WEBVTT - Raygun And Some Very Big Feelings

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<v Speaker 1>You're listening to Amma mea podcast.

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<v Speaker 2>Mamma Mia acknowledges the traditional owners of land and waters

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<v Speaker 2>that this podcast is recorded on Hello and welcome to

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<v Speaker 2>Momma Mia out loud. It's what women are actually talking

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<v Speaker 2>about on Monday, the twelfth of August.

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<v Speaker 1>I'm Holly Wayne Wright.

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<v Speaker 3>I'm mea Friedman, and I'm Jesse Stephen.

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<v Speaker 2>And on the show today, the Olympics is over and

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<v Speaker 2>we have a lot to unpack. Notably, the entire world

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<v Speaker 2>is talking, laughing and meaning about one Australian woman.

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<v Speaker 1>We decode the ray gun phenomenon.

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<v Speaker 2>Plus more athletes have asked their other halves to marry

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<v Speaker 2>them at this Olympics than ever before, and I have

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<v Speaker 2>questions for the marriage, about it all, the Tom Cruisners

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<v Speaker 2>of the closing ceremony and why we all care just

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<v Speaker 2>so damn much. Also, you can't turn around at the

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<v Speaker 2>moment without Blake Lively whipping you in the face with

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<v Speaker 2>that gorgeous hair. So what's all this about a rift derailing?

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<v Speaker 2>It ends with us, but first me a freedman.

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<v Speaker 1>In case you missed it, women are filming themselves getting

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<v Speaker 1>their IUDs inserted and removed and posting the videos to

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<v Speaker 1>social media to highlight how much it hurts. Now, we're

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<v Speaker 1>not going to play you anything because it's just women

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<v Speaker 1>basically screaming in it. Is it? Yes, it is for

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<v Speaker 1>though it's not familiar with what an iud actually is.

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<v Speaker 1>It's a type of contraception. It's about three centimeters long,

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<v Speaker 1>and it's a T shaped plastic device with a vertical

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<v Speaker 1>stem and two horizontal arms, and sometimes it has a

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<v Speaker 1>copper coil or a hormone sort of reservoir, and it's

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<v Speaker 1>got a thin string that hangs from the bottom of it.

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<v Speaker 3>It's like a fish hawk.

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<v Speaker 1>Thank you, it does. It's inserted inside your uterus, now,

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<v Speaker 1>not your vagina, your uterus, so female anatomy. There's the

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<v Speaker 1>opening bit, then there's the vagina, then there's the cervix,

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<v Speaker 1>and then all the way through the cervix, which is

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<v Speaker 1>usually closed quite tightly. Is the uterus.

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<v Speaker 3>Your cervix should be closed until better baby pat is

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<v Speaker 3>coming out.

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<v Speaker 1>Is very closed. It's got quite far to go. It's

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<v Speaker 1>got a long way. It's got a really really long way,

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<v Speaker 1>and then the string kind of hangs out the bottom

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<v Speaker 1>of your cervix. Now, most women aren't offered any form

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<v Speaker 1>of pain relief during the procedure, and are often shocked

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<v Speaker 1>and distressed by how much it hurts. I had been

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<v Speaker 1>forewarned before I got mine, about ten years ago or so,

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<v Speaker 1>and I had friends who said it was so painful

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<v Speaker 1>they actually vomited on themselves. It was more painful than childbirth.

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<v Speaker 3>I did a story from Mamma Maya about this, maybe

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<v Speaker 3>six or so years ago. There are a lot of

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<v Speaker 3>women who went to get it inserted and they caught

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<v Speaker 3>the bus and they walked out the appointment and they went,

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<v Speaker 3>I can't catch the bus home. I'm throwing up. Someone fainted,

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<v Speaker 3>like they really really found it painful. And with any

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<v Speaker 3>of this stuff, there's such variation in individual experience, in

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<v Speaker 3>your experience of pain. And also I've always had very

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<v Speaker 3>painful perhaps mere or cervical screenings because some people have

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<v Speaker 3>like a bit of a tilted uterus, So it hurts

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<v Speaker 3>some people more than others.

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<v Speaker 1>And some medical practitioners, bless them, are better at it

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<v Speaker 1>than others because an IUD is something that it sounds

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<v Speaker 1>quite full on, and it is full on. But you

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<v Speaker 1>GP can do it now. It's not something a GP

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<v Speaker 1>does every day, so they might be skilled at it.

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<v Speaker 1>They might not be skilled at Oh, you've had it

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<v Speaker 1>at the GP. I went and got it at the guy. No, no,

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<v Speaker 1>with a local anesthetic.

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<v Speaker 2>Lays just gone to the GP with all these things.

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<v Speaker 3>You've raw dogged, You've raw dogged your ig raw dogged.

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<v Speaker 1>Dee. Use about this story. I have to examine my

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<v Speaker 1>reaction to it, because you're very strong, be honest, you said, Maya,

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<v Speaker 1>you're a big fat was fact. But also I'm like, really,

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<v Speaker 1>women are all filming themselves while they're getting it done,

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<v Speaker 1>and then me, it was like I did that, Oh

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<v Speaker 1>my god. And the thing is is.

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<v Speaker 2>That I remember the first time I had an IUD

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<v Speaker 2>and said it, I went to my GP. Actually I

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<v Speaker 2>couldn't get into my GP, and so I went to

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<v Speaker 2>another GP in that practice. And he was a relatively

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<v Speaker 2>old dude, relatively close to retirement like and a lovely man,

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<v Speaker 2>very experienced.

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<v Speaker 1>But possibly a little shaky. Little Joe Biden was like

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<v Speaker 1>having IUD inserted by Joe Biden. And it took him

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<v Speaker 1>several goes and it was not fun. But here's the

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<v Speaker 1>interesting thing about this story and many many stories like it,

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<v Speaker 1>is I remember at the time just like it wasn't fun.

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<v Speaker 1>But I just went, well, that's it.

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<v Speaker 2>It made me think about all the experiences I've had,

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<v Speaker 2>whether it be cervical screenings, various kind of pelvic examinations,

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<v Speaker 2>all that kind of stuff. Internals when you're pregnant, it's

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<v Speaker 2>never fun, right, and sometimes it really hurts. Sometimes it doesn't.

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<v Speaker 2>And I think the thing is we've just been conditioned,

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<v Speaker 2>or certainly my generation is conditioned to like, it hurts,

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<v Speaker 2>it's not fun, get on with it. But now, which

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<v Speaker 2>is so good, as the medical profession is more and

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<v Speaker 2>more female informed, because also there are many, many more

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<v Speaker 2>female practitioners everywhere. They're like, ah, actually, why should everything

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<v Speaker 2>we do have to be.

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<v Speaker 1>Why should this offering pain?

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<v Speaker 3>It's not going to get a filling. It's not like,

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<v Speaker 3>all right, this is a terrible experience. Like dentists have

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<v Speaker 3>done a fantastic job at their rebranding, but.

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<v Speaker 1>No one would ever consider getting dental work. It's only

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<v Speaker 1>when it comes to the pain experienced by women that

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<v Speaker 1>we think that there's some nobility in it, or that

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<v Speaker 1>we decide that it's not worth pain medication. But medical

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<v Speaker 1>authorities in the US have actually this week released new

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<v Speaker 1>guidelines that say doctors must inform patients about pain management

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<v Speaker 1>options before they stick it up there.

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<v Speaker 3>That's really good.

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<v Speaker 4>Yeah.

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<v Speaker 1>So basically we are saying, if you are going to

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<v Speaker 1>get an AD, don't let this put you off having one,

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<v Speaker 1>because it doesn't hurt everybody, like also just most people, but.

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<v Speaker 2>On a scale, because as Jesse just said, like our

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<v Speaker 2>anatomies are all a bit different. Yeah, so some things

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<v Speaker 2>down there are more painful for some people than others,

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<v Speaker 2>and our pain thresholds are all different too.

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<v Speaker 1>But there's options, is the points. So just remember to

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<v Speaker 1>ask about those options, and if you've got a friend

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<v Speaker 1>getting an AD, just say, hey, maybe ask If I

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<v Speaker 1>was a.

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<v Speaker 2>Doctor, I don't think i'd love that. Everybody's filming everything now.

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<v Speaker 1>Well, when I wonder that when I was filming, I

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<v Speaker 1>didn't film her. I was filming it. She goes, are

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<v Speaker 1>you filming.

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<v Speaker 3>Out loud?

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<v Speaker 1>I'm filming me. I was filming.

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<v Speaker 3>Yeah, but I see it on TikTok like people in

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<v Speaker 3>the middle of a console and a very private context.

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<v Speaker 3>I fully support and endorse this. I know what they're

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<v Speaker 3>doing and they're making a really important statement, and good

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<v Speaker 3>on them for going This shouldn't hurt. But generally the filming,

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<v Speaker 3>like I see people do it all the time, and

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<v Speaker 3>I think if I was the doctor, I go focus

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<v Speaker 3>focus on me.

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<v Speaker 1>It's also true.

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<v Speaker 4>First, let me say, anyone on that stage is the

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<v Speaker 4>decision and responsibility of the governing body for a committee

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<v Speaker 4>from each country just to stand up and say, hey,

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<v Speaker 4>like this girl doesn't reach qualifications of someone who should

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<v Speaker 4>be performing on that level, protect hip hop culture.

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<v Speaker 1>I think today might have been the first time that

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<v Speaker 1>she breakdas no Olympics. She's like some own bios doing

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<v Speaker 1>her own thing.

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<v Speaker 3>This is a disrespect to order athletes who have come

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<v Speaker 3>to Olympics compete.

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<v Speaker 4>There is no way that there isn't a better breakdancer

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<v Speaker 4>that's on the street dancing right.

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<v Speaker 5>Now than her.

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<v Speaker 3>A viral performance, a cruel backlash, and a swift reclamation.

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<v Speaker 3>Big Girl raygun was the Olympic story no one saw coming.

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<v Speaker 3>Breakdancer and academic Rachel Gunn represented Australia at the first

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<v Speaker 3>and probably only competitive breaking event at the Olympics. Did

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<v Speaker 3>she win, No, Did she score a point?

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<v Speaker 1>Absolutely not.

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<v Speaker 3>Did she deliver the most iconic performance of the Games

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<v Speaker 3>without a doubt. If you haven't seen it, ray Gun

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<v Speaker 3>bat other bee girls pulling out a kangaroo hop, a

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<v Speaker 3>bit of a windmill maneuver, a backward summersault. It's impossible

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<v Speaker 3>to describe the rest, but it's fair to say it

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<v Speaker 3>wasn't what anyone expected. And the uniform also attracted some commentary.

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<v Speaker 3>It was a bit cricketer, it was a ball person.

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<v Speaker 1>Well, the other be girls didn't wear their national uniforms.

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<v Speaker 3>No, she didn't get the memo. And she had a

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<v Speaker 3>hat on and looked she look very sun safe, but

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<v Speaker 3>she didn't necessarily look like a breaker. I first saw

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<v Speaker 3>the performance on Saturday morning, and the commentary was ruthless.

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<v Speaker 3>People were saying, how did she get there? If any

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<v Speaker 3>of my taxpayer dollars went towards that performance, I'm angry.

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<v Speaker 1>Some people were angry, which I couldn't understand.

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<v Speaker 3>It was the initial It was not.

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<v Speaker 1>One of my feelings, but I sailed through.

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<v Speaker 3>There were theories that she was trying to make a statement.

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<v Speaker 3>Over the weekend she posted on Instagram, don't be afraid

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<v Speaker 3>to be different, Go out there and represent yourself. You

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<v Speaker 3>never know where that's going to take you.

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<v Speaker 1>Is it true that she has a PhD In breakdancing

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<v Speaker 1>and no, she has it in dance theory with a

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<v Speaker 1>specialism in breaking.

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<v Speaker 3>And cultural studies from Macora Uni, which is where I

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<v Speaker 3>got my masters. So me and Raygun were probably studying

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<v Speaker 3>at the same time.

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<v Speaker 1>I just when it went from breakdancing to just breaking.

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<v Speaker 3>Apparently that's what it originally was started there, and then

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<v Speaker 3>it became break dancing and then they were being very authentic.

