WEBVTT - Gracie Otto Watched Her Dad’s Health Unfold From Behind The Camera

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<v Speaker 1>You're listening to a Mom and Mia podcast. Mama Miya

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<v Speaker 1>acknowledges the traditional owners of land and waters that this

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<v Speaker 1>podcast is recorded on.

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<v Speaker 2>If I look at the end of the film now

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<v Speaker 2>and Dad's kind of asking me who I am, and

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<v Speaker 2>he's a bit confused, but he kind of knows I'm someone. Now,

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<v Speaker 2>I'm going to go see Dad in a minute, and

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<v Speaker 2>he has no idea who I am. Last year he

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<v Speaker 2>went from walking around the park one day to basically

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<v Speaker 2>never walking again. It's like two hundred different light bulbs

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<v Speaker 2>of everything you can do and they just start to

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<v Speaker 2>shut off and you go, oh, right, great, those thirty

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<v Speaker 2>light bulbs just went off.

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<v Speaker 1>Now without even realizing it. You'll know the name Otto,

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<v Speaker 1>whether it's actor Miranda Otto or Australian performing royalty Barry Otto,

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<v Speaker 1>or his youngest daughter my guest today director and filmmaker

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<v Speaker 1>Gracie Otto. If you haven't heard of her, you'll definitely

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<v Speaker 1>know her work because of the past five years she's

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<v Speaker 1>been working back to back on projects directing Australian series

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<v Speaker 1>with no more than a three week break. In that

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<v Speaker 1>entire time. He may have watched The Other Guy Deadlocke,

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<v Speaker 1>The Artful Dodger, or the cult phenomenon Heartbreak High. But

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<v Speaker 1>what has recently put Grace's name everywhere is her actor

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<v Speaker 1>award winning film Otto by Otto, a documentary following her

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<v Speaker 1>father as he prepares to premiere a one man show.

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<v Speaker 1>What makes this film heartbreakingly beautiful is that, over the

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<v Speaker 1>years she's spent documenting him, the film that began as

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<v Speaker 1>a tribute to his career became a deeply personal story

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<v Speaker 1>about watching his Alzheimer's diagnosis unfold before her eyes, as

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<v Speaker 1>Graceie fought to capture as much of the man she

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<v Speaker 1>knew before he disappeared. Grace's not only incredibly talented and

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<v Speaker 1>very humble, but also a fascinating person. Though she's only

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<v Speaker 1>read two books in her life, she's deeply immersed in

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<v Speaker 1>art and culture. A woman most comfortable when dressed in

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<v Speaker 1>Nike tracksuits, yet she directs multimillion dollar fashion films. She

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<v Speaker 1>takes cooking classes, and has just started seeing a trainer,

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<v Speaker 1>all in her attempt to learn how to be an

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<v Speaker 1>adult while embracing every work opportunity that comes her way.

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<v Speaker 1>I managed to catch Gracie during her rare three week

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<v Speaker 1>break right before she dies into her next project. And

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<v Speaker 1>knowing her she might not come up for air for

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<v Speaker 1>another five years. Gracie Otto, welcome to No Filter.

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<v Speaker 3>Thanks for having met.

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<v Speaker 1>Yeah, well we haven't had you yet, but we will.

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<v Speaker 3>Yeah. Well yeah, I'll save my thanks to the end.

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<v Speaker 1>It's quite an achievement to get you here, because you are.

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<v Speaker 1>I don't think it's an exaggeration one of the busiest

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<v Speaker 1>artists in the country in terms of being a director

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<v Speaker 1>and now an award winner. I think a lot of

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<v Speaker 1>people wouldn't even realize how much of your work they know.

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<v Speaker 2>I feel like I always yeah, people are like, how

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<v Speaker 2>long you've been in the industry for and really like,

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<v Speaker 2>you know, I've been working since I was like eighteen,

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<v Speaker 2>after film school, making things on it, you know, fashion films,

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<v Speaker 2>like short films.

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<v Speaker 3>Like trying to do everything.

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<v Speaker 2>But obviously in the last few years people are kind

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<v Speaker 2>of more aware of some of the projects that I've done.

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<v Speaker 1>You do span an extraordinary sort of breadth of material, really,

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<v Speaker 1>like You've got, you know, Ladies in Black, or Heartbreak

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<v Speaker 1>High or your new film the docco about your family,

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<v Speaker 1>which I have to say is so extraordinary that I

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<v Speaker 1>felt when I was watching it that my chest was

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<v Speaker 1>being cleaved.

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<v Speaker 3>Heart felt like that making it.

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<v Speaker 1>Yes, and I'm not surprised. But my takeaway from it,

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<v Speaker 1>which was interesting because because of your family obviously, and

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<v Speaker 1>because of your dad Barriotto, who is a proper legiand

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<v Speaker 1>that you have very much the sense of a woman

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<v Speaker 1>who has been very well.

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<v Speaker 3>Loved by her father, Yes, which is rare.

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<v Speaker 1>When did you realize the weight of the surname?

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<v Speaker 2>I guess growing up, you know, people knew, people knew

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<v Speaker 2>Dad is not really you know people at school or

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<v Speaker 2>anything like that, because dad was always a theater actor.

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<v Speaker 2>I think it was like when I was in year

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<v Speaker 2>ten and I got to go on set.

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<v Speaker 3>On a lot of the Rings on my school holidays and.

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<v Speaker 2>I didn't know anything about the book or the movie

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<v Speaker 2>or you know, anything or whatever. It was just like

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<v Speaker 2>happy to like get out of the country and like,

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<v Speaker 2>you know, have some time with Miranda. And I remember

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<v Speaker 2>coming back to school and like your eight kids and

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<v Speaker 2>lots of kids kind of coming up to ask me

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<v Speaker 2>about that, Whereas you know, I didn't really know anything

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<v Speaker 2>about the film at the time. I was just like, oh, yeah,

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<v Speaker 2>they're like all these like cobbets and yeah, walking around

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<v Speaker 2>and outfits and pointed extra, Yeah, and so I think,

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<v Speaker 2>you know, really people probably knew Miranda more. And then

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<v Speaker 2>you know, we grew up in the theater world, so

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<v Speaker 2>it was like going to opening nights obviously was quite

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<v Speaker 2>normal to see people you know, on TV that we knew.

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<v Speaker 2>You know, you'd see them on a show or go

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<v Speaker 2>to the theater and then they'd you know, be over

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<v Speaker 2>at the house having lunch or whatever, so that that

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<v Speaker 2>was the norm. So yeah, I always, I always was

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<v Speaker 2>aware of that.

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<v Speaker 1>But when you were at school, your interests you were sporty.

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<v Speaker 2>Yeah, yeah, I was very musical and sporty, like I

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<v Speaker 2>played an indoor Australian soccer team and I played New

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<v Speaker 2>South Wales softball. And my whole life, you know, with

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<v Speaker 2>my mum was dedicated to driving from Burgo's High School

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<v Speaker 2>to Narrabi Sports Academy or like up that way down

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<v Speaker 2>back to Bonnie rig for soccer training. And mum was great,

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<v Speaker 2>and I think, you know, I've got such a close

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<v Speaker 2>relationship because she would read. I'm like, you know, I

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<v Speaker 2>read like two books in my life and I don't

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<v Speaker 2>know what are they I read. However, last thing in

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<v Speaker 2>high school she was about the boy who wanted to

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<v Speaker 2>live forever, and I kind of was to live forever.

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<v Speaker 2>And then later I read Howard Hughes's biography. Yeah, I

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<v Speaker 2>kind of life eccentric men, so that was the kind

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<v Speaker 2>of interesting one. But yeah, so mom would tell me

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<v Speaker 2>about like what happened in the book and stuff, and

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<v Speaker 2>I would just watch the movie and then try and

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<v Speaker 2>wing it at school.

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<v Speaker 3>That's kind of how it went.

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<v Speaker 1>Because you would have thought, probably, I mean, your your

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<v Speaker 1>sister is an actress, that you would have been an actress,

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<v Speaker 1>and that was a you tried being an actress.

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<v Speaker 3>I did drama at school.

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<v Speaker 2>I did Stephen Burkoff piece that I remember they had

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<v Speaker 2>banned me from doing because I had to masturbate on stage.

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<v Speaker 2>And that was the only time I actually saw Dad

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<v Speaker 2>down the hallways in the school looking for the principal's office.

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<v Speaker 3>I was like, what is he doing here, because he

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<v Speaker 3>was like, my.

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<v Speaker 2>Daughter wants to perform this, and they actually let me

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<v Speaker 2>do it, which was great, and I was in like

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<v Speaker 2>a group show. But really I had this teacher, missus Hardin,

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<v Speaker 2>who built girls.

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<v Speaker 3>I mean now a lot of the public schools.

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<v Speaker 2>I'm very proud public school girl, even though at the

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<v Speaker 2>time I really want to go to private school so

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<v Speaker 2>I could go on sea trips and go to the

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<v Speaker 2>parties and do all that. But I had a teacher,

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<v Speaker 2>Miss Hardy, who taught Certificates three in film and it

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<v Speaker 2>wasn't part of the HC or UAI or whatever, but

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<v Speaker 2>it was like.

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<v Speaker 3>An extra unit.

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<v Speaker 2>And she taught me, like on VHS, how to you know, edit,

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<v Speaker 2>and we set up cameras and I remember the first

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<v Speaker 2>DA when I was trying to set up my camera

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<v Speaker 2>and I was like, oh, it's not working, and she

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<v Speaker 2>was like, it is working. And you know, being a female,

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<v Speaker 2>if you just stay on set like oh this this

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<v Speaker 2>equipment is not working, You're not going to get anywhere.

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<v Speaker 2>And so she was actually like I remember she took

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<v Speaker 2>me to Oxford Street for the first time. She took

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<v Speaker 2>our class of four and I obviously, you know, growing

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<v Speaker 2>up in the industry, its everyone thought I would have,

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<v Speaker 2>you know, but I hadn't. Really, Like the first time

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<v Speaker 2>I went overseas was September twelve, two thousand and one,

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<v Speaker 2>the day after nine eleven. Miranda was doing a film

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<v Speaker 2>in Italy and invited Dad and I and Mom was like,

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<v Speaker 2>there's no Like everyone was like, there's no way you're going.

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<v Speaker 2>Like September eleven, it just happened, and I was like,

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<v Speaker 2>we are going to Italy. And we got on the

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<v Speaker 2>plane on September twelve and went to Italy. And Dad,

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<v Speaker 2>I'd never traveled with him, and he's so naive, like,

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<v Speaker 2>and so I just met all these boys on ICQ

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<v Speaker 2>on the internet because I just wanted to play soccer

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<v Speaker 2>with them, and he would just sit at coffee shops

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<v Speaker 2>and I would just go out like with these boys.

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<v Speaker 2>And I was like fourteen or fifteen I think I

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<v Speaker 2>was at the time, and just hang out or day

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<v Speaker 2>in Italy, and I just from then, you know, I

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<v Speaker 2>was just determined to get overseas and travel and see

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<v Speaker 2>the world. So really, even though people think, you know,

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<v Speaker 2>obviously it came from you know, a privileged upbringing and

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<v Speaker 2>been in the industry and stuff, but our family never

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<v Speaker 2>really were travelers, Like we went down to Cayama on

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<v Speaker 2>holidays and stayed in a motel. You know. We weren't

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<v Speaker 2>those families that kind of went on all those trips

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<v Speaker 2>that I would have loved to do. So I think

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<v Speaker 2>that's why I did so much traveling that as soon

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<v Speaker 2>as I finished high school, So that I could get

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<v Speaker 2>out of there.

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<v Speaker 1>It's an interesting thing in the docco that you see

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<v Speaker 1>the world of your family, and in some ways it's

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<v Speaker 1>what you would expect from a very artistic family, you know,

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<v Speaker 1>the clutter and the art and the eccentricity, and it's glorious.

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<v Speaker 1>The shambling, rambling house. At the other end of that spectrum,

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<v Speaker 1>there's like a real groundedness in it. As a family.

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<v Speaker 2>Dad did mostly theater and like even Belvoir at the time,

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<v Speaker 2>I can't remember what exactly the structured contracts, but everyone

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<v Speaker 2>got paid the same, like the cleaner kind of got

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<v Speaker 2>paid the same as the lead actor or you know,

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<v Speaker 2>so it was a kind of you know, Dad was

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<v Speaker 2>the income on that. Obviously he did you know, a

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<v Speaker 2>few films and like you do ads or whatever. And

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<v Speaker 2>then Mum's always been like, you know, extremely left wing

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<v Speaker 2>and you know, hated the eastern suburbs, hated private stores.

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<v Speaker 2>Still you know, she works with the Department of Education

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<v Speaker 2>now in music, you know, so in a way we definitely,

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<v Speaker 2>you know, we're in a West kind of family, and

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<v Speaker 2>there was a lot of normality in that.

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<v Speaker 1>The normality is very as I said, very grounding for you.

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<v Speaker 1>But then your life has also been extraordinary, starting with,

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<v Speaker 1>as you said, when you were really young, So when

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<v Speaker 1>you had that appetite to go overseas and to start

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<v Speaker 1>living a creative life, and you went to France when

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<v Speaker 1>you were seventeen.

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<v Speaker 3>Yeah, I've scored. I was seventeen, cause I think I

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<v Speaker 3>just went.

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<v Speaker 2>I just got dressed to go to kindergarten like a

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<v Speaker 2>year early, and mom was like, well, I guess we'll

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<v Speaker 2>just let her go.

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<v Speaker 3>So I finished.

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<v Speaker 2>I actually finished year twelve, I think I was. I

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<v Speaker 2>just turned seventeen or yeah, yeah, and I went straight. Well,

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<v Speaker 2>I played soccer in Greece. I was on a tour

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<v Speaker 2>with the indoor Australian team. And then after that I

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<v Speaker 2>had a French exchange shit at my friend Marine, because

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<v Speaker 2>I remember she came to high school and everyone was like,

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<v Speaker 2>you know, people didn't really want to take her around,

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<v Speaker 2>and I was like, I will take the French girl around.

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<v Speaker 2>And I remember we went out to recess and she

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<v Speaker 2>just lit a cigarette and she was I was like, oh,

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<v Speaker 2>I did like really smoke in year eleven and she

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<v Speaker 2>was like, oh, but it's recess and I was like, yeah,

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<v Speaker 2>it's recess. And so I went and actually met up

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<v Speaker 2>with her in Paris, and yeah, I had a holiday

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<v Speaker 2>there and then decided to move there with my best

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<v Speaker 2>friend and we moved to Paris when I think, yeah,

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<v Speaker 2>we just turned eighteen, which was probably still one of

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<v Speaker 2>the most amazing experiences in my life.

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<v Speaker 3>I mean we you know, lost a lot of money.

0:11:08.565 --> 0:11:11.965
<v Speaker 2>We were homeless for about I don't know, three weeks nearly,

0:11:12.165 --> 0:11:15.405
<v Speaker 2>just sleeping on random's couches. And it was just that

0:11:15.485 --> 0:11:17.485
<v Speaker 2>thing with that pride where you were like, you're not

0:11:17.565 --> 0:11:20.045
<v Speaker 2>an adult, but you're not a kid, so you kind

0:11:20.045 --> 0:11:22.405
<v Speaker 2>of you know, and it was pre obviously social media,

0:11:22.445 --> 0:11:24.805
<v Speaker 2>like you'd skype your family like once a week or whatever,

0:11:24.805 --> 0:11:27.645
<v Speaker 2>but you never wanted to admit that you'd.

0:11:27.165 --> 0:11:30.045
<v Speaker 3>You know, messed up and like things weren't going well.

0:11:30.085 --> 0:11:31.605
<v Speaker 2>Like all I wanted to do was you know, go

0:11:31.685 --> 0:11:34.005
<v Speaker 2>to film school or you know immerse most and I

0:11:34.045 --> 0:11:36.325
<v Speaker 2>was working at the Scottish pub, earning five years an

0:11:36.325 --> 0:11:37.805
<v Speaker 2>hour and being like an all pair.

0:11:38.325 --> 0:11:40.325
<v Speaker 3>Still like one of the best times in my life.

0:11:40.645 --> 0:11:45.045
<v Speaker 1>Yeah, and so obviously you learned to speak French then, yeah,

0:11:45.045 --> 0:11:46.365
<v Speaker 1>I was very termed to speak French.

0:11:46.405 --> 0:11:49.285
<v Speaker 2>I did French in high school and for my HSC

0:11:50.085 --> 0:11:52.085
<v Speaker 2>and then we went out one night was with Jean

0:11:52.085 --> 0:11:55.325
<v Speaker 2>Pierre Backri as this French actor and Vick Shdrosso is

0:11:55.365 --> 0:11:57.965
<v Speaker 2>a French soccer player. Randomly we met them like on

0:11:57.965 --> 0:12:00.685
<v Speaker 2>the street. He was like driving past his Lamborghini or something. Yeah,

0:12:00.725 --> 0:12:01.285
<v Speaker 2>we're eighteen.

