1 00:00:10,614 --> 00:00:15,254 Speaker 1: You're listening to a Mumma Mea podcast. Mumma Mea acknowledges 2 00:00:15,334 --> 00:00:18,134 Speaker 1: the traditional owners of land and waters that this podcast 3 00:00:18,214 --> 00:00:18,934 Speaker 1: is recorded on. 4 00:00:20,854 --> 00:00:24,014 Speaker 2: Hey, I'm Taylor Straano. This is MMA MIA's twice daily 5 00:00:24,054 --> 00:00:27,814 Speaker 2: news podcast, The Quickie. Late this morning, the ninety seventh 6 00:00:27,854 --> 00:00:31,254 Speaker 2: Academy Awards ceremony will get under way, and despite doubled 7 00:00:31,294 --> 00:00:33,854 Speaker 2: up celebs yet to even step foot on the carpet, 8 00:00:34,214 --> 00:00:37,454 Speaker 2: it's already been called the most controversial oscars in history. 9 00:00:38,054 --> 00:00:42,214 Speaker 2: From AI enhancing performances to problematic social media posts and 10 00:00:42,374 --> 00:00:47,574 Speaker 2: polarizing representation debates, these Sear's Awards have sparked unprecedented division 11 00:00:47,694 --> 00:00:50,854 Speaker 2: in Hollywood. Before we unpack all of that, here's Clare 12 00:00:50,934 --> 00:00:53,494 Speaker 2: Murphy with the latest from the Quickie newsroom for Monday 13 00:00:53,574 --> 00:00:54,374 Speaker 2: March three. 14 00:00:54,734 --> 00:00:57,974 Speaker 1: Thanks Taylor. Both Queensland and New South Wales residents are 15 00:00:57,974 --> 00:01:01,294 Speaker 1: on alert as the Category two cyclone Alfred is expected 16 00:01:01,334 --> 00:01:04,374 Speaker 1: to make landfall on Thursday. The storm will hit somewhere 17 00:01:04,414 --> 00:01:07,854 Speaker 1: between Bunderberg and northern New South Wales. The Weather Bureau 18 00:01:07,934 --> 00:01:10,654 Speaker 1: is saying it's difficult to pinpoint exactly where it will 19 00:01:10,734 --> 00:01:13,694 Speaker 1: cross the coast. With cyclones rare in this part of 20 00:01:13,734 --> 00:01:16,974 Speaker 1: the country. Authorities are urging coastal communities in the zone 21 00:01:16,974 --> 00:01:20,454 Speaker 1: to be prepared, including making sure you have an emergency kit, 22 00:01:20,774 --> 00:01:23,854 Speaker 1: clearing anything that could become airborne on your property, and 23 00:01:23,934 --> 00:01:26,854 Speaker 1: stocking up on water and nonperishable food in case you 24 00:01:26,894 --> 00:01:29,974 Speaker 1: get cut off. With a tropical cyclone warning predicted in 25 00:01:30,054 --> 00:01:33,454 Speaker 1: coming days, the Bureau is predicting rainfall of anywhere between 26 00:01:33,454 --> 00:01:37,054 Speaker 1: three hundred and six hundred millimeters with gale force winds. 27 00:01:37,854 --> 00:01:41,014 Speaker 1: The Academy Awards kick off around eleven am Australian Eastern 28 00:01:41,054 --> 00:01:44,014 Speaker 1: daylight saving time in Australia today, with no clear front 29 00:01:44,054 --> 00:01:47,094 Speaker 1: runner on who will take out Best Picture, Anora, the 30 00:01:47,134 --> 00:01:49,894 Speaker 1: Brutalist Conclave and others will be hoping to take home 31 00:01:49,934 --> 00:01:53,694 Speaker 1: the Oscar Statue today, with Timothy Chalamaine's Demi Moore both 32 00:01:53,774 --> 00:01:57,054 Speaker 1: vying for their first ever as host, Conan O'Brien says 33 00:01:57,094 --> 00:02:00,654 Speaker 1: he plans to make jokes and celebration in with serious moments, 34 00:02:00,694 --> 00:02:04,334 Speaker 1: including tributes to la as it recovers from the January wildfires. 35 00:02:04,774 --> 00:02:08,094 Speaker 1: Unlike most years, no movie has dominated the awards season, 36 00:02:08,374 --> 00:02:11,494 Speaker 1: although Netflix Music Emilia Perez goes into the night with 37 00:02:11,574 --> 00:02:15,014 Speaker 1: the most nominations. Its victory, though, is looking unlikely with 38 00:02:15,134 --> 00:02:19,334 Speaker 1: offscreen controversy around offensive social media posts that surfaced from 39 00:02:19,414 --> 00:02:24,294 Speaker 1: Stark Karala Sophia Gascon. After Friday's heated meeting between Ukraine 40 00:02:24,334 --> 00:02:28,174 Speaker 1: President Vlodomi Zelenski and US President Donald Trump, Britain and 41 00:02:28,294 --> 00:02:30,454 Speaker 1: France have stepped in to help work on a peace 42 00:02:30,494 --> 00:02:34,054 Speaker 1: deal between Ukraine and Russia. UK Prime Minister Kiirs Starmer 43 00:02:34,134 --> 00:02:36,774 Speaker 1: said he hoped a coalition of the willing would come 44 00:02:36,814 --> 00:02:39,614 Speaker 1: together to support Kiev, but made it clear that any 45 00:02:39,694 --> 00:02:42,374 Speaker 1: ceasefire would have to be underpinned by the US to 46 00:02:42,454 --> 00:02:46,094 Speaker 1: prevent Russia from invading Ukraine again. Many world leaders have 47 00:02:46,134 --> 00:02:49,014 Speaker 1: come to Zelenski's defense after the heated exchange at the 48 00:02:49,054 --> 00:02:52,134 Speaker 1: White House, where both Donald Trump and his Vice President j. 49 00:02:52,254 --> 00:02:55,934 Speaker 1: D Vance continually told Zelenski to be more thankful for 50 00:02:55,974 --> 00:02:58,894 Speaker 1: the support and accused him of playing with World War three. 