1 00:00:11,064 --> 00:00:15,024 Speaker 1: So much. You're listening to a Muma Mia podcast. Mamma 2 00:00:15,104 --> 00:00:18,784 Speaker 1: Mia acknowledges the traditional owners of land and waters that 3 00:00:18,864 --> 00:00:20,504 Speaker 1: this podcast is recorded on. 4 00:00:25,064 --> 00:00:27,704 Speaker 2: From Mamma Mia. Welcome to this Fear, your daily pop 5 00:00:27,744 --> 00:00:29,944 Speaker 2: culture fix. I'm Em Burnham. 6 00:00:29,664 --> 00:00:33,864 Speaker 1: And I'm Laura Brodnick and coming up on the show, Jay. Look, 7 00:00:33,904 --> 00:00:36,744 Speaker 1: we don't condone paparazzi photos, but these ones we must 8 00:00:36,744 --> 00:00:39,984 Speaker 1: discuss because it looks like Hollywood has a hot new 9 00:00:40,024 --> 00:00:42,344 Speaker 1: couple which we're gonna have to poke some holes in 10 00:00:42,344 --> 00:00:45,224 Speaker 1: the theory, but people are very excited about it. A 11 00:00:45,304 --> 00:00:48,824 Speaker 1: scandalous thronus, if you will. Plus, we have a very 12 00:00:48,864 --> 00:00:52,824 Speaker 1: new exciting TV recommendation and a special guest. He'll be 13 00:00:52,864 --> 00:00:54,184 Speaker 1: joining us later in the show. 14 00:00:54,704 --> 00:01:00,024 Speaker 2: But first, but first photos have been released. Also, paparazzi 15 00:01:00,024 --> 00:01:02,744 Speaker 2: shots that we don't condone accept its photos have been 16 00:01:02,824 --> 00:01:06,304 Speaker 2: released of a scene from Emerald for No Now's adaptation of 17 00:01:06,384 --> 00:01:08,824 Speaker 2: Emily Bronte's novel Wuthering Heights. 18 00:01:08,944 --> 00:01:12,984 Speaker 1: I say that right, No Withering Bothering Heights. 19 00:01:13,144 --> 00:01:15,664 Speaker 2: Wuthering yeap. Oh, so you're really leaning into the you 20 00:01:16,264 --> 00:01:18,664 Speaker 2: Wuthering got it starring Marco Roman. 21 00:01:18,704 --> 00:01:20,544 Speaker 1: I'm saying that with a North Queensland accent, So I'm 22 00:01:20,544 --> 00:01:22,144 Speaker 1: sure there's people are there who'd be like, that's wrong. 23 00:01:22,184 --> 00:01:24,504 Speaker 1: But weathering heights that's how I said in high school 24 00:01:24,504 --> 00:01:25,864 Speaker 1: when I first read it, So that's how we'll say 25 00:01:25,904 --> 00:01:26,144 Speaker 1: it now. 26 00:01:26,344 --> 00:01:28,704 Speaker 2: I've actually never said it out loud before, Tony, you 27 00:01:28,744 --> 00:01:31,664 Speaker 2: can tell weathering heights not weathering. 28 00:01:31,824 --> 00:01:33,344 Speaker 1: From now, I would just call it w hate What 29 00:01:33,464 --> 00:01:36,384 Speaker 1: is what is weathering? It's the estate in the Have 30 00:01:36,424 --> 00:01:39,944 Speaker 1: you not read this book? I know, Okay, that's the 31 00:01:39,984 --> 00:01:42,984 Speaker 1: biggest issue here, but please do your intro about this 32 00:01:43,264 --> 00:01:44,224 Speaker 1: for a book you haven't read. 33 00:01:44,344 --> 00:01:46,864 Speaker 2: I know, and I haven't read the book, and yet 34 00:01:46,904 --> 00:01:50,224 Speaker 2: I have a lot of feelings of the specific So 35 00:01:51,064 --> 00:01:53,704 Speaker 2: when the cast was announced a while ago, we saw 36 00:01:53,744 --> 00:01:56,744 Speaker 2: that it starred Margo Robbie and Jake Berlaudie. There was 37 00:01:56,784 --> 00:02:01,584 Speaker 2: a lot of commentation around that, especially a big backlash 38 00:02:01,664 --> 00:02:05,184 Speaker 2: with Robbie being in her mid thirties playing Catherine Ernshaw 39 00:02:05,224 --> 00:02:07,704 Speaker 2: who's a seventeen year old, as well as a LRDI 40 00:02:07,744 --> 00:02:09,904 Speaker 2: who's playing Heath Cliff, a character that's meant to have 41 00:02:09,944 --> 00:02:13,504 Speaker 2: a dark complexion, which I don't think Jacob will already 42 00:02:13,544 --> 00:02:18,264 Speaker 2: counts as a dark complexion. So with the photos being released, 43 00:02:18,304 --> 00:02:20,904 Speaker 2: all of that has come back to the surface, plus 44 00:02:21,144 --> 00:02:25,544 Speaker 2: more social pushback from the specific photos. So in the scene, 45 00:02:25,584 --> 00:02:28,464 Speaker 2: you see Robbie on a beach and she's wearing a 46 00:02:28,504 --> 00:02:32,184 Speaker 2: wedding dress, and the wedding dress looks quite modern, even 47 00:02:32,224 --> 00:02:35,784 Speaker 2: though the story takes place in the late eighteenth century. 48 00:02:36,184 --> 00:02:38,704 Speaker 2: I also saw a tweet saying, why does she look 49 00:02:38,744 --> 00:02:40,264 Speaker 2: like she's just walked out of Sphora. 50 00:02:41,024 --> 00:02:43,424 Speaker 1: Yes, because she's got a very soft, very nutch she's 51 00:02:43,504 --> 00:02:44,104 Speaker 1: very good. 52 00:02:44,624 --> 00:02:47,864 Speaker 2: Like missus do on a beauty tutorial and she taught 53 00:02:47,944 --> 00:02:50,344 Speaker 2: us how to do our blush placement. And now she's 54 00:02:50,384 --> 00:02:52,224 Speaker 2: on the beach playing. 55 00:02:53,104 --> 00:02:53,904 Speaker 1: Or a more. 56 00:02:54,744 --> 00:02:56,984 Speaker 2: I'm pretty sure she's on a beach. She's playing like 57 00:02:56,984 --> 00:03:00,664 Speaker 2: a seventeen year old who's getting married in the eighteenth century. 58 00:03:01,704 --> 00:03:02,584 Speaker 2: Is that what's going on? 59 00:03:02,744 --> 00:03:04,384 Speaker 1: Yeah? Yeah, So this is there's a there's a couple 60 00:03:04,464 --> 00:03:05,744 Speaker 1: of issues here, so. 61 00:03:06,424 --> 00:03:08,144 Speaker 2: Wearing there is more than a couple. 62 00:03:08,304 --> 00:03:10,824 Speaker 1: There's a couple of issues here. So one is that 63 00:03:10,864 --> 00:03:14,224 Speaker 1: Margot Robbie's production company, Lucky Chap is making the movie 64 00:03:14,264 --> 00:03:18,304 Speaker 1: with Emerald Fanell. This is their third collaborations, so lucky 65 00:03:18,304 --> 00:03:22,184 Speaker 1: to me, there's the third collaboration. So they did Saltburn, 66 00:03:22,224 --> 00:03:24,264 Speaker 1: which I think all agree is a great movie and 67 00:03:24,344 --> 00:03:27,944 Speaker 1: also Promising Young Woman, very great movie for which Emerald 68 00:03:27,944 --> 00:03:30,784 Speaker 1: Fanell won an Oscar for Best Original Screenplays. So they've 69 00:03:30,784 --> 00:03:33,744 Speaker 1: got a really good track record of collaborating together. I 70 00:03:33,784 --> 00:03:36,304 Speaker 1: don't think this is a case of Margot Robbie casting 71 00:03:36,344 --> 00:03:40,304 Speaker 1: herself in the role just because her company is making 72 00:03:40,304 --> 00:03:42,264 Speaker 1: the movie. There's got to be something at play here 73 00:03:42,664 --> 00:03:45,984 Speaker 1: because the book, which is if anyone hasn't read it, 74 00:03:45,984 --> 00:03:47,864 Speaker 1: including Emily, how did you get through high school without 75 00:03:47,904 --> 00:03:48,824 Speaker 1: reading this book? Oh? 76 00:03:48,864 --> 00:03:49,464 Speaker 2: We moved on? 77 00:03:49,824 --> 00:03:53,384 Speaker 1: Okay, we went Oh okay, I mean people hadn't moved 78 00:03:53,384 --> 00:03:57,184 Speaker 1: on this from this book and hundreds great Gatsby Okay, 79 00:03:57,224 --> 00:03:58,584 Speaker 1: well I read them in high school too. You can 80 00:03:58,624 --> 00:03:59,304 Speaker 1: read more than one. 81 00:03:59,384 --> 00:04:01,264 Speaker 2: Oh no, so I just did one. 82 00:04:01,784 --> 00:04:01,944 Speaker 3: Well. 83 00:04:01,984 --> 00:04:04,704 Speaker 1: Watherin Heights is widely known as one of the greatest 84 00:04:04,744 --> 00:04:08,424 Speaker 1: literary works of all time. There's been so many movie adaptations, 85 00:04:08,824 --> 00:04:11,464 Speaker 1: think pieces, so many writers have referenced this in their 86 00:04:11,504 --> 00:04:13,264 Speaker 1: own work. It's become one of those things, kind of 87 00:04:13,264 --> 00:04:16,464 Speaker 1: like Romeo and Juliet. Roeb Comes has a whole separate life. 88 00:04:16,624 --> 00:04:18,744 Speaker 2: I wat so much about the book because it's been 89 00:04:18,784 --> 00:04:19,624 Speaker 2: referenced so much. 90 00:04:19,744 --> 00:04:21,744 Speaker 1: Well, yeah, and it's a very kind of It's not 91 00:04:21,784 --> 00:04:23,984 Speaker 1: a classic love story. It's a very tortured love story 92 00:04:24,024 --> 