1 00:00:08,234 --> 00:00:20,393 Speaker 1: You're listening to Amma Mia podcast from Mama Mia. Welcome 2 00:00:20,393 --> 00:00:23,194 Speaker 1: to the spill your daily pop culture Fixed. I'm Laura 3 00:00:23,274 --> 00:00:26,314 Speaker 1: Brodney and I'm m Burnham and coming up on the 4 00:00:26,314 --> 00:00:28,514 Speaker 1: show today. To be honest, is just something we've been 5 00:00:28,634 --> 00:00:31,314 Speaker 1: desperate to talk about, and we've been having this conversation 6 00:00:31,394 --> 00:00:33,193 Speaker 1: the office across our desk. We thought we'd do it 7 00:00:33,193 --> 00:00:35,473 Speaker 1: here for the Spillers because you guys famously love to 8 00:00:35,513 --> 00:00:38,593 Speaker 1: hear em and I talk. We're doing I guess a 9 00:00:38,594 --> 00:00:42,593 Speaker 1: few little mini brutally honest reviews of the Oscar movies 10 00:00:42,593 --> 00:00:44,793 Speaker 1: from this year, but what it actually is going to 11 00:00:44,833 --> 00:00:47,593 Speaker 1: be because there's so many now they've extended Best Picture, 12 00:00:48,034 --> 00:00:50,233 Speaker 1: there's so many movies to watch, and you've got to 13 00:00:50,273 --> 00:00:51,994 Speaker 1: pay for a ticket or you've got to download a 14 00:00:52,034 --> 00:00:55,754 Speaker 1: streaming service. There's a lot of conversation of which Oscar 15 00:00:55,794 --> 00:00:59,794 Speaker 1: movies are actually worth people's time, not for the film bros, 16 00:00:59,914 --> 00:01:02,474 Speaker 1: not to impress people, just which ones are worth your 17 00:01:02,514 --> 00:01:04,234 Speaker 1: time to sit down and spend a few hours of 18 00:01:04,234 --> 00:01:04,674 Speaker 1: your life. 19 00:01:04,714 --> 00:01:07,754 Speaker 2: And I think we wanted to do this because for 20 00:01:07,834 --> 00:01:10,514 Speaker 2: a long time, this feels like the first Oscar is 21 00:01:10,514 --> 00:01:13,994 Speaker 2: where it's literally anyone's game like. We've been seeing the 22 00:01:13,994 --> 00:01:17,074 Speaker 2: Golden Globes, the critics choice, the SAG Awards, and it 23 00:01:17,114 --> 00:01:19,474 Speaker 2: seems like everyone's getting a chance to win something. 24 00:01:19,594 --> 00:01:22,154 Speaker 1: Yeah, the tables have turned the last minute with sinners 25 00:01:22,194 --> 00:01:24,874 Speaker 1: taking out two of the big Screen Actors Guild Awards. 26 00:01:25,314 --> 00:01:27,194 Speaker 1: That's a game change up not getting my hopes up. 27 00:01:27,234 --> 00:01:29,394 Speaker 2: I'm so mad because I was obviously, we talked about 28 00:01:29,394 --> 00:01:30,114 Speaker 2: it last week. 29 00:01:30,154 --> 00:01:31,234 Speaker 1: I was overseas. 30 00:01:31,314 --> 00:01:34,714 Speaker 2: Yeah, I think I landed the day of the SAG Award. Yeah, 31 00:01:35,154 --> 00:01:37,474 Speaker 2: And I wish I was in the office because when 32 00:01:37,474 --> 00:01:39,914 Speaker 2: Michael B. Jordan was announced, Oh, oh my Gokay, we 33 00:01:39,914 --> 00:01:40,594 Speaker 2: haven't talked about this. 34 00:01:40,594 --> 00:01:41,074 Speaker 1: Did you cry? 35 00:01:41,594 --> 00:01:43,514 Speaker 2: It was the first time I've ever cried at someone 36 00:01:43,514 --> 00:01:46,114 Speaker 2: winning an award, really, first time, Oh my god. 37 00:01:46,114 --> 00:01:48,274 Speaker 1: But it was so boy that honestly, am I'm surprised 38 00:01:48,274 --> 00:01:49,794 Speaker 1: that even though I think you were in the middle 39 00:01:49,834 --> 00:01:54,114 Speaker 1: of the ocean on a flight in the plane Okay, 40 00:01:54,194 --> 00:01:56,314 Speaker 1: I didn't even know that. Yeah, but even with that, 41 00:01:56,354 --> 00:01:58,354 Speaker 1: I'm surprised you didn't hear the screen from the office 42 00:01:58,354 --> 00:02:00,874 Speaker 1: when Michael B. Jordan won, because it was so unexpected 43 00:02:01,314 --> 00:02:04,354 Speaker 1: and everyone has just loved him so so well deserved. 44 00:02:04,394 --> 00:02:08,874 Speaker 1: He played two roles we're gonna get. But yeah, I 45 00:02:08,913 --> 00:02:11,314 Speaker 1: also think this is an Oscars year where a lot 46 00:02:11,353 --> 00:02:14,794 Speaker 1: of just mainstream moviegoers have seen a lot of the movies, 47 00:02:15,034 --> 00:02:17,114 Speaker 1: which I know sounds silly, but there are some years 48 00:02:17,114 --> 00:02:19,314 Speaker 1: where people say to me, what are the top movies 49 00:02:19,354 --> 00:02:21,674 Speaker 1: in the Oscars mix, And I'll say, well, well, these 50 00:02:21,714 --> 00:02:24,394 Speaker 1: five movies, and no one has seen any of them, 51 00:02:24,794 --> 00:02:27,474 Speaker 1: which just because they're like it always happens or this, 52 00:02:27,794 --> 00:02:29,314 Speaker 1: you know, they're like not really like kind of big 53 00:02:29,354 --> 00:02:32,594 Speaker 1: blockbuster ones. But this year, I think at least everyone 54 00:02:32,634 --> 00:02:34,474 Speaker 1: knows the names of these movies. So we're going to 55 00:02:34,554 --> 00:02:36,674 Speaker 1: go through some of our phaves and then we have 56 00:02:36,714 --> 00:02:38,954 Speaker 1: a special special deep dive that we've just been desperate 57 00:02:38,994 --> 00:02:41,474 Speaker 1: to do for so long coming at the end. Okay, Emily, 58 00:02:41,474 --> 00:02:44,073 Speaker 1: out of all the movies nominated for Best Pitch this year, 59 00:02:44,514 --> 00:02:46,314 Speaker 1: what is one of your picks for a movie that 60 00:02:46,354 --> 00:02:49,714 Speaker 1: people definitely have to see. Okay, you're gonna hate this. 61 00:02:50,034 --> 00:02:53,154 Speaker 1: I know, maybe I've grown and changed since you've been away. 62 00:02:53,354 --> 00:02:56,794 Speaker 2: I wanna preface this by saying I don't think this 63 00:02:56,914 --> 00:03:01,154 Speaker 2: deserves the Oscar, but I do think everyone should watch 64 00:03:01,194 --> 00:03:03,514 Speaker 2: it because it's just such a good film. 65 00:03:03,554 --> 00:03:07,874 Speaker 1: And so much fun? Is the F one get yourself 66 00:03:07,874 --> 00:03:10,234 Speaker 1: out of his studio? Get out of here? Can I 67 00:03:10,314 --> 00:03:12,434 Speaker 1: just tell you to be honest, I haven't seen it. 68 00:03:13,474 --> 00:03:15,913 Speaker 1: I'm not saying it's a bad movie. I'm not even 69 00:03:15,914 --> 00:03:18,514 Speaker 1: saying people shouldn't see it. The fact that the F 70 00:03:18,594 --> 00:03:21,834 Speaker 1: one movie is in there when other movies like Wicked 71 00:03:21,874 --> 00:03:26,834 Speaker 1: for Good was it like Shuddened from the Oscars blows 72 00:03:26,954 --> 00:03:30,154 Speaker 1: my mind. There's so many other incredible movies that came 73 00:03:30,154 --> 00:03:32,954 Speaker 1: out there. And is it bright Pit, It's a brad 74 00:03:33,074 --> 00:03:36,754 Speaker 1: tit alway Batman just carrying that movie through. Isn't that 75 00:03:36,834 --> 00:03:39,034 Speaker 1: the movie that like took Simone Ashley out of the 76 00:03:39,034 --> 00:03:41,154 Speaker 1: movie and took up all her filming time so she 77 00:03:41,234 --> 00:03:43,474 Speaker 1: wasn't able to be in other projects and then cut 78 00:03:43,474 --> 00:03:45,554 Speaker 1: her from the movie. And I know she's still successful, 79 00:03:45,554 --> 00:03:47,554 Speaker 1: but that really stolled her career. Yeah. 80 00:03:47,634 --> 00:03:49,914 Speaker 2: I remember, I think I talked about F one movie 81 00:03:50,074 --> 00:03:52,794 Speaker 2: for Weekend Watch because I remember taking I think I 82 00:03:52,834 --> 00:03:54,114 Speaker 2: took your ticket and brought my dad. 83 00:03:54,114 --> 00:03:56,394 Speaker 1: Alum, you took my ticket because I was like, I'm 84 00:03:56,394 --> 00:03:57,834 Speaker 1: not going to this, but I know a young girl 85 00:03:57,834 --> 00:03:58,514 Speaker 1: who'll be very. 86 00:03:58,394 --> 00:04:00,754 Speaker 2: Excited to me. It was like one of the best 87 00:04:00,754 --> 00:04:03,354 Speaker 2: premieres I've ever been to. Was so much fun. But 88 00:04:03,394 --> 00:04:04,234 Speaker 2: the movie itself. 89 00:04:04,314 --> 00:04:05,754 Speaker 1: Will they give you good snacks? Is that why you 90 00:04:05,834 --> 00:04:06,434 Speaker 1: liked the movie? Oh? 91 00:04:06,554 --> 00:04:10,234 Speaker 2: My God, like tacos, like the best snacks ever. 92 00:04:10,874 --> 00:04:14,034 Speaker 1: This goes in Margaritas. I feel the same feeling as 93 00:04:14,074 --> 00:04:16,113 Speaker 1: when the Golden Globe shut down because they took a 94 00:04:16,154 --> 00:04:18,194 Speaker 1: free trip to Paris to see Emily and Paris and 95 00:04:18,274 --> 00:04:20,554 Speaker 1: they gave and they apparently gave them really good wine. 96 00:04:20,674 --> 00:04:24,474 Speaker 1: That's you with the f one. I'm sold. 97 00:04:25,674 --> 00:04:27,593 Speaker 2: So I do think the reason because of the brad 98 00:04:27,633 --> 00:04:29,593 Speaker 2: pit effect. That's the reason. That's an oscar running. But 99 00:04:29,834 --> 00:04:33,153 Speaker 2: Damnson Idris is amazing in that field, like he makes 100 00:04:33,234 --> 00:04:37,153 Speaker 2: the film for me. I one hundred percent think that 101 00:04:38,113 --> 00:04:41,154 Speaker 2: Simone actually should have been in there. There are multiple 102 00:04:41,193 --> 00:04:43,433 Speaker 2: other scenes with Brad print that I would have cut 103 00:04:43,594 --> 00:04:45,594 Speaker 2: and in favor of Simone Ashley. I think she was 104 00:04:45,633 --> 00:04:49,394 Speaker 2: meant to be Damnson Idris's love interest, but instead they 105 00:04:49,393 --> 00:04:53,474 Speaker 2: gave Brad Pitt a love interest necessary with the aerodynamics 106 00:04:53,594 --> 00:04:56,914 Speaker 2: engineer who was like apparently and they made this evidence 107 00:04:56,914 --> 00:04:58,873 Speaker 2: in the movie. She's like the first woman to be 108 00:04:58,914 --> 00:05:00,754 Speaker 2: in that director role, so of course She's going to 109 00:05:00,834 --> 00:05:03,553 Speaker 2: sleep with the driver because what else is a woman 110 00:05:03,553 --> 00:05:03,714 Speaker 2: to do? 111 00:05:03,993 --> 00:05:07,313 Speaker 1: What could a woman do? It's like so po That 112 00:05:07,354 --> 00:05:09,594 Speaker 1: whole love story was pointless. It didn't go anywhere. But 113 00:05:09,674 --> 00:05:11,553 Speaker 1: you still have this movie, right, remember that. I love 114 00:05:11,714 --> 00:05:12,193 Speaker 1: this movie. 115 00:05:12,234 --> 00:05:14,793 Speaker 2: I think what they did with this movie was so clever. 116 00:05:14,834 --> 00:05:18,233 Speaker 2: They obviously jumped on the bandwagon with so many women, 117 00:05:18,393 --> 00:05:21,314 Speaker 2: especially being in love with F one because of the 118 00:05:21,393 --> 00:05:24,633 Speaker 2: drive to survive Netflix series. And with that, they also 119 00:05:24,914 --> 00:05:27,393 Speaker 2: used the real drivers and the real cars and the 120 00:05:27,433 --> 00:05:30,714 Speaker 2: real races within the movie, so it felt like Brad 121 00:05:30,753 --> 00:05:33,153 Speaker 2: Pitt was in the actual F one races. It's not 122 00:05:33,193 --> 00:05:36,434 Speaker 2: like they used fake people. Also, Lewis Hamilton, who is 123 00:05:36,993 --> 00:05:40,194 Speaker 2: my favorite, you might know her as dating Kim I 124 00:05:40,234 --> 00:05:42,313 Speaker 2: don't say they're still dating, you know, and as an 125 00:05:42,354 --> 00:05:43,833 Speaker 2: executive producer. 