WEBVTT - "Too Rich" Celebrities & The Adolescence Theory

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<v Speaker 1>You're listening to a MoMA Mia podcast.

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<v Speaker 2>Mamma Mia acknowledges the traditional owners of land and waters

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<v Speaker 2>that this podcast is recorded on.

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<v Speaker 1>We've got the first generation of parents who were parenting

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<v Speaker 1>issues that they never experienced. So when I was growing

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<v Speaker 1>up and you were growing up Gen x's.

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<v Speaker 3>Were growing up, it was like, Yeah, we did all the.

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<v Speaker 1>Same naughty shit that our parents did. They have lived experience,

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<v Speaker 1>and the things we were doing not even do we

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<v Speaker 1>not have lived experience of this stuff. We don't even

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<v Speaker 1>understand the words.

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<v Speaker 2>Hello and welcome to Mama Mia. Out loud. It's what

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<v Speaker 2>women are actually talking about on Monday, the twenty fourth

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<v Speaker 2>of March. My name is Hollywayne Wright.

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<v Speaker 4>My name's Mia Friedman, and today we are joined by

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<v Speaker 4>Amelia Leicester.

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<v Speaker 2>I think I was supposed to say that, Sorry, Amelia.

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<v Speaker 2>Welcome Amelia Lester filling in for Jesse Steve.

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<v Speaker 4>Thank you. Amelia is delighted to be here on.

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<v Speaker 2>This show today. Luckily for you out loud, as we

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<v Speaker 2>are here to bust some very important fake pyramid news.

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<v Speaker 2>Welcome to the Anatomy of a conspiracy. Also the eighty

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<v Speaker 2>twenty theory that everyone's madly googling after the TV phenomenon

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<v Speaker 2>that is adolescence, and one of the stars of the

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<v Speaker 2>White Lotus wants you to stop asking about his penis please,

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<v Speaker 2>but first Mia.

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<v Speaker 1>In case you missed it. Fresh from his stint at

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<v Speaker 1>the Olympics, Snoop Dogg has a new job, and that

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<v Speaker 1>is peace invoy between the royal brothers, William and Harry.

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<v Speaker 3>The rapper has said that he would be happy this week.

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<v Speaker 1>To act as a peacemaker between William and Harry because

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<v Speaker 1>life is too short, as he said, and he said

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<v Speaker 1>that he was willing to help heal that relationship between

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<v Speaker 1>the estranged men. Well that's random, you may be thinking.

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<v Speaker 1>Does he even know them? Well, yes, yes he actually does,

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<v Speaker 1>he said. Harry and William I have known for a

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<v Speaker 1>long time now. Harry asked me to perform at William's

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<v Speaker 1>bachelor party, but I couldn't make it. Anything they want

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<v Speaker 1>to perform at Now I am there. They are brothers, man.

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<v Speaker 1>Anything that gets them in the same room and being

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<v Speaker 1>brothers again will be worth it.

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<v Speaker 4>Look Snoop has lived many lives. I think if anyone

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<v Speaker 4>can bring the life experience necessary to heal this rift,

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<v Speaker 4>it's Snoop. I don't know if you know this, but

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<v Speaker 4>he was a member of a La gang in his

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<v Speaker 4>twenties and actually was acquitted at first degree murder.

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<v Speaker 1>I didn't know that, And who I knew is that

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<v Speaker 1>he's Martha Stewart's new best friend.

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<v Speaker 4>He is, but in his thirties he became a born

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<v Speaker 4>again Christian. So he has lived many lives and you know,

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<v Speaker 4>most recently he was in this controversial appearance at Trump's inauguration.

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<v Speaker 4>He went to the Crypto Ball and performed there, and

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<v Speaker 4>that was very controversial because he previously said that black

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<v Speaker 4>artists should not support Donald Trump, and now he's all

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<v Speaker 4>in on Crypto. He's all in on Trump, So I

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<v Speaker 4>mean he is someone who's capable of changing his mind.

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<v Speaker 4>We know that.

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<v Speaker 2>I also think he would be really fun over at

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<v Speaker 2>lunch at Montecito. I think he'd have some ideas for

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<v Speaker 2>Megan's garden and things that she could grow in the

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<v Speaker 2>back garden.

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<v Speaker 3>She could roll in a nice, juicy blunt.

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<v Speaker 2>I think he'd like that, and I have high helps

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<v Speaker 2>that he could, you know, have a peace summit between

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<v Speaker 2>the two brothers. It needs to happen. I need a

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<v Speaker 2>new chapter in that.

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<v Speaker 4>Because you remember when Princess Kate tried it at Prince

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<v Speaker 4>Philip's funeral. She's sort of. She brought them together as

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<v Speaker 4>they were walking out, and then she purled back, and

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<v Speaker 4>then William and Harry walked together for a few moments,

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<v Speaker 4>but to no avail tense.

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<v Speaker 2>The thing about out Louders is that we're a curious people.

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<v Speaker 2>We like information, we like news, we like a little

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<v Speaker 2>bit of gossip, and yes, sometimes we like to get

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<v Speaker 2>swept up in an exciting conspiracy theory. That's why one

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<v Speaker 2>of our number jumped into the out Louders Facebook group

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<v Speaker 2>on the weekend and asked an innocent enough question about

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<v Speaker 2>a secret world beneath the pyramids of Northern Africa. The

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<v Speaker 2>post went like this, just went to a friend's house

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<v Speaker 2>and she was telling me about this amazing underground system

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<v Speaker 2>that's just been discovered under the pyramids a couple of

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<v Speaker 2>days ago, and that it's breaking news.

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<v Speaker 4>And wow.

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<v Speaker 2>Then I take a look on CNN, BBC News dot

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<v Speaker 2>com and ABC to find out more, but there's nothing

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<v Speaker 2>to be found. Why wouldn't something like this beyond the

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<v Speaker 2>mainstream media, she says.

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<v Speaker 4>Was the friend snoop dog that would be great.

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<v Speaker 2>Spoke to my husband and he knew about it, and said,

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<v Speaker 2>the mainstream media don't want to publicize these sorts of

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<v Speaker 2>discoveries now. Other outluders jumped in immediately, telling her that

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<v Speaker 2>she and her friend and her husband presumably were victims

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<v Speaker 2>of a conspiracy theory, and it's a theory that's been

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<v Speaker 2>around for a while, but has recently had new life

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<v Speaker 2>breathed into on TikTok, of course, where creators are posting

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<v Speaker 2>lots of videos talking about a paper that declares there's

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<v Speaker 2>a vast secret city underneath the Pyramids, exposed by satellite radar.

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<v Speaker 2>The reason that our out louder could not find this, however,

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<v Speaker 2>on those credible news sites, is that it has widely

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<v Speaker 2>been debunked. Leading egyptologists and archaeologists who've worked in this

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<v Speaker 2>field for decades say it's impossible, and scientists out the

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<v Speaker 2>accuracy of the supposed like radar be or whatever that

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<v Speaker 2>have been shot down from satellites apparently to expose this.

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<v Speaker 2>They say that's impossible. It couldn't penetrate that far underground,

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<v Speaker 2>and they're.

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<v Speaker 1>Trying to say that there's a city under there, like

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<v Speaker 1>with people in it.

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<v Speaker 2>I don't think they're saying there are people, but they're saying,

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<v Speaker 2>it's like a whole world of chambers and cities. This

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<v Speaker 2>is one of the interesting points about it me because

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<v Speaker 2>I'm like, why do we care so much any people there?

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<v Speaker 1>Because the QAnon had that conspiracy theory years ago about

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<v Speaker 1>these underground tunnels through New York being used to washing

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<v Speaker 1>children to Washington.

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<v Speaker 4>There was a pizza shop.

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<v Speaker 3>Oh, that's right, they.

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<v Speaker 1>Were being used to smuggle children who were being trafficked.

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<v Speaker 1>So people do like a tunnel conspiracy.

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<v Speaker 3>They do.

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<v Speaker 2>And I want to know, particularly from Amelia Lester, why

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<v Speaker 2>we're so keen to believe these days that the truth

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<v Speaker 2>is being hidden from us, whether it's about secret cities

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<v Speaker 2>under deserts or tunnels in New York City, And why

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<v Speaker 2>does everybody really want to believe conspiracy?

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<v Speaker 4>Because sometimes the truth is being hidden from us. And

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<v Speaker 4>I bring this as a card carrying member of the

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<v Speaker 4>mainstream media, but sometimes the mainstream media hides things from people.

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<v Speaker 4>And the example I'm going to bring up here is

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<v Speaker 4>at the beginning of the COVID pandemic, when we were

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<v Speaker 4>told by epidemiologists quoted in mainstream outlets that masks did

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<v Speaker 4>not work, that you had to get medical masks professionally fitted,

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<v Speaker 4>otherwise they wouldn't work. And it turns out, just a

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<v Speaker 4>couple of weeks later, it was revealed that the reason

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<v Speaker 4>why that was reported that way was because they were

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<v Speaker 4>trying to save masks for healthcare workers, which is all

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<v Speaker 4>well and good, love a healthcare worker. But the problem

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<v Speaker 4>is that the media just very credulously reported this idea

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<v Speaker 4>that masks didn't work, when we now know, of course,

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<v Speaker 4>that masks do work.

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<v Speaker 1>I'm going to pick you up on that now because

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<v Speaker 1>I think that two things. Really when people talk about

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<v Speaker 1>the mainstream media keeping things from us, as you say,

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<v Speaker 1>the mainstream media is everything from the Project to Kyle

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<v Speaker 1>and Jackie O to us to the New York Times. Right,

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<v Speaker 1>it's a pretty broad show. And unless it's going to spam,

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<v Speaker 1>I've missed the invitations to the mainstream media meetings where

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<v Speaker 1>we're told by I don't know governments what we can

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<v Speaker 1>and can't write about. And what I do know is

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<v Speaker 1>that journalists and the mainstream media, who are accountable to

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<v Speaker 1>things like deformation.

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<v Speaker 3>Laws, like libel laws, press.

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<v Speaker 1>Counsel adjudications, sometimes we don't report things until.

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<v Speaker 3>There are enough facts.

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<v Speaker 1>When you say credulously, and I think COVID is like

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<v Speaker 1>a very specific thing that we'd never lived through a

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<v Speaker 1>pandemic before, and it's so easy to have twenty twenty hindsight.

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<v Speaker 1>And similarly, everyone said it came from a bat and

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<v Speaker 1>the markets, and now it seems like it came from

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<v Speaker 1>a lab. Sometimes you write or you report what you

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<v Speaker 1>know and what you can verify at the time, and

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<v Speaker 1>when more information comes out, well then you report that.

