WEBVTT - Friends: A Deleted Scene & Very Weird Sex Stuff

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<v Speaker 1>You're listening to a MoMA Mia podcast. Mom and Mayor

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<v Speaker 1>acknowledges the traditional owners of land and waters that this

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<v Speaker 1>podcast is recorded on Hello, and welcome to Cancel, the

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<v Speaker 1>podcast that looks at silly celebrity crimes and assigns charges

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<v Speaker 1>and sentences to them so that we can all move

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<v Speaker 1>on with our lives. I am Jesse Stevens and I'm

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<v Speaker 1>joined by Claire Stephens, and today we're talking about a

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<v Speaker 1>little known American sitcom which aired on NBC from nineteen

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<v Speaker 1>ninety four to two thousand and four, lasting ten seasons.

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<v Speaker 1>It is named Friends, Yes, heard of it. I was

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<v Speaker 1>a little extram again that I done pretty good deal?

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<v Speaker 2>How much thousand bucks?

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<v Speaker 1>Honor chat?

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<v Speaker 2>We're not, Oh, well, what I do is I look

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<v Speaker 2>a woman up and down and they say, hey, how.

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<v Speaker 1>You do it? Did you know that wasn't its original? Mate?

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<v Speaker 1>Oh my gosh, I love these facts. Okay, well, no,

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<v Speaker 1>three seconds. You get to decide, you get to have

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<v Speaker 1>a little little okay, okayttle guesses would be blag to

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<v Speaker 1>Shoey and Rachel like like maybe like the names of

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<v Speaker 1>like characters. Okay, no, just to have another guess because

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<v Speaker 1>that was such shit. It was the one word two

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<v Speaker 1>words the friends. Okay, nice nice, No, it was Insomnia Cafe.

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<v Speaker 1>That's the single worst name for a show I've ever heard.

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<v Speaker 1>It's misleading. It is it is. That's not even what

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<v Speaker 1>the cafe was called. No, it's called Central per Yeah.

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<v Speaker 1>It makes it sound like a thriller when no one

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<v Speaker 1>can sleep. Would watch I would watch Insomnia Cafe. It's

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<v Speaker 1>just not what Friends was. David Crane and Marta Kaufman

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<v Speaker 1>began developing and So Cafe in nineteen ninety three and

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<v Speaker 1>pitched it to NBC. If I'm NBC, I'm going what's

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<v Speaker 1>the genre? Oh? Is a sitcom? No? No, no, I

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<v Speaker 1>want a thriller or nothing? Yeah, And it went through

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<v Speaker 1>a few name changes. Firstly six of one six kind

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<v Speaker 1>of like Party of five. I don't mind that, and

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<v Speaker 1>then Friends like Us would have worked. Eventually it became

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<v Speaker 1>friends Friends like Us. We have a lot of arguments

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<v Speaker 1>at work, this place that we work at, where our

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<v Speaker 1>boss she wants to put it the in front of everything,

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<v Speaker 1>which is very the Facebook. Yeah, so we canceled. It'd

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<v Speaker 1>be like, I think we should called it the canceled.

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<v Speaker 1>It's like hundred crap years old, So what We're gonna

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<v Speaker 1>do is We're gonna drop the other? Yeah. The premise

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<v Speaker 1>is that six friends, Ross Rachel, Wonika, Joey Chandler, and Phoebe,

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<v Speaker 1>all twenty somethings, live in New York City. Over the

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<v Speaker 1>course of ten years, they go through many life lessons,

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<v Speaker 1>love stories, drama, friendship, and of course comedy. That sounds

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<v Speaker 1>like a terrible premis like where is the dead body?

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<v Speaker 1>Where is the local suburban drug dealer? Allah, breaking bad?

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<v Speaker 1>It's weird that, like, what are the stakes? Tell me

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<v Speaker 1>about that? Coms? You couldn't really have a sitcom now? Oh,

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<v Speaker 1>I guess it's like the Office. You couldn't have a

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<v Speaker 1>sitcom because everything we watch needs a dead body. Yeah,

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<v Speaker 1>we'd need like Rachel to be a dead woman and

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<v Speaker 1>Jowey to be a detective order for it to work,

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<v Speaker 1>because I don't know what the conflict, think about it

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<v Speaker 1>and maybe just thinking about the perfect couple A gory

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<v Speaker 1>grapdowns at the beginning, We life, real life, Who's gonna be?

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<v Speaker 1>Well last night, I've been into that and in fact

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<v Speaker 1>I kind of did one on that couch. Ah. But

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<v Speaker 1>despite my feedback, the final episode of Friends became one

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<v Speaker 1>of the most watched finales in television history. Fifty two

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<v Speaker 1>point five million Americans watched it. Did you hear the

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<v Speaker 1>part where I said one of the most oh finalese,

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<v Speaker 1>one of the most watched. I then became a sessed

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<v Speaker 1>we've raising out of beat. We've got to be thinking

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<v Speaker 1>pre streaming. Oh yeah, I thought, great. So I don't know,

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<v Speaker 1>Friends is the fifth most watched finale. I'm gonna need

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<v Speaker 1>you to throw out someone's city incorrect again. I don't

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<v Speaker 1>think watching that live. So I feld, yes, that was

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<v Speaker 1>number four, number three, The Fugitive You've never heard, I've

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<v Speaker 1>never heard of it, Number two the Sopranos, She is okay, Yeah?

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<v Speaker 1>And then number one, No. Number one, most watched finale

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<v Speaker 1>of all time. Nearly one hundred and six million Americans

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<v Speaker 1>watched it. No, you've watched an episode of this, it's

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<v Speaker 1>one that you've watched. Mash oh Nan loved Masha six PM. Yeah,

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<v Speaker 1>and it always made me think Mash usually she'd have

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<v Speaker 1>some she would she would, and so I was like, Mash, Mash,

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<v Speaker 1>this show is terrible. I googled the population of America

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<v Speaker 1>at the time this actually broadcast, because it was nineteen

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<v Speaker 1>eighty three, the population of America was two hundred and

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<v Speaker 1>thirty three million. I repeat, one hundred and six million

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<v Speaker 1>Americans watched it. Okay, half of America, so half of

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<v Speaker 1>America's were not busy and said, I will be watching

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<v Speaker 1>some mash. What a beautiful cultural moment. I've watched a

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<v Speaker 1>lot of Mash can't again. Not following Vietnam War, Apparently

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<v Speaker 1>the series went for a lot longer than the war.

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<v Speaker 1>In the final two seasons of Friends were not canceling.

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<v Speaker 1>Mash Nan would roll over in her go no Mash

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<v Speaker 1>can stand. She'd say, I think mash was meant to

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<v Speaker 1>be funny. I don't know anyway. The cast were paid

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<v Speaker 1>one million dollars each per episode. And how many episodes

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<v Speaker 1>were their final season do you reckon? I think they

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<v Speaker 1>were eight. I think there was normally sixteen and they

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<v Speaker 1>cut it ah down. It's credited as being the first

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<v Speaker 1>real ensemble show. They all fought for them not to

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<v Speaker 1>be a main character and wanted it, and didn't they

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<v Speaker 1>negotiate together? And they did. They did unionized. They went

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<v Speaker 1>full Hamilton and they said, we'll be paid together. But

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<v Speaker 1>Claire Friends aired in the nineties, and if there's one

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<v Speaker 1>thing we know about the nineties. Problematic is that they

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<v Speaker 1>were funked. My structure for today is as follows, Fat Monica, Ah,

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<v Speaker 1>I remember Chandler broadly, weird sex stuff, a deleted episode,

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<v Speaker 1>a note on the general takedown of friends, and finally

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<v Speaker 1>the laugh track. Yeah, okay, on the laugh track. I

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<v Speaker 1>have a bone to pick with the editors of this podcast.

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<v Speaker 1>What I think we could have a laugh. Oh my gosh,

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<v Speaker 1>we need a laugh I think we need a laugh track.

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<v Speaker 1>Whenever things get awkwards, there's a pause. Okay, we need

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<v Speaker 1>the lovely person who does the audio editing of this Leah.

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<v Speaker 1>I want her to insert a laugh track when she

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<v Speaker 1>feels that it's needed. And maybe we weren't even making

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<v Speaker 1>a joke so true, Maybe she just anything funny. Yeah,

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<v Speaker 1>laugh track? Yeah, I got out of bed. I really

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<v Speaker 1>want her to do that. It would make the podcast airable.

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<v Speaker 1>Fat dude, don't do that to me. And it's cool.

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<v Speaker 1>You can stay here. My parents won't mind. No, it's

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<v Speaker 1>not that I just want to be stuck here all

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<v Speaker 1>night with your fat sister. Eh. Claire Monica, played by

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<v Speaker 1>Courtney Cox, gets a lot of flashback scenes. In particular,

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<v Speaker 1>there's an episode titled the One That could have been.

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<v Speaker 1>And it's a two parter when Monica never lost weight.

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<v Speaker 1>In case he didn't notice this while watching Fat Monica,

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<v Speaker 1>who appears in flashbacks, he is just Courtney Cox in

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<v Speaker 1>fat suit. It went full shallow. How the nineties the

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<v Speaker 1>early two thousands, they thought nothing was funnier and or

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<v Speaker 1>more creative than a thin person. Yeah CODs playing, Yeah, yeah,

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<v Speaker 1>as somebody bigger than they were. There was definitely someone

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<v Speaker 1>who went around to writers' rooms and whenever it comes

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<v Speaker 1>there there was a lull. Have you thought of a

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<v Speaker 1>fat suit? My work here is done, walked out. I

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<v Speaker 1>want to show you a picture of her, and I

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<v Speaker 1>want you to tell me if you notice anything looking back.

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<v Speaker 1>All right, this is a picture of fat Monica. Oh wow,

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<v Speaker 1>Oh she's not fat. Yeah, that's what I said. She's

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<v Speaker 1>not fat. That was my note. She's just I've written

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<v Speaker 1>this in my notes. She's simply a woman with breast.

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<v Speaker 1>She is. She's a woman with breasts and hips. And

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<v Speaker 1>they've crimped her hair as if to say, if you're

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<v Speaker 1>not stick thin, your hair is bad, your hair is weird.

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<v Speaker 1>And she's always holding food. Oh my god, my memory

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<v Speaker 1>had been totally arrased. Yeah, this is why we were

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<v Speaker 1>also fucked up in the ninety I know. Okay, So

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<v Speaker 1>there's an alternate opening sequence with Fat Monica, and I

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<v Speaker 1>have it right here for you, and I want to

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<v Speaker 1>just show you by alternate, do you mean on the

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<v Speaker 1>episodes that she was in, it had this as the

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<v Speaker 1>friend's intro, just press play. Okay, So what happens is

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<v Speaker 1>Fat Monica jumps on the couch and the couch tips

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<v Speaker 1>over because she's fair. Classic. Yeah, that's what happens. Classic.