126 00:05:43,433 --> 00:05:46,873 Speaker 1: On Else, so she might she might go to the Oscars. 127 00:05:46,993 --> 00:05:50,354 Speaker 2: Imagine Lewis Hamilton bringing Kim Kardashi into the oscar and 128 00:05:50,354 --> 00:05:52,113 Speaker 2: they're all sitting in front row with Brad peat because 129 00:05:52,113 --> 00:05:53,193 Speaker 2: they're nominated for the Best Picture. 130 00:05:53,354 --> 00:05:55,033 Speaker 1: To be honest, and she could be sitting next to 131 00:05:55,034 --> 00:05:58,034 Speaker 1: her sister Kylie Channer with Timothy Wow. To be honest, 132 00:05:58,073 --> 00:06:00,113 Speaker 1: I would freaking love that. I again, I would think 133 00:06:00,113 --> 00:06:02,193 Speaker 1: it was the downfall of society and cinema, but I 134 00:06:02,193 --> 00:06:02,834 Speaker 1: would like it. 135 00:06:02,993 --> 00:06:04,914 Speaker 2: I think it was just like one of those movies that, like, 136 00:06:05,474 --> 00:06:07,474 Speaker 2: I know a lot of people enjoyed because it's not 137 00:06:07,513 --> 00:06:08,313 Speaker 2: like a really. 138 00:06:08,154 --> 00:06:10,914 Speaker 1: Oscary movie, Like it's just it's for the masses, right. 139 00:06:11,073 --> 00:06:13,514 Speaker 1: I even think that to his credit. I even think 140 00:06:13,553 --> 00:06:15,713 Speaker 1: that someone like Brad Pitt to me like he wasn't 141 00:06:15,753 --> 00:06:17,833 Speaker 1: in the Oscar race at all. He wasn't even on 142 00:06:17,914 --> 00:06:21,394 Speaker 1: like the fifthier, and so he's not watching the Oscar nominations. 143 00:06:21,633 --> 00:06:23,074 Speaker 1: I feel like someone came up papped him on the 144 00:06:23,073 --> 00:06:24,873 Speaker 1: shoulder and was like, hey, bad pit, you got nominated 145 00:06:24,914 --> 00:06:27,394 Speaker 1: for Best Picture. And he was like really, like that 146 00:06:27,553 --> 00:06:29,514 Speaker 1: man is shocked. He did not have that weekend blocked 147 00:06:29,513 --> 00:06:31,314 Speaker 1: down in his calendar. He's not going to be there. 148 00:06:31,354 --> 00:06:33,953 Speaker 2: But I do want to say, damnse and Idris amazing, 149 00:06:34,073 --> 00:06:36,033 Speaker 2: amazing actor. I want to see him now and everything. 150 00:06:36,034 --> 00:06:37,873 Speaker 2: I especially want to see him in a romance. I 151 00:06:37,873 --> 00:06:40,433 Speaker 2: see him in something like an Emily Henry adaptation. Oh 152 00:06:40,753 --> 00:06:44,034 Speaker 2: he is so good looking, so funny. He's one of 153 00:06:44,113 --> 00:06:45,513 Speaker 2: my favorite chicken shop dates. 154 00:06:45,714 --> 00:06:48,274 Speaker 1: Oh okay, I don't know if I've seen his you'll 155 00:06:48,274 --> 00:06:50,154 Speaker 1: fall in love with her. Okay, well, obviously I will 156 00:06:50,154 --> 00:06:53,354 Speaker 1: if he's charismatic. Man, I'm only human. Yeah. And then 157 00:06:53,513 --> 00:06:57,073 Speaker 1: Simone Ashley, she deserves that. She means to be like 158 00:06:57,113 --> 00:06:59,433 Speaker 1: the leader of a big like the lead actress of Blockbuster. 159 00:07:00,234 --> 00:07:00,674 Speaker 1: It's time. 160 00:07:00,753 --> 00:07:03,633 Speaker 2: But yes, okay, I want to say, f one movie. 161 00:07:04,274 --> 00:07:05,953 Speaker 2: Please watch it. 162 00:07:06,234 --> 00:07:09,393 Speaker 1: I feel like that's to me. You'll love it. Oh 163 00:07:09,433 --> 00:07:11,474 Speaker 1: maybe I'll make misst some tacos and I'll sit down 164 00:07:11,874 --> 00:07:14,394 Speaker 1: try and recreate the magic that you felt. All right, 165 00:07:14,474 --> 00:07:17,314 Speaker 1: we could not go in a more different direction. I no, Okay, 166 00:07:17,354 --> 00:07:20,034 Speaker 1: So I did mention this movie the week it came out. 167 00:07:20,194 --> 00:07:21,714 Speaker 1: We obviously got it a little bit late than the 168 00:07:21,714 --> 00:07:23,754 Speaker 1: rest of the world because in Australia, for some reason, 169 00:07:23,794 --> 00:07:26,114 Speaker 1: we can't get that really scheduled to sync with the 170 00:07:26,114 --> 00:07:28,833 Speaker 1: rest of the world. And it's one that I know 171 00:07:28,953 --> 00:07:31,114 Speaker 1: that and I hooked my written review of this, and 172 00:07:31,114 --> 00:07:33,194 Speaker 1: I know a lot of people were really too scared 173 00:07:33,234 --> 00:07:35,954 Speaker 1: to see and I think that has carried over now 174 00:07:36,154 --> 00:07:37,994 Speaker 1: and so now as it starts to come out on 175 00:07:38,034 --> 00:07:41,474 Speaker 1: streaming services and platforms, I really want to encourage people 176 00:07:41,474 --> 00:07:45,273 Speaker 1: to see it. And that's Hamnet. Yeah, I still haven't 177 00:07:45,274 --> 00:07:47,754 Speaker 1: seen it. No, that's okay if you missed it in cinemas, 178 00:07:47,754 --> 00:07:49,754 Speaker 1: it's taken a while for it to come out on streaming. 179 00:07:49,874 --> 00:07:52,274 Speaker 1: Did you see that whole conversation that bubbled up around it? 180 00:07:52,354 --> 00:07:54,834 Speaker 1: Was really interesting, So I get if anyone hasn't seen Hamnet, 181 00:07:54,834 --> 00:07:56,554 Speaker 1: which I did, have a smaller release in Australia, so 182 00:07:56,554 --> 00:07:58,474 Speaker 1: I'm going to assume that's a lot of people. It's 183 00:07:58,514 --> 00:08:01,354 Speaker 1: directed by Chloe Jao and it stars Jesse Bluckley and 184 00:08:01,393 --> 00:08:05,393 Speaker 1: Paul mescal your fave, and Jesse Buckley has been sweeping 185 00:08:05,434 --> 00:08:08,274 Speaker 1: it has won every single thing, which is like it's 186 00:08:08,314 --> 00:08:09,874 Speaker 1: fun for her. Doesn't make for a kind of like 187 00:08:09,914 --> 00:08:12,674 Speaker 1: a bit of a not as exciting Oscars race, but 188 00:08:12,674 --> 00:08:14,754 Speaker 1: at least we know she, the person who deserves to win, 189 00:08:14,874 --> 00:08:15,394 Speaker 1: is going to win. 190 00:08:15,514 --> 00:08:18,754 Speaker 2: Yes, and she was recently in the new movie that's 191 00:08:18,794 --> 00:08:19,354 Speaker 2: just come out. 192 00:08:19,434 --> 00:08:22,833 Speaker 1: The Ride, which you've seen. Yes, I have seen The Bride. 193 00:08:22,834 --> 00:08:25,034 Speaker 1: I did talk about it in last week's We Can Watch. 194 00:08:25,074 --> 00:08:27,514 Speaker 1: You can listen to that. But she is head out 195 00:08:27,514 --> 00:08:28,994 Speaker 1: of ten out of ten and out as well. I 196 00:08:28,994 --> 00:08:31,194 Speaker 1: feel like we're gonna see it everywhere. Back to back Oscars. 197 00:08:31,234 --> 00:08:34,914 Speaker 1: I don't know. Maybe well literally, maybe that's what going. Yeah, 198 00:08:34,914 --> 00:08:37,074 Speaker 1: it was that good. She's that good. So it was 199 00:08:37,154 --> 00:08:39,994 Speaker 1: based on a book, a best selling book by Maggie O'Farrell, 200 00:08:40,034 --> 00:08:42,954 Speaker 1: who also co wrote the script with Chloe Joo. And 201 00:08:43,034 --> 00:08:46,914 Speaker 1: it's kind of this reimagining of William Shakespeare's life, Yeah, 202 00:08:47,154 --> 00:08:50,514 Speaker 1: because a lot isn't known about like the intricacies of 203 00:08:50,514 --> 00:08:52,434 Speaker 1: William Shakespeare's life. And when I say that, like, I 204 00:08:52,434 --> 00:08:53,794 Speaker 1: don't wan people to be like, but we know him 205 00:08:53,834 --> 00:08:55,474 Speaker 1: when he was married, we know when this like, yes, 206 00:08:55,514 --> 00:08:57,514 Speaker 1: we know all of that sort of stuff, but we 207 00:08:57,554 --> 00:09:01,274 Speaker 1: don't know the intricacies of like his personal life and relationships. 208 00:09:02,234 --> 00:09:05,234 Speaker 1: Anne Hathaway, Yeah, exactly, Anne Hathaway. He's called Agnes in 209 00:09:05,234 --> 00:09:08,354 Speaker 1: the movie. That's who Jesse Buckley plays. We do know 210 00:09:08,434 --> 00:09:11,354 Speaker 1: that he had a son called Hamnet who passed away 211 00:09:11,354 --> 00:09:13,834 Speaker 1: as a small child. Like, that's not one about William Shakespeare. 212 00:09:13,914 --> 00:09:16,394 Speaker 1: That's true. That's a true fact. A true fact is 213 00:09:16,434 --> 00:09:18,554 Speaker 1: that he had a few children. One of them was 214 00:09:18,594 --> 00:09:20,554 Speaker 1: a son called Hamnet, who we do no passed away 215 00:09:20,594 --> 00:09:23,234 Speaker 1: from illness when he was a very young boy. And 216 00:09:23,274 --> 00:09:25,434 Speaker 1: then we also know that it was a year or 217 00:09:25,514 --> 00:09:28,634 Speaker 1: so after that that one of his biggest players ever, Hamnet, 218 00:09:28,754 --> 00:09:30,554 Speaker 1: that he wrote and that he appeared on stage for 219 00:09:30,594 --> 00:09:33,674 Speaker 1: the first time, and a title card comes up the 220 00:09:33,714 --> 00:09:35,434 Speaker 1: start of the movie where it says like back in 221 00:09:35,474 --> 00:09:38,794 Speaker 1: that time, hundreds of years ago, that Hamnet and Hamlet 222 00:09:38,794 --> 00:09:42,074 Speaker 1: were like interchangeable as a name, and so in that 223 00:09:42,314 --> 00:09:44,834 Speaker 1: so it's kind of very easy to see how the 224 00:09:44,954 --> 00:09:48,434 Speaker 1: link to this incredible play about what this man goes 225 00:09:48,474 --> 00:09:50,554 Speaker 1: through and like death and relationships and family and that 226 00:09:50,594 --> 00:09:52,554 Speaker 1: sort of stuff, it could be linked to his morning 227 00:09:52,994 --> 00:09:55,474 Speaker 1: for his own son. So what the writer did was 228 00:09:55,514 --> 00:09:58,034 Speaker 1: kind of imagine what had happened with this family at 229 00:09:58,074 --> 00:10:00,674 Speaker 1: a bit of a like not magic but a slightly mystical, 230 00:10:00,754 --> 00:10:04,714 Speaker 1: elevated kind of vibe to it, and also then say, 231 00:10:04,714 --> 00:10:06,834 Speaker 1: but like what was his wife's thinking, because it. 232 00:10:06,754 --> 00:10:10,514 Speaker 2: Wasn't it's her movie, right, like her movie, and Shakespeare 233 00:10:10,594 --> 00:10:10,874 Speaker 2: is just. 234 00:10:10,834 --> 00:10:13,954 Speaker 1: In it absolutely, so everyone who was like poor Mescal 235 00:10:14,074 --> 00:10:16,554 Speaker 1: was shunning from the Oscar race like a little bit, 236 00:10:16,594 --> 00:10:18,514 Speaker 1: but it's not really his movie at all. And I 237 00:10:18,514 --> 00:10:20,554 Speaker 1: think like maybe in a year where it's just because 238 00:10:20,554 --> 00:10:23,274 Speaker 1: the actor categories were really stacked this year, yeah, and 239 00:10:23,754 --> 00:10:26,674 Speaker 1: highly competitive, so