WEBVTT - Other People’s Marriages & Your New 'Shobby'

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<v Speaker 1>You're listening to a MoMA Mia podcast.

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<v Speaker 2>Mamma Mia acknowledges the traditional owners of land and waters

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<v Speaker 2>that this podcast is recorded on.

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<v Speaker 3>Hello and welcome to Mamma Mia out loud.

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<v Speaker 4>It's what women are actually talking about on Friday, the

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<v Speaker 4>twenty fourth of October.

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<v Speaker 2>I'm Holly Wainwright, I'm m Burnham and I'm back again.

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<v Speaker 3>Hello.

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<v Speaker 1>I'm Claire Murphy.

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<v Speaker 4>Hi Claire, Hello Claire, And here's what's made our agenda

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<v Speaker 4>for today, a day when, as we always do on

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<v Speaker 4>Friday shows, we avoid the news like the plague, and

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<v Speaker 4>we just splash about in whatever we want to talk about,

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<v Speaker 4>having some fun. We are having some fun, and I

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<v Speaker 4>want to talk about other people's marriages.

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<v Speaker 1>I love that because I'm very nosy. Plus I need

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<v Speaker 1>a little bit of advice from you guys. What to

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<v Speaker 1>say to dog owners who tell you it's okay, he's

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<v Speaker 1>friendly when their dog is like running straight at you

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<v Speaker 1>and you don't know what they're going to do.

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<v Speaker 2>And cowboys, billionaires and bad boys.

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<v Speaker 3>No, that is not my dating pressure right now.

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<v Speaker 2>Why are we all suddenly addicted to happily ever after?

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<v Speaker 2>But first we have a brand new term to obsess

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<v Speaker 2>over and it's come from one of our own. It's

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<v Speaker 2>come from an out louder named Alison. Alison posted in

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<v Speaker 2>our Facebook group and she said, I've decided to do

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<v Speaker 2>something I'm calling a shobby. Shobby it's short for short

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<v Speaker 2>term hobby, right.

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<v Speaker 4>You're not committing like gardening is my hobby now, My identity's.

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<v Speaker 3>Long term, and you tell people about it so too much.

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<v Speaker 3>She said.

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<v Speaker 2>Basically, I had the urge, for absolutely no earthly reason whatsoever,

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<v Speaker 2>to learn to wrap the entirety of lose yourself by

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<v Speaker 2>eminem by girl.

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<v Speaker 1>His arms are sweaty, these weak arms are heap's vomit

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<v Speaker 1>on a sweater already mar spaghetti.

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<v Speaker 4>He's nervous.

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<v Speaker 2>So, just to clarify that is in fact eminem Allison

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<v Speaker 2>has not achieved her shop yet, but she hasn'tntil Christmas,

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<v Speaker 2>so she's got some time.

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<v Speaker 1>Well, thank you for clarifying. I would have been very

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<v Speaker 1>confused had you not.

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<v Speaker 3>She says.

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<v Speaker 2>It's so much fun. No one else even knows I'm

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<v Speaker 2>doing it. This is my new shebby, just for me.

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<v Speaker 2>So before we get into it, she's also given us

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<v Speaker 2>a list of rules for a shokay great. She says,

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<v Speaker 2>the shobby has to be discreet and time limited. Once

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<v Speaker 2>it's done, it's done. No signing up for classes, So

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<v Speaker 2>she can't learn.

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<v Speaker 4>All the world's to lose yourself and then go, you

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<v Speaker 4>know what now, I love that. I'm going to learn

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<v Speaker 4>all the words to fight for your right to party.

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<v Speaker 4>She can't do an eminem discography.

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<v Speaker 2>Okay, she's just doing it and she's not telling anyone,

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<v Speaker 2>and it's like a little party trick she can whip up, right,

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<v Speaker 2>She said, it's solely for fun, nothing earnest. You might

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<v Speaker 2>learn something, but that's not the point. It's literally just

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<v Speaker 2>to give yourself something interesting and the detaining to do

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<v Speaker 2>to tickle your brain or body. Also, no accountability partners.

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<v Speaker 2>If you don't do it or finish it, no one

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<v Speaker 2>knows or cares. It doesn't create clutter to live in

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<v Speaker 2>the garage. Whatever it is, you can figure it out

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<v Speaker 2>on YouTube.

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<v Speaker 3>I love this Scottish shebby's.

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<v Speaker 1>I feel like I had one without realizing it was

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<v Speaker 1>a shobby because I had always wanted to participate in

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<v Speaker 1>a pub choir. Oh yeah, and I did it recently

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<v Speaker 1>and it was really fun and I never want to

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<v Speaker 1>do it again.

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<v Speaker 3>Wait, what's a pub choir. I did that once too.

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<v Speaker 4>It's a choir but with drinking, So you go to

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<v Speaker 4>a part I mean, don't have to drink, it's not

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<v Speaker 4>the rules, but you go and do it in a bar.

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<v Speaker 4>There's a woman who's made it pub choir, a massive

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<v Speaker 4>things called astroid. I don't know what a second was anyway,

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<v Speaker 4>but you can go to one like I went to

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<v Speaker 4>one at my local RSL when I lived in Sydney.

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<v Speaker 4>And they teach you a song to be Tuesday night

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<v Speaker 4>and they teach you a song. They split you into

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<v Speaker 4>groups and you all everyone has a drink and sings

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<v Speaker 4>a song and it is very wholesome and very fun.

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<v Speaker 1>The beauty of it too is that if you're a

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<v Speaker 1>bit shit, it doesn't really matter because everyone else around

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<v Speaker 1>you was singing and kind of makes up for it.

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<v Speaker 3>So it's just like a big karaoke session.

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<v Speaker 4>I really like the no accountability because regular outlouders will

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<v Speaker 4>know that. I came back from my holiday this year

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<v Speaker 4>and I was like, I'm learning Italian. Remember, duelingo became

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<v Speaker 4>my personality for a while. Do you know how annoying

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<v Speaker 4>those duo lingo endless freaking? Like, remind hey, don't break

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<v Speaker 4>your streak, hey, and they text you and they're in

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<v Speaker 4>the emails and the apps pop it upon it. It's

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<v Speaker 4>like you are annoying me out of wanting to learn

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<v Speaker 4>Italian now and.

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<v Speaker 2>Also would due LINGO from what I remember when I

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<v Speaker 2>used it briefly, is that you don't actually learn phrases

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<v Speaker 2>that you need.

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<v Speaker 3>It's usually stuff like how do I buy this lamp?

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<v Speaker 4>Yeah, I'm getting a lot of like the red skirts

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<v Speaker 4>are cheaper than the black skirts.

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<v Speaker 3>And I'm like, when would I use that?

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<v Speaker 1>I mean, if you're going over as some kind of

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<v Speaker 1>shopping adventure for a brand or store, but imagining in

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<v Speaker 1>day to day life not overly helpful. So did have

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<v Speaker 1>you stopped?

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<v Speaker 4>I haven't stopped, But it's touched my inner rebel in

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<v Speaker 4>that when those come up and they say you're going

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<v Speaker 4>to break your streak, there's a bit of me because

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<v Speaker 4>you know, I'm busy person.

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<v Speaker 3>It's just like you're at the bottom of me. We're

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<v Speaker 3>little green bird who cares if I break my streak?

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<v Speaker 3>Like I can start again to I know, but you've

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<v Speaker 3>already told us. So now we're all asking you. You

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<v Speaker 3>can't break your stream?

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<v Speaker 2>What's your shebby my shobby is so I have a

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<v Speaker 2>little digiticam like a digital camera.

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<v Speaker 1>I've seen you taking photos in the office. Yes, I've been.

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<v Speaker 2>Taking a lot of photos on it, and I've started

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<v Speaker 2>to create little like digital albums and sharing them with

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<v Speaker 2>my friends and family. But now I feel like I've

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<v Speaker 2>over committed to this bit that now every single time

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<v Speaker 2>I'm going to an event, they're all like, where's your

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<v Speaker 2>digital camera?

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<v Speaker 3>Accountability? And we need we need to and everyone wants photos.

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<v Speaker 1>Oh stopping so good at it? Then be a bit

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<v Speaker 1>shitter and people won't care.

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<v Speaker 3>I want to talk about other people's marriages.