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<v Speaker 3>But just as quickly as snarky opinion columns were churned out,

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<v Speaker 3>I was looking at them on Saturday. There was one

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<v Speaker 3>that argued that Raygun had no business being at the

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<v Speaker 3>Olympics and if this happened in any other sport there

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<v Speaker 3>would be a Royal commission into the selection process.

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<v Speaker 1>My goodness, definitely there should be.

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<v Speaker 3>But no.

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<v Speaker 1>Imagine getting that call we need you to do a job.

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<v Speaker 3>No sooner had that happened that the tide turned. Prime

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<v Speaker 3>Minister Albanezi said good on her and a big shout

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<v Speaker 3>out to her. That is in the Australian tradition of

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<v Speaker 3>people having a go. She had to go representing our country.

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<v Speaker 3>That's a good thing. The Olympics is about people participating

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<v Speaker 3>in sport. That's a good thing. Gun had a crack.

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<v Speaker 1>I agree with Albow.

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<v Speaker 3>Then there was Adele Adele had something to say. She

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<v Speaker 3>paused her concert because she was overcome by her feelings

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<v Speaker 3>regarding Ray Gun.

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<v Speaker 6>It's all that me and my friends have been talking

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<v Speaker 6>about last night, after the show and today, and I'm

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<v Speaker 6>not saying anything. I'm you know, I think it's taken out.

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<v Speaker 6>I think it's the best thing that's happened in the

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<v Speaker 6>Olympics the entire time. Did anyone see the breakdancing.

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<v Speaker 1>Lady, it's all from the Olympics.

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<v Speaker 6>Now. I didn't even go to break dancing with the

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<v Speaker 6>eve Olympics thought these days, I think that's fantastic. I

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<v Speaker 6>really really do. I knew that skateboarding had become an

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<v Speaker 6>Olympic one. I can't work out if it was, but

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<v Speaker 6>either way, it has made me very very happy, and

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<v Speaker 6>me and my friends have been ourselves laughing for nearly

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<v Speaker 6>twenty four hours. But I just wanted to know if

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<v Speaker 6>you've seen it. If you haven't seen it, please eat

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<v Speaker 6>the show and google it because it is flah It

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<v Speaker 6>is so funny. It's it's my favorite thing that's happened

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<v Speaker 6>in Olympics this whole whole time.

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<v Speaker 1>Adele just got engaged. She know I'm mad, She yeah

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<v Speaker 1>to her boyfriend he's a big agent. Ah, there's sports stars.

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<v Speaker 1>Maybe you're so reagun. Maybe now she's going to get

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<v Speaker 1>Imagine all the opportunities she will be flooded.

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<v Speaker 3>There's a video of Raygun being shown a guard of

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<v Speaker 3>honor by the Aussie athletes at the closing ceremony, and

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<v Speaker 3>even though she didn't score a point, she probably became

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<v Speaker 3>the most famous Olympian of them all. Holly over the weekend,

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<v Speaker 3>did we see the Internet at its best or it's worst?

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<v Speaker 1>It's so funny because both one hundred percent both, and

0:11:44.127 --> 0:11:47.447
<v Speaker 1>the emotions that I cycled through so quickly in those

0:11:47.527 --> 0:11:49.887
<v Speaker 1>hours trying to figure out how to react to Reygun

0:11:50.327 --> 0:11:52.367
<v Speaker 1>just say everything about the times we live in, right,

0:11:52.727 --> 0:11:57.567
<v Speaker 1>Because first of all, I was like, oh.

0:11:56.767 --> 0:12:01.487
<v Speaker 2>That's uncomfortable. There's like a white Australian woman apparently making

0:12:01.527 --> 0:12:06.247
<v Speaker 2>a hash out of an art form created by black

0:12:06.607 --> 0:12:09.007
<v Speaker 2>artists on the streets of New York City.

0:12:09.327 --> 0:12:11.847
<v Speaker 1>That felt weird for a start, right. Also being a

0:12:11.967 --> 0:12:13.407
<v Speaker 1>kangaroo and a goanna, But.

0:12:13.327 --> 0:12:15.127
<v Speaker 2>Even that I was a bit uncomfortable with because I've

0:12:15.167 --> 0:12:19.087
<v Speaker 2>seen lots of First Nations traditional dancing that references kangaroos

0:12:19.087 --> 0:12:21.367
<v Speaker 2>and go on, think of that and so there was

0:12:21.407 --> 0:12:22.687
<v Speaker 2>another bit of me that went, oh is.

0:12:22.687 --> 0:12:25.727
<v Speaker 1>It appropriation well or is that part of it? And

0:12:25.807 --> 0:12:26.927
<v Speaker 1>is that part of her heritage?

0:12:26.967 --> 0:12:28.767
<v Speaker 2>Like you know, all these things that go through your

0:12:28.767 --> 0:12:31.087
<v Speaker 2>mind of like what am I looking at here?

0:12:31.527 --> 0:12:34.087
<v Speaker 1>Is it okay? Basically this is what you're doing. You're like,

0:12:34.607 --> 0:12:37.327
<v Speaker 1>is it okay? What she's doing? I don't know if

0:12:37.327 --> 0:12:41.407
<v Speaker 1>it's okay. And then also you realize that the trolling

0:12:41.527 --> 0:12:43.847
<v Speaker 1>she would be getting would be unbearable, so you also

0:12:43.887 --> 0:12:46.327
<v Speaker 1>want to kind of lull and slightly disapprove for a while.

0:12:46.367 --> 0:12:47.767
<v Speaker 2>But then you're like, oh, no, that would be bad.

0:12:48.047 --> 0:12:50.527
<v Speaker 2>So no, good on, Raygun, good on you having a go.

0:12:52.327 --> 0:12:54.887
<v Speaker 2>And then you kind of want to see if she's

0:12:54.967 --> 0:12:57.367
<v Speaker 2>in on the joke or not, because then if she's

0:12:57.407 --> 0:12:58.927
<v Speaker 2>in on it, it's okay to laugh.

0:12:59.327 --> 0:13:00.367
<v Speaker 1>And then you saw.

0:13:00.167 --> 0:13:02.167
<v Speaker 2>Her at the closing ceremony, as you reference to this

0:13:02.287 --> 0:13:05.967
<v Speaker 2>morning Jesse, like on the shoulders of the athletes, loving it, sick,

0:13:06.127 --> 0:13:08.887
<v Speaker 2>doing her kangaroo moves, and she is clearly going to

0:13:08.927 --> 0:13:11.087
<v Speaker 2>be on every American talk show this week coming.

0:13:11.447 --> 0:13:14.527
<v Speaker 1>And so you're like, I didn't really know. I just

0:13:14.567 --> 0:13:17.487
<v Speaker 1>didn't say anything. I'm just not going to say anything.

0:13:17.567 --> 0:13:20.807
<v Speaker 2>Until the internet's worked out this is okay. But mostly

0:13:20.847 --> 0:13:24.047
<v Speaker 2>I think we all just so needed a laugh, and

0:13:24.087 --> 0:13:26.967
<v Speaker 2>once we were given permission to laugh at it, it

0:13:27.087 --> 0:13:27.607
<v Speaker 2>was okay.

0:13:28.087 --> 0:13:28.687
<v Speaker 1>You know what I mean?

0:13:28.767 --> 0:13:29.007
<v Speaker 4>Maya?

0:13:29.047 --> 0:13:29.647
<v Speaker 3>What was your take?

0:13:30.127 --> 0:13:33.127
<v Speaker 1>Was it as exhausting for you as it was for me? Yeah?

0:13:33.207 --> 0:13:36.687
<v Speaker 1>I cycled through all those emotions too, because I was like,

0:13:37.367 --> 0:13:40.167
<v Speaker 1>I want to share it, but then everybody was sharing it,

0:13:40.207 --> 0:13:44.847
<v Speaker 1>and then I thought, oh, I'm worried about her. Yeah,

0:13:44.887 --> 0:13:47.487
<v Speaker 1>and then I didn't want to share it, and then

0:13:47.687 --> 0:13:49.407
<v Speaker 1>there were people who were angry about it, which I

0:13:49.407 --> 0:13:52.687
<v Speaker 1>couldn't understand the anger, but yeah, you're right about the

0:13:52.687 --> 0:13:56.167
<v Speaker 1>taxpayers dollars or somehow making a mockery like people who've

0:13:56.207 --> 0:13:58.527
<v Speaker 1>really just sat on their ass watching the Olympics. Suddenly,

0:13:58.647 --> 0:14:00.487
<v Speaker 1>I mean, I know we're all experts on every sport,

0:14:00.527 --> 0:14:03.567
<v Speaker 1>but like, how is that even loud? Then I decided

0:14:03.607 --> 0:14:06.607
<v Speaker 1>to understand a little bit more about breaking because people

0:14:06.607 --> 0:14:08.407
<v Speaker 1>were like, why is it in the Olympics. And it's

0:14:08.447 --> 0:14:11.367
<v Speaker 1>in the Olympics because because the IOC has been trying

0:14:11.407 --> 0:14:14.207
<v Speaker 1>to make the Olympics more relevant to young people. So

0:14:14.247 --> 0:14:18.967
<v Speaker 1>that's why things like BMX and skateboarding and breaking is

0:14:19.087 --> 0:14:22.647
<v Speaker 1>in there. So all the sporting organizations try to get

0:14:22.647 --> 0:14:25.647
<v Speaker 1>their sport included in the Olympics because it's really beneficial

0:14:26.047 --> 0:14:28.847
<v Speaker 1>for the awareness about their sport and it can lead

0:14:28.887 --> 0:14:31.007
<v Speaker 1>to big sponsors and all of those kinds of things.

0:14:31.047 --> 0:14:34.647
<v Speaker 1>So everybody petitions to get their sports included. I've never

0:14:34.767 --> 0:14:37.167
<v Speaker 1>understood when netball's not there, but apparently not enough people

0:14:37.167 --> 0:14:37.527
<v Speaker 1>play it.

0:14:37.847 --> 0:14:39.447
<v Speaker 3>America doesn't play it exactly.

0:14:39.527 --> 0:14:41.407
<v Speaker 1>So there's a lot of politics about what sports are

0:14:41.407 --> 0:14:44.247
<v Speaker 1>included and what's not included, and some people can be

0:14:44.287 --> 0:14:46.487
<v Speaker 1>real purists about oh but how can that be in

0:14:46.527 --> 0:14:48.807
<v Speaker 1>the Olympics. Some people like that about skateboarding this year

0:14:48.807 --> 0:14:52.127
<v Speaker 1>as well. So what happened is that the International Dance

0:14:52.167 --> 0:14:56.327
<v Speaker 1>Federation was saying, we want a dance included, and we

0:14:56.367 --> 0:15:00.007
<v Speaker 1>think maybe ballroom might be good. Oh wow, and.

0:15:00.367 --> 0:15:01.727
<v Speaker 3>Ray gun is a ballroom dance.

0:15:01.807 --> 0:15:05.167
<v Speaker 1>Well, the IOC said, no, no, ballroom is not going

0:15:05.247 --> 0:15:08.967
<v Speaker 1>to help us with the gensds. We need a funky dance.

0:15:09.247 --> 0:15:13.127
<v Speaker 1>Should have had TikTok dances, maybe that'll be Yeah, we

0:15:13.167 --> 0:15:16.607
<v Speaker 1>need a more funky street dance, So bring us your

0:15:16.607 --> 0:15:20.367
<v Speaker 1>youth and bring us breaking and the breaking community were

0:15:20.367 --> 0:15:23.407
<v Speaker 1>a bit like, what really we don't know. And then

0:15:23.727 --> 0:15:25.847
<v Speaker 1>it's not like she just went I'll do it and

0:15:26.527 --> 0:15:29.207
<v Speaker 1>rocked up in Paris. So Adam he is, who's the

0:15:29.447 --> 0:15:32.447
<v Speaker 1>chef de Michau, basically the boss of all the Olympians

0:15:32.447 --> 0:15:34.127
<v Speaker 1>and the Olympic team said.