0:12:01.365 --> 0:12:03.285
<v Speaker 3>I was like blah, blah blah. And we went out

0:12:03.285 --> 0:12:04.685
<v Speaker 3>to Yeah.

0:12:04.725 --> 0:12:06.845
<v Speaker 2>I was trying to say that I played soccer for

0:12:06.845 --> 0:12:08.765
<v Speaker 2>Australia and they were all kind of just laughing at me.

0:12:08.805 --> 0:12:10.525
<v Speaker 2>And it was like something in my life I could

0:12:10.565 --> 0:12:14.045
<v Speaker 2>never like rebut and never chime in with something smarter

0:12:14.125 --> 0:12:16.125
<v Speaker 2>us or sarcastic, and because.

0:12:15.845 --> 0:12:17.645
<v Speaker 3>I didn't have all the language.

0:12:17.925 --> 0:12:19.765
<v Speaker 2>So my friend actually and I just went out every

0:12:19.885 --> 0:12:23.045
<v Speaker 2>night to nightclubs for about probably like ten months, and

0:12:23.125 --> 0:12:25.365
<v Speaker 2>I mean I met some whack people, but it was

0:12:25.445 --> 0:12:29.445
<v Speaker 2>great and I really became quite fluent in French. And

0:12:29.445 --> 0:12:30.925
<v Speaker 2>then I was like, you know, I hadn't studied it

0:12:30.965 --> 0:12:32.325
<v Speaker 2>at school, so I knew how to whip out the

0:12:32.365 --> 0:12:34.725
<v Speaker 2>subjunctive tents or like impress people and stuff. But I

0:12:34.805 --> 0:12:37.445
<v Speaker 2>do speak very fast in French, so people to you,

0:12:37.485 --> 0:12:39.725
<v Speaker 2>is it very hard.

0:12:39.805 --> 0:12:43.365
<v Speaker 1>I lived in Italy for two years and yeah, the speed,

0:12:43.685 --> 0:12:46.925
<v Speaker 1>the boo. I was just I just could never get

0:12:46.925 --> 0:12:47.725
<v Speaker 1>on board with it.

0:12:48.165 --> 0:12:48.765
<v Speaker 3>I love it.

0:12:48.885 --> 0:12:50.885
<v Speaker 2>I went there last years and took me over there,

0:12:50.925 --> 0:12:52.965
<v Speaker 2>which is so kind and it was great, but it

0:12:53.045 --> 0:12:53.805
<v Speaker 2>took me a few days.

0:12:53.805 --> 0:12:56.285
<v Speaker 3>And I was listening to SBS French radio.

0:12:56.285 --> 0:12:58.885
<v Speaker 2>Like walking around here for about a month beforehand, just

0:12:58.885 --> 0:13:01.165
<v Speaker 2>to try and you know, get back in the zone

0:13:01.205 --> 0:13:02.845
<v Speaker 2>because i'd arrive in people like, is it boring?

0:13:02.885 --> 0:13:03.965
<v Speaker 3>I might, I just can't remember how.

0:13:05.885 --> 0:13:08.125
<v Speaker 1>Well you do. You have to develop a different side

0:13:08.125 --> 0:13:10.725
<v Speaker 1>of yourself when you're used to having so many words

0:13:10.725 --> 0:13:14.765
<v Speaker 1>at your disposal and suddenly you don't have them. You

0:13:15.285 --> 0:13:18.805
<v Speaker 1>have to be very you're very gestural, and you suddenly

0:13:18.845 --> 0:13:21.685
<v Speaker 1>become a mime artist, which is appropriate for Paris.

0:13:22.125 --> 0:13:23.325
<v Speaker 3>Yeah, yeah, exactly.

0:13:24.445 --> 0:13:28.165
<v Speaker 1>And then at what point did you start to become

0:13:28.205 --> 0:13:29.245
<v Speaker 1>a storyteller?

0:13:30.125 --> 0:13:30.365
<v Speaker 3>I did.

0:13:30.365 --> 0:13:32.325
<v Speaker 2>I write a script with my one of my best

0:13:32.325 --> 0:13:36.365
<v Speaker 2>friends about that experience in Paris, Augusta Miller, and we

0:13:36.525 --> 0:13:37.605
<v Speaker 2>worked on that for a few years.

0:13:37.645 --> 0:13:38.765
<v Speaker 3>And I think it was just I was.

0:13:38.765 --> 0:13:42.725
<v Speaker 2>Like nineteen and you know, I'd made maybe probably I

0:13:42.765 --> 0:13:45.125
<v Speaker 2>was like twenty one, I'd made like four short films,

0:13:45.325 --> 0:13:47.045
<v Speaker 2>and I just couldn't understand why I couldn't get a

0:13:47.085 --> 0:13:49.005
<v Speaker 2>feature off the ground, like now you know, it takes

0:13:49.005 --> 0:13:51.445
<v Speaker 2>like ten years and we're going to all the markets

0:13:51.445 --> 0:13:53.365
<v Speaker 2>in cann and I really, you know, wanted to make

0:13:53.405 --> 0:13:53.885
<v Speaker 2>that film.

0:13:53.885 --> 0:13:55.525
<v Speaker 3>And then I met Michael White there.

0:13:55.485 --> 0:13:58.285
<v Speaker 2>And I guess my experience of the documentary I wasn't

0:13:58.325 --> 0:14:01.285
<v Speaker 2>interested in film school in it really at all, and

0:14:02.165 --> 0:14:05.685
<v Speaker 2>I am fascinated by people and not knowing about topics

0:14:05.685 --> 0:14:07.445
<v Speaker 2>and things because I guess I never went to university.

0:14:07.685 --> 0:14:08.925
<v Speaker 2>So for me, I always see it as like a

0:14:08.965 --> 0:14:12.085
<v Speaker 2>study of something, and I just found Michael this interesting

0:14:12.165 --> 0:14:14.245
<v Speaker 2>character that I want to know more about. And it

0:14:14.285 --> 0:14:16.525
<v Speaker 2>was like always heay to people making documentaries like jumping

0:14:16.525 --> 0:14:18.045
<v Speaker 2>out a plane. If you've got the access and you've

0:14:18.045 --> 0:14:21.485
<v Speaker 2>got a camera, any kind of camera, you can start storytelling.

0:14:21.525 --> 0:14:23.405
<v Speaker 2>Whereas you know, making a film you've got to like

0:14:23.405 --> 0:14:25.365
<v Speaker 2>get a script, you got to get everyone attached, you

0:14:25.405 --> 0:14:27.085
<v Speaker 2>got to raise all the money before it kind of

0:14:27.165 --> 0:14:30.405
<v Speaker 2>starts and you start filming. So for me, it was

0:14:30.445 --> 0:14:32.845
<v Speaker 2>like Michael White was like the next logical step to

0:14:33.005 --> 0:14:37.205
<v Speaker 2>just kind of be creative and yeah, tell a story.

0:14:37.245 --> 0:14:39.165
<v Speaker 2>And so that's how I've kind of then shifted into

0:14:39.205 --> 0:14:40.245
<v Speaker 2>the documentary world.

0:14:40.565 --> 0:14:42.285
<v Speaker 1>You've had a lot of intense spirits, but I just

0:14:42.325 --> 0:14:46.005
<v Speaker 1>want to get this right. You will jump from Deadlock

0:14:47.085 --> 0:14:51.285
<v Speaker 1>to Heartbreak High. You're doing the Zimmerman fashion films and

0:14:51.405 --> 0:14:55.165
<v Speaker 1>also you're working on Auto by Auto at the same time.

0:14:55.605 --> 0:14:56.365
<v Speaker 1>What was that.

0:14:56.325 --> 0:14:58.845
<v Speaker 2>Period like, I think for me, Yeah, coming back to

0:14:58.885 --> 0:15:01.285
<v Speaker 2>Australia after living in LA for like three and a

0:15:01.285 --> 0:15:03.965
<v Speaker 2>half years, and all of a sudden I got Bump

0:15:04.205 --> 0:15:06.925
<v Speaker 2>And it was just when COVID started. I think I'd

0:15:06.925 --> 0:15:09.565
<v Speaker 2>been offered a story that was like a kind of

0:15:09.565 --> 0:15:12.285
<v Speaker 2>a whole thing on SBS or Bump, and I spoke

0:15:12.325 --> 0:15:14.125
<v Speaker 2>to my friend Shanna Murphy and she said, do Bump

0:15:14.165 --> 0:15:15.725
<v Speaker 2>because it's you're going to do the middle block and

0:15:15.765 --> 0:15:17.805
<v Speaker 2>you'll show people that you can just come in and

0:15:17.845 --> 0:15:20.205
<v Speaker 2>direct a block of TV. And then I had this

0:15:20.245 --> 0:15:22.525
<v Speaker 2>film seriously read that was about to go and she

0:15:22.645 --> 0:15:24.325
<v Speaker 2>was like, and you'll be so well oiled because it'll

0:15:24.365 --> 0:15:26.085
<v Speaker 2>be like fast TV and then you'll be like on

0:15:26.165 --> 0:15:29.005
<v Speaker 2>the film and I yeah, finished the film and then

0:15:29.125 --> 0:15:33.605
<v Speaker 2>went straight onto Amazon like Sketch Comedy, straight into Heartbreak High,

0:15:33.845 --> 0:15:37.925
<v Speaker 2>straight into Deadlock, then Yes, straight into Artful Dodger, straight

0:15:38.005 --> 0:15:40.765
<v Speaker 2>back into like Ladies anyway, it went on went on

0:15:40.765 --> 0:15:42.565
<v Speaker 2>for the last five years, but there was this period

0:15:42.565 --> 0:15:44.805
<v Speaker 2>that was Yeah, actually ended up getting COVID in the

0:15:44.885 --> 0:15:46.525
<v Speaker 2>in the four days I had off, but I was

0:15:46.525 --> 0:15:48.925
<v Speaker 2>on heartbreak high. I'm doing the I've done the start

0:15:48.925 --> 0:15:50.205
<v Speaker 2>and I was doing the end of it. I was

0:15:50.205 --> 0:15:52.965
<v Speaker 2>doing the sound mix of my film. I was slipping

0:15:53.005 --> 0:15:55.085
<v Speaker 2>in and not telling anyone while I was in post

0:15:55.125 --> 0:15:56.445
<v Speaker 2>and pre on heartbreak high that I was going to

0:15:56.525 --> 0:15:59.445
<v Speaker 2>do this one day hey shoot for Zimmerman and I

0:15:59.485 --> 0:16:01.325
<v Speaker 2>was trying to interview all the last people for the

0:16:01.365 --> 0:16:05.765
<v Speaker 2>documentary on Zoom and I had COVID as well, So that.

0:16:05.685 --> 0:16:08.685
<v Speaker 3>Was that was a hectic. Yeah, that was a hectic time.

0:16:08.805 --> 0:16:11.525
<v Speaker 1>But when you or doing those jobs at once, like,

0:16:11.645 --> 0:16:14.525
<v Speaker 1>how do you nourish yourself?

0:16:16.565 --> 0:16:17.885
<v Speaker 3>Like I did take care of myself.

0:16:18.005 --> 0:16:21.605
<v Speaker 2>Yeah, like very well, Like I think I yeah, I

0:16:21.605 --> 0:16:23.485
<v Speaker 2>think I've just realized in the last few weeks, I

0:16:23.565 --> 0:16:24.845
<v Speaker 2>was like, I kind of really want to have some

0:16:24.925 --> 0:16:25.405
<v Speaker 2>fun again.

0:16:25.485 --> 0:16:26.845
<v Speaker 3>And you know, that's why I was great going not

0:16:26.925 --> 0:16:28.205
<v Speaker 3>to the Actor Awards, I just going.

0:16:28.085 --> 0:16:29.805
<v Speaker 2>To dinner with friends or going to like a few

0:16:29.845 --> 0:16:31.965
<v Speaker 2>events and parties that I haven't been to and just

0:16:32.485 --> 0:16:34.245
<v Speaker 2>getting you know, that's why I kind of really want

0:16:34.285 --> 0:16:35.925
<v Speaker 2>to go away again because that was always my way

0:16:35.965 --> 0:16:40.085
<v Speaker 2>of getting some kind of creating first or like feeling

0:16:40.085 --> 0:16:41.205
<v Speaker 2>an inspiration again.

0:16:41.845 --> 0:16:43.965
<v Speaker 3>So it's been hard. I've been very I'm very tunnel

0:16:44.005 --> 0:16:44.445
<v Speaker 3>vision though.

0:16:44.485 --> 0:16:46.485
<v Speaker 2>So when I work, you know, like I kind of

0:16:47.005 --> 0:16:49.685
<v Speaker 2>work all weekend and you know, work nights, and you know,

0:16:49.685 --> 0:16:51.285
<v Speaker 2>I don't have kids and don't have a partner, so

0:16:51.325 --> 0:16:53.965
<v Speaker 2>it's kind of like I am able to make that

0:16:54.005 --> 0:16:57.605
<v Speaker 2>sacrifice and I love working, like you know, I just yeah,

0:16:57.685 --> 0:17:00.045
<v Speaker 2>I am someone who's kind of always been driven by

0:17:00.085 --> 0:17:03.005
<v Speaker 2>work first, and that makes me, you know, feel good.

0:17:03.565 --> 0:17:07.285
<v Speaker 1>Your link with fashion is one of the things that

0:17:07.365 --> 0:17:12.005
<v Speaker 1>I find so surprising because there's a real groundedness in

0:17:12.125 --> 0:17:15.165
<v Speaker 1>you that I also see in your mum Sue that

0:17:15.245 --> 0:17:19.125
<v Speaker 1>you show really beautifully in the docco. But it's not

0:17:19.165 --> 0:17:22.605
<v Speaker 1>something that you normally associate with fashion because fashion is

0:17:22.685 --> 0:17:26.445
<v Speaker 1>sort of seen as being aloof maybe you know, it's

0:17:26.485 --> 0:17:30.645
<v Speaker 1>never basic and it's always kind of lofty, and yet

0:17:30.725 --> 0:17:35.525
<v Speaker 1>you're so immersed it's become a seamless part of your

0:17:35.565 --> 0:17:36.725
<v Speaker 1>repertoire as well.

0:17:37.525 --> 0:17:40.325
<v Speaker 2>I'm so unfashionable, Like I literally wear black out of

0:17:40.325 --> 0:17:42.485
<v Speaker 2>our shorts and a black t shirt every day and

0:17:43.325 --> 0:17:44.885
<v Speaker 2>shay sneakers are.

0:17:47.365 --> 0:17:49.405
<v Speaker 3>They'll be fashion. I've always been interested.

0:17:49.085 --> 0:17:51.565
<v Speaker 2>In fashion, not as much as Dad, Like Dad would

0:17:51.605 --> 0:17:53.925
<v Speaker 2>spend the whole day like flinting this out for an event,

0:17:54.445 --> 0:17:54.885
<v Speaker 2>but I did.

0:17:55.045 --> 0:17:56.485
<v Speaker 3>I kind of thought about it all when I went.

0:17:56.565 --> 0:17:59.005
<v Speaker 2>Zimmerman took me over last year when they had one

0:17:59.045 --> 0:18:00.645
<v Speaker 2>of Dad's prints and they put it on a dress

0:18:00.685 --> 0:18:03.165
<v Speaker 2>and they kindly, just so awesome invited me to Paris

0:18:03.165 --> 0:18:06.925
<v Speaker 2>for the show and the dress opened their Paris Fashion

0:18:06.965 --> 0:18:10.085
<v Speaker 2>Week collection, And yeah, I remember being really nervous going

0:18:10.085 --> 0:18:11.405
<v Speaker 2>to the event because I was like, well, I know,

0:18:11.445 --> 0:18:13.565
<v Speaker 2>I was really gonna take my photo anyway, but I

0:18:13.605 --> 0:18:15.325
<v Speaker 2>was like sitting in the front row and I was only, God,

0:18:15.365 --> 0:18:17.845
<v Speaker 2>it's Paris Fashion Week. It's like, you know, serious, like

0:18:18.205 --> 0:18:20.285
<v Speaker 2>they take it any more serious.

0:18:20.485 --> 0:18:20.965
<v Speaker 1>It doesn't.

0:18:21.565 --> 0:18:23.645
<v Speaker 2>But then when I thought about all the people that like,

0:18:24.525 --> 0:18:27.565
<v Speaker 2>you know, I like or whatever, it's like fashion really is,

0:18:28.005 --> 0:18:30.445
<v Speaker 2>you know, personal, and it's your own thing because you

0:18:30.765 --> 0:18:32.325
<v Speaker 2>always have that thing of going, oh I should wear that,

0:18:32.445 --> 0:18:34.045
<v Speaker 2>or you know that's kind of what's in at the

0:18:34.085 --> 0:18:36.885
<v Speaker 2>moment or whatever, but really your tastes and fashion and

0:18:36.885 --> 0:18:39.085
<v Speaker 2>they're the people that, like, you know, in the street

0:18:39.125 --> 0:18:41.725
<v Speaker 2>style or whatever. All the people who end up being

0:18:41.765 --> 0:18:44.325
<v Speaker 2>fashion icons are the ones like even the guy kind

0:18:44.325 --> 0:18:46.565
<v Speaker 2>of namely just won the Oscar for Best Costume Design,

0:18:46.685 --> 0:18:48.525
<v Speaker 2>like his outfit on the Red carpet.

