WEBVTT - Amy Shark: “There’s No Way I Should’ve Made It”

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<v Speaker 1>I'm like not a woo woo kind of person, but

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<v Speaker 1>I really truly believe that the universe has got a plan,

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<v Speaker 1>because there's no way I should be here.

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<v Speaker 2>There's no way I should have made it.

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<v Speaker 3>Amy Shark has spent almost twenty years making music. Long

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<v Speaker 3>before the ARIA awards, the number one albums and sold

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<v Speaker 3>out tours, there were years of day jobs, cover gigs,

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<v Speaker 3>unanswered demos, and wondering whether it was finally time to

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<v Speaker 3>give up. When a door changed everything, it looked like

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<v Speaker 3>the fairytale ending, but success brought its own challenges. After

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<v Speaker 3>years of relentless touring, writing, promoting, and always being on,

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<v Speaker 3>Amy found herself completely burnt out. Now with her fourth album,

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<v Speaker 3>Soft Pop, she says she's fallen in love with making

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<v Speaker 3>music again. In this conversation, Amy talks about growing up

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<v Speaker 3>on the Gold Coast, losing her precious grandmother, fame versus reality,

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<v Speaker 3>being married to her manager, and what it took to

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<v Speaker 3>find her way back to the thing she'd loved since

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<v Speaker 3>she was a little girl.

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<v Speaker 2>This is Amy Shark. Where have you been today? Amy?

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<v Speaker 1>Where?

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<v Speaker 2>Oh, where haven't I been?

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<v Speaker 1>I've been?

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<v Speaker 2>What you're doing? What do you do on a day

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<v Speaker 2>like today?

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<v Speaker 1>Well, today was just I mean, this last month has

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<v Speaker 1>just been pumped full of talking about this.

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<v Speaker 2>Record, your new album.

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<v Speaker 1>Yeah, and I think like now it's so people have

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<v Speaker 1>so much happening that it's not it's hard to get

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<v Speaker 1>eyes on your project no matter who you are or

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<v Speaker 1>what you're doing, Like, it doesn't matter even if you're

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<v Speaker 1>a big dog like in the States or whatever. It's

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<v Speaker 1>like you have to just like if it's something you

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<v Speaker 1>want eyes on and you're proud of, I feel like

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<v Speaker 1>you have to go so much more extra now, right,

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<v Speaker 1>is exhausting, But it's also that's why you have to

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<v Speaker 1>make sure you love what you've created and what you're

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<v Speaker 1>talking about well, because also I think you're so much

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<v Speaker 1>a part of the landscape in Australia. Amy Shark, by

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<v Speaker 1>the way, welcome to No Filter.

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<v Speaker 2>Thank you. We just ripped into it. That's right.

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<v Speaker 3>We were talking before about trying to make a splash. Yes,

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<v Speaker 3>you want your projects to be brought to the attention

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<v Speaker 3>of people, but there also is I think a tendency

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<v Speaker 3>in Australia. Maybe it's around the world, but it seems

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<v Speaker 3>to be an Australian thing that if you're a part

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<v Speaker 3>of the landscape which you have been, and it feels

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<v Speaker 3>that you have been longer than I think you actually

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<v Speaker 3>have been.

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<v Speaker 2>Yeah, Adoor is Adoor was ten years ago.

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<v Speaker 3>Yeah, ten years ago this month, and I would say

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<v Speaker 3>it feels longer because it feels so familiar and like

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<v Speaker 3>it's just been a part of like so many people's soundtracks.

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<v Speaker 2>Yeah, it's crazy. I feel two things.

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<v Speaker 1>I feel like it was yesterday because obviously it was

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<v Speaker 1>such a pivotal time in my life, and I, for

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<v Speaker 1>some reason, can remember my old life so well. But

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<v Speaker 1>then but then when I look at it, it feels

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<v Speaker 1>like an eternity. It feels like I've just done this

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<v Speaker 1>my whole life. So it's a real split feeling.

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<v Speaker 3>When you say you remember your old life here, what

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<v Speaker 3>part of your old life do you remember, like childhood

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<v Speaker 3>or working more mean, yeah, we like ba before a

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<v Speaker 3>door is what we call it.

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<v Speaker 1>Just pedestrian life in nine to five job, get home,

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<v Speaker 1>have dinner, do the same thing the next day, talk

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<v Speaker 1>to the girls at work, have things booked in the calendar,

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<v Speaker 1>like a holiday.

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<v Speaker 3>Okay, you know what I mean, Like where there was

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<v Speaker 3>a normalitine Yeah, yeah.

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<v Speaker 1>Yeah, I remember it very well, and I think it's

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<v Speaker 1>the one thing I miss a lot, Like.

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<v Speaker 3>But you were striving then to get somewhere with your music,

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<v Speaker 3>which I imagine is you want people to hear it.

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<v Speaker 2>Yeah, I think, I mean.

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<v Speaker 1>I everything could stop tomorrow, and for me to have

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<v Speaker 1>an audience was all I wanted, Like.

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<v Speaker 3>To think I was.

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<v Speaker 1>So addicted to it back then, for nobody like eleven

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<v Speaker 1>people on MySpace, and then to think that, oh no,

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<v Speaker 1>no matter what I do now, for the rest of

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<v Speaker 1>my career, I will have I will have a pocket

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<v Speaker 1>of people interested in what I do. And that's incredible feeling.

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<v Speaker 1>But sometimes that feeling it's not enough to carry you.

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<v Speaker 2>Yeah, I get I have been through that.

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<v Speaker 1>I went through that at the beginning of my career

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<v Speaker 1>where I was like, Okay, I've done that, so now

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<v Speaker 1>I want to do this. I've played this, so now

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<v Speaker 1>I want bigger and I've done this, so now I

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<v Speaker 1>want bigger And then and then you fall apart, and

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<v Speaker 1>then you I just randomly, just one day so freaking

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<v Speaker 1>grateful for the life you have. And it's I don't know,

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<v Speaker 1>it's funny. It's just like you have to really go

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<v Speaker 1>through it and you never can predict what's going to

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<v Speaker 1>happen to you, and you never can predict how you're

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<v Speaker 1>going to be mentally through the whole, you know, adventure

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<v Speaker 1>of being an artist.

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<v Speaker 3>Correct, and especially because I was thinking about you, You

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<v Speaker 3>don't have the insulation of being in a band.

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<v Speaker 2>There's not like other pillars that you can lean on.

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<v Speaker 3>All of the grind comes and all of the artistry

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<v Speaker 3>comes from you. Yes, like that takes a big engine. Yeah,

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<v Speaker 3>did you always have the big engine? Like when you

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<v Speaker 3>were little? When you were when you were little, where

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<v Speaker 3>did you first recognize that you had that?

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<v Speaker 2>Uh? I think it was a lot of my grandparents.

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<v Speaker 1>Like I had three NaN's, you know, I had my

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<v Speaker 1>mom's mom, my dad's mom, and then my stepdad's mom,

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<v Speaker 1>and they were all so encouraging and like I was

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<v Speaker 1>a bit of a character, hey, because like I loved

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<v Speaker 1>acting and I loved movies and I could remember scripts

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<v Speaker 1>like that, you know, and I could do voices and

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<v Speaker 1>I would I don't know, And also spend a lot

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<v Speaker 1>of time on my own growing up because mom dad

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<v Speaker 1>had to work, and.

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<v Speaker 2>Your parents were really young when they had you.

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<v Speaker 1>Yeah, they were like nineteen, right, and they didn't want

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<v Speaker 1>me just living with my nan because I think my

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<v Speaker 1>mom thought she would never give me back if I

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<v Speaker 1>just stayed with her. So I was in kindy like

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<v Speaker 1>as a baby. So I've been forced to like be

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<v Speaker 1>a people person since I was like born, you know,

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<v Speaker 1>like be around people and read rooms and reading.

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<v Speaker 2>Situations and yeah, like just yeah, so yeah, do.

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<v Speaker 3>You think that was innate in you or do you

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<v Speaker 3>think it's something that you developed through circumstance.

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<v Speaker 2>That's a good question. I don't know. I think I

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<v Speaker 2>know my mom definitely isn't.

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<v Speaker 1>She's just like not a confident person, Like she can't

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<v Speaker 1>even handle what I do for a job. Like my dad,

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<v Speaker 1>from what I know, can and from what I remember,

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<v Speaker 1>is quite confident person. So probably from him, but yeah,

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<v Speaker 1>probably also just just.

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<v Speaker 3>Being a lone ranger and just like working it out

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<v Speaker 3>on my own.

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<v Speaker 1>I think that if this has got to happen, I'm

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<v Speaker 1>going to have to make it happen.

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<v Speaker 2>Yeah. Yeah.

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<v Speaker 1>I was talking to someone the other day about playing

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<v Speaker 1>guitar and they're like, oh, like, you know, getting lessons

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<v Speaker 1>or whatever.

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<v Speaker 2>It's like I did get lessons, but not many.

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<v Speaker 1>But if it really was up to me to get

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<v Speaker 1>good at guitar because I didn't have parents being like

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<v Speaker 1>go and practice your guitar. It was more like I

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<v Speaker 1>don't know why you're wasting your time on guitar, like

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<v Speaker 1>go and read or go and like you know, learn something.

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<v Speaker 1>And but you had that drive. Yeah, yeah, I was

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<v Speaker 1>just addicted to playing guitar. Who was musical in your family?

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<v Speaker 1>No one, none of the nana's no my my name

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<v Speaker 1>used to like sing like badly, I think, just to

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<v Speaker 1>make us laugh. But like Oper was this winny that

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<v Speaker 1>was your mom's yes, mom. Yeah, and she kind of

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<v Speaker 1>showed me all the classics, like all the like Rogers

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<v Speaker 1>and Hammerstein and like Singing in the Rain and h Yeah,

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<v Speaker 1>I learned a lot just from the movies she would

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<v Speaker 1>show me as a kid.

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<v Speaker 3>And then along the way that has informed a lot

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<v Speaker 3>of your music, which is really interesting. The duet that

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<v Speaker 3>you did with Keith Urban, the Love Songs one so

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<v Speaker 3>beautiful and so almost otherworldly of another time. Yeah, that's intrigued.

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<v Speaker 1>I can think mister Sharon for some of those chords. Yeah,

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<v Speaker 1>and he knows that classics. Yeah right, he's really into

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<v Speaker 1>that as well. Yeah, he just knows how to make

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<v Speaker 1>that sound.

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<v Speaker 3>But so when you were little and so you're growing

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<v Speaker 3>up you're on the gold host. What was your family

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<v Speaker 3>structure like because your dad wasn't around or he left

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<v Speaker 3>when you were pretty little. Yeah, it's so I did

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<v Speaker 3>not know this about you, by the way.

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<v Speaker 1>Oh yeah, yeah, yeah, it was like it actually was

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<v Speaker 1>me and my dad at the start, and the timing

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<v Speaker 1>like the it's it's such a hard thing to work out.

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<v Speaker 1>But basically I was with my dad and my name

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<v Speaker 1>his mom. She was so young when they had me,

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<v Speaker 1>so and mom wasn't in the best way and like

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<v Speaker 1>so yeah, so I was living with my dad and

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<v Speaker 1>then he got remarried blah blah blah, a lot.

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<v Speaker 2>Of stuff that family get into.

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<v Speaker 1>But and then my mom we went up having to

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<v Speaker 1>go to court side like a lawyer at the age

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<v Speaker 1>of like nine really, and then I went and lived

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<v Speaker 1>with my mom and my stepdad and but but through

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<v Speaker 1>all that time I was spending a lot of time

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<v Speaker 1>with my nan as well with Winnie.

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<v Speaker 2>So she was like your norse.

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<v Speaker 1>She's yeah, just the pillar through the whole, through my

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<v Speaker 1>whole life. Thank God for that, I know. Yeah, yeah,

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<v Speaker 1>I know, so I I see it as lucky now.

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<v Speaker 1>I used to think, oh, man, like I really bombed

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<v Speaker 1>out with my situation sometimes, you know, when you're looking

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<v Speaker 1>your wounds.

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<v Speaker 2>But I'm so lucky that I had her. Yeah.

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<v Speaker 3>And then when you so, at what point did music

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<v Speaker 3>become like your other constant? It was it was high school.

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<v Speaker 2>I wasn't. Yeah, I was pretty late to it.

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<v Speaker 1>Well, I mean I was in an era where if

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<v Speaker 1>you didn't sound like Mariah Carey or you know, like

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<v Speaker 1>I went to primary school with Ricky Lee, yeah, and

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<v Speaker 1>high school. But she was a year above me. So

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<v Speaker 1>when I heard her voice, I was like, I don't

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<v Speaker 1>sound like that. I cannot sound like that. Did she

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<v Speaker 1>sing at school?

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<v Speaker 2>Yeah?

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<v Speaker 3>So you heard her yeah, and it was like it

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<v Speaker 3>was like whoa man? Like it was.

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<v Speaker 1>It was crazy, so like at a school concert or yeah,

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<v Speaker 1>like you just do the musicals and stuff like that.

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<v Speaker 1>And for me, I was just like, man, imagine having

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<v Speaker 1>a voice like that. And then and in my young

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<v Speaker 1>little head, I was like, oh, I wasn't born with that,

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<v Speaker 1>like you know, even people when I watch them play guitar.

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<v Speaker 2>I was like, oh, I'm not.

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<v Speaker 1>It's funny because in my head I still to this

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<v Speaker 1>day believe you're born with a voice. I don't think

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<v Speaker 1>you can. Actually, I don't know if you could actually

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<v Speaker 1>learn that.

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<v Speaker 3>I am so happy to hear you say that, because

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<v Speaker 3>a lot of singers say anyone can.

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<v Speaker 1>Say anyone can play guitar, you can practice your ass

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<v Speaker 1>off and you can become a shredder, right, But I

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<v Speaker 1>don't believe that with singing.

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<v Speaker 3>I think you are born with something. But your voice

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<v Speaker 3>has not been a shortcoming of yours.

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<v Speaker 1>I just have learned to work with what I have, right,

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<v Speaker 1>Like it's just more of a medium for me. My

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<v Speaker 1>voice is like I don't get me wrong, Like I

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<v Speaker 1>know how to convey an emotion now and I know

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<v Speaker 1>how to use it, but I'm not like a you know,

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<v Speaker 1>I can't do it kinds of runs and stuff like that.

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<v Speaker 3>Okay, so I just work with what I have. But

0:13:12.880 --> 0:13:17.760
<v Speaker 3>even so, I remember once again the Keith Urban song.

0:13:17.920 --> 0:13:21.439
<v Speaker 3>How different your voice sounded in that? Yeah, it sounded

0:13:21.480 --> 0:13:25.400
<v Speaker 3>like to me as a punter. I was working commercial radio,

0:13:25.440 --> 0:13:30.040
<v Speaker 3>so I've heard a lot of your voice sounded really different. Yeah,

0:13:30.120 --> 0:13:32.840
<v Speaker 3>that was ed. Ed made me go right up and

0:13:32.920 --> 0:13:37.480
<v Speaker 3>I really didn't want to. And how do you do that? Like,

0:13:37.520 --> 0:13:39.000
<v Speaker 3>what's that process?

