WEBVTT - Pete Murray // On slower starts, self doubt and sliding doors moments

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<v Speaker 1>People do things for money most of the time. That's

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<v Speaker 1>the thing that's I think that's a big mistake. They

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<v Speaker 1>make decisions based on money and how they can get

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<v Speaker 1>more money, and they'll work the whole life to get

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<v Speaker 1>more money and then don't really get to use it

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<v Speaker 1>that much. When that promise gods to go and play

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<v Speaker 1>handball with all them and their mates right through to

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<v Speaker 1>when the bell started and they go, you know, so

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<v Speaker 1>by the time I don't have to race off to work.

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<v Speaker 1>That's what I was chasing and that's what I wanted,

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<v Speaker 1>so my success I achieved it.

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<v Speaker 2>Welcome to the Sees the YA Podcast. Busy and happy

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<v Speaker 2>are not the same thing. We too rarely question what

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<v Speaker 2>makes the heart seeing. We work, then we rest, but

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<v Speaker 2>rarely we play and often don't realize there's more than

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<v Speaker 2>one way. So this is a platform to hear and

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<v Speaker 2>explore the stories of those who found lives. They adore

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<v Speaker 2>the good, bad and ugly. The best and worst day

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<v Speaker 2>will bear all the facets of seizing your yay. I'm

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<v Speaker 2>Sarah Davidson or a spoonful of Sarah, a lawyer turned

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<v Speaker 2>fu entrepreneur whos wapped the suits and heels to co

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<v Speaker 2>found matcha Maiden and Matcham Milk bark cz The Ya

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<v Speaker 2>is a series of comfort on finding a life you

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<v Speaker 2>love and exploring the self doubt, challenge, joy and fulfillment

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<v Speaker 2>along the way. Lovely Neighborhood. This week, we have a

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<v Speaker 2>voice in your ears that needs no introduction. His music

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<v Speaker 2>has been a formative part of so many of our lives,

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<v Speaker 2>and I'm pinching myself to have him here for you today.

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<v Speaker 2>I'm talking, of course, about multi platinum selling singer and

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<v Speaker 2>songwriter Pete Murray. My husband Nick doesn't fangirl many people,

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<v Speaker 2>if anybody, but as an OG follower who had Pete's

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<v Speaker 2>very first original independent EP, the only person more excited

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<v Speaker 2>about this interview than I was was Nick. I pretty

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<v Speaker 2>much had to lock him out of the room, and

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<v Speaker 2>that never happens. Pete's incredible career, selling over one point

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<v Speaker 2>two million albums, releasing three ARIA chart topping albums, and

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<v Speaker 2>having seventeen ARIA nominations is no secret, but perhaps even

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<v Speaker 2>more so than any guest we've had on before, it's

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<v Speaker 2>what came before that that's so powerful in reminding us

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<v Speaker 2>all that not only nothing happen overnight, some magic strikes

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<v Speaker 2>later in life. Than you'd expect. While twenty one years

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<v Speaker 2>old isn't old by any normal standards, I would never

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<v Speaker 2>have guessed that this was the first time Pete ever

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<v Speaker 2>picked up a guitar, let alone started writing music after

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<v Speaker 2>his earlier years, showing every indication of a career in sport.

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<v Speaker 2>I loved learning about Pete's younger years, all the stuff

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<v Speaker 2>that you don't hear about as much as his musical career,

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<v Speaker 2>his process for writing songs, how he defines success. He's

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<v Speaker 2>fascinating combination of self doubt and self belief, which I

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<v Speaker 2>think a lot of us can identify with, and everything

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<v Speaker 2>in between. With fresh new music and a new tour

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<v Speaker 2>about to kick off, we had plenty to talk about

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<v Speaker 2>and I hope you all enjoy. Pete Murray, Welcome to CZZA.

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<v Speaker 1>Yeah, and nice to be here, Nice to chat.

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<v Speaker 2>Oh my gosh. I mean, your voice is not new

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<v Speaker 2>to anybody, but it's new to me. For it to

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<v Speaker 2>be in real time. This is such a great privilege

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<v Speaker 2>to be sitting down with you, so I'm so grateful

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<v Speaker 2>for your time.

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<v Speaker 1>Yeah, talk to you as well.

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<v Speaker 2>And as I mentioned, my husband, people listening will know

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<v Speaker 2>he doesn't fan girl many people, but He was one

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<v Speaker 2>of the very, very og followers of yours back in

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<v Speaker 2>I think, as you mentioned, the first independent ep D day,

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<v Speaker 2>and you've been a formative part of so many of

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<v Speaker 2>our lives. So yeah, it's just amazing to be sitting

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<v Speaker 2>down with you. But one thing I heard you on

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<v Speaker 2>the project the other day, and one of the things

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<v Speaker 2>on this show that I love to talk about is

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<v Speaker 2>the fact that now we all know the whole nation

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<v Speaker 2>and people all around the world know Pete Murray, multi

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<v Speaker 2>platinum selling artist, one point two million albums, sold three

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<v Speaker 2>ARIA chart topping albums. I think you've had seventeen ARIA nominations.

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<v Speaker 2>It would be easy to assume you were born with

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<v Speaker 2>a guitar in your hand. You always knew what you

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<v Speaker 2>wanted to do. But it blew me away that you

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<v Speaker 2>didn't start until your twenties.

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<v Speaker 1>Yeah, I was twenty one or twenty two, I think

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<v Speaker 1>when I first picked up a guitar. I had there

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<v Speaker 1>was a friend. Did I say it on the project?

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<v Speaker 1>I can't remember what we spoke about on the project

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<v Speaker 1>the other night, but yeah, the story goes I was

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<v Speaker 1>living with a made of mine. He was studying teaching

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<v Speaker 1>and I was doing natural medicine, and he just came

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<v Speaker 1>into a room one day was really excited, like, I'm

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<v Speaker 1>going to go get a guitarist and I've always wanted

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<v Speaker 1>to do it, so I'm going to go and do it.

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<v Speaker 1>And I thought to himself, far, that sounds really cool.

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<v Speaker 1>I've never thought about doing that because my whole background

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<v Speaker 1>was kind of sport. I loved being involved in sport,

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<v Speaker 1>and you know, even doing the studies was heading down

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<v Speaker 1>that path of still staying involved with sport. But when

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<v Speaker 1>you mentioned that, I was like, Okay, that sounds really cool.

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<v Speaker 1>Maybe I'll go get a guitar. Listen too. So we

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<v Speaker 1>were like, yeah, let's go and do it. And it

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<v Speaker 1>turns out that I did it and he didn't, so

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<v Speaker 1>which was it was the reason that I started, you know,

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<v Speaker 1>And sadly, a couple of years later he passed away.

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<v Speaker 1>It was only thirty two at that stage. I was

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<v Speaker 1>twenty two, so we were really good mates for a

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<v Speaker 1>couple of years there and then he passed away. But

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<v Speaker 1>I can't you know, I really believe in fate and

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<v Speaker 1>I believe I was meant to meet him, and he

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<v Speaker 1>was the guy that sort of got me on this

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<v Speaker 1>journey and I named my first son after him, Charlie

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<v Speaker 1>as well.

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<v Speaker 2>So well, I'm a big believer in fate as well,

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<v Speaker 2>and the fact that even if you start off on

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<v Speaker 2>a path that maybe isn't the one for you, it's

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<v Speaker 2>really hard when you're in that moment to believe that

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<v Speaker 2>it will all work out. And I think that's why

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<v Speaker 2>I love going back to the very beginning of people's journey.

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<v Speaker 2>So you mentioned that like you had a whole life

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<v Speaker 2>plan for yourself before you even knew music, that you

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<v Speaker 2>even had talent, let alone the talent that you ended

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<v Speaker 2>up having. And I love to go through the very

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<v Speaker 2>early bits to remind people how many years you didn't

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<v Speaker 2>know that was going to happen before. So, like, let's

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<v Speaker 2>go back all the way to Chinchilla, Humble Chinchilla, the birthplace,

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<v Speaker 2>moving to Brisy. Like you said, I was reading your

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<v Speaker 2>school years and none of it was music. It was

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<v Speaker 2>all sport. You played club rugby like you were going

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<v Speaker 2>to do sports medicine. You had this whole other pathway

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<v Speaker 2>And it just is so fascinating to me that you

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<v Speaker 2>don't have to wake up when you're five and know

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<v Speaker 2>what you're going to do.

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<v Speaker 1>Oh, No, life changes you know, and that's the thing

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<v Speaker 1>that I guess I tell my kids and a lot

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<v Speaker 1>of other people too, like, you know, you don't have

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<v Speaker 1>to do the same job or you know, your whole life.

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<v Speaker 1>That's the beauty of life. You change, I think from

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<v Speaker 1>twenty to thirty it's such a big change from who

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<v Speaker 1>you start at twenty a week who end up, you know,

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<v Speaker 1>as at thirty and every decade you seem to kind

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<v Speaker 1>of change a little bit. But early life was just yeah,

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<v Speaker 1>I was brought up swimming in athletics. Athletics is probably

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<v Speaker 1>my real big passion when I was younger than I

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<v Speaker 1>played started playing a bit of football later, but as

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<v Speaker 1>I left school, I really sort of still followed athletics

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<v Speaker 1>for a while. I had goals of running the come

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<v Speaker 1>off Games or Olympics, and I kind of got to

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<v Speaker 1>the age where I was twenty one, I think, and

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<v Speaker 1>I was at that point of like, you know, either

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<v Speaker 1>I keep doing athletics, but it was a really hard slog.

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<v Speaker 1>There's no money unless you want to go on my Olympics,

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<v Speaker 1>and I was running eight hundreds was kind of my race,

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<v Speaker 1>and you know, I just there was a lot of

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<v Speaker 1>work involved in that, and I thought I don't really

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<v Speaker 1>have the passion for it any more. So I went

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<v Speaker 1>back and played rugby for a bit and loved playing footy.

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<v Speaker 1>That was that was great. It's more social. You can

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<v Speaker 1>have a beer afterwards and you can have some fun.

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<v Speaker 1>So that was kind of my life, a sport, you know,

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<v Speaker 1>and music just happened to be fall into my lap.

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<v Speaker 1>And you know, even when I had had three lessons,

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<v Speaker 1>I didn't learn much from those lessons because I knew

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<v Speaker 1>nothing about it. But I borrowed the guy's book back then,

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<v Speaker 1>because there's no internet, I borrowed the guy's book, the

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<v Speaker 1>teacher's book, and I learned taught myself how to play,

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<v Speaker 1>and then traveled overseas and met buskers and learned more.

