --> 00:11:58,434 Speaker 1: you know, he's like, this was a turning point for me, 266 00:11:58,554 --> 00:12:02,674 Speaker 1: this was a spiritual awakening. Three months later, he meets 267 00:12:02,914 --> 00:12:06,114 Speaker 1: Camilla Alvez and they've been together for twenty years. That's 268 00:12:06,194 --> 00:12:08,714 Speaker 1: very cute, and he then goes on to say that 269 00:12:09,234 --> 00:12:11,474 Speaker 1: over the course of that twenty years, she's the only 270 00:12:11,554 --> 00:12:13,474 Speaker 1: one that he ever wants to wake up too. So 271 00:12:13,474 --> 00:12:15,034 Speaker 1: that's really sweet and romantic. 272 00:12:15,354 --> 00:12:16,714 Speaker 2: Yeah, I love the story. 273 00:12:16,834 --> 00:12:17,554 Speaker 1: I love the story. 274 00:12:17,794 --> 00:12:20,674 Speaker 2: I'm very I have a few doubts about whether it 275 00:12:20,714 --> 00:12:22,474 Speaker 2: happened or not. I'm sure like he woke up from 276 00:12:22,474 --> 00:12:25,514 Speaker 2: a fuzzy dream and like Matthew McConaughey, loves to which 277 00:12:25,554 --> 00:12:27,594 Speaker 2: is fair. He's an actor, he's the main character in 278 00:12:27,594 --> 00:12:30,314 Speaker 2: his own life. He loves to like rewrite these stories 279 00:12:30,354 --> 00:12:32,874 Speaker 2: to make them bigger than they are, is the vibe 280 00:12:32,874 --> 00:12:34,394 Speaker 2: I yet from him. So I think that's what he's 281 00:12:34,394 --> 00:12:37,274 Speaker 2: done here. So he's just rewritten this. I'm sure just 282 00:12:37,314 --> 00:12:39,394 Speaker 2: a blurry, wet dream that all men have to be 283 00:12:39,474 --> 00:12:43,314 Speaker 2: this like big cinematic life awakening. But I love it. 284 00:12:43,474 --> 00:12:46,714 Speaker 1: I might be like a bit behind on my sexual 285 00:12:46,754 --> 00:12:49,434 Speaker 1: health knowledge that I didn't know men in their thirties 286 00:12:49,474 --> 00:12:50,874 Speaker 1: still had wet dreams. 287 00:12:51,234 --> 00:12:53,154 Speaker 2: I don't know if I can speak to that, but 288 00:12:53,234 --> 00:12:54,554 Speaker 2: I will say I don't think that that. 289 00:12:54,474 --> 00:12:56,434 Speaker 1: There's not many better than I feel that we could ask. 290 00:12:56,874 --> 00:12:58,514 Speaker 2: I also just don't think that's the kind of thing 291 00:12:58,514 --> 00:13:00,114 Speaker 2: we should do. A polar of Vox pop pod. I 292 00:13:00,114 --> 00:13:01,674 Speaker 2: think we'll just leave the metal one. The man in 293 00:13:01,714 --> 00:13:05,754 Speaker 2: this office go through a Yeah, let's say that. But 294 00:13:05,874 --> 00:13:09,074 Speaker 2: do I just I do feel for invessages. Please don't 295 00:13:09,114 --> 00:13:11,514 Speaker 2: don't tell you don't please. What I know from my 296 00:13:11,714 --> 00:13:14,154 Speaker 2: very limited knowledge in this area is that it does 297 00:13:14,194 --> 00:13:16,674 Speaker 2: happen a lot in younger years. But I'm pretty sure 298 00:13:16,674 --> 00:13:19,954 Speaker 2: it can still happen at any age. I don't know. Again, again, 299 00:13:19,994 --> 00:13:21,554 Speaker 2: don't write in, but that's my vibe. 300 00:13:21,554 --> 00:13:22,394 Speaker 1: I have no idea. 301 00:13:22,714 --> 00:13:23,634 Speaker 2: I don't think he's lying. 302 00:13:23,834 --> 00:13:26,314 Speaker 1: Again, I don't know. But look, the responses to this 303 00:13:26,354 --> 00:13:29,154 Speaker 1: has been something that I've really enjoyed, falling through one 304 00:13:29,194 --> 00:13:32,354 Speaker 1: comment that I loved. Those are inside words, Matthew. 305 00:13:33,114 --> 00:13:35,434 Speaker 2: I think when you're Matthew McConaughey, they're not inside words. 306 00:13:35,474 --> 00:13:38,834 Speaker 1: I just love people like too much information. I tend 307 00:13:38,874 --> 00:13:41,834 Speaker 1: to agree it really gives it I again, I feel 308 00:13:41,834 --> 00:13:45,394 Speaker 1: like I'm not apprude. I'm very open about sex. I'm 309 00:13:45,434 --> 00:13:47,234 Speaker 1: more than happy to talk about it. But there is 310 00:13:47,354 --> 00:13:50,194 Speaker 1: something about the image that made me so uncomfortable. 311 00:13:50,354 --> 00:13:53,434 Speaker 2: Oh see, I feel as far as wild celebrity sex 312 00:13:53,474 --> 00:13:56,274 Speaker 2: stories growth, this is pretty vanilla having a dream about 313 00:13:56,354 --> 00:13:58,034 Speaker 2: me and the love of his life that just happened 314 00:13:58,034 --> 00:13:59,954 Speaker 2: to be the next beautiful woman that crossed his path. 315 00:13:59,954 --> 00:14:01,594 Speaker 2: But they're very cute. They've been together for a while, 316 00:14:01,674 --> 00:14:03,274 Speaker 2: they have, and the thing that kind of makes me 317 00:14:03,314 --> 00:14:05,434 Speaker 2: okay with is like, I mean, obviously I don't know them, 318 00:14:05,434 --> 00:14:09,274 Speaker 2: but Matthew McConaughey and Camilla Alvarez seemed to have like this. 319 00:14:09,554 --> 00:14:12,154 Speaker 2: I feel like she kind of tolerates everything he says publicly, 320 00:14:12,434 --> 00:14:14,074 Speaker 2: and I feel like it's only a fraction of what 321 00:14:14,154 --> 00:14:16,194 Speaker 2: she's he's at home, so when you see him giving 322 00:14:16,234 --> 00:14:19,434 Speaker 2: these crazy interview stories and stuff, and often because she 323 00:14:19,474 --> 00:14:21,754 Speaker 2: always walks red carpets with him, she's off next to him, 324 00:14:21,754 --> 00:14:24,794 Speaker 2: just smiling serenely, like she's so beautiful and so like 325 00:14:24,914 --> 00:14:27,034 Speaker 2: cal has a very calm presence that I could never 326 00:14:27,074 --> 00:14:29,594 Speaker 2: aspire to. I just feel like she's like, oh classic Matthew, 327 00:14:29,594 --> 00:14:31,474 Speaker 2: And also this is a fraction of what he says 328 00:14:31,514 --> 00:14:33,754 Speaker 2: at home. And he comes from a very open family. 329 00:14:33,754 --> 00:14:35,674 Speaker 2: I remember the fact his dad died having sex with 330 00:14:35,714 --> 00:14:37,994 Speaker 2: his mom. Yeah, wow, this is and that is and 331 00:14:38,034 --> 00:14:40,714 Speaker 2: his mom was like, please do tell that story that 332 00:14:40,754 --> 00:14:43,154 Speaker 2: they were having sex and his dad, I want to say, 333 00:14:43,194 --> 00:14:46,154 Speaker 2: had a heart attack something like that, but passed away 334 00:14:46,314 --> 00:14:49,234 Speaker 2: during a sexual act. And the family was like, tell 335 00:14:49,274 --> 00:14:51,434 Speaker 2: that story. So I think he comes from a family 336 00:14:51,434 --> 00:14:53,474 Speaker 2: of people who would just like to share what's going on. 337 00:14:53,554 --> 00:14:55,554 Speaker 1: Well, we know. Recently he was talking about how he 338 00:14:55,634 --> 00:14:58,074 Speaker 1: and Camilla they got a queen sized bed. 339 00:14:58,234 --> 00:15:01,354 Speaker 2: Yeah, talk about vanilla stories. 