0:13:40.640 --> 0:13:43.480
<v Speaker 1>Well, I go to my comfort zone, which was card

0:13:43.559 --> 0:13:46.280
<v Speaker 1>in the moment, and it's like what about like card

0:13:46.360 --> 0:13:46.880
<v Speaker 1>in the mall.

0:13:49.800 --> 0:13:53.040
<v Speaker 2>And I was like, oh.

0:13:52.640 --> 0:13:55.720
<v Speaker 1>Man, and then just I can do it totally fine

0:13:55.720 --> 0:13:57.920
<v Speaker 1>now because I've done it like a million times on tour.

0:13:58.360 --> 0:14:01.840
<v Speaker 1>But at the start I was like I can't do that,

0:14:01.880 --> 0:14:03.880
<v Speaker 1>and he's like, can you just did it?

0:14:03.679 --> 0:14:04.440
<v Speaker 4>So just do it?

0:14:04.480 --> 0:14:04.960
<v Speaker 2>Do it again.

0:14:05.720 --> 0:14:08.880
<v Speaker 1>And then it's so funny now that it's just like, yeah,

0:14:08.880 --> 0:14:12.520
<v Speaker 1>I can actually get there perfectly fine now.

0:14:12.480 --> 0:14:17.480
<v Speaker 3>So it's crazy and Amy Shark, what did that teach you? Yeah,

0:14:17.520 --> 0:14:21.800
<v Speaker 3>but it's still within my talents, you know what I mean, Like,

0:14:21.840 --> 0:14:25.480
<v Speaker 3>it's still I can get there, but I don't you

0:14:25.520 --> 0:14:28.920
<v Speaker 3>know what I mean. It's not gonna I'm never just

0:14:28.960 --> 0:14:31.560
<v Speaker 3>gonna sound like Guy Sebastian or Rikili or just now

0:14:31.640 --> 0:14:33.680
<v Speaker 3>boy you know what I mean, or Delta. It's like

0:14:34.320 --> 0:14:38.600
<v Speaker 3>that though that style isn't isn't me, which is why

0:14:38.720 --> 0:14:41.640
<v Speaker 3>I was so lucky that I got into alternative music,

0:14:41.680 --> 0:14:45.920
<v Speaker 3>because if I didn't listen to Silverchair and put that

0:14:46.000 --> 0:14:48.840
<v Speaker 3>together like in a minute, yeah, it doesn't tell it

0:14:49.320 --> 0:14:52.200
<v Speaker 3>and you realize then yeah, there was a moment where

0:14:52.200 --> 0:14:56.200
<v Speaker 3>you went, oh, I can do what exists in me.

0:14:56.360 --> 0:14:59.600
<v Speaker 1>Yeah, Well, I just was hearing things on the radio

0:14:59.640 --> 0:15:01.800
<v Speaker 1>and song I liked. I was like, this is cool,

0:15:01.840 --> 0:15:03.880
<v Speaker 1>Like I love the sound of this, and even alanas

0:15:03.920 --> 0:15:07.600
<v Speaker 1>I was like, well that's a different voice. And I

0:15:07.640 --> 0:15:11.840
<v Speaker 1>think that subconsciously was like a bit of a yeah.

0:15:11.880 --> 0:15:14.360
<v Speaker 1>The penny kind of dropped like oh okay, maybe yeah.

0:15:14.800 --> 0:15:16.680
<v Speaker 1>I don't know, there's different voices out there.

0:15:16.760 --> 0:15:19.760
<v Speaker 3>It's interesting, though, because a lot of people grow up

0:15:20.120 --> 0:15:24.360
<v Speaker 3>and have a dream or want to do something. But

0:15:24.480 --> 0:15:29.440
<v Speaker 3>I think there's something in the person that goes, I'm

0:15:29.480 --> 0:15:33.200
<v Speaker 3>going to do this. What was the moment for you

0:15:34.000 --> 0:15:37.040
<v Speaker 3>where you went this is the thing for me?

0:15:37.600 --> 0:15:40.680
<v Speaker 2>Can you remember? Like is that a critical defining moment?

0:15:41.600 --> 0:15:44.640
<v Speaker 1>Do you know what It's weird is I never felt

0:15:44.640 --> 0:15:47.080
<v Speaker 1>that I just loved writing songs. I don't think I

0:15:47.120 --> 0:15:49.920
<v Speaker 1>ever because I always had jobs, because I never I

0:15:49.960 --> 0:15:52.160
<v Speaker 1>didn't grow up with parents going you can do whatever

0:15:52.200 --> 0:15:54.200
<v Speaker 1>you want. Believe in yourself, you can do it, go

0:15:54.360 --> 0:15:56.680
<v Speaker 1>reach for the stars. It was like, hey, I don't

0:15:56.680 --> 0:15:59.000
<v Speaker 1>know what you're thinking, but you need to get either

0:15:59.000 --> 0:16:03.000
<v Speaker 1>get a job or go to you. So it wasn't

0:16:03.000 --> 0:16:05.240
<v Speaker 1>in my blood to think that big.

0:16:05.640 --> 0:16:07.080
<v Speaker 2>It just wasn't, you know.

0:16:08.080 --> 0:16:12.000
<v Speaker 1>So I was always I was always focused on where

0:16:12.040 --> 0:16:13.920
<v Speaker 1>my money is going to come from to pay bill

0:16:14.120 --> 0:16:17.360
<v Speaker 1>to survive. You know, I was just being I've always

0:16:17.400 --> 0:16:19.360
<v Speaker 1>been a realist, Like I've always been, like, you know,

0:16:20.080 --> 0:16:22.800
<v Speaker 1>not not much of a dreamer. Obviously the dreams were there,

0:16:22.840 --> 0:16:26.720
<v Speaker 1>but it was like pretty suppressed. All I knew was

0:16:26.840 --> 0:16:29.960
<v Speaker 1>I love this. I love what I'm doing right now

0:16:30.000 --> 0:16:33.920
<v Speaker 1>in my bedroom making this sound and challenging myself and

0:16:33.960 --> 0:16:39.120
<v Speaker 1>like and coming out with weird and wacky words that

0:16:39.200 --> 0:16:43.840
<v Speaker 1>go with this guitar, right, and then carry a feeling, Yeah,

0:16:43.840 --> 0:16:45.480
<v Speaker 1>that carry a feeling. And then I had I was

0:16:45.480 --> 0:16:47.560
<v Speaker 1>in this girl band, and I love the feeling of

0:16:47.560 --> 0:16:47.960
<v Speaker 1>this band.

0:16:48.000 --> 0:16:50.360
<v Speaker 2>Like it was just like loud and we punky.

0:16:50.600 --> 0:16:52.360
<v Speaker 3>Yeah, it was super punky.

0:16:52.040 --> 0:16:57.600
<v Speaker 1>And and it was just like the most purest fun

0:16:58.360 --> 0:17:01.240
<v Speaker 1>I don't believe that. Like we joked around like, oh,

0:17:01.280 --> 0:17:03.000
<v Speaker 1>we're the big spand in the world, but I don't

0:17:03.000 --> 0:17:05.199
<v Speaker 1>think anyone cared to be. I don't think any of

0:17:05.240 --> 0:17:07.800
<v Speaker 1>us really were like, oh, it's like we'll get this

0:17:07.880 --> 0:17:09.719
<v Speaker 1>done and then we've got to get a manager. Like

0:17:09.760 --> 0:17:13.160
<v Speaker 1>we just honestly really loved the sound of our own ship,

0:17:13.960 --> 0:17:16.679
<v Speaker 1>just like this is so sick. It wasn't until I

0:17:16.680 --> 0:17:19.960
<v Speaker 1>met Shane that he was like you, You're like really good,

0:17:20.320 --> 0:17:23.359
<v Speaker 1>Like you should I don't know, you should book some

0:17:23.480 --> 0:17:25.080
<v Speaker 1>gigs or something like, And like.

0:17:25.040 --> 0:17:28.000
<v Speaker 3>Where did you meet him?

0:17:29.440 --> 0:17:33.520
<v Speaker 1>He was in our friend group, ah with the girl

0:17:33.600 --> 0:17:37.359
<v Speaker 1>band group or like we kind of yeah, he was

0:17:37.400 --> 0:17:38.560
<v Speaker 1>Gold Coast boy as well.

0:17:38.760 --> 0:17:40.600
<v Speaker 2>Yes, yeah, yeah he was.

0:17:40.840 --> 0:17:46.520
<v Speaker 1>He was dating my friend's older sister, which we really

0:17:46.520 --> 0:17:50.639
<v Speaker 1>don't have to hang on.

0:17:50.880 --> 0:17:52.640
<v Speaker 2>Is it going to be an Amy Sharks game.

0:17:52.720 --> 0:17:55.879
<v Speaker 1>I've already I've already three albums four albums out of

0:17:55.880 --> 0:17:57.879
<v Speaker 1>this story, so it's okay.

0:17:58.280 --> 0:18:01.360
<v Speaker 3>And then you, but there was obvious see connection and

0:18:01.400 --> 0:18:07.879
<v Speaker 3>he saw something that's interesting because aside from an attraction

0:18:08.480 --> 0:18:13.600
<v Speaker 3>to you, he saw the music in you.

0:18:13.840 --> 0:18:15.600
<v Speaker 2>Yeah, oh that's amazing.

0:18:16.000 --> 0:18:20.159
<v Speaker 3>Yeah it really was. Yeah, before you really even recognized

0:18:20.200 --> 0:18:22.680
<v Speaker 3>it as a vital force in yourself.

0:18:22.760 --> 0:18:26.080
<v Speaker 1>Yeah, it took someone like him, you know, I was

0:18:26.119 --> 0:18:28.439
<v Speaker 1>three years older. It was like this, you know, cool dude,

0:18:28.560 --> 0:18:31.560
<v Speaker 1>had great taste in music and had a car and

0:18:31.640 --> 0:18:35.600
<v Speaker 1>like and everyone loves Shane. Yeah yeah, and to have

0:18:35.960 --> 0:18:39.680
<v Speaker 1>someone like him at the time listen to this CD

0:18:39.800 --> 0:18:42.600
<v Speaker 1>I must have given to him or he got somehow

0:18:43.359 --> 0:18:47.120
<v Speaker 1>and be like, oh no, I like it. I think

0:18:47.720 --> 0:18:49.760
<v Speaker 1>this is a good song. You know, I can't believe

0:18:49.800 --> 0:18:51.800
<v Speaker 1>you wrote this, like you know, what do you mean

0:18:51.800 --> 0:18:54.119
<v Speaker 1>you wrote wrote this? Like he even he was like what,

0:18:55.000 --> 0:18:59.320
<v Speaker 1>So that's all I really needed to be like, oh, okay,

0:18:59.560 --> 0:19:02.280
<v Speaker 1>maybe I'll keep going like because that that obviously, that's

0:19:02.320 --> 0:19:05.240
<v Speaker 1>a nice feeling. Anyone would love that feeling, Yeah, of

0:19:05.280 --> 0:19:06.520
<v Speaker 1>someone saying something is good.

0:19:08.680 --> 0:19:11.840
<v Speaker 3>You're listening to no filter more with Amy Shark in

0:19:11.960 --> 0:19:18.640
<v Speaker 3>just a moment. It's very hard to when you've done

0:19:18.680 --> 0:19:24.080
<v Speaker 3>something artistically to present it to someone else, like it's

0:19:24.119 --> 0:19:28.480
<v Speaker 3>a very exposing Yeah, it's it's a form of nudity.

0:19:28.600 --> 0:19:29.680
<v Speaker 2>It's soul nudity.

0:19:29.800 --> 0:19:32.960
<v Speaker 3>Uh huh. And to have someone go, oh my god,

0:19:33.040 --> 0:19:35.840
<v Speaker 3>you're naked and beautiful is incredible.

0:19:35.960 --> 0:19:37.520
<v Speaker 2>Yeah, exactly. Yeah.

0:19:37.560 --> 0:19:40.800
<v Speaker 1>So and that was necessary like that for me to

0:19:40.880 --> 0:19:43.920
<v Speaker 1>keep going because like I like.

0:19:43.920 --> 0:19:46.760
<v Speaker 2>I remember putting our band on at home.

0:19:47.720 --> 0:19:51.439
<v Speaker 1>I just and I don't blame her because it was

0:19:51.520 --> 0:19:54.119
<v Speaker 1>just a different time and you know, my mom was

0:19:54.160 --> 0:19:57.840
<v Speaker 1>like obviously trying to work, and you know, but I

0:19:57.920 --> 0:20:00.359
<v Speaker 1>just remember her coming home like, oh, turn that off.

0:20:00.480 --> 0:20:02.320
<v Speaker 2>You know, god, what is that?

0:20:03.400 --> 0:20:06.280
<v Speaker 1>And I and if she only knew just how.

0:20:07.160 --> 0:20:09.240
<v Speaker 3>Much I remember that, And.

0:20:10.520 --> 0:20:12.639
<v Speaker 1>But you know, God, I look back now, and I'm like,

0:20:12.960 --> 0:20:15.639
<v Speaker 1>people are just going through it and to have kids

0:20:15.680 --> 0:20:18.440
<v Speaker 1>and to do you know, so you know, God knows

0:20:18.440 --> 0:20:21.399
<v Speaker 1>what she was probably going through that day and not

0:20:21.520 --> 0:20:27.720
<v Speaker 1>much more than a child herself. Really, yeah exactly, but

0:20:27.840 --> 0:20:30.480
<v Speaker 1>that's full on. Yeah yeah, going through chat with my

0:20:30.560 --> 0:20:35.480
<v Speaker 1>dad and just like whatever. So but but yeah, so

0:20:35.560 --> 0:20:40.000
<v Speaker 1>you really remember the people that are like interested, Well,

0:20:40.040 --> 0:20:41.520
<v Speaker 1>Shane was more than interested.

0:20:41.680 --> 0:20:46.200
<v Speaker 3>Yes, very I mean and you married him.

0:20:46.720 --> 0:20:48.680
<v Speaker 2>How long after you meet him?

0:20:50.040 --> 0:20:55.119
<v Speaker 3>Ah? It was it was probably like seven years or

0:20:55.119 --> 0:20:56.280
<v Speaker 3>something after I can.

0:20:56.440 --> 0:20:59.320
<v Speaker 2>Yeah, we're friends for a while. And then were you

0:20:59.400 --> 0:21:02.199
<v Speaker 2>working together then? Were you doing the n Real video?

0:21:03.880 --> 0:21:04.679
<v Speaker 2>Making the video?

0:21:04.720 --> 0:21:08.920
<v Speaker 1>Okay about I had so many lives because you also

0:21:09.000 --> 0:21:14.879
<v Speaker 1>know Jack Lawrence, my mate from that Yes drama.