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<v Speaker 1>I told I came back home, I was really enjoying

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<v Speaker 1>playing music and just playing covers on the guitar. Really

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<v Speaker 1>And before I came home, I was living in a

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<v Speaker 1>two better inflat in London with nineteen other Aussies. What

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<v Speaker 1>that's what we kind of did when you're backpacking. No

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<v Speaker 1>one had any money, so we were just were sleeping

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<v Speaker 1>on floors and chairs and mattresses, and it was myself

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<v Speaker 1>and Angus McDonald from sneaky sound system where were mates

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<v Speaker 1>and bed by mates from you know, rugby days and

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<v Speaker 1>thanks is always always done music for you know, his

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<v Speaker 1>whole life and learning how to play and write his

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<v Speaker 1>own stuff, and I just kind of started late. So

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<v Speaker 1>we would have this one night where he was playing

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<v Speaker 1>one of his original songs and I'd play a cover

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<v Speaker 1>and you played original play cover, and one of the

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<v Speaker 1>girls that was living there with the said, well, plays

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<v Speaker 1>one of your songs. I was like, I don't write songs,

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<v Speaker 1>and she said why not, and I said, I don't know,

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<v Speaker 1>I just don't and she said, well you should. That

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<v Speaker 1>was the first time where okay, well maybe I will.

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<v Speaker 1>So that's really the first time I started to think,

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<v Speaker 1>well maybe I should. So I tried to do that then,

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<v Speaker 1>and that's when I came back home became a little

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<v Speaker 1>bit more passionate about it. But I was still just

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<v Speaker 1>doing the covers thing for a while. So you know,

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<v Speaker 1>that's just faked how things kind of happened, and you

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<v Speaker 1>know you got to, I guess, listen to the signals

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<v Speaker 1>and where you should be going.

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<v Speaker 2>Totally. I'm a big believer in like the sliding doors

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<v Speaker 2>moment and how you can't necessarily bring them on. You

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<v Speaker 2>don't know when you're going to meet that person or

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<v Speaker 2>when that opportunity is going to come up, but you

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<v Speaker 2>just have to be ready for the fact that when

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<v Speaker 2>it does, you don't let it pass you by because

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<v Speaker 2>you didn't have to listen to any of that advice

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<v Speaker 2>or explore that new interest in you. And I think

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<v Speaker 2>the really big thing that happens to a lot of

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<v Speaker 2>people is they think it's too late. That's kind of

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<v Speaker 2>the ongoing narrative. It's too late. I didn't start on time.

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<v Speaker 2>I'm not going to be able to catch up.

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<v Speaker 1>I don't think age should get in the way of anyone,

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<v Speaker 1>you know, I mean physically, Yeah, there's some things you

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<v Speaker 1>can't do physically, but you know, there's a lot of

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<v Speaker 1>things you can achieve. Doesn't matter how old you are.

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<v Speaker 1>You can really just set your mind. If that's what

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<v Speaker 1>we want to do, we go, because you're going to

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<v Speaker 1>get one life. Well we might get multiplized, you know.

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<v Speaker 1>I'm still you know, who knows.

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<v Speaker 2>The jury is still out on that one.

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<v Speaker 1>There's probably another chance you might come back, but not

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<v Speaker 1>as us, you know, So this is a life as

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<v Speaker 1>we are now, and you've got to make the most

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<v Speaker 1>of that and make sure that that you're doing what

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<v Speaker 1>you want to do and not and you're not unhappy.

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<v Speaker 2>And I think that's even more why this show is

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<v Speaker 2>called Sees the AA and not Seize the Day, is

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<v Speaker 2>that there's so much of just trying to seize opportunities

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<v Speaker 2>without even knowing if you care about them or if

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<v Speaker 2>they if you enjoy them at all. And I love

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<v Speaker 2>that you, Yeah, you stumbled upon this new passion and

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<v Speaker 2>then able to turn it into something amazing. And a

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<v Speaker 2>lot of people wouldn't learn a new instrument kind of

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<v Speaker 2>in their twenties, let alone then learn to write music,

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<v Speaker 2>which is an entirely different thing, and then turn it

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<v Speaker 2>into a career is like a whole new a new level.

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<v Speaker 1>Falling on from what you're saying there, you know, trying

0:10:19.679 --> 0:10:22.120
<v Speaker 1>to learn an instrument and play and write songs, that's

0:10:22.160 --> 0:10:23.600
<v Speaker 1>one thing. But then I was getting to the age

0:10:23.640 --> 0:10:25.920
<v Speaker 1>where I was I was thirty and I was recording

0:10:25.920 --> 0:10:31.040
<v Speaker 1>my first independent album. Like that's pretty old, you know,

0:10:31.160 --> 0:10:33.320
<v Speaker 1>when you're in the music industry and you're doing your

0:10:33.320 --> 0:10:35.719
<v Speaker 1>first independ album. And I remember that was a lot

0:10:35.760 --> 0:10:37.800
<v Speaker 1>of pressure on myself to go, what am I doing?

0:10:37.840 --> 0:10:40.280
<v Speaker 1>And like this is I should be going back and

0:10:40.320 --> 0:10:42.320
<v Speaker 1>finishing my studies and getting a real job. But I

0:10:42.360 --> 0:10:45.240
<v Speaker 1>thought I've always been a big liver in doing what

0:10:45.320 --> 0:10:47.520
<v Speaker 1>makes you happy and what you wanted to really, not

0:10:47.600 --> 0:10:50.320
<v Speaker 1>sort of going and doing something that you know you

0:10:50.360 --> 0:10:52.040
<v Speaker 1>don't want to be doing. And for me, even the

0:10:52.120 --> 0:10:55.599
<v Speaker 1>natural medicine would have been great, but it would have

0:10:55.640 --> 0:10:58.680
<v Speaker 1>been a lot of time probably in a room working

0:10:58.679 --> 0:11:01.560
<v Speaker 1>on people's injuries and things like that. So I just

0:11:01.559 --> 0:11:03.040
<v Speaker 1>didn't want to be doing that. I wanted to find

0:11:03.080 --> 0:11:05.200
<v Speaker 1>a job that would take me around the world and

0:11:05.520 --> 0:11:07.400
<v Speaker 1>give me different experiences, and that's what I was looking for.

0:11:07.440 --> 0:11:09.400
<v Speaker 1>So it was a lifestyle choice.

0:11:09.679 --> 0:11:12.120
<v Speaker 2>Yes, Oh my gosh. See I love this because I

0:11:12.160 --> 0:11:15.040
<v Speaker 2>think we do spend, particularly in our early years, time

0:11:15.240 --> 0:11:18.319
<v Speaker 2>making decisions not based on the lifestyle it involves. It's

0:11:18.360 --> 0:11:21.240
<v Speaker 2>just the title you mentioned, like what you should do

0:11:21.320 --> 0:11:23.800
<v Speaker 2>what society thinks that you should do. Obviously, if you

0:11:23.800 --> 0:11:26.600
<v Speaker 2>show prowess in Australia in sport, it's sort of like, well,

0:11:26.679 --> 0:11:28.400
<v Speaker 2>of course you do that. Why would you go into

0:11:28.400 --> 0:11:31.480
<v Speaker 2>the arts, which is it's so hard to make it,

0:11:31.559 --> 0:11:33.680
<v Speaker 2>you know, the odds are so small and it's really

0:11:33.679 --> 0:11:37.439
<v Speaker 2>hard to listen to your inner voice that's telling you, actually,

0:11:37.480 --> 0:11:40.120
<v Speaker 2>I think I could do something with this. But one

0:11:40.160 --> 0:11:41.280
<v Speaker 2>of the things we talk about a lot on the

0:11:41.320 --> 0:11:45.480
<v Speaker 2>show is the concept of like self doubt and imposter syndrome,

0:11:45.600 --> 0:11:48.280
<v Speaker 2>even if you're not a late comer, so to speak,

0:11:48.360 --> 0:11:51.800
<v Speaker 2>in your industry. And I've heard you say that even

0:11:51.880 --> 0:11:56.720
<v Speaker 2>though FeelA has become an album that is not only

0:11:56.960 --> 0:12:02.400
<v Speaker 2>like a multi million copy selling album but formative for

0:12:02.480 --> 0:12:04.360
<v Speaker 2>it's ironic that you talked about your twenties and thirties.

0:12:04.400 --> 0:12:05.959
<v Speaker 2>I think it's been formative for so many of our

0:12:05.960 --> 0:12:10.480
<v Speaker 2>twenties to thirties. It's that you didn't re listen to

0:12:10.559 --> 0:12:13.840
<v Speaker 2>it for eight years because you didn't think it was good. Like,

0:12:13.920 --> 0:12:15.679
<v Speaker 2>how's that for imposter syndrome?

0:12:16.080 --> 0:12:19.480
<v Speaker 1>Yeah, And that's something that can happen when you're very

0:12:19.480 --> 0:12:24.080
<v Speaker 1>close to your own music, because you're too busy pulling

0:12:24.080 --> 0:12:26.640
<v Speaker 1>it apart and going what I don't like about it

0:12:26.720 --> 0:12:29.000
<v Speaker 1>rather than going what do I like about it? And

0:12:29.040 --> 0:12:32.000
<v Speaker 1>I think it was a very difficult time because I

0:12:32.040 --> 0:12:34.199
<v Speaker 1>just couldn't listen to it. I didn't think it was

0:12:34.200 --> 0:12:35.440
<v Speaker 1>going to work. I thought it was going to fail,

0:12:35.480 --> 0:12:37.559
<v Speaker 1>and I thought, oh, this is I've bomb my chance

0:12:37.600 --> 0:12:38.959
<v Speaker 1>of trying to do this, you know, and I was

0:12:39.040 --> 0:12:42.560
<v Speaker 1>very I was shocked when things started to work and

0:12:42.600 --> 0:12:47.360
<v Speaker 1>I couldn't hear the beauty of that album until eight

0:12:47.440 --> 0:12:49.600
<v Speaker 1>years later, and I got a text from Darren Middleton

0:12:49.600 --> 0:12:51.840
<v Speaker 1>from Powderfinger, going, mate, just listen to feel like, what

0:12:51.880 --> 0:12:55.000
<v Speaker 1>a great album. And I'm thinking, is it you know, Like,

0:12:55.800 --> 0:12:58.719
<v Speaker 1>so I'm sitting here, going, I'm confinding myself it must be.

