WEBVTT - Candice Fox Sat In A Cage With A Serial Killer — And Asked Him Why

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<v Speaker 1>I get there, and I go through all the levels

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<v Speaker 1>of security, and I get into the prison and it

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<v Speaker 1>says death row above this doorway. And I go in

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<v Speaker 1>and the door clanks shut behind me, and then I'm

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<v Speaker 1>just standing there and no one's telling me what to do.

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<v Speaker 2>Hi. I'm Holly Wainwright and today I'm stepping in for

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<v Speaker 2>Kate Langbrook on No Filter. You're about to meet a

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<v Speaker 2>woman who has climbed into a cage with a serial killer,

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<v Speaker 2>who's traveled on callouts with homicide police and nine to

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<v Speaker 2>eleven survivors, who sat down with the devastated spouses of

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<v Speaker 2>murder victims. Someone who grew up in the chaos of

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<v Speaker 2>financial instability and emotional turmoil in Sydney's western suburbs, and

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<v Speaker 2>who climbed out of there to become one of Australia's

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<v Speaker 2>most successful authors, a crime writer who's collaborated with the

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<v Speaker 2>world's most read author, who's sold books to Hollywood, and

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<v Speaker 2>who's seen her stories on screen. And you're going to

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<v Speaker 2>love her. Candace Fox is a vibe. You might know

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<v Speaker 2>her from one of her best selling crime novels, including

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<v Speaker 2>Crimson Lake and The Chase. But if you don't, and

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<v Speaker 2>you love crime fiction and great stories of all kinds.

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<v Speaker 2>You're going to thank me for this interview because I'm

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<v Speaker 2>giving you the gift of a truly original Australian writer

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<v Speaker 2>with a back catalog you can just jump into with

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<v Speaker 2>both feet, as long as your feet aren't squeamish. Candace

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<v Speaker 2>Fox's latest novel is called Red Belly Crossing, and in

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<v Speaker 2>writing it, she hopes she might solve two cold case

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<v Speaker 2>murders from Sydney's past. Actually she's hoping we will. I'm

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<v Speaker 2>Holly Wainwright and welcome to No Filter, Candicce Fox. Candace Fox,

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<v Speaker 2>Welcome to No Filter.

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<v Speaker 1>Thank you so much for having me.

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<v Speaker 2>I need to start with something I learned about you

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<v Speaker 2>only this morning. You've written twenty one books. That's not

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<v Speaker 2>what I learned. I knew that twenty one books. Yeah, yeah, yeah,

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<v Speaker 2>you type with two fingers.

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<v Speaker 1>I do.

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<v Speaker 2>It's so embarrassing.

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<v Speaker 1>I'm so embarrassed about it that I thought there's no

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<v Speaker 1>way that I can get over it, the embarrassment, except

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<v Speaker 1>by telling I just told the world. I just said.

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<v Speaker 2>This is me. I'm sitting in a cafe. People bandy

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<v Speaker 2>around the words best selling author a lot, right, Yeah,

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<v Speaker 2>they do, especially in Australia, we sell a couple of

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<v Speaker 2>thousand books and.

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<v Speaker 1>We're like, hi, right.

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<v Speaker 2>But you're the real deal. There is no question about that.

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<v Speaker 1>Thank you.

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<v Speaker 2>Twenty one books, crime novels, standalones, series, collaborations with the

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<v Speaker 2>best selling author in the universe, James Patterson, and you've

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<v Speaker 2>done them all with two fingers. Why your index fingers broken?

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<v Speaker 2>This is my first, very important question.

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<v Speaker 1>I feel like I feel like they must be tough,

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<v Speaker 1>Like when I point at people, they must go whoa,

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<v Speaker 1>put those things away.

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<v Speaker 2>So you're learning, you're learning, learning to.

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<v Speaker 1>Touch type and it's so awkward. But the problem is

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<v Speaker 1>that with the two finger typing, my indix fingers are okay,

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<v Speaker 1>but the rest of my fingers are like inflexed. They're

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<v Speaker 1>up like that and they're getting tired.

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<v Speaker 2>Yeah, no, it's I worry. I worry for your posture.

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<v Speaker 2>I worry for you whatever you call it. Gremlin yet No,

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<v Speaker 2>that's good, Okay, it's not attractive into the more serious stuff. Right,

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<v Speaker 2>you're a crime writer, obviously you write about grizzly things.

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<v Speaker 2>Our audience might know you from Crimson Lake, they might

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<v Speaker 2>know from Hades, they might know from all kinds of things.

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<v Speaker 2>Women often say oh, I can't do crime like it

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<v Speaker 2>keeps me up at night. But we also know that

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<v Speaker 2>women are massive consumers of crime content. Are your is

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<v Speaker 2>your audience mostly female? And are they all twisted individuals?

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<v Speaker 2>Some of them are pretty sick.

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<v Speaker 1>I have the one the moment that I think of

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<v Speaker 1>is when I was auctioning off a character place in

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<v Speaker 1>one of my novels and somebody said, if I win it,

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<v Speaker 1>can I give that character to someone else? I said, yeah, sure.

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<v Speaker 1>She said could that person be murdered? And I'm thinking, oh,

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<v Speaker 1>you're going to put your X in there or something

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<v Speaker 1>brutally murdered. I said, yeah, sure. They're worries. She said,

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<v Speaker 1>can I give it to my eight year old son?

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<v Speaker 2>What? She wanted to give it to her son to

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<v Speaker 2>be brutally murdered.

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<v Speaker 1>It was just like that, that's a special kind of fan.

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<v Speaker 2>They are mostly women. Yeah.

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<v Speaker 1>When I look out across an audience when I'm doing

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<v Speaker 1>a talk, it's all women and there are a few men.

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<v Speaker 1>And the men will come up and get their books signed,

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<v Speaker 1>and they'll always say, oh, my wife dragged me here,

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<v Speaker 1>or my wife made me read your first book, you know.

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<v Speaker 1>And it's only recently that I'm getting men on their own,

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<v Speaker 1>and then young men. Young men come in and they

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<v Speaker 1>sit right at the back, and then they have nothing

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<v Speaker 1>to do with They're scooted out, and I go, you

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<v Speaker 1>can come over here, and they're lurkers. Oh yeah, they look,

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<v Speaker 1>they look. Yeah.

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<v Speaker 2>You write a book every nine months, you just told me,

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<v Speaker 2>which is an astonishing output.

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<v Speaker 1>Oh thank you. I try. I've got a kid now,

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<v Speaker 1>so I'm slower than I used to be. It used

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<v Speaker 1>to be about five to six months.

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<v Speaker 2>And you also research really heavily. Because I know that

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<v Speaker 2>you have met serial killers on death Row, hung out

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<v Speaker 2>with a lot of cops in America as well as

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<v Speaker 2>Australian firefighters. What's the scariest thing you've ever done in

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<v Speaker 2>the name of research of your books?

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<v Speaker 1>It's probably meeting the serial killer. I did not realize

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<v Speaker 1>that that was going to be a physical meeting. I

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<v Speaker 1>paint a picture of I'll paint your picture. I was

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<v Speaker 1>living in la and I saw a documentary on Lawrence Bittaker,

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<v Speaker 1>who was one half of a partnership called the Toolbox Killers,

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<v Speaker 1>who were I know, they were very inventive, a pair

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<v Speaker 1>of men who had nothing better to do than drive

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<v Speaker 1>around the streets of LA, picking up young women and

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<v Speaker 1>girls and driving them into the mountains behind LA and

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<v Speaker 1>doing terrible things to them with the contents of a toolbox,

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<v Speaker 1>and then throwing them off the overpasses there, throwing this

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<v Speaker 1>so person you decided you needed to meet, Well, I

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<v Speaker 1>had questions, and I thought, you know, by that time,

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<v Speaker 1>I had written twelve novels and I'd never met a killer.

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<v Speaker 1>And all I could really do was sit there and

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<v Speaker 1>seorize about what kind of mind would do that? And

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<v Speaker 1>I thought, I'm going to stop theorizing. I'm going to

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<v Speaker 1>stop reading books about it. I'm going to just go

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<v Speaker 1>and say to the guy, what kind of mind would

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<v Speaker 1>do that? Why would you do that? And that's what

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<v Speaker 1>I did. I wrote to him. I wrote a letter,

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<v Speaker 1>and I imagined, you know, at the outset the moral

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<v Speaker 1>questions are starting. I'm saying to myself, you know, do

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<v Speaker 1>I write dear Lawrence, you know, direct Lawrence? You know?

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<v Speaker 1>And if he asked, if he says.

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<v Speaker 2>How polite and deferential to be sort of, yeah, well

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<v Speaker 2>I wasn't very polite.

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<v Speaker 1>In the content of the letter. I said, you appear

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<v Speaker 1>to be one of the most horrendous individuals I've ever

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<v Speaker 1>heard of in my life. You're a monster. What you

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<v Speaker 1>did is vile and disgusting, and I want to hear

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<v Speaker 1>about what caused you to do that. And I had

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<v Speaker 1>all these parameters. I was sort of saying, please, if

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<v Speaker 1>I come there and speak to like, I'd like to

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<v Speaker 1>hear about it, if you're willing to, you know, tell

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<v Speaker 1>me if I go there, please do not try to

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<v Speaker 1>tell me that you didn't do it or that it

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<v Speaker 1>was anyone's fault except yours, because I know that he's

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<v Speaker 1>just psycho passed. Accountability is not their strong suit. And also,

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<v Speaker 1>I said this, no romantic interest here.

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<v Speaker 2>Because we know that lots of women do write to

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<v Speaker 2>serial kills with romantic interest.

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<v Speaker 1>And it's a whole other thing.

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<v Speaker 2>It's a whole other thing.

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<v Speaker 1>And I would find out later that he was trying

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<v Speaker 1>to recruit me as girlfriend number five because he already

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<v Speaker 1>had four. And so he said, yeah, come, and so

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<v Speaker 1>I went, and I received a visitors handbook, which was

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<v Speaker 1>a single a four sheet of paper with a whole

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<v Speaker 1>bunch of information about you know, what you're supposed to

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<v Speaker 1>wear and where you're supposed to park, and what you

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<v Speaker 1>can bring in and that kind of thing. No information

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<v Speaker 1>at all about the physical practicality of the actual meeting.

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<v Speaker 1>So I just assumed that it was going to be

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<v Speaker 1>like a piece of glass on the movie. Yeah, you

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<v Speaker 1>see on the movies with the phone, you know, because this.

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<v Speaker 2>Is a violent serial killer.

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<v Speaker 1>And I get there, and I go through all the

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<v Speaker 1>levels of security and I get into the prison and

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<v Speaker 1>it says death throw, you know, above this doorway. And

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<v Speaker 1>I go in and the door clanks shut behind me,

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<v Speaker 1>and then I'm just standing there and no one's telling

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<v Speaker 1>me what to do. And I wandered over to this

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<v Speaker 1>guard and I said, I don't know where I'm supposed

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<v Speaker 1>to be. Sorry, I don't know which window is mine,

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<v Speaker 1>because they had all the windows with the phones. I said,

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<v Speaker 1>I'm here to see Lawrence Bittaker, the serial killer. And

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<v Speaker 1>he said, oh, no, you're going to be in that

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<v Speaker 1>cage over there. And he pointed to this cage, which

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<v Speaker 1>was a flawed to ceiling, you know, whire mesh all

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<v Speaker 1>around like a shark cage with buletproof glass on the inside.

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<v Speaker 1>And I'm thinking, oh, okay, I go in there to

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<v Speaker 1>protect me from him. And I said, well, where is

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<v Speaker 1>he going to be? And the guard said no. The

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<v Speaker 1>guard said, he'll be in there, and I said, but

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<v Speaker 1>I'll be.

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<v Speaker 2>In there, so getting in the cage with the show.

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<v Speaker 1>Yeah, And he's like, I said, at the same wait,

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<v Speaker 1>at the same time, and he said, yes, at the

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<v Speaker 1>same time. You and hear me in there. And I

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<v Speaker 1>looked and there were two plastic chairs, and I'm going,

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<v Speaker 1>oh my god, and so and and I just sort

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<v Speaker 1>of something came over me, and I just went with it,

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<v Speaker 1>you know, because I didn't want to be rude. And

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<v Speaker 1>later I thought to myself, how many women have gotten

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<v Speaker 1>themselves into an uncomfortable situation with this very man, not

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<v Speaker 1>knowing what he was, but who went with it because

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<v Speaker 1>they didn't want to be rude?

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<v Speaker 2>Rude?

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<v Speaker 1>Yeah, And then I and so I got in the

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<v Speaker 1>cage with.

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<v Speaker 2>Him, and.

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<v Speaker 1>He was he was cuffed because the guards there they

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<v Speaker 1>don't expose themselves to the inmates for any at any reason,

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<v Speaker 1>you know, like while they're uncuffed. They're like, we don't,

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<v Speaker 1>we don't be around them while they're uncuffed. If you

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<v Speaker 1>want to do that, you go right ahead. So they

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<v Speaker 1>put him in the cage, and they put me in

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<v Speaker 1>the cage, and they shut the door and they pad

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<v Speaker 1>locked it. So we're locked in and then he puts

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<v Speaker 1>his wrists through and they uncuff him. Oh my god,

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<v Speaker 1>I know. And then they and then and then the

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<v Speaker 1>guards went up the corridor and they walked away and

0:11:05.080 --> 0:11:09.000
<v Speaker 1>they were out of sight, and I was like, well,

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<v Speaker 1>here we are here, we are there.

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<v Speaker 2>I have many questions about that. How did you feel

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<v Speaker 2>like were you? And also was he I've heard you

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<v Speaker 2>say before that you do believe that some people are bad,

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<v Speaker 2>like just a bad inside. Yeah, did you feel from him?

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<v Speaker 1>Like?

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<v Speaker 2>What did you feel from him? Obviously you knew what

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<v Speaker 2>he'd done, But did he give off serial killer?

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<v Speaker 1>No, there's two questions there. How did I feel my

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<v Speaker 1>whole My whole body went hot and tense, and I

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<v Speaker 1>thought I might have to fight a man here.

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<v Speaker 2>So I my first my brain.

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<v Speaker 1>Was flooded with you know, if he comes at you,

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<v Speaker 1>just and the thing that I could see in my

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<v Speaker 1>brain the.

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<v Speaker 2>Instruction was scratch his eyes out, like I was.

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<v Speaker 1>Just seeing myself going ah, And I thought, that's not what.

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<v Speaker 2>You should do.

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<v Speaker 1>And I've had self defense training. I know how to

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<v Speaker 1>punch and that kind of thing. Don't scratch him anyway? Yeah,

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<v Speaker 1>and no, he did not give off serial killer vibes.

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<v Speaker 1>He was not yo Hannibal Lecter. He was very polite

0:12:18.840 --> 0:12:24.520
<v Speaker 1>and nice and rational, and you know, he could cry

0:12:24.679 --> 0:12:29.880
<v Speaker 1>on command, but then the crying would just stop right,

0:12:30.160 --> 0:12:31.800
<v Speaker 1>you know, and there was nothing there, and there was

0:12:31.800 --> 0:12:37.840
<v Speaker 1>nothing there, and I had to look very carefully for

0:12:38.000 --> 0:12:41.920
<v Speaker 1>those moments where the mask dropped and I'd see it

0:12:42.000 --> 0:12:43.600
<v Speaker 1>and it would just go down for a second and

0:12:43.640 --> 0:12:46.520
<v Speaker 1>I'd go there. It is like I was asking about

0:12:46.600 --> 0:12:50.280
<v Speaker 1>him about his victims, and I was saying, what was

0:12:50.320 --> 0:12:53.080
<v Speaker 1>your plan exactly, you know, and he said, oh, by

0:12:53.120 --> 0:12:56.200
<v Speaker 1>the time we got to number five, what was her name?

0:12:56.520 --> 0:12:59.000
<v Speaker 1>And I said oh, and I said her name and

0:12:59.040 --> 0:13:01.800
<v Speaker 1>he said, oh whatever he name was like with the

0:13:01.880 --> 0:13:06.960
<v Speaker 1>hand flicked like that and he flicked this person away.

