WEBVTT - Olivia Newton-John Just Gets On With It

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<v Speaker 1>It's so funny. Many of the things in my career

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<v Speaker 1>that I was really nervous about ended up being really

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<v Speaker 1>successful for me, because sometimes you just have to put

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<v Speaker 1>yourself out

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<v Speaker 2>there and take a chance

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<v Speaker 2>from the Mother Mia podcast network. I'm Mia Freedman, and

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<v Speaker 2>you're listening to no philtre counted conversations that count. Seeing

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<v Speaker 2>someone in person that you've grown up with on the

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<v Speaker 2>screen is really weird. It's lovely, but it's weird. When

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<v Speaker 2>Olivia Newton John walked out of the lift and into

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<v Speaker 2>the Mummy office one Wednesday morning recently,

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<v Speaker 2>she was really fragile but also somehow full of energy.

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<v Speaker 2>At the same time, she glowed as we said our

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<v Speaker 2>hellos and she sort of got her bearings. I watched

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<v Speaker 2>her and I was struck by how she's really naturally curious.

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<v Speaker 2>And she's kind of effervescent, like a Baraka, and she's

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<v Speaker 2>deeply connected to animals. One of the first things she

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<v Speaker 2>knows

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<v Speaker 2>was that there was a dog bed next to someone's desk,

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<v Speaker 2>and I saw her whole face light up as she

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<v Speaker 2>went looking for a dog in the office and she

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<v Speaker 2>was really crest fel. And when I had to tell

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<v Speaker 2>her that the dogs weren't actually in the office today.

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<v Speaker 2>She was super excited about patting something. It's hard not

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<v Speaker 2>to found girl over Olivia Newton John. I dare you

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<v Speaker 2>to try. It's Sandy from Grease. It's tell me more.

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<v Speaker 2>It's summer lovin it Xanadu. It's roller skates and it's

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<v Speaker 2>Let's get physical.

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<v Speaker 2>I mean, it's hard to think of a more iconic

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<v Speaker 2>Australian or one that's more beloved than Olivia Newton. John

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<v Speaker 2>Olivia has had some incredible highs in her life and

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<v Speaker 2>also some really crushing lows.

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<v Speaker 2>She's had breast cancer. She was one of the first

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<v Speaker 2>celebrities to talk openly and honestly about being diagnosed and

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<v Speaker 2>then treated for breast cancer. She's lost her beloved sister, Corona.

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<v Speaker 2>Her former partner, Patrick, disappeared in mysterious circumstances that no

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<v Speaker 2>one ever really seemed to figure out.

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<v Speaker 2>Her God daughter died when she was just six. Olivia's

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<v Speaker 2>been divorced, and she's experienced infertility and miscarriages, and she's

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<v Speaker 2>also had two wonderful marriages and an extraordinary international career.

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<v Speaker 2>A daughter who she is devoted to, and a life

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<v Speaker 2>full of laughter and love and adventure and animals. She

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<v Speaker 2>even tried ayahuasca, the hallucinogenic drug with her husband in Peru.

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<v Speaker 2>Olivia is about to turn 70 and she's optimistic about

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<v Speaker 2>the future despite the fact that her cancer has returned

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<v Speaker 2>for the third time.

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<v Speaker 2>Her new memoir is aptly called Don't Stop Believing, and

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<v Speaker 2>we had a lot to talk about, including the time

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<v Speaker 2>that she tried a whisker. I wanted to know what

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<v Speaker 2>that was like and her miscarriages and her cancer and

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<v Speaker 2>her hot husbands, one of whom lived in a teepee

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<v Speaker 2>for a while. But first I wanted to start with

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<v Speaker 2>all of the questions that I had and that I'm

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<v Speaker 2>sure you have about what else? Greece.

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<v Speaker 2>Here's Olivia Newton, John

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<v Speaker 2>Olivia. Tell me about your first day on the set

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<v Speaker 2>of Greece. It wasn't even a day of filming, was

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<v Speaker 2>it that first day you know the first thing I

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<v Speaker 2>said of Greece.

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<v Speaker 1>We Alencar gave us a

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<v Speaker 2>sock hop, so

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<v Speaker 1>he wanted us to get to know each other. So

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<v Speaker 1>he played a lot of music and we danced and

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<v Speaker 1>and kind of got to know each other was really

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<v Speaker 1>clever idea because it got us into the idea of

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<v Speaker 1>being a lot younger than we were. Yeah, and forming

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<v Speaker 1>a family,

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<v Speaker 1>and, uh, it was a really clever idea and he

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<v Speaker 1>used a lot of that to get us energised. He

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<v Speaker 1>would have little parties at his house and invite us,

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<v Speaker 1>and he kept us all very excited, which was showed

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<v Speaker 1>in the energy of the film.

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<v Speaker 2>It sure did. You talked about how it being 1978

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<v Speaker 2>when the film was made.

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<v Speaker 2>It was so different to the time that was portrayed

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<v Speaker 2>in the film, which was the fifties, and how you

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<v Speaker 2>were nervous about the clash of those two times on

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<v Speaker 2>those two eras. What was it like then, in terms

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<v Speaker 2>of What did you mean? What was the sort of

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<v Speaker 2>the feeling in the seventies that felt so different to

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<v Speaker 2>the movie?

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<v Speaker 1>Well, no, I don't think that I think I was

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<v Speaker 1>more concerned about pulling off being 17

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<v Speaker 2>right

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<v Speaker 1>than I was about the two different eras, because it

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<v Speaker 1>was it was a movie. We were playing a different era,

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<v Speaker 1>but the fifties had a really exciting

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<v Speaker 1>think about them. I think the movie is almost cartoon

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<v Speaker 1>like in that it takes each character and makes them

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<v Speaker 1>larger than life. Everyone was larger than life and bigger

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<v Speaker 1>and funnier, and the costumes were bright and so I

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<v Speaker 1>think it was kind of a wonderful ode to the fifties,

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<v Speaker 1>but the seventies, you know, it was a different time,

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<v Speaker 1>but I could relate. Even though I was very young,

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<v Speaker 2>you didn't want to be in the film. You said no,

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<v Speaker 2>John Travolta said. He was cast and they were looking

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<v Speaker 2>for Sandy, and he said the only one he wanted

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<v Speaker 2>was you were the one that I want.

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<v Speaker 2>How did he convince you? How did the director convince you?

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<v Speaker 1>Well, first of all, I had dinner with Alan Carr

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<v Speaker 1>and Helen Reddy's house, and that's really how the whole

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<v Speaker 1>conversation began. And I had made a movie in England

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<v Speaker 1>in the sixties called Tomorrow, which was a musical. I

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<v Speaker 1>was in a band in in the movie, and it

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<v Speaker 1>was a space musical.

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<v Speaker 1>And it wasn't a big success, although it was supposed

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<v Speaker 1>to have been because Harry Saltzman, who did the James

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<v Speaker 1>Bond movies, and Don Kirshner, who put the monkeys together,

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<v Speaker 1>joined up to make this brand new group. They were

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<v Speaker 1>going to make all these movies and it didn't work.

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<v Speaker 1>So I was very nervous about making another movie and

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<v Speaker 1>particularly musical because my musical career was taking off my

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<v Speaker 1>music career, not my musical career. So I had to

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<v Speaker 1>be convinced because I want to make another mistake. So

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<v Speaker 1>they talked to me and I was going, I'm not sure.

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<v Speaker 1>So

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<v Speaker 1>they sent John to my house,

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<v Speaker 1>and once that beautiful man came walking up the driveway

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<v Speaker 1>with those bright blue eyes and and said, You're the

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<v Speaker 1>you know you're my choice And but he was very

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<v Speaker 1>gentle and very calm, and we just spent the day

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<v Speaker 1>together and hang around the animals. And, uh then I said, Well,

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<v Speaker 1>you know what? I'm a bit nervous about playing 17.

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<v Speaker 1>I was all of 29

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<v Speaker 1>and when I look back now, I don't know what

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<v Speaker 1>I was worried about. You know, it's all

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<v Speaker 2>relative to the age

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<v Speaker 1>you are. And I said, I think maybe if we

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<v Speaker 1>do a screen test and I can see

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<v Speaker 1>that this can work, that maybe maybe I consider it

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<v Speaker 1>so They put together a screen test, and that's really

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<v Speaker 1>how it all fell into place.

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<v Speaker 2>It was very cool headed of you, wasn't it? That

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<v Speaker 2>showed a real pragmatism, and I want for a career

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<v Speaker 2>with longevity

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<v Speaker 1>and a lot of fear. I think

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<v Speaker 2>yet and he so it's not many actresses, you know.

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<v Speaker 2>I want to audition. Yeah, let me see.

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<v Speaker 1>It's so funny. Many of the things in my

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<v Speaker 1>career that I was really nervous about ended up being

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<v Speaker 1>really successful for me because sometimes you just have to

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<v Speaker 1>put yourself out there and take a chance. And

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<v Speaker 2>so I ended up

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<v Speaker 1>taking that chance. But it was nerve racking.

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<v Speaker 2>So where was John and his career and where were

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<v Speaker 2>you in your career at that stage?

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<v Speaker 1>I'm glad you asked that, because that's what I was

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<v Speaker 1>merely to say to you, because when he walked up

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<v Speaker 1>the driveway,

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<v Speaker 1>I just knew him from Welcome back, Kotter.

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<v Speaker 2>Yeah,

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<v Speaker 1>which is a series on TV where he played this

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<v Speaker 1>really cute guy and Saturday Night Fever.

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<v Speaker 2>Not yet part

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<v Speaker 1>of the world. So we I'm really glad of that

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<v Speaker 1>because I think I would have been too intimidated had

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<v Speaker 1>I seen the movie or known about it beforehand as

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<v Speaker 1>we were almost finished Greece because I remember being in

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<v Speaker 1>my sandy to outfit in my black outfit, and John said,

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<v Speaker 1>we're having a screening of Saturday Night Fever. It's the

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<v Speaker 1>uncut we haven't finished at. The music is not in.

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<v Speaker 1>And so Dede and myself and quite a few of

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<v Speaker 1>us went to watch it, and it was like, Oh, yeah,

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<v Speaker 1>he's going to be, like, iconic And then I was like,

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<v Speaker 1>I'm so glad I did this movie before I saw it.

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<v Speaker 1>You know, my musical career was doing pretty well. I

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<v Speaker 1>wasn't huge, but I was doing very well

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<v Speaker 1>and so we're kind of similar. That's what made it,

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<v Speaker 1>I think, work out

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<v Speaker 2>the decision to make Sandy Australia and how did that

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<v Speaker 2>come about?

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<v Speaker 1>Because I told them, You know, I was coming up

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<v Speaker 1>with all the excuses in the world where I couldn't

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<v Speaker 1>play it, and one of them was, I can't do

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<v Speaker 1>an American accent

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<v Speaker 1>So they called me back and said, OK, we'll make

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<v Speaker 1>you a

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<v Speaker 2>Nazi Well,

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<v Speaker 1>thank you, okay. And I think that worked really well

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<v Speaker 1>for the part as well. It's made it a little

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<v Speaker 1>more interesting that

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<v Speaker 2>fish out of water.

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<v Speaker 1>I was probably one of the first people to have

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<v Speaker 1>an Australian accent. I think

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<v Speaker 2>there's a beautiful moment in the book that you write

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<v Speaker 2>about at the Bonfire, which is quite early in the film,

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<v Speaker 2>and Danny and Sandy see each other again for the

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<v Speaker 2>first time and realise that they're at school together.

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<v Speaker 2>Oh, that's such a beautiful moment when he first sees

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<v Speaker 2>you and all the things written on his face. But

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<v Speaker 2>tell me about the filming of that scene because there's

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<v Speaker 2>a beautiful story. You tell about it in the book.

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<v Speaker 1>Well, it was at night and it was a big scene, really,

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<v Speaker 1>because I had to do a whole transition as well.

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<v Speaker 1>What's

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<v Speaker 2>the transition?

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<v Speaker 1>Well, kind of from happiness to sadness and, you know,

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<v Speaker 1>feelings of emotion. And

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<v Speaker 1>I was a little nervous of it. Excited. I was excited.

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<v Speaker 2>You were nervous.

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<v Speaker 1>And did he know I was nervous? Deedee was fabulous

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<v Speaker 1>to me.