0:12:58.800 --> 0:13:00.880
<v Speaker 1>It must be someth good about this because people love it,

0:13:00.920 --> 0:13:03.560
<v Speaker 1>you know, and it's just it's been around the world

0:13:03.640 --> 0:13:05.880
<v Speaker 1>and it's done its thing. I've just got to listen

0:13:05.920 --> 0:13:07.800
<v Speaker 1>to this and let it play from start to finish

0:13:07.840 --> 0:13:10.520
<v Speaker 1>and don't stop it, because I'd always stop it and go,

0:13:11.280 --> 0:13:13.200
<v Speaker 1>I don't stop working. I don't like it, and I'd

0:13:13.200 --> 0:13:17.200
<v Speaker 1>get frustrated. And so I sat there and I put

0:13:17.200 --> 0:13:19.240
<v Speaker 1>it on and was like, I don't turn it off,

0:13:19.800 --> 0:13:22.480
<v Speaker 1>headphones on. I listened to it start to finish, and

0:13:23.160 --> 0:13:25.959
<v Speaker 1>I was so surprised. I went, Wow, that's actually a

0:13:26.040 --> 0:13:26.760
<v Speaker 1>really good album.

0:13:27.080 --> 0:13:29.080
<v Speaker 2>It took you like a decade.

0:13:29.000 --> 0:13:31.320
<v Speaker 1>Yeah, almost a decade to do that, And you know,

0:13:31.559 --> 0:13:34.600
<v Speaker 1>I felt sorry for Paul mccursher, who produced it, because

0:13:35.200 --> 0:13:38.120
<v Speaker 1>I think I just struggled with it, you know, and

0:13:38.240 --> 0:13:42.520
<v Speaker 1>I just struggled, probably even praising him for what he did,

0:13:42.520 --> 0:13:44.640
<v Speaker 1>you know, but he really did a great job on

0:13:44.720 --> 0:13:49.000
<v Speaker 1>keeping that album how it was, and keeping that from

0:13:49.000 --> 0:13:51.720
<v Speaker 1>start to finish how it should have felt, and getting

0:13:51.720 --> 0:13:54.200
<v Speaker 1>that feeling in it. And I talked to him about

0:13:54.200 --> 0:13:56.760
<v Speaker 1>that to go, look, man, I'm sorry, but I couldn't

0:13:56.760 --> 0:13:59.000
<v Speaker 1>hear it. It's great, and then he did a really

0:13:59.000 --> 0:13:59.679
<v Speaker 1>good job on that.

0:14:00.040 --> 0:14:02.920
<v Speaker 2>It's one of the very few albums that you can

0:14:03.000 --> 0:14:06.280
<v Speaker 2>actually play from start to finish and there's no lull,

0:14:06.360 --> 0:14:08.840
<v Speaker 2>there's no sort of banger at the start, banger at

0:14:08.880 --> 0:14:10.559
<v Speaker 2>the end, and then this random babble in the middle

0:14:10.559 --> 0:14:13.800
<v Speaker 2>where you're kind of skipping through them. It's just brilliant.

0:14:14.080 --> 0:14:16.600
<v Speaker 1>I've just I'm an independent artist now and I've just

0:14:17.200 --> 0:14:20.320
<v Speaker 1>recorded my second independent album because my first in an

0:14:20.320 --> 0:14:22.240
<v Speaker 1>album is The Game back in two thousand and one.

0:14:23.040 --> 0:14:25.520
<v Speaker 1>So with the new album, the people that have heard

0:14:25.560 --> 0:14:29.240
<v Speaker 1>that are really excited. It feels it sort of feels

0:14:29.280 --> 0:14:32.440
<v Speaker 1>like feeler from starting to finish. It's so solid with

0:14:32.520 --> 0:14:34.840
<v Speaker 1>the songs, good songs. I feel really happy with it.

0:14:34.880 --> 0:14:37.800
<v Speaker 1>So I'm really interested to see what people think of

0:14:37.840 --> 0:14:39.720
<v Speaker 1>it when it comes out and everyone's saying the same thing.

0:14:39.760 --> 0:14:41.960
<v Speaker 1>It's from start to finish, there's just great song up,

0:14:42.000 --> 0:14:44.880
<v Speaker 1>the great song. It's really solid. So hopefully you will

0:14:44.880 --> 0:14:46.800
<v Speaker 1>be saying the same thing about that one when you

0:14:46.840 --> 0:14:47.160
<v Speaker 1>hear it.

0:14:47.280 --> 0:14:49.600
<v Speaker 2>Oh, I can't wait to hear it, and that Actually,

0:14:49.800 --> 0:14:52.760
<v Speaker 2>it's really interesting to me that you're the way you

0:14:52.800 --> 0:14:55.640
<v Speaker 2>even word that, saying I hope that when it comes

0:14:55.640 --> 0:14:58.560
<v Speaker 2>out people enjoy it. It's interesting that, as with FeelA,

0:14:58.760 --> 0:15:01.520
<v Speaker 2>you didn't know before it came out that it was

0:15:01.560 --> 0:15:03.480
<v Speaker 2>going to go well, Like it's so fascinating that you're

0:15:03.480 --> 0:15:06.040
<v Speaker 2>not sure, like it's come out of your brain and

0:15:06.080 --> 0:15:08.080
<v Speaker 2>you're not sure how good it's going to go. So

0:15:08.400 --> 0:15:10.240
<v Speaker 2>I'd love to go back before we get into the

0:15:10.720 --> 0:15:14.120
<v Speaker 2>new album and the tour, just sort of at the

0:15:14.280 --> 0:15:17.960
<v Speaker 2>very beginning. Obviously, when you did start writing songs, you

0:15:18.040 --> 0:15:21.560
<v Speaker 2>knew there was enough talent there to keep going. Whether

0:15:21.640 --> 0:15:23.160
<v Speaker 2>or not you knew you could do it full time,

0:15:24.040 --> 0:15:26.400
<v Speaker 2>something must have come out of your head and you

0:15:26.440 --> 0:15:28.320
<v Speaker 2>were like, oh, I can actually write a song, like

0:15:28.400 --> 0:15:30.400
<v Speaker 2>do you hear the lyrics first? Do you hear the

0:15:31.040 --> 0:15:33.280
<v Speaker 2>tune first? And then how do you know you're onto one?

0:15:34.160 --> 0:15:36.560
<v Speaker 1>Yeah? I think a lot of times it's music and

0:15:36.600 --> 0:15:39.440
<v Speaker 1>melody first and then you put the lyrics to it

0:15:39.480 --> 0:15:43.320
<v Speaker 1>after that. But I just remember thinking, you know, getting

0:15:44.400 --> 0:15:47.960
<v Speaker 1>a few close friends' opinions when I started to write

0:15:48.000 --> 0:15:50.800
<v Speaker 1>some songs and they started to read the lyrics and

0:15:50.840 --> 0:15:53.400
<v Speaker 1>a few things. I remember, you know, So Beautiful was

0:15:53.440 --> 0:15:56.520
<v Speaker 1>one of the songs i'd just written, and a friend

0:15:56.560 --> 0:15:59.800
<v Speaker 1>of an at the time came over and the lyrics

0:15:59.800 --> 0:16:02.240
<v Speaker 1>were just there, you know, and they read it and

0:16:02.280 --> 0:16:05.640
<v Speaker 1>went who wrote this? And I was like almost embarrassed

0:16:05.640 --> 0:16:08.120
<v Speaker 1>to go, oh, this is it a positive thing or negative?

0:16:08.160 --> 0:16:11.240
<v Speaker 1>I was like I did, and they're like, wow, that's

0:16:11.360 --> 0:16:14.240
<v Speaker 1>really good, and I'm like, okay, so I think it's

0:16:14.800 --> 0:16:17.560
<v Speaker 1>your conference bills when you get a bit of confirmation

0:16:17.640 --> 0:16:20.000
<v Speaker 1>on some other people saying yeah, look this is good,

0:16:20.240 --> 0:16:23.120
<v Speaker 1>you know, and it starts to build yeah, oh my gosh.

0:16:23.160 --> 0:16:25.480
<v Speaker 2>And so, for example, so Beautiful it's a song that

0:16:25.680 --> 0:16:28.600
<v Speaker 2>like everyone's heard it. How long does it take to

0:16:28.680 --> 0:16:30.960
<v Speaker 2>form in your brain? Like do you get like a

0:16:31.000 --> 0:16:33.280
<v Speaker 2>little earwig and then you sort of pick at it

0:16:33.320 --> 0:16:34.840
<v Speaker 2>and then it takes like does it take you months?

0:16:34.880 --> 0:16:35.400
<v Speaker 2>Is it weeks?

0:16:35.440 --> 0:16:38.720
<v Speaker 1>Is it a day that was reasonably fast? I had

0:16:39.280 --> 0:16:44.040
<v Speaker 1>the music parts kind of down for that for the verse,

0:16:44.080 --> 0:16:46.520
<v Speaker 1>I think, and then I and a bit of the chorus,

0:16:46.520 --> 0:16:48.960
<v Speaker 1>so kind of the music there. And then I remember

0:16:49.840 --> 0:16:53.240
<v Speaker 1>I did a gig in the valley in Brisbane and

0:16:54.360 --> 0:16:57.440
<v Speaker 1>I was meeting some friends at just a hotel down

0:16:57.480 --> 0:17:01.480
<v Speaker 1>the road and a group of really arrogant, pretentious people

0:17:01.560 --> 0:17:03.720
<v Speaker 1>came in and I just don't have any time for that,

0:17:03.760 --> 0:17:05.840
<v Speaker 1>and it was like I was so annoyed us waiting

0:17:05.840 --> 0:17:07.160
<v Speaker 1>for a friend. I just couldn't even wait for the friend.

0:17:07.160 --> 0:17:09.159
<v Speaker 1>I had to leave because it just annoyed me. And

0:17:09.960 --> 0:17:14.600
<v Speaker 1>I basically got home and just started writing these feelings

0:17:14.600 --> 0:17:17.000
<v Speaker 1>that I had, you know that from meeting those people.

0:17:17.760 --> 0:17:20.840
<v Speaker 1>And the first and second verse came out that night,

0:17:21.359 --> 0:17:24.800
<v Speaker 1>and then the chorus I think pretty much was half done.

0:17:25.440 --> 0:17:27.680
<v Speaker 1>I finished about three am and then went to bed.