0:13:08.679 --> 0:13:11.680
<v Speaker 1>You've only you've been in prison for thirty eight years

0:13:11.679 --> 0:13:14.760
<v Speaker 1>for the murder of five women. There were clearly more

0:13:14.840 --> 0:13:17.480
<v Speaker 1>than that, but he was only convicted of the five women.

0:13:18.280 --> 0:13:21.400
<v Speaker 1>Could you take ten minutes to memorize their names? But

0:13:21.440 --> 0:13:25.000
<v Speaker 1>the name didn't get in there, It didn't lodge in there.

0:13:25.320 --> 0:13:29.000
<v Speaker 2>And that made me go, whoa.

0:13:28.320 --> 0:13:33.520
<v Speaker 1>Like, this person does not see other people as people.

0:13:33.640 --> 0:13:35.920
<v Speaker 1>They don't even have names to him.

0:13:36.240 --> 0:13:40.160
<v Speaker 2>You know, that's so interesting. And what I get from you.

0:13:40.320 --> 0:13:44.840
<v Speaker 2>And we'll talk later about your latest book and the

0:13:44.880 --> 0:13:47.240
<v Speaker 2>inspiration for that, the deep empathy you have for the

0:13:47.320 --> 0:13:50.880
<v Speaker 2>victims of those crimes. But the victims do live and

0:13:50.920 --> 0:13:54.600
<v Speaker 2>breathe in your books. Thank you, even though that your

0:13:54.600 --> 0:13:58.720
<v Speaker 2>books are grizzly like that and dark. Do you sometimes

0:13:58.760 --> 0:14:00.800
<v Speaker 2>think that we were talking about how women do love

0:14:00.880 --> 0:14:05.280
<v Speaker 2>true crime and grim things and writing to serial killers.

0:14:05.800 --> 0:14:08.439
<v Speaker 2>Do you ever worry ethically that our obsession with true

0:14:08.440 --> 0:14:12.040
<v Speaker 2>crime is making us kind of focus on the wrong thing,

0:14:12.120 --> 0:14:16.000
<v Speaker 2>like focus on these charismatic, crazy guys and not on

0:14:16.040 --> 0:14:16.720
<v Speaker 2>what's lost.

0:14:17.800 --> 0:14:23.680
<v Speaker 1>I think the reason we're so focused on the perpetrator

0:14:24.400 --> 0:14:30.720
<v Speaker 1>is because we're trying to protect ourselves from that. And

0:14:30.880 --> 0:14:36.600
<v Speaker 1>these women are often incredibly relatable. You know, they're gentle

0:14:37.000 --> 0:14:40.880
<v Speaker 1>and they're lovely, and they're presented in true crime documentary

0:14:41.200 --> 0:14:44.120
<v Speaker 1>documentaries as being lovely, you know, the cliche they say, Oh,

0:14:44.120 --> 0:14:47.400
<v Speaker 1>she lit up a room. So I think we feel

0:14:47.480 --> 0:14:51.640
<v Speaker 1>like we understand those women, So the curiosity isn't there.

0:14:52.120 --> 0:14:54.880
<v Speaker 1>What we're trying to figure out is how do I

0:14:55.040 --> 0:15:00.240
<v Speaker 1>spot that predator when he's sleeping in the bed beside

0:15:01.040 --> 0:15:04.760
<v Speaker 1>you know? How do I and how can I protect

0:15:05.200 --> 0:15:09.280
<v Speaker 1>not only myself, but my children and the women around me.

0:15:09.880 --> 0:15:14.480
<v Speaker 1>And we're looking, we're becoming experts in the red flags,

0:15:15.160 --> 0:15:17.360
<v Speaker 1>you know, so we can warn each other. And I

0:15:17.400 --> 0:15:22.400
<v Speaker 1>think it's just your brain being protective. It's a survival

0:15:22.520 --> 0:15:23.720
<v Speaker 1>instinct type thing.

0:15:24.320 --> 0:15:27.920
<v Speaker 2>Do you spending a lot of time in these dark places?

0:15:29.040 --> 0:15:31.080
<v Speaker 2>Does it make I always think this about crime writers

0:15:31.120 --> 0:15:34.600
<v Speaker 2>and true crime journalists too. Does it make you more

0:15:34.680 --> 0:15:36.800
<v Speaker 2>or less afraid out in the world because you know

0:15:37.000 --> 0:15:38.840
<v Speaker 2>all the awful things? Yeah?

0:15:38.920 --> 0:15:46.280
<v Speaker 1>Yeah, yeah, in certain circumstances, it does make me more afraid.

0:15:46.640 --> 0:15:52.040
<v Speaker 1>It makes me more afraid for my daughter. She's so small,

0:15:52.640 --> 0:15:57.680
<v Speaker 1>she's six, she's six years old, and the world is

0:15:57.800 --> 0:16:02.000
<v Speaker 1>so big, and it's my job protect her and to

0:16:02.120 --> 0:16:06.640
<v Speaker 1>teach her how to protect herself. And I've gotten myself

0:16:06.640 --> 0:16:10.520
<v Speaker 1>into sticky situations. And I see you get into cateresself.

0:16:10.640 --> 0:16:13.240
<v Speaker 2>Yes, willingly did.

0:16:13.720 --> 0:16:15.200
<v Speaker 1>But you know what I mean, Like you're on a

0:16:15.280 --> 0:16:18.640
<v Speaker 1>date with something someone and they're walking you to your

0:16:18.640 --> 0:16:21.800
<v Speaker 1>car and you think, oh, if this goes wrong, and

0:16:21.840 --> 0:16:26.160
<v Speaker 1>then luckily it didn't, but you know, and it has,

0:16:26.520 --> 0:16:30.160
<v Speaker 1>you know, And I've gotten myself into abusive relationships, and

0:16:30.200 --> 0:16:34.320
<v Speaker 1>I've gotten myself into this predicament and that predicament, and

0:16:34.440 --> 0:16:39.320
<v Speaker 1>I think there's no scenario in which Violet will not

0:16:39.480 --> 0:16:43.840
<v Speaker 1>get herself into some kind of situation. Statistically, if she

0:16:43.920 --> 0:16:46.320
<v Speaker 1>goes out in the world as a woman and lives

0:16:46.360 --> 0:16:50.600
<v Speaker 1>a normal life, will I have taught her what she

0:16:50.720 --> 0:16:54.160
<v Speaker 1>needs to do to survive And will that be enough?

0:16:54.560 --> 0:16:58.040
<v Speaker 1>Because sometimes it's not enough. You know. We're going to

0:16:58.120 --> 0:17:03.080
<v Speaker 1>talk about later about the women that inspired the true crime,

0:17:03.160 --> 0:17:06.680
<v Speaker 1>you know, and one of them just fought for her life.

0:17:06.920 --> 0:17:10.080
<v Speaker 1>She threw her whole body at it, and it wasn't enough,

0:17:10.840 --> 0:17:13.240
<v Speaker 1>you know. And so yeah, it is terrifying.

0:17:13.320 --> 0:17:15.800
<v Speaker 2>But what I do is I.

0:17:18.200 --> 0:17:25.560
<v Speaker 1>Balance it with extremely light things like the animal rescue.

0:17:25.760 --> 0:17:27.680
<v Speaker 2>Yeah, I was going to say, so we're going to

0:17:28.000 --> 0:17:30.000
<v Speaker 2>in a second, I'm going to get a bit into

0:17:30.440 --> 0:17:33.720
<v Speaker 2>what led you to be a crime writer. But your

0:17:33.840 --> 0:17:37.080
<v Speaker 2>life now, I'd love you to paint a little picture, because,

0:17:37.520 --> 0:17:41.960
<v Speaker 2>as we discussed, you are an incredibly successful author, writing

0:17:43.160 --> 0:17:46.320
<v Speaker 2>a lot of books, living in Sydney, and your hobby

0:17:47.320 --> 0:17:50.080
<v Speaker 2>which I encourage everybody listening to this to go and

0:17:50.080 --> 0:17:55.160
<v Speaker 2>follow Candice on Instagram because she documents this is rescuing animals,

0:17:55.160 --> 0:17:58.239
<v Speaker 2>but specifically birds, Yes, and at any time. You've just

0:17:58.280 --> 0:18:01.000
<v Speaker 2>got all these random birds and you go and pull

0:18:01.000 --> 0:18:05.880
<v Speaker 2>them out of drains and rescue them from like how why?

0:18:05.960 --> 0:18:08.199
<v Speaker 2>And birds are not even the most sympathetic of the

0:18:08.240 --> 0:18:12.120
<v Speaker 2>animal They're not like fluffy and not well.

0:18:12.160 --> 0:18:17.520
<v Speaker 1>I started, I was volunteering for an organization and it

0:18:17.560 --> 0:18:18.840
<v Speaker 1>was all native animals.

0:18:18.960 --> 0:18:20.880
<v Speaker 2>Is that wires? Yeah, yes, well.

0:18:20.840 --> 0:18:25.920
<v Speaker 1>Yeah, but they're bite and scratchy and terrified. And I

0:18:26.440 --> 0:18:31.239
<v Speaker 1>every now and then was encountering someone's pet chicken and

0:18:31.280 --> 0:18:34.880
<v Speaker 1>someone's pet duck and they're not you know, bite or scratchy,

0:18:35.080 --> 0:18:37.920
<v Speaker 1>and so Violet really.

0:18:37.680 --> 0:18:39.520
<v Speaker 2>Lit up to your daughter. Yeah.

0:18:39.560 --> 0:18:44.840
<v Speaker 1>So we've been on over six hundred animal rescues together,

0:18:45.119 --> 0:18:48.119
<v Speaker 1>her and I. It's probably something like six fifty.

0:18:48.160 --> 0:18:52.960
<v Speaker 2>Now this is the plot for a yeah, bird rescuing.

0:18:54.280 --> 0:18:57.879
<v Speaker 1>I really premise I've I've really used it as a

0:18:57.880 --> 0:19:00.440
<v Speaker 1>way to build her self esteem as well. Like I,

0:19:01.400 --> 0:19:03.440
<v Speaker 1>you know, the two of us are crouching trying to

0:19:03.480 --> 0:19:05.480
<v Speaker 1>catch this animal, and I'm like, what do you think?

0:19:05.760 --> 0:19:08.200
<v Speaker 1>What should we do? You know, Oh, you've got an idea,

0:19:08.240 --> 0:19:11.160
<v Speaker 1>haven't you. You know? And I turn up to places

0:19:11.160 --> 0:19:13.080
<v Speaker 1>and I said, I say, I hope you don't mind.

0:19:13.080 --> 0:19:16.040
<v Speaker 1>I've brought my supervisor and then she comes up. She's

0:19:16.040 --> 0:19:18.000
<v Speaker 1>a little thing. You know, we've been doing it since

0:19:18.000 --> 0:19:21.720
<v Speaker 1>she was two, Yeah, but she just lit up about

0:19:21.840 --> 0:19:25.399
<v Speaker 1>chickens and ducks. So I started specializing in chickens and ducks.

0:19:25.560 --> 0:19:30.640
<v Speaker 1>And we had something happened to us recently that everyone

0:19:30.720 --> 0:19:34.920
<v Speaker 1>calls on Instagram, started calling the ducking, which was when

0:19:36.000 --> 0:19:40.320
<v Speaker 1>somebody Sometimes the things come through a rescue line and

0:19:40.440 --> 0:19:43.320
<v Speaker 1>sometimes people just approach me. Someone just approached me on

0:19:43.359 --> 0:19:45.879
<v Speaker 1>social media and he said, I see you rescue ducks.

0:19:46.600 --> 0:19:51.399
<v Speaker 1>I am in a situation where I have acquired thirty

0:19:51.440 --> 0:19:56.040
<v Speaker 1>four thirty seven eggs that I did not know had

0:19:56.160 --> 0:19:58.439
<v Speaker 1>ducks in them among us.

0:19:58.440 --> 0:20:01.000
<v Speaker 2>Haven't acquiet thirty seven mistake.

0:20:01.240 --> 0:20:05.080
<v Speaker 1>It was a really dodgy story, but I didn't push

0:20:05.560 --> 0:20:07.840
<v Speaker 1>because it sounded so dodgy. I thought, if I push

0:20:07.920 --> 0:20:09.280
<v Speaker 1>them too hard, I'm not going to be able to

0:20:09.280 --> 0:20:13.159
<v Speaker 1>help these. And he sent me this picture of these ducklings,

0:20:13.200 --> 0:20:15.720
<v Speaker 1>newly hatched ducklings at the bottom of this cardboard box,

0:20:15.760 --> 0:20:18.080
<v Speaker 1>and they're all wet and limp and cold and dying.

0:20:18.520 --> 0:20:21.240
<v Speaker 1>And I was like, I said to him, when can

0:20:21.280 --> 0:20:22.879
<v Speaker 1>you bring those to me? Because I can't get to

0:20:22.920 --> 0:20:25.760
<v Speaker 1>you right now. I've got Violet and dinner and bed

0:20:25.800 --> 0:20:28.040
<v Speaker 1>and bas and he said, oh, I can bring them

0:20:28.040 --> 0:20:29.800
<v Speaker 1>in two hours. I said, they'll be dead by then.

0:20:29.880 --> 0:20:32.000
<v Speaker 1>I'm sending an uber. So I sent an uber.

0:20:34.119 --> 0:20:36.159
<v Speaker 2>Yeah, I sent to the uber driver. It's going to

0:20:36.200 --> 0:20:37.560
<v Speaker 2>be a big box full.

0:20:37.440 --> 0:20:42.560
<v Speaker 1>Of eggs and jack dying, hashing Jesus. So I brought

0:20:42.560 --> 0:20:44.840
<v Speaker 1>them wall to my house and then and then it

0:20:44.960 --> 0:20:48.200
<v Speaker 1>was just chaos, and Violet was just we were running.

0:20:48.280 --> 0:20:50.440
<v Speaker 2>We're running around because they.

0:20:50.359 --> 0:20:53.600
<v Speaker 1>Were hatching and they were getting dry and they were

0:20:53.640 --> 0:20:56.160
<v Speaker 1>needing to get fed, and some of them needed medical

0:20:56.200 --> 0:20:59.679
<v Speaker 1>treatment and stuff. And it was chaos. And I was

0:20:59.680 --> 0:21:02.000
<v Speaker 1>filmed it all for social media and people like, what's

0:21:02.040 --> 0:21:04.520
<v Speaker 1>going on? Is the duck apocalypse and it's all happening,

0:21:04.520 --> 0:21:07.560
<v Speaker 1>and there's one woman's garage, you know, and it's been

0:21:07.640 --> 0:21:09.240
<v Speaker 1>it's been loads of fun.

0:21:09.920 --> 0:21:12.720
<v Speaker 2>How many how many ducks made it through the duckning

0:21:13.560 --> 0:21:15.480
<v Speaker 2>thirty two but some of.

0:21:15.440 --> 0:21:19.080
<v Speaker 1>Them the eggs were duds. Yeah, And and they were

0:21:19.119 --> 0:21:21.959
<v Speaker 1>just a mass then, like a big yellow mass that

0:21:22.119 --> 0:21:24.640
<v Speaker 1>was that I put food down. They all come in

0:21:24.680 --> 0:21:26.960
<v Speaker 1>like piranhas and they go no, no, no no no, and

0:21:26.960 --> 0:21:29.399
<v Speaker 1>then they go again and they're washing up against the

0:21:29.400 --> 0:21:30.440
<v Speaker 1>walls of the tub.

0:21:30.480 --> 0:21:33.320
<v Speaker 2>And this sounds like every six year old dream to

0:21:33.359 --> 0:21:37.160
<v Speaker 2>have an entire ocean of fluffy yellow dungeons in their house.

0:21:37.560 --> 0:21:39.480
<v Speaker 2>Just swirl it around, you know.

