1 00:00:11,189 --> 00:00:13,909 Speaker 1: You're listening to a MoMA Mia podcast. 2 00:00:14,829 --> 00:00:17,909 Speaker 2: Mom and Maya acknowledges the traditional owners of land and 3 00:00:17,949 --> 00:00:30,029 Speaker 2: waters that this podcast is recorded on Hello and welcome 4 00:00:30,029 --> 00:00:33,109 Speaker 2: to cancel, the podcast that looks at silly celebrity crimes 5 00:00:33,349 --> 00:00:36,149 Speaker 2: and as science charges and sentences to them so that 6 00:00:36,189 --> 00:00:38,189 Speaker 2: we can all move on with our lives. I'm Jesse 7 00:00:38,309 --> 00:00:41,069 Speaker 2: Stevens and I'm joined by Claire Stephens. Claire, do you 8 00:00:41,069 --> 00:00:43,429 Speaker 2: have a lazy girl story for us today? I do, 9 00:00:43,629 --> 00:00:47,109 Speaker 2: and this is from a lazy girl called Aphelia. And 10 00:00:47,149 --> 00:00:50,989 Speaker 2: I really like that name. Beautiful. Yeah, it's very Shakespearean. 11 00:00:51,069 --> 00:00:54,509 Speaker 2: It is it is what bit comes up? Okay, justing 12 00:00:54,549 --> 00:00:59,189 Speaker 2: boom of a boom Okay, Aphelia, She says, I have 13 00:00:59,229 --> 00:01:01,789 Speaker 2: a laser girl comvision. Great. She then says she's been 14 00:01:01,829 --> 00:01:06,069 Speaker 2: a regular listener, lovely. A few weeks ago, I was 15 00:01:06,109 --> 00:01:08,149 Speaker 2: out on a walk. I took my phone and my 16 00:01:08,189 --> 00:01:10,669 Speaker 2: debit card with me, knowing I'd want to buy snack 17 00:01:10,789 --> 00:01:13,709 Speaker 2: on my way back home. That's the only reason I 18 00:01:13,749 --> 00:01:15,389 Speaker 2: go for a walk is to also get a snack 19 00:01:15,389 --> 00:01:17,229 Speaker 2: on the way home. Yeah, because it's a walk, and 20 00:01:17,269 --> 00:01:19,949 Speaker 2: then the snack feel secondary, even though the snacks are 21 00:01:19,949 --> 00:01:24,349 Speaker 2: always primary. Yes, yes, she said, my card isn't linked 22 00:01:24,429 --> 00:01:27,669 Speaker 2: to my phone's Apple Pay yet, because admit it's actually 23 00:01:27,789 --> 00:01:32,309 Speaker 2: it's a step. It's a step. But I praise the 24 00:01:32,349 --> 00:01:34,869 Speaker 2: mental load that she's had to have with not having 25 00:01:34,869 --> 00:01:36,949 Speaker 2: Apple Pay. I need someone else to put it on 26 00:01:36,989 --> 00:01:38,629 Speaker 2: my phone, and once it's there, I'll use it. Yeah, 27 00:01:38,629 --> 00:01:40,989 Speaker 2: but yeah, it's a step. Nearing the end of my walk, 28 00:01:40,989 --> 00:01:42,869 Speaker 2: I stopped into the shop I'd planned to purchase said 29 00:01:42,869 --> 00:01:46,549 Speaker 2: snack from. However, upon coming to snap, I know I 30 00:01:46,589 --> 00:01:49,229 Speaker 2: can chocolate. However, upon coming to pay, I realized I 31 00:01:49,229 --> 00:01:51,309 Speaker 2: didn't have my card with me, and oh shit, I 32 00:01:51,309 --> 00:01:53,749 Speaker 2: could remember where I'd last felt it in my pocket, 33 00:01:53,909 --> 00:01:57,589 Speaker 2: which was an absolute maximum one hundred meters back along 34 00:01:57,589 --> 00:01:59,909 Speaker 2: the road or I've been walking. The adult thing to 35 00:01:59,949 --> 00:02:02,669 Speaker 2: do would have been to go back and retrieve it. However, 36 00:02:02,749 --> 00:02:06,989 Speaker 2: the prospect of adding an additional potential two hundred meters 37 00:02:07,149 --> 00:02:11,149 Speaker 2: to my walk felt like faster ask Yeah, backtracking, I 38 00:02:11,189 --> 00:02:13,709 Speaker 2: continued on my way home, and I canceled my card. 39 00:02:14,309 --> 00:02:16,509 Speaker 2: She's a lazy girl, God, she managed to Counselor how 40 00:02:16,549 --> 00:02:17,349 Speaker 2: do I want to have done that? 41 00:02:17,429 --> 00:02:17,509 Speaker 3: Now? 42 00:02:17,589 --> 00:02:19,629 Speaker 2: That's the click of a button on that is it? 43 00:02:19,749 --> 00:02:22,429 Speaker 2: John is quite easy, she said. The follow up admin 44 00:02:22,469 --> 00:02:24,709 Speaker 2: of having to order a new car an update all 45 00:02:24,709 --> 00:02:27,029 Speaker 2: of my automatic payment that's always sent to an older 46 00:02:27,069 --> 00:02:30,709 Speaker 2: dierer yes that have since failed, has been an ongoing pain. However, 47 00:02:30,869 --> 00:02:33,669 Speaker 2: not going back for the lost card still feels like 48 00:02:33,709 --> 00:02:36,909 Speaker 2: the right decision. I respect it and I agree. And 49 00:02:36,949 --> 00:02:39,629 Speaker 2: I had a similar experience recently when we're away and 50 00:02:39,669 --> 00:02:42,429 Speaker 2: I left a petrol station and my husband, who's obsessed 51 00:02:42,429 --> 00:02:45,869 Speaker 2: with banking, said, whatever just happened at that petrol station? 52 00:02:46,509 --> 00:02:49,229 Speaker 2: You were just charged four hundred dollars for petrol, okay, right? 53 00:02:49,629 --> 00:02:51,749 Speaker 2: And I was like it was a machine, So I 54 00:02:51,789 --> 00:02:52,949 Speaker 2: was like, I think I might have paid for the 55 00:02:52,949 --> 00:02:55,149 Speaker 2: petrol before. I don't know. He wanted me to go 56 00:02:55,189 --> 00:02:57,469 Speaker 2: back to the petrol station, and you're kind of like, 57 00:02:57,629 --> 00:03:01,309 Speaker 2: the money's gone, the money's gone. I left forty five 58 00:03:01,309 --> 00:03:05,549 Speaker 2: seconds ago. You want me to turn round and ask 59 00:03:05,709 --> 00:03:09,829 Speaker 2: someone a question about the four hundred dollars I'm weighing 60 00:03:09,829 --> 00:03:13,109 Speaker 2: at up? Am I out of money for this holiday? Absolutely? 61 00:03:13,189 --> 00:03:14,189 Speaker 2: Am I turning around? 62 00:03:14,629 --> 00:03:14,669 Speaker 3: No. 63 00:03:15,269 --> 00:03:18,989 Speaker 2: Whenever I screw up financially in another country by like overpaying, 64 00:03:19,189 --> 00:03:22,829 Speaker 2: getting robbed, for example, I always tell myself I'm contributing 65 00:03:22,869 --> 00:03:26,029 Speaker 2: to a foreign economy. That's a good thing. It's called tourism. 66 00:03:26,069 --> 00:03:26,589 Speaker 2: Look it up. 67 00:03:27,069 --> 00:03:34,949 Speaker 3: You are about to enter the canceled courtroom. The defendants 68 00:03:35,029 --> 00:03:42,029 Speaker 3: are celebrities, the chargers are petty. The rulings are final. 69 00:03:43,229 --> 00:03:47,469 Speaker 2: Today we're talking about Drew Blythe Barrymore. Oh Blythe, because 70 00:03:47,869 --> 00:03:51,349 Speaker 2: I was gonna say, Gwyneth Paltrow is Blythe. That's Gwyneth Sorry, 71 00:03:51,389 --> 00:03:54,469 Speaker 2: the forty nine year old actor, television show host, and author. 72 00:03:54,629 --> 00:03:57,349 Speaker 1: Hey, I noticed that you made eye contact with booballs, 73 00:03:57,429 --> 00:03:59,229 Speaker 1: but I mean, I'm not sure it was her wise 74 00:03:59,309 --> 00:03:59,749 Speaker 1: you were. 75 00:03:59,589 --> 00:04:02,149 Speaker 4: Looking at and that kicking your air. 76 00:04:02,709 --> 00:04:03,269 Speaker 2: Take a sip. 77 00:04:03,269 --> 00:04:07,069 Speaker 4: If you've ever faked it, Oh god, I did it once. 78 00:04:07,189 --> 00:04:10,549 Speaker 4: I wanted to buy my best one Harry met Sally impression. Yeah, 79 00:04:10,869 --> 00:04:12,989 Speaker 4: I guess it's also a good way to just end it. 80 00:04:13,069 --> 00:04:15,749 Speaker 2: She was born in nineteen seventy five in California to 81 00:04:15,869 --> 00:04:20,549 Speaker 2: actor John Drew Barrymore an aspiring actress Jade Barrymore. Her 82 00:04:20,589 --> 00:04:25,069 Speaker 2: career started at eleven months old. Oh wow, my baby 83 00:04:25,909 --> 00:04:30,469 Speaker 2: is behind that. Oh imagine Luna. She is not No, 84 00:04:30,549 --> 00:04:33,189 Speaker 2: she wouldn't know, she'd cry. She's very shy. When she 85 00:04:33,229 --> 00:04:36,349 Speaker 2: appeared in a dog food commercial, Claire, I would like 86 00:04:36,509 --> 00:04:40,749 Speaker 2: you to rate Drew Barrymore's first performance. Are you ready 87 00:04:40,789 --> 00:04:40,989 Speaker 2: for it? 88 00:04:41,349 --> 00:04:44,069 Speaker 5: This is a baby and this is a baby. 89 00:04:44,509 --> 00:04:45,109 Speaker 6: They both have. 90 00:04:45,149 --> 00:04:48,149 Speaker 2: Special nutritional needs. That's why a baby should have his 91 00:04:48,309 --> 00:04:50,989 Speaker 2: very own baby food and why a puppy should have 92 00:04:51,069 --> 00:04:56,349 Speaker 2: his very own puppy food. Discuss her a performance Okay, firthly, performance, flawless, 93 00:04:56,469 --> 00:05:00,549 