340 00:15:01,794 --> 00:15:04,154 Speaker 1: That's no. Sorry, that's even more wild than the wet 341 00:15:04,234 --> 00:15:06,594 Speaker 1: dream for me, Like, how are you doing that? So look, 342 00:15:06,594 --> 00:15:09,714 Speaker 1: he's a strange dude. I love it. It's very entertaining. 343 00:15:09,754 --> 00:15:13,274 Speaker 1: I've been thoroughly enjoying it. It reminded me that I 344 00:15:13,314 --> 00:15:17,514 Speaker 1: feel like celebrities have this idea that everybody wants to 345 00:15:17,514 --> 00:15:19,514 Speaker 1: know everything about that, but we do, which I guess 346 00:15:19,554 --> 00:15:22,954 Speaker 1: we do want about it. Yeah, maybe I don't. 347 00:15:22,954 --> 00:15:23,914 Speaker 2: I'm not judging people for that. 348 00:15:24,034 --> 00:15:25,674 Speaker 1: Maybe I shouldn't be doubling down on this. 349 00:15:25,954 --> 00:15:27,914 Speaker 2: I was looking at all the comments, obviously this story 350 00:15:27,994 --> 00:15:30,194 Speaker 2: is picked up and has gone everywhere because that has 351 00:15:30,234 --> 00:15:32,834 Speaker 2: all the trappings of good celebrity story. It has like 352 00:15:32,914 --> 00:15:36,034 Speaker 2: Oscar winning actor, It has a wet dream, it has 353 00:15:36,074 --> 00:15:38,314 Speaker 2: like the love of his life. It just all the 354 00:15:38,354 --> 00:15:41,194 Speaker 2: makings of a great headline. And yes, the comments under 355 00:15:41,234 --> 00:15:43,394 Speaker 2: it are all like, we don't want to hear this, 356 00:15:43,674 --> 00:15:45,954 Speaker 2: Yes we do. I want to hear. In fact, I 357 00:15:45,954 --> 00:15:47,594 Speaker 2: want to hear more. I feel like this is just 358 00:15:47,634 --> 00:15:49,394 Speaker 2: the tip of the iceberg of what that man could 359 00:15:49,394 --> 00:15:49,754 Speaker 2: be telling you. 360 00:15:49,874 --> 00:15:53,434 Speaker 1: Yeah, look, my initial reaction was, which is also the 361 00:15:53,474 --> 00:15:54,554 Speaker 1: same noise I made, where. 362 00:15:55,314 --> 00:15:58,634 Speaker 2: Again we it's not a word. I didn't do it. 363 00:15:59,194 --> 00:16:01,274 Speaker 2: I also just think that this is just a little 364 00:16:01,274 --> 00:16:04,834 Speaker 2: reminder that Matthew McConaughey is just the odd ball of Hollywood. 365 00:16:04,874 --> 00:16:07,114 Speaker 2: He's just a little odd ball. And because he's been 366 00:16:07,274 --> 00:16:09,714 Speaker 2: in so many rom coms and action movies and now 367 00:16:09,754 --> 00:16:13,114 Speaker 2: he's transitioned to being a serious actor, he passes for 368 00:16:13,234 --> 00:16:17,354 Speaker 2: like a normal bland movie star, cookie cut of celebrity. 369 00:16:17,474 --> 00:16:19,114 Speaker 2: But in his heart of hearts, he's just a little 370 00:16:19,114 --> 00:16:21,154 Speaker 2: odd ball. Remember when he came to Australia and was 371 00:16:21,194 --> 00:16:24,354 Speaker 2: like held hostage by his like host family, and he 372 00:16:24,394 --> 00:16:26,714 Speaker 2: had a whole situation. Yeah, look up that story. It 373 00:16:26,834 --> 00:16:29,754 Speaker 2: is crazy. Yeah, he came to Australia and like on 374 00:16:29,834 --> 00:16:32,474 Speaker 2: exchange and got wrapped up in this like craziness with 375 00:16:32,514 --> 00:16:34,354 Speaker 2: his host family. Yeah. 376 00:16:34,434 --> 00:16:36,994 Speaker 1: Yeah, like he was like like a recent press story 377 00:16:37,714 --> 00:16:38,274 Speaker 1: was last week. 378 00:16:38,994 --> 00:16:41,034 Speaker 2: No no, no no, when he was like a young teenager. 379 00:16:41,434 --> 00:16:43,674 Speaker 2: There's all these stories. I remember Dax's shepherd saying that 380 00:16:43,714 --> 00:16:45,994 Speaker 2: he and Ashton Kutcher were on like a tiny island 381 00:16:46,354 --> 00:16:48,754 Speaker 2: with him somewhere with Matthew mconnaughey and now having this 382 00:16:48,874 --> 00:16:50,674 Speaker 2: like or like an island that was hard to you know, 383 00:16:50,714 --> 00:16:52,194 Speaker 2: you had to get like a seaplane and a boat 384 00:16:52,194 --> 00:16:53,914 Speaker 2: and all this sort of stuff. And they all wanted 385 00:16:53,914 --> 00:16:56,714 Speaker 2: to watch this big football game the next morning, and 386 00:16:56,754 --> 00:16:58,834 Speaker 2: they were partying tonight and they're like Matthew was like 387 00:16:58,914 --> 00:17:00,474 Speaker 2: drinking and he was dancing on the beach and he 388 00:17:00,594 --> 00:17:02,914 Speaker 2: was playing the drums. And the next morning they get 389 00:17:02,994 --> 00:17:05,234 Speaker 2: up to watch this game and they were like where's 390 00:17:05,273 --> 00:17:08,593 Speaker 2: McConaughey and Ashton Kutcher turned on the TV and Matthew 391 00:17:08,634 --> 00:17:10,954 Speaker 2: McConaughey is sitting next to the coach at the game. 392 00:17:11,033 --> 00:17:12,714 Speaker 2: This is like in a different country with a headset 393 00:17:12,834 --> 00:17:14,994 Speaker 2: and being like let's go, let's go, and they're just like, 394 00:17:15,314 --> 00:17:18,434 Speaker 2: how did he get there? And apparently he like charted 395 00:17:18,674 --> 00:17:21,114 Speaker 2: a helicopter in the middle of the night and flew 396 00:17:21,234 --> 00:17:24,434 Speaker 2: himself to the game. It's just like they were just 397 00:17:24,474 --> 00:17:26,274 Speaker 2: like they were like, that's normal, Like you just never 398 00:17:26,314 --> 00:17:28,434 Speaker 2: know Matthew McConaughey. Like one moment you're on an island 399 00:17:28,434 --> 00:17:30,434 Speaker 2: with him, you're having a drink. The next moment he's 400 00:17:30,434 --> 00:17:32,354 Speaker 2: like coaching a college football game on the other side 401 00:17:32,354 --> 00:17:33,954 Speaker 2: of the world, and that's just him. Everyone's like, that's 402 00:17:33,994 --> 00:17:34,354 Speaker 2: just him. 403 00:17:34,434 --> 00:17:36,034 Speaker 1: But this is I feel like a lot of celebrities 404 00:17:36,034 --> 00:17:38,674 Speaker 1: are like this. They are just they really are very 405 00:17:38,714 --> 00:17:40,954 Speaker 1: quirky and they are in their own worlds and they 406 00:17:40,994 --> 00:17:44,394 Speaker 1: don't realize what they're saying is bizarre. Like I don't 407 00:17:44,434 --> 00:17:46,994 Speaker 1: think he wrote that thinking this is gonna get some cliques, 408 00:17:47,074 --> 00:17:49,154 Speaker 1: Like I think he just genuinely thought that this was 409 00:17:49,154 --> 00:17:51,354 Speaker 1: like a spiritual awakening and then he wanted to share 410 00:17:51,354 --> 00:17:53,754 Speaker 1: it with people. Yeah, that's why I think it's funny, 411 00:17:53,794 --> 00:17:56,354 Speaker 1: because I'm like, you've convinced just you're in this bubble 412 00:17:56,554 --> 00:18:00,394 Speaker 1: of hongwoand and Los Angeles where everything like this feels 413 00:18:00,474 --> 00:18:02,833 Speaker 1: normal to you anyway, It's hilarious. 