WEBVTT - Drew "You're Too Close" Barrymore

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<v Speaker 1>You're listening to a MoMA Mia podcast.

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<v Speaker 2>Mom and Maya acknowledges the traditional owners of land and

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<v Speaker 2>waters that this podcast is recorded on Hello and welcome

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<v Speaker 2>to cancel, the podcast that looks at silly celebrity crimes

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<v Speaker 2>and as science charges and sentences to them so that

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<v Speaker 2>we can all move on with our lives. I'm Jesse

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<v Speaker 2>Stevens and I'm joined by Claire Stephens. Claire, do you

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<v Speaker 2>have a lazy girl story for us today? I do,

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<v Speaker 2>and this is from a lazy girl called Aphelia. And

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<v Speaker 2>I really like that name. Beautiful. Yeah, it's very Shakespearean.

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<v Speaker 2>It is it is what bit comes up? Okay, justing

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<v Speaker 2>boom of a boom Okay, Aphelia, She says, I have

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<v Speaker 2>a laser girl comvision. Great. She then says she's been

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<v Speaker 2>a regular listener, lovely. A few weeks ago, I was

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<v Speaker 2>out on a walk. I took my phone and my

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<v Speaker 2>debit card with me, knowing I'd want to buy snack

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<v Speaker 2>on my way back home. That's the only reason I

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<v Speaker 2>go for a walk is to also get a snack

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<v Speaker 2>on the way home. Yeah, because it's a walk, and

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<v Speaker 2>then the snack feel secondary, even though the snacks are

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<v Speaker 2>always primary. Yes, yes, she said, my card isn't linked

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<v Speaker 2>to my phone's Apple Pay yet, because admit it's actually

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<v Speaker 2>it's a step. It's a step. But I praise the

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<v Speaker 2>mental load that she's had to have with not having

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<v Speaker 2>Apple Pay. I need someone else to put it on

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<v Speaker 2>my phone, and once it's there, I'll use it. Yeah,

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<v Speaker 2>but yeah, it's a step. Nearing the end of my walk,

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<v Speaker 2>I stopped into the shop I'd planned to purchase said

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<v Speaker 2>snack from. However, upon coming to snap, I know I

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<v Speaker 2>can chocolate. However, upon coming to pay, I realized I

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<v Speaker 2>didn't have my card with me, and oh shit, I

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<v Speaker 2>could remember where I'd last felt it in my pocket,

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<v Speaker 2>which was an absolute maximum one hundred meters back along

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<v Speaker 2>the road or I've been walking. The adult thing to

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<v Speaker 2>do would have been to go back and retrieve it. However,

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<v Speaker 2>the prospect of adding an additional potential two hundred meters

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<v Speaker 2>to my walk felt like faster ask Yeah, backtracking, I

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<v Speaker 2>continued on my way home, and I canceled my card.

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<v Speaker 2>She's a lazy girl, God, she managed to Counselor how

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<v Speaker 2>do I want to have done that?

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<v Speaker 3>Now?

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<v Speaker 2>That's the click of a button on that is it?

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<v Speaker 2>John is quite easy, she said. The follow up admin

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<v Speaker 2>of having to order a new car an update all

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<v Speaker 2>of my automatic payment that's always sent to an older

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<v Speaker 2>dierer yes that have since failed, has been an ongoing pain. However,

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<v Speaker 2>not going back for the lost card still feels like

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<v Speaker 2>the right decision. I respect it and I agree. And

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<v Speaker 2>I had a similar experience recently when we're away and

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<v Speaker 2>I left a petrol station and my husband, who's obsessed

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<v Speaker 2>with banking, said, whatever just happened at that petrol station?

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<v Speaker 2>You were just charged four hundred dollars for petrol, okay, right?

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<v Speaker 2>And I was like it was a machine, So I

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<v Speaker 2>was like, I think I might have paid for the

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<v Speaker 2>petrol before. I don't know. He wanted me to go

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<v Speaker 2>back to the petrol station, and you're kind of like,

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<v Speaker 2>the money's gone, the money's gone. I left forty five

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<v Speaker 2>seconds ago. You want me to turn round and ask

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<v Speaker 2>someone a question about the four hundred dollars I'm weighing

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<v Speaker 2>at up? Am I out of money for this holiday? Absolutely?

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<v Speaker 2>Am I turning around?

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<v Speaker 3>No.

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<v Speaker 2>Whenever I screw up financially in another country by like overpaying,

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<v Speaker 2>getting robbed, for example, I always tell myself I'm contributing

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<v Speaker 2>to a foreign economy. That's a good thing. It's called tourism.

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<v Speaker 2>Look it up.

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<v Speaker 3>You are about to enter the canceled courtroom. The defendants

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<v Speaker 3>are celebrities, the chargers are petty. The rulings are final.

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<v Speaker 2>Today we're talking about Drew Blythe Barrymore. Oh Blythe, because

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<v Speaker 2>I was gonna say, Gwyneth Paltrow is Blythe. That's Gwyneth Sorry,

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<v Speaker 2>the forty nine year old actor, television show host, and author.

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<v Speaker 1>Hey, I noticed that you made eye contact with booballs,

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<v Speaker 1>but I mean, I'm not sure it was her wise

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<v Speaker 1>you were.

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<v Speaker 4>Looking at and that kicking your air.

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<v Speaker 2>Take a sip.

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<v Speaker 4>If you've ever faked it, Oh god, I did it once.

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<v Speaker 4>I wanted to buy my best one Harry met Sally impression. Yeah,

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<v Speaker 4>I guess it's also a good way to just end it.

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<v Speaker 2>She was born in nineteen seventy five in California to

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<v Speaker 2>actor John Drew Barrymore an aspiring actress Jade Barrymore. Her

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<v Speaker 2>career started at eleven months old. Oh wow, my baby

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<v Speaker 2>is behind that. Oh imagine Luna. She is not No,

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<v Speaker 2>she wouldn't know, she'd cry. She's very shy. When she

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<v Speaker 2>appeared in a dog food commercial, Claire, I would like

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<v Speaker 2>you to rate Drew Barrymore's first performance. Are you ready

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<v Speaker 2>for it?

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<v Speaker 5>This is a baby and this is a baby.

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<v Speaker 6>They both have.

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<v Speaker 2>Special nutritional needs. That's why a baby should have his

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<v Speaker 2>very own baby food and why a puppy should have

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<v Speaker 2>his very own puppy food. Discuss her a performance Okay, firthly, performance, flawless,

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<v Speaker 2>Agree absolutely all smile interacting with the dog beautiful. What

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<v Speaker 2>I will say is that Drew seems to suffer from

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<v Speaker 2>a similar affliction to what Matilda suffers from, which is

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<v Speaker 2>that people get her gender wrong. Because in that ad

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<v Speaker 2>you will notice they referred to the baby of the

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<v Speaker 2>he ah, and it was okay Drew as a she.

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<v Speaker 2>From there she played Gerty in Et the Extraterrestrial Et

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<v Speaker 2>Full and What a perform which became the highest grossing

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<v Speaker 2>film of all time. I think to this day it's

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<v Speaker 2>about number three. Barrymore was seven years old. By eleven,

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<v Speaker 2>Barrymore had an alcohol problem. By twelve, she said she

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<v Speaker 2>was a drug addict. By thirteen, she was self harming

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<v Speaker 2>and hospitalized for a year and a half, and by

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<v Speaker 2>fourteen she was divorced from her parents and living on

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<v Speaker 2>her own, She went on to star in some of

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<v Speaker 2>the most iconic films ever Never Been Kissed.

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<v Speaker 7>Sorry, I am ly took me forever to go here.

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<v Speaker 2>I know what she mean? Fabulous? Disagree, scream You never

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<v Speaker 2>told me your name?

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<v Speaker 1>Why do you want to know my name?

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<v Speaker 7>I don't want to know who I'm looking at?

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<v Speaker 4>What did you say?

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<v Speaker 2>Ex fabulous Charlie's angels.

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<v Speaker 4>Good morning Angels.

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<v Speaker 2>Charlie fabulous? Ever after watched it at school the Wedding

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<v Speaker 2>Singer fifty First Dates Music and Lyrics, where Hugh Grant

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<v Speaker 2>was like, I don't think she likes me. Remember she

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<v Speaker 2>came up in that episode, and most recently she was

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<v Speaker 2>in Santa Clara Diet. Do you remember that? Yeah, Clarita,

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<v Speaker 2>I don't know. I didn't watch it. I think it

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<v Speaker 2>was about zombies. It was very trying to be the

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<v Speaker 2>Walking Day anyway. Now, she hosts her own talk show

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<v Speaker 2>called The Drew Barrymore Show.

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<v Speaker 4>Oh thanks for hanging out with us. Can I just

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<v Speaker 4>share something and be totally honest? I am rocking the

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<v Speaker 4>caffeine this morning because I pulled an all nighter with

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<v Speaker 4>my daughter.

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<v Speaker 2>Frankie.

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<v Speaker 4>I'm sure you thought everything goes exactly according to plan

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<v Speaker 4>at all times around here, right.