competitive. I think in another year, if 240 00:10:26,714 --> 00:10:28,594 Speaker 1: there had not been a stacked Poor Mescal could have 241 00:10:28,634 --> 00:10:31,274 Speaker 1: just slipped through just for being in a really good movie, 242 00:10:31,314 --> 00:10:33,274 Speaker 1: but not this year, and I think he didn't seem 243 00:10:33,314 --> 00:10:36,234 Speaker 1: upset about that at all. It's really Jesse Buckley's movie 244 00:10:36,274 --> 00:10:39,194 Speaker 1: because you're seeing it all through Agnes's eyes and storyline, 245 00:10:39,234 --> 00:10:42,434 Speaker 1: and like her performance in it is so incredible, like 246 00:10:42,994 --> 00:10:45,514 Speaker 1: the grief that you see but also the love and 247 00:10:45,634 --> 00:10:48,954 Speaker 1: it's just really beautiful to watch. I'm so glad I 248 00:10:48,994 --> 00:10:52,154 Speaker 1: saw it. But I was really nervous going in. Yeah, 249 00:10:52,234 --> 00:10:54,914 Speaker 1: like yes, why because I hadn't read the book, but 250 00:10:54,954 --> 00:10:56,554 Speaker 1: I knew what the story was about, and the whole 251 00:10:56,554 --> 00:10:58,234 Speaker 1: idea that it's about the death of a child is 252 00:10:58,274 --> 00:11:00,674 Speaker 1: like in all the marketing, it's not many You're immediately like, 253 00:11:00,874 --> 00:11:03,954 Speaker 1: I'm gonna be sad, and I can sit through sad 254 00:11:04,034 --> 00:11:05,834 Speaker 1: movies like you know me. I'm not a big crier 255 00:11:06,154 --> 00:11:09,434 Speaker 1: unless it's Avengers Game for both Wicked and Wikis. Apart 256 00:11:09,434 --> 00:11:12,714 Speaker 1: from that, I feel nothing dead inside. But I especially 257 00:11:12,754 --> 00:11:15,794 Speaker 1: like seeing little kids go through trauma or even in 258 00:11:15,794 --> 00:11:17,234 Speaker 1: a movie if I think it like if it's a 259 00:11:17,234 --> 00:11:19,434 Speaker 1: disaster movie, it's not even meant to be a sad movie. 260 00:11:19,474 --> 00:11:21,194 Speaker 1: And I just see a little kid in trauma. I'm 261 00:11:21,234 --> 00:11:23,394 Speaker 1: just like, I can't deal with it. I just can't. 262 00:11:23,434 --> 00:11:25,074 Speaker 1: I know some people in movies like, oh no, I 263 00:11:25,114 --> 00:11:27,554 Speaker 1: don't what if the dog dies. I'm like, I don't 264 00:11:27,594 --> 00:11:29,314 Speaker 1: want to see a dog die, but I'm not gonna 265 00:11:29,314 --> 00:11:31,154 Speaker 1: get upset about it. Yeah, but if I see a 266 00:11:31,234 --> 00:11:33,474 Speaker 1: child being like hurt, I can't. So I was like, 267 00:11:33,514 --> 00:11:35,794 Speaker 1: how am I going to get through this movie? And 268 00:11:36,034 --> 00:11:37,674 Speaker 1: it was interesting because I thought it was going to 269 00:11:37,794 --> 00:11:39,954 Speaker 1: start with the death of a child and it all 270 00:11:39,994 --> 00:11:43,354 Speaker 1: be about the aftermath, but instead they spend a really 271 00:11:43,394 --> 00:11:45,714 Speaker 1: long time really building the world in the story. So 272 00:11:45,754 --> 00:11:48,914 Speaker 1: you see William Agnes fall in love, and you see 273 00:11:48,954 --> 00:11:51,674 Speaker 1: like them like getting married, and you see them raising 274 00:11:51,714 --> 00:11:53,874 Speaker 1: a family, and you see this idea of like she 275 00:11:53,954 --> 00:11:56,674 Speaker 1: wants to stay near this wood that she's really connected to, 276 00:11:56,754 --> 00:11:58,354 Speaker 1: and she wants to stay in the world she grew 277 00:11:58,434 --> 00:11:59,874 Speaker 1: up in, and he wants to go to London and 278 00:11:59,874 --> 00:12:01,394 Speaker 1: write plays. So you see all that sort of. 279 00:12:01,394 --> 00:12:03,794 Speaker 2: Stuff, and it's wild because it's like hundreds of years ago, 280 00:12:03,954 --> 00:12:07,874 Speaker 2: but like relationships, like it's the same. I think we 281 00:12:07,914 --> 00:12:10,474 Speaker 2: go through the same thing in relationships now, of like 282 00:12:10,514 --> 00:12:13,314 Speaker 2: wanting two different things, but then coming together after such 283 00:12:13,354 --> 00:12:14,554 Speaker 2: a tragedy. 284 00:12:14,314 --> 00:12:15,954 Speaker 1: Yeah exactly, and sort of being like we want two 285 00:12:15,954 --> 00:12:18,034 Speaker 1: different things, but like when we're together, we're so happy 286 00:12:18,034 --> 00:12:20,594 Speaker 1: and we'll make it work. And then I just I 287 00:12:20,634 --> 00:12:24,114 Speaker 1: will say that I don't really close my eyes in movies. 288 00:12:24,154 --> 00:12:25,833 Speaker 1: That's more of a you thing. And I don't really 289 00:12:25,914 --> 00:12:27,834 Speaker 1: cover my face in movies or anything like that, Like 290 00:12:27,874 --> 00:12:29,834 Speaker 1: I always watch everything. I think this is the first 291 00:12:29,834 --> 00:12:32,234 Speaker 1: time I've covered my I was like, you wouldn't screen 292 00:12:32,274 --> 00:12:34,994 Speaker 1: for oh my god, yeah, yeah, I was, or you 293 00:12:35,034 --> 00:12:38,874 Speaker 1: in any horror movie that I've dragged me to, flight 294 00:12:38,954 --> 00:12:41,754 Speaker 1: thriller or a sexy movie, anything like that. I cut 295 00:12:41,794 --> 00:12:44,194 Speaker 1: to cover my eyes, which is unfortunately because I could 296 00:12:44,194 --> 00:12:47,794 Speaker 1: still hear. But I was laying with movies. It's both 297 00:12:47,874 --> 00:12:49,274 Speaker 1: visual and so I was like, I don't know what 298 00:12:49,314 --> 00:12:51,634 Speaker 1: to do. So I covered my eyes and I can 299 00:12:51,674 --> 00:12:53,594 Speaker 1: hear people. And it was in one of those little 300 00:12:53,594 --> 00:12:55,674 Speaker 1: gold class cinemas across the road from her office, so 301 00:12:55,954 --> 00:12:58,074 Speaker 1: there's only like twenty people in there, and because it's 302 00:12:58,074 --> 00:13:00,874 Speaker 1: such a quiet movie, I could hear people sobbing too. 303 00:13:00,994 --> 00:13:02,754 Speaker 1: So I was like, oh my god, I hate this. 304 00:13:02,394 --> 00:13:06,194 Speaker 1: I hate around South of everything. I was like, well, 305 00:13:06,194 --> 00:13:08,554 Speaker 1: I ever get away from sadness that I'm feeling, And 306 00:13:08,594 --> 00:13:12,354 Speaker 1: it was so sad but really beautiful as well, and 307 00:13:12,434 --> 00:13:15,034 Speaker 1: I'm really happy I saw it. I don't know if 308 00:13:15,074 --> 00:13:17,114 Speaker 1: you saw the conversation of when this movie came out 309 00:13:17,114 --> 00:13:19,154 Speaker 1: and the reviews were like incredible and everyone's like this 310 00:13:19,194 --> 00:13:22,114 Speaker 1: is gonna win every oscar, and then there's other conversations 311 00:13:22,114 --> 00:13:25,234 Speaker 1: started alongside it of like is this movie a masterpiece 312 00:13:25,354 --> 00:13:27,594 Speaker 1: or is it just grief pawn? And why do people 313 00:13:28,474 --> 00:13:30,874 Speaker 1: want grief porns so much? Yeah? 314 00:13:31,114 --> 00:13:33,874 Speaker 2: I didn't think of that, but it's actually quite true. 315 00:13:34,234 --> 00:13:37,034 Speaker 2: I think there comes to a point when we're watching 316 00:13:37,594 --> 00:13:40,394 Speaker 2: film and TV and we become so desensitized by so 317 00:13:40,514 --> 00:13:42,914 Speaker 2: many things. Like I think a lot of the time 318 00:13:42,954 --> 00:13:45,154 Speaker 2: we're watching and I want to say, like, as an example, 319 00:13:45,194 --> 00:13:48,314 Speaker 2: something that's kind of lighthearted is like bridgeton, Yeah, and 320 00:13:48,594 --> 00:13:50,594 Speaker 2: we're watching like all of these seasons. I think the 321 00:13:50,634 --> 00:13:52,554 Speaker 2: first season was such a shock value to everyone because 322 00:13:52,554 --> 00:13:55,434 Speaker 2: that's the first time we're seeing like basically soft porn 323 00:13:55,594 --> 00:13:57,914 Speaker 2: on TV and we're like all enjoying it, and there's 324 00:13:57,914 --> 00:13:59,914 Speaker 2: like these big thing pieces on why women want this? 325 00:14:00,154 --> 00:14:02,154 Speaker 2: So you did that for season two and season three, 326 00:14:02,274 --> 00:14:04,554 Speaker 2: and then I remember, like the first four episodes of 327 00:14:04,594 --> 00:14:07,074 Speaker 2: this latest season there wasn't that much sex at all, 328 00:14:07,394 --> 00:14:09,754 Speaker 2: and we're kind of like, where's the sex. 329 00:14:09,554 --> 00:14:11,594 Speaker 1: And people like, well, I can't care about this now. Yeah. 330 00:14:11,634 --> 00:14:13,474 Speaker 2: And it's like, feel like there's certain tropes that we 331 00:14:13,554 --> 00:14:17,034 Speaker 2: become quite desensitized to. So it feels like sometimes movies 332 00:14:17,034 --> 00:14:19,874 Speaker 2: and TV has to like decapture, they have to do. 333 00:14:19,794 --> 00:14:22,714 Speaker 1: The full extreme. So I do kind of understand that 334 00:14:22,874 --> 00:14:25,474 Speaker 1: sentiment on that side of it. I think the part 335 00:14:25,514 --> 00:14:27,514 Speaker 1: of that conversation I didn't love was when some people 336 00:14:27,514 --> 00:14:29,714 Speaker 1: were getting really angry and saying like, well, this movie 337 00:14:29,794 --> 00:14:31,394 Speaker 1: is just trying to make you feel sad. It's trying 338 00:14:31,434 --> 00:14:33,354 Speaker 1: to make you feel grief, and I was like, well, yes, 339 00:14:33,434 --> 00:14:35,754 Speaker 1: like every movie wants to make you feel something. That's 340 00:14:35,754 --> 00:14:37,514 Speaker 1: the whole point of a movie. So if a movie 341 00:14:37,594 --> 00:14:40,314 Speaker 1: wants to make you think about grief and it does that, 342 00:14:40,954 --> 00:14:42,754 Speaker 1: I don't I think it's succeeded. I don't think it's 343 00:14:42,794 --> 00:14:45,914 Speaker 1: grief porn. And I also wonder, like, just because it 344 00:14:45,914 --> 00:14:48,194 Speaker 1: was such a story on like motherhood and like when 345 00:14:48,234 --> 00:14:51,434 Speaker 1: what this woman was going through and like childhood and stuff, 346 00:14:51,434 --> 00:14:53,674 Speaker 1: and I almost wonder I'm like, there's thirty seven war 347 00:14:53,794 --> 00:14:56,634 Speaker 1: movies where we're supposed to cry because these brothers and 348 00:14:56,754 --> 00:14:58,474 Speaker 1: arms like one carry one out of the battle. 