51 00:02:59,334 --> 00:03:02,214 Speaker 1: Prime Minister Anthony Albnezi made it clear over the weekend 52 00:03:02,294 --> 00:03:06,254 Speaker 1: that Australia stands unequivocally with Ukraine, saying we regard that 53 00:03:06,334 --> 00:03:09,174 Speaker 1: as a struggle for the upholding of international law and 54 00:03:09,214 --> 00:03:11,534 Speaker 1: that un Crane's cause was bigger than that of a 55 00:03:11,574 --> 00:03:16,054 Speaker 1: single nation. Israel has stopped all humanitarian aid into Gaza. 56 00:03:16,134 --> 00:03:18,414 Speaker 1: As phase one of the ceasefire deal has come to 57 00:03:18,454 --> 00:03:22,214 Speaker 1: an end. Israeli Prime Minister Benjamin Etnahu's office warned there 58 00:03:22,254 --> 00:03:25,734 Speaker 1: would be additional consequences if her masters not accept a 59 00:03:25,854 --> 00:03:28,814 Speaker 1: US proposal for an extension of the ceasefire, which are 60 00:03:28,854 --> 00:03:33,134 Speaker 1: seen Israeli hostages returned home in exchange for Palestinian prisoners 61 00:03:33,134 --> 00:03:36,454 Speaker 1: freed from Israeli jails and aid being allowed into Gaza 62 00:03:36,494 --> 00:03:39,734 Speaker 1: to help support those who've been displaced. The second phase 63 00:03:39,734 --> 00:03:41,974 Speaker 1: of the deal would see her mass released dozens more 64 00:03:42,014 --> 00:03:45,094 Speaker 1: of the remaining hostages in return for Israel pulling out 65 00:03:45,094 --> 00:03:47,094 Speaker 1: of the region at a lasting ceasefire. 66 00:03:47,934 --> 00:03:51,494 Speaker 2: Thanks Claire. Next, Why has this year's Oscars been labeled 67 00:03:51,494 --> 00:03:59,174 Speaker 2: the most controversial of all time? The Oscars and controversy 68 00:03:59,254 --> 00:04:03,374 Speaker 2: have always gone hand in hand, whether it was the 69 00:04:03,494 --> 00:04:07,254 Speaker 2: nineteen seventy three ceremony when Marlon Brando sent Native American 70 00:04:07,294 --> 00:04:09,574 Speaker 2: activists Sashine Little Feather to reject. 71 00:04:09,294 --> 00:04:12,454 Speaker 3: His head, and the reasons for this being are the 72 00:04:12,454 --> 00:04:17,134 Speaker 3: treatment of American Indians today by the film industry and 73 00:04:17,214 --> 00:04:20,334 Speaker 3: on television in movie reruns. 74 00:04:20,374 --> 00:04:23,614 Speaker 2: Or the twenty seventeen La La Land Moonlight Best Picture 75 00:04:23,654 --> 00:04:27,334 Speaker 2: mix up. There's a mistake, Moonlight, You guys won Best Picture. 76 00:04:27,974 --> 00:04:31,814 Speaker 2: Who could forget the twenty twenty two slap that echoed 77 00:04:31,814 --> 00:04:34,494 Speaker 2: around the world when Will Smith struck Chris. 78 00:04:34,334 --> 00:04:38,894 Speaker 4: Rock Will Smith to smacked the shit out of it. 79 00:04:39,694 --> 00:04:42,454 Speaker 2: But this year's ceremony seems to have taken the Oscar 80 00:04:42,494 --> 00:04:46,054 Speaker 2: drama to an entirely new level. The twenty twenty five 81 00:04:46,094 --> 00:04:49,774 Speaker 2: Academy Awards has found itself at the center of multiple storms, 82 00:04:49,814 --> 00:04:54,454 Speaker 2: reflecting broad attentions in Hollywood and society at large. Several 83 00:04:54,494 --> 00:04:58,734 Speaker 2: films in contention have sparked intense debate, particularly the groundbreaking 84 00:04:58,814 --> 00:05:03,134 Speaker 2: but deeply controversial Emelia Perez, which made history with Carlo 85 00:05:03,214 --> 00:05:07,254 Speaker 2: Sophia Gascon becoming the first openly trans woman nominated for 86 00:05:07,294 --> 00:05:10,134 Speaker 2: a Best Actress Oscar, what should have been a watershed 87 00:05:10,134 --> 00:05:13,734 Speaker 2: moment for trans representation, quickly became mired in debate over 88 00:05:13,774 --> 00:05:17,534 Speaker 2: the film's portrayal of trans experiences. AI has also found 89 00:05:17,574 --> 00:05:20,054 Speaker 2: itself at the center of attention this time round, with 90 00:05:20,134 --> 00:05:23,574 Speaker 2: concerns over its use in Best Pitching nomineath The Brutalist 91 00:05:24,214 --> 00:05:27,534 Speaker 2: and that's just scratching the surface. The Academy's new intimacy 92 00:05:27,534 --> 00:05:31,054 Speaker 2: coordinator requirements have split Hollywood right down the middle, with 93 00:05:31,134 --> 00:05:34,414 Speaker 2: a listers taking very public stances on both sides of 94 00:05:34,454 --> 00:05:38,214 Speaker 2: the debate. All this controversy is playing out as Hollywood 95 00:05:38,254 --> 00:05:42,374 Speaker 2: continues its generational shift. Nicole Kidman at fifty seven and 96 00:05:42,574 --> 00:05:45,174 Speaker 2: me Moore at sixty two are leading the Best Actress 97 00:05:45,254 --> 00:05:48,694 Speaker 2: rates with films that explore power, sexuality, and age in 98 00:05:48,734 --> 00:05:52,534 Speaker 2: ways rarely seen on screen before. Even the Best Actor 99 00:05:52,574 --> 00:05:55,854 Speaker 2: category is an immune, with Sebastian Stand's portrayal of Donald 100 00:05:55,894 --> 00:05:59,614 Speaker 2: Trump in The Apprentice sparking heated political debates about the 101 00:05:59,654 --> 00:06:05,054 Speaker 2: current president's depiction in film. So what's behind all this drama? 