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<v Speaker 2>Friendship, Friendship. You guys became friends.

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<v Speaker 1>We're still friends. She's a wonderful girl. And she was

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<v Speaker 1>accomplished actor. So we'd rehearsed together. Anyway. I do the

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<v Speaker 1>scene and I'm pulled up towards John and I do

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<v Speaker 1>my thing.

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<v Speaker 1>Tell me,

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<v Speaker 2>what are you doing

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<v Speaker 1>here? I

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<v Speaker 2>thought you were going back to

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<v Speaker 1>Australia. We have a change of plan.

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<v Speaker 2>Keep.

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<v Speaker 1>Well, that's cool. baby. You

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<v Speaker 2>know how it is

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<v Speaker 1>Rocking and rode in. What?

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<v Speaker 2>Not Danny,

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<v Speaker 1>That's my name. Don't wear it out. And he just

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<v Speaker 1>waved his hands like this. It was my close up,

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<v Speaker 1>and he waved his hands in front of the camera,

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<v Speaker 1>walked up to me and whispered to me, I think

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<v Speaker 1>he can do it better. So he messed up to

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<v Speaker 1>take on purpose because he thought I could do it better.

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<v Speaker 1>So that was really generous of him. And I've always

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<v Speaker 1>been grateful for that because it was, you know, he

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<v Speaker 1>was helping me,

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<v Speaker 2>did. He has been quoted as saying that there was

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<v Speaker 2>a lot of hormones and a lot of chemistry on

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<v Speaker 2>the set and that she said, um, the trailers were

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<v Speaker 2>rocking and rolling between

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<v Speaker 1>Doesn't mine,

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<v Speaker 2>may I

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<v Speaker 1>specify? But yeah, there was some of that going on,

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<v Speaker 2>and you tell a story about Nikki, who met your

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<v Speaker 2>sister when she came. Your sister, Rohner, who came to

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<v Speaker 2>visit on the set and they got married.

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<v Speaker 1>They got married. They fell madly in love and got married.

0:10:26.990 --> 0:10:29.709
<v Speaker 1>So my brother in law was good, Nicky, for many

0:10:29.710 --> 0:10:31.490
<v Speaker 2>years. Was that weird?

0:10:31.500 --> 0:10:34.280
<v Speaker 1>I'm not at the time, he was a character. He

0:10:34.280 --> 0:10:37.120
<v Speaker 1>was a he was quite a character, but he he

0:10:37.120 --> 0:10:40.209
<v Speaker 1>was a sweet guy, and unfortunately, we lost him about

0:10:40.210 --> 0:10:43.610
<v Speaker 1>a year before my sister passed. So they're both gone now. But,

0:10:43.960 --> 0:10:46.199
<v Speaker 1>yeah, there was some pretty well days there. My brother

0:10:46.200 --> 0:10:46.600
<v Speaker 1>in law.

0:10:46.610 --> 0:10:49.109
<v Speaker 2>I wanted to ask you about that final scene, and

0:10:49.120 --> 0:10:52.800
<v Speaker 2>it's funny. It's funny watching it through. You know, I've

0:10:52.800 --> 0:10:55.050
<v Speaker 2>watched it obviously 100 times when I was growing up

0:10:55.059 --> 0:10:57.750
<v Speaker 2>and then with my kids and watching it through the

0:10:57.750 --> 0:11:01.000
<v Speaker 2>lens of political correctness today and you go over there

0:11:01.000 --> 0:11:03.990
<v Speaker 2>was bullying and there was smoking. And there was all

0:11:03.990 --> 0:11:07.200
<v Speaker 2>these different things real sexual harassment and all of these things,

0:11:07.200 --> 0:11:09.490
<v Speaker 2>which is exactly real life. Um,

0:11:10.059 --> 0:11:10.520
<v Speaker 1>how

0:11:10.520 --> 0:11:13.580
<v Speaker 2>did that come about? That idea of that transformation in

0:11:13.580 --> 0:11:16.920
<v Speaker 2>the end and to what you call Sandy to

0:11:16.929 --> 0:11:20.030
<v Speaker 1>the idea was, you know, people have criticised said Well,

0:11:20.030 --> 0:11:23.410
<v Speaker 1>she changed for him and she becomes this and it's

0:11:23.410 --> 0:11:26.830
<v Speaker 1>a movie, and also he changed for her. So he

0:11:26.840 --> 0:11:29.349
<v Speaker 1>let it in sport and wore a Letterman jacket which

0:11:29.350 --> 0:11:31.950
<v Speaker 1>was totally against all his friends and everything that he

0:11:31.950 --> 0:11:34.620
<v Speaker 1>was doing, and she changed for him.

0:11:34.770 --> 0:11:37.239
<v Speaker 1>And then they came together. It was very sweet, actually.

0:11:37.250 --> 0:11:39.710
<v Speaker 2>What was it like filming on those? I imagine it

0:11:39.710 --> 0:11:40.770
<v Speaker 2>went over a few days as

0:11:40.770 --> 0:11:43.840
<v Speaker 1>well. That was That was a lot of fun. Tell

0:11:43.840 --> 0:11:44.350
<v Speaker 1>me about those

0:11:44.350 --> 0:11:46.740
<v Speaker 2>hands. Tell me about the pants.

0:11:47.460 --> 0:11:50.500
<v Speaker 1>Well, at the time, we're now in the seventies. Those

0:11:50.500 --> 0:11:53.439
<v Speaker 1>pants are from the fifties. So they were in wardrobe

0:11:53.450 --> 0:11:55.970
<v Speaker 1>and they brought out a whole bunch of clothes and

0:11:55.970 --> 0:11:57.569
<v Speaker 1>things for me to try on. But they just had

0:11:57.570 --> 0:12:01.429
<v Speaker 1>that beautiful. You know, uh, they were sharkskin. Not real shark,

0:12:01.429 --> 0:12:04.280
<v Speaker 1>of course, but they called us skin and very thick,

0:12:04.290 --> 0:12:08.179
<v Speaker 1>powerful material. But the zip was broken, as you probably know,

0:12:08.190 --> 0:12:12.020
<v Speaker 1>and they didn't wanna risk ruining the whole pants by

0:12:12.020 --> 0:12:14.940
<v Speaker 1>replacing the zip. So it was decided they'd stitch me in,

0:12:15.390 --> 0:12:19.340
<v Speaker 1>so that made it a very interesting What

0:12:19.340 --> 0:12:20.200
<v Speaker 2>about the toilet?

0:12:20.200 --> 0:12:20.660
<v Speaker 1>I would be

0:12:20.960 --> 0:12:22.410
<v Speaker 2>nervous ways.

0:12:22.420 --> 0:12:25.080
<v Speaker 1>No, I had to be unstitched, so I couldn't drink

0:12:25.080 --> 0:12:28.730
<v Speaker 1>a lot. So probably wasn't the best health thing for me,

0:12:28.730 --> 0:12:30.310
<v Speaker 1>But it was only for a few days

0:12:30.320 --> 0:12:31.360
<v Speaker 2>and did it

0:12:31.360 --> 0:12:33.689
<v Speaker 1>makes a good story now.

0:12:33.700 --> 0:12:37.329
<v Speaker 2>Did you see the difference in the way the sort

0:12:37.330 --> 0:12:39.390
<v Speaker 2>of the cast and crew looked at you.

0:12:39.400 --> 0:12:41.770
<v Speaker 1>Oh, absolutely. Because, you know, for like, two months, I'd

0:12:41.770 --> 0:12:44.760
<v Speaker 1>been sandy wine and my cute little outfits and,

0:12:45.220 --> 0:12:49.819
<v Speaker 1>you know, and then the night before, we were filming, uh,

0:12:49.830 --> 0:12:53.079
<v Speaker 1>the hair and makeup and Albert Wolski, who was the costumer.

0:12:53.080 --> 0:12:56.420
<v Speaker 1>We tried on all these outfits and John was filming. Um,

0:12:56.429 --> 0:12:59.510
<v Speaker 1>he was singing Sandy at the drive in, and I

0:12:59.510 --> 0:13:02.160
<v Speaker 1>was there with makeup and hair, and I walked out

0:13:02.170 --> 0:13:05.360
<v Speaker 1>just as he was finishing. He stopped singing, stood up

0:13:05.370 --> 0:13:08.580
<v Speaker 1>and everyone just turned around. It was like

0:13:09.170 --> 0:13:12.150
<v Speaker 1>and I went What I've been doing wrong all these months,

0:13:12.160 --> 0:13:17.500
<v Speaker 1>It was very powerful moment for me. He was like, Goodness,

0:13:17.510 --> 0:13:21.790
<v Speaker 1>clothing can make this difference. It's really incredible perceptions people

0:13:21.790 --> 0:13:24.140
<v Speaker 1>have of you because of the way you're dressed.

0:13:24.690 --> 0:13:26.660
<v Speaker 1>Yeah, it happened to me in another movie I made

0:13:26.670 --> 0:13:29.970
<v Speaker 1>called sordid lives where I played a lesbian country and

0:13:29.970 --> 0:13:32.679
<v Speaker 1>Western singer. And I had tattoos and I cut my

0:13:32.679 --> 0:13:35.250
<v Speaker 1>hair really short, and I will really daddy clothes and

0:13:35.260 --> 0:13:39.840
<v Speaker 1>horrible outfits. And I remember going home dressed like that

0:13:39.850 --> 0:13:43.220
<v Speaker 1>once I went into my local chemist to buy something

0:13:43.230 --> 0:13:44.329
<v Speaker 1>and a woman.

0:13:44.540 --> 0:13:46.270
<v Speaker 1>We're standing with a little girl and she pulled a

0:13:46.270 --> 0:13:48.610
<v Speaker 1>little girl into her like I was a threat. It

0:13:48.610 --> 0:13:51.420
<v Speaker 1>was hilarious and always remember that. And I thought, You know,

0:13:51.420 --> 0:13:53.730
<v Speaker 1>you can't judge a book by its cover and remember

0:13:53.730 --> 0:13:56.729
<v Speaker 1>that for myself from that time on, very often those

0:13:56.730 --> 0:13:59.429
<v Speaker 1>big guys that look so beef there, the softest, sweetest

0:13:59.440 --> 0:14:01.580
<v Speaker 1>people in the world You know what

0:14:01.580 --> 0:14:01.700
<v Speaker 2>was

0:14:01.720 --> 0:14:04.459
<v Speaker 2>like in that time afterwards? I mean, I know that

0:14:04.460 --> 0:14:10.480
<v Speaker 2>now there's the expression shipping, which is relation shipping when fans, um,

0:14:10.490 --> 0:14:15.560
<v Speaker 2>try to project relationships that don't exist. And everyone wanted

0:14:15.559 --> 0:14:18.590
<v Speaker 2>you and John Travolta to date, But you never did.

0:14:18.600 --> 0:14:22.920
<v Speaker 2>Why why did you never I'm still shipping you 40

0:14:22.920 --> 0:14:23.560
<v Speaker 2>years later,

0:14:23.570 --> 0:14:27.540
<v Speaker 1>shipping. I've never heard that funny. We were both with

0:14:27.540 --> 0:14:29.350
<v Speaker 1>other people when we were filming,

0:14:29.840 --> 0:14:32.890
<v Speaker 1>and I think respectfully, we just didn't happen. And I

0:14:32.890 --> 0:14:33.510
<v Speaker 1>think

0:14:34.030 --> 0:14:35.880
<v Speaker 1>I think it was good because I think it kept

0:14:35.880 --> 0:14:39.150
<v Speaker 1>the tension there in the chemistry. It might have been

0:14:39.150 --> 0:14:41.440
<v Speaker 1>a really disaster had we decided to date or we

0:14:41.440 --> 0:14:43.970
<v Speaker 1>had falling out or something. So I think it was

0:14:43.970 --> 0:14:44.520
<v Speaker 1>just

0:14:44.930 --> 0:14:47.970
<v Speaker 1>just as well. It didn't happen. But we're still great friends,

0:14:47.980 --> 0:14:50.420
<v Speaker 2>and not everyone stays friends with the people. They make

0:14:50.420 --> 0:14:53.870
<v Speaker 2>films we've heard it explained that it's quite a almost

0:14:53.870 --> 0:14:56.980
<v Speaker 2>like a summer camp vibe or a holiday romance, and

0:14:56.980 --> 0:14:59.850
<v Speaker 2>then you move on with your lives. But you stayed

0:14:59.850 --> 0:15:03.170
<v Speaker 2>friends with Dede and with John, that friendship seems to

0:15:03.170 --> 0:15:04.090
<v Speaker 2>be really

0:15:04.100 --> 0:15:07.640
<v Speaker 1>still very simple. And Randal Kleiser, the director. In fact,

0:15:07.640 --> 0:15:09.990
<v Speaker 1>I just had dinner with him the other day, so

0:15:10.000 --> 0:15:12.450
<v Speaker 1>it's taken us 40 years to have dinner, he said.