0:18:48.525 --> 0:18:50.125
<v Speaker 3>I was like, I don't know who that is, but

0:18:50.285 --> 0:18:51.285
<v Speaker 3>that is the best outfit.

0:18:51.325 --> 0:18:52.645
<v Speaker 2>And then he won for best Costume and I was

0:18:52.685 --> 0:18:55.845
<v Speaker 2>like nice, But like that kind of individual, you know,

0:18:56.005 --> 0:18:59.205
<v Speaker 2>take on something is is I don't know what I

0:18:59.205 --> 0:19:00.405
<v Speaker 2>guess fashion.

0:19:00.125 --> 0:19:02.125
<v Speaker 3>Is, and it's it is a yeah, it's a completely

0:19:02.165 --> 0:19:02.725
<v Speaker 3>different world.

0:19:02.765 --> 0:19:05.125
<v Speaker 2>And I actually was so inspired watching Nikki's immim and

0:19:05.525 --> 0:19:08.165
<v Speaker 2>backstage because you know, because she's such a hard worker,

0:19:08.205 --> 0:19:10.485
<v Speaker 2>like she goes from collection to collection, and she was

0:19:10.605 --> 0:19:12.365
<v Speaker 2>getting the collection ready and it was about to show

0:19:12.405 --> 0:19:13.885
<v Speaker 2>the next day and I was just there kind of

0:19:13.925 --> 0:19:16.165
<v Speaker 2>like doing some bts and stuff and just watching her,

0:19:16.245 --> 0:19:18.925
<v Speaker 2>and she was like, my brain's already onto the next project.

0:19:18.925 --> 0:19:20.205
<v Speaker 2>And I was like, that's so interesting because when I

0:19:20.285 --> 0:19:22.725
<v Speaker 2>direct TV, I'm so immersed in the show I'm doing.

0:19:22.765 --> 0:19:24.925
<v Speaker 2>But once I'm probably two weeks into the shoot, my

0:19:24.925 --> 0:19:28.765
<v Speaker 2>brain is ready creatively, so the next show, like I'm

0:19:28.845 --> 0:19:30.685
<v Speaker 2>kind of like the train, like we're riding, you know,

0:19:30.725 --> 0:19:32.525
<v Speaker 2>we're on the train and it's going and it's like

0:19:32.565 --> 0:19:35.085
<v Speaker 2>we're you know, doing stuff along the way, but everything's

0:19:35.165 --> 0:19:37.845
<v Speaker 2>kind of I've done all the prep and everything's kind

0:19:37.845 --> 0:19:38.365
<v Speaker 2>of in motion.

0:19:38.565 --> 0:19:40.565
<v Speaker 3>And then my other brain's going, well, what else can

0:19:40.605 --> 0:19:41.365
<v Speaker 3>we do? You know?

0:19:41.725 --> 0:19:42.405
<v Speaker 1>What else is that?

0:19:42.525 --> 0:19:45.405
<v Speaker 3>Thinking about that dress? Now?

0:19:45.885 --> 0:19:47.765
<v Speaker 1>This is the dress that you ended up wearing to

0:19:47.845 --> 0:19:51.005
<v Speaker 1>the actors. Yeah, it's got your dad's art on it.

0:19:51.005 --> 0:19:53.685
<v Speaker 1>It's the most spectacular dress.

0:19:54.125 --> 0:19:55.965
<v Speaker 2>It was just a yeah were you coincidence where I'd

0:19:55.965 --> 0:19:59.045
<v Speaker 2>posted a photo dad's one day on Instagram Stories and

0:19:59.125 --> 0:20:00.925
<v Speaker 2>Nikki called me and goes, what is that? And I

0:20:01.005 --> 0:20:04.285
<v Speaker 2>was like, oh, something Dad did and she was like, well, oh,

0:20:04.325 --> 0:20:05.565
<v Speaker 2>it's kind of like really to.

0:20:05.525 --> 0:20:06.525
<v Speaker 3>Do with my new collection.

0:20:06.605 --> 0:20:08.285
<v Speaker 2>And then we started talking and you know, because we

0:20:08.325 --> 0:20:10.765
<v Speaker 2>didn't really hang out much during those COVID I did

0:20:10.805 --> 0:20:13.205
<v Speaker 2>four big shows for them, and there's you know, it's

0:20:13.245 --> 0:20:16.005
<v Speaker 2>such a machine as like, you know, twour people who

0:20:16.045 --> 0:20:16.405
<v Speaker 2>work on it.

0:20:16.445 --> 0:20:17.925
<v Speaker 3>There's people doing content, people doing this.

0:20:18.005 --> 0:20:21.125
<v Speaker 2>I was curely just directing the Runway show and so

0:20:21.205 --> 0:20:23.285
<v Speaker 2>she's so busy and stuff. So I've become really good

0:20:23.445 --> 0:20:25.365
<v Speaker 2>friends with them and they're such a great they're such

0:20:25.405 --> 0:20:27.485
<v Speaker 2>a great family. She's such an amazing you know, the

0:20:27.525 --> 0:20:30.325
<v Speaker 2>whole holes in them family are just incredible what they've done.

0:20:30.765 --> 0:20:34.005
<v Speaker 1>How did you first get involved with them?

0:20:34.045 --> 0:20:37.205
<v Speaker 2>Evolved through a friend who was like who became a

0:20:37.245 --> 0:20:39.205
<v Speaker 2>friend as someone who reached out on Instagram and they

0:20:39.245 --> 0:20:43.445
<v Speaker 2>were producing I think the set design this company called Riser, Yeah,

0:20:43.485 --> 0:20:45.405
<v Speaker 2>and it kind of came about and I was, yeah,

0:20:45.925 --> 0:20:47.565
<v Speaker 2>just thinking, oh, that could be really interesting because it

0:20:47.645 --> 0:20:50.365
<v Speaker 2>was such a different working with big set design and

0:20:50.365 --> 0:20:52.645
<v Speaker 2>pieces and five cameras at once, which is very much

0:20:52.645 --> 0:20:54.845
<v Speaker 2>like playing soccer, like how to move all the cameras

0:20:54.845 --> 0:20:56.605
<v Speaker 2>so that they don't see each other, and it's like

0:20:56.685 --> 0:20:58.725
<v Speaker 2>a different you know. I really like different art forms

0:20:58.765 --> 0:21:01.165
<v Speaker 2>like that. That's why I like commercials or like short

0:21:01.205 --> 0:21:05.005
<v Speaker 2>films like you know, fashion, documentary features, TV. Like it's

0:21:05.005 --> 0:21:07.165
<v Speaker 2>all a different kind of race, you know, It's like

0:21:07.205 --> 0:21:09.285
<v Speaker 2>doing athletics. That's how I explained. It's like, you know,

0:21:09.565 --> 0:21:11.125
<v Speaker 2>I like to one hundred meter, you know, but I

0:21:11.165 --> 0:21:12.325
<v Speaker 2>also like fifteen hundred.

0:21:15.605 --> 0:21:19.125
<v Speaker 1>That's not all of my conversation with Graciotto. After this

0:21:19.245 --> 0:21:22.525
<v Speaker 1>quick break, we talk about when Gracie realized she was

0:21:22.525 --> 0:21:25.685
<v Speaker 1>making a different film to the one she thought she

0:21:25.805 --> 0:21:35.925
<v Speaker 1>was making. We'll be right back. Well, also, I would

0:21:35.965 --> 0:21:38.805
<v Speaker 1>imagine it's a funny feeling walking onto a set when

0:21:38.845 --> 0:21:42.605
<v Speaker 1>the set is your house and your home and the

0:21:42.645 --> 0:21:46.045
<v Speaker 1>subject is your dad, and you're kind of opening up

0:21:46.085 --> 0:21:47.685
<v Speaker 1>that aspect of your life.

0:21:49.045 --> 0:21:51.205
<v Speaker 2>Yeah, it was interesting because I guess on the doco

0:21:51.685 --> 0:21:53.725
<v Speaker 2>I shot, like, I was a bit embarrassed on the

0:21:53.725 --> 0:21:56.325
<v Speaker 2>cinematographer on it because I shot most of the documentary.

0:21:56.365 --> 0:21:59.565
<v Speaker 2>But I had a different relationship with dad obviously than

0:22:00.045 --> 0:22:03.005
<v Speaker 2>a camera person. So a lot of the greatest stuff

0:22:03.005 --> 0:22:05.685
<v Speaker 2>we should I shot or whatever it was on the iPhone,

0:22:06.085 --> 0:22:07.885
<v Speaker 2>you know, So that was an interesting medium as well,

0:22:07.965 --> 0:22:11.405
<v Speaker 2>like watching documentaries and kind of who's done iPhone footage? Well,

0:22:11.445 --> 0:22:13.645
<v Speaker 2>because it's such a like I say to young filmmakers,

0:22:13.645 --> 0:22:15.445
<v Speaker 2>it doesn't matter what you shoot on like you know,

0:22:15.485 --> 0:22:17.525
<v Speaker 2>they say that the dad only admits.

0:22:17.205 --> 0:22:19.405
<v Speaker 3>He killed someone once, Like you gotta get round of it.

0:22:19.525 --> 0:22:21.445
<v Speaker 2>Yeah, so there's some kind of beauty and that more

0:22:21.485 --> 0:22:24.485
<v Speaker 2>fly on the wall style stuff. I mean, Yeah, it

0:22:24.525 --> 0:22:27.765
<v Speaker 2>was interesting seeing it back at the film Festival and yeah,

0:22:27.805 --> 0:22:29.925
<v Speaker 2>because it's just yeah, it's just kind of like I mean,

0:22:29.925 --> 0:22:31.925
<v Speaker 2>I post a lot of Instagram stories, so people who

0:22:32.005 --> 0:22:34.325
<v Speaker 2>like follow me on Instagram kind of have a bit

0:22:34.365 --> 0:22:37.285
<v Speaker 2>of an insight into, you know, my life with Dad.

0:22:37.405 --> 0:22:41.845
<v Speaker 3>But yeah, it was such a long journey making that film.

0:22:42.245 --> 0:22:45.365
<v Speaker 1>It was the iPhone footage probably was part of the

0:22:45.365 --> 0:22:47.085
<v Speaker 1>reason also that it felt so intimate.

0:22:48.125 --> 0:22:51.325
<v Speaker 3>Yeah, and really it was like, I mean a huge testament.

0:22:51.325 --> 0:22:54.245
<v Speaker 2>Like Karen Johnson, my editor, and Cody green wooded to

0:22:54.245 --> 0:22:57.125
<v Speaker 2>Color Donahue, my producers, like they really like if it

0:22:57.165 --> 0:22:59.685
<v Speaker 2>wasn't for them, the film would have never because you know,

0:22:59.685 --> 0:23:01.645
<v Speaker 2>it was about a man. It was about a father

0:23:01.725 --> 0:23:03.765
<v Speaker 2>doing a one man show. That's what I want to do.

0:23:03.965 --> 0:23:06.085
<v Speaker 2>Like I'm not I'm not someone who likes I'm quite

0:23:06.125 --> 0:23:08.925
<v Speaker 2>a vulnerable person. I don't like to ever have a

0:23:09.005 --> 0:23:11.605
<v Speaker 2>cry or tell anyone my feelings or give anyone a hug.

0:23:11.605 --> 0:23:13.325
<v Speaker 2>Everyone knows that on set, like they might an actor

0:23:13.405 --> 0:23:14.885
<v Speaker 2>might get a hug at the end of a shoot

0:23:14.965 --> 0:23:16.485
<v Speaker 2>because I'm like, well done.

0:23:16.845 --> 0:23:19.525
<v Speaker 3>I'm not like a huge, you know, feelings person.

0:23:19.725 --> 0:23:21.885
<v Speaker 2>So it was really like, all of a sudden, I

0:23:21.925 --> 0:23:23.965
<v Speaker 2>was like, wow, this is like a really raw feelings

0:23:24.765 --> 0:23:27.845
<v Speaker 2>and they really you know, and Karen spent months by

0:23:27.925 --> 0:23:32.365
<v Speaker 2>herself really crafting that documentary because like I was busy

0:23:32.445 --> 0:23:35.085
<v Speaker 2>obviously working on TV, and I wanted to do the

0:23:35.125 --> 0:23:37.045
<v Speaker 2>film and I wanted to finish it, and I wanted

0:23:37.085 --> 0:23:38.085
<v Speaker 2>to be part of it and all of that.

0:23:38.205 --> 0:23:39.405
<v Speaker 3>But I also was kind of like.

0:23:39.365 --> 0:23:43.445
<v Speaker 2>Living it as well, so it wasn't like, you know,

0:23:43.485 --> 0:23:45.405
<v Speaker 2>it wasn't like, oh, yeah, I can't wait to go

0:23:45.445 --> 0:23:48.125
<v Speaker 2>over and like shoot some more stuff like because it Yeah,

0:23:48.125 --> 0:23:50.285
<v Speaker 2>it was a weird thing of kind of kind of yeah,

0:23:50.325 --> 0:23:53.325
<v Speaker 2>I guess what mentally, I guess expression I was going

0:23:53.365 --> 0:23:55.645
<v Speaker 2>through at the time. Like I was talking to Mum

0:23:55.725 --> 0:23:58.085
<v Speaker 2>last night about it, because I was thinking, oh, you know,

0:23:58.125 --> 0:23:59.885
<v Speaker 2>there was someone who got up at Sydney Film Vessel

0:23:59.885 --> 0:24:01.405
<v Speaker 2>and said, oh, she should have stoped filming at the

0:24:01.445 --> 0:24:02.645
<v Speaker 2>end when he was sick, and.

0:24:02.605 --> 0:24:03.205
<v Speaker 3>You know whatever.

0:24:03.245 --> 0:24:04.525
<v Speaker 2>And I was like, oh, maybe they're going to ask

0:24:04.565 --> 0:24:06.885
<v Speaker 2>me about that tomorrow on the podcast. And we were

0:24:06.925 --> 0:24:08.565
<v Speaker 2>just talking about it when I was driving last night.

0:24:08.565 --> 0:24:10.605
<v Speaker 2>I said, you know, it's just because like, until you

0:24:10.685 --> 0:24:15.325
<v Speaker 2>really go through Alzheimer's as a family, everyone's experience is

0:24:15.325 --> 0:24:18.605
<v Speaker 2>different and it's really hard to work out the miles,

0:24:18.645 --> 0:24:20.445
<v Speaker 2>not the milestones, so that's the worst word to use

0:24:20.485 --> 0:24:23.525
<v Speaker 2>for it, but work out the milestones of where that

0:24:23.565 --> 0:24:25.565
<v Speaker 2>person is, like if I look at the end of

0:24:25.565 --> 0:24:27.365
<v Speaker 2>the film now and Dad's kind of asking me who

0:24:27.365 --> 0:24:29.005
<v Speaker 2>I am, and he's a bit confused, but he kind.

0:24:28.845 --> 0:24:29.685
<v Speaker 3>Of knows I'm someone.

0:24:29.805 --> 0:24:31.445
<v Speaker 2>Now I'm going to go see Dad in a minute,

0:24:31.445 --> 0:24:33.005
<v Speaker 2>and he has no idea who I am.

0:24:33.565 --> 0:24:35.085
<v Speaker 3>And he can barely walk anymore.

0:24:35.205 --> 0:24:37.005
<v Speaker 2>But like you know, when I was in Darwin filming

0:24:37.045 --> 0:24:38.725
<v Speaker 2>last year, he went from walking around the park one

0:24:38.765 --> 0:24:42.205
<v Speaker 2>day to basically never walking again. And you kind of go, oh,

0:24:42.205 --> 0:24:44.165
<v Speaker 2>that happened. That happened really suddenly. You can see that

0:24:44.165 --> 0:24:46.885
<v Speaker 2>that milestone, you know, was like now that his bed

0:24:46.925 --> 0:24:48.725
<v Speaker 2>there's been moved downstairs and he lives in the living

0:24:48.765 --> 0:24:49.125
<v Speaker 2>room at.

0:24:49.045 --> 0:24:49.845
<v Speaker 3>The pink pong table.

0:24:50.165 --> 0:24:52.765
<v Speaker 2>You know, that happened, like yeah, and that happened like overnight,

0:24:52.765 --> 0:24:55.365
<v Speaker 2>whereas there's other stuff where it kind of you know,

0:24:56.045 --> 0:24:58.805
<v Speaker 2>would take years to figure out. You go, oh, he totally,

0:24:59.005 --> 0:25:01.085
<v Speaker 2>he totally gets it. And then you're like, oh, no, yeah,

0:25:01.125 --> 0:25:04.045
<v Speaker 2>he's really not understanding anything. So I think it's such

0:25:04.085 --> 0:25:06.525
<v Speaker 2>a personal different journey.