00:04:26,824 Speaker 1: of like Heathcliffe being taken in by Kathy's family and 93 00:04:26,864 --> 00:04:30,344 Speaker 1: then they have this love connection, but then she marries 94 00:04:30,344 --> 00:04:32,944 Speaker 1: someone else and just look, it ends badly for everyone, 95 00:04:33,424 --> 00:04:35,544 Speaker 1: is all I'll say about that. But yes, in the book, 96 00:04:35,624 --> 00:04:39,064 Speaker 1: Kathy is like, you know, seventeen nineteen of and has 97 00:04:39,144 --> 00:04:41,424 Speaker 1: dark hair, which again you can mix some things up, 98 00:04:41,464 --> 00:04:44,744 Speaker 1: but obviously Margo Robbie is thirty four. The only thing 99 00:04:44,784 --> 00:04:46,984 Speaker 1: I can think is that it's some sort of because 100 00:04:46,984 --> 00:04:51,424 Speaker 1: I actually haven't released any information except that who the 101 00:04:51,504 --> 00:04:54,624 Speaker 1: lead cast, that Emerald's making it. They haven't said anything 102 00:04:54,624 --> 00:04:55,984 Speaker 1: about it if it's going to be like a very 103 00:04:56,024 --> 00:04:59,624 Speaker 1: traditional take. But also there's been so many traditional takes 104 00:04:59,624 --> 00:05:01,864 Speaker 1: with high profile stars that why would you do it 105 00:05:01,864 --> 00:05:05,824 Speaker 1: again unless you were going to like completely move away 106 00:05:05,824 --> 00:05:08,264 Speaker 1: from the original text and do like a modern spin 107 00:05:08,344 --> 00:05:11,144 Speaker 1: on it. And that's a very modern looking adding dress, right, 108 00:05:11,544 --> 00:05:14,104 Speaker 1: it's off the shoulder like a ball gown. Some people 109 00:05:14,144 --> 00:05:15,544 Speaker 1: kind of think it looks a bit eighties. 110 00:05:15,864 --> 00:05:17,984 Speaker 2: It just doesn't remind me of the Kim Cutshion, even 111 00:05:17,984 --> 00:05:19,424 Speaker 2: though she doesn't want us to talk about. 112 00:05:19,184 --> 00:05:21,584 Speaker 1: It, and just the veil, like you're saying with like 113 00:05:21,624 --> 00:05:24,704 Speaker 1: the glowy makeup book, she's got high she's clearly got. 114 00:05:24,544 --> 00:05:26,504 Speaker 2: Some hard eyelighter. They didn't have highlighted. 115 00:05:26,824 --> 00:05:28,504 Speaker 1: They're using a lot of highlight on bridges now, but 116 00:05:28,504 --> 00:05:30,984 Speaker 1: they're also not pretending that that's like of the time. 117 00:05:31,144 --> 00:05:33,264 Speaker 1: So the only thing I can think of is that 118 00:05:33,304 --> 00:05:35,784 Speaker 1: they're doing some sort of a reimagining or a modern 119 00:05:35,824 --> 00:05:36,984 Speaker 1: twists on it or something. 120 00:05:37,144 --> 00:05:41,144 Speaker 2: I hope they are, because Margo Robbie plays period roles 121 00:05:41,184 --> 00:05:43,104 Speaker 2: so well. Like I have seen a lot of people 122 00:05:43,144 --> 00:05:46,024 Speaker 2: saying that it's Margo Robbie, like obviously she looks like 123 00:05:46,064 --> 00:05:48,184 Speaker 2: good and I'm like, no, Like, if you've watched Mary 124 00:05:48,264 --> 00:05:50,144 Speaker 2: Queen of Scott's where she played Queen of Lesbeon, you 125 00:05:50,224 --> 00:05:52,984 Speaker 2: know she takes those roles super seriously and she will 126 00:05:53,304 --> 00:05:56,784 Speaker 2: take away her whole Margot Robbie esque away to play 127 00:05:56,824 --> 00:05:59,864 Speaker 2: those certain roles. So that's why I'm hoping it's not 128 00:06:00,624 --> 00:06:01,984 Speaker 2: like a period role for her. 129 00:06:02,464 --> 00:06:04,384 Speaker 1: Yeah, which I mean, I don't love messing with the 130 00:06:04,424 --> 00:06:07,464 Speaker 1: original story, but I also think if you're going t endless. 131 00:06:07,504 --> 00:06:10,024 Speaker 1: You're going to do it almost word perfect to the 132 00:06:10,024 --> 00:06:14,224 Speaker 1: ball and do everything perfectly and have everything be very 133 00:06:14,264 --> 00:06:18,144 Speaker 1: accurate to the time period. Then either go then you 134 00:06:18,264 --> 00:06:20,744 Speaker 1: have to go completely other way and take a big swing. 135 00:06:20,784 --> 00:06:22,544 Speaker 1: What if this is set in like the eighties or something, 136 00:06:22,744 --> 00:06:25,704 Speaker 1: Obviously I don't know what the storyline would be because 137 00:06:25,984 --> 00:06:28,144 Speaker 1: it's the culture of the time that puts up, you know, 138 00:06:28,264 --> 00:06:31,624 Speaker 1: barriers for them mean together and explains their family and 139 00:06:31,664 --> 00:06:35,624 Speaker 1: explains their background and everything. So I mean, you know, 140 00:06:35,864 --> 00:06:37,504 Speaker 1: I feel in modern days you just be like, just 141 00:06:37,544 --> 00:06:39,784 Speaker 1: be together and have a toxic romance. You know, we 142 00:06:39,824 --> 00:06:42,544 Speaker 1: have plenty of those, you know. So I don't know. 143 00:06:42,664 --> 00:06:44,184 Speaker 1: Do you think that Margo Robbie has a bit too 144 00:06:44,224 --> 00:06:46,184 Speaker 1: much of it? Like she doesn't have an iPhone face? 145 00:06:46,224 --> 00:06:46,984 Speaker 1: Have you heard that before? 146 00:06:47,264 --> 00:06:49,384 Speaker 2: Yes, So that's the whole thing. I don't think she 147 00:06:49,424 --> 00:06:51,584 Speaker 2: does have an iPhone face, just because I have seen 148 00:06:51,624 --> 00:06:53,984 Speaker 2: her play roles that she does look like she has 149 00:06:54,024 --> 00:06:54,424 Speaker 2: an iPhone. 150 00:06:54,544 --> 00:06:57,104 Speaker 1: Yeah, if anyone who doesn't know, there's some actors who 151 00:06:57,304 --> 00:06:59,904 Speaker 1: people will be like, they just we can't picture them 152 00:07:00,184 --> 00:07:02,344 Speaker 1: in a period movie because they look like they've seen 153 00:07:02,344 --> 00:07:05,864 Speaker 1: an iPhone. It's a very distinct thing about their face, 154 00:07:06,304 --> 00:07:06,584 Speaker 1: do you hear? 155 00:07:06,664 --> 00:07:08,384 Speaker 2: Clar and peer for me is one that has like 156 00:07:08,464 --> 00:07:10,864 Speaker 2: I could really has an iPhone face and really get 157 00:07:10,904 --> 00:07:11,984 Speaker 2: around her and little women. 158 00:07:12,624 --> 00:07:16,144 Speaker 1: Yeah, you know that girl has seen it. Yeah, and 159 00:07:16,144 --> 00:07:18,584 Speaker 1: she looks like Emma Roberts has not seen a kN iPhone. 160 00:07:18,664 --> 00:07:21,344 Speaker 1: Emma Roberts has not seen a kN iPhone, hasn't even 161 00:07:21,344 --> 00:07:22,104 Speaker 1: seen an old school not. 162 00:07:22,704 --> 00:07:24,864 Speaker 2: Even Sir Sharonen has never seen a kniphone. Oh yeah, 163 00:07:24,864 --> 00:07:27,064 Speaker 2: one hundred percent, hasn't even seen a laptop. That girl 164 00:07:27,144 --> 00:07:30,064 Speaker 2: will throw it all the way back. Jacob Eladi, he's 165 00:07:30,104 --> 00:07:31,544 Speaker 2: seen so many iPhones. 166 00:07:31,904 --> 00:07:35,584 Speaker 1: He's on the Apple. Okay, he's a different one. So 167 00:07:35,904 --> 00:07:38,104 Speaker 1: I just think that casting directors should be thinking about 168 00:07:38,104 --> 00:07:39,544 Speaker 1: this and taken it into account. 169 00:07:39,584 --> 00:07:41,504 Speaker 2: Okay, when you were younger reading this book for the 170 00:07:41,504 --> 00:07:44,864 Speaker 2: first time, who did you envision to play Catherine and Heath? 171 00:07:46,184 --> 00:07:47,584 Speaker 2: I don't give me someone good. 172 00:07:48,144 --> 00:07:50,424 Speaker 1: Who would be I mean, I don't know, you need 173 00:07:50,464 --> 00:07:52,824 Speaker 1: someone's very brooding, I think at the time, depending on 174 00:07:52,864 --> 00:07:54,944 Speaker 1: who was famous, maybe even like I mean not a 175 00:07:54,984 --> 00:07:58,384 Speaker 1: Johnny Depp, but someone like that, but but someone more 176 00:07:58,464 --> 00:08:01,344 Speaker 1: muscular and rugged than that, Like you know, he could 177 00:08:01,344 --> 00:08:03,144 Speaker 1: have done like a Heath Ledger or someone like that. 178 00:08:03,264 --> 00:08:05,584 Speaker 1: Obviously he's a straighten, but you know, is someone who 179 00:08:05,664 --> 00:08:08,824 Speaker 1: could do that rugged, you know, manly kind of thing 180 00:08:08,864 --> 00:08:13,344 Speaker 1: but also into the role something like that. And then Kathy, Yeah, 181 00:08:13,664 --> 00:08:15,424 Speaker 1: it has to be like a very young, kind of fiery, 182 00:08:15,584 --> 00:08:19,224 Speaker 1: dark beauty to play that role. So I don't know. 183 00:08:19,224 --> 00:08:23,144 Speaker 1: But again, there's been so many adaptations where different actresses 184 00:08:23,184 --> 00:08:25,144 Speaker 1: have played this role. So I just think people are 185 00:08:25,144 --> 00:08:27,544 Speaker 1: getting very angry. But what I'm hoping is that they'll 186 00:08:27,584 --> 00:08:29,944 Speaker 1: release a trailer that explains it all and we'll see, 187 00:08:29,984 --> 00:08:32,584 Speaker 1: like this is in the seventies of the eighties, something 188 00:08:32,624 --> 00:08:34,024 Speaker 1: like that, and it'll all makes sense. 