0:15:34.287 --> 0:15:38.007
<v Speaker 5>What I can say is that I love Rachel and

0:15:38.087 --> 0:15:44.007
<v Speaker 5>I think that what has occurred on social media with

0:15:44.167 --> 0:15:47.567
<v Speaker 5>trolls and keyboard warriors and taking those comments and giving

0:15:47.607 --> 0:15:51.887
<v Speaker 5>them airtime has been really disappointing. If you don't know

0:15:52.007 --> 0:15:54.607
<v Speaker 5>Rachel's story. In two thousand and eight, she was locked

0:15:54.647 --> 0:15:59.407
<v Speaker 5>in a room crying being involved in a male dominated

0:15:59.487 --> 0:16:03.407
<v Speaker 5>sport as the only woman, and it took great courage

0:16:03.447 --> 0:16:07.607
<v Speaker 5>for her to continue on and fight for her opportunity

0:16:07.647 --> 0:16:10.967
<v Speaker 5>to participate in a sport that she loved and that

0:16:11.047 --> 0:16:14.447
<v Speaker 5>got her to winning the Olympic qualifying event to be

0:16:14.607 --> 0:16:18.327
<v Speaker 5>here in Paris. She is the best breakdancer female that

0:16:18.407 --> 0:16:19.607
<v Speaker 5>we have for Australia.

0:16:19.687 --> 0:16:22.047
<v Speaker 1>I think that says it a lot. Really, she used

0:16:22.047 --> 0:16:24.327
<v Speaker 1>the best and so it's true wasn't just her idea.

0:16:24.447 --> 0:16:27.127
<v Speaker 2>But the thing that's interesting about this because yeah, I

0:16:27.167 --> 0:16:29.207
<v Speaker 2>went and watched a lot of the other breakers, right,

0:16:29.847 --> 0:16:32.927
<v Speaker 2>it is very strange to see an art form that

0:16:33.007 --> 0:16:37.367
<v Speaker 2>started on the streets in this arena, even the coolest

0:16:37.487 --> 0:16:40.367
<v Speaker 2>of the cool, and it's an American sport comes from

0:16:40.407 --> 0:16:43.247
<v Speaker 2>it literally was born in New York. Even the coolest

0:16:43.287 --> 0:16:45.807
<v Speaker 2>of the cool people that looked kind of daggy doing

0:16:45.807 --> 0:16:48.727
<v Speaker 2>it in that circumstance, you know what I mean. It's

0:16:48.767 --> 0:16:53.087
<v Speaker 2>a strange sort of transplant from there to there. But

0:16:53.367 --> 0:16:56.087
<v Speaker 2>I can see that a lot of the purest, as

0:16:56.127 --> 0:16:58.327
<v Speaker 2>you were saying, Mia, a lot of the purest of

0:16:58.367 --> 0:17:00.767
<v Speaker 2>breaking don't really approve of it being in this in

0:17:00.807 --> 0:17:04.647
<v Speaker 2>the Lames either. So I imagine because there are breaking competitions

0:17:04.687 --> 0:17:07.247
<v Speaker 2>all over the world, Red Bull of run one for decades,

0:17:07.287 --> 0:17:11.447
<v Speaker 2>and Australia has lots of semi professional and professional breaking cruise.

0:17:11.487 --> 0:17:14.247
<v Speaker 2>You'll see them breaking through breaking through all the time

0:17:14.287 --> 0:17:17.327
<v Speaker 2>on like talent shows or whatever. But I imagine that the

0:17:17.367 --> 0:17:19.607
<v Speaker 2>people who want to go and do this is a

0:17:19.647 --> 0:17:21.447
<v Speaker 2>relatively small group of breakers.

0:17:21.527 --> 0:17:23.727
<v Speaker 3>Yeah, and as you say, I think I've read that

0:17:23.807 --> 0:17:25.847
<v Speaker 3>when you're hosting, you get to choose a few, you

0:17:25.887 --> 0:17:27.487
<v Speaker 3>get to pull a bit of rank and go we're

0:17:27.487 --> 0:17:29.767
<v Speaker 3>going to do breaking this year. And so in LA

0:17:29.887 --> 0:17:34.087
<v Speaker 3>they're doing cricket, which Australia is very excited about Yeah.

0:17:34.087 --> 0:17:36.047
<v Speaker 3>A lot of people going why is they're breaking and

0:17:36.247 --> 0:17:38.687
<v Speaker 3>not netball? But I think that what made this so

0:17:38.807 --> 0:17:41.327
<v Speaker 3>funny was that I knew the breaking was on and

0:17:41.407 --> 0:17:44.687
<v Speaker 3>I didn't have high hopes for Australia. I went, this

0:17:44.847 --> 0:17:48.367
<v Speaker 3>is I don't think we have an enormous amount of context.

0:17:48.727 --> 0:17:51.127
<v Speaker 3>It's not like swimming that we have it, you know

0:17:51.207 --> 0:17:55.367
<v Speaker 3>as cannival at every school. But I read an article

0:17:55.447 --> 0:17:58.087
<v Speaker 3>by Peter fitz Simon in the Sydney Morning Herald and

0:17:58.127 --> 0:18:00.367
<v Speaker 3>it was called I am Reygun, You are Reygan, We

0:18:00.407 --> 0:18:04.327
<v Speaker 3>are all ray Gun and he basically argued that he

0:18:04.367 --> 0:18:07.367
<v Speaker 3>saw the memification and things getting cruel and whatever, but

0:18:07.487 --> 0:18:10.167
<v Speaker 3>he went in the context of the Olympics, which has

0:18:10.207 --> 0:18:15.247
<v Speaker 3>been about excellence and precision and high stakes, to have

0:18:15.367 --> 0:18:19.847
<v Speaker 3>Australia get behind someone who did her own thing, tried

0:18:19.887 --> 0:18:24.327
<v Speaker 3>her best, was an underdog, didn't win, has been actually

0:18:24.687 --> 0:18:27.887
<v Speaker 3>quite a uniquely Australian experience, Like we got very much

0:18:27.927 --> 0:18:31.767
<v Speaker 3>behind her quite quickly, and I really appreciated.

0:18:31.127 --> 0:18:32.727
<v Speaker 1>The vibe of Reygun.

0:18:32.527 --> 0:18:34.407
<v Speaker 3>Yeah, and that we could produce someone like that and

0:18:34.447 --> 0:18:36.447
<v Speaker 3>just as quickly be like, yeah, no, we stand behind

0:18:36.447 --> 0:18:37.047
<v Speaker 3>that performance.

0:18:37.087 --> 0:18:37.567
<v Speaker 1>We love it.

0:18:37.727 --> 0:18:39.407
<v Speaker 3>Yeah, that's why I got annoyed with a lot of

0:18:39.447 --> 0:18:41.767
<v Speaker 3>the commentary and the snarky. There are a lot of

0:18:41.847 --> 0:18:44.367
<v Speaker 3>opinion columns that I went, oh, I know you wanted

0:18:44.407 --> 0:18:48.967
<v Speaker 3>to bash something out quickly, but like, I really liked that.

0:18:49.047 --> 0:18:51.167
<v Speaker 3>It was a moment of joy that kind of brought

0:18:51.247 --> 0:18:54.767
<v Speaker 3>everyone together, and once we knew that she was in

0:18:54.847 --> 0:18:57.487
<v Speaker 3>on it, Yeah, he gave us all permission to be like,

0:18:57.567 --> 0:18:58.687
<v Speaker 3>this is just a bit of fun.

0:18:58.767 --> 0:19:02.127
<v Speaker 1>There have been historically some of these kind of characters

0:19:02.127 --> 0:19:05.567
<v Speaker 1>that have broken through in other games. There was Eddie

0:19:05.607 --> 0:19:10.127
<v Speaker 1>the Eagle, the English skier who wasn't very good, And

0:19:10.167 --> 0:19:13.887
<v Speaker 1>there was Eric the Eel. He was from Equatorial Guinea

0:19:13.927 --> 0:19:18.527
<v Speaker 1>and he couldn't swim very well, and he became absolutely

0:19:18.727 --> 0:19:21.887
<v Speaker 1>iconic at the Sydney Games. I remember him so well,

0:19:22.527 --> 0:19:25.287
<v Speaker 1>and I just think sometimes when that happens, I love

0:19:25.447 --> 0:19:29.247
<v Speaker 1>being reminded that the Games is about trying. It's not

0:19:29.367 --> 0:19:32.087
<v Speaker 1>just about winning. And I know people say, but it's

0:19:32.087 --> 0:19:34.607
<v Speaker 1>also about the best in the world. She is the

0:19:34.607 --> 0:19:37.407
<v Speaker 1>best that we've got who wanted to go to the Olympics.

0:19:38.647 --> 0:19:41.767
<v Speaker 2>It's interesting too that actually America didn't win. The female

0:19:41.807 --> 0:19:47.127
<v Speaker 2>beagle was Japanese and the American male place bronze. So

0:19:47.287 --> 0:19:49.487
<v Speaker 2>you know, it may have originated their breaking, but it

0:19:49.527 --> 0:19:50.967
<v Speaker 2>has long since jumped.

0:19:50.687 --> 0:19:51.887
<v Speaker 1>The shark and gone all over the world.

0:19:52.087 --> 0:19:55.327
<v Speaker 2>It reminded me in the eighties when breakdancing was becoming

0:19:55.327 --> 0:19:58.207
<v Speaker 2>big in England. My brother, who is a skinny, ginger

0:19:58.367 --> 0:20:01.607
<v Speaker 2>white dude and has always been cooler than me, started

0:20:01.607 --> 0:20:04.927
<v Speaker 2>breaking seriously and he made my mom put a six

0:20:04.967 --> 0:20:07.287
<v Speaker 2>foot square of lino in the basement for him to

0:20:07.327 --> 0:20:07.887
<v Speaker 2>practice on.

0:20:08.207 --> 0:20:09.407
<v Speaker 1>What I remember the most that.

0:20:09.447 --> 0:20:11.647
<v Speaker 2>Is that when we took that line, I like years later,

0:20:11.687 --> 0:20:13.567
<v Speaker 2>there were two squashed frogs underneath.

0:20:14.087 --> 0:20:18.087
<v Speaker 1>My brother had spun on the frog. Do you remember

0:20:18.167 --> 0:20:20.407
<v Speaker 1>Cool Running, the movie that was made about a true

0:20:20.487 --> 0:20:24.247
<v Speaker 1>story of the Jamaican bobsled team. Now there's no snow

0:20:24.287 --> 0:20:27.087
<v Speaker 1>in Jamaica, so they had to like practice in like

0:20:27.207 --> 0:20:30.887
<v Speaker 1>shopping trolleys and again, like to me, that's what the

0:20:30.927 --> 0:20:32.247
<v Speaker 1>spirit of the Olympics is.

0:20:32.367 --> 0:20:35.247
<v Speaker 3>And there was something about Snoop Dogg's presence at the

0:20:35.327 --> 0:20:37.727
<v Speaker 3>event that just made it all the richer.

0:20:51.647 --> 0:20:56.367
<v Speaker 1>Oh good vibes, great? Why what a great time time

0:20:56.447 --> 0:21:00.687
<v Speaker 1>for more Olympic vibes, because this is our last Olympic roundup.

0:21:00.807 --> 0:21:03.527
<v Speaker 1>No doubt we'll have some things to talk about when

0:21:03.727 --> 0:21:09.167
<v Speaker 1>the Paralympic starts on August twenty eighth. But Australia finished

0:21:09.327 --> 0:21:11.727
<v Speaker 1>up at these games with an all time record of

0:21:11.807 --> 0:21:17.207
<v Speaker 1>eighteen goals and fifty three medals and fourth place overall

0:21:17.247 --> 0:21:20.447
<v Speaker 1>on the middle Telly, which is just extraordinary, best ever.

0:21:20.607 --> 0:21:23.287
<v Speaker 1>It's our best ever performance. A recap of what you

0:21:23.367 --> 0:21:26.407
<v Speaker 1>missed at the after party, which is the closing ceremony.

0:21:27.247 --> 0:21:29.647
<v Speaker 1>Ray Gun was the life of that party. If she

0:21:29.687 --> 0:21:31.287
<v Speaker 1>pulled out some of the moves, as you said, she

0:21:31.327 --> 0:21:33.567
<v Speaker 1>came in on the shoulders of a rower, there was

0:21:33.607 --> 0:21:34.687
<v Speaker 1>a guard of one and four.

0:21:34.767 --> 0:21:39.087
<v Speaker 2>They're also loose on the They're like blasting Taylor swift

0:21:39.207 --> 0:21:41.207
<v Speaker 2>and clearly seem a bit dry.