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<v Speaker 1>That is just right. The work that must have taken.

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<v Speaker 1>I come up with that joke getting your fat suit

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<v Speaker 1>just so many hours and then analyzing why it's funny. Yeah,

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<v Speaker 1>but it's not really very funny. In that episode, one

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<v Speaker 1>of the complications is that Fat Monica is becoming increasingly

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<v Speaker 1>concerned that someone sat on her chocolate bar. I believe

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<v Speaker 1>it was a kit cat, which, by the way, genuinely distressing.

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<v Speaker 1>It doesn't matter your size. It doesn't matter your size.

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<v Speaker 1>If somebody sat on my kit cat, that would be

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<v Speaker 1>enough of complication in my story. In my day, if

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<v Speaker 1>someone sat on my chocolate bar, I would be wondering

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<v Speaker 1>if their body heat made it melt. If it became

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<v Speaker 1>that chocolate where it's like it's not even chocolate anymore.

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<v Speaker 1>It's just like stuck to the sides, and it's no

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<v Speaker 1>longer the texture that I need it to be. The

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<v Speaker 1>other day, my husband and I we went to Subway,

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<v Speaker 1>and naturally we got several cookies. Obviously, some of the

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<v Speaker 1>cookies were mine, some of the cookies were his. I

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<v Speaker 1>was wrangling our baby, and while I was doing that,

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<v Speaker 1>I witnessed him start to eat one of my cookies,

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<v Speaker 1>and I was it by mistake, No, okay, he was

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<v Speaker 1>being sneaky. I snapped where cookies go. And there's nothing

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<v Speaker 1>more more shameful shameful about snapping about somebody eating your treat. Yeah, yeah,

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<v Speaker 1>but I was so upset. I don't ruin that for me.

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<v Speaker 1>Get almost I've been sitting on the couch and he's

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<v Speaker 1>said he's almost gone over to get like some of

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<v Speaker 1>my brownie or whatever, and it's like, have a really

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<v Speaker 1>violent instinct to like flip his hand away, and then

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<v Speaker 1>I I'm really sorry. I don't know what came over me.

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<v Speaker 1>Was like, don't touch it, don't take my foot anyway.

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<v Speaker 1>Fat Monica is characterized as a previous version of Monica,

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<v Speaker 1>who exclusively ate sloppily wiping chocolate from her face or

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<v Speaker 1>licking powdered sugar from her fingers. Again, these are two

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<v Speaker 1>things that are critical if you don't want to waste

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<v Speaker 1>chocolate or cinnamon, for example, no judgment. So in the

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<v Speaker 1>alternate plot line where Monica didn't lose weight, she also

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<v Speaker 1>remains a virgin, probably because it's caughtney cocks and a

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<v Speaker 1>fat suit and suitors couldn't find her vagina hole. Yeah. Yeah,

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<v Speaker 1>people probably want to have sex with her. Yeah, but

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<v Speaker 1>they were like, where's is it? Yeah, where's the z

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<v Speaker 1>it mate? And she's like, I don't know, but I'm

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<v Speaker 1>wearing an entire suit simply to give the impression that

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<v Speaker 1>I have breasts. Kelsey Miller, writing an op ed for Vox, said,

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<v Speaker 1>fat Monica isn't even a person. She's not Monica Fat.

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<v Speaker 1>She's a cartoon character with a weird, screamy voice and

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<v Speaker 1>a totally different personality. Yes, if you can call an

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<v Speaker 1>affinity for mayonnaise and KitKat a personality, I hope you

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<v Speaker 1>can see that's mine. Yeah. Her entire life is eating

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<v Speaker 1>and pining and occasionally dancing to disco music with doughnuts

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<v Speaker 1>in her hands. For no reason she's a clown. There's

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<v Speaker 1>a scene where she can't get up off the bean bag,

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<v Speaker 1>allegedly due to her weight, and respectfully, show me a

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<v Speaker 1>person who can get up off a bean bag. Yeah, no,

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<v Speaker 1>it's really tricky. There's also a memorable line from Joey

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<v Speaker 1>when they're watching a video of Monica in her prom

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<v Speaker 1>dress eating a sandwich, and he yells, I'm girling, Monica.

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<v Speaker 2>Shut up. The camera adds ten pounds.

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<v Speaker 1>Huh so, how many cameras are actually on you? Have

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<v Speaker 1>you ever heard of anything more nineties? No? I wonder

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<v Speaker 1>if anybody at the time noticed or if it was

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<v Speaker 1>so insidious our fat phobia that everybody just took it,

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<v Speaker 1>or they saw it and they went they had like

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<v Speaker 1>a moment of inspiration where they went, you know what

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<v Speaker 1>we should make is a film named Shallow How. Yeah,

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<v Speaker 1>Jack Black should be in it, and I'm thinking, on

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<v Speaker 1>a fat suit, I'm feeling it. But then the whole

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<v Speaker 1>premise of Shallow How is of course that he sees

0:12:47.269 --> 0:12:50.829
<v Speaker 1>her as thin, but joke's on him. She's fat. And

0:12:51.389 --> 0:12:54.709
<v Speaker 1>can you love someone when they're fat? A man? Yes?

0:12:55.029 --> 0:13:08.709
<v Speaker 1>Because black black? Yeah? Yeah. Chandler a reappraisal of Friends

0:13:08.909 --> 0:13:13.749
<v Speaker 1>thirty years on has a lot of people saying fuck Chandler. Okay,

0:13:14.029 --> 0:13:17.309
<v Speaker 1>but Matthew Perry rip, I should stayed on the record.

0:13:17.389 --> 0:13:20.269
<v Speaker 1>Matthew Perry and Chandler are not the same person. No, no.

0:13:20.509 --> 0:13:24.949
<v Speaker 1>Matthew Perry famously said he didn't recall shooting like three seasons. Yeah. Yeah.

0:13:25.589 --> 0:13:28.429
<v Speaker 1>There was an article published in Slay titled Chandler bing

0:13:28.629 --> 0:13:30.989
<v Speaker 1>is the worst thing about Watching Friends in twenty fifteen.

0:13:31.549 --> 0:13:34.869
<v Speaker 1>The writer Ruth Graham argues that he is endlessly paranoid

0:13:34.949 --> 0:13:37.709
<v Speaker 1>about being perceived as gay. I went back and watched

0:13:37.709 --> 0:13:39.269
<v Speaker 1>a whole lot of scenes, and I was like, very

0:13:39.389 --> 0:13:43.629
<v Speaker 1>astute observation. This man is homophobic in the sense of

0:13:43.749 --> 0:13:46.749
<v Speaker 1>like a pathology really like not in the sense of

0:13:46.869 --> 0:13:49.429
<v Speaker 1>talking about something broadly being homophobic, but he is so

0:13:49.709 --> 0:13:52.389
<v Speaker 1>anxious about being seen as gay. Like what I can't remember.

0:13:52.629 --> 0:13:56.149
<v Speaker 1>Like there's a scene where Joey has a handbag. He

0:13:56.189 --> 0:13:58.789
<v Speaker 1>walks in with a handbag. Chandler just has like this

0:13:58.989 --> 0:14:01.829
<v Speaker 1>visceral reaction of like you're gay, and like he just

0:14:02.029 --> 0:14:04.309
<v Speaker 1>really doesn't like it. And then he's like metal like

0:14:04.389 --> 0:14:07.109
<v Speaker 1>it I'm after my audition. How do I ever, Ah,

0:14:08.309 --> 0:14:09.549
<v Speaker 1>I think you'll a great Joey.

0:14:09.629 --> 0:14:11.069
<v Speaker 2>That bag is to get you that part.

0:14:11.269 --> 0:14:13.429
<v Speaker 1>And a date with a man. He's worried that people

0:14:13.429 --> 0:14:15.309
<v Speaker 1>are going to see him as gay as well if

0:14:15.349 --> 0:14:18.269
<v Speaker 1>he does anything moderately feminine. Okay, he's not the most

0:14:18.309 --> 0:14:20.509
<v Speaker 1>masculine guy in the world, but he's got a real

0:14:20.589 --> 0:14:23.789
<v Speaker 1>hang up on his sexuality. He is identified in the

0:14:23.909 --> 0:14:26.869
<v Speaker 1>first season as having a quality of gayness about him,

0:14:27.069 --> 0:14:30.389
<v Speaker 1>whatever that means, and then he spends ten seasons suppressing

0:14:30.509 --> 0:14:35.189
<v Speaker 1>anything mildly feminine about him. I've heard him described as

0:14:35.269 --> 0:14:39.989
<v Speaker 1>simply embodying gay panic Yes, and that could not be

0:14:40.149 --> 0:14:43.709
<v Speaker 1>more accurate. Yes, he is terrified of gayness, which I

0:14:43.749 --> 0:14:46.189
<v Speaker 1>think is also a lot of characters again in the nineties.

0:14:46.629 --> 0:14:50.469
<v Speaker 1>It is also interesting that this was a show set

0:14:50.549 --> 0:14:55.869
<v Speaker 1>in New York in the nineties with very little queer representation.

0:14:55.989 --> 0:14:58.069
<v Speaker 1>I can think of one example, which we may get too.

0:14:59.149 --> 0:15:03.749
<v Speaker 1>There was a very big population of gay I know,

0:15:04.149 --> 0:15:06.069
<v Speaker 1>but it was pre same sex marriage. Like it was

0:15:06.109 --> 0:15:08.749
<v Speaker 1>a totally different world. And in fact, I don't think

0:15:08.789 --> 0:15:11.909
<v Speaker 1>I get into this here, but they had a gay wedding.

0:15:12.189 --> 0:15:15.869
<v Speaker 1>So two women marry right, oh yeah, and just did

0:15:15.949 --> 0:15:20.029
<v Speaker 1>a lot of Yes, went a long way towards degrading that. Yes,

0:15:20.709 --> 0:15:23.429
<v Speaker 1>but two states in the US wouldn't broadcast it, like

0:15:23.549 --> 0:15:25.349
<v Speaker 1>they wouldn't put it on television, and they couldn't have

0:15:25.429 --> 0:15:27.309
<v Speaker 1>them kiss because they were worried they would get so

0:15:27.349 --> 0:15:31.109
<v Speaker 1>many complaints. Like that is what the nineties were anyway.

0:15:31.469 --> 0:15:34.269
<v Speaker 1>Other things about Channeler who chooses a roommate because their

0:15:34.309 --> 0:15:37.069
<v Speaker 1>sister is a porn star. He dates this Janis character

0:15:37.189 --> 0:15:45.629
<v Speaker 1>who he openly hates. Oh god, I don't think Channela

0:15:45.749 --> 0:15:49.269
<v Speaker 1>likes men or women. No, I remember Janis. Can you

0:15:49.389 --> 0:15:51.189
<v Speaker 1>believe this happened? No?