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<v Speaker 2>Ah, which I consume solely through TikTok am. I going

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<v Speaker 2>to get to it comes up a fair bit before

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<v Speaker 2>we begin. Oh like Drew, Yeah no, always get good vibes.

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<v Speaker 2>She seems like she'd be lovely in person. Yeah, so

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<v Speaker 2>I think she's a good actress. And this was a

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<v Speaker 2>surprisingly difficult episode to prep for because despite being in

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<v Speaker 2>the industry since she was eleven months old, she's not

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<v Speaker 2>being canceled that often. What's happened not very often. She

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<v Speaker 2>seems very sweet and she's had a rough upbringing and

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<v Speaker 2>come back from that, which personally I find commendable. But

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<v Speaker 2>it also goes to show how great it was that

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<v Speaker 2>for somebody like Drew Barrymore, social media didn't exist when

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<v Speaker 2>she was a teenager because she got to just go

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<v Speaker 2>to rehab. Yes, But when she was I think she

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<v Speaker 2>was about nineteen, and she was on Larry one of

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<v Speaker 2>the one of the Larry's David Letterman, David Lettiman, and

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<v Speaker 2>she danced on the table and she flushed him, and

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<v Speaker 2>that's on the internet. Was that cringe? This is the thing.

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<v Speaker 2>The Internet fucking loves Drew Barrymony all the comments are

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<v Speaker 2>just like, she's classic Drew. She's a good time, she's fun,

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<v Speaker 2>she's so nineties. Love her hair, and I'm like, she

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<v Speaker 2>flashed David Letterman. I'm not canceling, but neither are you. Yeah.

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<v Speaker 2>So look, I don't decide who's in the cancel courtroom.

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<v Speaker 2>The culture does. And my structure for today is as follows.

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<v Speaker 2>The original NEPO Baby. Unemployable by fourteen, She says she'd

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<v Speaker 2>had a midlife crisis, but I reck and I was

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<v Speaker 2>unemployable by fourteen. But that's because No, I did make

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<v Speaker 2>a horrific mistakes at boostoos. I didn't shop for my

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<v Speaker 2>second shift because I'm not confused at the video shop,

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<v Speaker 2>So I was unemployable. No Muma called and said, can

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<v Speaker 2>you hire it back? And they said, okay, Dancing in

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<v Speaker 2>the Rain is Drew Barrymore a scab? And lastly the

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<v Speaker 2>Drew Barrymore Show. Yes, the original NEPO Baby, Little Drew

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<v Speaker 2>was born to two actors, but that is not the

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<v Speaker 2>whole story. She comes from a family of actors that

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<v Speaker 2>stretches back. Yess, how many years do you think? I

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<v Speaker 2>think like three generations? No, God, there was no acting

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<v Speaker 2>three generations ago. I don't know four hundred years what.

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<v Speaker 2>I thought the same about act. There was no acting

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<v Speaker 2>four hundred, four hundred years. I didn't know. This is

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<v Speaker 2>in my notes. I didn't know the had act just

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<v Speaker 2>four hundred years ago. I thought they we had farmers. Okay,

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<v Speaker 2>Shakespeare comes up?

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<v Speaker 1>Is that.

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<v Speaker 2>I'm like, I didn't do the maths, but Shakespeare hundred vibes. Yeah,

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<v Speaker 2>now two thousands ish. Cannot be sure, but I'm thinking

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<v Speaker 2>four hundred years ish. So I'm imagining a great great

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<v Speaker 2>great great great grandfather or grandmother, probably grandfather because patriarchy

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<v Speaker 2>in tight. It's Midsummer Night's Dream with his Willy Contra

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<v Speaker 2>app Yeah, and looking a lot like Drew. Oh, looking

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<v Speaker 2>exactly like ro Drew's face. Look, you saw her in

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<v Speaker 2>the dog food commercial. You can't deny her talent. But

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<v Speaker 2>even Barrymore says she was on movie sets from day one.

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<v Speaker 2>So when they needed a baby, it's like, how about

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<v Speaker 2>we get the one suck in the camera because you

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<v Speaker 2>always wonder you see like a baby in a show,

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<v Speaker 2>you think it is that it's always the wrong age.

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<v Speaker 2>It's your newborn and it's a three year old. Yeah, y,

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<v Speaker 2>that's a plot point that fourteen kilo baby, Why did

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<v Speaker 2>that person birth a fully f human being. Her godmother

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<v Speaker 2>is Italian actress Sophia Laren and her godfather is a

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<v Speaker 2>bit more low key Steven Spielbert. She asked after et

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<v Speaker 2>if he could be her godfather, and her mum was like, okay, fine.

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<v Speaker 2>When she was nineteen and she posed naked for Playboy,

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<v Speaker 2>Spielberg sent her a large quilt with a note attached

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<v Speaker 2>that simply read, cover up what a good godfather had

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<v Speaker 2>some advice, I mean no nor sexes, patriarchy, etcetera. But

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<v Speaker 2>but she didn't have a dad. It's cute that it

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<v Speaker 2>was his paternal there's a photo of her at nine

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<v Speaker 2>years old beside President Ronald Reagan. But and this is

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<v Speaker 2>where I'm always uncomfortable with the NEPO baby stuff. It

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<v Speaker 2>might have given her a leg up in her career,

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<v Speaker 2>but her home life a mess. Her dad was an

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<v Speaker 2>alcoholic left when she was nine, although he'd always been absent,

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<v Speaker 2>and around that time when her I think she was

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<v Speaker 2>about eight years old, when her mum was like, babe,

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<v Speaker 2>let's go cubbing five nights, weet o, no yeap, which

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<v Speaker 2>brings us to unemployable by fourteen In an interview with

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<v Speaker 2>the Guardian, Barrymore says that by her mid teens she

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<v Speaker 2>couldn't get a job. You won't believe it, but all

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<v Speaker 2>that clubbing and no school meant that Barrymore was chaos.

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<v Speaker 2>She was stealing a mum's car and, in her words,

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<v Speaker 2>out of control. She says she was drinking at nine,

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<v Speaker 2>smoking pot at ten, using cocaine at twelve, which meant

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<v Speaker 2>she was blacklisted from Hollywood for having reputation as a

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<v Speaker 2>party girl. Can you imagine a party girl that's just

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<v Speaker 2>a child? Yes, Okay, So you're a director or a

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<v Speaker 2>producer and you're out at the club and you're seeing

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<v Speaker 2>your twelve year old's not cocaine and you're like, ugh,

0:11:49.389 --> 0:11:51.909
<v Speaker 2>just another party girl going too hard on a Tuesday night,

0:11:52.029 --> 0:11:56.669
<v Speaker 2>not being like maybe we should confiscate with cane. Yeah,

0:11:56.869 --> 0:11:58.989
<v Speaker 2>do you need some help, because by my calculations, you

0:11:58.989 --> 0:12:02.269
<v Speaker 2>should be in year six. You should be year six.

0:12:02.709 --> 0:12:05.709
<v Speaker 2>Would you like some ice cream with some iced magic,

0:12:06.229 --> 0:12:09.309
<v Speaker 2>because that should be the fun. Why don't you go

0:12:09.389 --> 0:12:11.869
<v Speaker 2>to your room and play this great game called the Sims.

0:12:11.949 --> 0:12:14.269
<v Speaker 2>You should be playing the Sims in a dressing gown.

0:12:14.989 --> 0:12:17.109
<v Speaker 2>But yeah, it's weird to look at that kid and

0:12:17.149 --> 0:12:21.149
<v Speaker 2>be like, here comes trabal listing. You just another party girl,

0:12:21.829 --> 0:12:25.749
<v Speaker 2>just twelve. So she was sent to rehab twice before

0:12:25.949 --> 0:12:30.189
<v Speaker 2>she was thirteen. Imagine being in rehab, got rehab people.

0:12:30.469 --> 0:12:38.589
<v Speaker 2>It's like you, no, I'm here wet substance abuse in children, Yeah,

0:12:38.629 --> 0:12:41.629
<v Speaker 2>I feel like they're just a issue. Then at thirteen,

0:12:41.709 --> 0:12:44.629
<v Speaker 2>Drew Barrymore's mum Jade, was like, I've had enough. I

0:12:44.669 --> 0:12:46.509
<v Speaker 2>can't do this. So she sent her to a psychiatric

0:12:46.549 --> 0:12:50.749
<v Speaker 2>facility for one year and one half eighteen months. She

0:12:50.789 --> 0:12:52.869
<v Speaker 2>sent her to a psychiatric unit that she couldn't leave.

0:12:53.189 --> 0:12:55.949
<v Speaker 2>She was like, you're a lot, and it's like, yeah,

0:12:55.989 --> 0:12:58.749
<v Speaker 2>no shit. On her twelfth birthday she was not in

0:12:58.749 --> 0:13:01.829
<v Speaker 2>the cocaine. Yeah. That is so sad. And it reminds

0:13:01.829 --> 0:13:04.149
<v Speaker 2>me of this thing I've heard people say where it's

0:13:04.189 --> 0:13:07.429
<v Speaker 2>like you can be like when you talk about privilege, yeah,

0:13:07.629 --> 0:13:14.389
<v Speaker 2>economically privileged, but like family wise, incredibly emotionally yeah deprived.