0:21:41.287 --> 0:21:43.247
<v Speaker 3>I wonder if Raygun was a few days earlier, if

0:21:43.247 --> 0:21:46.567
<v Speaker 3>she could have got a closing ceremony flag bearer looking I.

0:21:46.527 --> 0:21:51.807
<v Speaker 1>Think people would have been upset about that because the

0:21:51.807 --> 0:21:55.367
<v Speaker 1>people who did carry the Australian flag were gold medalists

0:21:55.727 --> 0:21:59.287
<v Speaker 1>Kaylie McEwan and Matt Werne. Then there was the Tom

0:21:59.327 --> 0:22:02.407
<v Speaker 1>Cruise of it all. Lake Snoop was at the Olympics

0:22:02.407 --> 0:22:04.407
<v Speaker 1>and fairly beiquld as Tom Cruise was a little bit

0:22:04.407 --> 0:22:07.207
<v Speaker 1>as well, and I couldn't quite work it out until

0:22:07.447 --> 0:22:10.927
<v Speaker 1>I saw him perform stunt. He loves stunts. You can't

0:22:10.967 --> 0:22:12.167
<v Speaker 1>stop him jumping off things.

0:22:12.207 --> 0:22:12.487
<v Speaker 3>That's all.

0:22:12.527 --> 0:22:15.287
<v Speaker 1>He's doing his own stunts. He just won't sit down

0:22:15.327 --> 0:22:17.687
<v Speaker 1>and think. He didn't feel young. He's sixty two now.

0:22:18.407 --> 0:22:22.887
<v Speaker 1>And he leaped from the roof of the stadium for

0:22:22.967 --> 0:22:26.807
<v Speaker 1>the ceremonial Olympic flag handover because I couldn't work out

0:22:27.007 --> 0:22:31.447
<v Speaker 1>what cultural relevance Tom Cruise had. But as you said, Jesse,

0:22:31.727 --> 0:22:34.647
<v Speaker 1>it's being handed over to La. So what happened is

0:22:34.687 --> 0:22:37.127
<v Speaker 1>that at the end of the ceremony, the people with

0:22:37.207 --> 0:22:39.207
<v Speaker 1>the flag have to hand it to the next people,

0:22:39.807 --> 0:22:43.967
<v Speaker 1>and so he took the Olympic flag and he attached

0:22:44.007 --> 0:22:45.887
<v Speaker 1>it to the back of a motorcycle because he's always

0:22:45.887 --> 0:22:48.647
<v Speaker 1>on it motorcycle after he jumps out of things, and

0:22:48.727 --> 0:22:51.007
<v Speaker 1>he sort of cruised through the crowd with the It

0:22:51.087 --> 0:22:53.567
<v Speaker 1>was very random and kind of I quite.

0:22:53.647 --> 0:22:56.687
<v Speaker 3>Very movie star, which is probably the theme of LA.

0:22:56.727 --> 0:23:00.007
<v Speaker 1>And then they flashed to LA because I'd also forgotten

0:23:00.007 --> 0:23:01.807
<v Speaker 1>about that. The people who get it next get a

0:23:01.807 --> 0:23:04.487
<v Speaker 1>little bit of time in the closing ceremony to sort

0:23:04.487 --> 0:23:07.967
<v Speaker 1>of do their thing and showcase their future weares and

0:23:08.087 --> 0:23:10.247
<v Speaker 1>that was just really it concept. It looked like it

0:23:10.287 --> 0:23:13.247
<v Speaker 1>was maybe at Venice Beach. Snoop was there, of course,

0:23:13.367 --> 0:23:16.367
<v Speaker 1>how did he care for me? Very quickly drop it

0:23:16.447 --> 0:23:16.927
<v Speaker 1>like it's hot.

0:23:16.967 --> 0:23:18.927
<v Speaker 3>He was there with Ray Gun and the next Name.

0:23:18.927 --> 0:23:22.007
<v Speaker 1>The Eilish was there, and also the Red Hot Chili

0:23:22.007 --> 0:23:23.767
<v Speaker 1>Peppers and Doctor Dre.

0:23:23.927 --> 0:23:26.287
<v Speaker 2>I've seen a lot of tiktoks from grumpy athletes. They

0:23:26.287 --> 0:23:29.127
<v Speaker 2>were like, we were told that Billie Eilish and the

0:23:29.127 --> 0:23:32.087
<v Speaker 2>Red Hot Chili Peppers were performing at the closing.

0:23:31.727 --> 0:23:33.607
<v Speaker 1>Ceremony and they were on a zoom call.

0:23:35.367 --> 0:23:37.847
<v Speaker 3>I got up this morning and just put on the

0:23:37.887 --> 0:23:41.247
<v Speaker 3>closing ceremony and suddenly I'm watching a Snoop dog concept

0:23:41.287 --> 0:23:42.007
<v Speaker 3>because they were.

0:23:41.887 --> 0:23:44.807
<v Speaker 1>Working from home. Yes, I was like, this is just

0:23:45.127 --> 0:23:47.767
<v Speaker 1>they weren't about them. They were like, we'll dial it in.

0:23:48.447 --> 0:23:50.887
<v Speaker 3>No, Snoop was so passionate about the Olympics.

0:23:52.047 --> 0:23:54.527
<v Speaker 2>He got paid a lot of money by NBC to go.

0:23:54.927 --> 0:23:55.847
<v Speaker 2>He really embraced it.

0:23:55.887 --> 0:23:59.567
<v Speaker 1>Though they got their money's worth, the outfits, the coordination to.

0:23:59.607 --> 0:24:02.927
<v Speaker 2>Martha Stewart of it all. Yeah, I have no idea,

0:24:02.967 --> 0:24:05.407
<v Speaker 2>but he really proved them right. I want to ask

0:24:05.447 --> 0:24:07.887
<v Speaker 2>you to something because another record that was broken at

0:24:07.887 --> 0:24:11.607
<v Speaker 2>the Olympics this year, which is very fitting for Paris

0:24:11.647 --> 0:24:16.007
<v Speaker 2>because it's the romantic place, right, was the number of proposals.

0:24:16.047 --> 0:24:20.527
<v Speaker 2>So seven different athletes got proposed to or proposed at

0:24:20.567 --> 0:24:23.367
<v Speaker 2>the Olympics, and so much so that it actually got

0:24:23.367 --> 0:24:27.447
<v Speaker 2>referenced in the closing ceremony by one of the French

0:24:27.447 --> 0:24:29.687
<v Speaker 2>officials saying, this is a record. We're very proud to

0:24:29.727 --> 0:24:31.887
<v Speaker 2>have more proposals than ever and you're like, well, I

0:24:31.967 --> 0:24:35.727
<v Speaker 2>don't know, that's what we were here for. But they

0:24:35.767 --> 0:24:39.527
<v Speaker 2>included French track and field athlete Alice Finot and she

0:24:39.807 --> 0:24:43.007
<v Speaker 2>proposed to her boyfriend by the track side, an American

0:24:43.047 --> 0:24:46.847
<v Speaker 2>shot putterer he proposed and American rower proposed in fact,

0:24:47.247 --> 0:24:50.047
<v Speaker 2>and this is another whole layer to this. This American

0:24:50.087 --> 0:24:53.807
<v Speaker 2>rower just invest proposed live on the Today Show to

0:24:53.967 --> 0:24:57.327
<v Speaker 2>his girlfriend in the presence of family members who were

0:24:57.327 --> 0:25:00.847
<v Speaker 2>holding two thousand, seven hundred and thirty eight yellow roses,

0:25:01.167 --> 0:25:03.607
<v Speaker 2>a symbol of every day the two have maintained their

0:25:03.647 --> 0:25:09.527
<v Speaker 2>snapchat streak.

0:25:10.127 --> 0:25:16.687
<v Speaker 1>Wow, okay, that's so. The snapchat streak is considerable, But

0:25:17.407 --> 0:25:20.527
<v Speaker 1>do we love love the athletes taking this moment to

0:25:20.567 --> 0:25:22.407
<v Speaker 1>be all about their love or is it kind of

0:25:22.487 --> 0:25:25.327
<v Speaker 1>like jumping in on a big moment for them? What

0:25:25.407 --> 0:25:26.527
<v Speaker 1>do we think married people?

0:25:26.567 --> 0:25:30.607
<v Speaker 3>It's a city of love you've forgotten. And Olympic proposals

0:25:30.647 --> 0:25:33.847
<v Speaker 3>have been on the increase since about twenty sixteen, since

0:25:33.887 --> 0:25:37.887
<v Speaker 3>the phones and the phone the contest situation. I loved

0:25:37.927 --> 0:25:39.607
<v Speaker 3>the woman who did it. I thought that was really cool.

0:25:39.687 --> 0:25:42.527
<v Speaker 1>I didn't see a single proposal. Are these athletes proposing

0:25:42.527 --> 0:25:43.887
<v Speaker 1>to other athletes.

0:25:43.527 --> 0:25:44.807
<v Speaker 2>Or their partners in the crowd?

0:25:45.047 --> 0:25:48.527
<v Speaker 3>Some some are But the French athlete came fourth and

0:25:48.567 --> 0:25:50.287
<v Speaker 3>then she went up to her partner who was in

0:25:50.327 --> 0:25:52.727
<v Speaker 3>the crowd, and proposed and kind of got down on

0:25:52.727 --> 0:25:54.047
<v Speaker 3>one knee. It was really cool.

0:25:54.807 --> 0:25:57.727
<v Speaker 1>But I always get it. So not on podiums, no

0:25:57.727 --> 0:26:03.367
<v Speaker 1>one interruptedly, like often after their final thing, so whether

0:26:03.407 --> 0:26:06.487
<v Speaker 1>they won something or whether they didn't win something like

0:26:06.567 --> 0:26:08.847
<v Speaker 1>but you know, their girlfriend, boyfriend whatever is by the

0:26:08.847 --> 0:26:11.047
<v Speaker 1>side of the track and they run over and drop

0:26:11.087 --> 0:26:12.367
<v Speaker 1>to one and all the cameras are there.

0:26:12.407 --> 0:26:17.487
<v Speaker 3>Right, your body is probably coursing with endorphins and adrenaline.

0:26:17.927 --> 0:26:21.407
<v Speaker 3>You're in a foreign city, You've got cameras on you.

0:26:21.407 --> 0:26:22.687
<v Speaker 1>You want to do something memorable.

0:26:22.807 --> 0:26:25.327
<v Speaker 3>Yeah, and you've also like been in this training hole,

0:26:25.727 --> 0:26:29.847
<v Speaker 3>and I reckon that most people where there's like a proposal,

0:26:30.207 --> 0:26:33.367
<v Speaker 3>there's an understanding that you either were or weren't getting married,

0:26:33.567 --> 0:26:35.647
<v Speaker 3>Like it's probably been discussed, and there's a lot of

0:26:35.647 --> 0:26:37.567
<v Speaker 3>people who were like, oh, you put them on the spot.

0:26:37.607 --> 0:26:38.367
<v Speaker 3>They can't say no.

0:26:38.967 --> 0:26:40.287
<v Speaker 1>Did you have that understanding?

0:26:40.567 --> 0:26:43.687
<v Speaker 3>Yeah, like proposed, there's still like a surprise element of

0:26:43.727 --> 0:26:45.487
<v Speaker 3>I didn't think it was going to happen today.

0:26:45.327 --> 0:26:46.967
<v Speaker 1>When I was wearing these socks and shit.

0:26:47.047 --> 0:26:50.167
<v Speaker 3>Yes, yeah, but this concern trolling of going, oh, that

0:26:50.287 --> 0:26:52.487
<v Speaker 3>poor woman, she can't say no. It's like I'm sure

0:26:52.607 --> 0:26:56.487
<v Speaker 3>her fiance knows her better than I do. Like if

0:26:56.487 --> 0:26:58.047
<v Speaker 3>that's it's not something I would.

0:26:57.967 --> 0:26:59.567
<v Speaker 1>Like policing people's proposals.

0:26:59.847 --> 0:27:02.007
<v Speaker 3>Policing proposals, So I don't mind it.

0:27:02.087 --> 0:27:04.447
<v Speaker 2>I'm not policing them, but this is my issue with it.

0:27:04.487 --> 0:27:05.647
<v Speaker 2>I like as many.

0:27:05.527 --> 0:27:06.847
<v Speaker 1>Little treats as possible.