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<v Speaker 1>It doesn't mean you were lying back then covering something out.

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<v Speaker 4>I've got a more recent example. I knew you were

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<v Speaker 4>going to say that about COVID. So did you hear

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<v Speaker 4>about the drones last year? So did you hear you

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<v Speaker 4>were trying to get me? And I just could sometimes

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<v Speaker 4>I throw you tidbits in our chat and hope that

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<v Speaker 4>you'll sort of.

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<v Speaker 2>You were like that pebbal is not for me.

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<v Speaker 4>So in November and December of last year, there were

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<v Speaker 4>these drone sidings on the US East Coast, and I

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<v Speaker 4>had a number of friends and family losing their minds,

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<v Speaker 4>thinking that these drones were harbingers of doom. They kept

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<v Speaker 4>seeing them at night. There were lots of them. I

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<v Speaker 4>saw videos of them, and politicians were getting in on

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<v Speaker 4>it too. This New Jersey politician said that the drones

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<v Speaker 4>were coming from Iran, from the Iranian mothership. Another one

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<v Speaker 4>other sheep, yeah, that's obviously a technical term. Another one

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<v Speaker 4>said there was a non trivial chance that China could

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<v Speaker 4>be involved in the drones. And even the FBI said

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<v Speaker 4>they did not know where the drones were coming from.

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<v Speaker 4>So it was kind of fun to start speculating about

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<v Speaker 4>where these drones were coming from and why they were

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<v Speaker 4>suddenly appearing everywhere. The government didn't really say much. There

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<v Speaker 4>was this FBI thing, and then everyone was speculating that

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<v Speaker 4>war was about to start. They truly didn't know. But

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<v Speaker 4>then just a couple of weeks ago, President Chump's new

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<v Speaker 4>Press secretary, Caroline Leave, it came out and she said

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<v Speaker 4>that the drones were governmental and that they were doing research.

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<v Speaker 4>What kind of resent, Well, she didn't really say. And

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<v Speaker 4>also why did we have to wait until now to

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<v Speaker 4>hear what the drones were about?

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<v Speaker 3>But that's not about the media. That's about the well.

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<v Speaker 4>At the time, there were these explainers in the New

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<v Speaker 4>York Times, that Washington Post and elsewhere saying there's nothing

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<v Speaker 4>to see here, the drones are nothing. It's like, well,

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<v Speaker 4>the drones are clearly something.

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<v Speaker 2>The thing is, though, is that sometimes we don't need

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<v Speaker 2>to know straight away right And this is often the

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<v Speaker 2>tension between governments, you know, lawmakers, courts, police, etc. And

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<v Speaker 2>us annoying journalists who are always like, tell us, tell us,

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<v Speaker 2>tell us, we're going to dig until we find out,

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<v Speaker 2>and they're like, we're figuring it out. It's probably better

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<v Speaker 2>you don't all know right now. This might not be

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<v Speaker 2>the case with the drones. I don't know, but maybe

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<v Speaker 2>it took a while to figure out where they were

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<v Speaker 2>coming from and so on.

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<v Speaker 3>Like the masks.

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<v Speaker 2>Is a good point where Mia makes the point that

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<v Speaker 2>in the pandemic we were all moving so quickly. There's

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<v Speaker 2>a lot of yelling now about but they told us this,

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<v Speaker 2>and they told us that, but a lot of those

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<v Speaker 2>experts were learning on the job. We're not learning on

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<v Speaker 2>the job, but the research was coming in thick and fast.

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<v Speaker 1>Remember when we had to sing Happy Birthday while washing

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<v Speaker 1>your hands.

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<v Speaker 4>I'm still meant to happy washing your hands.

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<v Speaker 2>It might turn out that there is a secret chamber

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<v Speaker 2>under the pyramids, yea geezer, It might turn.

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<v Speaker 4>To be honest. What I heard from you, Holly, was

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<v Speaker 4>that they don't yet have the radar to penetrate beneath

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<v Speaker 4>the pyramids, not that they have denied that the exact

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<v Speaker 4>The reason.

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<v Speaker 2>That the BBC isn't saying yes, definitely a you know,

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<v Speaker 2>a city, and CNN I was saying yes, it definitely

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<v Speaker 2>a city is because the scientists and everyone are going,

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<v Speaker 2>we can't verify that yet. So it's a signal of

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<v Speaker 2>the impatience between a rumor becoming fact that now we

0:10:59.582 --> 0:11:02.902
<v Speaker 2>jump on that space in between and call it conspiracy.

0:11:03.102 --> 0:11:05.822
<v Speaker 4>Yes, I just think that we in the media probably

0:11:05.902 --> 0:11:07.942
<v Speaker 4>do need to do a better job of admitting when

0:11:07.942 --> 0:11:11.142
<v Speaker 4>we don't know something, when one expert has told us

0:11:11.142 --> 0:11:13.822
<v Speaker 4>something but they're still learning on the job. We didn't

0:11:13.862 --> 0:11:16.702
<v Speaker 4>know back in COVID Times that the epidemiologists quoted saying

0:11:16.742 --> 0:11:19.022
<v Speaker 4>that mass didn't work. We're learning on the job. Of course,

0:11:19.062 --> 0:11:20.822
<v Speaker 4>now that you say it makes perfect sense, but at

0:11:20.822 --> 0:11:23.262
<v Speaker 4>the time that was presented as gospel to us.

0:11:23.542 --> 0:11:27.422
<v Speaker 1>What always strikes me is the naivety of people believing

0:11:27.422 --> 0:11:31.342
<v Speaker 1>that if the media had this amazing story about you know,

0:11:31.542 --> 0:11:37.062
<v Speaker 1>cabals of Hollywood elites eating children, or city under their

0:11:37.062 --> 0:11:42.262
<v Speaker 1>ground or Chinese drones, the media would be cloring over

0:11:42.302 --> 0:11:46.022
<v Speaker 1>each other to report that right, because from the point

0:11:46.022 --> 0:11:48.262
<v Speaker 1>of view of journalists, everybody wants to break a great story.

0:11:48.422 --> 0:11:51.902
<v Speaker 1>But also media organizations want to get exclusives because that

0:11:51.942 --> 0:11:55.062
<v Speaker 1>makes traffic, which you can want to monetize. And you know,

0:11:55.142 --> 0:11:58.302
<v Speaker 1>in this attention economy, the idea that the media are

0:11:58.822 --> 0:12:02.302
<v Speaker 1>suppressing things because someone's told us to.

0:12:02.582 --> 0:12:04.382
<v Speaker 4>Yeah, I don't think they're suppressing it, but I think

0:12:04.422 --> 0:12:07.342
<v Speaker 4>sometimes there's not a lot of admission of humility, like

0:12:07.462 --> 0:12:10.182
<v Speaker 4>we don't know versus nothing to say. Do you hear, folks,

0:12:10.182 --> 0:12:12.222
<v Speaker 4>there's no underground city. I don't know. I'm hanging out

0:12:12.222 --> 0:12:13.062
<v Speaker 4>for the underground city.

0:12:13.102 --> 0:12:15.502
<v Speaker 3>It sounds fun in a moment.

0:12:15.822 --> 0:12:18.502
<v Speaker 2>What is the eighty twenty theory and why is the

0:12:18.502 --> 0:12:25.781
<v Speaker 2>world googling it? After watching Adolescence, Tina.

0:12:25.542 --> 0:12:27.742
<v Speaker 1>Fey wants celebrities to stay in that lane and stop

0:12:27.822 --> 0:12:30.382
<v Speaker 1>starting side hustles. She does not want to buy Natalie

0:12:30.422 --> 0:12:34.942
<v Speaker 1>Portman's vegan shoes, Beyonce's shampoo, Cameron diaz Is organic wine,

0:12:35.142 --> 0:12:38.862
<v Speaker 1>Jennifer Anderson's shampoo, j Loo's alcoholic sprits.

0:12:39.302 --> 0:12:40.142
<v Speaker 4>The list goes on.

0:12:40.302 --> 0:12:43.381
<v Speaker 1>Here's what she says on Amy Polla's new podcast after

0:12:43.462 --> 0:12:45.782
<v Speaker 1>Amy said to her that she had great hair and

0:12:45.782 --> 0:12:47.382
<v Speaker 1>should start her own haircut line.

0:12:47.422 --> 0:12:49.982
<v Speaker 5>But you have incredible hair. I feel like you should

0:12:49.982 --> 0:12:52.702
<v Speaker 5>have a hair campaign. And also I always pushing you

0:12:52.742 --> 0:12:56.542
<v Speaker 5>to have a glass line. Why do you not have clouds?

0:12:56.862 --> 0:12:59.381
<v Speaker 5>I don't have a glasses line because I have to say,

0:12:59.702 --> 0:13:03.902
<v Speaker 5>you hate money. I have a problem with rich people

0:13:04.142 --> 0:13:07.342
<v Speaker 5>having a side hustle. Yeah, do you mean like a podcasting?

0:13:07.542 --> 0:13:09.542
<v Speaker 6>No, this is your doing work. I'm saying if you

0:13:09.862 --> 0:13:12.261
<v Speaker 6>if you sold, like, where would my line be for you?

0:13:12.302 --> 0:13:13.462
<v Speaker 6>Where would I draw the line?

0:13:14.262 --> 0:13:14.462
<v Speaker 4>Yeah?

0:13:14.502 --> 0:13:16.222
<v Speaker 5>I know you mean like if I had if I

0:13:16.262 --> 0:13:19.261
<v Speaker 5>had a rose, if you yeah, you know.

0:13:19.262 --> 0:13:22.222
<v Speaker 6>If you already have like two hundred million dollars and

0:13:22.222 --> 0:13:25.222
<v Speaker 6>you're like, also, I need you to be Tina.

0:13:25.382 --> 0:13:27.702
<v Speaker 5>That is this is where you have to learn from

0:13:27.782 --> 0:13:28.062
<v Speaker 5>gen Z.

0:13:28.222 --> 0:13:30.261
<v Speaker 3>I'm sorry, and we have to They don't care, they don't,

0:13:30.302 --> 0:13:30.582
<v Speaker 3>they don't.

0:13:30.862 --> 0:13:32.422
<v Speaker 4>They don't judge it, judge it.

0:13:32.462 --> 0:13:35.261
<v Speaker 5>Well, get you should stop because this is the thing

0:13:35.302 --> 0:13:37.742
<v Speaker 5>that you have to have a million, you have to

0:13:37.782 --> 0:13:40.062
<v Speaker 5>have glasses amiliar?

0:13:40.182 --> 0:13:41.902
<v Speaker 3>Is it very gen x to be?