0:21:39.640 --> 0:21:42.800
<v Speaker 1>But through the animal rescue, she's got to do amazing

0:21:42.880 --> 0:21:45.960
<v Speaker 1>stuff like chuck her on a boat and we go

0:21:46.000 --> 0:21:48.840
<v Speaker 1>out and we rescue a sea eagle, or we've got

0:21:48.840 --> 0:21:51.320
<v Speaker 1>some cops. The cops have shut down the road for

0:21:51.400 --> 0:21:53.560
<v Speaker 1>us to get, you know, a possum that's up under

0:21:53.600 --> 0:21:57.960
<v Speaker 1>a highway overpass, and like all these she's she's walked

0:21:58.000 --> 0:22:03.359
<v Speaker 1>into mansions on Sydney Harbor and we're right on the

0:22:03.400 --> 0:22:05.920
<v Speaker 1>water in Sydney Harbor and someone's got a private dock

0:22:06.000 --> 0:22:09.080
<v Speaker 1>and there's this heroin that has like fishing line around

0:22:09.119 --> 0:22:12.040
<v Speaker 1>it and all sorts.

0:22:11.760 --> 0:22:14.439
<v Speaker 2>Of and it balances out some of the greenness of

0:22:14.520 --> 0:22:17.280
<v Speaker 2>the of the murders. Yeah, the murders.

0:22:17.720 --> 0:22:20.000
<v Speaker 1>One day, I'll get her into the murders as well,

0:22:20.280 --> 0:22:22.919
<v Speaker 1>and we'll be visiting body dumping sites.

0:22:24.359 --> 0:22:27.879
<v Speaker 2>After this short break, Candice reveals the chaotic childhood that

0:22:28.000 --> 0:22:34.080
<v Speaker 2>shaped the story she tells today, Okay, we need to

0:22:34.119 --> 0:22:40.119
<v Speaker 2>discuss how you got to the murders. So yeah, your background.

0:22:39.760 --> 0:22:42.800
<v Speaker 2>Your own childhood was chaotic in a very different way

0:22:42.840 --> 0:22:47.680
<v Speaker 2>to the to the duckning. You perhaps don't come from

0:22:47.680 --> 0:22:50.159
<v Speaker 2>what people might typically assume would be the path for

0:22:50.320 --> 0:22:53.800
<v Speaker 2>a professional author. Well that might be, but your house

0:22:54.080 --> 0:22:56.560
<v Speaker 2>was full of stories. Tell me a bit about your

0:22:57.400 --> 0:22:57.959
<v Speaker 2>growing up.

0:22:58.880 --> 0:23:06.120
<v Speaker 1>So I was two certifiable lunatics my mother. My mother

0:23:06.400 --> 0:23:09.760
<v Speaker 1>had four kids, and then she adopted two, and then

0:23:09.800 --> 0:23:13.400
<v Speaker 1>she fostered one hundred and fifty five kids. And I say,

0:23:13.480 --> 0:23:15.840
<v Speaker 1>my mother did that, because I don't think that was

0:23:16.160 --> 0:23:19.440
<v Speaker 1>his idea. My dad they got divorced when I was nine,

0:23:19.880 --> 0:23:23.600
<v Speaker 1>I think, you know, he had three kids and then

0:23:23.840 --> 0:23:26.320
<v Speaker 1>with her and then he said no more thanks. And

0:23:26.359 --> 0:23:29.000
<v Speaker 1>then she got pregnant with me and he said, really,

0:23:29.040 --> 0:23:32.320
<v Speaker 1>no more thanks. And then she started fostering. And then

0:23:32.320 --> 0:23:37.480
<v Speaker 1>she came across to my younger sisters adopt. They both

0:23:37.520 --> 0:23:41.679
<v Speaker 1>adopted their twins and they were two months old and

0:23:41.680 --> 0:23:44.840
<v Speaker 1>they were removed from their parents. He was in jail

0:23:44.880 --> 0:23:50.840
<v Speaker 1>and she was living a certain lifestyle and so and

0:23:50.880 --> 0:23:53.520
<v Speaker 1>she said, I'm going to adopt them. And so that

0:23:53.640 --> 0:23:58.240
<v Speaker 1>really wasn't his idea, you know. And so he my

0:23:58.359 --> 0:24:02.400
<v Speaker 1>dad worked in Sydney prisons, so he was coming home

0:24:02.440 --> 0:24:06.200
<v Speaker 1>with his prison stories, and she was filling the house

0:24:06.200 --> 0:24:10.359
<v Speaker 1>with crime stories as well, because these kids were all

0:24:10.440 --> 0:24:16.440
<v Speaker 1>coming from different essentially criminal situations, whether it's neglect or

0:24:16.480 --> 0:24:19.119
<v Speaker 1>the parents have been arrested for drugs or armed robbery

0:24:19.240 --> 0:24:22.320
<v Speaker 1>or stolen goods or whatever it is that you know,

0:24:22.480 --> 0:24:26.600
<v Speaker 1>three kids found wandering around the car park of Star

0:24:26.680 --> 0:24:30.720
<v Speaker 1>City Casino in their pajamas. Someone's had them in the

0:24:30.760 --> 0:24:32.920
<v Speaker 1>car and then gone into the casino and they've gotten

0:24:32.920 --> 0:24:34.720
<v Speaker 1>out of the car and they've started wandering around.

0:24:35.560 --> 0:24:38.720
<v Speaker 2>So you're exposed early, but through both your parents to

0:24:39.480 --> 0:24:41.199
<v Speaker 2>a side of life. I guess that a lot of

0:24:41.640 --> 0:24:44.480
<v Speaker 2>middle class suburban families can just pretend doesn't exist.

0:24:44.359 --> 0:24:48.199
<v Speaker 1>Right, Yeah, yeah, I mean it was the criminal The

0:24:48.280 --> 0:24:51.000
<v Speaker 1>criminal element was in my life in other ways because

0:24:51.000 --> 0:24:55.520
<v Speaker 1>we lived in a really kind of lows I'm thinking

0:24:55.560 --> 0:24:59.080
<v Speaker 1>of a nice word for it, low socioeconomic area. I

0:24:59.080 --> 0:25:02.520
<v Speaker 1>could remember going around my friend's houses and you know,

0:25:02.920 --> 0:25:05.760
<v Speaker 1>their mom's like, oh, come on, kids, can't leave you

0:25:05.840 --> 0:25:07.400
<v Speaker 1>on your own. We've got to go up the street.

0:25:07.440 --> 0:25:08.840
<v Speaker 1>And then going up the street and she gets her

0:25:08.920 --> 0:25:11.840
<v Speaker 1>drugs and then we come back. We're go into the laundry.

0:25:11.880 --> 0:25:14.840
<v Speaker 1>There's a big hydroponics set up, you know, stuff like that.

0:25:14.880 --> 0:25:19.159
<v Speaker 1>So there was crime around and I always just knew

0:25:19.160 --> 0:25:20.639
<v Speaker 1>that it was, and.

0:25:21.359 --> 0:25:23.159
<v Speaker 2>My mum was obsessed with it.

0:25:23.480 --> 0:25:27.320
<v Speaker 1>At one time, she was getting into my dad's career,

0:25:27.720 --> 0:25:30.719
<v Speaker 1>supporting his career or being invested in his career. And

0:25:30.760 --> 0:25:33.960
<v Speaker 1>she was writing to prison inmates, and she was writing

0:25:34.040 --> 0:25:36.800
<v Speaker 1>to twenty At the one time, she built all the

0:25:36.840 --> 0:25:38.600
<v Speaker 1>way up to twenty and then she said, I can't

0:25:38.680 --> 0:25:40.359
<v Speaker 1>keep up with this. I don't know who anyone is,

0:25:40.960 --> 0:25:45.719
<v Speaker 1>you know. And that was scary because she was writing

0:25:45.800 --> 0:25:50.920
<v Speaker 1>to all different types. And she was writing to a pedophile.

0:25:51.560 --> 0:25:55.240
<v Speaker 1>I suppose she wanted to. She said that they didn't

0:25:55.320 --> 0:25:58.120
<v Speaker 1>tell you when you sign up for this pen power

0:25:58.240 --> 0:26:00.880
<v Speaker 1>program what the guy did, but to tell you after

0:26:00.920 --> 0:26:03.560
<v Speaker 1>a while. And so she's writing to this pedophile and

0:26:03.640 --> 0:26:06.520
<v Speaker 1>his name was Nol and he sent her a present

0:26:06.800 --> 0:26:09.359
<v Speaker 1>a clock that he had made and it was I

0:26:09.440 --> 0:26:12.000
<v Speaker 1>remember it was a mirror and it was a clock

0:26:12.040 --> 0:26:14.000
<v Speaker 1>and he'd put artwork all around and at the bottom

0:26:14.040 --> 0:26:17.000
<v Speaker 1>it said Nola L. I said, what's it was? That mean?

0:26:17.040 --> 0:26:17.639
<v Speaker 1>What's Noel?

0:26:17.760 --> 0:26:18.480
<v Speaker 2>She said, that's his.

0:26:18.480 --> 0:26:21.399
<v Speaker 1>Name, and I said, this is a weird name, Nol,

0:26:21.640 --> 0:26:25.840
<v Speaker 1>you know, I'm like nine or ten or something. Anyway,

0:26:27.560 --> 0:26:32.040
<v Speaker 1>we were doing toastmasters, my sister and I public speaking

0:26:32.200 --> 0:26:35.120
<v Speaker 1>for kids, and we were there and there were all

0:26:35.119 --> 0:26:38.160
<v Speaker 1>these adults around and they're all wearing name tags. And

0:26:38.200 --> 0:26:39.800
<v Speaker 1>in the break I went out to Mum, who was

0:26:39.840 --> 0:26:42.520
<v Speaker 1>sitting outside, and I said, guess what, there's a guy

0:26:42.600 --> 0:26:47.040
<v Speaker 1>in there who has the name Noel. And she's like what.

0:26:47.840 --> 0:26:50.000
<v Speaker 1>And she's gone to the door and I remember her

0:26:50.040 --> 0:26:52.760
<v Speaker 1>looking through the door and just going, oh my god,

0:26:53.400 --> 0:26:53.840
<v Speaker 1>it was he.

0:26:54.000 --> 0:26:54.600
<v Speaker 2>It was him.

0:26:55.160 --> 0:26:59.760
<v Speaker 1>Yeah, he's gotten released from prison and he's joined this

0:27:00.359 --> 0:27:04.040
<v Speaker 1>organization that teaches kids. Yeah, and she was like, it's

0:27:04.080 --> 0:27:07.000
<v Speaker 1>the guy, you know, And like, I don't know if

0:27:07.000 --> 0:27:11.680
<v Speaker 1>he tracked down who she was and he was there because.

0:27:12.000 --> 0:27:13.080
<v Speaker 2>He knew that we were there.

0:27:13.480 --> 0:27:15.560
<v Speaker 1>I have no idea, or was it just a small world.

0:27:16.200 --> 0:27:19.600
<v Speaker 1>But anyway, she told the organization and they were like,

0:27:19.640 --> 0:27:20.480
<v Speaker 1>oh god, you know.

0:27:21.040 --> 0:27:22.960
<v Speaker 2>Yeah, So there was that.

0:27:23.400 --> 0:27:26.399
<v Speaker 1>She was also a prolific animal rescuer the way that

0:27:26.480 --> 0:27:30.080
<v Speaker 1>I am. So there were duckenings and things happening all

0:27:30.119 --> 0:27:33.280
<v Speaker 1>the time. She wasn't a hoarder at that time, but

0:27:33.400 --> 0:27:37.080
<v Speaker 1>she's bringing stuff into the house. We had this huge

0:27:37.320 --> 0:27:41.440
<v Speaker 1>collection of clocks that she'd gotten off the cleanup, all

0:27:41.440 --> 0:27:44.600
<v Speaker 1>different sized ones. One was shaped like a truck and

0:27:44.680 --> 0:27:48.280
<v Speaker 1>on the hour it would make truck noises, and they

0:27:48.440 --> 0:27:50.520
<v Speaker 1>none of them kept the time, so they were all

0:27:50.560 --> 0:27:53.760
<v Speaker 1>going off. The clock wall would just be going off

0:27:53.760 --> 0:27:55.240
<v Speaker 1>all the time with different clocks.

0:27:55.280 --> 0:28:00.879
<v Speaker 2>So this chaotic, noisy house. I assume if there are

0:28:00.920 --> 0:28:03.560
<v Speaker 2>new kids coming through all the time, there's probably not

0:28:03.640 --> 0:28:08.040
<v Speaker 2>loads of attention for you. No school kid, No And

0:28:08.760 --> 0:28:12.760
<v Speaker 2>when did you discover that writing and books were your thing?

0:28:13.320 --> 0:28:15.720
<v Speaker 2>I think i've heard you say that your first you've

0:28:15.720 --> 0:28:17.680
<v Speaker 2>been writing since you're about twelve, and your first laptop

0:28:17.760 --> 0:28:20.919
<v Speaker 2>was from picked up from the council tip. It was

0:28:21.080 --> 0:28:26.520
<v Speaker 2>how did you Was it your escape? Was it your haven? Oh? Yeah,

0:28:26.560 --> 0:28:27.000
<v Speaker 2>for sure.

0:28:28.480 --> 0:28:33.880
<v Speaker 1>I didn't get a lot of attention because I didn't

0:28:34.080 --> 0:28:38.840
<v Speaker 1>need it or you know, my role in a family

0:28:39.200 --> 0:28:42.040
<v Speaker 1>was the smart capable one. And she would say to me,

0:28:42.080 --> 0:28:47.920
<v Speaker 1>you're the smart capable one. You're you know, and I

0:28:48.000 --> 0:28:54.000
<v Speaker 1>performed and got attention, you know. She would say to me, Candice,

0:28:54.000 --> 0:28:55.320
<v Speaker 1>do you think you could do this? Do you think

0:28:55.320 --> 0:28:57.600
<v Speaker 1>you could put a shelf there? And I'd build a shelf,

0:28:57.680 --> 0:28:59.720
<v Speaker 1>you know, I'd do this I've tint the windows ill,

0:29:00.080 --> 0:29:03.040
<v Speaker 1>you know, pull up the carpet, whatever it is. I'm capable.

0:29:03.720 --> 0:29:06.280
<v Speaker 1>Can you write this letter to the principal for your sister.

0:29:06.560 --> 0:29:08.719
<v Speaker 1>I write the letter to the principle. It's a lot

0:29:08.760 --> 0:29:11.760
<v Speaker 1>of responsibility at an early age. But also I come

0:29:11.840 --> 0:29:14.479
<v Speaker 1>to her and I'm like, oh, you know, people are

0:29:14.520 --> 0:29:17.280
<v Speaker 1>bullying me at school. And she'd say, well, this kid's

0:29:17.920 --> 0:29:21.680
<v Speaker 1>uncle's been sexually abusing him for the last year, so

0:29:22.560 --> 0:29:25.040
<v Speaker 1>you know, you think you've got problems, he's got problems,

0:29:25.280 --> 0:29:28.880
<v Speaker 1>you know. And she's not subtle at all about anyone's

0:29:29.160 --> 0:29:34.240
<v Speaker 1>back history, and she'd be saying, you know, and it's

0:29:34.320 --> 0:29:37.840
<v Speaker 1>hard as a kid to make your argument when you've

0:29:37.840 --> 0:29:41.440
<v Speaker 1>got this kid's come in and they're covered in cigarette burns. Oh,

0:29:42.400 --> 0:29:46.360
<v Speaker 1>this kid's black and blue. This kid's crying for his mum,

0:29:46.400 --> 0:29:49.880
<v Speaker 1>who's just you know, And I'm kind of like, well,

0:29:49.920 --> 0:29:52.240
<v Speaker 1>I guess I guess they don't have any problems. And

0:29:52.280 --> 0:29:55.360
<v Speaker 1>then and you just squash it down, you squash it down,

0:29:55.600 --> 0:30:02.840
<v Speaker 1>and I started, yeah, right, that was disassociation. I think

0:30:03.040 --> 0:30:06.440
<v Speaker 1>I would just completely go into a different place where

0:30:06.480 --> 0:30:09.320
<v Speaker 1>I could see. It was very visual. I could see

0:30:09.320 --> 0:30:11.440
<v Speaker 1>other places and other people, I could see what they

0:30:11.440 --> 0:30:14.040
<v Speaker 1>looked like, I could make them talk. It was fantasy,

0:30:14.600 --> 0:30:18.360
<v Speaker 1>and it was a fantasy that and to this day,

0:30:18.440 --> 0:30:20.520
<v Speaker 1>it's like a door. I open the door and I

0:30:20.560 --> 0:30:22.800
<v Speaker 1>go in there, and I'm swimming around in there. And

0:30:23.200 --> 0:30:26.600
<v Speaker 1>physically I'm sitting here and I might even be, you know,

0:30:26.720 --> 0:30:29.920
<v Speaker 1>pretending to listen, oh yeah.