0:13:14.509 --> 0:13:16.789
<v Speaker 2>Yeah yeah, And that's what it was left her. And

0:13:16.829 --> 0:13:20.429
<v Speaker 2>you think privilege is more complicated than simply having parents

0:13:20.469 --> 0:13:23.909
<v Speaker 2>who happened to be in Hollywood. Yeah, because the cost

0:13:23.989 --> 0:13:26.789
<v Speaker 2>of that was big. So while she was there, a

0:13:26.789 --> 0:13:29.789
<v Speaker 2>few professionals advised that she emancipate herself from her mother,

0:13:29.989 --> 0:13:33.429
<v Speaker 2>who maybe wasn't the best influence, so by fourteen she

0:13:33.469 --> 0:13:35.669
<v Speaker 2>was living on her own divorce from her parents. She

0:13:35.869 --> 0:13:38.549
<v Speaker 2>washed dishes and worked some normal jobs for a few years,

0:13:38.589 --> 0:13:40.909
<v Speaker 2>but eventually she got a role in an erotic thrill

0:13:40.949 --> 0:13:43.549
<v Speaker 2>out called Poison Ivy in nineteen ninety two, and her

0:13:43.589 --> 0:13:56.349
<v Speaker 2>career skyrocketed from there. The time she danced in the rain? Okay,

0:13:56.829 --> 0:13:59.429
<v Speaker 2>do you remember this? No, you don't remember her dancing

0:13:59.469 --> 0:14:03.949
<v Speaker 2>in the rain. No, I've got the video. It was

0:14:03.989 --> 0:14:08.349
<v Speaker 2>an incredibly viral moment that the Internet just loved. You're

0:14:08.349 --> 0:14:11.509
<v Speaker 2>going to remember it when I play it, ha ha.

0:14:14.189 --> 0:14:17.949
<v Speaker 2>Whenever you can go out into the rain, do not

0:14:18.189 --> 0:14:24.109
<v Speaker 2>miss the operencity. Come on, comment. Okay, what did you

0:14:24.149 --> 0:14:26.629
<v Speaker 2>just see? Just describe it visually. People who have heard

0:14:26.669 --> 0:14:29.269
<v Speaker 2>the audio, but they haven't seen her getting wet in

0:14:29.269 --> 0:14:33.669
<v Speaker 2>the rain, I see too, very more selfie mode in

0:14:33.709 --> 0:14:37.389
<v Speaker 2>the rain, taking her glasses off to really being one

0:14:37.429 --> 0:14:40.749
<v Speaker 2>with the rain. Huh, instructing people to get out in

0:14:40.789 --> 0:14:43.669
<v Speaker 2>the rain more. All right? Do you think the internet

0:14:43.709 --> 0:14:47.629
<v Speaker 2>loved it or hated it? Okay? Okay, I think it's

0:14:47.629 --> 0:14:51.229
<v Speaker 2>cringe in the way that the Internet loves. The Internet

0:14:51.269 --> 0:14:54.589
<v Speaker 2>fucking loved it. Yeah, the Internet frothed it. People started

0:14:54.749 --> 0:14:58.309
<v Speaker 2>doing it. One person said it was racist because it

0:14:58.389 --> 0:15:02.029
<v Speaker 2>was copying a trend that they believed was started by

0:15:02.029 --> 0:15:05.269
<v Speaker 2>black creators. But then other people came out most like

0:15:05.309 --> 0:15:07.629
<v Speaker 2>the rain doesn't belong to anyone, and the consensus words

0:15:07.629 --> 0:15:09.789
<v Speaker 2>that it's actually fine, and Drew can get wet if

0:15:09.789 --> 0:15:12.029
<v Speaker 2>she want. Yeah, she can be in the rain. But

0:15:12.069 --> 0:15:14.389
<v Speaker 2>that is something that we love about Drew Barrymore is

0:15:14.709 --> 0:15:19.829
<v Speaker 2>there's a purity, an earnestness, and a intensity, and any

0:15:20.269 --> 0:15:25.389
<v Speaker 2>city highly intense, but there's also a joy. There's a joy.

0:15:25.589 --> 0:15:29.029
<v Speaker 2>She owns it. We know where she came from. M babe.

0:15:29.029 --> 0:15:31.269
<v Speaker 2>If you need to get in the rain to get

0:15:31.309 --> 0:15:35.869
<v Speaker 2>through some of your childhood trauma, in the rain, you

0:15:36.029 --> 0:15:38.909
<v Speaker 2>roll and it's just nice because you're like, yeah, she's

0:15:38.949 --> 0:15:40.869
<v Speaker 2>in the rain. You know what She's not doing hurting

0:15:40.869 --> 0:15:46.309
<v Speaker 2>anyone exactly. It's just a bit wet criticizing anyone winging.

0:15:47.309 --> 0:15:50.229
<v Speaker 2>What I would like to discuss is her call to action,

0:15:50.669 --> 0:15:53.549
<v Speaker 2>her CTA. She says, whenever you can go out into

0:15:53.629 --> 0:15:56.309
<v Speaker 2>the rain, do not miss the opportunity. I love the sentiment.

0:15:56.589 --> 0:15:59.589
<v Speaker 2>I share the internet's general encouragement of Drew healing her

0:15:59.589 --> 0:16:02.869
<v Speaker 2>inner child. You do you, Drew. I don't like rain

0:16:02.909 --> 0:16:05.189
<v Speaker 2>because I find it to be a day ruiner. Ya Hey,

0:16:05.229 --> 0:16:07.269
<v Speaker 2>you gotta wash it. You get wet in your shoes

0:16:07.309 --> 0:16:11.389
<v Speaker 2>and they start making sounds squirreled. When it begins to dry,

0:16:12.069 --> 0:16:16.589
<v Speaker 2>you stink like a labrador. There are places in the world, Claire.

0:16:16.589 --> 0:16:19.749
<v Speaker 2>We were recently in Ireland in the summertime where getting

0:16:19.869 --> 0:16:23.989
<v Speaker 2>rained on is a genuine hypothermia risk. I don't want

0:16:24.029 --> 0:16:27.349
<v Speaker 2>to die today, Drew. If I get wet in the

0:16:27.349 --> 0:16:32.709
<v Speaker 2>Irish summer, I'll die. Yeah, I can't withstand that kind

0:16:32.709 --> 0:16:35.709
<v Speaker 2>of My fingers will turn purple, my lips will turn blue,

0:16:36.149 --> 0:16:38.949
<v Speaker 2>and I'll just keel over. It's all fine for you, Drew.

0:16:38.989 --> 0:16:40.989
<v Speaker 2>I think you're actually just in your backyard, so you

0:16:40.989 --> 0:16:42.829
<v Speaker 2>can go get into a hot shower. You ever got

0:16:42.829 --> 0:16:44.789
<v Speaker 2>wet on the way to the station before an eight

0:16:44.789 --> 0:16:47.829
<v Speaker 2>hour day. You get to the office, everyone asks, what's wrong? Well,

0:16:47.869 --> 0:16:50.069
<v Speaker 2>I got wet and I smell like wet dog and

0:16:50.149 --> 0:16:54.589
<v Speaker 2>lazy girls. What don't lazy girls ever have changed clothes? Okay,

0:16:54.589 --> 0:16:56.429
<v Speaker 2>why would anyone have a change of clothes. I'm obviously

0:16:56.469 --> 0:16:59.869
<v Speaker 2>talking about an umbrella. Oh my gosh, I never have it.

0:16:59.909 --> 0:17:01.989
<v Speaker 2>I make a gamble every day. Don't have it anyway?

0:17:02.509 --> 0:17:05.909
<v Speaker 2>Is Drew Barry Morris gap. The problem with everyone loving

0:17:05.949 --> 0:17:09.909
<v Speaker 2>you because you were Josie Grosy, you had that sad

0:17:10.109 --> 0:17:12.349
<v Speaker 2>brain injury in fifty first dates and you got murdered

0:17:12.349 --> 0:17:15.829
<v Speaker 2>in screen is that when you make a perceived misstep,

0:17:16.349 --> 0:17:19.949
<v Speaker 2>the people get upset. Do you remember the writer's strike

0:17:20.069 --> 0:17:23.469
<v Speaker 2>last year, no contract, no me. For the first time

0:17:23.549 --> 0:17:27.109
<v Speaker 2>in fifteen years, more than eleven thousand movie and television

0:17:27.109 --> 0:17:29.989
<v Speaker 2>writers in Hollywood's Writers Guild went on strike.

0:17:32.349 --> 0:17:34.949
<v Speaker 4>This is absolutely an existential moment for the rank profession.