0:21:15.040 --> 0:21:18.280
<v Speaker 3>Yeah you know he was working on a footy ground

0:21:18.320 --> 0:21:18.720
<v Speaker 3>as well.

0:21:19.400 --> 0:21:21.000
<v Speaker 2>Yeah JK, yeah JK.

0:21:21.119 --> 0:21:24.679
<v Speaker 3>He used to do something yeah and yeah yeah.

0:21:24.560 --> 0:21:25.919
<v Speaker 2>Yeah I remember him.

0:21:26.000 --> 0:21:31.600
<v Speaker 3>Yeah, God, and he was always like all these when

0:21:31.680 --> 0:21:36.400
<v Speaker 3>you when we first started playing your song ador, he

0:21:36.520 --> 0:21:38.800
<v Speaker 3>was always like I always knew it.

0:21:39.080 --> 0:21:40.359
<v Speaker 2>There was always something about that.

0:21:40.560 --> 0:21:43.199
<v Speaker 1>He helped me a lot at different radio, like just

0:21:43.240 --> 0:21:46.480
<v Speaker 1>trying to plug it. And yeah, so many people did,

0:21:46.600 --> 0:21:50.400
<v Speaker 1>like I have some people in my life that I've

0:21:50.440 --> 0:21:53.520
<v Speaker 1>worked with that. You know, I've had so many different

0:21:53.600 --> 0:21:57.520
<v Speaker 1>jobs and they've all come to like my gigs over

0:21:57.560 --> 0:21:59.760
<v Speaker 1>the years, you know, and there might be like ten

0:22:00.240 --> 0:22:02.920
<v Speaker 1>there or whatever like's it was never anything amazing.

0:22:02.960 --> 0:22:05.040
<v Speaker 2>It was just like a little EP launch or.

0:22:06.080 --> 0:22:08.560
<v Speaker 1>I don't know how to gig it at the NVY

0:22:08.640 --> 0:22:10.280
<v Speaker 1>Hotel or so, I don't know whatever.

0:22:10.800 --> 0:22:12.880
<v Speaker 2>Always around the Gold Coast, a few in Brisbane.

0:22:12.920 --> 0:22:16.119
<v Speaker 1>But yeah, and it's just it's so funny to me

0:22:16.200 --> 0:22:20.240
<v Speaker 1>because there would be so many people around Australia that

0:22:20.680 --> 0:22:24.200
<v Speaker 1>are like, oh, yeah, I remember that girl, she was

0:22:24.280 --> 0:22:26.440
<v Speaker 1>under a different name, or yeah, I remember that girl

0:22:26.480 --> 0:22:29.440
<v Speaker 1>I worked with her like HMB or I remember that girl.

0:22:29.760 --> 0:22:32.720
<v Speaker 2>Yeah, and I reckon. There's just so many people like that.

0:22:32.840 --> 0:22:36.480
<v Speaker 2>It makes me laugh. At what point did it change

0:22:36.600 --> 0:22:37.080
<v Speaker 2>for you?

0:22:39.280 --> 0:22:42.600
<v Speaker 3>So you're doing these you're playing for the love of it,

0:22:43.840 --> 0:22:47.639
<v Speaker 3>little gigs, yeah, whatever you can get people that are

0:22:47.640 --> 0:22:52.200
<v Speaker 3>happy to you know, interrupt their countermeal or not while

0:22:52.240 --> 0:22:54.000
<v Speaker 3>you're strumming away whatever.

0:22:54.720 --> 0:22:57.320
<v Speaker 2>At what point did did.

0:22:58.640 --> 0:23:02.040
<v Speaker 3>Did you ignite?

0:23:02.200 --> 0:23:06.560
<v Speaker 1>I think it was when I won a Queensland Music Award.

0:23:06.840 --> 0:23:08.640
<v Speaker 1>That was the first time I feel like I'd ever

0:23:08.680 --> 0:23:12.760
<v Speaker 1>been seen like I was like, what, Yeah, I wrote

0:23:12.760 --> 0:23:17.320
<v Speaker 1>a song called Golden Fleece and which is funny because

0:23:17.320 --> 0:23:19.440
<v Speaker 1>it didn't even have a chorus. It was like a

0:23:19.480 --> 0:23:23.160
<v Speaker 1>pretty strange song, but it won pop. It won Best

0:23:23.160 --> 0:23:27.919
<v Speaker 1>Pop and I just was so shocked because I was like,

0:23:28.240 --> 0:23:31.360
<v Speaker 1>I hadn't had a leg in anywhere, like no one had,

0:23:31.480 --> 0:23:35.040
<v Speaker 1>and to win that, I was like, oh wow. And

0:23:35.080 --> 0:23:38.359
<v Speaker 1>then and then I remember Triple J played like gave

0:23:38.760 --> 0:23:41.640
<v Speaker 1>a song of mine called Spitzong Girls one spin, and I.

0:23:41.560 --> 0:23:44.240
<v Speaker 2>Was like, wow, I've fully made it. Now did you.

0:23:44.240 --> 0:23:46.199
<v Speaker 3>Know before they played it that they were going to

0:23:46.240 --> 0:23:49.840
<v Speaker 3>play it? How did it happen or did it as

0:23:49.880 --> 0:23:51.000
<v Speaker 3>I was driving?

0:23:51.440 --> 0:23:53.879
<v Speaker 1>And then I don't know how it happened back then

0:23:53.880 --> 0:23:57.600
<v Speaker 1>because it was just on unearthed, but I did someone

0:23:57.760 --> 0:24:01.359
<v Speaker 1>Oh no, that's right, that's right. I was playing a gig,

0:24:02.560 --> 0:24:05.000
<v Speaker 1>like a crappy one and I was driving home from

0:24:05.000 --> 0:24:07.639
<v Speaker 1>Brisbane and Shane called me, he goes quick put on

0:24:07.720 --> 0:24:11.200
<v Speaker 1>Triple J. They're playing swits on Girls and I caught

0:24:11.240 --> 0:24:12.040
<v Speaker 1>like the end of it.

0:24:12.240 --> 0:24:14.160
<v Speaker 2>So I had an old car. I was screwing around

0:24:14.160 --> 0:24:17.040
<v Speaker 2>with a shit bomb of a thing. Yeah. I loved it,

0:24:17.080 --> 0:24:21.680
<v Speaker 2>but it was what is it again? Like ninety seven point.

0:24:23.920 --> 0:24:27.520
<v Speaker 2>It was awesome. It was a really cool time. And

0:24:27.560 --> 0:24:28.440
<v Speaker 2>then you had.

0:24:30.119 --> 0:24:33.160
<v Speaker 3>Was it you found yourself in kind of a trough?

0:24:33.359 --> 0:24:37.920
<v Speaker 3>Was it a trough of self doubt just before a door?

0:24:38.200 --> 0:24:38.560
<v Speaker 3>Was it?

0:24:39.160 --> 0:24:41.399
<v Speaker 2>Yeah, that you were in a Yeah, I think like

0:24:41.440 --> 0:24:42.400
<v Speaker 2>I had a glimmer of.

0:24:42.320 --> 0:24:45.840
<v Speaker 1>Hope and so so then I just kept writing.

0:24:45.880 --> 0:24:47.360
<v Speaker 2>You know, I just kept writing songs.

0:24:47.400 --> 0:24:50.359
<v Speaker 1>And I'd met this guy at UNI who was like

0:24:50.440 --> 0:24:52.879
<v Speaker 1>producing me, like for free. So I was always trying to,

0:24:53.200 --> 0:24:55.800
<v Speaker 1>you know, work it and find someone who could do

0:24:55.880 --> 0:24:58.320
<v Speaker 1>some free recordings for me. And then I started working

0:24:58.320 --> 0:25:00.800
<v Speaker 1>with Brad who's now my MD, and I used to

0:25:00.840 --> 0:25:03.680
<v Speaker 1>pay him in beer, which is great for me because

0:25:03.680 --> 0:25:05.880
<v Speaker 1>I ended up drinking half it with him.

0:25:06.240 --> 0:25:11.280
<v Speaker 3>What I was doing a Bachelor of Digital Video Media.

0:25:11.600 --> 0:25:14.479
<v Speaker 1>Yeah, I dropped out, so don't ask me anything about it.

0:25:15.400 --> 0:25:15.920
<v Speaker 2>I know nothing.

0:25:15.960 --> 0:25:17.479
<v Speaker 1>Even then I spent more time at the UNI bar,

0:25:17.640 --> 0:25:22.639
<v Speaker 1>so yeah, and then yeah, I guess I just I

0:25:22.720 --> 0:25:30.480
<v Speaker 1>still just kept doing it. And it wasn't until it

0:25:30.560 --> 0:25:35.600
<v Speaker 1>wasn't until I hit thirty or thirty was approaching, and

0:25:37.720 --> 0:25:41.560
<v Speaker 1>then I had written I had written a door, and

0:25:43.480 --> 0:25:44.760
<v Speaker 1>well I had to get a government grant.

0:25:44.760 --> 0:25:45.159
<v Speaker 2>There was all this.

0:25:45.280 --> 0:25:47.360
<v Speaker 1>I don't know, God, there was so many things. If

0:25:47.359 --> 0:25:49.320
<v Speaker 1>he really sat down and went through it all, it's

0:25:49.359 --> 0:25:54.240
<v Speaker 1>just like pages of bullshit. But I once I did it,

0:25:54.680 --> 0:25:57.800
<v Speaker 1>I remember I had I had one contact over in

0:25:57.800 --> 0:26:00.080
<v Speaker 1>the States who was like a publisher or something, and

0:26:00.160 --> 0:26:02.399
<v Speaker 1>he liked the demo of it. And then when I

0:26:02.440 --> 0:26:04.480
<v Speaker 1>got it back from m Phases, I sent it to

0:26:04.560 --> 0:26:06.520
<v Speaker 1>him and he said, ah, no, it's not It's not

0:26:06.560 --> 0:26:07.879
<v Speaker 1>what I thought it would be. So I was like,

0:26:07.920 --> 0:26:12.439
<v Speaker 1>oh my god, Oh there that there that goes. And

0:26:12.480 --> 0:26:15.880
<v Speaker 1>I really remember going to bed that night thinking, Okay,

0:26:16.040 --> 0:26:20.800
<v Speaker 1>I need to I need to like look at where

0:26:20.800 --> 0:26:24.040
<v Speaker 1>I'm going maybe with the Titans, and try and work

0:26:24.119 --> 0:26:26.520
<v Speaker 1>on what my job position is there. And like you know,

0:26:26.560 --> 0:26:29.000
<v Speaker 1>when you just start thinking about like I need to yeah,

0:26:29.080 --> 0:26:31.280
<v Speaker 1>or maybe yeah, we should buy it. Maybe we should

0:26:31.280 --> 0:26:33.119
<v Speaker 1>buy a sandwich shop, Shane, or maybe we should buy

0:26:33.160 --> 0:26:34.919
<v Speaker 1>a bakery, or I don't know, like what are we

0:26:34.960 --> 0:26:37.640
<v Speaker 1>going to do because music isn't happening And I'd had

0:26:37.720 --> 0:26:41.000
<v Speaker 1>so many things leading up to that point that were

0:26:41.040 --> 0:26:46.199
<v Speaker 1>also signs to me to give up. So yeah, and

0:26:46.280 --> 0:26:49.160
<v Speaker 1>then like and I'm really I'm like not a woo

0:26:49.200 --> 0:26:53.239
<v Speaker 1>woo kind of person. But I really truly believe that

0:26:53.440 --> 0:26:56.159
<v Speaker 1>the universe has like got a plan, because there's no

0:26:56.200 --> 0:26:57.120
<v Speaker 1>way I should be here.

0:26:57.160 --> 0:27:00.080
<v Speaker 3>There's no way I should have made it. Okay, So

0:27:00.240 --> 0:27:04.959
<v Speaker 3>what happened? What happened when you were you're like contemplating

0:27:05.800 --> 0:27:07.400
<v Speaker 3>different pathways.

0:27:08.119 --> 0:27:11.719
<v Speaker 2>I just did it by itself. That's that's the beauty

0:27:11.760 --> 0:27:12.200
<v Speaker 2>of art.

0:27:12.480 --> 0:27:16.600
<v Speaker 1>You make something pure and good for the right reasons,

0:27:16.960 --> 0:27:17.760
<v Speaker 1>it finds a way.

0:27:18.119 --> 0:27:21.640
<v Speaker 2>Ware did it land first on Triple jown earth?

0:27:21.760 --> 0:27:22.000
<v Speaker 1>Right?

0:27:22.080 --> 0:27:22.920
<v Speaker 2>It was Triple J.

0:27:23.280 --> 0:27:26.680
<v Speaker 3>Yeah, because I saw you put up a post on

0:27:26.800 --> 0:27:30.720
<v Speaker 3>a door's tenth birthday saying, you know how appreciative you

0:27:30.800 --> 0:27:33.360
<v Speaker 3>were to Triple J. But then you took a job

0:27:33.400 --> 0:27:36.399
<v Speaker 3>on Telly and basically that way done.

0:27:36.720 --> 0:27:40.440
<v Speaker 1>Yeah. I don't even know. I was just being cheeky,

0:27:41.280 --> 0:27:44.280
<v Speaker 1>but yeah, I mean I guess, so I guess, like

0:27:44.359 --> 0:27:47.280
<v Speaker 1>I don't really know how they work, but but they

0:27:47.359 --> 0:27:50.120
<v Speaker 1>definitely were the reason that.

0:27:50.119 --> 0:27:52.040
<v Speaker 2>I got anywhere for sure, Like you.

0:27:52.000 --> 0:27:55.560
<v Speaker 3>Know, and then it exploded And it was one of

0:27:55.560 --> 0:28:00.920
<v Speaker 3>those songs that a bit like gotcha really that different

0:28:01.000 --> 0:28:03.840
<v Speaker 3>than anything else. And like I said, I was working

0:28:03.840 --> 0:28:06.080
<v Speaker 3>in commercial radio, so you heard a lot. There was

0:28:06.080 --> 0:28:09.240
<v Speaker 3>a lot of churn, and there was just wherever we were,

0:28:09.560 --> 0:28:11.520
<v Speaker 3>whatever we were doing in the course of the show,

0:28:11.720 --> 0:28:14.160
<v Speaker 3>when that song came on, you just kind of stop,

0:28:14.320 --> 0:28:18.240
<v Speaker 3>or you'd be singing along. It was a very powerful

0:28:18.280 --> 0:28:18.920
<v Speaker 3>little song.