0:13:42.022 --> 0:13:44.302
<v Speaker 1>I mean I love a side hustle obviously, so it

0:13:44.342 --> 0:13:46.302
<v Speaker 1>doesn't apply to me. But do you think that.

0:13:46.662 --> 0:13:49.182
<v Speaker 4>Yeah, the idea of selling out is classic gen X,

0:13:49.742 --> 0:13:51.742
<v Speaker 4>and I think it's part of why we've seen such

0:13:51.742 --> 0:13:55.942
<v Speaker 4>a big backlash against Ryan Reynolds and Blake Lively. I mean, yes,

0:13:56.022 --> 0:13:58.702
<v Speaker 4>there's the texts of it all, but also Ryan Reynolds

0:13:58.742 --> 0:14:01.702
<v Speaker 4>has been selling his gin for a long time now.

0:14:02.022 --> 0:14:05.062
<v Speaker 4>His wife, Blake Lively, sells hair care and also an

0:14:05.102 --> 0:14:07.862
<v Speaker 4>alcoholic beverages line. She doesn't drink, by the way, neither

0:14:07.942 --> 0:14:10.702
<v Speaker 4>is j Loo, who also has a drenk. Jlo was

0:14:10.702 --> 0:14:12.382
<v Speaker 4>also the one who told us that she uses olive

0:14:12.422 --> 0:14:14.422
<v Speaker 4>oil on her skin until she wanted to sell us

0:14:14.422 --> 0:14:18.142
<v Speaker 4>the skincare line. I'm over it. I love that Tina

0:14:18.182 --> 0:14:18.822
<v Speaker 4>Fair is saying this.

0:14:19.142 --> 0:14:21.822
<v Speaker 2>I agree it's funny because I'm sure it is gen X,

0:14:21.862 --> 0:14:23.342
<v Speaker 2>but I do judge it because I'm like, what you

0:14:23.382 --> 0:14:26.582
<v Speaker 2>get paid. Don't mean Tina Faye, but some a another

0:14:26.782 --> 0:14:29.502
<v Speaker 2>movie star. You get paid thirty million dollars a movie

0:14:29.622 --> 0:14:33.662
<v Speaker 2>and you need girose line. But then maybe ordinary people

0:14:33.662 --> 0:14:37.222
<v Speaker 2>don't understand how expensive their lives are. Because you're right

0:14:37.222 --> 0:14:39.942
<v Speaker 2>about Ryan Reynolds, but he doesn't only have gin. He

0:14:39.982 --> 0:14:43.702
<v Speaker 2>also has a phone company. Oh yeah, that's a football team.

0:14:44.022 --> 0:14:46.582
<v Speaker 2>He owns the world. We live, just live in Ryan

0:14:46.622 --> 0:14:48.822
<v Speaker 2>Reynolds's world, and like sometimes I'm.

0:14:48.742 --> 0:14:53.182
<v Speaker 4>Like as Ashton Kutcher, who is now he made some

0:14:53.222 --> 0:14:55.422
<v Speaker 4>money through acting, but now he's made most of his

0:14:55.462 --> 0:14:56.942
<v Speaker 4>money through his venture capital firm.

0:14:57.022 --> 0:15:00.702
<v Speaker 1>But that's very different to selling me a sprits. I mean,

0:15:01.262 --> 0:15:04.982
<v Speaker 1>Chris Hemsworth has a fitness app, Galgodott has a boxed

0:15:05.022 --> 0:15:08.862
<v Speaker 1>macaroni cheese company. Scarlet your Hansen has a popcorn st

0:15:09.022 --> 0:15:12.702
<v Speaker 1>and she's got getting caved in Paris. I don't understand

0:15:13.022 --> 0:15:16.022
<v Speaker 1>the problem. It's like, for so long, famous people and

0:15:16.062 --> 0:15:19.862
<v Speaker 1>particularly women, were used to make money for other people

0:15:20.062 --> 0:15:23.582
<v Speaker 1>by being the faces of other people's businesses, and now

0:15:23.982 --> 0:15:28.182
<v Speaker 1>these celebrities are saying, well, I'm not in control necessarily

0:15:28.222 --> 0:15:31.422
<v Speaker 1>of my fame. And also particularly for the women, it's

0:15:31.462 --> 0:15:33.982
<v Speaker 1>a tough world out there for a woman getting older,

0:15:34.142 --> 0:15:38.142
<v Speaker 1>so I want a side hustle to use my own brain.

0:15:39.942 --> 0:15:41.862
<v Speaker 4>It's not a tough world for a man out there

0:15:41.862 --> 0:15:42.542
<v Speaker 4>when he's older.

0:15:42.582 --> 0:15:46.102
<v Speaker 2>It's the Kardashian's fault because when the Kardashians became famous,

0:15:46.102 --> 0:15:48.222
<v Speaker 2>and people used to say, but what do they do?

0:15:48.342 --> 0:15:51.022
<v Speaker 2>No one says that anymore because they sprook things. That's

0:15:51.062 --> 0:15:53.462
<v Speaker 2>what they do, but in the day they were spooking

0:15:53.502 --> 0:15:55.662
<v Speaker 2>public toilets to remember that when there was the time.

0:15:55.742 --> 0:15:58.582
<v Speaker 1>I still sometimes do they still take money for posts,

0:15:58.582 --> 0:16:00.182
<v Speaker 1>But then there are also a lot of them are

0:16:00.182 --> 0:16:02.622
<v Speaker 1>billionaires in their own right because the businesses that they've

0:16:02.622 --> 0:16:05.462
<v Speaker 1>still like Skims and Kylie cost.

0:16:05.142 --> 0:16:07.022
<v Speaker 4>And maybe that's where we draw the line. When the

0:16:07.062 --> 0:16:10.542
<v Speaker 4>company comes across as standing on it so on two feet,

0:16:10.782 --> 0:16:13.462
<v Speaker 4>I think we forgive it more so. Skims is an example,

0:16:13.542 --> 0:16:17.222
<v Speaker 4>now has a billion dollar valuation. Selena Gomez's Rare Beauty

0:16:17.462 --> 0:16:19.702
<v Speaker 4>is now a billion dollar company, and we all accept

0:16:19.742 --> 0:16:22.142
<v Speaker 4>that that's the best liquid blush there is. When it's

0:16:22.142 --> 0:16:23.982
<v Speaker 4>a good company, I think we forgive it.

0:16:24.142 --> 0:16:26.742
<v Speaker 2>J Loo and Britney Spears have both made more money

0:16:26.822 --> 0:16:28.782
<v Speaker 2>out of the perfumes with their names on them than

0:16:28.822 --> 0:16:32.662
<v Speaker 2>anything else in their careers, so it definitely works. But

0:16:32.742 --> 0:16:35.742
<v Speaker 2>it feels like I think what pay is saying is like,

0:16:35.862 --> 0:16:37.942
<v Speaker 2>how many things do you need to put your name on?

0:16:38.142 --> 0:16:40.302
<v Speaker 2>And I'm sure you're right that it's a gen x judgment.

0:16:40.422 --> 0:16:42.422
<v Speaker 3>I'd buy some of her glasses. I wish she'd launch

0:16:42.422 --> 0:16:43.142
<v Speaker 3>a glasses line.

0:16:43.142 --> 0:16:44.342
<v Speaker 2>I'm selfish that she hasn't.

0:16:45.382 --> 0:16:47.782
<v Speaker 4>This next topic is one that makes me really uncomfortable

0:16:47.822 --> 0:16:49.702
<v Speaker 4>to talk about it, but we have to talk about

0:16:49.742 --> 0:16:53.182
<v Speaker 4>it because everyone is talking about it right now. And

0:16:53.502 --> 0:16:56.462
<v Speaker 4>it's the eighty twenty rule. This is a rule of

0:16:56.502 --> 0:16:59.382
<v Speaker 4>in cells online, who believe that eighty percent of women

0:16:59.702 --> 0:17:03.062
<v Speaker 4>are attracted to twenty percent of men. The phrase apparently

0:17:03.102 --> 0:17:06.582
<v Speaker 4>comes from economics. It's from an Italian economist who observed

0:17:06.622 --> 0:17:08.702
<v Speaker 4>at the beginning of the twentieth century that just twenty

0:17:08.742 --> 0:17:11.502
<v Speaker 4>percent of Italian owned eighty percent of land. But in

0:17:11.542 --> 0:17:13.701
<v Speaker 4>recent years in cells have really grabbed hold of this

0:17:13.861 --> 0:17:16.782
<v Speaker 4>and they use this theory to justify why they deserve

0:17:16.861 --> 0:17:19.101
<v Speaker 4>sex from women, because they say that twenty percent of

0:17:19.141 --> 0:17:22.262
<v Speaker 4>men are alphas or chads in their parlance, and they

0:17:22.302 --> 0:17:25.101
<v Speaker 4>get all the sexual opportunities, while the eighty percent of

0:17:25.141 --> 0:17:28.421
<v Speaker 4>men who are not chads don't get any love from women,

0:17:28.502 --> 0:17:31.101
<v Speaker 4>and therefore they can coerce women into sex.

0:17:31.302 --> 0:17:33.621
<v Speaker 1>So it's like the eighty twenty rule of you wear

0:17:33.661 --> 0:17:36.141
<v Speaker 1>twenty percent of your clothes eighty percent of the time.

0:17:36.341 --> 0:17:39.821
<v Speaker 4>It's like that sort of more depressed and impressive. And

0:17:39.942 --> 0:17:43.901
<v Speaker 4>the reason why suddenly everyone's talking about the eighty twenty

0:17:43.942 --> 0:17:47.422
<v Speaker 4>rule is because of this show on Netflix called adolescence.

0:17:48.022 --> 0:17:51.782
<v Speaker 4>This show has triggered a huge conversation about the radicalization

0:17:51.861 --> 0:17:54.862
<v Speaker 4>of young men, how they turn into in cells, why

0:17:55.101 --> 0:17:58.461
<v Speaker 4>young men are committing violence against women, why misogynistic violence

0:17:58.502 --> 0:18:01.101
<v Speaker 4>is on the rise. I haven't watched this show. I

0:18:01.141 --> 0:18:04.061
<v Speaker 4>don't think I ever will watch it, but I'm grateful

0:18:04.141 --> 0:18:06.422
<v Speaker 4>to the star and co writer of the show, Stephen Grain,

0:18:06.462 --> 0:18:08.542
<v Speaker 4>because I think he has kicked off a very important

0:18:08.581 --> 0:18:10.981
<v Speaker 4>conversation at a world that not a lot of us

0:18:11.022 --> 0:18:13.621
<v Speaker 4>know a lot about. I want to share with you

0:18:13.742 --> 0:18:16.581
<v Speaker 4>a clip of him on Jimmy Fallon Show recently talking

0:18:16.621 --> 0:18:18.341
<v Speaker 4>about why he made the show.

