1 00:00:11,104 --> 00:00:11,424 Speaker 1: So much. 2 00:00:11,464 --> 00:00:14,144 Speaker 2: You're listening to a Muma Mia podcast. 3 00:00:14,784 --> 00:00:18,664 Speaker 3: Mamma Mia acknowledges the traditional owners of land and borders 4 00:00:18,744 --> 00:00:26,664 Speaker 3: that this podcast is recorded on from Mamma Mia. Welcome 5 00:00:26,664 --> 00:00:29,544 Speaker 3: to The Spill, your daily pop culture fix. I'm Laura 6 00:00:29,624 --> 00:00:32,384 Speaker 3: Brodnick and I'm m Vernon And on today's show, we 7 00:00:32,424 --> 00:00:35,944 Speaker 3: are talking about Katie Perry's new rebrand, her new music video. 8 00:00:36,064 --> 00:00:38,584 Speaker 3: There has been an avalanche. 9 00:00:38,024 --> 00:00:39,624 Speaker 4: I think is the right way. That is a correct 10 00:00:39,624 --> 00:00:40,184 Speaker 4: word of. 11 00:00:40,104 --> 00:00:42,784 Speaker 3: Criticism about this, and we're going to delve into what's 12 00:00:42,824 --> 00:00:45,144 Speaker 3: really happening, because I don't think it's as simple as 13 00:00:45,144 --> 00:00:46,464 Speaker 3: she's just released a bad song. 14 00:00:46,504 --> 00:00:47,184 Speaker 4: There's more to it. 15 00:00:47,544 --> 00:00:51,304 Speaker 5: But first, but first, Sharon Stone posted a photo of 16 00:00:51,304 --> 00:00:54,944 Speaker 5: herself on Instagram that's gone absolutely viral. She's wearing lingerie 17 00:00:55,024 --> 00:00:58,264 Speaker 5: sitting like cross legged on a chair as a callback 18 00:00:58,304 --> 00:01:01,464 Speaker 5: to her iconic scene in Basic Instinct, where she's wearing 19 00:01:01,544 --> 00:01:03,544 Speaker 5: kind of like a white mini dress sitting in the 20 00:01:03,544 --> 00:01:06,824 Speaker 5: same position being interrogated by all of these men. I 21 00:01:07,024 --> 00:01:10,224 Speaker 5: personally haven't seen Basic Instinct, but it's on your list, 22 00:01:10,384 --> 00:01:12,904 Speaker 5: it's on my list. But I have seen that scene. 23 00:01:13,264 --> 00:01:15,104 Speaker 3: I would say one of the most famous movie scenes 24 00:01:15,104 --> 00:01:16,944 Speaker 3: of all time. It's one of those movie scenes that 25 00:01:17,064 --> 00:01:20,264 Speaker 3: is so strong that you can just see the even 26 00:01:20,304 --> 00:01:21,984 Speaker 3: just the crop of her head and shoulders in the 27 00:01:21,984 --> 00:01:24,544 Speaker 3: white dress and the way her eyes are looking in 28 00:01:24,544 --> 00:01:27,264 Speaker 3: that scene, and you know exactly what movie and what 29 00:01:27,424 --> 00:01:30,064 Speaker 3: iconic moment it's alluding to, Like what It's that powerful 30 00:01:30,104 --> 00:01:32,424 Speaker 3: that just from a movie still you can tell what's happening. 31 00:01:32,184 --> 00:01:34,224 Speaker 5: Especially because all the men are just sweating and she's 32 00:01:34,344 --> 00:01:36,504 Speaker 5: just so chick and she can't yeah, and she's being 33 00:01:36,504 --> 00:01:39,584 Speaker 5: interrogated and she slowly closes her legs and then puts 34 00:01:39,624 --> 00:01:41,904 Speaker 5: her other leg over and there's a flash. 35 00:01:42,064 --> 00:01:43,904 Speaker 3: And for everyone who wants to go and stop, like, 36 00:01:44,104 --> 00:01:46,064 Speaker 3: watch that part of the movie and pause it. You 37 00:01:46,104 --> 00:01:48,904 Speaker 3: can't really really see. It's like a little flash of skin. 38 00:01:49,144 --> 00:01:51,864 Speaker 5: It's clear that she's not wearing any underwear. Yes, And 39 00:01:52,144 --> 00:01:55,104 Speaker 5: what I didn't know when I was reading about this 40 00:01:55,184 --> 00:01:59,704 Speaker 5: post that she did recently was that she actually claimed 41 00:01:59,824 --> 00:02:02,664 Speaker 5: that she was tricked into not wearing any underwear because 42 00:02:02,664 --> 00:02:04,864 Speaker 5: she was wearing white underwear and they were saying that 43 00:02:04,904 --> 00:02:06,784 Speaker 5: it was reflecting off the lights, so she had to 44 00:02:06,784 --> 00:02:07,664 Speaker 5: take her underwear off. 45 00:02:07,744 --> 00:02:09,384 Speaker 3: Yeah, And that didn't come out until I think it 46 00:02:09,384 --> 00:02:11,584 Speaker 3: was twenty twenty one where she released her memoir The 47 00:02:11,584 --> 00:02:13,344 Speaker 3: Beauty of Living Twice, and that was one of the 48 00:02:13,344 --> 00:02:15,584 Speaker 3: stories that was in it, because up until then everyone 49 00:02:15,624 --> 00:02:18,104 Speaker 3: thought that she was very kind of in on the 50 00:02:18,144 --> 00:02:20,304 Speaker 3: gimmick of doing that and what was happening. And then 51 00:02:20,344 --> 00:02:22,224 Speaker 3: in the book she says, yeah, she's wearing underwear, and 52 00:02:22,264 --> 00:02:23,824 Speaker 3: they kept saying, like, oh, can we just get one 53 00:02:23,904 --> 00:02:26,944 Speaker 3: shot with the underwear off because it's reflecting the light 54 00:02:26,984 --> 00:02:29,024 Speaker 3: and we're getting this like weird flash every time the 55 00:02:29,104 --> 00:02:31,384 Speaker 3: camera goes, but I promise you we won't see anything. 