0:15:51.669 --> 0:15:57.709
<v Speaker 2>No, goodbye, Janis kiss me.

0:16:00.229 --> 0:16:02.989
<v Speaker 1>I think that was a little bit of a funny storyline,

0:16:03.069 --> 0:16:07.669
<v Speaker 1>because sometimes people who can't say not with the Janis

0:16:07.709 --> 0:16:10.669
<v Speaker 1>for the rest you end up surrounded by peo that

0:16:10.869 --> 0:16:13.509
<v Speaker 1>they can't stand. I think he told Jana said he

0:16:13.709 --> 0:16:17.029
<v Speaker 1>he was moving to Yemen or something, and Janis was convinced.

0:16:17.069 --> 0:16:18.549
<v Speaker 1>And I was like, why would Jannis be convinced? And

0:16:18.549 --> 0:16:20.589
<v Speaker 1>I was like, because Janie is weird. But it's a

0:16:20.629 --> 0:16:23.229
<v Speaker 1>treatment of his father that has copped the most criticism

0:16:23.309 --> 0:16:26.149
<v Speaker 1>in a post friend's world. I saw this on TikTok recently.

0:16:26.389 --> 0:16:29.229
<v Speaker 1>Let's discuss the whole Chandler's dad is a drag queen thing.

0:16:30.389 --> 0:16:35.389
<v Speaker 1>So Chandler's dad is named Charles Bing and Charles has

0:16:35.429 --> 0:16:39.429
<v Speaker 1>a drag queen persona named Helena. But Charles is played

0:16:39.469 --> 0:16:42.469
<v Speaker 1>by Kathleen Turner, who is a woman. So a woman

0:16:42.549 --> 0:16:45.069
<v Speaker 1>plays a man pretending to be a woman. Do you see.

0:16:46.589 --> 0:16:49.389
<v Speaker 1>It's a lot of mental gymnastics. In the episode, the

0:16:49.469 --> 0:16:52.829
<v Speaker 1>one with Chandler and Monica's wedding, Part one, Chandler's mum

0:16:52.989 --> 0:16:56.109
<v Speaker 1>asks Charles, don't you have a little too much penis

0:16:56.149 --> 0:16:58.869
<v Speaker 1>to be wearing a dress like that? If you're wondering

0:16:58.909 --> 0:17:02.869
<v Speaker 1>how sensitively friends handled this story? Okay, Okay, The thing

0:17:03.069 --> 0:17:06.029
<v Speaker 1>is what's weird is that I repeat, the role was

0:17:06.029 --> 0:17:08.589
<v Speaker 1>played by Kathleen and not that this should matter, but

0:17:08.669 --> 0:17:11.869
<v Speaker 1>she literally didn't have a penis. That is very very good.

0:17:11.949 --> 0:17:14.509
<v Speaker 1>It just makes the line very confusing, And there's a

0:17:14.549 --> 0:17:17.949
<v Speaker 1>lot of criticism online being like, misgendered pronouns are wrong,

0:17:17.989 --> 0:17:21.949
<v Speaker 1>and I'm like, it's like whind back, wind back, Like yes,

0:17:22.429 --> 0:17:27.349
<v Speaker 1>but if you wind back, there's actually gene logic floor. Yeah,

0:17:27.869 --> 0:17:32.709
<v Speaker 1>Chandler is just ashamed of his dad, who everyone frequently misgenders. Again,

0:17:32.989 --> 0:17:34.949
<v Speaker 1>I don't know because it's Kathleen Turner, who's meant to

0:17:34.949 --> 0:17:36.589
<v Speaker 1>be a met I don't know, And are you a

0:17:36.669 --> 0:17:40.109
<v Speaker 1>drag queen? I think because adding different to identifying as Trian.

0:17:40.269 --> 0:17:43.029
<v Speaker 1>The problem is the writers are confused. Yeah, the riders

0:17:43.109 --> 0:17:45.709
<v Speaker 1>got a little bit muddied, and then the show got

0:17:45.789 --> 0:17:49.229
<v Speaker 1>made and they were like, hmm, Charles is just the

0:17:49.309 --> 0:17:52.149
<v Speaker 1>butt of a very elaborate joke. He performs a drag

0:17:52.229 --> 0:17:55.669
<v Speaker 1>show in Vegas called Viva la Gagas. If you're wondering

0:17:55.709 --> 0:17:59.069
<v Speaker 1>how three dimensional and fully formed this character is, I

0:17:59.149 --> 0:18:04.669
<v Speaker 1>will repeat Viva la Gegas. It's like Viva la Vegas. Yes,

0:18:04.789 --> 0:18:09.309
<v Speaker 1>but they've replaced with Turner. The actor has said her

0:18:09.349 --> 0:18:11.669
<v Speaker 1>character didn't age well and she wouldn't do it today.

0:18:11.749 --> 0:18:14.549
<v Speaker 1>Oh good good. On the other hand, Miller, who wrote

0:18:14.629 --> 0:18:16.429
<v Speaker 1>the book about Friends and the op ed I talked

0:18:16.429 --> 0:18:19.829
<v Speaker 1>about earlier, she said that Charles was pretty much the

0:18:19.949 --> 0:18:22.749
<v Speaker 1>only trans character who was not a murder victim on

0:18:22.869 --> 0:18:25.429
<v Speaker 1>Law and Order, and it's been argued to even try

0:18:25.469 --> 0:18:28.869
<v Speaker 1>to include an LGBT character was pretty transgressive in the

0:18:28.949 --> 0:18:33.029
<v Speaker 1>early two thousands. Even if they performed a show called Claire,

0:18:33.069 --> 0:18:38.829
<v Speaker 1>what's it called Viva Vegas? No Beava la Gega, Viva

0:18:39.669 --> 0:18:43.989
<v Speaker 1>la gega with sex stuff. You know how you look

0:18:44.069 --> 0:18:47.669
<v Speaker 1>back on these shows and they're weirdly sexual despite being

0:18:47.749 --> 0:18:50.949
<v Speaker 1>positioned as very like PG. Yeah, And the thing is,

0:18:51.389 --> 0:18:56.109
<v Speaker 1>we were kids, slush teenagers when it was airing, and

0:18:56.589 --> 0:19:00.709
<v Speaker 1>I remember, like everyone loved Friends, So I remember kind

0:19:00.749 --> 0:19:03.709
<v Speaker 1>of locking myself in NaN's granny flat, oh wow for

0:19:04.229 --> 0:19:06.949
<v Speaker 1>pretty much a whole school holidays and watching every episode

0:19:06.949 --> 0:19:09.309
<v Speaker 1>of Friends and just feeling so cool. But the accident

0:19:09.389 --> 0:19:11.429
<v Speaker 1>to which all of it went over my head. You

0:19:11.549 --> 0:19:14.429
<v Speaker 1>look back at the Simpsons like you were naughtier than

0:19:14.469 --> 0:19:16.429
<v Speaker 1>I thought, and this was it was a bit naughty.

0:19:16.909 --> 0:19:20.629
<v Speaker 1>There's one episode where Ross comes on to his cousin.

0:19:21.069 --> 0:19:24.349
<v Speaker 1>His cousin, Cassie, is played by Denise Richard. I was

0:19:24.429 --> 0:19:26.589
<v Speaker 1>gonna say, his cousin's really hot, and she comes to

0:19:26.669 --> 0:19:28.869
<v Speaker 1>stay with him and Monica during a visit to New York,

0:19:28.989 --> 0:19:31.229
<v Speaker 1>and Chandler keeps staring at her and making her feel

0:19:31.309 --> 0:19:35.509
<v Speaker 1>uncomfortable because channel's creepy. So Ross is like, it's okay,

0:19:35.669 --> 0:19:37.549
<v Speaker 1>I'm safe, and they end up sitting on the couch

0:19:37.629 --> 0:19:39.949
<v Speaker 1>watching a movie, at which point he leans over and

0:19:40.029 --> 0:19:43.149
<v Speaker 1>tries to kiss her. Then he can't think of anything

0:19:43.229 --> 0:19:46.589
<v Speaker 1>to say, so eventually exclaims, I haven't had sex in

0:19:46.629 --> 0:19:51.069
<v Speaker 1>a very long time. Oh, I know that book true,

0:19:51.269 --> 0:19:56.109
<v Speaker 1>get it? I want it, she wants it. I'm going in,

0:19:56.629 --> 0:20:00.869
<v Speaker 1>What the hell are you doing? Say something clever?

0:20:01.829 --> 0:20:03.909
<v Speaker 2>I haven't had sex in a very long time.

0:20:04.549 --> 0:20:08.469
<v Speaker 1>Can you imagine your cousin making a move? The level

0:20:08.549 --> 0:20:11.389
<v Speaker 1>of confusion, there was all this stuff in all the analysis.

0:20:11.429 --> 0:20:13.469
<v Speaker 1>It was like, well, it was legal in some states,

0:20:13.629 --> 0:20:17.429
<v Speaker 1>and I was like, it's definitely not fine. It's not fun.

0:20:17.509 --> 0:20:22.029
<v Speaker 1>There's fine, and it's not. It is not fine. This

0:20:22.229 --> 0:20:23.829
<v Speaker 1>is my theory that when you have to make two

0:20:23.909 --> 0:20:26.029
<v Speaker 1>hundred and thirty six episodes of a show, things get weird.