0:28:19.240 --> 0:28:22.560
<v Speaker 1>Yeah, I didn't see it either, like like you didn't

0:28:22.560 --> 0:28:24.159
<v Speaker 1>know it was going to be that song. I mean,

0:28:24.200 --> 0:28:26.080
<v Speaker 1>I hadn't had anything here, and I thought all my

0:28:26.160 --> 0:28:28.600
<v Speaker 1>songs were great, so I was like, why would this

0:28:28.640 --> 0:28:30.960
<v Speaker 1>song do any different? And I do a lot to

0:28:31.080 --> 0:28:34.680
<v Speaker 1>m phases because I think he spent a lot more

0:28:34.720 --> 0:28:37.320
<v Speaker 1>time on it than he was going to. Like obviously

0:28:37.400 --> 0:28:39.360
<v Speaker 1>I had the song written and the guitar and everything

0:28:39.440 --> 0:28:41.600
<v Speaker 1>was there, but that beat he put.

0:28:41.440 --> 0:28:44.719
<v Speaker 2>On it, it.

0:28:42.960 --> 0:28:48.240
<v Speaker 1>Just it gave it just another level of cool. And yeah,

0:28:48.240 --> 0:28:50.240
<v Speaker 1>I just remember hearing it being so excited. But I

0:28:50.280 --> 0:28:52.760
<v Speaker 1>was just excited to show my friends, like I just was.

0:28:53.320 --> 0:28:56.120
<v Speaker 1>I still wasn't like, oh, this is gonna change my life,

0:28:56.160 --> 0:28:57.400
<v Speaker 1>because you just don't know that.

0:28:57.520 --> 0:29:01.520
<v Speaker 3>No, of course, but in retrospect, you know that, like

0:29:01.680 --> 0:29:05.880
<v Speaker 3>you can say that that was that was the point

0:29:05.920 --> 0:29:07.640
<v Speaker 3>of lift off.

0:29:07.840 --> 0:29:10.720
<v Speaker 1>Yeah, That's why I'm such a believer in doing stuff that,

0:29:11.680 --> 0:29:15.280
<v Speaker 1>like not really trying to do anything for anyone else

0:29:15.360 --> 0:29:18.080
<v Speaker 1>or trying to like almost like cheat in the game

0:29:18.120 --> 0:29:19.480
<v Speaker 1>of life, like you just can't.

0:29:19.560 --> 0:29:23.200
<v Speaker 3>You just got to like do something for you.

0:29:23.480 --> 0:29:26.920
<v Speaker 1>And I think it honestly has this beautiful way of

0:29:27.840 --> 0:29:28.800
<v Speaker 1>doing what it will.

0:29:28.960 --> 0:29:31.480
<v Speaker 2>You know, you've got to just the faith. Yeah, yeah,

0:29:31.640 --> 0:29:32.840
<v Speaker 2>having that faith.

0:29:33.240 --> 0:29:35.160
<v Speaker 3>But we also know there's a lot of artists that

0:29:35.200 --> 0:29:38.440
<v Speaker 3>have had that faith. Yeah, and it hasn't happened. Yeah,

0:29:38.960 --> 0:29:41.680
<v Speaker 3>So for it to happen, like you said, it takes

0:29:41.720 --> 0:29:43.880
<v Speaker 3>an extraordinary confluence of events.

0:29:44.000 --> 0:29:44.240
<v Speaker 5>Yeah.

0:29:44.400 --> 0:29:47.400
<v Speaker 1>I feel like the universe knows when you've done your time, right,

0:29:47.720 --> 0:29:49.720
<v Speaker 1>because I had done fifteen years. It's not like I,

0:29:49.880 --> 0:29:53.400
<v Speaker 1>yeah lucky, So it's like I don't know, it was

0:29:53.440 --> 0:29:56.880
<v Speaker 1>like a payment in some way. But then it's funny

0:29:56.880 --> 0:29:59.600
<v Speaker 1>because like then you'll have I have these moments in

0:29:59.680 --> 0:30:02.760
<v Speaker 1>this life where I'm like, careful what you wish for?

0:30:02.880 --> 0:30:05.920
<v Speaker 3>Right, yeah, which is what what do you have to

0:30:05.960 --> 0:30:08.960
<v Speaker 3>be careful that you wish for more success?

0:30:09.080 --> 0:30:12.880
<v Speaker 1>Or no? Just everything changes, right, everything, Like when you're

0:30:13.080 --> 0:30:16.920
<v Speaker 1>on TV and when you are on radio and people

0:30:16.960 --> 0:30:20.920
<v Speaker 1>think you're this superstar and think you're like a multi millionaire,

0:30:21.080 --> 0:30:24.800
<v Speaker 1>and yes, everything changes and you see the ugliest sides

0:30:24.840 --> 0:30:28.000
<v Speaker 1>of people rush. So there's that part that you're like, oh,

0:30:28.680 --> 0:30:30.240
<v Speaker 1>if I could go back behind.

0:30:29.960 --> 0:30:33.440
<v Speaker 3>The curtain again, that was nice, But you can't do

0:30:33.520 --> 0:30:38.600
<v Speaker 3>that now, even in that ten years, which is a

0:30:38.880 --> 0:30:45.000
<v Speaker 3>short amount of time, but things have changed so swiftly

0:30:45.120 --> 0:30:50.280
<v Speaker 3>and irrevocably in music, yeah, in the arts generally, in

0:30:50.360 --> 0:30:59.360
<v Speaker 3>lots of people's professions and jobs, so you can't be anonymous, no,

0:31:00.480 --> 0:31:05.160
<v Speaker 3>and you have to be front facing, and particularly as

0:31:05.200 --> 0:31:07.080
<v Speaker 3>well as a woman. There's a lot of emphasis on

0:31:07.160 --> 0:31:09.680
<v Speaker 3>how you look, which is lucky that you look beautiful,

0:31:10.080 --> 0:31:13.320
<v Speaker 3>you know, that's like ninety percent of the job done.

0:31:14.000 --> 0:31:17.560
<v Speaker 3>But you seem so youthful at the time with your

0:31:17.720 --> 0:31:21.920
<v Speaker 3>little top not that I think it's easy to forget

0:31:21.920 --> 0:31:26.920
<v Speaker 3>that you were actually a grown up then, isn't it. Yeah?

0:31:27.080 --> 0:31:31.760
<v Speaker 1>Yeah, And I think even though I wrote, you know,

0:31:31.880 --> 0:31:36.000
<v Speaker 1>quite a passive, aggressive song about the music industry, and

0:31:36.040 --> 0:31:38.480
<v Speaker 1>I said, Hi, I look at it now, and I'm like,

0:31:38.520 --> 0:31:42.239
<v Speaker 1>thank god I was a full grown adult, because I

0:31:42.320 --> 0:31:44.240
<v Speaker 1>just don't think I would have made the right decisions,

0:31:44.280 --> 0:31:45.680
<v Speaker 1>and I think I would have been a bit more

0:31:45.680 --> 0:31:49.400
<v Speaker 1>of a mess if I hadn't. I mean, I think

0:31:49.480 --> 0:31:52.480
<v Speaker 1>everything happens for a reason. I really do, like and

0:31:53.600 --> 0:31:56.600
<v Speaker 1>as angry as I was, as to how much time

0:31:56.640 --> 0:31:57.040
<v Speaker 1>it took.

0:31:57.320 --> 0:31:59.160
<v Speaker 2>I really wasn't ready until I was ready.

0:32:01.520 --> 0:32:04.800
<v Speaker 1>And I guess the reason I've managed to squeeze so

0:32:04.920 --> 0:32:08.280
<v Speaker 1>much in and capitalize so much in ten years is

0:32:08.360 --> 0:32:11.400
<v Speaker 1>because I had all that training. You know, I played

0:32:11.400 --> 0:32:13.280
<v Speaker 1>and you were ready, and yeah, I was ready. Like

0:32:13.320 --> 0:32:15.880
<v Speaker 1>I've had guys yell stuff out. I can handle myself.

0:32:15.960 --> 0:32:19.040
<v Speaker 1>I know what to do. Nothing really scares me. My

0:32:19.480 --> 0:32:22.920
<v Speaker 1>hands are really strong from playing four hours a night

0:32:23.080 --> 0:32:28.040
<v Speaker 1>every week, like, and singing all the time and so

0:32:28.720 --> 0:32:32.239
<v Speaker 1>and having weird requests and just shit like that. You

0:32:32.280 --> 0:32:34.800
<v Speaker 1>don't you think it's annoying at the time, and you're like, wow,

0:32:34.840 --> 0:32:38.520
<v Speaker 1>that was just like a massive it's your training.

0:32:38.240 --> 0:32:42.760
<v Speaker 3>It's your apprenticeship. Yeah what how was it, by the way,

0:32:42.800 --> 0:32:47.960
<v Speaker 3>for your nan when you're when you had that massive

0:32:48.160 --> 0:32:50.200
<v Speaker 3>breakthrough commercially?

0:32:50.880 --> 0:32:53.240
<v Speaker 2>Ah shit, you know you loved it. The best thing

0:32:53.240 --> 0:32:55.040
<v Speaker 2>about that woman was.

0:32:58.320 --> 0:33:03.160
<v Speaker 1>She Fuck, I've been so good this whole month not

0:33:03.840 --> 0:33:04.920
<v Speaker 1>getting upset about her.

0:33:05.840 --> 0:33:09.160
<v Speaker 2>You just lost her, like, oh, you're a.

0:33:10.680 --> 0:33:13.000
<v Speaker 1>No. But she I could talk to her about like

0:33:13.240 --> 0:33:15.560
<v Speaker 1>she wouldn't care. She would she would love it, like

0:33:15.600 --> 0:33:18.040
<v Speaker 1>she would love everything I did. But then she would

0:33:18.120 --> 0:33:20.840
<v Speaker 1>know to ask about my plants and are you now?

0:33:21.160 --> 0:33:25.240
<v Speaker 1>And there's a salon over at the fair Pacific Fair

0:33:25.240 --> 0:33:27.680
<v Speaker 1>actually lived and I was thinking to you, and I

0:33:27.720 --> 0:33:30.040
<v Speaker 1>think this jacket that I found And it was so

0:33:30.120 --> 0:33:33.600
<v Speaker 1>nice to have someone who wasn't constantly talking about music

0:33:33.800 --> 0:33:36.960
<v Speaker 1>or or oh can you take a photo for.

0:33:36.960 --> 0:33:38.680
<v Speaker 2>My friend Bill down at the Blood.

0:33:38.720 --> 0:33:41.720
<v Speaker 1>You know, it's like Nan just would talk to me

0:33:41.840 --> 0:33:44.240
<v Speaker 1>about and she'd still call me and be like, there's

0:33:44.240 --> 0:33:49.000
<v Speaker 1>a program on TV about the big prison that you

0:33:49.040 --> 0:33:51.000
<v Speaker 1>said that you saw in the Alcatraz and I think

0:33:51.040 --> 0:33:52.960
<v Speaker 1>you'd like and it was just like, yeah, it was

0:33:53.000 --> 0:33:54.800
<v Speaker 1>just so nice, you know, and I get the only

0:33:54.840 --> 0:33:58.640
<v Speaker 1>other people of you yeah, just yeah, exactly like and

0:33:58.680 --> 0:34:02.280
<v Speaker 1>it just she just kept it real like. And she

0:34:02.440 --> 0:34:04.920
<v Speaker 1>was kind of the only one for a while apart

0:34:04.920 --> 0:34:06.520
<v Speaker 1>from my nieces and nephews who don't give a shit

0:34:06.560 --> 0:34:07.960
<v Speaker 1>about charts or radio or whatever.

0:34:09.280 --> 0:34:11.280
<v Speaker 3>But that's what I miss.

0:34:11.400 --> 0:34:14.439
<v Speaker 1>I miss a lot of like just that leveler of

0:34:14.520 --> 0:34:17.160
<v Speaker 1>not like as as proud as she was of me.

0:34:17.200 --> 0:34:20.920
<v Speaker 1>And she really was so proud and like was just

0:34:20.960 --> 0:34:23.399
<v Speaker 1>so blown away, especially when Idle happened to She loves

0:34:23.440 --> 0:34:24.160
<v Speaker 1>she loved the Telly.

0:34:24.280 --> 0:34:26.320
<v Speaker 2>You know, she's a brit So she'll sit there and

0:34:26.360 --> 0:34:29.880
<v Speaker 2>watched her Telly and she loved me on that.

0:34:30.120 --> 0:34:35.080
<v Speaker 1>So yeah, she got to see like the you know,

0:34:35.160 --> 0:34:39.200
<v Speaker 1>some really cool parts. Yeah yeah, which she would have

0:34:39.320 --> 0:34:44.920
<v Speaker 1>always known about you, Yeah, because you were you, but

0:34:45.040 --> 0:34:47.680
<v Speaker 1>also because of the way she loved you. Yeah.

0:34:47.760 --> 0:34:48.520
<v Speaker 2>Yeah.

0:34:48.560 --> 0:34:52.960
<v Speaker 3>So the person that sees all of you and loves

0:34:53.040 --> 0:34:57.279
<v Speaker 3>all of you is a remarkable person to have in

0:34:57.320 --> 0:35:00.480
<v Speaker 3>your life. Yeah, and that is I understand. And that's

0:35:00.520 --> 0:35:04.279
<v Speaker 3>a huge loss. Yeah, that's hard, and then you just

0:35:04.320 --> 0:35:08.520
<v Speaker 3>have to be appreciative that you had them totally.

0:35:08.680 --> 0:35:09.560
<v Speaker 2>Yeah, exactly.

0:35:09.800 --> 0:35:13.279
<v Speaker 3>But you you were so close to her that when

0:35:13.880 --> 0:35:17.720
<v Speaker 3>twenty twenty two Arias you were nominated for an aria,

0:35:18.200 --> 0:35:20.960
<v Speaker 3>but you didn't go to the Arias No, because.

0:35:20.719 --> 0:35:24.960
<v Speaker 1>You were were Yes, my auntie had been her Cara

0:35:25.200 --> 0:35:27.600
<v Speaker 1>and she needed to go. She just needed a break,

0:35:27.640 --> 0:35:29.799
<v Speaker 1>to be honest. She went back to the UK because

0:35:29.800 --> 0:35:33.080
<v Speaker 1>that's where she was living. So, yeah, I was looking

0:35:33.120 --> 0:35:35.759
<v Speaker 1>after Nan for like ten weeks or.

0:35:35.760 --> 0:35:39.520
<v Speaker 3>Something and doing all her meds and it was how

0:35:39.520 --> 0:35:40.319
<v Speaker 3>old was she then?

0:35:41.000 --> 0:35:44.360
<v Speaker 2>Nineties? She would have been ninety.

0:35:46.600 --> 0:35:51.719
<v Speaker 1>Five or six, ninety six maybe right, Yeah, So.

0:35:51.719 --> 0:35:52.520
<v Speaker 2>It was tough.

0:35:52.680 --> 0:35:54.239
<v Speaker 1>She was still with it, like you know, she would

0:35:54.239 --> 0:35:57.319
<v Speaker 1>have moments but you could still have a cup of

0:35:57.320 --> 0:35:59.759
<v Speaker 1>tea and watch you know, stuff and still talk to

0:35:59.800 --> 0:36:03.840
<v Speaker 1>her and she would still you know, still such a

0:36:03.880 --> 0:36:04.480
<v Speaker 1>fun hang.