0:27:07.047 --> 0:27:09.687
<v Speaker 2>So I'm like, would you not maybe want have the

0:27:09.727 --> 0:27:12.047
<v Speaker 2>moment of the I made it to the Olympics and

0:27:12.087 --> 0:27:14.727
<v Speaker 2>I've finished and that's something to celebrate, and then the

0:27:14.767 --> 0:27:17.287
<v Speaker 2>proposal is something to celebrate. But I think you've nailed

0:27:17.327 --> 0:27:20.527
<v Speaker 2>it Jesse. I think the adrenaline, the excitement, like you

0:27:20.647 --> 0:27:24.127
<v Speaker 2>probably have never loved them more. If they've been driving

0:27:24.167 --> 0:27:26.607
<v Speaker 2>you to the pool every day, or they've been cheering

0:27:26.647 --> 0:27:29.247
<v Speaker 2>you on at the sidelines all the time, or you know,

0:27:29.287 --> 0:27:31.727
<v Speaker 2>whatever it might be, you probably have never loved them more.

0:27:31.727 --> 0:27:33.527
<v Speaker 2>So you're just like, let's.

0:27:33.247 --> 0:27:35.527
<v Speaker 1>Do it, and let's make sure we've got two thy

0:27:35.647 --> 0:27:39.527
<v Speaker 1>seven hundred rose. I also think that you have to

0:27:39.567 --> 0:27:44.607
<v Speaker 1>be so single minded to be an athlete at that level,

0:27:45.167 --> 0:27:48.047
<v Speaker 1>that the sacrifices that your partner would have to make,

0:27:48.887 --> 0:27:52.767
<v Speaker 1>and how boring you would be for a really long time,

0:27:52.967 --> 0:27:54.567
<v Speaker 1>and the highs and the lows that they would have

0:27:54.607 --> 0:27:57.007
<v Speaker 1>to endure. So to me, it's almost like a thank

0:27:57.047 --> 0:28:01.447
<v Speaker 1>you and an acknowledgment. And also if it's the end

0:28:01.487 --> 0:28:04.127
<v Speaker 1>of your Olympic journey, it is a little treat. It's

0:28:04.167 --> 0:28:04.807
<v Speaker 1>a little treat.

0:28:05.207 --> 0:28:07.847
<v Speaker 3>I want to talk about the Olympics more broadly as

0:28:07.847 --> 0:28:09.687
<v Speaker 3>we come to a close. I mean said I had

0:28:09.687 --> 0:28:13.087
<v Speaker 3>it on this morning and hearing the Australian commentators all

0:28:13.127 --> 0:28:17.287
<v Speaker 3>say au Revoir was just particularly beautiful because none of

0:28:17.367 --> 0:28:20.127
<v Speaker 3>them could still say it, And did you see the

0:28:20.207 --> 0:28:22.847
<v Speaker 3>my Way performance The woman at themar she was singing

0:28:22.847 --> 0:28:24.327
<v Speaker 3>my Way, and I was thinking about Reagun and I

0:28:24.327 --> 0:28:28.167
<v Speaker 3>was like, this is the most did We still had

0:28:28.167 --> 0:28:30.847
<v Speaker 3>the Paralympics, as we say, and Australia is very good there.

0:28:31.127 --> 0:28:33.807
<v Speaker 3>So I highly recommend people watch because we're going to

0:28:33.847 --> 0:28:35.847
<v Speaker 3>win a lot of gold medals. But I wanted to

0:28:35.887 --> 0:28:39.287
<v Speaker 3>talk about the last two weeks because I was speaking

0:28:39.247 --> 0:28:41.127
<v Speaker 3>about this morning and she was saying, they're handing over

0:28:41.167 --> 0:28:44.607
<v Speaker 3>to la was Harris. There was someone there to kind.

0:28:44.367 --> 0:28:47.087
<v Speaker 1>Of a presidential receiving.

0:28:46.567 --> 0:28:49.567
<v Speaker 3>The same way Macron was there, and I was like, oh,

0:28:49.607 --> 0:28:53.567
<v Speaker 3>I'd forgotten that the US team, like the Simone Biles,

0:28:53.607 --> 0:28:56.887
<v Speaker 3>the US athletes, had any relationship to this presidential race

0:28:56.887 --> 0:28:58.687
<v Speaker 3>happening on the other side of the world. Like it

0:28:58.767 --> 0:29:00.647
<v Speaker 3>really took us out of that.

0:29:00.647 --> 0:29:03.727
<v Speaker 1>That's true, because it was we've come to see America

0:29:03.807 --> 0:29:07.527
<v Speaker 1>as being so divided for so long now, like ever

0:29:07.567 --> 0:29:10.287
<v Speaker 1>since Trump, which is what hundred years ago, it feels like,

0:29:10.687 --> 0:29:13.487
<v Speaker 1>and there was none of that. No, I know, you're

0:29:13.527 --> 0:29:15.567
<v Speaker 1>not allowed to wear a MAGA hat if you're competing,

0:29:15.567 --> 0:29:17.767
<v Speaker 1>you're not allowed to have any kind of political protest

0:29:17.807 --> 0:29:20.567
<v Speaker 1>or political statement at all. Yeah, it was almost like

0:29:20.567 --> 0:29:21.807
<v Speaker 1>this magic window.

0:29:21.927 --> 0:29:24.087
<v Speaker 3>The Olympics is also the US at their best, like

0:29:24.127 --> 0:29:27.047
<v Speaker 3>they really they just do such a good job. And

0:29:27.327 --> 0:29:29.807
<v Speaker 3>we talk about how divided we are, and you know,

0:29:29.927 --> 0:29:32.327
<v Speaker 3>seeing the worst in humanity at the moment projected on

0:29:32.367 --> 0:29:33.887
<v Speaker 3>the news. And there are the riots in the UK,

0:29:34.007 --> 0:29:36.927
<v Speaker 3>as you talked about last week, Hollie, an assassination attempt

0:29:36.967 --> 0:29:40.327
<v Speaker 3>in the US. It's easy to feel nihilistic and disillusioned,

0:29:41.207 --> 0:29:43.287
<v Speaker 3>but the Olympics pulled us all in one direction.

0:29:43.407 --> 0:29:43.807
<v Speaker 7>Do you know what?

0:29:43.847 --> 0:29:46.727
<v Speaker 1>It was a reminder of about the beauty of not

0:29:46.927 --> 0:29:51.167
<v Speaker 1>just a monoculture, like when the whole world experiences something,

0:29:51.167 --> 0:29:53.367
<v Speaker 1>and we had that in a negative way with COVID,

0:29:53.407 --> 0:29:57.327
<v Speaker 1>but in a positive way. And there's no division about

0:29:57.367 --> 0:30:00.647
<v Speaker 1>the Olympics apart from Rackham. And there's also no different

0:30:00.727 --> 0:30:03.847
<v Speaker 1>truths and different facts like when you look at true

0:30:03.967 --> 0:30:09.167
<v Speaker 1>other news stories, you've got in many cases two polarized

0:30:09.767 --> 0:30:14.247
<v Speaker 1>sides who don't even acknowledge that each other has any humanity,

0:30:14.367 --> 0:30:16.887
<v Speaker 1>that they're working with the same facts, but that all

0:30:16.927 --> 0:30:18.167
<v Speaker 1>gets swept away.

0:30:18.327 --> 0:30:21.127
<v Speaker 3>It's so simple being like let's say who can run

0:30:21.127 --> 0:30:23.287
<v Speaker 3>the fastest, and then you watch people run, and then

0:30:23.327 --> 0:30:26.207
<v Speaker 3>one finishes the fishline and you're like, oh, my brain

0:30:26.247 --> 0:30:26.887
<v Speaker 3>can comput.

0:30:27.047 --> 0:30:30.047
<v Speaker 2>I want to agree with you so badly because I

0:30:30.087 --> 0:30:33.607
<v Speaker 2>agree that's not entirely true. I saw a lot of

0:30:33.767 --> 0:30:37.367
<v Speaker 2>headlines on the weekend, including in The Australian when Amani

0:30:37.447 --> 0:30:40.807
<v Speaker 2>Khaliff won the boxing gold medals, saying that the Olympics

0:30:40.887 --> 0:30:43.927
<v Speaker 2>was a joke over this gender stuff, and there's been

0:30:43.967 --> 0:30:45.847
<v Speaker 2>a bit of it bubbling away. I don't think you

0:30:45.847 --> 0:30:50.127
<v Speaker 2>can entirely escape the culture wars. Interestingly, Simone Biles no

0:30:50.207 --> 0:30:53.127
<v Speaker 2>political statements allowed, but she donated a million dollars for

0:30:53.167 --> 0:30:56.007
<v Speaker 2>each of her gold medals to Kamala Harris's campaign, So

0:30:56.087 --> 0:30:59.447
<v Speaker 2>she just waved million dollars to Kamala. One of the

0:30:59.447 --> 0:31:03.407
<v Speaker 2>things that's wonderful about the Olympics is it's optimism pushes

0:31:03.487 --> 0:31:08.527
<v Speaker 2>through all our snaky, very online informed pessimism. And I

0:31:08.567 --> 0:31:10.047
<v Speaker 2>think it happened every time.

0:31:10.247 --> 0:31:10.847
<v Speaker 1>I remember.

0:31:11.247 --> 0:31:13.687
<v Speaker 2>London was the same, Sydney was the same. Even when

0:31:14.087 --> 0:31:16.727
<v Speaker 2>people are all going wood, it's really expensive to have

0:31:16.807 --> 0:31:19.287
<v Speaker 2>it and it's so inconvenient for everyone who lives there,

0:31:19.527 --> 0:31:22.007
<v Speaker 2>and the IOC is really corrupt, and there's this and

0:31:22.007 --> 0:31:23.647
<v Speaker 2>there's that, and dah dah, da da dah. But then

0:31:23.727 --> 0:31:27.047
<v Speaker 2>when it happens for those two weeks, it's almost as

0:31:27.087 --> 0:31:29.407
<v Speaker 2>long as nothing terrible goes wrong, of course, and this

0:31:29.527 --> 0:31:31.567
<v Speaker 2>was also true the last one, Tokyo was very different

0:31:31.567 --> 0:31:33.647
<v Speaker 2>because of COVID, but a lot of people were watching

0:31:33.687 --> 0:31:36.127
<v Speaker 2>it in lockdown, so that gave it another meaning. And

0:31:36.167 --> 0:31:40.367
<v Speaker 2>it's like our sort of optimism, immunity like pushes through

0:31:40.927 --> 0:31:44.447
<v Speaker 2>all that sort of snark and pessimism for just a

0:31:44.487 --> 0:31:46.727
<v Speaker 2>week or so, and it's it is lovely.

0:31:47.087 --> 0:31:50.407
<v Speaker 1>It felt fun and it felt relevant. You're right. I

0:31:50.447 --> 0:31:53.847
<v Speaker 1>barely even remember the Tokyo games. They were very different games.

0:31:53.887 --> 0:31:56.647
<v Speaker 1>There were no spectators. Everyone had to wear masks so

0:31:56.687 --> 0:32:00.087
<v Speaker 1>you couldn't see people's faces a lot, and the humanity

0:32:00.167 --> 0:32:03.727
<v Speaker 1>and everyone was living in their own bubbles quite literally.

0:32:04.247 --> 0:32:08.567
<v Speaker 1>But this just felt incredibly joyous and you could talk

0:32:08.607 --> 0:32:11.247
<v Speaker 1>to anyone about it. It was lovely to not have

0:32:11.327 --> 0:32:14.247
<v Speaker 1>a sense of dread when you went on a news

0:32:14.247 --> 0:32:17.167
<v Speaker 1>site in the morning and to just think, oh, I

0:32:17.207 --> 0:32:19.647
<v Speaker 1>wonder how many medals we want overnight? It was very simple.

0:32:19.727 --> 0:32:22.127
<v Speaker 3>I wonder, you know, Adele getting up and talking about Reagun.

0:32:22.247 --> 0:32:22.687
<v Speaker 1>Yeah.