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<v Speaker 4>Surprise, surprise, specifically our opinions about them and how we

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<v Speaker 4>project onto them. Right, allow me to present a sub

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<v Speaker 4>stack and subsequent peace on Mom and Miya that we

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<v Speaker 4>published in the days after Victoria Beckham's Netflix documentary, and

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<v Speaker 4>the title of this article was Oh Victoria, your husband

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<v Speaker 4>is not on your team? And it is written by

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<v Speaker 4>Holly no relation Bell now. In it, Holly Bell wrote,

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<v Speaker 4>I have come here to have my say about Victoria

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<v Speaker 4>Beckham because I am really worried about her. She also wrote,

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<v Speaker 4>I'm here to stick my nose in where it's not

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<v Speaker 4>required as usual any claims here are alleged, and this

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<v Speaker 4>is only my point of view. Your view might be different,

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<v Speaker 4>and that is good for already being the spice of life.

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<v Speaker 3>Blah blah. Now I want to be really clear. People

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<v Speaker 3>in glasshouses.

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<v Speaker 4>Right, There is a large part of my professional life

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<v Speaker 4>that is all about dissecting pop culture moments about celebrities.

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<v Speaker 3>It's a job.

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<v Speaker 4>It's my job, exactly, and so there's no doubt that

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<v Speaker 4>I often veer into this kind of stuff where I'm

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<v Speaker 4>like making a lot of presumptions about people's private lives

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<v Speaker 4>that are absolutely none of my business.

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<v Speaker 3>So I'm not being on a high horse about what

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<v Speaker 3>I'm about to say.

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<v Speaker 4>It's just that so many people sent me this article

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<v Speaker 4>by Holly Bell, like even before we published it on

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<v Speaker 4>MoMA Mea when it was a people dm'd it to me.

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<v Speaker 3>My friends texted it to me. They were all like,

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<v Speaker 3>oh my god.

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<v Speaker 4>This as in like they thought you would agree with it, well,

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<v Speaker 4>that I would maybe agree with it, that I have

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<v Speaker 4>a kinto about it, right, yeah, that.

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<v Speaker 3>I would have thoughts, and of course you don't have thoughts.

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<v Speaker 4>And now we're here, and now we're here, but I

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<v Speaker 4>want to unpack a few of Bell's points and then well,

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<v Speaker 4>I'll talk about why it obsessed me. Basically, the premise

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<v Speaker 4>of Hollybell's story was that that DOCCO when it came

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<v Speaker 4>to Victoria and David Beckham together, was full of red flags.

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<v Speaker 3>She said.

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<v Speaker 4>Some of the red flags was a long list, but

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<v Speaker 4>one of them was there was a scene where he's

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<v Speaker 4>making a smoothie in the kitchen and she says he

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<v Speaker 4>turned the blender on every time she started speaking, and.

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<v Speaker 3>That was funny.

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<v Speaker 1>I thought it was funny for me, it was kind

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<v Speaker 1>of funny. It depends, I think, on whether he does

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<v Speaker 1>shit like that all the time or whether that was

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<v Speaker 1>like a hamming it up for the camerig moment.

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<v Speaker 3>Yeah.

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<v Speaker 4>So Holly Bell's said about that, that what he was

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<v Speaker 4>insinuating that she's less important than blended vegetables. She can't complain,

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<v Speaker 4>or she can't take a joke, she can't stop him,

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<v Speaker 4>or she's being the fun police.

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<v Speaker 3>Okay, red flag number one, red flag number two.

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<v Speaker 4>In the infamous Rolls Royce meme, we all remember that

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<v Speaker 4>from the first David do Co she was talking about

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<v Speaker 4>being for a working class background and he comes to

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<v Speaker 4>the door and he's like, tell the truth, Tell the

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<v Speaker 4>truth and she's like, my dad had a Rolls Royce.

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<v Speaker 3>Holly Bell writes that this is him being jealous of her.

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<v Speaker 4>Family's money and uncomfortable because he came from a different background.

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<v Speaker 1>But we did find out a little bit on context

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<v Speaker 1>to that Rolls Royce thing in this documentary, because it

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<v Speaker 1>wasn't like they lived in a palace. They lived in

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<v Speaker 1>a rundown old place that her dad essentially put together

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<v Speaker 1>piece by piece whilst also running his electronics business, and

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<v Speaker 1>so he was really kind of a trade I guess

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<v Speaker 1>at the heart of it. Also, he was working class.

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<v Speaker 3>She was really yeah, and we went into this in

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<v Speaker 3>detail on out loud.

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<v Speaker 4>This isn't a complex English class system thing see Gin

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<v Speaker 4>and Coke. Anyway, that's I digress. But what I see

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<v Speaker 4>when I see that Tell the Truth is a couple

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<v Speaker 4>who've had a long history and they take the piss

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<v Speaker 4>out of the stories that everyone tells about themselves. That's

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<v Speaker 4>what I see, right when I see that bit, I

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<v Speaker 4>don't see anger. I see like affection and joshing. And

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<v Speaker 4>this is what I'm getting to, right.

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<v Speaker 3>It's like how we all see something different in the

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<v Speaker 3>same things.

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<v Speaker 4>And then she also says there's a red flag in

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<v Speaker 4>that bit at the beginning where David offers Victoria a

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<v Speaker 4>chocolate when he knows she's not going to eat a

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<v Speaker 4>chocolate and she says something like I haven't eaten chocolate

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<v Speaker 4>since the nineties, and everyone goes ha ha ha, And

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<v Speaker 4>then later in the documentary she talks more seriously about

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<v Speaker 4>her issues with food and disordered eating. Holly Bell wrote,

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<v Speaker 4>he's telling a story because he was also famously said

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<v Speaker 4>she won't eat what he cooks for her.

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<v Speaker 3>She only eats like fish, fish, and vegetables.

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<v Speaker 4>He's telling this story to paint a negative picture of

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<v Speaker 4>Victoria while gilding himself with a halo of loving to

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<v Speaker 4>share food with his wife. She goes on to suggest

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<v Speaker 4>that he might be Posh's ongoing trigger, that, my friends,

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<v Speaker 4>is what we call an overstep in the inner us?

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<v Speaker 3>Is it again? What I see there as a joke,

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<v Speaker 3>like a bit of a dangerous joke, but a joke.

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<v Speaker 2>Between two people who've been together for nearly like something

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<v Speaker 2>that you think he ongoingly like asks her, do you

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<v Speaker 2>want a piece of chocolate?

0:10:21.182 --> 0:10:25.542
<v Speaker 3>And the bit is, but do we get the picture right?

0:10:25.622 --> 0:10:28.982
<v Speaker 4>The Posh doco from my perspective, is a highly managed,

0:10:29.102 --> 0:10:33.261
<v Speaker 4>highly edited documentary, So I think that what I see

0:10:33.342 --> 0:10:35.502
<v Speaker 4>in it is I see the bits of their life

0:10:35.542 --> 0:10:38.382
<v Speaker 4>they wanted to share. Of course, and it's quite lighthearted

0:10:38.822 --> 0:10:41.342
<v Speaker 4>and it's a bit of a joke. But what other

0:10:41.422 --> 0:10:43.182
<v Speaker 4>people saw, what Holly Bell saw and a lot of

0:10:43.222 --> 0:10:45.782
<v Speaker 4>people who loved that story and shared it was a

0:10:45.902 --> 0:10:48.942
<v Speaker 4>marriage that had serious power dynamics. And this plays into

0:10:48.982 --> 0:10:52.502
<v Speaker 4>my theory that really when we look at celebrity relationships

0:10:52.542 --> 0:10:54.742
<v Speaker 4>and we may call our assumptions about them, it's all

0:10:54.782 --> 0:10:56.462
<v Speaker 4>about our experiences.

0:10:56.862 --> 0:10:58.182
<v Speaker 3>So if you've had a.