0:17:35.069 --> 0:17:39.229
<v Speaker 2>Yes, and I remember Drew barrymore being involved somehow, and

0:17:39.349 --> 0:17:41.149
<v Speaker 2>this is the one time I've seen her get a

0:17:41.189 --> 0:17:44.029
<v Speaker 2>little bit canceled. Okay, it was a big deal. It

0:17:44.109 --> 0:17:46.749
<v Speaker 2>lasted for one hundred and forty eight days, and basically

0:17:46.789 --> 0:17:49.269
<v Speaker 2>all the writers banded together and were like, you got

0:17:49.309 --> 0:17:51.749
<v Speaker 2>to pay us better, and also, don't replace me with

0:17:51.829 --> 0:17:55.509
<v Speaker 2>chat japity. As is the case with any strike, you

0:17:55.589 --> 0:17:58.749
<v Speaker 2>need lots of people, if not everybody, to do it.

0:17:58.829 --> 0:18:01.509
<v Speaker 2>You need the industry to feel what happens without you.

0:18:01.829 --> 0:18:05.229
<v Speaker 2>So films and television shows were largely paused or shut down,

0:18:05.789 --> 0:18:08.389
<v Speaker 2>and the ones that continued did so without writers. It

0:18:08.469 --> 0:18:10.469
<v Speaker 2>was an understanding, especially if you're a signal tree to

0:18:10.509 --> 0:18:13.029
<v Speaker 2>the Writers Guilden of America. It was like you shut

0:18:13.069 --> 0:18:15.629
<v Speaker 2>down what you're doing. The things people were sacrificing, like

0:18:15.669 --> 0:18:18.389
<v Speaker 2>writers were taking their kids out of school. No one

0:18:18.509 --> 0:18:20.669
<v Speaker 2>was working. Everyone was just sitting there waiting for this

0:18:20.749 --> 0:18:23.309
<v Speaker 2>to end. But the only power you had for this

0:18:23.429 --> 0:18:28.789
<v Speaker 2>strike was Hollywood's at a standstill. Right in support of

0:18:28.789 --> 0:18:31.829
<v Speaker 2>the strike, Barrymore withdrew from hosting the twenty twenty three

0:18:31.949 --> 0:18:34.909
<v Speaker 2>MTV Movie and TV Awards because she's a signatory. She's

0:18:34.949 --> 0:18:37.989
<v Speaker 2>quite outspoken about it. She supports the writers solidarity Dance

0:18:38.029 --> 0:18:42.149
<v Speaker 2>in the Rain, but then her TV show is due

0:18:42.189 --> 0:18:43.829
<v Speaker 2>to come back towards the end of the year, The

0:18:43.909 --> 0:18:47.509
<v Speaker 2>Drew Barrymore Show, and everyone obviously expects it will be

0:18:47.709 --> 0:18:51.349
<v Speaker 2>paused because everything it is struck, which means that it's

0:18:51.349 --> 0:18:53.949
<v Speaker 2>not allowed to go forwardcause got riters on it. But

0:18:54.029 --> 0:18:57.429
<v Speaker 2>she releases a statement to her Instagram. She says the

0:18:57.469 --> 0:19:02.269
<v Speaker 2>show was built during sensitive times COVID and it's coming

0:19:02.309 --> 0:19:05.509
<v Speaker 2>back this season. Tune in. She says she'll commence season

0:19:05.549 --> 0:19:09.989
<v Speaker 2>four with astute humility, so it's fine. Things will not

0:19:10.669 --> 0:19:13.309
<v Speaker 2>So she was just coming back with the Riders coming back.

0:19:13.469 --> 0:19:14.669
<v Speaker 2>I think she was just going to do it without

0:19:14.669 --> 0:19:15.069
<v Speaker 2>the Riders.

0:19:16.509 --> 0:19:18.309
<v Speaker 6>The writer's strike is now at one hundred and thirty

0:19:18.309 --> 0:19:20.789
<v Speaker 6>two days and now the Writer's Guild of America is

0:19:20.869 --> 0:19:24.309
<v Speaker 6>planning a protest. They are taking a stand against Drew Barrymore.

0:19:24.589 --> 0:19:28.269
<v Speaker 6>Production on Barrymore's namesake TV show will start soon.

0:19:28.589 --> 0:19:31.669
<v Speaker 2>So Alissa Milano, Deborah Messing, a bunch of other writers

0:19:31.669 --> 0:19:34.829
<v Speaker 2>and actors came out and were like, honey, no, not

0:19:34.869 --> 0:19:37.269
<v Speaker 2>how striketed. That's not the deal. You can't just start

0:19:37.309 --> 0:19:39.749
<v Speaker 2>your show again. You can't do it. I will say,

0:19:40.589 --> 0:19:43.029
<v Speaker 2>I did think if you were a bit of a

0:19:43.069 --> 0:19:48.069
<v Speaker 2>dickhead slash just honey needs some money. Yeah, when that

0:19:48.149 --> 0:19:50.589
<v Speaker 2>was happening in Hollywood, if you were just a little

0:19:50.589 --> 0:19:55.389
<v Speaker 2>bit like, i'll do some work. Yeah, oh, I know

0:19:55.509 --> 0:19:58.349
<v Speaker 2>everyone's striking, so just on the side, I'll do it.

0:19:58.389 --> 0:20:03.029
<v Speaker 2>I'm available, and also I have no ethics. Double my rate. Now.

0:20:03.829 --> 0:20:06.749
<v Speaker 2>In Drew Barrymore's defense, everyone was like, Okay, Drew Barrymore

0:20:06.749 --> 0:20:08.269
<v Speaker 2>doesn't need the money. She's worth like one hundred and

0:20:08.269 --> 0:20:10.989
<v Speaker 2>twenty five mil. She's got Flower Beauty, she's got the

0:20:11.269 --> 0:20:14.509
<v Speaker 2>Flower Production Company, which made a bunch of these movies.

0:20:14.669 --> 0:20:19.429
<v Speaker 2>She is rolling in it. However, during that writer strike,

0:20:19.629 --> 0:20:23.229
<v Speaker 2>if you were a cleaner, if you were a camera person,

0:20:23.669 --> 0:20:26.669
<v Speaker 2>if you were hair and maker, if you were sound,

0:20:27.429 --> 0:20:29.189
<v Speaker 2>you couldn't work. You were just sitting at home waiting

0:20:29.229 --> 0:20:32.509
<v Speaker 2>for a job. So Drew Barrymore, if you read between

0:20:32.549 --> 0:20:34.469
<v Speaker 2>the lines of what she's saying, she's like, I employ

0:20:34.549 --> 0:20:38.029
<v Speaker 2>a lot of people. I want to give them a job. Also,

0:20:38.389 --> 0:20:41.709
<v Speaker 2>her show was on a network, and if you said

0:20:41.709 --> 0:20:44.149
<v Speaker 2>to the network, we're not coming back, they were replacing

0:20:44.149 --> 0:20:45.789
<v Speaker 2>a lot of shows. A lot of shows never came

0:20:45.829 --> 0:20:49.069
<v Speaker 2>back after the right strike. So you know you're playing

0:20:49.069 --> 0:20:51.869
<v Speaker 2>a yeah, because you get to they can just put

0:20:51.869 --> 0:20:54.029
<v Speaker 2>in a show that's like syndicated. Ye, Like let's say

0:20:54.029 --> 0:20:57.909
<v Speaker 2>they've already born probably a reality shows. Yeah. Things got

0:20:57.949 --> 0:21:00.629
<v Speaker 2>so bad that a few days later she published a

0:21:00.669 --> 0:21:01.989
<v Speaker 2>tearful apology video.

0:21:02.109 --> 0:21:07.109
<v Speaker 4>I deeply apologize to writers. I deeply apologize to unions.

0:21:08.029 --> 0:21:09.709
<v Speaker 4>I deeply apologize.

0:21:10.309 --> 0:21:13.029
<v Speaker 2>This is a deeply complex situation. People's jobs are online

0:21:13.069 --> 0:21:15.149
<v Speaker 2>and she waited up and yeah, she'll still be coming

0:21:15.189 --> 0:21:19.869
<v Speaker 2>back hard true in October. Tune in. Okay, here's the

0:21:19.869 --> 0:21:24.029
<v Speaker 2>thing I do think what you say about. There's all

0:21:24.029 --> 0:21:26.949
<v Speaker 2>these other people who work on the production. These issues

0:21:26.989 --> 0:21:29.669
<v Speaker 2>are always more complex than they look from a bird's

0:21:29.709 --> 0:21:33.949
<v Speaker 2>eye view and from a purely ideological perspective, Like there's

0:21:33.989 --> 0:21:37.749
<v Speaker 2>the ideology of how things should be, like put pressure

0:21:37.909 --> 0:21:41.909
<v Speaker 2>on these studios so that writers get paid fairly, so

0:21:41.949 --> 0:21:44.309
<v Speaker 2>that we stop ai writing everything. But then there is

0:21:44.949 --> 0:21:47.709
<v Speaker 2>a makeup artist who's like, my kid has cancer and

0:21:47.709 --> 0:21:50.229
<v Speaker 2>I can't pay for EASTU. Yes, yes, but it's also like,

0:21:50.589 --> 0:21:53.229
<v Speaker 2>if we just start making these shows happen, then the

0:21:53.269 --> 0:21:55.669
<v Speaker 2>writers have no bargaining power. Everything they've done has been

0:21:55.709 --> 0:21:59.349
<v Speaker 2>in vain. Everyone's sacrifice is in vain. And Drew Barrymore,

0:21:59.429 --> 0:22:02.229
<v Speaker 2>who has some of the most power in Hollywood and

0:22:02.469 --> 0:22:05.429
<v Speaker 2>who has been in writers' rooms and understands how it

0:22:05.429 --> 0:22:08.149
<v Speaker 2>all works, she can probably afford to pay everyone. That's

0:22:08.189 --> 0:22:10.669
<v Speaker 2>true that a little bit, which is what like, you

0:22:10.669 --> 0:22:14.229
<v Speaker 2>know a Jimmy Kimmel did, Yeah, is he paid his people. Still, So,

0:22:14.749 --> 0:22:18.269
<v Speaker 2>what a scab actually means is someone who breaks a strike.