0:18:18.702 --> 0:18:21.821
<v Speaker 7>It's a young boy who kills a young girl. I'm

0:18:21.861 --> 0:18:24.542
<v Speaker 7>not doing any spoilers because we found out straight away,

0:18:24.542 --> 0:18:26.022
<v Speaker 7>and as a collective, we didn't want it to be

0:18:26.061 --> 0:18:27.862
<v Speaker 7>a who done it? We wanted it to be more

0:18:27.861 --> 0:18:29.742
<v Speaker 7>of a why why he did it? You know what

0:18:29.782 --> 0:18:31.782
<v Speaker 7>I mean? So what we kind of did was I

0:18:32.262 --> 0:18:34.302
<v Speaker 7>watched I read an article in the paper. It was

0:18:34.302 --> 0:18:36.302
<v Speaker 7>about a young boy who stabbed a young girl to death.

0:18:36.502 --> 0:18:38.221
<v Speaker 7>And then there was a couple of months later on

0:18:38.262 --> 0:18:40.821
<v Speaker 7>the news there was a piece about a young boy

0:18:40.861 --> 0:18:42.821
<v Speaker 7>who stabbed a young girl to death. And these were

0:18:42.861 --> 0:18:46.302
<v Speaker 7>the opposite ends of the country. And I just, if

0:18:46.302 --> 0:18:48.661
<v Speaker 7>I'm really honest with you, Jim, I just hate my

0:18:48.702 --> 0:18:51.422
<v Speaker 7>heart and I just think kind of a society we're

0:18:51.422 --> 0:18:53.901
<v Speaker 7>living in at the moment where young boys are stabbing

0:18:53.942 --> 0:18:57.341
<v Speaker 7>young girls and you know that beautiful saying it takes

0:18:57.702 --> 0:19:00.422
<v Speaker 7>a village to raise a child. Well, I just thought,

0:19:00.422 --> 0:19:02.821
<v Speaker 7>what if we're all kind of accountable, you know, the

0:19:02.942 --> 0:19:08.662
<v Speaker 7>education system, parenting, the community, the government. And also when

0:19:08.702 --> 0:19:11.141
<v Speaker 7>we were kids, we didn't have social media. So if

0:19:11.141 --> 0:19:12.621
<v Speaker 7>we were in our rooms when we were kids, we

0:19:12.702 --> 0:19:15.061
<v Speaker 7>were either playing out in the streets we or we

0:19:15.061 --> 0:19:17.581
<v Speaker 7>were in our rooms I draw them pitches or playing

0:19:17.661 --> 0:19:22.821
<v Speaker 7>keyboards or somethin We didn't have the accessibility to all

0:19:22.861 --> 0:19:26.262
<v Speaker 7>of this stuff in the world that really influences young minds.

0:19:26.262 --> 0:19:27.941
<v Speaker 7>And I just I wanted to take a look at it.

0:19:27.982 --> 0:19:30.542
<v Speaker 7>I'm not blaming anyone. I just thought, maybe we're all

0:19:30.581 --> 0:19:33.101
<v Speaker 7>accountable and we should, you know, have a conversation about it.

0:19:33.422 --> 0:19:36.061
<v Speaker 3>Yeah, I guess it's really great.

0:19:36.141 --> 0:19:40.861
<v Speaker 1>Right, Oh, you're braver than Amelia or I. You watched

0:19:40.861 --> 0:19:44.461
<v Speaker 1>it immediately, as did Jesse, and everyone's talking to you

0:19:44.462 --> 0:19:45.302
<v Speaker 1>about it, and you want to.

0:19:45.302 --> 0:19:45.902
<v Speaker 3>Talk about it.

0:19:46.341 --> 0:19:48.941
<v Speaker 1>What are they saying, like, what are the things that

0:19:48.982 --> 0:19:50.542
<v Speaker 1>people are taking away from this show?

0:19:51.422 --> 0:19:54.581
<v Speaker 2>So I think that the reason that so something like

0:19:54.621 --> 0:19:57.341
<v Speaker 2>the eight twenty rule that we decided to talk about

0:19:57.381 --> 0:20:00.341
<v Speaker 2>today is being passed around, and there is some other

0:20:00.422 --> 0:20:03.782
<v Speaker 2>intel in this show from the secret language of emojis,

0:20:03.782 --> 0:20:06.101
<v Speaker 2>for example. I think what a lot of people are

0:20:06.101 --> 0:20:10.422
<v Speaker 2>taking from this show is they want to s intel.

0:20:10.621 --> 0:20:12.981
<v Speaker 2>They want to understand if they can do and if

0:20:12.982 --> 0:20:14.941
<v Speaker 2>they've got children. We talked about this mere but I

0:20:14.982 --> 0:20:17.502
<v Speaker 2>think how are you reacting to adolescents probably has a

0:20:17.542 --> 0:20:20.262
<v Speaker 2>lot to do with your life stage right. Because Jesse

0:20:20.341 --> 0:20:24.061
<v Speaker 2>recommended the show on Friday, it is an outstanding show.

0:20:24.542 --> 0:20:26.621
<v Speaker 2>I also have to do a shout out for hearing

0:20:26.621 --> 0:20:29.581
<v Speaker 2>an accent like that on an American talk show. Don't

0:20:29.661 --> 0:20:34.022
<v Speaker 2>offer because this is a sidebar, but British creatives usually

0:20:34.022 --> 0:20:34.581
<v Speaker 2>talk like this.

0:20:34.702 --> 0:20:35.141
<v Speaker 8>They do.

0:20:36.022 --> 0:20:38.101
<v Speaker 2>He's a work class man from the North of England

0:20:38.141 --> 0:20:40.022
<v Speaker 2>and he has made one of the most important pieces

0:20:40.061 --> 0:20:42.901
<v Speaker 2>of television to be made in ten years. Because the

0:20:42.942 --> 0:20:45.061
<v Speaker 2>thing about this show is and he goes on to

0:20:45.141 --> 0:20:48.182
<v Speaker 2>saying that he didn't have answers. It's not a show

0:20:48.222 --> 0:20:50.701
<v Speaker 2>with like neat answers and things tied up in bows.

0:20:51.022 --> 0:20:55.221
<v Speaker 2>But what it does is it reflects a whole cultural moment.

0:20:55.302 --> 0:20:57.742
<v Speaker 2>And I think back to the life stage bit. If

0:20:57.821 --> 0:21:00.702
<v Speaker 2>you've got a child in that demo, a thirteen year

0:21:00.702 --> 0:21:02.941
<v Speaker 2>old boy, and obviously I do, and I have a

0:21:02.982 --> 0:21:06.022
<v Speaker 2>fifteen year old girl, so teenagers, or you have kids

0:21:06.061 --> 0:21:08.622
<v Speaker 2>who are younger and coming up to that space. It's

0:21:08.661 --> 0:21:10.382
<v Speaker 2>not new to say that one of the things we

0:21:10.502 --> 0:21:12.942
<v Speaker 2>mostly freak out about and parents talk about more than

0:21:13.022 --> 0:21:17.942
<v Speaker 2>anything else is technology, right phones, social media, input and influence,

0:21:18.422 --> 0:21:20.302
<v Speaker 2>and one of the things that this show does so

0:21:20.422 --> 0:21:23.542
<v Speaker 2>brilliantly in episode two, and I won't go into lots

0:21:23.581 --> 0:21:25.182
<v Speaker 2>of details if you're not watching it is not interesting,

0:21:25.182 --> 0:21:29.581
<v Speaker 2>but basically, the policeman who is investigating this murder, his

0:21:29.861 --> 0:21:32.502
<v Speaker 2>teenage son explains to him because the police are looking

0:21:32.542 --> 0:21:34.342
<v Speaker 2>at all this evidence, you know, they're talking to the kids,

0:21:34.381 --> 0:21:36.742
<v Speaker 2>and the kids aren't telling them anything, and they're looking

0:21:36.742 --> 0:21:38.742
<v Speaker 2>at comments on social media and they're going there doesn't

0:21:38.742 --> 0:21:41.141
<v Speaker 2>seem to be anything here. And then one of the

0:21:41.141 --> 0:21:44.542
<v Speaker 2>policeman's teenage son kind of translates some of the comments

0:21:44.542 --> 0:21:44.902
<v Speaker 2>for him.

0:21:45.022 --> 0:21:45.542
<v Speaker 8>The eighty to.

0:21:45.581 --> 0:21:49.022
<v Speaker 9>Twenty as a listen, my brain can't take all this.

0:21:49.422 --> 0:21:51.302
<v Speaker 8>I don't know what you're talking about. Just break it down.

0:21:51.942 --> 0:21:55.302
<v Speaker 8>Eighty percent of women are attracted to twenty percent of men.

0:21:56.502 --> 0:21:59.181
<v Speaker 8>Women you must trick them because you'll never get them

0:21:59.182 --> 0:22:01.061
<v Speaker 8>in a normal way. Eighty percent of women are cut

0:22:01.061 --> 0:22:03.701
<v Speaker 8>off or or she's seeing he's an insult.

0:22:03.661 --> 0:22:07.342
<v Speaker 2>That and explains that that's kind of coded language of

0:22:07.621 --> 0:22:13.222
<v Speaker 2>the manisphere, and also of the girls using that language

0:22:13.262 --> 0:22:15.661
<v Speaker 2>back at the boys as an insult, like calling them

0:22:15.702 --> 0:22:18.461
<v Speaker 2>an insul and so on as an insult. So I

0:22:18.502 --> 0:22:21.262
<v Speaker 2>think for a lot of parents, they're like clinging onto this.

0:22:21.222 --> 0:22:23.942
<v Speaker 4>Like information we can try and protect.

0:22:23.661 --> 0:22:26.262
<v Speaker 2>Ourselves from this. And then I think, if you're in

0:22:26.262 --> 0:22:28.141
<v Speaker 2>a different phase of your life, you can just watch

0:22:28.182 --> 0:22:30.902
<v Speaker 2>this show as a remarkable piece of television because it's

0:22:31.061 --> 0:22:35.421
<v Speaker 2>famously discussed. Every episode is in one take. Acting is amazing.