56 00:02:31,744 --> 00:02:33,424 Speaker 3: So she did it, and then that's the take that 57 00:02:33,584 --> 00:02:35,904 Speaker 3: was in the movie, and the filmmakers have said that's 58 00:02:35,984 --> 00:02:38,784 Speaker 3: not true and kind of refuted what she was saying. 59 00:02:38,784 --> 00:02:40,744 Speaker 3: But she's really stuck to that story over the last 60 00:02:40,784 --> 00:02:41,304 Speaker 3: couple of years. 61 00:02:41,344 --> 00:02:43,464 Speaker 5: I love how she's stuck to that story, but like, 62 00:02:43,824 --> 00:02:47,424 Speaker 5: hasn't let that take over the entire storyline of that 63 00:02:47,544 --> 00:02:50,544 Speaker 5: soh yeah. Like the fact that she's recreated this position 64 00:02:50,664 --> 00:02:53,024 Speaker 5: so many times and now she's in the sixties and 65 00:02:53,024 --> 00:02:55,464 Speaker 5: she still looks so amazing, and the fact that she's 66 00:02:55,504 --> 00:02:57,784 Speaker 5: just like given herself back the narrative I think is 67 00:02:57,864 --> 00:02:58,264 Speaker 5: really cool. 68 00:02:58,344 --> 00:03:14,184 Speaker 1: Nana Nana. 69 00:03:14,824 --> 00:03:18,304 Speaker 5: So when I first heard the song, I was like, Okay, 70 00:03:18,344 --> 00:03:23,504 Speaker 5: I understand. It's obviously very satire. It feels very poignant 71 00:03:23,624 --> 00:03:26,664 Speaker 5: on like what feminism is. It's pretty much just talking 72 00:03:26,664 --> 00:03:28,544 Speaker 5: about feminism as being feminism. 73 00:03:29,024 --> 00:03:31,544 Speaker 4: I picture the song because I quite like the chorus. 74 00:03:31,744 --> 00:03:33,144 Speaker 4: It's very damn I. 75 00:03:33,144 --> 00:03:35,744 Speaker 3: Kind of like it too. It took me a while. 76 00:03:35,824 --> 00:03:38,624 Speaker 3: I think the magic of pop songs is that their repetitiveness. 77 00:03:38,624 --> 00:03:40,424 Speaker 3: A lot of the time, if you hear a song 78 00:03:40,464 --> 00:03:42,424 Speaker 3: on the radio, like old school how we used to 79 00:03:42,544 --> 00:03:44,744 Speaker 3: hear on the radio like millions of times a day, 80 00:03:44,984 --> 00:03:46,824 Speaker 3: and it weaves its way into your head and that's 81 00:03:46,824 --> 00:03:48,944 Speaker 3: why you start to like it. And I've got to say, 82 00:03:48,984 --> 00:03:50,944 Speaker 3: listen to this song so many times because I actually 83 00:03:50,984 --> 00:03:52,784 Speaker 3: heard it for the rest of the world, not to 84 00:03:53,584 --> 00:03:55,864 Speaker 3: you did hear before this, Not to you know, make 85 00:03:55,864 --> 00:03:59,024 Speaker 3: anyone jealous, But yes. I went into Universal Music Offices, 86 00:03:59,424 --> 00:04:01,664 Speaker 3: very close to Mummea offices actually, for a little pre 87 00:04:01,784 --> 00:04:04,344 Speaker 3: listening party before the song came out. And I listened 88 00:04:04,344 --> 00:04:05,864 Speaker 3: to it in a room with a bunch of people 89 00:04:05,904 --> 00:04:07,064 Speaker 3: and champagne and stuff. 90 00:04:06,864 --> 00:04:08,064 Speaker 4: And people like bopping along. 91 00:04:08,144 --> 00:04:11,344 Speaker 3: And my first thought listening to it is it sounds 92 00:04:11,864 --> 00:04:14,904 Speaker 3: like a song that would play at the beginning of 93 00:04:14,944 --> 00:04:17,704 Speaker 3: like an early two thousands rom com in terms. 94 00:04:17,504 --> 00:04:20,544 Speaker 5: Of what the exact same note literally mine was like, 95 00:04:20,664 --> 00:04:24,064 Speaker 5: so the rom com start, Yeah, she breaks up with 96 00:04:24,144 --> 00:04:25,704 Speaker 5: her terrible toxic. 97 00:04:26,264 --> 00:04:29,504 Speaker 4: A beautiful apartment in New York and she put five. 98 00:04:29,384 --> 00:04:31,344 Speaker 5: Years and then she's like walking on the street and 99 00:04:31,344 --> 00:04:32,784 Speaker 5: her friends are there and like. 100 00:04:32,704 --> 00:04:34,784 Speaker 3: And she's whipping off her sunglasses and going into her 101 00:04:34,824 --> 00:04:36,864 Speaker 3: like publishing job in New York where she makes it so. 102 00:04:37,064 --> 00:04:39,664 Speaker 5: Exactly we need, we need someone to make a rom 103 00:04:39,664 --> 00:04:41,424 Speaker 5: commented Star Kate Hudson. 104 00:04:41,704 --> 00:04:43,984 Speaker 3: Anyway, Apart from that, like, it also sounds kind of 105 00:04:44,104 --> 00:04:47,264 Speaker 3: very eighties and but I can also understand the criticism 106 00:04:47,384 --> 00:04:50,504 Speaker 3: of it that people think it sounds a bit manufactured. 