Speaker 2: Agree absolutely all smile interacting with the dog beautiful. What 94 00:05:00,629 --> 00:05:02,949 Speaker 2: I will say is that Drew seems to suffer from 95 00:05:02,949 --> 00:05:06,509 Speaker 2: a similar affliction to what Matilda suffers from, which is 96 00:05:07,589 --> 00:05:10,629 Speaker 2: that people get her gender wrong. Because in that ad 97 00:05:10,669 --> 00:05:12,269 Speaker 2: you will notice they referred to the baby of the 98 00:05:12,309 --> 00:05:15,149 Speaker 2: he ah, and it was okay Drew as a she. 99 00:05:15,949 --> 00:05:20,269 Speaker 2: From there she played Gerty in Et the Extraterrestrial Et 100 00:05:20,869 --> 00:05:26,349 Speaker 2: Full and What a perform which became the highest grossing 101 00:05:26,389 --> 00:05:28,029 Speaker 2: film of all time. I think to this day it's 102 00:05:28,029 --> 00:05:32,709 Speaker 2: about number three. Barrymore was seven years old. By eleven, 103 00:05:33,069 --> 00:05:36,469 Speaker 2: Barrymore had an alcohol problem. By twelve, she said she 104 00:05:36,549 --> 00:05:39,709 Speaker 2: was a drug addict. By thirteen, she was self harming 105 00:05:39,789 --> 00:05:41,909 Speaker 2: and hospitalized for a year and a half, and by 106 00:05:41,989 --> 00:05:44,749 Speaker 2: fourteen she was divorced from her parents and living on 107 00:05:44,789 --> 00:05:46,989 Speaker 2: her own, She went on to star in some of 108 00:05:46,989 --> 00:05:49,349 Speaker 2: the most iconic films ever Never Been Kissed. 109 00:05:49,909 --> 00:05:52,509 Speaker 7: Sorry, I am ly took me forever to go here. 110 00:05:53,469 --> 00:05:58,629 Speaker 2: I know what she mean? Fabulous? Disagree, scream You never 111 00:05:58,669 --> 00:05:59,549 Speaker 2: told me your name? 112 00:06:00,309 --> 00:06:01,549 Speaker 1: Why do you want to know my name? 113 00:06:01,629 --> 00:06:03,149 Speaker 7: I don't want to know who I'm looking at? 114 00:06:05,069 --> 00:06:05,869 Speaker 4: What did you say? 115 00:06:06,189 --> 00:06:08,509 Speaker 2: Ex fabulous Charlie's angels. 116 00:06:08,149 --> 00:06:09,869 Speaker 4: Good morning Angels. 117 00:06:10,469 --> 00:06:13,869 Speaker 2: Charlie fabulous? Ever after watched it at school the Wedding 118 00:06:13,869 --> 00:06:17,109 Speaker 2: Singer fifty First Dates Music and Lyrics, where Hugh Grant 119 00:06:17,189 --> 00:06:19,309 Speaker 2: was like, I don't think she likes me. Remember she 120 00:06:19,389 --> 00:06:22,349 Speaker 2: came up in that episode, and most recently she was 121 00:06:22,389 --> 00:06:26,989 Speaker 2: in Santa Clara Diet. Do you remember that? Yeah, Clarita, 122 00:06:27,709 --> 00:06:29,109 Speaker 2: I don't know. I didn't watch it. I think it 123 00:06:29,109 --> 00:06:31,189 Speaker 2: was about zombies. It was very trying to be the 124 00:06:31,189 --> 00:06:34,029 Speaker 2: Walking Day anyway. Now, she hosts her own talk show 125 00:06:34,069 --> 00:06:35,149 Speaker 2: called The Drew Barrymore Show. 126 00:06:35,309 --> 00:06:39,109 Speaker 4: Oh thanks for hanging out with us. Can I just 127 00:06:39,189 --> 00:06:43,629 Speaker 4: share something and be totally honest? I am rocking the 128 00:06:43,669 --> 00:06:46,949 Speaker 4: caffeine this morning because I pulled an all nighter with 129 00:06:46,989 --> 00:06:47,429 Speaker 4: my daughter. 130 00:06:47,509 --> 00:06:48,149 Speaker 2: Frankie. 131 00:06:48,229 --> 00:06:52,829 Speaker 4: I'm sure you thought everything goes exactly according to plan 132 00:06:52,989 --> 00:06:54,589 Speaker 4: at all times around here, right. 133 00:06:54,869 --> 00:06:59,109 Speaker 2: Ah, which I consume solely through TikTok am. I going 134 00:06:59,189 --> 00:07:02,149 Speaker 2: to get to it comes up a fair bit before 135 00:07:02,149 --> 00:07:06,949 Speaker 2: we begin. Oh like Drew, Yeah no, always get good vibes. 136 00:07:06,989 --> 00:07:10,149 Speaker 2: She seems like she'd be lovely in person. Yeah, so 137 00:07:10,189 --> 00:07:12,189 Speaker 2: I think she's a good actress. And this was a 138 00:07:12,229 --> 00:07:16,669 Speaker 2: surprisingly difficult episode to prep for because despite being in 139 00:07:16,709 --> 00:07:19,669 Speaker 2: the industry since she was eleven months old, she's not 140 00:07:19,709 --> 00:07:22,949 Speaker 2: being canceled that often. What's happened not very often. She 141 00:07:22,989 --> 00:07:26,669 Speaker 2: seems very sweet and she's had a rough upbringing and 142 00:07:26,789 --> 00:07:30,229 Speaker 2: come back from that, which personally I find commendable. But 143 00:07:30,269 --> 00:07:34,709 Speaker 2: it also goes to show how great it was that 144 00:07:34,989 --> 00:07:37,389 Speaker 2: for somebody like Drew Barrymore, social media didn't exist when 145 00:07:37,429 --> 00:07:40,829 Speaker 2: she was a teenager because she got to just go 146 00:07:40,909 --> 00:07:43,789 Speaker 2: to rehab. Yes, But when she was I think she 147 00:07:43,789 --> 00:07:47,509 Speaker 2: was about nineteen, and she was on Larry one of 148 00:07:47,509 --> 00:07:54,269 Speaker 2: the one of the Larry's David Letterman, David Lettiman, and 149 00:07:54,389 --> 00:07:57,509 Speaker 2: she danced on the table and she flushed him, and 150 00:07:57,629 --> 00:08:01,549 Speaker 2: that's on the internet. Was that cringe? This is the thing. 151 00:08:01,589 --> 00:08:04,789 Speaker 2: The Internet fucking loves Drew Barrymony all the comments are 152 00:08:04,869 --> 00:08:08,629 Speaker 2: just like, she's classic Drew. She's a good time, she's fun, 153 00:08:08,669 --> 00:08:10,989 Speaker 2: she's so nineties. Love her hair, and I'm like, she 154 00:08:11,069 --> 00:08:14,749 Speaker 2: flashed David Letterman. I'm not canceling, but neither are you. Yeah. 155 00:08:14,789 --> 00:08:17,509 Speaker 2: So look, I don't decide who's in the cancel courtroom. 156 00:08:17,669 --> 00:08:20,509 Speaker 2: The culture does. And my structure for today is as follows. 157 00:08:21,349 --> 00:08:26,069 Speaker 2: The original NEPO Baby. Unemployable by fourteen, She says she'd 158 00:08:26,069 --> 00:08:29,109 Speaker 2: had a midlife crisis, but I reck and I was 159 00:08:29,189 --> 00:08:32,669 Speaker 2: unemployable by fourteen. But that's because No, I did make 160 00:08:32,709 --> 00:08:36,109 Speaker 2: a horrific mistakes at boostoos. I didn't shop for my 161 00:08:36,109 --> 00:08:38,509 Speaker 2: second shift because I'm not confused at the video shop, 162 00:08:38,749 --> 00:08:40,989 Speaker 2: So I was unemployable. No Muma called and said, can 163 00:08:41,029 --> 00:08:43,429 Speaker 2: you hire it back? And they said, okay, Dancing in 164 00:08:43,469 --> 00:08:48,069 Speaker 2: the Rain is Drew Barrymore a scab? And lastly the 165 00:08:48,149 --> 00:08:53,149 Speaker 2: Drew Barrymore Show. Yes, the original NEPO Baby, Little Drew 166 00:08:53,389 --> 00:08:55,349 Speaker 2: was born to two actors, but that is not the 167 00:08:55,389 --> 00:08:58,349 Speaker 2: whole story. She comes from a family of actors that 168 00:08:58,429 --> 00:09:02,309 Speaker 2: stretches back. Yess, how many years do you think? I 169 00:09:02,389 --> 00:09:06,069 Speaker 2: think like three generations? No, God, there was no acting 170 00:09:06,229 --> 00:09:09,669 Speaker 2: three generations ago. I don't know four hundred years what. 171 00:09:09,949 --> 00:09:12,069 Speaker 2: I thought the same about act. There was no acting 172 00:09:12,109 --> 00:09:14,989 Speaker 2: four hundred, four hundred years. I didn't know. This is 173 00:09:15,029 --> 00:09:16,829 Speaker 2: in my notes. I didn't know the had act just 174 00:09:16,829 --> 00:09:20,349 Speaker 2: four hundred years ago. I thought they we had farmers. Okay, 175 00:09:20,389 --> 00:09:21,229 Speaker 2: Shakespeare comes up? 176 00:09:21,309 --> 00:09:21,469 Speaker 1: Is that. 177 00:09:21,549 --> 00:09:26,909 Speaker 2: I'm like, I didn't do the maths, but Shakespeare hundred vibes. Yeah, 178 00:09:26,949 --> 00:09:29,869 Speaker 2: now two thousands ish. Cannot be sure, but I'm thinking 179 00:09:29,909 --> 00:09:32,629 Speaker 2: four hundred years ish. So I'm imagining a great great 180 00:09:32,629 --> 00:09:36,109 Speaker 2: great great great grandfather or grandmother, probably grandfather because patriarchy 181 00:09:36,549 --> 00:09:39,149 Speaker 2: in tight. It's Midsummer Night's Dream with his Willy Contra 182 00:09:39,269 --> 00:09:42,909 Speaker 2: app Yeah, and looking a lot like Drew. Oh, looking 183 00:09:42,949 --> 00:09:45,549 Speaker 2: exactly like ro Drew's face. Look, you