189 00:08:36,544 --> 00:08:40,824 Speaker 2: So two celebrities were spotted getting dinner together at the 190 00:08:40,904 --> 00:08:45,144 Speaker 2: Sunset Tower Hotel in West Hollywood over the weekend. Those 191 00:08:45,184 --> 00:08:49,424 Speaker 2: two celebrities are single, so we think at the moment, 192 00:08:50,264 --> 00:08:54,584 Speaker 2: those two celebrities are Pedro Pascal and Jennifer Aniston. And 193 00:08:54,704 --> 00:08:57,264 Speaker 2: guess what they're dating? 194 00:08:57,384 --> 00:09:00,824 Speaker 1: They're not dating, Yes they are, And we're moving on. 195 00:09:01,064 --> 00:09:02,344 Speaker 2: We're moving on to your interview. 196 00:09:02,624 --> 00:09:05,184 Speaker 1: And can I tell you why there's two words in 197 00:09:05,184 --> 00:09:06,744 Speaker 1: there they give away the fact they're not dating. 198 00:09:07,184 --> 00:09:08,224 Speaker 2: Can I guess the two words? 199 00:09:08,304 --> 00:09:08,504 Speaker 1: Yep? 200 00:09:08,744 --> 00:09:11,344 Speaker 2: Oh this is good. It's not meant to be hard 201 00:09:11,664 --> 00:09:13,544 Speaker 2: other people because there are other people there. 202 00:09:13,704 --> 00:09:20,504 Speaker 1: No, Okay, to public, you're getting very close. Okay, public spotting, 203 00:09:21,064 --> 00:09:22,424 Speaker 1: it's public one of them. I'm gonna put you out 204 00:09:22,424 --> 00:09:24,864 Speaker 1: a Missay. It's Sunset Tower. Do you know why? Because 205 00:09:24,904 --> 00:09:27,304 Speaker 1: that is the biggest Hollywood hots. But people literally go 206 00:09:27,344 --> 00:09:29,864 Speaker 1: and book tables there and wait out there to see 207 00:09:29,864 --> 00:09:31,504 Speaker 1: celebrities because that's where they all broke. 208 00:09:31,544 --> 00:09:33,224 Speaker 2: Good to know because I nearly left that out of 209 00:09:33,224 --> 00:09:33,744 Speaker 2: my notes. 210 00:09:33,904 --> 00:09:37,144 Speaker 1: Yeah, I know as soon as I because like I 211 00:09:37,144 --> 00:09:38,824 Speaker 1: did see this photos come out today and I was 212 00:09:39,024 --> 00:09:41,664 Speaker 1: quite excited. One because you know, we all have Pedro Pascal. 213 00:09:41,824 --> 00:09:45,264 Speaker 1: He never talks about his dating life or for all 214 00:09:45,304 --> 00:09:47,784 Speaker 1: we know, he's you know, completely single, or he could 215 00:09:47,824 --> 00:09:49,944 Speaker 1: have a long term partner that he's just never mentioned. 216 00:09:49,984 --> 00:09:50,544 Speaker 1: We just don't know. 217 00:09:50,624 --> 00:09:53,664 Speaker 2: Can I say something really controversial? He's the one man 218 00:09:53,744 --> 00:09:56,704 Speaker 2: in Hollywood that if he dated a woman in her 219 00:09:56,744 --> 00:09:57,904 Speaker 2: twenties I'd be okay with? 220 00:09:58,184 --> 00:09:59,224 Speaker 1: Is that because you want it to be you. 221 00:09:59,664 --> 00:10:01,864 Speaker 2: I think it'll be easy to envision me that way. 222 00:10:01,984 --> 00:10:04,504 Speaker 1: Yes, Okay, Well, like I think like. 223 00:10:04,544 --> 00:10:06,104 Speaker 2: He's the only man that I wouldn't be creeped out 224 00:10:06,104 --> 00:10:09,104 Speaker 2: by Okay, we'll give him a pass, but everyone else know. 225 00:10:09,384 --> 00:10:12,224 Speaker 1: And then obviously everyone always very invested in Jennifer anderstand 226 00:10:12,224 --> 00:10:14,584 Speaker 1: and we're still on this whole kick of wanting her 227 00:10:14,624 --> 00:10:16,944 Speaker 1: to have a happy, happy ending, even though she seems 228 00:10:16,944 --> 00:10:17,664 Speaker 1: to be doing just fine. 229 00:10:17,784 --> 00:10:19,384 Speaker 2: I know, I shipped her and John Hamm on the 230 00:10:19,384 --> 00:10:21,424 Speaker 2: Morning Show. I thought that chemistry was great. 231 00:10:21,584 --> 00:10:24,624 Speaker 1: Again acting, But again, I mean more likely to believe 232 00:10:24,664 --> 00:10:27,744 Speaker 1: that than her and Pedro Pascal because they're at a 233 00:10:27,784 --> 00:10:31,544 Speaker 1: complete Hollywood hot spot where people go to do celebrity watching, 234 00:10:31,584 --> 00:10:33,584 Speaker 1: not just outside but inside. That's why it can be 235 00:10:33,624 --> 00:10:35,104 Speaker 1: hard to get a table, and there are hard to 236 00:10:35,104 --> 00:10:37,864 Speaker 1: get a reservation, and the bar is so booked out, 237 00:10:37,864 --> 00:10:40,184 Speaker 1: and there are private areas you can book, and obviously 238 00:10:40,184 --> 00:10:42,504 Speaker 1: a lot of the celebrities come like really late to 239 00:10:42,664 --> 00:10:45,944 Speaker 1: miss the celebrity spotters who are there. But there are 240 00:10:46,024 --> 00:10:49,944 Speaker 1: whole chains of people, like whole chains online of people 241 00:10:49,984 --> 00:10:52,384 Speaker 1: like talking about all the different celebrities they've seen there 242 00:10:52,384 --> 00:10:53,904 Speaker 1: and who they've gone in and out, which are the 243 00:10:53,904 --> 00:10:55,784 Speaker 1: best nights to go to see the best celebrities, Like 244 00:10:55,784 --> 00:10:58,264 Speaker 1: it's where you go to be photographed, and I don't 245 00:10:58,264 --> 00:11:00,344 Speaker 1: think it was like a Sutton Foster Hugh grand thing. 246 00:11:00,384 --> 00:11:03,464 Speaker 1: I'm like they decided to hard launch their relationship here. 247 00:11:03,504 --> 00:11:05,984 Speaker 1: I think they also the photos are very Again, I 248 00:11:06,024 --> 00:11:08,504 Speaker 1: don't mean to break your heart, but I just do look. 249 00:11:08,424 --> 00:11:10,664 Speaker 2: Very platonic, like they could be standing further apart. 250 00:11:10,704 --> 00:11:13,344 Speaker 1: They're in a very public place. They look platonic, and 251 00:11:13,464 --> 00:11:15,624 Speaker 1: the photos have been cropped in to make it look 252 00:11:15,664 --> 00:11:17,704 Speaker 1: like they're together, Whereas if you look at the full 253 00:11:18,064 --> 00:11:20,544 Speaker 1: paparazzi shots, which are also online, they're with a big 254 00:11:20,544 --> 00:11:24,544 Speaker 1: group of people. So they're at they're at a friend's dinner, 255 00:11:25,024 --> 00:11:26,944 Speaker 1: or they're at a business dinner or something like the 256 00:11:27,024 --> 00:11:28,504 Speaker 1: agents have taken them there something. 257 00:11:28,544 --> 00:11:30,944 Speaker 2: Well, if it is a business dinner, then maybe he'll 258 00:11:30,984 --> 00:11:33,624 Speaker 2: be on the next season of the morning show next 259 00:11:33,664 --> 00:11:33,944 Speaker 2: love It. 260 00:11:34,064 --> 00:11:35,784 Speaker 1: Also, maybe that's the first time they met and that's 261 00:11:35,784 --> 00:11:37,504 Speaker 1: their meet cute. I'm not I don't want to completely 262 00:11:37,624 --> 00:11:39,304 Speaker 1: kill your vibe, although I don't think that's it. 263 00:11:39,344 --> 00:11:41,504 Speaker 2: So we're ninety nine percent, not one hundred. 264 00:11:42,144 --> 00:11:44,824 Speaker 1: I'd say we're ninety nine percent. We're one hundred percent 265 00:11:44,824 --> 00:11:46,904 Speaker 1: sure that wasn't a date. I'm not going to say 266 00:11:46,904 --> 00:11:48,784 Speaker 1: one hundred percent it won't lead to dating. 267 00:11:48,664 --> 00:11:52,704 Speaker 2: But okay, here first, they're about to date. 268 00:11:52,944 --> 00:11:55,344 Speaker 1: But why do you think people were so obsessed with 269 00:11:55,384 --> 00:11:58,504 Speaker 1: this announcement that's one show, because people were literally in 270 00:11:58,624 --> 00:12:01,104 Speaker 1: puddles this morning. I saw it both physically in the 271 00:12:01,144 --> 00:12:03,424 Speaker 1: office and just online, this emotional outpouring. 