107 00:04:50,744 --> 00:04:53,624 Speaker 5: Yes, And I think that's what the original criticism was 108 00:04:53,704 --> 00:04:55,904 Speaker 5: for the song when it came out, and she kind 109 00:04:55,904 --> 00:04:58,784 Speaker 5: of doubled down with the music videos, like kind of 110 00:04:58,784 --> 00:05:02,264 Speaker 5: showing that it very much is satire. So before we 111 00:05:02,304 --> 00:05:04,704 Speaker 5: go into like all the commentary behind the music video, 112 00:05:04,744 --> 00:05:06,904 Speaker 5: I just want to take you through some of the symbolism. 113 00:05:06,944 --> 00:05:07,904 Speaker 4: Oh yes, within it. 114 00:05:08,104 --> 00:05:11,224 Speaker 5: I did a big investigative research piece to this. So 115 00:05:11,304 --> 00:05:14,304 Speaker 5: it starts off with a construction site. There's a sign 116 00:05:14,344 --> 00:05:16,664 Speaker 5: that says men at work and then they write wo, 117 00:05:16,904 --> 00:05:20,504 Speaker 5: so women at work. They then do the iconic scene 118 00:05:20,544 --> 00:05:23,464 Speaker 5: of lunch atop a skyscraper that everyone does. 119 00:05:23,904 --> 00:05:26,504 Speaker 3: Yes, well, that was an image that came out that 120 00:05:26,624 --> 00:05:29,064 Speaker 3: became this very famous image of these men on a 121 00:05:29,104 --> 00:05:32,384 Speaker 3: big construction being raised above New York having lunch and 122 00:05:32,424 --> 00:05:34,944 Speaker 3: it looks so dangerous and exciting, and it came out 123 00:05:34,944 --> 00:05:36,304 Speaker 3: it was like a setup. 124 00:05:35,904 --> 00:05:39,344 Speaker 4: Shot as promotion for the sky scrape. Yeah, but it works. 125 00:05:39,424 --> 00:05:39,904 Speaker 4: It worked. 126 00:05:40,264 --> 00:05:43,504 Speaker 5: She cause plays as Josie the Riveter, which is like 127 00:05:43,544 --> 00:05:47,144 Speaker 5: the iconic women's World War two. Women can do anything. 128 00:05:47,224 --> 00:05:48,904 Speaker 3: Yeah, if you've seen that picture around, women can do 129 00:05:48,944 --> 00:05:52,024 Speaker 3: anything where she's like making the fear and head Yeah. 130 00:05:52,104 --> 00:05:55,144 Speaker 5: Yeah, she's drinking whiskey for women. 131 00:05:55,384 --> 00:05:55,944 Speaker 1: I liked that. 132 00:05:56,064 --> 00:05:57,824 Speaker 3: I thought that was really funny because it's a really 133 00:05:57,864 --> 00:06:00,584 Speaker 3: interesting nod to all these products that are for women, 134 00:06:00,744 --> 00:06:03,344 Speaker 3: like a women's razor or a women's cup or a 135 00:06:03,384 --> 00:06:05,504 Speaker 3: women's anything, and then you put a little bit of 136 00:06:05,504 --> 00:06:07,224 Speaker 3: pink on it and you have to pay more money 137 00:06:07,264 --> 00:06:08,984 Speaker 3: for it. So I actually thought that was because you 138 00:06:09,024 --> 00:06:10,784 Speaker 3: know that women's whiskey is more expensive. 139 00:06:10,824 --> 00:06:14,944 Speaker 5: And then there's like a lot of beauty products featured. 140 00:06:15,024 --> 00:06:18,424 Speaker 5: She has like sex toys, she's got like ger she's 141 00:06:18,464 --> 00:06:21,184 Speaker 5: got like little led face masks. We also did a 142 00:06:21,224 --> 00:06:24,104 Speaker 5: piece on Mamma Mia called the Hidden Details you might 143 00:06:24,104 --> 00:06:26,144 Speaker 5: have Missed in Katie Perry's music video, and I couldn't 144 00:06:26,184 --> 00:06:28,264 Speaker 5: read it without laughing. It's so funny. I want to 145 00:06:28,264 --> 00:06:30,784 Speaker 5: read you a little bit. It said, from hammering to 146 00:06:30,904 --> 00:06:34,984 Speaker 5: dancing to completing an extensive routine. The first version of 147 00:06:35,064 --> 00:06:37,504 Speaker 5: Katie we see in the music video has a lot 148 00:06:37,584 --> 00:06:41,344 Speaker 5: going on. When an enormous anvil inexplicably drops on the 149 00:06:41,384 --> 00:06:44,864 Speaker 5: construction site version of Katie, she's reborn down on the 150 00:06:44,904 --> 00:06:47,824 Speaker 5: streets now wearing a white bikini and bionic legs. 151 00:06:48,224 --> 00:06:49,704 Speaker 3: I mean that storytelling. 152 00:06:50,344 --> 00:06:51,504 Speaker 4: It is storytelling. 153 00:06:51,784 --> 00:06:54,424 Speaker 5: So she kind of becomes like this bionic woman. She's 154 00:06:54,464 --> 00:06:57,064 Speaker 5: seen like with the petrol pump in her thigh, like 155 00:06:57,144 --> 00:07:00,024 Speaker 5: as she's refueling herself, which I thought was very interesting. 156 00:07:00,504 --> 00:07:03,504 Speaker 5: Tricia Petus, who's a famous YouTuber, is suddenly there. 157 00:07:03,544 --> 00:07:05,224 Speaker 4: She's pulling a truck on by back. Wait. 158 00:07:05,304 --> 00:07:07,504 Speaker 3: Tricia Peters is the one who thought the queen was 159 00:07:07,544 --> 00:07:10,064 Speaker 3: going to be reincarnated as her daughter. 