saw her in 184 00:09:45,589 --> 00:09:48,189 Speaker 2: the dog food commercial. You can't deny her talent. But 185 00:09:48,309 --> 00:09:51,349 Speaker 2: even Barrymore says she was on movie sets from day one. 186 00:09:51,469 --> 00:09:54,189 Speaker 2: So when they needed a baby, it's like, how about 187 00:09:54,229 --> 00:09:55,789 Speaker 2: we get the one suck in the camera because you 188 00:09:55,869 --> 00:09:58,829 Speaker 2: always wonder you see like a baby in a show, 189 00:09:58,989 --> 00:10:01,989 Speaker 2: you think it is that it's always the wrong age. 190 00:10:02,629 --> 00:10:04,749 Speaker 2: It's your newborn and it's a three year old. Yeah, y, 191 00:10:05,109 --> 00:10:07,949 Speaker 2: that's a plot point that fourteen kilo baby, Why did 192 00:10:07,949 --> 00:10:11,949 Speaker 2: that person birth a fully f human being. Her godmother 193 00:10:12,229 --> 00:10:16,349 Speaker 2: is Italian actress Sophia Laren and her godfather is a 194 00:10:16,349 --> 00:10:20,469 Speaker 2: bit more low key Steven Spielbert. She asked after et 195 00:10:20,669 --> 00:10:23,789 Speaker 2: if he could be her godfather, and her mum was like, okay, fine. 196 00:10:23,989 --> 00:10:26,749 Speaker 2: When she was nineteen and she posed naked for Playboy, 197 00:10:26,989 --> 00:10:29,789 Speaker 2: Spielberg sent her a large quilt with a note attached 198 00:10:29,949 --> 00:10:33,629 Speaker 2: that simply read, cover up what a good godfather had 199 00:10:33,669 --> 00:10:38,709 Speaker 2: some advice, I mean no nor sexes, patriarchy, etcetera. But 200 00:10:38,709 --> 00:10:40,629 Speaker 2: but she didn't have a dad. It's cute that it 201 00:10:40,789 --> 00:10:43,629 Speaker 2: was his paternal there's a photo of her at nine 202 00:10:43,669 --> 00:10:48,189 Speaker 2: years old beside President Ronald Reagan. But and this is 203 00:10:48,229 --> 00:10:51,349 Speaker 2: where I'm always uncomfortable with the NEPO baby stuff. It 204 00:10:51,469 --> 00:10:53,229 Speaker 2: might have given her a leg up in her career, 205 00:10:53,309 --> 00:10:56,589 Speaker 2: but her home life a mess. Her dad was an 206 00:10:56,589 --> 00:11:00,669 Speaker 2: alcoholic left when she was nine, although he'd always been absent, 207 00:11:00,749 --> 00:11:03,509 Speaker 2: and around that time when her I think she was 208 00:11:03,509 --> 00:11:05,829 Speaker 2: about eight years old, when her mum was like, babe, 209 00:11:05,909 --> 00:11:10,709 Speaker 2: let's go cubbing five nights, weet o, no yeap, which 210 00:11:10,749 --> 00:11:14,829 Speaker 2: brings us to unemployable by fourteen In an interview with 211 00:11:14,869 --> 00:11:18,349 Speaker 2: the Guardian, Barrymore says that by her mid teens she 212 00:11:18,349 --> 00:11:21,309 Speaker 2: couldn't get a job. You won't believe it, but all 213 00:11:21,309 --> 00:11:24,389 Speaker 2: that clubbing and no school meant that Barrymore was chaos. 214 00:11:24,429 --> 00:11:26,509 Speaker 2: She was stealing a mum's car and, in her words, 215 00:11:26,589 --> 00:11:30,229 Speaker 2: out of control. She says she was drinking at nine, 216 00:11:30,509 --> 00:11:34,389 Speaker 2: smoking pot at ten, using cocaine at twelve, which meant 217 00:11:34,389 --> 00:11:37,309 Speaker 2: she was blacklisted from Hollywood for having reputation as a 218 00:11:37,309 --> 00:11:40,669 Speaker 2: party girl. Can you imagine a party girl that's just 219 00:11:40,709 --> 00:11:43,469 Speaker 2: a child? Yes, Okay, So you're a director or a 220 00:11:43,469 --> 00:11:46,149 Speaker 2: producer and you're out at the club and you're seeing 221 00:11:46,149 --> 00:11:48,829 Speaker 2: your twelve year old's not cocaine and you're like, ugh, 222 00:11:49,389 --> 00:11:51,909 Speaker 2: just another party girl going too hard on a Tuesday night, 223 00:11:52,029 --> 00:11:56,669 Speaker 2: not being like maybe we should confiscate with cane. Yeah, 224 00:11:56,869 --> 00:11:58,989 Speaker 2: do you need some help, because by my calculations, you 225 00:11:58,989 --> 00:12:02,269 Speaker 2: should be in year six. You should be year six. 226 00:12:02,709 --> 00:12:05,709 Speaker 2: Would you like some ice cream with some iced magic, 227 00:12:06,229 --> 00:12:09,309 Speaker 2: because that should be the fun. Why don't you go 228 00:12:09,389 --> 00:12:11,869 Speaker 2: to your room and play this great game called the Sims. 229 00:12:11,949 --> 00:12:14,269 Speaker 2: You should be playing the Sims in a dressing gown. 230 00:12:14,989 --> 00:12:17,109 Speaker 2: But yeah, it's weird to look at that kid and 231 00:12:17,149 --> 00:12:21,149 Speaker 2: be like, here comes trabal listing. You just another party girl, 232 00:12:21,829 --> 00:12:25,749 Speaker 2: just twelve. So she was sent to rehab twice before 233 00:12:25,949 --> 00:12:30,189 Speaker 2: she was thirteen. Imagine being in rehab, got rehab people. 234 00:12:30,469 --> 00:12:38,589 Speaker 2: It's like you, no, I'm here wet substance abuse in children, Yeah, 235 00:12:38,629 --> 00:12:41,629 Speaker 2: I feel like they're just a issue. Then at thirteen, 236 00:12:41,709 --> 00:12:44,629 Speaker 2: Drew Barrymore's mum Jade, was like, I've had enough. I 237 00:12:44,669 --> 00:12:46,509 Speaker 2: can't do this. So she sent her to a psychiatric 238 00:12:46,549 --> 00:12:50,749 Speaker 2: facility for one year and one half eighteen months. She 239 00:12:50,789 --> 00:12:52,869 Speaker 2: sent her to a psychiatric unit that she couldn't leave. 240 00:12:53,189 --> 00:12:55,949 Speaker 2: She was like, you're a lot, and it's like, yeah, 241 00:12:55,989 --> 00:12:58,749 Speaker 2: no shit. On her twelfth birthday she was not in 242 00:12:58,749 --> 00:13:01,829 Speaker 2: the cocaine. Yeah. That is so sad. And it reminds 243 00:13:01,829 --> 00:13:04,149 Speaker 2: me of this thing I've heard people say where it's 244 00:13:04,189 --> 00:13:07,429 Speaker 2: like you can be like when you talk about privilege, yeah, 245 00:13:07,629 --> 00:13:14,389 Speaker 2: economically privileged, but like family wise, incredibly emotionally yeah deprived. 246 00:13:14,509 --> 00:13:16,789 Speaker 2: Yeah yeah, And that's what it was left her. And 247 00:13:16,829 --> 00:13:20,429 Speaker 2: you think privilege is more complicated than simply having parents 248 00:13:20,469 --> 00:13:23,909 Speaker 2: who happened to be in Hollywood. Yeah, because the cost 249 00:13:23,989 --> 00:13:26,789 Speaker 2: of that was big. So while she was there, a 250 00:13:26,789 --> 00:13:29,789 Speaker 2: few professionals advised that she emancipate herself from her mother, 251 00:13:29,989 --> 00:13:33,429 Speaker 2: who maybe wasn't the best influence, so by fourteen she 252 00:13:33,469 --> 00:13:35,669 Speaker 2: was living on her own divorce from her parents. She 253 00:13:35,869 --> 00:13:38,549 Speaker 2: washed dishes and worked some normal jobs for a few years, 254 00:13:38,589 --> 00:13:40,909 Speaker 2: but eventually she got a role in an erotic thrill 255 00:13:40,949 --> 00:13:43,549 Speaker 2: out called Poison Ivy in nineteen ninety two, and her 256 00:13:43,589 --> 00:13:56,349 Speaker 2: career skyrocketed from there. The time she danced in the rain? Okay, 257 00:13:56,829 --> 00:13:59,429 Speaker 2: do you remember this? No, you don't remember her dancing 258 00:13:59,469 --> 00:14:03,949 Speaker 2: in the rain. No, I've got the video. It was 259 00:14:03,989 --> 00:14:08,349 Speaker 2: an incredibly viral moment that the Internet just loved. You're 260 00:14:08,349 --> 00:14:11,509 Speaker 2: going to remember it when I play it, ha ha. 261 00:14:14,189 --> 00:14:17,949 Speaker 2: Whenever you can go out into the rain, do not 262 00:14:18,189 --> 00:14:24,109 Speaker 2: miss the operencity. Come on, comment. Okay, what did you 263 00:14:24,149 --> 00:14:26,629 Speaker 2: just see? Just describe it visually. People who have heard 264 00:14:26,669 --> 00:14:29,269 Speaker 2: the audio, but they haven't seen her getting wet in 265 00:14:29,269 --> 00:14:33,669 Speaker 2: the rain, I see too, very more selfie mode in 266 00:14:33,709 --> 00:14:37,389 Speaker 2: the rain, taking her glasses off to really being one 267 00:14:37,429 --> 00:14:40,749 Speaker 2: with the rain. Huh, instructing people to get out in 268 00:14:40,789 --> 00:14:43,669 Speaker 2: the rain more. All right? Do you think the internet 269 00:14:43,709 --> 00:14:47,629 Speaker 2: loved it or hated it? Okay? Okay, I think it's 270 00:14:47,629 --> 00:14:51,229 Speaker 2: cringe in the way that the Internet loves. The Internet 271 00:14:51,269 --> 00:14:54,589 Speaker 2: fucking loved it. Yeah, the Internet frothed it. People started 272 00:14:54,749 --> 00:14:58,309 Speaker 2: doing it. One person said it was racist because it 273 00:14:58,389 --> 00:15:02,029 Speaker 2: was copying a trend that they believed was started by 274 00:15:02,029 --> 00:15:05,269 Speaker 2: black creators. But then other people came out most like 275 00:15:05,309 --> 00:15:07,629 Speaker 2: the rain doesn't belong to anyone, and the consensus words 276 00:15:07,629 --> 00:15:09,789 Speaker 2: that it's actually fine, and Drew can get wet if 277 00:15:09,789 --> 00:15:12,029 Speaker 2: she want. Yeah, she can be in the rain. But 278 00:15:12,069 --> 00:15:14,389 Speaker 2: that is something that we love about Drew Barrymore is 279 00:15:14,709 --> 00:15:19,829 Speaker 2: there's a purity, an earnestness, and a intensity, and any 280 00:15:20,269 --> 00:15:25,389 Speaker 2: city highly intense, but there's also a joy. There's a joy. 281 00:15:25,589 --> 00:15:29,029 Speaker 2: She owns it. We know where she came from. M babe. 282 00:15:29,029 --> 00:15:31,269 Speaker 2: If you need to get in the rain to get 283 00:15:31,309 --> 00:15:35,869 Speaker 2: through some of your childhood trauma, in the rain, you 284 00:15:36,029 --> 00:15:38,909 Speaker 2: roll and it's just nice because you're like, yeah, she's 285 00:15:38,949 --> 00:15:40,869 Speaker 2: in the rain. You know what She's not doing hurting 286 00:15:40,869 --> 00:15:46,309 Speaker 2: anyone exactly. It's just a bit wet criticizing anyone winging. 287 00:15:47,309 --> 00:15:50,229 Speaker 2: What I would like to discuss is her call to action, 288 00:15:50,669 --> 00:15:53,549 Speaker 2: her CTA. She says, whenever you can go out into 289 00:15:53,629 --> 00:15:56,309 Speaker 2: the rain, do not miss the opportunity. I love the sentiment. 290 00:15:56,589 --> 00:15:59,589 Speaker 2: I share the internet's general encouragement of Drew healing her 291 00:15:59,589 --> 00:16:02,869 Speaker 2: inner child. You do you, Drew. I don't like rain 292 00:16:02,909 --> 00:16:05,189 Speaker 2: because I find it to be a day ruiner. Ya Hey, 293 00:16:05,229 --> 00:16:07,269 Speaker 2: you gotta wash it. You get wet in your shoes 294 00:16:07,309 --> 00:16:11,389 Speaker 2: and they start making sounds squirreled. When it begins to dry, 295 00:16:12,069 --> 00:16:16,589 Speaker 2: you stink like a labrador. There are places in the world, Claire. 296 00:16:16,589 --> 00:16:19,749 Speaker 2: We were recently in Ireland in the summertime where getting 297 00:16:19,869 --> 00:16:23,989 Speaker 2: rained on is a genuine hypothermia risk. I don't want 298 00:16:24,029 --> 00:16:27,349 Speaker 2: to die today, Drew. If I get wet in the 299 00:16:27,349 --> 00:16:32,709 Speaker 2: Irish summer, I'll die. Yeah, I can't withstand that kind 300 00:16:32,709 --> 00:16:35,709 Speaker 2: of My fingers will turn purple, my lips will turn blue, 301 00:16:36,149 --> 00:16:38,949 Speaker 2: and I'll just keel over. It's all fine for you, Drew. 302 00:16:38,989 --> 00:16:40,989 Speaker 2: I think you're actually just in your backyard, so you 303 00:16:40,989 --> 00:16:42,829 Speaker 2: can go get into a hot shower. You ever got 304 00:16:42,829 --> 00:16:44,789 Speaker 2: wet on the way to the station before an eight 305 00:16:44,789 --> 00:16:47,829 Speaker 2: hour day. You get to the office, everyone asks, what's wrong? Well, 306 00:16:47,869 --> 00:16:50,069 Speaker 2: I got wet and I smell like wet dog and 307 00:16:50,149 --> 00:16:54,589 Speaker 2: lazy girls. What don't lazy girls ever have changed clothes? Okay, 308 00:16:54,589 --> 00:16:56,429 Speaker 2: why would anyone have a change of clothes. I'm obviously 309 00:16:56,469 --> 00:16:59,869 Speaker 2: talking about an umbrella. Oh my gosh, I never have it. 310 00:16:59,909 --> 00:17:01,989 Speaker 2: I make a gamble every day. Don't have it anyway? 311 00:17:02,509 --> 00:17:05,909 Speaker 2: Is Drew Barry Morris gap. The problem with everyone loving 312 00:17:05,949 --> 00:17:09,909 Speaker 2: you because you were Josie Grosy, you had that sad 313 00:17:10,109 --> 00:17:12,349 Speaker 2: brain injury in fifty first dates and you got murdered 314 00:17:12,349 --> 00:17:15,829 Speaker 2: in screen is that when you make a perceived misstep, 315 00:17:16,349 --> 00:17:19,949 Speaker 2: the people get upset. Do you remember the writer's strike 316 00:17:20,069 --> 00:17:23,469 Speaker 2: last year, no contract, no me. For the first time 317 00:17:23,549 --> 00:17:27,109 Speaker 2: in fifteen years, more than eleven thousand movie and television 318 00:17:27,109 --> 00:17:29,989 Speaker 2: writers in Hollywood's Writers Guild went on strike. 319 00:17:32,349 --> 00:17:34,949 Speaker 4: This is absolutely an existential moment for the rank profession. 320 00:17:35,069 --> 00:17:39,229 Speaker 2: Yes, and I remember Drew barrymore being involved somehow, and 321 00:17:39,349 --> 00:17:41,149 Speaker 2: this is the one time I've seen her get a 322 00:17:41,189 --> 00:17:44,029 Speaker 2: little bit canceled. Okay, it was a big deal. It 323 00:17:44,109 --> 00:17:46,749 Speaker 2: lasted for one hundred and forty eight days, and basically 324 00:17:46,789 --> 00:17:49,269 Speaker 2: all the writers banded together and were like, you got 325 00:17:49,309 --> 00:17:51,749 Speaker 2: to pay us better, and also, don't replace me with 326 00:17:51,829 --> 00:17:55,509 Speaker 2: chat japity. As is the case with any strike, you 327 00:17:55,589 --> 00:17:58,749 Speaker 2: need lots of people, if not everybody, to do it. 328 00:17:58,829 --> 00:18:01,509 Speaker 2: You need the industry to feel what happens without you. 329 00:18:01,829 --> 00:18:05,229 Speaker 2: So films and television shows were largely paused or shut down, 330 00:18:05,789 --> 00:18:08,389 Speaker 2: and the ones that continued did so without writers. It 331 00:18:08,469 --> 00:18:10,469 Speaker 2: was an understanding, especially if you're a signal tree to 332 00:18:10,509 --> 00:18:13,029 Speaker 2: the Writers Guilden of America. It was like you shut 333 00:18:13,069 --> 00:18:15,629 Speaker 2: down what you're doing. The things people were sacrificing, like 334 00:18:15,669 --> 00:18:18,389 Speaker 2: writers were taking their kids out of school. No one 335 00:18:18,509 --> 00:18:20,669 Speaker 2: was working. Everyone was just sitting there waiting for this 336 00:18:20,749 --> 00:18:23,309 Speaker 2: to end. But the only power you had for this 337 00:18:23,429 --> 00:18:28,789 Speaker 2: strike was Hollywood's at a standstill. Right in support of 338 00:18:28,789 --> 00:18:31,829 Speaker 2: the strike, Barrymore withdrew from hosting the twenty twenty three 339 00:18:31,949 --> 00:18:34,909 Speaker 2: MTV Movie and TV Awards because she's a signatory. She's 340 00:18:34,949 --> 00:18:37,989 Speaker 2: quite outspoken about it. She supports the writers solidarity Dance 341 00:18:38,029 --> 00:18:42,149 Speaker 2: in the Rain, but then her TV show is due 342 00:18:42,189 --> 00:18:43,829 Speaker 2: to come back towards the end of the year, The 343 00:18:43,909 --> 00:18:47,509 Speaker 2: Drew Barrymore Show, and everyone obviously expects it will be 344 00:18:47,709 --> 00:18:51,349 Speaker 2: paused because everything it is struck, which means that it's 345 00:18:51,349 --> 00:18:53,949 Speaker 2: not allowed to go forwardcause got riters on it. But 346 00:18:54,029 --> 00:18:57,429 Speaker 2: she releases a statement to her Instagram. She says the 347 00:18:57,469 --> 00:19:02,269 Speaker 2: show was built during sensitive times COVID and it's coming 348 00:19:02,309 --> 00:19:05,509 Speaker 2: back this season. Tune in. She says she'll commence season 349 00:19:05,549 --> 00:19:09,989 Speaker 2: four with astute humility, so it's fine. Things will not 350 00:19:10,669 --> 00:19:13,309 Speaker 2: So she was just coming back with the Riders coming back. 351 00:19:13,469 --> 00:19:14,669 Speaker 2: I think she was just going to do it without 352 00:19:14,669 --> 00:19:15,069 Speaker 2: the Riders. 353 00:19:16,509 --> 00:19:18,309 Speaker 6: The writer's strike is now at one hundred and thirty 354 00:19:18,309 --> 00:19:20,789 Speaker 6: two days and now the Writer's Guild of America is 355 00:19:20,869 --> 00:19:24,309 Speaker 6: planning a protest. They are taking a stand against Drew Barrymore. 