272 00:12:03,504 --> 00:12:05,544 Speaker 2: I think it's exactly what you said, like it's the 273 00:12:05,584 --> 00:12:08,584 Speaker 2: two celebrities that are always in the zeigeist, Like we're 274 00:12:08,704 --> 00:12:11,864 Speaker 2: constantly talking about them, especially like in the past few years, 275 00:12:12,104 --> 00:12:15,704 Speaker 2: and I feel like people don't like not people don't 276 00:12:15,744 --> 00:12:18,544 Speaker 2: like not knowing what's happening in celebrities private lives. Yeah, 277 00:12:18,624 --> 00:12:21,584 Speaker 2: which always happens with Jennifer Anison and like you said, 278 00:12:21,624 --> 00:12:24,704 Speaker 2: Pedro Pascal, like they're the only two who haven't had 279 00:12:24,784 --> 00:12:27,904 Speaker 2: any word about relationships or anything. Especially with Jennifer Nison. 280 00:12:28,024 --> 00:12:32,184 Speaker 2: Every time she's seen with another man her age, everyone 281 00:12:32,224 --> 00:12:34,784 Speaker 2: just goes crazy, even when she like briefly hugged Brad 282 00:12:34,784 --> 00:12:35,824 Speaker 2: Pit on the red carpet. 283 00:12:37,664 --> 00:12:39,624 Speaker 1: Oh my god. 284 00:12:39,704 --> 00:12:42,784 Speaker 2: When Pedro Pascal is seen like with his cast, with 285 00:12:42,824 --> 00:12:44,624 Speaker 2: his female cast, and he has like a lot of 286 00:12:44,664 --> 00:12:47,664 Speaker 2: anxiety on stage, He's always like holding their hands and stuff, 287 00:12:47,984 --> 00:12:50,504 Speaker 2: And I think people just take that and just me 288 00:12:50,704 --> 00:12:53,104 Speaker 2: talking about that people just take that and just run 289 00:12:53,144 --> 00:12:55,784 Speaker 2: with it, because I think the idea of when you 290 00:12:55,864 --> 00:12:58,184 Speaker 2: just have so much love for a certain celebrity because 291 00:12:58,184 --> 00:13:00,304 Speaker 2: you've seen them in this atmosphere of them just being 292 00:13:00,304 --> 00:13:03,104 Speaker 2: really cool and charismatic, you just want them to be happy, 293 00:13:03,144 --> 00:13:05,824 Speaker 2: similar to like how you would with your single friends, right, Like, 294 00:13:05,864 --> 00:13:07,624 Speaker 2: I feel like you just want them to make that 295 00:13:07,784 --> 00:13:10,664 Speaker 2: parasocial relationship with them, and you just like put all 296 00:13:10,704 --> 00:13:12,784 Speaker 2: these other celebrities onto them and make these big stories 297 00:13:12,864 --> 00:13:13,424 Speaker 2: up in your head. 298 00:13:13,944 --> 00:13:15,544 Speaker 1: I know. Well, I think that's why people are having 299 00:13:15,544 --> 00:13:16,464 Speaker 1: this extreme reaction. 300 00:13:16,984 --> 00:13:21,824 Speaker 2: I also have kind of also breaking news. Okay, two 301 00:13:21,904 --> 00:13:24,304 Speaker 2: other celebrities have been spotted together and they very much 302 00:13:24,424 --> 00:13:27,224 Speaker 2: like you can't even like push me on this because 303 00:13:27,224 --> 00:13:29,464 Speaker 2: I'm pretty sure they're in a relationship just by the 304 00:13:29,504 --> 00:13:32,744 Speaker 2: way these photos have been placed. So Shalene Woodley, who 305 00:13:32,744 --> 00:13:35,984 Speaker 2: we know from Divergent, is that where everyone else ts 306 00:13:35,984 --> 00:13:36,264 Speaker 2: are from? 307 00:13:36,304 --> 00:13:39,584 Speaker 1: That's big little lies, big little lies. That was good 308 00:13:39,664 --> 00:13:40,824 Speaker 1: the fault Now stars, have. 309 00:13:42,304 --> 00:13:44,744 Speaker 2: You seen how she's been going viral on tiktop because 310 00:13:44,744 --> 00:13:47,144 Speaker 2: of her Divergent scream. 311 00:13:46,944 --> 00:13:48,544 Speaker 1: No what from the movie. 312 00:13:48,664 --> 00:13:54,464 Speaker 4: Yeah, it's the funniest scream of my life because like 313 00:13:54,584 --> 00:13:58,064 Speaker 4: her voice is quite like breaky, you know what I mean, 314 00:13:58,184 --> 00:13:59,224 Speaker 4: Like it's quite breathy. 315 00:13:59,544 --> 00:14:03,984 Speaker 1: So her scream was like, is this when she's fighting? 316 00:14:04,144 --> 00:14:05,344 Speaker 2: No, when she jumps off her building? 317 00:14:05,504 --> 00:14:05,864 Speaker 1: For sure? 318 00:14:05,944 --> 00:14:09,584 Speaker 2: Yeah, quite tragic, but like it's really funny. 319 00:14:08,984 --> 00:14:11,144 Speaker 1: Lives, I mean, not the books anyway, this is not 320 00:14:13,944 --> 00:14:15,704 Speaker 1: it's not a diversion takedown. 321 00:14:15,744 --> 00:14:19,584 Speaker 2: Okay, So she was spotted in public with Lucas Bravo. 322 00:14:19,784 --> 00:14:21,944 Speaker 2: That name doesn't ring a bell, his face will because 323 00:14:21,944 --> 00:14:23,984 Speaker 2: he is the male lead in Emily in Paris. 324 00:14:24,064 --> 00:14:25,824 Speaker 1: If you think I don't know who that man is 325 00:14:26,224 --> 00:14:28,744 Speaker 1: my Comforts show Emily in Paris. You what do you 326 00:14:28,744 --> 00:14:29,504 Speaker 1: think of this couple? 327 00:14:29,544 --> 00:14:30,544 Speaker 2: They're definitely a couple. 328 00:14:31,104 --> 00:14:34,664 Speaker 1: Well, like, look, I don't have a lot of I 329 00:14:34,704 --> 00:14:37,584 Speaker 1: don't love Lucas Bravo the same way. I mean, I'm 330 00:14:37,624 --> 00:14:41,824 Speaker 1: sure he's character. Well, I don't love the whole Gabrielle 331 00:14:41,864 --> 00:14:44,624 Speaker 1: storyline on Emily in Paris. I think it's done to death. 332 00:14:45,104 --> 00:14:47,304 Speaker 1: I'm not here for the will they won't they hope 333 00:14:47,304 --> 00:14:48,104 Speaker 1: they won't. 334 00:14:49,384 --> 00:14:51,064 Speaker 2: Gave him this feedback yeah on the day. 335 00:14:51,224 --> 00:14:53,904 Speaker 1: Well, also he is again, I don't know what he's 336 00:14:53,944 --> 00:14:55,544 Speaker 1: like in real life because I haven't met him. You know, 337 00:14:55,584 --> 00:14:57,264 Speaker 1: I don't meet the characters for my favorite TV show. 338 00:14:58,064 --> 00:15:00,184 Speaker 1: His character, well, he keeps talking about how much she 339 00:15:00,184 --> 00:15:01,744 Speaker 1: doesn't want to be on Emily in Paris anymore. He 340 00:15:01,744 --> 00:15:03,864 Speaker 1: thinks it's a bad show, to which I was like, 341 00:15:03,904 --> 00:15:05,864 Speaker 1: so it's actually a great show and that seems like. 342 00:15:05,864 --> 00:15:06,584 Speaker 2: A personal problem. 343 00:15:06,664 --> 00:15:09,984 Speaker 1: But he said he can't go anywhere in France anymore 344 00:15:09,984 --> 00:15:13,184 Speaker 1: because he too easily recognizable, and I was like, oh, sorry, 345 00:15:13,384 --> 00:15:16,064 Speaker 1: on a really successful TV But I was also like, sir, 346 00:15:16,144 --> 00:15:18,024 Speaker 1: I don't mean to say that I know more about 347 00:15:18,104 --> 00:15:20,424 Speaker 1: your country than you do, but I don't think French 348 00:15:20,464 --> 00:15:23,664 Speaker 1: people are watching Emily in Paris, like surely that's insulting 349 00:15:23,704 --> 00:15:25,944 Speaker 1: to them and they have better entertainment, Like that's for us. 350 00:15:26,064 --> 00:15:28,024 Speaker 2: It's like, I think it's the tourists who are going 351 00:15:28,024 --> 00:15:30,264 Speaker 2: to France and then seeing that would be insane in 352 00:15:30,304 --> 00:15:32,144 Speaker 2: France and then sing like a bravo him. 353 00:15:32,184 --> 00:15:34,144 Speaker 1: But again, I don't think if him just walking through 354 00:15:34,144 --> 00:15:35,824 Speaker 1: the streets with his like he's usually like a bit 355 00:15:35,864 --> 00:15:37,864 Speaker 1: more scuffy than his character, and he's always got a 356 00:15:37,864 --> 00:15:38,544 Speaker 1: little beanie on. 357 00:15:38,664 --> 00:15:40,904 Speaker 2: Really trying. He's doing like a Robert Pattison. He's really 358 00:15:40,904 --> 00:15:41,224 Speaker 2: trying to. 359 00:15:41,184 --> 00:15:43,704 Speaker 1: Push me you can stay in the apartment building that 360 00:15:43,744 --> 00:15:46,064 Speaker 1: he and Emily's characters live in, because my friend's parents 361 00:15:46,104 --> 00:15:48,944 Speaker 1: accidentally stayed there, had no idea, and then that would 362 00:15:48,944 --> 00:15:50,384 Speaker 1: have made a day that I know I wanted to 363 00:15:50,384 --> 00:15:51,904 Speaker 1: go and stay there. Now maybe I will. There's a 364 00:15:51,944 --> 00:15:53,744 Speaker 1: sign that front says Emily is not here right now, 365 00:15:53,784 --> 00:15:56,264 Speaker 1: and then people taking photos of it and they didn't 366 00:15:56,264 --> 00:15:58,664 Speaker 1: realize that it was where they filmed the show. 367 00:15:58,784 --> 00:15:59,504 Speaker 2: That's so funny. 