160 00:07:10,344 --> 00:07:12,544 Speaker 5: No She's the one who we thought the queen was 161 00:07:12,544 --> 00:07:14,704 Speaker 5: gonna be a recinded in her daughter, and then it happened. 162 00:07:14,944 --> 00:07:17,224 Speaker 3: Oh sorry for that. 163 00:07:17,384 --> 00:07:18,664 Speaker 4: I don't want to mess up history. 164 00:07:18,704 --> 00:07:20,224 Speaker 5: There's also this other line that I have to read 165 00:07:20,264 --> 00:07:22,944 Speaker 5: because it's so funny. In the final scenes, Katie joins 166 00:07:22,944 --> 00:07:25,784 Speaker 5: an influencer to film a TikTok dance before stealing her 167 00:07:25,824 --> 00:07:28,624 Speaker 5: ring light and jumping on a helicopter. As the influencer 168 00:07:28,704 --> 00:07:31,384 Speaker 5: yells who are you to the singer, she lifts the 169 00:07:31,464 --> 00:07:33,864 Speaker 5: ring light, shaped like a gender symbol for female, into 170 00:07:33,944 --> 00:07:36,064 Speaker 5: the air and screams, I am Katy Perry. 171 00:07:36,584 --> 00:07:37,664 Speaker 4: That's factually correct. 172 00:07:37,904 --> 00:07:40,344 Speaker 5: I'm just gonna say I thought it was so good, 173 00:07:40,424 --> 00:07:43,544 Speaker 5: Like I love the music video. Not everyone did, in fact, 174 00:07:43,624 --> 00:07:46,384 Speaker 5: most people didn't, But I just thought it was the 175 00:07:46,424 --> 00:07:50,384 Speaker 5: funniest way to kind of show how feminism has developed 176 00:07:50,384 --> 00:07:52,984 Speaker 5: into this big thing in modern day that now everyone's 177 00:07:53,024 --> 00:07:55,424 Speaker 5: kind of jumping on a bandwagon forgetting the real meaning 178 00:07:55,504 --> 00:07:55,944 Speaker 5: behind it. 179 00:07:56,184 --> 00:07:59,024 Speaker 3: I didn't completely understand what she was trying to say there, 180 00:07:59,064 --> 00:08:00,544 Speaker 3: and I mean I don't think it was anything when 181 00:08:00,544 --> 00:08:02,064 Speaker 3: there was meant to be a hidden secret. It was 182 00:08:02,104 --> 00:08:04,664 Speaker 3: all very kind of heavy handed in terms of like 183 00:08:04,904 --> 00:08:07,024 Speaker 3: this is what a woman is and feminism gets pulled 184 00:08:07,024 --> 00:08:10,264 Speaker 3: away and so but I just think with Katy Perry, 185 00:08:10,704 --> 00:08:15,744 Speaker 3: sometimes satire isn't where she excels. She's kind of almost 186 00:08:15,784 --> 00:08:18,224 Speaker 3: better doing that when she forges her own path and 187 00:08:18,264 --> 00:08:24,144 Speaker 3: does that more flippant and frothy, almost animation, unrealistic, very 188 00:08:24,224 --> 00:08:27,024 Speaker 3: stylized art form, which I think a lot of people 189 00:08:27,064 --> 00:08:28,624 Speaker 3: are saying, like, oh, she was never that popular, she's 190 00:08:28,704 --> 00:08:30,224 Speaker 3: now that good, and like she was, she was one 191 00:08:30,224 --> 00:08:32,544 Speaker 3: of the top selling female artists in the world for 192 00:08:32,584 --> 00:08:36,704 Speaker 3: a very long time, and she had a very unique 193 00:08:36,864 --> 00:08:39,544 Speaker 3: look about everything she did. And I think the fact 194 00:08:39,584 --> 00:08:41,544 Speaker 3: that she just sold out a whole bunch of Las 195 00:08:41,624 --> 00:08:45,424 Speaker 3: Vegas residencies with Katy Perry's World, like her show, and 196 00:08:45,464 --> 00:08:48,184 Speaker 3: that her signature is very telling, and so I feel 197 00:08:48,184 --> 00:08:50,464 Speaker 3: like she tried to tap into that here and it 198 00:08:50,584 --> 00:08:53,864 Speaker 3: just maybe slightly missed the mark a little bit. But 199 00:08:53,904 --> 00:08:56,224 Speaker 3: the foundation she was building on is there, I guess, 200 00:08:56,264 --> 00:08:57,064 Speaker 3: is what I'm trying to say. 201 00:08:57,224 --> 00:08:59,744 Speaker 5: There were a lot of brutal headlines far from nice. 202 00:08:59,784 --> 00:09:02,144 Speaker 5: I want to read some out. We don't want to 203 00:09:02,144 --> 00:09:05,464 Speaker 5: live in Katy Perry's women's world. A fail feminist anthem 204 00:09:05,944 --> 00:09:08,544 Speaker 5: is the feminism in the room with us. Katy Perry 205 00:09:08,584 --> 00:09:10,704 Speaker 5: just flopped so hard can she cover? 206 00:09:11,784 --> 00:09:12,544 Speaker 4: And she recovered. 