0:10:58.262 --> 0:11:02.182
<v Speaker 4>Controlling partner who was I mean, and I have in

0:11:02.262 --> 0:11:04.742
<v Speaker 4>my time but not for a long time, who you know,

0:11:04.942 --> 0:11:06.702
<v Speaker 4>will be like do you want a piece of chocolate

0:11:07.662 --> 0:11:09.702
<v Speaker 4>knowing you won't have it, or teasing you about what

0:11:09.822 --> 0:11:12.782
<v Speaker 4>you're eating, or like poking at a vulnerability of yours,

0:11:13.582 --> 0:11:16.622
<v Speaker 4>You would probably see that scene really differently to if

0:11:16.702 --> 0:11:19.222
<v Speaker 4>you're like my husband or my partner or whatever takes

0:11:19.222 --> 0:11:19.942
<v Speaker 4>the piss out of me.

0:11:20.022 --> 0:11:23.222
<v Speaker 3>About being on a diet or you know, growing up

0:11:23.622 --> 0:11:25.342
<v Speaker 3>rich or not. You know what I mean, It's all

0:11:25.342 --> 0:11:27.022
<v Speaker 3>about what you see and also like what.

0:11:27.262 --> 0:11:29.662
<v Speaker 2>You want to see, Like you kind of pick and

0:11:29.782 --> 0:11:34.142
<v Speaker 2>choose how you interpret their interactions between each other. When

0:11:34.222 --> 0:11:37.822
<v Speaker 2>I watched the documentary, it's interesting because I didn't see

0:11:38.142 --> 0:11:41.222
<v Speaker 2>everything that Holly saw, who wrote the substack, But I

0:11:41.302 --> 0:11:44.381
<v Speaker 2>also didn't see affection at all. What I saw was

0:11:44.462 --> 0:11:49.142
<v Speaker 2>like every other Gen X relationship I've ever seen, where

0:11:49.182 --> 0:11:53.302
<v Speaker 2>it's like partners who like each other but actually don't

0:11:53.342 --> 0:11:56.342
<v Speaker 2>really show it out loud, and like especially that end

0:11:56.462 --> 0:11:59.422
<v Speaker 2>scene where they're walking in the garden and they literally

0:11:59.502 --> 0:12:01.782
<v Speaker 2>look like best friends because they're not touching each.

0:12:01.622 --> 0:12:03.582
<v Speaker 3>Other together for nearly thirty years.

0:12:03.982 --> 0:12:06.582
<v Speaker 2>Yeah, but like they're not like lovey dovey, But I

0:12:06.622 --> 0:12:08.942
<v Speaker 2>also don't think they hate each other. And I like,

0:12:09.822 --> 0:12:12.422
<v Speaker 2>it just looks like an average relationship. Like not definitely

0:12:12.462 --> 0:12:14.662
<v Speaker 2>not the relationship I would want ever, but it just

0:12:14.742 --> 0:12:15.422
<v Speaker 2>looks average.

0:12:15.782 --> 0:12:18.381
<v Speaker 1>We expecting it to look like a fairy tale because

0:12:18.422 --> 0:12:20.702
<v Speaker 1>their beginnings were so fairy tale, so we expect that

0:12:20.742 --> 0:12:22.582
<v Speaker 1>fairy tale to have extended for thirty years. Is that

0:12:22.662 --> 0:12:23.222
<v Speaker 1>what we're hoping?

0:12:23.302 --> 0:12:24.702
<v Speaker 3>Well, should look like they at least like it.

0:12:24.822 --> 0:12:27.222
<v Speaker 4>I think they definitely look like they like each other.

0:12:27.262 --> 0:12:29.382
<v Speaker 4>I think they look like they like each other a lot.

0:12:29.742 --> 0:12:31.902
<v Speaker 4>But do you think Murphy that one of the reasons

0:12:31.942 --> 0:12:35.582
<v Speaker 4>we're so obsessed with other people's marriages, like whether they're

0:12:35.622 --> 0:12:38.302
<v Speaker 4>celebrities or people we sort of adja like, no, by all,

0:12:38.422 --> 0:12:40.502
<v Speaker 4>look at that couple over there that I'm talking over dinner,

0:12:40.662 --> 0:12:42.502
<v Speaker 4>or look at those people over there, look at how

0:12:42.582 --> 0:12:44.381
<v Speaker 4>he didn't pull a chair out, or whatever it is,

0:12:45.182 --> 0:12:48.902
<v Speaker 4>because we're kind of raw shark testing things, like you know,

0:12:49.022 --> 0:12:52.182
<v Speaker 4>we see what we see according to our own experiences.

0:12:52.582 --> 0:12:56.542
<v Speaker 1>I think that is absolutely bang on, because I would

0:12:56.622 --> 0:12:59.102
<v Speaker 1>actually hate for cameras to come in and record what

0:12:59.782 --> 0:13:01.502
<v Speaker 1>Adam and I, my husband and I say to each

0:13:01.502 --> 0:13:04.382
<v Speaker 1>other sometimes because we are constantly taking the piss out

0:13:04.422 --> 0:13:07.662
<v Speaker 1>of each other in ways that require some law to

0:13:07.782 --> 0:13:11.782
<v Speaker 1>be learned before you can and participate. And so they

0:13:12.182 --> 0:13:14.502
<v Speaker 1>looking in at us might think we are absolute assholes

0:13:14.542 --> 0:13:16.902
<v Speaker 1>to each other. But the reality is that's a long

0:13:17.062 --> 0:13:19.902
<v Speaker 1>history of funny things that we've collected over the years

0:13:19.982 --> 0:13:23.342
<v Speaker 1>and we internally find hilarious. But people looking in would

0:13:23.382 --> 0:13:25.182
<v Speaker 1>be like, oh my god, do you guys even like

0:13:25.262 --> 0:13:27.662
<v Speaker 1>each other? Whereas like we go to bed at night

0:13:27.782 --> 0:13:30.982
<v Speaker 1>laughing at other people who might think that we don't

0:13:31.182 --> 0:13:32.422
<v Speaker 1>like each other, if you know what I mean. So,

0:13:32.582 --> 0:13:34.942
<v Speaker 1>like I felt that a little bit from passion becks.

0:13:35.342 --> 0:13:37.942
<v Speaker 1>I also feel like they've never had an opportunity to

0:13:38.102 --> 0:13:41.942
<v Speaker 1>just kind of be to like settle and not put

0:13:41.982 --> 0:13:44.342
<v Speaker 1>on a show. Like their entire lives essentially have been

0:13:44.382 --> 0:13:47.022
<v Speaker 1>showmanship from her, from him, from both of them together.

0:13:47.462 --> 0:13:50.222
<v Speaker 1>Now they're family because as you know, you've probably mentioned that,

0:13:50.462 --> 0:13:52.702
<v Speaker 1>you know, there's some family members that do not rate

0:13:52.782 --> 0:13:57.222
<v Speaker 1>a mention during the recording of Victoria Beckham. Their whole

0:13:57.262 --> 0:14:00.742
<v Speaker 1>life is a show, so maybe they just don't put

0:14:00.822 --> 0:14:02.982
<v Speaker 1>on the PDAs. Although the one thing I did find

0:14:03.022 --> 0:14:06.462
<v Speaker 1>a little bit uncomfortable is that Victoria seemed outwardly affectionate

0:14:06.502 --> 0:14:08.662
<v Speaker 1>to him, and he didn't seem to return it very often.

0:14:09.142 --> 0:14:10.822
<v Speaker 1>And I think think that is when you mentioned gen

0:14:10.982 --> 0:14:13.822
<v Speaker 1>X couples, and I think that is sometimes a bit

0:14:13.862 --> 0:14:15.502
<v Speaker 1>of an m O for gen X couples, where men

0:14:15.862 --> 0:14:19.102
<v Speaker 1>are supposed to kind of be this unemotional sort of

0:14:19.182 --> 0:14:21.662
<v Speaker 1>flat line when it comes to certain things, but when

0:14:21.702 --> 0:14:24.062
<v Speaker 1>they talk about say cars or football, or, in you

0:14:24.142 --> 0:14:26.902
<v Speaker 1>know Beckham's case, his food, they're allowed to be emotional

0:14:26.942 --> 0:14:30.262
<v Speaker 1>and passionate about that garden. Yeah, the garden, like the

0:14:30.382 --> 0:14:32.702
<v Speaker 1>chickens whatever. He seems very excited by.

0:14:33.062 --> 0:14:34.222
<v Speaker 3>He loves the garden.