356 00:19:24,589 --> 00:19:28,269 Speaker 6: Production on Barrymore's namesake TV show will start soon. 357 00:19:28,589 --> 00:19:31,669 Speaker 2: So Alissa Milano, Deborah Messing, a bunch of other writers 358 00:19:31,669 --> 00:19:34,829 Speaker 2: and actors came out and were like, honey, no, not 359 00:19:34,869 --> 00:19:37,269 Speaker 2: how striketed. That's not the deal. You can't just start 360 00:19:37,309 --> 00:19:39,749 Speaker 2: your show again. You can't do it. I will say, 361 00:19:40,589 --> 00:19:43,029 Speaker 2: I did think if you were a bit of a 362 00:19:43,069 --> 00:19:48,069 Speaker 2: dickhead slash just honey needs some money. Yeah, when that 363 00:19:48,149 --> 00:19:50,589 Speaker 2: was happening in Hollywood, if you were just a little 364 00:19:50,589 --> 00:19:55,389 Speaker 2: bit like, i'll do some work. Yeah, oh, I know 365 00:19:55,509 --> 00:19:58,349 Speaker 2: everyone's striking, so just on the side, I'll do it. 366 00:19:58,389 --> 00:20:03,029 Speaker 2: I'm available, and also I have no ethics. Double my rate. Now. 367 00:20:03,829 --> 00:20:06,749 Speaker 2: In Drew Barrymore's defense, everyone was like, Okay, Drew Barrymore 368 00:20:06,749 --> 00:20:08,269 Speaker 2: doesn't need the money. She's worth like one hundred and 369 00:20:08,269 --> 00:20:10,989 Speaker 2: twenty five mil. She's got Flower Beauty, she's got the 370 00:20:11,269 --> 00:20:14,509 Speaker 2: Flower Production Company, which made a bunch of these movies. 371 00:20:14,669 --> 00:20:19,429 Speaker 2: She is rolling in it. However, during that writer strike, 372 00:20:19,629 --> 00:20:23,229 Speaker 2: if you were a cleaner, if you were a camera person, 373 00:20:23,669 --> 00:20:26,669 Speaker 2: if you were hair and maker, if you were sound, 374 00:20:27,429 --> 00:20:29,189 Speaker 2: you couldn't work. You were just sitting at home waiting 375 00:20:29,229 --> 00:20:32,509 Speaker 2: for a job. So Drew Barrymore, if you read between 376 00:20:32,549 --> 00:20:34,469 Speaker 2: the lines of what she's saying, she's like, I employ 377 00:20:34,549 --> 00:20:38,029 Speaker 2: a lot of people. I want to give them a job. Also, 378 00:20:38,389 --> 00:20:41,709 Speaker 2: her show was on a network, and if you said 379 00:20:41,709 --> 00:20:44,149 Speaker 2: to the network, we're not coming back, they were replacing 380 00:20:44,149 --> 00:20:45,789 Speaker 2: a lot of shows. A lot of shows never came 381 00:20:45,829 --> 00:20:49,069 Speaker 2: back after the right strike. So you know you're playing 382 00:20:49,069 --> 00:20:51,869 Speaker 2: a yeah, because you get to they can just put 383 00:20:51,869 --> 00:20:54,029 Speaker 2: in a show that's like syndicated. Ye, Like let's say 384 00:20:54,029 --> 00:20:57,909 Speaker 2: they've already born probably a reality shows. Yeah. Things got 385 00:20:57,949 --> 00:21:00,629 Speaker 2: so bad that a few days later she published a 386 00:21:00,669 --> 00:21:01,989 Speaker 2: tearful apology video. 387 00:21:02,109 --> 00:21:07,109 Speaker 4: I deeply apologize to writers. I deeply apologize to unions. 388 00:21:08,029 --> 00:21:09,709 Speaker 4: I deeply apologize. 389 00:21:10,309 --> 00:21:13,029 Speaker 2: This is a deeply complex situation. People's jobs are online 390 00:21:13,069 --> 00:21:15,149 Speaker 2: and she waited up and yeah, she'll still be coming 391 00:21:15,189 --> 00:21:19,869 Speaker 2: back hard true in October. Tune in. Okay, here's the 392 00:21:19,869 --> 00:21:24,029 Speaker 2: thing I do think what you say about. There's all 393 00:21:24,029 --> 00:21:26,949 Speaker 2: these other people who work on the production. These issues 394 00:21:26,989 --> 00:21:29,669 Speaker 2: are always more complex than they look from a bird's 395 00:21:29,709 --> 00:21:33,949 Speaker 2: eye view and from a purely ideological perspective, Like there's 396 00:21:33,989 --> 00:21:37,749 Speaker 2: the ideology of how things should be, like put pressure 397 00:21:37,909 --> 00:21:41,909 Speaker 2: on these studios so that writers get paid fairly, so 398 00:21:41,949 --> 00:21:44,309 Speaker 2: that we stop ai writing everything. But then there is 399 00:21:44,949 --> 00:21:47,709 Speaker 2: a makeup artist who's like, my kid has cancer and 400 00:21:47,709 --> 00:21:50,229 Speaker 2: I can't pay for EASTU. Yes, yes, but it's also like, 401 00:21:50,589 --> 00:21:53,229 Speaker 2: if we just start making these shows happen, then the 402 00:21:53,269 --> 00:21:55,669 Speaker 2: writers have no bargaining power. Everything they've done has been 403 00:21:55,709 --> 00:21:59,349 Speaker 2: in vain. Everyone's sacrifice is in vain. And Drew Barrymore, 404 00:21:59,429 --> 00:22:02,229 Speaker 2: who has some of the most power in Hollywood and 405 00:22:02,469 --> 00:22:05,429 Speaker 2: who has been in writers' rooms and understands how it 406 00:22:05,429 --> 00:22:08,149 Speaker 2: all works, she can probably afford to pay everyone. That's 407 00:22:08,189 --> 00:22:10,669 Speaker 2: true that a little bit, which is what like, you 408 00:22:10,669 --> 00:22:14,229 Speaker 2: know a Jimmy Kimmel did, Yeah, is he paid his people. Still, So, 409 00:22:14,749 --> 00:22:18,269 Speaker 2: what a scab actually means is someone who breaks a strike. 410 00:22:18,669 --> 00:22:21,749 Speaker 2: So someone who is like struck and then does their 411 00:22:21,749 --> 00:22:24,669 Speaker 2: thing anyway, so everyone started calling her a scab and 412 00:22:24,709 --> 00:22:26,909 Speaker 2: she lost a hosting gig at the twenty twenty three 413 00:22:27,109 --> 00:22:30,469 Speaker 2: National Book Awards. Anyway, she did her tearful apology and 414 00:22:30,509 --> 00:22:34,429 Speaker 2: everyone was like, so then she eventually did delete that 415 00:22:34,509 --> 00:22:36,389 Speaker 2: video and she came back a third time and was like, 416 00:22:36,589 --> 00:22:39,149 Speaker 2: upon reflection, I'll be pausing that, Drew Barrymore, okay, good 417 00:22:39,229 --> 00:22:41,629 Speaker 2: until after the strike good, okay good. When she did 418 00:22:41,629 --> 00:22:43,869 Speaker 2: eventually go back to work, three head writers refused to 419 00:22:43,909 --> 00:22:46,629 Speaker 2: come back because they were so pissed. So she that's 420 00:22:46,789 --> 00:22:49,589 Speaker 2: hold on it pissed so three of her head riders. Yeah, 421 00:22:49,629 --> 00:22:52,109 Speaker 2: when she resumed things, she was like, guys, come back, 422 00:22:52,149 --> 00:22:54,469 Speaker 2: we can come back. They were like, no, screw you. 423 00:22:54,469 --> 00:22:56,949 Speaker 2: You tried to come back without us. Oh so they 424 00:22:56,949 --> 00:23:00,389 Speaker 2: didn't come back, okay right right yeah. Yeah. Interestingly, a 425 00:23:00,389 --> 00:23:03,029 Speaker 2: bunch of daytime shows did come back with no fuss, 426 00:23:03,669 --> 00:23:06,109 Speaker 2: the Jennifer Hudson Show and The View. So why didn't 427 00:23:06,109 --> 00:23:08,549 Speaker 2: they get in trouble? Well, for starters, I didn't personally 428 00:23:08,549 --> 00:23:11,429 Speaker 2: know Jennifer Hudson had a show, no, and I didn't 429 00:23:11,469 --> 00:23:14,629 Speaker 2: know the View was still on, so play on. But 430 00:23:14,749 --> 00:23:17,989 Speaker 2: Drew Barrymore, similar to an Ellen or a James Cordon. 431 00:23:18,429 --> 00:23:20,709 Speaker 2: You're meant to be a nice girl. Yeah, you can't 432 00:23:20,869 --> 00:23:23,429 Speaker 2: tell me you're a good person. Dance in the rain. 433 00:23:23,509 --> 00:23:26,069 Speaker 2: Tell me to dance in the rain. And then when 434 00:23:26,109 --> 00:23:28,109 Speaker 2: it comes down to it, it's beIN on the riders. 435 00:23:28,229 --> 00:23:31,149 Speaker 2: My only kind of knowledge that the view exists is 436 00:23:31,189 --> 00:23:36,029 Speaker 2: that one clip where Kelly Osborne says that you know, 437 00:23:36,069 --> 00:23:38,749 Speaker 2: when she thinks she's she's saying something, and she's like, 438 00:23:39,229 --> 00:23:43,029 Speaker 2: if we get rid of Mexican, if we get rid 439 00:23:43,069 --> 00:23:45,669 Speaker 2: of all the immigrants, then who's going to clean your toilets? 440 00:23:45,669 --> 00:23:46,389 Speaker 2: Donald Trump? 441 00:23:47,469 --> 00:23:50,789 Speaker 1: If you kick every Latino out of this country, then 442 00:23:50,829 --> 00:23:52,429 Speaker 1: who is going to be cleaning your toilet? 443 00:23:52,469 --> 00:23:53,029 Speaker 7: Donald Trump? 444 00:23:53,269 --> 00:23:55,469 Speaker 1: Oh, that's in a sense that not you know what 445 00:23:55,549 --> 00:23:57,989 Speaker 1: I mean, But I'm saying there's more, there's more jobs 446 00:23:57,989 --> 00:24:01,109 Speaker 1: to be in la They always but the Donalds are. 447 00:24:01,069 --> 00:24:03,589 Speaker 2: Not only don't mean it like that, come on. 448 00:24:05,589 --> 00:24:11,309 Speaker 5: The panel is like no, it's like no, no, no, no 449 00:24:11,189 --> 00:24:15,949 Speaker 5: no no, I'll just sad out loud a bad thing. 