368 00:15:59,544 --> 00:16:00,144 Speaker 1: He would hate that. 369 00:16:00,424 --> 00:16:02,104 Speaker 2: Yeah, he would absolutely hate that. 370 00:16:02,224 --> 00:16:04,184 Speaker 1: I don't like when people just sort of turn against 371 00:16:04,224 --> 00:16:06,424 Speaker 1: their shows and and the people who watch it in 372 00:16:06,464 --> 00:16:09,144 Speaker 1: that way. The risk because I'm like, also, so I'm sorry, 373 00:16:09,144 --> 00:16:10,344 Speaker 1: what else have you got going on with the. 374 00:16:10,504 --> 00:16:12,624 Speaker 2: But this is now we're just talking about Emily in Paris. 375 00:16:12,704 --> 00:16:14,504 Speaker 1: Yeah, I'll bring anything back to Emily in Paris. 376 00:16:14,544 --> 00:16:17,184 Speaker 2: Oh God. The reason why I think that they're inner 377 00:16:17,224 --> 00:16:20,304 Speaker 2: relationship is the way they're dress. Not really Lucas brother, 378 00:16:20,344 --> 00:16:25,064 Speaker 2: because he always dresses like that. Specifically Shalne Woodley. Yeah, 379 00:16:25,144 --> 00:16:28,304 Speaker 2: it's a very like specific type of track pant that 380 00:16:28,384 --> 00:16:28,904 Speaker 2: she's wearing. 381 00:16:28,904 --> 00:16:31,104 Speaker 1: Because you could tell me I've seen these photos, would 382 00:16:31,104 --> 00:16:33,184 Speaker 1: explain for people who might not have seen them. So 383 00:16:33,224 --> 00:16:35,704 Speaker 1: these pat photos came out. They're walking side by side. 384 00:16:35,744 --> 00:16:38,384 Speaker 1: They're not really touching, are they, But you're reading between 385 00:16:38,424 --> 00:16:38,704 Speaker 1: the lines. 386 00:16:38,744 --> 00:16:39,704 Speaker 2: Let me get these photos up. 387 00:16:39,744 --> 00:16:41,504 Speaker 1: Okay, Well guys, we're going to describe them to you 388 00:16:41,544 --> 00:16:42,944 Speaker 1: and just do a visual picture. 389 00:16:43,944 --> 00:16:47,904 Speaker 2: So it's like kind of the clothes you wear when 390 00:16:47,944 --> 00:16:50,744 Speaker 2: it's a really cold day out and you weren't expecting 391 00:16:50,784 --> 00:16:52,304 Speaker 2: it to be cold, so you kind of put on 392 00:16:52,464 --> 00:16:53,984 Speaker 2: you know, you just have like your suitcase and you're like, 393 00:16:53,984 --> 00:16:55,824 Speaker 2: you know what, I'm just gonna put everything on because 394 00:16:55,824 --> 00:16:58,944 Speaker 2: that's what I need. She's got like a black skivvy 395 00:16:59,064 --> 00:17:01,824 Speaker 2: on with like a green net on top, and then 396 00:17:01,864 --> 00:17:06,184 Speaker 2: she's got this big black coat with gray track pants. 397 00:17:07,024 --> 00:17:09,424 Speaker 2: Now I think they're track pants, so they could be 398 00:17:09,504 --> 00:17:12,384 Speaker 2: Genie track anyway. These are the type of track pants. 399 00:17:12,384 --> 00:17:14,464 Speaker 2: So you have two types of track pants, right. You 400 00:17:14,504 --> 00:17:16,424 Speaker 2: have your going out track pants that's like, oh, I 401 00:17:16,424 --> 00:17:18,704 Speaker 2: need to pop up by the shops in case I 402 00:17:18,744 --> 00:17:20,424 Speaker 2: bump into someone. I'm like, no, I'm going to put 403 00:17:20,424 --> 00:17:21,264 Speaker 2: these track pants on. 404 00:17:21,624 --> 00:17:23,424 Speaker 1: Yeah, I don't have going out track okay, so I 405 00:17:23,424 --> 00:17:25,824 Speaker 1: can't relate to that A lot of us have, okay. 406 00:17:25,504 --> 00:17:27,544 Speaker 2: And then you have the track pants that no one's 407 00:17:27,584 --> 00:17:27,984 Speaker 2: meant to see. 408 00:17:28,064 --> 00:17:28,944 Speaker 1: Oh, I definitely have those. 409 00:17:29,104 --> 00:17:31,024 Speaker 2: And then these are I think she wore the wrong 410 00:17:31,064 --> 00:17:33,584 Speaker 2: track pants, but I think she gets away with it 411 00:17:33,624 --> 00:17:35,824 Speaker 2: because she's got such a massive coat. Yeah, it's a 412 00:17:35,904 --> 00:17:37,984 Speaker 2: kind of track pants that you would only show your 413 00:17:38,024 --> 00:17:41,264 Speaker 2: significant other like months into the relationship. Okay, you know 414 00:17:41,304 --> 00:17:43,464 Speaker 2: the track pants that you wear before you get your period, 415 00:17:43,544 --> 00:17:46,504 Speaker 2: as you're like preempting and on those those kinds of trackments. 416 00:17:46,504 --> 00:17:48,024 Speaker 2: So maybe it's not a period. Maybe she's just got 417 00:17:48,024 --> 00:17:50,344 Speaker 2: a Berriod that's mine. Yeah, she's allowed to. And so 418 00:17:50,424 --> 00:17:52,304 Speaker 2: I think she's wearing those kind of track pants and 419 00:17:52,344 --> 00:17:56,824 Speaker 2: it's her whole outfit put together. That's like, that's something 420 00:17:56,824 --> 00:17:59,144 Speaker 2: you would just never just wear on a date. That's 421 00:17:59,144 --> 00:18:00,864 Speaker 2: not something you would wear with friends, and something you 422 00:18:00,864 --> 00:18:02,464 Speaker 2: would wear with your long term partner. 423 00:18:03,464 --> 00:18:05,104 Speaker 1: While do you think they could have been dating this 424 00:18:05,224 --> 00:18:08,064 Speaker 1: long without anyone knowing they have? The only reason I 425 00:18:08,064 --> 00:18:10,264 Speaker 1: think they could be dating, even though I love your 426 00:18:10,504 --> 00:18:12,744 Speaker 1: thought out theory on the clothes and the boyfriend outfit 427 00:18:12,824 --> 00:18:15,984 Speaker 1: she's wearing is that Shylene Woodley very infamously like doesn't 428 00:18:16,024 --> 00:18:18,384 Speaker 1: do any kind of pr stunts, Like she's very against 429 00:18:18,424 --> 00:18:20,944 Speaker 1: that sort of stuff and she lets but she's always 430 00:18:21,024 --> 00:18:24,264 Speaker 1: very happy to let herself be papped with different boyfriends. 431 00:18:24,304 --> 00:18:26,224 Speaker 1: I think she's always like, we're together, we're going out. 432 00:18:26,424 --> 00:18:28,304 Speaker 1: If we get paped, we get papped. That's why we 433 00:18:28,344 --> 00:18:31,904 Speaker 1: always know who she's dating. There's so many sportsmen who's 434 00:18:31,944 --> 00:18:34,624 Speaker 1: meant only whose name I only know because they've dated her, 435 00:18:34,864 --> 00:18:36,624 Speaker 1: Like she's like wet of the world. 436 00:18:37,104 --> 00:18:40,064 Speaker 2: I think, Yeah, but maybe that's just her now saying that, Okay, 437 00:18:40,104 --> 00:18:42,624 Speaker 2: I'm ready for this relationship. Maybe it's because also he 438 00:18:42,624 --> 00:18:45,424 Speaker 2: he's really famous, and I think most of the guys 439 00:18:45,424 --> 00:18:48,344 Speaker 2: she's dated so to all sports fans, I can't producer 440 00:18:48,424 --> 00:18:51,464 Speaker 2: and ed. But I think like previously she would be 441 00:18:51,584 --> 00:18:54,304 Speaker 2: the more famous one in the relationship. 442 00:18:54,304 --> 00:18:56,144 Speaker 1: She's still the more famous one here. 443 00:18:56,384 --> 00:18:59,704 Speaker 2: Okay, But with the zyguist about Emily in Paris and 444 00:18:59,824 --> 00:19:02,704 Speaker 2: like people lining up outside his fake apartment, maybe she's 445 00:19:02,784 --> 00:19:05,744 Speaker 2: not anymore. Like actually, maybe I don't think she is anymore. 446 00:19:06,104 --> 00:19:06,624 Speaker 1: I think she is. 447 00:19:06,624 --> 00:19:08,984 Speaker 2: I think I haven't seen her anywhere besides Bigger than Lies. 448 00:19:08,984 --> 00:19:11,824 Speaker 2: I was like, what five years ago, No, not that long. 449 00:19:11,904 --> 00:19:15,024 Speaker 1: They're bringing will potentially bring out season three, she does others, maybe. 