0:20:26.069 --> 0:20:27.869
<v Speaker 1>You start doing some weird things, and there's only six

0:20:27.949 --> 0:20:29.069
<v Speaker 1>of them. So I was like, I don't know. He

0:20:29.269 --> 0:20:32.309
<v Speaker 1>bucks his cousin. I don't know. There's also a storyline

0:20:32.349 --> 0:20:36.069
<v Speaker 1>where Monica and Ross, who just remind you are siblings,

0:20:36.469 --> 0:20:40.109
<v Speaker 1>realize they hooked up. Okay, okay. This was also a

0:20:40.149 --> 0:20:42.869
<v Speaker 1>big theme in the nineties. Remember our seventh Heaven episode

0:20:43.269 --> 0:20:45.389
<v Speaker 1>and we talked about I think it's one of the

0:20:45.469 --> 0:20:49.909
<v Speaker 1>first scenes where it's Mary and Matt are practicing kissing

0:20:50.029 --> 0:20:53.029
<v Speaker 1>on each other, and the Reverend comes out and he's like, guys,

0:20:53.109 --> 0:20:58.789
<v Speaker 1>and they're like really embarrassed. Okay, close and oh this

0:20:58.909 --> 0:21:01.429
<v Speaker 1>is what that looks like. But it seems like the

0:21:01.509 --> 0:21:03.309
<v Speaker 1>Reverend has more of an issue with it being kissing

0:21:03.429 --> 0:21:07.269
<v Speaker 1>rather than the fact that these are fucking siblings. Yeah,

0:21:07.949 --> 0:21:10.229
<v Speaker 1>and so I do think you're right. I was the

0:21:10.269 --> 0:21:12.989
<v Speaker 1>theme in the ninety yes that it's like, okay, was

0:21:13.029 --> 0:21:17.469
<v Speaker 1>it trying to normalize No? No, No, I think it

0:21:17.629 --> 0:21:21.949
<v Speaker 1>was this only hot people can be on television slash hot,

0:21:22.109 --> 0:21:25.629
<v Speaker 1>charismatic people like Jessica Bill for example. But then it's

0:21:25.669 --> 0:21:27.669
<v Speaker 1>like whoa, whoa wa whoa, But what if Jessica Bil

0:21:27.789 --> 0:21:30.189
<v Speaker 1>was your sister, wouldn't you still want kiss her? And

0:21:30.349 --> 0:21:33.349
<v Speaker 1>so that's where it got confused. So that's what happened,

0:21:33.749 --> 0:21:38.229
<v Speaker 1>I think, because Monica's yeah, they hook up. Yeah. So

0:21:38.389 --> 0:21:41.909
<v Speaker 1>it's like, guys, they're straight, they look similar, they live

0:21:41.949 --> 0:21:45.709
<v Speaker 1>in the same city. They booked up. No, and apparently

0:21:45.789 --> 0:21:48.269
<v Speaker 1>they were drunk and Ross thought it was Rachel and

0:21:48.349 --> 0:21:51.389
<v Speaker 1>they both freak out, but they hooked up. Speaking of weird,

0:21:51.909 --> 0:21:54.789
<v Speaker 1>remember when Brad Pitt was a guest stuff. Yes, okay,

0:21:54.909 --> 0:21:57.909
<v Speaker 1>the question is this was he married to Jennifer. Yes,

0:21:58.069 --> 0:22:00.869
<v Speaker 1>he was, I thought so. He was in the episode

0:22:00.989 --> 0:22:03.189
<v Speaker 1>called the One with the Rumor, and he plays Will,

0:22:03.269 --> 0:22:05.429
<v Speaker 1>who's an old high school friend who founded that I

0:22:05.589 --> 0:22:09.069
<v Speaker 1>Hate Rachel club with Ross Right. The punchline to that

0:22:09.189 --> 0:22:13.469
<v Speaker 1>whole episode is that Will started a rumor that Rachel

0:22:13.789 --> 0:22:16.229
<v Speaker 1>was intersex and her parents had to flip a coin

0:22:16.309 --> 0:22:17.749
<v Speaker 1>to decide if she was a boy or a girl.

0:22:17.909 --> 0:22:24.389
<v Speaker 1>Oh my god, how specific. Yeah and odd. The Intersex

0:22:24.469 --> 0:22:27.469
<v Speaker 1>Society of North America was very offended, and years later

0:22:27.549 --> 0:22:31.069
<v Speaker 1>the co creator Marta Kaufman said she regrets the joke

0:22:31.069 --> 0:22:32.909
<v Speaker 1>and wouldn't do it again today. Yeah, she said that

0:22:32.949 --> 0:22:36.349
<v Speaker 1>a few times. I think maybe if you went through

0:22:36.589 --> 0:22:39.149
<v Speaker 1>every line of dialogue with a fine toothcomb, she'd be

0:22:39.229 --> 0:22:41.629
<v Speaker 1>saying that every day for the rest of her life.

0:22:42.109 --> 0:22:44.709
<v Speaker 1>What's interesting, and this is just plays into my theory

0:22:44.789 --> 0:22:47.869
<v Speaker 1>that Brad Pitt teflon if that was anyone else going back,

0:22:47.949 --> 0:22:50.949
<v Speaker 1>going why did you say yes yeah to that character?

0:22:51.069 --> 0:22:53.309
<v Speaker 1>But it was a different time. But also Brad Pitt

0:22:53.789 --> 0:22:55.869
<v Speaker 1>apparently can do not right and he's like, but just

0:22:55.909 --> 0:22:58.389
<v Speaker 1>look at my face, and everyone's like, true, I was distracted,

0:22:58.469 --> 0:23:00.349
<v Speaker 1>Like I didn't really remember what he did. I just

0:23:00.389 --> 0:23:04.269
<v Speaker 1>remember everyone clapping when he was on because she was

0:23:04.429 --> 0:23:11.589
<v Speaker 1>so beautiful. Glow you glow. It's being really discriminatory broadly.

0:23:11.669 --> 0:23:13.869
<v Speaker 1>There's a lot of womanizing. The men are always like,

0:23:13.949 --> 0:23:17.229
<v Speaker 1>oh yeah, look at that one. And there's one storyline

0:23:17.269 --> 0:23:19.229
<v Speaker 1>that I think actually just sums up the whole show.

0:23:19.789 --> 0:23:22.229
<v Speaker 1>If you want to know the vibe of friends without

0:23:22.309 --> 0:23:24.789
<v Speaker 1>having seen without having seen it, here's a plot point

0:23:25.149 --> 0:23:30.589
<v Speaker 1>that just touches on every theme. Joey and Chandler take

0:23:30.749 --> 0:23:35.229
<v Speaker 1>Ross's baby on the bus. Okay, because Ross has one

0:23:35.309 --> 0:23:38.189
<v Speaker 1>baby and then he later has another baby with Rachel.

0:23:38.949 --> 0:23:43.149
<v Speaker 1>Ross has a conniption because his baby Ben plays with barbies.

0:23:43.549 --> 0:23:45.869
<v Speaker 1>And there's another episode where his daughter Emma is getting

0:23:45.869 --> 0:23:48.349
<v Speaker 1>a nanny and it's a man and he has what

0:23:48.429 --> 0:23:50.709
<v Speaker 1>can only be described as aneurism, right, so this is

0:23:50.749 --> 0:23:52.629
<v Speaker 1>all he's like, what kind of man wants to look

0:23:52.629 --> 0:23:56.949
<v Speaker 1>after a chart? Exactly like? And this is why Anyway,

0:23:57.309 --> 0:24:00.829
<v Speaker 1>this episode, Joey and Chandler have Ross's baby on the bus,

0:24:01.549 --> 0:24:04.229
<v Speaker 1>but there are three pretty ladies on the bus, so

0:24:04.349 --> 0:24:08.389
<v Speaker 1>they get distracted and leave the baby on the bus. Ah. Men,

0:24:08.829 --> 0:24:11.469
<v Speaker 1>But here's a punchline, you know, how it's got to

0:24:11.509 --> 0:24:15.789
<v Speaker 1>do like the yeah, this is important. It's all for

0:24:15.909 --> 0:24:19.869
<v Speaker 1>nothing because the pretty ladies think that they're gay because

0:24:19.869 --> 0:24:24.709
<v Speaker 1>they're two men with a baby. And what's Chandeler's sphere

0:24:25.309 --> 0:24:31.389
<v Speaker 1>being perceived? Okay, oh wow, that's it. Classic, classic, classic.

0:24:31.509 --> 0:24:33.429
<v Speaker 1>It's like, yeah, you can imagine them in the writer's

0:24:33.509 --> 0:24:35.909
<v Speaker 1>room being like, okay, okay, Chandeler storyline, but how do

0:24:36.029 --> 0:24:39.269
<v Speaker 1>we It's like maybe they've got each character and like

0:24:39.709 --> 0:24:42.469
<v Speaker 1>their fatal flaw and their biggest fear, and for him

0:24:42.509 --> 0:24:46.069
<v Speaker 1>it is being ever perceived as gay? Yea, yeah, yeah,

0:24:46.429 --> 0:24:49.869
<v Speaker 1>greatest fear deleted. And then Monica's greatest fear is going

0:24:49.949 --> 0:24:52.069
<v Speaker 1>back to fat Monica. Yeah, because everyone calls her fat

0:24:52.109 --> 0:24:56.109
<v Speaker 1>Monica and like reminds her deleted episode. There was an

0:24:56.149 --> 0:24:58.749
<v Speaker 1>episode set to air in October two thousand and one,

0:24:59.309 --> 0:25:02.989
<v Speaker 1>was all filmed ready to go. Ooh interesting timing. And

0:25:03.069 --> 0:25:05.429
<v Speaker 1>then in September two thousand and one, a few weeks

0:25:05.469 --> 0:25:10.069
<v Speaker 1>before New York experienced the deadliest terrorist attack in US history.

0:25:10.829 --> 0:25:13.709
<v Speaker 1>And let me explain to you the episode they had

0:25:13.869 --> 0:25:16.949
<v Speaker 1>ready to go. I have never heard this story. Monica

0:25:17.029 --> 0:25:20.829
<v Speaker 1>and Chandler are newly married. He's married, so can't be gay. Yeah,

0:25:21.029 --> 0:25:23.549
<v Speaker 1>and they're checking in at the airport, Claire, you're in

0:25:23.629 --> 0:25:26.869
<v Speaker 1>a writer's room. Chandler needs a funny little one liner.

0:25:27.029 --> 0:25:30.109
<v Speaker 1>He needs a complication at the airport. What does Chandler say,

0:25:30.389 --> 0:25:33.029
<v Speaker 1>Oh no, no, no, no, no no no. Does he

0:25:33.469 --> 0:25:35.829
<v Speaker 1>do a terrorist? He makes a joke about bombs on

0:25:36.389 --> 0:25:38.509
<v Speaker 1>in front of a sign that says no joking about

0:25:38.669 --> 0:25:42.829
<v Speaker 1>bombs or hijacking. Hey, look at that federal lot prohibits

0:25:42.829 --> 0:25:45.229
<v Speaker 1>any joking regarding aircraft, hijacking or bombing.

0:25:45.549 --> 0:25:47.149
<v Speaker 2>You don't have to worry about me, ma'am. I take

0:25:47.229 --> 0:25:50.909
<v Speaker 2>my bombs very seriously. Sir, you want to come with us?

0:25:51.149 --> 0:25:56.069
<v Speaker 1>No pay. They end up being interrogated by security, and

0:25:56.309 --> 0:25:59.709
<v Speaker 1>just after they leave, Monica accidentally screamed something about blowing

0:25:59.789 --> 0:26:04.069
<v Speaker 1>something up. Oh wow, Zill probably wouldn't have worked. That's

0:26:04.429 --> 0:26:09.069
<v Speaker 1>very unfortunate. Like that's bad timing. Yeah, yeah it is,

0:26:09.389 --> 0:26:11.029
<v Speaker 1>But you got it. I think you know the good

0:26:11.069 --> 0:26:16.109
<v Speaker 1>thing about pumping out so many episodes and so many empty,

0:26:16.429 --> 0:26:18.709
<v Speaker 1>hollow jokes is that I guess you don't really miss it.