450 00:24:16,109 --> 00:24:27,829 Speaker 2: Honestly, you cancelong the way we should do kill. Speaking 451 00:24:27,869 --> 00:24:30,309 Speaker 2: of the Drew Barrymore show, I have in my notes, 452 00:24:30,509 --> 00:24:34,029 Speaker 2: she sits too close to people, Claire. Yeah, I get 453 00:24:34,109 --> 00:24:37,149 Speaker 2: clips constantly on TikTok from The Drew Barrymore Show, and 454 00:24:37,349 --> 00:24:41,589 Speaker 2: every time I see one, I think, scoochback, you're too 455 00:24:41,629 --> 00:24:44,749 Speaker 2: close to their face, You're too close, You're too intense. Okay, 456 00:24:45,029 --> 00:24:47,869 Speaker 2: Drew barronwore and The Drew Barren Moore Show is a 457 00:24:47,909 --> 00:24:51,349 Speaker 2: girl at a girl's lunch who's had a bottle of 458 00:24:51,349 --> 00:24:55,509 Speaker 2: my wine and thinks they're getting intimate. Yeah, and is like, 459 00:24:56,229 --> 00:24:59,829 Speaker 2: I so profoundly relate to what you're saying. And she's like, yeah, this, 460 00:25:00,109 --> 00:25:02,709 Speaker 2: she's so moved that she's got like tears in her eyes. 461 00:25:02,949 --> 00:25:03,149 Speaker 6: Yeah. 462 00:25:03,189 --> 00:25:05,389 Speaker 2: She's like, I've never connected with someone more deeply. And 463 00:25:05,429 --> 00:25:06,629 Speaker 2: it's like, what are you on? 464 00:25:06,829 --> 00:25:07,349 Speaker 4: I like you? 465 00:25:07,669 --> 00:25:08,389 Speaker 6: I like you too? 466 00:25:11,349 --> 00:25:12,789 Speaker 1: How did you do so you? 467 00:25:13,309 --> 00:25:15,869 Speaker 4: That's one of my favorite things about you. 468 00:25:15,829 --> 00:25:18,549 Speaker 2: And Drew is just on life because I think that 469 00:25:18,589 --> 00:25:21,229 Speaker 2: she's very self actualized. But why are your needs touching? 470 00:25:21,629 --> 00:25:24,549 Speaker 2: It's a massive couch, massive shot. And she'll always say 471 00:25:24,669 --> 00:25:27,349 Speaker 2: she did one with them Bella had did, because apparently 472 00:25:27,829 --> 00:25:29,829 Speaker 2: gg HA did. Was like, you've got to meet Bella. 473 00:25:29,909 --> 00:25:32,109 Speaker 2: You're the same person. And then so she got there, 474 00:25:32,509 --> 00:25:35,709 Speaker 2: so yeah, I know I'm like, just similarities. But then 475 00:25:35,749 --> 00:25:38,309 Speaker 2: she's like, she's doing this one with Bellah did and 476 00:25:38,349 --> 00:25:40,349 Speaker 2: she's like, yeah, and we met, We've just been talking 477 00:25:40,389 --> 00:25:42,109 Speaker 2: on stuff and we're in your dressing room talking for 478 00:25:42,149 --> 00:25:45,189 Speaker 2: like four hours. I'm like, Drew, that's my nightmare. Drew, 479 00:25:45,269 --> 00:25:50,589 Speaker 2: leave Vella alone. Drew, you are my social nightmare. I 480 00:25:51,349 --> 00:25:54,309 Speaker 2: love you so much, but I think if I meet you, 481 00:25:54,309 --> 00:25:56,589 Speaker 2: you'd be like chatting and then you'd be like, Oh, 482 00:25:56,629 --> 00:25:59,269 Speaker 2: why don't I just come to your house? M Drew 483 00:25:59,509 --> 00:26:04,149 Speaker 2: Barrymore is why boundaries. Roommen is why people talk about 484 00:26:04,149 --> 00:26:08,469 Speaker 2: that physical boundary and emotional boundary. So I'm not the 485 00:26:08,509 --> 00:26:11,269 Speaker 2: only one who's noticed a slight lack of consideration of space. 486 00:26:11,949 --> 00:26:15,069 Speaker 2: At the end of last year, Barrymore interviewed Oprah Winfrey, 487 00:26:15,309 --> 00:26:16,949 Speaker 2: and I'm just going to show you a clip and 488 00:26:16,989 --> 00:26:20,789 Speaker 2: see if you notice anything unusual about what happened during 489 00:26:20,789 --> 00:26:21,389 Speaker 2: their interview. 490 00:26:21,709 --> 00:26:25,669 Speaker 4: When we first met, I was really young. Yeah, it 491 00:26:25,749 --> 00:26:29,989 Speaker 4: means so much to me because when I was fourteen 492 00:26:30,029 --> 00:26:34,469 Speaker 4: and I had that conversation with you, you had so 493 00:26:34,629 --> 00:26:40,029 Speaker 4: much wisdom about you know, and maybe it was while 494 00:26:40,069 --> 00:26:41,509 Speaker 4: you were learning these things. 495 00:26:41,709 --> 00:26:43,109 Speaker 7: I was going to say, I didn't have the wisdom. 496 00:26:43,189 --> 00:26:45,549 Speaker 7: Ben looking at that, I didn't have the wisdom. But 497 00:26:45,669 --> 00:26:48,989 Speaker 7: I did pay attention, you know, just as I mean, 498 00:26:49,029 --> 00:26:51,709 Speaker 7: the audience was a serious thing for me, and I 499 00:26:51,829 --> 00:26:54,469 Speaker 7: did pay attention. I did listen to the audience, and 500 00:26:54,509 --> 00:26:58,269 Speaker 7: I did feel like I was the representative for all 501 00:26:58,389 --> 00:27:00,909 Speaker 7: of you. I never have been to therapy. 502 00:27:01,109 --> 00:27:03,629 Speaker 1: That's what I was going to talk about with you. 503 00:27:03,629 --> 00:27:05,869 Speaker 7: You never went to therapy, but sh but I had 504 00:27:05,909 --> 00:27:06,949 Speaker 7: all my therapy on the show. 505 00:27:07,069 --> 00:27:09,109 Speaker 2: What did you say? During that clip, she's holding an 506 00:27:09,109 --> 00:27:12,389 Speaker 2: head so the tooling and she's beneath her knees are 507 00:27:12,429 --> 00:27:15,509 Speaker 2: touching her and she reaches out to hold her hand, 508 00:27:15,709 --> 00:27:17,789 Speaker 2: and she's holding her hand as she speaks to it, 509 00:27:17,989 --> 00:27:20,869 Speaker 2: like close to her face. She's holding Oprah's hand close 510 00:27:20,869 --> 00:27:22,589 Speaker 2: to her face. I don't know if you didn't notice it, 511 00:27:22,629 --> 00:27:26,429 Speaker 2: but she's also gently stroking her forearm the entirety of 512 00:27:26,429 --> 00:27:30,389 Speaker 2: the interview. All Right, something I don't like. I'm not 513 00:27:30,869 --> 00:27:33,389 Speaker 2: a touchy feely person. And if I am having a 514 00:27:33,389 --> 00:27:35,869 Speaker 2: conversation with someone and they touch me, don't like it. 515 00:27:35,989 --> 00:27:38,829 Speaker 2: I feel weird touch me. I'm just gonna say it. 516 00:27:39,669 --> 00:27:47,749 Speaker 2: During that interview, Drew Barrymore latched her. Can you blame her? 517 00:27:47,789 --> 00:27:50,629 Speaker 2: I would also, I think most of us would latch, 518 00:27:51,029 --> 00:27:52,989 Speaker 2: but Oprah I reckon. In that clip, you can tell 519 00:27:53,029 --> 00:27:56,469 Speaker 2: she's a little bit like unlatch. Okay, that's what people thought. 520 00:27:56,509 --> 00:27:59,789 Speaker 2: They saw. The internet said it's too much hand holding. 521 00:28:00,349 --> 00:28:04,749 Speaker 2: They said she wanted her handback wise through fondling Oprah. 522 00:28:05,069 --> 00:28:07,109 Speaker 2: But Oprah came out and was like, I liked it. 523 00:28:07,789 --> 00:28:10,269 Speaker 2: She said, I was actually comforted by the stroke of 524 00:28:10,269 --> 00:28:12,869 Speaker 2: the arm. I went home and I told Steadman, I 525 00:28:12,949 --> 00:28:15,469 Speaker 2: need to be stroked on the arm. It's company. Wait really, yeah, 526 00:28:15,469 --> 00:28:17,829 Speaker 2: that's what she said. It's a little bit six to you, 527 00:28:18,469 --> 00:28:21,309 Speaker 2: Like if you're selling Steadman, I'm now going to show 528 00:28:21,349 --> 00:28:25,189 Speaker 2: you a series of images as evidence that Drew sits 529 00:28:25,309 --> 00:28:27,789 Speaker 2: too close to her guests. Just have a little like 530 00:28:28,189 --> 00:28:33,349 Speaker 2: look through them and just describe as you go. Okay. 531 00:28:33,629 --> 00:28:36,229 Speaker 2: In the first one, she's got Brookshield and a blonde 532 00:28:36,229 --> 00:28:38,869 Speaker 2: girl in the middle, and their legs are all draped 533 00:28:38,909 --> 00:28:42,549 Speaker 2: over each other. So Drew is putting her leg over 534 00:28:42,549 --> 00:28:45,269 Speaker 2: Brookshields as lap. Actually, for some reason, I care less 535 00:28:45,269 --> 00:28:48,789 Speaker 2: about legs. Keep going, what else you see? Just then 536 00:28:48,789 --> 00:28:51,669 Speaker 2: she's got Paris Hilton and she is hugging her and 537 00:28:51,789 --> 00:28:56,349 Speaker 2: resting her chin on Paris Hilton's shoulders, and Paris is 538 00:28:56,469 --> 00:29:01,829 Speaker 2: very much like sitting in a very respectable legs cross 539 00:29:01,909 --> 00:29:05,589 Speaker 2: chants together. Yeah, I don't like to be touched. Yes, way, okay. 540 00:29:05,629 --> 00:29:07,469 Speaker 2: I don't know who this person is, but Drew's sitting 541 00:29:07,469 --> 00:29:11,069 Speaker 2: on the lab like their Sannah. Yeah. Yeah, it is 542 00:29:11,109 --> 00:29:14,749 Speaker 2: a child with Santa Claus. Yeah, okay. In this one, 543 00:29:15,029 --> 00:29:18,149 Speaker 2: Drew she loves getting on the floor. Yes, she loves 544 00:29:18,189 --> 00:29:21,669 Speaker 2: to get on the floor of the studio. Yes. So 545 00:29:21,909 --> 00:29:26,989 Speaker 2: she has Jennifer Aniston and Adam Sandler. He's dressed very 546 00:29:27,029 --> 00:29:35,149 Speaker 2: Adam Sandler. Yeah, and she is on her knees hugging them, 547 00:29:35,749 --> 00:29:38,309 Speaker 2: which just means that their faces are all incredibly close. 