0:25:06.965 --> 0:25:09.165
<v Speaker 1>As you said, you were starting to make a doc

0:25:09.405 --> 0:25:12.805
<v Speaker 1>about your dad who wanted to do a one man play.

0:25:14.205 --> 0:25:17.565
<v Speaker 1>It was kind of a it was a really gorgeous

0:25:18.245 --> 0:25:21.285
<v Speaker 1>you know collusion of your skills and his skills, and

0:25:21.445 --> 0:25:23.525
<v Speaker 1>this is something we're going to do together. And through

0:25:23.525 --> 0:25:25.685
<v Speaker 1>the course of the film it becomes apparent that this

0:25:25.845 --> 0:25:29.965
<v Speaker 1>is really not going to be possible. At what point

0:25:30.405 --> 0:25:33.885
<v Speaker 1>did you realize that you were telling a very different

0:25:34.005 --> 0:25:36.165
<v Speaker 1>story than you thought you were going to tell.

0:25:36.965 --> 0:25:41.165
<v Speaker 2>I feel that we finished filming probably in twenty nineteen twenty,

0:25:41.325 --> 0:25:43.485
<v Speaker 2>and now I just got really busy on TV for

0:25:43.525 --> 0:25:45.485
<v Speaker 2>like two years, and we took them like I took

0:25:45.485 --> 0:25:48.245
<v Speaker 2>a break from it because it was kind of like, yeah,

0:25:48.245 --> 0:25:50.685
<v Speaker 2>what is like we were originally going to maybe film

0:25:50.765 --> 0:25:52.805
<v Speaker 2>some segments of this monologue at the play he wanted

0:25:52.805 --> 0:25:54.885
<v Speaker 2>to do maybe we could do something like that, and

0:25:54.925 --> 0:25:57.205
<v Speaker 2>I kept trying to, you know, say that to Dad,

0:25:57.205 --> 0:25:59.605
<v Speaker 2>but he wasn't interested in that because he hadn't come

0:25:59.645 --> 0:26:01.685
<v Speaker 2>to the realization he couldn't do it. Like we both

0:26:01.685 --> 0:26:03.765
<v Speaker 2>were kind of coming to that realization. But as I

0:26:03.805 --> 0:26:05.965
<v Speaker 2>say in the film, he would push through and do

0:26:06.045 --> 0:26:09.005
<v Speaker 2>anything for me. And likewise, so was this, you know, Mike,

0:26:09.085 --> 0:26:10.565
<v Speaker 2>we said, we're not very good at feelings. It was

0:26:10.605 --> 0:26:13.405
<v Speaker 2>this awkward kind of thing where it was like, you know,

0:26:13.485 --> 0:26:15.645
<v Speaker 2>this season't going to happen. This play's not going to happen,

0:26:15.685 --> 0:26:17.685
<v Speaker 2>but I do want to still make the film of him,

0:26:17.725 --> 0:26:20.005
<v Speaker 2>and I want him to be, you know, proud that

0:26:20.045 --> 0:26:21.325
<v Speaker 2>he's in it, and I don't want him to think

0:26:21.325 --> 0:26:23.605
<v Speaker 2>it's a failure because it's not what we set out

0:26:23.645 --> 0:26:26.125
<v Speaker 2>to do. And then it was kind of after you know,

0:26:26.245 --> 0:26:29.205
<v Speaker 2>COVID and everything, it was you know, quite obvious that

0:26:29.245 --> 0:26:31.445
<v Speaker 2>then that was never going to happen. And then it

0:26:31.485 --> 0:26:34.245
<v Speaker 2>was like this race to kind of just keep madly

0:26:34.325 --> 0:26:37.925
<v Speaker 2>filming because yeah, so he would not forget who we

0:26:37.925 --> 0:26:39.725
<v Speaker 2>were or something like. For me, it was kind of like,

0:26:39.805 --> 0:26:41.645
<v Speaker 2>let's oh, I just want to like, you know, capture

0:26:41.645 --> 0:26:44.085
<v Speaker 2>everything about him now because it's going, it's going.

0:26:44.085 --> 0:26:45.605
<v Speaker 3>I can see it like just disappearing.

0:26:46.445 --> 0:26:50.445
<v Speaker 1>Was there a distance in you as Graciotto who's making

0:26:50.485 --> 0:26:56.685
<v Speaker 1>a docco versus Graciotto, the daughter who's watching her dad

0:26:57.125 --> 0:26:58.365
<v Speaker 1>in this decline?

0:26:59.085 --> 0:27:01.005
<v Speaker 2>No, Like, I guess there is a distance in it

0:27:01.085 --> 0:27:04.605
<v Speaker 2>because because we knew each other so well, and then

0:27:04.845 --> 0:27:10.205
<v Speaker 2>as it goes on, he doesn't like kind of by

0:27:10.245 --> 0:27:12.685
<v Speaker 2>the end. That was the last thing I shot actually

0:27:12.805 --> 0:27:15.045
<v Speaker 2>was I went and he had an air tag and

0:27:15.085 --> 0:27:16.805
<v Speaker 2>I was I think I was on a heartbreak high

0:27:16.845 --> 0:27:18.325
<v Speaker 2>in Post and I had it on my phone because

0:27:18.405 --> 0:27:20.005
<v Speaker 2>Mum hadn't set it up, and he's the hot Chips

0:27:20.005 --> 0:27:21.685
<v Speaker 2>and I could see where he was because he would

0:27:21.685 --> 0:27:23.965
<v Speaker 2>go out and just walk and get lost. And I

0:27:24.005 --> 0:27:26.485
<v Speaker 2>saw he was in like Broadway, which is so far

0:27:26.525 --> 0:27:28.765
<v Speaker 2>from our house. And I called Mum and she was

0:27:28.805 --> 0:27:30.205
<v Speaker 2>at work, and so I just got in the car

0:27:30.245 --> 0:27:32.245
<v Speaker 2>from Post and was like, I've got to go find him.

0:27:32.685 --> 0:27:33.365
<v Speaker 3>And I had to go.

0:27:33.405 --> 0:27:34.805
<v Speaker 2>And he was just walking out of the street and

0:27:34.805 --> 0:27:36.885
<v Speaker 2>I was like, I remember that when I was like that,

0:27:36.925 --> 0:27:38.285
<v Speaker 2>he was not really going to be sure who I

0:27:38.325 --> 0:27:40.165
<v Speaker 2>am out of context, and I pulled up and said, hey,

0:27:40.205 --> 0:27:42.165
<v Speaker 2>I think you know you should get like a you know,

0:27:42.165 --> 0:27:43.285
<v Speaker 2>AIG guy came.

0:27:43.285 --> 0:27:45.125
<v Speaker 3>Kid in the car, like, I think you kind of should.

0:27:44.885 --> 0:27:46.125
<v Speaker 2>Come in the car with me, and I had a

0:27:46.165 --> 0:27:49.085
<v Speaker 2>bottle of water for him, and he was like kind

0:27:49.125 --> 0:27:51.485
<v Speaker 2>of just yeah, really confused, and we drove home.

0:27:51.525 --> 0:27:53.005
<v Speaker 3>And then that's when I got home and he goes,

0:27:54.205 --> 0:27:55.085
<v Speaker 3>who is everyone?

0:27:55.525 --> 0:27:58.485
<v Speaker 2>And I was like, right, okay, I'm going to show you.

0:27:58.565 --> 0:28:00.605
<v Speaker 2>And i'd been watching a Louis the Row documentary a

0:28:00.605 --> 0:28:03.405
<v Speaker 2>few times. He did a whole series on dementia and Alzheimer's,

0:28:03.445 --> 0:28:05.605
<v Speaker 2>which is quite interesting because it's like I would watch

0:28:05.645 --> 0:28:07.605
<v Speaker 2>it at different points throughout the year and go, oh,

0:28:07.685 --> 0:28:10.165
<v Speaker 2>Dad's like kind of the first early pat and then

0:28:10.205 --> 0:28:13.445
<v Speaker 2>now he's there and there's this amazing woman who's like,

0:28:13.845 --> 0:28:15.805
<v Speaker 2>you just think, God that she's totally fine. She's got

0:28:15.805 --> 0:28:18.605
<v Speaker 2>a kid, she's quite young, and she they get her

0:28:18.605 --> 0:28:20.765
<v Speaker 2>to draw a clock and she just draws a circle

0:28:20.805 --> 0:28:22.525
<v Speaker 2>and puts the number three in the corner of the

0:28:22.565 --> 0:28:23.245
<v Speaker 2>piece of paper.

0:28:23.365 --> 0:28:23.565
<v Speaker 1>Yeah.

0:28:23.845 --> 0:28:26.605
<v Speaker 2>Yeah, oh wow, you know, and she sadly our you know,

0:28:26.965 --> 0:28:28.845
<v Speaker 2>best friends we grew up with. Their mother got it

0:28:28.925 --> 0:28:31.085
<v Speaker 2>really young and she's you know, she's probably about five

0:28:31.165 --> 0:28:32.325
<v Speaker 2>years more advanced than dad.

0:28:32.365 --> 0:28:33.685
<v Speaker 3>And that's been. So that's been.

0:28:33.725 --> 0:28:35.125
<v Speaker 2>You know, they were at the premiere, which is really

0:28:35.205 --> 0:28:38.085
<v Speaker 2>nice because we went to primary school together and stuff,

0:28:38.125 --> 0:28:40.045
<v Speaker 2>and so yeah, I've been able to kind of I

0:28:40.045 --> 0:28:42.205
<v Speaker 2>had been able to watch what was happening with Janet

0:28:42.845 --> 0:28:45.845
<v Speaker 2>and seeing that that's what you know, Yeah, it's an inevitable,

0:28:46.285 --> 0:28:49.565
<v Speaker 2>terrible decline. That's like, yeah, now you're going to take

0:28:49.565 --> 0:28:50.725
<v Speaker 2>that away from them, you know.

0:28:50.965 --> 0:28:57.285
<v Speaker 1>Yes, yes, And also it's so multifaceted because they're losing themselves.

0:28:57.325 --> 0:29:01.525
<v Speaker 1>But along the way they're also losing you. Yeah, and

0:29:02.245 --> 0:29:05.285
<v Speaker 1>those moments must just be very confronting.

0:29:06.605 --> 0:29:08.525
<v Speaker 2>Yeah, I think as I've been away a lot as well,

0:29:08.525 --> 0:29:10.285
<v Speaker 2>like I would fly back on the jobs to see

0:29:10.365 --> 0:29:12.085
<v Speaker 2>down every few weekends. But I think when we were

0:29:12.125 --> 0:29:15.605
<v Speaker 2>shooting Deadlock season two in Darwin, and you know, it

0:29:15.685 --> 0:29:17.205
<v Speaker 2>went from him being able to walk up the stairs

0:29:17.245 --> 0:29:19.605
<v Speaker 2>to his bedroom overnight to like my brother having a

0:29:19.645 --> 0:29:21.845
<v Speaker 2>movie his bed downstairs and kind of going he'll never

0:29:22.125 --> 0:29:24.765
<v Speaker 2>get to the staircase again, and go, I might want

0:29:24.765 --> 0:29:25.365
<v Speaker 2>to go up here.

0:29:26.125 --> 0:29:27.405
<v Speaker 3>That's that's gone now.

0:29:27.645 --> 0:29:28.925
<v Speaker 2>For me, I always say, it's like, you know, it's

0:29:28.925 --> 0:29:31.165
<v Speaker 2>like two hundred different light bulbs of everything you can do,

0:29:31.325 --> 0:29:34.565
<v Speaker 2>and they just start to shut off and you go, oh, right, great,

0:29:34.605 --> 0:29:36.485
<v Speaker 2>those thirty light bulbs just went off now and now

0:29:36.485 --> 0:29:38.365
<v Speaker 2>he's you know, he's not in a wheelchair yet. We

0:29:38.405 --> 0:29:40.845
<v Speaker 2>have nurses who come every day and he walks down

0:29:40.885 --> 0:29:42.125
<v Speaker 2>the road.

0:29:42.205 --> 0:29:44.365
<v Speaker 3>But yeah, he now can't really and he talks to mum.

0:29:44.405 --> 0:29:46.045
<v Speaker 2>He can say a sentence when he wants to, like

0:29:46.085 --> 0:29:47.725
<v Speaker 2>when he wants to tell you to go away, or

0:29:47.925 --> 0:29:49.405
<v Speaker 2>you know, when he's like because you don't.

0:29:49.205 --> 0:29:51.485
<v Speaker 3>Want to invade him, we'll get too close to him anymore.

0:29:51.725 --> 0:29:53.365
<v Speaker 2>You know, he can say something when he wants to,

0:29:53.445 --> 0:29:56.965
<v Speaker 2>but at the moment he's he doesn't really form sentences anymore.

0:29:56.965 --> 0:30:00.085
<v Speaker 2>So that's been like a huge, huge, sad decline in

0:30:00.125 --> 0:30:02.205
<v Speaker 2>the past year since the film's come out.

0:30:02.645 --> 0:30:07.365
<v Speaker 1>I remember reading someone talking about their mum with dementia

0:30:07.565 --> 0:30:11.325
<v Speaker 1>and saying, it's like watching and die a thousand times.

0:30:11.805 --> 0:30:13.485
<v Speaker 3>Yes, yeah, I know.

0:30:13.565 --> 0:30:16.045
<v Speaker 2>I think every Christmas, I'm like, oh, every Birthday with him,

0:30:16.245 --> 0:30:17.925
<v Speaker 2>I kind of got I didn't think he'd be here.

0:30:17.965 --> 0:30:21.245
<v Speaker 2>So now we're just like, yeah, mum's really determined to

0:30:21.325 --> 0:30:24.165
<v Speaker 2>keep him at home, which we're all supporting, and she's

0:30:24.205 --> 0:30:25.965
<v Speaker 2>you know, as I've said, she's like a hero.

0:30:26.125 --> 0:30:27.165
<v Speaker 3>She looks after him and.

0:30:27.125 --> 0:30:30.565
<v Speaker 2>Oh, she's incredible, and she's slowly starting to be able

0:30:30.605 --> 0:30:33.045
<v Speaker 2>to like kind of get a bit of her life

0:30:33.165 --> 0:30:35.605
<v Speaker 2>back in that way, Like now you can kind of

0:30:35.925 --> 0:30:38.005
<v Speaker 2>leave him for you know, an hour and come back

0:30:38.005 --> 0:30:40.005
<v Speaker 2>to him, and he sits in his chair all day.

0:30:40.045 --> 0:30:43.525
<v Speaker 2>There's no worry about his safety of like walking out

0:30:43.525 --> 0:30:46.525
<v Speaker 2>the door or anything like that anymore. So, you know,

0:30:46.605 --> 0:30:48.405
<v Speaker 2>but hopefully it mean soon we'll get to a stage

0:30:48.405 --> 0:30:50.045
<v Speaker 2>when you know, he doesn't go to the park anymore.

0:30:50.045 --> 0:30:51.805
<v Speaker 3>And it'd be nice. I think that's the next step.

0:30:51.845 --> 0:30:53.885
<v Speaker 2>When he's officially in the wheelchair, that will then be

0:30:53.885 --> 0:30:55.645
<v Speaker 2>able to wheel him out and you know that will

0:30:55.685 --> 0:30:57.325
<v Speaker 2>be a whole new chapter for him.

0:30:57.405 --> 0:30:59.485
<v Speaker 3>For the moment, we're just trying to keep him walking.

0:31:00.045 --> 0:31:04.085
<v Speaker 1>Gray. See the cats your dad's cats, can you say

0:31:04.165 --> 0:31:07.485
<v Speaker 1>in the doc ow and it's I think it will

0:31:07.525 --> 0:31:10.485
<v Speaker 1>resonate with so many people because you're you said, never

0:31:10.525 --> 0:31:12.685
<v Speaker 1>had a computer, didn't have a mobile phone, so kind

0:31:12.685 --> 0:31:16.125
<v Speaker 1>of lost touch with the with a lot of friends

0:31:16.125 --> 0:31:18.925
<v Speaker 1>and a lot of the outside world. But his greatest

0:31:19.045 --> 0:31:21.245
<v Speaker 1>loves are his cats.

0:31:21.845 --> 0:31:23.165
<v Speaker 3>Yeah, I mean it's true.

0:31:23.205 --> 0:31:25.365
<v Speaker 2>And like Boga, I've got a little sticker with Boga

0:31:25.485 --> 0:31:26.325
<v Speaker 2>Bogat goes.

0:31:26.925 --> 0:31:29.685
<v Speaker 3>I'm someone made them for me, so I put them

0:31:29.685 --> 0:31:30.485
<v Speaker 3>on all the camera for me.

0:31:32.165 --> 0:31:35.285
<v Speaker 2>Yeah, and like Boga, like they're animals are amazing.

0:31:35.285 --> 0:31:37.005
<v Speaker 3>Like I know peop always say dogs are amazing. Cats

0:31:37.045 --> 0:31:37.765
<v Speaker 3>are amazing too.