0:30:28.960 --> 0:30:30.320
<v Speaker 2>Or reading a book to Violet.

0:30:30.520 --> 0:30:32.880
<v Speaker 1>And I'm reading the book and I'm doing all the voices,

0:30:32.960 --> 0:30:35.640
<v Speaker 1>but my brain have opened the door, and I'm in there,

0:30:35.800 --> 0:30:37.920
<v Speaker 1>and I'm swimming around in there, and sometimes I have

0:30:37.960 --> 0:30:39.560
<v Speaker 1>to come all the way back and go, sorry, what

0:30:39.600 --> 0:30:40.280
<v Speaker 1>did you just say.

0:30:41.120 --> 0:30:44.320
<v Speaker 2>It's really interesting, not that I'm an expert of any

0:30:44.400 --> 0:30:46.880
<v Speaker 2>kind about anything, but that in a way that you

0:30:46.960 --> 0:30:52.800
<v Speaker 2>didn't escape to calmer, more peaceful, beautiful places. You escaped

0:30:52.920 --> 0:30:55.920
<v Speaker 2>because you've always wanted to write crime. That's right, isn't it.

0:30:56.000 --> 0:31:00.440
<v Speaker 2>You escaped to frightening places in a way, but maybe

0:31:00.440 --> 0:31:01.720
<v Speaker 2>places that you could control.

0:31:02.480 --> 0:31:06.240
<v Speaker 1>Yes, there was that. It was definitely the control. When

0:31:06.360 --> 0:31:10.440
<v Speaker 1>when I was younger, it was vampires and werewolves, right,

0:31:10.640 --> 0:31:15.600
<v Speaker 1>And I think that that's that fantasy. It's almost the

0:31:15.640 --> 0:31:20.400
<v Speaker 1>Harry Potter fantasy where someone comes in and plucks you

0:31:20.440 --> 0:31:24.440
<v Speaker 1>out of your ordinary life and makes you something magical.

0:31:24.720 --> 0:31:27.680
<v Speaker 1>And you know, with vampires, it's always an ordinary person

0:31:27.680 --> 0:31:30.720
<v Speaker 1>a vampire turns them into a vampire, and then suddenly

0:31:30.720 --> 0:31:34.680
<v Speaker 1>they have all this power and and and and that's

0:31:34.760 --> 0:31:39.239
<v Speaker 1>what I was fantasizing about, is suddenly having all the

0:31:39.280 --> 0:31:42.880
<v Speaker 1>power and leaving my life and going to Paris and

0:31:43.000 --> 0:31:46.760
<v Speaker 1>New York and mansions and it's all very opulent in

0:31:46.800 --> 0:31:52.000
<v Speaker 1>the in the vampire genre. And it was always Paris

0:31:52.040 --> 0:31:56.160
<v Speaker 1>in New York and and so it was that that's

0:31:56.280 --> 0:31:58.960
<v Speaker 1>that's what I was escaping to. But so it was

0:31:59.080 --> 0:32:00.640
<v Speaker 1>kind of dark, but not so.

0:32:00.680 --> 0:32:03.600
<v Speaker 2>You were writing books from when you're about twelve. Yeah,

0:32:03.720 --> 0:32:05.600
<v Speaker 2>and I might be wrong about this, but when you

0:32:05.680 --> 0:32:09.440
<v Speaker 2>finally do leave home, you actually go and join the navy.

0:32:10.640 --> 0:32:14.040
<v Speaker 2>So you're like, I mean, I guess, yeah, writing you

0:32:14.920 --> 0:32:16.400
<v Speaker 2>did you always want to be a writer? Did you

0:32:16.400 --> 0:32:17.920
<v Speaker 2>tell your mom I'm going to be a famous writer?

0:32:18.600 --> 0:32:21.760
<v Speaker 2>But then I guess you need something practical, and so

0:32:21.840 --> 0:32:24.440
<v Speaker 2>you were like, okay, maybe I'm going to be a sailor.

0:32:24.880 --> 0:32:26.080
<v Speaker 2>How did that come about?

0:32:26.120 --> 0:32:29.000
<v Speaker 1>Fascinated? I would love to go back to that time

0:32:29.040 --> 0:32:31.320
<v Speaker 1>and see what people said to me, because I do

0:32:31.400 --> 0:32:34.640
<v Speaker 1>remember having to come and see you. At eighteen, I

0:32:34.680 --> 0:32:37.880
<v Speaker 1>remember having the conversation with her and saying, I'm going

0:32:37.920 --> 0:32:40.440
<v Speaker 1>to be a famous author, and her saying that's not

0:32:40.480 --> 0:32:43.080
<v Speaker 1>a real job, and that doesn't you don't make any

0:32:43.080 --> 0:32:46.920
<v Speaker 1>money from that, and you'll struggle your entire life. And

0:32:47.000 --> 0:32:50.040
<v Speaker 1>she wasn't saying you'll never make it, but she was

0:32:50.080 --> 0:32:53.239
<v Speaker 1>sort of saying people don't make it, you know, in

0:32:53.480 --> 0:32:58.360
<v Speaker 1>being an artist of any type. And so she said,

0:32:58.400 --> 0:33:01.120
<v Speaker 1>if you want to, if you want to be a writer,

0:33:01.440 --> 0:33:03.680
<v Speaker 1>you can be a you know, you could be a

0:33:03.720 --> 0:33:05.480
<v Speaker 1>high school teacher or something something to do with the

0:33:05.480 --> 0:33:07.920
<v Speaker 1>words yeah. And then I stood up and said I

0:33:07.920 --> 0:33:10.520
<v Speaker 1>want to be in the navy, and everyone went, OK, like,

0:33:10.560 --> 0:33:13.640
<v Speaker 1>why didn't anyone go that is incredibly ill suited to you.

0:33:14.000 --> 0:33:16.800
<v Speaker 1>I think I saw what I would have seen is

0:33:16.840 --> 0:33:21.160
<v Speaker 1>a recruitment video where everyone you know, it's set to music,

0:33:21.240 --> 0:33:24.200
<v Speaker 1>it's adventure. There's a boat on the sea. So immediately

0:33:24.320 --> 0:33:27.120
<v Speaker 1>I'm like, oh, I'll be away, I'll be gone, Yes,

0:33:27.280 --> 0:33:28.360
<v Speaker 1>i won't be here anymore.

0:33:28.360 --> 0:33:29.160
<v Speaker 2>I'll be far.

0:33:29.120 --> 0:33:34.360
<v Speaker 1>Away from here. And everyone's wearing the same uniform, so

0:33:34.400 --> 0:33:38.560
<v Speaker 1>it's like a family, and I'll fit right in because

0:33:38.600 --> 0:33:42.360
<v Speaker 1>there had not been any fitting in as a teenager.

0:33:42.520 --> 0:33:47.880
<v Speaker 1>Like in that household, I've got mum bringing all these

0:33:47.960 --> 0:33:51.440
<v Speaker 1>kids in all the time, and she had six and

0:33:51.480 --> 0:33:53.760
<v Speaker 1>then she was allowed to have six more at a time.

0:33:54.360 --> 0:33:58.720
<v Speaker 1>So everyone's going to different schools, everybody's bringing diseases and

0:33:58.760 --> 0:34:01.320
<v Speaker 1>things into the house. We had hair lice that was

0:34:01.440 --> 0:34:05.680
<v Speaker 1>so bad. It was seven years straight of hair lice

0:34:05.760 --> 0:34:08.200
<v Speaker 1>with no We got rid of it for months at

0:34:08.200 --> 0:34:12.200
<v Speaker 1>one point. And they were so prolific that I would

0:34:12.280 --> 0:34:14.319
<v Speaker 1>be talking to a friend of mine at school and

0:34:14.360 --> 0:34:17.000
<v Speaker 1>I'd feel one walk out of my hairline and across

0:34:17.040 --> 0:34:20.200
<v Speaker 1>my face and into my eyebrow, and I remember them

0:34:20.320 --> 0:34:23.880
<v Speaker 1>dripping out of my hair and onto the school books

0:34:23.880 --> 0:34:26.520
<v Speaker 1>and going pap as they hit the school books. As

0:34:26.560 --> 0:34:32.560
<v Speaker 1>a people, you will notice that stuff not for holding back, no,

0:34:32.840 --> 0:34:35.319
<v Speaker 1>And I was wearing all of my sisters hand me

0:34:35.360 --> 0:34:39.880
<v Speaker 1>down school uniforms and you know, clothes from the cleaner.

0:34:40.200 --> 0:34:44.439
<v Speaker 1>I never had brand new clothes until I left home

0:34:44.480 --> 0:34:47.160
<v Speaker 1>and bought them myself. It was all clean up stuff

0:34:47.320 --> 0:34:51.480
<v Speaker 1>or my older sister's stuff. And they, you know, they

0:34:51.560 --> 0:34:53.520
<v Speaker 1>know that. And people would come over to my house

0:34:53.560 --> 0:34:55.279
<v Speaker 1>for asleep over and go back to school and then

0:34:55.400 --> 0:34:57.680
<v Speaker 1>rumors would start about what it was like. You know,

0:34:58.000 --> 0:35:00.040
<v Speaker 1>so in the navy, I was like off it. I

0:35:00.040 --> 0:35:00.879
<v Speaker 1>didn't know one will know.

0:35:00.880 --> 0:35:05.120
<v Speaker 2>A clean, clear discipline organization. Yes, maybe all that was

0:35:05.160 --> 0:35:07.800
<v Speaker 2>appealing to Yeah, you, but you hated it.

0:35:07.880 --> 0:35:12.440
<v Speaker 1>Structures, I hear, oh, I get violently see sick felt

0:35:12.719 --> 0:35:15.319
<v Speaker 1>site to be on a ship's I didn't realize that

0:35:15.600 --> 0:35:18.359
<v Speaker 1>until I got in, and then I went, oh my god.

0:35:19.920 --> 0:35:23.440
<v Speaker 1>And then also I cry whenever someone yells at me.

0:35:24.200 --> 0:35:27.240
<v Speaker 2>It's not useful. A lot of ailing in the navy.

0:35:27.680 --> 0:35:31.279
<v Speaker 1>And then I at that time I still am. But

0:35:31.360 --> 0:35:36.319
<v Speaker 1>at that time I was incredibly friendly, and I have

0:35:36.520 --> 0:35:40.280
<v Speaker 1>that face that says tell me everything. And my husband

0:35:40.280 --> 0:35:42.440
<v Speaker 1>says to me these days, he says you because my

0:35:42.520 --> 0:35:46.080
<v Speaker 1>husband has a really like get away from me face

0:35:47.239 --> 0:35:52.120
<v Speaker 1>down the street, he says, your your face says, come

0:35:52.120 --> 0:35:56.400
<v Speaker 1>and tell me your life story. And and so that

0:35:56.960 --> 0:36:01.360
<v Speaker 1>as an officer I joined as an officer is not useful.

0:36:02.000 --> 0:36:08.000
<v Speaker 1>I had my XO executive officer call me in and

0:36:08.440 --> 0:36:11.120
<v Speaker 1>you know, they call you over the over the thing

0:36:11.239 --> 0:36:14.160
<v Speaker 1>like the school principal. They go, you know, midshipman Fox

0:36:14.320 --> 0:36:18.319
<v Speaker 1>to exo's office and everyone goes woo and you get

0:36:18.320 --> 0:36:20.520
<v Speaker 1>called in and he said, I want to speak to

0:36:20.520 --> 0:36:23.239
<v Speaker 1>you about having seen you up on the on the

0:36:23.280 --> 0:36:27.239
<v Speaker 1>deck this morning. It was you and six sailors and

0:36:27.280 --> 0:36:30.440
<v Speaker 1>you're all talking and you're all laughing, and you're just

0:36:30.520 --> 0:36:33.919
<v Speaker 1>eating up what it is that they're saying. And I said, yeah,

0:36:34.360 --> 0:36:37.560
<v Speaker 1>we were all they were telling stories. They're telling stories

0:36:37.560 --> 0:36:40.080
<v Speaker 1>about you know, and they were they were clearly they

0:36:40.120 --> 0:36:42.920
<v Speaker 1>were flirting with me, and they're trying to one up

0:36:42.920 --> 0:36:45.840
<v Speaker 1>each other with their stories. And as a storyteller, I'm.

0:36:45.600 --> 0:36:51.279
<v Speaker 2>Just sties fill my pockets with them. Yeah, and I'm

0:36:51.400 --> 0:36:52.120
<v Speaker 2>just rapped.

0:36:52.400 --> 0:36:55.759
<v Speaker 1>I'm wrapped by the stories and laughing at the jokes

0:36:55.840 --> 0:36:59.760
<v Speaker 1>or whatever. And he said, incredibly unbecoming as an officer

0:37:00.560 --> 0:37:03.640
<v Speaker 1>to be doing that. And I'm like, okay, I guess

0:37:03.640 --> 0:37:08.759
<v Speaker 1>I won't talk to people. You know hard when you

0:37:08.800 --> 0:37:11.640
<v Speaker 1>go and see for like three weeks at a time

0:37:12.719 --> 0:37:16.239
<v Speaker 1>and there's all these So that wasn't going to work out, No, no,

0:37:16.320 --> 0:37:16.680
<v Speaker 1>one all.

0:37:17.000 --> 0:37:19.200
<v Speaker 2>We could obviously talk about this for a year because

0:37:19.239 --> 0:37:23.680
<v Speaker 2>it's so interesting. But you kept writing, kept writing, as

0:37:23.719 --> 0:37:27.480
<v Speaker 2>I understand it, sending stories, sending manuscripts, getting knocked back,

0:37:27.600 --> 0:37:29.839
<v Speaker 2>getting knocked back. But you're the thing that you told

0:37:29.880 --> 0:37:34.160
<v Speaker 2>your mum I want to be a famous author. When

0:37:34.200 --> 0:37:34.960
<v Speaker 2>did your break come?

0:37:36.520 --> 0:37:41.759
<v Speaker 1>I was twenty five. I was really down and out.

0:37:41.840 --> 0:37:45.279
<v Speaker 1>My first marriage had collapsed spectacularly.

0:37:45.719 --> 0:37:48.280
<v Speaker 2>This is post navy. Yeah, this is post navy.

0:37:49.000 --> 0:37:50.960
<v Speaker 1>I was with him for six and a half years

0:37:51.440 --> 0:37:54.719
<v Speaker 1>and then he came home from work one day and

0:37:55.000 --> 0:37:57.600
<v Speaker 1>essentially just said, does someone else she's pregnant?

0:37:57.880 --> 0:38:03.000
<v Speaker 2>Oh? Great, get out? And so I did. And I

0:38:03.040 --> 0:38:03.759
<v Speaker 2>had no job.

0:38:04.000 --> 0:38:07.560
<v Speaker 1>I had to leave where I was living. I you know, everything,

0:38:07.640 --> 0:38:11.279
<v Speaker 1>everything collapsed. I was living with mum and in the

0:38:11.360 --> 0:38:14.279
<v Speaker 1>chaos house. In the Chaos house, and she has like

0:38:14.560 --> 0:38:17.520
<v Speaker 1>beside the TV, she has a mannequin dressed as a

0:38:17.560 --> 0:38:21.319
<v Speaker 1>full bride and there with the veil and the and

0:38:21.360 --> 0:38:25.719
<v Speaker 1>everything stuff hanging from the ceiling, and my stepdad's there

0:38:25.760 --> 0:38:29.600
<v Speaker 1>and we're all, you know, we're all watching Swamp Peoples

0:38:29.760 --> 0:38:32.799
<v Speaker 1>is her favorite show. We're drinking aldi wine and I'm

0:38:32.840 --> 0:38:36.000
<v Speaker 1>on a desk chair because there's there two recliners and

0:38:36.040 --> 0:38:38.680
<v Speaker 1>I've gotten a desk chair and squeezed it in from somewhere.