414 00:18:03,154 --> 00:18:03,354 Speaker 3: Yeah. 415 00:18:03,394 --> 00:18:05,234 Speaker 2: I just think it's the only time I think. I 416 00:18:05,274 --> 00:18:07,674 Speaker 2: mean again, I don't know her, but I'm thinking Camilla, 417 00:18:07,874 --> 00:18:10,033 Speaker 2: his wife, is probably just okay with him sharing this. 418 00:18:10,394 --> 00:18:13,074 Speaker 2: The only twenty years the only story where he's shared 419 00:18:13,074 --> 00:18:14,754 Speaker 2: about her where I was like, hm, what was she 420 00:18:14,754 --> 00:18:17,274 Speaker 2: okay with that? Is when he was talking about her 421 00:18:17,394 --> 00:18:19,234 Speaker 2: giving birth too. I think it was their first son, 422 00:18:19,274 --> 00:18:21,114 Speaker 2: because they've got three kids. Okay. I did not look 423 00:18:21,154 --> 00:18:23,513 Speaker 2: this up. I just sometimes I, against my will, retain 424 00:18:23,594 --> 00:18:27,674 Speaker 2: celebrity baby names. So Matthew McConaughey's kids called Levi yep, 425 00:18:27,914 --> 00:18:31,914 Speaker 2: Vida yep, Livingstone yep. Is it really yeap? Oh my god, 426 00:18:32,034 --> 00:18:34,353 Speaker 2: imagine the information that could be in my brain if 427 00:18:34,394 --> 00:18:36,793 Speaker 2: I didn't know that. That is such useless information for 428 00:18:36,834 --> 00:18:38,954 Speaker 2: me to have. Anyway, he was saying to the story, like, 429 00:18:38,994 --> 00:18:40,394 Speaker 2: I think is when she was giving birth to Levi. 430 00:18:40,834 --> 00:18:42,634 Speaker 2: He's like, yeah, she was giving birth, and he's like, 431 00:18:42,634 --> 00:18:44,634 Speaker 2: and I was helping, and so I was just like 432 00:18:44,674 --> 00:18:46,714 Speaker 2: on the drums and I was taking my shirt off, 433 00:18:46,714 --> 00:18:48,434 Speaker 2: and I was like, let's get primal with it. And 434 00:18:48,474 --> 00:18:50,194 Speaker 2: I was like, I bet she was like, get out 435 00:18:50,274 --> 00:18:53,234 Speaker 2: of here, I'm giving birth and you're on the bongo saying, 436 00:18:53,314 --> 00:18:55,794 Speaker 2: let's get primal with it. It's like, so see yourself out. 437 00:18:56,034 --> 00:18:58,394 Speaker 2: She has never said that. I'm potentially just reading into 438 00:18:58,474 --> 00:19:01,954 Speaker 2: her thoughts. But I think when you're married to Matthew McConaughey, 439 00:19:02,034 --> 00:19:03,554 Speaker 2: you just expect that, not. 440 00:19:03,554 --> 00:19:05,314 Speaker 1: That he ever would, but I could never be married 441 00:19:05,354 --> 00:19:07,274 Speaker 1: to that man. Not that this is like an issue 442 00:19:07,394 --> 00:19:09,194 Speaker 1: like that meant the things that he comes out with 443 00:19:09,314 --> 00:19:12,033 Speaker 1: from his mouth is like my worst night man. 444 00:19:12,114 --> 00:19:14,074 Speaker 2: Oh my god. You know who I would marry is 445 00:19:14,194 --> 00:19:16,874 Speaker 2: Matthew McConaughey circa how to Loser Guy intended. 446 00:19:16,994 --> 00:19:19,194 Speaker 1: Okay, yes, that is his absolute hottest. 447 00:19:19,514 --> 00:19:21,634 Speaker 2: I would put up with all the crazy bullshit for that, 448 00:19:22,074 --> 00:19:25,793 Speaker 2: and I think he has gotten crazier as time has 449 00:19:25,834 --> 00:19:27,273 Speaker 2: gone on. There's a seen it. It's seen from a 450 00:19:27,314 --> 00:19:30,833 Speaker 2: Wolf of Wall Street where he just starts, yeah, so 451 00:19:30,994 --> 00:19:33,074 Speaker 2: that was in the scripture. Does he just does that? 452 00:19:33,314 --> 00:19:34,194 Speaker 1: It's so good. 453 00:19:34,234 --> 00:19:36,834 Speaker 2: I love that, And you can see Leona DiCaprio's face 454 00:19:36,874 --> 00:19:38,834 Speaker 2: through his character just be like, what the hell, what 455 00:19:38,914 --> 00:19:39,154 Speaker 2: the hell? 456 00:19:39,994 --> 00:19:42,714 Speaker 1: Make iconic parts of the entire movie. 457 00:19:42,554 --> 00:19:45,354 Speaker 2: And that's just him behind the I love it. So 458 00:19:45,394 --> 00:19:47,914 Speaker 2: I guess my message to end to Matthew McConaughey would 459 00:19:47,954 --> 00:19:50,354 Speaker 2: be like, tell more weird stories, tell more sex stories. 460 00:19:50,394 --> 00:19:52,874 Speaker 2: Tell with the consent of your wife of course, just 461 00:19:52,954 --> 00:19:54,593 Speaker 2: tell me all the weird stories. I want to hear 462 00:19:54,634 --> 00:19:59,194 Speaker 2: all of them. Well, from whilst celebrity sex stories to 463 00:19:59,274 --> 00:20:01,634 Speaker 2: my other favorite thing to talk about, and that's Wicked 464 00:20:01,794 --> 00:20:05,274 Speaker 2: in all shapes and forms incarnations. Because it has been 465 00:20:05,314 --> 00:20:08,234 Speaker 2: out now across the world, the new movie Weicked for Good. 466 00:20:08,234 --> 00:20:10,314 Speaker 2: It has been Adam Cinemas for over a week now, 467 00:20:10,754 --> 00:20:12,914 Speaker 2: and we have some wonderful news, which is a few 468 00:20:12,994 --> 00:20:16,034 Speaker 2: box office records that have been broken. So they actually 469 00:20:16,114 --> 00:20:18,513 Speaker 2: doubled the number of domestic ticket sales, which is a 470 00:20:18,594 --> 00:20:21,273 Speaker 2: huge thing. That had a huge audience last time, but 471 00:20:21,354 --> 00:20:23,754 Speaker 2: this time they had people like literally lining the streets 472 00:20:23,754 --> 00:20:26,394 Speaker 2: to see this movie. It actually had the second biggest 473 00:20:26,474 --> 00:20:29,874 Speaker 2: US opening of the year after a Minecraft movie which 474 00:20:30,594 --> 00:20:33,754 Speaker 2: actually was quite good. I thought people loved it, and 475 00:20:33,874 --> 00:20:36,474 Speaker 2: Lelo and Stitch, which obviously had this huge movie fan 476 00:20:36,514 --> 00:20:39,514 Speaker 2: base there. So the global numbers make it the biggest 477 00:20:39,554 --> 00:20:44,474 Speaker 2: international opening for a stage musical adaptation ever, beating out 478 00:20:44,754 --> 00:20:48,114 Speaker 2: last year's Wicked movie, which had originally set that bar, 479 00:20:48,354 --> 00:20:52,434 Speaker 2: so huge, huge numbers there, and what a lot of 480 00:20:52,474 --> 00:20:54,674 Speaker 2: people are talking about along with their thoughts on the 481 00:20:54,674 --> 00:20:58,553 Speaker 2: movie and the box office opening, is the relationship between 482 00:20:58,674 --> 00:21:01,634 Speaker 2: Ariana Grande and Cynthia Rivo, which we've now seen for 483 00:21:01,674 --> 00:21:03,554 Speaker 2: a second time on their second press tour. 484 00:21:03,794 --> 00:21:06,234 Speaker 1: So even though this particular press