349 00:14:58,674 --> 00:15:01,674 Speaker 2: I feel that's more grief porn because I obviously haven't 350 00:15:01,674 --> 00:15:03,554 Speaker 2: seen the movie, but I know the story. Yeah, and 351 00:15:03,594 --> 00:15:07,634 Speaker 2: it's not like the death was like explicitly g oh 352 00:15:07,914 --> 00:15:08,394 Speaker 2: not at all. 353 00:15:08,594 --> 00:15:11,074 Speaker 1: Yeah, So I don't think that really counts grief. Yeah, 354 00:15:11,074 --> 00:15:12,594 Speaker 1: I didn't like that idea of like it was kind 355 00:15:12,594 --> 00:15:14,474 Speaker 1: of like almost like a hacky thing of like, oh, 356 00:15:14,554 --> 00:15:16,114 Speaker 1: she just killed a child to make you cry, What 357 00:15:16,154 --> 00:15:17,714 Speaker 1: do you think about that? I'm like, well, there's an 358 00:15:17,714 --> 00:15:21,274 Speaker 1: hour of beautiful movie storytelling before we get to that. 359 00:15:21,354 --> 00:15:24,114 Speaker 1: And then also the aftermath has dealt with really beautifully 360 00:15:24,114 --> 00:15:27,354 Speaker 1: and it ends on a beautiful, hopeful note about like 361 00:15:27,434 --> 00:15:29,634 Speaker 1: how you can move through grief and like not get 362 00:15:29,634 --> 00:15:31,154 Speaker 1: over it, but learn to live with it, which I 363 00:15:31,154 --> 00:15:33,714 Speaker 1: think is really important, especially for our society. Who and 364 00:15:33,754 --> 00:15:35,514 Speaker 1: I include myself in this, don't want to think about death, 365 00:15:35,514 --> 00:15:37,874 Speaker 1: don't want to talk about it, get super uncomfortable talking 366 00:15:37,914 --> 00:15:39,634 Speaker 1: to other people about it, don't know how to act 367 00:15:39,634 --> 00:15:41,634 Speaker 1: when other people around me, like lose people like it's 368 00:15:41,714 --> 00:15:44,514 Speaker 1: just like it's a no go area. Yeah, and I 369 00:15:44,554 --> 00:15:46,714 Speaker 1: don't think this movie changed that, but it was interesting 370 00:15:46,754 --> 00:15:49,194 Speaker 1: to sort of be like, this is an uncomfortable thing 371 00:15:49,194 --> 00:15:51,074 Speaker 1: that we don't live in, but I do understand at 372 00:15:51,074 --> 00:15:53,234 Speaker 1: the same time, like why people didn't want to see it, 373 00:15:53,274 --> 00:15:55,354 Speaker 1: Like I know so many friends, especially those with young kids, 374 00:15:55,394 --> 00:15:57,434 Speaker 1: and I told them story and they were like, no, no, 375 00:15:57,594 --> 00:15:58,234 Speaker 1: I can't, I can't. 376 00:15:58,234 --> 00:16:00,434 Speaker 2: And I was like I get that, yeah, which is 377 00:16:00,474 --> 00:16:03,714 Speaker 2: also like I think shows the success of the film, right, 378 00:16:04,314 --> 00:16:08,034 Speaker 2: Like putting on a film where everyone already knows the storyline, yeah, 379 00:16:08,074 --> 00:16:11,074 Speaker 2: and you can still make them have that visceral reaction 380 00:16:11,194 --> 00:16:11,474 Speaker 2: to it. 381 00:16:11,554 --> 00:16:14,554 Speaker 1: I think that's a success in itself. Yeah, exactly. So 382 00:16:15,154 --> 00:16:17,154 Speaker 1: finishing off with like we're was saying with each of 383 00:16:17,154 --> 00:16:19,514 Speaker 1: those movies, should you see this Oscar movie? I would 384 00:16:19,514 --> 00:16:22,794 Speaker 1: say one hundred percent yes. With the caveat like you 385 00:16:22,834 --> 00:16:24,794 Speaker 1: know yourself, if there's a reason in your life where 386 00:16:24,794 --> 00:16:27,594 Speaker 1: you can't be around that you can't watch it, absolutely 387 00:16:27,594 --> 00:16:29,114 Speaker 1: don't see it. But I do think it's not a 388 00:16:29,114 --> 00:16:31,434 Speaker 1: surprise death like everything is out there. But just if 389 00:16:31,474 --> 00:16:34,154 Speaker 1: you've seen all these articles about how it's a whole 390 00:16:34,234 --> 00:16:37,674 Speaker 1: movie dedicated to death and it's it's two hours of sadness. 391 00:16:37,754 --> 00:16:40,314 Speaker 1: It's absolutely not that. No one can sit through that. 392 00:16:40,954 --> 00:16:42,754 Speaker 1: So if you're just a bit worried to see it, 393 00:16:42,794 --> 00:16:45,354 Speaker 1: I would say just push through. Watch it. It's really beautiful. 394 00:16:45,354 --> 00:16:47,474 Speaker 1: You'd be happy you did, and then you'll feel better 395 00:16:47,474 --> 00:16:48,914 Speaker 1: when Jesse Buckley wins her Oscar. 396 00:16:49,034 --> 00:16:52,314 Speaker 2: So true, I can't wait to watch it. So this 397 00:16:52,514 --> 00:16:55,954 Speaker 2: next film I want to talk about now, I've kind 398 00:16:55,994 --> 00:16:58,434 Speaker 2: of dabbled in my mind about whether or not I 399 00:16:58,554 --> 00:17:01,874 Speaker 2: think this deserves an Oscar, and I've been arguing with myself. 400 00:17:02,354 --> 00:17:03,874 Speaker 1: Oh wow, let me tell you what is that like? 401 00:17:04,634 --> 00:17:05,553 Speaker 1: Which one of you is winning? 402 00:17:05,594 --> 00:17:08,394 Speaker 2: It's very difficult, it's giving sinners and it's not even serious. 403 00:17:09,474 --> 00:17:13,434 Speaker 2: It's the film Pegonia. Yes, that is a Yogo'slithamos film. 404 00:17:13,594 --> 00:17:16,394 Speaker 2: It stars Emmastone and Jesse Plemons, who also start on 405 00:17:16,434 --> 00:17:20,234 Speaker 2: all of his other films. It is actually like, as 406 00:17:20,274 --> 00:17:25,234 Speaker 2: a standalone film, really really good and worthy of an Oscar. 407 00:17:25,594 --> 00:17:27,513 Speaker 2: Now the reason why, and I was talking to you 408 00:17:27,554 --> 00:17:29,674 Speaker 2: about this early on, how I'm like, it doesn't deserve 409 00:17:29,714 --> 00:17:30,114 Speaker 2: an Oscar. 410 00:17:30,114 --> 00:17:32,154 Speaker 1: It shouldn't. It's bad. I think it's because I was 411 00:17:32,194 --> 00:17:35,594 Speaker 1: comparing it to his other films al right, which is 412 00:17:35,634 --> 00:17:36,274 Speaker 1: bad on me. 413 00:17:36,714 --> 00:17:40,714 Speaker 2: As someone who should be criticizing the arts. Yogoslthmos is 414 00:17:40,754 --> 00:17:44,354 Speaker 2: such an amazing filmmaker. We watched so many of his 415 00:17:44,474 --> 00:17:47,194 Speaker 2: films together. Yeah, and I think we've also ranked them 416 00:17:47,194 --> 00:17:48,154 Speaker 2: on the podcast before. 417 00:17:48,234 --> 00:17:50,554 Speaker 1: I think we have yet. Remember when we saw Kinds 418 00:17:50,554 --> 00:17:54,434 Speaker 1: of Kindness his last move emmastone and we were obsessed 419 00:17:54,514 --> 00:17:56,594 Speaker 1: with that movie. It's all we could think about and 420 00:17:56,674 --> 00:18:01,194 Speaker 1: talk about, and no one else saw it. It wasn't 421 00:18:01,194 --> 00:18:04,394 Speaker 1: even a blip, no one even mentioned in the Oscar races. 422 00:18:04,594 --> 00:18:07,754 Speaker 1: We were like, this movie changed us, and everyone's like, yeah, wait, 423 00:18:07,794 --> 00:18:09,674 Speaker 1: no one's talking, no one, And then we were like 424 00:18:09,994 --> 00:18:12,074 Speaker 1: why do we feel embarrassed if ever? Stone was like, 425 00:18:12,074 --> 00:18:14,234 Speaker 1: that's not the movie we're talking about you and I like, sorry, 426 00:18:14,274 --> 00:18:16,634 Speaker 1: we went to bat with for you. So we were 427 00:18:16,634 --> 00:18:19,593 Speaker 1: like championing that. I was at the World defending Joe Alwen. 428 00:18:20,874 --> 00:18:23,434 Speaker 1: I was like, he's good in the movie, leave him alone. 429 00:18:23,634 --> 00:18:25,434 Speaker 1: It was such a good film, you know. 430 00:18:25,634 --> 00:18:28,994 Speaker 2: But yeah, that's still my favorite film of his as well. 431 00:18:29,114 --> 00:18:30,834 Speaker 2: I think Poor Things was a big one of his 432 00:18:30,994 --> 00:18:33,154 Speaker 2: that like everyone was talking. 433 00:18:32,914 --> 00:18:36,594 Speaker 1: About it also then the favorite We've had this conversation, but. 434 00:18:36,634 --> 00:18:39,154 Speaker 2: Like Begonia I think it had kind of the same 435 00:18:39,274 --> 00:18:42,034 Speaker 2: kind of feeling as kind of kindness. It doesn't feel 436 00:18:42,034 --> 00:18:44,634 Speaker 2: like everyone's watched it. I forgot and. 437 00:18:44,594 --> 00:18:47,754 Speaker 1: I watched it. You went to the premiere, I remember, 438 00:18:47,794 --> 00:18:49,914 Speaker 1: I had to. I wouldn't barely call it a premier. 439 00:18:51,434 --> 00:18:53,794 Speaker 1: It was a conventions under across the road from my building, 440 00:18:54,154 --> 00:18:57,114 Speaker 1: and I couldn't go because I was a lecture theater. Okay, Well, 441 00:18:57,154 --> 00:18:59,154 Speaker 1: wasn't it part of a theater festal dope south By 442 00:18:59,194 --> 00:19:01,513 Speaker 1: southwest By? Well they're gone from a straight now, so 443 00:19:01,514 --> 00:19:04,354 Speaker 1: thanks very much, Emily. Remember, I think it was probably 444 00:19:04,434 --> 00:19:08,354 Speaker 1: my review. I couldn't come because I do interview Kimkodashion 445 00:19:08,354 --> 00:19:09,554 Speaker 1: and then she hated me memories. 446 00:19:09,834 --> 00:19:13,034 Speaker 2: We both had a bad day day with our very 447 00:19:13,074 --> 00:19:14,034 Speaker 2: elite fun jobs. 448 00:19:14,074 --> 00:19:17,354 Speaker 1: Who hate this movie? I'm like a celete. Did like me, 449 00:19:17,834 --> 00:19:20,514 Speaker 1: but I've since watched it. Yes, and what are your 450 00:19:20,554 --> 00:19:23,794 Speaker 1: thoughts on it? Oh? I really liked it. Okay, I 451 00:19:23,834 --> 00:19:26,714 Speaker 1: didn't have the ending spoiled for me like you did. 452 00:19:27,034 --> 00:19:29,074 Speaker 1: The person's running that's exactly sorry. 453 00:19:29,114 --> 00:19:31,474 Speaker 2: I should have prefaced this by saying you haven't listened 454 00:19:31,474 --> 00:19:33,194 Speaker 2: to I think it was a Weekend Watch episode where 455 00:19:33,194 --> 00:19:35,513 Speaker 2: I talked about it The reason why I didn't like 456 00:19:35,554 --> 00:19:39,314 Speaker 2: the film was the person who introduced the film accidentally 457 00:19:39,634 --> 00:19:42,273 Speaker 2: kind of spoilt it. 458 00:19:42,314 --> 00:19:45,034 Speaker 1: Emily has one enemy in this world and it's the 459 00:19:45,074 --> 00:19:48,553 Speaker 1: woman who spoiled Bigonia for her. I'm so sorry, whoever 460 00:19:48,594 --> 00:19:52,354 Speaker 1: you are tainting your name like this, but it ruined 461 00:19:52,354 --> 00:19:55,274 Speaker 1: the experience. Well, the thing is Bigonia is like it's 462 00:19:55,314 --> 00:19:57,914 Speaker 1: an incredible movie, but also so much of it is 463 00:19:57,954 --> 00:20:00,074 Speaker 1: the plot twist. Yeah, it is one of those plot 464 00:20:00,114 --> 00:20:02,474 Speaker 1: twists like if anyone hasn't seen it, like I don't 465 00:20:02,474 --> 00:20:05,313 Speaker 1: know how you haven't seen it because ridiculous people have 466 00:20:05,434 --> 00:20:07,314 Speaker 1: filmed and put it all over TikTok, so you could 467 00:20:07,314 --> 00:20:10,034 Speaker 1: see it against your will. But I would say it's 468 00:20:10,114 --> 00:20:12,074 Speaker 1: up there with like the sixth sense and stuff. It's 469 00:20:12,194 --> 00:20:14,114 Speaker 1: so the moment where you go, if you don't know 470 00:20:14,154 --> 00:20:16,553 Speaker 1: it's coming, where you go, whoa. Yeah. 471 00:20:16,594 --> 00:20:21,194 Speaker 2: And I think Jesse Plemmon's in it is incredible, Like 472 00:20:21,314 --> 00:20:22,954 Speaker 2: I genuinely want him to win. 473 00:20:23,394 --> 00:20:25,354 Speaker 1: He is he even nominated? I don't know, so he's 474 00:20:25,714 --> 00:20:29,793 Speaker 1: he's not nominated. No, he's not nominated for Best Actor, 475 00:20:30,154 --> 00:20:32,994 Speaker 1: not even Best Supporting Actor. He's not. And his wife 476 00:20:33,154 --> 00:20:36,154 Speaker 1: Kirsten Dunce, who stays out of all Hollywood drama. Who 477 00:20:36,194 --> 00:20:38,994 Speaker 1: stays out of everything? He's livid. Yeah, she put up 478 00:20:38,994 --> 00:20:41,314 Speaker 1: a thing about Jesse Plemmons being an incredible actor and 479 00:20:41,354 --> 00:20:43,914 Speaker 1: like just because he didn't ask kiss and just I'm paraphrasing, 480 00:20:44,154 --> 00:20:46,314 Speaker 1: but basically he didn't play the game, so he was 481 00:20:46,434 --> 00:20:48,594 Speaker 1: left out and you can see it. I was watching 482 00:20:48,634 --> 00:20:50,714 Speaker 1: them at the SAG Awards and like they're there, they're 483 00:20:50,714 --> 00:20:53,834 Speaker 1: doing everything, they're being professional, but she is so angry 484 00:20:53,834 --> 00:20:57,754 Speaker 1: on his behalf that he wasn't nominated and everyone's everyone 485 00:20:57,834 --> 00:20:59,634 Speaker 1: thought this was saying about the best. I think it's 486 00:20:59,834 --> 00:21:02,154 Speaker 1: his best movie he's ever done. I am really shocked. 