102 00:06:05,294 --> 00:06:08,134 Speaker 2: Is it a reflection of our increasingly divided society, the 103 00:06:08,174 --> 00:06:11,214 Speaker 2: growing pains of an industry trying to become more inclusive, 104 00:06:11,534 --> 00:06:15,534 Speaker 2: or the inevitable result of social media amplifying every misstep 105 00:06:15,614 --> 00:06:19,414 Speaker 2: and controversy. To help us unpack everything surrounding this year's 106 00:06:19,414 --> 00:06:21,694 Speaker 2: Oscars and what it tells us about the state of 107 00:06:21,694 --> 00:06:25,014 Speaker 2: Hollywood in twenty twenty five, I'm joined by Mummy Is 108 00:06:25,174 --> 00:06:29,534 Speaker 2: Entertainment editor Tina Burke. Tina, so many controversies to get to, 109 00:06:29,614 --> 00:06:32,214 Speaker 2: but let's start with Amelia Perez. We almost need to 110 00:06:32,214 --> 00:06:34,974 Speaker 2: take like a three prong approach here because there's quite 111 00:06:34,974 --> 00:06:36,054 Speaker 2: a few missteps. 112 00:06:36,574 --> 00:06:38,694 Speaker 4: Yes, so there's a kind of a lot of stuff 113 00:06:38,694 --> 00:06:40,934 Speaker 4: that went wrong with this one movie that somehow is 114 00:06:40,974 --> 00:06:43,774 Speaker 4: still an award season favorite. So, first of all, is 115 00:06:43,814 --> 00:06:46,814 Speaker 4: just generally speaking the plot of Amelia Perez. So if 116 00:06:46,854 --> 00:06:48,854 Speaker 4: you don't know, it's about a cartel leader who fakes 117 00:06:48,894 --> 00:06:51,614 Speaker 4: her own death and medically transitions from male to female. 118 00:06:51,854 --> 00:06:55,294 Speaker 4: So Carlo Sophia Gasson is the first openly trans woman 119 00:06:55,294 --> 00:06:57,694 Speaker 4: to be nominated for a Best Actress oscar So she 120 00:06:57,974 --> 00:07:01,214 Speaker 4: is the lead role. Zoe's Heldana who's been winning every 121 00:07:01,254 --> 00:07:04,174 Speaker 4: single award. She plays Reader, a high powered lawyer who 122 00:07:04,214 --> 00:07:07,614 Speaker 4: helps Amelia. And then Selena Gomez is Jesse. She's Amelia's 123 00:07:07,654 --> 00:07:11,134 Speaker 4: wife who believes that is dead. So those are all 124 00:07:11,174 --> 00:07:12,934 Speaker 4: the kind of key players and the people who've been 125 00:07:13,174 --> 00:07:16,054 Speaker 4: at the front and center of Amelia Perez throughout awards season. 126 00:07:16,214 --> 00:07:18,734 Speaker 4: But the film still faced criticism for its portrayal of 127 00:07:18,814 --> 00:07:21,894 Speaker 4: the trans experience. So despite the fact that it was 128 00:07:21,894 --> 00:07:23,934 Speaker 4: like history making and there was a transactress in this 129 00:07:24,054 --> 00:07:28,934 Speaker 4: lead role, it was not well accepted by the trans 130 00:07:28,974 --> 00:07:31,894 Speaker 4: and queer community GLAD released a scathing statement calling it 131 00:07:31,934 --> 00:07:34,614 Speaker 4: profoundly retro gray. They said that it had an inauthentic 132 00:07:34,654 --> 00:07:38,054 Speaker 4: portrayal of trans people which was offensive and even dangerous, 133 00:07:38,294 --> 00:07:41,134 Speaker 4: and it also faced criticism over its portrayal of Mexican culture, 134 00:07:41,254 --> 00:07:43,974 Speaker 4: especially since the director, who is French, said that he 135 00:07:44,014 --> 00:07:47,014 Speaker 4: didn't study much about Mexico because he kind of knew 136 00:07:47,014 --> 00:07:49,134 Speaker 4: what he had to understand. That's his quote. 137 00:07:49,334 --> 00:07:52,494 Speaker 2: This is an interesting one. So Jacques Audieu is his name, 138 00:07:52,494 --> 00:07:55,934 Speaker 2: which I'm sure that I've butchered, and I apologize. It's interesting. 139 00:07:56,254 --> 00:07:58,614 Speaker 2: There's no rule that says you can't make a film 140 00:07:58,654 --> 00:08:00,934 Speaker 2: about Mexico or based in Mexico off your French or 141 00:08:00,934 --> 00:08:02,814 Speaker 2: so on and so forth. But it's the fact that 142 00:08:02,854 --> 00:08:05,614 Speaker 2: he very publicly was just like, yeah, I think I 143 00:08:05,654 --> 00:08:06,854 Speaker 2: got this. Yeah. 144 00:08:06,894 --> 00:08:08,814 Speaker 4: He was just like, well, I know what I'm doing. 145 00:08:08,894 --> 00:08:10,814 Speaker 4: And then when the film was released, people kind of 146 00:08:10,854 --> 00:08:13,814 Speaker 4: said that it relied heavily on tired stereotypes and like 147 00:08:13,894 --> 00:08:17,254 Speaker 4: outdated tropes about Mexican culture and as well. Obviously the 148 00:08:17,254 --> 00:08:19,894 Speaker 4: big thing with Selena Gomez was quite heavily criticized as 149 00:08:19,894 --> 00:08:22,614 Speaker 4: well for her Spanish speaking in the film by other actors. 