0:14:35.542 --> 0:14:39.342
<v Speaker 4>Celebrity relationships. I mean, I know you're probably too sensible

0:14:39.382 --> 0:14:40.902
<v Speaker 4>for this, murf, but I might be wrong. And I

0:14:41.022 --> 0:14:43.022
<v Speaker 4>know AM's got some good examples, But are there any

0:14:43.102 --> 0:14:46.742
<v Speaker 4>celebrity relationships that you do look at and either go,

0:14:47.622 --> 0:14:49.902
<v Speaker 4>you know, I want to emulate that, or oh I

0:14:49.982 --> 0:14:51.702
<v Speaker 4>feel that, so you know, like I do that raw

0:14:51.782 --> 0:14:52.942
<v Speaker 4>shark testing stuff on.

0:14:53.302 --> 0:14:56.422
<v Speaker 1>Naomi Watts and her husband Billy crudd Up. I think

0:14:56.742 --> 0:14:58.822
<v Speaker 1>I look at them, but they are like married later

0:14:58.942 --> 0:15:02.662
<v Speaker 1>in life couple, which is really different from say, Hugh

0:15:02.782 --> 0:15:05.742
<v Speaker 1>Jackman and Debraly Finesse, who got married quite young, and

0:15:05.822 --> 0:15:08.542
<v Speaker 1>then we've seen them kind of progress out of love.

0:15:09.062 --> 0:15:10.782
<v Speaker 1>And so I I felt like we held up some

0:15:10.902 --> 0:15:14.502
<v Speaker 1>of these couples and thought, like, if they fail, then

0:15:14.622 --> 0:15:19.062
<v Speaker 1>surely I can't not fail too, because they've presented this

0:15:19.182 --> 0:15:21.542
<v Speaker 1>fairytale ideal of what marriage looks like to the outset,

0:15:21.582 --> 0:15:24.342
<v Speaker 1>and we saw this with Nicole and Keith too. And

0:15:24.422 --> 0:15:26.342
<v Speaker 1>something someone said to me a little while ago is

0:15:26.702 --> 0:15:28.342
<v Speaker 1>I used to get really upset that my husband doesn't

0:15:28.342 --> 0:15:30.622
<v Speaker 1>post stuff about us on social media. In fact, he

0:15:30.622 --> 0:15:32.862
<v Speaker 1>doesn't post anything, but like I was upset that, like

0:15:33.022 --> 0:15:35.662
<v Speaker 1>not even a happy birthday, not even like a look

0:15:35.702 --> 0:15:38.862
<v Speaker 1>at this woman on my wedding anniversary. Nothing right. And

0:15:38.902 --> 0:15:40.422
<v Speaker 1>then a friend said to me, look, it is often

0:15:40.502 --> 0:15:44.542
<v Speaker 1>a measure of an insecure relationship if there's too much

0:15:44.942 --> 0:15:47.422
<v Speaker 1>posting on social media. And I looked into it a

0:15:47.462 --> 0:15:49.022
<v Speaker 1>little bit, and there is a lot of research around that,

0:15:49.182 --> 0:15:53.262
<v Speaker 1>and that we saw Nicole quite regularly posting lovey dovey

0:15:53.302 --> 0:15:56.222
<v Speaker 1>stuff about Keith and he's kind of like he'll chuck

0:15:56.222 --> 0:15:58.462
<v Speaker 1>an emoji and every now and then, so less kind

0:15:58.502 --> 0:16:01.102
<v Speaker 1>of you know, reaction from him. And so was that

0:16:01.422 --> 0:16:03.302
<v Speaker 1>her trying to cover up the fact that she was

0:16:03.342 --> 0:16:06.382
<v Speaker 1>really insecure in her relationship. So yes, I've held up

0:16:06.382 --> 0:16:08.462
<v Speaker 1>some of these marriages over time and gone like I

0:16:08.502 --> 0:16:10.222
<v Speaker 1>would love to be like that, love to be like that.

0:16:10.502 --> 0:16:11.982
<v Speaker 1>But then eventually you kind of look at them and

0:16:12.022 --> 0:16:14.222
<v Speaker 1>you go, we're all kind of similar, except I have

0:16:14.382 --> 0:16:18.702
<v Speaker 1>less outward pressure from money probably and way less money,

0:16:19.142 --> 0:16:21.982
<v Speaker 1>and you know, no one's stalking me outside my front door.

0:16:22.142 --> 0:16:25.702
<v Speaker 3>Emma. The celebrity couples that you go, that's what I want.

0:16:25.862 --> 0:16:28.622
<v Speaker 2>Oh my god, Okay, I need to talk about Dua

0:16:28.702 --> 0:16:30.142
<v Speaker 2>Lipa and Callum Turner.

0:16:30.262 --> 0:16:33.342
<v Speaker 3>Have you guys seen them today?

0:16:33.422 --> 0:16:37.462
<v Speaker 4>In fact, that they allegedly met and were sitting next

0:16:37.502 --> 0:16:39.302
<v Speaker 4>to each other at a party and they realized they're

0:16:39.302 --> 0:16:40.222
<v Speaker 4>reading the same.

0:16:40.102 --> 0:16:44.142
<v Speaker 3>Book page and that's why they fell in love. And

0:16:44.142 --> 0:16:46.022
<v Speaker 3>I was like that, and that you're the two hottest

0:16:46.062 --> 0:16:47.822
<v Speaker 3>people party by about a million.

0:16:47.862 --> 0:16:49.942
<v Speaker 1>I'm googling them right now. I need to see images

0:16:49.942 --> 0:16:50.142
<v Speaker 1>of them.

0:16:50.222 --> 0:16:52.622
<v Speaker 3>They're very PDA. Yeah, I do not believe that meat

0:16:52.662 --> 0:16:54.622
<v Speaker 3>cute story, although that's very cute.

0:16:55.062 --> 0:16:57.222
<v Speaker 4>And also it plays into something we've discussed before, and

0:16:57.342 --> 0:16:59.142
<v Speaker 4>which is there's nothing hotter than a man who reads.

0:17:00.102 --> 0:17:02.862
<v Speaker 4>If he's doing all that's a true story, then good

0:17:02.902 --> 0:17:04.742
<v Speaker 4>for him. And if it's not a true story, then

0:17:04.821 --> 0:17:06.742
<v Speaker 4>good for him for being smart enough. Because everyone knows

0:17:06.821 --> 0:17:07.782
<v Speaker 4>Jua Lipa likes to reach.

0:17:07.821 --> 0:17:11.422
<v Speaker 3>He has a bottle. Anyway, I digress, goem these two

0:17:11.942 --> 0:17:16.182
<v Speaker 3>extremely attractive people. When they are together, it's.

0:17:16.141 --> 0:17:19.022
<v Speaker 2>Like, I don't think they're allowed to not touch each other.

0:17:19.702 --> 0:17:24.142
<v Speaker 2>He's always has his hands around her hips. They're always giggling,

0:17:24.262 --> 0:17:27.782
<v Speaker 2>they're always making out, they're always laughing into each other's mouths.

0:17:27.901 --> 0:17:31.022
<v Speaker 3>It is like I can't look away, no, and it

0:17:31.141 --> 0:17:34.981
<v Speaker 3>loves them. Just said so, and similar to.

0:17:35.422 --> 0:17:40.022
<v Speaker 2>Like your sad gen X celebrity relationships, like they're the

0:17:40.141 --> 0:17:43.101
<v Speaker 2>relationship that I feel like younger women are holding onto

0:17:43.581 --> 0:17:47.141
<v Speaker 2>and they're telling us, like, that's exactly how relationships should be.

0:17:47.381 --> 0:17:49.661
<v Speaker 4>But and I hate to be this person, but I've

0:17:49.702 --> 0:17:52.461
<v Speaker 4>got to be this person. Do you think they're going

0:17:52.542 --> 0:17:54.941
<v Speaker 4>to be doing exactly that in twenty years if they

0:17:54.982 --> 0:17:56.862
<v Speaker 4>stay together for twenty years, go through a whole.

0:17:56.702 --> 0:17:59.381
<v Speaker 1>Lot, Oh my god, if they're laughing into each other's

0:17:59.462 --> 0:18:00.902
<v Speaker 1>mouths in twenty years time.