0:15:12.460 --> 0:15:13.460
<v Speaker 1>We did it,

0:15:13.740 --> 0:15:17.240
<v Speaker 1>Um, but yeah, I mean those times in your lives

0:15:17.240 --> 0:15:20.220
<v Speaker 1>that are really special. It's lovely to keep contact. I

0:15:20.220 --> 0:15:23.510
<v Speaker 1>have friends from childhood and, you know, friends from all

0:15:23.510 --> 0:15:24.500
<v Speaker 1>my life.

0:15:24.510 --> 0:15:28.910
<v Speaker 2>Xanadu was an incredible film. I love. She loved Greece.

0:15:28.910 --> 0:15:31.360
<v Speaker 2>Oh my God. My family went on a long trip

0:15:31.360 --> 0:15:33.780
<v Speaker 2>around Australia for six weeks, and the only tape that

0:15:33.780 --> 0:15:38.530
<v Speaker 2>we had was so my whole family knows every lyric

0:15:38.540 --> 0:15:39.680
<v Speaker 2>as we drove through the

0:15:39.695 --> 0:15:43.815
<v Speaker 2>yeah back. I've got such strong memories. That film was crazy,

0:15:43.825 --> 0:15:45.635
<v Speaker 2>like when you looked at when you look at it

0:15:45.635 --> 0:15:47.865
<v Speaker 2>on paper and you go you know, it's roller skating

0:15:47.865 --> 0:15:50.385
<v Speaker 2>and it's fantasy, and it's Gene Kelly is in it.

0:15:50.385 --> 0:15:52.915
<v Speaker 2>And how did you say yes to that? How did

0:15:52.915 --> 0:15:54.935
<v Speaker 2>you decide to do that film?

0:15:55.510 --> 0:15:59.430
<v Speaker 1>Well, I've been looking for something, and, um,

0:16:00.400 --> 0:16:02.900
<v Speaker 1>this one had. I liked the idea of the muse,

0:16:02.900 --> 0:16:05.830
<v Speaker 1>and I like the idea of L. O and John

0:16:05.830 --> 0:16:10.570
<v Speaker 1>Farah writing the music. So the script was never really finished,

0:16:11.610 --> 0:16:14.890
<v Speaker 1>and it was kind of written as we went along,

0:16:14.900 --> 0:16:17.830
<v Speaker 1>which is, I think, the one fall. That's where it

0:16:17.830 --> 0:16:20.770
<v Speaker 1>fell down somehow. But I think the music and the

0:16:20.770 --> 0:16:24.720
<v Speaker 1>dancing was years beyond ahead of its time. Kenny Ortega,

0:16:24.720 --> 0:16:28.000
<v Speaker 1>who was the choreographer who was Michael Jackson's choreographer, and

0:16:28.000 --> 0:16:30.350
<v Speaker 1>I worked with him for many years, but he's incredibly

0:16:30.350 --> 0:16:33.640
<v Speaker 1>brilliant and famous choreographer, but he was kind of starting

0:16:33.640 --> 0:16:34.140
<v Speaker 1>out then,

0:16:34.660 --> 0:16:36.870
<v Speaker 1>and he brought on all these street dancers and people

0:16:36.870 --> 0:16:40.030
<v Speaker 1>doing all the things they're doing now. He had them

0:16:40.030 --> 0:16:42.280
<v Speaker 1>doing 30 years ago, whatever

0:16:42.280 --> 0:16:44.150
<v Speaker 2>it was. And roller skates,

0:16:44.160 --> 0:16:47.140
<v Speaker 1>roller skates. Yeah, I had to learn that. That was

0:16:47.770 --> 0:16:50.790
<v Speaker 1>That was not one of my more pleasurable memories, because

0:16:50.790 --> 0:16:55.240
<v Speaker 1>I broke my tailbone right when we were filming? Um, yes.

0:16:55.250 --> 0:16:57.590
<v Speaker 1>And I had to And I'm one of those as

0:16:57.590 --> 0:16:59.860
<v Speaker 1>I talk in the book a lot about the show

0:16:59.860 --> 0:17:03.170
<v Speaker 1>must go on and continue, no matter what. So I

0:17:03.170 --> 0:17:05.530
<v Speaker 1>was sitting on a nice doughnut a lot

0:17:05.780 --> 0:17:06.410
<v Speaker 2>like

0:17:06.420 --> 0:17:07.970
<v Speaker 1>20 takes. Oh, yeah,

0:17:07.980 --> 0:17:09.180
<v Speaker 2>Get a bit further back was

0:17:09.180 --> 0:17:11.030
<v Speaker 1>excruciating. Yeah.

0:17:11.040 --> 0:17:14.810
<v Speaker 2>You met your first husband, Matt Lattanzi, on the set.

0:17:14.820 --> 0:17:17.500
<v Speaker 2>He was a younger man. Yes, he was 20 when

0:17:17.500 --> 0:17:20.919
<v Speaker 2>you met? Yes. Was that a big deal back then?

0:17:20.930 --> 0:17:23.640
<v Speaker 1>Um, I think it probably was more of a big

0:17:23.640 --> 0:17:26.830
<v Speaker 1>deal then That it is now. Yeah, we kept it

0:17:26.830 --> 0:17:30.090
<v Speaker 1>quiet until the movie was done because we wanted privacy.

0:17:30.090 --> 0:17:33.080
<v Speaker 1>I'm always, always trying to have my privacy, but he

0:17:33.080 --> 0:17:35.330
<v Speaker 1>was a breath of fresh air. He was just very sweet,

0:17:35.340 --> 0:17:35.750
<v Speaker 1>and

0:17:35.900 --> 0:17:38.480
<v Speaker 1>he wasn't sure Beers and he was in Hollywood and

0:17:38.490 --> 0:17:42.100
<v Speaker 1>we'd go camping and fishing and walking. And it was

0:17:42.100 --> 0:17:45.010
<v Speaker 1>just about the outdoors and natural life in a big family.

0:17:45.010 --> 0:17:45.580
<v Speaker 1>So

0:17:46.100 --> 0:17:48.270
<v Speaker 1>I forgot. I think I was just immature was probably

0:17:48.270 --> 0:17:49.450
<v Speaker 1>his age. Really.

0:17:51.200 --> 0:17:54.190
<v Speaker 2>It must have been important to have someone who wasn't

0:17:54.200 --> 0:17:57.210
<v Speaker 2>swayed by the fame and the bright lights

0:17:57.730 --> 0:17:58.990
<v Speaker 2>and kept you grounded.

0:17:59.000 --> 0:18:02.510
<v Speaker 1>Yeah, we had. We had fun together and a beautiful child.

0:18:02.510 --> 0:18:06.090
<v Speaker 1>Which was that was the gift from that relationship. A

0:18:06.100 --> 0:18:09.400
<v Speaker 2>good dad for your, for your daughter. It's funny through

0:18:09.400 --> 0:18:13.230
<v Speaker 2>the book, both of your husbands, apart from being ridiculously

0:18:13.230 --> 0:18:16.850
<v Speaker 2>good looking very grounded in nature

0:18:16.859 --> 0:18:17.859
<v Speaker 1>you very much

0:18:17.869 --> 0:18:21.659
<v Speaker 2>for time. I remember reading. Was Matt living in a teepee?

0:18:21.670 --> 0:18:22.810
<v Speaker 1>Yeah, he was on T. P.

0:18:22.810 --> 0:18:25.750
<v Speaker 2>Yeah, he's very into nature.

0:18:26.150 --> 0:18:29.380
<v Speaker 2>And something I didn't know about you is about miscarriages.

0:18:29.390 --> 0:18:31.450
<v Speaker 2>You know, I think it's funny. Every woman has a

0:18:31.450 --> 0:18:34.770
<v Speaker 2>gynaecological history, but back then, that was not something that

0:18:34.770 --> 0:18:39.830
<v Speaker 2>anybody spoke about. Um, really know. So how did you

0:18:39.840 --> 0:18:40.900
<v Speaker 2>get through that?

0:18:40.910 --> 0:18:43.480
<v Speaker 1>Yeah, well, I I got pregnant pretty soon after we

0:18:43.480 --> 0:18:46.590
<v Speaker 1>got married, because that time was ahead racing ahead. And

0:18:46.590 --> 0:18:49.609
<v Speaker 1>I was 37 when I had Chloe. So, you know,

0:18:49.609 --> 0:18:51.350
<v Speaker 1>I lost a few after her, and,

0:18:51.800 --> 0:18:55.570
<v Speaker 1>you know, it's like anything you you grieve. It's a loss.

0:18:55.580 --> 0:19:01.570
<v Speaker 1>It's a death. Um, yeah. It's like many women go

0:19:01.570 --> 0:19:03.930
<v Speaker 1>through it, and I think nature has a purpose for it.

0:19:03.940 --> 0:19:07.350
<v Speaker 1>Usually there's something wrong and nature knows, and I think

0:19:07.359 --> 0:19:09.859
<v Speaker 1>if you can come to terms with that. And you

0:19:09.859 --> 0:19:11.389
<v Speaker 1>just have to be grateful. Really?

0:19:12.010 --> 0:19:15.580
<v Speaker 2>The day that you gave birth, Khloe came early. Yeah,

0:19:15.590 --> 0:19:16.919
<v Speaker 2>it wasn't part of the plan.

0:19:16.930 --> 0:19:17.720
<v Speaker 1>You talk

0:19:17.720 --> 0:19:19.970
<v Speaker 2>about how calm you were. And then you went to

0:19:19.970 --> 0:19:22.690
<v Speaker 2>the hospital and epidural went wrong.

0:19:22.700 --> 0:19:25.410
<v Speaker 1>Well, I I was It didn't. It's not a natural

0:19:25.410 --> 0:19:30.230
<v Speaker 1>thing to do. And anything to do with anaesthesia is dangerous.

0:19:30.230 --> 0:19:33.200
<v Speaker 1>And in the spine. To me, it was horror was

0:19:33.200 --> 0:19:36.290
<v Speaker 1>kind of I really didn't want it. But in the end,

0:19:36.290 --> 0:19:38.800
<v Speaker 1>I had to have it, Um,

0:19:39.210 --> 0:19:42.300
<v Speaker 1>and it went wrong. And maybe maybe it was my fault.

0:19:42.300 --> 0:19:45.359
<v Speaker 1>Maybe I projected it. I don't know that. You know,

0:19:45.359 --> 0:19:47.330
<v Speaker 1>sometimes the very things you're afraid of you can make

0:19:47.330 --> 0:19:50.380
<v Speaker 1>them happen to. So I suffered with that for, like,

0:19:50.380 --> 0:19:52.580
<v Speaker 1>seven years afterwards. Because

0:19:52.580 --> 0:19:54.409
<v Speaker 2>your spinal cord Yeah,

0:19:54.420 --> 0:19:57.889
<v Speaker 1>Yeah, he punctured my spinal cord. So he did something wrong.

0:19:58.500 --> 0:20:02.110
<v Speaker 1>And, uh, anyway, I'm here. I'm fine. And I'm sure

0:20:02.109 --> 0:20:04.500
<v Speaker 1>they're much better at it now than back then.

0:20:04.510 --> 0:20:08.619
<v Speaker 2>You had some beautiful years with Chloe, and your best

0:20:08.619 --> 0:20:11.380
<v Speaker 2>friend had a daughter at the same time. Nazi. She

0:20:11.380 --> 0:20:14.560
<v Speaker 2>had a little girl called college. Who is your God daughter?