150 00:08:22,614 --> 00:08:24,294 Speaker 4: It sort of blew up into this whole big thing 151 00:08:24,334 --> 00:08:26,694 Speaker 4: where she said didn't have long to prepare and like 152 00:08:26,734 --> 00:08:29,334 Speaker 4: I tried my best, and the I guess overwhelming thing 153 00:08:29,374 --> 00:08:31,534 Speaker 4: from viewers because the viewers and the critics are really 154 00:08:31,534 --> 00:08:34,134 Speaker 4: at odds with Amelia Perez, but a lot of the 155 00:08:34,254 --> 00:08:36,854 Speaker 4: viewers are kind of like this seems offensive and wrong, 156 00:08:36,974 --> 00:08:39,574 Speaker 4: and then the director's just like, well, I just did 157 00:08:39,614 --> 00:08:40,414 Speaker 4: what I wanted to do. 158 00:08:40,574 --> 00:08:43,094 Speaker 2: I was watching an interview with Zaways Seldana, one of 159 00:08:43,134 --> 00:08:46,094 Speaker 2: the lead actors in this film, and she was speaking 160 00:08:46,134 --> 00:08:48,454 Speaker 2: to the director and said, we don't speak the same language. 161 00:08:48,494 --> 00:08:50,934 Speaker 2: We had very little time to really walk through what 162 00:08:50,974 --> 00:08:53,334 Speaker 2: we were trying to achieve, so we relied on body 163 00:08:53,374 --> 00:08:55,894 Speaker 2: movement to get the vibe of what you wanted. 164 00:08:56,534 --> 00:08:59,294 Speaker 4: Yeah, the movie feels a little bit like a fever 165 00:08:59,334 --> 00:09:01,414 Speaker 4: dream at times, like you don't understand what's going on, 166 00:09:01,454 --> 00:09:03,294 Speaker 4: and then there's some really powerful moments. There's some really 167 00:09:03,294 --> 00:09:05,294 Speaker 4: great songs, and then there's parts where you are just 168 00:09:05,414 --> 00:09:08,414 Speaker 4: like this is nominated for an oscar this film because 169 00:09:08,454 --> 00:09:10,694 Speaker 4: it just doesn't seem to be executed. A lot of 170 00:09:10,774 --> 00:09:14,494 Speaker 4: the accents as discussed wrong. A lot of the trans 171 00:09:14,534 --> 00:09:17,614 Speaker 4: discussion has been obviously labeled defensive. And then there's our 172 00:09:17,694 --> 00:09:20,054 Speaker 4: senior entertainment writer, Tara Watson wrote a review and the 173 00:09:20,054 --> 00:09:22,294 Speaker 4: main thing she pulled out was it it just feels soulless. 174 00:09:22,854 --> 00:09:26,494 Speaker 2: What about the main actor here, Krlo Sophia Gasconn She 175 00:09:26,734 --> 00:09:29,694 Speaker 2: is up for Best Actress, but there's been some offscreen 176 00:09:29,734 --> 00:09:32,294 Speaker 2: controversy that maybe will cloud her chances of winning. 177 00:09:32,694 --> 00:09:34,534 Speaker 4: Yeah, So when she was nominated, it was again this 178 00:09:34,614 --> 00:09:38,254 Speaker 4: really big celebration, amazing thing, and everyone being so excited 179 00:09:38,254 --> 00:09:40,894 Speaker 4: that there was an openly transactress being nominated for this 180 00:09:40,934 --> 00:09:44,214 Speaker 4: award for the first time. So a freelance writer, Sarah Hargy, 181 00:09:44,574 --> 00:09:48,054 Speaker 4: she basically uncovered all of these old tweets of the 182 00:09:48,134 --> 00:09:51,334 Speaker 4: actress and it turned out that she just hates everyone. 183 00:09:51,574 --> 00:09:53,974 Speaker 4: Oh she has what do you mean? She has said 184 00:09:54,054 --> 00:09:57,694 Speaker 4: really horrible, really derogatory, really unpleasant things about so many 185 00:09:57,734 --> 00:10:01,174 Speaker 4: people from different communities, different cultures. She also took aim 186 00:10:01,174 --> 00:10:03,294 Speaker 4: at Selena Gomez at one point in her career, so 187 00:10:03,454 --> 00:10:05,934 Speaker 4: she tweeted about Selena once. She's a rich rat who 188 00:10:05,974 --> 00:10:08,334 Speaker 4: plays the poor bastard whenever she can, and she will 189 00:10:08,334 --> 00:10:11,214 Speaker 4: never stop bothering her ex boyfriend and his wife obviously 190 00:10:11,334 --> 00:10:15,014 Speaker 4: meaning Justin and Hailey Beaver. She said really offensive things 191 00:10:15,014 --> 00:10:18,774 Speaker 4: about Muslim people, about George Floyd. She has tweeted about 192 00:10:18,854 --> 00:10:22,374 Speaker 4: the Oscars previously, saying that they were like a diversity situation, 193 00:10:22,694 --> 00:10:26,854 Speaker 4: and this resurfaced. The film was already facing so much controversy. 194 00:10:26,894 --> 00:10:29,094 Speaker 4: This obviously added to that. She did later come out 195 00:10:29,134 --> 00:10:31,334 Speaker 4: and say, as someone in a marginalized community, I know 196 00:10:31,414 --> 00:10:33,614 Speaker 4: this suffering all too well, and I'm deeply sorry to 197 00:10:33,654 --> 00:10:36,854 Speaker 4: those I have caused pain. She later deleted her account. 