0:22:35.462 --> 0:22:38.702
<v Speaker 2>It doesn't offer all those neat little solutions were used

0:22:38.742 --> 0:22:41.901
<v Speaker 2>to in a TV drama. I haven't seen a show

0:22:42.022 --> 0:22:44.581
<v Speaker 2>take hold of people like this for such a long time,

0:22:44.702 --> 0:22:47.821
<v Speaker 2>because I think it's grabbed hold of our biggest fears

0:22:47.861 --> 0:22:50.222
<v Speaker 2>and we're swimming in this awful news at the moment.

0:22:50.262 --> 0:22:52.302
<v Speaker 2>At the weekend, there was an enormous amount of courage

0:22:52.341 --> 0:22:54.502
<v Speaker 2>of the Lily James Inquest, who was a young woman

0:22:55.101 --> 0:22:57.821
<v Speaker 2>murdered two years ago in Sydney. The man who killed

0:22:57.821 --> 0:22:59.862
<v Speaker 2>her took his own life, so we never got answers

0:22:59.901 --> 0:23:02.382
<v Speaker 2>from him, but there's been an inquest and a lot

0:23:02.422 --> 0:23:04.581
<v Speaker 2>of the similar themes come through, even though these people

0:23:04.621 --> 0:23:07.982
<v Speaker 2>were in their early twenties. Rejection, you know, the idea,

0:23:08.141 --> 0:23:11.061
<v Speaker 2>oh yeah, she wasn't as keen on him as he

0:23:11.141 --> 0:23:15.302
<v Speaker 2>was on her. And that's also a theme in adolescence, stalking,

0:23:15.422 --> 0:23:18.742
<v Speaker 2>you know, tracking people's whereabouts, what people say about each

0:23:18.742 --> 0:23:21.022
<v Speaker 2>other on social media. It all feels of a peace

0:23:21.982 --> 0:23:24.181
<v Speaker 2>and we're all just really frightened, and I think this

0:23:24.302 --> 0:23:27.022
<v Speaker 2>show has kind of opened a bit of a window

0:23:27.061 --> 0:23:29.381
<v Speaker 2>for us to be able to go what are we doing?

0:23:29.502 --> 0:23:31.782
<v Speaker 4>But did it make you feel dismay? That's why I

0:23:31.782 --> 0:23:32.981
<v Speaker 4>don't think I can bring them.

0:23:32.901 --> 0:23:36.341
<v Speaker 2>Distress and de spare definitely. In fact, I had to

0:23:36.381 --> 0:23:38.821
<v Speaker 2>watch it in bits, so I said this to you

0:23:38.821 --> 0:23:40.701
<v Speaker 2>guys last week because me and Jesse were talking about it.

0:23:40.742 --> 0:23:42.581
<v Speaker 2>I was like, Oh, it's amazing, it's amazing. And then

0:23:42.621 --> 0:23:45.942
<v Speaker 2>I got halfway through the third episode and I had

0:23:45.982 --> 0:23:49.581
<v Speaker 2>to stop because I literally was getting very distressed. But

0:23:49.982 --> 0:23:52.901
<v Speaker 2>I also think that some things are important enough that

0:23:52.942 --> 0:23:54.702
<v Speaker 2>we have to sit in our discomfort about them, right,

0:23:54.782 --> 0:23:57.022
<v Speaker 2>like a lot of things are. And the thing that's

0:23:57.061 --> 0:23:59.181
<v Speaker 2>interesting about this is now it's broken out into this

0:23:59.262 --> 0:24:03.262
<v Speaker 2>mainstream conversation. I mean, Stephen Graham says, I wanted to

0:24:03.581 --> 0:24:06.262
<v Speaker 2>have a conversation about what if we're all accountable, which is.

0:24:06.262 --> 0:24:09.181
<v Speaker 3>A very big question. The problem is a lot of it.

0:24:09.222 --> 0:24:11.141
<v Speaker 2>Always I was back to phones, which feels like this

0:24:11.262 --> 0:24:13.182
<v Speaker 2>in sol the problem don't let your kids have too

0:24:13.222 --> 0:24:16.502
<v Speaker 2>much access unfitted this idea that Jonathan Hite talks about,

0:24:16.542 --> 0:24:21.782
<v Speaker 2>that we're overparenting in real life and underparenting in digital life.

0:24:22.101 --> 0:24:26.942
<v Speaker 1>What I often think is the hardest thing for our

0:24:27.022 --> 0:24:29.381
<v Speaker 1>generation of parents. And sometimes I feel like I'm a

0:24:29.381 --> 0:24:32.582
<v Speaker 1>little bit of a bridge between old parenting and new

0:24:32.661 --> 0:24:37.061
<v Speaker 1>parenting because I had most of my kids quite a

0:24:37.061 --> 0:24:41.341
<v Speaker 1>while ago. It was before this, it was before the Manisphere,

0:24:41.341 --> 0:24:43.262
<v Speaker 1>it was before I Andrew Taate and I've got a

0:24:43.262 --> 0:24:46.861
<v Speaker 1>teenage son still, but that really vulnerable age of like

0:24:46.942 --> 0:24:50.262
<v Speaker 1>tween and teen. Things were just different then when my

0:24:50.381 --> 0:24:54.261
<v Speaker 1>kids were younger. But we've got the first generation of

0:24:54.341 --> 0:24:59.022
<v Speaker 1>parents who were parenting issues that they never experienced. So

0:24:59.381 --> 0:25:01.181
<v Speaker 1>when I was growing up and you were growing up,

0:25:01.222 --> 0:25:02.982
<v Speaker 1>the Gen x'es were growing up, it was like, yeah,

0:25:03.061 --> 0:25:05.942
<v Speaker 1>we did all the same naughty shit that our parents did.

0:25:06.022 --> 0:25:08.782
<v Speaker 3>Drugs, alcohol, sex.

0:25:08.702 --> 0:25:10.942
<v Speaker 1>All of those kinds of things, you know, skipping school,

0:25:11.061 --> 0:25:13.781
<v Speaker 1>and our parents it just wasn't any different. So they

0:25:13.821 --> 0:25:17.222
<v Speaker 1>could make rules because it was they had lived experience

0:25:17.222 --> 0:25:19.741
<v Speaker 1>of the things we were doing. Not only do we

0:25:19.782 --> 0:25:22.382
<v Speaker 1>not have lived experience of this stuff, we don't even

0:25:22.502 --> 0:25:23.742
<v Speaker 1>understand the words.

0:25:24.182 --> 0:25:25.942
<v Speaker 3>And it's also invisible to us.

0:25:26.141 --> 0:25:28.341
<v Speaker 1>So it's not even as if we can really learn

0:25:28.381 --> 0:25:31.861
<v Speaker 1>about it, because you can't. You can watch a movie

0:25:31.901 --> 0:25:34.422
<v Speaker 1>like this, but of course half of that, the emojis

0:25:34.462 --> 0:25:36.782
<v Speaker 1>and everything in the terminology, that'll all be out of date,

0:25:37.262 --> 0:25:39.222
<v Speaker 1>and it will evolve and evolve and evolve. So it's

0:25:39.262 --> 0:25:41.901
<v Speaker 1>like this secret talk about the underground world underneath the

0:25:41.901 --> 0:25:45.821
<v Speaker 1>pyramids that's happening in the lives of our children that

0:25:46.222 --> 0:25:47.661
<v Speaker 1>we have no idea about.

0:25:48.101 --> 0:25:52.101
<v Speaker 4>And also as the technology has evolved, the challenges have intensified.

0:25:52.182 --> 0:25:54.502
<v Speaker 4>See when I was growing up in the nineties, I'm

0:25:54.502 --> 0:25:56.862
<v Speaker 4>sure listeners who grew up at the same time can

0:25:56.901 --> 0:26:00.342
<v Speaker 4>relate to this. There was one big family computer and

0:26:00.381 --> 0:26:02.742
<v Speaker 4>it was either in the corner of the living room

0:26:02.901 --> 0:26:06.101
<v Speaker 4>or in one of your parents' studies, and it was

0:26:06.141 --> 0:26:09.341
<v Speaker 4>this enormous thing, and you couldn't go in there, syrup.

0:26:10.101 --> 0:26:13.861
<v Speaker 4>You would first of all have to dial up then

0:26:14.542 --> 0:26:17.782
<v Speaker 4>and then you'd get on. But that said, kids are resourceful.

0:26:17.861 --> 0:26:19.581
<v Speaker 4>I have to say that when I was on the

0:26:19.581 --> 0:26:21.901
<v Speaker 4>Internet in the nineties, I was going to chat rooms

0:26:21.942 --> 0:26:25.302
<v Speaker 4>and talking to people. My parents had no idea. But

0:26:25.381 --> 0:26:27.861
<v Speaker 4>the difference is I guess that that's just ramped up

0:26:27.901 --> 0:26:29.022
<v Speaker 4>even more since then.

0:26:29.702 --> 0:26:32.941
<v Speaker 2>It's true, and it's interesting because obviously you can be

0:26:32.982 --> 0:26:35.022
<v Speaker 2>semi literate. To your point me that there's a whole

0:26:35.101 --> 0:26:36.821
<v Speaker 2>language we don't understand, which I think is why a

0:26:36.861 --> 0:26:38.982
<v Speaker 2>lot of parents are seizing on the details of this show.

0:26:39.462 --> 0:26:41.181
<v Speaker 2>There's a whole longs you don't understand it. If you're

0:26:41.222 --> 0:26:43.821
<v Speaker 2>semi literate, sometimes it can be clumsier than if you

0:26:43.821 --> 0:26:46.182
<v Speaker 2>don't understand it at all. My son will be watching

0:26:46.262 --> 0:26:48.581
<v Speaker 2>YouTube shorts and I'll be like, what's that about, And

0:26:48.581 --> 0:26:50.381
<v Speaker 2>he'll be like, it's about Minecraft, And I'm like, is

0:26:50.422 --> 0:26:52.941
<v Speaker 2>it though, or are you being radicalized by the manisphere?

0:26:53.262 --> 0:26:57.101
<v Speaker 2>You know, like there's probably coded messages in this that

0:26:57.141 --> 0:26:59.821
<v Speaker 2>I don't understand, and you're like, and parenting from a

0:26:59.821 --> 0:27:02.742
<v Speaker 2>place of fear is never a good place to parent from.

0:27:02.861 --> 0:27:03.861
<v Speaker 3>My son was listening to You.

0:27:03.942 --> 0:27:05.702
<v Speaker 1>Got in the car the other day and my bluetooth

0:27:05.742 --> 0:27:07.622
<v Speaker 1>picked up his phone and he was listening to a podcast,

0:27:07.621 --> 0:27:08.022
<v Speaker 1>and I was.

0:27:07.982 --> 0:27:10.141
<v Speaker 3>Like, what's this podcast about? Who is the same?