0:18:01.422 --> 0:18:05.142
<v Speaker 4>Lo, you have to have they have to have respect

0:18:05.262 --> 0:18:07.621
<v Speaker 4>for the fact that love changes and grows and doesn't

0:18:07.661 --> 0:18:09.621
<v Speaker 4>look the same all the time, but it's still a

0:18:09.702 --> 0:18:12.621
<v Speaker 4>real thing, you know what I mean. Like, so again,

0:18:12.861 --> 0:18:14.782
<v Speaker 4>I think that they're a wonderful.

0:18:14.702 --> 0:18:16.661
<v Speaker 3>Raw shark, like he loves he loudly.

0:18:16.861 --> 0:18:18.701
<v Speaker 4>Yeah, you want someone to fall in love with you

0:18:18.901 --> 0:18:21.222
<v Speaker 4>like that, to be so proud of you like that,

0:18:21.821 --> 0:18:25.341
<v Speaker 4>find you irresistible like that, But you acknowledge they're in

0:18:25.381 --> 0:18:26.302
<v Speaker 4>a honeymoon face.

0:18:26.502 --> 0:18:29.821
<v Speaker 3>No, No, this is them, this is them forever, like

0:18:29.901 --> 0:18:32.621
<v Speaker 3>he loves a loudly. Very many grown up couples with

0:18:32.742 --> 0:18:33.381
<v Speaker 3>children who.

0:18:33.262 --> 0:18:33.742
<v Speaker 2>Still do that.

0:18:34.341 --> 0:18:36.381
<v Speaker 3>Well, No, I have a lot of friends who are

0:18:36.502 --> 0:18:38.861
<v Speaker 3>like that. But have they been together twenty years.

0:18:39.182 --> 0:18:42.742
<v Speaker 2>No, but it's just like he loves a loudly and

0:18:42.982 --> 0:18:45.501
<v Speaker 2>like he made me realize I never want a nonchalant man.

0:18:45.581 --> 0:18:48.861
<v Speaker 2>I want my man to be as chalant as possible, out.

0:18:48.742 --> 0:18:51.821
<v Speaker 1>Loud as up next, I am bringing my dilemma to

0:18:51.942 --> 0:18:55.502
<v Speaker 1>the table because I have a dog that does not

0:18:55.742 --> 0:19:04.381
<v Speaker 1>like other dogs. But other dog owners don't seem to care. So, ladies,

0:19:04.422 --> 0:19:06.542
<v Speaker 1>you know how sometimes we do chats in the subscriber

0:19:06.661 --> 0:19:09.141
<v Speaker 1>episodes of Mamma Me are out loud where people riding

0:19:09.182 --> 0:19:12.621
<v Speaker 1>their delay. I would like to take this opportunity to

0:19:12.742 --> 0:19:15.061
<v Speaker 1>do one on myself, if that's okay with you.

0:19:16.101 --> 0:19:16.742
<v Speaker 3>I have a dog.

0:19:17.341 --> 0:19:20.022
<v Speaker 1>She is one of my very best friends. She's a

0:19:20.182 --> 0:19:22.782
<v Speaker 1>Scottish deer hound cross with a border Collie kelpie. So

0:19:23.101 --> 0:19:25.421
<v Speaker 1>black and white, short haired, very long legs, and I

0:19:25.542 --> 0:19:29.581
<v Speaker 1>love her desperately. She sounds very fast, She is for

0:19:29.861 --> 0:19:32.542
<v Speaker 1>very short bursts of time and then sleeps a lot.

0:19:32.982 --> 0:19:35.341
<v Speaker 3>She's a rescue. She I remember when you got her.

0:19:35.381 --> 0:19:37.181
<v Speaker 4>I think we may have got our dogs around the

0:19:37.222 --> 0:19:40.262
<v Speaker 4>same time, so tightly bonded to Sydney.

0:19:40.502 --> 0:19:40.662
<v Speaker 3>Yes.

0:19:41.101 --> 0:19:44.262
<v Speaker 1>So the thing with her, and the thing with rescues

0:19:44.262 --> 0:19:46.381
<v Speaker 1>in general, is you never really know what you're going

0:19:46.422 --> 0:19:48.861
<v Speaker 1>to get behaviorally when this dog arrives. And she was

0:19:48.901 --> 0:19:50.821
<v Speaker 1>a pandemic puppy, so I got all the time in

0:19:50.901 --> 0:19:53.061
<v Speaker 1>the world to spend at home with her learning her.

0:19:53.742 --> 0:19:57.422
<v Speaker 1>Now we've taken her to professional trainers because she does

0:19:57.462 --> 0:20:00.141
<v Speaker 1>not like men, so we seem to have gotten her

0:20:00.222 --> 0:20:04.101
<v Speaker 1>past that she's recovering. However, she had a run in

0:20:04.182 --> 0:20:07.701
<v Speaker 1>with a tiny dog and it has changed her personality now. No,

0:20:08.262 --> 0:20:10.261
<v Speaker 1>if you've never owned a tiny dog dog, they can

0:20:10.302 --> 0:20:12.901
<v Speaker 1>be quite aggressive. They may have some kind of small

0:20:12.942 --> 0:20:14.502
<v Speaker 1>man syndrome. I don't know what it is, but they

0:20:14.502 --> 0:20:16.542
<v Speaker 1>will take on bigger dogs with little care.

0:20:16.821 --> 0:20:19.661
<v Speaker 3>They will. My dog doesn't like little dogs, and no

0:20:19.782 --> 0:20:22.061
<v Speaker 3>prejudices against little dogs. They're very cute, but they do

0:20:22.302 --> 0:20:23.861
<v Speaker 3>like to come up and have a goat, don't they.

0:20:23.942 --> 0:20:26.462
<v Speaker 1>They really really do. And the thing about little dogs,

0:20:26.502 --> 0:20:28.981
<v Speaker 1>and I want to say also extends to little dog owners,

0:20:29.101 --> 0:20:30.621
<v Speaker 1>is the thought that they're a little dog and can

0:20:30.661 --> 0:20:33.221
<v Speaker 1>do no harm allows them to touch more freedom than

0:20:33.262 --> 0:20:36.022
<v Speaker 1>say a bigger dog that looks a little scarier. So

0:20:36.621 --> 0:20:38.141
<v Speaker 1>we've done a lot of training with her. However, the

0:20:38.341 --> 0:20:41.061
<v Speaker 1>running with the little dog has meant she now really

0:20:41.222 --> 0:20:44.141
<v Speaker 1>does not like little dogs. So I am very careful

0:20:44.182 --> 0:20:45.741
<v Speaker 1>about when I walk her. I take her out at

0:20:45.782 --> 0:20:48.021
<v Speaker 1>times of day when I know, like lots of other

0:20:48.061 --> 0:20:50.222
<v Speaker 1>people will be out and about when we go away.

0:20:50.341 --> 0:20:53.821
<v Speaker 1>Sometimes that's unavoidable. And I had an interaction with a

0:20:53.861 --> 0:20:56.141
<v Speaker 1>lady on the beach, and I want to preface this

0:20:56.302 --> 0:20:58.901
<v Speaker 1>by saying I do not have a problem with people

0:20:58.901 --> 0:21:02.661
<v Speaker 1>walking their dogs off leash if you know how to

0:21:03.101 --> 0:21:06.702
<v Speaker 1>recall your dog when it is necessary. I also want

0:21:06.742 --> 0:21:09.821
<v Speaker 1>to say I never walk my dog in specific off

0:21:09.942 --> 0:21:12.222
<v Speaker 1>leash areas that I know people are allowed to have

0:21:12.341 --> 0:21:14.662
<v Speaker 1>their dogs off leash. There are lots of places where

0:21:14.702 --> 0:21:16.621
<v Speaker 1>dogs are off leish where they're not supposed to be.

0:21:17.341 --> 0:21:19.341
<v Speaker 1>So I was walking my dog on the beach and

0:21:19.861 --> 0:21:23.381
<v Speaker 1>a small dog came barreling at my dog, barking, and

0:21:23.462 --> 0:21:25.702
<v Speaker 1>I thought, holy shit, this is going to end badly.

0:21:25.982 --> 0:21:29.061
<v Speaker 1>So I stepped in between them and very loudly yelled

0:21:29.381 --> 0:21:32.261
<v Speaker 1>no at this dog right and thank god it stopped.