487 00:21:02,194 --> 00:21:04,394 Speaker 1: I think early in the piece, like everyone thought he 488 00:21:04,474 --> 00:21:07,034 Speaker 1: was finally gonna win that Oscar. Everyone's like it's his year, 489 00:21:07,634 --> 00:21:10,634 Speaker 1: and then he moved further down the ranking. I just 490 00:21:10,674 --> 00:21:13,513 Speaker 1: wonder if, like, well, obviously like Emma's won twice with 491 00:21:13,634 --> 00:21:15,553 Speaker 1: your Ghosts films, but I just don't know if the 492 00:21:15,594 --> 00:21:17,554 Speaker 1: studio wasn't there, or like he doesn't have the star 493 00:21:17,674 --> 00:21:19,674 Speaker 1: power because he hasn't like had all the big rom 494 00:21:19,674 --> 00:21:21,474 Speaker 1: coms and things that she's had, or like you know, 495 00:21:21,514 --> 00:21:23,553 Speaker 1: the comedies and stuff, and I just don't think they 496 00:21:23,594 --> 00:21:25,994 Speaker 1: could mount a campaign to him that could compete with 497 00:21:26,434 --> 00:21:29,754 Speaker 1: Michael B. Jordan, Leona Di DiCaprio, Timothy Shallamy, Ethan Hawk, 498 00:21:29,874 --> 00:21:32,354 Speaker 1: like all these big names, and he just got left 499 00:21:32,394 --> 00:21:34,513 Speaker 1: out in the cold but not had a nomination the 500 00:21:34,594 --> 00:21:37,714 Speaker 1: year everyone thought he was gonna win. Is crazy. And 501 00:21:37,754 --> 00:21:40,474 Speaker 1: now he's gonna go to the No, he's gonna go 502 00:21:40,554 --> 00:21:42,313 Speaker 1: to the Oscars now and like clap for his like 503 00:21:42,394 --> 00:21:45,314 Speaker 1: movie being nominated, knowing that in any other time and 504 00:21:45,354 --> 00:21:48,154 Speaker 1: place he was gonna win. And Kirsten duns Is like, 505 00:21:48,194 --> 00:21:49,194 Speaker 1: she's so furious and. 506 00:21:49,314 --> 00:21:55,874 Speaker 2: Actually felt like fair, Like, I if that was my husband. 507 00:21:54,474 --> 00:21:57,074 Speaker 1: You do more than post an Instagram story and I'd 508 00:21:57,114 --> 00:21:59,674 Speaker 1: be very, very upset. Oh okay, that makes me really 509 00:21:59,674 --> 00:22:00,234 Speaker 1: really fat. 510 00:22:00,234 --> 00:22:02,154 Speaker 2: And I think people should watch this movie even more 511 00:22:02,194 --> 00:22:05,314 Speaker 2: to see how amazing he is. And it obviously Emma 512 00:22:05,354 --> 00:22:07,434 Speaker 2: Stone is amazing in as well. But I genuine think 513 00:22:07,434 --> 00:22:09,914 Speaker 2: out of all the Yogos Lithemos films they've done together, 514 00:22:09,954 --> 00:22:12,474 Speaker 2: she's always been the star, and I think he's the 515 00:22:12,554 --> 00:22:13,714 Speaker 2: star in this film. 516 00:22:14,034 --> 00:22:17,394 Speaker 1: He's a star. No, the Oscars have shunned him. Oh, 517 00:22:17,794 --> 00:22:19,874 Speaker 1: you are right, but we can't actually talk about the 518 00:22:19,874 --> 00:22:22,714 Speaker 1: film that much. Because of the spoilers. I would just 519 00:22:22,754 --> 00:22:24,914 Speaker 1: say that, like, if you have had it spoiled for you, 520 00:22:25,314 --> 00:22:27,954 Speaker 1: like Everily did, you can still watch it and like it. 521 00:22:27,954 --> 00:22:29,834 Speaker 1: It's just unfortunate that I got taken away from you, 522 00:22:29,874 --> 00:22:31,474 Speaker 1: but you will still be like, oh my god, this 523 00:22:31,554 --> 00:22:32,194 Speaker 1: is a great movie. 524 00:22:32,234 --> 00:22:35,994 Speaker 2: And it's like every other Yogoslithmos film. It's very weird. Yes, 525 00:22:36,074 --> 00:22:38,634 Speaker 2: it's very weird, which we love. It's good speaking of 526 00:22:38,674 --> 00:22:41,034 Speaker 2: weird people. One more before we get into our main 527 00:22:41,074 --> 00:22:42,994 Speaker 2: That's right. Our main recommendation is still to come. 528 00:22:42,994 --> 00:22:45,793 Speaker 1: Guys, A little movie called Marty Supreme which has had 529 00:22:45,834 --> 00:22:49,274 Speaker 1: no marketing, no one's no one's gone out and done 530 00:22:49,314 --> 00:22:52,674 Speaker 1: stunts and worn outfits with his famous girlfriend and gone 531 00:22:52,754 --> 00:22:55,914 Speaker 1: viral for all the wrong reasons as cosplaying as his character. Yeah, 532 00:22:56,274 --> 00:22:58,714 Speaker 1: I don't even know this movie existence. I hope everyone 533 00:22:58,754 --> 00:23:00,594 Speaker 1: who just listened to that is a long time spiller 534 00:23:00,634 --> 00:23:02,554 Speaker 1: or be like, what is she talking about? We've really 535 00:23:02,554 --> 00:23:04,434 Speaker 1: been talking about it every single week. It's just come out. 536 00:23:04,474 --> 00:23:07,514 Speaker 1: Have you seen Marty Suprema, I have seen that. You have, Okay, 537 00:23:07,594 --> 00:23:08,594 Speaker 1: last time we spoke, you had it. 538 00:23:09,154 --> 00:23:10,874 Speaker 2: I thought he was the first movie in a very, 539 00:23:10,954 --> 00:23:13,354 Speaker 2: very long time where Oh my god, I'm gonna sound 540 00:23:13,394 --> 00:23:15,834 Speaker 2: so bloody privileged, no say it. Or I bought my 541 00:23:15,874 --> 00:23:16,634 Speaker 2: little movie ticket. 542 00:23:16,754 --> 00:23:19,194 Speaker 1: No, but that's important. I actually think sometimes it's important 543 00:23:19,234 --> 00:23:23,553 Speaker 1: for us to buy tickets because we're so unrelatable this No, 544 00:23:23,674 --> 00:23:25,914 Speaker 1: can I tell you. I think about this all the 545 00:23:25,954 --> 00:23:28,794 Speaker 1: time now. And Marty Supreme was a big trigger for this, 546 00:23:29,314 --> 00:23:31,434 Speaker 1: because when I watched My Supreme and I talked to 547 00:23:31,474 --> 00:23:33,273 Speaker 1: a bunch of other film critics and people who like 548 00:23:33,314 --> 00:23:36,314 Speaker 1: work in this space afterwards, and every single person said 549 00:23:36,354 --> 00:23:40,194 Speaker 1: to me instantly, I loved it, incredible, mind blowing into everyone. 550 00:23:40,234 --> 00:23:42,474 Speaker 1: I said, like, I'm going to need a couple of days. 551 00:23:42,474 --> 00:23:44,073 Speaker 1: I think people thought I was stupid. They're like, oh, 552 00:23:44,354 --> 00:23:47,353 Speaker 1: shame like movies about singing green people, and I was like, no, 553 00:23:47,514 --> 00:23:49,594 Speaker 1: I'm just I just think that we all went into 554 00:23:49,634 --> 00:23:52,794 Speaker 1: this being told it was the biggest movie of the year, 555 00:23:53,274 --> 00:23:56,434 Speaker 1: and has anyone actually taken a second to think. I'm 556 00:23:56,474 --> 00:23:58,513 Speaker 1: sure it's those people enjoyed it the first time they 557 00:23:58,554 --> 00:24:00,793 Speaker 1: watched it, but we saw it so early before, like 558 00:24:00,834 --> 00:24:03,514 Speaker 1: other people in Australian stuff. I'm just like, did anyone 559 00:24:03,554 --> 00:24:05,434 Speaker 1: sort of actually stop and think do I like this? 560 00:24:05,554 --> 00:24:08,234 Speaker 1: Or was I told to like this and will be 561 00:24:08,434 --> 00:24:11,834 Speaker 1: average person. I always think of like as Susan or 562 00:24:11,954 --> 00:24:13,914 Speaker 1: Mary or something like that, living in a small town 563 00:24:13,914 --> 00:24:16,554 Speaker 1: in Australia and you go to the movies maybe once 564 00:24:16,634 --> 00:24:19,274 Speaker 1: every three months maybe, but for most people sometimes it's 565 00:24:19,274 --> 00:24:22,474 Speaker 1: one year every six months. Also, movie tickets are so expensive, 566 00:24:22,554 --> 00:24:25,234 Speaker 1: oh my god. And snacks are so expensive. 567 00:24:24,874 --> 00:24:28,514 Speaker 2: So expensive, and even like because it's such a long film. Yeah, 568 00:24:28,554 --> 00:24:30,994 Speaker 2: so even like getting the rights like show time for 569 00:24:31,114 --> 00:24:33,194 Speaker 2: it to make sure it's not in between lunch and dinner. 570 00:24:33,234 --> 00:24:36,954 Speaker 2: It's very stressful. I hadn't infected that in very stressful. Yeah, 571 00:24:36,994 --> 00:24:40,154 Speaker 2: normal people don't get their popcorn and rinks, you know, movies. 572 00:24:40,354 --> 00:24:41,394 Speaker 1: We're quite privileged. 573 00:24:41,634 --> 00:24:44,314 Speaker 2: But what I really enjoyed was I booked my tickets 574 00:24:44,394 --> 00:24:46,033 Speaker 2: well early in advance because I knew I was going 575 00:24:46,074 --> 00:24:47,513 Speaker 2: to be here for the premiere, so I wanted to 576 00:24:47,514 --> 00:24:48,994 Speaker 2: watch it as soon as possible. 577 00:24:49,034 --> 00:24:51,394 Speaker 1: And the cinema was packed. Yeah. 578 00:24:51,434 --> 00:24:54,034 Speaker 2: And I think it's so different because obviously when we're 579 00:24:54,074 --> 00:24:56,954 Speaker 2: at premieres, we're sitting amongst other people who are also 580 00:24:57,074 --> 00:25:01,154 Speaker 2: TV and movie critics, and the reaction is different. Like 581 00:25:01,474 --> 00:25:05,994 Speaker 2: people in cinemas, they're more aware of their reaction where 582 00:25:06,194 --> 00:25:08,394 Speaker 2: like you don't hear a lot, you don't hear like 583 00:25:08,434 --> 00:25:12,474 Speaker 2: people like laughing or gasping, and like in this cinema, 584 00:25:12,594 --> 00:25:14,274 Speaker 2: like I could see from the corner of my eye, 585 00:25:14,314 --> 00:25:16,834 Speaker 2: like the family sitting next to me well like gasping 586 00:25:16,874 --> 00:25:19,034 Speaker 2: and then like closing their mouths like they couldn't believe 587 00:25:19,074 --> 00:25:19,714 Speaker 2: they were having that. 588 00:25:19,754 --> 00:25:21,674 Speaker 1: Much of a like visceral reaction. 589 00:25:22,314 --> 00:25:26,074 Speaker 2: And it was just so lovely to see so much 590 00:25:26,114 --> 00:25:27,114 Speaker 2: happens in that movie. 