0:27:10.302 --> 0:27:12.821
<v Speaker 1>Is it someone radicalizing you? What are they talking about?

0:27:12.861 --> 0:27:16.021
<v Speaker 4>But how do we avoid the moral panic? Because hasn't

0:27:16.101 --> 0:27:19.901
<v Speaker 4>every parenting generation thought that there was something profoundly wrong

0:27:20.381 --> 0:27:23.461
<v Speaker 4>or worrisome about what their children were consuming or listening to.

0:27:23.621 --> 0:27:25.661
<v Speaker 4>Didn't parents say in the sixties that the Beatles had

0:27:25.702 --> 0:27:29.662
<v Speaker 4>long hair and maybe we're taking drugs and corrupting their children.

0:27:29.821 --> 0:27:33.061
<v Speaker 2>I think that's all true. And I generally am very

0:27:33.101 --> 0:27:36.581
<v Speaker 2>much on the let's not panic bandwagon because I think that,

0:27:36.621 --> 0:27:38.702
<v Speaker 2>you know, the vast majority of kids are not doing

0:27:38.742 --> 0:27:41.861
<v Speaker 2>awful things to each other, The vast majority of males

0:27:41.861 --> 0:27:44.222
<v Speaker 2>and females in relationships are not doing awful things.

0:27:44.022 --> 0:27:44.422
<v Speaker 3>To each other.

0:27:44.742 --> 0:27:48.422
<v Speaker 2>But there is no question that there is a rising

0:27:48.581 --> 0:27:51.381
<v Speaker 2>influence that is almost invisible to the naked eye, that

0:27:51.462 --> 0:27:53.861
<v Speaker 2>we're always really shocked to stumble across. So when you

0:27:53.942 --> 0:27:56.662
<v Speaker 2>find out how many followers Andrew Tait has, for example,

0:27:56.702 --> 0:27:58.701
<v Speaker 2>and he's just one of the names we know, you know,

0:27:58.782 --> 0:27:59.702
<v Speaker 2>the mainstream knows.

0:27:59.942 --> 0:28:01.181
<v Speaker 3>You're always like what you know.

0:28:01.222 --> 0:28:04.101
<v Speaker 2>And when you find out that he's being flown on

0:28:04.141 --> 0:28:06.182
<v Speaker 2>a jet back into him, like, it's kind of all

0:28:06.302 --> 0:28:08.862
<v Speaker 2>very jolting, and I think that you don't want to panic,

0:28:09.222 --> 0:28:13.022
<v Speaker 2>But the same time you have to be alert, just

0:28:13.222 --> 0:28:15.702
<v Speaker 2>to be tiny but helpful, because there are a lot

0:28:15.702 --> 0:28:18.462
<v Speaker 2>of information being swapped on the internet about this. It's

0:28:18.502 --> 0:28:21.141
<v Speaker 2>a lot of the same information that parents share around

0:28:21.182 --> 0:28:24.341
<v Speaker 2>about technology generally that returning to a time of a

0:28:24.381 --> 0:28:27.022
<v Speaker 2>computer in the lounge room meallya it might be impossible,

0:28:27.262 --> 0:28:29.381
<v Speaker 2>but it's still quite a good idea to keep the

0:28:29.422 --> 0:28:32.662
<v Speaker 2>computer's big screens somewhere public, to make sure you talk

0:28:32.661 --> 0:28:34.502
<v Speaker 2>to your kids about it, even though they do not

0:28:34.542 --> 0:28:36.421
<v Speaker 2>want to talk to you about it. It's very clear,

0:28:37.182 --> 0:28:40.661
<v Speaker 2>it's very confusing. Do you too think, having seen the

0:28:40.982 --> 0:28:43.741
<v Speaker 2>scale of this show and its influence, are you tempted

0:28:43.742 --> 0:28:44.382
<v Speaker 2>to watch it now?

0:28:44.622 --> 0:28:44.822
<v Speaker 4>Oh?

0:28:44.862 --> 0:28:48.981
<v Speaker 1>No, I'd hate that, Like, seriously, I just won't. And

0:28:49.062 --> 0:28:51.302
<v Speaker 1>I know what you mean. It's like, sometimes we have

0:28:51.342 --> 0:28:53.102
<v Speaker 1>to sit in our discomfort and we have to know.

0:28:53.542 --> 0:28:56.022
<v Speaker 1>I feel like with so many things, you can get

0:28:56.022 --> 0:28:58.822
<v Speaker 1>a sense of it without watching the thing itself.

0:28:59.222 --> 0:29:02.102
<v Speaker 4>It sort of reminds me of how I love horror movies.

0:29:02.342 --> 0:29:05.742
<v Speaker 4>I love you, I love reading the Wikipedia plots and

0:29:05.862 --> 0:29:07.421
<v Speaker 4>Nazis horror movies.

0:29:09.702 --> 0:29:12.741
<v Speaker 1>Break The White Loatus star who has asked everyone to

0:29:12.862 --> 0:29:15.102
<v Speaker 1>please stop talking about his junk.

0:29:15.862 --> 0:29:19.622
<v Speaker 2>One unlimited out loud access. We drop episodes every Tuesday

0:29:19.661 --> 0:29:23.702
<v Speaker 2>and Thursday exclusively for Mamma Mia subscribers. Follow the link

0:29:23.742 --> 0:29:25.502
<v Speaker 2>at the show notes to get us in your ears

0:29:25.742 --> 0:29:28.502
<v Speaker 2>five days a week, and a huge thank you to

0:29:28.661 --> 0:29:30.302
<v Speaker 2>all our current subscribers.

0:29:37.342 --> 0:29:39.582
<v Speaker 1>Sometimes you read a headline that is so bad shit

0:29:39.661 --> 0:29:41.701
<v Speaker 1>you have to pause and think about it for a moment.

0:29:42.622 --> 0:29:45.742
<v Speaker 3>The one I read, Yeah, how's this?

0:29:46.062 --> 0:29:50.741
<v Speaker 1>Jason Isaacs regrets bringing up Mikey Madison's volver watch watch what.

0:29:52.582 --> 0:29:55.742
<v Speaker 1>There's just way too many unrelated nouns in that headline.

0:29:56.502 --> 0:29:58.742
<v Speaker 1>And look if you're wondering why anyone is talking about

0:29:58.742 --> 0:30:02.382
<v Speaker 1>the genitals of celebrities. Jason Isaacs who is the actor

0:30:02.382 --> 0:30:05.102
<v Speaker 1>who plays the character of Tim in The White Lotus.

0:30:05.142 --> 0:30:06.582
<v Speaker 3>He's the dad of the sort.

0:30:06.462 --> 0:30:10.182
<v Speaker 1>Of southern family with the three grown up kids. He

0:30:10.222 --> 0:30:13.102
<v Speaker 1>wants you to know that he didn't start this. So

0:30:13.222 --> 0:30:13.981
<v Speaker 1>here's what happened.

0:30:14.022 --> 0:30:15.742
<v Speaker 3>There was a scene in the show.

0:30:15.582 --> 0:30:17.582
<v Speaker 1>A couple of weeks ago where his character is jacked

0:30:17.622 --> 0:30:19.181
<v Speaker 1>up on his wife's pills and he's a bit out

0:30:19.222 --> 0:30:20.701
<v Speaker 1>of it, and he comes down for breakfast in the

0:30:20.782 --> 0:30:25.262
<v Speaker 1>villa where all his family are gathered and he is

0:30:25.302 --> 0:30:27.182
<v Speaker 1>sitting on a chair and he sort of leans back

0:30:27.222 --> 0:30:29.342
<v Speaker 1>at one point and his bathrobe falls open and you

0:30:29.422 --> 0:30:33.782
<v Speaker 1>see his full situation, and his family are like, oh,

0:30:33.782 --> 0:30:37.181
<v Speaker 1>put it away, put it away, and he leaves, and

0:30:37.262 --> 0:30:40.221
<v Speaker 1>of course the internet immediately wanted to know whether it

0:30:40.302 --> 0:30:43.142
<v Speaker 1>was a prosthetic or not, and so that conversation then

0:30:43.342 --> 0:30:47.021
<v Speaker 1>spilled into the press circuit where all the cast are

0:30:47.102 --> 0:30:51.421
<v Speaker 1>doing interviews, and he started getting asked about it in interviews.

0:30:51.622 --> 0:30:54.542
<v Speaker 1>Here is what happened when he was on an American

0:30:54.582 --> 0:30:55.782
<v Speaker 1>morning show with Gail King.

0:30:56.062 --> 0:30:58.382
<v Speaker 2>You're amaking it is because last week we got to

0:30:58.382 --> 0:31:00.421
<v Speaker 2>see a full frontal and it was you, yes, And

0:31:00.462 --> 0:31:02.502
<v Speaker 2>I'm trying to figure out we were talking about being

0:31:02.702 --> 0:31:05.662
<v Speaker 2>impolite you was that a prothetic?

0:31:05.702 --> 0:31:07.542
<v Speaker 9>Well, because we were debating it, because we were a

0:31:07.542 --> 0:31:09.142
<v Speaker 9>lot of people debating. It's all over the exiet and

0:31:09.142 --> 0:31:12.262
<v Speaker 9>it's interest because you didn't answer the question. Well, I'll

0:31:12.302 --> 0:31:14.542
<v Speaker 9>tell you why, because the best actresses year is Mikey

0:31:14.542 --> 0:31:16.662
<v Speaker 9>Madison at the Oscars, and I don't see anybody discussing

0:31:16.661 --> 0:31:18.941
<v Speaker 9>her vulva, which was on television all the time. Now,

0:31:18.982 --> 0:31:21.342
<v Speaker 9>I'm not talking about Swedish cars, you know. So I

0:31:21.342 --> 0:31:23.262
<v Speaker 9>think it's interesting that there's a double standard for men.

0:31:23.462 --> 0:31:25.502
<v Speaker 9>But when women are naked Margaret quality as well in

0:31:25.502 --> 0:31:27.902
<v Speaker 9>the substance, nobody woul dream of talking to her about

0:31:27.902 --> 0:31:30.342
<v Speaker 9>her janitalia or nipples, any of those things. And so

0:31:30.622 --> 0:31:32.262
<v Speaker 9>it's odd that there's a double standard when it comes

0:31:32.262 --> 0:31:32.742
<v Speaker 9>to discussion.

0:31:33.622 --> 0:31:36.142
<v Speaker 4>A bit of a dud d it is a.

0:31:36.182 --> 0:31:38.262
<v Speaker 9>George, because I don't think that people really want to

0:31:38.262 --> 0:31:42.382
<v Speaker 9>know how the sausage is made.