0:22:18.669 --> 0:22:21.749
<v Speaker 2>So someone who is like struck and then does their

0:22:21.749 --> 0:22:24.669
<v Speaker 2>thing anyway, so everyone started calling her a scab and

0:22:24.709 --> 0:22:26.909
<v Speaker 2>she lost a hosting gig at the twenty twenty three

0:22:27.109 --> 0:22:30.469
<v Speaker 2>National Book Awards. Anyway, she did her tearful apology and

0:22:30.509 --> 0:22:34.429
<v Speaker 2>everyone was like, so then she eventually did delete that

0:22:34.509 --> 0:22:36.389
<v Speaker 2>video and she came back a third time and was like,

0:22:36.589 --> 0:22:39.149
<v Speaker 2>upon reflection, I'll be pausing that, Drew Barrymore, okay, good

0:22:39.229 --> 0:22:41.629
<v Speaker 2>until after the strike good, okay good. When she did

0:22:41.629 --> 0:22:43.869
<v Speaker 2>eventually go back to work, three head writers refused to

0:22:43.909 --> 0:22:46.629
<v Speaker 2>come back because they were so pissed. So she that's

0:22:46.789 --> 0:22:49.589
<v Speaker 2>hold on it pissed so three of her head riders. Yeah,

0:22:49.629 --> 0:22:52.109
<v Speaker 2>when she resumed things, she was like, guys, come back,

0:22:52.149 --> 0:22:54.469
<v Speaker 2>we can come back. They were like, no, screw you.

0:22:54.469 --> 0:22:56.949
<v Speaker 2>You tried to come back without us. Oh so they

0:22:56.949 --> 0:23:00.389
<v Speaker 2>didn't come back, okay right right yeah. Yeah. Interestingly, a

0:23:00.389 --> 0:23:03.029
<v Speaker 2>bunch of daytime shows did come back with no fuss,

0:23:03.669 --> 0:23:06.109
<v Speaker 2>the Jennifer Hudson Show and The View. So why didn't

0:23:06.109 --> 0:23:08.549
<v Speaker 2>they get in trouble? Well, for starters, I didn't personally

0:23:08.549 --> 0:23:11.429
<v Speaker 2>know Jennifer Hudson had a show, no, and I didn't

0:23:11.469 --> 0:23:14.629
<v Speaker 2>know the View was still on, so play on. But

0:23:14.749 --> 0:23:17.989
<v Speaker 2>Drew Barrymore, similar to an Ellen or a James Cordon.

0:23:18.429 --> 0:23:20.709
<v Speaker 2>You're meant to be a nice girl. Yeah, you can't

0:23:20.869 --> 0:23:23.429
<v Speaker 2>tell me you're a good person. Dance in the rain.

0:23:23.509 --> 0:23:26.069
<v Speaker 2>Tell me to dance in the rain. And then when

0:23:26.109 --> 0:23:28.109
<v Speaker 2>it comes down to it, it's beIN on the riders.

0:23:28.229 --> 0:23:31.149
<v Speaker 2>My only kind of knowledge that the view exists is

0:23:31.189 --> 0:23:36.029
<v Speaker 2>that one clip where Kelly Osborne says that you know,

0:23:36.069 --> 0:23:38.749
<v Speaker 2>when she thinks she's she's saying something, and she's like,

0:23:39.229 --> 0:23:43.029
<v Speaker 2>if we get rid of Mexican, if we get rid

0:23:43.069 --> 0:23:45.669
<v Speaker 2>of all the immigrants, then who's going to clean your toilets?

0:23:45.669 --> 0:23:46.389
<v Speaker 2>Donald Trump?

0:23:47.469 --> 0:23:50.789
<v Speaker 1>If you kick every Latino out of this country, then

0:23:50.829 --> 0:23:52.429
<v Speaker 1>who is going to be cleaning your toilet?

0:23:52.469 --> 0:23:53.029
<v Speaker 7>Donald Trump?

0:23:53.269 --> 0:23:55.469
<v Speaker 1>Oh, that's in a sense that not you know what

0:23:55.549 --> 0:23:57.989
<v Speaker 1>I mean, But I'm saying there's more, there's more jobs

0:23:57.989 --> 0:24:01.109
<v Speaker 1>to be in la They always but the Donalds are.

0:24:01.069 --> 0:24:03.589
<v Speaker 2>Not only don't mean it like that, come on.

0:24:05.589 --> 0:24:11.309
<v Speaker 5>The panel is like no, it's like no, no, no, no

0:24:11.189 --> 0:24:15.949
<v Speaker 5>no no, I'll just sad out loud a bad thing.

0:24:16.109 --> 0:24:27.829
<v Speaker 2>Honestly, you cancelong the way we should do kill. Speaking

0:24:27.869 --> 0:24:30.309
<v Speaker 2>of the Drew Barrymore show, I have in my notes,

0:24:30.509 --> 0:24:34.029
<v Speaker 2>she sits too close to people, Claire. Yeah, I get

0:24:34.109 --> 0:24:37.149
<v Speaker 2>clips constantly on TikTok from The Drew Barrymore Show, and

0:24:37.349 --> 0:24:41.589
<v Speaker 2>every time I see one, I think, scoochback, you're too

0:24:41.629 --> 0:24:44.749
<v Speaker 2>close to their face, You're too close, You're too intense. Okay,

0:24:45.029 --> 0:24:47.869
<v Speaker 2>Drew barronwore and The Drew Barren Moore Show is a

0:24:47.909 --> 0:24:51.349
<v Speaker 2>girl at a girl's lunch who's had a bottle of

0:24:51.349 --> 0:24:55.509
<v Speaker 2>my wine and thinks they're getting intimate. Yeah, and is like,

0:24:56.229 --> 0:24:59.829
<v Speaker 2>I so profoundly relate to what you're saying. And she's like, yeah, this,

0:25:00.109 --> 0:25:02.709
<v Speaker 2>she's so moved that she's got like tears in her eyes.

0:25:02.949 --> 0:25:03.149
<v Speaker 6>Yeah.

0:25:03.189 --> 0:25:05.389
<v Speaker 2>She's like, I've never connected with someone more deeply. And

0:25:05.429 --> 0:25:06.629
<v Speaker 2>it's like, what are you on?

0:25:06.829 --> 0:25:07.349
<v Speaker 4>I like you?

0:25:07.669 --> 0:25:08.389
<v Speaker 6>I like you too?

0:25:11.349 --> 0:25:12.789
<v Speaker 1>How did you do so you?

0:25:13.309 --> 0:25:15.869
<v Speaker 4>That's one of my favorite things about you.

0:25:15.829 --> 0:25:18.549
<v Speaker 2>And Drew is just on life because I think that

0:25:18.589 --> 0:25:21.229
<v Speaker 2>she's very self actualized. But why are your needs touching?

0:25:21.629 --> 0:25:24.549
<v Speaker 2>It's a massive couch, massive shot. And she'll always say

0:25:24.669 --> 0:25:27.349
<v Speaker 2>she did one with them Bella had did, because apparently

0:25:27.829 --> 0:25:29.829
<v Speaker 2>gg HA did. Was like, you've got to meet Bella.

0:25:29.909 --> 0:25:32.109
<v Speaker 2>You're the same person. And then so she got there,

0:25:32.509 --> 0:25:35.709
<v Speaker 2>so yeah, I know I'm like, just similarities. But then

0:25:35.749 --> 0:25:38.309
<v Speaker 2>she's like, she's doing this one with Bellah did and

0:25:38.349 --> 0:25:40.349
<v Speaker 2>she's like, yeah, and we met, We've just been talking

0:25:40.389 --> 0:25:42.109
<v Speaker 2>on stuff and we're in your dressing room talking for

0:25:42.149 --> 0:25:45.189
<v Speaker 2>like four hours. I'm like, Drew, that's my nightmare. Drew,

0:25:45.269 --> 0:25:50.589
<v Speaker 2>leave Vella alone. Drew, you are my social nightmare. I

0:25:51.349 --> 0:25:54.309
<v Speaker 2>love you so much, but I think if I meet you,

0:25:54.309 --> 0:25:56.589
<v Speaker 2>you'd be like chatting and then you'd be like, Oh,

0:25:56.629 --> 0:25:59.269
<v Speaker 2>why don't I just come to your house? M Drew

0:25:59.509 --> 0:26:04.149
<v Speaker 2>Barrymore is why boundaries. Roommen is why people talk about

0:26:04.149 --> 0:26:08.469
<v Speaker 2>that physical boundary and emotional boundary. So I'm not the

0:26:08.509 --> 0:26:11.269
<v Speaker 2>only one who's noticed a slight lack of consideration of space.