198 00:10:37,134 --> 00:10:39,374 Speaker 4: She kind of not disappeared, but she took a step 199 00:10:39,414 --> 00:10:40,934 Speaker 4: back for a minute. She hasn't been at the last 200 00:10:40,974 --> 00:10:42,814 Speaker 4: couple of things, but she is expected to show up 201 00:10:42,814 --> 00:10:43,774 Speaker 4: at the Oscars today. 202 00:10:44,134 --> 00:10:47,974 Speaker 2: Let's move on to another big Oscar fave, The Brutalist. 203 00:10:48,334 --> 00:10:50,894 Speaker 2: There's a discussion going on in Hollywood and a much 204 00:10:50,934 --> 00:10:53,614 Speaker 2: broadly across the world right now of how we introduce 205 00:10:53,694 --> 00:10:57,214 Speaker 2: and use AI artificial intelligence in our everyday lives. It's 206 00:10:57,254 --> 00:11:01,174 Speaker 2: been used in filmmaking and cinematography and lots of different applications. 207 00:11:01,174 --> 00:11:04,574 Speaker 2: But why is this film in particular drawing criticism for 208 00:11:04,614 --> 00:11:05,374 Speaker 2: its use of AI? 209 00:11:05,774 --> 00:11:07,974 Speaker 4: So Adrian Brodie, as I'm sure many of you know 210 00:11:08,094 --> 00:11:10,814 Speaker 4: has already been like sweeping through award season. He's won 211 00:11:11,014 --> 00:11:13,054 Speaker 4: a lot of the big awards, obviously, my personal fave 212 00:11:13,134 --> 00:11:15,774 Speaker 4: Timothy Shalomey one at the SAG which is often seen 213 00:11:15,774 --> 00:11:17,254 Speaker 4: as a bit of an indicator of who could win 214 00:11:17,254 --> 00:11:19,374 Speaker 4: the Oscar, but Adrian's probably the one who is most 215 00:11:19,414 --> 00:11:21,894 Speaker 4: likely to win today. And it was revealed by the 216 00:11:21,894 --> 00:11:24,134 Speaker 4: team behind The Brutalist, by the director that they did 217 00:11:24,214 --> 00:11:27,014 Speaker 4: use AI to enhance his Hungarian accent in the film 218 00:11:27,214 --> 00:11:30,014 Speaker 4: that obviously was released. There was a really big furor 219 00:11:30,134 --> 00:11:32,134 Speaker 4: on the internet. Everyone freaked out. It was then also 220 00:11:32,254 --> 00:11:35,134 Speaker 4: revealed that like Amelia Perez, A Complete Unknown and June 221 00:11:35,174 --> 00:11:38,334 Speaker 4: Part two have also used kind of effects that incorporate AI. 222 00:11:38,454 --> 00:11:40,974 Speaker 4: So they're using tools that have AIA elements. But I 223 00:11:41,014 --> 00:11:43,934 Speaker 4: think that Adrian Brody being really kicked off because you're 224 00:11:43,974 --> 00:11:47,534 Speaker 4: nominated for Best Actor, which is obviously an acting award, sure, 225 00:11:47,654 --> 00:11:51,214 Speaker 4: and you weren't able to do the accent without the 226 00:11:51,334 --> 00:11:55,574 Speaker 4: use of a technological do whatever we want to call AI. 227 00:11:55,734 --> 00:11:58,614 Speaker 2: I would love to hear the comparison between his CRACKETU 228 00:11:58,734 --> 00:12:00,774 Speaker 2: Hungarian accent and then what AI. 229 00:12:00,654 --> 00:12:03,174 Speaker 4: Did to beautify it. Yeah, same, And so they kind 230 00:12:03,174 --> 00:12:04,734 Speaker 4: of said that, like Hungarian accents, is one of the 231 00:12:04,774 --> 00:12:06,414 Speaker 4: hardest things to get right, so they just wanted to 232 00:12:06,414 --> 00:12:07,934 Speaker 4: make sure that it had the right sound, the right 233 00:12:07,974 --> 00:12:10,254 Speaker 4: feeling that they had done it justice. But I would 234 00:12:10,334 --> 00:12:12,014 Speaker 4: love to know what the difference is between the two. 235 00:12:12,054 --> 00:12:13,174 Speaker 4: But at the end of the day, if you're an 236 00:12:13,214 --> 00:12:14,814 Speaker 4: actor who can't do the accent and you need the 237 00:12:14,854 --> 00:12:17,014 Speaker 4: help from AI to get it done, that's okay. But 238 00:12:17,014 --> 00:12:18,774 Speaker 4: do you deserve to be nominated for an Oscar for 239 00:12:18,774 --> 00:12:20,174 Speaker 4: your performance? Then it's a. 240 00:12:20,134 --> 00:12:22,774 Speaker 2: New frontier, all right, from one leading man in Adrian 241 00:12:22,854 --> 00:12:26,054 Speaker 2: Brody to another in Sebastian Stan This one, I am 242 00:12:26,214 --> 00:12:28,454 Speaker 2: really curious to hear from you the context of why 243 00:12:28,494 --> 00:12:31,374 Speaker 2: people are so on the fence or angry. How are 244 00:12:31,374 --> 00:12:33,534 Speaker 2: people feeling about him? Why is he coming up in 245 00:12:33,574 --> 00:12:35,134 Speaker 2: this conversation about controversy. 