0:20:14.570 --> 0:20:17.990
<v Speaker 2>And there are a few years in your I think,

0:20:17.990 --> 0:20:19.150
<v Speaker 2>mid forties that were

0:20:19.150 --> 0:20:20.030
<v Speaker 1>just

0:20:20.040 --> 0:20:23.330
<v Speaker 2>one blow after another. And you you write about them

0:20:23.330 --> 0:20:26.629
<v Speaker 2>really movingly in the book collect got cancer. She got

0:20:26.640 --> 0:20:27.980
<v Speaker 2>to her and her kidneys, and

0:20:28.380 --> 0:20:34.450
<v Speaker 2>she ended up not surviving. And your father passed away.

0:20:34.460 --> 0:20:37.410
<v Speaker 2>And then you discovered that you had breast cancer.

0:20:39.609 --> 0:20:41.700
<v Speaker 2>How did you get through those years?

0:20:41.710 --> 0:20:44.990
<v Speaker 1>Well, you know, you have to. And I think when

0:20:44.990 --> 0:20:49.100
<v Speaker 1>you're faced with those things, most people pull their socks

0:20:49.100 --> 0:20:52.420
<v Speaker 1>up and you have to have a young child. I

0:20:52.420 --> 0:20:56.290
<v Speaker 1>had much to live for. Uh, couldn't say I complain

0:20:56.290 --> 0:20:59.429
<v Speaker 1>about my life, but I think nobody escapes without something

0:20:59.440 --> 0:21:02.450
<v Speaker 1>in their life. Just for me. It all happened. A

0:21:02.450 --> 0:21:04.889
<v Speaker 1>lot of things happen together, but that also seems to

0:21:04.890 --> 0:21:07.700
<v Speaker 1>happen a lot that things come in threes for me.

0:21:07.700 --> 0:21:08.550
<v Speaker 1>They come in threes,

0:21:09.020 --> 0:21:13.160
<v Speaker 1>Um, and you just plot on, you know, and I've

0:21:13.160 --> 0:21:16.120
<v Speaker 1>always been pretty positive person and believed that either is

0:21:16.119 --> 0:21:18.140
<v Speaker 1>for a reason or

0:21:18.950 --> 0:21:21.300
<v Speaker 1>whatever, and I think it was for a reason Had

0:21:21.300 --> 0:21:24.510
<v Speaker 1>I not gone through that experience, I probably never would

0:21:24.510 --> 0:21:26.420
<v Speaker 1>have got involved in a cancer on a centre like

0:21:26.420 --> 0:21:28.850
<v Speaker 1>I did, because it wouldn't have had the same meaning

0:21:28.850 --> 0:21:32.859
<v Speaker 1>to me. So it gave me a purpose. And, um,

0:21:32.869 --> 0:21:36.070
<v Speaker 1>you know, losing a parent. Everyone goes through losing a parent.

0:21:36.070 --> 0:21:38.800
<v Speaker 1>We're all going to die at some point. So there's,

0:21:38.810 --> 0:21:41.090
<v Speaker 1>you know, there's a lot of coming to terms with

0:21:41.090 --> 0:21:43.260
<v Speaker 1>a lot of things from that experience.

0:21:43.270 --> 0:21:44.370
<v Speaker 2>And then your marriage broke

0:21:44.369 --> 0:21:45.090
<v Speaker 1>down

0:21:45.100 --> 0:21:47.930
<v Speaker 2>and you write about how

0:21:48.130 --> 0:21:50.460
<v Speaker 2>you think if it hadn't been for the breast cancer,

0:21:50.460 --> 0:21:52.900
<v Speaker 2>probably it would have ended a bit earlier. But he

0:21:52.900 --> 0:21:56.090
<v Speaker 2>seems like a very loyal and he was committed and

0:21:56.090 --> 0:21:58.400
<v Speaker 2>you guys got through it what struck me as well

0:21:58.400 --> 0:22:00.679
<v Speaker 2>as the way you talk about your divorce in your

0:22:00.680 --> 0:22:03.960
<v Speaker 2>separation and the way you were both. How did you

0:22:03.960 --> 0:22:05.040
<v Speaker 2>How did you handle that?

0:22:05.050 --> 0:22:07.740
<v Speaker 1>Well, we had made because I was older.

0:22:08.460 --> 0:22:10.820
<v Speaker 1>I think I always had a maybe a slight knowing

0:22:10.820 --> 0:22:13.429
<v Speaker 1>that may not last forever because he was going to

0:22:13.430 --> 0:22:16.270
<v Speaker 1>get to his manhood and, you know, it's kind of

0:22:16.270 --> 0:22:18.929
<v Speaker 1>normal that he might want to explore life or it

0:22:18.930 --> 0:22:21.400
<v Speaker 1>may not work. I didn't want that to happen. But

0:22:21.400 --> 0:22:23.020
<v Speaker 1>I think in the back of my mind, maybe there

0:22:23.020 --> 0:22:27.250
<v Speaker 1>was a knowingness. So we made a promise to each

0:22:27.250 --> 0:22:31.790
<v Speaker 1>other that if anything happened between us that we wouldn't

0:22:31.790 --> 0:22:33.419
<v Speaker 1>let our door to become the

0:22:33.690 --> 0:22:35.890
<v Speaker 1>the tool in the middle of our divorce, like we'd

0:22:35.890 --> 0:22:40.710
<v Speaker 1>watched other people use their kids as the bartering tool

0:22:40.710 --> 0:22:43.570
<v Speaker 1>and make the kids suffer. So we said no. Whatever happens,

0:22:43.580 --> 0:22:46.030
<v Speaker 1>she has access to you as much as she wants,

0:22:46.040 --> 0:22:49.740
<v Speaker 1>and we'll try and be civil with each other because

0:22:49.750 --> 0:22:51.619
<v Speaker 1>it's not fair on the kids. I've been through divorce.

0:22:51.619 --> 0:22:55.070
<v Speaker 1>He hadn't. My parents were divorced, and I really you know,

0:22:55.070 --> 0:22:56.520
<v Speaker 1>sometimes that's another thing.

0:22:56.770 --> 0:22:59.189
<v Speaker 1>Our divorce was around the same time as my parents divorced.

0:22:59.190 --> 0:23:03.700
<v Speaker 1>So sometimes you unknowingly repeat patterns in your family. Do

0:23:03.700 --> 0:23:06.060
<v Speaker 2>you mean your clothes around the same age that you

0:23:06.060 --> 0:23:07.859
<v Speaker 2>have been when your parents were divorced?

0:23:07.869 --> 0:23:08.879
<v Speaker 1>That's so true

0:23:08.880 --> 0:23:12.619
<v Speaker 2>about repeating patterns, and you did do it very differently.

0:23:12.630 --> 0:23:13.889
<v Speaker 1>I did it differently,

0:23:13.900 --> 0:23:17.379
<v Speaker 2>and you sat down with you, said a female judge

0:23:17.390 --> 0:23:21.420
<v Speaker 2>in your home and sorted through it yes, very quietly

0:23:21.420 --> 0:23:23.440
<v Speaker 2>without drama, without

0:23:23.450 --> 0:23:26.190
<v Speaker 1>the kitchen table. Basically, yeah,

0:23:26.720 --> 0:23:31.109
<v Speaker 2>and before uh, you lost your God daughter. You had

0:23:31.109 --> 0:23:34.330
<v Speaker 2>planned to adopt. Yes, you and Matt tell me about

0:23:34.330 --> 0:23:37.790
<v Speaker 1>that We planned to adopt and I had gone to

0:23:37.790 --> 0:23:40.340
<v Speaker 1>Rome to do a television show called That was really ill.

0:23:40.350 --> 0:23:43.050
<v Speaker 1>And I hadn't with me a suitcase. I was going

0:23:43.050 --> 0:23:45.240
<v Speaker 1>to go to Romania because I had met this woman

0:23:45.250 --> 0:23:48.250
<v Speaker 1>who had adopted a child from Romania. And there was

0:23:48.250 --> 0:23:50.680
<v Speaker 1>a lot of Children at that time in orphanages was

0:23:50.680 --> 0:23:53.720
<v Speaker 1>very on the news in America. And I thought, There's

0:23:53.720 --> 0:23:55.250
<v Speaker 1>some child out there, needs a home

0:23:56.040 --> 0:23:59.350
<v Speaker 1>And I wanted to have a sibling and I wasn't

0:23:59.350 --> 0:24:00.949
<v Speaker 1>going to be able to have any more Children.

0:24:01.720 --> 0:24:06.430
<v Speaker 1>And then when I was in Spain, I got the word, uh,

0:24:06.440 --> 0:24:09.550
<v Speaker 1>sad music collected past, and I just went home. So

0:24:09.550 --> 0:24:11.920
<v Speaker 1>that whole idea went out the window and there's no

0:24:11.920 --> 0:24:14.340
<v Speaker 1>way I was going to replace that. It wasn't the

0:24:14.340 --> 0:24:17.070
<v Speaker 1>time to adopt a child. And we're grieving like that.

0:24:17.080 --> 0:24:20.250
<v Speaker 2>I think every woman comes to a time when she

0:24:20.250 --> 0:24:22.260
<v Speaker 2>has to accept that her years of being a mother

0:24:22.260 --> 0:24:24.370
<v Speaker 2>to a young child or a baby behind her

0:24:25.000 --> 0:24:28.700
<v Speaker 2>yours was obviously made even more complicated by losing Colette.

0:24:28.710 --> 0:24:31.750
<v Speaker 2>How did you sort of process that over time

0:24:31.760 --> 0:24:35.480
<v Speaker 1>you just do you know there's no there's no set

0:24:35.480 --> 0:24:39.140
<v Speaker 1>rules or ways you just you just get on with

0:24:39.140 --> 0:24:42.939
<v Speaker 1>it and work through it and, uh, got Chloe as

0:24:42.940 --> 0:24:45.429
<v Speaker 1>much help as I could because she was very, very young.

0:24:45.440 --> 0:24:48.190
<v Speaker 1>But I know it had an impact on her like

0:24:48.190 --> 0:24:50.760
<v Speaker 1>it did on all of us. And I think maybe

0:24:50.760 --> 0:24:51.430
<v Speaker 1>we didn't

0:24:51.780 --> 0:24:54.129
<v Speaker 1>realised how much of an impact it had on her

0:24:54.130 --> 0:24:57.040
<v Speaker 1>at the time because we're on so much grief and

0:24:57.040 --> 0:24:58.770
<v Speaker 1>then Nancy, I mean, I don't think I mentioned that

0:24:58.780 --> 0:25:01.429
<v Speaker 1>she lost her brother soon after that and there were

0:25:01.430 --> 0:25:06.940
<v Speaker 1>so many things happening. It was almost overwhelmed. But luckily

0:25:06.940 --> 0:25:08.419
<v Speaker 1>I had my work and I had my animals, and

0:25:08.420 --> 0:25:10.550
<v Speaker 1>I had my daughter and my husband and I had

0:25:10.550 --> 0:25:13.310
<v Speaker 1>a fantastic life, so I had things to focus on

0:25:13.310 --> 0:25:17.410
<v Speaker 1>that were positive when we started Sorry, and we started

0:25:17.410 --> 0:25:20.700
<v Speaker 1>the Children's Health Environmental Coalition in her memory.

0:25:21.010 --> 0:25:23.960
<v Speaker 1>I started that with Nancy and Jim to help educate

0:25:23.960 --> 0:25:28.320
<v Speaker 1>parents to the importance of toxic free homes, and they

0:25:28.320 --> 0:25:30.290
<v Speaker 1>were the first people to really do that and you

0:25:30.290 --> 0:25:34.550
<v Speaker 1>know the toxicity, causing cancer and childhood illnesses and things.

0:25:34.550 --> 0:25:37.370
<v Speaker 1>So it was important. So we made something positive out

0:25:37.369 --> 0:25:38.820
<v Speaker 1>of something really negative

0:25:46.180 --> 0:25:49.970
<v Speaker 2>when you were diagnosed with breast cancer. I don't remember

0:25:49.980 --> 0:25:53.409
<v Speaker 2>a celebrity ever coming out and talking about having breast

0:25:53.410 --> 0:25:55.600
<v Speaker 2>cancer before. I feel like you were the first

0:25:56.390 --> 0:25:56.840
<v Speaker 1>before

0:25:56.840 --> 0:25:59.600
<v Speaker 2>it went public. What was that? Actual day like that?