0:17:27.680 --> 0:17:29.199
<v Speaker 1>And then the next day it was the friend came

0:17:29.240 --> 0:17:31.400
<v Speaker 1>around and went, you know, the pad was still open.

0:17:31.440 --> 0:17:33.920
<v Speaker 1>I was writing the lyrics and I was like, who

0:17:33.920 --> 0:17:37.120
<v Speaker 1>did this? That was that? And then so I might

0:17:37.119 --> 0:17:38.800
<v Speaker 1>have taken another couple of weeks to sort of put

0:17:38.800 --> 0:17:41.879
<v Speaker 1>the rest together, just to all final touches, but it

0:17:41.960 --> 0:17:45.159
<v Speaker 1>came relatively quickly and some of the good songs come

0:17:45.200 --> 0:17:47.320
<v Speaker 1>relatively quickly. They just seemed to work that way. It's

0:17:47.359 --> 0:17:50.040
<v Speaker 1>when you're struggling with this song, then it's not me

0:17:50.119 --> 0:17:52.159
<v Speaker 1>probably not good enough. It takes a long time to

0:17:52.200 --> 0:17:52.840
<v Speaker 1>get that together.

0:17:53.560 --> 0:17:56.560
<v Speaker 2>Yeah, that's so fascinating, I mean so interesting to hear

0:17:56.560 --> 0:18:00.000
<v Speaker 2>the process and then once you did sort of start obviously,

0:18:00.320 --> 0:18:04.800
<v Speaker 2>I think now it looks like becomes so easily to you.

0:18:04.920 --> 0:18:07.719
<v Speaker 2>It's so easy to assume everyone's an overnight success. I mean,

0:18:07.760 --> 0:18:09.840
<v Speaker 2>obviously it took you eight years to even realize that

0:18:10.560 --> 0:18:14.560
<v Speaker 2>the incredible, incredible album that everyone else had already caught

0:18:14.560 --> 0:18:16.600
<v Speaker 2>on too, that you still weren't on board with it,

0:18:16.640 --> 0:18:19.960
<v Speaker 2>with it being as good as it was. What helps you,

0:18:20.160 --> 0:18:21.840
<v Speaker 2>like in those early days when you were just like,

0:18:22.040 --> 0:18:23.920
<v Speaker 2>am I going to make it? I'm sure? Like it's

0:18:23.920 --> 0:18:27.480
<v Speaker 2>not financially rewarding immediately, Like it takes a little while.

0:18:28.000 --> 0:18:30.960
<v Speaker 2>What keeps you going when you're like, I've just got

0:18:30.960 --> 0:18:32.800
<v Speaker 2>to stick at it, it will get bigger because I

0:18:32.840 --> 0:18:34.560
<v Speaker 2>think people give up really early.

0:18:34.720 --> 0:18:38.120
<v Speaker 1>My sporting background and the determination that I had from

0:18:38.359 --> 0:18:40.639
<v Speaker 1>sporting background, I just took that into this and just

0:18:40.640 --> 0:18:43.360
<v Speaker 1>went like, this is something that for me to make

0:18:43.359 --> 0:18:45.720
<v Speaker 1>this work. It's going to have to happen, you know,

0:18:45.800 --> 0:18:47.560
<v Speaker 1>like I've got to just keep working out otherwise it's

0:18:47.560 --> 0:18:49.240
<v Speaker 1>not going to go. And I believe that there's a

0:18:49.600 --> 0:18:51.840
<v Speaker 1>self belief that you know, this is going to work

0:18:52.160 --> 0:18:55.200
<v Speaker 1>to some degree, even though at times you do doubt

0:18:55.200 --> 0:18:57.199
<v Speaker 1>that you're going you know, appecially as the longer it

0:18:57.240 --> 0:19:00.320
<v Speaker 1>goes on and you're not getting that success and it's like, Okay,

0:19:00.359 --> 0:19:03.000
<v Speaker 1>maybe this isn't going to work. You know, you doubt it,

0:19:03.040 --> 0:19:04.960
<v Speaker 1>But there's part of me that always believes that, yes,

0:19:05.000 --> 0:19:06.760
<v Speaker 1>this is going to work, and what I'm writing is

0:19:07.280 --> 0:19:11.560
<v Speaker 1>good enough. And there's some you know, I think a

0:19:11.600 --> 0:19:14.680
<v Speaker 1>lot of really good songs that other people connect to,

0:19:15.160 --> 0:19:16.640
<v Speaker 1>and I try to do that. So you write these

0:19:16.640 --> 0:19:18.720
<v Speaker 1>songs that people can connect to them and they part

0:19:18.800 --> 0:19:21.520
<v Speaker 1>it becomes part of their life opportunities and we talk

0:19:21.560 --> 0:19:24.119
<v Speaker 1>about the opportunities and that that song in particular is

0:19:25.080 --> 0:19:27.960
<v Speaker 1>just lyrically just connected to people. So I think you

0:19:28.920 --> 0:19:32.119
<v Speaker 1>know in your mind that some things are good, but

0:19:32.720 --> 0:19:34.320
<v Speaker 1>whether it's going to happen till you don't know, like

0:19:34.359 --> 0:19:36.600
<v Speaker 1>it's really hot, you know, I do say a lot

0:19:36.600 --> 0:19:38.399
<v Speaker 1>of times when you think you've got to hit you

0:19:38.440 --> 0:19:40.600
<v Speaker 1>don't and you don't think you've got to hit you

0:19:40.680 --> 0:19:43.840
<v Speaker 1>do you can't tell you, you can't tell what people

0:19:44.040 --> 0:19:45.959
<v Speaker 1>Like I said before, I hope you like the new

0:19:46.000 --> 0:19:47.880
<v Speaker 1>album when it comes out. You know, I think it's

0:19:47.920 --> 0:19:50.479
<v Speaker 1>really great. But that doesn't mean you're going to but

0:19:50.520 --> 0:19:53.280
<v Speaker 1>you know, you'd like to think that you will, but

0:19:54.160 --> 0:19:56.400
<v Speaker 1>people to have different tastes. Yeah. Wow.

0:19:56.920 --> 0:20:00.560
<v Speaker 2>So once Feeler came out and then it just you know,

0:20:00.680 --> 0:20:05.480
<v Speaker 2>propelled onto the sort of global stage, how did your

0:20:06.119 --> 0:20:09.639
<v Speaker 2>definition of success change? Because I think there's a really

0:20:09.680 --> 0:20:13.880
<v Speaker 2>interesting relationship between happiness and success. That's a big part

0:20:13.920 --> 0:20:15.879
<v Speaker 2>of the show. That we chase success for a lot

0:20:15.880 --> 0:20:17.680
<v Speaker 2>of our lives and then suddenly you realize it doesn't

0:20:17.680 --> 0:20:20.560
<v Speaker 2>actually make you happy. It's like it's a good metric,

0:20:20.600 --> 0:20:23.120
<v Speaker 2>but it's not the only one. How did you sort

0:20:23.119 --> 0:20:25.159
<v Speaker 2>of you know, you got success and then did it

0:20:25.240 --> 0:20:26.800
<v Speaker 2>make you happy? And then were you sort of like

0:20:27.119 --> 0:20:27.760
<v Speaker 2>what's next?

0:20:28.000 --> 0:20:30.399
<v Speaker 1>Success is different for everyone. So for me this I

0:20:30.480 --> 0:20:32.679
<v Speaker 1>mentioned to you earlier. I did this for lifestyle. So

0:20:32.720 --> 0:20:34.920
<v Speaker 1>because when I was eighteen, my dad died. He was

0:20:34.960 --> 0:20:38.720
<v Speaker 1>forty seven, and I saw him work his whole life

0:20:38.720 --> 0:20:41.199
<v Speaker 1>and he sold his business. Is what to make a jeweler,

0:20:41.760 --> 0:20:45.440
<v Speaker 1>sold his business, worked for the guy who he sold

0:20:45.440 --> 0:20:49.040
<v Speaker 1>the business too, literally finished working for that god just

0:20:49.040 --> 0:20:51.040
<v Speaker 1>to sort of asical he transitioned with him over and

0:20:51.040 --> 0:20:53.240
<v Speaker 1>help him out. For that twelve months, Mum and dad

0:20:53.320 --> 0:20:55.480
<v Speaker 1>bought a caravan. We're about to travel around Australia and

0:20:55.560 --> 0:20:57.679
<v Speaker 1>just enjoy the time together, you know, and have a

0:20:57.680 --> 0:20:59.879
<v Speaker 1>bit of a holiday and probably going to live up

0:21:00.040 --> 0:21:03.240
<v Speaker 1>Unshine Coast and you know, kind of semi retire up there.

0:21:03.280 --> 0:21:06.600
<v Speaker 1>That was their goal. And before that could happen, he had,

0:21:07.000 --> 0:21:08.840
<v Speaker 1>I think a month after he'd finished the work, he

0:21:08.920 --> 0:21:11.720
<v Speaker 1>had a heart attack and died. So for me, I

0:21:11.920 --> 0:21:13.600
<v Speaker 1>was like that was a massive lesson for me, and

0:21:13.640 --> 0:21:16.080
<v Speaker 1>I thought, that's not going to happen to me. What

0:21:16.200 --> 0:21:18.399
<v Speaker 1>I want is time, and I want a lifestyle that

0:21:19.240 --> 0:21:22.400
<v Speaker 1>I don't work my whole life doing something that you know,

0:21:22.480 --> 0:21:24.480
<v Speaker 1>like it's I mean, Dad still enjoyed his job, but

0:21:25.560 --> 0:21:28.400
<v Speaker 1>you know, I want something that I want to enjoy

0:21:28.400 --> 0:21:30.960
<v Speaker 1>it now whatever the job is. So it's not a

0:21:31.080 --> 0:21:33.480
<v Speaker 1>job you know and travel the world and what is

0:21:33.520 --> 0:21:34.720
<v Speaker 1>this job that I was going to fight and know

0:21:34.760 --> 0:21:36.800
<v Speaker 1>what it was at time, But for me that was

0:21:36.840 --> 0:21:40.000
<v Speaker 1>really important to have lifestyle and have time. It wasn't

0:21:40.000 --> 0:21:41.760
<v Speaker 1>about money, it wasn't about being the most fake, it

0:21:41.800 --> 0:21:43.560
<v Speaker 1>was nothing about fame, to be honest, It's just about

0:21:44.520 --> 0:21:48.520
<v Speaker 1>time and obviously being financial enough that you had time.