0:21:32.982 --> 0:21:35.101
<v Speaker 1>But the owner, who was quite a ways away, approached

0:21:35.141 --> 0:21:39.222
<v Speaker 1>me and said, it's okay, he's friendly, which is great.

0:21:39.302 --> 0:21:41.021
<v Speaker 1>And like if I was by myself and your dog

0:21:41.101 --> 0:21:43.381
<v Speaker 1>came running at me, I would love nothing more than

0:21:43.462 --> 0:21:45.262
<v Speaker 1>to get to know your dog on a personal level.

0:21:45.422 --> 0:21:47.901
<v Speaker 1>Like I love dogs. I will pat strangers dogs with

0:21:48.022 --> 0:21:51.941
<v Speaker 1>permission all the time. However, my dog is not friendly

0:21:52.061 --> 0:21:54.901
<v Speaker 1>to your dog, and if your little dog comes running up,

0:21:54.982 --> 0:21:59.341
<v Speaker 1>I can't guarantee that my beautiful, big, slightly mentally traumatized

0:21:59.381 --> 0:22:02.821
<v Speaker 1>dog won't do something that might injure your small dog.

0:22:04.302 --> 0:22:05.822
<v Speaker 3>This is tricky. So what happened?

0:22:06.222 --> 0:22:09.222
<v Speaker 1>So the lady got a little angry with me because

0:22:09.222 --> 0:22:11.421
<v Speaker 1>I said to her, my dog's not friendly, can you

0:22:11.462 --> 0:22:13.942
<v Speaker 1>please put your dog on a leash? And she went, ah,

0:22:14.262 --> 0:22:15.982
<v Speaker 1>put your dog on a leash, and it started that

0:22:16.101 --> 0:22:16.661
<v Speaker 1>whole business.

0:22:16.782 --> 0:22:23.302
<v Speaker 4>Oh no, the confrontations with dogs is always bad, bad, bad,

0:22:23.422 --> 0:22:23.821
<v Speaker 4>Yeah it is.

0:22:24.022 --> 0:22:27.821
<v Speaker 1>And people are passionate about off leash dog walking and

0:22:28.542 --> 0:22:30.621
<v Speaker 1>they don't mind their dog goes up to other dogs

0:22:30.661 --> 0:22:32.221
<v Speaker 1>because their dog is friendly and they know that they

0:22:32.262 --> 0:22:35.022
<v Speaker 1>don't have any issues. So I just don't know how

0:22:35.141 --> 0:22:37.022
<v Speaker 1>to have this because I didn't handle it well after

0:22:37.141 --> 0:22:37.862
<v Speaker 1>she kind.

0:22:37.702 --> 0:22:40.542
<v Speaker 3>Of did you do fisty cuffs? I'm just imagining. And

0:22:40.621 --> 0:22:41.542
<v Speaker 3>then I got arrested.

0:22:43.262 --> 0:22:44.422
<v Speaker 1>I'm currently on probation.

0:22:44.702 --> 0:22:47.982
<v Speaker 3>No I And then I murdered a woman from the beach.

0:22:48.821 --> 0:22:51.462
<v Speaker 1>I mean, it came close, but we like we were yelling,

0:22:51.581 --> 0:22:54.341
<v Speaker 1>and I was like, I can't stop your dog. I

0:22:54.462 --> 0:22:56.942
<v Speaker 1>needed to stop your dog before she gets to my dog.

0:22:57.022 --> 0:22:58.782
<v Speaker 1>And she's like, well, then you shouldn't be walking your

0:22:58.821 --> 0:23:00.421
<v Speaker 1>dog out in public. Like it all went like that

0:23:00.502 --> 0:23:03.182
<v Speaker 1>and it was really yucky. But now I just don't

0:23:03.262 --> 0:23:06.302
<v Speaker 1>know what do I say to those people in that situation.

0:23:06.621 --> 0:23:07.982
<v Speaker 4>Look Out louder are going to have a lot of

0:23:08.022 --> 0:23:10.222
<v Speaker 4>opinions about this, because this is one of those things.

0:23:10.381 --> 0:23:11.582
<v Speaker 3>Yeah, this is one of those things.

0:23:11.621 --> 0:23:14.901
<v Speaker 4>Because similarly, my dog, she's lovely dog, of course I

0:23:14.982 --> 0:23:17.501
<v Speaker 4>think that, And we walk her along the river near

0:23:17.542 --> 0:23:19.222
<v Speaker 4>my place and it is an off lead area and

0:23:19.422 --> 0:23:21.462
<v Speaker 4>I'll have her off lead, but when I see a

0:23:21.661 --> 0:23:23.821
<v Speaker 4>small dog approaching.

0:23:23.742 --> 0:23:25.342
<v Speaker 3>I'll always put my dog on the lead.

0:23:25.581 --> 0:23:28.941
<v Speaker 4>Quit Again, she's not mad keen on little dogs, and

0:23:29.022 --> 0:23:30.941
<v Speaker 4>I would hate for there to be a scene.

0:23:32.581 --> 0:23:32.742
<v Speaker 3>Now.

0:23:32.861 --> 0:23:36.302
<v Speaker 4>I think responsible dog owners usually when they see you

0:23:36.502 --> 0:23:39.141
<v Speaker 4>do that, like when they see that you're doing that

0:23:39.302 --> 0:23:41.901
<v Speaker 4>putting your dog on the lead, they will do the same.

0:23:42.222 --> 0:23:45.742
<v Speaker 4>Like it's like a mirroring behavior, like an unspoken mirroring behavior,

0:23:45.821 --> 0:23:48.821
<v Speaker 4>like they'll go, oh, that dog obviously, so you know,

0:23:49.022 --> 0:23:50.421
<v Speaker 4>and then they'll put their dog on the lead and

0:23:50.502 --> 0:23:52.061
<v Speaker 4>you walk past each other and you go hi, and

0:23:52.141 --> 0:23:54.901
<v Speaker 4>then you move on with your lives. But when people

0:23:55.022 --> 0:23:57.702
<v Speaker 4>don't do that, and I've had exactly the same thing happen, Claire,

0:23:57.742 --> 0:23:59.502
<v Speaker 4>the little dog will come barreling up and really be

0:23:59.621 --> 0:24:01.022
<v Speaker 4>like remember, and you're like.

0:24:01.341 --> 0:24:04.222
<v Speaker 1>Please go away, please go and you're like shitting yourself,

0:24:04.341 --> 0:24:06.222
<v Speaker 1>like this is a real bad qu.

0:24:06.262 --> 0:24:09.222
<v Speaker 4>I know it's really tricky, but I don't think there's

0:24:09.222 --> 0:24:11.061
<v Speaker 4>a perfec to answer to it, because yes, I think

0:24:11.141 --> 0:24:14.461
<v Speaker 4>ideally everybody's hyper aware of this stuff and like, oh,

0:24:14.542 --> 0:24:15.422
<v Speaker 4>that dog looks.

0:24:15.222 --> 0:24:17.022
<v Speaker 3>Like it's got issues, I'll put it up. But they're not.

0:24:17.182 --> 0:24:20.141
<v Speaker 4>They're talking to their mate, they're doing something else. They're thinking,

0:24:20.262 --> 0:24:22.861
<v Speaker 4>my dog's fine, so my dog's fine, And I just

0:24:22.982 --> 0:24:24.661
<v Speaker 4>don't know, Like I think we have to just have

0:24:24.742 --> 0:24:27.221
<v Speaker 4>a contract where we have to assume people are generally

0:24:27.302 --> 0:24:27.982
<v Speaker 4>doing their best.