591 00:25:27,234 --> 00:25:29,194 Speaker 1: So much I felt like I watched four movies in 592 00:25:29,274 --> 00:25:31,634 Speaker 1: one yeah, exactly. So once I sort of settled on 593 00:25:31,674 --> 00:25:33,114 Speaker 1: like do I actually like this movie? And I went 594 00:25:33,114 --> 00:25:35,714 Speaker 1: to my full like make movies for people, you know 595 00:25:35,914 --> 00:25:38,114 Speaker 1: kind of thing, I did land on I think people 596 00:25:38,114 --> 00:25:40,234 Speaker 1: should go see this. I have sent so many people 597 00:25:40,274 --> 00:25:42,674 Speaker 1: to the movies, like my friends and family. My sister 598 00:25:42,754 --> 00:25:44,954 Speaker 1: Lucy went and saw on my recommendation. She goes to 599 00:25:44,994 --> 00:25:47,554 Speaker 1: the movies every four years, liked, and she never listens 600 00:25:47,594 --> 00:25:49,834 Speaker 1: to your recommendation. Sho, Well, she just doesn't listen to 601 00:25:49,874 --> 00:25:51,793 Speaker 1: this pod. Let me tell you. But I was like, 602 00:25:51,874 --> 00:25:53,594 Speaker 1: you and your boyfriend will love this. You have to 603 00:25:53,594 --> 00:25:55,674 Speaker 1: go see it because it is I think the pacing 604 00:25:55,754 --> 00:25:59,834 Speaker 1: is incredible. So it's about just in case anyone's still listening, 605 00:25:59,834 --> 00:26:02,194 Speaker 1: I'm glad you're doing this and not I just just like, like, 606 00:26:02,234 --> 00:26:04,714 Speaker 1: whose recommendation is this? Because we're both into it. So 607 00:26:04,834 --> 00:26:08,273 Speaker 1: Timothy Challaway plays Mighty Mauso, who so living in nineteen 608 00:26:08,354 --> 00:26:11,033 Speaker 1: fifties New York working in a shoe shop, knows that 609 00:26:11,074 --> 00:26:13,394 Speaker 1: he's destined for a bigger life. He's an incredible ping 610 00:26:13,434 --> 00:26:16,354 Speaker 1: pong player. Yes, this is a movie about ping pong 611 00:26:16,434 --> 00:26:19,954 Speaker 1: table tennis, but makes it feel like the stakes could 612 00:26:19,994 --> 00:26:23,034 Speaker 1: not be higher, like the World Cup. Yeah, makes I'm 613 00:26:23,074 --> 00:26:24,514 Speaker 1: not even bigger than that, makes you feel like you're 614 00:26:24,514 --> 00:26:26,634 Speaker 1: watching a war movie, like the stakes could not be higher. 615 00:26:27,074 --> 00:26:30,033 Speaker 1: Goes off to the World Cup. Odessa a Zion is 616 00:26:30,074 --> 00:26:32,754 Speaker 1: in it as Rachel is so funny watching her on 617 00:26:32,794 --> 00:26:34,714 Speaker 1: the Red Carpets recently, She's like, I can't belive a 618 00:26:34,714 --> 00:26:37,994 Speaker 1: few years I auditioned for an untitled table tennis movie 619 00:26:37,994 --> 00:26:40,634 Speaker 1: and now I'm going to the Oscar plays Rachel, his 620 00:26:40,754 --> 00:26:43,634 Speaker 1: childhood friend and like girlfriend and who is now married 621 00:26:43,634 --> 00:26:45,834 Speaker 1: to someone else. And one of the big standouts is 622 00:26:46,154 --> 00:26:48,874 Speaker 1: it's Gwyneth Paltrow's first return to a leading role in 623 00:26:48,914 --> 00:26:50,114 Speaker 1: over ten years. 624 00:26:50,074 --> 00:26:53,634 Speaker 2: And she Oh, my god, that he's incredible again. 625 00:26:53,434 --> 00:26:55,674 Speaker 1: Like there's a reason she's super famous. Oh yeah, she's 626 00:26:55,714 --> 00:26:57,674 Speaker 1: so good at plays Kay Stone, So she was a 627 00:26:57,754 --> 00:27:00,513 Speaker 1: very famous actress. This is like many years after that 628 00:27:00,554 --> 00:27:03,754 Speaker 1: she's retired and then she and Marty's sort of beginner 629 00:27:04,034 --> 00:27:06,914 Speaker 1: a sexual relationship but also like the one upping each 630 00:27:06,954 --> 00:27:09,634 Speaker 1: other her and just like but also her like desperate 631 00:27:09,674 --> 00:27:13,394 Speaker 1: to return to acting. So that scene that they show 632 00:27:13,474 --> 00:27:16,434 Speaker 1: where her character is on the stage for her like 633 00:27:16,674 --> 00:27:19,874 Speaker 1: return to the acting, and she's like smiling that that 634 00:27:20,074 --> 00:27:22,794 Speaker 1: was the first scene they filmed with Gwyneth Paltrow. So 635 00:27:22,834 --> 00:27:25,674 Speaker 1: that's smile and real. That's her real reaction to being 636 00:27:25,714 --> 00:27:28,513 Speaker 1: back on screen, that moment where she turns around and 637 00:27:28,554 --> 00:27:31,194 Speaker 1: smiles because the audience is like, we're so glad you're back. 638 00:27:31,634 --> 00:27:35,513 Speaker 1: That's Kay's Stone, but it's also Gwyneth Paltrow have been like, 639 00:27:35,554 --> 00:27:37,994 Speaker 1: I'm back leading a movie in ten years and it 640 00:27:38,114 --> 00:27:40,794 Speaker 1: feels amazing, And she in her head, she's like, God, 641 00:27:40,834 --> 00:27:46,434 Speaker 1: I'm a fucking good actress. You can I am gonna 642 00:27:46,514 --> 00:27:48,914 Speaker 1: So I love that. But it's such a good mission. 643 00:27:48,994 --> 00:27:51,394 Speaker 2: And you know what, he does deserve the whim he's 644 00:27:51,434 --> 00:27:52,754 Speaker 2: so good in it. 645 00:27:52,474 --> 00:27:56,194 Speaker 1: Over Michael Beach obviously not obviously, but they should be, 646 00:27:56,274 --> 00:27:59,914 Speaker 1: like at least three people should know. It's such a 647 00:27:59,954 --> 00:28:02,794 Speaker 1: stucked year. Some people sit out this year and we'll 648 00:28:02,834 --> 00:28:05,714 Speaker 1: go again next year with you. But it is so good. 649 00:28:05,714 --> 00:28:07,793 Speaker 1: And I think also like it is so action packed, 650 00:28:07,834 --> 00:28:10,353 Speaker 1: but because it's a just safty movie as well, like 651 00:28:10,554 --> 00:28:12,754 Speaker 1: it just draws you onto all these different worlds and 652 00:28:12,794 --> 00:28:14,474 Speaker 1: like you really added to this lightly, Like I feel 653 00:28:14,474 --> 00:28:16,354 Speaker 1: like you are on the edge of your seat. Yeah, 654 00:28:16,434 --> 00:28:18,314 Speaker 1: by the time that we're getting to the shootout and stuff, 655 00:28:18,314 --> 00:28:20,154 Speaker 1: and I was like, now we're going to another country 656 00:28:20,194 --> 00:28:21,754 Speaker 1: and there's gonna be this and that, and got the 657 00:28:21,754 --> 00:28:24,154 Speaker 1: Paltrow is on stage and she's got a diamond necklace 658 00:28:24,154 --> 00:28:26,434 Speaker 1: and it's just so much. Oh my god, this is 659 00:28:26,434 --> 00:28:27,714 Speaker 1: such a good film. 660 00:28:27,794 --> 00:28:30,114 Speaker 2: I can't wait for everyone to watch it, because, as 661 00:28:30,154 --> 00:28:32,194 Speaker 2: we said before, it is like one of those ones 662 00:28:32,234 --> 00:28:35,313 Speaker 2: where I think we especially with this Oscar run, like 663 00:28:35,354 --> 00:28:37,674 Speaker 2: you have so many options on what movie to watch, 664 00:28:37,874 --> 00:28:40,914 Speaker 2: and not everyone can afford to watch everything in cinema, 665 00:28:40,954 --> 00:28:43,434 Speaker 2: and I think out of all, actually there's one that 666 00:28:43,474 --> 00:28:45,514 Speaker 2: you should watch, but that you can get that on streaming. 667 00:28:45,674 --> 00:28:47,194 Speaker 2: Out of all the ones that are in cinema. This 668 00:28:47,234 --> 00:28:48,674 Speaker 2: is one that you should spend your money on. 669 00:28:48,794 --> 00:28:51,434 Speaker 1: Absolutely one of the ones we very much do recommend. 670 00:28:53,514 --> 00:28:55,754 Speaker 1: All right, so onto it. I don't know if I 671 00:28:55,754 --> 00:28:58,914 Speaker 1: can do this onto our Yeah, you are you feeling nervous? 672 00:28:58,954 --> 00:29:01,314 Speaker 1: Are you getting feeling when we did high school musical? Yeah? 673 00:29:01,314 --> 00:29:04,154 Speaker 2: Because I remember the first time I talked about Sinners 674 00:29:04,354 --> 00:29:06,994 Speaker 2: was straight after the premiere, and I don't think anyone 675 00:29:07,114 --> 00:29:10,114 Speaker 2: watched it until like a month after, until it started 676 00:29:10,114 --> 00:29:11,994 Speaker 2: to get nominated and they're like, what's this little movie? 677 00:29:12,154 --> 00:29:13,914 Speaker 1: Yeah, it did well at the box office, but yeah, 678 00:29:13,914 --> 00:29:16,114 Speaker 1: it wasn't a blockbuster return or anything like that. And 679 00:29:16,154 --> 00:29:17,994 Speaker 1: we didn't. I mean, we talked about so much since, 680 00:29:18,114 --> 00:29:21,554 Speaker 1: especially since it became the most nominated movie in Oscar's history. 681 00:29:21,754 --> 00:29:24,074 Speaker 1: But I missed the premiere. Ecuc had to go babysit 682 00:29:24,154 --> 00:29:27,794 Speaker 1: my nieces and nephews. Honestly, no one appreciated we saw 683 00:29:27,834 --> 00:29:31,114 Speaker 1: that together. Oh my movies we didn't see together. Did 684 00:29:31,114 --> 00:29:33,674 Speaker 1: we see any of them together? I don't. I don't 685 00:29:33,714 --> 00:29:35,914 Speaker 1: think so. Like No, I went to Bigonia an F 686 00:29:35,994 --> 00:29:39,954 Speaker 1: one premiere, and I went to Supreme, okay, and I 687 00:29:39,994 --> 00:29:41,634 Speaker 1: went to Sinners and I went to in a Stepara. 688 00:29:41,714 --> 00:29:44,714 Speaker 1: I bought a Sinners ticket. Yes, that's my one movie 689 00:29:44,714 --> 00:29:47,314 Speaker 1: I've bought ticket. I look at us, Wow, I look 690 00:29:47,314 --> 00:29:49,354 Speaker 1: at us being off the people. No, but I was 691 00:29:49,394 --> 00:29:50,834 Speaker 1: just like, I have to see this. I think I 692 00:29:50,874 --> 00:29:53,554 Speaker 1: got it. On the cusp of Sinners leaving cinemas. There 693 00:29:53,594 --> 00:29:56,714 Speaker 1: was like one yeah, on a like a Tuesday afternoon 694 00:29:56,714 --> 00:29:58,674 Speaker 1: at like five o'clock, and I like ran from the 695 00:29:58,674 --> 00:30:00,354 Speaker 1: office or something like. I was like, I have to 696 00:30:00,394 --> 00:30:02,594 Speaker 1: see this at the cinema, and god, it was so 697 00:30:02,634 --> 00:30:03,794 Speaker 1: worth it was so worth it. 698 00:30:03,834 --> 00:30:06,994 Speaker 2: I was really nervous because it came to streaming quite quickly. Yeah, 699 00:30:07,114 --> 00:30:08,394 Speaker 2: which I don't know if this is true, but in 700 00:30:08,394 --> 00:30:10,354 Speaker 2: my head, I'm like, oh, probably wasn't doing that well 701 00:30:10,394 --> 00:30:13,434 Speaker 2: in cinemas, which is why they've still which I'm so 702 00:30:13,474 --> 00:30:16,274 Speaker 2: glad about because I remember when I first talked about Sinners, 703 00:30:16,274 --> 00:30:18,674 Speaker 2: and I remember looking up my notes on what I 704 00:30:18,674 --> 00:30:23,474 Speaker 2: should be saying, and every article I saw was reviews 705 00:30:23,554 --> 00:30:24,194 Speaker 2: of the movie. 706 00:30:24,434 --> 00:30:28,114 Speaker 1: And there were really really bad reviews of Sinners. Do 707 00:30:28,154 --> 00:30:31,594 Speaker 1: you remember this When it first I saw good reviews. 