0:21:48.720 --> 0:21:51.760
<v Speaker 1>So the work that you're doing was fun, you loved it.

0:21:51.960 --> 0:21:53.680
<v Speaker 1>There's no question about, Okay, I want to do something

0:21:53.680 --> 0:21:56.639
<v Speaker 1>else because it sucks. And having that lifestyle that I

0:21:56.680 --> 0:22:00.359
<v Speaker 1>have time with my kids so that we have a

0:22:00.400 --> 0:22:02.520
<v Speaker 1>lot of time together and they're growing up and I'm

0:22:02.560 --> 0:22:04.520
<v Speaker 1>part of their life. Because Dad was always working for me.

0:22:04.520 --> 0:22:07.040
<v Speaker 1>It was always in the shop working and we didn't

0:22:07.040 --> 0:22:09.320
<v Speaker 1>forget to hang out much. And I was I just

0:22:09.359 --> 0:22:12.800
<v Speaker 1>had my eighteenth birthday two months before he died. It's

0:22:12.800 --> 0:22:14.600
<v Speaker 1>the first time I really got to know him a

0:22:14.600 --> 0:22:17.320
<v Speaker 1>little bit as a as a friend or as an adult.

0:22:17.359 --> 0:22:19.200
<v Speaker 1>You know. Before that was just he was always busy

0:22:19.280 --> 0:22:21.919
<v Speaker 1>working and we just didn't have that. We had a

0:22:21.920 --> 0:22:24.040
<v Speaker 1>good relationship, but just didn't know him that well, you know.

0:22:24.119 --> 0:22:27.919
<v Speaker 1>So for me, I was like, this is lifestyle I

0:22:27.960 --> 0:22:29.720
<v Speaker 1>want to have. I want to grow up with my kids.

0:22:29.800 --> 0:22:31.680
<v Speaker 1>I want to make sure that we I'm part of

0:22:31.720 --> 0:22:33.280
<v Speaker 1>their life, that I'm going to go to all their

0:22:33.960 --> 0:22:36.080
<v Speaker 1>events and just I used to go to school with

0:22:36.400 --> 0:22:39.359
<v Speaker 1>boys who are a bit old, and our Charlie turns

0:22:39.400 --> 0:22:42.600
<v Speaker 1>twenty one soon and Pedro seventeen. When that PRIMI school,

0:22:42.600 --> 0:22:44.000
<v Speaker 1>I used to go and play handball with all them

0:22:44.040 --> 0:22:46.000
<v Speaker 1>and their mates right through to when the bell started

0:22:46.200 --> 0:22:48.440
<v Speaker 1>and that go, you know, so that I had time

0:22:48.440 --> 0:22:49.800
<v Speaker 1>to do it. I didn't have to race off to work.

0:22:50.160 --> 0:22:51.800
<v Speaker 1>That's what I was chasing, and that's what I wanted.

0:22:51.840 --> 0:22:55.480
<v Speaker 1>So my success, I achieved it and I've still achieved it.

0:22:55.800 --> 0:22:58.800
<v Speaker 1>So that's the thing that I have a lifestyle. I

0:22:58.840 --> 0:23:01.159
<v Speaker 1>don't have to go and work as such on an

0:23:01.200 --> 0:23:03.560
<v Speaker 1>hourly rate for someone else, you know, to try and

0:23:03.600 --> 0:23:06.080
<v Speaker 1>go and get that done. And that's where I had

0:23:06.080 --> 0:23:08.400
<v Speaker 1>a conversation with dad early on. And you see, when

0:23:08.440 --> 0:23:09.600
<v Speaker 1>I just lef school, he said, what do you want

0:23:09.640 --> 0:23:12.320
<v Speaker 1>to do? And I just wasn't too sure at that stage,

0:23:12.480 --> 0:23:14.960
<v Speaker 1>or I hadn't left scholled, this stage wasn't too short,

0:23:14.960 --> 0:23:16.720
<v Speaker 1>and he said, we'll just make sure you work for yourself,

0:23:17.000 --> 0:23:19.000
<v Speaker 1>because that's better. If you work for someone else, it's

0:23:19.000 --> 0:23:21.000
<v Speaker 1>just hard to sort of get what you're doing. Work

0:23:21.040 --> 0:23:23.520
<v Speaker 1>for yourself, your own you're your own boss. You can

0:23:23.520 --> 0:23:25.439
<v Speaker 1>do what you want, and it was just good advice

0:23:25.480 --> 0:23:27.600
<v Speaker 1>to do that. So so for me, that's that was

0:23:27.640 --> 0:23:30.479
<v Speaker 1>my success, you know, and fame couldn't care less about it.

0:23:30.560 --> 0:23:32.119
<v Speaker 1>This is something that you know, I used to get

0:23:32.160 --> 0:23:35.240
<v Speaker 1>invited to all the openings and the red carpets and things,

0:23:35.240 --> 0:23:37.439
<v Speaker 1>and I just didn't want to go to them, you know,

0:23:38.160 --> 0:23:40.679
<v Speaker 1>it just wasn't I'm happy not to sort of be

0:23:41.520 --> 0:23:42.080
<v Speaker 1>that person.

0:23:42.320 --> 0:23:44.520
<v Speaker 2>I'm so sorry that you lost your father at such

0:23:44.560 --> 0:23:48.120
<v Speaker 2>a formative age in your life, and obviously it's such

0:23:48.160 --> 0:23:51.440
<v Speaker 2>a time where you just started a really beautiful relationship.

0:23:52.080 --> 0:23:56.160
<v Speaker 2>But it's beautiful how that lesson came to you about

0:23:56.320 --> 0:23:59.200
<v Speaker 2>time being the commodity that's far more important than anything else.

0:23:59.240 --> 0:24:01.960
<v Speaker 2>Money is important to buy your time or to change

0:24:02.000 --> 0:24:04.280
<v Speaker 2>the quality of your time. That you got it so

0:24:04.359 --> 0:24:06.159
<v Speaker 2>early in life, because I think people do take a

0:24:06.240 --> 0:24:08.280
<v Speaker 2>very very long time to kind of reach that realization,

0:24:08.359 --> 0:24:10.440
<v Speaker 2>and often it is too late. They've made decisions that

0:24:11.080 --> 0:24:11.840
<v Speaker 2>maybe they regret.

0:24:11.960 --> 0:24:14.200
<v Speaker 1>People chase money, people do things for money most of

0:24:14.200 --> 0:24:15.800
<v Speaker 1>the time. That's the thing that's I think that's a

0:24:15.800 --> 0:24:19.239
<v Speaker 1>big mistake. They make decisions based on money and how

0:24:19.280 --> 0:24:21.920
<v Speaker 1>they can get more money. And I'll work the whole

0:24:21.960 --> 0:24:25.480
<v Speaker 1>life to get more money and then don't really get

0:24:25.480 --> 0:24:27.640
<v Speaker 1>to use it that much, you know, and it's the time.

0:24:27.680 --> 0:24:32.879
<v Speaker 1>Like a friend who is as a barrister, and I

0:24:32.880 --> 0:24:35.840
<v Speaker 1>was talking him one day and talking about this exact thing,

0:24:35.880 --> 0:24:38.080
<v Speaker 1>how I had time and I spent my time with

0:24:38.119 --> 0:24:40.240
<v Speaker 1>my kids. I'd spent so much time with my kids

0:24:40.280 --> 0:24:42.960
<v Speaker 1>and I still love doing it. He started crying. He

0:24:43.040 --> 0:24:45.680
<v Speaker 1>had tears. Andy's eyes going, you know what, You've really

0:24:46.400 --> 0:24:48.600
<v Speaker 1>hit a nerve there, Like he said, I'll go to

0:24:48.640 --> 0:24:50.280
<v Speaker 1>work at seven and I don't come home toil like

0:24:50.400 --> 0:24:52.920
<v Speaker 1>nine o'clock at night time. My girl's now turning twenty

0:24:53.000 --> 0:24:55.840
<v Speaker 1>and twenty one, and I've missed most of the life.

0:24:56.359 --> 0:25:00.520
<v Speaker 1>I was like, like, well, time to think about that change,

0:25:00.560 --> 0:25:02.639
<v Speaker 1>isn't it, you know, like you and people miss it

0:25:02.640 --> 0:25:05.159
<v Speaker 1>because they's kind of doing you know, they're caught up

0:25:05.160 --> 0:25:08.760
<v Speaker 1>in work and it works like I don't want to work.

0:25:08.840 --> 0:25:11.600
<v Speaker 1>You know, Look this is that's not like you want

0:25:11.600 --> 0:25:13.640
<v Speaker 1>to do something of the life. I think we've got

0:25:13.640 --> 0:25:15.479
<v Speaker 1>it all wrong the way the whole thing's set up

0:25:15.480 --> 0:25:17.679
<v Speaker 1>and can't change it now. It is what it is.

0:25:17.720 --> 0:25:21.080
<v Speaker 1>But and there's another story. A guy I knew how

0:25:21.080 --> 0:25:23.000
<v Speaker 1>to boat went over to Balle and was met one

0:25:23.040 --> 0:25:24.640
<v Speaker 1>of the locals there on the beach, and the guy said,

0:25:24.680 --> 0:25:26.600
<v Speaker 1>you know, you guys have got it all wrong. You

0:25:26.680 --> 0:25:28.840
<v Speaker 1>guys work your whole life and whole life and then

0:25:29.200 --> 0:25:31.359
<v Speaker 1>you don't still don't have much and you die and

0:25:31.359 --> 0:25:33.560
<v Speaker 1>that's it. Well, we don't have much, but we have

0:25:33.720 --> 0:25:35.840
<v Speaker 1>this life that we just live and we enjoy. And

0:25:36.960 --> 0:25:39.560
<v Speaker 1>there's something in that, you know. I mean, every day

0:25:40.040 --> 0:25:42.119
<v Speaker 1>these guys aren't wanting more and more and more, and

0:25:42.119 --> 0:25:44.119
<v Speaker 1>when they're just like happy doing their own thing and

0:25:44.119 --> 0:25:47.360
<v Speaker 1>they're living their life where how many people go jump

0:25:47.440 --> 0:25:49.960
<v Speaker 1>on a train, sit there for a while and get

0:25:49.960 --> 0:25:51.320
<v Speaker 1>off and go to work and sit in the same

0:25:51.320 --> 0:25:55.360
<v Speaker 1>office for forty years and just like, you know, that's it.