0:25:59.600 --> 0:26:03.220
<v Speaker 2>You discovered the lump because you said you discovered lumps before.

0:26:03.230 --> 0:26:05.879
<v Speaker 1>I just remember that I found alarming. It didn't feel right.

0:26:05.880 --> 0:26:07.909
<v Speaker 1>It was a little tender. Even though they tell you

0:26:07.920 --> 0:26:08.740
<v Speaker 2>what did it feel?

0:26:08.740 --> 0:26:11.869
<v Speaker 1>Usually it's not sensitive, but to me it was. What

0:26:11.869 --> 0:26:12.330
<v Speaker 1>does it feel

0:26:12.330 --> 0:26:13.930
<v Speaker 2>like? They say It feels like a P.

0:26:13.940 --> 0:26:16.690
<v Speaker 1>Yeah, well, it's probably a little was probably a little

0:26:16.690 --> 0:26:18.530
<v Speaker 1>bigger than a pea, but it was like a P.

0:26:18.530 --> 0:26:20.780
<v Speaker 1>You're like a little hard lump in there.

0:26:21.060 --> 0:26:24.060
<v Speaker 1>In fact, I, because they have experienced I got involved

0:26:24.060 --> 0:26:25.920
<v Speaker 1>with something called the Live Kit. Is it live kid

0:26:25.920 --> 0:26:28.900
<v Speaker 1>in Australia? I think it is, and it's a self

0:26:28.910 --> 0:26:32.320
<v Speaker 1>breast examination tool that helps you decipher lumps in your

0:26:32.320 --> 0:26:34.460
<v Speaker 1>body more easily in your breast more easily. It makes

0:26:34.460 --> 0:26:36.770
<v Speaker 1>them feel bigger. So anyway, because I want women to

0:26:36.770 --> 0:26:38.780
<v Speaker 1>self examine and not to rely on the doctor every

0:26:38.780 --> 0:26:40.750
<v Speaker 1>six months because he doesn't know your body, You know,

0:26:40.750 --> 0:26:41.310
<v Speaker 1>your body

0:26:41.320 --> 0:26:43.070
<v Speaker 2>and you're doing a self examination that?

0:26:43.080 --> 0:26:46.070
<v Speaker 1>Yeah. So I found it and, um,

0:26:46.619 --> 0:26:49.870
<v Speaker 1>went to the doctor and he did a He sent

0:26:49.869 --> 0:26:52.659
<v Speaker 1>me down for a mammogram which didn't show anything. And

0:26:52.660 --> 0:26:56.420
<v Speaker 1>then a needle biopsy, which didn't show anything. So he

0:26:56.430 --> 0:26:59.120
<v Speaker 1>I said, there's something I just knew there was something wrong.

0:26:59.119 --> 0:26:59.699
<v Speaker 1>So he didn't

0:26:59.700 --> 0:27:01.450
<v Speaker 2>make it because I didn't

0:27:01.450 --> 0:27:05.270
<v Speaker 1>feel right. And I think you have to trust that

0:27:05.280 --> 0:27:06.810
<v Speaker 1>I was really tired.

0:27:07.910 --> 0:27:10.980
<v Speaker 1>I was just, you know, you just know. I don't

0:27:10.980 --> 0:27:13.510
<v Speaker 1>know how. He explained, you have an instinct about your body,

0:27:13.510 --> 0:27:15.880
<v Speaker 1>and you need to listen to it. So

0:27:15.880 --> 0:27:16.990
<v Speaker 2>you asked for more tests?

0:27:17.000 --> 0:27:19.669
<v Speaker 1>Yeah. So he did a surgical biopsy that day, and

0:27:19.670 --> 0:27:22.010
<v Speaker 1>then I had to leave because my father was dying

0:27:22.010 --> 0:27:23.370
<v Speaker 1>and I had to leave to go see him. And

0:27:23.369 --> 0:27:26.390
<v Speaker 1>I still had just had the surgery, Didn't tell him.

0:27:26.910 --> 0:27:29.490
<v Speaker 1>So it was all, you know, again, all these things

0:27:29.490 --> 0:27:30.820
<v Speaker 1>come filing on top of each other.

0:27:31.810 --> 0:27:35.210
<v Speaker 2>And then what was the period between you finding out

0:27:35.220 --> 0:27:38.730
<v Speaker 2>and realising that you had to announce it publicly?

0:27:39.270 --> 0:27:43.340
<v Speaker 1>Well, the reason I announced it publicly is because one

0:27:43.340 --> 0:27:47.290
<v Speaker 1>of those, you know, national inquiry type of magazines had

0:27:47.290 --> 0:27:50.040
<v Speaker 1>got wind of it. I think someone at the imaging

0:27:50.040 --> 0:27:53.040
<v Speaker 1>place had contacted them and they were going to write

0:27:53.040 --> 0:27:56.510
<v Speaker 1>a story, Uh, that I was dying, you know, kind

0:27:56.510 --> 0:28:00.200
<v Speaker 1>of similar to what's happening now. So, um, I decided

0:28:00.200 --> 0:28:03.090
<v Speaker 1>to do an article and talk about it because I

0:28:03.090 --> 0:28:04.430
<v Speaker 1>didn't want my family,

0:28:04.820 --> 0:28:08.270
<v Speaker 1>um, reading about it before I had a chance to

0:28:08.270 --> 0:28:11.260
<v Speaker 1>tell them what was going on. So we decided to Yes,

0:28:11.260 --> 0:28:13.960
<v Speaker 1>just make a clean breast of it, excuse the pun

0:28:13.970 --> 0:28:16.960
<v Speaker 1>and discuss it and tell me what was going on

0:28:16.960 --> 0:28:21.420
<v Speaker 1>so that there'd be no secrets or, you know, that's

0:28:21.420 --> 0:28:22.640
<v Speaker 1>really how that happened.

0:28:23.310 --> 0:28:26.020
<v Speaker 2>So it was not your timetable it was, for it

0:28:26.020 --> 0:28:27.730
<v Speaker 2>was almost forced upon. I

0:28:27.740 --> 0:28:30.290
<v Speaker 1>hadn't planned on it, but I'm actually grateful that happened

0:28:30.300 --> 0:28:34.070
<v Speaker 1>because it gave me an opportunity to talk about something

0:28:34.070 --> 0:28:36.430
<v Speaker 1>that was a little taboo. It was taboo to me.

0:28:36.430 --> 0:28:39.610
<v Speaker 1>I mean, to think about going on television and talking

0:28:39.610 --> 0:28:41.920
<v Speaker 1>about my breasts and lumps, and in the beginning it

0:28:41.920 --> 0:28:43.080
<v Speaker 1>was really awkward.

0:28:43.270 --> 0:28:45.340
<v Speaker 1>You know, time has gone on now. So many years

0:28:45.340 --> 0:28:47.390
<v Speaker 1>have gone by that now it's quite normal.

0:28:47.390 --> 0:28:48.280
<v Speaker 2>You have friends

0:28:48.280 --> 0:28:50.510
<v Speaker 1>and walks, but at the time I was one of

0:28:50.510 --> 0:28:53.239
<v Speaker 1>the first. I think there was another girl in show business, Jill,

0:28:53.240 --> 0:28:55.800
<v Speaker 1>someone who'd gone through it before. But I was probably

0:28:55.800 --> 0:28:56.469
<v Speaker 1>the first.

0:28:57.090 --> 0:28:59.720
<v Speaker 1>You come out of it internationally, I think.

0:28:59.730 --> 0:29:04.410
<v Speaker 2>And what's it like? I mean, you've got these two tracks. Obviously,

0:29:04.410 --> 0:29:07.750
<v Speaker 2>you've got your own feelings about it and then having

0:29:07.750 --> 0:29:10.300
<v Speaker 2>to deal with everyone else's feelings about it. And I

0:29:10.300 --> 0:29:14.160
<v Speaker 2>see this in many people I know who have cancer,

0:29:15.050 --> 0:29:17.820
<v Speaker 2>and other people's feelings can be a burden. I can't

0:29:17.820 --> 0:29:22.560
<v Speaker 2>imagine what laying fame over all of that is also like,

0:29:22.570 --> 0:29:25.040
<v Speaker 2>How do you deal with those two different tracks?

0:29:25.050 --> 0:29:28.020
<v Speaker 1>Well, what I did and I recommend this to all

0:29:28.020 --> 0:29:28.510
<v Speaker 1>women

0:29:29.060 --> 0:29:32.160
<v Speaker 1>or men who are listening, who have an illness, whether

0:29:32.160 --> 0:29:35.170
<v Speaker 1>it be breast cancer or whatever it is, find somebody

0:29:35.170 --> 0:29:37.500
<v Speaker 1>else to do the talking to your friends, because what

0:29:37.500 --> 0:29:40.650
<v Speaker 1>I found was I'd go to tell a friend and

0:29:40.650 --> 0:29:43.000
<v Speaker 1>they burst into tears and you go, Oh, no, I

0:29:43.000 --> 0:29:47.990
<v Speaker 1>don't need that. I need support. So I engaged a

0:29:47.990 --> 0:29:52.030
<v Speaker 1>couple of girlfriends, um, to speak to my friends and

0:29:52.030 --> 0:29:53.980
<v Speaker 1>be the layers of what was going on So I

0:29:53.980 --> 0:29:55.190
<v Speaker 1>could just live my life

0:29:55.340 --> 0:29:59.130
<v Speaker 1>and dedicate that time to meditation or doing a yoga

0:29:59.130 --> 0:30:01.219
<v Speaker 1>class or going for a walk or being in nature,

0:30:01.220 --> 0:30:03.300
<v Speaker 1>which is my favourite thing or being with my animals.

0:30:03.310 --> 0:30:06.530
<v Speaker 1>So I didn't have to perpetually be talking about a

0:30:06.530 --> 0:30:10.130
<v Speaker 1>myself and be my illness. And I think it's not healthy.

0:30:10.140 --> 0:30:13.550
<v Speaker 1>It just keeps you in that sick mode, you know,

0:30:14.080 --> 0:30:18.570
<v Speaker 2>and then the fame side with with strangers wanting to

0:30:18.570 --> 0:30:20.010
<v Speaker 2>talk to you about it. What was that

0:30:20.010 --> 0:30:26.900
<v Speaker 1>like? Well, most of those people are really positive and, uh, sensitive.

0:30:26.900 --> 0:30:28.260
<v Speaker 1>There are people now again who,

0:30:28.480 --> 0:30:31.150
<v Speaker 1>and I don't think it's deliberate, but they want to

0:30:31.160 --> 0:30:33.600
<v Speaker 1>quote you facts about how many people have died of this.

0:30:33.600 --> 0:30:36.850
<v Speaker 1>And when I know that's helpful, I really wanna or

0:30:36.850 --> 0:30:39.050
<v Speaker 2>do they say I've got this treatment. If you just

0:30:39.050 --> 0:30:42.050
<v Speaker 2>rub tumeric on your pulse points

0:30:42.060 --> 0:30:44.230
<v Speaker 1>and all those things I listened to because I believe

0:30:44.230 --> 0:30:47.750
<v Speaker 1>in natural therapies. And that's what I'm doing now, back then,

0:30:47.750 --> 0:30:52.060
<v Speaker 1>I did chemotherapy and, um, didn't again. Didn't want to,

0:30:52.060 --> 0:30:55.030
<v Speaker 1>but I did it. Um, But

0:30:55.540 --> 0:30:57.680
<v Speaker 2>you almost like yourself out of it, didn't you?

0:30:57.690 --> 0:30:59.730
<v Speaker 1>Yeah. Yeah, I was again. Afraid.

0:30:59.730 --> 0:31:00.690
<v Speaker 2>What were you so scared

0:31:00.690 --> 0:31:02.840
<v Speaker 1>of? I thought that they put the needle in. I

0:31:02.840 --> 0:31:05.040
<v Speaker 1>was going to die. That was just my vision. I'm

0:31:05.040 --> 0:31:05.430
<v Speaker 1>going to be the

0:31:05.430 --> 0:31:08.910
<v Speaker 2>first person who is meant to work the other way.