0:38:38.719 --> 0:38:40.799
<v Speaker 2>I shouldn't be I shouldn't laugh, but I'm not laughing.

0:38:40.840 --> 0:38:43.600
<v Speaker 2>But it's it's just if this was a movie of

0:38:43.640 --> 0:38:45.640
<v Speaker 2>your life. This is the this is the bit where

0:38:45.640 --> 0:38:50.080
<v Speaker 2>you're like, I was smart, I was capable. Yeah, I

0:38:51.000 --> 0:38:52.799
<v Speaker 2>was going to be the one who made it the

0:38:52.920 --> 0:38:53.680
<v Speaker 2>moment for me.

0:38:54.719 --> 0:38:57.400
<v Speaker 1>I set that scene, Huges. Then we're all sitting there whatever.

0:38:58.280 --> 0:39:01.720
<v Speaker 1>And I was dating everything that moved in Sydney because

0:39:01.760 --> 0:39:03.640
<v Speaker 1>that's the way I was going to get over I

0:39:03.760 --> 0:39:06.240
<v Speaker 1>was going to date. I was going on three dates

0:39:06.400 --> 0:39:09.359
<v Speaker 1>a day. I was going to find the next one,

0:39:09.480 --> 0:39:11.440
<v Speaker 1>get over it and all this and they were all

0:39:11.560 --> 0:39:15.719
<v Speaker 1>horrendous dates, horrendous. And I said to Mom, as she

0:39:15.840 --> 0:39:18.319
<v Speaker 1>paused swamp People, I said, can I ask you something?

0:39:18.360 --> 0:39:22.520
<v Speaker 1>She paused swamp people and I said, Mom, do you

0:39:22.560 --> 0:39:27.040
<v Speaker 1>think I'm a loser? And she said, Candice, if I

0:39:27.080 --> 0:39:30.439
<v Speaker 1>thought that you were a loser, I would never tell you.

0:39:33.840 --> 0:39:39.920
<v Speaker 1>And I went, okay, all right, thanks.

0:39:41.480 --> 0:39:43.120
<v Speaker 2>I kept watching swamp People.

0:39:44.360 --> 0:39:50.000
<v Speaker 1>So and so from there, from that rock bottom, you know,

0:39:50.600 --> 0:39:53.960
<v Speaker 1>I started climbing back up. I got a job, I

0:39:54.239 --> 0:39:57.200
<v Speaker 1>cut my hair, I joined a gym, I bought new clothes.

0:39:58.680 --> 0:40:01.520
<v Speaker 1>And I said to someone, and you know, I'd written

0:40:01.560 --> 0:40:04.080
<v Speaker 1>this novel and it had already done all the rounds.

0:40:04.800 --> 0:40:06.759
<v Speaker 1>But what had happened is it had gone into the

0:40:06.800 --> 0:40:10.080
<v Speaker 1>slush pile, so nobody had really seen it because publishers

0:40:10.120 --> 0:40:12.520
<v Speaker 1>don't really look at the slush pile. They don't need

0:40:12.560 --> 0:40:16.239
<v Speaker 1>to because agents, you know, the agents. Yeah, And so

0:40:16.280 --> 0:40:18.399
<v Speaker 1>I was starting to say, you know, maybe I need

0:40:18.440 --> 0:40:21.000
<v Speaker 1>one of these agents. Does anyone know an agent? And

0:40:21.840 --> 0:40:24.480
<v Speaker 1>my boss at work said, yeah, I went to university

0:40:24.480 --> 0:40:26.480
<v Speaker 1>with someone who ended up being an agent. But she

0:40:26.520 --> 0:40:29.680
<v Speaker 1>won't do you any favors just from knowing me, you know.

0:40:30.200 --> 0:40:33.120
<v Speaker 1>And I went, all right, maybe I'll give it a whirl.

0:40:33.719 --> 0:40:35.640
<v Speaker 2>And then and then I found my agent.

0:40:35.760 --> 0:40:39.680
<v Speaker 1>She said, come and have come and have coffee with

0:40:39.719 --> 0:40:42.399
<v Speaker 1>me and Bronti. And I was like, oh my god,

0:40:42.600 --> 0:40:45.439
<v Speaker 1>what do I wear to Bronte Bronti's not a place

0:40:45.520 --> 0:40:49.600
<v Speaker 1>to no And I'm thinking I am going to have

0:40:49.640 --> 0:40:54.120
<v Speaker 1>to do my very best normal person impression here, like,

0:40:55.040 --> 0:40:57.239
<v Speaker 1>and so I dressed in the nines and I got

0:40:57.280 --> 0:40:59.920
<v Speaker 1>my hair done and I went there and I managed

0:41:00.239 --> 0:41:06.000
<v Speaker 1>to be normal for about three point five seconds because

0:41:06.280 --> 0:41:09.520
<v Speaker 1>she said to me, so, ha's he week been? And

0:41:09.600 --> 0:41:12.560
<v Speaker 1>I just went blur. And the first thing I told

0:41:12.640 --> 0:41:15.040
<v Speaker 1>her was about this date that I'd just gone on,

0:41:15.280 --> 0:41:17.759
<v Speaker 1>because it was forefront of my mind I'd just gone

0:41:17.800 --> 0:41:19.799
<v Speaker 1>on our date with the guy and we got to

0:41:19.840 --> 0:41:23.120
<v Speaker 1>the date and like, there was no indication of this

0:41:23.200 --> 0:41:26.560
<v Speaker 1>whatsoever in the dating app or whatever. But he had

0:41:26.800 --> 0:41:31.640
<v Speaker 1>no teeth, man, no denches, nothing at all.

0:41:32.160 --> 0:41:33.360
<v Speaker 2>And for an hour and.

0:41:33.360 --> 0:41:35.719
<v Speaker 1>A half, I was just stunned by the fact that

0:41:35.760 --> 0:41:38.000
<v Speaker 1>he had no like, and I didn't know how to say,

0:41:39.400 --> 0:41:40.759
<v Speaker 1>there's no teeth.

0:41:40.480 --> 0:41:42.920
<v Speaker 2>In there, like what happened?

0:41:43.200 --> 0:41:45.480
<v Speaker 1>And I didn't know how to say it, and so

0:41:45.640 --> 0:41:50.280
<v Speaker 1>and I was still trying to work out how that happened,

0:41:50.640 --> 0:41:53.080
<v Speaker 1>and so Gabby said to me, so has he weep been?

0:41:53.160 --> 0:41:54.480
<v Speaker 1>And I was like, well, I actually just want to

0:41:54.680 --> 0:41:56.160
<v Speaker 1>go a date with a guy and no teeth, And

0:41:56.160 --> 0:41:59.640
<v Speaker 1>then it just all it all came out, and it

0:41:59.719 --> 0:42:02.680
<v Speaker 1>was like the Magician with the hankies. And as soon

0:42:02.680 --> 0:42:04.600
<v Speaker 1>as she was like, but why are you doing so

0:42:04.719 --> 0:42:08.440
<v Speaker 1>much dating? And then why did that happen? And at

0:42:08.480 --> 0:42:11.080
<v Speaker 1>the end of the meeting, she just looked shell shocked,

0:42:12.239 --> 0:42:14.840
<v Speaker 1>and I just walked away, going, well, I.

0:42:14.920 --> 0:42:18.000
<v Speaker 2>Screwed that up. Had she read the manuscript by this

0:42:18.040 --> 0:42:19.600
<v Speaker 2>point or was she meeting me first?

0:42:19.960 --> 0:42:24.160
<v Speaker 1>No? She had, she she had, yeah, she was yeah wow.

0:42:24.400 --> 0:42:30.240
<v Speaker 1>And then it's lucky because later actually ten years later,

0:42:30.560 --> 0:42:34.640
<v Speaker 1>I learned at the you know, the Candice Fox You've

0:42:34.640 --> 0:42:36.120
<v Speaker 1>been here for ten years party.

0:42:37.080 --> 0:42:38.520
<v Speaker 2>She said, I knew.

0:42:38.400 --> 0:42:39.600
<v Speaker 1>By the end of the first page.

0:42:39.840 --> 0:42:43.320
<v Speaker 2>And I'm like, you knew. That's so not I'm glad.

0:42:43.080 --> 0:42:48.279
<v Speaker 1>You knew, saying, God, you didn't meet me first, you know,

0:42:48.400 --> 0:42:50.960
<v Speaker 1>she said, I go into that meeting, that first meeting,

0:42:51.280 --> 0:42:54.000
<v Speaker 1>trying to find out whether the client is going to

0:42:54.000 --> 0:42:57.600
<v Speaker 1>be hard work. And I was like, oh, wow, well

0:42:58.680 --> 0:43:01.200
<v Speaker 1>that would have been a big tick in hard work box.

0:43:01.239 --> 0:43:04.560
<v Speaker 1>But luckily I had other ticks unbelievable.

0:43:05.120 --> 0:43:10.080
<v Speaker 2>And so from there, you obviously have an intense work ethic.

0:43:10.480 --> 0:43:13.719
<v Speaker 2>You're also brave, as we've already discovered, because I do

0:43:13.840 --> 0:43:16.560
<v Speaker 2>also need you to just tell me the story of

0:43:16.640 --> 0:43:20.319
<v Speaker 2>how you ended up collaborating with Is James Patterson like

0:43:21.000 --> 0:43:23.919
<v Speaker 2>the most the best selling author in the world or something.

0:43:24.520 --> 0:43:25.400
<v Speaker 2>He's huge.

0:43:25.760 --> 0:43:29.720
<v Speaker 1>I think he has Guinness World Records.

0:43:29.120 --> 0:43:31.600
<v Speaker 2>And you have a series of books. You have books

0:43:31.640 --> 0:43:34.680
<v Speaker 2>that you've written with him in a collaboration, which isn't

0:43:34.680 --> 0:43:37.960
<v Speaker 2>something I'm even that like familiar that the authors do.

0:43:38.080 --> 0:43:41.239
<v Speaker 2>But you met him at a party, is that right?

0:43:41.280 --> 0:43:43.799
<v Speaker 2>And you were like, I want to work with him?

0:43:43.840 --> 0:43:46.520
<v Speaker 2>So I'm going to what well.

0:43:46.640 --> 0:43:51.759
<v Speaker 1>I had had dreams because the first thing I got,

0:43:51.760 --> 0:43:54.359
<v Speaker 1>the first indication of anything, was this invitation that got

0:43:54.360 --> 0:43:57.320
<v Speaker 1>in the mail. I'd written three novels for my publisher

0:43:57.320 --> 0:43:59.479
<v Speaker 1>and get this card, a beautiful card in the mail,

0:43:59.480 --> 0:44:02.839
<v Speaker 1>and it said, James Purtison is coming to Sydney and

0:44:02.880 --> 0:44:05.759
<v Speaker 1>you were invited to the cocktail party. And I was like, oh,

0:44:05.800 --> 0:44:08.960
<v Speaker 1>I'm invited. Wow. And so I was just thinking about

0:44:08.960 --> 0:44:12.400
<v Speaker 1>the fact that I, you know, I've been reading James

0:44:12.400 --> 0:44:14.879
<v Speaker 1>Patterson since I was a little kid, Like I read

0:44:14.920 --> 0:44:17.640
<v Speaker 1>all my mom's true crime and my dad's law enforcement

0:44:17.680 --> 0:44:20.400
<v Speaker 1>magazines with all of the horrific stuff in them. And

0:44:20.440 --> 0:44:22.040
<v Speaker 1>I went to school and I said a bunch of

0:44:22.080 --> 0:44:25.640
<v Speaker 1>things to my school friends that scared them and made

0:44:25.680 --> 0:44:28.480
<v Speaker 1>them cry. And then my mom said because they were like, oh,

0:44:28.560 --> 0:44:30.920
<v Speaker 1>I'm reading the Chronicles of Narnia, and I'm like, oh,

0:44:30.960 --> 0:44:33.880
<v Speaker 1>I guess what I'm reading. And I told them and

0:44:33.920 --> 0:44:36.080
<v Speaker 1>they cried, and my mom said, you can't read any

0:44:36.200 --> 0:44:40.040
<v Speaker 1>true crime anymore. And that left the James Pattersons. So

0:44:40.080 --> 0:44:41.960
<v Speaker 1>I was reading all the James Pattersons when I was

0:44:42.000 --> 0:44:45.160
<v Speaker 1>a kids, the girls and yeah, yeah, And I had

0:44:45.160 --> 0:44:47.040
<v Speaker 1>a meeting with my agent and a meeting with my

0:44:47.080 --> 0:44:49.680
<v Speaker 1>publisher that week, and I just sneakily was like, so,

0:44:50.160 --> 0:44:53.399
<v Speaker 1>how does a person get to do that? And they

0:44:53.400 --> 0:44:56.800
<v Speaker 1>were kind of like, well, you know, there'd be a

0:44:56.880 --> 0:45:01.200
<v Speaker 1>queue of people ahead of you for that because you've

0:45:01.239 --> 0:45:05.560
<v Speaker 1>only been here five minutes. But then at the party, Yeah,

0:45:05.600 --> 0:45:08.919
<v Speaker 1>at the party, I just marched over there, which which

0:45:09.920 --> 0:45:13.280
<v Speaker 1>was not the dune thing. I'm told.

0:45:13.480 --> 0:45:16.200
<v Speaker 2>I was told that's the advantage of yours that you're like,

0:45:16.360 --> 0:45:18.120
<v Speaker 2>I don't really know what the dumb thing is. I'm

0:45:18.160 --> 0:45:18.680
<v Speaker 2>just going in.

0:45:18.960 --> 0:45:22.480
<v Speaker 1>Yeah, sometimes I do, but I go whatever, I don't care,

0:45:23.719 --> 0:45:26.279
<v Speaker 1>so I just yeah, I just marched over there. But

0:45:26.640 --> 0:45:28.800
<v Speaker 1>people at the time were like, one does not simply

0:45:29.920 --> 0:45:33.120
<v Speaker 1>talk to James Patterson. And you know he had handlers.

0:45:33.280 --> 0:45:36.080
<v Speaker 1>It was handling happening, and I've just gone scares Meg,

0:45:36.120 --> 0:45:37.160
<v Speaker 1>scares me, E scares me.

0:45:38.239 --> 0:45:41.080
<v Speaker 2>And then yeah, we just had a really good chit chat.

0:45:41.200 --> 0:45:44.839
<v Speaker 1>And then I and my publisher saw that she saw

0:45:44.880 --> 0:45:47.719
<v Speaker 1>that happening, and she's gone, ah, you know, they get

0:45:47.760 --> 0:45:50.040
<v Speaker 1>on and that's half the battle. Really, I would have

0:45:50.040 --> 0:45:53.000
<v Speaker 1>made him laugh or something. He he said to me.

0:45:53.480 --> 0:45:56.280
<v Speaker 1>I said, oh, oh my god, I love your books.

0:45:56.360 --> 0:45:58.080
<v Speaker 1>I read Kiss the Girls when I was twelve and

0:45:58.120 --> 0:46:00.200
<v Speaker 1>it just changed my life. And he said, wow, that's

0:46:00.280 --> 0:46:01.200
<v Speaker 1>really inappropriate.

0:46:01.920 --> 0:46:03.200
<v Speaker 2>What are you doing reading.

0:46:03.000 --> 0:46:06.160
<v Speaker 1>Kiss the Girls at twelve years old? That's really wow,

0:46:06.280 --> 0:46:08.400
<v Speaker 1>that's whacked. And I was like, yeah, I have Well,

0:46:08.680 --> 0:46:09.360
<v Speaker 1>don't worry about it.

0:46:09.400 --> 0:46:11.360
<v Speaker 2>I'm fine, I'm fine. Oh yeah, I'm fine.