0:25:55.440 --> 0:25:58.520
<v Speaker 1>And I remember reading something else that a lot of

0:25:58.600 --> 0:26:01.520
<v Speaker 1>men the biggest regret they had on their deathbed was

0:26:01.600 --> 0:26:03.480
<v Speaker 1>that they didn't spend enough time with the kids.

0:26:04.640 --> 0:26:07.800
<v Speaker 2>Yeah, it's so interesting. I used to be a merchants

0:26:07.800 --> 0:26:10.560
<v Speaker 2>and acquisitions lawyer, so I had that exact realization, and

0:26:10.840 --> 0:26:12.840
<v Speaker 2>I feel very lucky that I had it before I

0:26:12.880 --> 0:26:14.879
<v Speaker 2>became a mum, so that by the time I did

0:26:14.960 --> 0:26:16.439
<v Speaker 2>get to this stage of my life, i'd kind of

0:26:16.440 --> 0:26:19.840
<v Speaker 2>reorganized my priority so I didn't miss a minute, and

0:26:19.880 --> 0:26:22.399
<v Speaker 2>I had learned that you can't take it with you, like,

0:26:22.440 --> 0:26:25.720
<v Speaker 2>what's the point in waiting. I'll enjoy it when assuming

0:26:25.720 --> 0:26:28.000
<v Speaker 2>that you get time, but you don't know how long

0:26:28.040 --> 0:26:30.280
<v Speaker 2>you have. So I love that lesson and it seems

0:26:30.320 --> 0:26:33.080
<v Speaker 2>like you. I mean, now, I've seen you playing music

0:26:33.080 --> 0:26:35.399
<v Speaker 2>with your son, so I love that you've got this

0:26:36.119 --> 0:26:40.280
<v Speaker 2>beautiful family kind of weaved into your passion, which is

0:26:40.320 --> 0:26:42.760
<v Speaker 2>also your job. It's this beautiful mix of everything.

0:26:43.080 --> 0:26:45.359
<v Speaker 1>It is good. Yeah, I mean, look, my goal would

0:26:45.359 --> 0:26:47.639
<v Speaker 1>be to have We've got four kids now, so have

0:26:47.760 --> 0:26:49.720
<v Speaker 1>them all playing in the band one time.

0:26:49.760 --> 0:26:50.960
<v Speaker 2>You know, are they into music?

0:26:52.560 --> 0:26:55.359
<v Speaker 1>What Charlie elst one is Pedro seventeen year old, not

0:26:55.880 --> 0:26:58.960
<v Speaker 1>yet so hopefully will we but not yet. He hasn't

0:26:58.960 --> 0:27:01.560
<v Speaker 1>any sort of got into it. And then the two

0:27:01.640 --> 0:27:04.720
<v Speaker 1>girls kind of they love singing, dancing, and so I

0:27:04.720 --> 0:27:06.320
<v Speaker 1>think that they will. Now every time we get the

0:27:06.320 --> 0:27:08.800
<v Speaker 1>guitar out there strumming it and trying to play it,

0:27:08.200 --> 0:27:10.520
<v Speaker 1>and so I feel that they will. But yeah, it'd

0:27:10.560 --> 0:27:14.600
<v Speaker 1>be pretty cool to have it like the Muzzer Band.

0:27:16.800 --> 0:27:19.199
<v Speaker 2>I think Charlie maybe was in the audience at the

0:27:19.200 --> 0:27:23.679
<v Speaker 2>project and you somehow embarrassed him with some corny photo

0:27:23.760 --> 0:27:25.760
<v Speaker 2>or something. Do they know how famous you are? Like

0:27:25.840 --> 0:27:27.280
<v Speaker 2>do they have a bar of you or not?

0:27:27.600 --> 0:27:29.720
<v Speaker 1>Well, as a kid, they don't. They don't realize really

0:27:30.000 --> 0:27:31.679
<v Speaker 1>much about it. But I do remember Pedro when he

0:27:31.760 --> 0:27:33.560
<v Speaker 1>was a little wild time and I was somewhere and

0:27:33.600 --> 0:27:36.200
<v Speaker 1>I just had people kept up going, we must be

0:27:36.280 --> 0:27:38.760
<v Speaker 1>at the footy somewhere and people can come, so can

0:27:38.800 --> 0:27:41.560
<v Speaker 1>they get a photo? Can you sign this? That's right

0:27:41.680 --> 0:27:43.600
<v Speaker 1>signing stuff? You can sign this, sign that. And then

0:27:43.640 --> 0:27:45.800
<v Speaker 1>Pedro said to me, Dad, why do people want you

0:27:45.840 --> 0:27:49.320
<v Speaker 1>to squiggle on a piece of paper for me? And

0:27:49.760 --> 0:27:52.440
<v Speaker 1>I don't know, you know some people like that. He

0:27:52.520 --> 0:27:54.560
<v Speaker 1>just you thought that was a weird concept. Here I'm

0:27:54.560 --> 0:27:56.800
<v Speaker 1>just scribbling on a piece of paper. So they don't

0:27:56.800 --> 0:27:58.639
<v Speaker 1>really As they get older they understand it, of course,

0:27:58.680 --> 0:28:01.600
<v Speaker 1>you know. And I think that that. You know. The

0:28:01.640 --> 0:28:05.320
<v Speaker 1>girls are six and three, so they've been to a

0:28:05.359 --> 0:28:07.720
<v Speaker 1>couple shows now and they'll sort of watch and then

0:28:07.800 --> 0:28:09.560
<v Speaker 1>just sort of color in beside stage and then but

0:28:09.680 --> 0:28:11.720
<v Speaker 1>I did one show in West australiaere they both came

0:28:11.720 --> 0:28:14.240
<v Speaker 1>out and I held them both up and the crowd

0:28:14.240 --> 0:28:16.119
<v Speaker 1>love it, you know, like it was, and I'd love

0:28:16.160 --> 0:28:17.639
<v Speaker 1>the two LEAs that have come out waves of the

0:28:17.640 --> 0:28:20.000
<v Speaker 1>crowd and stuff, so they get a bit of a

0:28:20.040 --> 0:28:22.800
<v Speaker 1>buzz out. Yes, I think they know that I'm a

0:28:23.160 --> 0:28:26.680
<v Speaker 1>singer and performer and stuff, so yes, it's it's good fun.

0:28:26.960 --> 0:28:29.439
<v Speaker 2>It's funny to think that you're like, you know, have

0:28:29.760 --> 0:28:32.359
<v Speaker 2>long been part of the definition of cool and that

0:28:32.520 --> 0:28:35.199
<v Speaker 2>you have kids that know that you're famous. But I mean,

0:28:35.240 --> 0:28:38.720
<v Speaker 2>I'm sure the boys are just like, oh, Dad, like, don't.

0:28:40.040 --> 0:28:40.760
<v Speaker 1>Never been like that?

0:28:41.000 --> 0:28:42.960
<v Speaker 2>Really, that's so nice.

0:28:43.160 --> 0:28:45.800
<v Speaker 1>They're all like, yeah, it's kind of nice because they

0:28:45.800 --> 0:28:50.240
<v Speaker 1>don't see me as that uncool person. I guess, uncol Dad.

0:28:50.040 --> 0:28:52.000
<v Speaker 2>I mean, you're Pete Murray, you are pretty cool.

0:28:52.840 --> 0:28:55.960
<v Speaker 1>But I treat them like, you know, my kids, but

0:28:56.640 --> 0:28:59.360
<v Speaker 1>with respect and we have fun together. And I've had

0:28:59.360 --> 0:29:01.920
<v Speaker 1>that close with them too, you know, so you know,

0:29:02.160 --> 0:29:05.840
<v Speaker 1>I guess they were just close. So there's never been

0:29:05.840 --> 0:29:07.560
<v Speaker 1>anything where and I'm pretty cool, like in the way

0:29:07.560 --> 0:29:09.840
<v Speaker 1>that I don't lose it if they do something wrong

0:29:09.880 --> 0:29:11.520
<v Speaker 1>because they've got to learn from that, you know, and

0:29:11.960 --> 0:29:13.720
<v Speaker 1>they probably know they can get away a few things

0:29:13.920 --> 0:29:16.720
<v Speaker 1>with me. But there's a limit. There's a limit that

0:29:16.800 --> 0:29:20.160
<v Speaker 1>you know what I will put up with as well. Well.

0:29:20.240 --> 0:29:25.040
<v Speaker 2>You sound very well adjusted. So the new single, wouldn't

0:29:25.080 --> 0:29:28.040
<v Speaker 2>It Be Good? Is the first independent single in twenty years,

0:29:28.200 --> 0:29:30.880
<v Speaker 2>and you're about to go on a national tour. I

0:29:30.920 --> 0:29:33.719
<v Speaker 2>think you're doing some amazing regional visits as well. I

0:29:33.720 --> 0:29:36.160
<v Speaker 2>would love to know when do you know it's time

0:29:36.200 --> 0:29:38.480
<v Speaker 2>for a new album? Like when are you? Just like,

0:29:38.560 --> 0:29:41.560
<v Speaker 2>I've got enough in my brain for a whole new

0:29:41.600 --> 0:29:43.760
<v Speaker 2>release and we're going to get on the road this.

0:29:43.640 --> 0:29:46.760
<v Speaker 1>Album coming out. I definitely felt like we needed some

0:29:46.800 --> 0:29:49.120
<v Speaker 1>new music. I think they had two EPs that came

0:29:49.160 --> 0:29:50.880
<v Speaker 1>out during COVID, and I think it just kind of

0:29:51.040 --> 0:29:55.000
<v Speaker 1>COVID was a tough time to really get your music herd.

0:29:55.040 --> 0:29:56.920
<v Speaker 1>It was difficult, so and I think that just kind

0:29:56.920 --> 0:29:59.040
<v Speaker 1>of slipped under the radar, the two EPs. I remember

0:29:59.120 --> 0:30:00.520
<v Speaker 1>talking to some people that are going, we didn't even

0:30:00.520 --> 0:30:01.480
<v Speaker 1>know you had something come out.

0:30:03.160 --> 0:30:04.680
<v Speaker 2>It's like, wow, my bad.