store has been a 485 00:21:06,234 --> 00:21:09,234 Speaker 1: lot more subdued than last years, there has still been 486 00:21:09,274 --> 00:21:12,514 Speaker 1: the exact same conversation happening as happened last year, because 487 00:21:12,514 --> 00:21:15,354 Speaker 1: we've got that really iconic press to a moment. Last 488 00:21:15,434 --> 00:21:18,434 Speaker 1: year we was holding space and the finger. We all 489 00:21:18,434 --> 00:21:22,634 Speaker 1: remember that. It's become enmeshed in our pop culture knowledge now. 490 00:21:23,274 --> 00:21:25,194 Speaker 1: But this year things have been a little bit quieter, 491 00:21:25,394 --> 00:21:29,074 Speaker 1: but still that same narrative of like Cynthia and Ariana's 492 00:21:29,114 --> 00:21:33,354 Speaker 1: relationship has been really really consistent, and that is that 493 00:21:34,114 --> 00:21:39,033 Speaker 1: their relationship is quote weird and way too close, and 494 00:21:39,074 --> 00:21:42,114 Speaker 1: now people are talking about how they're trauma bonded. 495 00:21:42,594 --> 00:21:44,914 Speaker 2: Yeah. Yeah, it's interesting way to put it because I 496 00:21:44,914 --> 00:21:47,314 Speaker 2: think obviously there was a huge focus on their off 497 00:21:47,354 --> 00:21:50,874 Speaker 2: screen relationship last year, but I think the conversation around 498 00:21:50,994 --> 00:21:53,674 Speaker 2: them as co stars and friends has actually changed quite 499 00:21:53,754 --> 00:21:56,994 Speaker 2: dramatically over a year. So we only got really our 500 00:21:57,034 --> 00:21:59,194 Speaker 2: first taste of it last year, especially when the press 501 00:21:59,194 --> 00:22:01,874 Speaker 2: too were started right here in Australia. We had the 502 00:22:01,914 --> 00:22:04,514 Speaker 2: world premiere, we had the first lot of interviews there. 503 00:22:04,874 --> 00:22:07,634 Speaker 2: Interview I did interview them and tell you what I 504 00:22:07,674 --> 00:22:10,754 Speaker 2: saw this is I find myself defending them quite a 505 00:22:10,794 --> 00:22:13,194 Speaker 2: bit in terms of like how emotional they get. 506 00:22:13,474 --> 00:22:16,034 Speaker 1: I do too, And I think that comes from that 507 00:22:16,074 --> 00:22:20,114 Speaker 1: sort of theater nerd background, because there is this sense 508 00:22:20,314 --> 00:22:25,354 Speaker 1: of camaraderie and closeness that you get on a production 509 00:22:25,674 --> 00:22:28,514 Speaker 1: and they are literally on the biggest production of all time, 510 00:22:29,114 --> 00:22:31,634 Speaker 1: and they're both theater kids and they just love it, 511 00:22:31,634 --> 00:22:33,554 Speaker 1: and that really brings people really close together. 512 00:22:33,754 --> 00:22:35,914 Speaker 2: Yeah, so these are obviously characters that they had loved 513 00:22:35,914 --> 00:22:38,194 Speaker 2: it for over twenty years plus. Also, when you're an 514 00:22:38,234 --> 00:22:40,714 Speaker 2: actress and performer, you're already at an emotional level of 515 00:22:40,754 --> 00:22:42,714 Speaker 2: a fifteen most of the time, or you should be 516 00:22:42,834 --> 00:22:45,954 Speaker 2: to give a proper performance. And I also think like 517 00:22:46,034 --> 00:22:48,674 Speaker 2: a lot of the world saw them crying all the 518 00:22:48,754 --> 00:22:51,434 Speaker 2: time in their interviews, but what they didn't see at 519 00:22:51,474 --> 00:22:55,234 Speaker 2: the time, especially that first premiere in Australia, was the 520 00:22:55,834 --> 00:22:58,634 Speaker 2: literally hundreds of fans who had lined the streets for 521 00:22:58,674 --> 00:23:01,394 Speaker 2: over twenty four hours just to get a glimpse of 522 00:23:01,434 --> 00:23:03,793 Speaker 2: them across the road at the State Theater, and I 523 00:23:03,834 --> 00:23:06,793 Speaker 2: literally saw these people sobbing, and I thought, like, you 524 00:23:06,834 --> 00:23:09,194 Speaker 2: must be sobbing for exhaustion. But any one of them 525 00:23:09,194 --> 00:23:10,634 Speaker 2: that I asked, because I love to go talk to 526 00:23:10,634 --> 00:23:12,793 Speaker 2: people online and ask like, why did you line up 527 00:23:12,794 --> 00:23:15,074 Speaker 2: for twenty four hours? Like I'm so fascinated by that, 528 00:23:15,114 --> 00:23:17,354 Speaker 2: And I think it's such a beautiful thing to have 529 00:23:17,434 --> 00:23:19,994 Speaker 2: that level of fandom. I can't imagine loving anything that 530 00:23:20,074 --> 00:23:22,954 Speaker 2: much like I love Wicked, but I would never line 531 00:23:23,034 --> 00:23:25,273 Speaker 2: up for thirty hours just to get a glimpse of 532 00:23:25,314 --> 00:23:28,114 Speaker 2: the premiere across the road. And they just were so 533 00:23:28,154 --> 00:23:30,794 Speaker 2: happy to be there. And then even at the junket, 534 00:23:31,154 --> 00:23:34,434 Speaker 2: people were crying, like other journalists I saw were crying 535 00:23:34,514 --> 00:23:37,033 Speaker 2: going into the junkit and in the room afterwards we 536 00:23:37,034 --> 00:23:39,274 Speaker 2: were all waiting for our interview cards to be given 537 00:23:39,314 --> 00:23:41,394 Speaker 2: to us without interviews on them. People were crying in 538 00:23:41,394 --> 00:23:43,513 Speaker 2: the room and I'm like, well, of course Ariana and 539 00:23:43,554 --> 00:23:45,594 Speaker 2: Cynthia are crying because all they're doing all day is 540 00:23:45,594 --> 00:23:47,593 Speaker 2: staying across from people who were crying and telling them 541 00:23:47,594 --> 00:23:49,794 Speaker 2: how much this means to them, so we had that. 542 00:23:49,954 --> 00:23:52,034 Speaker 2: I think by the end of that first press tour, 543 00:23:52,074 --> 00:23:54,274 Speaker 2: people were starting to get a little bit like, Oh, 544 00:23:54,354 --> 00:23:57,234 Speaker 2: it's too much. It's too much. And then for Wicked 545 00:23:57,274 --> 00:23:59,354 Speaker 2: for Good, as you're saying, we had that very reduced 546 00:23:59,434 --> 00:24:02,714 Speaker 2: press tour where they walked some red carpets, they did 547 00:24:02,714 --> 00:24:04,794 Speaker 2: a few red carpet interviews, They did like a few 548 00:24:04,794 --> 00:24:07,114 Speaker 2: little kind of bespoke interviews, but they didn't do that 549 00:24:07,234 --> 00:24:10,274 Speaker 2: big press junkut run that they had done originally. And 550 00:24:10,994 --> 00:24:12,834 Speaker 2: I think some of the reason around that is that 551 00:24:12,954 --> 00:24:15,354 Speaker 2: one they had kind of done so much leg work 552 00:24:15,394 --> 00:24:17,434 Speaker 2: the first time, and they were corrected. There was a 553 00:24:17,514 --> 00:24:20,274 Speaker 2: huge carryover to the second movie. But I do think 554 00:24:20,274 --> 00:24:23,474 Speaker 2: they were trying to sort of make the focus more 555 00:24:23,474 --> 00:24:25,674 Speaker 2: about the movie and the characters and the new songs, 556 00:24:25,794 --> 00:24:28,154 Speaker 2: rather than putting a spotlight on the actors who were 557 00:24:28,154 --> 00:24:30,914 Speaker 2: having a bit of a difficult time. But what has 558 00:24:30,914 --> 00:24:33,033 Speaker 2: happened is that the focus hasn't been on the movie. 