0:31:44.422 --> 0:31:46.421
<v Speaker 8>Is the guy who does the prosthetics, the same guy

0:31:46.462 --> 0:31:48.222
<v Speaker 8>he does the ears and the noses.

0:31:48.502 --> 0:31:51.102
<v Speaker 9>Who says who's got fow?

0:31:51.182 --> 0:31:53.542
<v Speaker 7>But in general, who's the guy you call?

0:31:53.702 --> 0:31:56.261
<v Speaker 9>I genuinely think it would be odd when when there

0:31:56.302 --> 0:31:57.941
<v Speaker 9>are characters in some of the women are naked. And

0:31:57.982 --> 0:31:59.221
<v Speaker 9>here would be odd if you were sitting here and

0:31:59.222 --> 0:32:02.542
<v Speaker 9>you would never dream of discussing this, Amelia.

0:32:02.142 --> 0:32:02.782
<v Speaker 3>Are you out right?

0:32:03.022 --> 0:32:07.062
<v Speaker 4>Oh? Yeah, I've been really railing against this for a

0:32:07.102 --> 0:32:12.142
<v Speaker 4>long time that we don't talk about women's genitalia enough, culture.

0:32:11.902 --> 0:32:15.022
<v Speaker 2>Their bodies in general, like was that a body double?

0:32:15.062 --> 0:32:16.022
<v Speaker 2>Were those really your boobs?

0:32:16.022 --> 0:32:17.742
<v Speaker 3>There's things get asked all the time. I must have

0:32:17.822 --> 0:32:18.221
<v Speaker 3>missed it.

0:32:18.342 --> 0:32:20.062
<v Speaker 1>I know for a fact because I heard her talking

0:32:20.062 --> 0:32:23.462
<v Speaker 1>about it in an interview that Margaret Quali's boobs and

0:32:23.582 --> 0:32:27.742
<v Speaker 1>bum were prosthetic and cgi a combination.

0:32:27.342 --> 0:32:27.782
<v Speaker 4>Of the two.

0:32:27.942 --> 0:32:30.862
<v Speaker 3>So this is just true. Also, I watched Nonra on

0:32:30.902 --> 0:32:31.342
<v Speaker 3>the weekend.

0:32:31.422 --> 0:32:33.102
<v Speaker 1>Didn't see Mikey Madison's ba bah.

0:32:33.142 --> 0:32:35.502
<v Speaker 2>This is why it was a strange anecdote plat because

0:32:35.622 --> 0:32:37.382
<v Speaker 2>you can tell from his delivery. When a celebrity goes

0:32:37.422 --> 0:32:39.862
<v Speaker 2>on a talk show, they've rehearsed what they're going to say,

0:32:39.982 --> 0:32:41.582
<v Speaker 2>so he knows he's going to be asked about the

0:32:41.622 --> 0:32:45.022
<v Speaker 2>prosthetic penis. He's decided that's quite funny. Make the vulvar

0:32:45.102 --> 0:32:48.782
<v Speaker 2>volvo joke hilarious. Like this, you know it doesn't really land.

0:32:48.822 --> 0:32:51.542
<v Speaker 2>But also anyone could have told him exactly what you

0:32:51.702 --> 0:32:53.942
<v Speaker 2>just told him me or that, like, yes, they do

0:32:54.102 --> 0:32:57.502
<v Speaker 2>ask women about their prosthetic breasts and bums all the time.

0:32:57.542 --> 0:33:00.462
<v Speaker 4>And also men who lean into it like I'm thinking

0:33:00.462 --> 0:33:04.302
<v Speaker 4>of Ewan McGregor, for instance, he's famously fond of showing

0:33:04.382 --> 0:33:08.022
<v Speaker 4>him fastbender. Yeah, all fastbender, and I think it behooves

0:33:08.062 --> 0:33:10.182
<v Speaker 4>them to lean into the double sat and say we're

0:33:10.222 --> 0:33:11.942
<v Speaker 4>trying to rectify something here.

0:33:12.262 --> 0:33:14.382
<v Speaker 1>I read it differently, like he is an He's a

0:33:14.422 --> 0:33:19.262
<v Speaker 1>serious actor, serious actor. And you know, there is a

0:33:19.302 --> 0:33:23.302
<v Speaker 1>prosthetic dong in every season of The White Lotus in

0:33:24.302 --> 0:33:26.741
<v Speaker 1>it's a fun fact that I'm happy to bring to

0:33:26.782 --> 0:33:31.382
<v Speaker 1>the show. But I think he genuinely is jack of

0:33:31.422 --> 0:33:34.221
<v Speaker 1>it in the same way that I'm sure women what

0:33:34.262 --> 0:33:37.142
<v Speaker 1>was the phrase you use, jack, I'm sure he's in

0:33:37.182 --> 0:33:39.221
<v Speaker 1>the same way that women are jack of it, But

0:33:39.342 --> 0:33:41.422
<v Speaker 1>I guess he doesn't see the irony.

0:33:41.661 --> 0:33:44.542
<v Speaker 4>No, and I was interested in I looked up Game

0:33:44.582 --> 0:33:46.862
<v Speaker 4>of Thrones and the stats on nudity in that, because

0:33:46.862 --> 0:33:49.982
<v Speaker 4>that was obviously quite famous for its nudity. Turns out

0:33:50.022 --> 0:33:53.742
<v Speaker 4>the final tally was seventy breast appearances, So that's seventy

0:33:53.742 --> 0:33:59.782
<v Speaker 4>pairs of breast, not thirty. Yeah, goodness, and four penises.

0:34:00.182 --> 0:34:02.862
<v Speaker 4>But a quarter of those penis appearances was a character

0:34:02.942 --> 0:34:06.102
<v Speaker 4>checking for genital warts, So we'll knock it down.

0:34:05.942 --> 0:34:07.222
<v Speaker 3>To the game of thrown.

0:34:07.661 --> 0:34:10.221
<v Speaker 1>Well, you'll be pleased to know that there was, of

0:34:10.262 --> 0:34:14.622
<v Speaker 1>course backlash to his backlash, because this is the Zeitgey's

0:34:14.661 --> 0:34:17.942
<v Speaker 1>news cycle, and he's walking back some of the comments

0:34:17.982 --> 0:34:18.822
<v Speaker 1>that he made.

0:34:19.502 --> 0:34:24.421
<v Speaker 3>He clarified in another interview. He said, I used the phrase.

0:34:24.102 --> 0:34:26.701
<v Speaker 1>Double standard, which I didn't mean at all. There is

0:34:26.741 --> 0:34:29.821
<v Speaker 1>a different double standard. Women have been monstrously exploited all

0:34:30.221 --> 0:34:34.782
<v Speaker 1>men haven't. Helg this is a topic points for his publicist.

0:34:34.862 --> 0:34:37.182
<v Speaker 1>He said, it came out wrong, and I was tired.

0:34:37.342 --> 0:34:40.542
<v Speaker 1>I've done so many interviews. I absolutely should not have

0:34:40.622 --> 0:34:44.901
<v Speaker 1>made those two actresses, from my respect, enormously disappointed. He

0:34:44.942 --> 0:34:47.902
<v Speaker 1>then tried to clarify his point further by saying, I

0:34:47.982 --> 0:34:49.782
<v Speaker 1>wasn't trying to say that men have had a harder

0:34:49.822 --> 0:34:50.461
<v Speaker 1>time than women.

0:34:50.542 --> 0:34:51.422
<v Speaker 3>That would be absurd.

0:34:51.661 --> 0:34:54.181
<v Speaker 1>Women have had a monstrous time on camera forever, and

0:34:54.221 --> 0:34:55.702
<v Speaker 1>I hope to God that is changed.

0:34:55.822 --> 0:34:58.462
<v Speaker 4>Not to put too fine a point on it, Jason.

0:34:58.422 --> 0:35:01.261
<v Speaker 2>Bless his heart, honestly, I want to know, though me,

0:35:01.502 --> 0:35:03.702
<v Speaker 2>you know how in this world now where we've obviously

0:35:03.822 --> 0:35:06.942
<v Speaker 2>and for very good reason, got much better. It sounds

0:35:07.022 --> 0:35:10.181
<v Speaker 2>like managing nudity and sex scenes in Hollywood right, So

0:35:10.181 --> 0:35:11.701
<v Speaker 2>we've got intimacy coordinators.

0:35:11.741 --> 0:35:12.062
<v Speaker 8>Now.

0:35:12.422 --> 0:35:14.661
<v Speaker 2>Obviously, the more famous you become, the more you can say, no,

0:35:14.781 --> 0:35:16.741
<v Speaker 2>I won't show this, I won't show that, I'll show this,

0:35:16.781 --> 0:35:19.701
<v Speaker 2>show that. But can you also say I also won't

0:35:19.741 --> 0:35:22.821
<v Speaker 2>talk about it. Do you think that this schnaffo could

0:35:22.822 --> 0:35:24.062
<v Speaker 2>have been avoiding.

0:35:23.661 --> 0:35:25.901
<v Speaker 1>You can't really two things on that. First of all,

0:35:25.902 --> 0:35:28.342
<v Speaker 1>there was another blip in the news cycle about intimacy

0:35:28.382 --> 0:35:30.661
<v Speaker 1>coordinators because in the Gwyneth Paltrow interview that we spoke

0:35:30.661 --> 0:35:33.942
<v Speaker 1>about last week, she talked about how she's just filmed

0:35:33.982 --> 0:35:36.261
<v Speaker 1>this new movie with Timothy Shallamey where she's the older

0:35:36.261 --> 0:35:37.982
<v Speaker 1>woman to his younger man and they have lots of

0:35:37.982 --> 0:35:40.622
<v Speaker 1>sex scenes, and she said, and there was someone on

0:35:40.622 --> 0:35:43.542
<v Speaker 1>the set called an intimacy coordinator that I didn't even

0:35:43.582 --> 0:35:45.341
<v Speaker 1>know was a thing. And I'm just like, that's a

0:35:45.342 --> 0:35:48.341
<v Speaker 1>bit disingenuous, because come on, I know it's a thing,

0:35:48.342 --> 0:35:50.902
<v Speaker 1>and I don't work in Hollywood. And also, she was

0:35:51.102 --> 0:35:54.021
<v Speaker 1>part of the whole Me Too movement when she spoke

0:35:54.062 --> 0:35:59.181
<v Speaker 1>out about Harvey Weinstein and the proliferation of intimacy coordinators.