0:30:05.880 --> 0:30:08.800
<v Speaker 1>Some great songs on those EPs, which I did turn

0:30:08.840 --> 0:30:11.680
<v Speaker 1>into an album anyway, But definitely felt like I needed

0:30:11.720 --> 0:30:15.120
<v Speaker 1>some new music. And I've been, you know, playing the

0:30:16.240 --> 0:30:18.440
<v Speaker 1>old songs for a long time, so I still play

0:30:18.440 --> 0:30:19.960
<v Speaker 1>those songs, but I definitely felt like we needed some

0:30:20.000 --> 0:30:23.760
<v Speaker 1>new songs out there that I was definitely due for

0:30:23.800 --> 0:30:27.240
<v Speaker 1>a really good album. That's what I felt, and so

0:30:27.280 --> 0:30:29.560
<v Speaker 1>i've you know, I've had some of these songs have

0:30:29.640 --> 0:30:34.840
<v Speaker 1>been self started writing and about twenty fourteen and demoing

0:30:34.880 --> 0:30:36.600
<v Speaker 1>and sort of you know, there's some older ones there

0:30:36.640 --> 0:30:38.680
<v Speaker 1>that've been hanging around for a while that just needed

0:30:38.680 --> 0:30:40.760
<v Speaker 1>to be finished off. But sometimes that happens. You know,

0:30:41.080 --> 0:30:44.520
<v Speaker 1>some things aren't ready for a particular album, and you

0:30:44.520 --> 0:30:46.760
<v Speaker 1>know at the right time they will be. So there's

0:30:46.800 --> 0:30:50.239
<v Speaker 1>some real sort of a bit of nostalgia I think

0:30:50.320 --> 0:30:53.120
<v Speaker 1>in this because this is reminds me of Feeler in

0:30:53.120 --> 0:30:55.280
<v Speaker 1>the way that feel It took time to write Feeler.

0:30:55.320 --> 0:30:57.880
<v Speaker 1>I did The Game and then you know, plenty of

0:30:57.920 --> 0:31:00.800
<v Speaker 1>demoing in that period, and then when I got signed,

0:31:00.800 --> 0:31:03.400
<v Speaker 1>we took five songs off The Game and put on

0:31:03.440 --> 0:31:07.560
<v Speaker 1>to Feeler. So this album as well, has been pretty

0:31:07.640 --> 0:31:09.920
<v Speaker 1>much done over ten years. If I go back and

0:31:09.960 --> 0:31:12.440
<v Speaker 1>look at all the songs, because I keep all the songs,

0:31:12.920 --> 0:31:14.360
<v Speaker 1>and when it's the right time for the right album,

0:31:14.400 --> 0:31:16.280
<v Speaker 1>I think I'll put that out, then they'll be there.

0:31:16.320 --> 0:31:19.240
<v Speaker 1>So there's a body of work there over ten years.

0:31:19.480 --> 0:31:22.280
<v Speaker 1>That's what makes this new album great. I think that

0:31:22.360 --> 0:31:24.360
<v Speaker 1>you've just got It's not just written in two years

0:31:24.720 --> 0:31:26.680
<v Speaker 1>and thrown out just because I need to get one

0:31:26.680 --> 0:31:29.080
<v Speaker 1>out there. Yeah, there's nostalgia in this stuff, and there's

0:31:29.080 --> 0:31:31.960
<v Speaker 1>some good songs and it feels great. So yeah, definitely,

0:31:32.000 --> 0:31:34.760
<v Speaker 1>right now I'm due, And now I've got a lot

0:31:34.840 --> 0:31:37.160
<v Speaker 1>of other stuff just backed up that I'm just going

0:31:37.200 --> 0:31:42.479
<v Speaker 1>to keep putting stuff out. I've actually re recorded some

0:31:42.560 --> 0:31:44.719
<v Speaker 1>of the old songs now too, because I can do that,

0:31:44.800 --> 0:31:47.320
<v Speaker 1>and I'm going to put them out again. So my

0:31:47.520 --> 0:31:50.360
<v Speaker 1>versions of those so pulling a swifty I call it,

0:31:50.360 --> 0:31:54.000
<v Speaker 1>you know, like a tailor. Swift has done that, so

0:31:54.120 --> 0:31:55.760
<v Speaker 1>she's led the way, and I think it's you know,

0:31:56.120 --> 0:31:58.880
<v Speaker 1>for me, I wanted to record I guess how I

0:31:59.080 --> 0:32:02.160
<v Speaker 1>played those songs now out lives. There's a little bit

0:32:02.160 --> 0:32:04.000
<v Speaker 1>more energy in some of them, and you're just over time,

0:32:04.040 --> 0:32:05.560
<v Speaker 1>you just start to do things a little differently, so

0:32:06.840 --> 0:32:10.640
<v Speaker 1>they're still similar than what the old versions are, but

0:32:11.360 --> 0:32:13.800
<v Speaker 1>they're just got that fresher sound to them.

0:32:14.000 --> 0:32:15.840
<v Speaker 2>I love that you use the word nostalgia as well,

0:32:15.840 --> 0:32:19.200
<v Speaker 2>because I feel like one of the reasons why so

0:32:19.280 --> 0:32:22.040
<v Speaker 2>many of your songs do hit people in the fields

0:32:22.120 --> 0:32:24.120
<v Speaker 2>is because you hear them and it transports them to

0:32:24.160 --> 0:32:27.120
<v Speaker 2>a time in their life that's so significant, and you like,

0:32:27.160 --> 0:32:29.320
<v Speaker 2>there's so much feeling in it that you remember everything

0:32:29.360 --> 0:32:32.000
<v Speaker 2>you felt in that moment. I have songs, and a

0:32:32.040 --> 0:32:34.240
<v Speaker 2>couple of yours are like this where I almost can't

0:32:34.280 --> 0:32:37.360
<v Speaker 2>turn them on if I'm not emotionally in a good spot,

0:32:37.400 --> 0:32:40.880
<v Speaker 2>because they're so it's like a visceral reaction. You just

0:32:40.920 --> 0:32:44.600
<v Speaker 2>get so overwhelmed by that nostalgia. Like I've always wondered

0:32:44.840 --> 0:32:46.920
<v Speaker 2>and I've never had the chance to ask anyone. I

0:32:46.920 --> 0:32:49.440
<v Speaker 2>can imagine it's so much more intense when you wrote

0:32:49.440 --> 0:32:51.880
<v Speaker 2>the song, Like do you hear those songs and it

0:32:51.920 --> 0:32:54.320
<v Speaker 2>transports you back to who you were when you wrote them?

0:32:54.320 --> 0:32:56.160
<v Speaker 2>And are there moments where you're like, I can't even

0:32:56.160 --> 0:32:56.840
<v Speaker 2>listen to that song?

0:32:57.120 --> 0:32:59.520
<v Speaker 1>Oh look, it's incredible now, because you know, I've played

0:33:00.680 --> 0:33:03.560
<v Speaker 1>a festival of a couple weeks ago called Handpicked down

0:33:03.600 --> 0:33:06.320
<v Speaker 1>in Adelaide, and virtually it's like a bunch of twenty

0:33:06.360 --> 0:33:09.640
<v Speaker 1>year olds. They're like the younger generation, and so I

0:33:09.680 --> 0:33:12.160
<v Speaker 1>was like a little bit nervous. I've done two shows,

0:33:12.160 --> 0:33:13.880
<v Speaker 1>which has been kind of the twenty year old crowd.

0:33:13.920 --> 0:33:15.560
<v Speaker 1>There was one in New Zealand last year, of course

0:33:15.680 --> 0:33:18.880
<v Speaker 1>snow Machine, and then hand picked a couple weeks ago,

0:33:19.360 --> 0:33:23.080
<v Speaker 1>and that younger demographic from my fan base. I guess

0:33:23.080 --> 0:33:25.760
<v Speaker 1>that have grown up with me. I was kind of nervous, thinking,

0:33:25.760 --> 0:33:28.840
<v Speaker 1>will they know me, will they know the songs? Will

0:33:28.880 --> 0:33:31.680
<v Speaker 1>they be kind of going, who's this old fellow? You know?

0:33:31.840 --> 0:33:34.920
<v Speaker 1>So I just didn't know, like it's just twenty year olds.

0:33:34.960 --> 0:33:37.520
<v Speaker 1>So and came on and played the set and they

0:33:37.600 --> 0:33:40.080
<v Speaker 1>sang word for word. They were like so pumped up

0:33:40.120 --> 0:33:44.080
<v Speaker 1>and it was incredible. So it's on my Instagram of

0:33:44.160 --> 0:33:46.200
<v Speaker 1>people going and check it, which is Pete Murray Music,

0:33:46.240 --> 0:33:48.120
<v Speaker 1>Go and check out that. There's there's some footage of

0:33:48.200 --> 0:33:51.520
<v Speaker 1>those young crowd, like just belt in the lyrics out

0:33:51.560 --> 0:33:55.840
<v Speaker 1>said songs like Opportunity, better Days, so beautiful. They're just

0:33:55.880 --> 0:33:58.520
<v Speaker 1>singing these songs because these were the songs that really

0:33:58.560 --> 0:34:03.000
<v Speaker 1>meant something to you know, their parents or their older siblings,

0:34:03.480 --> 0:34:06.440
<v Speaker 1>and they've grown up with these songs now. So you know,

0:34:06.760 --> 0:34:09.399
<v Speaker 1>when I was walking back from stage to the green room,

0:34:09.680 --> 0:34:11.560
<v Speaker 1>you have to go past the crowd, So everyone was

0:34:11.560 --> 0:34:12.880
<v Speaker 1>coming up the fence and they going, look, this is

0:34:12.920 --> 0:34:15.520
<v Speaker 1>so good. To see you play, and we grew up

0:34:15.560 --> 0:34:17.839
<v Speaker 1>with these songs. You know, these songs, they're pretty much

0:34:17.960 --> 0:34:20.480
<v Speaker 1>mean as much to these guys as they do for

0:34:20.560 --> 0:34:22.880
<v Speaker 1>their parents and older siblings. So it's kind of like,

0:34:23.680 --> 0:34:25.480
<v Speaker 1>I guess it's a sign of a good song that

0:34:25.760 --> 0:34:28.080
<v Speaker 1>goes down in generations and stays with people and still

0:34:28.120 --> 0:34:31.399
<v Speaker 1>have that same feeling. And hopefully these guys will grow

0:34:31.480 --> 0:34:33.040
<v Speaker 1>up in the next ten years and still come to

0:34:33.080 --> 0:34:35.840
<v Speaker 1>more contents and just you know, get into that. So

0:34:36.520 --> 0:34:38.880
<v Speaker 1>you know, we'll see, but it's been great to see.