207 00:09:12,624 --> 00:09:14,464 Speaker 3: Well, that's what we're gonna get into next, because obviously 208 00:09:14,464 --> 00:09:16,304 Speaker 3: she's got a new album coming, there's a lot more 209 00:09:16,304 --> 00:09:18,664 Speaker 3: coming from her, and that's what everyone's asking is, we're 210 00:09:18,704 --> 00:09:19,504 Speaker 3: too from here. 211 00:09:21,664 --> 00:09:25,704 Speaker 2: You go, girl, you were born to shine, and we're 212 00:09:25,744 --> 00:09:30,184 Speaker 2: kind of just having fun being a bit sarcastic with it. 213 00:09:30,184 --> 00:09:36,264 Speaker 2: It's very slapstick and very on the nose, and with 214 00:09:36,424 --> 00:09:42,144 Speaker 2: this set, it's like, oh, we're like, we're not about 215 00:09:42,264 --> 00:09:43,264 Speaker 2: the mail gates, but. 216 00:09:43,184 --> 00:09:45,624 Speaker 1: We really are about the male gaze, and. 217 00:09:45,584 --> 00:09:48,144 Speaker 2: We're really overplaying it and on the nose. 218 00:09:48,384 --> 00:09:50,544 Speaker 3: I think one of the reasons why people have responded 219 00:09:50,584 --> 00:09:53,224 Speaker 3: so negatively to Katie Perry's new song, apart from the 220 00:09:53,264 --> 00:09:56,824 Speaker 3: fact that a lot of music critics just genuinely didn't 221 00:09:56,904 --> 00:09:59,064 Speaker 3: like the material and that's their job to write their 222 00:09:59,104 --> 00:10:00,584 Speaker 3: thoughts and we don't want to take that away and 223 00:10:00,624 --> 00:10:03,064 Speaker 3: have them hunted down like Taylor Swift fans too, like 224 00:10:03,104 --> 00:10:05,504 Speaker 3: you've still got to have that musical journalism. But I 225 00:10:05,504 --> 00:10:08,064 Speaker 3: think there was so much build up to it and 226 00:10:08,384 --> 00:10:11,104 Speaker 3: so much pipe around, like Katie peer, he's coming back 227 00:10:11,104 --> 00:10:12,904 Speaker 3: and she's got this rebrand, and that is a good 228 00:10:12,944 --> 00:10:14,424 Speaker 3: thing in many ways, but I think a lot of 229 00:10:14,424 --> 00:10:17,944 Speaker 3: people also love to see a very famous woman fail 230 00:10:18,144 --> 00:10:20,424 Speaker 3: and have a very public misstep, and I think a 231 00:10:20,464 --> 00:10:22,504 Speaker 3: lot of it was linked to that in a way, 232 00:10:22,864 --> 00:10:25,784 Speaker 3: because she finished up on American Idol, where she'd been 233 00:10:25,784 --> 00:10:28,304 Speaker 3: a judge for a long time, and then after Las Vegas, 234 00:10:28,384 --> 00:10:30,344 Speaker 3: there was like the safety of that residency of like 235 00:10:30,384 --> 00:10:32,064 Speaker 3: you know, you only saw it if you had a ticket, 236 00:10:32,344 --> 00:10:35,304 Speaker 3: and fans really loved it, and because she hadn't had 237 00:10:35,344 --> 00:10:36,904 Speaker 3: a hit song for a long time and had been 238 00:10:36,904 --> 00:10:39,464 Speaker 3: like many years since she released her last album, and 239 00:10:39,544 --> 00:10:41,944 Speaker 3: she was also really hyping like this is a new sound, 240 00:10:41,944 --> 00:10:44,024 Speaker 3: this is a new meat. And one of the things 241 00:10:44,024 --> 00:10:46,024 Speaker 3: I thought was really interesting was that she had a 242 00:10:46,184 --> 00:10:50,904 Speaker 3: very fashion makeover leading into launching this song, and she 243 00:10:50,944 --> 00:10:53,104 Speaker 3: was at a lot of different events in these like 244 00:10:53,304 --> 00:10:57,424 Speaker 3: really amazing less pop princess, like no big white boots 245 00:10:57,424 --> 00:11:00,224 Speaker 3: and sparkly dress and no ice cream boobs or high 246 00:11:00,224 --> 00:11:03,304 Speaker 3: ponytails or anything like that. It was much sleeker, much 247 00:11:03,304 --> 00:11:05,984 Speaker 3: more fashionable. She actually has a young Australian stylist called 248 00:11:05,984 --> 00:11:09,304 Speaker 3: Taddiana Waterford, who's done all of her fashion makeover and 249 00:11:09,344 --> 00:11:11,584 Speaker 3: styles her. And I think even when she was like 250 00:11:11,584 --> 00:11:13,784 Speaker 3: events of like Vogue World and stuff, people were talking 251 00:11:13,824 --> 00:11:15,744 Speaker 3: about how amazing she looked. And she also had all 252 00:11:15,784 --> 00:11:19,904 Speaker 3: the lyrics to Women's World on a cage going in 253 00:11:20,264 --> 00:11:22,744 Speaker 3: and people were also just talking about how amazing she looked. 254 00:11:22,744 --> 00:11:24,584 Speaker 3: And I've got to say, like her body does look 255 00:11:24,624 --> 00:11:27,584 Speaker 3: a bit different in terms of like she looks like 256 00:11:27,624 --> 00:11:29,744 Speaker 3: slightly smaller. It's that whole thing of like a woman 257 00:11:29,744 --> 00:11:32,304 Speaker 3: can have a big makeover as long as she looks 258 00:11:32,304 --> 00:11:35,344 Speaker 3: really ripped as well doing it. And so I think 259 00:11:35,384 --> 00:11:37,144 Speaker 3: she was trying to tick every box of like this 260 00:11:37,224 --> 00:11:39,024 Speaker 3: is what I know people like. They like a woman's 261 00:11:39,024 --> 00:11:41,384 Speaker 3: body to look different, they like her to start dressing 262 00:11:41,424 --> 00:11:44,104 Speaker 3: more high fashion, they like her to talk about now 263 00:11:44,184 --> 00:11:46,224 Speaker 3: I'm a mother, now I'm this. Like she was doing 264 00:11:46,264 --> 00:11:49,344 Speaker 3: everything right, but it's like all those things together put 265 00:11:49,384 --> 00:11:51,184 Speaker 3: people offside before they even heard the song. 266 00:11:51,544 --> 00:11:54,184 Speaker 5: Yeah, and she I remember her on TikTok falling into 267 00:11:54,184 --> 00:11:57,024 Speaker 5: that trope of is she fashionable or is she just skinny? 