559 00:24:33,114 --> 00:24:37,114 Speaker 2: The focus has been on these women and all these 560 00:24:37,194 --> 00:24:40,314 Speaker 2: theories and stories, some of them quite dark and quite disturbing, 561 00:24:40,354 --> 00:24:41,154 Speaker 2: that have popped up. 562 00:24:41,354 --> 00:24:44,394 Speaker 1: I want to be very conscious about how dark we 563 00:24:44,474 --> 00:24:47,954 Speaker 1: get because some of the accusations about them I think 564 00:24:48,114 --> 00:24:51,394 Speaker 1: are more harmful then will do any good to talk about. 565 00:24:51,834 --> 00:24:53,594 Speaker 1: A lot of people are talking about how they touch 566 00:24:53,634 --> 00:24:56,874 Speaker 1: each other a lot, and in a recent interview with 567 00:24:56,914 --> 00:25:00,154 Speaker 1: Amy Poehler, Amy asked Arianna about this, and she says, 568 00:25:00,314 --> 00:25:02,033 Speaker 1: I channel a lot of energy through my hands, and 569 00:25:02,034 --> 00:25:04,514 Speaker 1: so I'm always holding a hand, I'm always like squeezing 570 00:25:04,634 --> 00:25:06,914 Speaker 1: or something. As you've learned, I'm always reaching for something. 571 00:25:06,954 --> 00:25:09,834 Speaker 1: So so that was her reasoning for the touching. I 572 00:25:09,834 --> 00:25:11,474 Speaker 1: can relate to that. I feel like I've become quite 573 00:25:11,474 --> 00:25:14,074 Speaker 1: a physical person, so I can kind of understand that 574 00:25:14,514 --> 00:25:17,714 Speaker 1: the thing that I think is the most harmful is 575 00:25:17,794 --> 00:25:20,914 Speaker 1: a lot of the conversation around their bodies. 576 00:25:21,474 --> 00:25:24,194 Speaker 2: Yeah, so there's been a bit of an escalation of 577 00:25:24,474 --> 00:25:27,394 Speaker 2: different moments. So at first, people I think were kind 578 00:25:27,394 --> 00:25:30,234 Speaker 2: of amused, but also like in a loving way, being like, oh, 579 00:25:30,314 --> 00:25:33,273 Speaker 2: they're always clinging to each other. They always seem very 580 00:25:33,354 --> 00:25:37,434 Speaker 2: overcome by all these lines of questioning. They're crying, they're hugging, 581 00:25:37,434 --> 00:25:40,594 Speaker 2: they're talking about how they've changed each other's lives, and 582 00:25:40,914 --> 00:25:43,594 Speaker 2: you know, people question that, but also people kind of 583 00:25:43,594 --> 00:25:46,834 Speaker 2: found it quite endearing this time around, also because I 584 00:25:46,874 --> 00:25:49,914 Speaker 2: think it's somehow felt like a very subdue press to it. 585 00:25:49,914 --> 00:25:52,154 Speaker 2: It didn't have the not that people didn't love the movie, 586 00:25:52,194 --> 00:25:53,793 Speaker 2: and not that I didn't get from them that they 587 00:25:53,794 --> 00:25:56,354 Speaker 2: weren't excited. And also I guess they're saying goodbye to 588 00:25:56,394 --> 00:25:58,154 Speaker 2: these characters. Last time they were just like, Hey, we'll 589 00:25:58,154 --> 00:25:59,994 Speaker 2: see you guys in a year. This time, I feel 590 00:26:00,034 --> 00:26:02,394 Speaker 2: like there's a real sense of completion for them that 591 00:26:02,434 --> 00:26:04,914 Speaker 2: this moment is over. So the press to her has 592 00:26:04,914 --> 00:26:08,514 Speaker 2: felt very subdued, and we're not getting all of those 593 00:26:08,554 --> 00:26:12,234 Speaker 2: other moments to cling to. And there's been some conspiracy 594 00:26:12,274 --> 00:26:15,033 Speaker 2: theories because for the last premiere, after the whole thing 595 00:26:15,034 --> 00:26:17,714 Speaker 2: had happened with the fan running at Ariana and Cynthia 596 00:26:17,794 --> 00:26:20,594 Speaker 2: jumping in front of her and all of that stuff. 597 00:26:20,634 --> 00:26:23,794 Speaker 2: After that happened, it came out that Cynthia Arrivo wasn't 598 00:26:23,794 --> 00:26:27,074 Speaker 2: going to do interviews at the next big premiere, which 599 00:26:27,114 --> 00:26:29,354 Speaker 2: was one of the final premieres, because she said she 600 00:26:29,354 --> 00:26:31,513 Speaker 2: had lost her voice. And then Mariana came out and 601 00:26:31,554 --> 00:26:34,513 Speaker 2: said that she also wasn't going to do interviews, just 602 00:26:34,514 --> 00:26:37,434 Speaker 2: sort of in solidarity with Cynthia, and so then the 603 00:26:37,474 --> 00:26:40,994 Speaker 2: conspiracy started that they were so traumatized by the press 604 00:26:41,034 --> 00:26:43,274 Speaker 2: and that incident, they didn't want to talk to people, 605 00:26:43,274 --> 00:26:45,794 Speaker 2: and that was kind of an excuse. And then Ariana 606 00:26:45,794 --> 00:26:47,914 Speaker 2: Grande came out and said that she had COVID nineteen 607 00:26:47,994 --> 00:26:49,874 Speaker 2: and would have to pull out of some press dudies 608 00:26:49,874 --> 00:26:52,994 Speaker 2: for Wicked, and then all these conspiracy theories started, and 609 00:26:53,074 --> 00:26:55,434 Speaker 2: this has gone rampant in all like forums and like 610 00:26:55,514 --> 00:26:59,033 Speaker 2: some new sites TikTok, especially like for me it's every 611 00:26:59,234 --> 00:27:03,234 Speaker 2: second video is this conspiracy theory that Ariana Grande lied 612 00:27:03,274 --> 00:27:05,914 Speaker 2: about having COVID nineteen to stay away from the press 613 00:27:05,954 --> 00:27:09,074 Speaker 2: line And one of those things is about what you're 614 00:27:09,114 --> 00:27:12,474 Speaker 2: saying about this conversation around her body. And I've seen 615 00:27:12,514 --> 00:27:15,194 Speaker 2: so many people just say straight to Canberra, this completely 616 00:27:15,314 --> 00:27:19,394 Speaker 2: unfounded accusation. Ariana Grande lied about having COVID nineteen to 617 00:27:19,874 --> 00:27:23,234 Speaker 2: hide her eating disorder, which is a crazy take to 618 00:27:23,314 --> 00:27:26,114 Speaker 2: say for someone that we have no idea what's going 619 00:27:26,154 --> 00:27:26,754 Speaker 2: on in her life. 620 00:27:26,794 --> 00:27:28,914 Speaker 1: I have a lot of issues with this for a 621 00:27:29,034 --> 00:27:32,834 Speaker 1: number of reasons. It's not just about Ariana. It's now 622 00:27:32,914 --> 00:27:37,994 Speaker 1: extended to Cynthia Arrivo and to Michelle Yo to a 623 00:27:38,074 --> 00:27:41,954 Speaker 1: slightly lesser extent, but the amount of videos I've seen 624 00:27:42,154 --> 00:27:46,234 Speaker 1: of people doing before and afters upsets me because I 625 00:27:46,354 --> 00:27:49,313 Speaker 1: do feel like it is indicative of a bigger issue 626 00:27:49,354 --> 00:27:51,474 Speaker 1: with you know, the way that we talk about women's 627 00:27:51,514 --> 00:27:55,194 Speaker 1: bodies in Hollywood. But I also I don't think we 628 00:27:55,194 --> 00:27:58,874 Speaker 1: should be diagnosing people's medical issues. And yeah, it just 629 00:27:58,914 --> 00:28:02,474 Speaker 1: it feels very very it's upsetting to me this narrative. 