0:31:08.920 --> 0:31:12.010
<v Speaker 1>Anyway, that was my I don't like

0:31:12.810 --> 0:31:16.230
<v Speaker 1>medicine. I don't like those things. So they just kind

0:31:16.230 --> 0:31:18.770
<v Speaker 1>of freaked me out. My mother never took an aspirin,

0:31:18.770 --> 0:31:20.280
<v Speaker 1>and she was that kind of person. So I grew

0:31:20.280 --> 0:31:22.650
<v Speaker 1>up in that kind of natural household.

0:31:23.460 --> 0:31:27.940
<v Speaker 2>So you had a mastectomy and chemo the first time,

0:31:27.950 --> 0:31:30.210
<v Speaker 2>and you write about how there were people outside your

0:31:30.210 --> 0:31:32.520
<v Speaker 2>house shouting at you to try meditation.

0:31:32.530 --> 0:31:34.520
<v Speaker 1>Yes. Actually, that was a good idea. I did

0:31:34.520 --> 0:31:35.520
<v Speaker 2>it,

0:31:36.410 --> 0:31:41.360
<v Speaker 2>uh, possess someone to come and shout about what treatment

0:31:41.360 --> 0:31:42.260
<v Speaker 2>someone else should have.

0:31:42.270 --> 0:31:45.140
<v Speaker 1>It's funny, isn't remember this guy pulling up in my

0:31:45.150 --> 0:31:46.250
<v Speaker 1>at my gate

0:31:47.060 --> 0:31:50.440
<v Speaker 1>in I think a limo and opening the limo and

0:31:50.440 --> 0:31:52.550
<v Speaker 1>ringing the bell. And I had security at that time

0:31:52.550 --> 0:31:54.460
<v Speaker 1>because it was my Britney Day, as I call it,

0:31:54.470 --> 0:31:55.750
<v Speaker 1>and

0:31:56.300 --> 0:31:59.450
<v Speaker 1>shouting out Oh, you should just do tm and all

0:31:59.450 --> 0:32:02.650
<v Speaker 1>this stuff. And I remember it, actually. And

0:32:03.270 --> 0:32:05.190
<v Speaker 1>I did it, actually, And it was a good thing.

0:32:05.200 --> 0:32:06.050
<v Speaker 2>Like thanks for that.

0:32:06.060 --> 0:32:08.100
<v Speaker 1>It wasn't really because of him, but it was something

0:32:08.100 --> 0:32:09.730
<v Speaker 1>I was doing anyway. But

0:32:09.740 --> 0:32:10.600
<v Speaker 2>I'm already on it.

0:32:10.600 --> 0:32:14.660
<v Speaker 1>The feeling I mean, the meaning was well, meaning. Tell

0:32:14.660 --> 0:32:16.710
<v Speaker 2>me about the Britney days. I love that you describe

0:32:16.710 --> 0:32:18.640
<v Speaker 2>it like that. Why do you describe him as your

0:32:18.640 --> 0:32:19.390
<v Speaker 2>Britney days?

0:32:19.400 --> 0:32:23.650
<v Speaker 1>Well, because that was my, you know, physical and Greece.

0:32:23.650 --> 0:32:23.990
<v Speaker 1>And

0:32:24.170 --> 0:32:26.590
<v Speaker 1>I was I mean, it wasn't the tabloids like now.

0:32:26.590 --> 0:32:28.470
<v Speaker 1>And it wasn't social media like now, But

0:32:28.470 --> 0:32:29.500
<v Speaker 2>it wasn't TMZ.

0:32:29.510 --> 0:32:32.000
<v Speaker 1>No, they weren't following you like that. I mean, it

0:32:32.000 --> 0:32:34.460
<v Speaker 1>was a certain amount of it, but nothing like I

0:32:34.460 --> 0:32:36.000
<v Speaker 1>used to get upset if they took a picture of

0:32:36.000 --> 0:32:38.540
<v Speaker 1>me over the fence or something in Australia. But,

0:32:39.070 --> 0:32:43.250
<v Speaker 1>um, nothing compared to the stuff they do now. But

0:32:43.250 --> 0:32:46.270
<v Speaker 1>it was my big time. So that's what I call

0:32:46.270 --> 0:32:46.720
<v Speaker 1>it that

0:32:46.730 --> 0:32:50.460
<v Speaker 2>physical? I was just watched it again this morning. God,

0:32:50.460 --> 0:32:55.150
<v Speaker 2>that was a brilliant video. But also really strange. Yeah,

0:32:55.160 --> 0:32:58.350
<v Speaker 2>it starts with this sort of almost home. I was watching.

0:32:58.350 --> 0:33:00.530
<v Speaker 2>I was going. This is quite homoerotic. Before I watched

0:33:00.530 --> 0:33:02.410
<v Speaker 2>the end of it all These like, buff guy

0:33:02.440 --> 0:33:06.170
<v Speaker 2>guys doing, you know, working out, and you and I

0:33:06.170 --> 0:33:09.370
<v Speaker 2>was like, Gosh, this is so interesting. Male sexuality and

0:33:09.370 --> 0:33:13.400
<v Speaker 2>women sort of ogling men is never portrayed in music videos.

0:33:13.410 --> 0:33:16.050
<v Speaker 2>So it was really progressive. And you had your short

0:33:16.050 --> 0:33:19.120
<v Speaker 2>hair and you had your aerobics outfit. And then they became, like,

0:33:19.140 --> 0:33:22.840
<v Speaker 2>contestants on the biggest loser Cut to that. And then

0:33:22.840 --> 0:33:26.960
<v Speaker 2>you were in a shower. You came back and the

0:33:26.960 --> 0:33:28.280
<v Speaker 2>guys were hot again.

0:33:28.740 --> 0:33:31.469
<v Speaker 2>And then the guys just walk off holding hands at

0:33:31.470 --> 0:33:31.640
<v Speaker 2>the

0:33:31.640 --> 0:33:33.030
<v Speaker 1>end. Gay.

0:33:33.030 --> 0:33:36.110
<v Speaker 2>And it was, like, very subversive, like in that time.

0:33:36.110 --> 0:33:38.070
<v Speaker 2>And you say in the book, you didn't really think

0:33:38.070 --> 0:33:40.490
<v Speaker 2>anything of it. Like when you read this video treatment.

0:33:40.500 --> 0:33:43.550
<v Speaker 2>Did you think Oh, this is a bit risque.

0:33:45.190 --> 0:33:47.420
<v Speaker 1>The song I thought it was more risky. The video

0:33:47.420 --> 0:33:48.820
<v Speaker 1>was supposed to solve that

0:33:48.830 --> 0:33:49.420
<v Speaker 2>problem,

0:33:50.950 --> 0:33:52.780
<v Speaker 1>and I think he did in a way because he

0:33:52.780 --> 0:33:54.890
<v Speaker 1>kind of took it off in another area.

0:33:54.900 --> 0:33:55.900
<v Speaker 2>And it was kind of funny.

0:33:55.910 --> 0:33:59.360
<v Speaker 1>It was funny. And I have no problem. You know, lovers,

0:33:59.360 --> 0:34:01.930
<v Speaker 1>lovers to me. I don't care about that. My friends

0:34:01.930 --> 0:34:04.680
<v Speaker 1>were Gaiser who cared, so I thought it was funny. But,

0:34:04.680 --> 0:34:07.770
<v Speaker 1>you know, I'm not 99% of the country, so I

0:34:07.770 --> 0:34:10.950
<v Speaker 1>got banned in Utah, I think where I shot my concert,

0:34:10.950 --> 0:34:13.020
<v Speaker 1>which was really funny. Um,

0:34:13.410 --> 0:34:14.029
<v Speaker 1>but

0:34:14.040 --> 0:34:15.650
<v Speaker 2>because of the gay part,

0:34:15.660 --> 0:34:17.830
<v Speaker 1>No, no, just because it

0:34:17.830 --> 0:34:19.239
<v Speaker 2>was too rude. The lyrics

0:34:19.239 --> 0:34:21.719
<v Speaker 1>to Naughty. Yes. And I must say, I was I

0:34:21.719 --> 0:34:25.689
<v Speaker 1>was freaked out about the song after I recorded it. Yeah,

0:34:25.700 --> 0:34:27.410
<v Speaker 1>and said to my manager again, another thing I was

0:34:27.410 --> 0:34:29.879
<v Speaker 1>scared off. I think I've gone too far. I think

0:34:29.890 --> 0:34:33.430
<v Speaker 1>we need to do a video about exercise to kind of,

0:34:33.440 --> 0:34:37.140
<v Speaker 1>you know, take the focus off those lyrics. And then,

0:34:37.140 --> 0:34:38.630
<v Speaker 1>of course, I made it even bigger.

0:34:39.170 --> 0:34:39.400
<v Speaker 1>Yeah,

0:34:40.150 --> 0:34:43.430
<v Speaker 1>I should have bought shares in Spandex is all I'm saying.

0:34:43.430 --> 0:34:47.290
<v Speaker 1>And headbands. I was too late. Jane Fonda did it.

0:34:47.820 --> 0:34:50.340
<v Speaker 2>That was that. That was the time, wasn't it? And

0:34:50.340 --> 0:34:52.720
<v Speaker 2>then the beautiful ending with the twist where you go

0:34:52.719 --> 0:34:55.150
<v Speaker 2>off with the big guy and you find love with

0:34:55.150 --> 0:34:58.670
<v Speaker 2>him with the tennis rackets over your shoulders. I love that.

0:34:58.680 --> 0:35:03.290
<v Speaker 2>So they were your Britney days, and then you didn't

0:35:03.300 --> 0:35:04.950
<v Speaker 2>You didn't

0:35:05.460 --> 0:35:05.980
<v Speaker 1>tell

0:35:05.980 --> 0:35:09.859
<v Speaker 2>people When the cancer came back. Your sister was unwell. She,

0:35:09.870 --> 0:35:11.989
<v Speaker 2>um And you were visiting her in hospital. You had

0:35:11.989 --> 0:35:13.730
<v Speaker 2>a car accident and

0:35:13.730 --> 0:35:14.900
<v Speaker 1>she was at home. She was at

0:35:14.900 --> 0:35:17.560
<v Speaker 2>home and you ended up getting a lump on your shoulder,

0:35:17.560 --> 0:35:18.589
<v Speaker 2>which you would have thought

0:35:20.010 --> 0:35:22.650
<v Speaker 2>It's just from the car accident, but it turned out

0:35:22.650 --> 0:35:23.120
<v Speaker 2>not to be

0:35:23.120 --> 0:35:25.830
<v Speaker 1>that I don't know which came first, the chicken or

0:35:25.830 --> 0:35:28.840
<v Speaker 1>the egg. But I think the I very much believe

0:35:28.840 --> 0:35:33.220
<v Speaker 1>in illness and emotional attachment to and trauma to illness,

0:35:33.219 --> 0:35:35.200
<v Speaker 1>which has actually been proven quite a lot. And I've

0:35:35.200 --> 0:35:39.840
<v Speaker 1>always followed Louise hay, you know, familiar with the house. Yeah, and, uh,

0:35:39.850 --> 0:35:42.150
<v Speaker 1>you know, emotions and illness and how they tie together

0:35:42.150 --> 0:35:43.950
<v Speaker 1>very often. And stress, particularly,

0:35:44.270 --> 0:35:47.890
<v Speaker 1>can be really bad, particularly with cancer. But you want

0:35:47.890 --> 0:35:50.000
<v Speaker 1>to try and stay as stress free as you can.

0:35:50.010 --> 0:35:52.160
<v Speaker 1>So I think all those things plus the hit

0:35:52.760 --> 0:35:53.810
<v Speaker 1>Yeah.

0:35:53.820 --> 0:35:57.700
<v Speaker 2>You've already met your second husband by then. How did

0:35:57.700 --> 0:35:58.940
<v Speaker 2>you and John mate

0:35:59.500 --> 0:36:04.140
<v Speaker 1>the first time? Yeah, the very first time. Uh, he

0:36:04.140 --> 0:36:08.450
<v Speaker 1>was doing a talk on the Amazon rainforest because he

0:36:08.460 --> 0:36:11.839
<v Speaker 1>spent 30 years in the Amazon and bringing plants and

0:36:11.840 --> 0:36:15.370
<v Speaker 1>natural therapies and herbs back from the Amazon and started

0:36:15.370 --> 0:36:20.100
<v Speaker 1>a company which is a fascinating book in itself. And

0:36:20.110 --> 0:36:22.560
<v Speaker 1>I was interested in that. And my girlfriend, Nancy and

0:36:22.560 --> 0:36:27.310
<v Speaker 1>Jim went to a health show where he was distributing

0:36:27.310 --> 0:36:29.340
<v Speaker 1>his hopes and giving out samples,

0:36:29.590 --> 0:36:31.370
<v Speaker 1>and they were standing in line. She thought it was

0:36:31.370 --> 0:36:34.550
<v Speaker 1>for ice cream and ended up being for his herbs.