246 00:12:35,534 --> 00:12:38,454 Speaker 4: So Sebastian stand sweety. Part of it is he's had 247 00:12:38,454 --> 00:12:41,454 Speaker 4: a really good year and he was in a Different Man, 248 00:12:41,574 --> 00:12:43,134 Speaker 4: and he was also in The Apprentice, which is a 249 00:12:43,174 --> 00:12:45,454 Speaker 4: film about Trump. So he was nominated for both of 250 00:12:45,454 --> 00:12:47,614 Speaker 4: those films of the Golden Globes and he won for 251 00:12:47,694 --> 00:12:50,134 Speaker 4: a different Man. But The Apprentice is obviously the one 252 00:12:50,134 --> 00:12:52,614 Speaker 4: that is about Donald Trump. It was filmed before Donald 253 00:12:52,614 --> 00:12:55,134 Speaker 4: Trump was re elected as president, and it is a 254 00:12:55,454 --> 00:12:59,254 Speaker 4: scathing portrayal of Trump. And Sebastian Stan had come out 255 00:12:59,294 --> 00:13:01,054 Speaker 4: a number of times and like you know, said his 256 00:13:01,054 --> 00:13:03,254 Speaker 4: own personal feelings about Trump in the lead up to 257 00:13:03,374 --> 00:13:07,134 Speaker 4: the film coming out. The film premiering sort of coincided 258 00:13:07,174 --> 00:13:09,174 Speaker 4: a little bit with Trump coming back into power and 259 00:13:09,174 --> 00:13:12,374 Speaker 4: obviously Award Season at this stage like Trump is back, yes, 260 00:13:12,454 --> 00:13:15,534 Speaker 4: So what's essentially happened is that Sebastian Stan was having 261 00:13:15,534 --> 00:13:17,854 Speaker 4: this phenomenal year. Everyone was praising the performance, and then 262 00:13:17,894 --> 00:13:19,934 Speaker 4: it started to drop off. As soon as Trump came back, 263 00:13:20,054 --> 00:13:23,094 Speaker 4: people pulled away, the coverage lessened a little bit, and 264 00:13:23,094 --> 00:13:25,534 Speaker 4: then Sebastian Stan himself came out and said that, you know, 265 00:13:25,574 --> 00:13:28,094 Speaker 4: there's this series that Variety, the publication in the US 266 00:13:28,174 --> 00:13:30,414 Speaker 4: do called Actors on Actors, so where they got all 267 00:13:30,414 --> 00:13:32,374 Speaker 4: the big people from Award Season to do these really 268 00:13:32,414 --> 00:13:35,774 Speaker 4: great conversations. It's one of the most fun things in 269 00:13:35,814 --> 00:13:39,294 Speaker 4: the culture world. Everyone loves these videos. And Sebastian Stan 270 00:13:39,374 --> 00:13:40,934 Speaker 4: came out and said that no one would do it 271 00:13:40,934 --> 00:13:42,894 Speaker 4: with him, so he was kind of on the list. 272 00:13:42,894 --> 00:13:44,174 Speaker 4: He was meant to be doing it, and then none 273 00:13:44,174 --> 00:13:46,214 Speaker 4: of the actors would do I wanted to play with him. 274 00:13:46,334 --> 00:13:48,494 Speaker 4: No one wanted to play with Sebastian Stan and he 275 00:13:48,734 --> 00:13:50,654 Speaker 4: kind of just said it in a panel interview because 276 00:13:50,694 --> 00:13:52,134 Speaker 4: people were like, are you going to do this thing? 277 00:13:52,174 --> 00:13:54,574 Speaker 2: And he's like, not anyone would pick me for their team. 278 00:13:54,734 --> 00:13:56,294 Speaker 4: I wanted to and no one wants to hang out 279 00:13:56,294 --> 00:13:59,494 Speaker 4: with me. And then that obviously was then a thing 280 00:13:59,534 --> 00:14:01,974 Speaker 4: of people watching the actors on actors and going, oh, 281 00:14:02,054 --> 00:14:03,854 Speaker 4: who was he meant to be paired with? Like who 282 00:14:03,894 --> 00:14:06,174 Speaker 4: said no? And it was sort of believed that it 283 00:14:06,254 --> 00:14:08,374 Speaker 4: might have been that Andrew Garfield and him should have 284 00:14:08,374 --> 00:14:10,974 Speaker 4: been paired, because Andrew was then paired with Ryan Reynolds 285 00:14:11,414 --> 00:14:14,534 Speaker 4: who had been in Deadpool and Wolverine. But like good film? 286 00:14:14,974 --> 00:14:18,134 Speaker 4: Was it an Academy Award type of film? No one 287 00:14:18,214 --> 00:14:22,214 Speaker 4: was really conversation, Yeah, yeah, interesting. Yeah, So it's kind 288 00:14:22,214 --> 00:14:24,214 Speaker 4: of believed that maybe that was where Sebastian was meant 289 00:14:24,214 --> 00:14:25,894 Speaker 4: to sit. And at the end of the day, it's 290 00:14:25,894 --> 00:14:27,814 Speaker 4: probably not the actors. It would have been publicists. It 291 00:14:27,814 --> 00:14:30,334 Speaker 4: would have been teams behind being like, we can't sit 292 00:14:30,374 --> 00:14:32,534 Speaker 4: for an hour and talk about Donald Trump. At this point, 293 00:14:32,654 --> 00:14:33,454 Speaker 4: for people's careers. 294 00:14:33,614 --> 00:14:34,934 Speaker 2: He's still in the mix though, right. 295 00:14:34,974 --> 00:14:37,414 Speaker 4: He's still in the mix. He's done a phenomenal performance, 296 00:14:37,534 --> 00:14:39,814 Speaker 4: but I don't think he's going to win. Okay. 297 00:14:39,974 --> 00:14:42,974 Speaker 2: One that we have to talk about is Anora, and 298 00:14:43,014 --> 00:14:45,454 Speaker 2: this is a really interesting conversation. It's more on the 299 00:14:45,494 --> 00:14:48,014 Speaker 2: behind the scenes, what you're not seeing on screen of 300 00:14:48,054 --> 00:14:50,694 Speaker 2: why this is coming up in this particular episode of 301 00:14:50,694 --> 00:14:51,334 Speaker 2: the Quickie. 