630 00:28:02,794 --> 00:28:04,994 Speaker 2: Yeah, and I look, I understand that, like when you 631 00:28:05,074 --> 00:28:07,074 Speaker 2: see those videos that are put out into the world, 632 00:28:07,194 --> 00:28:09,234 Speaker 2: they can be confronting. People want to talk about them 633 00:28:09,234 --> 00:28:11,754 Speaker 2: because what we're seeing is and some of these taken 634 00:28:11,834 --> 00:28:14,234 Speaker 2: over a decade ago, some of these photos and videos 635 00:28:14,314 --> 00:28:18,514 Speaker 2: of in particular Cynthia Rivo and Ariana Grande showing these 636 00:28:18,634 --> 00:28:21,794 Speaker 2: changes in their body and showing how they looked one 637 00:28:21,834 --> 00:28:24,114 Speaker 2: way in the past while working on other projects and 638 00:28:24,194 --> 00:28:27,834 Speaker 2: now showing that they appear to have much smaller frames, 639 00:28:27,874 --> 00:28:30,033 Speaker 2: in particular in this press run that they're doing at 640 00:28:30,074 --> 00:28:32,714 Speaker 2: the moment where you know, they're getting photographed from every 641 00:28:32,754 --> 00:28:35,674 Speaker 2: angle and film from every angle, and so their bodies 642 00:28:35,714 --> 00:28:38,154 Speaker 2: are on display and in such a huge way that 643 00:28:38,474 --> 00:28:41,514 Speaker 2: they really can't control what images are going out there 644 00:28:41,554 --> 00:28:45,354 Speaker 2: because it's just on every platform and the narrative that 645 00:28:45,394 --> 00:28:48,314 Speaker 2: has come from that is people are linking all of 646 00:28:48,354 --> 00:28:51,674 Speaker 2: these different things and saying they're saying that they've gone 647 00:28:51,674 --> 00:28:54,594 Speaker 2: through a lot together. They're talking of these past events. 648 00:28:54,594 --> 00:28:57,154 Speaker 2: They appear to be like very trauma bonded, and their 649 00:28:57,154 --> 00:29:01,034 Speaker 2: bodies look drastically different and smaller, and these questions are like, 650 00:29:01,074 --> 00:29:02,994 Speaker 2: what happened on the Wicked set? What's happened to them? 651 00:29:03,034 --> 00:29:06,394 Speaker 2: And it's painted this narrative, which is very flimsy and 652 00:29:06,434 --> 00:29:09,194 Speaker 2: I think kind of takes away from actual real issues 653 00:29:09,194 --> 00:29:12,074 Speaker 2: that could be discussed here. This's very flimsy narrative that 654 00:29:12,274 --> 00:29:16,914 Speaker 2: they went through some terrible trauma during the years that 655 00:29:16,914 --> 00:29:18,954 Speaker 2: they filmed Wicked, because they filmed the two movies back 656 00:29:18,994 --> 00:29:20,914 Speaker 2: to back, so it was this huge shoot that they 657 00:29:21,074 --> 00:29:23,954 Speaker 2: went through this unspeakable trauma, and their bodies have shrunk 658 00:29:23,994 --> 00:29:24,794 Speaker 2: as a result of that. 659 00:29:24,874 --> 00:29:28,034 Speaker 1: Yeah, Like as a long phone draw, they're also sort 660 00:29:28,034 --> 00:29:31,434 Speaker 1: of comparing it to the things that happened on the 661 00:29:31,474 --> 00:29:34,674 Speaker 1: set of The Wizard of Oz, like in nineteen thirty nine, 662 00:29:34,794 --> 00:29:37,754 Speaker 1: which is very famously one of the most traumatic sets 663 00:29:38,194 --> 00:29:40,354 Speaker 1: that has ever existed. You know, we've got all those 664 00:29:40,394 --> 00:29:43,474 Speaker 1: stories of the tin Men having lead poisoning. We've got 665 00:29:43,874 --> 00:29:47,514 Speaker 1: Judy Garland being starved and given uppers and down as 666 00:29:47,514 --> 00:29:49,994 Speaker 1: it's very very well reported on the set of that movie. 667 00:29:50,074 --> 00:29:52,074 Speaker 1: So people are making a connection between these you were 668 00:29:52,074 --> 00:29:54,074 Speaker 1: calling it like the Wicked Curse or Wizard of Oz curse. 669 00:29:54,634 --> 00:29:56,394 Speaker 1: I would like to just be very careful about feeding 670 00:29:56,394 --> 00:29:57,634 Speaker 1: into that narrative. 671 00:29:58,354 --> 00:30:00,674 Speaker 2: Yeah, And this is what I hate about conversations like this, 672 00:30:00,874 --> 00:30:02,354 Speaker 2: is like, I think there's a way to have a 673 00:30:02,394 --> 00:30:06,354 Speaker 2: conversation about the stigma around weight at different sizes. I 674 00:30:06,394 --> 00:30:09,354 Speaker 2: think there's a a conversation to be had about body inclusivity, 675 00:30:09,874 --> 00:30:12,234 Speaker 2: especially in Hollywood, because we've seen a real slide back 676 00:30:12,274 --> 00:30:15,714 Speaker 2: on that. I never think that you have to use 677 00:30:16,074 --> 00:30:20,314 Speaker 2: specific women or bodies or photos. And I know that 678 00:30:20,354 --> 00:30:22,394 Speaker 2: sounds hard, but I've done it many times. I've written 679 00:30:22,434 --> 00:30:24,874 Speaker 2: a lot about the way we look at bodies, especially 680 00:30:24,874 --> 00:30:28,114 Speaker 2: on famous women, and the way that there's not a 681 00:30:28,154 --> 00:30:30,874 Speaker 2: lot of diversity in the movies and TV shows we're watching. 682 00:30:30,994 --> 00:30:33,234 Speaker 2: And every time I've done that, I have never named 683 00:30:33,234 --> 00:30:36,354 Speaker 2: any specific women, using any specific photos. So for everyone 684 00:30:36,354 --> 00:30:38,794 Speaker 2: who's kind of centering in, I just think there's a 685 00:30:38,794 --> 00:30:42,074 Speaker 2: way to have this conversation without putting a woman or 686 00:30:42,114 --> 00:30:45,594 Speaker 2: like two co stars in the firing line of any 687 00:30:45,674 --> 00:30:48,994 Speaker 2: kind of conversation. It's also not their job to sort 688 00:30:49,034 --> 00:30:53,154 Speaker 2: of advocate for any level of body diversity. That's not 689 00:30:53,154 --> 00:30:56,074 Speaker 2: even a conversation for the Wicked press tour, is what 690 00:30:56,154 --> 00:30:58,394 Speaker 2: I'm thinking. I think there's definitely a conversation to be 691 00:30:58,394 --> 00:31:01,754 Speaker 2: hard about Hollywood body diversity, but this is not the 692 00:31:01,754 --> 00:31:04,034 Speaker 2: place for it. But I also think if people want 693 00:31:04,034 --> 00:31:07,434 Speaker 2: to assign trauma to these women that they themselves have 694 00:31:07,474 --> 00:31:09,314 Speaker 2: brought up a few times and said, like, they haven't 695 00:31:09,314 --> 00:31:11,114 Speaker 2: said the words word trauma bonded, but they have said, 696 00:31:11,154 --> 00:31:14,594 Speaker 2: we've been through so much together. They're talking about things 697 00:31:14,634 --> 00:31:18,034 Speaker 2: they've been through like they are actually on the record, 698 00:31:18,114 --> 00:31:20,194 Speaker 2: and they have for many years talked about things they're 699 00:31:20,234 --> 00:31:22,274 Speaker 2: going through. And I'm like, why don't we look at 700 00:31:22,314 --> 00:31:24,754 Speaker 2: what they're actually saying instead of what their bodies look 701 00:31:24,874 --> 00:31:28,594 Speaker 2: like In this particular case, because Ariana Grande has talked 702 00:31:28,634 --> 00:31:33,554 Speaker 2: about going through really immense post traumatic stress disorder, grief 703 00:31:33,634 --> 00:31:36,234 Speaker 2: and depression at a time when she was making a 704 00:31:36,234 --> 00:31:39,154 Speaker 2: lot of back to back albums and touring, and she 705 00:31:39,234 --> 00:31:40,914 Speaker 2: even has said in a profile to Vogue, I mean 706 00:31:40,954 --> 00:31:43,314 Speaker 2: she said this many times, but just in this particular profile, 707 00:31:43,394 --> 00:31:45,874 Speaker 2: she said, I'm a person who's been through a lot, 708 00:31:45,914 --> 00:31:47,754 Speaker 2: and I don't know what to say about it, even 709 00:31:47,754 --> 00:31:50,354 Speaker 2: to myself, let alone the world. But I'm sort of 710 00:31:50,354 --> 00:31:53,154 Speaker 2: trying to say And she hasn't touched on every piece 711 00:31:53,154 --> 00:31:56,154 Speaker 2: of trauma she's gone through, but not should she have to, No, 712 00:31:56,354 --> 00:31:59,114 Speaker 2: just yet, absolutely not. But she's also you know, she 713 00:31:59,274 --> 00:32:01,914 Speaker 2: was very close friends with Mac Miller before they began 714 00:32:01,954 --> 00:32:05,074 Speaker 2: a romantic relationship and then his death. She has talked 715 00:32:05,074 --> 00:32:08,314 Speaker 2: about hitting her really hard. Also, you know, the Manchester bombings, 716 00:32:08,714 --> 00:32:10,714 Speaker 2: which she still talks about this to this day, being 717 00:32:10,714 --> 00:32:13,514 Speaker 2: this huge trauma that affected her and so many people. 718 00:32:13,874 --> 00:32:16,394 Speaker 2: And again I think that is when she talks about 719 00:32:16,394 --> 00:32:18,554 Speaker 2: trauma and like what happened to her that fan event 720 00:32:18,634 --> 00:32:21,154 Speaker 2: the other day, Like they are intrinsically linked in this 721 00:32:21,234 --> 00:32:23,994 Speaker 2: term of like she doesn't feel safe in a crowd 722 00:32:24,034 --> 00:32:26,554 Speaker 2: and she feels very protective of the crowds around her 723 00:32:26,594 --> 00:32:29,394 Speaker 2: after what she went through, and so I think she's 724 00:32:29,434 --> 00:32:32,674 Speaker 2: talking about that. And Cynthia Arrivo has also said that 725 00:32:32,714 --> 00:32:35,474 Speaker 2: when she met Mariana, they had this instant connection because 726 00:32:35,514 --> 00:32:38,954 Speaker 2: they had this artistic connection, but they also she has 727 00:32:38,994 --> 00:32:41,674 Speaker 2: said that she recognized her as a person who has 728 00:32:41,714 --> 00:32:45,754 Speaker 2: been through so much trauma and essentially needed to be protected. 729 00:32:46,474 --> 00:32:49,034 Speaker 2: And then Cynthia Orrivo, I mean, she has a way 730 00:32:49,154 --> 00:32:52,274 Speaker 2: talked about a lot of things that she's been through 731 00:32:52,274 --> 00:32:54,954 Speaker 2: in her life. But I think we're about to learn 732 00:32:55,074 --> 00:32:58,394 Speaker 2: so much more about Cynthia Arrivo's story. And I think 733 00:32:58,434 --> 00:33:01,514 Speaker 2: it's very telling that this is happening after this huge 734 00:33:01,594 --> 00:33:04,154 Speaker 2: press to her for these incredible movies and like hopefulucial 735 00:33:04,194 --> 00:33:06,114 Speaker 2: Win and Oscar. But she does have a memoir coming 736 00:33:06,114 --> 00:33:08,834 Speaker 2: out called Simply More, and a few of the chapters 737 00:33:08,874 --> 00:33:11,354 Speaker 2: and stories from that book have started being released as 738 00:33:11,394 --> 00:33:13,314 Speaker 2: she does press for it. I mean, she's had this 739 00:33:13,474 --> 00:33:18,074 Speaker 2: crazy successful life that she's also had a really difficult life, 740 00:33:18,194 --> 00:33:21,034 Speaker 2: especially with some of the things to do with her family. 741 00:33:21,154 --> 00:33:24,394 Speaker 2: She talks about being estranged from her father and them 742 00:33:24,554 --> 00:33:27,794 Speaker 2: having this kind of moment where he just left her 743 00:33:27,834 --> 00:33:30,994 Speaker 2: on a train platform and their life has really never 744 00:33:31,034 --> 00:33:32,794 Speaker 2: been the same, and she talks about him not being 745 00:33:32,834 --> 00:33:34,994 Speaker 2: the person who should be her dad and how difficult 746 00:33:35,034 --> 00:33:37,474 Speaker 2: that has been. She talks about having to she's close 747 00:33:37,514 --> 00:33:40,154 Speaker 2: to her mother and sister now but having to rebuild 748 00:33:40,194 --> 00:33:42,914 Speaker 2: relationships with them, and she talks about her family in 749 00:33:42,954 --> 00:33:45,394 Speaker 2: particular and not not accepting her queerness and having to 750 00:33:45,474 --> 00:33:48,154 Speaker 2: hide that, and the trauma she's been through and why 751 00:33:48,234 --> 00:33:50,994 Speaker 2: she's so big on giving back now and she still 752 00:33:50,994 --> 00:33:52,794 Speaker 2: goes back and is like a board member, and like 753 00:33:52,834 --> 00:33:54,554 Speaker 2: the school that she trained at, she goes back and 754 00:33:54,594 --> 00:33:56,634 Speaker 2: visits her old school and all these kind of things. 755 00:33:56,674 --> 00:33:59,194 Speaker 2: Is like, I really think that she's only kind of 756 00:33:59,314 --> 00:34:02,314 Speaker 2: touched on the things she's been through in her life. 757 00:34:02,394 --> 00:34:05,114 Speaker 2: And so I just think that she and Ariana, like, again, 758 00:34:05,434 --> 00:34:06,874 Speaker 2: I don't know what happened to these women. I have 759 00:34:06,874 --> 00:34:09,433 Speaker 2: no way, but I would summise from the story they're 760 00:34:09,473 --> 00:34:12,794 Speaker 2: telling us that I don't think trauma happened to them 761 00:34:12,794 --> 00:34:15,514 Speaker 2: on the Wicked set. I think they were on that set, 762 00:34:15,914 --> 00:34:17,513 Speaker 2: and we know that they were attached to the hip 763 00:34:17,554 --> 00:34:19,393 Speaker 2: on that set for pretty much the majority of the 764 00:34:19,394 --> 00:34:21,953 Speaker 2: time they were filming. Yeah, and then all of the 765 00:34:22,074 --> 00:34:25,714 Speaker 2: trauma that they went through was shared between each other. 