0:46:11.400 --> 0:46:15.839
<v Speaker 1>Yeah, I'm fine, And so that happened. So yeah, so

0:46:15.960 --> 0:46:21.280
<v Speaker 1>I was offered it and it was a real throwing

0:46:21.320 --> 0:46:24.560
<v Speaker 1>you into the deep end sort of thing because I

0:46:24.600 --> 0:46:27.040
<v Speaker 1>hadn't read any James Patterson years, so I had to

0:46:27.080 --> 0:46:31.080
<v Speaker 1>catch up by reading like fifty novels because he puts

0:46:31.120 --> 0:46:34.600
<v Speaker 1>out so many. And then I was writing my own

0:46:34.680 --> 0:46:38.600
<v Speaker 1>novel at the time, and I was too scared to

0:46:38.719 --> 0:46:43.239
<v Speaker 1>ask for a deadline extension. So both novels would you

0:46:44.040 --> 0:46:46.920
<v Speaker 1>at the same time, So I would write and you.

0:46:46.960 --> 0:46:49.160
<v Speaker 2>Write with him on email. Is that how it works?

0:46:49.239 --> 0:46:52.680
<v Speaker 1>Yeah, essentially, Yeah, we just it's like five thousand words

0:46:52.680 --> 0:46:55.359
<v Speaker 1>at a time, send it, he sees it, you know,

0:46:55.680 --> 0:46:59.480
<v Speaker 1>and then and it's I haven't written with Jim in

0:46:59.480 --> 0:47:03.759
<v Speaker 1>a couple of year. Is But I remember it as

0:47:03.840 --> 0:47:08.239
<v Speaker 1>being so completely different to my own because of the

0:47:08.280 --> 0:47:11.720
<v Speaker 1>time difference, because of his schedule. I would send something

0:47:12.000 --> 0:47:15.240
<v Speaker 1>and on day one I'm like, oh, he's gonna love that.

0:47:15.239 --> 0:47:16.840
<v Speaker 1>That was a good piece of writing. And then I

0:47:16.920 --> 0:47:19.480
<v Speaker 1>don't hear anything on day two and I'm like, ah,

0:47:19.520 --> 0:47:23.239
<v Speaker 1>he he should like that. I mean that was pretty good,

0:47:23.280 --> 0:47:24.920
<v Speaker 1>and like by day four, I'm.

0:47:24.719 --> 0:47:28.480
<v Speaker 2>Like, oh no it, why did I write that?

0:47:28.760 --> 0:47:33.960
<v Speaker 1>Yeah? So stressful times, a high pressure, you know, boiler

0:47:34.040 --> 0:47:37.839
<v Speaker 1>room environment. But we had nine, all nine of them

0:47:37.880 --> 0:47:40.319
<v Speaker 1>when New York Times best sellers, you know, and a

0:47:40.320 --> 0:47:41.399
<v Speaker 1>few of them were number one.

0:47:43.280 --> 0:47:46.600
<v Speaker 2>After this break, Candice shares the real live cold case.

0:47:46.800 --> 0:47:53.680
<v Speaker 2>She can't let go off. So we have to get

0:47:53.680 --> 0:47:55.600
<v Speaker 2>to red Bley Crossing. But I have to have one

0:47:55.640 --> 0:47:57.560
<v Speaker 2>more question. I have to ask you about this level

0:47:57.640 --> 0:48:01.080
<v Speaker 2>of success that you've achieved. So, your mum, this is

0:48:01.080 --> 0:48:04.399
<v Speaker 2>a classic story. Your mum's like, writers don't make it right.

0:48:04.880 --> 0:48:06.520
<v Speaker 2>This is not a job, this is not a career.

0:48:06.560 --> 0:48:09.240
<v Speaker 2>Now those were That's fair enough, right, because it's true.

0:48:09.360 --> 0:48:13.359
<v Speaker 2>The average author in Australia famously makes four thousand dollars

0:48:13.400 --> 0:48:16.880
<v Speaker 2>a year or something. It's a very tough profession. But you,

0:48:17.200 --> 0:48:21.160
<v Speaker 2>as discussed, unquestionably have made it. You are a famous

0:48:21.200 --> 0:48:24.640
<v Speaker 2>author who do live on the proceeds of your artistic output.

0:48:25.760 --> 0:48:29.000
<v Speaker 2>What's that like with your family now? Like do they

0:48:29.040 --> 0:48:31.640
<v Speaker 2>go like, oh we were wrong handish your amazing or

0:48:31.680 --> 0:48:34.200
<v Speaker 2>do they like how does it work? And the other thing?

0:48:34.239 --> 0:48:36.000
<v Speaker 2>I want my second part to that question, and then

0:48:36.040 --> 0:48:39.520
<v Speaker 2>I promise we'll move on. Is you have a family now,

0:48:39.560 --> 0:48:41.920
<v Speaker 2>you have your own life in your own family. Is

0:48:41.920 --> 0:48:44.719
<v Speaker 2>it this peaceful, lovely environment that is a reaction to that?

0:48:45.920 --> 0:48:50.640
<v Speaker 1>Well? So I remember in the beginning, no one could

0:48:50.680 --> 0:48:54.120
<v Speaker 1>really believe it with the book coming out, the first one,

0:48:54.719 --> 0:48:58.040
<v Speaker 1>you know, and then TV rights being sold, and then

0:48:58.080 --> 0:48:59.840
<v Speaker 1>there's going to be a second book, and I go

0:48:59.880 --> 0:49:03.160
<v Speaker 1>into the publisher and I'm at the library giving a talk.

0:49:03.280 --> 0:49:07.440
<v Speaker 1>I remember my mum saying to me, it's like a movie.

0:49:07.640 --> 0:49:09.640
<v Speaker 1>That what I'm saying. It doesn't feel real. It's like

0:49:09.719 --> 0:49:11.799
<v Speaker 1>a movie. And it was a little bit like a

0:49:11.840 --> 0:49:15.160
<v Speaker 1>movie for me. I walked into the publishing house for

0:49:15.160 --> 0:49:17.480
<v Speaker 1>the first time, and I was like, it's real, you know,

0:49:17.600 --> 0:49:21.320
<v Speaker 1>a person, A person can go into a publishing house

0:49:21.880 --> 0:49:27.279
<v Speaker 1>and be an author and it's real. So but I

0:49:27.280 --> 0:49:28.520
<v Speaker 1>think they're all used to it now.

0:49:28.920 --> 0:49:31.759
<v Speaker 2>But it's the weird. The weird part.

0:49:33.520 --> 0:49:37.960
<v Speaker 1>Recently is that my niece has gotten old enough to

0:49:38.560 --> 0:49:43.480
<v Speaker 1>read the books. And I remember thinking to myself, I

0:49:43.520 --> 0:49:46.480
<v Speaker 1>wrote that book when you were in the womb, and

0:49:46.520 --> 0:49:50.560
<v Speaker 1>now you're old enough to read it, Like that's weird,

0:49:51.200 --> 0:49:56.239
<v Speaker 1>you know. And she's enjoying those and that kind of thing.

0:49:57.600 --> 0:50:03.120
<v Speaker 1>And Violet, it's just violent, just yeah, yeah, yeah, yeah.

0:50:03.719 --> 0:50:06.880
<v Speaker 1>And she always wants a copy of the books, you know,

0:50:07.000 --> 0:50:10.319
<v Speaker 1>and she writes her own books to staples them and

0:50:10.320 --> 0:50:11.000
<v Speaker 1>that kind of thing.

0:50:11.200 --> 0:50:15.600
<v Speaker 2>Yeah, okay, we're getting to read Belly Crossing. One of

0:50:15.600 --> 0:50:19.240
<v Speaker 2>the reasons why so this is your most recent novels.

0:50:19.520 --> 0:50:23.480
<v Speaker 2>It's wonderful, but I want to hear about the true

0:50:23.520 --> 0:50:26.319
<v Speaker 2>crime story that inspired this because back to your mum,

0:50:27.160 --> 0:50:29.520
<v Speaker 2>it comes from a conversation you had with her.

0:50:29.920 --> 0:50:34.880
<v Speaker 1>Yeah. Yeah, So, my husband's Tim and I were in

0:50:34.920 --> 0:50:38.000
<v Speaker 1>the land room. Violet was one and a half years old.

0:50:38.800 --> 0:50:42.200
<v Speaker 1>She's puddling around the house in she was just wearing

0:50:42.200 --> 0:50:44.640
<v Speaker 1>a nappy and she had a pink top hat on,

0:50:45.200 --> 0:50:48.480
<v Speaker 1>and she's carrying a toy briefcase and she's running around

0:50:48.800 --> 0:50:51.720
<v Speaker 1>and I was watching her and I said to Tim,

0:50:52.160 --> 0:50:55.640
<v Speaker 1>she looks like a little daughter door salesman. And as

0:50:55.680 --> 0:50:59.160
<v Speaker 1>I said it, I had this sensation like it felt

0:50:59.200 --> 0:51:01.400
<v Speaker 1>like a draw pop open in my brain and there

0:51:01.480 --> 0:51:04.160
<v Speaker 1>was stuff in there, and I went, oh, I think

0:51:04.200 --> 0:51:06.719
<v Speaker 1>I'm having a memory. I'm having a memory of my

0:51:06.840 --> 0:51:10.080
<v Speaker 1>mom telling us as we were kids about this daughter

0:51:10.160 --> 0:51:13.440
<v Speaker 1>door salesman coming to her door when she was a

0:51:13.520 --> 0:51:17.440
<v Speaker 1>kid and he ended up being a killer. And Tim,

0:51:17.520 --> 0:51:21.640
<v Speaker 1>who knows my family, was completely unsurprised by this. He

0:51:21.719 --> 0:51:24.200
<v Speaker 1>was sort of like, yeah, that'd be right. You know,

0:51:24.320 --> 0:51:26.640
<v Speaker 1>he didn't he didn't even say that. He was like, eh,

0:51:26.719 --> 0:51:28.880
<v Speaker 1>you know, I was like and.

0:51:30.600 --> 0:51:31.920
<v Speaker 2>I was thinking about it.

0:51:31.920 --> 0:51:34.200
<v Speaker 1>It was on my mind over this memory of her

0:51:34.320 --> 0:51:37.960
<v Speaker 1>saying when I was I remember I was about ten

0:51:38.040 --> 0:51:40.200
<v Speaker 1>years old and I was being left at home. This

0:51:40.280 --> 0:51:42.440
<v Speaker 1>is your first time you're going to be home alone,

0:51:42.920 --> 0:51:44.480
<v Speaker 1>which was a big deal for me because I was

0:51:44.600 --> 0:51:47.560
<v Speaker 1>nearver home alone my older brothers or someone was there.

0:51:47.840 --> 0:51:51.000
<v Speaker 1>And Mom said to me, if someone comes to the

0:51:51.040 --> 0:51:55.440
<v Speaker 1>door I knocks, don't answer it, because one time I

0:51:55.560 --> 0:51:57.640
<v Speaker 1>was home alone as a teenager, a man came and

0:51:57.719 --> 0:51:59.680
<v Speaker 1>knocked on the door and he said that he was

0:51:59.680 --> 0:52:02.719
<v Speaker 1>the same heman, but he was actually a murderer. And

0:52:02.760 --> 0:52:05.160
<v Speaker 1>I was like okay, and as a kid, you just

0:52:05.680 --> 0:52:08.080
<v Speaker 1>you know, my grandmother. I thought it was I thought

0:52:08.080 --> 0:52:12.120
<v Speaker 1>it was a cautionary tale, Like my grandmother has had

0:52:12.440 --> 0:52:16.840
<v Speaker 1>had this cautionary tale. She'd say, there was a little

0:52:16.840 --> 0:52:19.240
<v Speaker 1>girl once and she was driving along in a car

0:52:19.520 --> 0:52:22.520
<v Speaker 1>and she had her hand her arm out the window,

0:52:23.040 --> 0:52:26.160
<v Speaker 1>and a car went by and she heard a bang,

0:52:26.200 --> 0:52:28.520
<v Speaker 1>and she looked down and her severed arm was in

0:52:28.600 --> 0:52:31.799
<v Speaker 1>her own lap. And as a kid, you go, oh, yeah,

0:52:31.800 --> 0:52:34.520
<v Speaker 1>I believe that. I really believe that a car could

0:52:34.680 --> 0:52:38.480
<v Speaker 1>knock someone's arm off completely and it would be lying

0:52:38.520 --> 0:52:40.200
<v Speaker 1>across their lap, the whole arm.

0:52:40.640 --> 0:52:45.040
<v Speaker 2>But as an adult, you go, that's not now.

0:52:45.520 --> 0:52:47.719
<v Speaker 1>And so I had this memory of being like, that's

0:52:47.760 --> 0:52:48.920
<v Speaker 1>got to be a cautionary tale.

0:52:48.920 --> 0:52:50.440
<v Speaker 2>So I pursued it.

0:52:50.480 --> 0:52:53.520
<v Speaker 1>I called mum, I started texting her and I said,

0:52:53.560 --> 0:52:56.719
<v Speaker 1>I'm having this weird memory. Are you telling me that

0:52:56.719 --> 0:52:58.840
<v Speaker 1>that a killer came to the door and said he

0:52:58.880 --> 0:52:59.880
<v Speaker 1>was a daughter do or salesman?

0:53:00.040 --> 0:53:01.880
<v Speaker 2>And she said, no, no, that really happened. That's a

0:53:01.920 --> 0:53:02.520
<v Speaker 2>real story.

0:53:03.760 --> 0:53:07.640
<v Speaker 1>I was home alone. I was seventeen. The guy I

0:53:07.719 --> 0:53:11.320
<v Speaker 1>was studying for my HC. My father had just died,

0:53:11.760 --> 0:53:14.319
<v Speaker 1>so everyone was up at the funeral home and I

0:53:14.360 --> 0:53:15.759
<v Speaker 1>was home alone. I didn't want to go to the

0:53:15.760 --> 0:53:19.960
<v Speaker 1>funeral home. A guy came to the door and he said,

0:53:20.160 --> 0:53:23.359
<v Speaker 1>I'm going door to door selling encyclopedias. Can I come

0:53:23.360 --> 0:53:25.560
<v Speaker 1>in and talk to you about them. She'd opened the

0:53:25.560 --> 0:53:29.240
<v Speaker 1>wooden door, but not the screen door, and she's talking

0:53:29.239 --> 0:53:31.000
<v Speaker 1>to them through the door. They're having a nice, old

0:53:31.040 --> 0:53:34.680
<v Speaker 1>friendly chit chat. And she said, I just got this

0:53:34.840 --> 0:53:38.960
<v Speaker 1>feeling like the hairs on the back of my neck

0:53:39.000 --> 0:53:42.440
<v Speaker 1>stood up, because I'm thinking, why isn't it carrying anything.

0:53:43.080 --> 0:53:47.239
<v Speaker 1>There's no briefcase, there's no encyclopedias, there's no pamphlets, there's

0:53:47.360 --> 0:53:51.839
<v Speaker 1>no nothing. And he also wasn't dressed like a salesman.

0:53:52.000 --> 0:53:56.839
<v Speaker 1>He's just dressed like a guy, you know. And so

0:53:56.920 --> 0:54:00.359
<v Speaker 1>she said, I pretended my dad was home, said, oh,

0:54:00.360 --> 0:54:03.239
<v Speaker 1>I'm not supposed to let anyone in without approval. Just

0:54:03.280 --> 0:54:05.520
<v Speaker 1>check with my dad, Hey dad. And as she's called

0:54:05.600 --> 0:54:08.520
<v Speaker 1>turned and called out, hey dad. She said he didn't

0:54:09.280 --> 0:54:12.880
<v Speaker 1>say anything, He just turned around quickly and walked. Is gone.

0:54:14.000 --> 0:54:18.880
<v Speaker 1>But in her neighborhood, only a week or two earlier,

0:54:19.040 --> 0:54:22.600
<v Speaker 1>two blocks down, a girl who was a student teacher

0:54:22.640 --> 0:54:27.200
<v Speaker 1>at my mum's school was murdered, and a year before

0:54:28.000 --> 0:54:31.359
<v Speaker 1>another woman was murdered and at the time police were

0:54:31.400 --> 0:54:35.600
<v Speaker 1>theorizing that this guy was knocking on doors and giving

0:54:35.640 --> 0:54:40.399
<v Speaker 1>a ruse and being let in. So I at this point,

0:54:40.520 --> 0:54:46.479
<v Speaker 1>Mum's telling me this, and I'm going, what, like, number one,

0:54:46.719 --> 0:54:50.120
<v Speaker 1>these crimes are unsolved, So no one ever those two

0:54:50.200 --> 0:54:51.359
<v Speaker 1>murders that had.