0:26:11.949 --> 0:26:15.069
<v Speaker 2>At the end of last year, Barrymore interviewed Oprah Winfrey,

0:26:15.309 --> 0:26:16.949
<v Speaker 2>and I'm just going to show you a clip and

0:26:16.989 --> 0:26:20.789
<v Speaker 2>see if you notice anything unusual about what happened during

0:26:20.789 --> 0:26:21.389
<v Speaker 2>their interview.

0:26:21.709 --> 0:26:25.669
<v Speaker 4>When we first met, I was really young. Yeah, it

0:26:25.749 --> 0:26:29.989
<v Speaker 4>means so much to me because when I was fourteen

0:26:30.029 --> 0:26:34.469
<v Speaker 4>and I had that conversation with you, you had so

0:26:34.629 --> 0:26:40.029
<v Speaker 4>much wisdom about you know, and maybe it was while

0:26:40.069 --> 0:26:41.509
<v Speaker 4>you were learning these things.

0:26:41.709 --> 0:26:43.109
<v Speaker 7>I was going to say, I didn't have the wisdom.

0:26:43.189 --> 0:26:45.549
<v Speaker 7>Ben looking at that, I didn't have the wisdom. But

0:26:45.669 --> 0:26:48.989
<v Speaker 7>I did pay attention, you know, just as I mean,

0:26:49.029 --> 0:26:51.709
<v Speaker 7>the audience was a serious thing for me, and I

0:26:51.829 --> 0:26:54.469
<v Speaker 7>did pay attention. I did listen to the audience, and

0:26:54.509 --> 0:26:58.269
<v Speaker 7>I did feel like I was the representative for all

0:26:58.389 --> 0:27:00.909
<v Speaker 7>of you. I never have been to therapy.

0:27:01.109 --> 0:27:03.629
<v Speaker 1>That's what I was going to talk about with you.

0:27:03.629 --> 0:27:05.869
<v Speaker 7>You never went to therapy, but sh but I had

0:27:05.909 --> 0:27:06.949
<v Speaker 7>all my therapy on the show.

0:27:07.069 --> 0:27:09.109
<v Speaker 2>What did you say? During that clip, she's holding an

0:27:09.109 --> 0:27:12.389
<v Speaker 2>head so the tooling and she's beneath her knees are

0:27:12.429 --> 0:27:15.509
<v Speaker 2>touching her and she reaches out to hold her hand,

0:27:15.709 --> 0:27:17.789
<v Speaker 2>and she's holding her hand as she speaks to it,

0:27:17.989 --> 0:27:20.869
<v Speaker 2>like close to her face. She's holding Oprah's hand close

0:27:20.869 --> 0:27:22.589
<v Speaker 2>to her face. I don't know if you didn't notice it,

0:27:22.629 --> 0:27:26.429
<v Speaker 2>but she's also gently stroking her forearm the entirety of

0:27:26.429 --> 0:27:30.389
<v Speaker 2>the interview. All Right, something I don't like. I'm not

0:27:30.869 --> 0:27:33.389
<v Speaker 2>a touchy feely person. And if I am having a

0:27:33.389 --> 0:27:35.869
<v Speaker 2>conversation with someone and they touch me, don't like it.

0:27:35.989 --> 0:27:38.829
<v Speaker 2>I feel weird touch me. I'm just gonna say it.

0:27:39.669 --> 0:27:47.749
<v Speaker 2>During that interview, Drew Barrymore latched her. Can you blame her?

0:27:47.789 --> 0:27:50.629
<v Speaker 2>I would also, I think most of us would latch,

0:27:51.029 --> 0:27:52.989
<v Speaker 2>but Oprah I reckon. In that clip, you can tell

0:27:53.029 --> 0:27:56.469
<v Speaker 2>she's a little bit like unlatch. Okay, that's what people thought.

0:27:56.509 --> 0:27:59.789
<v Speaker 2>They saw. The internet said it's too much hand holding.

0:28:00.349 --> 0:28:04.749
<v Speaker 2>They said she wanted her handback wise through fondling Oprah.

0:28:05.069 --> 0:28:07.109
<v Speaker 2>But Oprah came out and was like, I liked it.

0:28:07.789 --> 0:28:10.269
<v Speaker 2>She said, I was actually comforted by the stroke of

0:28:10.269 --> 0:28:12.869
<v Speaker 2>the arm. I went home and I told Steadman, I

0:28:12.949 --> 0:28:15.469
<v Speaker 2>need to be stroked on the arm. It's company. Wait really, yeah,

0:28:15.469 --> 0:28:17.829
<v Speaker 2>that's what she said. It's a little bit six to you,

0:28:18.469 --> 0:28:21.309
<v Speaker 2>Like if you're selling Steadman, I'm now going to show

0:28:21.349 --> 0:28:25.189
<v Speaker 2>you a series of images as evidence that Drew sits

0:28:25.309 --> 0:28:27.789
<v Speaker 2>too close to her guests. Just have a little like

0:28:28.189 --> 0:28:33.349
<v Speaker 2>look through them and just describe as you go. Okay.

0:28:33.629 --> 0:28:36.229
<v Speaker 2>In the first one, she's got Brookshield and a blonde

0:28:36.229 --> 0:28:38.869
<v Speaker 2>girl in the middle, and their legs are all draped

0:28:38.909 --> 0:28:42.549
<v Speaker 2>over each other. So Drew is putting her leg over

0:28:42.549 --> 0:28:45.269
<v Speaker 2>Brookshields as lap. Actually, for some reason, I care less

0:28:45.269 --> 0:28:48.789
<v Speaker 2>about legs. Keep going, what else you see? Just then

0:28:48.789 --> 0:28:51.669
<v Speaker 2>she's got Paris Hilton and she is hugging her and

0:28:51.789 --> 0:28:56.349
<v Speaker 2>resting her chin on Paris Hilton's shoulders, and Paris is

0:28:56.469 --> 0:29:01.829
<v Speaker 2>very much like sitting in a very respectable legs cross

0:29:01.909 --> 0:29:05.589
<v Speaker 2>chants together. Yeah, I don't like to be touched. Yes, way, okay.

0:29:05.629 --> 0:29:07.469
<v Speaker 2>I don't know who this person is, but Drew's sitting

0:29:07.469 --> 0:29:11.069
<v Speaker 2>on the lab like their Sannah. Yeah. Yeah, it is

0:29:11.109 --> 0:29:14.749
<v Speaker 2>a child with Santa Claus. Yeah, okay. In this one,

0:29:15.029 --> 0:29:18.149
<v Speaker 2>Drew she loves getting on the floor. Yes, she loves

0:29:18.189 --> 0:29:21.669
<v Speaker 2>to get on the floor of the studio. Yes. So

0:29:21.909 --> 0:29:26.989
<v Speaker 2>she has Jennifer Aniston and Adam Sandler. He's dressed very

0:29:27.029 --> 0:29:35.149
<v Speaker 2>Adam Sandler. Yeah, and she is on her knees hugging them,

0:29:35.749 --> 0:29:38.309
<v Speaker 2>which just means that their faces are all incredibly close.

0:29:38.629 --> 0:29:42.149
<v Speaker 2>You'll be able to smell breath, hair, skin. You'd want

0:29:42.149 --> 0:29:44.589
<v Speaker 2>to know that your breath is breash. Oh, her breath

0:29:44.669 --> 0:29:49.029
<v Speaker 2>must be very fresh. And then she's got Jennifer Garner.

0:29:49.229 --> 0:29:52.269
<v Speaker 2>She's knelt in front of her in a worshiping type pose.

0:29:52.349 --> 0:29:56.229
<v Speaker 2>It's very unproposing. She kneels a lot. Yeah, I guess again.

0:29:56.309 --> 0:30:01.829
<v Speaker 2>We've got hand holding. Hand holding. It's okay, it's not

0:30:02.029 --> 0:30:05.149
<v Speaker 2>just met too. It feels weird. TikTok and Twitter are

0:30:05.189 --> 0:30:08.349
<v Speaker 2>losing it. Please read out this meme. Okay, that is

0:30:08.389 --> 0:30:10.309
<v Speaker 2>the single guy to me I've ever seen it, says

0:30:10.349 --> 0:30:13.749
<v Speaker 2>the guest, Can I be honest for a moment, Drew Barrymore?