548 00:29:38,629 --> 00:29:42,149 Speaker 2: You'll be able to smell breath, hair, skin. You'd want 549 00:29:42,149 --> 00:29:44,589 Speaker 2: to know that your breath is breash. Oh, her breath 550 00:29:44,669 --> 00:29:49,029 Speaker 2: must be very fresh. And then she's got Jennifer Garner. 551 00:29:49,229 --> 00:29:52,269 Speaker 2: She's knelt in front of her in a worshiping type pose. 552 00:29:52,349 --> 00:29:56,229 Speaker 2: It's very unproposing. She kneels a lot. Yeah, I guess again. 553 00:29:56,309 --> 00:30:01,829 Speaker 2: We've got hand holding. Hand holding. It's okay, it's not 554 00:30:02,029 --> 00:30:05,149 Speaker 2: just met too. It feels weird. TikTok and Twitter are 555 00:30:05,189 --> 00:30:08,349 Speaker 2: losing it. Please read out this meme. Okay, that is 556 00:30:08,389 --> 00:30:10,309 Speaker 2: the single guy to me I've ever seen it, says 557 00:30:10,349 --> 00:30:13,749 Speaker 2: the guest, Can I be honest for a moment, Drew Barrymore? 558 00:30:13,869 --> 00:30:15,709 Speaker 2: This is a safe space, go on And it's an 559 00:30:15,749 --> 00:30:20,869 Speaker 2: image of two people's eyeballs. And the second tweet read 560 00:30:20,989 --> 00:30:23,789 Speaker 2: someone said, Drew Barrymore has the same intense energy as 561 00:30:23,789 --> 00:30:25,989 Speaker 2: a girl you meet in the bathroom at two am. Yes, 562 00:30:26,109 --> 00:30:29,189 Speaker 2: and it's incredible And honestly they're amazing because they're your 563 00:30:29,189 --> 00:30:32,829 Speaker 2: biggest hype girl. They're like, you need to quit your 564 00:30:32,989 --> 00:30:36,189 Speaker 2: job and dump him. Yeah, and you're like, yes, yes, yes, 565 00:30:36,229 --> 00:30:38,509 Speaker 2: I mean you go home. You're like, who was that? Yeah? 566 00:30:38,629 --> 00:30:40,629 Speaker 2: Yeah in context that make sense. Yah, out of context, 567 00:30:40,629 --> 00:30:41,229 Speaker 2: I look intense. 568 00:30:41,349 --> 00:30:41,989 Speaker 5: Yeah. 569 00:30:42,109 --> 00:30:46,109 Speaker 2: Do you think the bathroom intensity is because that's probably 570 00:30:46,109 --> 00:30:48,229 Speaker 2: where she was when she was twelve. Yeah, she's had 571 00:30:48,229 --> 00:30:51,229 Speaker 2: like training. Also, I feel like for a while that 572 00:30:51,269 --> 00:30:53,669 Speaker 2: could have been her full time job. Is bathroom harpe girl? 573 00:30:54,069 --> 00:30:57,189 Speaker 2: Like she was in the club and when you went 574 00:30:57,229 --> 00:30:59,949 Speaker 2: to the club, she was waiting, I like you, and 575 00:30:59,989 --> 00:31:03,229 Speaker 2: she sticks your hair to tell you that your boyfriend 576 00:31:03,709 --> 00:31:07,989 Speaker 2: is an absolute dickhead, Like I reckon very good at that. Okay, 577 00:31:08,029 --> 00:31:10,629 Speaker 2: some people say that on her show she can sometimes 578 00:31:10,749 --> 00:31:12,829 Speaker 2: be a bit cringey, and I don't appreciate that because 579 00:31:12,869 --> 00:31:15,069 Speaker 2: I think that cringe is something that we pretty much 580 00:31:15,069 --> 00:31:18,229 Speaker 2: only use as a weapon against women, unless it's lampagne, 581 00:31:18,669 --> 00:31:21,909 Speaker 2: in which case lampagne is cring But I also don't 582 00:31:21,909 --> 00:31:25,469 Speaker 2: mind cringe. Cringe can be fun. You think that I 583 00:31:25,549 --> 00:31:29,349 Speaker 2: just need to show you this one clip, Drew. How 584 00:31:29,389 --> 00:31:31,229 Speaker 2: have you seen the clip with Kamala Harris. 585 00:31:31,349 --> 00:31:34,509 Speaker 1: We all need a mom. I've been thinking that we 586 00:31:34,549 --> 00:31:37,869 Speaker 1: really all need a tremendous hug in the world right now. 587 00:31:38,429 --> 00:31:42,069 Speaker 1: But in our country, we need you to be Mamola 588 00:31:42,149 --> 00:31:44,429 Speaker 1: of the country. 589 00:31:44,829 --> 00:31:50,029 Speaker 2: So she's asked Kamala to be Mamalla mama. 590 00:31:50,589 --> 00:31:52,709 Speaker 3: That's an incredible pun. 591 00:31:52,949 --> 00:31:55,589 Speaker 2: I can deal with, Ernest. I can't deal with Mamla. 592 00:31:56,189 --> 00:31:58,749 Speaker 2: I can't. Mamola is my line, and don't just because 593 00:31:58,749 --> 00:32:00,949 Speaker 2: she's a woman does not make test to be your mom. Drew, 594 00:32:01,069 --> 00:32:02,989 Speaker 2: tell me a writer's room didn't come up with that. Yeah, 595 00:32:03,829 --> 00:32:07,429 Speaker 2: pay them, Yeah, And just like to rewatch. 596 00:32:06,989 --> 00:32:09,109 Speaker 1: We need you to be Mamola of the country. 597 00:32:09,829 --> 00:32:11,509 Speaker 2: I mean, that's a vice president that's too close to 598 00:32:11,549 --> 00:32:15,149 Speaker 2: the vice president and the vice president is like, fuck, true, 599 00:32:15,469 --> 00:32:18,909 Speaker 2: You've ruined all my chances. So I've been listening to 600 00:32:18,949 --> 00:32:23,029 Speaker 2: a lot of political analysis lately, and one actually, pretty 601 00:32:23,109 --> 00:32:26,589 Speaker 2: much the only criticism of Kamala Harris is it she's cringe. 602 00:32:26,669 --> 00:32:30,109 Speaker 2: Like that's actually the political use of that. They try 603 00:32:30,149 --> 00:32:33,069 Speaker 2: and get her to do like relatable things, but that 604 00:32:33,269 --> 00:32:36,069 Speaker 2: she's got this earnestness and this cringe that people don't like. 605 00:32:36,189 --> 00:32:40,949 Speaker 2: Oh my gosh. And it's like, oh, dare you like 606 00:32:41,029 --> 00:32:44,229 Speaker 2: what you're doing with Mamala? Yeah, is making her cringe, 607 00:32:44,469 --> 00:32:48,269 Speaker 2: is making her more cringe than she needs to be. Claire. 608 00:32:48,349 --> 00:32:56,269 Speaker 2: It is time for charges and sentences, Claire, do you 609 00:32:56,309 --> 00:33:01,029 Speaker 2: want to go first? Yes, my charge? I love Drew Barrymore. 610 00:33:01,589 --> 00:33:06,389 Speaker 2: Oh shit, I think she is cringe in a family, 611 00:33:06,749 --> 00:33:12,789 Speaker 2: mostly except for Mama get but that's okay, okay, because 612 00:33:12,829 --> 00:33:15,749 Speaker 2: being cringed. I checked the counseled law book. It ain't 613 00:33:15,789 --> 00:33:20,109 Speaker 2: in there. I think it is definitely found people guilty 614 00:33:20,109 --> 00:33:22,069 Speaker 2: of cringe before. Yes, but I think they have to 615 00:33:22,069 --> 00:33:26,029 Speaker 2: do much more just cringing a fun way. Okay, my 616 00:33:26,189 --> 00:33:33,469 Speaker 2: charge is being too close, She's she's almost it's triggering 617 00:33:33,749 --> 00:33:36,269 Speaker 2: for me to watch as a mum of a small child, 618 00:33:36,869 --> 00:33:40,269 Speaker 2: because you think, nah, we need personal space. And I 619 00:33:40,309 --> 00:33:42,989 Speaker 2: know what it's like to have somebody gripping you all 620 00:33:43,029 --> 00:33:46,869 Speaker 2: the tarching. It's because we've often said babies don't get 621 00:33:46,909 --> 00:33:48,909 Speaker 2: it is. You'll be holding them like on your hip 622 00:33:49,189 --> 00:33:51,509 Speaker 2: and you'll look down and they're staring at you eyeball 623 00:33:51,549 --> 00:33:53,949 Speaker 2: to eyeball, and you have to go, that's not the 624 00:33:54,029 --> 00:33:56,709 Speaker 2: dune thing. No, it's too close. It's too close. And 625 00:33:56,749 --> 00:33:58,949 Speaker 2: I've been in social situations. I've been at you know, 626 00:33:58,989 --> 00:34:02,349 Speaker 2: a party where I'm talking to someone, their face is 627 00:34:02,349 --> 00:34:04,229 Speaker 