0:31:38.165 --> 0:31:40.285
<v Speaker 2>But they know when someone done well, and they know

0:31:40.565 --> 0:31:43.565
<v Speaker 2>when like in Boga, for someone who's not a service dog,

0:31:43.685 --> 0:31:47.405
<v Speaker 2>she's a cat. She waits for him, She walks with him,

0:31:47.405 --> 0:31:48.805
<v Speaker 2>like when he used to walk around by himself. She

0:31:48.845 --> 0:31:50.965
<v Speaker 2>would walk next to him like she is someone that

0:31:51.085 --> 0:31:53.365
<v Speaker 2>like really protects him and she goes to bed with him.

0:31:53.365 --> 0:31:56.125
<v Speaker 3>It's like her routine every night. And that's you know,

0:31:56.165 --> 0:31:56.485
<v Speaker 3>part of.

0:31:56.405 --> 0:31:58.645
<v Speaker 2>The reason he's not in a home is because Mom

0:31:58.725 --> 0:32:00.845
<v Speaker 2>was like, I just can't take her away from the cats,

0:32:00.885 --> 0:32:03.525
<v Speaker 2>like you can get these kind of like Alzheimer's cats

0:32:03.525 --> 0:32:06.285
<v Speaker 2>that are like a toy that's kind of vibrating and

0:32:06.325 --> 0:32:08.325
<v Speaker 2>what he looked at those, but it's like, no, he

0:32:08.445 --> 0:32:10.125
<v Speaker 2>loves his cat and.

0:32:10.645 --> 0:32:12.965
<v Speaker 1>They know him so well. There he's familiar.

0:32:13.005 --> 0:32:17.405
<v Speaker 2>He still knows he calls them both Bella or Bobo

0:32:18.285 --> 0:32:18.805
<v Speaker 2>at the moment.

0:32:19.725 --> 0:32:22.565
<v Speaker 3>Yeah, he still he still knows their name, Mum. And

0:32:22.565 --> 0:32:25.565
<v Speaker 3>it will never forget my brother. He's always like Eddie,

0:32:25.605 --> 0:32:25.805
<v Speaker 3>you know.

0:32:26.845 --> 0:32:30.245
<v Speaker 1>And then when you are navigating, like you said someone

0:32:30.285 --> 0:32:32.445
<v Speaker 1>at the was at the film festival who said you

0:32:32.445 --> 0:32:35.925
<v Speaker 1>should have stopped filming or whatever when your dad got sick,

0:32:37.045 --> 0:32:41.605
<v Speaker 1>how do you discuss as a family Because in the

0:32:41.885 --> 0:32:46.525
<v Speaker 1>Docco and your dad, who's just such a naturally flamboyant

0:32:46.565 --> 0:32:50.725
<v Speaker 1>and extrovert and beautiful, mischievous character, and you have a

0:32:50.965 --> 0:32:54.765
<v Speaker 1>really lovely conversation with him about vanity where you say

0:32:54.805 --> 0:32:57.125
<v Speaker 1>to him, you know, do you think you're vain, and

0:32:57.165 --> 0:32:59.965
<v Speaker 1>he goes, of course, I'm vain. And so later on

0:33:00.365 --> 0:33:04.485
<v Speaker 1>in the doco when we see him post his hip surgery,

0:33:05.485 --> 0:33:12.565
<v Speaker 1>and that's a real moment of fudding cruelty really for

0:33:12.685 --> 0:33:17.205
<v Speaker 1>all of us when we realize, oh fuck, it's this

0:33:17.285 --> 0:33:22.085
<v Speaker 1>is it? How do you as a family, how did

0:33:22.085 --> 0:33:25.205
<v Speaker 1>you decide what to show, what to share.

0:33:25.885 --> 0:33:29.365
<v Speaker 2>It's interesting because that scene, we weren't aware he had

0:33:29.525 --> 0:33:31.485
<v Speaker 2>Alzheimer's then, So when I was shooting him in the

0:33:31.525 --> 0:33:34.765
<v Speaker 2>hospital he went in for an operation. If you go

0:33:34.885 --> 0:33:37.005
<v Speaker 2>in for a hip operation or anything under general anesthetic

0:33:37.085 --> 0:33:40.645
<v Speaker 2>and you have Olzheimers can really rapidly increase it. And

0:33:40.685 --> 0:33:43.085
<v Speaker 2>so it's interesting because all that footage that I'd shot,

0:33:43.325 --> 0:33:45.205
<v Speaker 2>like we weren't aware at the time, and watching any

0:33:45.205 --> 0:33:48.005
<v Speaker 2>of that footage fact that there was that that's you know,

0:33:48.005 --> 0:33:49.965
<v Speaker 2>when you see it in context over the few years,

0:33:49.965 --> 0:33:51.885
<v Speaker 2>you go, oh my god, like it's so obvious. Like

0:33:51.925 --> 0:33:54.525
<v Speaker 2>I see friends of mine, now I know all people's parents,

0:33:54.525 --> 0:33:55.845
<v Speaker 2>and you know, I'm not going to say to them,

0:33:55.885 --> 0:33:57.605
<v Speaker 2>I think your mum's got our Shimber's or your dad,

0:33:57.645 --> 0:34:00.085
<v Speaker 2>but I can kind of see the signs of really

0:34:00.125 --> 0:34:02.445
<v Speaker 2>early on things that people aren't aware of yet because

0:34:02.445 --> 0:34:05.125
<v Speaker 2>I've gone through it. But that scene, actually, I mean,

0:34:05.165 --> 0:34:07.085
<v Speaker 2>I kind of regret, but I get it. There was

0:34:07.125 --> 0:34:09.485
<v Speaker 2>a scene that the network. There was a funny scene

0:34:09.485 --> 0:34:11.605
<v Speaker 2>where he described doing a pooh to me and it

0:34:11.645 --> 0:34:14.565
<v Speaker 2>went on for like six minutes, and it's just hilarious

0:34:14.605 --> 0:34:16.925
<v Speaker 2>because he's like, it's so tragic that he's like sitting

0:34:16.925 --> 0:34:19.245
<v Speaker 2>there and he's like, you know, and he's talking about

0:34:19.285 --> 0:34:21.765
<v Speaker 2>this pood about how it looks like a chocolate gelato

0:34:21.805 --> 0:34:24.245
<v Speaker 2>or whatever, but it is kind of epidome of comedy

0:34:24.245 --> 0:34:27.005
<v Speaker 2>and tragedy and it's this in a way. I was

0:34:27.045 --> 0:34:30.125
<v Speaker 2>just like, when you know, people who had watched that screen,

0:34:30.165 --> 0:34:32.445
<v Speaker 2>agencies and stuff were like worried about that scene. I

0:34:32.485 --> 0:34:33.685
<v Speaker 2>took it out because I was like, I don't want

0:34:33.685 --> 0:34:36.125
<v Speaker 2>anyone to ever think that I would ever do anything

0:34:36.205 --> 0:34:39.085
<v Speaker 2>to hurt Dad or show him like not in the

0:34:39.125 --> 0:34:41.325
<v Speaker 2>best light, but in my true heart, I knew that

0:34:41.445 --> 0:34:43.685
<v Speaker 2>he would find that funny because that's why he was.

0:34:43.765 --> 0:34:45.645
<v Speaker 2>He was still trying to make me laugh and still

0:34:45.685 --> 0:34:49.045
<v Speaker 2>trying to engage in his funny way and not make

0:34:49.085 --> 0:34:51.325
<v Speaker 2>it sad. So it's interesting because I don't think it

0:34:51.365 --> 0:34:53.165
<v Speaker 2>was the scene that people were talking about, but there

0:34:53.205 --> 0:34:55.765
<v Speaker 2>was this whole other section to it that got cut

0:34:55.805 --> 0:34:58.365
<v Speaker 2>out and then I mean that was like that was

0:34:58.365 --> 0:35:01.605
<v Speaker 2>actually in twenty and eighteen that footage happened, so it

0:35:01.685 --> 0:35:05.085
<v Speaker 2>was obviously amplified by the operation. And then he ended

0:35:05.165 --> 0:35:07.925
<v Speaker 2>up kind of mentally, I guess with the Alzheimer's getting

0:35:08.005 --> 0:35:10.565
<v Speaker 2>to that state that he's like in now. But really,

0:35:10.805 --> 0:35:14.325
<v Speaker 2>you know, I stopped filming in twenty twenty I think

0:35:14.485 --> 0:35:16.525
<v Speaker 2>three that last shot of him at the end of

0:35:16.525 --> 0:35:18.845
<v Speaker 2>the film, and then it was kind of going, well,

0:35:18.885 --> 0:35:20.685
<v Speaker 2>we wanted to come out, like I really want to

0:35:20.685 --> 0:35:22.645
<v Speaker 2>finish the film while he was still alive, and then

0:35:22.685 --> 0:35:24.805
<v Speaker 2>it was like this push to kind of go, you know,

0:35:24.845 --> 0:35:27.805
<v Speaker 2>we could keep filming, but like the quality of life

0:35:27.805 --> 0:35:30.325
<v Speaker 2>and the sadness about the disease, like I feel like

0:35:30.325 --> 0:35:31.565
<v Speaker 2>it ended at the right time.

0:35:31.845 --> 0:35:33.405
<v Speaker 3>Like I don't put as much you.

0:35:33.405 --> 0:35:35.045
<v Speaker 2>Know, I put nice videos up because people are so

0:35:35.085 --> 0:35:37.645
<v Speaker 2>interested in Dabt on instagramly like he looks so chic

0:35:37.685 --> 0:35:39.325
<v Speaker 2>with his hat on and he's sitting in his chair.

0:35:39.725 --> 0:35:41.085
<v Speaker 3>But I'm definitely not filming.

0:35:40.805 --> 0:35:43.205
<v Speaker 2>As much of him anymore because it's it kind of

0:35:43.205 --> 0:35:45.325
<v Speaker 2>feels like that's you know, we got to the end

0:35:45.405 --> 0:35:47.965
<v Speaker 2>of the film, and that was you know, how I

0:35:47.965 --> 0:35:48.805
<v Speaker 2>want to remember him.

0:35:49.805 --> 0:35:52.565
<v Speaker 1>When you refer to your dad's sense of humor, that

0:35:52.765 --> 0:35:57.685
<v Speaker 1>is just such an underlying nourishing thing in the film,

0:35:58.245 --> 0:36:02.245
<v Speaker 1>is that it's not obviously someone's decline is sad, but

0:36:02.405 --> 0:36:06.085
<v Speaker 1>we are all going one way or the other. But

0:36:06.205 --> 0:36:09.405
<v Speaker 1>the beauty of his humor and his engagement with you

0:36:10.365 --> 0:36:14.285
<v Speaker 1>is very uplifting in an extremely painful way.

0:36:15.405 --> 0:36:18.205
<v Speaker 3>Yeah, okay, well, thank you. Like trying to think what

0:36:18.285 --> 0:36:19.245
<v Speaker 3>the question was.

0:36:19.805 --> 0:36:22.965
<v Speaker 1>Well, I was it was really more about how you

0:36:23.005 --> 0:36:25.405
<v Speaker 1>discuss as a family, like what bits you're going to

0:36:25.525 --> 0:36:27.205
<v Speaker 1>leave in or what bits you're going to leave out?

0:36:27.565 --> 0:36:31.645
<v Speaker 1>Is it a family discussion or a project for you?

0:36:31.805 --> 0:36:36.125
<v Speaker 2>We definitely sent not the final cut, but what was

0:36:36.125 --> 0:36:38.725
<v Speaker 2>getting close to the final cut I sent to Miranda

0:36:38.805 --> 0:36:41.125
<v Speaker 2>and Mum because I think the moment was a.

0:36:41.045 --> 0:36:41.925
<v Speaker 3>Really hard process.

0:36:41.965 --> 0:36:43.605
<v Speaker 2>Like I think, you know, she didn't really want to

0:36:43.645 --> 0:36:45.365
<v Speaker 2>be part of it because she's so behind the scenes

0:36:45.405 --> 0:36:47.205
<v Speaker 2>person and I think, you know, there's a lot of

0:36:47.205 --> 0:36:49.845
<v Speaker 2>anger that comes with Alzheimer's as well, and she copped

0:36:49.845 --> 0:36:52.165
<v Speaker 2>it for a few years from Dad, and people, you know,

0:36:52.245 --> 0:36:54.365
<v Speaker 2>don't realize that that, like they go. You know, they

0:36:54.365 --> 0:36:56.685
<v Speaker 2>can go through a very angry phase and usually take

0:36:56.685 --> 0:36:58.525
<v Speaker 2>it out on the person who cares about them the most.

0:36:58.965 --> 0:37:01.005
<v Speaker 2>So she had a really tough journey with him and

0:37:01.045 --> 0:37:03.765
<v Speaker 2>then it kind of turned and now like it's so sweet,

0:37:03.805 --> 0:37:05.845
<v Speaker 2>like the only person he care, like, the only person

0:37:05.885 --> 0:37:08.085
<v Speaker 2>he knows is Mum, and he gets so happy to

0:37:08.125 --> 0:37:09.565
<v Speaker 2>see her and she goes comes in and is in

0:37:09.565 --> 0:37:11.245
<v Speaker 2>the kiss and he's like a little you know, he's

0:37:11.245 --> 0:37:12.645
<v Speaker 2>like a little boy, Like he's like, you.

0:37:12.605 --> 0:37:14.925
<v Speaker 3>Know, he'll go Mama, like you know, because he doesn't

0:37:14.925 --> 0:37:16.885
<v Speaker 3>know who any one is, but he knows Mum.

0:37:17.285 --> 0:37:19.805
<v Speaker 2>And so she yeah, it was actually really amazing because

0:37:19.805 --> 0:37:21.285
<v Speaker 2>she I don't ever see him, like a photo of

0:37:21.365 --> 0:37:23.485
<v Speaker 2>her once like that was in a frame of her

0:37:23.525 --> 0:37:23.965
<v Speaker 2>and dad in.

0:37:23.925 --> 0:37:26.045
<v Speaker 3>The bedroom in a bikini or whatever.

0:37:26.045 --> 0:37:28.245
<v Speaker 2>And then I finally got her to find her archive

0:37:28.325 --> 0:37:30.285
<v Speaker 2>of photos, and I think that was and she just

0:37:30.325 --> 0:37:32.325
<v Speaker 2>turned seventy, not that she'd like me to say that,

0:37:32.365 --> 0:37:35.005
<v Speaker 2>but and I was over Easter, like when her birthday is,

0:37:35.045 --> 0:37:37.925
<v Speaker 2>and I was scanning them furiously, like three thousand photos

0:37:37.965 --> 0:37:40.085
<v Speaker 2>on my Easter break. And I think for her it

0:37:40.125 --> 0:37:42.605
<v Speaker 2>was actually this really new love affair with Dad and

0:37:42.685 --> 0:37:44.965
<v Speaker 2>like actually going. You know, people don't reflect on that

0:37:45.005 --> 0:37:47.765
<v Speaker 2>stuff until someone's dead normally, so I think she got

0:37:47.805 --> 0:37:50.045
<v Speaker 2>to do that as well and go back and like

0:37:50.085 --> 0:37:51.765
<v Speaker 2>look at you know, when they met and like their

0:37:51.765 --> 0:37:54.885
<v Speaker 2>whole life together and have this kind of you know,

0:37:55.605 --> 0:37:57.885
<v Speaker 2>understanding of why she's put up.

0:37:58.005 --> 0:38:00.285
<v Speaker 3>You know, she's she's still going with.

0:38:00.205 --> 0:38:01.645
<v Speaker 2>This because you know, a lot of people say to

0:38:01.645 --> 0:38:03.165
<v Speaker 2>her and friends, they're like, you should just put him

0:38:03.165 --> 0:38:04.685
<v Speaker 2>in a home, like it's not fair on you, and

0:38:04.685 --> 0:38:05.965
<v Speaker 2>she's like, this is what I want to do and

0:38:06.005 --> 0:38:08.525
<v Speaker 2>you have to respect it. That's what she wants to

0:38:08.525 --> 0:38:10.525
<v Speaker 2>do in her life moment. She wants to take care

0:38:10.605 --> 0:38:12.605
<v Speaker 2>of him, which is so nice. I'm not as nice

0:38:12.605 --> 0:38:15.285
<v Speaker 2>as that. You know a lot of people Aren'ta's like,

0:38:16.245 --> 0:38:18.205
<v Speaker 2>you know, she just thinks about people before she thinks

0:38:18.205 --> 0:38:18.885
<v Speaker 2>about herself.

0:38:22.245 --> 0:38:24.965
<v Speaker 1>Coming out, we talk about the moment Gracie won the

0:38:25.045 --> 0:38:30.005
<v Speaker 1>Actor Award for Otto by Otto, she finally won Don't

0:38:30.005 --> 0:38:39.085
<v Speaker 1>go Anywhere, and even in the course of your your

0:38:39.205 --> 0:38:43.365
<v Speaker 1>family that you are a family, and yet Miranda has

0:38:43.365 --> 0:38:46.485
<v Speaker 1>a different mother and then you and your brother Eddie

0:38:46.485 --> 0:38:50.205
<v Speaker 1>came along, like your mom is obviously capable of really

0:38:50.525 --> 0:38:52.685
<v Speaker 1>creating a world that brings everybody in.