450 00:19:14,864 --> 00:19:18,184 Speaker 2: She will become more famous when Divergent and Big Little Lies. 451 00:19:18,584 --> 00:19:21,904 Speaker 2: Maybe she'll become more famous when Big Little Lie Season 452 00:19:21,904 --> 00:19:24,424 Speaker 2: three comes out. Okay, but right now she's not the 453 00:19:24,464 --> 00:19:25,864 Speaker 2: most famous one in this relationship. 454 00:19:28,384 --> 00:19:31,624 Speaker 1: So I went to a very glzzy premiere this week. Sorry, 455 00:19:31,664 --> 00:19:32,384 Speaker 1: you can come with me. 456 00:19:32,784 --> 00:19:33,664 Speaker 2: You didn't get a plus one. 457 00:19:33,704 --> 00:19:35,984 Speaker 1: I did get a plus one one and it wasn't me. 458 00:19:36,224 --> 00:19:37,344 Speaker 1: I thought you were busy this week. 459 00:19:37,704 --> 00:19:39,664 Speaker 2: Also, I have a lot of family things. 460 00:19:39,824 --> 00:19:42,264 Speaker 1: Yeah you do. I I was giving you a little out. 461 00:19:42,584 --> 00:19:45,744 Speaker 1: But I went to the world premiere of The Last 462 00:19:45,824 --> 00:19:48,984 Speaker 1: Anniversary at the State Theater, one of our very favorite venues. 463 00:19:49,184 --> 00:19:50,944 Speaker 2: This has been such a hyped show. 464 00:19:51,464 --> 00:19:54,224 Speaker 1: It really has, and I think that sometimes can work 465 00:19:54,304 --> 00:19:55,984 Speaker 1: against it, but in this case, I feel like it 466 00:19:56,064 --> 00:19:58,784 Speaker 1: really lived up to the hype. So The Last Anniversary 467 00:19:58,944 --> 00:20:02,264 Speaker 1: is the latest adaptation of Leanne Moriarty's work. She was 468 00:20:02,344 --> 00:20:05,304 Speaker 1: at the premiere on Monday night. I got a little 469 00:20:05,344 --> 00:20:05,984 Speaker 1: star struck. 470 00:20:06,104 --> 00:20:06,704 Speaker 2: I would as well. 471 00:20:06,784 --> 00:20:09,024 Speaker 1: I've seen her at events before, I haven't ever personally 472 00:20:09,064 --> 00:20:11,384 Speaker 1: interviewed her, but when she was sitting in front of 473 00:20:11,464 --> 00:20:12,864 Speaker 1: me with some of the casts and she got up 474 00:20:12,864 --> 00:20:15,304 Speaker 1: to go on stage, and I was like, Oh, it's 475 00:20:15,344 --> 00:20:18,184 Speaker 1: a bit of a big deal. So it's the latest 476 00:20:18,184 --> 00:20:20,864 Speaker 1: adaptation of her book by the same name, and it's 477 00:20:20,864 --> 00:20:24,584 Speaker 1: got an incredible cast led by Teresa Palmer who plays Sophie, 478 00:20:24,704 --> 00:20:28,664 Speaker 1: the lead actress. Australia. Yes, And what's really interesting is 479 00:20:28,664 --> 00:20:31,264 Speaker 1: this is the first of Leanne Moriarty's books that have 480 00:20:31,384 --> 00:20:34,424 Speaker 1: been turned into TV shows to actually be set in Australia, 481 00:20:34,624 --> 00:20:36,704 Speaker 1: because it was something like Big Little Lives. Obviously, the 482 00:20:36,784 --> 00:20:40,064 Speaker 1: original book is set in Australia, but when they adapted it, 483 00:20:40,224 --> 00:20:42,744 Speaker 1: and you know, Nicole Kimmen and Reese and reesent with 484 00:20:42,784 --> 00:20:44,984 Speaker 1: this spoon, everyone came in, they ended up setting it 485 00:20:45,104 --> 00:20:47,624 Speaker 1: in the US, just to make it more globally appealing. 486 00:20:47,944 --> 00:20:50,024 Speaker 1: And I think in that case it did work in 487 00:20:50,104 --> 00:20:52,024 Speaker 1: a sense because at the end of the day, it's 488 00:20:52,024 --> 00:20:55,624 Speaker 1: about the relationship between these women and the mystery and 489 00:20:55,704 --> 00:20:59,504 Speaker 1: what happens, So that group of women could be placed anywhere, 490 00:20:59,904 --> 00:21:03,504 Speaker 1: but in this particular novel, Leanne Moriarty and the team 491 00:21:03,504 --> 00:21:06,224 Speaker 1: who're making it really pushed for it to remain set 492 00:21:06,264 --> 00:21:09,184 Speaker 1: in Australia and to be on the Hawkesbury River in 493 00:21:09,304 --> 00:21:13,064 Speaker 1: New South Wales. Leanne Moriarty said that she considers that 494 00:21:13,184 --> 00:21:15,424 Speaker 1: to be an actual character in the show. The setting, 495 00:21:15,984 --> 00:21:18,024 Speaker 1: and so they couldn't actually set it somewhere else, so 496 00:21:18,104 --> 00:21:20,784 Speaker 1: you would lose half of the nuances and like the 497 00:21:20,864 --> 00:21:24,264 Speaker 1: background of the show. And at the premiere she was 498 00:21:24,304 --> 00:21:25,584 Speaker 1: saying that it was the first time she could just 499 00:21:25,664 --> 00:21:27,144 Speaker 1: jump in her car and drive down the road to 500 00:21:27,184 --> 00:21:29,704 Speaker 1: the set, like pop it and visit nice, which I 501 00:21:29,744 --> 00:21:32,064 Speaker 1: think is nice. So it tells the story of Sophie 502 00:21:32,144 --> 00:21:35,744 Speaker 1: played by Teresa Palmer, and she's thirty nine, which we 503 00:21:35,864 --> 00:21:38,144 Speaker 1: know because she brings it up in the show. She's 504 00:21:38,304 --> 00:21:39,864 Speaker 1: actually for a while there, I was like, I'm sorry, 505 00:21:39,984 --> 00:21:43,584 Speaker 1: is is this my life in this TV show? Because 506 00:21:43,944 --> 00:21:47,424 Speaker 1: she's in her late thirties. She actually she's thirty nine 507 00:21:47,424 --> 00:21:49,744 Speaker 1: in real life. She's thirty nine in February this year. 508 00:21:50,384 --> 00:21:51,744 Speaker 1: Are you thirty nine this year? Yeah? 509 00:21:51,904 --> 00:21:52,104 Speaker 2: Whoa. 510 00:21:52,624 --> 00:21:55,584 Speaker 1: You guys have so much impersion. Except in real life 511 00:21:55,624 --> 00:21:58,944 Speaker 1: she's about to have her fifth child. And so she 512 00:21:59,024 --> 00:22:02,304 Speaker 1: plays Sophie. She's a writer for a woman's magazine company 513 00:22:02,464 --> 00:22:05,424 Speaker 1: and she too, I know, she writes some very kind 514 00:22:05,464 --> 00:22:08,544 Speaker 1: of clicky, questionable articles to get the audience in and 515 00:22:08,664 --> 00:22:11,144 Speaker 1: also it's getting this pressure to write about her real life. 516 00:22:11,544 --> 00:22:14,264 Speaker 1: She lives in Sydney. She's just spurned thirty nine you 517 00:22:14,384 --> 00:22:14,624 Speaker 1: and me. 518 00:22:14,784 --> 00:22:19,184 Speaker 2: She's going no, no, okay, So she's when you said 519 00:22:19,264 --> 00:22:20,944 Speaker 2: questionable headlines, I was like, you don't do that, but 520 00:22:20,984 --> 00:22:21,904 Speaker 2: I know someone who does. 521 00:22:22,104 --> 00:22:23,984 Speaker 1: Yeah, no, no, no, We've all written, you know, we've 522 00:22:23,984 --> 00:22:26,064 Speaker 1: all put a headline on a story that's a bit clickie, 523 00:22:26,144 --> 00:22:28,824 Speaker 1: just to get the get the audience in. And also 524 00:22:28,904 --> 00:22:30,784 Speaker 1: that idea of like I could write this and edited, 525 00:22:30,824 --> 00:22:32,304 Speaker 1: or being like, but what if you wrote about your 526 00:22:32,304 --> 00:22:36,184 Speaker 1: own life kind of thing. So she's doing egg freezing, 527 00:22:36,264 --> 00:22:38,064 Speaker 1: so she's giving herself the shots and we and we 528 00:22:38,744 --> 00:22:41,984 Speaker 1: first meet her running through along Sydney Harbor at night 529 00:22:42,424 --> 00:22:45,064 Speaker 1: and she's going on this date like a Tinder date 530 00:22:45,184 --> 00:22:47,824 Speaker 1: or something like that meets the sky and they're having 531 00:22:47,864 --> 00:22:49,864 Speaker 1: a drink and also she gets a red flush through 532 00:22:49,904 --> 00:22:53,264 Speaker 1: her cheeks and neck when she's nervous. I'm like literally 533 00:22:54,064 --> 00:22:55,544 Speaker 1: fell back in my chair and I'm like, I'm sorry, 534 00:22:55,584 --> 00:22:57,064 Speaker 1: this is a documentary. 535 00:22:56,504 --> 00:22:58,264 Speaker 2: That I think you need to get a commission on this. 536 00:22:58,504 --> 00:23:00,424 Speaker 1: Yeah. I felt like, should I have leaned it across 537 00:23:00,424 --> 00:23:02,384 Speaker 1: the island? Tapsleyan Maria on the shoulder and being like, 538 00:23:02,424 --> 00:23:03,064 Speaker 1: I'm sorry. 539 00:23:03,104 --> 00:23:04,184 Speaker 2: Where did you find my journal? 