2: getting too close to my face and I trip over 628 00:34:04,229 --> 00:34:07,309 Speaker 2: a pop plant because what I'm doing is edging backwards. Yeah, 629 00:34:07,469 --> 00:34:10,949 Speaker 2: I'm going our throws are getting touched. Yeah, Matil will 630 00:34:11,149 --> 00:34:14,269 Speaker 2: be face to face, just staring at me, and then 631 00:34:14,309 --> 00:34:17,669 Speaker 2: she does start sucking. Yeah, And Drew Barrymore looks like 632 00:34:17,709 --> 00:34:19,549 Speaker 2: she might start sacking. She she looks like she one 633 00:34:19,589 --> 00:34:23,789 Speaker 2: hundred percent is just gonna yeah on the nose. That's 634 00:34:23,829 --> 00:34:27,509 Speaker 2: an adult. Okay, what's your sentence? My sentence. The Drew 635 00:34:27,549 --> 00:34:33,389 Speaker 2: Barrymore Show needs a set of rules that actually resembles 636 00:34:33,589 --> 00:34:37,709 Speaker 2: the rules of a school playground, and one of the 637 00:34:37,789 --> 00:34:40,749 Speaker 2: rules of a school, playground. Oh wow. Yeah, no touching, 638 00:34:41,109 --> 00:34:44,549 Speaker 2: no touching, and no play, no play, no sun, no 639 00:34:44,629 --> 00:34:49,389 Speaker 2: fun today. But importantly we don't touch you know, it's 640 00:34:49,429 --> 00:34:52,229 Speaker 2: not no touching, Claire. Let's keep your hands to yourself. 641 00:34:52,829 --> 00:34:57,149 Speaker 2: Hands to yourself. Yeah yeah, hands on your head, Yes, 642 00:34:57,669 --> 00:35:03,229 Speaker 2: your own head. Drew hands on your not Oprah's head, 643 00:35:03,509 --> 00:35:05,509 Speaker 2: because we know you'll do that. Yeah, but she she 644 00:35:05,509 --> 00:35:07,669 Speaker 2: needs to keep her hands to yourself. You can connect 645 00:35:07,669 --> 00:35:12,069 Speaker 2: with somebody closely emotionally without touching them physically too closely. Okay, 646 00:35:12,229 --> 00:35:14,349 Speaker 2: this is my imagine her at a boozy lunch. 647 00:35:15,949 --> 00:35:16,629 Speaker 4: She lad. 648 00:35:18,189 --> 00:35:21,429 Speaker 2: My charge. This is what I've written down too enlightened, 649 00:35:21,509 --> 00:35:26,509 Speaker 2: question mark, too mentally well, question mark rain. But she 650 00:35:26,669 --> 00:35:29,069 Speaker 2: has done so much work to be where she is 651 00:35:29,429 --> 00:35:31,069 Speaker 2: and to have two kids, and she seems like a 652 00:35:31,069 --> 00:35:33,549 Speaker 2: brilliant mother. She's got this striving career. I love that 653 00:35:33,589 --> 00:35:36,069 Speaker 2: she looks her age. I don't know if that's offensive 654 00:35:36,109 --> 00:35:39,589 Speaker 2: to say, but I said it. She's very entrepreneurial. I'm 655 00:35:39,589 --> 00:35:42,549 Speaker 2: in awe of her. But you know how self actualization 656 00:35:42,749 --> 00:35:45,989 Speaker 2: is like a developmental stage, yeah, which I'm so far from. 657 00:35:46,029 --> 00:35:48,269 Speaker 2: Yeah yeah, And like you know how there's like I 658 00:35:48,269 --> 00:35:52,509 Speaker 2: think there's like Maslow's hierarchy, self actualization isn't yeah, and 659 00:35:52,549 --> 00:35:55,989 Speaker 2: the bottom is like shelter. I feel like I'm still baling. No, 660 00:35:56,149 --> 00:35:58,629 Speaker 2: you actually are, like you barely have a home. Yeah, 661 00:35:58,669 --> 00:36:01,149 Speaker 2: like self awareness, personal development, all of those things. I 662 00:36:01,189 --> 00:36:04,509 Speaker 2: feel like, like, say, self actualization, and you've got your thing, 663 00:36:05,109 --> 00:36:08,589 Speaker 2: most of us get to like it. Seven. I feel 664 00:36:08,669 --> 00:36:11,749 Speaker 2: like Drew's accidentally got to know. Yeah. I feel like 665 00:36:11,789 --> 00:36:14,069 Speaker 2: if you look at Maslow's hierarchy of nies, it just 666 00:36:14,109 --> 00:36:15,949 Speaker 2: got Drew Barrymmel's face right at the top of it. 667 00:36:17,069 --> 00:36:19,309 Speaker 2: So this is the thing. She feels things very deeply. 668 00:36:19,709 --> 00:36:22,189 Speaker 2: Shaun's Kamala to me, Mama La. She wants to dance 669 00:36:22,229 --> 00:36:24,549 Speaker 2: in the rain and embrace Oprah, And she can't sit 670 00:36:24,629 --> 00:36:26,429 Speaker 2: on a couch with her feet on the floor. They 671 00:36:26,429 --> 00:36:29,989 Speaker 2: have to be tucked under her, like she's asleepover my sentence. 672 00:36:30,469 --> 00:36:32,149 Speaker 2: To be clear, I think Drew is an angel scent 673 00:36:32,189 --> 00:36:37,829 Speaker 2: from heaven, barely any notes. But I would like her 674 00:36:38,189 --> 00:36:40,309 Speaker 2: to get caught in the rain on the way to work. 675 00:36:40,589 --> 00:36:44,829 Speaker 2: Oh okay, yes, yeah, don't miss the opportunity. You're walking 676 00:36:44,829 --> 00:36:47,429 Speaker 2: to the train station. Once you get to work, eight 677 00:36:47,509 --> 00:36:49,829 Speaker 2: hours in an office starts pissing down on your hair 678 00:36:49,829 --> 00:36:52,829 Speaker 2: that you just washed. Your mascara runs, your shoes squirlke, 679 00:36:52,949 --> 00:36:55,869 Speaker 2: your fingers are freezing. You get on the train, smells 680 00:36:55,869 --> 00:37:00,109 Speaker 2: like wet. Everyone gasps, they ask what happened? You turn gray, 681 00:37:00,469 --> 00:37:03,469 Speaker 2: you get hypothermia, and then you get to work and 682 00:37:04,029 --> 00:37:05,709 Speaker 2: you look like crap. You feel like crap. You're very 683 00:37:05,709 --> 00:37:09,109 Speaker 2: cold and wet. You got an interview Oprah on camera. Yeah, 684 00:37:09,109 --> 00:37:11,309 Speaker 2: and it's not like you've got to be distance. She 685 00:37:11,469 --> 00:37:14,429 Speaker 2: is looking at every pore on your face and it's 686 00:37:14,469 --> 00:37:18,989 Speaker 2: got dirty, polluted rain in it from the clouds. Claire, 687 00:37:18,989 --> 00:37:21,549 Speaker 2: remember when we were kids. We were wet and wild 688 00:37:21,589 --> 00:37:24,389 Speaker 2: one day, beautiful day, and then things turned and it 689 00:37:24,429 --> 00:37:26,709 Speaker 2: got very cold and very rainy, and Mum and dad 690 00:37:26,749 --> 00:37:29,389 Speaker 2: had light dropped us there with our brothers and we 691 00:37:29,389 --> 00:37:31,789 Speaker 2: had to wait out the front. I've never been so cold, 692 00:37:32,189 --> 00:37:34,149 Speaker 2: Oh my gosh, it was never been so cold. You 693 00:37:34,229 --> 00:37:35,589 Speaker 2: had to get off the riots because there was a 694 00:37:35,749 --> 00:37:38,029 Speaker 2: risk of light. Mean, yeah, I don't even know if 695 00:37:38,029 --> 00:37:40,349 Speaker 2: we had towels. I don't think we did. I was 696 00:37:40,389 --> 00:37:46,469 Speaker 2: just in my swimmers, so king, wet, translucent skin, the 697 00:37:46,549 --> 00:37:51,229 Speaker 2: blue extremities. All of us were just like I don't 698 00:37:51,229 --> 00:37:53,309 Speaker 2: think we had any money for like odd chips or anything. 699 00:37:53,789 --> 00:37:55,909 Speaker 2: I think we probably did get hotships, but that didn't 700 00:37:55,909 --> 00:37:58,749 Speaker 2: even help. It was so even the hot chips would 701 00:37:58,789 --> 00:38:02,589 Speaker 2: have been soggy. We were so so cold. I want 702 00:38:02,669 --> 00:38:04,589 Speaker 2: her to have that experience. I think we all got 703 00:38:04,589 --> 00:38:06,909 Speaker 2: sick for a week. Yeah, and that's what I think 704 00:38:07,269 --> 00:38:09,069 Speaker 2: she needs to experience in order to have the full 705 00:38:09,069 --> 00:38:11,189 Speaker 2: spectrum of human emotion, which I know she cares about, 706 00:38:11,269 --> 00:38:13,829 Speaker 2: and then she can do a follow up video about that. 707 00:38:13,869 --> 00:38:16,309 Speaker 2: It's like, you know, like I said that being caught 708 00:38:16,309 --> 00:38:17,989 Speaker 2: in the rain was like great, but you know there 709 00:38:17,989 --> 00:38:19,909 Speaker 2: are some dwn ties caught in the rain. I just 710 00:38:19,909 --> 00:38:23,629 Speaker 2: really acknowledged that complexity. Love Love, Thank you so much 711 00:38:23,669 --> 00:38:26,109 Speaker 2: for joining us on this episode of Canceled. I will 712 00:38:26,109 --> 00:38:29,109 Speaker 2: be sharing that video and many more on the Twins 713 00:38:29,189 --> 00:38:32,749 Speaker 2: Thoughts on Instagram. The executive producer of Canceled is to 714 00:38:32,869 --> 00:38:36,229 Speaker 2: Listed Bazazz with audio editing by Tom Lyon, and we 715 00:38:36,229 --> 00:38:42,829 Speaker 2: will be back at next week. Bye bye.