0:24:28.101 --> 0:24:32.262
<v Speaker 2>I also feel like dog culture has changed so much

0:24:32.901 --> 0:24:35.861
<v Speaker 2>since I've had my family dogs, which I think they

0:24:35.982 --> 0:24:39.102
<v Speaker 2>passed away like a few years ago now, But when

0:24:39.182 --> 0:24:40.661
<v Speaker 2>we had our dogs and we were growing up with

0:24:40.782 --> 0:24:43.742
<v Speaker 2>our dogs, I don't think I ever saw a dog

0:24:43.982 --> 0:24:45.941
<v Speaker 2>off the lead like it was just given that your

0:24:46.022 --> 0:24:48.622
<v Speaker 2>dog would always be on the lead, and then if

0:24:48.742 --> 0:24:50.742
<v Speaker 2>dogs were crossing, you would know it would be like

0:24:50.782 --> 0:24:53.262
<v Speaker 2>a slightly dangerous dog because you owly will pull them

0:24:53.341 --> 0:24:55.341
<v Speaker 2>like well off the path and then like exactly what

0:24:55.422 --> 0:24:57.542
<v Speaker 2>you said, hold, then I'd pull my dogs well off

0:24:57.581 --> 0:25:00.022
<v Speaker 2>the path because they had had a few run ins

0:25:00.101 --> 0:25:02.581
<v Speaker 2>with like dogs trying to attack them, and then they

0:25:02.581 --> 0:25:04.302
<v Speaker 2>would get scared and then we have to lift them.

0:25:04.302 --> 0:25:06.221
<v Speaker 2>And they were like these big beagles and they were

0:25:06.302 --> 0:25:08.941
<v Speaker 2>so and they just hated being on the crowd.

0:25:09.022 --> 0:25:11.502
<v Speaker 4>It was like this, we are I think you're right,

0:25:11.621 --> 0:25:13.341
<v Speaker 4>and I think there're also dog owners a little bit.

0:25:13.661 --> 0:25:16.262
<v Speaker 4>We're all a bit biased towards our dogs, right, So

0:25:16.901 --> 0:25:18.582
<v Speaker 4>even though I do that with my dog, I put

0:25:18.581 --> 0:25:20.222
<v Speaker 4>her on the lead to avoid little dogs. If I'm

0:25:20.262 --> 0:25:23.182
<v Speaker 4>walking her past a little dog and the owner picks

0:25:23.182 --> 0:25:25.061
<v Speaker 4>the little dog up protectively, like keep.

0:25:24.901 --> 0:25:27.381
<v Speaker 3>You away from that beast, I'm a bit like, you know,

0:25:27.901 --> 0:25:31.502
<v Speaker 3>vested on my dog's behalf my dog even though.

0:25:31.621 --> 0:25:35.902
<v Speaker 1>Right like go get that dog, but also too, I've

0:25:35.901 --> 0:25:37.901
<v Speaker 1>had a moment where like I even put her in

0:25:38.341 --> 0:25:43.182
<v Speaker 1>a vest, a big yellow vest that said nervous, full

0:25:43.262 --> 0:25:45.341
<v Speaker 1>high vis trading style because this is back when she

0:25:45.462 --> 0:25:47.742
<v Speaker 1>hated men, when she was in training, And so I

0:25:47.782 --> 0:25:49.581
<v Speaker 1>put her in the big high ve's vest and I

0:25:49.702 --> 0:25:51.742
<v Speaker 1>presumed that that would be warning enough for people to

0:25:51.821 --> 0:25:54.142
<v Speaker 1>kind of stay away from her. But it was not enough.

0:25:54.182 --> 0:25:57.142
<v Speaker 1>I was standing had a set of traffic lights, well

0:25:57.182 --> 0:26:00.542
<v Speaker 1>away from everybody else, and then I heard my dog's

0:26:00.661 --> 0:26:04.901
<v Speaker 1>jaws snap, like you know that real dog snap like

0:26:04.982 --> 0:26:07.621
<v Speaker 1>they've gone to bite someone. And I've turned around and

0:26:07.702 --> 0:26:10.181
<v Speaker 1>there was a man trying to pat her who's come

0:26:10.262 --> 0:26:13.262
<v Speaker 1>up from behind me, And I was like, oh my god,

0:26:13.302 --> 0:26:14.262
<v Speaker 1>if you don't be trying to.

0:26:14.302 --> 0:26:17.222
<v Speaker 3>Fast, always ask if you're going to pad a dog exactly.

0:26:17.262 --> 0:26:19.742
<v Speaker 1>And she's wearing a giant yellow vest that says nervous,

0:26:19.861 --> 0:26:20.942
<v Speaker 1>like please.

0:26:21.182 --> 0:26:22.821
<v Speaker 2>I think it was a yellow vest. If I saw

0:26:22.821 --> 0:26:24.581
<v Speaker 2>a yellow vest on dog, I'm like, I'm padding that dog.

0:26:25.381 --> 0:26:26.542
<v Speaker 2>It's wearing a yellow vest.

0:26:26.661 --> 0:26:28.621
<v Speaker 1>Oh no, it was more of an attractant and a

0:26:28.702 --> 0:26:31.982
<v Speaker 1>different I hate that. Please, like help me out loud

0:26:32.022 --> 0:26:34.381
<v Speaker 1>as if you have got a way to handle the

0:26:34.462 --> 0:26:36.581
<v Speaker 1>people that say, oh, it's okay, he's friendly when your

0:26:36.621 --> 0:26:38.901
<v Speaker 1>dog is not, Like, what do you do that doesn't

0:26:39.141 --> 0:26:42.661
<v Speaker 1>result in a murder happening? Afterwards between dog owners.

0:26:42.782 --> 0:26:45.421
<v Speaker 4>I have one quick anecdote to add to that, right is,

0:26:45.581 --> 0:26:48.262
<v Speaker 4>in my neighborhood, one time, tune at my dog had

0:26:48.302 --> 0:26:49.662
<v Speaker 4>to run in with another local dog.

0:26:49.821 --> 0:26:51.982
<v Speaker 3>This dog is literally called Damien.

0:26:54.022 --> 0:26:59.022
<v Speaker 4>And of the omen Okay, See, one of the things

0:26:59.022 --> 0:27:00.742
<v Speaker 4>about dogs is you do have to accept that, even

0:27:00.742 --> 0:27:02.542
<v Speaker 4>when they're very well trained, they are wild animals and

0:27:02.542 --> 0:27:05.222
<v Speaker 4>shit's going to happen sometimes, right, And these dogs used

0:27:05.222 --> 0:27:07.141
<v Speaker 4>to play together really happily, and one day they didn't

0:27:07.542 --> 0:27:11.182
<v Speaker 4>and Damien bit on the neck and Tuna was quite

0:27:12.141 --> 0:27:12.981
<v Speaker 4>she had go to hospital.

0:27:13.022 --> 0:27:13.662
<v Speaker 3>It was a whole thing.

0:27:13.982 --> 0:27:16.302
<v Speaker 4>We've never been to that dog polk since. But the

0:27:16.381 --> 0:27:19.221
<v Speaker 4>next time I saw them on the road, like Damien

0:27:19.302 --> 0:27:20.782
<v Speaker 4>and his owner and they walking down the road and

0:27:20.861 --> 0:27:23.622
<v Speaker 4>I saw him and I kind of waved and I said, oh, hi, Demon,

0:27:23.821 --> 0:27:28.181
<v Speaker 4>I said, and the woman was like, it's not called Demon,

0:27:28.222 --> 0:27:29.902
<v Speaker 4>And I was thinking, shiit, what's he called.

0:27:30.542 --> 0:27:32.101
<v Speaker 3>I know he's a devil dog. I know he's a

0:27:32.222 --> 0:27:37.341
<v Speaker 3>bad dog. I mean, there's just a lot of pitfalls.

0:27:38.061 --> 0:27:40.702
<v Speaker 1>But also Damien is like an a one class name

0:27:40.742 --> 0:27:42.542
<v Speaker 1>for a dog. I think that is my next one.

0:27:43.542 --> 0:27:49.101
<v Speaker 4>I want to talk about romance specifically, romance books, Murphy,

0:27:49.182 --> 0:27:51.261
<v Speaker 4>you love them, right, So I have the right company

0:27:51.302 --> 0:27:52.101
<v Speaker 4>for this conversation.

0:27:53.542 --> 0:27:55.862
<v Speaker 3>I could talk about it all, which is good because.

0:27:55.581 --> 0:27:57.542
<v Speaker 4>One thing we have learned on the show before is

0:27:57.581 --> 0:28:00.461
<v Speaker 4>that romance booklovers are very passionate and they all get

0:28:00.542 --> 0:28:02.461
<v Speaker 4>very upset if you do them wrong. But I am

0:28:02.542 --> 0:28:06.302
<v Speaker 4>not intending to do anyone wrong. I went to a

0:28:06.502 --> 0:28:08.942
<v Speaker 4>romance riding masterclass on the weekend.