0:32:22.807 --> 0:32:26.727
<v Speaker 3>Other than literally a story of assassination or COVID, what

0:32:27.007 --> 0:32:30.367
<v Speaker 3>story could anyone talk about on stage that is light,

0:32:31.007 --> 0:32:34.087
<v Speaker 3>that is fun, that's unifying, that everyone would know, that

0:32:34.127 --> 0:32:36.407
<v Speaker 3>everyone would reference. I mean, Taylor Swift is probably the

0:32:36.447 --> 0:32:40.807
<v Speaker 3>only other example of something that brings everyone together that yeah,

0:32:40.927 --> 0:32:43.887
<v Speaker 3>isn't depressing devastating News.

0:32:44.687 --> 0:32:48.447
<v Speaker 2>One unlimited out loud access. We drop episodes every Tuesday

0:32:48.487 --> 0:32:51.607
<v Speaker 2>and Thursday exclusively for Mamma Mia subscribers.

0:32:51.967 --> 0:32:53.487
<v Speaker 1>Follow the link at the show notes.

0:32:53.287 --> 0:32:55.527
<v Speaker 2>To get us in your ears five days a week.

0:32:55.807 --> 0:32:59.127
<v Speaker 2>And a huge thank you to all our current subscribers.

0:33:07.047 --> 0:33:09.247
<v Speaker 1>We all have an idea of what life can be.

0:33:09.847 --> 0:33:12.247
<v Speaker 1>I want to see you again. Now you see me.

0:33:12.887 --> 0:33:17.087
<v Speaker 1>You know what I mean, that special connection you feel

0:33:17.967 --> 0:33:29.167
<v Speaker 1>that first kiss for fifteen seconds. That's how it teakes.

0:33:30.927 --> 0:33:32.487
<v Speaker 6>To completely change everything.

0:33:33.727 --> 0:33:38.247
<v Speaker 2>Rift, feud Fight, three words that guarantee clicks and views

0:33:38.287 --> 0:33:40.527
<v Speaker 2>if they're put next to a famous woman's name.

0:33:40.847 --> 0:33:41.647
<v Speaker 1>And here we go.

0:33:42.367 --> 0:33:46.807
<v Speaker 2>Welcome to the latest Blake Lively headlines accompanying the unavoidable

0:33:46.847 --> 0:33:49.887
<v Speaker 2>promotional onslaught that the release of It Ends with Us,

0:33:49.927 --> 0:33:53.207
<v Speaker 2>which came out this weekend, has been enjoying. By the way,

0:33:53.607 --> 0:33:56.047
<v Speaker 2>the sound you can hear right now is Ryan Reynolds

0:33:56.047 --> 0:33:59.087
<v Speaker 2>and Blake Lively just popping bottles and burning mountains of

0:33:59.087 --> 0:34:01.287
<v Speaker 2>money for good times in the backyard of their New

0:34:01.367 --> 0:34:06.007
<v Speaker 2>York State mansion. Because that couple owns the mainstream culture

0:34:06.407 --> 0:34:11.167
<v Speaker 2>right now. His movie, his Deadpool sequel, Deadpool Versus Wolverine,

0:34:11.687 --> 0:34:14.967
<v Speaker 2>has broken more than a billion dollars, is a huge

0:34:15.207 --> 0:34:18.927
<v Speaker 2>hit and is everywhere you look. And her movie It

0:34:19.007 --> 0:34:21.887
<v Speaker 2>Ends with Us, which is the adaptation of Colin Hoover's

0:34:21.887 --> 0:34:24.487
<v Speaker 2>best selling book, is number two in the box office.

0:34:24.567 --> 0:34:26.727
<v Speaker 2>It pulled more than fifty million over the weekend, and

0:34:26.767 --> 0:34:29.367
<v Speaker 2>considering the movie only cost twenty five million to make,

0:34:29.887 --> 0:34:32.927
<v Speaker 2>it is considered a bona fide gold star smash.

0:34:33.047 --> 0:34:38.687
<v Speaker 1>We haven't had Hollywood royal couple like this since Brad

0:34:38.687 --> 0:34:42.967
<v Speaker 1>and Angelina, really have we Also, Angelina wasn't box office.

0:34:43.247 --> 0:34:48.727
<v Speaker 7>They were very famous, and they were so you can't

0:34:48.727 --> 0:34:54.407
<v Speaker 7>even remember his office John Kraginskysnski.

0:34:54.967 --> 0:34:55.527
<v Speaker 1>But they're not.

0:34:55.967 --> 0:34:56.247
<v Speaker 3>They're not.

0:34:56.567 --> 0:34:58.967
<v Speaker 2>And the thing is one of the things that marks

0:34:58.967 --> 0:35:01.967
<v Speaker 2>out Reynolds and Lively, and we're going to get to

0:35:02.007 --> 0:35:04.327
<v Speaker 2>this with what the gossip is here is that they

0:35:04.367 --> 0:35:07.047
<v Speaker 2>also own everything, so they're not just movie stars. Like

0:35:07.127 --> 0:35:11.007
<v Speaker 2>Reynolds is an ep on Deadpool. It's made him so

0:35:11.327 --> 0:35:13.727
<v Speaker 2>much money the three movies that have already been made

0:35:13.727 --> 0:35:16.087
<v Speaker 2>because he's got a massive back end deal. He also

0:35:16.127 --> 0:35:20.087
<v Speaker 2>controls production like it's his it's his thing, right, so

0:35:20.727 --> 0:35:24.767
<v Speaker 2>he's also the business person behind that franchise. Blake Lively

0:35:25.047 --> 0:35:27.727
<v Speaker 2>was a producer on this right, So they've got a

0:35:27.727 --> 0:35:30.447
<v Speaker 2>lot of class and so and so it seems was

0:35:30.607 --> 0:35:34.287
<v Speaker 2>Reynolds by stealth. Ryan Reynolds also owns lots of businesses,

0:35:34.367 --> 0:35:39.007
<v Speaker 2>owns a football team like he is an absolute empire.

0:35:39.087 --> 0:35:43.087
<v Speaker 2>Now he's a mogul and yet his persona online. They're

0:35:43.207 --> 0:35:44.967
<v Speaker 2>very very good promoter as a pair of them. He

0:35:44.967 --> 0:35:49.567
<v Speaker 2>in particular is very funny self deprecating all that stuff anyway,

0:35:49.687 --> 0:35:51.607
<v Speaker 2>bit daggy dad, bit daggy dad.

0:35:51.607 --> 0:35:53.647
<v Speaker 1>But also hot because they've got four kids together.

0:35:54.007 --> 0:35:56.807
<v Speaker 2>I didn't realize four kids, and the most recent of

0:35:56.847 --> 0:35:59.127
<v Speaker 2>them is quite young. And they're also as you would

0:35:59.167 --> 0:36:03.047
<v Speaker 2>definitely know in the tailor verse. Anyway, back to the feud.

0:36:03.207 --> 0:36:06.567
<v Speaker 2>So if you've been paying attention to any celeb news lately,

0:36:06.607 --> 0:36:09.487
<v Speaker 2>you would have seen Lively selling the hell out of

0:36:09.527 --> 0:36:13.127
<v Speaker 2>this film by wearing fancy floral dresses that get ever

0:36:13.207 --> 0:36:16.087
<v Speaker 2>more glamorous than floral as the promotional campaign has gone

0:36:16.127 --> 0:36:18.807
<v Speaker 2>along because the character she plays, it's called Lily Bloom,

0:36:18.807 --> 0:36:21.447
<v Speaker 2>and she's a florist, so yeah, seem dressing.

0:36:21.687 --> 0:36:22.527
<v Speaker 1>Is it a comedy?

0:36:22.887 --> 0:36:22.927
<v Speaker 7>No?

0:36:23.167 --> 0:36:23.567
<v Speaker 1>God no.

0:36:23.927 --> 0:36:26.487
<v Speaker 2>So here's another thing that's interesting about this. It Ends

0:36:26.527 --> 0:36:30.607
<v Speaker 2>with Us is a story of domestic violence, so it

0:36:30.687 --> 0:36:33.927
<v Speaker 2>follows Lily Bloom. Colin Hoover wrote this book based on

0:36:33.967 --> 0:36:37.527
<v Speaker 2>her own parents' marriage and relationship, and it became this

0:36:37.767 --> 0:36:40.127
<v Speaker 2>massive bestseller, and then she wrote sequels and it sold

0:36:40.207 --> 0:36:41.167
<v Speaker 2>more than eight million copies.

0:36:41.327 --> 0:36:42.207
<v Speaker 1>Is a good moment.

0:36:42.567 --> 0:36:44.887
<v Speaker 2>It depends what kind of things you like. But it's

0:36:44.927 --> 0:36:47.647
<v Speaker 2>a very very very popular book that was diplomatic.

0:36:48.807 --> 0:36:50.847
<v Speaker 3>I'm going to say, but I don't think have any

0:36:50.847 --> 0:36:51.487
<v Speaker 3>of us read it.

0:36:51.527 --> 0:36:53.847
<v Speaker 2>I have not read it, but I actually feel embarrassed

0:36:53.847 --> 0:36:57.887
<v Speaker 2>that I haven't read it because it's so it's culturally dominant.

0:36:58.207 --> 0:37:00.287
<v Speaker 2>I should have read it, but I just haven't.

0:37:00.527 --> 0:37:02.607
<v Speaker 1>In the same way that Fifty Shades of Gray was

0:37:02.887 --> 0:37:05.927
<v Speaker 1>the last book that was just so yeah. Back to that,

0:37:06.127 --> 0:37:06.967
<v Speaker 1>she's written of the.

0:37:06.887 --> 0:37:10.127
<v Speaker 2>Books and she's self published and she's a ma sive deal, right,

0:37:10.567 --> 0:37:13.247
<v Speaker 2>And so Colleen Hoover sold the rights to It Ends

0:37:13.247 --> 0:37:15.687
<v Speaker 2>with Us to this guy, well sold them to him,

0:37:15.687 --> 0:37:18.407
<v Speaker 2>but he optioned them to a guy called Justin Baldoni.

0:37:18.767 --> 0:37:20.927
<v Speaker 2>Now he has made it ends with us as the

0:37:21.007 --> 0:37:24.767
<v Speaker 2>director and one of the producers, and he co stars

0:37:24.767 --> 0:37:26.927
<v Speaker 2>in it with Blake. So I've never heard of him.

0:37:27.287 --> 0:37:29.807
<v Speaker 3>You know his faith if you've ever watched Jane the Virgin.

0:37:29.887 --> 0:37:32.087
<v Speaker 3>So I watched Jane the Virgin. He was the sexy

0:37:32.087 --> 0:37:32.367
<v Speaker 3>guy and.

0:37:32.407 --> 0:37:36.287
<v Speaker 2>That so Blake's the female lead, the florist Lily, and

0:37:36.367 --> 0:37:41.127
<v Speaker 2>he's the male lead, the bad guy in a neurosurgeon Ryle. Right,

0:37:41.487 --> 0:37:45.687
<v Speaker 2>so they're playing this couple in this abusive relationship in

0:37:45.727 --> 0:37:49.967
<v Speaker 2>the movie. Now, usually, especially if the male actor involved

0:37:50.007 --> 0:37:52.047
<v Speaker 2>is very involved in the production. He's the director, for

0:37:52.087 --> 0:37:54.207
<v Speaker 2>God's sake, the two of them would be on every

0:37:54.207 --> 0:37:56.647
<v Speaker 2>red carpet together, right, You would see them everywhere together.

0:37:56.687 --> 0:37:59.247
<v Speaker 2>Think of like Ryan Gosling and Emily Blunt when they're

0:37:59.247 --> 0:38:01.647
<v Speaker 2>promoting The hit Man. Think of pretty much any you know,

0:38:02.047 --> 0:38:04.647
<v Speaker 2>like our mate Glenn Powell and Daisy Egga Jones have

0:38:04.687 --> 0:38:05.447
<v Speaker 2>been everywhere.

0:38:05.127 --> 0:38:08.567
<v Speaker 1>To Queenie Julia rob There.

0:38:08.607 --> 0:38:10.727
<v Speaker 2>You know the two if you are normally read carpet

0:38:10.967 --> 0:38:15.927
<v Speaker 2>banter interviews, have not done one piece of joint promotion.

0:38:16.487 --> 0:38:18.287
<v Speaker 2>They have gone out of their way to not be

0:38:18.327 --> 0:38:22.527
<v Speaker 2>photographed together. Ever, at the big premiere last week, none

0:38:22.567 --> 0:38:24.847
<v Speaker 2>of the rest of the cast was photographed with Baldoni.