0:30:13.869 --> 0:30:15.709
<v Speaker 2>This is a safe space, go on And it's an

0:30:15.749 --> 0:30:20.869
<v Speaker 2>image of two people's eyeballs. And the second tweet read

0:30:20.989 --> 0:30:23.789
<v Speaker 2>someone said, Drew Barrymore has the same intense energy as

0:30:23.789 --> 0:30:25.989
<v Speaker 2>a girl you meet in the bathroom at two am. Yes,

0:30:26.109 --> 0:30:29.189
<v Speaker 2>and it's incredible And honestly they're amazing because they're your

0:30:29.189 --> 0:30:32.829
<v Speaker 2>biggest hype girl. They're like, you need to quit your

0:30:32.989 --> 0:30:36.189
<v Speaker 2>job and dump him. Yeah, and you're like, yes, yes, yes,

0:30:36.229 --> 0:30:38.509
<v Speaker 2>I mean you go home. You're like, who was that? Yeah?

0:30:38.629 --> 0:30:40.629
<v Speaker 2>Yeah in context that make sense. Yah, out of context,

0:30:40.629 --> 0:30:41.229
<v Speaker 2>I look intense.

0:30:41.349 --> 0:30:41.989
<v Speaker 5>Yeah.

0:30:42.109 --> 0:30:46.109
<v Speaker 2>Do you think the bathroom intensity is because that's probably

0:30:46.109 --> 0:30:48.229
<v Speaker 2>where she was when she was twelve. Yeah, she's had

0:30:48.229 --> 0:30:51.229
<v Speaker 2>like training. Also, I feel like for a while that

0:30:51.269 --> 0:30:53.669
<v Speaker 2>could have been her full time job. Is bathroom harpe girl?

0:30:54.069 --> 0:30:57.189
<v Speaker 2>Like she was in the club and when you went

0:30:57.229 --> 0:30:59.949
<v Speaker 2>to the club, she was waiting, I like you, and

0:30:59.989 --> 0:31:03.229
<v Speaker 2>she sticks your hair to tell you that your boyfriend

0:31:03.709 --> 0:31:07.989
<v Speaker 2>is an absolute dickhead, Like I reckon very good at that. Okay,

0:31:08.029 --> 0:31:10.629
<v Speaker 2>some people say that on her show she can sometimes

0:31:10.749 --> 0:31:12.829
<v Speaker 2>be a bit cringey, and I don't appreciate that because

0:31:12.869 --> 0:31:15.069
<v Speaker 2>I think that cringe is something that we pretty much

0:31:15.069 --> 0:31:18.229
<v Speaker 2>only use as a weapon against women, unless it's lampagne,

0:31:18.669 --> 0:31:21.909
<v Speaker 2>in which case lampagne is cring But I also don't

0:31:21.909 --> 0:31:25.469
<v Speaker 2>mind cringe. Cringe can be fun. You think that I

0:31:25.549 --> 0:31:29.349
<v Speaker 2>just need to show you this one clip, Drew. How

0:31:29.389 --> 0:31:31.229
<v Speaker 2>have you seen the clip with Kamala Harris.

0:31:31.349 --> 0:31:34.509
<v Speaker 1>We all need a mom. I've been thinking that we

0:31:34.549 --> 0:31:37.869
<v Speaker 1>really all need a tremendous hug in the world right now.

0:31:38.429 --> 0:31:42.069
<v Speaker 1>But in our country, we need you to be Mamola

0:31:42.149 --> 0:31:44.429
<v Speaker 1>of the country.

0:31:44.829 --> 0:31:50.029
<v Speaker 2>So she's asked Kamala to be Mamalla mama.

0:31:50.589 --> 0:31:52.709
<v Speaker 3>That's an incredible pun.

0:31:52.949 --> 0:31:55.589
<v Speaker 2>I can deal with, Ernest. I can't deal with Mamla.

0:31:56.189 --> 0:31:58.749
<v Speaker 2>I can't. Mamola is my line, and don't just because

0:31:58.749 --> 0:32:00.949
<v Speaker 2>she's a woman does not make test to be your mom. Drew,

0:32:01.069 --> 0:32:02.989
<v Speaker 2>tell me a writer's room didn't come up with that. Yeah,

0:32:03.829 --> 0:32:07.429
<v Speaker 2>pay them, Yeah, And just like to rewatch.

0:32:06.989 --> 0:32:09.109
<v Speaker 1>We need you to be Mamola of the country.

0:32:09.829 --> 0:32:11.509
<v Speaker 2>I mean, that's a vice president that's too close to

0:32:11.549 --> 0:32:15.149
<v Speaker 2>the vice president and the vice president is like, fuck, true,

0:32:15.469 --> 0:32:18.909
<v Speaker 2>You've ruined all my chances. So I've been listening to

0:32:18.949 --> 0:32:23.029
<v Speaker 2>a lot of political analysis lately, and one actually, pretty

0:32:23.109 --> 0:32:26.589
<v Speaker 2>much the only criticism of Kamala Harris is it she's cringe.

0:32:26.669 --> 0:32:30.109
<v Speaker 2>Like that's actually the political use of that. They try

0:32:30.149 --> 0:32:33.069
<v Speaker 2>and get her to do like relatable things, but that

0:32:33.269 --> 0:32:36.069
<v Speaker 2>she's got this earnestness and this cringe that people don't like.

0:32:36.189 --> 0:32:40.949
<v Speaker 2>Oh my gosh. And it's like, oh, dare you like

0:32:41.029 --> 0:32:44.229
<v Speaker 2>what you're doing with Mamala? Yeah, is making her cringe,

0:32:44.469 --> 0:32:48.269
<v Speaker 2>is making her more cringe than she needs to be. Claire.

0:32:48.349 --> 0:32:56.269
<v Speaker 2>It is time for charges and sentences, Claire, do you

0:32:56.309 --> 0:33:01.029
<v Speaker 2>want to go first? Yes, my charge? I love Drew Barrymore.

0:33:01.589 --> 0:33:06.389
<v Speaker 2>Oh shit, I think she is cringe in a family,

0:33:06.749 --> 0:33:12.789
<v Speaker 2>mostly except for Mama get but that's okay, okay, because

0:33:12.829 --> 0:33:15.749
<v Speaker 2>being cringed. I checked the counseled law book. It ain't

0:33:15.789 --> 0:33:20.109
<v Speaker 2>in there. I think it is definitely found people guilty

0:33:20.109 --> 0:33:22.069
<v Speaker 2>of cringe before. Yes, but I think they have to

0:33:22.069 --> 0:33:26.029
<v Speaker 2>do much more just cringing a fun way. Okay, my

0:33:26.189 --> 0:33:33.469
<v Speaker 2>charge is being too close, She's she's almost it's triggering

0:33:33.749 --> 0:33:36.269
<v Speaker 2>for me to watch as a mum of a small child,

0:33:36.869 --> 0:33:40.269
<v Speaker 2>because you think, nah, we need personal space. And I

0:33:40.309 --> 0:33:42.989
<v Speaker 2>know what it's like to have somebody gripping you all

0:33:43.029 --> 0:33:46.869
<v Speaker 2>the tarching. It's because we've often said babies don't get

0:33:46.909 --> 0:33:48.909
<v Speaker 2>it is. You'll be holding them like on your hip

0:33:49.189 --> 0:33:51.509
<v Speaker 2>and you'll look down and they're staring at you eyeball

0:33:51.549 --> 0:33:53.949
<v Speaker 2>to eyeball, and you have to go, that's not the

0:33:54.029 --> 0:33:56.709
<v Speaker 2>dune thing. No, it's too close. It's too close. And

0:33:56.749 --> 0:33:58.949
<v Speaker 2>I've been in social situations. I've been at you know,

0:33:58.989 --> 0:34:02.349
<v Speaker 2>a party where I'm talking to someone, their face is

0:34:02.349 --> 0:34:04.229
<v Speaker 2>getting too close to my face and I trip over

0:34:04.229 --> 0:34:07.309
<v Speaker 2>a pop plant because what I'm doing is edging backwards. Yeah,

0:34:07.469 --> 0:34:10.949
<v Speaker 2>I'm going our throws are getting touched. Yeah, Matil will

0:34:11.149 --> 0:34:14.269
<v Speaker 2>be face to face, just staring at me, and then

0:34:14.309 --> 0:34:17.669
<v Speaker 2>she does start sucking. Yeah, And Drew Barrymore looks like

0:34:17.709 --> 0:34:19.549
<v Speaker 2>she might start sacking. She she looks like she one

0:34:19.589 --> 0:34:23.789
<v Speaker 2>hundred percent is just gonna yeah on the nose. That's

0:34:23.829 --> 0:34:27.509
<v Speaker 2>an adult. Okay, what's your sentence? My sentence. The Drew

0:34:27.549 --> 0:34:33.389
<v Speaker 2>Barrymore Show needs a set of rules that actually resembles

0:34:33.589 --> 0:34:37.709
<v Speaker 2>the rules of a school playground, and one of the

0:34:37.789 --> 0:34:40.749
<v Speaker 2>rules of a school, playground. Oh wow. Yeah, no touching,

0:34:41.109 --> 0:34:44.549
<v Speaker 2>no touching, and no play, no play, no sun, no

0:34:44.629 --> 0:34:49.389
<v Speaker 2>fun today. But importantly we don't touch you know, it's

0:34:49.429 --> 0:34:52.229
<v Speaker 2>not no touching, Claire. Let's keep your hands to yourself.