0:35:59.221 --> 0:36:02.102
<v Speaker 1>Now they just standard on any movie set. Has been

0:36:02.142 --> 0:36:03.701
<v Speaker 1>in response to that, and there are a way to

0:36:03.781 --> 0:36:08.741
<v Speaker 1>protect actors, but mostly actresses, from being exploited. So there's

0:36:08.781 --> 0:36:10.502
<v Speaker 1>this idea that she was trying to do a bit

0:36:10.542 --> 0:36:12.861
<v Speaker 1>of a flex by saying, I'm old school. I'm just

0:36:12.862 --> 0:36:15.142
<v Speaker 1>from the time when you just got into bed naked

0:36:15.181 --> 0:36:18.142
<v Speaker 1>and the director said action and you went for it.

0:36:18.221 --> 0:36:21.302
<v Speaker 1>So this idea of oh, if you're a cool girl,

0:36:21.422 --> 0:36:23.781
<v Speaker 1>you can raw dog your sex scenes. I don't need

0:36:23.822 --> 0:36:26.821
<v Speaker 1>an intimacy but it.

0:36:26.902 --> 0:36:30.222
<v Speaker 4>Parallels with do you recall in the text between Blake

0:36:30.342 --> 0:36:36.502
<v Speaker 4>Lively and Justin Baldoni. Justin Baldoni he texts her before

0:36:36.542 --> 0:36:39.102
<v Speaker 4>filming starts and says, let's set up a meeting for

0:36:39.181 --> 0:36:42.861
<v Speaker 4>you with the intimacy coordinator, and she also blows off

0:36:42.942 --> 0:36:46.941
<v Speaker 4>the intimacy coordinator wrong terminology and says, I don't need

0:36:46.942 --> 0:36:49.582
<v Speaker 4>to meet with the intimacy coordinator. I'm sure it's fine.

0:36:49.622 --> 0:36:52.702
<v Speaker 4>So I think women still face this cool girl pressure

0:36:52.781 --> 0:36:55.542
<v Speaker 4>to say I don't need this. I don't think it's.

0:36:55.422 --> 0:36:58.022
<v Speaker 2>Cool girl pressure. I think it's an expression of power, right,

0:36:58.062 --> 0:37:00.861
<v Speaker 2>Because what Gwyneth said in that interview is she said

0:37:00.942 --> 0:37:03.261
<v Speaker 2>if I was starting out, it would be different. So

0:37:03.342 --> 0:37:06.302
<v Speaker 2>Gwyneth Paltrow isn't worried about being exploited on a movie

0:37:06.302 --> 0:37:08.982
<v Speaker 2>set with Timothy Chalamea or anyone else, because she's probably

0:37:09.022 --> 0:37:11.822
<v Speaker 2>the most poweru person in the room. Right, Blake Lively

0:37:12.142 --> 0:37:14.181
<v Speaker 2>maybe should have been worried the way that all ended up,

0:37:14.422 --> 0:37:16.982
<v Speaker 2>but obviously didn't feel like she needed to be worried.

0:37:17.062 --> 0:37:20.622
<v Speaker 2>The intimacy coordinators are there very much, aren't They to

0:37:20.741 --> 0:37:23.941
<v Speaker 2>protect people from being pressured into things they don't want

0:37:23.942 --> 0:37:27.022
<v Speaker 2>to do, making sure that people aren't being harassed or exploited,

0:37:27.102 --> 0:37:27.742
<v Speaker 2>also to.

0:37:27.542 --> 0:37:29.822
<v Speaker 3>Protect the producers from legal act Yes.

0:37:29.661 --> 0:37:31.341
<v Speaker 2>But I don't think it's so much of a cool

0:37:31.422 --> 0:37:34.181
<v Speaker 2>girl flex as it is a thing of like, if

0:37:34.221 --> 0:37:35.982
<v Speaker 2>I'm powerful enough, I don't need That's.

0:37:35.862 --> 0:37:36.622
<v Speaker 1>A really good point.

0:37:36.741 --> 0:37:37.622
<v Speaker 3>That's a good point.

0:37:37.902 --> 0:37:40.982
<v Speaker 1>What's also interesting, Just back to Jason Isaacs and the

0:37:41.142 --> 0:37:44.382
<v Speaker 1>prosthetic penis for a second. The other thing that strikes

0:37:44.422 --> 0:37:47.262
<v Speaker 1>me about this Mike White is great at getting extraordinary

0:37:47.622 --> 0:37:51.822
<v Speaker 1>actors like Oscar winning actors, really proper capital A actors

0:37:51.862 --> 0:37:54.542
<v Speaker 1>in his shows. Everybody wants to work with him. But

0:37:54.781 --> 0:37:57.261
<v Speaker 1>where there's a little bit of a clash of cultures

0:37:57.582 --> 0:38:00.502
<v Speaker 1>is that these are not actors who are used to

0:38:00.582 --> 0:38:03.502
<v Speaker 1>having to answer those kinds of questions, and yet White

0:38:03.502 --> 0:38:06.582
<v Speaker 1>Lotus is very much a zeiteguy's show, and Mike White

0:38:06.582 --> 0:38:10.502
<v Speaker 1>knows exactly what he's doing by putting in the prosthetic penis,

0:38:10.502 --> 0:38:12.582
<v Speaker 1>because when you have a show that drops week by week,

0:38:12.781 --> 0:38:15.622
<v Speaker 1>you need talking points in every episode that the Internet

0:38:15.661 --> 0:38:18.182
<v Speaker 1>then does a thousand think pieces about and gets buzz

0:38:18.221 --> 0:38:19.742
<v Speaker 1>going and people make tiktoks about.

0:38:20.181 --> 0:38:22.382
<v Speaker 3>So it's kind of a clash of cultures where this

0:38:22.422 --> 0:38:22.861
<v Speaker 3>would be the.

0:38:22.862 --> 0:38:25.221
<v Speaker 1>First time he would be asked about something so undignified

0:38:25.302 --> 0:38:25.822
<v Speaker 1>is his wang.

0:38:25.902 --> 0:38:28.901
<v Speaker 4>And that's a great point because White Lotus is an

0:38:29.142 --> 0:38:32.582
<v Speaker 4>HBO show, meaning it's not on a streaming service. It

0:38:32.701 --> 0:38:36.302
<v Speaker 4>started as a TV show that does drop every week,

0:38:36.342 --> 0:38:38.902
<v Speaker 4>and so that need to create the conversation points is

0:38:39.022 --> 0:38:40.942
<v Speaker 4>much more intense for that than it is for a

0:38:40.982 --> 0:38:42.782
<v Speaker 4>Netflix show which drops all.

0:38:42.942 --> 0:38:48.661
<v Speaker 2>Drops all the one he's dropping Easter eggs or Easter penh.

0:38:47.142 --> 0:38:49.582
<v Speaker 1>And just in case you were wondering, it was prosthetic,

0:38:49.661 --> 0:38:51.901
<v Speaker 1>even though he did not confirm or deny, the rest

0:38:51.942 --> 0:38:53.582
<v Speaker 1>of the cast, we're like, yeah, yeah, we're throwing it

0:38:53.622 --> 0:38:55.701
<v Speaker 1>around on stet it was funny, interesting.

0:38:56.022 --> 0:38:58.142
<v Speaker 2>Oh before we go out louders, we've got to tell

0:38:58.181 --> 0:39:00.022
<v Speaker 2>you about something exciting that we are going to do

0:39:00.102 --> 0:39:03.622
<v Speaker 2>after we have recorded this show today. For Sydney out Louders,

0:39:03.622 --> 0:39:06.142
<v Speaker 2>this is going to be particularly useful for you. On Friday,

0:39:06.542 --> 0:39:09.222
<v Speaker 2>we are going to do a show at the Apple

0:39:09.261 --> 0:39:11.262
<v Speaker 2>Store in Sydney. Live at the Apple Store in Sydney.

0:39:11.261 --> 0:39:12.622
<v Speaker 2>Amelia Lestra is joining us.

0:39:12.741 --> 0:39:14.781
<v Speaker 3>So today after the show, we're going for a rehearsal.

0:39:14.982 --> 0:39:17.102
<v Speaker 2>We are a run through and we thought we'd better

0:39:17.142 --> 0:39:19.662
<v Speaker 2>as a parsa, we better answer some of the questions

0:39:19.661 --> 0:39:21.301
<v Speaker 2>that the Sydney out Louders wo'd like to come along.

0:39:21.382 --> 0:39:22.981
<v Speaker 2>We're asking us about Friday's show.

0:39:23.142 --> 0:39:25.982
<v Speaker 1>Lauren wants to know if she can bring her daughter along.

0:39:26.302 --> 0:39:29.741
<v Speaker 2>Yes you can, Lauren, Yes you can. And Victoria, who

0:39:29.741 --> 0:39:32.982
<v Speaker 2>said that she's having some minor eye surgery on that

0:39:33.062 --> 0:39:34.342
<v Speaker 2>day or the day before, wants to know if she

0:39:34.382 --> 0:39:38.701
<v Speaker 2>can come along with her ipatch. Absolutely welcome, Victoria, All

0:39:38.741 --> 0:39:39.542
<v Speaker 2>pirates welcome.

0:39:39.982 --> 0:39:42.022
<v Speaker 1>It's Friday, the twenty eighth of March at five point

0:39:42.022 --> 0:39:44.582
<v Speaker 1>thirty pm. We'll all be there, Jesse too and Amelia.

0:39:44.622 --> 0:39:47.022
<v Speaker 1>It's completely free and the link to register will be

0:39:47.181 --> 0:39:48.102
<v Speaker 1>in the show notes.

0:39:48.382 --> 0:39:50.261
<v Speaker 2>A massive thank you out Louders to all of you

0:39:50.342 --> 0:39:52.741
<v Speaker 2>for listening to today's show and for being with us.

0:39:52.741 --> 0:39:54.462
<v Speaker 2>Thank you Amelia for filling.

0:39:54.502 --> 0:39:58.422
<v Speaker 4>Thanks for introducing me to the term Easter peen, and.

0:39:58.462 --> 0:40:01.021
<v Speaker 2>To our fabulous team for putting the show together. As always,

0:40:01.062 --> 0:40:02.422
<v Speaker 2>We're going to be back in your ears tomorrow.

0:40:02.542 --> 0:40:06.421
<v Speaker 1>Keep it a classy bye bye shout out to any

0:40:06.542 --> 0:40:09.382
<v Speaker 1>Mum and Maya subscribers listening. If you love the show

0:40:09.622 --> 0:40:12.221
<v Speaker 1>and want to support us as well, subscribing to Mama

0:40:12.302 --> 0:40:14.502
<v Speaker 1>Miya is the very best way to do so. There

0:40:14.542 --> 0:40:16.262
<v Speaker 1>is a link in the episode description.