0:26:18.789 --> 0:26:21.509
<v Speaker 1>If one episode gets scrapped, Well, they didn't scrap it,

0:26:21.589 --> 0:26:24.629
<v Speaker 1>they changed it. They like took this bit out they

0:26:24.789 --> 0:26:27.789
<v Speaker 1>dine no, no, no, they took this out and they

0:26:27.829 --> 0:26:30.829
<v Speaker 1>were probably like, oh, Chandlin needs a funny one liner.

0:26:31.229 --> 0:26:33.789
<v Speaker 1>And as he walks through, they find that he's got

0:26:33.909 --> 0:26:35.869
<v Speaker 1>like perfume in his bag and he shouts like, I'm

0:26:35.909 --> 0:26:38.789
<v Speaker 1>not good. That's probably what they did. Oh okay, because

0:26:38.869 --> 0:26:41.269
<v Speaker 1>yes's the same. Yeah, they're like ah ah, quick scram

0:26:41.789 --> 0:26:43.629
<v Speaker 1>what's his biggest fit and being the saved as gay.

0:26:54.029 --> 0:26:57.509
<v Speaker 1>A note on the takedown of Friends. So last week

0:26:57.589 --> 0:27:01.629
<v Speaker 1>Friends turned thirty. Every time there's an anniversary, people reappraise

0:27:01.669 --> 0:27:04.589
<v Speaker 1>the show. They reflect on how it's dated, which is fine,

0:27:05.349 --> 0:27:08.789
<v Speaker 1>but some of the criticism is weird. I read this

0:27:08.949 --> 0:27:11.629
<v Speaker 1>whole article about out how Friends is the most problematic

0:27:11.629 --> 0:27:14.069
<v Speaker 1>show ever and I was like, fine, yes, go on,

0:27:14.229 --> 0:27:16.229
<v Speaker 1>give me some evidence. Yes, And it's like I'm willing

0:27:16.309 --> 0:27:20.149
<v Speaker 1>to be convinced. Oh, absolutely, But the writer is annoyed.

0:27:20.229 --> 0:27:22.709
<v Speaker 1>They're always at the coffee house because as someone in

0:27:22.829 --> 0:27:25.029
<v Speaker 1>her twenties, she doesn't really have time to hang out

0:27:25.069 --> 0:27:27.429
<v Speaker 1>with her friends that much. And she's like, oh, are

0:27:27.469 --> 0:27:30.549
<v Speaker 1>they really that extroverted? And it's like, you don't have

0:27:30.669 --> 0:27:33.149
<v Speaker 1>to go to Central Perk, No, you don't have to

0:27:33.269 --> 0:27:35.709
<v Speaker 1>go to a coffee house. They're allowed to go to

0:27:35.749 --> 0:27:38.909
<v Speaker 1>a coffee house. Also, it's a TV show, which is

0:27:38.989 --> 0:27:42.749
<v Speaker 1>something actually really important to remind people when you're talking

0:27:42.749 --> 0:27:45.469
<v Speaker 1>about movies and TV shows. Is and this is quite profound.

0:27:45.589 --> 0:27:49.069
<v Speaker 1>It's not real. It's not real. It's not not a documentary. No,

0:27:49.349 --> 0:27:52.029
<v Speaker 1>you don't have to go to coffee. Yeah, you don't.

0:27:52.069 --> 0:27:53.749
<v Speaker 1>You don't have to go to the cafe with your

0:27:53.789 --> 0:27:56.309
<v Speaker 1>six friends. If you only have say five friends, that's okay,

0:27:56.509 --> 0:27:59.869
<v Speaker 1>that's fine. Maybe you only have two friends, okay, maybe

0:27:59.949 --> 0:28:02.309
<v Speaker 1>you have any friends. This isn't a statement on you

0:28:02.789 --> 0:28:07.149
<v Speaker 1>and your friendship group. Also, going on a break has

0:28:07.189 --> 0:28:11.549
<v Speaker 1>apparently been misconstrued thanks to Friends, because in Friends, Ross

0:28:11.629 --> 0:28:14.549
<v Speaker 1>cheated on Rachel while on a break, and this person

0:28:14.589 --> 0:28:18.189
<v Speaker 1>writing this article, she's losing it. She's saying, people today

0:28:18.309 --> 0:28:19.869
<v Speaker 1>think that a break means you can get back with

0:28:19.989 --> 0:28:23.109
<v Speaker 1>someone with our consequences, and I have here in my notes, honey,

0:28:23.149 --> 0:28:27.069
<v Speaker 1>who hurt you? What happened with you and a break?

0:28:27.469 --> 0:28:31.869
<v Speaker 1>She's really upset that it normalized a break in a

0:28:31.949 --> 0:28:35.509
<v Speaker 1>relationship where Ross could go and cheat and have no conselquation.

0:28:35.549 --> 0:28:37.989
<v Speaker 1>But like, wasn't the point of that storyline all I

0:28:38.109 --> 0:28:41.589
<v Speaker 1>remember is ross. The only word that comes to mind

0:28:41.669 --> 0:28:45.389
<v Speaker 1>is shrieking. We were on a break. We were on

0:28:45.589 --> 0:28:49.229
<v Speaker 1>a break. We were on the break. Yeah, it wasn't

0:28:49.269 --> 0:28:51.509
<v Speaker 1>it that he was actually being held accountable for what

0:28:51.589 --> 0:28:53.669
<v Speaker 1>he did? Yeah? Yeah, yeah, And this is an issue

0:28:53.669 --> 0:28:56.549
<v Speaker 1>I have. I'll come to it. The writer goes on,

0:28:56.949 --> 0:28:59.189
<v Speaker 1>it's like getting a rebound while being able to get

0:28:59.269 --> 0:29:01.269
<v Speaker 1>back with that person. That is not how the real

0:29:01.349 --> 0:29:03.789
<v Speaker 1>world works. Yet people continue to do this because it's

0:29:03.789 --> 0:29:07.549
<v Speaker 1>a normal thing. As I said today, is dancing to okay, okay,

0:29:07.669 --> 0:29:09.709
<v Speaker 1>we're not in a good place. So someone told you

0:29:10.149 --> 0:29:11.869
<v Speaker 1>that you're on a break and they cheat it, and

0:29:11.949 --> 0:29:14.749
<v Speaker 1>now that has a baby and they've been married for

0:29:14.749 --> 0:29:16.949
<v Speaker 1>a long time, and you're upset and friends triggered you,

0:29:17.429 --> 0:29:18.869
<v Speaker 1>and no one will go get a coffee with you,

0:29:19.349 --> 0:29:22.389
<v Speaker 1>not the central pair. The other thing is I get it,

0:29:23.269 --> 0:29:25.149
<v Speaker 1>and I do this as well. You look at a

0:29:25.189 --> 0:29:27.269
<v Speaker 1>TV show and you poke holes in all these things

0:29:27.309 --> 0:29:30.429
<v Speaker 1>that aren't realistic, and it's like, Jesse, we've written a

0:29:30.469 --> 0:29:33.149
<v Speaker 1>couple of episodes of television. There are certain things that

0:29:33.229 --> 0:29:36.829
<v Speaker 1>need to happen because, as aforementioned, it's a TV show,

0:29:37.109 --> 0:29:40.229
<v Speaker 1>not real life, and so The idea of the coffee

0:29:40.269 --> 0:29:44.829
<v Speaker 1>shop is it is simply a cheap set that we

0:29:44.909 --> 0:29:47.629
<v Speaker 1>can have the characters appear in over and over and

0:29:47.709 --> 0:29:50.469
<v Speaker 1>over again. So it's not saying that is how you

0:29:50.549 --> 0:29:53.909
<v Speaker 1>should live your own life. It is simply part of

0:29:54.029 --> 0:30:00.189
<v Speaker 1>this TV show, which I will reiterate. Another criticism is

0:30:00.229 --> 0:30:03.189
<v Speaker 1>that Joey popularized the term friend zone that was written

0:30:03.269 --> 0:30:05.789
<v Speaker 1>into an episode of Friends waited too long to make

0:30:05.869 --> 0:30:11.189
<v Speaker 1>you move and now you're in the friend zone. No, no, no,

0:30:11.469 --> 0:30:14.309
<v Speaker 1>I'm not in the zone. Russ. You're mayor of the zone.

0:30:14.749 --> 0:30:16.789
<v Speaker 1>How is that a problem? And it's like, yeah, okay,

0:30:16.869 --> 0:30:19.869
<v Speaker 1>he popularized the term, but that is not where you

0:30:19.949 --> 0:30:24.989
<v Speaker 1>don't have a boyfriend. Every time she went on these

0:30:25.029 --> 0:30:27.309
<v Speaker 1>tangents in this article, I just kept thinking, are we

0:30:27.469 --> 0:30:32.429
<v Speaker 1>still talking about friends? It seems as though you grabbed

0:30:32.429 --> 0:30:34.869
<v Speaker 1>a point from Friends and then got quite upset about

0:30:34.909 --> 0:30:38.749
<v Speaker 1>something specific to her. You've become carried away. A lot

0:30:38.789 --> 0:30:41.389
<v Speaker 1>of criticism will be like it was rude when Ross

0:30:41.509 --> 0:30:44.989
<v Speaker 1>said this, or Ross could be possessive, and it's like

0:30:45.309 --> 0:30:48.749
<v Speaker 1>that's just his character. Yeah, it's his character, and it's

0:30:48.789 --> 0:30:51.069
<v Speaker 1>also part of the plot, Like characters are meant to

0:30:51.149 --> 0:30:54.509
<v Speaker 1>be imperfect and her flaws. That's what drives story. Yeah.

0:30:54.589 --> 0:30:57.509
<v Speaker 1>People are like, Joey's quite dumb, and I'm like, yeah,

0:30:57.949 --> 0:31:02.069
<v Speaker 1>that's characteris and that's also the joke. And if characters

0:31:02.509 --> 0:31:10.789
<v Speaker 1>were fully functioning, thriving, quite perfect human beings, they would

0:31:10.829 --> 0:31:13.989
<v Speaker 1>be so boring. I just kept thinking every time I

0:31:14.069 --> 0:31:16.029
<v Speaker 1>read these, and they just went more and more granular.

0:31:16.109 --> 0:31:19.389
<v Speaker 1>I kept thinking, you've been watching too much Friends, You've

0:31:19.429 --> 0:31:22.629
<v Speaker 1>gone back, you've watched it from the start, And I mean,

0:31:22.709 --> 0:31:24.549
<v Speaker 1>I know we probably said it on this show before,

0:31:24.709 --> 0:31:27.949
<v Speaker 1>but a great term for this is an achronism, and

0:31:28.029 --> 0:31:31.109
<v Speaker 1>it's the idea that we are looking at the past

0:31:31.509 --> 0:31:34.069
<v Speaker 1>from the perspective of the present. We are imposing the

0:31:34.189 --> 0:31:36.149
<v Speaker 1>values of the present on the past, which is something

0:31:36.189 --> 0:31:38.829
<v Speaker 1>the Internet does all the time, and we often do

0:31:38.989 --> 0:31:41.189
<v Speaker 1>hear in the cancel courtroom, but at least we are

0:31:41.229 --> 0:31:46.949
<v Speaker 1>self aware. Okay, the laugh track or Claire, have you

0:31:47.149 --> 0:31:51.189
<v Speaker 1>watched those clips of Friends where they remove the laugh track? Yes?