0:36:04.600 --> 0:36:06.319
<v Speaker 2>But it was. But it was hard because you know,

0:36:06.800 --> 0:36:12.799
<v Speaker 2>body then is really what you know, well you both.

0:36:12.880 --> 0:36:15.560
<v Speaker 1>Yeah, I have a whole new respect for cares after that,

0:36:15.960 --> 0:36:19.239
<v Speaker 1>because like you think, you think you could just sit

0:36:19.239 --> 0:36:22.320
<v Speaker 1>her in a chair and then like go and do something,

0:36:22.360 --> 0:36:25.040
<v Speaker 1>but then she gets up and you're like, or you

0:36:25.040 --> 0:36:27.680
<v Speaker 1>should be up on a ladder like trying to water

0:36:27.719 --> 0:36:31.600
<v Speaker 1>a plant. You're just like, oh god, woman, that was

0:36:31.640 --> 0:36:35.759
<v Speaker 1>a really trying time, But I'm glad I did it,

0:36:35.800 --> 0:36:38.319
<v Speaker 1>because yeah it was. It was awesome, like you know,

0:36:38.400 --> 0:36:40.560
<v Speaker 1>experience and time we got to spend together.

0:36:40.680 --> 0:36:42.120
<v Speaker 2>And some things you only get once.

0:36:42.320 --> 0:36:45.680
<v Speaker 3>Yeah, yeah, exactly, And you always want to think that

0:36:45.760 --> 0:36:50.160
<v Speaker 3>you honored that, which became such a foundational part of you.

0:36:50.600 --> 0:36:50.920
<v Speaker 2>Yeah.

0:36:51.560 --> 0:36:54.440
<v Speaker 1>And also like no one would have taken care of

0:36:54.440 --> 0:36:57.239
<v Speaker 1>her as good as I did, you know, I know that,

0:36:57.360 --> 0:37:00.759
<v Speaker 1>Like I'm like it was the best and for the job,

0:37:00.800 --> 0:37:01.440
<v Speaker 1>and I knew that.

0:37:01.800 --> 0:37:05.279
<v Speaker 3>Well, love is the most effective way to make someone

0:37:05.320 --> 0:37:08.520
<v Speaker 3>a beautiful servant, isn't it humbling?

0:37:08.760 --> 0:37:09.720
<v Speaker 2>Yeah, exactly.

0:37:09.960 --> 0:37:11.839
<v Speaker 1>You know, all the times she would have she has

0:37:12.080 --> 0:37:14.359
<v Speaker 1>done it for me, been that person that you know,

0:37:15.080 --> 0:37:16.759
<v Speaker 1>crack the shits that mom and dad and go live

0:37:16.800 --> 0:37:18.000
<v Speaker 1>with men for a while, you know.

0:37:19.120 --> 0:37:25.000
<v Speaker 3>And then so speaking of servant and also master, your husband,

0:37:25.040 --> 0:37:27.760
<v Speaker 3>who's your manager and my servant? Yes, and your servant

0:37:27.840 --> 0:37:31.719
<v Speaker 3>and master. Like, that's a bizarre isn't it? Like your lover,

0:37:32.320 --> 0:37:36.080
<v Speaker 3>your servant, your boss everything. Yeah, it's a lot.

0:37:36.400 --> 0:37:40.399
<v Speaker 2>It is a lot. How does that work.

0:37:41.680 --> 0:37:45.839
<v Speaker 3>Like? And what's the hierarchy in a For a little while,

0:37:45.920 --> 0:37:48.000
<v Speaker 3>my husband was sort of working as my manager and

0:37:48.040 --> 0:37:53.480
<v Speaker 3>it was terrible. It was just terrible. I couldn't I

0:37:53.520 --> 0:37:57.800
<v Speaker 3>couldn't change in between the roles. And every time I

0:37:57.840 --> 0:37:59.279
<v Speaker 3>had to talk to me about work, it would make

0:37:59.320 --> 0:38:01.839
<v Speaker 3>me angry because I like to talk about work. Yeah,

0:38:02.320 --> 0:38:08.320
<v Speaker 3>so how do you navigate that in a romantic relationship

0:38:08.360 --> 0:38:08.759
<v Speaker 3>as well.

0:38:12.280 --> 0:38:16.520
<v Speaker 1>We've we've definitely been through it, you know, and we've

0:38:16.560 --> 0:38:20.719
<v Speaker 1>had practice before because we've worked together twice before I

0:38:20.840 --> 0:38:23.040
<v Speaker 1>kind of was this, you know, I just was in

0:38:23.080 --> 0:38:25.239
<v Speaker 1>and out of jobs and he's he's like got me

0:38:25.320 --> 0:38:27.560
<v Speaker 1>two jobs in my life and one was the Titans,

0:38:27.600 --> 0:38:29.719
<v Speaker 1>and before that was like an accounting job. Which I

0:38:29.719 --> 0:38:33.719
<v Speaker 1>still don't know what I was doing, but he's just

0:38:33.719 --> 0:38:38.960
<v Speaker 1>always looked out for me, and we're also just like

0:38:38.960 --> 0:38:40.080
<v Speaker 1>like at the end of the day, is like my

0:38:40.120 --> 0:38:43.200
<v Speaker 1>favorite person, and he makes me laugh more than anyone,

0:38:43.640 --> 0:38:43.920
<v Speaker 1>and I.

0:38:43.840 --> 0:38:44.960
<v Speaker 2>Think I make him laugh too.

0:38:45.000 --> 0:38:49.479
<v Speaker 1>But like, as we've just learned a balance and it's

0:38:49.680 --> 0:38:53.080
<v Speaker 1>definitely been no better roses. It's not in any marriage.

0:38:53.160 --> 0:38:56.000
<v Speaker 1>So it's like, and I think we know that well.

0:38:56.239 --> 0:38:58.640
<v Speaker 1>We don't get down if we're in a shitty spot

0:38:58.760 --> 0:39:02.600
<v Speaker 1>or if we're you know, and we kind of like

0:39:03.760 --> 0:39:08.800
<v Speaker 1>music definitely is tested tests every marriage, so does fame.

0:39:08.960 --> 0:39:11.440
<v Speaker 1>Like it's like, but I think we've done really well

0:39:11.520 --> 0:39:14.160
<v Speaker 1>considering how much we've actually gone through and the pressures

0:39:14.200 --> 0:39:17.960
<v Speaker 1>and the you know, we are everywhere we go, like

0:39:19.000 --> 0:39:22.360
<v Speaker 1>we kind of have to. I don't know, we're always

0:39:22.440 --> 0:39:24.319
<v Speaker 1>kind of been watched, I guess like if we.

0:39:25.800 --> 0:39:28.399
<v Speaker 2>Or you think you're not and you are, or vice versa,

0:39:28.480 --> 0:39:29.600
<v Speaker 2>so find out afterwards.

0:39:29.640 --> 0:39:32.760
<v Speaker 1>Yeah. So yeah, it's and then his life has changed

0:39:32.800 --> 0:39:35.520
<v Speaker 1>as well, you know, all his friends, like he was

0:39:35.560 --> 0:39:37.200
<v Speaker 1>known as Amy Shark's husband for a while.

0:39:37.280 --> 0:39:44.320
<v Speaker 4>Yah knows, like he doesn't have as identity, that's right, Yeah, exactly.

0:39:43.920 --> 0:39:47.120
<v Speaker 2>So he's been on his own journey. I've been on mine.

0:39:47.640 --> 0:39:49.399
<v Speaker 1>You know. Every now and then we go out of sync,

0:39:49.400 --> 0:39:52.359
<v Speaker 1>but we always managed to check in. I think that's

0:39:52.400 --> 0:39:54.600
<v Speaker 1>the key, is checking in with each other and like

0:39:55.000 --> 0:39:58.160
<v Speaker 1>always growing together. I think we could have easily just

0:39:58.200 --> 0:40:01.759
<v Speaker 1>grown apart during this even though you're working towards a

0:40:01.760 --> 0:40:06.239
<v Speaker 1>common goal. Yeah, yeah, you could, yeah, yeah, but we've

0:40:06.320 --> 0:40:09.359
<v Speaker 1>just always I think at the end of the day,

0:40:09.400 --> 0:40:12.000
<v Speaker 1>I'm just like, if I don't talk to Shane, it's

0:40:12.000 --> 0:40:15.000
<v Speaker 1>like not the same day. It's like, I don't know,

0:40:15.640 --> 0:40:19.680
<v Speaker 1>there's no real secret. It's just he's my guy, so

0:40:21.400 --> 0:40:23.759
<v Speaker 1>and I trust him, you know. I think that's the

0:40:23.800 --> 0:40:26.319
<v Speaker 1>biggest thing is a lot of people just tell you

0:40:26.320 --> 0:40:29.879
<v Speaker 1>what you want to hear in your life. And I've

0:40:30.320 --> 0:40:33.360
<v Speaker 1>met some amazing people, but I think he will always like,

0:40:34.040 --> 0:40:39.839
<v Speaker 1>you know, tell me how it is, and if you know,

0:40:40.080 --> 0:40:43.920
<v Speaker 1>if he's if I've done something, I know, said something

0:40:43.960 --> 0:40:46.759
<v Speaker 1>weird or gone off track on stage or whatever, he's

0:40:46.800 --> 0:40:47.799
<v Speaker 1>just not scared to be like that.

0:40:48.080 --> 0:40:50.439
<v Speaker 2>Just don't do that. Yeah, Like that wasn't the best.

0:40:50.480 --> 0:40:53.080
<v Speaker 2>Lie what do you what? What? What? What what are

0:40:53.120 --> 0:40:54.120
<v Speaker 2>you doing on stage?

0:40:54.920 --> 0:40:58.400
<v Speaker 1>Just like I might have I might have drunk too

0:40:58.480 --> 0:41:02.280
<v Speaker 1>much before, or I've like we had a slick show

0:41:02.320 --> 0:41:05.279
<v Speaker 1>and I've switched it up on the line and he's like,

0:41:05.640 --> 0:41:08.280
<v Speaker 1>you know, You're like, I don't know. I'm a widow,

0:41:08.320 --> 0:41:11.840
<v Speaker 1>but like he just he's just got a good gauge on.

0:41:12.239 --> 0:41:13.439
<v Speaker 3>Things, and I'm the same.

0:41:13.480 --> 0:41:15.879
<v Speaker 1>I like if I if he does something, I'll pull

0:41:15.960 --> 0:41:18.319
<v Speaker 1>him up. Like it's we don't we don't really wait

0:41:18.360 --> 0:41:19.920
<v Speaker 1>for things to combust anymore.

0:41:21.280 --> 0:41:22.160
<v Speaker 2>Stay with us.

0:41:22.320 --> 0:41:28.120
<v Speaker 3>More from Amy Shark after the break within your relationship?

0:41:28.760 --> 0:41:32.760
<v Speaker 3>Is Amy Shark almost like a third entity?

0:41:33.280 --> 0:41:33.680
<v Speaker 1>Yeah?

0:41:33.760 --> 0:41:35.040
<v Speaker 2>Yeah right, I can't.

0:41:35.120 --> 0:41:38.719
<v Speaker 1>Yeah, like I I will say, maybe we do that

0:41:38.760 --> 0:41:39.560
<v Speaker 1>for Amy Shark.

0:41:39.840 --> 0:41:41.759
<v Speaker 2>Yeah, which is weird. I get that.

0:41:41.920 --> 0:41:45.920
<v Speaker 3>No, I get it because otherwise otherwise it would be

0:41:46.040 --> 0:41:48.840
<v Speaker 3>very unbalanced. Yeah, but this way, it's almost like a

0:41:48.880 --> 0:41:53.319
<v Speaker 3>three legged pillar. Yeah, a three legged stool, which is

0:41:53.480 --> 0:41:54.840
<v Speaker 3>a more solid foundation.

0:41:55.040 --> 0:41:55.840
<v Speaker 2>Yeah, it is.

0:41:55.920 --> 0:41:58.000
<v Speaker 3>It's like it's a business, you know, Yeah, but it is.

0:41:58.280 --> 0:41:59.640
<v Speaker 3>It is a business, but it's.

0:41:59.520 --> 0:42:03.160
<v Speaker 1>You know, takes a lot to I'm also an artist,

0:42:03.160 --> 0:42:05.800
<v Speaker 1>and an artist are sensitive and weird and wacky.

0:42:05.840 --> 0:42:08.640
<v Speaker 2>And yes, I don't do anything to do with business.

0:42:08.680 --> 0:42:11.880
<v Speaker 1>I don't business Like I write an email once a

0:42:12.000 --> 0:42:14.840
<v Speaker 1>year maybe, and that's just to say thank you to

0:42:14.960 --> 0:42:19.680
<v Speaker 1>people or or write mixed notes to my producer or

0:42:19.719 --> 0:42:21.480
<v Speaker 1>something like. I just don't do any of that. He

0:42:21.600 --> 0:42:27.120
<v Speaker 1>just does so much. He's admin, He's everything. Yeah, I'm like,

0:42:27.400 --> 0:42:29.120
<v Speaker 1>just write a song. What do you contribute?

0:42:29.680 --> 0:42:32.880
<v Speaker 2>Yeah, I'm like the clown at the front. Do you

0:42:33.120 --> 0:42:37.040
<v Speaker 2>are you domestic? Yeah? I am actually okay, I actually

0:42:37.200 --> 0:42:41.480
<v Speaker 2>really am. Like I love I Like it's so funny

0:42:41.520 --> 0:42:45.000
<v Speaker 2>because I think I'd just be a good housewife. Sad

0:42:45.239 --> 0:42:46.160
<v Speaker 2>sounds so bad.

0:42:46.239 --> 0:42:49.000
<v Speaker 1>Yeah yeah, well, like I love cooking. I love having

0:42:49.040 --> 0:42:49.840
<v Speaker 1>a nice home.

0:42:51.320 --> 0:42:51.640
<v Speaker 3>You know that.

0:42:51.719 --> 0:42:54.880
<v Speaker 1>I think maybe when we first started like dating, seriously,

0:42:55.239 --> 0:42:57.600
<v Speaker 1>like I lost my job and I made it my

0:42:57.680 --> 0:42:59.440
<v Speaker 1>goal to like have the best in our ready for

0:43:00.560 --> 0:43:02.719
<v Speaker 1>you know, I have candles and like, you know, just

0:43:02.800 --> 0:43:04.879
<v Speaker 1>try and make it a really nice home life because

0:43:04.880 --> 0:43:07.120
<v Speaker 1>that's all I could have a Martine. Yeah.

0:43:07.239 --> 0:43:11.520
<v Speaker 5>Yeah, yeah, I'm not bringing in any money. So yeah.

0:43:11.560 --> 0:43:17.240
<v Speaker 5>And then now Amy Shark's an actor. Yeah, how's that crazy?