540 00:23:05,624 --> 00:23:09,184 Speaker 1: And so she's on she's on this date and it's 541 00:23:09,304 --> 00:23:12,264 Speaker 1: not going well, and the guy's kind of like, oh, sorry, 542 00:23:12,304 --> 00:23:14,984 Speaker 1: can I ask your age, because you know, are you 543 00:23:15,184 --> 00:23:18,064 Speaker 1: like really wanting kids? Like are you want an accelerated timeline? 544 00:23:18,104 --> 00:23:20,024 Speaker 1: What do you want for yourself? And she's a bit 545 00:23:20,064 --> 00:23:23,264 Speaker 1: taken back because she's trying to, you know, actually talk 546 00:23:23,344 --> 00:23:25,824 Speaker 1: to this guy, and man, come on, and he's acting 547 00:23:25,904 --> 00:23:28,384 Speaker 1: crazy and so none of this is spoilers. It's literally 548 00:23:28,504 --> 00:23:30,664 Speaker 1: the first three minutes of the show, but it just 549 00:23:30,784 --> 00:23:32,304 Speaker 1: hit me so hard and I feel like you'll care. 550 00:23:32,544 --> 00:23:34,584 Speaker 1: And then she excuses herself, goes to the bathroom and 551 00:23:34,624 --> 00:23:36,184 Speaker 1: she's like you can see in her head, she's like, 552 00:23:36,184 --> 00:23:38,104 Speaker 1: I'm just gonna leave. This guy's awful. And then she 553 00:23:38,184 --> 00:23:40,024 Speaker 1: looks in the mirror and she's like, you are thirty nine. 554 00:23:40,184 --> 00:23:42,264 Speaker 1: You are thirty nine, You are thirty nine. Give him 555 00:23:42,264 --> 00:23:43,944 Speaker 1: a chance. So she's not obviously saying I have to 556 00:23:44,024 --> 00:23:46,264 Speaker 1: be with him, but she's like, oh, just like give 557 00:23:46,304 --> 00:23:48,824 Speaker 1: him a chance. Like she because she's very open in 558 00:23:48,864 --> 00:23:50,504 Speaker 1: the show that she wants a family and she wants 559 00:23:50,544 --> 00:23:52,504 Speaker 1: to find someone to fall in love with, and she 560 00:23:52,744 --> 00:23:55,304 Speaker 1: feels like she's riding this sky off too soon, goes 561 00:23:55,344 --> 00:23:57,824 Speaker 1: back out to the bar he's leaving, and he's like, 562 00:23:57,904 --> 00:23:58,984 Speaker 1: and she's liked, what have you went on a date? 563 00:23:59,024 --> 00:24:01,144 Speaker 1: And he says, oh, yeah, I do. And then I 564 00:24:01,424 --> 00:24:03,424 Speaker 1: feel like this is so many group chads to have 565 00:24:03,504 --> 00:24:05,304 Speaker 1: with my friends. I feel like I've heard this story 566 00:24:05,464 --> 00:24:08,064 Speaker 1: or been in this position so many times. And then 567 00:24:08,144 --> 00:24:09,344 Speaker 1: he's like, you know, I just hope you find what 568 00:24:09,384 --> 00:24:11,424 Speaker 1: you're looking for, and then makes hers slip the bill. 569 00:24:11,504 --> 00:24:13,704 Speaker 1: Do you hope that? And then makes us slip the 570 00:24:13,744 --> 00:24:16,104 Speaker 1: bill and he's like he sorry, how many Aaranchini balls 571 00:24:16,144 --> 00:24:18,424 Speaker 1: did you eat? Or just tally it up? So she's 572 00:24:18,504 --> 00:24:21,264 Speaker 1: in a bit of a again that's like literally two minutes, 573 00:24:21,304 --> 00:24:23,064 Speaker 1: but I'm like, this two minutes could be a short 574 00:24:23,144 --> 00:24:26,624 Speaker 1: film depicting dating in Sydney right now. And then it 575 00:24:26,704 --> 00:24:28,784 Speaker 1: goes on to sort of show a bigger story, so 576 00:24:29,264 --> 00:24:31,664 Speaker 1: like a documentary. Yeah I know, so just be ready, 577 00:24:31,704 --> 00:24:33,424 Speaker 1: but in like the best in the vest stool way, 578 00:24:33,504 --> 00:24:36,264 Speaker 1: because you know, things work out for her. So Sophie 579 00:24:36,304 --> 00:24:39,304 Speaker 1: then finds out that her ex boyfriend's great aunt, Connie, 580 00:24:39,624 --> 00:24:42,824 Speaker 1: who's just passed away, has left her. Has left Sophie 581 00:24:42,864 --> 00:24:44,864 Speaker 1: her house even though she hasn't seen her in years. 582 00:24:45,184 --> 00:24:48,304 Speaker 1: And then Sophie goes to live on Scrubbly Gum Island 583 00:24:48,744 --> 00:24:50,944 Speaker 1: where her boyfriend's family all lives. So you have all 584 00:24:50,984 --> 00:24:53,824 Speaker 1: these different generations of like you know, the aunts and 585 00:24:54,104 --> 00:24:57,344 Speaker 1: then like his sister and everything, and no one knows 586 00:24:57,384 --> 00:25:00,664 Speaker 1: why Connie left Sophie. You know, her, an ex girlfriend 587 00:25:00,664 --> 00:25:03,384 Speaker 1: of a family but she hasn't seen in years, left 588 00:25:03,424 --> 00:25:05,544 Speaker 1: her this house. So Sophie goes to live there, and 589 00:25:05,584 --> 00:25:07,024 Speaker 1: then she has all of like you know, the different 590 00:25:07,104 --> 00:25:09,864 Speaker 1: dynamics with the family members, and it's very multi generational. 591 00:25:10,424 --> 00:25:13,304 Speaker 1: And there's a kind of a big mystery around this 592 00:25:13,544 --> 00:25:16,784 Speaker 1: island because a young couple had gone missing years and 593 00:25:16,864 --> 00:25:19,424 Speaker 1: years before and their baby disappeared. But then the baby 594 00:25:19,544 --> 00:25:21,624 Speaker 1: like the grown up version of the babies in the show. 595 00:25:21,904 --> 00:25:24,024 Speaker 1: And there's also a big mystery of what's happened within 596 00:25:24,104 --> 00:25:26,144 Speaker 1: this family. Like at one point, someone opens a note 597 00:25:26,224 --> 00:25:28,584 Speaker 1: and it says tell them it's time. So then you're like, 598 00:25:28,624 --> 00:25:31,024 Speaker 1: what's gonna happen? What the hell this is insane? I 599 00:25:31,184 --> 00:25:32,304 Speaker 1: know that's insane. 600 00:25:32,464 --> 00:25:34,264 Speaker 2: Oh my god, if my nanna left one of my 601 00:25:34,424 --> 00:25:39,384 Speaker 2: cousin's partners her like estates state like her money, i'd 602 00:25:39,464 --> 00:25:40,184 Speaker 2: be throwing hands. 603 00:25:40,824 --> 00:25:42,984 Speaker 1: Well they can't. Yeah, when she so she moves. The 604 00:25:43,104 --> 00:25:45,264 Speaker 1: first episode ends with her like moving to the island, 605 00:25:45,344 --> 00:25:47,664 Speaker 1: like blogging her suitcase up in the family, just really 606 00:25:47,744 --> 00:25:49,984 Speaker 1: being you know, because there's such a tight knit community. 607 00:25:51,144 --> 00:25:53,624 Speaker 1: And also there's a guy on the island who she 608 00:25:53,944 --> 00:25:56,944 Speaker 1: has hooked up with before, who she hasn't seen in years. 609 00:25:57,144 --> 00:25:58,304 Speaker 2: I know exactly who this guy. 610 00:25:58,424 --> 00:26:00,464 Speaker 1: Yeah, and his wife has sold a car, had a baby. 611 00:26:00,584 --> 00:26:03,424 Speaker 1: So it's a whole situation. It's a whole situation. But 612 00:26:03,504 --> 00:26:07,264 Speaker 1: it was so good, Like it's such a good Australian production. 613 00:26:07,544 --> 00:26:10,184 Speaker 1: The whole cast is incredible. Obviously it's led by Teresa Palmer, 614 00:26:10,184 --> 00:26:12,744 Speaker 1: who is great. The whole cast is incredible, and I 615 00:26:12,864 --> 00:26:14,704 Speaker 1: just felt like I was just gleaning forward in my 616 00:26:14,784 --> 00:26:18,064 Speaker 1: seat watching it the whole time. And we see so 617 00:26:18,184 --> 00:26:20,104 Speaker 1: many shows obviously, like we have is our job to 618 00:26:20,104 --> 00:26:22,824 Speaker 1: watch every TV show movie that comes out, So it's 619 00:26:22,904 --> 00:26:24,464 Speaker 1: not very often where I think to myself, I'm going 620 00:26:24,504 --> 00:26:26,904 Speaker 1: to go home and watch that entire show. So it's 621 00:26:26,984 --> 00:26:29,344 Speaker 1: so great. And then as an added little bonus, so 622 00:26:29,784 --> 00:26:32,304 Speaker 1: that was on Monday night, the premiere, and then the 623 00:26:32,424 --> 00:26:34,624 Speaker 1: next day, I was in the office Brian early to 624 00:26:34,704 --> 00:26:37,264 Speaker 1: sit down and do an interview with Teresa Palmer that's 625 00:26:37,264 --> 00:26:39,584 Speaker 1: coming soon to No Filter, where we talked about her career, 626 00:26:39,704 --> 00:26:43,104 Speaker 1: her marriage, her kids, some of the really brutal parts 627 00:26:43,144 --> 00:26:44,824 Speaker 1: of her life that she shared in