0:31:51.789 --> 0:31:54.949
<v Speaker 1>I believe I have, and it really does point out

0:31:55.309 --> 0:31:57.869
<v Speaker 1>how flat a lot of the dialogue is. Okay, I

0:31:58.029 --> 0:32:01.229
<v Speaker 1>am gonna play you some ross. Okay, who has become

0:32:01.269 --> 0:32:05.669
<v Speaker 1>my hyper fixation? Just a quick thing? When I watched

0:32:05.789 --> 0:32:11.189
<v Speaker 1>Friends h potentially until right now, I think I thought

0:32:11.229 --> 0:32:14.029
<v Speaker 1>there was a studio audience laughing. I think there was,

0:32:14.709 --> 0:32:17.029
<v Speaker 1>so it wasn't a laugh track. Is a laugh track

0:32:17.069 --> 0:32:19.349
<v Speaker 1>the same as a studio audience? Goodness? I don't know.

0:32:19.589 --> 0:32:21.309
<v Speaker 1>I thought that it was in front of a studio

0:32:21.709 --> 0:32:24.669
<v Speaker 1>because it would be nice if we had a studio audience.

0:32:24.829 --> 0:32:26.989
<v Speaker 1>I know, Yes, it was filmed in front of a

0:32:27.149 --> 0:32:30.229
<v Speaker 1>real audience. Okay, so does that count as a laugh track? No,

0:32:30.469 --> 0:32:32.829
<v Speaker 1>I guess not. But definitely there was someone standing at

0:32:32.829 --> 0:32:34.629
<v Speaker 1>the front of the sign that said laugh. If you've

0:32:34.669 --> 0:32:37.909
<v Speaker 1>ever gone and watched a television show be recorded, that's

0:32:37.989 --> 0:32:40.989
<v Speaker 1>what they do. They really make you laugh, like they

0:32:41.029 --> 0:32:45.509
<v Speaker 1>tell you into life ons and it's embarrassing. Since your son, yeah,

0:32:45.669 --> 0:32:49.709
<v Speaker 1>his name is Riss Well nothing has just said it's

0:32:49.789 --> 0:32:55.309
<v Speaker 1>close to Ryan, does he does? Little rasslake fanousaurus.

0:32:54.669 --> 0:32:58.309
<v Speaker 2>Blaney chairs, Yeah, Olie talks about why how would he

0:32:59.069 --> 0:33:01.829
<v Speaker 2>like to come with me to the Museum of Natural

0:33:02.069 --> 0:33:04.109
<v Speaker 2>History after everyone else has left?

0:33:04.269 --> 0:33:07.909
<v Speaker 1>Just the two of us. He could touch anything he wants.

0:33:09.429 --> 0:33:11.189
<v Speaker 1>I just heard how you must have heard it, and

0:33:11.269 --> 0:33:15.309
<v Speaker 1>that's not good. Okay, when you remove the laughter, it

0:33:15.509 --> 0:33:20.429
<v Speaker 1>ross is a predator. Okay, it's simply sinister. It's really sinister,

0:33:20.589 --> 0:33:23.469
<v Speaker 1>and it made me realize that I needed the laughing

0:33:23.949 --> 0:33:28.429
<v Speaker 1>because otherwise confused about genre, and especially if it had

0:33:28.469 --> 0:33:33.829
<v Speaker 1>been called insomniac, that very cafe that is a man

0:33:33.869 --> 0:33:38.789
<v Speaker 1>who's not been sleeping. I think they should remake Friends

0:33:39.629 --> 0:33:43.309
<v Speaker 1>as Insomnia Cafe, and it is simply Friends without the laugh.

0:33:43.469 --> 0:33:46.149
<v Speaker 1>So there's another trend on YouTube that I went really

0:33:46.189 --> 0:33:49.989
<v Speaker 1>deep in, which is Friends laugh track removed, but over

0:33:50.069 --> 0:33:54.789
<v Speaker 1>the top they've just got screaming. So every time there's

0:33:54.869 --> 0:34:01.069
<v Speaker 1>a joke, ah, and it's it's very insomnia Cafe. It's

0:34:01.149 --> 0:34:06.189
<v Speaker 1>a fabulous, quite scary. Before we do charlegan sentences, can

0:34:06.229 --> 0:34:09.109
<v Speaker 1>we just have a short moment to reminisce on like

0:34:09.629 --> 0:34:13.629
<v Speaker 1>our favorite moments from Friends. Okay, okay, So one storyline

0:34:13.669 --> 0:34:18.469
<v Speaker 1>I really liked was when Monica and Chandler went on

0:34:18.549 --> 0:34:21.509
<v Speaker 1>a holiday and they met a couple that became their friends.

0:34:21.789 --> 0:34:24.949
<v Speaker 1>I think that that holiday. The thing that started it

0:34:25.589 --> 0:34:28.949
<v Speaker 1>was the interrogation with the bomb joke. I think that's okay,

0:34:29.069 --> 0:34:31.789
<v Speaker 1>and her hair went really frizzy in the humidity, and

0:34:31.909 --> 0:34:37.109
<v Speaker 1>that's relatable a representation for women who goes frizzy in heat,

0:34:37.669 --> 0:34:39.869
<v Speaker 1>and they made these couple friends, and when they came back,

0:34:39.869 --> 0:34:41.909
<v Speaker 1>they were really smug about their couple friends, and all

0:34:41.949 --> 0:34:44.789
<v Speaker 1>the other friends were stupid friends. And then they got

0:34:44.829 --> 0:34:47.549
<v Speaker 1>ghosted by the couple friends. I forgot about that. I

0:34:47.629 --> 0:34:50.829
<v Speaker 1>really enjoyed that because I think what it really pointed

0:34:50.909 --> 0:34:53.389
<v Speaker 1>to was the fact that when you have a friend

0:34:53.429 --> 0:34:56.549
<v Speaker 1>group and you make new friends, you are mocked. Yeah,

0:34:56.669 --> 0:34:59.109
<v Speaker 1>well said, well said I think. And there is a

0:34:59.149 --> 0:35:01.149
<v Speaker 1>smugness to having a couple friends. It makes you feel

0:35:01.149 --> 0:35:03.549
<v Speaker 1>like a grown up. Yeah. And when you've gone on

0:35:03.629 --> 0:35:06.309
<v Speaker 1>holiday and you do think it's more than it is, yeah,

0:35:06.429 --> 0:35:09.389
<v Speaker 1>and you're like, my life has changed from the relationships

0:35:09.389 --> 0:35:11.029
<v Speaker 1>I've built. And you get home and you go, we

0:35:11.109 --> 0:35:13.429
<v Speaker 1>don't have that much in common. No, In fact, they

0:35:13.469 --> 0:35:17.149
<v Speaker 1>live elsewhere. Yeah. Another criticism that a lot of people

0:35:17.389 --> 0:35:20.789
<v Speaker 1>offered when it came to Friends was that they had housing,

0:35:22.229 --> 0:35:24.829
<v Speaker 1>Like they had an apartment, which is apparently very privileged,

0:35:25.629 --> 0:35:30.829
<v Speaker 1>and like, I do understand that housing is expensive, but

0:35:31.669 --> 0:35:36.549
<v Speaker 1>friends without a room is like a very different it's

0:35:36.589 --> 0:35:40.549
<v Speaker 1>a very very insomnia cafe. It's a very different kind

0:35:40.589 --> 0:35:43.429
<v Speaker 1>of show. Yeah, they didn't each have their own apartment. No,

0:35:43.629 --> 0:35:47.029
<v Speaker 1>they were sharing. Yeah, sometimes there were other roommates. Some

0:35:47.229 --> 0:35:49.709
<v Speaker 1>of them were employed some of the time. Yeah, Yeah,

0:35:49.909 --> 0:35:52.789
<v Speaker 1>there was a little bit of dramatic logic to that.

0:35:53.109 --> 0:35:56.349
<v Speaker 1>And again it was the nineties, not cost of living

0:35:57.309 --> 0:36:00.789
<v Speaker 1>now exactly. I think that if you're getting upset because

0:36:00.829 --> 0:36:03.509
<v Speaker 1>Monica did own an apartment, then again, what we've probably

0:36:03.589 --> 0:36:06.389
<v Speaker 1>got to do is take a break. Want to take

0:36:06.429 --> 0:36:09.789
<v Speaker 1>a break, turn off Friends? Yea right to your local member,

0:36:10.789 --> 0:36:15.789
<v Speaker 1>because yeah, housing is too expensive, but that's a now issue.

0:36:15.909 --> 0:36:19.869
<v Speaker 1>That's a now issue. Yeah, time for charges and sentences.

0:36:23.909 --> 0:36:27.549
<v Speaker 1>My charge is Ross makes me feel weird, is the

0:36:27.629 --> 0:36:32.069
<v Speaker 1>first thing I think a lot, maybe too much about

0:36:32.509 --> 0:36:35.749
<v Speaker 1>when he got a spray twn Yeah, same same. I

0:36:35.829 --> 0:36:38.589
<v Speaker 1>don't trust him. I think he's very possessive, he's very jealous,

0:36:38.669 --> 0:36:42.549
<v Speaker 1>and he's quite controlling. But on the other things, as

0:36:42.629 --> 0:36:45.309
<v Speaker 1>we've acknowledged, Friends is very much a product of its time,

0:36:46.029 --> 0:36:50.069
<v Speaker 1>weirdly obsessed with sexuality, fat Monka not ideal, and Ross

0:36:50.229 --> 0:36:53.749
<v Speaker 1>should never have tried to kiss his cousin. Absolutely not.

0:36:53.989 --> 0:36:56.989
<v Speaker 1>If it were made today, it'll be done differently. My

0:36:57.389 --> 0:37:02.429
<v Speaker 1>charge concerns the real estate that these six patrons have

0:37:02.549 --> 0:37:07.029
<v Speaker 1>over Central perk. Oh wow, great point they are and

0:37:07.189 --> 0:37:11.629
<v Speaker 1>this is this is a legal word hogging the Yes,

0:37:11.709 --> 0:37:15.469
<v Speaker 1>they are pests. They never order food. They all they

0:37:15.549 --> 0:37:18.029
<v Speaker 1>get is that bloody what do they call it in America?