0:38:53.685 --> 0:38:55.805
<v Speaker 2>Yeah, she was very like wanting to have her career

0:38:55.845 --> 0:38:57.685
<v Speaker 2>and kind of had two kids and decided she was

0:38:57.725 --> 0:38:59.405
<v Speaker 2>going to be, you know, a full time mum and

0:39:00.325 --> 0:39:02.445
<v Speaker 2>and that's all she's done like most of her life,

0:39:02.445 --> 0:39:05.565
<v Speaker 2>where she could have probably done really great other things,

0:39:05.645 --> 0:39:07.725
<v Speaker 2>but you know, she's very proud of that, and there

0:39:07.805 --> 0:39:10.005
<v Speaker 2>was great for us to have her around.

0:39:10.765 --> 0:39:13.805
<v Speaker 1>Was she she was not at the awards at the.

0:39:13.805 --> 0:39:15.605
<v Speaker 3>Actors No, yeah, no, she wasn't at.

0:39:15.565 --> 0:39:17.565
<v Speaker 1>The Actors and you gave her a beautiful shout out.

0:39:18.245 --> 0:39:21.045
<v Speaker 3>Oh it really we honestly really did not think we

0:39:21.045 --> 0:39:21.605
<v Speaker 3>were going to win.

0:39:21.725 --> 0:39:23.445
<v Speaker 2>And I had thought the night before I thought, oh,

0:39:23.445 --> 0:39:24.925
<v Speaker 2>I only one of those idiots if we win that

0:39:24.965 --> 0:39:25.725
<v Speaker 2>doesn't have a speech.

0:39:25.765 --> 0:39:27.645
<v Speaker 3>But I was like like, I was like, oh, it.

0:39:27.645 --> 0:39:28.965
<v Speaker 2>Was just like I didn't even want to go there

0:39:29.005 --> 0:39:31.125
<v Speaker 2>thinking about writing something because it was like too emotional,

0:39:31.125 --> 0:39:32.725
<v Speaker 2>and then to go to the emotions that like not

0:39:32.845 --> 0:39:34.365
<v Speaker 2>weir and then be like, oh, I just wrote this

0:39:34.405 --> 0:39:36.965
<v Speaker 2>speech in my head. So we were just like down

0:39:37.005 --> 0:39:39.165
<v Speaker 2>in drinks and like my doco team and i'd ha

0:39:39.405 --> 0:39:41.725
<v Speaker 2>like a really great time. And then it was the

0:39:41.805 --> 0:39:44.565
<v Speaker 2>cheer that we heard when they announced they were announcing them.

0:39:44.805 --> 0:39:47.325
<v Speaker 3>That was like really big, and I was like, oh god.

0:39:47.405 --> 0:39:49.685
<v Speaker 2>And then I saw the camera and I know were

0:39:49.725 --> 0:39:51.725
<v Speaker 2>five camera setups, so they only had four cameras and

0:39:51.765 --> 0:39:53.125
<v Speaker 2>so they won't get a right to one every no

0:39:53.205 --> 0:39:55.565
<v Speaker 2>beerneath and then the other cameras went straight around to

0:39:55.605 --> 0:39:58.405
<v Speaker 2>Miranda just before it, and then I went, oh, okay,

0:39:58.445 --> 0:40:00.845
<v Speaker 2>it's happening. And then I just you know, I just said,

0:40:00.885 --> 0:40:03.405
<v Speaker 2>I round up like a football player, because I just

0:40:03.525 --> 0:40:04.045
<v Speaker 2>was like if.

0:40:03.925 --> 0:40:06.205
<v Speaker 3>I stopped, I'll start crying.

0:40:06.565 --> 0:40:08.845
<v Speaker 1>And you start like Miranda a kiss on the way

0:40:08.925 --> 0:40:10.325
<v Speaker 1>up to went.

0:40:10.245 --> 0:40:11.885
<v Speaker 3>And grabbed it. I was looking at it. That thing.

0:40:12.045 --> 0:40:14.485
<v Speaker 2>God. I didn't even like shape the people who presented it,

0:40:15.085 --> 0:40:16.725
<v Speaker 2>but I think I just was like it was. It

0:40:17.205 --> 0:40:19.805
<v Speaker 2>was actually like we were like producers and I was saying,

0:40:19.845 --> 0:40:22.325
<v Speaker 2>we were like, it's an amazing feeling, like it's a

0:40:22.445 --> 0:40:25.085
<v Speaker 2>huge adrenaline rush and I've been nominated before and you

0:40:25.085 --> 0:40:27.005
<v Speaker 2>have the adrenaline rush, and then it's kind of this

0:40:27.045 --> 0:40:28.565
<v Speaker 2>sense of relief because you're like, oh, I didn't win,

0:40:28.565 --> 0:40:29.325
<v Speaker 2>I don't have to get up there.

0:40:29.365 --> 0:40:31.045
<v Speaker 3>It's all good. I can just enjoy my night now.

0:40:31.565 --> 0:40:33.725
<v Speaker 3>But yeah, we were just on a high. The whole night.

0:40:33.765 --> 0:40:34.845
<v Speaker 3>I had a great time up there.

0:40:35.125 --> 0:40:36.685
<v Speaker 1>You enjoyed your night in a different way.

0:40:37.165 --> 0:40:38.965
<v Speaker 2>Yeah, I went, We did all the press and stuff,

0:40:39.005 --> 0:40:40.085
<v Speaker 2>and then I was like, oh my god, I need

0:40:40.085 --> 0:40:41.525
<v Speaker 2>a col mum, but I didn't have my phone did

0:40:41.525 --> 0:40:43.525
<v Speaker 2>to go back through and so I facetimed her off

0:40:43.565 --> 0:40:45.645
<v Speaker 2>some random camera person's phone and I.

0:40:45.605 --> 0:40:47.925
<v Speaker 3>Was like whoa and she was like hello Sue speaking.

0:40:47.965 --> 0:40:50.165
<v Speaker 2>I was like you know, and then it was yeah,

0:40:50.205 --> 0:40:51.725
<v Speaker 2>and then we were just like, I mean it was Yeah,

0:40:51.725 --> 0:40:53.645
<v Speaker 2>it took like a week to come down from that high,

0:40:53.765 --> 0:40:55.205
<v Speaker 2>but yeah, we're very.

0:40:55.165 --> 0:40:55.965
<v Speaker 3>Yeah, thrilled.

0:40:56.165 --> 0:40:59.925
<v Speaker 1>There was a video of you beforehand saying autos don't.

0:40:59.725 --> 0:41:02.445
<v Speaker 2>Win well, like I feel like we don't, like we're

0:41:02.445 --> 0:41:03.285
<v Speaker 2>going through dad's career.

0:41:03.285 --> 0:41:04.805
<v Speaker 3>I was like, oh, I didn't win for like a

0:41:04.845 --> 0:41:05.525
<v Speaker 3>win for Blissle.

0:41:05.565 --> 0:41:10.125
<v Speaker 2>I think that or yeah it's interesting, So I mean, yeah,

0:41:10.165 --> 0:41:10.885
<v Speaker 2>we'll take it.

0:41:10.965 --> 0:41:11.765
<v Speaker 3>We'll take it.

0:41:12.045 --> 0:41:15.245
<v Speaker 1>Because I think it is an extraordinary piece of work.

0:41:15.765 --> 0:41:19.405
<v Speaker 1>You know, where does it sit internationally? Like does it

0:41:19.445 --> 0:41:26.285
<v Speaker 1>get to go to like into other festival competition? Does

0:41:26.765 --> 0:41:27.725
<v Speaker 1>it travel the world?

0:41:27.805 --> 0:41:28.125
<v Speaker 3>Now?

0:41:28.325 --> 0:41:28.925
<v Speaker 1>What happened?

0:41:28.965 --> 0:41:29.245
<v Speaker 2>Really?

0:41:29.285 --> 0:41:30.725
<v Speaker 3>I think we're streamers as well.

0:41:30.765 --> 0:41:33.445
<v Speaker 2>It's like it's standing with the streamer, so once it's

0:41:33.485 --> 0:41:35.685
<v Speaker 2>out on stream, you can't play festivals, which is something

0:41:35.725 --> 0:41:39.005
<v Speaker 2>that hopefully maybe in the future they things change. So

0:41:39.045 --> 0:41:40.765
<v Speaker 2>we got to play at Sydney Film Festival and then

0:41:40.805 --> 0:41:42.685
<v Speaker 2>it was coming out like a few days later. That

0:41:42.805 --> 0:41:45.645
<v Speaker 2>was the kind of league. So really it's kind of finished,

0:41:45.685 --> 0:41:47.965
<v Speaker 2>it's run, and yeah, it's been like that's why it's

0:41:47.965 --> 0:41:49.205
<v Speaker 2>been good to have a few weeks off, a few

0:41:49.285 --> 0:41:51.365
<v Speaker 2>times of reflection because I am very like, you know,

0:41:51.445 --> 0:41:53.365
<v Speaker 2>made the Australian soccer team. Then I gave up, you know,

0:41:53.485 --> 0:41:55.245
<v Speaker 2>like I was kind of like, well maybe I should like,

0:41:55.565 --> 0:41:57.485
<v Speaker 2>maybe that's it. Maybe I'll just do something else. Now

0:41:57.485 --> 0:41:58.965
<v Speaker 2>I'm not direct, but I think it's.

0:41:58.885 --> 0:42:01.245
<v Speaker 3>Now just trying to think about really think about what,

0:42:02.005 --> 0:42:02.285
<v Speaker 3>you know.

0:42:02.285 --> 0:42:04.125
<v Speaker 2>What project I want to attached to, what I want

0:42:04.125 --> 0:42:07.085
<v Speaker 2>to do next, and yeah, try I think it was just,

0:42:07.165 --> 0:42:08.965
<v Speaker 2>you know, I think years I've been so excited to

0:42:09.005 --> 0:42:11.125
<v Speaker 2>be off jobs and I've been really lucky to have

0:42:11.245 --> 0:42:13.765
<v Speaker 2>taken jobs that ended up being really good shows and

0:42:13.805 --> 0:42:15.965
<v Speaker 2>with really great actors and everything.

0:42:16.045 --> 0:42:17.805
<v Speaker 3>And now I'm just kind of like I have.

0:42:17.845 --> 0:42:20.685
<v Speaker 2>Got a bit of the bug to go overseas again,

0:42:20.805 --> 0:42:22.765
<v Speaker 2>not necessarily to live there, or anything, but just to

0:42:22.845 --> 0:42:26.365
<v Speaker 2>kind of have a little bit of fun.

0:42:27.485 --> 0:42:30.085
<v Speaker 1>Well what would that be? What would the fun be?

0:42:32.085 --> 0:42:34.205
<v Speaker 2>I used to travel by myself all the time, like

0:42:34.245 --> 0:42:36.085
<v Speaker 2>I think I would. I don't think I've been in

0:42:36.085 --> 0:42:38.485
<v Speaker 2>a city longer than like three weeks. I'm very I'm

0:42:38.485 --> 0:42:41.445
<v Speaker 2>not good at like commitment or life I want to

0:42:41.485 --> 0:42:44.205
<v Speaker 2>say relationships, but like I always kind of you know, I

0:42:44.165 --> 0:42:46.685
<v Speaker 2>always dated people lift in other countries, so I could, like,

0:42:46.805 --> 0:42:49.925
<v Speaker 2>you know, I really enjoy my independent space, and I

0:42:49.965 --> 0:42:52.565
<v Speaker 2>actually really enjoy traveling by myself. I always like to

0:42:52.605 --> 0:42:54.565
<v Speaker 2>go somewhere like to a film, veestl or something where

0:42:54.565 --> 0:42:57.045
<v Speaker 2>there's a reason to kind of be be there, even

0:42:57.045 --> 0:42:59.285
<v Speaker 2>if it's for a day. And now I'm just, yeah,

0:42:59.405 --> 0:43:01.205
<v Speaker 2>kind of thinking about going. I don't know, I just

0:43:01.205 --> 0:43:04.085
<v Speaker 2>feel like I really wanted European summer and just to

0:43:04.165 --> 0:43:08.165
<v Speaker 2>kind of again yeah, yeah, and I'm going to Greece,

0:43:08.245 --> 0:43:10.485
<v Speaker 2>I think in June. So I'm finishing on up or

0:43:10.525 --> 0:43:12.725
<v Speaker 2>Dodger and then yeah, I just thought I'll see what

0:43:12.845 --> 0:43:14.525
<v Speaker 2>comes up for the second part of the inn. Every year,

0:43:14.565 --> 0:43:16.005
<v Speaker 2>I've had the whole year or a year and a

0:43:16.045 --> 0:43:18.325
<v Speaker 2>half of just going showing the show and knowing what's

0:43:18.325 --> 0:43:20.205
<v Speaker 2>mapped out, which is really good in a lot of

0:43:20.205 --> 0:43:22.005
<v Speaker 2>ways because you kind of go, oh, I know what

0:43:22.045 --> 0:43:24.165
<v Speaker 2>I'm doing, and I, you know, I get frustrated, like

0:43:24.205 --> 0:43:27.165
<v Speaker 2>if I don't know the plans. So yeah, I'm trying

0:43:27.205 --> 0:43:29.405
<v Speaker 2>to just like yeah, and so I've just been doing

0:43:29.605 --> 0:43:32.645
<v Speaker 2>personal training and cooking lessons and yeah.

0:43:33.005 --> 0:43:37.285
<v Speaker 1>And do you think these like this desire to extend

0:43:37.285 --> 0:43:41.405
<v Speaker 1>yourself personally into yourself rather than just through work, the cooking,

0:43:41.525 --> 0:43:44.805
<v Speaker 1>the training, the time at home, the renovation. Do you

0:43:44.885 --> 0:43:50.245
<v Speaker 1>think it's come about as a result of the film

0:43:50.485 --> 0:43:56.845
<v Speaker 1>the doco that you've processed certain aspects without even realizing

0:43:56.885 --> 0:43:59.445
<v Speaker 1>it about yourself and the way that we live life,

0:43:59.525 --> 0:44:00.845
<v Speaker 1>the way that you're living life.

0:44:01.525 --> 0:44:03.805
<v Speaker 2>Yeah, I think it's been a long journey with the

0:44:03.845 --> 0:44:07.165
<v Speaker 2>documentary and I think, yeah, it's kind of like I'm

0:44:07.205 --> 0:44:09.285
<v Speaker 2>ready for the next chapter. Like I know Dad's still

0:44:09.565 --> 0:44:12.125
<v Speaker 2>here at the moment, but it's kind of like it

0:44:12.165 --> 0:44:15.445
<v Speaker 2>does feel like the next chapters coming, which I'm excited

0:44:15.485 --> 0:44:18.325
<v Speaker 2>by and I'm excited he's still here for that next chapter.

0:44:19.005 --> 0:44:21.405
<v Speaker 2>But yeah, it's like I kind of get you know,

0:44:21.885 --> 0:44:23.645
<v Speaker 2>like I said that book, I read like I do

0:44:23.925 --> 0:44:26.245
<v Speaker 2>want to live forever and I like I you know,

0:44:26.245 --> 0:44:28.765
<v Speaker 2>I've packed a lot into my life and will continue

0:44:28.805 --> 0:44:30.525
<v Speaker 2>to do so. Like I'm not someone to just sit

0:44:30.565 --> 0:44:32.325
<v Speaker 2>around and do nothing, but you know, I get so

0:44:32.365 --> 0:44:35.765
<v Speaker 2>inspired by people and things and places. I don't know,

0:44:36.005 --> 0:44:37.805
<v Speaker 2>Like I was meant to maybe a big going to

0:44:37.845 --> 0:44:40.045
<v Speaker 2>Asian and the job got canceled, but I was meant

0:44:40.045 --> 0:44:41.205
<v Speaker 2>to be going to go into Beijing, and I was

0:44:41.245 --> 0:44:43.245
<v Speaker 2>excited because I I'll go around, I'll go to Seoul

0:44:43.285 --> 0:44:45.205
<v Speaker 2>and I'll just go. And I nearly booked a ticket

0:44:45.245 --> 0:44:47.245
<v Speaker 2>this week, just before I start work next week, because

0:44:47.285 --> 0:44:49.525
<v Speaker 2>I just thought, I really just need to, i don't know,

0:44:49.845 --> 0:44:50.645
<v Speaker 2>just see things.

0:44:50.965 --> 0:44:52.325
<v Speaker 3>So I'll be trying to do that in Sydney.

0:44:52.565 --> 0:44:55.205
<v Speaker 1>Yeah, right, Well that's it sometimes. And also when you're

0:44:55.245 --> 0:44:59.005
<v Speaker 1>working at that intensity, you're the city in which you

0:44:59.085 --> 0:45:02.645
<v Speaker 1>live is as foreign a destination as any other that

0:45:02.685 --> 0:45:03.405
<v Speaker 1>you can encounter.