0:43:18.560 --> 0:43:21.840
<v Speaker 3>So that was a part of Russell Crowe connection in

0:43:21.880 --> 0:43:24.880
<v Speaker 3>your life, which Russell Crowe also led you to Ed Sheeran,

0:43:25.160 --> 0:43:26.439
<v Speaker 3>or lead Sheeran to you.

0:43:26.680 --> 0:43:28.840
<v Speaker 2>Yeah, so he's been like a seminal.

0:43:29.280 --> 0:43:31.799
<v Speaker 1>Yeah, he's been a really such a good friend, you know,

0:43:31.960 --> 0:43:34.719
<v Speaker 1>and it's we both just check in with each other

0:43:34.760 --> 0:43:37.120
<v Speaker 1>all the time. You'd be shooting something and send me

0:43:37.200 --> 0:43:40.560
<v Speaker 1>these cool photos of these samurai swords and it's awesome,

0:43:40.600 --> 0:43:43.200
<v Speaker 1>Like it's it's unbelievable that I can just have this

0:43:43.320 --> 0:43:47.439
<v Speaker 1>friendship with Russell Crowe. But the coolest thing he did

0:43:47.520 --> 0:43:49.719
<v Speaker 1>was though, will send me that script because I was

0:43:49.840 --> 0:43:52.640
<v Speaker 1>happy to know did he know that you were that

0:43:52.719 --> 0:43:56.760
<v Speaker 1>you wanted to? I had joked with him before about

0:43:57.080 --> 0:43:59.440
<v Speaker 1>acting and I had he had said, you know, music

0:43:59.560 --> 0:44:03.399
<v Speaker 1>was my first love before acting. I go, oh, well, yeah,

0:44:03.480 --> 0:44:06.359
<v Speaker 1>acting was my first love before music. Yeah, right, So

0:44:06.680 --> 0:44:09.640
<v Speaker 1>he had thirty odd foot of grunt. What did you

0:44:09.760 --> 0:44:11.960
<v Speaker 1>have acting wise? Any?

0:44:12.160 --> 0:44:12.879
<v Speaker 2>Not much?

0:44:12.920 --> 0:44:15.240
<v Speaker 1>But I had a little agent on the Gold Coast

0:44:15.239 --> 0:44:17.760
<v Speaker 1>and I did a couple of like little commercial things,

0:44:17.880 --> 0:44:20.840
<v Speaker 1>and like I was like obsessed with drama at school

0:44:20.880 --> 0:44:23.600
<v Speaker 1>and the theater and I loved it.

0:44:23.680 --> 0:44:24.919
<v Speaker 2>I really loved it.

0:44:25.040 --> 0:44:29.080
<v Speaker 1>So yeah, I think that was and just movies in general,

0:44:29.120 --> 0:44:33.279
<v Speaker 1>you know, like I just watched so many movies. But yeah,

0:44:33.360 --> 0:44:36.160
<v Speaker 1>it was just so random that that has come back

0:44:36.160 --> 0:44:38.120
<v Speaker 1>into my life because you just it's two of the

0:44:38.200 --> 0:44:42.920
<v Speaker 1>hardest jobs ever. And I remember saying that to my

0:44:43.040 --> 0:44:46.880
<v Speaker 1>parents once about about being an actress or taking acting

0:44:46.960 --> 0:44:49.839
<v Speaker 1>lessons or and then you know, getting into music. They're

0:44:49.840 --> 0:44:52.880
<v Speaker 1>like Jesus the same, You've picked two of the hardest things.

0:44:53.080 --> 0:44:54.919
<v Speaker 2>Yes, you know, yes?

0:44:55.120 --> 0:44:59.280
<v Speaker 3>And how was it so you play Russell Crowe's daughter daughter?

0:44:59.480 --> 0:44:59.680
<v Speaker 2>Yeah?

0:44:59.680 --> 0:45:04.360
<v Speaker 3>And is he an MMA like a a a fighter?

0:45:04.600 --> 0:45:07.080
<v Speaker 1>Yeah, yeah, potentially, but yeah he was mainly a trainer

0:45:07.320 --> 0:45:11.400
<v Speaker 1>and then I was an ex MMA fighter turned trainer.

0:45:11.560 --> 0:45:13.360
<v Speaker 2>Really, so did you have to do a lot of

0:45:13.360 --> 0:45:14.279
<v Speaker 2>physical Yeah.

0:45:14.280 --> 0:45:15.640
<v Speaker 1>I had to do it like a couple of weeks

0:45:15.680 --> 0:45:18.879
<v Speaker 1>to look like I mean'd be good at that, actually good.

0:45:19.120 --> 0:45:21.120
<v Speaker 2>I did taekwondo as a kid.

0:45:22.000 --> 0:45:23.799
<v Speaker 1>I was actually one step away from my black belt,

0:45:23.880 --> 0:45:26.759
<v Speaker 1>but I was Yeah, I know, if my friends were

0:45:26.800 --> 0:45:29.799
<v Speaker 1>too important then so I didn't want to commit to

0:45:29.920 --> 0:45:32.000
<v Speaker 1>what I had to do to get it. But anyway,

0:45:32.080 --> 0:45:34.880
<v Speaker 1>I have that skill set somewhere, you know, when you

0:45:34.960 --> 0:45:38.800
<v Speaker 1>learn something young, Yeah, just it stays. Yeah, like even tennis.

0:45:38.840 --> 0:45:40.640
<v Speaker 1>I used to play tennis as a kid. I can

0:45:40.680 --> 0:45:44.680
<v Speaker 1>still play, but yeah, it was I still had to,

0:45:44.840 --> 0:45:46.920
<v Speaker 1>you know, learn the ways of MMA, and there's so

0:45:47.000 --> 0:45:50.120
<v Speaker 1>many things I had to yell out and say it

0:45:50.160 --> 0:45:52.799
<v Speaker 1>with confidence and get up in Dan's face and tell

0:45:52.840 --> 0:45:54.520
<v Speaker 1>them to sprawl and like and.

0:45:54.480 --> 0:45:58.200
<v Speaker 3>Do it twenty times. Yeah, exactly. And how was it?

0:45:58.320 --> 0:46:01.840
<v Speaker 3>How was the how is the process of being an actor?

0:46:02.000 --> 0:46:02.600
<v Speaker 2>I loved it?

0:46:03.239 --> 0:46:06.279
<v Speaker 1>I really loved it, like I loved everything about it.

0:46:06.440 --> 0:46:10.799
<v Speaker 1>Oh really, yeah, yeah it was. So do you think

0:46:10.840 --> 0:46:12.560
<v Speaker 1>that's there'll be more?

0:46:13.160 --> 0:46:16.400
<v Speaker 2>I hope. So it's not really something I've I can say.

0:46:16.560 --> 0:46:18.160
<v Speaker 1>I don't know, Like, I just think it's going to

0:46:18.200 --> 0:46:19.799
<v Speaker 1>be one of those things where I might get an

0:46:19.840 --> 0:46:23.640
<v Speaker 1>agent and see what comes of it. Again every Yeah,

0:46:23.760 --> 0:46:25.920
<v Speaker 1>that's a lot to be with a lot more experience

0:46:25.920 --> 0:46:27.640
<v Speaker 1>than me as well if it comes my way.

0:46:27.960 --> 0:46:32.480
<v Speaker 2>Definitely. Did you sing with Russell? You've sung with Russell? Yeah?

0:46:32.600 --> 0:46:33.920
<v Speaker 2>I have? Yeah, what did you see?

0:46:34.320 --> 0:46:39.160
<v Speaker 1>He loves my song Psycho, right, and so he's he

0:46:39.200 --> 0:46:42.960
<v Speaker 1>was touring doing a cover of it, and then oh.

0:46:42.440 --> 0:46:46.200
<v Speaker 3>I actually saw the tour. I thought that was his last.

0:46:46.440 --> 0:46:51.400
<v Speaker 4>Yeah yeah, yes, yes, yes, yeah.

0:46:51.440 --> 0:46:54.919
<v Speaker 1>So but then I was playing a festival called Groove

0:46:54.960 --> 0:46:58.160
<v Speaker 1>in the Mood and I got him to come to

0:46:58.320 --> 0:47:01.920
<v Speaker 1>the festival and see that song with me, which was

0:47:02.000 --> 0:47:04.520
<v Speaker 1>awesome because like the whole crowd was just like, what

0:47:04.680 --> 0:47:05.000
<v Speaker 1>the hell?

0:47:05.080 --> 0:47:08.359
<v Speaker 2>Oh yeah, that lad J is here? Oh yeah, that's true.

0:47:08.400 --> 0:47:08.919
<v Speaker 2>It was cool.

0:47:09.400 --> 0:47:12.200
<v Speaker 3>I imagine one of the challenges of being an artist

0:47:12.400 --> 0:47:17.320
<v Speaker 3>in twenty twenty six, a musical artist, is it it's

0:47:18.200 --> 0:47:22.399
<v Speaker 3>probably quite removed from what you thought it was going

0:47:22.440 --> 0:47:25.600
<v Speaker 3>to be when you wanted to be a singer songwriter

0:47:26.480 --> 0:47:29.440
<v Speaker 3>because now there's socials and like you said, it's very

0:47:29.440 --> 0:47:35.520
<v Speaker 3>front facing. You're on television, there's streamers. So how does

0:47:35.640 --> 0:47:40.839
<v Speaker 3>your how does your day look? How much time does

0:47:40.880 --> 0:47:44.600
<v Speaker 3>it leave for creativity? And what are you in the

0:47:44.719 --> 0:47:47.320
<v Speaker 3>service of to be an artist?

0:47:48.239 --> 0:47:51.080
<v Speaker 1>Exhausto just listening to that, Yeah, it's a lot of

0:47:51.120 --> 0:47:52.320
<v Speaker 1>my life.

0:47:53.239 --> 0:47:55.480
<v Speaker 2>It's funny, Kate, because.

0:47:57.080 --> 0:48:03.080
<v Speaker 1>This particular album can pain. I'm in a different mindset,

0:48:03.200 --> 0:48:05.439
<v Speaker 1>Like I'm loving it and I'm having so much fun

0:48:05.520 --> 0:48:08.759
<v Speaker 1>with it, Like I'm not really caring about about any

0:48:08.800 --> 0:48:11.319
<v Speaker 1>outcomes or anything. I'm just like posting because I'm so

0:48:12.000 --> 0:48:16.600
<v Speaker 1>hyped about the record. But in saying that, there is

0:48:18.000 --> 0:48:20.600
<v Speaker 1>there's just so much to do like that, like we

0:48:20.600 --> 0:48:23.200
<v Speaker 1>were saying before about getting eyes on your project, there's

0:48:23.320 --> 0:48:25.440
<v Speaker 1>a lot of projects out there, and it's not just music.

0:48:25.520 --> 0:48:28.200
<v Speaker 1>There's like podcasts and there's a Netflix, and there's all

0:48:28.200 --> 0:48:29.879
<v Speaker 1>these other things for people to.

0:48:29.880 --> 0:48:31.600
<v Speaker 3>Do rather than listen to your album.

0:48:31.760 --> 0:48:38.800
<v Speaker 1>So why we're here, I guess there's why we're I'm constantly,

0:48:38.840 --> 0:48:42.120
<v Speaker 1>you know, doing anything I can because I believe in it,

0:48:42.239 --> 0:48:44.000
<v Speaker 1>you know, I want people to know about it.

0:48:44.080 --> 0:48:47.399
<v Speaker 2>And it's just kind of how it is.

0:48:47.840 --> 0:48:52.920
<v Speaker 1>But but what I will say is musicians are working

0:48:52.960 --> 0:48:55.759
<v Speaker 1>harder than they ever have in their life, and a

0:48:55.800 --> 0:49:00.840
<v Speaker 1>lot is on our shoulders, you know, like like we

0:49:00.920 --> 0:49:03.560
<v Speaker 1>are the first to play the charity event, and yeah,

0:49:03.640 --> 0:49:07.680
<v Speaker 1>you know, like we are they We're supposed to have

0:49:07.719 --> 0:49:10.840
<v Speaker 1>all the answers and we're supposed to show up online,

0:49:10.840 --> 0:49:12.320
<v Speaker 1>but oh, don't do that because you're goofy.

0:49:12.360 --> 0:49:12.560
<v Speaker 3>Now.

0:49:13.640 --> 0:49:16.040
<v Speaker 1>Oh but then but then you've got to be seen online,

0:49:16.080 --> 0:49:17.320
<v Speaker 1>but not too much online.

0:49:17.320 --> 0:49:20.920
<v Speaker 3>And then and then there's AI, which is our whole

0:49:22.000 --> 0:49:27.960
<v Speaker 3>conversation that is not on behalf of writers and any

0:49:28.000 --> 0:49:31.960
<v Speaker 3>people who have any kind of artistic output doesn't seem

0:49:32.040 --> 0:49:35.719
<v Speaker 3>to be part of a conversation at governmental level. So

0:49:35.800 --> 0:49:39.279
<v Speaker 3>it comes from artists to try and fight this.

0:49:39.640 --> 0:49:44.000
<v Speaker 1>That's it, the bots exactly like and I'm not I'm

0:49:44.040 --> 0:49:45.240
<v Speaker 1>not a political artist.

0:49:45.280 --> 0:49:47.560
<v Speaker 2>I never have been, Like I just like, you know,

0:49:48.800 --> 0:49:49.200
<v Speaker 2>I like.

0:49:50.640 --> 0:49:52.680
<v Speaker 1>Got my heart broken and decided to write a song

0:49:52.680 --> 0:49:54.680
<v Speaker 1>about it, and now I'm an artist. It's like, I'm

0:49:54.719 --> 0:49:57.719
<v Speaker 1>not a genius. I don't claim to be. I don't

0:49:57.719 --> 0:50:02.240
<v Speaker 1>have answers. I'm just like, you know, so a lot

0:50:02.640 --> 0:50:07.240
<v Speaker 1>there's a lot expected of artists in this world today.

0:50:08.400 --> 0:50:11.120
<v Speaker 1>We're not supposed to do anything wrong ever, and it's

0:50:11.239 --> 0:50:14.880
<v Speaker 1>like supposed to be these magical beings that have yeah,

0:50:15.080 --> 0:50:16.760
<v Speaker 1>like I said, all the right answers, and it's.

0:50:16.600 --> 0:50:18.560
<v Speaker 2>Just tough, like it's.

0:50:19.840 --> 0:50:23.279
<v Speaker 1>Yeah, and a lot of work comes from you know,

0:50:23.360 --> 0:50:26.000
<v Speaker 1>you can't just go to the studio and do a

0:50:26.120 --> 0:50:28.759
<v Speaker 1>really rad album and put it out there and then

0:50:28.800 --> 0:50:31.000
<v Speaker 1>be like, Okay, cool, I'll see you guys in a

0:50:31.040 --> 0:50:31.359
<v Speaker 1>few months.

0:50:31.400 --> 0:50:35.120
<v Speaker 3>When we go on tour, it's like it's freaking so

0:50:35.360 --> 0:50:38.640
<v Speaker 3>much work. And you're also not getting money from the streamers.