268 00:11:57,464 --> 00:11:57,824 Speaker 1: Yeah? 269 00:11:57,824 --> 00:12:00,864 Speaker 3: And I think that, I mean she's always been super skinny. 270 00:12:01,344 --> 00:12:04,944 Speaker 3: We're talking in these ridiculous entertainment things that we have 271 00:12:05,024 --> 00:12:06,944 Speaker 3: for women at the moment around bodies and stuff which 272 00:12:06,984 --> 00:12:08,664 Speaker 3: has just gone off the rails, and she can't be 273 00:12:08,664 --> 00:12:09,744 Speaker 3: held responsible for that. 274 00:12:09,904 --> 00:12:11,824 Speaker 5: But she also, like a lot of other artists like 275 00:12:11,864 --> 00:12:15,384 Speaker 5: Taylor Swift, like does a full makeover rebrand for every 276 00:12:15,424 --> 00:12:17,744 Speaker 5: album you put out. And I think I didn't read 277 00:12:17,744 --> 00:12:19,304 Speaker 5: too much into it because I just saw it as 278 00:12:19,344 --> 00:12:22,144 Speaker 5: like another era of Katy Perry, which is why I 279 00:12:22,184 --> 00:12:24,544 Speaker 5: really enjoyed the ending of that music video where she 280 00:12:24,664 --> 00:12:26,944 Speaker 5: was like, I'm Katy Perry, because she has talked about 281 00:12:26,944 --> 00:12:30,224 Speaker 5: how this music in particular is the most. 282 00:12:29,944 --> 00:12:31,864 Speaker 3: Like her, yes, and because her real name is what 283 00:12:31,904 --> 00:12:35,544 Speaker 3: Catherine Hudson, Tate Hudson, So she's like just referring that 284 00:12:35,624 --> 00:12:37,904 Speaker 3: I am Katy Perry right now, but in real life, 285 00:12:37,944 --> 00:12:41,304 Speaker 3: I am had Friend Hudson. I think the other thing 286 00:12:41,344 --> 00:12:43,784 Speaker 3: that people have really called out, and this is like 287 00:12:43,824 --> 00:12:46,224 Speaker 3: a serious thing that I think deserves a lot of attention, 288 00:12:46,864 --> 00:12:49,824 Speaker 3: is that in this new album there's a lot of 289 00:12:49,864 --> 00:12:53,304 Speaker 3: collaboration with Doctor Luke, who's an old collaborator of hers 290 00:12:53,304 --> 00:12:55,224 Speaker 3: and actually worked on a lot of her big hits 291 00:12:55,224 --> 00:12:57,144 Speaker 3: in the past. They haven't worked together for a while, 292 00:12:57,424 --> 00:12:59,864 Speaker 3: but they've come back together for this new album. And 293 00:13:00,064 --> 00:13:03,144 Speaker 3: why people are upset about that is that with doctor Luke. 294 00:13:03,224 --> 00:13:07,944 Speaker 3: In twenty fourteen, Kesher sued him for sexual assault and battery, 295 00:13:08,064 --> 00:13:12,064 Speaker 3: sexual harassment, gender violence, and emotional abuse. Doctor Luke always 296 00:13:12,064 --> 00:13:15,504 Speaker 3: denied the claims, and then he counter seed Kesha for defamation, 297 00:13:16,104 --> 00:13:20,064 Speaker 3: alleging that Kesher, her mother, and her management had fabricated 298 00:13:20,104 --> 00:13:22,664 Speaker 3: all of these claims to get out of a record 299 00:13:22,664 --> 00:13:25,824 Speaker 3: contract with him that she had previously signed. This went 300 00:13:25,864 --> 00:13:27,944 Speaker 3: on for a long time, and Kesha has spoken about 301 00:13:27,944 --> 00:13:29,784 Speaker 3: why it sort of kept her for releasing music for 302 00:13:29,824 --> 00:13:33,144 Speaker 3: a long time. And then in twenty sixteen a judge 303 00:13:33,144 --> 00:13:37,144 Speaker 3: dismissed all of Kesh's claims. Kesher also made allegations that 304 00:13:37,224 --> 00:13:40,144 Speaker 3: doctor Luke had raped Katy Perry, which Katy Perry and 305 00:13:40,224 --> 00:13:43,384 Speaker 3: doctor Luke have always denied, and then in twenty twenty 306 00:13:43,424 --> 00:13:46,584 Speaker 3: a judge rule that Kesher had made defamatory comments by 307 00:13:46,624 --> 00:13:49,864 Speaker 3: saying that, and so in twenty twenty three, Luke and 308 00:13:49,944 --> 00:13:54,544 Speaker 3: Kesher settled this defamation claim. So very lot yeah, so 309 00:13:54,664 --> 00:13:57,784 Speaker 3: a lot of really upsetting facts and allegations in there. 