0:45:03.525 --> 0:45:05.165
<v Speaker 2>Yeah, and that's why I think the skills that I

0:45:05.205 --> 0:45:09.605
<v Speaker 2>haven't learned over the past few years is the hiat exercise.

0:45:09.605 --> 0:45:10.645
<v Speaker 3>Like I think the three things.

0:45:10.685 --> 0:45:14.045
<v Speaker 2>You know, my friend Lara has a cooking business, nutrition business,

0:45:14.085 --> 0:45:17.125
<v Speaker 2>and she does these lessons on FaceTime. I've been cooking, like,

0:45:17.245 --> 0:45:21.405
<v Speaker 2>you know, steak with like source Diane like light lunches, snacks, smoothies,

0:45:21.405 --> 0:45:23.525
<v Speaker 2>and it's been like I'm just like, oh my god,

0:45:23.605 --> 0:45:25.325
<v Speaker 2>how did I not know how to cook a potato?

0:45:25.445 --> 0:45:26.845
<v Speaker 3>Or like, how did I not know how to like

0:45:26.885 --> 0:45:27.965
<v Speaker 3>handle a piece of meat?

0:45:28.285 --> 0:45:30.565
<v Speaker 2>And then my friend Joe joh my god on Instagram

0:45:30.645 --> 0:45:33.045
<v Speaker 2>She's an amazing makeup artist and I paid her to

0:45:33.165 --> 0:45:34.045
<v Speaker 2>teach me to do.

0:45:34.045 --> 0:45:37.285
<v Speaker 3>My own makeup. And I was like those those two things.

0:45:37.285 --> 0:45:39.085
<v Speaker 2>And then the personal trainer of was personal trainer A

0:45:39.125 --> 0:45:41.685
<v Speaker 2>Lane is like just awesome because it's like I've been

0:45:41.685 --> 0:45:43.285
<v Speaker 2>going I was going to the gym in Brisboe last

0:45:43.325 --> 0:45:45.485
<v Speaker 2>year on deadlock and you know, from soccer, like I

0:45:45.565 --> 0:45:48.765
<v Speaker 2>know how to train, but like to specifically train on

0:45:48.845 --> 0:45:51.045
<v Speaker 2>certain things that work for my body. I was just

0:45:51.085 --> 0:45:52.405
<v Speaker 2>like I can't and you, my friend's are like you

0:45:52.445 --> 0:45:54.645
<v Speaker 2>love structure. I can't believe. And I was like those

0:45:54.645 --> 0:45:56.845
<v Speaker 2>three sets of skills because I'm, you know, at thirty seven,

0:45:56.925 --> 0:45:59.285
<v Speaker 2>I live alone. I was like, they've just been brushed.

0:45:59.325 --> 0:46:01.845
<v Speaker 2>They were brushed aside for the last five years and

0:46:01.885 --> 0:46:03.445
<v Speaker 2>now it was all catchy up to me. And I

0:46:03.485 --> 0:46:04.685
<v Speaker 2>was like I really, you know, so in a way,

0:46:04.725 --> 0:46:07.125
<v Speaker 2>I've kind of taken a month for myself, which has

0:46:07.205 --> 0:46:07.885
<v Speaker 2>been nice.

0:46:08.285 --> 0:46:11.165
<v Speaker 1>And what do you think of yourself or I think

0:46:11.165 --> 0:46:14.325
<v Speaker 1>of myself? I don't know. Can you make yourself in

0:46:14.365 --> 0:46:18.885
<v Speaker 1>a different way when you have time around quite entertained

0:46:18.925 --> 0:46:22.805
<v Speaker 1>by my Like I can entertain myself quite well.

0:46:22.965 --> 0:46:25.885
<v Speaker 2>I enjoy I do. I really enjoy in my own company.

0:46:26.005 --> 0:46:27.925
<v Speaker 2>I'm always like, as soon as you know on set,

0:46:27.965 --> 0:46:29.805
<v Speaker 2>I'm sorry, I love being around two hudred people, and

0:46:29.845 --> 0:46:31.685
<v Speaker 2>then I actually really love all of a sudden being

0:46:31.685 --> 0:46:33.925
<v Speaker 2>around no one. And then as soon as like you know,

0:46:33.965 --> 0:46:35.925
<v Speaker 2>there's too many people trying to contact me or hang

0:46:35.965 --> 0:46:37.725
<v Speaker 2>out or whatever, I get overwhelmed and I'm like, oh,

0:46:37.765 --> 0:46:39.325
<v Speaker 2>I just want everyone to go away. And then after

0:46:39.405 --> 0:46:41.245
<v Speaker 2>twenty four hours when everyone leaves me alone, I'm like,

0:46:41.325 --> 0:46:42.005
<v Speaker 2>where is everyone?

0:46:42.045 --> 0:46:44.165
<v Speaker 3>Where all my friends? I want to hang out? You know.

0:46:44.485 --> 0:46:46.965
<v Speaker 2>So I have this kind of like energy of like

0:46:47.085 --> 0:46:49.085
<v Speaker 2>I'm very present, I think when I'm in the moment,

0:46:49.125 --> 0:46:50.485
<v Speaker 2>and I have you know, I'm really lucky to have

0:46:50.525 --> 0:46:52.845
<v Speaker 2>a lot of friends. And sometimes I feel bad because

0:46:52.845 --> 0:46:55.245
<v Speaker 2>I haven't seen my friends for a year. But it's like,

0:46:55.325 --> 0:46:57.445
<v Speaker 2>I guess, you know, I'm not like a big hangout

0:46:57.445 --> 0:46:58.725
<v Speaker 2>with a big group kind of person.

0:46:58.765 --> 0:47:01.565
<v Speaker 3>But when I see someone it's like intense and it's like, you.

0:47:01.525 --> 0:47:05.405
<v Speaker 1>Know, yeah, it does take a certain sort of friend

0:47:06.205 --> 0:47:08.205
<v Speaker 1>to be a friend to someone who's working at that

0:47:08.325 --> 0:47:11.965
<v Speaker 1>intensity that they just have to trust that after a

0:47:12.085 --> 0:47:15.245
<v Speaker 1>year or two years or whatever, you'll be back.

0:47:15.685 --> 0:47:15.965
<v Speaker 3>Yeah.

0:47:16.005 --> 0:47:17.965
<v Speaker 2>And I you know, I've missed all my friends overseas

0:47:17.965 --> 0:47:20.205
<v Speaker 2>because I really haven't been away for so long. So

0:47:20.805 --> 0:47:22.925
<v Speaker 2>you know, there's people from you know, COVID that I

0:47:23.045 --> 0:47:25.525
<v Speaker 2>just like, like they were my best friends before COVID

0:47:25.565 --> 0:47:27.365
<v Speaker 2>and I was always in La or in Paris, and

0:47:27.605 --> 0:47:29.725
<v Speaker 2>you know, now it's like, what'sapped them every a few

0:47:29.765 --> 0:47:31.645
<v Speaker 2>months and send them a voice message.

0:47:31.885 --> 0:47:35.005
<v Speaker 1>I want to ask you because you worked on Heartbreak High,

0:47:35.325 --> 0:47:40.205
<v Speaker 1>which was you know, groundbreaking in so many ways and

0:47:40.325 --> 0:47:43.645
<v Speaker 1>so popular around the world. But because you've been working

0:47:43.645 --> 0:47:46.565
<v Speaker 1>in the industry for since you were so young, it

0:47:46.685 --> 0:47:49.885
<v Speaker 1>kind of feels like you're older than you are in

0:47:49.965 --> 0:47:53.285
<v Speaker 1>terms of your maturity when you were working with such

0:47:53.285 --> 0:47:56.565
<v Speaker 1>a young cast, a coolsy cast as well.

0:47:56.805 --> 0:47:59.405
<v Speaker 3>They're very under gust yeah, weren't they.

0:47:59.925 --> 0:48:01.805
<v Speaker 1>What did it feel like being with them?

0:48:02.645 --> 0:48:04.445
<v Speaker 2>There's a big one show that I've been on that

0:48:04.645 --> 0:48:07.405
<v Speaker 2>I was like the average age on set, like I

0:48:07.445 --> 0:48:10.725
<v Speaker 2>am always like uptil puble. Now, I've always been like

0:48:10.765 --> 0:48:14.045
<v Speaker 2>the youngest, and especially being the gener I've always loved

0:48:14.045 --> 0:48:16.765
<v Speaker 2>been around older people. It was interesting because it was

0:48:16.845 --> 0:48:19.565
<v Speaker 2>kind of like I used my school diary when I

0:48:19.645 --> 0:48:21.805
<v Speaker 2>pitched on it. We had a train map of all

0:48:21.805 --> 0:48:24.045
<v Speaker 2>the people who hooked up with different guys on the train,

0:48:24.645 --> 0:48:26.925
<v Speaker 2>and so I kind of, you know, i'd use that

0:48:27.005 --> 0:48:28.805
<v Speaker 2>in my pitch deck as a kind of you know,

0:48:28.845 --> 0:48:31.325
<v Speaker 2>that was like two thousand and two or whatever. Yeah,

0:48:31.485 --> 0:48:33.765
<v Speaker 2>but they were all like, they're also cool, like they're

0:48:33.805 --> 0:48:36.565
<v Speaker 2>such cool kids. I would say, kids that are like

0:48:36.725 --> 0:48:40.125
<v Speaker 2>older now and stuff. But there was a great you know,

0:48:40.165 --> 0:48:42.045
<v Speaker 2>I think. I think there's a lot of people who

0:48:42.045 --> 0:48:44.645
<v Speaker 2>make mistakes always say oh, I've been in the industry

0:48:44.725 --> 0:48:47.325
<v Speaker 2>much longer than this young girl, and you know, blah

0:48:47.325 --> 0:48:49.245
<v Speaker 2>blah blah, like and I hate all that because I go,

0:48:49.365 --> 0:48:52.405
<v Speaker 2>I can learn so much from a sixteen year old

0:48:52.765 --> 0:48:55.005
<v Speaker 2>when I watch TikTok all the time. Do I keep

0:48:55.085 --> 0:48:57.845
<v Speaker 2>up with a pat as I can from you know,

0:48:57.885 --> 0:49:00.925
<v Speaker 2>a six year old or eighty year old, like I think,

0:49:01.005 --> 0:49:03.845
<v Speaker 2>you know, my school teacher for band in high school

0:49:03.845 --> 0:49:05.885
<v Speaker 2>always said that's why music was so great in the

0:49:05.925 --> 0:49:09.325
<v Speaker 2>band because you made friends vertically, not horizontally like people

0:49:09.405 --> 0:49:10.965
<v Speaker 2>go to school or people going to the industry and

0:49:10.965 --> 0:49:12.645
<v Speaker 2>they go, well, I'm thirty seven, and you know, so

0:49:12.765 --> 0:49:14.485
<v Speaker 2>this is what I know, or like this fifty six

0:49:14.605 --> 0:49:16.565
<v Speaker 2>year old woman knows more because she's been around longer,

0:49:16.605 --> 0:49:19.525
<v Speaker 2>and it's like bullshit, Like this young girl is doing

0:49:19.565 --> 0:49:22.365
<v Speaker 2>amazing things. Is also someone you can learn from. So

0:49:22.405 --> 0:49:24.765
<v Speaker 2>I think for me, like, I just learned so much

0:49:24.845 --> 0:49:28.125
<v Speaker 2>from them, and you know, obviously had a very paternal

0:49:28.245 --> 0:49:34.685
<v Speaker 2>like maternal and maternalness in the way that I can

0:49:34.725 --> 0:49:37.445
<v Speaker 2>be of been very protective of them in the industry

0:49:37.485 --> 0:49:40.085
<v Speaker 2>as well, like you know, because knowing that they were

0:49:40.085 --> 0:49:43.245
<v Speaker 2>going to come out and be quite overnight like well known,

0:49:43.245 --> 0:49:45.445
<v Speaker 2>which happened to them, and you know, the producers and

0:49:45.445 --> 0:49:48.925
<v Speaker 2>have a very great kind of maintaining all that. And

0:49:48.965 --> 0:49:50.485
<v Speaker 2>it was so nice to go back on the second

0:49:50.565 --> 0:49:54.005
<v Speaker 2>season and see that, yes, their lives had completely changed,

0:49:54.085 --> 0:49:57.725
<v Speaker 2>but they hadn't necessarily, you know, they hadn't changed.

0:49:59.005 --> 0:50:01.045
<v Speaker 3>They yeah, had been like a learning curve for them.

0:50:01.085 --> 0:50:02.845
<v Speaker 2>And I don't know, because I've never been as well

0:50:02.885 --> 0:50:04.685
<v Speaker 2>known as they would have been at that age, so

0:50:04.965 --> 0:50:06.765
<v Speaker 2>you know, I think, but I have been out with

0:50:06.765 --> 0:50:08.565
<v Speaker 2>them a few times when like, you know, walking down

0:50:08.605 --> 0:50:10.365
<v Speaker 2>the street and people like when I first came out,

0:50:10.405 --> 0:50:12.005
<v Speaker 2>we're just calling out to them, and I was like,

0:50:12.005 --> 0:50:12.605
<v Speaker 2>that's crazy.

0:50:12.645 --> 0:50:13.405
<v Speaker 3>I can't imagine that.

0:50:13.445 --> 0:50:16.205
<v Speaker 2>I really like, you know, I know that sometimes if

0:50:16.205 --> 0:50:19.565
<v Speaker 2>I go somewhere or walk somewhere, but like, mainly I'm

0:50:19.605 --> 0:50:22.045
<v Speaker 2>pretty you know, I can just live my life, which

0:50:22.045 --> 0:50:23.685
<v Speaker 2>I think, you know, must be hard for people who

0:50:23.725 --> 0:50:24.325
<v Speaker 2>are famous.

0:50:25.245 --> 0:50:29.485
<v Speaker 1>Yes, Oh it's brutal and often becoming famous. You know,

0:50:29.565 --> 0:50:31.645
<v Speaker 1>they say that you're set in stone at the age

0:50:31.685 --> 0:50:35.085
<v Speaker 1>at which you become famous, which explains I think why

0:50:35.245 --> 0:50:41.125
<v Speaker 1>some uber famous Hollywood actors are a little bit atrophied

0:50:41.445 --> 0:50:42.845
<v Speaker 1>when it comes to development.

0:50:43.885 --> 0:50:46.645
<v Speaker 3>Yeah, totally, yeah, and I'd be very lucky in that regard.

0:50:46.725 --> 0:50:49.525
<v Speaker 2>And also like directors, like, no one really you know,

0:50:49.965 --> 0:50:52.125
<v Speaker 2>like no one really kind of like wants to follow

0:50:52.165 --> 0:50:54.605
<v Speaker 2>their lives around is you know, it's always about the actors.

0:50:55.165 --> 0:50:57.765
<v Speaker 1>This is a big question, but what have you learned?

0:50:58.445 --> 0:51:03.845
<v Speaker 1>Do you think about life in the context of your

0:51:03.925 --> 0:51:06.845
<v Speaker 1>father's journey and the journey that you've gone on with him.

0:51:07.605 --> 0:51:10.645
<v Speaker 2>I'm very early on like the game of life that

0:51:10.725 --> 0:51:12.525
<v Speaker 2>you only have one shot at life, and you only

0:51:12.565 --> 0:51:14.405
<v Speaker 2>have one time that you're going to be thirty six

0:51:14.445 --> 0:51:16.605
<v Speaker 2>and thirty seven, thirty eight and thirty nine. So I'm

0:51:16.765 --> 0:51:20.725
<v Speaker 2>very like not about wasting time and always up for everything.

0:51:21.165 --> 0:51:23.085
<v Speaker 2>I think Dad's you know, the big takeaway for me

0:51:23.165 --> 0:51:26.125
<v Speaker 2>for Dad is it's like a really boring word. But

0:51:26.205 --> 0:51:28.725
<v Speaker 2>Dad is so kind and I think, you know, you

0:51:28.725 --> 0:51:32.125
<v Speaker 2>can be known for being the most incredible Hollywood actor

0:51:32.285 --> 0:51:35.365
<v Speaker 2>or famous for this, or doing great work or whatever,

0:51:35.365 --> 0:51:37.885
<v Speaker 2>but if you're not a kind person. So I think

0:51:37.885 --> 0:51:40.765
<v Speaker 2>that's been such a big lesson, like hearing, you know,

0:51:40.805 --> 0:51:42.965
<v Speaker 2>people I work on set like a grip might come

0:51:42.965 --> 0:51:45.245
<v Speaker 2>past and go, loved your dad. He was so kind

0:51:45.285 --> 0:51:47.165
<v Speaker 2>to me, you know when I was starting out or

0:51:47.205 --> 0:51:49.765
<v Speaker 2>a runner who's now a producer or you know, all

0:51:49.805 --> 0:51:51.605
<v Speaker 2>those kind of things. I just think it's such a

0:51:51.685 --> 0:51:54.845
<v Speaker 2>nice legacy for such a boring word to be left

0:51:54.885 --> 0:51:56.325
<v Speaker 2>with that he was such a kind man.