0:54:51.120 --> 0:54:51.840
<v Speaker 2>Now been solved.

0:54:51.920 --> 0:54:54.520
<v Speaker 1>No, So I said, what were the names of the women?

0:54:54.640 --> 0:54:55.279
<v Speaker 2>I looked him up.

0:54:55.360 --> 0:54:57.360
<v Speaker 1>I said, there's a million dollar reward on both of

0:54:57.400 --> 0:55:01.520
<v Speaker 1>these cases. They're forty seven year old cold cases.

0:55:01.560 --> 0:55:02.160
<v Speaker 2>You could be the.

0:55:02.280 --> 0:55:05.200
<v Speaker 1>Missing you could be the missing link. This woman knows

0:55:05.239 --> 0:55:10.240
<v Speaker 1>about crime, she knows that crimes like that are solved

0:55:10.360 --> 0:55:11.480
<v Speaker 1>by this kind of stuff.

0:55:11.560 --> 0:55:15.080
<v Speaker 2>Yes, because at the time there wasn't the DNA evidence.

0:55:15.160 --> 0:55:18.879
<v Speaker 1>There wasn't. Yes, yeah, And so I said, what did

0:55:18.920 --> 0:55:20.799
<v Speaker 1>you ever tell the police? And no, I didn't tell

0:55:20.800 --> 0:55:25.600
<v Speaker 1>the police and tell anyone. And I said, well, there's

0:55:25.640 --> 0:55:29.520
<v Speaker 1>also the fact, quite selfishly that for the last you know,

0:55:29.560 --> 0:55:31.520
<v Speaker 1>eight years or something. At that time, I'm trying to

0:55:31.520 --> 0:55:33.560
<v Speaker 1>be the number one crime writer in the country. Could

0:55:33.600 --> 0:55:37.439
<v Speaker 1>you possibly have mentioned at any point that you had

0:55:37.520 --> 0:55:39.920
<v Speaker 1>a real life encounter with a serial killer like that

0:55:40.000 --> 0:55:43.640
<v Speaker 1>might have been useful, you know, information for me but

0:55:44.040 --> 0:55:47.399
<v Speaker 1>I said, okay, well, I'm going to have to ask you.

0:55:47.520 --> 0:55:51.480
<v Speaker 1>I'm going to have to get this information because this

0:55:51.600 --> 0:55:53.919
<v Speaker 1>happens to me a lot. Actually, people give me murder ticks.

0:55:53.920 --> 0:55:57.880
<v Speaker 2>I bet they do. But yeah, given way the area

0:55:57.920 --> 0:55:59.680
<v Speaker 2>you write in, they must often say I've got a

0:55:59.719 --> 0:56:00.359
<v Speaker 2>story for you.

0:56:00.520 --> 0:56:03.360
<v Speaker 1>Yeah, And it often comes from podcasts or the radio,

0:56:03.880 --> 0:56:07.000
<v Speaker 1>and they invariably say, oh, heard you on the radio.

0:56:07.160 --> 0:56:11.480
<v Speaker 1>You sound real or genuine. I think they're trying not

0:56:11.600 --> 0:56:14.200
<v Speaker 1>to say you look you sound like a western Sydney

0:56:14.200 --> 0:56:17.960
<v Speaker 1>bogan like, and you sound really friendly and like you're

0:56:18.000 --> 0:56:19.440
<v Speaker 1>not going to judge me or whatever.

0:56:19.840 --> 0:56:20.760
<v Speaker 2>So people will write.

0:56:20.560 --> 0:56:23.440
<v Speaker 1>To me and they say, oh, the police reckon, I

0:56:23.480 --> 0:56:26.359
<v Speaker 1>chop my girlfriend up with a chainsaw in nineteen eighty three,

0:56:27.120 --> 0:56:29.799
<v Speaker 1>and can I tell you what really happened? And I go, no,

0:56:29.920 --> 0:56:33.239
<v Speaker 1>thank you, you know, and so you know, probably I

0:56:33.239 --> 0:56:35.760
<v Speaker 1>would say three times a year I get murder tips

0:56:36.120 --> 0:56:37.680
<v Speaker 1>and I get them and I go, oh my god,

0:56:37.680 --> 0:56:39.080
<v Speaker 1>what am I going to do with this? So my

0:56:39.160 --> 0:56:41.360
<v Speaker 1>mom essentially has just given me one, and I was like,

0:56:41.360 --> 0:56:42.520
<v Speaker 1>we've got to get it to the police.

0:56:42.960 --> 0:56:44.439
<v Speaker 2>So I gave it to the police.

0:56:44.320 --> 0:56:47.120
<v Speaker 1>And they're like, yep, that sounds that sounds like him,

0:56:47.440 --> 0:56:52.239
<v Speaker 1>but I mean without like a you know, a number

0:56:52.239 --> 0:56:54.000
<v Speaker 1>of plates or a name or does she have any

0:56:54.239 --> 0:56:56.680
<v Speaker 1>something like that. And I said no, and they're like, oh, well,

0:56:56.760 --> 0:56:59.760
<v Speaker 1>there you go. And so for a couple of years

0:57:00.440 --> 0:57:01.920
<v Speaker 1>I'm like, no, no, no, that's not the end of

0:57:01.920 --> 0:57:04.320
<v Speaker 1>the story. That's not how a story like this ends.

0:57:04.360 --> 0:57:06.759
<v Speaker 1>I know about stories or not a nice big bow.

0:57:07.320 --> 0:57:09.600
<v Speaker 1>And so I was like, Okay, here we go. I'm

0:57:09.640 --> 0:57:12.520
<v Speaker 1>going to solve this crime myself. I'm going to be

0:57:13.000 --> 0:57:17.880
<v Speaker 1>the citizen sleuth. And so I was like, Google, how

0:57:18.080 --> 0:57:21.800
<v Speaker 1>do you solve a true crime case?

0:57:22.560 --> 0:57:23.520
<v Speaker 2>Here I go, And.

0:57:25.120 --> 0:57:27.920
<v Speaker 1>With extreme arrogance, I was.

0:57:27.960 --> 0:57:30.880
<v Speaker 2>Like, a person can just be a detective? Here we go?

0:57:31.200 --> 0:57:36.440
<v Speaker 1>And you know, and no, being a homicide detective is

0:57:36.480 --> 0:57:41.320
<v Speaker 1>a profession that takes decades of skills and experience.

0:57:41.920 --> 0:57:43.320
<v Speaker 2>So I looked into it.

0:57:43.880 --> 0:57:48.800
<v Speaker 1>So what it was essentially is there's two women in

0:57:48.920 --> 0:57:52.080
<v Speaker 1>nineteen seventy three and nineteen seventy four. They were murdered.

0:57:52.160 --> 0:57:57.680
<v Speaker 1>So Lynette White was home with her eleven week old baby.

0:57:58.600 --> 0:58:03.040
<v Speaker 1>Someone her husband and does that work. Someone's come and

0:58:03.400 --> 0:58:06.680
<v Speaker 1>knocked on the door. They believe that he's come in

0:58:07.000 --> 0:58:09.840
<v Speaker 1>and he's held her at knife point. He's made her

0:58:10.080 --> 0:58:14.400
<v Speaker 1>fold her parts neatly and put them in a pile.

0:58:15.080 --> 0:58:15.640
<v Speaker 2>They believe.

0:58:15.680 --> 0:58:20.360
<v Speaker 1>The police believes something maybe interrupted that, and she's bolted

0:58:20.520 --> 0:58:24.200
<v Speaker 1>and he's panicked and he's stabbed her to death in

0:58:24.240 --> 0:58:26.720
<v Speaker 1>the doorway of the room where her eleven week old

0:58:26.760 --> 0:58:31.280
<v Speaker 1>baby is, and her husband Paul has come home that

0:58:31.400 --> 0:58:35.920
<v Speaker 1>night and found her. A year or ten months later,

0:58:36.960 --> 0:58:41.440
<v Speaker 1>Maria Smith, she'd only been married a few weeks. She's

0:58:41.480 --> 0:58:44.840
<v Speaker 1>their home alone now. Maria was the student teacher at

0:58:44.840 --> 0:58:46.480
<v Speaker 1>my mother's school, the bridget.

0:58:46.200 --> 0:58:49.600
<v Speaker 2>And College because this is in Rundwick and in Kuji Cuji.

0:58:50.600 --> 0:58:54.640
<v Speaker 1>So she was her husband Stephen left for work at

0:58:54.680 --> 0:58:57.720
<v Speaker 1>seven thirty in the morning. She was expected at the

0:58:57.760 --> 0:59:00.160
<v Speaker 1>Bridge Deane at eight thirty. She didn't make it there.

0:59:00.280 --> 0:59:04.880
<v Speaker 1>So that's what's happened. Someone's come in, raped and strangled

0:59:04.880 --> 0:59:08.000
<v Speaker 1>her with her own pantyhose. He's come home that night

0:59:08.000 --> 0:59:12.040
<v Speaker 1>and found her. So what do I do with this information?

0:59:12.320 --> 0:59:15.720
<v Speaker 1>I tried to investigate it myself. Didn't work. Tried to,

0:59:15.960 --> 0:59:20.280
<v Speaker 1>you know, become the next Headly Thomas creator podcast, didn't work.

0:59:20.320 --> 0:59:22.440
<v Speaker 1>I'm trying to get all of my true crime writing

0:59:22.520 --> 0:59:24.640
<v Speaker 1>friends involved in it because I don't know how to

0:59:24.680 --> 0:59:29.120
<v Speaker 1>write true crime either. I'm not disciplined and journalistic.

0:59:29.520 --> 0:59:32.919
<v Speaker 2>You're a crime writing and create world. You tell stories. Yes,

0:59:33.280 --> 0:59:36.200
<v Speaker 2>so I've written a lot of homicide detectives. But you're yeah,

0:59:36.240 --> 0:59:37.360
<v Speaker 2>that doesn't make you want no.

0:59:37.400 --> 0:59:42.760
<v Speaker 1>Apparently, so I said to my agent, I'm having this

0:59:42.960 --> 0:59:46.479
<v Speaker 1>brain wave. I said to her. She because I said,

0:59:46.920 --> 0:59:49.360
<v Speaker 1>I'm talking about the Lynette and Maria And she said, oh,

0:59:49.400 --> 0:59:51.600
<v Speaker 1>you can't leave us alone, can you? And I said, no,

0:59:51.680 --> 0:59:55.880
<v Speaker 1>I can't. I'm having a brain wave. My skills are

0:59:56.080 --> 1:00:02.080
<v Speaker 1>in writing fiction and talking to people. What if I

1:00:02.120 --> 1:00:06.880
<v Speaker 1>reimagine some aspects of the case and write a fiction

1:00:07.520 --> 1:00:10.600
<v Speaker 1>and I do like an afterward, and in the afterward,

1:00:10.840 --> 1:00:15.480
<v Speaker 1>I'll say, guess what reader of lured you here to

1:00:15.600 --> 1:00:18.160
<v Speaker 1>this spot? And I want to ask you do you

1:00:18.240 --> 1:00:21.680
<v Speaker 1>know anything about these cases? And I said to her,

1:00:22.520 --> 1:00:26.160
<v Speaker 1>I'll meet with the husbands you know of Lynette and Maria.

1:00:26.160 --> 1:00:32.440
<v Speaker 1>And she was like, whoa, whoa, Okay, No, she was saying,

1:00:32.800 --> 1:00:36.200
<v Speaker 1>these guys are going to want to write this book

1:00:36.240 --> 1:00:40.200
<v Speaker 1>with you, and they'll stand over you while you're writing

1:00:40.240 --> 1:00:43.080
<v Speaker 1>it and it will become a huge mess. Or if

1:00:43.120 --> 1:00:45.040
<v Speaker 1>you write it and they don't like what you've written,

1:00:45.360 --> 1:00:48.880
<v Speaker 1>they'll sue you. And then you know what about people

1:00:48.880 --> 1:00:52.520
<v Speaker 1>who are implicated and the real cases who show up

1:00:52.520 --> 1:00:54.960
<v Speaker 1>in the novel, or versions of them show up in

1:00:55.000 --> 1:00:57.520
<v Speaker 1>the novel, They're going to sue you, you know, and

1:00:57.920 --> 1:01:02.320
<v Speaker 1>and all oh was going on, and she said, just

1:01:02.720 --> 1:01:06.000
<v Speaker 1>think about it, just really really think about it. So

1:01:06.120 --> 1:01:08.840
<v Speaker 1>the next day I wrote to Paul and I'm like,

1:01:09.560 --> 1:01:11.680
<v Speaker 1>I thought about it every night. I'm like, dear Paul,

1:01:12.320 --> 1:01:15.280
<v Speaker 1>can I please speak to you about your wife's murder.

1:01:15.800 --> 1:01:19.520
<v Speaker 1>That's it, That's all I said. And so he calls me,

1:01:20.520 --> 1:01:23.480
<v Speaker 1>and I had not thought about it the way that

1:01:23.600 --> 1:01:28.000
<v Speaker 1>my agent told me to. And I immediately just got

1:01:28.040 --> 1:01:30.200
<v Speaker 1>on the phone with him and he said, it's Paul White.

1:01:30.800 --> 1:01:32.960
<v Speaker 1>You wanted to talk to me about my wife's murder.

1:01:32.960 --> 1:01:36.320
<v Speaker 1>And I was like, oh, okay, and I just it's

1:01:36.360 --> 1:01:40.800
<v Speaker 1>the same thing the word vomit. I said, listen, I'm

1:01:40.800 --> 1:01:43.240
<v Speaker 1>a crime writer. I only write crime fiction, you know,

1:01:43.920 --> 1:01:46.720
<v Speaker 1>That's where my talent is. And I tried to get

1:01:46.760 --> 1:01:48.560
<v Speaker 1>a podcast up, tried to get a true crime about

1:01:48.640 --> 1:01:50.720
<v Speaker 1>the you know, the case written.

1:01:50.960 --> 1:01:51.720
<v Speaker 2>It didn't work.

1:01:52.000 --> 1:01:54.080
<v Speaker 1>What I want to do is this and this and this.

1:01:54.320 --> 1:01:56.120
<v Speaker 1>I said, but it's not going to be like Dexter,

1:01:56.800 --> 1:01:59.920
<v Speaker 1>you know, and Joan NAI's burstyle, like I'm the kill

1:02:00.440 --> 1:02:02.440
<v Speaker 1>going in and all that kind of thing. I said,

1:02:02.600 --> 1:02:06.600
<v Speaker 1>I'm not trying to do this because I'm inspired by

1:02:06.640 --> 1:02:09.120
<v Speaker 1>what happens to you will. No, I'm trying to do

1:02:09.160 --> 1:02:12.480
<v Speaker 1>it because I'm horrified and I want to do something

1:02:12.720 --> 1:02:15.880
<v Speaker 1>and I don't know what I can do. And maybe

1:02:15.880 --> 1:02:21.120
<v Speaker 1>it's arrogant or naive to think that I could do

1:02:21.440 --> 1:02:25.280
<v Speaker 1>anything to help. It's been fifty one years. What am

1:02:25.280 --> 1:02:27.960
<v Speaker 1>I going to do to help? And there's been dozens

1:02:28.040 --> 1:02:32.960
<v Speaker 1>upon dozens of police officers, trained and experienced police officers

1:02:33.000 --> 1:02:35.880
<v Speaker 1>have thrown everything that they get at this. What am

1:02:35.920 --> 1:02:38.360
<v Speaker 1>I going to do to help? But also I can't

1:02:38.400 --> 1:02:40.920
<v Speaker 1>stop thinking about it? Yeah? Right, you know? And he

1:02:41.080 --> 1:02:44.600
<v Speaker 1>said maybe we should have coffee, and I'm like, okay.