0:36:34.560 --> 0:36:36.930
<v Speaker 1>And she had her mother with her, who was at

0:36:36.930 --> 0:36:39.990
<v Speaker 1>the time in her eighties, and they took samples of

0:36:39.989 --> 0:36:42.370
<v Speaker 1>his herbs. I think they were liquids at the time,

0:36:42.380 --> 0:36:44.920
<v Speaker 1>and she went home and cleaned out a whole closet

0:36:44.930 --> 0:36:46.760
<v Speaker 1>and woke up the next morning and said to Nancy,

0:36:46.760 --> 0:36:48.860
<v Speaker 1>I want to go back again, meet that guy and

0:36:48.860 --> 0:36:51.219
<v Speaker 1>I want more of those herbs because I felt so

0:36:51.219 --> 0:36:55.339
<v Speaker 1>good so that they became friends. And then Jim ended

0:36:55.340 --> 0:36:57.900
<v Speaker 1>up district being a distributor of John's products

0:36:58.130 --> 0:36:59.960
<v Speaker 1>and He was doing a truck on the rainforest, and

0:36:59.960 --> 0:37:02.030
<v Speaker 1>they invited me to come. Listen,

0:37:02.600 --> 0:37:04.580
<v Speaker 1>so I was very impressed with him, but I had

0:37:04.590 --> 0:37:08.130
<v Speaker 1>no thoughts on him. Other than that, he was really

0:37:08.130 --> 0:37:12.339
<v Speaker 1>clever and very knowledgeable about the rainforest and the Amazon.

0:37:12.340 --> 0:37:14.070
<v Speaker 1>And that was very interesting to me. But he's so

0:37:14.070 --> 0:37:15.210
<v Speaker 1>good looking. He was Could

0:37:15.210 --> 0:37:16.350
<v Speaker 2>you have had any thought?

0:37:16.350 --> 0:37:19.160
<v Speaker 1>He was a businessman. I had no Oh,

0:37:19.160 --> 0:37:22.250
<v Speaker 2>yeah, But he was like a hippie businessman. Like he

0:37:22.250 --> 0:37:25.310
<v Speaker 2>was very grounded in nature. And babe

0:37:25.320 --> 0:37:26.510
<v Speaker 1>he was. And

0:37:26.510 --> 0:37:27.780
<v Speaker 2>he said he had you

0:37:27.780 --> 0:37:29.660
<v Speaker 1>doing about what's it called again?

0:37:29.960 --> 0:37:32.010
<v Speaker 1>What's that thing you said you were doing?

0:37:32.020 --> 0:37:36.900
<v Speaker 2>Cutting grass? Oh, shipping, shipping, shipping to ship you

0:37:36.910 --> 0:37:37.979
<v Speaker 1>got there. I got

0:37:37.980 --> 0:37:39.640
<v Speaker 2>eventually. You know,

0:37:39.640 --> 0:37:41.890
<v Speaker 1>I was slow. I was slow. So was he. He

0:37:41.890 --> 0:37:44.350
<v Speaker 1>saw me. OK, this is funny. My mother used to

0:37:44.350 --> 0:37:47.219
<v Speaker 1>say to me, Darling, you should marry a businessman. That

0:37:47.219 --> 0:37:49.180
<v Speaker 1>was her whole thing. She

0:37:49.180 --> 0:37:50.380
<v Speaker 2>was German. I love

0:37:50.390 --> 0:37:53.140
<v Speaker 1>you Should know your business, man. I said, Mama, Businessman,

0:37:53.150 --> 0:37:55.550
<v Speaker 1>What would I have in common with the businessman? You know,

0:37:55.550 --> 0:37:57.860
<v Speaker 1>someone in the business who understands what I do. So

0:37:57.870 --> 0:37:59.180
<v Speaker 1>I had No,

0:37:59.600 --> 0:38:03.960
<v Speaker 1>it didn't occur to me at all. So, um, now

0:38:03.960 --> 0:38:05.710
<v Speaker 1>I've lost where I was. Totally. So

0:38:05.719 --> 0:38:07.400
<v Speaker 2>your mother said marry a businessman?

0:38:07.400 --> 0:38:11.010
<v Speaker 1>Yeah. Now she was gone by the time I met John, unfortunately,

0:38:11.020 --> 0:38:13.780
<v Speaker 1>because she would have loved him. But

0:38:14.310 --> 0:38:16.570
<v Speaker 1>so when I first met him, I thought he was handsome,

0:38:16.570 --> 0:38:18.460
<v Speaker 1>But I was married at that time. So, you know,

0:38:18.460 --> 0:38:23.230
<v Speaker 1>I wasn't looking sideways. I was married and he thought

0:38:23.230 --> 0:38:26.130
<v Speaker 1>I was just some Hollywood chick. He didn't know my music.

0:38:26.140 --> 0:38:28.450
<v Speaker 1>He'd never seen Greece. He'd never

0:38:28.450 --> 0:38:29.610
<v Speaker 2>seen Greece.

0:38:29.620 --> 0:38:31.319
<v Speaker 1>And when you ask him, he goes. So I was

0:38:31.320 --> 0:38:33.270
<v Speaker 1>in the Amazon, up up the river, in a canoe.

0:38:33.270 --> 0:38:35.310
<v Speaker 1>He had no clue. So

0:38:35.320 --> 0:38:38.270
<v Speaker 2>So you don't You know who I am? You couldn't

0:38:38.270 --> 0:38:40.520
<v Speaker 2>even do that. That would ever be your style.

0:38:40.520 --> 0:38:42.410
<v Speaker 1>That's not my soul. That's not who I am.

0:38:42.560 --> 0:38:43.650
<v Speaker 1>And has

0:38:43.650 --> 0:38:44.740
<v Speaker 2>he seen Greece? Still?

0:38:44.750 --> 0:38:47.950
<v Speaker 1>Yes. Actually, it's a really funny story, because the first

0:38:47.950 --> 0:38:49.009
<v Speaker 1>time he saw it,

0:38:49.670 --> 0:38:52.460
<v Speaker 1>we were just married. And John Travolta asked us for dinner,

0:38:52.469 --> 0:38:56.510
<v Speaker 1>and he has a private airport at his house, which

0:38:56.510 --> 0:38:58.919
<v Speaker 1>is always his dream. He's going to have that. So

0:38:58.920 --> 0:39:01.930
<v Speaker 1>we're having dinner and my husband is a pilot, too.

0:39:01.930 --> 0:39:04.680
<v Speaker 1>So John said, my plane just came back. I love

0:39:04.680 --> 0:39:07.820
<v Speaker 1>you guys to come see it. He just had it refurbished.

0:39:08.510 --> 0:39:10.870
<v Speaker 1>So we're having dinner, and my husband mentions he's never

0:39:10.870 --> 0:39:15.069
<v Speaker 1>seen Greece. And John Travolta, of course, says Where were you?

0:39:15.070 --> 0:39:18.850
<v Speaker 1>And up the Amazon? As you know, Um, so we

0:39:18.850 --> 0:39:21.080
<v Speaker 1>go onto the plane and Johnson, let's go into the plane,

0:39:21.080 --> 0:39:22.399
<v Speaker 1>have dessert on the plane.

0:39:22.969 --> 0:39:24.980
<v Speaker 1>So we go on the plane and we're sitting there

0:39:24.989 --> 0:39:27.480
<v Speaker 1>and all and Greece is playing on the screen.

0:39:27.489 --> 0:39:28.100
<v Speaker 2>And

0:39:28.100 --> 0:39:29.569
<v Speaker 1>that was the first time he saw it with both

0:39:29.570 --> 0:39:33.060
<v Speaker 1>of us on his John's plane. So is that fantastic?

0:39:33.060 --> 0:39:34.130
<v Speaker 1>I mean, you couldn't make that

0:39:34.130 --> 0:39:35.420
<v Speaker 2>up. And what

0:39:35.420 --> 0:39:38.509
<v Speaker 1>did he think? He liked it. He loved it,

0:39:38.520 --> 0:39:39.460
<v Speaker 2>he said. That's a

0:39:39.460 --> 0:39:42.359
<v Speaker 1>really good movie. And then the next time he saw it,

0:39:42.370 --> 0:39:44.440
<v Speaker 1>I think was that the 40th anniversary we just had

0:39:44.450 --> 0:39:47.319
<v Speaker 1>on a big screen? And I must say I enjoyed

0:39:47.320 --> 0:39:49.260
<v Speaker 1>it this time because it's you know, I haven't seen

0:39:49.260 --> 0:39:51.290
<v Speaker 1>it on a big screen in 20 years or something,

0:39:51.760 --> 0:39:54.020
<v Speaker 1>and I was able to really sit back and be

0:39:54.020 --> 0:39:57.680
<v Speaker 1>detached and just watch it without critiquing myself as I

0:39:57.680 --> 0:40:01.640
<v Speaker 1>usually do, and it was so much fun. It's got

0:40:01.640 --> 0:40:03.770
<v Speaker 1>a lot of layers to it. Actually, it

0:40:03.770 --> 0:40:05.830
<v Speaker 2>sure does have a lot of layers to it, and

0:40:05.830 --> 0:40:08.670
<v Speaker 2>all the characters are. So there's a lot of films

0:40:08.670 --> 0:40:11.290
<v Speaker 2>made around the time that could have been iconic. Why

0:40:11.290 --> 0:40:13.759
<v Speaker 2>do you think that one was just so had such

0:40:13.760 --> 0:40:14.240
<v Speaker 2>cut through?

0:40:14.250 --> 0:40:15.830
<v Speaker 1>You know, I think if we knew, we would have

0:40:15.830 --> 0:40:18.070
<v Speaker 1>made more. But there was a magic to it

0:40:18.080 --> 0:40:22.780
<v Speaker 1>in Well, the storyline is great. The fifties is, as

0:40:22.780 --> 0:40:24.810
<v Speaker 1>I was saying, is larger than life. Like a cartoon.

0:40:24.810 --> 0:40:27.290
<v Speaker 1>They made everyone being there was a great energy. And

0:40:27.290 --> 0:40:29.230
<v Speaker 1>the song is a great you know, We've got the

0:40:29.230 --> 0:40:32.589
<v Speaker 1>original songs. Plus, um, John Farrow and Barry Gibb wrote

0:40:32.590 --> 0:40:33.650
<v Speaker 1>some great songs. So

0:40:33.660 --> 0:40:34.660
<v Speaker 2>what's your favorite is a

0:40:34.660 --> 0:40:35.860
<v Speaker 1>winner. What's

0:40:35.860 --> 0:40:36.600
<v Speaker 2>your favourite song

0:40:36.610 --> 0:40:37.370
<v Speaker 1>from it?

0:40:37.900 --> 0:40:39.989
<v Speaker 1>Oh, gosh, I don't know. I love you Wanna know

0:40:39.989 --> 0:40:43.919
<v Speaker 1>why I love hopes? He devoted, um they're all fun there.

0:40:43.920 --> 0:40:44.940
<v Speaker 1>All the songs are good, I reckon.

0:40:44.940 --> 0:40:46.970
<v Speaker 2>What was the best one to sing and perform for

0:40:46.969 --> 0:40:49.920
<v Speaker 1>you? Um hopes he devoted It's quite a hard song

0:40:49.920 --> 0:40:51.640
<v Speaker 1>to sing, but it's a great song.

0:40:52.200 --> 0:40:56.670
<v Speaker 2>So back to your husband in whom he had no

0:40:56.670 --> 0:40:57.960
<v Speaker 2>romantic interest

0:40:58.219 --> 0:40:58.870
<v Speaker 1>and

0:40:58.870 --> 0:41:01.040
<v Speaker 2>who had no romantic interest in you. What's wrong with

0:41:01.040 --> 0:41:04.049
<v Speaker 2>the two of you? How did you saving up? How

0:41:04.050 --> 0:41:08.250
<v Speaker 2>did you end up in the Amazon together? Taking Iowa. Alaska.