0:37:18.189 --> 0:37:21.309
<v Speaker 1>Like the drink coffee and it's worth jackshit, it's like

0:37:21.389 --> 0:37:26.069
<v Speaker 1>a dollar and it's free refills. Exactly. I can't even

0:37:26.109 --> 0:37:28.749
<v Speaker 1>go to a cafe anymore. Well, if we're applying the

0:37:29.109 --> 0:37:31.149
<v Speaker 1>values of the present to the past, well, I go

0:37:31.229 --> 0:37:33.149
<v Speaker 1>into a cafe, I have to order. Oh they tell

0:37:33.189 --> 0:37:35.349
<v Speaker 1>me to leave with my laptop. Yeah, they don't. And

0:37:35.629 --> 0:37:38.109
<v Speaker 1>you get a little bit judged. You do. You can't

0:37:38.189 --> 0:37:40.589
<v Speaker 1>just sit there on the same they're not your couches.

0:37:40.709 --> 0:37:43.629
<v Speaker 1>And often they're causing a rackus. They are causing a rackus.

0:37:43.669 --> 0:37:46.469
<v Speaker 1>They're talking about Chandler is having a gay panic in

0:37:46.469 --> 0:37:49.309
<v Speaker 1>a public place. Yes, And patrons are just trying to

0:37:49.349 --> 0:37:51.469
<v Speaker 1>go about their business and they're like, why is he

0:37:51.629 --> 0:37:57.909
<v Speaker 1>shrieking about people? Thinking he's gag sentence just on Central Perk. Actually,

0:37:58.029 --> 0:38:00.149
<v Speaker 1>I was thinking this is a cafe on Central Park,

0:38:00.829 --> 0:38:03.149
<v Speaker 1>Like I'd probably be going to be busy, busy, and

0:38:03.189 --> 0:38:07.109
<v Speaker 1>there's Two've gotta order food. Yeah, sentence. The tension of

0:38:07.549 --> 0:38:12.509
<v Speaker 1>This show should have always been between these six friends

0:38:12.789 --> 0:38:17.349
<v Speaker 1>and Gumper. Ah yeah, Gumpher. I remember Gumph. Now he's

0:38:17.389 --> 0:38:19.909
<v Speaker 1>not the owner, but he is a I can't even

0:38:19.909 --> 0:38:23.909
<v Speaker 1>call him a barrista. Make it Martin. What do you

0:38:23.989 --> 0:38:27.629
<v Speaker 1>call someone who paused like a waist in coffee? Yeah? Yeah,

0:38:28.509 --> 0:38:31.749
<v Speaker 1>they needed to come get a takeaway coffee and go

0:38:31.869 --> 0:38:35.309
<v Speaker 1>about your day. Okay, because what you're doing is you're

0:38:35.949 --> 0:38:39.309
<v Speaker 1>taking up space, you're blocking it for other people, and

0:38:39.389 --> 0:38:42.829
<v Speaker 1>you're affecting the income of what could be a very

0:38:42.909 --> 0:38:48.029
<v Speaker 1>flourishing Central Perk cafe. Yeah yeah, Actually that cafe would

0:38:48.789 --> 0:38:51.509
<v Speaker 1>have gone broke from the loitering. So I think it

0:38:51.549 --> 0:38:56.029
<v Speaker 1>should have been Gumph shoeing the six friends literally, like

0:38:56.509 --> 0:38:59.269
<v Speaker 1>get out, like standing there with a sign up, going,

0:38:59.389 --> 0:39:02.589
<v Speaker 1>you've overstayed, You're welcome, get a takeaway if you're going

0:39:02.669 --> 0:39:05.149
<v Speaker 1>to get anything. But you can't be sitting here taking

0:39:05.229 --> 0:39:09.669
<v Speaker 1>up all this space without buying food, or stand outside.

0:39:09.829 --> 0:39:13.189
<v Speaker 1>Go for a bloody war, go for a walk through

0:39:13.229 --> 0:39:16.909
<v Speaker 1>Central Park. It's right, sing yeah, go back to one

0:39:16.949 --> 0:39:18.949
<v Speaker 1>of your homes. There's plenty of it. Here's an idea.

0:39:19.109 --> 0:39:22.149
<v Speaker 1>Buy a coffee machine. It's an instant coffee mate. I

0:39:22.269 --> 0:39:26.189
<v Speaker 1>also think there are lines of tension and conflict that

0:39:26.829 --> 0:39:29.029
<v Speaker 1>we need to pick up oh, that were unresolved, that

0:39:29.109 --> 0:39:31.909
<v Speaker 1>were unresolved. For example, Ross is a shit dad to Ben.

0:39:33.269 --> 0:39:37.189
<v Speaker 1>I don't know where Ben went, but he was never

0:39:37.349 --> 0:39:41.189
<v Speaker 1>introduced to Emma. Ross is second born, which makes me

0:39:41.349 --> 0:39:44.749
<v Speaker 1>think if there was like a redo, what I would

0:39:44.789 --> 0:39:49.229
<v Speaker 1>want is cold open Ben sitting in a therapist's office

0:39:49.669 --> 0:39:51.949
<v Speaker 1>close up of his face. Ben talked to me, well,

0:39:51.989 --> 0:39:54.869
<v Speaker 1>i'll tell you what. Ben's got some daddy issues. Yeah, yeah,

0:39:54.989 --> 0:39:58.389
<v Speaker 1>Ben's pissed and he starts describing Ross and the psychologist

0:39:58.549 --> 0:40:01.189
<v Speaker 1>is like, is your dad in prison? And He's like, no,

0:40:01.789 --> 0:40:03.669
<v Speaker 1>but he should be. What else do you think that

0:40:03.749 --> 0:40:06.549
<v Speaker 1>it could pick up on? Well, just because that actor

0:40:06.989 --> 0:40:10.349
<v Speaker 1>was Cole Sprouse, it was one of the Sprouse's tenctually,

0:40:10.429 --> 0:40:13.069
<v Speaker 1>both those little twins who then went on to be

0:40:13.189 --> 0:40:16.709
<v Speaker 1>in other shows the Big Daddy correct, oh my god,

0:40:17.149 --> 0:40:20.829
<v Speaker 1>same little kids. And it does yeah, and I'm thinking,

0:40:21.029 --> 0:40:24.829
<v Speaker 1>like potentially break the forth wall, like some meta stuff

0:40:26.109 --> 0:40:30.949
<v Speaker 1>maybe like the kid is Cole Sprouse, Like he has

0:40:32.069 --> 0:40:36.229
<v Speaker 1>become famous and he was a twin, which just whoa

0:40:37.549 --> 0:40:39.189
<v Speaker 1>you know? Like Ross is like I didn't know you

0:40:39.229 --> 0:40:40.829
<v Speaker 1>guys were twins. I thought I had one kid. I

0:40:40.909 --> 0:40:43.389
<v Speaker 1>wonder if Little Emma was also twin. But in terms

0:40:43.469 --> 0:40:48.349
<v Speaker 1>of where it went for everyone, I think Chandler and

0:40:48.429 --> 0:40:53.029
<v Speaker 1>Monica didn't last. No. I think they went on to

0:40:53.669 --> 0:40:57.269
<v Speaker 1>have midlife crises that just set them in different directions.

0:40:57.509 --> 0:41:00.909
<v Speaker 1>I think Chandler needed to do some soul searching. Oh yeah, yeah, yeah,

0:41:00.909 --> 0:41:05.149
<v Speaker 1>I completely agree, and Monica needed therapy about the whole family.

0:41:05.189 --> 0:41:08.829
<v Speaker 1>The shaming. The shaming Ross and Rachel obviously didn't last

0:41:08.909 --> 0:41:11.349
<v Speaker 1>because that was just toxics and Ross needs to just

0:41:11.429 --> 0:41:14.549
<v Speaker 1>be on his own forever. I think things for fine

0:41:14.589 --> 0:41:17.869
<v Speaker 1>for Joey. Yeah. How about Phoebe. Oh, I think Phoebe

0:41:18.029 --> 0:41:20.349
<v Speaker 1>was thriving. I think she's had a happy, go lucky

0:41:20.749 --> 0:41:23.629
<v Speaker 1>approach to life. She was a twin in the show,

0:41:23.749 --> 0:41:28.669
<v Speaker 1>remember Oh Forgot? Yeah yeah, did I twin die? Yeah?

0:41:28.709 --> 0:41:31.309
<v Speaker 1>She had quite a sad backstory. Yeah, not a lot

0:41:31.349 --> 0:41:33.909
<v Speaker 1>of depth to Phoebe. No, I think it would be

0:41:34.309 --> 0:41:39.589
<v Speaker 1>very therapised and very into trauma. Yeah. Things that were

0:41:39.629 --> 0:41:43.309
<v Speaker 1>punchlines would now be traumas. Claire, what's your charge? So

0:41:43.549 --> 0:41:46.349
<v Speaker 1>I do have a bit of an issue with us

0:41:47.109 --> 0:41:51.349
<v Speaker 1>going back looking at something from twenty years ago and

0:41:51.549 --> 0:41:54.069
<v Speaker 1>just tearing it apart because of what we know now.

0:41:55.189 --> 0:42:01.269
<v Speaker 1>It makes it very difficult to make art if you

0:42:01.349 --> 0:42:05.069
<v Speaker 1>are thinking, oh, well, it has to stand for all

0:42:05.189 --> 0:42:09.469
<v Speaker 1>of time and there can't be any contextual clues here

0:42:09.789 --> 0:42:14.389
<v Speaker 1>because people will tear it apart. Yeah, okay. With that said,

0:42:14.469 --> 0:42:17.269
<v Speaker 1>I also think it's important to look at something like

0:42:17.429 --> 0:42:22.829
<v Speaker 1>friends and acknowledge it almost as a historical artifact. Yes,

0:42:23.389 --> 0:42:26.789
<v Speaker 1>let's acknowledge it like one of Ross's fossils. Yes, very

0:42:26.989 --> 0:42:28.949
<v Speaker 1>that it can be a sign of how far we

0:42:29.069 --> 0:42:33.189
<v Speaker 1>have come as a culture. Yes, maybe sometimes how far

0:42:33.269 --> 0:42:37.109
<v Speaker 1>we have not come. I've always thought I remember saying

0:42:37.149 --> 0:42:39.629
<v Speaker 1>this in ancient history and it was so so clever.

0:42:39.869 --> 0:42:42.549
<v Speaker 1>I was like, okay, so you know how with fossils,

0:42:42.589 --> 0:42:48.029
<v Speaker 1>for example, we dig up somewhere and you find fossils.

0:42:48.469 --> 0:42:55.829
<v Speaker 1>And I was like, newsplash, why aren't we burying shit? Yeah?