0:51:56.725 --> 0:51:58.965
<v Speaker 3>That helps me when sometimes I'll think something in my

0:51:59.005 --> 0:52:00.245
<v Speaker 3>head and go just be kind.

0:52:02.285 --> 0:52:05.645
<v Speaker 1>Well, you know, there's sometimes you have to be unkind

0:52:05.685 --> 0:52:06.365
<v Speaker 1>to be kind.

0:52:07.045 --> 0:52:09.925
<v Speaker 2>Yeah, yeah, I'm thinking of myself as a verse it.

0:52:10.245 --> 0:52:12.605
<v Speaker 2>But I think you can always, you know, be like

0:52:13.005 --> 0:52:14.645
<v Speaker 2>strive for more kindness.

0:52:15.005 --> 0:52:20.925
<v Speaker 1>Well, it's interesting because Otto Bioto is very kind. I

0:52:20.925 --> 0:52:24.845
<v Speaker 1>think it's very kind. And I think it's also because,

0:52:25.325 --> 0:52:27.885
<v Speaker 1>as I said earlier, we know the trajectory of life

0:52:27.925 --> 0:52:30.645
<v Speaker 1>and we're all take us except for you, who's going

0:52:30.685 --> 0:52:34.005
<v Speaker 1>to live forever, but that we know I.

0:52:33.965 --> 0:52:36.245
<v Speaker 2>Get killed today.

0:52:36.565 --> 0:52:37.085
<v Speaker 1>That's right.

0:52:38.085 --> 0:52:40.885
<v Speaker 2>I do have a psychic sense that I'm trying to

0:52:41.325 --> 0:52:43.445
<v Speaker 2>understand more about now in life. Like if I think

0:52:43.445 --> 0:52:45.885
<v Speaker 2>of someone like, they will text me or they will

0:52:45.885 --> 0:52:47.765
<v Speaker 2>appear in my algorithm even though I haven't looked.

0:52:47.645 --> 0:52:50.565
<v Speaker 3>At their things the name. So I do have it,

0:52:50.605 --> 0:52:51.445
<v Speaker 3>and I do have something.

0:52:51.485 --> 0:52:53.805
<v Speaker 2>Sometimes it happens where my wake up and kind of

0:52:54.045 --> 0:52:56.765
<v Speaker 2>my brain goes, just be careful, and I'll stop at

0:52:56.765 --> 0:52:58.965
<v Speaker 2>the lights and like not run the orange light, and

0:52:58.965 --> 0:53:00.725
<v Speaker 2>a car will run the other light, and I'll be like,

0:53:01.325 --> 0:53:03.085
<v Speaker 2>and I am waiting for the day. Someone just goes

0:53:03.165 --> 0:53:05.285
<v Speaker 2>cut like I'm in the Truman Show, and I go, oh,

0:53:05.485 --> 0:53:07.965
<v Speaker 2>I knew something was going on, Like you know, I'm

0:53:08.125 --> 0:53:13.005
<v Speaker 2>very into like not reincarnation, but like into the other life.

0:53:13.085 --> 0:53:15.085
<v Speaker 2>And one of my best friends who passed away, I

0:53:15.285 --> 0:53:17.805
<v Speaker 2>always kind of thought of her as like we living

0:53:17.805 --> 0:53:20.485
<v Speaker 2>in a game and she's just in the next level

0:53:20.525 --> 0:53:22.645
<v Speaker 2>of the game. And so I do think about that

0:53:23.085 --> 0:53:24.885
<v Speaker 2>quite a bit, and I think maybe I have been

0:53:24.925 --> 0:53:26.885
<v Speaker 2>here before. She Now it sounds a bit woo woo,

0:53:26.925 --> 0:53:29.045
<v Speaker 2>but I feel like I have been here before. But

0:53:29.045 --> 0:53:32.805
<v Speaker 2>I'm not sure as what animal? Do you think it

0:53:32.845 --> 0:53:33.485
<v Speaker 2>was an animal?

0:53:34.645 --> 0:53:35.685
<v Speaker 3>Really? Yeah?

0:53:35.805 --> 0:53:37.965
<v Speaker 1>Yeah, I'm not a person. You don't think it was

0:53:38.005 --> 0:53:38.445
<v Speaker 1>a person?

0:53:38.565 --> 0:53:40.645
<v Speaker 2>No, I think it was either like a really old

0:53:40.725 --> 0:53:45.565
<v Speaker 2>man or an animal. Yeah, but yeah, I'm kind of

0:53:46.085 --> 0:53:48.085
<v Speaker 2>I'm interested in that side of stuff because I'm not.

0:53:49.845 --> 0:53:50.605
<v Speaker 3>Religious.

0:53:50.925 --> 0:53:56.365
<v Speaker 1>Well that is religious, Yeah, that's probably the definition of religions.

0:53:55.965 --> 0:53:58.165
<v Speaker 3>Right, yeah, yeah, yeah, yeah.

0:53:58.525 --> 0:54:01.285
<v Speaker 2>I'm not into into heaven and hell and like whatever.

0:54:01.325 --> 0:54:03.405
<v Speaker 2>I'm more just like, where does the spirit go? Like

0:54:03.445 --> 0:54:06.685
<v Speaker 2>when Michael White died, I felt his spirit on my

0:54:06.845 --> 0:54:08.125
<v Speaker 2>back for about a month.

0:54:08.205 --> 0:54:09.805
<v Speaker 3>I felt like I could i him.

0:54:09.845 --> 0:54:12.565
<v Speaker 2>And I went to a crazy dinner party at Cheer

0:54:12.605 --> 0:54:16.165
<v Speaker 2>Coppola's or whatever, and this Disney young actress just started

0:54:16.205 --> 0:54:18.885
<v Speaker 2>they were doing a seance. It was something, and then

0:54:18.925 --> 0:54:21.085
<v Speaker 2>she just turned around and started screaming at me. She goes,

0:54:21.125 --> 0:54:24.325
<v Speaker 2>You've got something on your back, And I was like, oh, yeah,

0:54:25.325 --> 0:54:28.085
<v Speaker 2>so I'm very into the spiritual. Yeah, I actually in

0:54:28.125 --> 0:54:31.445
<v Speaker 2>Melbourne recently, stay in the place that had something bad happening.

0:54:31.485 --> 0:54:32.725
<v Speaker 3>Then was when David Lynch started.

0:54:32.765 --> 0:54:34.845
<v Speaker 2>He was such a huge inspiration to me and I

0:54:34.885 --> 0:54:37.125
<v Speaker 2>had I was watching his films, but it was the

0:54:37.205 --> 0:54:40.085
<v Speaker 2>layout of the house and it felt very trapped and

0:54:40.205 --> 0:54:42.565
<v Speaker 2>I think it was actually my body resetting over the

0:54:42.605 --> 0:54:45.245
<v Speaker 2>five years back to like you know, two point zero

0:54:45.325 --> 0:54:47.245
<v Speaker 2>version of me or something was. It was like the

0:54:47.285 --> 0:54:49.125
<v Speaker 2>new software. I had to just go on this like

0:54:49.205 --> 0:54:51.125
<v Speaker 2>I never really get like I don't don't suffer from

0:54:51.205 --> 0:54:53.605
<v Speaker 2>depression or anything like that. I know, I know a

0:54:53.605 --> 0:54:55.405
<v Speaker 2>lot of people do, but like you know, maybe every

0:54:55.405 --> 0:54:57.645
<v Speaker 2>few years, I have like a low moment for like

0:54:57.765 --> 0:54:59.565
<v Speaker 2>you know, two weeks and then I kind of yeah,

0:54:59.565 --> 0:55:00.445
<v Speaker 2>it's like a reset.

0:55:00.565 --> 0:55:02.885
<v Speaker 3>So I did that. I've resetted.

0:55:03.285 --> 0:55:07.165
<v Speaker 1>Reset in the concept of you on a different level

0:55:07.205 --> 0:55:09.925
<v Speaker 1>of the game. Do you think when you watched your

0:55:10.005 --> 0:55:12.965
<v Speaker 1>dad that he's on a different level of the game.

0:55:13.365 --> 0:55:17.885
<v Speaker 2>Like it's like he was a player that got inserted

0:55:17.885 --> 0:55:21.965
<v Speaker 2>in the Rock time. Here's a character from always has

0:55:22.045 --> 0:55:25.005
<v Speaker 2>been eighteen hundreds that like they went, oh, we forgot

0:55:25.005 --> 0:55:26.565
<v Speaker 2>to put him in the game. We'll put him in

0:55:26.685 --> 0:55:29.405
<v Speaker 2>nineteen forty and so yeah, you know, so he's like

0:55:29.485 --> 0:55:32.005
<v Speaker 2>cruising around as this kind of because he is like

0:55:32.005 --> 0:55:32.965
<v Speaker 2>a bit of an old soul.

0:55:33.005 --> 0:55:35.965
<v Speaker 3>Like my grandma died when I was on Ladies in Black.

0:55:35.765 --> 0:55:37.765
<v Speaker 2>And we were all really close to her, and then

0:55:37.845 --> 0:55:40.125
<v Speaker 2>like we didn't tell Dad because like he wouldn't understand,

0:55:40.245 --> 0:55:43.405
<v Speaker 2>but he would just sometimes go, Nanny's here, like a

0:55:43.405 --> 0:55:45.565
<v Speaker 2>week after she died and look to the corner of

0:55:45.565 --> 0:55:47.845
<v Speaker 2>the room. And so he's kind of like a little

0:55:47.845 --> 0:55:50.005
<v Speaker 2>good luck charm. If I'm like, you know, wanting someone

0:55:50.005 --> 0:55:52.045
<v Speaker 2>a text me, I'll go and like rub his head

0:55:52.085 --> 0:55:53.485
<v Speaker 2>and like get good luck from him.

0:55:53.845 --> 0:55:56.445
<v Speaker 1>So and Baz Luhman always found your dad a good

0:55:56.485 --> 0:55:57.045
<v Speaker 1>luck charm.

0:55:57.485 --> 0:55:58.125
<v Speaker 3>Yeah, I know.

0:55:58.165 --> 0:56:00.005
<v Speaker 2>I'm just so sweet because I did my first work

0:56:00.045 --> 0:56:02.485
<v Speaker 2>experience luckily with Bads, which he would never get me

0:56:02.525 --> 0:56:04.645
<v Speaker 2>to do again, because I was in high school and

0:56:04.685 --> 0:56:08.125
<v Speaker 2>it was on the Chanelle Ad and it was like

0:56:08.285 --> 0:56:11.325
<v Speaker 2>five hours of watching the understudy, like the person coming

0:56:11.325 --> 0:56:13.125
<v Speaker 2>in for the lighting for Nicole, who was beautiful in

0:56:13.165 --> 0:56:14.765
<v Speaker 2>this like male model, and I was like they should

0:56:14.805 --> 0:56:16.805
<v Speaker 2>just be in it there amazing, and then it was

0:56:16.845 --> 0:56:19.325
<v Speaker 2>like Nicole came in and you were like, how he's

0:56:19.725 --> 0:56:21.645
<v Speaker 2>get it and they were just getting ready to do

0:56:21.765 --> 0:56:23.685
<v Speaker 2>the shot, and I had like in my pocket of

0:56:23.765 --> 0:56:26.725
<v Speaker 2>my school shirt, I had a little flip phone and

0:56:26.765 --> 0:56:29.045
<v Speaker 2>it was off, but the alarm went off as he

0:56:29.085 --> 0:56:31.045
<v Speaker 2>said action and I was like, oh my god, my god,

0:56:31.045 --> 0:56:34.125
<v Speaker 2>my god. I turned it off. But then I was

0:56:34.165 --> 0:56:36.245
<v Speaker 2>back in the day on those phones. The alarm would

0:56:36.285 --> 0:56:38.845
<v Speaker 2>still go off. So they set up again for five minutes,

0:56:38.885 --> 0:56:40.645
<v Speaker 2>and then he someone came over and said, we're going

0:56:40.685 --> 0:56:42.565
<v Speaker 2>to take you to the costume department of THEO. And

0:56:42.605 --> 0:56:44.645
<v Speaker 2>he still wrote me, like, you know what, an amazing man,

0:56:44.645 --> 0:56:47.885
<v Speaker 2>Like he still wrote me a handwritten letter like he's incredible.

0:56:47.885 --> 0:56:49.245
<v Speaker 3>Like even when I interviewed.

0:56:48.885 --> 0:56:52.285
<v Speaker 2>Him, I reached out and you know, and he had

0:56:52.325 --> 0:56:54.325
<v Speaker 2>to cancel it. And it was the Oscars and he

0:56:54.405 --> 0:56:56.245
<v Speaker 2>was like nominated. There was all this stuff going on,

0:56:56.405 --> 0:56:58.085
<v Speaker 2>and I remember when it came through and they were like, look, bads,

0:56:58.085 --> 0:56:59.725
<v Speaker 2>it's going to have to reach schedule. So yeah, yeah,

0:56:59.725 --> 0:57:01.085
<v Speaker 2>of course, and they're like, he's so sorry, but he

0:57:01.125 --> 0:57:03.325
<v Speaker 2>could probably do it like four days time, and he was.

0:57:03.365 --> 0:57:04.485
<v Speaker 3>In the minute. He's like, I'm so sorry.

0:57:04.485 --> 0:57:05.725
<v Speaker 2>I was in Italy and then I went here and

0:57:05.725 --> 0:57:07.605
<v Speaker 2>we're just about to do the oscars, but you know,

0:57:07.685 --> 0:57:09.325
<v Speaker 2>and I just thought, oh my god, like you've got

0:57:09.485 --> 0:57:10.925
<v Speaker 2>up in the books, Baz, like.

0:57:10.925 --> 0:57:12.365
<v Speaker 3>You know, because he didn't have to do that for me,

0:57:12.485 --> 0:57:13.485
<v Speaker 3>Like it was just so kind.

0:57:14.085 --> 0:57:15.725
<v Speaker 1>Kind there is again.

0:57:16.445 --> 0:57:18.845
<v Speaker 3>Yeah, really boring word to be described by, but.

0:57:21.405 --> 0:57:24.445
<v Speaker 1>A really good one, and all the better for people

0:57:24.485 --> 0:57:27.045
<v Speaker 1>who necessarily don't have it, do you know what I mean?

0:57:27.605 --> 0:57:31.085
<v Speaker 1>All they could do is dream of it. Yeah, Graciotto.

0:57:31.285 --> 0:57:33.685
<v Speaker 1>I look forward to seeing what you do in the

0:57:33.685 --> 0:57:36.245
<v Speaker 1>rest of your life when you live forever. Thank you

0:57:36.285 --> 0:57:39.125
<v Speaker 1>for your body of work. Yes, oh no, that's all right.

0:57:39.125 --> 0:57:40.845
<v Speaker 1>It's all right if I say it. It's all right

0:57:40.845 --> 0:57:43.565
<v Speaker 1>if I say it to you. Thank you for your

0:57:43.605 --> 0:57:46.525
<v Speaker 1>body of work. And thank you so much for sharing

0:57:47.005 --> 0:57:51.205
<v Speaker 1>your family, your dad, your mom with all of us,

0:57:51.645 --> 0:57:53.525
<v Speaker 1>and for sharing yourself with no filter.

0:57:53.965 --> 0:57:55.285
<v Speaker 3>Yeah, thanks so much for having me.

0:57:58.485 --> 0:58:02.885
<v Speaker 1>This was one of my favorite conversations with someone whose

0:58:02.885 --> 0:58:08.005
<v Speaker 1>family has had such a big but largely unspoken impact

0:58:08.085 --> 0:58:12.725
<v Speaker 1>on me and my consumption of, you know, arts life

0:58:12.725 --> 0:58:16.725
<v Speaker 1>in Australia. I loved her honesty, I loved her father,

0:58:16.845 --> 0:58:19.445
<v Speaker 1>I loved her family, I loved her mother, I loved

0:58:19.445 --> 0:58:25.685
<v Speaker 1>her sister. I loved all of her and I really

0:58:25.725 --> 0:58:29.885
<v Speaker 1>appreciate her sharing her family legacy with us, and it's

0:58:29.925 --> 0:58:34.005
<v Speaker 1>such a deeply vulnerable time. And if you want to

0:58:34.005 --> 0:58:38.005
<v Speaker 1>watch Otto Biotto, and I recommend it from the bottom

0:58:38.045 --> 0:58:41.085
<v Speaker 1>of my heart, will pop a link in the show notes.

0:58:41.965 --> 0:58:45.605
<v Speaker 1>The executive producer of No Filter is Nama Brown, Senior

0:58:45.645 --> 0:58:49.645
<v Speaker 1>producer is Grace Rufrey. Sound design is by Jacob Brown.

0:58:49.765 --> 0:58:53.165
<v Speaker 1>And I'm your host, kateline Brook. Back with you next week.