708 00:30:31,634 --> 00:30:34,954 Speaker 2: It was like when it first came out and like massive, 709 00:30:35,234 --> 00:30:38,594 Speaker 2: massive publications. We talked about it briefly on the podcast, 710 00:30:38,834 --> 00:30:40,594 Speaker 2: and I was I must have blocked that out, and 711 00:30:40,634 --> 00:30:41,674 Speaker 2: I was so upset. 712 00:30:41,834 --> 00:30:43,234 Speaker 1: Actually, I don't think you were on. I think we 713 00:30:43,274 --> 00:30:43,874 Speaker 1: had a fill in. 714 00:30:43,914 --> 00:30:46,234 Speaker 2: But I was so upset because like, there were all 715 00:30:46,274 --> 00:30:47,874 Speaker 2: these bad reviews and I was like, where are all 716 00:30:47,874 --> 00:30:50,674 Speaker 2: the good reviews? And then I started seeing tweets from 717 00:30:50,714 --> 00:30:54,074 Speaker 2: other celebrities, and I saw tweets by Pedro, Pascal, Ben 718 00:30:54,154 --> 00:30:58,714 Speaker 2: Stiller calling out these publications, going what are you talking about? 719 00:30:58,754 --> 00:31:02,634 Speaker 2: Sinners is a brilliant, brilliant film. It's an original IP. 720 00:31:03,234 --> 00:31:05,394 Speaker 2: I think what the big thing was was, I think 721 00:31:05,474 --> 00:31:09,754 Speaker 2: a lot of publications had of deals with certain production companies, 722 00:31:09,794 --> 00:31:13,314 Speaker 2: and Sinners was a Warner Brothers production, and there was 723 00:31:13,354 --> 00:31:15,714 Speaker 2: something in the contract between Ryan Coogler, who was a 724 00:31:15,754 --> 00:31:18,794 Speaker 2: creative director of Sinners, and how he wanted to do 725 00:31:18,874 --> 00:31:21,714 Speaker 2: an original IP, which is what this movie was, and 726 00:31:21,754 --> 00:31:23,754 Speaker 2: he wanted like all of these great actors, and he 727 00:31:23,754 --> 00:31:26,074 Speaker 2: didn't want it to be based off a book. And 728 00:31:26,754 --> 00:31:30,914 Speaker 2: it's actually more expensive for production companies to take that risk, absolutely, 729 00:31:30,954 --> 00:31:33,314 Speaker 2: because it was also around the same time where Minecraft 730 00:31:33,434 --> 00:31:34,034 Speaker 2: was going off. 731 00:31:34,194 --> 00:31:35,634 Speaker 1: Yeah, and that's like such. 732 00:31:35,434 --> 00:31:37,074 Speaker 2: An easy win for them because like we already have 733 00:31:37,074 --> 00:31:39,474 Speaker 2: an audience, like there's already a fan base for the books, 734 00:31:39,554 --> 00:31:41,714 Speaker 2: there's already fan base for the original movie. We'll just 735 00:31:41,794 --> 00:31:44,434 Speaker 2: keep doing what we're doing. And it's really risky, especially 736 00:31:44,434 --> 00:31:47,194 Speaker 2: in today's day and age, to do an original IP. 737 00:31:47,394 --> 00:31:49,834 Speaker 2: And that was the whole thing. Ben Stella came out, 738 00:31:49,834 --> 00:31:53,314 Speaker 2: Pedro Pascal came out going, you guys are basically ourselves 739 00:31:53,594 --> 00:31:55,994 Speaker 2: because this is a great, great film. And it was 740 00:31:56,034 --> 00:31:58,474 Speaker 2: only then when everyone started watching it and it started 741 00:31:58,474 --> 00:32:01,514 Speaker 2: to become the biggest movie in the box office. Everyone 742 00:32:01,554 --> 00:32:03,394 Speaker 2: was like, this is a brilliant film. 743 00:32:03,474 --> 00:32:05,714 Speaker 1: Yeah, because the audience was just like, we're not listening 744 00:32:05,714 --> 00:32:08,234 Speaker 1: to this. We pack those and they did. 745 00:32:08,234 --> 00:32:11,234 Speaker 2: Also also calling out the publications rightly so because it 746 00:32:11,274 --> 00:32:13,354 Speaker 2: was I mean, you can have your opinion, but when 747 00:32:13,394 --> 00:32:15,994 Speaker 2: the opinions the same opinion just been printed at different fonts. 748 00:32:16,234 --> 00:32:18,354 Speaker 1: And also, I mean this is also something we always 749 00:32:18,354 --> 00:32:20,034 Speaker 1: face with anything that has like a bit of a 750 00:32:20,034 --> 00:32:22,114 Speaker 1: mythology or anything like that. Like you know how I 751 00:32:22,154 --> 00:32:25,194 Speaker 1: feel like about like superhero movies, vampire movies, all those 752 00:32:25,234 --> 00:32:27,474 Speaker 1: sorts of things can be incredible movies just because they 753 00:32:27,514 --> 00:32:29,914 Speaker 1: deal with mythical elements. And so I think with this, 754 00:32:30,074 --> 00:32:33,634 Speaker 1: like it wasn't enough of like a full on vampire 755 00:32:33,754 --> 00:32:37,074 Speaker 1: movie monster movie for that crowd. And it also wasn't 756 00:32:37,194 --> 00:32:39,274 Speaker 1: enough of the drama because of the monster movie for 757 00:32:39,314 --> 00:32:40,834 Speaker 1: the drama crowd. There was a little bit of this 758 00:32:40,914 --> 00:32:42,434 Speaker 1: and a little bit of yeah. So everyone was like, 759 00:32:42,474 --> 00:32:44,714 Speaker 1: this isn't my movie, This isn't what I expected. It's like, 760 00:32:44,754 --> 00:32:48,794 Speaker 1: it's across the genre, guys, genre to live outside the 761 00:32:48,794 --> 00:32:51,274 Speaker 1: little box that you live in. Oh not us defending 762 00:32:51,274 --> 00:32:54,554 Speaker 1: the most successful movie of the year. There's little known 763 00:32:54,634 --> 00:32:59,074 Speaker 1: movie centers the Oscars record, the more I like read 764 00:32:59,074 --> 00:33:01,794 Speaker 1: about this movie and get into like Ryan Coogler's like 765 00:33:01,954 --> 00:33:04,114 Speaker 1: thinking of it, like it's based off his relationship with 766 00:33:04,114 --> 00:33:07,114 Speaker 1: his uncle who like was passing away from terminal cancer, 767 00:33:07,114 --> 00:33:08,554 Speaker 1: and obviously that is like, you know, kind of a 768 00:33:08,594 --> 00:33:10,954 Speaker 1: final scene in the movie, and who taught him about 769 00:33:11,034 --> 00:33:13,474 Speaker 1: jazz and all these different things. And he started piecing 770 00:33:13,514 --> 00:33:16,594 Speaker 1: it together and like, Michael B. Jordan, can I just 771 00:33:16,634 --> 00:33:19,314 Speaker 1: say something really close to do? And I forgot their name, 772 00:33:19,394 --> 00:33:20,914 Speaker 1: so I might have to look it up later. But 773 00:33:21,074 --> 00:33:24,234 Speaker 1: as you know, I was in India, yes a week 774 00:33:24,314 --> 00:33:27,434 Speaker 1: before last there was a music festival that was happening 775 00:33:27,474 --> 00:33:31,154 Speaker 1: in Bandra which is a place in Bombay and it 776 00:33:31,234 --> 00:33:35,234 Speaker 1: was a jazz music festival and the composer of the 777 00:33:35,434 --> 00:33:38,434 Speaker 1: jazz songs in Sinners was there. Oh my god, did 778 00:33:38,434 --> 00:33:39,274 Speaker 1: you fang away? 779 00:33:39,594 --> 00:33:42,714 Speaker 2: I like screamed when I found Oh my god, I 780 00:33:42,794 --> 00:33:45,154 Speaker 2: was like I'm basically I basically met Michael B. 781 00:33:45,314 --> 00:33:47,794 Speaker 1: Jordan. That's like better than beaning Bride Pitt at this 782 00:33:47,834 --> 00:33:50,914 Speaker 1: time and place. It really is. It's just everything about 783 00:33:50,954 --> 00:33:53,274 Speaker 1: like the different layers is like the history of like 784 00:33:53,714 --> 00:33:55,554 Speaker 1: the like the people who lived in that area, and 785 00:33:55,554 --> 00:33:58,074 Speaker 1: then the history of jazz music. But then also they 786 00:33:58,154 --> 00:34:01,674 Speaker 1: had a specialized voodoo practitioner, g you don't know this 787 00:34:01,794 --> 00:34:04,794 Speaker 1: on set who was taking them through like not voodoo 788 00:34:04,834 --> 00:34:06,514 Speaker 1: in like it's this crazy magic thing, but like the 789 00:34:06,554 --> 00:34:09,553 Speaker 1: history of it, how it like intertwines and all these things. 790 00:34:09,554 --> 00:34:11,194 Speaker 1: And they had like a professor who also has like 791 00:34:11,194 --> 00:34:13,354 Speaker 1: written books about it to be on set and like 792 00:34:13,393 --> 00:34:15,913 Speaker 1: being part of the consultation to be like, no, this 793 00:34:15,994 --> 00:34:17,754 Speaker 1: is like real voodoo and this is what we're having. 794 00:34:17,794 --> 00:34:20,194 Speaker 1: That's why it feels so real. Even Michael B. Jordan 795 00:34:20,234 --> 00:34:22,834 Speaker 1: had other filmmakers who are twins who are friends with 796 00:34:22,914 --> 00:34:25,714 Speaker 1: Ryan Kugler, who were the twin consultants on the film, 797 00:34:26,034 --> 00:34:28,514 Speaker 1: and they worked with Michael B. Jordan all the way through, 798 00:34:28,794 --> 00:34:30,354 Speaker 1: and he's like, they taught me what it was like 799 00:34:30,394 --> 00:34:33,433 Speaker 1: to share a room with someone. That's why, that's why 800 00:34:33,474 --> 00:34:36,594 Speaker 1: he changes his face. You have Sometimes it's both, Michael B. Jordan, 801 00:34:36,674 --> 00:34:39,953 Speaker 1: but like, but it's not sometimes two different people. So 802 00:34:40,114 --> 00:34:43,754 Speaker 1: forget it's him playing two characters. Sometimes one of like, 803 00:34:43,754 --> 00:34:46,393 Speaker 1: like Smoke will like raise his eyebrows in one way. 804 00:34:46,474 --> 00:34:49,073 Speaker 1: Stack doesn't do that. Stack will like rub his nose 805 00:34:49,074 --> 00:34:51,554 Speaker 1: in a certain way. Smoke doesn't do that. One of 806 00:34:51,594 --> 00:34:53,914 Speaker 1: them had dimples. One of them did it? Michael B. 807 00:34:54,074 --> 00:34:58,074 Speaker 2: Jordan, Is you do that the like? I don't know, Like, oh, guys, 808 00:34:58,114 --> 00:34:58,913 Speaker 2: he deserves to win. 809 00:34:59,234 --> 00:35:01,674 Speaker 1: He should win that Oscar. Come on, he plays. 810 00:35:01,314 --> 00:35:05,634 Speaker 2: Two Oscar worthy roles in one film. Like he should 811 00:35:05,634 --> 00:35:07,674 Speaker 2: have been nominated twice for Smoke for Stack. 812 00:35:07,834 --> 00:35:10,354 Speaker 1: That would have I would have loved that song. Imagine 813 00:35:10,394 --> 00:35:11,913 Speaker 1: like as if he did, it could have gone Best 814 00:35:11,954 --> 00:35:16,034 Speaker 1: Supporting and Best Actor and been in both categories, because. 815 00:35:15,834 --> 00:35:18,674 Speaker 2: Surely Smoke is best Actor and Stack is best Supporting. 816 00:35:18,874 --> 00:35:23,394 Speaker 2: Yeah so, And I think they like had the element 817 00:35:23,474 --> 00:35:27,274 Speaker 2: that was like so childish of making like Smoke always 818 00:35:27,314 --> 00:35:29,354 Speaker 2: wear blue and Stack always wear red, which is like 819 00:35:29,354 --> 00:35:30,794 Speaker 2: what you see in kids shows when you want to 820 00:35:30,794 --> 00:35:33,953 Speaker 2: differentiate twins. And I think that was so clever. But 821 00:35:33,994 --> 00:35:37,474 Speaker 2: it's also like really funny, so funny, like the folks 822 00:35:37,474 --> 00:35:39,034 Speaker 2: songs are so catchy. 