0:42:56.309 --> 0:42:59.309
<v Speaker 1>So like, why aren't I handwriting some notes about the

0:42:59.349 --> 0:43:01.229
<v Speaker 1>world right now and burying them? And I said that

0:43:01.349 --> 0:43:04.149
<v Speaker 1>in class and the teacher she turned to the class

0:43:04.189 --> 0:43:06.309
<v Speaker 1>she said, does anyone have a response for clerk? I

0:43:06.349 --> 0:43:09.789
<v Speaker 1>think she was thinking, this girl has issues and they're

0:43:09.869 --> 0:43:11.269
<v Speaker 1>very A girl put her hand up and said we

0:43:11.309 --> 0:43:13.429
<v Speaker 1>don't need to do that. We have the Internet, right,

0:43:13.469 --> 0:43:16.189
<v Speaker 1>And I was like, well, the Internet can't be buried,

0:43:16.309 --> 0:43:19.229
<v Speaker 1>and what if it breaks? It's very very because what

0:43:19.309 --> 0:43:21.109
<v Speaker 1>if aliens come? So what you think we need a

0:43:21.149 --> 0:43:24.309
<v Speaker 1>time capsule? Yeah? So what we need are these historical

0:43:24.389 --> 0:43:28.509
<v Speaker 1>artifacts that we physically bury in the ground, Yes, to

0:43:28.629 --> 0:43:31.389
<v Speaker 1>be after the next Ice age when people look back

0:43:31.469 --> 0:43:33.229
<v Speaker 1>and they try and understand what humans where. You want

0:43:33.269 --> 0:43:36.789
<v Speaker 1>the HS versions BHS. But then obviously you also need

0:43:36.829 --> 0:43:39.389
<v Speaker 1>to tape machine obviously. Yeah, and a television because the

0:43:39.429 --> 0:43:40.829
<v Speaker 1>Internet is just going to be white. It's going to

0:43:40.829 --> 0:43:44.589
<v Speaker 1>be turned off and all of this analysis, Yeah, Kirsty

0:43:45.229 --> 0:43:47.669
<v Speaker 1>is going to be gone. Yeah, you gotta bury that

0:43:47.749 --> 0:43:50.509
<v Speaker 1>shit in the dirt, and the person who watches it

0:43:50.669 --> 0:43:54.149
<v Speaker 1>is going to go, wow, everyone was white, Yeah, everyone

0:43:54.309 --> 0:43:57.669
<v Speaker 1>was white. This man was suffering from what can only

0:43:57.709 --> 0:44:00.829
<v Speaker 1>be termed gay panic. Ross was a predator, et cetera.

0:44:00.949 --> 0:44:03.389
<v Speaker 1>So I think we need to bury friends and with

0:44:03.629 --> 0:44:12.229
<v Speaker 1>it bury a one thousand page dissection everything of everything wrong. Right, So,

0:44:12.549 --> 0:44:16.549
<v Speaker 1>and that will be such an interesting reflection of twenty

0:44:16.629 --> 0:44:20.789
<v Speaker 1>twenty four versus the nineties and early two thousands. It's like,

0:44:20.909 --> 0:44:23.749
<v Speaker 1>this is where we are as a culture is that

0:44:24.669 --> 0:44:28.109
<v Speaker 1>things are quite scary right now. Yeah, from a like

0:44:28.589 --> 0:44:32.909
<v Speaker 1>climate change, global colis, things are pretty awful. So what

0:44:33.069 --> 0:44:35.589
<v Speaker 1>we choose to do with our time instead of writing

0:44:35.629 --> 0:44:38.589
<v Speaker 1>to our local member is we watch Friends and we

0:44:38.709 --> 0:44:42.229
<v Speaker 1>get mad that they had actional characters. So we need

0:44:42.309 --> 0:44:46.509
<v Speaker 1>to have a one thousand page dissertation. Yeah, analyzing it,

0:44:46.629 --> 0:44:48.189
<v Speaker 1>And I just think that that will be such an

0:44:48.229 --> 0:44:50.909
<v Speaker 1>important time capsule for the aliens. If you had to

0:44:50.949 --> 0:44:55.749
<v Speaker 1>bury something in your time capsule, like, what would you bury? Honestly? Yeah, honestly, yeah,

0:44:56.349 --> 0:45:00.109
<v Speaker 1>a coke zero in a fridge. I think you're just

0:45:00.309 --> 0:45:03.309
<v Speaker 1>fir no, But I just think the aliens would appreciate it.

0:45:03.389 --> 0:45:08.669
<v Speaker 1>They'd be like, these people knew out of it. What

0:45:08.789 --> 0:45:12.709
<v Speaker 1>would you bury? Either a paper straw or like a

0:45:13.509 --> 0:45:15.629
<v Speaker 1>metal Oh, I don't know. I think it's like the

0:45:15.669 --> 0:45:18.869
<v Speaker 1>world's over. Plastic straws are bound. You know, it tastes

0:45:18.909 --> 0:45:21.149
<v Speaker 1>better with a plastic straw. I can't access them, I

0:45:21.229 --> 0:45:25.189
<v Speaker 1>don't use them, but it does. Thank you so much

0:45:25.309 --> 0:45:27.989
<v Speaker 1>for joining us on this episode of Canceled. Claire, do

0:45:28.029 --> 0:45:30.389
<v Speaker 1>you have a lazy girls story? Before we go? Here's

0:45:30.389 --> 0:45:34.229
<v Speaker 1>my lazy girl story. Dear Claire and Jesse. So picture this,

0:45:34.509 --> 0:45:37.429
<v Speaker 1>love it straight into it, No tymee for pleasantries. I'm

0:45:37.549 --> 0:45:39.909
<v Speaker 1>leaving the gym this morning. Yes, I know, Jim and

0:45:39.989 --> 0:45:42.909
<v Speaker 1>morning in the same sentence. Who even am? II? Yeah,

0:45:43.669 --> 0:45:45.749
<v Speaker 1>and I decided to give mm a ring on my

0:45:45.829 --> 0:45:49.909
<v Speaker 1>way to work. Very lazy girl moved. Yeah, you can't

0:45:49.909 --> 0:45:52.349
<v Speaker 1>be alone with your own thoughts. No super productive for

0:45:52.429 --> 0:45:55.629
<v Speaker 1>self proclaimed lazy girl. Right anyway, midchat, Mum casually asked

0:45:55.629 --> 0:45:58.109
<v Speaker 1>if I'm planning to have a shower at work. Of course,

0:45:58.149 --> 0:46:00.989
<v Speaker 1>I responded with math, probably not, don't work that hard,

0:46:01.509 --> 0:46:04.429
<v Speaker 1>not really sweaty. I'll just do a quick wet white

0:46:04.469 --> 0:46:07.749
<v Speaker 1>situation and top up cety over and yet love And

0:46:07.869 --> 0:46:09.989
<v Speaker 1>guess what. Mum was totally on board with this, and

0:46:10.149 --> 0:46:13.509
<v Speaker 1>then she drops this absolute gem. Apparently my granny Joe

0:46:13.709 --> 0:46:16.749
<v Speaker 1>had a term for this, and it's called dirty flash. Yep,

0:46:16.869 --> 0:46:20.069
<v Speaker 1>you heard that right, dirty flash. I burst out laughing

0:46:20.109 --> 0:46:22.429
<v Speaker 1>and asked Mum what on earth that meant. She explained

0:46:22.469 --> 0:46:25.269
<v Speaker 1>that it's when you're technically dirty but you still look flash.

0:46:27.149 --> 0:46:29.189
<v Speaker 1>You know, like when you get home after a long day,

0:46:29.469 --> 0:46:31.629
<v Speaker 1>slap on some nice clothes and head out like you've

0:46:31.669 --> 0:46:34.549
<v Speaker 1>got it all together a true lazy girl move. That

0:46:34.869 --> 0:46:38.109
<v Speaker 1>feeling of getting home from work and you're physically sticky,

0:46:38.669 --> 0:46:41.749
<v Speaker 1>your makeup's all in your lines, right, and you get

0:46:41.789 --> 0:46:43.629
<v Speaker 1>home and you're like, I'm going to go out, like

0:46:43.709 --> 0:46:45.229
<v Speaker 1>I'm going to go to dinner, and what I'm going

0:46:45.269 --> 0:46:48.589
<v Speaker 1>to do is put more makeup. I'm going to cake

0:46:48.669 --> 0:46:50.549
<v Speaker 1>it on, because you guys, sometimes I look at my

0:46:50.629 --> 0:46:53.589
<v Speaker 1>face and I go, this needs a wash off. Yeah,

0:46:53.669 --> 0:46:56.109
<v Speaker 1>and a region a skin care moment. Do you ever

0:46:56.189 --> 0:46:58.549
<v Speaker 1>look at your makeup and you go, oh, my eyeliner

0:46:58.629 --> 0:47:01.349
<v Speaker 1>or my mascara has smaged. What I will do is

0:47:01.469 --> 0:47:05.869
<v Speaker 1>cover it with laugh Yeah, yeah, okay, cake on more makeup, yeah,

0:47:05.909 --> 0:47:08.629
<v Speaker 1>to fix it. That is a lazy girl move. You

0:47:08.789 --> 0:47:12.069
<v Speaker 1>just put on more. And that's the thing with sweat.

0:47:12.109 --> 0:47:14.869
<v Speaker 1>I don't know. I'm not totally convinced sweats dirty. No.

0:47:15.589 --> 0:47:19.469
<v Speaker 1>And you know what you keep seeing these things about, oh,

0:47:20.189 --> 0:47:23.629
<v Speaker 1>in the Western world, shower too much? Lazy girls love

0:47:23.709 --> 0:47:27.189
<v Speaker 1>that it makes us sick. We share that on Instagram.

0:47:27.189 --> 0:47:29.829
<v Speaker 1>How does it make us sick? That's the question. But

0:47:30.389 --> 0:47:34.909
<v Speaker 1>I'm actually all for that. I think sweat just reabsorbs. Yeah, great,

0:47:34.949 --> 0:47:36.949
<v Speaker 1>you get wet and then it just kind of goes

0:47:37.509 --> 0:47:39.389
<v Speaker 1>all back in. Yeah, I think it's good for the

0:47:39.509 --> 0:47:43.189
<v Speaker 1>skin to me too, So that is new to the

0:47:43.269 --> 0:47:49.949
<v Speaker 1>lazy girl vernacular. Dirty Flash Branny Joe, Granny Joe, our

0:47:50.069 --> 0:47:53.549
<v Speaker 1>favorite canceled this much. Thank you so much for listening

0:47:53.589 --> 0:47:57.069
<v Speaker 1>to this episode of Canceled. The producer of Canceled is

0:47:57.229 --> 0:48:00.389
<v Speaker 1>Kim Bradish with audio production by Leah Porges. And we'll

0:48:00.429 --> 0:48:02.189
<v Speaker 1>be back next week. Bye bye,