310 00:13:58,144 --> 00:13:59,944 Speaker 3: It should also be said that like doctor Luke, has 311 00:13:59,984 --> 00:14:02,824 Speaker 3: never been convictive of anything, but across the music industry, 312 00:14:03,184 --> 00:14:04,944 Speaker 3: there have been a lot of allegations from a lot 313 00:14:04,984 --> 00:14:07,464 Speaker 3: of different people, and there's this thought that people don't 314 00:14:07,544 --> 00:14:10,464 Speaker 3: across the industry, particularly women, don't want to work with 315 00:14:10,544 --> 00:14:14,144 Speaker 3: him anymore. So when Katy Perry released a feminist anthem 316 00:14:14,264 --> 00:14:17,344 Speaker 3: called Woman's World and she was a collaborator with this 317 00:14:17,544 --> 00:14:20,504 Speaker 3: man who had had these accusations against him, a lot 318 00:14:20,544 --> 00:14:22,784 Speaker 3: of people thought that those two things shouldn't go together 319 00:14:22,864 --> 00:14:24,104 Speaker 3: and really judged her for that. 320 00:14:24,024 --> 00:14:26,784 Speaker 5: Which is a fair criticism. And I'm surprised that she 321 00:14:26,904 --> 00:14:30,744 Speaker 5: hasn't commented on that in particular because I'm also surprised 322 00:14:30,744 --> 00:14:32,544 Speaker 5: why she chose him in the first place, Like she's 323 00:14:32,624 --> 00:14:37,504 Speaker 5: Katy Perry. 324 00:14:35,544 --> 00:14:37,584 Speaker 3: Yeah, I know, not just sort of defending her at all. 325 00:14:37,664 --> 00:14:39,504 Speaker 3: I think that that sort of this conversation is an 326 00:14:39,504 --> 00:14:41,304 Speaker 3: important one to have. I just think we don't know 327 00:14:41,664 --> 00:14:43,784 Speaker 3: in terms of like did she still have a contract 328 00:14:43,824 --> 00:14:45,584 Speaker 3: with him, Like you know, sometimes you sign a certain 329 00:14:45,584 --> 00:14:47,824 Speaker 3: amount of albums you have to do with someone. Also, 330 00:14:47,904 --> 00:14:49,784 Speaker 3: a lot of her most popular songs have been in 331 00:14:49,824 --> 00:14:51,824 Speaker 3: collaboration with him. So if you're wanting to have this 332 00:14:51,904 --> 00:14:54,904 Speaker 3: kind of big comeback, you maybe sometimes would defer to 333 00:14:54,944 --> 00:14:56,544 Speaker 3: the person you'd worked with in the past. So I 334 00:14:56,584 --> 00:14:57,504 Speaker 3: just think it's very laated. 335 00:14:57,624 --> 00:14:59,424 Speaker 5: I don't think it would have been as big of 336 00:14:59,464 --> 00:15:03,104 Speaker 5: a deal if the album was about something else than feminism. 337 00:15:03,304 --> 00:15:05,864 Speaker 4: Yeah, but because it is, it just feels a bit gross. 338 00:15:05,944 --> 00:15:07,344 Speaker 3: I don't think it would have been a big of 339 00:15:07,384 --> 00:15:10,464 Speaker 3: a deal for people if people liked the song. I 340 00:15:10,504 --> 00:15:12,984 Speaker 3: know that sounds really simplistic, but if people like a 341 00:15:13,024 --> 00:15:14,704 Speaker 3: song or a piece of art or anything like that, 342 00:15:14,864 --> 00:15:17,264 Speaker 3: you can be forgiven nearly anything in the entertainm industry, 343 00:15:17,264 --> 00:15:19,384 Speaker 3: Like we've seen it time and time again. It's a 344 00:15:19,424 --> 00:15:21,944 Speaker 3: fair criticism, but I think there's a small group of 345 00:15:21,944 --> 00:15:24,784 Speaker 3: people that are really kind of were not going to 346 00:15:24,984 --> 00:15:26,704 Speaker 3: like it. In any case, there's been a. 347 00:15:26,664 --> 00:15:29,504 Speaker 5: Lot of commentary talking about how she's stuck in twenty ten, 348 00:15:29,984 --> 00:15:32,144 Speaker 5: which is kind of where she had like her big 349 00:15:32,304 --> 00:15:35,504 Speaker 5: I guess, like her big shot at stardom. It was like, well, 350 00:15:35,544 --> 00:15:38,224 Speaker 5: after I kissed a girl during her teenage dream kind 351 00:15:38,264 --> 00:15:41,024 Speaker 5: of years. Yeah, and I do remember that. What this 352 00:15:41,144 --> 00:15:43,584 Speaker 5: music video reminded me of is her music video she 353 00:15:43,744 --> 00:15:48,104 Speaker 5: did for TGIF Last Friday Night with Rebecca Black. 354 00:15:48,224 --> 00:15:49,784 Speaker 3: Oh, that's a great music video. 355 00:15:50,064 --> 00:15:52,424 Speaker 5: It just reminded me how it was during that time 356 00:15:52,504 --> 00:15:55,664 Speaker 5: where Rebecca Black put out Friday she got absolutely slammed 357 00:15:55,744 --> 00:15:57,624 Speaker 5: on the Internet. I think it was the first form 358 00:15:57,664 --> 00:16:00,424 Speaker 5: of like severe internet trolling we've ever seen, and she 359 00:16:00,584 --> 00:16:02,384 Speaker 5: was like thirteen years old. She was just doing it 360 00:16:02,424 --> 00:16:06,064 Speaker 5: for fun. Katie Perry made a song called Last Friday Night, 361 00:16:06,304 --> 00:16:09,264 Speaker 5: had Rebecca Black in the music video and literally rebranded 362 00:16:09,384 --> 00:16:12,304 Speaker 5: Rebecca blackause that song just went off, and it felt 363 00:16:12,304 --> 00:16:14,064 Speaker 5: like she was trying to do the same thing for 364 00:16:14,224 --> 00:16:16,144 Speaker 5: Tricia Patus in this music video. 