0:38:25.327 --> 0:38:27.847
<v Speaker 2>None of the rest of the cast now, including Colleen Hoover,

0:38:27.847 --> 0:38:31.567
<v Speaker 2>who's the creator, is following Baldoni on Instagram anymore.

0:38:31.647 --> 0:38:33.487
<v Speaker 3>I went on Instagram to double check this because I

0:38:33.527 --> 0:38:37.247
<v Speaker 3>check my facts, and Colleen Hoover, Blake, Lively, Ryan Reynolds none,

0:38:37.327 --> 0:38:40.367
<v Speaker 3>and they follow people. They do not follow Baldon.

0:38:40.207 --> 0:38:42.207
<v Speaker 2>And they at the beginning of all this, she was

0:38:42.287 --> 0:38:44.727
<v Speaker 2>posing for lots of selfies with Baldoni on set with

0:38:44.767 --> 0:38:48.247
<v Speaker 2>the headphones in the camera. So the theories go, and

0:38:48.287 --> 0:38:49.687
<v Speaker 2>this is all room and rumor room.

0:38:50.087 --> 0:38:50.927
<v Speaker 1>But one of the.

0:38:50.767 --> 0:38:53.967
<v Speaker 2>Theories go that our Hollywood power couple Reynolds and Lively

0:38:54.567 --> 0:38:56.767
<v Speaker 2>were getting a bit too interfery in it, right, So

0:38:56.887 --> 0:39:00.727
<v Speaker 2>Reynolds apparently rewrote some of Lively's scenes, which Blake has

0:39:00.767 --> 0:39:03.527
<v Speaker 2>said herself, she said, oh, he really helped me with

0:39:03.607 --> 0:39:05.767
<v Speaker 2>this scene. He writes some things for me, I write

0:39:05.767 --> 0:39:07.247
<v Speaker 2>on things for him, or a team we work on

0:39:07.287 --> 0:39:09.207
<v Speaker 2>everything together, which is lovely but probably a bit annoy

0:39:09.407 --> 0:39:10.047
<v Speaker 2>for the people who.

0:39:10.167 --> 0:39:10.727
<v Speaker 1>Oh.

0:39:11.047 --> 0:39:14.447
<v Speaker 3>Actually, screen writer found that out about an hour before

0:39:14.447 --> 0:39:17.847
<v Speaker 3>they told the press, and she did not know, not thrilled.

0:39:18.007 --> 0:39:21.687
<v Speaker 2>And also the rumor goes that Lively had her own

0:39:21.847 --> 0:39:25.487
<v Speaker 2>cut of the movie made after shooting had stopped. Now

0:39:25.567 --> 0:39:29.287
<v Speaker 2>apparently that's not that unusual, although it sounds terrible. And

0:39:29.327 --> 0:39:32.567
<v Speaker 2>then they have gone with Baldoni's cut, but he presumably

0:39:32.567 --> 0:39:33.647
<v Speaker 2>did not love that.

0:39:33.647 --> 0:39:35.727
<v Speaker 1>That makes sense of an interview I read with him

0:39:35.727 --> 0:39:39.247
<v Speaker 1>in the Hollywood Reporter where he was asked if he

0:39:39.287 --> 0:39:42.007
<v Speaker 1>would direct the sequel, because there's a sequel to this,

0:39:42.647 --> 0:39:47.367
<v Speaker 1>and he said, no, not my jam I think Blake

0:39:47.487 --> 0:39:52.367
<v Speaker 1>should direct. She's ready to direct. And now I understand

0:39:52.407 --> 0:39:54.567
<v Speaker 1>the subtext of that, which is very passag as you

0:39:54.567 --> 0:39:57.567
<v Speaker 1>would say whole and that is very She was trying

0:39:57.607 --> 0:39:59.807
<v Speaker 1>to direct this film and I was actually meant to

0:39:59.807 --> 0:40:00.487
<v Speaker 1>be the director.

0:40:00.727 --> 0:40:04.487
<v Speaker 2>Reynolds and Lively have started the pr machine just a

0:40:04.527 --> 0:40:08.207
<v Speaker 2>little bit slightly like a little sort of backgrounding pass

0:40:08.247 --> 0:40:11.527
<v Speaker 2>agnes with rumors saying, and this may be why some

0:40:11.567 --> 0:40:14.287
<v Speaker 2>of the other cast have unfollowed him, that Baldoni made

0:40:14.287 --> 0:40:16.487
<v Speaker 2>Blake feel very uncomfortable on set.

0:40:18.127 --> 0:40:20.127
<v Speaker 1>That's all you need to say in twenty twenty four,

0:40:20.167 --> 0:40:22.127
<v Speaker 1>isn't it. So it's a little bit like, I want

0:40:22.127 --> 0:40:24.487
<v Speaker 1>to ask you wholly about the strategy behind this, if

0:40:24.527 --> 0:40:28.647
<v Speaker 1>there is one, And I'm always more believing of it's

0:40:28.647 --> 0:40:31.007
<v Speaker 1>a fuck up, not a conspiracy, because when everyone goes, oh,

0:40:31.007 --> 0:40:33.287
<v Speaker 1>they're doing this on purpose to get people talking about

0:40:33.287 --> 0:40:35.127
<v Speaker 1>the movie, and look, yes we are, so I guess

0:40:35.167 --> 0:40:38.647
<v Speaker 1>it worked. But I want to ask about the last

0:40:38.687 --> 0:40:41.327
<v Speaker 1>time we can remember this happening was with Don't Worry Darling,

0:40:41.487 --> 0:40:45.247
<v Speaker 1>the movie that Olivia Wilde directed and Florence Pugh and

0:40:45.447 --> 0:40:48.607
<v Speaker 1>Harry Stiles was in. And do you remember Spitgate? It

0:40:48.887 --> 0:40:50.007
<v Speaker 1>can when.

0:40:50.367 --> 0:40:55.047
<v Speaker 3>Someone Harry, Yeah, he didn't, but that was what he.

0:40:55.087 --> 0:40:58.447
<v Speaker 1>Thought anyway, So that I still haven't ever watched the movie,

0:40:58.887 --> 0:41:02.327
<v Speaker 1>but certainly everybody was talking about it. Is this a

0:41:02.447 --> 0:41:05.047
<v Speaker 1>marketing thing? Like would would the marketers of this movie

0:41:05.087 --> 0:41:07.167
<v Speaker 1>be going, oh, this is good for us or this

0:41:07.247 --> 0:41:08.167
<v Speaker 1>is bad for us?

0:41:08.327 --> 0:41:10.647
<v Speaker 2>I'd love to know Jesse thinks about that, because a

0:41:10.687 --> 0:41:13.167
<v Speaker 2>lot of these rumors have blown up on TikTok. Right,

0:41:13.207 --> 0:41:16.647
<v Speaker 2>So there is the indisputable fact that they are not

0:41:16.767 --> 0:41:18.767
<v Speaker 2>promoting it in a conventional way.

0:41:19.287 --> 0:41:22.847
<v Speaker 1>You could argue generous read why is it not conventional?

0:41:22.927 --> 0:41:25.487
<v Speaker 2>Well, because normally they'd be together, Oh and so the

0:41:25.527 --> 0:41:28.007
<v Speaker 2>red carpet, all the things they'd be together. He's the director,

0:41:28.007 --> 0:41:31.567
<v Speaker 2>he's her star that you know, but generous read is well,

0:41:31.607 --> 0:41:33.927
<v Speaker 2>Blake Lively's the star, she's the drawer, and she's the

0:41:33.967 --> 0:41:36.527
<v Speaker 2>only face on the poster. And he does play an

0:41:36.527 --> 0:41:39.927
<v Speaker 2>abusive man in this movie. So you could argue, no,

0:41:40.087 --> 0:41:42.767
<v Speaker 2>it's a Blake Lively vehicle. We focus entirely on her.

0:41:43.127 --> 0:41:45.647
<v Speaker 2>But what I'd love to know from my TikTok expert

0:41:45.767 --> 0:41:50.207
<v Speaker 2>Jesse Stevens, because everybody's analyzing everything to the nth degree

0:41:50.247 --> 0:41:55.487
<v Speaker 2>for content, Now, do we need intrigue plot, you know,

0:41:55.727 --> 0:41:59.687
<v Speaker 2>scheming strategy to keep the momentum going of this movie

0:42:00.007 --> 0:42:00.887
<v Speaker 2>to an extent.

0:42:01.087 --> 0:42:04.487
<v Speaker 3>But then Blake Lively in Floral's was also a story,

0:42:04.607 --> 0:42:06.087
<v Speaker 3>you know what I mean. It's not like there was

0:42:06.127 --> 0:42:09.687
<v Speaker 3>a shortage of publicity. There's what's happening on Tick and

0:42:09.687 --> 0:42:12.567
<v Speaker 3>then there's what's happening with sources in the Hollywood Reporter.

0:42:12.887 --> 0:42:15.007
<v Speaker 3>According to quite reliable sources.

0:42:14.687 --> 0:42:16.407
<v Speaker 1>Are the sources TikTok No.

0:42:16.887 --> 0:42:20.167
<v Speaker 2>They said the Hollywood Reporter is a very reputable publication.

0:42:20.327 --> 0:42:22.887
<v Speaker 3>I was reading that at the premiere. They didn't even

0:42:22.887 --> 0:42:25.407
<v Speaker 3>sit in the same theater they're in separate theaters watching

0:42:25.447 --> 0:42:28.687
<v Speaker 3>with like family and friends or whatever. What TikTok can't

0:42:28.687 --> 0:42:32.807
<v Speaker 3>stop talking about is they feel like Ryan Reynolds came

0:42:32.847 --> 0:42:35.287
<v Speaker 3>on and has done more press for this movie than

0:42:35.527 --> 0:42:38.767
<v Speaker 3>Baldoni has, even though he's not in it. He's not

0:42:38.807 --> 0:42:41.447
<v Speaker 3>a producer, he's not a director. And what they're trying

0:42:41.487 --> 0:42:46.167
<v Speaker 3>to do is a Barbie Heimer thing with Wolverine with Wolverine,

0:42:46.327 --> 0:42:49.327
<v Speaker 3>and they're trying to basically get all of this, which

0:42:49.447 --> 0:42:53.167
<v Speaker 3>is probably partly true. The other creative difference that TikTok

0:42:53.247 --> 0:42:56.207
<v Speaker 3>sleuths think they've noticed, which I think there might be

0:42:56.487 --> 0:42:59.647
<v Speaker 3>some truth too, is that the movie that Lively is

0:42:59.687 --> 0:43:02.447
<v Speaker 3>promoting and the movie that Baldoni is promoting are two

0:43:02.487 --> 0:43:08.087
<v Speaker 3>different films. So Baldoni always wanted to do a really deep,

0:43:08.367 --> 0:43:11.527
<v Speaker 3>complex story about domestic violence, and that was something that

0:43:11.567 --> 0:43:13.567
<v Speaker 3>really spoke to him. And when you see him interviewed,

0:43:13.607 --> 0:43:17.447
<v Speaker 3>he's very serious and he's saying he's like in tears

0:43:17.527 --> 0:43:19.767
<v Speaker 3>talking about what it took from him having to act

0:43:19.807 --> 0:43:21.527
<v Speaker 3>like that and how he made sure there was an

0:43:21.567 --> 0:43:24.967
<v Speaker 3>intimacy coordinator, and what he's actually said has been he's

0:43:24.967 --> 0:43:30.047
<v Speaker 3>getting very good advice Lively. I think her pr brain

0:43:30.767 --> 0:43:33.447
<v Speaker 3>has gone, we need to sell this as a rom com, yea,

0:43:34.727 --> 0:43:37.807
<v Speaker 3>and people aren't going to see it. And in Lively's defense,

0:43:37.807 --> 0:43:40.647
<v Speaker 3>I'm not critical of that because Hoover did the same thing,

0:43:40.847 --> 0:43:43.167
<v Speaker 3>and in fact, that's part of what the text is about.

0:43:43.567 --> 0:43:46.287
<v Speaker 3>That dv's stories begin as a rom com like they

0:43:46.327 --> 0:43:47.527
<v Speaker 3>begin with.

0:43:47.687 --> 0:43:49.407
<v Speaker 1>Course, they don't begin as DV story.