766 00:34:25,794 --> 00:34:27,994 Speaker 2: And so when they're walking down those red carpets and 767 00:34:27,994 --> 00:34:30,914 Speaker 2: they're hearing that crazy were of the crowd, they're holding 768 00:34:30,954 --> 00:34:34,154 Speaker 2: onto each other because of every safety Yeah, because of 769 00:34:34,234 --> 00:34:36,354 Speaker 2: the stories they told each other on the set, not 770 00:34:36,354 --> 00:34:38,634 Speaker 2: because something terrible happened to them on the set. As 771 00:34:38,634 --> 00:34:39,993 Speaker 2: far as I do, I mean I wasn't there. 772 00:34:40,034 --> 00:34:42,794 Speaker 1: Yeah, I mean, I can imagine how challenging it would 773 00:34:42,834 --> 00:34:45,754 Speaker 1: be to be in those situations where it is very overwhelming. 774 00:34:46,074 --> 00:34:48,194 Speaker 1: You and I were at that premiere in City at 775 00:34:48,194 --> 00:34:51,354 Speaker 1: the State Theater for the original Wicked. It was insane. 776 00:34:51,394 --> 00:34:54,234 Speaker 1: Can you imagine being yelled at like that day after 777 00:34:54,314 --> 00:34:57,234 Speaker 1: day after day? I can't. Those movie premieers give me 778 00:34:57,634 --> 00:34:58,514 Speaker 1: over stimulated. 779 00:34:58,634 --> 00:35:01,393 Speaker 2: Absolutely, those movie premiers give me so much. Just I 780 00:35:01,394 --> 00:35:02,873 Speaker 2: didn't go to one this week because I'm like, I 781 00:35:02,914 --> 00:35:05,594 Speaker 2: might really stressed this week and busy, and so there 782 00:35:05,634 --> 00:35:07,594 Speaker 2: was a huge premiere here in Sydney, and I just 783 00:35:07,674 --> 00:35:10,114 Speaker 2: knew it would be people knocking into each other and 784 00:35:10,114 --> 00:35:13,034 Speaker 2: people screaming. And I've been at that location before and 785 00:35:13,154 --> 00:35:15,274 Speaker 2: have nearly had the barricades tip on top of me 786 00:35:15,354 --> 00:35:17,714 Speaker 2: because people were trying to trample my body to get 787 00:35:17,714 --> 00:35:19,714 Speaker 2: to the movie star next to me. I'm not saying, oh, 788 00:35:19,834 --> 00:35:21,433 Speaker 2: poor me, I have to go to premieres, but I'm 789 00:35:21,474 --> 00:35:23,554 Speaker 2: just saying, like, even as someone who's not involved in it, 790 00:35:23,554 --> 00:35:25,634 Speaker 2: who's just there, like, those events are a lot and 791 00:35:25,634 --> 00:35:28,354 Speaker 2: I think if they're happening to a person who's already 792 00:35:28,474 --> 00:35:31,513 Speaker 2: quite in a stressful situation, you're the center of it, 793 00:35:32,074 --> 00:35:34,314 Speaker 2: that would be a lot. But yeah, I just think 794 00:35:34,314 --> 00:35:37,554 Speaker 2: it's interesting how the narrative around the lead actresses of 795 00:35:37,554 --> 00:35:40,154 Speaker 2: Wicked has kind of changed. And I've got to say, 796 00:35:40,194 --> 00:35:40,834 Speaker 2: I don't love it. 797 00:35:40,874 --> 00:35:42,953 Speaker 1: I don't love it either. It's become just. 798 00:35:43,074 --> 00:35:45,274 Speaker 2: Like, don't we all remember we love Wicked. If we 799 00:35:45,314 --> 00:35:48,034 Speaker 2: love Wicked, we love them like that's it. 800 00:35:48,274 --> 00:35:50,034 Speaker 1: I do feel like it's a bit of a result 801 00:35:50,154 --> 00:35:53,514 Speaker 1: of people just like trying to find conspiracy theorys in everything, 802 00:35:53,634 --> 00:35:55,234 Speaker 1: like there always has to be some kind. 803 00:35:55,114 --> 00:35:56,553 Speaker 2: And we can never keep a happy story. 804 00:35:56,594 --> 00:35:58,674 Speaker 1: We've got to put that, you know, that spooky music 805 00:35:58,754 --> 00:36:00,794 Speaker 1: that people have on TikTok, Like, let's put that over 806 00:36:00,834 --> 00:36:03,194 Speaker 1: every single interaction that anyone has with anyone, and we 807 00:36:03,194 --> 00:36:06,594 Speaker 1: can create a conspiracy theory. So I agree with you. 808 00:36:06,714 --> 00:36:10,354 Speaker 1: Let's enjoy Wicked for what it is. These two incredible 809 00:36:10,394 --> 00:36:14,274 Speaker 1: actors who have portrayed these iconic characters, and they've had 810 00:36:14,314 --> 00:36:16,754 Speaker 1: to say goodbye to them, which is very sad for us. 811 00:36:16,834 --> 00:36:18,914 Speaker 1: Although I have heard rumors that this potentially could be 812 00:36:18,954 --> 00:36:20,473 Speaker 1: a third I mean, I would love that, but. 813 00:36:20,434 --> 00:36:22,834 Speaker 2: I would love I know, I know all I would say, 814 00:36:22,874 --> 00:36:25,834 Speaker 2: like I just they're definitely getting nominated for Oscars, and 815 00:36:26,354 --> 00:36:27,834 Speaker 2: so all I'm saying to all of you people out 816 00:36:27,874 --> 00:36:29,714 Speaker 2: there making the weird tiktoks is that this best not 817 00:36:29,794 --> 00:36:32,154 Speaker 2: carry over to their Oscar moment, because I just want 818 00:36:32,194 --> 00:36:35,074 Speaker 2: that to be them hugging on the red carpet, them 819 00:36:35,154 --> 00:36:37,314 Speaker 2: singing on stage. They both got their original songs which 820 00:36:37,314 --> 00:36:38,794 Speaker 2: will me nominate it, and I just want it to 821 00:36:38,794 --> 00:36:41,314 Speaker 2: be like this, like beautiful, crazy love fest that theater 822 00:36:41,394 --> 00:36:44,354 Speaker 2: kids like live for and just like leave the NASSA. 823 00:36:44,514 --> 00:36:47,274 Speaker 1: Thank this for a really long time. Thank you so 824 00:36:47,354 --> 00:36:50,074 Speaker 1: much for listening to the Spill today. If you love 825 00:36:50,194 --> 00:36:52,194 Speaker 1: Wicked like Laura and I do, make sure you go 826 00:36:52,234 --> 00:36:55,154 Speaker 1: and check out our watch party on Wicked for Good. 827 00:36:55,474 --> 00:36:57,913 Speaker 1: We'll pop that link in the show notes. And if 828 00:36:57,954 --> 00:37:00,074 Speaker 1: you've been affected by anything that we've spoken about today, 829 00:37:00,114 --> 00:37:02,994 Speaker 1: we do have a number of resources in our show notes, 830 00:37:02,994 --> 00:37:06,754 Speaker 1: including the Butterfly Foundation. The Spill is produced by Minicia 831 00:37:06,874 --> 00:37:09,154 Speaker 1: iswa Own with sound production by Scott Stronach. 832 00:37:09,274 --> 00:37:22,674 Speaker 3: Bye Bye, Mamma Mia acknowledges the traditional owners of the land. 833 00:37:22,714 --> 00:37:25,674 Speaker 2: We have recorded this podcast on the Gadigol people of 834 00:37:25,714 --> 00:37:29,154 Speaker 2: the Oronation. We pay our respects to their elders past 835 00:37:29,194 --> 00:37:32,074 Speaker 2: and present, and extend that respect to all Aboriginal and 836 00:37:32,114 --> 00:37:33,594 Speaker 2: Torres Strait Islander cultures.