823 00:35:38,754 --> 00:35:40,873 Speaker 1: The folks, and you know that, like it went through 824 00:35:40,914 --> 00:35:43,074 Speaker 1: so many kind of like different ideations to land in 825 00:35:43,114 --> 00:35:45,953 Speaker 1: this perfect spot. You know that big song and dance 826 00:35:46,074 --> 00:35:51,194 Speaker 1: number in the gin joint and when all the spirits 827 00:35:51,234 --> 00:35:53,394 Speaker 1: come in that was not in any of the original drafts. 828 00:35:53,394 --> 00:35:55,234 Speaker 1: That was like a late entry and so you see 829 00:35:55,314 --> 00:35:57,433 Speaker 1: now you like just makes the movie. But yeah, it's 830 00:35:57,754 --> 00:36:00,553 Speaker 1: it's so funny. And also like when they think that 831 00:36:00,554 --> 00:36:02,754 Speaker 1: that guy is like being bitten, they take him outside 832 00:36:02,754 --> 00:36:08,234 Speaker 1: and he was just asleep. He wakes up core posts 833 00:36:08,234 --> 00:36:10,433 Speaker 1: coming from the sun. I was like, why does the 834 00:36:10,434 --> 00:36:11,513 Speaker 1: funniest thing of ever seen? 835 00:36:13,754 --> 00:36:17,794 Speaker 2: It's not like slapstick comedy, but it's like genuinely how 836 00:36:17,954 --> 00:36:19,914 Speaker 2: people would react if people got. 837 00:36:21,434 --> 00:36:23,234 Speaker 1: Maybe I don't know what happening should get everyone out. 838 00:36:23,314 --> 00:36:25,194 Speaker 1: I don't know. It was so good, as you know, 839 00:36:25,234 --> 00:36:27,594 Speaker 1: I love a vampire movie. I don't even know if 840 00:36:27,594 --> 00:36:29,473 Speaker 1: there's a vampire movie in the world. I haven't seen 841 00:36:29,594 --> 00:36:33,314 Speaker 1: because I go looking for them. I go on to 842 00:36:33,594 --> 00:36:35,954 Speaker 1: vampires go looking for people. Yeah, I go looking for 843 00:36:36,074 --> 00:36:38,754 Speaker 1: vampire movies. I have been on every streaming service in 844 00:36:38,794 --> 00:36:42,794 Speaker 1: the weeds being like I type in like vampire, Dracula, bloodsuckers, 845 00:36:42,834 --> 00:36:44,913 Speaker 1: anything to get like a keyword to come up. Have 846 00:36:44,994 --> 00:36:48,274 Speaker 1: you ever written you're like you're ranking of best vampires. No, 847 00:36:48,354 --> 00:36:50,274 Speaker 1: but we did a vampire podcast once and I got 848 00:36:50,274 --> 00:36:52,274 Speaker 1: in the weeds with like you weren't here, but we 849 00:36:52,314 --> 00:36:55,433 Speaker 1: could revisit all my favorite vampire movies. But I look 850 00:36:55,514 --> 00:36:57,354 Speaker 1: for ones I haven't seen. I have. I think I've 851 00:36:57,394 --> 00:36:59,514 Speaker 1: seen them all. Wow, So where is this fall in 852 00:36:59,554 --> 00:37:03,554 Speaker 1: the vampire scale? Top just remembering I've seen all of them? 853 00:37:03,554 --> 00:37:06,873 Speaker 1: Top five for sure. That's pretty hard vampire movies there, Ah, 854 00:37:07,234 --> 00:37:11,433 Speaker 1: I can imagine so many and just and one of 855 00:37:11,434 --> 00:37:13,794 Speaker 1: my favorite movies of all time Bram Stokers Jracula is 856 00:37:13,834 --> 00:37:16,274 Speaker 1: a vampire movie. But this is up there. Wow, this 857 00:37:16,434 --> 00:37:16,913 Speaker 1: is up there. 858 00:37:17,674 --> 00:37:20,393 Speaker 2: I just hope they win all the Oscars. I hope 859 00:37:20,394 --> 00:37:22,274 Speaker 2: they win the Ensemble Oscar as well. 860 00:37:22,514 --> 00:37:26,274 Speaker 1: Oh there's month the pit won the SAG didn't they Yeah? Yeah, 861 00:37:26,314 --> 00:37:27,514 Speaker 1: so you hope they win Best Picture. 862 00:37:27,874 --> 00:37:29,514 Speaker 2: I hope they win the Best Picture. I hope Michael B. 863 00:37:29,594 --> 00:37:32,594 Speaker 2: Jordan wins Best Actor. So what do you think. Do 864 00:37:32,594 --> 00:37:33,593 Speaker 2: you think he's got a chance. 865 00:37:33,634 --> 00:37:35,714 Speaker 1: The SAgs were a big surprise. I know they called 866 00:37:35,714 --> 00:37:39,274 Speaker 1: the Actor Awards. Now that was a very late curve 867 00:37:39,314 --> 00:37:42,754 Speaker 1: ball that no one was expecting. And when looking at 868 00:37:42,754 --> 00:37:44,914 Speaker 1: their room looked like everyone, Oh, they were so shocked. 869 00:37:45,114 --> 00:37:48,514 Speaker 1: It's interesting because that's the biggest voting crossover. Lots of 870 00:37:48,514 --> 00:37:50,354 Speaker 1: people like, oh, they won the Golden Globe, they won 871 00:37:50,394 --> 00:37:52,514 Speaker 1: the Bafter. There's not a lot of voting crossover, and 872 00:37:52,554 --> 00:37:55,274 Speaker 1: with Golden Globes there's none. But what the Golden Globes 873 00:37:55,314 --> 00:37:57,393 Speaker 1: can do is like, if you win that and you 874 00:37:57,474 --> 00:37:59,714 Speaker 1: have a big moment, give an incredible speech, and it 875 00:37:59,754 --> 00:38:02,194 Speaker 1: gives you traction for your campaign. But it's not the 876 00:38:02,234 --> 00:38:05,634 Speaker 1: same people voting. But with the Screen Actors Guild, they're 877 00:38:05,834 --> 00:38:08,034 Speaker 1: the same people in the Academy who are voting. It 878 00:38:08,074 --> 00:38:10,354 Speaker 1: doesn't mean it's one hundred percent going to translate. It 879 00:38:10,354 --> 00:38:13,954 Speaker 1: doesn't always, but he's got good chances. It's upped his chances. 880 00:38:14,074 --> 00:38:16,354 Speaker 1: He wasn't, to be honest, Michael B. Jordan up until 881 00:38:16,354 --> 00:38:19,154 Speaker 1: this moment, in like the Broader Oscar sense was not 882 00:38:19,194 --> 00:38:21,114 Speaker 1: in the running for an Oscar. He wasn't winning. He's 883 00:38:21,154 --> 00:38:24,474 Speaker 1: officially nominated, but everyone's like it's Timothy Charmee one hundred percent. 884 00:38:24,914 --> 00:38:28,634 Speaker 1: And then potentially Leo as a wild card swing only 885 00:38:28,754 --> 00:38:30,873 Speaker 1: because of the Well I wonder IFU le I know, 886 00:38:30,954 --> 00:38:32,754 Speaker 1: because he didn't go the SAgs and he doesn't usually 887 00:38:32,794 --> 00:38:35,873 Speaker 1: miss those things if he thinks he's probably gonna win. Interesting, 888 00:38:36,194 --> 00:38:38,714 Speaker 1: but so who knows. Maybe something happened, maybe his yacht 889 00:38:38,874 --> 00:38:41,754 Speaker 1: like was sinking or something. We don't know. The only 890 00:38:41,794 --> 00:38:44,114 Speaker 1: reason that was maybe Leonardo was going to come in 891 00:38:44,114 --> 00:38:46,474 Speaker 1: over the top of Timothy Chalamee for the Oscars is 892 00:38:46,474 --> 00:38:48,993 Speaker 1: that the Oscars traditionally don't like to give it to well, 893 00:38:48,994 --> 00:38:51,354 Speaker 1: they never give it to any man under thirty. They 894 00:38:51,354 --> 00:38:52,954 Speaker 1: do for women all the time because I like, of 895 00:38:53,034 --> 00:38:54,873 Speaker 1: this beautiful young girl, let's give her an oscar before 896 00:38:54,914 --> 00:38:57,593 Speaker 1: she turns twenty five and becomes ugly. But timoth Say's 897 00:38:57,634 --> 00:39:01,513 Speaker 1: thirty one. Yeah, so he's just got over the cusps 898 00:39:01,674 --> 00:39:05,394 Speaker 1: because Adrian Brody was previously the youngest Oscar winner at thirty, 899 00:39:05,434 --> 00:39:08,674 Speaker 1: So Timothy's just got over there. It was just eligible 900 00:39:08,794 --> 00:39:10,913 Speaker 1: in the eyes of the Oscars, but they usually like 901 00:39:10,954 --> 00:39:13,514 Speaker 1: to give it to men in their fifties or at 902 00:39:13,634 --> 00:39:16,914 Speaker 1: least forties or sixties who have proven their real actors. Okay, 903 00:39:17,074 --> 00:39:18,474 Speaker 1: so that's the only reason I thought it was going 904 00:39:18,554 --> 00:39:22,034 Speaker 1: to swing for Leonardo. But Michael B. Jordan, I don't know. 905 00:39:22,074 --> 00:39:24,194 Speaker 1: Everyone's pretty much done with the Oscar voting now. It 906 00:39:24,234 --> 00:39:26,674 Speaker 1: was a bit too late. But also, Sinners is interesting 907 00:39:26,714 --> 00:39:29,033 Speaker 1: because it is the most nominated movie of all time, 908 00:39:29,394 --> 00:39:31,994 Speaker 1: but it was actually projected to be the most nominated 909 00:39:32,034 --> 00:39:34,513 Speaker 1: movie that has like one of the most losses because 910 00:39:34,514 --> 00:39:36,834 Speaker 1: it was in every category, but it wasn't really tipped 911 00:39:36,834 --> 00:39:41,354 Speaker 1: to win anything except potentially Best Screenplay because Paul Thomas 912 00:39:41,394 --> 00:39:44,074 Speaker 1: Anderson has a lock on everything else with one battlelaughter another. 913 00:39:44,794 --> 00:39:47,154 Speaker 1: But anyway, you know what, it's going to be a 914 00:39:47,194 --> 00:39:49,913 Speaker 1: good show even if Sinners doesn't win. I swear to god, 915 00:39:49,954 --> 00:39:52,274 Speaker 1: that is the one movie we'll still be talking about 916 00:39:52,314 --> 00:39:56,634 Speaker 1: in ten years time. And sometimes that's better than winning 917 00:39:56,634 --> 00:39:59,514 Speaker 1: an Oscar. Sometimes being the movie that becomes people's favorite 918 00:39:59,514 --> 00:40:02,034 Speaker 1: movie is better than being the one who has like 919 00:40:02,074 --> 00:40:03,794 Speaker 1: one night of glory on the Oscar stage and then 920 00:40:03,794 --> 00:40:05,354 Speaker 1: we don't talk about it in five years. 921 00:40:05,754 --> 00:40:08,714 Speaker 2: Oh my god, I go watch Sinners Please go watch 922 00:40:09,794 --> 00:40:12,234 Speaker 2: so good, listen to Ben Stiller. 923 00:40:12,514 --> 00:40:13,714 Speaker 1: Yeah, I Pedro. 924 00:40:14,074 --> 00:40:17,154 Speaker 2: Thank you so much for listening to this episode of 925 00:40:17,194 --> 00:40:19,554 Speaker 2: the Spill. If you love listening to us, please leave 926 00:40:19,634 --> 00:40:21,393 Speaker 2: us a rating and review. It just takes you a 927 00:40:21,434 --> 00:40:24,114 Speaker 2: second and it is the single best way to help us. 928 00:40:24,434 --> 00:40:27,514 Speaker 2: Plus our morning those of entertainment News Morning Tea drops 929 00:40:27,594 --> 00:40:30,034 Speaker 2: right here in this feed on Monday morning at seven am. 930 00:40:30,394 --> 00:40:32,954 Speaker 2: Just to follows, so you don't miss a thing. The 931 00:40:32,994 --> 00:40:35,834 Speaker 2: Spill is produced by Minsius Warren with audio production by 932 00:40:35,834 --> 00:40:36,554 Speaker 2: Scott Stronik. 933 00:40:36,594 --> 00:40:48,834 Speaker 1: We will see you next week. Bye bye, Mamma Mia 934 00:40:48,954 --> 00:40:51,954 Speaker 1: acknowledges the traditional owners of the land. We have recorded 935 00:40:51,954 --> 00:40:55,794 Speaker 1: this podcast on the Gatigol people of the eorination. We 936 00:40:55,834 --> 00:40:58,594 Speaker 1: pay our respects to their elders past and present, and 937 00:40:58,674 --> 00:41:02,114 Speaker 1: extend that respect to all Aboriginal and Torres Strait islander cultures.