1:02:44.400 --> 1:02:47.760
<v Speaker 2>So you met with him, and you also met with

1:02:48.120 --> 1:02:52.840
<v Speaker 2>Maria's husband, Maria's husband, Steven. Yeah, and I can't imagine.

1:02:53.080 --> 1:02:55.360
<v Speaker 2>I mean, I know, as we've already discussed, you've met

1:02:55.400 --> 1:02:58.560
<v Speaker 2>serial killers, You've you've met you know, cops fro all

1:02:58.560 --> 1:03:02.840
<v Speaker 2>over the world. You've done all kinds of things. These men.

1:03:02.880 --> 1:03:05.320
<v Speaker 2>It's fifty years since these crimes, But at the same time,

1:03:05.400 --> 1:03:08.160
<v Speaker 2>this has diverted the course of their whole life. The

1:03:08.360 --> 1:03:11.920
<v Speaker 2>most traumatic thing you can imagine, you know, as you

1:03:11.960 --> 1:03:15.560
<v Speaker 2>write beautifully and you're afterward, their families were robbed of

1:03:15.600 --> 1:03:17.840
<v Speaker 2>these women, the mothers like that, you know, mother to

1:03:18.000 --> 1:03:20.240
<v Speaker 2>a little baby, their wives, the children they were going

1:03:20.280 --> 1:03:23.400
<v Speaker 2>to have. Yeah, when you sat down with them and

1:03:24.240 --> 1:03:27.000
<v Speaker 2>you spoke to them about their very real grief and

1:03:27.040 --> 1:03:30.680
<v Speaker 2>trauma and how they felt about the case being called

1:03:30.720 --> 1:03:34.760
<v Speaker 2>for so long, did it make you more determined to

1:03:34.880 --> 1:03:38.200
<v Speaker 2>do this or did you think I don't want to

1:03:38.480 --> 1:03:40.320
<v Speaker 2>mess with these guys' pain.

1:03:40.720 --> 1:03:44.520
<v Speaker 1>I felt that, and I thought that. And like when

1:03:44.560 --> 1:03:48.320
<v Speaker 1>I was writing to Lawrence and I essentially said you

1:03:48.360 --> 1:03:51.320
<v Speaker 1>sound like you're a monster, I thought, I'm just gonna

1:03:51.360 --> 1:03:54.600
<v Speaker 1>be honest, and I was saying those sorts of things

1:03:54.600 --> 1:03:54.880
<v Speaker 1>to them.

1:03:54.920 --> 1:03:55.520
<v Speaker 2>I was saying.

1:03:56.360 --> 1:04:00.400
<v Speaker 1>What I do is I take horrible things that have

1:04:00.480 --> 1:04:04.160
<v Speaker 1>happened to people, and I write fictional stories about them,

1:04:04.800 --> 1:04:09.120
<v Speaker 1>and I bank money from that. I turn crime and

1:04:09.160 --> 1:04:12.120
<v Speaker 1>the most horrific things that have happened to people into entertainment.

1:04:12.800 --> 1:04:15.200
<v Speaker 1>And that is what I'm going to do here. And

1:04:15.280 --> 1:04:20.520
<v Speaker 1>I'm going to create a story which in certain ways

1:04:20.640 --> 1:04:24.000
<v Speaker 1>pays tribute to or tries to to the pain and

1:04:24.000 --> 1:04:27.440
<v Speaker 1>what you've experienced, but in other ways is going to

1:04:27.680 --> 1:04:32.280
<v Speaker 1>taylor your experience to the genre. So we're going to

1:04:32.360 --> 1:04:35.200
<v Speaker 1>get a nice, big bow at the end, which says

1:04:35.280 --> 1:04:36.920
<v Speaker 1>exactly who's the killer is.

1:04:37.040 --> 1:04:39.200
<v Speaker 2>Yeah, and it says.

1:04:39.000 --> 1:04:40.800
<v Speaker 1>That who the killer is, and he's going to get

1:04:40.840 --> 1:04:43.680
<v Speaker 1>his just desserts, and it's all going to be nice

1:04:43.680 --> 1:04:48.000
<v Speaker 1>and neat. And then also, you know, once they had

1:04:48.040 --> 1:04:51.240
<v Speaker 1>read the book, I would have I didn't have to.

1:04:51.400 --> 1:04:54.600
<v Speaker 1>That didn't make me. But I sat there justifying choices

1:04:54.640 --> 1:04:57.880
<v Speaker 1>that I had made. For example, both of these men

1:04:58.040 --> 1:05:02.280
<v Speaker 1>found their wives murdered, but in the novel I didn't

1:05:02.320 --> 1:05:06.040
<v Speaker 1>want the husband character. I had to roll both of

1:05:06.080 --> 1:05:09.040
<v Speaker 1>these individual Yeah.

1:05:08.920 --> 1:05:11.640
<v Speaker 2>You've got to fine tune the storyline. Did not have

1:05:11.680 --> 1:05:12.920
<v Speaker 2>too many confusing characters.

1:05:13.760 --> 1:05:16.160
<v Speaker 1>And I said I needed to give the husband an alibi,

1:05:16.280 --> 1:05:18.480
<v Speaker 1>So I had it that he was off. He was

1:05:18.520 --> 1:05:21.080
<v Speaker 1>off on an oil rig and someone else found her.

1:05:21.520 --> 1:05:24.720
<v Speaker 1>So the most terrific thing that has ever happened to

1:05:24.760 --> 1:05:28.200
<v Speaker 1>you in your life, gentlemen, I had to delete it.

1:05:28.240 --> 1:05:29.280
<v Speaker 2>Sorry, you know.

1:05:29.600 --> 1:05:35.560
<v Speaker 1>And and I'm also confronting the idea that as a

1:05:35.560 --> 1:05:39.440
<v Speaker 1>crime writer, I have done this before. I have taken

1:05:39.560 --> 1:05:42.520
<v Speaker 1>horrible things that have happened to people like I wrote

1:05:42.520 --> 1:05:45.880
<v Speaker 1>a novel called Gone by Midnight, which is inspired by

1:05:45.920 --> 1:05:48.720
<v Speaker 1>the Madeline McCann case. It's a whole bunch of parents

1:05:48.760 --> 1:05:51.280
<v Speaker 1>and they all go there at a hotel. The kids

1:05:51.280 --> 1:05:53.440
<v Speaker 1>are up in the hotel room, they're over here, and

1:05:53.480 --> 1:05:55.840
<v Speaker 1>one of them goes missing. And I didn't go to

1:05:55.880 --> 1:05:59.120
<v Speaker 1>the McCanns and say, hey, I found what happened to

1:05:59.160 --> 1:06:01.680
<v Speaker 1>you so interesting that I turned it into fiction. But

1:06:01.760 --> 1:06:04.280
<v Speaker 1>this is what writers are doing.

1:06:05.240 --> 1:06:08.240
<v Speaker 2>But do you think so that with the book, which

1:06:08.920 --> 1:06:11.920
<v Speaker 2>it's not the story that you just explained of Lynette

1:06:11.920 --> 1:06:16.440
<v Speaker 2>and Maria. It's it's taken to another town. It's it's different,

1:06:16.480 --> 1:06:20.080
<v Speaker 2>but it's very moving to me the way that you

1:06:20.240 --> 1:06:23.160
<v Speaker 2>express in the afterward what you've just said about how

1:06:23.200 --> 1:06:25.800
<v Speaker 2>you wanted to pay tribute to these men's pain. You

1:06:25.840 --> 1:06:27.720
<v Speaker 2>want to try and help in any way you can

1:06:28.280 --> 1:06:33.360
<v Speaker 2>close this case. But also this wrestling with the ethics

1:06:33.480 --> 1:06:36.880
<v Speaker 2>or whatever it is the questions of of doing what

1:06:36.920 --> 1:06:40.280
<v Speaker 2>you do. It just shows me what a deeply decent

1:06:40.360 --> 1:06:43.959
<v Speaker 2>human you are. And presumably that's also what they saw

1:06:44.040 --> 1:06:46.440
<v Speaker 2>when they had coffee with you, and they were like,

1:06:46.960 --> 1:06:50.360
<v Speaker 2>all right, you can have bits of our story. Yeah,

1:06:51.120 --> 1:06:54.360
<v Speaker 2>we will part you know, we will let you help

1:06:54.440 --> 1:06:55.480
<v Speaker 2>us try and help us.

1:06:55.640 --> 1:07:01.280
<v Speaker 1>I said to them, you're going to have to help

1:07:01.400 --> 1:07:05.959
<v Speaker 1>me understand whether I'm hurting you or not. And I said,

1:07:06.600 --> 1:07:11.439
<v Speaker 1>at the point that it becomes hurtful in any way,

1:07:11.560 --> 1:07:14.040
<v Speaker 1>or you feel exploited or whatever, put your hand up.

1:07:14.080 --> 1:07:15.960
<v Speaker 1>And I said to them, even if that is the

1:07:16.040 --> 1:07:19.720
<v Speaker 1>eleventh hour, and if you say to me, CANDUs, I

1:07:19.720 --> 1:07:22.840
<v Speaker 1>can't do this. I will never speak your wife's name again,

1:07:23.880 --> 1:07:25.960
<v Speaker 1>and I'll rip it all out of the book and

1:07:26.440 --> 1:07:28.320
<v Speaker 1>all of that stuff. And I said, you have to

1:07:28.360 --> 1:07:30.959
<v Speaker 1>be the barometer. And I you know, And I kept

1:07:31.000 --> 1:07:34.439
<v Speaker 1>that on through the whole relationship, saying I'm not trying

1:07:34.440 --> 1:07:36.720
<v Speaker 1>to hurt you if I deep into your pain in

1:07:36.800 --> 1:07:40.840
<v Speaker 1>any way, you know. And Stephen, after a while he said,

1:07:41.120 --> 1:07:44.160
<v Speaker 1>I think you're worrying too much about how we feel.

1:07:44.680 --> 1:07:50.480
<v Speaker 1>Like over the fifty years, everything you can imagine has happened,

1:07:50.520 --> 1:07:54.040
<v Speaker 1>and people have said, you know, all the types of things,

1:07:55.480 --> 1:07:58.720
<v Speaker 1>you know. So I was just essentially saying, this is

1:07:58.760 --> 1:08:03.120
<v Speaker 1>the only tool that I have to try and help

1:08:04.160 --> 1:08:08.080
<v Speaker 1>and if it genuinely did help, because there might be

1:08:08.080 --> 1:08:10.320
<v Speaker 1>someone like my mom out there who's just nice to

1:08:10.360 --> 1:08:14.160
<v Speaker 1>hold this story, or their kid, you know, says oh

1:08:14.240 --> 1:08:17.439
<v Speaker 1>I had a memory, I popped someone else's memory out.

1:08:18.240 --> 1:08:21.000
<v Speaker 1>There's a possibility of that. That would be such a Yes,

1:08:21.080 --> 1:08:25.120
<v Speaker 1>a dream, what a dream? So I have actually helped.

1:08:25.320 --> 1:08:28.439
<v Speaker 2>So we have to finish our conversation, which is a

1:08:28.439 --> 1:08:29.880
<v Speaker 2>shame because we could talk all day.

1:08:30.680 --> 1:08:30.880
<v Speaker 1>Yeah.

1:08:30.960 --> 1:08:34.599
<v Speaker 2>Sure, the book, as I say, is not exactly that story,

1:08:34.600 --> 1:08:39.479
<v Speaker 2>but it's an astonishing book. And I also love the

1:08:39.560 --> 1:08:42.559
<v Speaker 2>fact that you have been so honest in all the

1:08:42.560 --> 1:08:45.000
<v Speaker 2>things that you're saying about writing what you do. Can

1:08:45.040 --> 1:08:48.080
<v Speaker 2>you just close this amazing conversation we've had today with

1:08:48.200 --> 1:08:50.280
<v Speaker 2>the sort of plea in a way that's in your

1:08:50.280 --> 1:08:53.280
<v Speaker 2>book with anybody who might have one of those memories

1:08:53.360 --> 1:08:55.360
<v Speaker 2>hiding away? Do you want your book to do that?

1:08:55.400 --> 1:08:56.360
<v Speaker 1>Great? Sure? Yeah?

1:08:56.439 --> 1:08:58.240
<v Speaker 2>Yeah, I want to ask.

1:08:58.040 --> 1:09:01.919
<v Speaker 1>You, do you know anything about the murders of Lynette

1:09:01.920 --> 1:09:05.720
<v Speaker 1>White or Maria Smith? Did you or someone you know

1:09:06.520 --> 1:09:10.559
<v Speaker 1>live at fourteen to twenty Saint Mark's Road, Randwick or

1:09:10.600 --> 1:09:14.479
<v Speaker 1>twenty six Beach Street, Kuji in and around the period

1:09:14.520 --> 1:09:18.479
<v Speaker 1>of nineteen seventy one to nineteen seventy five. Did you

1:09:18.840 --> 1:09:22.160
<v Speaker 1>or someone you know own a mustard colored Ford Capri

1:09:22.520 --> 1:09:25.920
<v Speaker 1>during this time? Do you have any knowledge that might

1:09:25.960 --> 1:09:29.280
<v Speaker 1>be useful to the investigations of these crimes, no matter

1:09:29.320 --> 1:09:35.000
<v Speaker 1>how small or insignificant seeming. If Lynette and Maria's killer

1:09:35.240 --> 1:09:38.759
<v Speaker 1>or killers are still out there, I hope you've lived

1:09:38.840 --> 1:09:43.080
<v Speaker 1>in unrelenting dread and terror all these years, waiting for

1:09:43.280 --> 1:09:47.280
<v Speaker 1>justice to arrive at your front door. I hope someday

1:09:47.360 --> 1:09:49.040
<v Speaker 1>soon you'll hear it knocking.

1:09:50.880 --> 1:09:54.400
<v Speaker 2>Thank you, Candesce Fox. I think you're astonishing in many ways,

1:09:54.439 --> 1:09:57.160
<v Speaker 2>and I really hope this book does what you want

1:09:57.160 --> 1:09:58.240
<v Speaker 2>it to do. Thank you.

1:09:58.400 --> 1:09:59.759
<v Speaker 1>Thanks for having me so much.

1:10:01.320 --> 1:10:05.000
<v Speaker 2>I told you she was good, didn't I? As you heard,

1:10:05.200 --> 1:10:08.599
<v Speaker 2>Candace is hoping that Red Belly Crossing might just solve

1:10:08.680 --> 1:10:12.000
<v Speaker 2>the murders of Lynette White and Maria Smith that happened

1:10:12.040 --> 1:10:15.320
<v Speaker 2>in Ramwick and Cudgee in Sydney's East back in nineteen

1:10:15.400 --> 1:10:18.679
<v Speaker 2>seventy four. If you or anyone you know has any

1:10:18.760 --> 1:10:21.240
<v Speaker 2>information that might help, you can find a link in

1:10:21.280 --> 1:10:25.000
<v Speaker 2>our show notes What a Woman Though. Hey, please if

1:10:25.000 --> 1:10:27.439
<v Speaker 2>you want to see some of those incredible duck rescues,

1:10:27.479 --> 1:10:30.280
<v Speaker 2>in action and hear a lot more from her. Follow

1:10:30.400 --> 1:10:34.160
<v Speaker 2>Candyce Fox on Instagram. Red Belly Crossing is out now

1:10:34.240 --> 1:10:38.040
<v Speaker 2>wherever you buy books, and I've been Hollywayne Might keeping

1:10:38.040 --> 1:10:41.240
<v Speaker 2>the seat warm for Kate Langbrook. The executive producer of

1:10:41.280 --> 1:10:44.880
<v Speaker 2>No Filter is pre Player, The assistant producer is Coco Levine.

1:10:45.120 --> 1:10:48.080
<v Speaker 2>Audio production is by Jacob Brown, and video production is

1:10:48.080 --> 1:10:51.559
<v Speaker 2>by Josh Green. Kate will be back next Monday with

1:10:51.680 --> 1:10:56.160
<v Speaker 2>another fascinating conversation. Thank you for listening to No Filter.