302 00:14:51,694 --> 00:14:52,574 Speaker 4: For people who. 303 00:14:52,374 --> 00:14:55,174 Speaker 2: Don't know, Tina, can you explain to us what an 304 00:14:55,174 --> 00:14:58,134 Speaker 2: intimacy coordinator is in Hollywood and why that's been drawn 305 00:14:58,174 --> 00:14:59,094 Speaker 2: into this conversation. 306 00:14:59,614 --> 00:15:03,094 Speaker 4: Yes. So, intimacy coordinators are people who are on sets 307 00:15:03,134 --> 00:15:05,654 Speaker 4: and what they do is obviously work with the actors, 308 00:15:05,694 --> 00:15:08,134 Speaker 4: the directors, and everyone involved in the film to make 309 00:15:08,174 --> 00:15:10,414 Speaker 4: sure that the filming of sex scenes or any kind 310 00:15:10,414 --> 00:15:13,814 Speaker 4: of intimate scenes is all above board, that nothing happens, 311 00:15:13,814 --> 00:15:16,294 Speaker 4: that no one is unaware of, that no one's caught 312 00:15:16,294 --> 00:15:19,014 Speaker 4: by surprise by any sort of movements in sex scenes, 313 00:15:19,014 --> 00:15:21,214 Speaker 4: and that everyone feels safe. Everyone on the set has 314 00:15:21,214 --> 00:15:23,694 Speaker 4: someone they can speak to to make sure that they 315 00:15:24,214 --> 00:15:26,614 Speaker 4: are all okay and consenting to what's going on, because 316 00:15:26,654 --> 00:15:28,214 Speaker 4: at the end of the day, filming a sex scene 317 00:15:28,294 --> 00:15:30,134 Speaker 4: is none of us know what that's like. That's not 318 00:15:30,174 --> 00:15:33,014 Speaker 4: a workplace seeing that anyone else ever does. Sure, So 319 00:15:33,294 --> 00:15:35,694 Speaker 4: it's very specific to the industry, and they didn't exist 320 00:15:35,694 --> 00:15:37,974 Speaker 4: for a really long time. So now intimacy coordinators are 321 00:15:38,014 --> 00:15:40,094 Speaker 4: a part of pretty much any project. When it came 322 00:15:40,134 --> 00:15:43,494 Speaker 4: to Anor, Mikey Madison stars as a stripper and sex worker, 323 00:15:43,694 --> 00:15:45,894 Speaker 4: and she revealed kind of on the awards circuit that 324 00:15:46,214 --> 00:15:48,774 Speaker 4: they didn't have an intimacy coordinator for the film. 325 00:15:49,174 --> 00:15:53,134 Speaker 2: That flaws me as the entire bulk of this film 326 00:15:53,174 --> 00:15:57,974 Speaker 2: is predicated on sex and intimacy and most of the 327 00:15:58,054 --> 00:16:00,534 Speaker 2: time they should have been an intimacy coordinator on set, 328 00:16:00,574 --> 00:16:01,574 Speaker 2: if not the entire time. 329 00:16:01,814 --> 00:16:05,534 Speaker 4: Yeah, so she basically made this revelation and people obviously 330 00:16:05,574 --> 00:16:07,934 Speaker 4: got quite upset. But what she said was that I 331 00:16:07,934 --> 00:16:10,134 Speaker 4: felt like for this specific project, it would have taken 332 00:16:10,134 --> 00:16:12,774 Speaker 4: away from the spontaneity and the naturalness we were trying 333 00:16:12,774 --> 00:16:15,774 Speaker 4: to capture. She says, she felt completely safe throughout the project. 334 00:16:16,174 --> 00:16:18,054 Speaker 4: And the thing is, it's not about her feelings. It's 335 00:16:18,054 --> 00:16:20,334 Speaker 4: about kind of the precedent that it sets, the fact 336 00:16:20,374 --> 00:16:22,254 Speaker 4: that there are other people on this set. It's not 337 00:16:22,334 --> 00:16:24,374 Speaker 4: just whether or not the two lead actors who were 338 00:16:24,374 --> 00:16:26,534 Speaker 4: filming the sex scenes are okay with it. I think 339 00:16:26,534 --> 00:16:29,614 Speaker 4: that's the really important part of this conversation that came out, 340 00:16:29,654 --> 00:16:31,934 Speaker 4: because when this was brought up, people were like, well, 341 00:16:31,974 --> 00:16:34,334 Speaker 4: if Mike's fine with it, then it's fine, and it's like, well, 342 00:16:34,814 --> 00:16:37,454 Speaker 4: we fought really hard as an industry, Hollywood fought really 343 00:16:37,494 --> 00:16:39,414 Speaker 4: hard for them to be intimacy coordinators on set, to 344 00:16:39,454 --> 00:16:41,374 Speaker 4: make sure that everyone feels really safe and to make 345 00:16:41,414 --> 00:16:45,694 Speaker 4: sure that nothing untoward happens to men and women on set. 346 00:16:45,934 --> 00:16:47,574 Speaker 4: So for her to just sort of say that she 347 00:16:47,614 --> 00:16:49,534 Speaker 4: felt like for her she didn't need it. It shouldn't 348 00:16:49,574 --> 00:16:51,174 Speaker 4: actually be the choice of an actress whether or not 349 00:16:51,214 --> 00:16:52,494 Speaker 4: there is one. They should just be there. 350 00:16:52,854 --> 00:16:56,054 Speaker 2: And what of people who actually making these decisions. They're 351 00:16:56,094 --> 00:16:58,934 Speaker 2: voting Academy body, they have their own sort of cross 352 00:16:58,934 --> 00:16:59,734 Speaker 2: to bear this season. 