0:41:08.260 --> 0:41:09.049
<v Speaker 2>Is that how you

0:41:09.050 --> 0:41:10.180
<v Speaker 1>even say Alaska?

0:41:10.190 --> 0:41:11.330
<v Speaker 2>Alaska, which

0:41:11.330 --> 0:41:12.779
<v Speaker 1>I didn't know I was taking. By the way, at

0:41:12.780 --> 0:41:15.130
<v Speaker 1>the time, it was just a sample taste. That's why

0:41:15.130 --> 0:41:18.989
<v Speaker 1>it was so interesting was meant to be. But he

0:41:19.550 --> 0:41:22.339
<v Speaker 1>came to say, That's right. I went, Oh, there's so

0:41:22.340 --> 0:41:25.089
<v Speaker 1>many stories. The dog story. So I gave him a dog,

0:41:25.090 --> 0:41:25.540
<v Speaker 1>and then

0:41:25.550 --> 0:41:26.720
<v Speaker 2>Oh,

0:41:26.730 --> 0:41:27.930
<v Speaker 1>that's in there. I don't know.

0:41:27.930 --> 0:41:31.630
<v Speaker 2>Yeah. Yeah. Okay. So you gave him a dog, a

0:41:31.630 --> 0:41:33.890
<v Speaker 1>puppy. And I didn't see him or the puppy for

0:41:33.890 --> 0:41:36.930
<v Speaker 1>about seven years or something. I mean, I might see

0:41:36.930 --> 0:41:39.570
<v Speaker 1>him occasionally at a charity event because he would supply

0:41:39.580 --> 0:41:42.939
<v Speaker 1>his herds and his skin. Care to check the thing

0:41:42.940 --> 0:41:45.130
<v Speaker 1>I started with Nancy and Jim. We have fundraisers, and

0:41:45.130 --> 0:41:45.970
<v Speaker 1>he'd supply.

0:41:46.489 --> 0:41:48.660
<v Speaker 1>Um, I didn't really see him. Oh, I know what happened.

0:41:49.090 --> 0:41:51.610
<v Speaker 1>This is funny. I was offered

0:41:52.330 --> 0:41:54.110
<v Speaker 1>to do a skin care line for one of the

0:41:54.110 --> 0:41:57.840
<v Speaker 1>big drug store chains. Huge one.

0:41:58.469 --> 0:42:00.270
<v Speaker 1>And I thought, Well, I don't know much about skincare,

0:42:00.270 --> 0:42:03.700
<v Speaker 1>but John does. So I called him up and I said,

0:42:03.710 --> 0:42:07.589
<v Speaker 1>You know, I've been offered to do this skincare line, uh,

0:42:07.600 --> 0:42:10.790
<v Speaker 1>for this big chain of stores and I know you

0:42:10.790 --> 0:42:13.390
<v Speaker 1>do one. Would you be interested in partnering with me?

0:42:13.400 --> 0:42:16.310
<v Speaker 1>And we could use your skin care, but just re

0:42:16.310 --> 0:42:18.509
<v Speaker 1>label it and all that and he goes, Why would

0:42:18.510 --> 0:42:19.430
<v Speaker 1>I want to do that?

0:42:20.460 --> 0:42:21.380
<v Speaker 1>And I went

0:42:21.390 --> 0:42:22.700
<v Speaker 2>It's really not taking him,

0:42:22.710 --> 0:42:26.210
<v Speaker 1>he says. No, it wasn't a hint, really, I said,

0:42:26.210 --> 0:42:28.219
<v Speaker 1>because it's going to be big. He said, no, they're

0:42:28.219 --> 0:42:30.600
<v Speaker 1>gonna want to cheapen my product, put it in plastic

0:42:30.600 --> 0:42:34.089
<v Speaker 1>bottles and he, you know, at the time I was

0:42:34.090 --> 0:42:36.310
<v Speaker 1>taken aback. But I really respected his

0:42:36.310 --> 0:42:37.219
<v Speaker 2>integrity.

0:42:37.230 --> 0:42:39.490
<v Speaker 1>So that always stayed with me, I thought. And also

0:42:39.489 --> 0:42:41.310
<v Speaker 1>he said no to me. How d

0:42:41.910 --> 0:42:44.210
<v Speaker 2>yeah, smart guy.

0:42:44.219 --> 0:42:46.870
<v Speaker 1>So yeah, so not long after that, I was doing

0:42:46.870 --> 0:42:50.510
<v Speaker 1>a concert in Florida and I called. My assistant said,

0:42:50.510 --> 0:42:52.240
<v Speaker 1>Why don't you invite John Easterling? Tell him to bring

0:42:52.239 --> 0:42:55.010
<v Speaker 1>his girlfriend because there's a whole other story before that,

0:42:55.020 --> 0:42:57.330
<v Speaker 1>because I thought he had a girlfriend. So he came

0:42:57.330 --> 0:42:59.240
<v Speaker 1>to the show. But he didn't bring his girlfriend. He

0:42:59.239 --> 0:43:02.210
<v Speaker 1>bought the puppy I'd sent him, who is now a

0:43:02.210 --> 0:43:06.310
<v Speaker 1>big dog and who remembered me. And John remembered me.

0:43:06.320 --> 0:43:10.020
<v Speaker 1>Thank God. And that's how we kind of connected.

0:43:10.340 --> 0:43:12.339
<v Speaker 1>And when he said when he saw my show and

0:43:12.340 --> 0:43:14.420
<v Speaker 1>this is his quote, not mine, he said when he

0:43:14.420 --> 0:43:17.310
<v Speaker 1>saw me singing he he knew I was a healer

0:43:17.320 --> 0:43:19.660
<v Speaker 1>and he wanted to take me to the Amazon to

0:43:19.660 --> 0:43:21.509
<v Speaker 1>meet the other healers down there that he worked with

0:43:21.510 --> 0:43:24.630
<v Speaker 1>all the time. So that was his intention. So the

0:43:24.630 --> 0:43:26.350
<v Speaker 1>next day he came to see me at the hotel.

0:43:26.360 --> 0:43:28.630
<v Speaker 1>I was mortified. I'm sitting by the pool and my

0:43:28.640 --> 0:43:31.130
<v Speaker 1>bikini and no makeup, and he turns up and I'm

0:43:31.130 --> 0:43:33.790
<v Speaker 1>going Oh, no, I was like, You know, you don't

0:43:33.790 --> 0:43:36.410
<v Speaker 1>want to be seen. And, uh, he said, I'd like

0:43:36.410 --> 0:43:37.759
<v Speaker 1>to take you to the Amazon

0:43:38.450 --> 0:43:40.780
<v Speaker 1>and meet the hell is down there and I go

0:43:40.780 --> 0:43:43.560
<v Speaker 1>every June. So if you'd like to come, I'd like

0:43:43.560 --> 0:43:44.600
<v Speaker 1>to take you next June

0:43:45.130 --> 0:43:46.930
<v Speaker 1>so it turns out that he'd been talking to Nancy

0:43:46.930 --> 0:43:49.450
<v Speaker 1>and Jim. It was her 60th birthday, so we made

0:43:49.450 --> 0:43:51.170
<v Speaker 1>it her birthday trip and the four of us, we're

0:43:51.170 --> 0:43:53.120
<v Speaker 1>going to go because I don't want to go by myself.

0:43:53.120 --> 0:43:57.350
<v Speaker 1>I was terrified. So, um, that's what it all happened.

0:43:57.360 --> 0:43:58.300
<v Speaker 2>And what's a Oscar

0:43:58.300 --> 0:43:58.830
<v Speaker 1>like?

0:44:00.000 --> 0:44:02.040
<v Speaker 1>It's very hard to explain.

0:44:03.060 --> 0:44:06.719
<v Speaker 1>I didn't do a full on,

0:44:07.820 --> 0:44:12.180
<v Speaker 1>uh, journey because it takes all night and it was

0:44:12.180 --> 0:44:14.660
<v Speaker 1>all night. But I just had a reaction to this tiny,

0:44:14.660 --> 0:44:17.560
<v Speaker 1>tiny amount because my body is so sensitive. But you

0:44:17.560 --> 0:44:19.740
<v Speaker 1>have to read it. I couldn't relate that now.

0:44:19.750 --> 0:44:23.779
<v Speaker 2>Yeah. No, it's full on. From what I understand the

0:44:23.780 --> 0:44:26.210
<v Speaker 2>Oscar situation. They

0:44:26.210 --> 0:44:28.140
<v Speaker 1>use it a lot in drug rehab now and for

0:44:28.140 --> 0:44:32.270
<v Speaker 1>people with emotional issues. And for me, all I can

0:44:32.270 --> 0:44:35.770
<v Speaker 1>say is that short experience that I had

0:44:36.020 --> 0:44:39.890
<v Speaker 1>totally cleared my mind of a real dramatic issues that

0:44:39.890 --> 0:44:43.500
<v Speaker 1>I've been having. So I have belief in it as

0:44:43.500 --> 0:44:44.830
<v Speaker 1>a as a healing plant.

0:44:44.840 --> 0:44:48.330
<v Speaker 2>You chose not to make a public when when your

0:44:48.330 --> 0:44:51.900
<v Speaker 2>cancer came back after your sister died, Why is that?

0:44:51.910 --> 0:44:53.799
<v Speaker 2>Is it just that there was too much going on?

0:44:54.820 --> 0:44:57.669
<v Speaker 1>Well, there's some things you want to keep private. Why

0:44:57.670 --> 0:44:59.700
<v Speaker 1>would I need to tell people It's not really anyone's

0:44:59.700 --> 0:45:01.370
<v Speaker 1>business but mine. But

0:45:01.380 --> 0:45:02.710
<v Speaker 2>this time you have decided

0:45:02.719 --> 0:45:04.989
<v Speaker 1>at this time I thought, Well, I'm writing a book.

0:45:05.000 --> 0:45:07.800
<v Speaker 1>I'm as well, yeah, talk about it.

0:45:08.390 --> 0:45:10.660
<v Speaker 2>And how are you treating at this time and how

0:45:10.660 --> 0:45:11.500
<v Speaker 2>are you feeling?

0:45:11.510 --> 0:45:14.569
<v Speaker 1>Feel good. I'm doing a lot of natural therapies.

0:45:15.219 --> 0:45:18.750
<v Speaker 1>I went to a wonderful place in Mexico called Hope

0:45:18.750 --> 0:45:21.170
<v Speaker 1>for Cancer that does all natural therapies. And I spent

0:45:21.170 --> 0:45:24.190
<v Speaker 1>three weeks. They're learning them and doing them and,

0:45:24.820 --> 0:45:26.830
<v Speaker 1>yeah, making my immune system strong.

0:45:27.700 --> 0:45:32.049
<v Speaker 2>Thank you for listening to no philtre candid conversations that count.

0:45:32.060 --> 0:45:34.920
<v Speaker 2>You can buy Olivia's book. Don't stop believing at any

0:45:34.920 --> 0:45:39.630
<v Speaker 2>good bookstore or at apple dot co forward slash mamma mia.

0:45:39.640 --> 0:45:42.200
<v Speaker 2>If you're looking for what to listen to next, can

0:45:42.200 --> 0:45:45.839
<v Speaker 2>I recommend my no philtre interview with another Aussie icon

0:45:45.850 --> 0:45:51.080
<v Speaker 2>item bistros. We had a fascinating conversation. Um, that included

0:45:51.090 --> 0:45:54.819
<v Speaker 2>a very kind of conversation about plastic surgery and Botox.

0:45:55.860 --> 0:45:59.069
<v Speaker 2>Next up on no philtre. My full conversation with Serena

0:45:59.070 --> 0:46:02.860
<v Speaker 2>Williams and I chat to Leigh sales about her new book.

0:46:02.870 --> 0:46:06.060
<v Speaker 2>Any ordinary day. Yes. You're going to get to in

0:46:06.060 --> 0:46:09.640
<v Speaker 2>a week. No. Philtre is produced by Eliza Ratliff. I'm

0:46:09.640 --> 0:46:12.350
<v Speaker 2>Mia Freedman, and I will see you on mamma mia

0:46:12.360 --> 0:46:13.970
<v Speaker 2>dot com dot au.