0:43:49.767 --> 0:43:53.007
<v Speaker 3>They begin with like incredible sex and what you think

0:43:53.087 --> 0:43:56.767
<v Speaker 3>is a romance. And from the perspective of the protagonist,

0:43:56.807 --> 0:43:59.687
<v Speaker 3>as I understand it, she only realizes part way through

0:44:00.087 --> 0:44:01.647
<v Speaker 3>what she's got herself into.

0:44:01.527 --> 0:44:03.807
<v Speaker 2>And that she's in this abusive cycle, which is why

0:44:03.847 --> 0:44:05.527
<v Speaker 2>it's called it sentence with Us because of her parents.

0:44:05.887 --> 0:44:08.007
<v Speaker 2>And the thing is that might also be interesting from

0:44:08.047 --> 0:44:11.087
<v Speaker 2>a marketing perspective in this moment we just talked about

0:44:11.087 --> 0:44:14.447
<v Speaker 2>how much everybody wanted Joy in the Olympics. If you,

0:44:14.727 --> 0:44:17.287
<v Speaker 2>in this moment, were deciding how to market a movie

0:44:17.367 --> 0:44:21.127
<v Speaker 2>that is unquestionably about domestic violence, and anyone who's read

0:44:21.127 --> 0:44:23.047
<v Speaker 2>the book knows that, and eight million people have read

0:44:23.087 --> 0:44:26.887
<v Speaker 2>the book, would you go with nobody's going to come

0:44:26.967 --> 0:44:30.847
<v Speaker 2>if we make it look like a dark, grim movie,

0:44:31.247 --> 0:44:33.247
<v Speaker 2>or but if we put Blake Lively in a whole

0:44:33.287 --> 0:44:35.807
<v Speaker 2>lot of flowers, and we keep focusing on this lovely,

0:44:35.847 --> 0:44:39.847
<v Speaker 2>wonderful relationship she has in real life with her power husband.

0:44:40.447 --> 0:44:43.687
<v Speaker 2>Then people will come as a marketing strategy that seems

0:44:43.727 --> 0:44:45.287
<v Speaker 2>to be clever, wouldn't you say?

0:44:45.487 --> 0:44:49.647
<v Speaker 1>I do? And Blake Lively famously doesn't have a stylist.

0:44:49.687 --> 0:44:52.567
<v Speaker 1>I actually forgot that she was an actor. And it's interesting.

0:44:52.607 --> 0:44:54.887
<v Speaker 1>She's on the cover of the September issue of Vogue,

0:44:54.887 --> 0:44:57.767
<v Speaker 1>which tends to be a big deal, well not so

0:44:57.847 --> 0:44:59.807
<v Speaker 1>much anymore, but is the most big deal cover of

0:44:59.847 --> 0:45:03.207
<v Speaker 1>the year, and it is very strange. Shoot, it's with

0:45:03.327 --> 0:45:06.407
<v Speaker 1>her and Hugh Jackman in these characters inspired by To

0:45:06.447 --> 0:45:10.527
<v Speaker 1>Catch a Thief, and it's directed by bas Lerman. You

0:45:10.567 --> 0:45:13.327
<v Speaker 1>know what, when I saw that, because it's like there

0:45:13.327 --> 0:45:16.127
<v Speaker 1>are pages and pages, I was like, I thought, there's

0:45:16.207 --> 0:45:17.727
<v Speaker 1>no money in magazines anymore.

0:45:17.807 --> 0:45:19.847
<v Speaker 2>Well, and here we are with bazz Lerman and ten

0:45:19.927 --> 0:45:22.887
<v Speaker 2>million dollars worth of diamonds and Lively and Hugh Jackman.

0:45:23.047 --> 0:45:27.367
<v Speaker 1>The thing is whole sidebar. It was not filmed on location.

0:45:27.647 --> 0:45:29.767
<v Speaker 1>It was filmed with just a big pretty much on

0:45:29.847 --> 0:45:33.047
<v Speaker 1>green screen because you know, nobody could afford to fly

0:45:33.127 --> 0:45:36.567
<v Speaker 1>anywhere anymore because of these budgets. And also Hugh Jackman,

0:45:36.607 --> 0:45:38.887
<v Speaker 1>Black Lively and bas are all very good friends of

0:45:38.927 --> 0:45:42.767
<v Speaker 1>any Winters, so mate's rights. But yeah, I think it's interesting.

0:45:42.887 --> 0:45:47.887
<v Speaker 1>She's obviously stepping into that frame of being a movie star.

0:45:48.887 --> 0:45:51.407
<v Speaker 1>But I couldn't tell you one movie she's been in.

0:45:51.527 --> 0:45:53.887
<v Speaker 3>She was a simple Favor, she was in that great

0:45:53.967 --> 0:45:56.767
<v Speaker 3>one movie. She was in Sisterhood of the Trust.

0:45:56.887 --> 0:45:59.407
<v Speaker 1>She was in the Town with Ben Affleck that was great.

0:45:59.567 --> 0:46:00.407
<v Speaker 1>I don't know any of those.

0:46:00.767 --> 0:46:03.047
<v Speaker 2>She hasn't made these pages because she's been having all

0:46:03.047 --> 0:46:03.527
<v Speaker 2>the babies.

0:46:03.767 --> 0:46:04.647
<v Speaker 1>Of course she's got fun.

0:46:04.847 --> 0:46:07.247
<v Speaker 2>She also because she her and Ryan Reynolds are the

0:46:07.247 --> 0:46:09.687
<v Speaker 2>power couple. She also in the middle of the promo

0:46:09.767 --> 0:46:10.807
<v Speaker 2>for this launched around.

0:46:10.567 --> 0:46:12.607
<v Speaker 1>Hair care brand. Yes, and she's like Brown.

0:46:12.767 --> 0:46:15.367
<v Speaker 2>She has a drink label too, Betty's Buzz, so she's

0:46:15.487 --> 0:46:19.207
<v Speaker 2>like they are. They're very savvy taking which is great

0:46:19.407 --> 0:46:19.887
<v Speaker 2>the world.

0:46:20.007 --> 0:46:23.327
<v Speaker 3>And the similarity between this and Don't Worry Darling is

0:46:23.367 --> 0:46:27.127
<v Speaker 3>that the actors aren't just actors. So I think that's

0:46:27.167 --> 0:46:30.767
<v Speaker 3>when things get complicated. So Olivia Wild it wasn't that

0:46:30.767 --> 0:46:32.807
<v Speaker 3>they were all on set together, it was that one

0:46:33.487 --> 0:46:35.807
<v Speaker 3>had more power than the others, and so you see

0:46:35.847 --> 0:46:39.287
<v Speaker 3>the power dynamics and the creative differences leak out into

0:46:39.327 --> 0:46:42.727
<v Speaker 3>the press tour, because this is really about different visions,

0:46:42.807 --> 0:46:45.767
<v Speaker 3>and where a director sits and a producer sits is.

0:46:45.807 --> 0:46:48.247
<v Speaker 1>Just workplace politics, right. Well, I mean there was a

0:46:48.407 --> 0:46:52.727
<v Speaker 1>story about me being unhappy with strife the first season,

0:46:53.007 --> 0:46:55.207
<v Speaker 1>but it didn't really go anywhere. I mean, I do

0:46:55.407 --> 0:46:58.487
<v Speaker 1>plan for season two, let's have a few yeah. So

0:46:59.207 --> 0:47:02.767
<v Speaker 1>I remember reading it and going really like, really, but

0:47:03.167 --> 0:47:05.567
<v Speaker 1>you know, maybe we need to lean into that Jesse

0:47:05.887 --> 0:47:06.287
<v Speaker 1>and just.

0:47:06.487 --> 0:47:09.047
<v Speaker 2>Yeah, you too should definitely have a feud for season two.

0:47:09.687 --> 0:47:11.487
<v Speaker 2>Although you know, I was thinking that the don't worry

0:47:11.567 --> 0:47:13.767
<v Speaker 2>Darling thing didn't really work for the movie, as in

0:47:13.807 --> 0:47:17.127
<v Speaker 2>that movie was considered a flop, whereas this is working

0:47:17.207 --> 0:47:19.567
<v Speaker 2>for this movie. I mean, not just this, but it's

0:47:19.607 --> 0:47:21.767
<v Speaker 2>going to keep the momentum going for a few more

0:47:21.807 --> 0:47:23.167
<v Speaker 2>weeks and it's considered a hit.

0:47:23.287 --> 0:47:26.047
<v Speaker 3>So what I don't want is for this film that's

0:47:26.247 --> 0:47:29.887
<v Speaker 3>got a very powerful message about DV to become about

0:47:30.247 --> 0:47:32.407
<v Speaker 3>two bitches being mean to a man. I would rather

0:47:32.447 --> 0:47:34.767
<v Speaker 3>that not be the story, because he's being framed as

0:47:34.767 --> 0:47:35.407
<v Speaker 3>a bit of a victor.

0:47:35.487 --> 0:47:38.447
<v Speaker 2>Maybe he's not a nice guy. It used to be

0:47:38.487 --> 0:47:39.687
<v Speaker 2>the suggest Colin Hoover.

0:47:39.807 --> 0:47:42.967
<v Speaker 3>So this is what TikTok will tell you. That Colin

0:47:43.047 --> 0:47:45.927
<v Speaker 3>Hoover wants her other books made into movies, right, so

0:47:46.007 --> 0:47:48.887
<v Speaker 3>she's looking at who's got more money to make them.

0:47:48.967 --> 0:47:52.247
<v Speaker 3>If there's creative differences between Blake Lively and Baldonie hitching

0:47:52.287 --> 0:47:54.407
<v Speaker 3>your wagon, then I'm going to hitch my wagon too, Lively.

0:47:54.727 --> 0:47:58.847
<v Speaker 3>And so these creasy, little bitchy women are over here,

0:47:58.927 --> 0:48:01.767
<v Speaker 3>and poor Baldoni just wanted to make a very serious

0:48:01.807 --> 0:48:04.767
<v Speaker 3>film about DV And look at Blake Lively with her hair.

0:48:04.927 --> 0:48:05.927
<v Speaker 3>That's how the story goes.

0:48:05.967 --> 0:48:10.607
<v Speaker 1>Okay, out Louders, you might have someone in your household

0:48:10.647 --> 0:48:13.687
<v Speaker 1>that was at a Bucks weekend over the weekend, because

0:48:13.687 --> 0:48:17.727
<v Speaker 1>that's what Bucks weekends are. They're not nights anymore, they're weekends.

0:48:18.407 --> 0:48:23.327
<v Speaker 1>We answered a dilemma about a particular Bucks weekend and

0:48:23.447 --> 0:48:27.767
<v Speaker 1>an escort and a text message, and it's quite juicy.

0:48:27.967 --> 0:48:30.647
<v Speaker 1>We gave our thoughts. To listen to that episode, you

0:48:30.647 --> 0:48:32.367
<v Speaker 1>can follow the link in the show notes.

0:48:32.847 --> 0:48:35.447
<v Speaker 2>A massive thank you to all of you out louders

0:48:35.447 --> 0:48:38.207
<v Speaker 2>for being with us through this exciting journey through Paris.

0:48:38.447 --> 0:48:42.887
<v Speaker 2>Our non expert journey through Paris, just pointing at stuff

0:48:42.887 --> 0:48:44.447
<v Speaker 2>and going that was weird, wasn't it.

0:48:44.847 --> 0:48:47.327
<v Speaker 1>Oh we like that anyway. Thank you for.

0:48:47.247 --> 0:48:49.367
<v Speaker 2>Being here with us as always, and thank you to

0:48:49.407 --> 0:48:51.647
<v Speaker 2>our fabulous team for helping us put the show together.

0:48:51.927 --> 0:48:54.047
<v Speaker 1>We will be back in your ears tomorrow.

0:48:54.087 --> 0:48:55.207
<v Speaker 3>Bye bye.

0:48:55.727 --> 0:48:58.887
<v Speaker 1>Shout out to any Mum and Maya subscribers listening. If

0:48:58.927 --> 0:49:01.527
<v Speaker 1>you love the show and want to support us as well,

0:49:01.687 --> 0:49:04.207
<v Speaker 1>subscribing to MoMA Miya is the very best way to

0:49:04.247 --> 0:49:06.647
<v Speaker 1>do so. There is a link in the episode description.