0:50:39.160 --> 0:50:41.279
<v Speaker 3>So then to make money that you might have once

0:50:41.360 --> 0:50:45.040
<v Speaker 3>got with album sales or yeah CDs, you've got to

0:50:45.080 --> 0:50:49.080
<v Speaker 3>do live shows. So that's a whole other Yeah you're

0:50:49.080 --> 0:50:49.880
<v Speaker 3>a busy girl.

0:50:50.200 --> 0:50:52.960
<v Speaker 2>Yeah, We're all busy.

0:50:53.000 --> 0:50:56.359
<v Speaker 1>I think like everyone in the arts is just doing

0:50:56.400 --> 0:50:59.040
<v Speaker 1>what they can and that's why anytimes I was like,

0:50:59.080 --> 0:51:01.920
<v Speaker 1>what advice do you have apart from like run, go

0:51:02.000 --> 0:51:02.520
<v Speaker 1>be a banker.

0:51:02.960 --> 0:51:07.160
<v Speaker 3>I'm like, okay, do you really love it? Would you

0:51:07.200 --> 0:51:07.920
<v Speaker 3>do it for nothing?

0:51:08.440 --> 0:51:09.960
<v Speaker 2>Okay? Cool? Will you'll be okay then?

0:51:10.200 --> 0:51:10.399
<v Speaker 1>Yeah?

0:51:10.440 --> 0:51:14.000
<v Speaker 3>Because you may well be Yeah, because that's that's it.

0:51:14.000 --> 0:51:16.080
<v Speaker 3>It's like you've got to be okay with that.

0:51:16.200 --> 0:51:19.080
<v Speaker 1>You can't get up thinking I'm going to be famous,

0:51:19.320 --> 0:51:21.640
<v Speaker 1>I'm going to get followers, I'm going to be rich

0:51:22.120 --> 0:51:25.399
<v Speaker 1>because it's not the climate, it's not the time. It's

0:51:25.400 --> 0:51:28.920
<v Speaker 1>the time for art always is. Art will always be

0:51:29.239 --> 0:51:34.160
<v Speaker 1>neat endures as well, of course. I remember, Yeah, Tom's

0:51:34.160 --> 0:51:37.200
<v Speaker 1>a Launch said this in an interview years ago. I

0:51:37.239 --> 0:51:40.760
<v Speaker 1>was like sixteen, and I watched him, you know, talking

0:51:40.800 --> 0:51:42.880
<v Speaker 1>about his band Blink, and he's like, art will always

0:51:42.880 --> 0:51:43.399
<v Speaker 1>find a way.

0:51:44.200 --> 0:51:46.719
<v Speaker 3>I was like, oh my god, that's so cool. Like,

0:51:46.920 --> 0:51:49.520
<v Speaker 3>you know, it's so true as well when you think

0:51:49.600 --> 0:51:52.200
<v Speaker 3>about I mean, it's hard to think about.

0:51:52.000 --> 0:51:54.520
<v Speaker 2>The future because if you look at.

0:51:54.320 --> 0:51:56.480
<v Speaker 3>The past, you could never have predicted what would have

0:51:56.560 --> 0:51:58.760
<v Speaker 3>led you to here. But if you have a vague

0:51:58.800 --> 0:52:00.839
<v Speaker 3>shape about your future, what does it.

0:52:00.760 --> 0:52:01.400
<v Speaker 2>Look like.

0:52:05.800 --> 0:52:06.160
<v Speaker 3>Right now?

0:52:06.160 --> 0:52:08.840
<v Speaker 1>I'd love to just be in Hawaii with a beautiful

0:52:08.880 --> 0:52:11.640
<v Speaker 1>man rubbing my feet with a Pina Kolada, Right, that

0:52:11.719 --> 0:52:12.160
<v Speaker 1>looks like.

0:52:12.120 --> 0:52:15.520
<v Speaker 2>The immediate future, you mean, like particular.

0:52:15.280 --> 0:52:20.320
<v Speaker 3>Beautiful man just Hawaiian ukulele.

0:52:21.160 --> 0:52:21.319
<v Speaker 1>Oh.

0:52:21.400 --> 0:52:22.080
<v Speaker 2>I love that.

0:52:22.239 --> 0:52:25.080
<v Speaker 1>No, I can see, you know what, I can see

0:52:25.080 --> 0:52:26.840
<v Speaker 1>a pretty cool simple life.

0:52:27.400 --> 0:52:28.880
<v Speaker 2>I'd love to live in New Zealand.

0:52:29.560 --> 0:52:31.640
<v Speaker 1>I'd love to have like a batch and I'd love

0:52:31.680 --> 0:52:33.600
<v Speaker 1>to just fish all day every day.

0:52:33.760 --> 0:52:42.640
<v Speaker 3>And that's it. How close are you to that though?

0:52:44.360 --> 0:52:51.120
<v Speaker 1>I mean potentially if I wanted it to happen sooner,

0:52:51.200 --> 0:52:55.400
<v Speaker 1>it could happen obviously anytime I want it. But I'm

0:52:55.520 --> 0:52:59.200
<v Speaker 1>still pretty hungry, you know. I still love what we're doing,

0:52:59.280 --> 0:53:02.919
<v Speaker 1>and I love the hustle. And maybe I'm institutionalized because

0:53:02.920 --> 0:53:06.359
<v Speaker 1>I've been hustling for twenty years and I still even

0:53:06.400 --> 0:53:08.560
<v Speaker 1>when I got my record deal, I was like, okay,

0:53:08.680 --> 0:53:11.680
<v Speaker 1>like so what's next. You know, it's only sort of

0:53:11.760 --> 0:53:15.279
<v Speaker 1>now that I feel a little more relaxed, Like it's

0:53:15.280 --> 0:53:17.040
<v Speaker 1>like I have not been relaxed for ten years.

0:53:17.040 --> 0:53:19.319
<v Speaker 3>That's just been. But also because didn't you.

0:53:19.280 --> 0:53:19.680
<v Speaker 2>Have the.

0:53:21.160 --> 0:53:27.719
<v Speaker 3>Creative drought before this album where you yeah, ill atrophied

0:53:28.000 --> 0:53:30.120
<v Speaker 3>or yeah something where you were.

0:53:30.320 --> 0:53:33.799
<v Speaker 1>Yeah, I definitely I wouldn't call it. I've read some

0:53:33.920 --> 0:53:37.520
<v Speaker 1>things about writer's block. It wasn't really a writer's block.

0:53:37.560 --> 0:53:40.680
<v Speaker 1>I just didn't write. I just couldn't be bothered writing.

0:53:40.760 --> 0:53:44.120
<v Speaker 1>I just was just I think it just was what

0:53:44.200 --> 0:53:49.360
<v Speaker 1>happens when you are fully exhausted from head to toe, mind, body, spirit,

0:53:49.480 --> 0:53:51.600
<v Speaker 1>You just you know, you know what it's like. You

0:53:53.239 --> 0:53:56.520
<v Speaker 1>never turn off. It's like and ever since idle people

0:53:56.560 --> 0:53:59.719
<v Speaker 1>know my face now a lot. Yeah, so it's you know,

0:54:00.080 --> 0:54:02.560
<v Speaker 1>a few things, a few things go wrong in your

0:54:02.600 --> 0:54:05.879
<v Speaker 1>personal life. You're trying to you know, I was trying

0:54:05.880 --> 0:54:09.960
<v Speaker 1>to be on tour. I did the movie, which was

0:54:10.080 --> 0:54:13.440
<v Speaker 1>you know, a bit stressful and challenging but amazing, and

0:54:13.480 --> 0:54:16.320
<v Speaker 1>then idle and going through things, and you're trying to

0:54:16.360 --> 0:54:19.520
<v Speaker 1>always be on and thinking, and then you can't really

0:54:19.560 --> 0:54:22.439
<v Speaker 1>go down the cafe or I'm never I'm never really

0:54:22.440 --> 0:54:23.879
<v Speaker 1>fully relaxed because someone's like.

0:54:23.880 --> 0:54:26.080
<v Speaker 3>Oh you're amy, or yeah, you know, when I get

0:54:26.120 --> 0:54:27.160
<v Speaker 3>home and there's like, you.

0:54:27.080 --> 0:54:30.680
<v Speaker 1>Know, Jill and Ben who live in apartment whatever, and

0:54:31.040 --> 0:54:32.719
<v Speaker 1>I want to talk to you about blah blah blah

0:54:32.719 --> 0:54:33.080
<v Speaker 1>blah blah.

0:54:33.120 --> 0:54:35.879
<v Speaker 3>And then is that a work talk or is it

0:54:35.960 --> 0:54:38.239
<v Speaker 3>something about someone's pushed a flower potter.

0:54:38.400 --> 0:54:40.640
<v Speaker 1>No, it's it's always like whether I heard you on

0:54:40.719 --> 0:54:42.759
<v Speaker 1>a podcast, right, I heard I saw you on TV

0:54:42.800 --> 0:54:43.239
<v Speaker 1>talking about it.

0:54:43.960 --> 0:54:46.160
<v Speaker 2>So what actually when did you start writing songs?

0:54:46.200 --> 0:54:50.360
<v Speaker 1>And it's like you're constantly like if I'm ever in neutral,

0:54:50.400 --> 0:54:53.040
<v Speaker 1>I'm forever just chucking it in fifth gear and just

0:54:53.080 --> 0:54:56.040
<v Speaker 1>being like hey, you know, and I think because I

0:54:56.080 --> 0:54:59.320
<v Speaker 1>never want someone's first interaction with me to be crap

0:54:59.440 --> 0:55:02.480
<v Speaker 1>or or even you know, people just make up their

0:55:02.480 --> 0:55:04.799
<v Speaker 1>mind so quick. So yeah, I always feel like I'm

0:55:04.840 --> 0:55:07.160
<v Speaker 1>on guard and I think I just I just hit

0:55:07.239 --> 0:55:09.480
<v Speaker 1>I just hit the wall. I just was like, I'm

0:55:09.520 --> 0:55:11.680
<v Speaker 1>just no energy and I just don't even want to

0:55:11.680 --> 0:55:15.319
<v Speaker 1>play guitar. I just don't want to do anything. So yeah,

0:55:15.320 --> 0:55:16.960
<v Speaker 1>it took me a minute to just get back to

0:55:17.320 --> 0:55:18.080
<v Speaker 1>loving it again.

0:55:18.520 --> 0:55:22.719
<v Speaker 3>But was it Shane that kind of recognized what was

0:55:22.760 --> 0:55:23.440
<v Speaker 3>going on with you?

0:55:23.680 --> 0:55:24.839
<v Speaker 2>Yeah, Shane, you I was off.

0:55:25.000 --> 0:55:28.840
<v Speaker 1>Yeah, like like yeah, most people you know, who you

0:55:28.920 --> 0:55:31.840
<v Speaker 1>live with knew. I was like, you know, going through something.

0:55:32.040 --> 0:55:36.399
<v Speaker 1>And yes, So then he booked booked me to go

0:55:36.440 --> 0:55:43.800
<v Speaker 1>and write recorded yeah Wales. Yeah that's where my producer lives. Yeah,

0:55:43.840 --> 0:55:46.560
<v Speaker 1>so you had a month. I had a month to

0:55:46.560 --> 0:55:50.080
<v Speaker 1>write that, to make songs, make as many songs as

0:55:50.120 --> 0:55:54.640
<v Speaker 1>I can and yeah, and then get over there and

0:55:54.680 --> 0:55:56.600
<v Speaker 1>record it, and it's the best thing I've ever done.

0:55:56.640 --> 0:56:01.960
<v Speaker 3>Like I've never had no collaborator, collabse on the songwriting.

0:56:03.080 --> 0:56:08.040
<v Speaker 3>It's you yeah, yeah, wow, how is that? It's kind

0:56:08.040 --> 0:56:09.160
<v Speaker 3>of what I've always done.

0:56:09.320 --> 0:56:11.520
<v Speaker 1>But I mixed it up with like I'll go to

0:56:11.680 --> 0:56:14.759
<v Speaker 1>LA and I'll work with a producer and he'll play

0:56:14.800 --> 0:56:16.239
<v Speaker 1>a beat and I'll be like, oh, yeah, cool, I'm

0:56:16.239 --> 0:56:20.120
<v Speaker 1>thinking blah blahlah blah. Whereas this time I did have

0:56:20.160 --> 0:56:23.279
<v Speaker 1>a clue, Like once I accepted the challenge and I

0:56:23.360 --> 0:56:25.719
<v Speaker 1>started to get really disciplined, like not going on my

0:56:25.800 --> 0:56:29.319
<v Speaker 1>phone and like just really knowing, Okay, I want to

0:56:29.560 --> 0:56:31.719
<v Speaker 1>I want to go and do this, and I want

0:56:31.719 --> 0:56:33.640
<v Speaker 1>to be excited on the plane, and I want my

0:56:33.680 --> 0:56:38.040
<v Speaker 1>phone to be chockers full of amazing demos. You know. Yeah,

0:56:38.080 --> 0:56:44.080
<v Speaker 1>I just got I just got really really focused, and

0:56:44.200 --> 0:56:46.680
<v Speaker 1>I knew that if I could get if I could

0:56:46.760 --> 0:56:49.799
<v Speaker 1>just get good songs, I knew Dan would just take

0:56:49.800 --> 0:56:52.560
<v Speaker 1>them to the next level, you know. So it was

0:56:52.719 --> 0:56:56.000
<v Speaker 1>it was really exciting once they started coming together, and

0:56:57.080 --> 0:56:59.560
<v Speaker 1>I think Shane knew that it was a vicious cycle

0:56:59.560 --> 0:57:01.680
<v Speaker 1>because I was writing, but writing would have made me happy.

0:57:01.840 --> 0:57:04.120
<v Speaker 3>Yes, and it is the monkey on your back.

0:57:04.200 --> 0:57:04.480
<v Speaker 2>Yeah.

0:57:04.560 --> 0:57:06.680
<v Speaker 3>And the first day sucked like it did.

0:57:06.800 --> 0:57:08.839
<v Speaker 2>It was like only one day.

0:57:09.239 --> 0:57:13.160
<v Speaker 1>Oh no, yeah, quite yeah, I can't Yeah, Ebbs and clothes, Well,

0:57:13.239 --> 0:57:15.719
<v Speaker 1>we're just actually a bit weird because the very first day,

0:57:15.880 --> 0:57:18.160
<v Speaker 1>when I think about it, I didn't have the whole song.

0:57:18.200 --> 0:57:21.920
<v Speaker 2>But the biggest dick was the first single.

0:57:22.400 --> 0:57:25.280
<v Speaker 1>And I literally say first morning and months didn't think

0:57:25.280 --> 0:57:26.960
<v Speaker 1>about you once got coffee on the way and that

0:57:27.080 --> 0:57:29.640
<v Speaker 1>was me just literally going through what my day was

0:57:29.720 --> 0:57:32.160
<v Speaker 1>like to try and get in the swing of songwriting again.