365 00:16:16,344 --> 00:16:18,984 Speaker 3: Yeah, she's always been really good at tapping into internet memes, 366 00:16:19,024 --> 00:16:21,784 Speaker 3: internet culture, whether it's bringing people who have had like 367 00:16:21,824 --> 00:16:24,584 Speaker 3: a viral TikTok on something on stage or something like 368 00:16:24,624 --> 00:16:26,784 Speaker 3: that back in the day bringing them into her music video. 369 00:16:27,224 --> 00:16:29,864 Speaker 3: That's the thing. It's like she's doing almost everything right, 370 00:16:29,904 --> 00:16:32,424 Speaker 3: but it's just not landing. And it's interesting why it's 371 00:16:32,424 --> 00:16:34,584 Speaker 3: not landing for her, but it is when you look 372 00:16:34,624 --> 00:16:38,264 Speaker 3: around the other pop stars that we're really gravitating towards 373 00:16:38,304 --> 00:16:40,944 Speaker 3: at the moment. It's like Chapelmarone has blown up so 374 00:16:41,104 --> 00:16:43,824 Speaker 3: much and her style is so obviously I think like 375 00:16:43,864 --> 00:16:46,704 Speaker 3: her current songs are better than Katie Pere's new song. 376 00:16:46,784 --> 00:16:49,864 Speaker 3: But also it's this very kind of like hyper feminized, 377 00:16:49,944 --> 00:16:53,744 Speaker 3: like pop star, very girlhood music and we're loving it. 378 00:16:53,824 --> 00:16:56,664 Speaker 3: And then I think like Sabrina Carpenter is the most 379 00:16:56,704 --> 00:17:00,424 Speaker 3: intense throwback to an old pop star era of like 380 00:17:00,464 --> 00:17:03,784 Speaker 3: a tiny blonde woman dancing on the stage, polypood dance 381 00:17:03,824 --> 00:17:05,864 Speaker 3: around the stage, and a cute little pop star outfits 382 00:17:05,904 --> 00:17:09,024 Speaker 3: singing silly little songs. Like that's so retro, but it 383 00:17:09,224 --> 00:17:11,144 Speaker 3: feels like it's really hitting at the moment. 384 00:17:11,144 --> 00:17:15,704 Speaker 5: And Charlie XX well, like they're all three different pop stars, 385 00:17:15,904 --> 00:17:18,904 Speaker 5: and like they're all pop stars but in three different categories. 386 00:17:19,304 --> 00:17:21,824 Speaker 5: And it feels like what's interesting with them is that 387 00:17:21,864 --> 00:17:24,544 Speaker 5: they've been doing music for a long time, but they've 388 00:17:24,744 --> 00:17:28,104 Speaker 5: never changed themselves for a new album, Like they constantly 389 00:17:28,104 --> 00:17:31,024 Speaker 5: stick to like what they know, what they love, Like 390 00:17:31,224 --> 00:17:32,384 Speaker 5: I think a lot of I've seen a lot of 391 00:17:32,384 --> 00:17:34,904 Speaker 5: memes with them comparing them to the Powerpuff Girls, like 392 00:17:34,944 --> 00:17:38,584 Speaker 5: shapeul Roan and then Serena Carpenter is like cute c girlye. 393 00:17:38,664 --> 00:17:42,264 Speaker 5: Charlie XCX is like sexy girly, and then Katy Perry 394 00:17:42,304 --> 00:17:44,784 Speaker 5: is just like constantly trying to evolve, to keep up, 395 00:17:44,824 --> 00:17:46,864 Speaker 5: and I feel like she can't keep up right now. 396 00:17:46,984 --> 00:17:50,384 Speaker 3: Yeah, maybe like she's slightly mischarged turn her team. They 397 00:17:50,424 --> 00:17:53,184 Speaker 3: think we want this big feminist anthem, which also sounds 398 00:17:53,184 --> 00:17:54,824 Speaker 3: like it's been made for TikTok, And we know that's 399 00:17:54,864 --> 00:17:56,584 Speaker 3: how artists get their songs play at the moment if 400 00:17:56,584 --> 00:17:58,704 Speaker 3: people sample the song on TikTok. So it feels like 401 00:17:58,744 --> 00:18:00,624 Speaker 3: that's where it was going. But it's like, we just 402 00:18:00,624 --> 00:18:03,104 Speaker 3: want to sing about espresso and not feminism at the moment. 403 00:18:03,744 --> 00:18:05,744 Speaker 3: Whether that's right or wrong, it's just where we're at. 404 00:18:06,144 --> 00:18:08,344 Speaker 5: So the piece I read in today's episode, all the 405 00:18:08,424 --> 00:18:10,864 Speaker 5: hidden messages in Katy Perry's music video. We will link 406 00:18:10,904 --> 00:18:12,824 Speaker 5: that in the show notes. It's so funny. Go check 407 00:18:12,864 --> 00:18:15,024 Speaker 5: that out. Thank you so much for listening to The 408 00:18:15,024 --> 00:18:18,504 Speaker 5: Spill today. If you want something different, Claire Stevens has 409 00:18:18,544 --> 00:18:21,104 Speaker 5: interviewed Rob Mills for her podcast, But are you happy 410 00:18:21,144 --> 00:18:23,424 Speaker 5: they had such a brilliant conversation. We will link that 411 00:18:23,464 --> 00:18:25,784 Speaker 5: episode in our show notes. We will see you back 412 00:18:25,824 --> 00:18:27,904 Speaker 5: here in your podcast feed at three pm tomorrow. 413 00:18:27,944 --> 00:18:34,424 Speaker 1: Bye bye,