0:34:38.640 --> 0:34:40.600
<v Speaker 2>That before we finish. Though. One of the big things

0:34:40.640 --> 0:34:43.200
<v Speaker 2>about happiness, I think is that even if you love

0:34:43.239 --> 0:34:46.160
<v Speaker 2>your job and it doesn't feel like work like for you,

0:34:46.280 --> 0:34:48.719
<v Speaker 2>music is obviously something that doesn't feel like going to

0:34:48.760 --> 0:34:52.120
<v Speaker 2>an office and sitting down. I think you stay fresh

0:34:52.239 --> 0:34:55.239
<v Speaker 2>and passionate if you have hobbies or passions that are

0:34:55.239 --> 0:34:58.440
<v Speaker 2>outside of that. So when you're not playing music, like

0:34:58.520 --> 0:35:02.319
<v Speaker 2>maybe in between albums downtime, when you're not listening to

0:35:02.360 --> 0:35:05.719
<v Speaker 2>other people's music, is there anything you love doing that's

0:35:05.840 --> 0:35:09.560
<v Speaker 2>just like your guilty pleasure? Like do you crochet? Do

0:35:10.040 --> 0:35:10.560
<v Speaker 2>you surf?

0:35:10.680 --> 0:35:11.120
<v Speaker 1>Like? What are you?

0:35:11.320 --> 0:35:12.000
<v Speaker 2>What are your things?

0:35:12.040 --> 0:35:14.000
<v Speaker 1>Look grabbing that much of chances. I do like surfing,

0:35:14.040 --> 0:35:15.840
<v Speaker 1>but having that much of chance to serfl because just

0:35:15.840 --> 0:35:18.520
<v Speaker 1>the kids have been two young kids against something. So

0:35:18.600 --> 0:35:21.440
<v Speaker 1>at home quite a bit, I like hanging with family,

0:35:21.920 --> 0:35:24.120
<v Speaker 1>you know, and hanging out with the kids and just

0:35:24.360 --> 0:35:26.120
<v Speaker 1>doing that stuff. For like going to the beach. I

0:35:26.200 --> 0:35:28.600
<v Speaker 1>like being outdoors. That's really nice. Going to the beach

0:35:28.600 --> 0:35:31.000
<v Speaker 1>and hanging out there is quite nice. And just going

0:35:31.000 --> 0:35:33.239
<v Speaker 1>out with those guys and playing in the park, and

0:35:33.360 --> 0:35:35.920
<v Speaker 1>you know, that's kind of a nice thing because really,

0:35:35.960 --> 0:35:38.200
<v Speaker 1>like you know, doing music is I get a lot

0:35:38.200 --> 0:35:40.120
<v Speaker 1>of enjoyment out of that. So you go on tour

0:35:40.840 --> 0:35:43.799
<v Speaker 1>and play with her mates. It's really I'm blessed that

0:35:43.880 --> 0:35:46.440
<v Speaker 1>I can do that because that's fun for me. It's

0:35:46.760 --> 0:35:49.080
<v Speaker 1>it's really just once again, you know, it's doing those

0:35:49.080 --> 0:35:52.200
<v Speaker 1>things that my dad missed, you know, like being with family,

0:35:52.239 --> 0:35:54.200
<v Speaker 1>being with kids and doing those things that's really important.

0:35:54.520 --> 0:35:56.600
<v Speaker 2>Oh that's so beautiful. It really comes through that being

0:35:56.600 --> 0:35:58.359
<v Speaker 2>a dad is such a big part of your life

0:35:58.400 --> 0:36:00.680
<v Speaker 2>and it's not like work is two percent and then

0:36:00.719 --> 0:36:02.560
<v Speaker 2>everything else has to fit in like the ten percent

0:36:02.600 --> 0:36:03.240
<v Speaker 2>that's leftover.

0:36:04.280 --> 0:36:06.040
<v Speaker 1>So wrong that people do that and one or.

0:36:06.040 --> 0:36:09.360
<v Speaker 2>Two guilty pleasure questions for me is just what's your

0:36:09.920 --> 0:36:13.399
<v Speaker 2>two favorite songs that aren't your own, two or three

0:36:14.480 --> 0:36:15.280
<v Speaker 2>from any era?

0:36:15.760 --> 0:36:18.400
<v Speaker 1>Yep, okay, Neil Young Bob Dylan. So they're two my

0:36:18.400 --> 0:36:22.440
<v Speaker 1>favorite artists. Bob Dylan positively Fourth Street. I love that

0:36:22.560 --> 0:36:25.879
<v Speaker 1>track the way he sings it, and it's just having

0:36:25.880 --> 0:36:27.800
<v Speaker 1>to go with all the people that have had to

0:36:27.800 --> 0:36:31.080
<v Speaker 1>go with him over the time. He does it lyrically,

0:36:31.080 --> 0:36:36.000
<v Speaker 1>it's fantastic. Neil Young. There's probably heaps of Neil Young songs.

0:36:36.040 --> 0:36:41.800
<v Speaker 1>I could mention, Oh, do you hard to pick one? Gosh,

0:36:41.840 --> 0:36:45.600
<v Speaker 1>there's so many. Expecting to Fly is a really nice

0:36:45.880 --> 0:36:48.840
<v Speaker 1>song that people have made not know, but it was

0:36:49.000 --> 0:36:51.040
<v Speaker 1>something that when dad died, I remember listening to that

0:36:51.040 --> 0:36:55.359
<v Speaker 1>song quite a bit, very powerful song. And Third, I've

0:36:55.360 --> 0:36:58.520
<v Speaker 1>always said, you know a song that I wish I

0:36:58.560 --> 0:37:03.839
<v Speaker 1>could write was ever Long by the Food. Oh, that's

0:37:03.960 --> 0:37:04.759
<v Speaker 1>just a great song.

0:37:04.960 --> 0:37:06.680
<v Speaker 2>I love it so much.

0:37:07.040 --> 0:37:09.440
<v Speaker 1>Melody. That's the song that people said, what if you

0:37:09.440 --> 0:37:11.560
<v Speaker 1>could have written a song, what was it like? Well,

0:37:11.640 --> 0:37:13.640
<v Speaker 1>that would be That's just such a great song.

0:37:14.000 --> 0:37:16.480
<v Speaker 2>Is there anyone that you would love to play with

0:37:16.760 --> 0:37:20.080
<v Speaker 2>at any point in your life? Do you do? Have

0:37:20.120 --> 0:37:22.960
<v Speaker 2>you ever released a joint single like a jewet.

0:37:23.680 --> 0:37:27.880
<v Speaker 1>Yeah, no, but there's a song, a new song that's

0:37:28.160 --> 0:37:31.600
<v Speaker 1>coming out actually has a bit of a country flavored

0:37:31.640 --> 0:37:37.200
<v Speaker 1>to it and do that with maybe a female country singer.

0:37:37.680 --> 0:37:40.759
<v Speaker 1>So we just we're just kind of looking for for

0:37:40.840 --> 0:37:42.359
<v Speaker 1>that at the moment. I probably did like my own

0:37:42.440 --> 0:37:44.600
<v Speaker 1>version anyway, but have another version where we can do

0:37:44.640 --> 0:37:48.120
<v Speaker 1>like a duwet thing with the country female artists.

0:37:48.200 --> 0:37:51.279
<v Speaker 2>Yeah, amazing. Well, Pete, thank you so much for your time.

0:37:51.360 --> 0:37:54.560
<v Speaker 2>I'm so so excited for the whole new album. Where

0:37:54.560 --> 0:37:56.080
<v Speaker 2>does it come out? When can we get it?

0:37:56.080 --> 0:37:57.680
<v Speaker 1>It'll be out in the bed October next year. So

0:37:57.680 --> 0:38:01.560
<v Speaker 1>there's a lot of songs kind of you know, every

0:38:01.560 --> 0:38:03.480
<v Speaker 1>six weeks or so, will be coming out singles. The

0:38:03.520 --> 0:38:06.160
<v Speaker 1>first one's out now, the second one comes out on

0:38:06.200 --> 0:38:09.000
<v Speaker 1>the sixth of February, and then after that it'll be

0:38:09.120 --> 0:38:11.719
<v Speaker 1>sort of every six weeks. We'll probably low you know,

0:38:11.840 --> 0:38:14.720
<v Speaker 1>thybe six songs coming out before the album drops.

0:38:15.200 --> 0:38:17.520
<v Speaker 2>Well, A'll be listening along keenly, wouldn't it be good?

0:38:17.600 --> 0:38:18.080
<v Speaker 2>Is out now?

0:38:18.080 --> 0:38:18.319
<v Speaker 1>Guys?

0:38:18.360 --> 0:38:20.240
<v Speaker 2>I will include a link for you to listen along

0:38:20.320 --> 0:38:22.719
<v Speaker 2>and get a taste of what is to come. Pete,

0:38:22.760 --> 0:38:24.920
<v Speaker 2>congratulations and thank you so much for joining us.

0:38:25.120 --> 0:38:26.479
<v Speaker 1>Thank you, and i's to talk to you as well.

0:38:26.600 --> 0:38:30.279
<v Speaker 2>Honestly, Pete's songs transport me so vividly to parts of

0:38:30.320 --> 0:38:33.040
<v Speaker 2>my life. What an absolute dream to chat with him

0:38:33.080 --> 0:38:35.920
<v Speaker 2>about how it all unraveled, and such an amazing reminder

0:38:35.920 --> 0:38:37.839
<v Speaker 2>for all of us that it is never too late

0:38:38.200 --> 0:38:40.759
<v Speaker 2>to stumble upon something new that you love, that you

0:38:40.840 --> 0:38:42.719
<v Speaker 2>never knew that you loved, or that you were good at.

0:38:43.280 --> 0:38:45.520
<v Speaker 2>As promised, I will pop links to everything in the

0:38:45.520 --> 0:38:48.160
<v Speaker 2>show notes, of course, share the episode and tag at

0:38:48.160 --> 0:38:51.120
<v Speaker 2>Pete murray music as well if you enjoyed to let

0:38:51.200 --> 0:38:53.399
<v Speaker 2>him know what you think, maybe tell him your favorite song.

0:38:53.800 --> 0:38:55.759
<v Speaker 2>And in the meantime, I hope you're all having a

0:38:55.760 --> 0:39:06.200
<v Speaker 2>wonderful week and are seizing your yaman femmininmon