353 00:16:59,894 --> 00:17:02,934 Speaker 4: Yes, so I looked at the number Variety's done this 354 00:17:02,934 --> 00:17:05,894 Speaker 4: whole deep dive, But there's like nine nine hundred and 355 00:17:05,974 --> 00:17:08,694 Speaker 4: forty five Academy of Motion Picture Arts and Science as 356 00:17:08,694 --> 00:17:11,734 Speaker 4: members who were eligible to vote for the Oscars. They're 357 00:17:11,774 --> 00:17:13,414 Speaker 4: all meant to come out and say like, I voted 358 00:17:13,454 --> 00:17:15,254 Speaker 4: for this person, I did this, but they're not a 359 00:17:15,294 --> 00:17:18,934 Speaker 4: mus ballot. But there's a bunch of people revealing things 360 00:17:19,014 --> 00:17:21,134 Speaker 4: to a lot of like really high profile publications in 361 00:17:21,134 --> 00:17:23,134 Speaker 4: the US, So it's not a case of like fake 362 00:17:23,214 --> 00:17:25,574 Speaker 4: horce quotes like this seems like quite a legitimate thing 363 00:17:25,574 --> 00:17:28,494 Speaker 4: that's happening. But there's this anonymous voting system. And then 364 00:17:28,534 --> 00:17:31,294 Speaker 4: people are coming out and saying things like, well, I 365 00:17:31,294 --> 00:17:33,814 Speaker 4: didn't vote for Ralph Fine for conclave because like he 366 00:17:33,894 --> 00:17:37,774 Speaker 4: won already, he's never one. What, Yeah, and it's also 367 00:17:37,814 --> 00:17:40,174 Speaker 4: not a reason. That's also not a reason. And then likewise, 368 00:17:40,214 --> 00:17:41,894 Speaker 4: some of those same people saying, well, I voted for 369 00:17:41,934 --> 00:17:44,454 Speaker 4: Adrian Brody because he hasn't won. That's also not true. 370 00:17:44,494 --> 00:17:45,334 Speaker 4: He has indeed one. 371 00:17:45,494 --> 00:17:48,894 Speaker 2: If that were the logic, Leonardo DiCaprio would have won 372 00:17:49,054 --> 00:17:50,134 Speaker 2: ten times over by now. 373 00:17:50,374 --> 00:17:53,374 Speaker 4: Absolutely. So there's kind of Academy voters saying I didn't 374 00:17:53,374 --> 00:17:55,974 Speaker 4: finish this film, or I didn't watch this film, or 375 00:17:56,014 --> 00:17:58,734 Speaker 4: I didn't do this thing, just basically admitting that they 376 00:17:58,734 --> 00:18:01,574 Speaker 4: didn't do their homework. And what's crazy is that, like, 377 00:18:02,054 --> 00:18:04,254 Speaker 4: if you work in film, this should be the most exciting. 378 00:18:04,694 --> 00:18:06,934 Speaker 4: The Oscars is the big deal. There's also not that 379 00:18:07,014 --> 00:18:09,974 Speaker 4: many films to watch what are you doing? Like it's 380 00:18:10,014 --> 00:18:12,974 Speaker 4: not that hard and you're like part of this prestigious organization. 381 00:18:13,054 --> 00:18:16,214 Speaker 4: You should really be watching the films and making decisions 382 00:18:16,254 --> 00:18:20,174 Speaker 4: based on how good the performances were, not based on Oh, 383 00:18:20,214 --> 00:18:22,054 Speaker 4: I think heat it should get one because. 384 00:18:21,814 --> 00:18:24,694 Speaker 2: He's like, this is literally we maybe watch the numbers 385 00:18:24,694 --> 00:18:25,214 Speaker 2: with vibes. 386 00:18:25,374 --> 00:18:29,174 Speaker 4: Yeah. I think everyone's favorite quote is that Keisan Dunst 387 00:18:29,334 --> 00:18:31,014 Speaker 4: was asked by someone like, oh, did you watch all 388 00:18:31,054 --> 00:18:33,134 Speaker 4: the movies because she's obviously a member of the Academy, 389 00:18:33,174 --> 00:18:35,694 Speaker 4: and she was like, yes, like that's my job, and 390 00:18:35,734 --> 00:18:38,494 Speaker 4: it's like that shouldn't be groundbreaking, but like it kind 391 00:18:38,534 --> 00:18:40,934 Speaker 4: of is in this context. I mean, nine thousand people 392 00:18:40,974 --> 00:18:42,974 Speaker 4: sounds like a lot of people, but like it's a 393 00:18:43,014 --> 00:18:46,214 Speaker 4: pretty cool and fancy and exciting thing. You should watch 394 00:18:46,254 --> 00:18:49,734 Speaker 4: the movies before you hand someone an oscar. You can't 395 00:18:49,774 --> 00:18:52,534 Speaker 4: just hand them an oscar because you think, well, sure, 396 00:18:52,694 --> 00:18:55,094 Speaker 4: it's their turn. Why not it's their turn? In that case, 397 00:18:55,134 --> 00:18:57,574 Speaker 4: it should be Timothy Chalomey's turn. I will die on 398 00:18:57,614 --> 00:18:58,014 Speaker 4: this hill. 399 00:18:59,334 --> 00:19:01,254 Speaker 2: Thanks for taking some time to feed your mind with 400 00:19:01,334 --> 00:19:03,454 Speaker 2: us today. If you want to hear more about the oscars, 401 00:19:03,454 --> 00:19:06,414 Speaker 2: head over to our Daily entertainment podcast The Spill as 402 00:19:06,454 --> 00:19:09,494 Speaker 2: they completely debrief and tomorrow morning we'll bring you some 403 00:19:09,614 --> 00:19:13,654 Speaker 2: more awards analysis. The Quickie is produced by me Taylor Strano, 404 00:19:13,734 --> 00:19:16,734 Speaker 2: and Claire Murphy, with audio production by Lou Hill