0:34:52.829 --> 0:34:57.149
<v Speaker 2>Hands to yourself. Yeah yeah, hands on your head, Yes,

0:34:57.669 --> 0:35:03.229
<v Speaker 2>your own head. Drew hands on your not Oprah's head,

0:35:03.509 --> 0:35:05.509
<v Speaker 2>because we know you'll do that. Yeah, but she she

0:35:05.509 --> 0:35:07.669
<v Speaker 2>needs to keep her hands to yourself. You can connect

0:35:07.669 --> 0:35:12.069
<v Speaker 2>with somebody closely emotionally without touching them physically too closely. Okay,

0:35:12.229 --> 0:35:14.349
<v Speaker 2>this is my imagine her at a boozy lunch.

0:35:15.949 --> 0:35:16.629
<v Speaker 4>She lad.

0:35:18.189 --> 0:35:21.429
<v Speaker 2>My charge. This is what I've written down too enlightened,

0:35:21.509 --> 0:35:26.509
<v Speaker 2>question mark, too mentally well, question mark rain. But she

0:35:26.669 --> 0:35:29.069
<v Speaker 2>has done so much work to be where she is

0:35:29.429 --> 0:35:31.069
<v Speaker 2>and to have two kids, and she seems like a

0:35:31.069 --> 0:35:33.549
<v Speaker 2>brilliant mother. She's got this striving career. I love that

0:35:33.589 --> 0:35:36.069
<v Speaker 2>she looks her age. I don't know if that's offensive

0:35:36.109 --> 0:35:39.589
<v Speaker 2>to say, but I said it. She's very entrepreneurial. I'm

0:35:39.589 --> 0:35:42.549
<v Speaker 2>in awe of her. But you know how self actualization

0:35:42.749 --> 0:35:45.989
<v Speaker 2>is like a developmental stage, yeah, which I'm so far from.

0:35:46.029 --> 0:35:48.269
<v Speaker 2>Yeah yeah, And like you know how there's like I

0:35:48.269 --> 0:35:52.509
<v Speaker 2>think there's like Maslow's hierarchy, self actualization isn't yeah, and

0:35:52.549 --> 0:35:55.989
<v Speaker 2>the bottom is like shelter. I feel like I'm still baling. No,

0:35:56.149 --> 0:35:58.629
<v Speaker 2>you actually are, like you barely have a home. Yeah,

0:35:58.669 --> 0:36:01.149
<v Speaker 2>like self awareness, personal development, all of those things. I

0:36:01.189 --> 0:36:04.509
<v Speaker 2>feel like, like, say, self actualization, and you've got your thing,

0:36:05.109 --> 0:36:08.589
<v Speaker 2>most of us get to like it. Seven. I feel

0:36:08.669 --> 0:36:11.749
<v Speaker 2>like Drew's accidentally got to know. Yeah. I feel like

0:36:11.789 --> 0:36:14.069
<v Speaker 2>if you look at Maslow's hierarchy of nies, it just

0:36:14.109 --> 0:36:15.949
<v Speaker 2>got Drew Barrymmel's face right at the top of it.

0:36:17.069 --> 0:36:19.309
<v Speaker 2>So this is the thing. She feels things very deeply.

0:36:19.709 --> 0:36:22.189
<v Speaker 2>Shaun's Kamala to me, Mama La. She wants to dance

0:36:22.229 --> 0:36:24.549
<v Speaker 2>in the rain and embrace Oprah, And she can't sit

0:36:24.629 --> 0:36:26.429
<v Speaker 2>on a couch with her feet on the floor. They

0:36:26.429 --> 0:36:29.989
<v Speaker 2>have to be tucked under her, like she's asleepover my sentence.

0:36:30.469 --> 0:36:32.149
<v Speaker 2>To be clear, I think Drew is an angel scent

0:36:32.189 --> 0:36:37.829
<v Speaker 2>from heaven, barely any notes. But I would like her

0:36:38.189 --> 0:36:40.309
<v Speaker 2>to get caught in the rain on the way to work.

0:36:40.589 --> 0:36:44.829
<v Speaker 2>Oh okay, yes, yeah, don't miss the opportunity. You're walking

0:36:44.829 --> 0:36:47.429
<v Speaker 2>to the train station. Once you get to work, eight

0:36:47.509 --> 0:36:49.829
<v Speaker 2>hours in an office starts pissing down on your hair

0:36:49.829 --> 0:36:52.829
<v Speaker 2>that you just washed. Your mascara runs, your shoes squirlke,

0:36:52.949 --> 0:36:55.869
<v Speaker 2>your fingers are freezing. You get on the train, smells

0:36:55.869 --> 0:37:00.109
<v Speaker 2>like wet. Everyone gasps, they ask what happened? You turn gray,

0:37:00.469 --> 0:37:03.469
<v Speaker 2>you get hypothermia, and then you get to work and

0:37:04.029 --> 0:37:05.709
<v Speaker 2>you look like crap. You feel like crap. You're very

0:37:05.709 --> 0:37:09.109
<v Speaker 2>cold and wet. You got an interview Oprah on camera. Yeah,

0:37:09.109 --> 0:37:11.309
<v Speaker 2>and it's not like you've got to be distance. She

0:37:11.469 --> 0:37:14.429
<v Speaker 2>is looking at every pore on your face and it's

0:37:14.469 --> 0:37:18.989
<v Speaker 2>got dirty, polluted rain in it from the clouds. Claire,

0:37:18.989 --> 0:37:21.549
<v Speaker 2>remember when we were kids. We were wet and wild

0:37:21.589 --> 0:37:24.389
<v Speaker 2>one day, beautiful day, and then things turned and it

0:37:24.429 --> 0:37:26.709
<v Speaker 2>got very cold and very rainy, and Mum and dad

0:37:26.749 --> 0:37:29.389
<v Speaker 2>had light dropped us there with our brothers and we

0:37:29.389 --> 0:37:31.789
<v Speaker 2>had to wait out the front. I've never been so cold,

0:37:32.189 --> 0:37:34.149
<v Speaker 2>Oh my gosh, it was never been so cold. You

0:37:34.229 --> 0:37:35.589
<v Speaker 2>had to get off the riots because there was a

0:37:35.749 --> 0:37:38.029
<v Speaker 2>risk of light. Mean, yeah, I don't even know if

0:37:38.029 --> 0:37:40.349
<v Speaker 2>we had towels. I don't think we did. I was

0:37:40.389 --> 0:37:46.469
<v Speaker 2>just in my swimmers, so king, wet, translucent skin, the

0:37:46.549 --> 0:37:51.229
<v Speaker 2>blue extremities. All of us were just like I don't

0:37:51.229 --> 0:37:53.309
<v Speaker 2>think we had any money for like odd chips or anything.

0:37:53.789 --> 0:37:55.909
<v Speaker 2>I think we probably did get hotships, but that didn't

0:37:55.909 --> 0:37:58.749
<v Speaker 2>even help. It was so even the hot chips would

0:37:58.789 --> 0:38:02.589
<v Speaker 2>have been soggy. We were so so cold. I want

0:38:02.669 --> 0:38:04.589
<v Speaker 2>her to have that experience. I think we all got

0:38:04.589 --> 0:38:06.909
<v Speaker 2>sick for a week. Yeah, and that's what I think

0:38:07.269 --> 0:38:09.069
<v Speaker 2>she needs to experience in order to have the full

0:38:09.069 --> 0:38:11.189
<v Speaker 2>spectrum of human emotion, which I know she cares about,

0:38:11.269 --> 0:38:13.829
<v Speaker 2>and then she can do a follow up video about that.

0:38:13.869 --> 0:38:16.309
<v Speaker 2>It's like, you know, like I said that being caught

0:38:16.309 --> 0:38:17.989
<v Speaker 2>in the rain was like great, but you know there

0:38:17.989 --> 0:38:19.909
<v Speaker 2>are some dwn ties caught in the rain. I just

0:38:19.909 --> 0:38:23.629
<v Speaker 2>really acknowledged that complexity. Love Love, Thank you so much

0:38:23.669 --> 0:38:26.109
<v Speaker 2>for joining us on this episode of Canceled. I will

0:38:26.109 --> 0:38:29.109
<v Speaker 2>be sharing that video and many more on the Twins

0:38:29.189 --> 0:38:32.749
<v Speaker 2>Thoughts on Instagram. The executive producer of Canceled is to

0:38:32.869 --> 0:38:36.229
<v Speaker 2>Listed Bazazz with audio editing by Tom Lyon, and we

0:38:36.229 --> 0:38:42.829
<v Speaker 2>will be back at next week. Bye bye.