some of the 628 00:26:44,904 --> 00:26:47,664 Speaker 1: beautiful parts, and we also talked about this show and 629 00:26:48,064 --> 00:26:50,064 Speaker 1: I asked her, like, if the reason she wanted to 630 00:26:50,144 --> 00:26:51,744 Speaker 1: do it, well, she said as soon as she saw 631 00:26:51,824 --> 00:26:55,344 Speaker 1: Leanne Moriarty's name. She opened the email and she was like, yes, 632 00:26:55,384 --> 00:26:58,144 Speaker 1: I'll do it to Bruni Papadrea, who is putting the 633 00:26:58,184 --> 00:26:59,944 Speaker 1: show together, was producing the show. 634 00:27:00,184 --> 00:27:02,864 Speaker 2: She is our name now though well exactly well, she saw. 635 00:27:02,784 --> 00:27:04,744 Speaker 1: Bruna and Leanna was like, obviously, I'm going to say 636 00:27:04,824 --> 00:27:06,424 Speaker 1: yes before I even read the script. And then she 637 00:27:06,544 --> 00:27:10,504 Speaker 1: read the script and she was really taken with all 638 00:27:10,544 --> 00:27:13,504 Speaker 1: the different female characters and they're different journeys to motherhood 639 00:27:13,584 --> 00:27:15,024 Speaker 1: or wanting to be a mother, but also how they 640 00:27:15,104 --> 00:27:18,304 Speaker 1: intersected together. So here's a little snippet of my interview 641 00:27:18,424 --> 00:27:21,864 Speaker 1: with Teresa Palmer, your new show, The Last Santa Verseri, 642 00:27:21,944 --> 00:27:24,504 Speaker 1: which I just loved. By the way, I'm so happy 643 00:27:24,744 --> 00:27:26,984 Speaker 1: because we see all these different versions of motherhood. We 644 00:27:27,064 --> 00:27:31,224 Speaker 1: see relationships between adult mother and daughters. The first episode, 645 00:27:31,344 --> 00:27:33,664 Speaker 1: you see a woman become a mother and in a 646 00:27:33,744 --> 00:27:35,984 Speaker 1: moment where the pregnancy comes very early and you see 647 00:27:36,024 --> 00:27:38,224 Speaker 1: her sort of struggling to bond with the baby, and 648 00:27:38,304 --> 00:27:40,664 Speaker 1: then your character Sophie, which to say, that's one of 649 00:27:40,704 --> 00:27:43,464 Speaker 1: the most realistic portrayals I've seen of a woman who's 650 00:27:43,664 --> 00:27:46,504 Speaker 1: dating but also aware. Like that moment your character stands 651 00:27:46,584 --> 00:27:48,384 Speaker 1: in front of the mirror and goes, you're thirty nine, 652 00:27:48,504 --> 00:27:50,784 Speaker 1: just give him another chance, and then you see she's 653 00:27:50,864 --> 00:27:54,384 Speaker 1: going through a freezing her eggs process and wanting to 654 00:27:54,424 --> 00:27:57,344 Speaker 1: become a mother so badly. Is that something that drew 655 00:27:57,384 --> 00:28:00,064 Speaker 1: you to the storyline as those threads of motherhood in 656 00:28:00,144 --> 00:28:01,304 Speaker 1: this new series. 657 00:28:01,304 --> 00:28:04,064 Speaker 3: Yes, of course I was really drawn to that. 658 00:28:04,184 --> 00:28:04,864 Speaker 1: In particular. 659 00:28:05,144 --> 00:28:09,104 Speaker 3: I think the postpartum depression the way that's portrayed in 660 00:28:09,224 --> 00:28:14,104 Speaker 3: our show is so so delicately woven in, but very realistic. 661 00:28:15,064 --> 00:28:19,904 Speaker 3: And the kind of disconnect that the character Grace has 662 00:28:20,264 --> 00:28:22,144 Speaker 3: after she gives birth, I think it's such a real 663 00:28:22,264 --> 00:28:26,344 Speaker 3: loss of identity and not understanding who she is or 664 00:28:26,904 --> 00:28:29,464 Speaker 3: why she should love this baby, but knowing that she's 665 00:28:29,584 --> 00:28:32,544 Speaker 3: meant to. That's meant to come naturally to her, and 666 00:28:33,024 --> 00:28:36,904 Speaker 3: because it doesn't, she feels like a failure. And then 667 00:28:36,944 --> 00:28:39,984 Speaker 3: you see the evolution of this character and how it 668 00:28:40,064 --> 00:28:41,904 Speaker 3: gets worse and gets better, and it gets worse and 669 00:28:41,944 --> 00:28:44,464 Speaker 3: it gets better. And that to me, that sort of 670 00:28:44,464 --> 00:28:49,704 Speaker 3: swinging pendulum experience with postpartum depression. I didn't experience it 671 00:28:49,784 --> 00:28:51,904 Speaker 3: myself what my mom did, So the way my mum 672 00:28:52,904 --> 00:28:56,144 Speaker 3: talks about and explains it is the good days, a 673 00:28:56,184 --> 00:28:59,064 Speaker 3: bad days, the good days a bad day. So that's 674 00:28:59,304 --> 00:29:02,464 Speaker 3: so well done in our show. It feels very real 675 00:29:02,824 --> 00:29:07,864 Speaker 3: and Claude Scott Mitchell is breathtaking, incredible breath taking. Her 676 00:29:07,904 --> 00:29:12,064 Speaker 3: performance is exquisite in this. And then of course my 677 00:29:12,304 --> 00:29:15,144 Speaker 3: character who's longing to be a mother and she's seeing 678 00:29:15,984 --> 00:29:19,064 Speaker 3: these dynamics of these women with their children all around 679 00:29:19,144 --> 00:29:21,424 Speaker 3: her and it's very confronting. And then so she sort 680 00:29:21,464 --> 00:29:25,104 Speaker 3: of entertains the idea of dating a douchebag who's not 681 00:29:25,264 --> 00:29:28,424 Speaker 3: treating her. Well, I'm the worst guy you could possibly imagine, 682 00:29:28,424 --> 00:29:31,464 Speaker 3: but it's just like you're getting old, like come on, yeah, 683 00:29:31,624 --> 00:29:34,864 Speaker 3: give him a chance. And I'm sure people can relate 684 00:29:34,944 --> 00:29:36,824 Speaker 3: to that, And that's a special thing about our show. 685 00:29:36,904 --> 00:29:40,704 Speaker 3: It's multi generational, so it's a family drama, but there 686 00:29:40,704 --> 00:29:44,984 Speaker 3: are access points to everyone at all ages, at all 687 00:29:45,184 --> 00:29:47,904 Speaker 3: seasons of life. There's someone that you can relate to 688 00:29:48,384 --> 00:29:53,104 Speaker 3: and they have this beautiful, imperfect dance with this their 689 00:29:53,264 --> 00:29:56,504 Speaker 3: life and their things that they struggle with and they're 690 00:29:56,584 --> 00:30:00,264 Speaker 3: hardships and just being a woman and what does that mean? 691 00:30:01,704 --> 00:30:05,424 Speaker 3: And I just think Leanne Moriarty is a genius. 692 00:30:05,544 --> 00:30:08,784 Speaker 1: I mean we all know this. We've read her books. 693 00:30:09,264 --> 00:30:12,904 Speaker 3: She's got this this beautiful recipe and she knows how 694 00:30:12,984 --> 00:30:16,504 Speaker 3: to weave in real stories, meaningful stories. But then at 695 00:30:16,504 --> 00:30:20,504 Speaker 3: the heart of it, there's the underpinning. Is this plot twist, 696 00:30:20,664 --> 00:30:27,344 Speaker 3: this mystery, this secret lies and it's really well done 697 00:30:27,344 --> 00:30:29,344 Speaker 3: and I think it's going to captivate audiences. 698 00:30:30,664 --> 00:30:33,304 Speaker 1: So The Last Anniversary is going to premiere on Binge 699 00:30:33,384 --> 00:30:36,504 Speaker 1: on the twenty seventh of March. Highly recommend you watch it. 700 00:30:36,744 --> 00:30:37,624 Speaker 1: I know you'll be watching it. 701 00:30:37,664 --> 00:30:39,584 Speaker 2: Oh my god, I am one hundred percent watching it. 702 00:30:40,544 --> 00:30:43,264 Speaker 2: Thank you so much for listening to this spill today. 703 00:30:43,424 --> 00:30:47,584 Speaker 2: If you missed yesterday's episode, LB and Kelly, you guys 704 00:30:47,664 --> 00:30:50,944 Speaker 2: talked about a pretty intense scene that happened in the 705 00:30:50,984 --> 00:30:52,224 Speaker 2: White Lotus this week. 706 00:30:52,304 --> 00:30:54,864 Speaker 1: Yeah, I thought Kelly was going to fourth. She really did. 707 00:30:55,824 --> 00:30:58,184 Speaker 2: We also post so much of our content over on 708 00:30:58,264 --> 00:31:00,024 Speaker 2: our Instagram, so make sure your head to our Instagram 709 00:31:00,064 --> 00:31:01,904 Speaker 2: at The Spill podcast. We'll also link it in our 710 00:31:01,904 --> 00:31:04,264 Speaker 2: show notes. The Spill is produced by Ned Green with 711 00:31:04,424 --> 00:31:06,464 Speaker 2: sound production by Scott Stronik. And we'll be back here 712 00:31:06,504 --> 00:31:08,184 Speaker 2: in your podcast wed at three pm tomorrow. 713 00:31:08,464 --> 00:31:13,944 Speaker 1: Bye bye, Laller cller Lella