0:57:32.560 --> 0:57:33.840
<v Speaker 2>And I ended up giving it.

0:57:34.120 --> 0:57:36.360
<v Speaker 1>Yeah. It was something, Yeah, it was something, and it

0:57:36.520 --> 0:57:40.439
<v Speaker 1>sounded cool. So yeah, it's funny. Just yeah, I'm like, wow,

0:57:40.520 --> 0:57:42.959
<v Speaker 1>you can do anything you set your mind too, because

0:57:43.040 --> 0:57:44.960
<v Speaker 1>I just can't believe that that happened.

0:57:45.280 --> 0:57:48.800
<v Speaker 3>But that's kind of liberated you now, hasn't it. Yeah,

0:57:48.840 --> 0:57:52.040
<v Speaker 3>and now you've got the momentum of the album. Mm hmm.

0:57:52.600 --> 0:57:54.840
<v Speaker 3>A girlfriend and I just had an argument outside actually

0:57:54.880 --> 0:57:56.760
<v Speaker 3>when I was listening before I came in to meet you,

0:57:57.160 --> 0:57:59.520
<v Speaker 3>because she said it's a really sad album and I said,

0:57:59.560 --> 0:58:00.800
<v Speaker 3>it's not a sad album.

0:58:01.640 --> 0:58:03.960
<v Speaker 2>She said yeah, and she was so we're playing.

0:58:05.200 --> 0:58:07.880
<v Speaker 3>Yeah, she thought it was really sad in about She goes,

0:58:07.880 --> 0:58:08.960
<v Speaker 3>who are the breakups?

0:58:09.160 --> 0:58:12.840
<v Speaker 1>Oh yeah, I can't know. It's the thing is I

0:58:13.000 --> 0:58:15.720
<v Speaker 1>less my favorite thing to write about. And even though

0:58:16.080 --> 0:58:19.680
<v Speaker 1>I am in a happy marriage, I borrow things all

0:58:19.720 --> 0:58:22.480
<v Speaker 1>the time from my past my present. Might be a

0:58:22.560 --> 0:58:26.840
<v Speaker 1>fight that we had recently. You could think it's about

0:58:28.520 --> 0:58:32.440
<v Speaker 1>some something, but it's actually about a friend or like

0:58:32.520 --> 0:58:35.280
<v Speaker 1>you know what I mean, Like I I borrow so

0:58:35.320 --> 0:58:38.120
<v Speaker 1>many feelings and I borrow so many people, and I

0:58:38.200 --> 0:58:42.360
<v Speaker 1>borrow like I just it's it will forever be a puzzle.

0:58:42.560 --> 0:58:43.280
<v Speaker 3>To you guys.

0:58:43.840 --> 0:58:48.240
<v Speaker 1>Only I know exactly word for word who everything is

0:58:48.280 --> 0:58:50.720
<v Speaker 1>for which you.

0:58:50.640 --> 0:58:53.640
<v Speaker 3>Don't want to say, but it takes the sexiness out.

0:58:53.840 --> 0:58:59.040
<v Speaker 1>And also like that's my That's that's what keeps me alight,

0:58:59.400 --> 0:58:59.600
<v Speaker 1>you know.

0:58:59.680 --> 0:59:02.720
<v Speaker 2>That's like I love having that secret. I love it.

0:59:02.800 --> 0:59:04.200
<v Speaker 1>I just I will never be an artist that will

0:59:04.240 --> 0:59:06.600
<v Speaker 1>sit here and go, well, see that line there is

0:59:06.640 --> 0:59:09.840
<v Speaker 1>because what happened was that person? Yeah, because that's just

0:59:09.880 --> 0:59:13.720
<v Speaker 1>like not hot. So I just that's what I remember.

0:59:13.800 --> 0:59:17.160
<v Speaker 3>You can tell Tyler Swift that poor.

0:59:16.960 --> 0:59:20.000
<v Speaker 1>Thing, she can't I don't have someone with that much

0:59:20.000 --> 0:59:21.200
<v Speaker 1>of a magnifying glass.

0:59:21.520 --> 0:59:28.360
<v Speaker 3>It's massive as well. She loves that's good thing. Yeah exactly.

0:59:28.560 --> 0:59:31.160
<v Speaker 3>Well she's smart about it as well. Yeah, she doesn't

0:59:31.240 --> 0:59:36.520
<v Speaker 3>tell all. It's like poetry. Yeah, you know, speaking of

0:59:36.600 --> 0:59:39.680
<v Speaker 3>Tayler Swift Bree, our producer was we were having a

0:59:39.720 --> 0:59:47.120
<v Speaker 3>discussion yesterday about the silhouettes. Very interesting that a lot

0:59:47.160 --> 0:59:51.280
<v Speaker 3>of the iconic female artists have had a silhouette that's

0:59:51.360 --> 0:59:55.960
<v Speaker 3>very recognizable. Ariana Grande and the ponytail or you know,

0:59:56.080 --> 1:00:01.439
<v Speaker 3>Beyonce like very and you were our Australian that had

1:00:01.480 --> 1:00:06.280
<v Speaker 3>that with the top notch. Now at some point you

1:00:06.320 --> 1:00:09.080
<v Speaker 3>can't have a top knot forever. I see that it's

1:00:09.120 --> 1:00:12.640
<v Speaker 3>gone for now. But that was I'm going to say,

1:00:12.880 --> 1:00:16.120
<v Speaker 3>the greatest top not Like your hair was always stunning.

1:00:16.360 --> 1:00:17.200
<v Speaker 2>Oh thank you.

1:00:17.720 --> 1:00:21.360
<v Speaker 3>At what point is it a discussion where people say,

1:00:21.720 --> 1:00:23.840
<v Speaker 3>hey Amy, is it a discussion?

1:00:23.880 --> 1:00:26.360
<v Speaker 2>Hey Amy, you want to do something different with your hair?

1:00:26.880 --> 1:00:27.000
<v Speaker 2>Do you?

1:00:28.920 --> 1:00:29.040
<v Speaker 1>It?

1:00:29.160 --> 1:00:32.080
<v Speaker 3>Was it? It?

1:00:32.200 --> 1:00:32.560
<v Speaker 2>Really?

1:00:33.080 --> 1:00:36.240
<v Speaker 1>I have I'm so lucky I don't have people really

1:00:37.400 --> 1:00:39.960
<v Speaker 1>like my label would never say that to me.

1:00:40.440 --> 1:00:43.800
<v Speaker 3>I sort of felt like it was time myself.

1:00:44.360 --> 1:00:48.000
<v Speaker 1>I loved it for years before I yes, I for

1:00:48.240 --> 1:00:50.880
<v Speaker 1>now people were like you did with your hair.

1:00:50.960 --> 1:00:53.160
<v Speaker 2>Yeah, it was like, you know, but people don't know

1:00:53.200 --> 1:00:53.760
<v Speaker 2>what they want.

1:00:54.080 --> 1:00:54.240
<v Speaker 1>You know.

1:00:54.280 --> 1:00:55.640
<v Speaker 2>Now people are writing where's the butt?

1:00:55.840 --> 1:00:59.680
<v Speaker 1>You know, and and I it's kind of sad because

1:00:59.720 --> 1:01:02.760
<v Speaker 1>like so many kids come to, you know, see me,

1:01:02.840 --> 1:01:05.200
<v Speaker 1>and they got their hair done like me, and and

1:01:06.040 --> 1:01:08.800
<v Speaker 1>it really was part of who.

1:01:08.720 --> 1:01:11.520
<v Speaker 2>I was and who I am, you know, like and

1:01:12.200 --> 1:01:13.360
<v Speaker 2>it was the silhouette.

1:01:13.800 --> 1:01:16.640
<v Speaker 3>Yeah, like you didn't set out to do that, but

1:01:16.720 --> 1:01:21.840
<v Speaker 3>that became just your signature. Yeah, that you were so

1:01:22.080 --> 1:01:25.720
<v Speaker 3>immediately recognizable. Yeah, it was really clever. Yeah, it was

1:01:25.720 --> 1:01:27.520
<v Speaker 3>a brand accidentally clever.

1:01:27.800 --> 1:01:32.120
<v Speaker 1>Yeah, it really was accidental though, because I like I

1:01:32.160 --> 1:01:34.720
<v Speaker 1>remember the day we were in New York and we

1:01:34.760 --> 1:01:37.360
<v Speaker 1>had a big our first big meeting with a label

1:01:37.400 --> 1:01:43.080
<v Speaker 1>over there and Republic and this guy Avery. People in

1:01:43.080 --> 1:01:45.520
<v Speaker 1>the industry will know, this guy is like the big dog.

1:01:46.120 --> 1:01:48.920
<v Speaker 1>He only came in for like ten seconds. I was

1:01:48.960 --> 1:01:52.880
<v Speaker 1>just with his henchman and he was like, Amy, I

1:01:52.920 --> 1:01:54.960
<v Speaker 1>love the record, like he'd heard a door. I love

1:01:55.040 --> 1:01:58.480
<v Speaker 1>the record, Keep the Adidas, and I love the hair. Yeah,

1:01:59.040 --> 1:02:02.000
<v Speaker 1>keep the hair, And that was it. Keep the hair,

1:02:02.120 --> 1:02:03.720
<v Speaker 1>keep the adiittas he loves the record.

1:02:03.880 --> 1:02:06.800
<v Speaker 3>Yeah, So and what have you got today, You've got

1:02:06.800 --> 1:02:10.880
<v Speaker 3>a didas, you've got a record, but you didn't keep

1:02:10.920 --> 1:02:11.240
<v Speaker 3>the hair.

1:02:11.720 --> 1:02:14.240
<v Speaker 2>It'll be back. You got to you gotta get rid

1:02:14.240 --> 1:02:15.320
<v Speaker 2>of things for people to miss it.

1:02:15.720 --> 1:02:18.280
<v Speaker 3>Actually, this is interesting because I do think there's a

1:02:18.320 --> 1:02:24.920
<v Speaker 3>point at which familiarity breeds contempt. I think because you

1:02:24.960 --> 1:02:28.360
<v Speaker 3>always bring and you always have since I first met you,

1:02:28.760 --> 1:02:31.959
<v Speaker 3>and since the Australian public first met you, you bring.

1:02:31.680 --> 1:02:32.320
<v Speaker 1>A real.

1:02:34.560 --> 1:02:40.040
<v Speaker 3>Egalitarian sense of Australians with you. You got so many

1:02:40.160 --> 1:02:42.560
<v Speaker 3>you know what I mean, Like you just you like

1:02:42.600 --> 1:02:45.920
<v Speaker 3>an Aussie. Yeah, and you even what you said earlier

1:02:45.960 --> 1:02:49.520
<v Speaker 3>about wanting people to have a nice first impression of you.

1:02:50.160 --> 1:02:55.840
<v Speaker 3>But sometimes I think in showbies that can be taken

1:02:55.920 --> 1:02:56.560
<v Speaker 3>for granted.

1:02:57.440 --> 1:03:02.160
<v Speaker 1>Mm hmmm yeah, oh yeah, yeah definitely.

1:03:02.520 --> 1:03:06.040
<v Speaker 3>So I'm not saying I want you to disappear. Yeah,

1:03:06.440 --> 1:03:08.320
<v Speaker 3>but in some ways it would serve us right if

1:03:08.360 --> 1:03:10.200
<v Speaker 3>you disappeared, you know what I.

1:03:10.080 --> 1:03:12.080
<v Speaker 2>Mean, I get, I get it. It's kind of like

1:03:12.680 --> 1:03:13.640
<v Speaker 2>I say it all the time.

1:03:13.680 --> 1:03:15.960
<v Speaker 1>I said, I said to someone the other day, they'll

1:03:15.960 --> 1:03:18.840
<v Speaker 1>talk about my cover or got that fluffy album cover.

1:03:19.080 --> 1:03:20.880
<v Speaker 2>I'm like, yeah, but no one will appreciated it till

1:03:20.880 --> 1:03:21.240
<v Speaker 2>I'm dead.

1:03:21.440 --> 1:03:28.800
<v Speaker 3>Yeah, right, Well, Amy Shark, I'm saying we appreciate you.

1:03:28.960 --> 1:03:32.560
<v Speaker 2>We appreciate you in life. I appreciate you.

1:03:32.960 --> 1:03:34.320
<v Speaker 3>This has been a really nice chat.

1:03:34.520 --> 1:03:35.520
<v Speaker 2>Yeah, it's brilliant.

1:03:36.000 --> 1:03:40.960
<v Speaker 3>It's fantastic too for you to share yourself with us.

1:03:41.320 --> 1:03:45.640
<v Speaker 3>So thank you, Amy Shark. We love you, we adore you.

1:03:45.680 --> 1:03:50.000
<v Speaker 2>Ah, look there she is. Poet. Didn't know it, never

1:03:50.080 --> 1:03:51.920
<v Speaker 2>heard that never first time.

1:03:53.400 --> 1:03:56.200
<v Speaker 3>One of the things that struck me about this encounter

1:03:56.280 --> 1:04:00.440
<v Speaker 3>with Amy was how honest she is about success. We

1:04:00.560 --> 1:04:03.600
<v Speaker 3>spend so much of our lives chasing the thing we

1:04:03.680 --> 1:04:07.120
<v Speaker 3>think will make us happy. But as Amy discovered, getting

1:04:07.200 --> 1:04:12.040
<v Speaker 3>everything you'd dreamed of doesn't necessarily make life simpler. Sometimes

1:04:12.040 --> 1:04:13.439
<v Speaker 3>it makes it more complicated.

1:04:14.280 --> 1:04:17.320
<v Speaker 2>What stayed with me wasn't just the story of her breakthrough.

1:04:17.720 --> 1:04:20.320
<v Speaker 3>It was the story of finding her way back to

1:04:20.480 --> 1:04:26.320
<v Speaker 3>music after almost walking away from it altogether. Amy's new album,

1:04:26.560 --> 1:04:30.480
<v Speaker 3>Soft Pop, is out now. If you enjoy this episode,

1:04:30.560 --> 1:04:33.720
<v Speaker 3>make sure you follow No Filter wherever you're listening and

1:04:33.920 --> 1:04:38.240
<v Speaker 3>Mamma MEA subscribers get to hear it first. Every episode

1:04:38.240 --> 1:04:42.240
<v Speaker 3>of No Filter drops two full days before regular listening

1:04:42.760 --> 1:04:48.280
<v Speaker 3>exclusive for subscribers. Plus, you get access to subscriber exclusive

1:04:48.280 --> 1:04:52.360
<v Speaker 3>episodes across the Mumma Mea Network. Tap the link in

1:04:52.400 --> 1:04:55.160
<v Speaker 3>the show notes and become a Mumma Mea subscriber. Today,

1:04:55.800 --> 1:04:58.760
<v Speaker 3>I'm your host, Kate Langbrook. Thank you for listening to

1:04:58.800 --> 1:04:59.320
<v Speaker 3>No Filter.