0:28:10.782 --> 0:28:12.421
<v Speaker 3>I know it's quite sexy.

0:28:12.702 --> 0:28:14.141
<v Speaker 1>Am I going to be reading a book by you?

0:28:14.381 --> 0:28:14.542
<v Speaker 4>Soon?

0:28:15.302 --> 0:28:16.821
<v Speaker 3>We're going to get a manny novel from you.

0:28:16.982 --> 0:28:19.221
<v Speaker 4>I have not. Look, don't worry romance writers. I am

0:28:19.302 --> 0:28:22.502
<v Speaker 4>not trying to muscle my way into your genre. But

0:28:22.702 --> 0:28:24.222
<v Speaker 4>with the book I am writing at the minute, it

0:28:24.262 --> 0:28:25.942
<v Speaker 4>does have like a love story in it, and it's

0:28:26.022 --> 0:28:28.222
<v Speaker 4>really hard to write. So I was like, let's find

0:28:28.222 --> 0:28:30.302
<v Speaker 4>out what the experts know about this shit. So I

0:28:30.381 --> 0:28:32.381
<v Speaker 4>went to a masterclass that was run by this really

0:28:32.581 --> 0:28:35.782
<v Speaker 4>successful Australian romance writer called Claire Connolly or.

0:28:35.821 --> 0:28:36.942
<v Speaker 1>She does a lot of the Billionaire.

0:28:37.022 --> 0:28:40.022
<v Speaker 4>Yes, it does right, And I haven't been able to

0:28:40.102 --> 0:28:43.382
<v Speaker 4>stop thinking about it since, because this is like an

0:28:43.582 --> 0:28:45.941
<v Speaker 4>entire world that I didn't really know about, and I

0:28:46.062 --> 0:28:47.582
<v Speaker 4>just want to give you a few facts before we

0:28:48.102 --> 0:28:50.142
<v Speaker 4>jump into why, because I know Murphy will be able

0:28:50.142 --> 0:28:52.702
<v Speaker 4>to tell us exactly why right. One of the reasons

0:28:52.742 --> 0:28:54.461
<v Speaker 4>why I found this so fascinating is I haven't been

0:28:54.462 --> 0:28:56.422
<v Speaker 4>able to stop thinking about what it tells us about women,

0:28:56.822 --> 0:28:59.421
<v Speaker 4>and also about the books that we definitely do not

0:28:59.582 --> 0:29:02.382
<v Speaker 4>read about in all the swanky literary pages of the

0:29:02.422 --> 0:29:08.702
<v Speaker 4>broadsheet newspapers are selling their freaking socks off. Right. According

0:29:08.782 --> 0:29:12.342
<v Speaker 4>to Nielsen Books Scan Australia, three million romance books valued

0:29:12.382 --> 0:29:15.181
<v Speaker 4>at forty six and a half million sold in the

0:29:15.342 --> 0:29:17.661
<v Speaker 4>last year in twenty twenty four. And the thing is

0:29:17.661 --> 0:29:21.582
<v Speaker 4>about that number is that does not include audio or ebooks,

0:29:22.062 --> 0:29:25.342
<v Speaker 4>and so much romance is read on ebooks, So imagine

0:29:25.382 --> 0:29:28.822
<v Speaker 4>what physical actually is, right, Imagine what that number actually is.

0:29:29.182 --> 0:29:31.902
<v Speaker 4>It's a genre that is up by forty nine percent

0:29:31.982 --> 0:29:34.701
<v Speaker 4>in Australia alone, forty nine percent, when the rest of

0:29:34.742 --> 0:29:35.421
<v Speaker 4>the market.

0:29:35.262 --> 0:29:36.941
<v Speaker 3>Is quite hughuge.

0:29:37.462 --> 0:29:42.062
<v Speaker 4>So there is clearly a bottomless desire for these books.

0:29:42.102 --> 0:29:43.902
<v Speaker 4>And I want to talk about the kind of books

0:29:43.902 --> 0:29:47.462
<v Speaker 4>we're talking about. I'm talking not necessarily about romance c

0:29:48.062 --> 0:29:50.222
<v Speaker 4>although that does fall into this, and obviously that is

0:29:50.302 --> 0:29:52.701
<v Speaker 4>responsible for a lot of this big boost and all

0:29:52.862 --> 0:29:55.102
<v Speaker 4>the attention that it's brought with it, and TikTok and

0:29:55.142 --> 0:29:56.822
<v Speaker 4>all those kind of things are responsible for it too.

0:29:57.382 --> 0:30:00.062
<v Speaker 4>But a traditional romance novel, to be classified as a

0:30:00.142 --> 0:30:03.382
<v Speaker 4>romance novel has to have one thing h ea.

0:30:03.862 --> 0:30:06.982
<v Speaker 3>It has to have an h ea, Happily ever after? Right, Yeah?

0:30:07.622 --> 0:30:10.782
<v Speaker 4>And I'm obsessed with this information because it makes perfect

0:30:10.862 --> 0:30:13.222
<v Speaker 4>sense when you think about it. I was watching Brene

0:30:13.382 --> 0:30:16.502
<v Speaker 4>Brown this week talking to Fortune mag and she was

0:30:16.582 --> 0:30:18.501
<v Speaker 4>talking about the climate, and I don't know this will

0:30:18.502 --> 0:30:20.782
<v Speaker 4>be news to anyone. She said, people are not okay

0:30:21.342 --> 0:30:26.222
<v Speaker 4>in general. People are emotionally disregulated, distrustful, and disconnected.

0:30:26.622 --> 0:30:30.462
<v Speaker 3>And so what do they want? They want something predictable

0:30:30.582 --> 0:30:33.222
<v Speaker 3>is the wrong word, Something they can count on, something reliable,

0:30:33.302 --> 0:30:35.902
<v Speaker 3>something that they know is going to work out, Murphy,

0:30:36.022 --> 0:30:38.102
<v Speaker 3>Is that part of why you love romance?

0:30:38.702 --> 0:30:41.342
<v Speaker 1>Absolutely? And you can even say predictable because that is

0:30:41.462 --> 0:30:43.981
<v Speaker 1>part of it, because a lot of these books are

0:30:44.022 --> 0:30:47.102
<v Speaker 1>written to a formula where you kind of know that,

0:30:47.262 --> 0:30:50.382
<v Speaker 1>even though you know the main male character and the

0:30:50.462 --> 0:30:53.022
<v Speaker 1>main female character have fallen out in a fighting, you

0:30:53.142 --> 0:30:55.102
<v Speaker 1>know they're going to get back together, and you know

0:30:55.302 --> 0:30:57.262
<v Speaker 1>that they're going to end in a way that's going

0:30:57.342 --> 0:30:59.941
<v Speaker 1>to be very satisfying to you. And I think the

0:31:00.062 --> 0:31:03.742
<v Speaker 1>thing about romance are in my particular special interest romanticy,

0:31:03.902 --> 0:31:08.622
<v Speaker 1>it's about also exploring your own fantasies, whether that be

0:31:08.822 --> 0:31:13.542
<v Speaker 1>romance sexual. There's so many different genres within the genre

0:31:14.062 --> 0:31:16.062
<v Speaker 1>that you can find your niche and explore your own

0:31:16.062 --> 0:31:19.262
<v Speaker 1>sexuality through that. You can, you know, live your life

0:31:19.302 --> 0:31:21.941
<v Speaker 1>in a world where you know you might never do

0:31:22.062 --> 0:31:24.622
<v Speaker 1>things in reality, but you can experience them through the

0:31:25.022 --> 0:31:28.181
<v Speaker 1>experiences of the characters in these books. And I may

0:31:28.262 --> 0:31:30.941
<v Speaker 1>never recreate any of that in my real world unless

0:31:31.182 --> 0:31:34.142
<v Speaker 1>we do find out eventually that men with pointy years

0:31:34.142 --> 0:31:37.462
<v Speaker 1>and magic powers and wings really exist. But it allows

0:31:37.542 --> 0:31:41.222
<v Speaker 1>my imagination to like fuel my libido whilst also giving

0:31:41.262 --> 0:31:44.102
<v Speaker 1>me that escape from the real world and my real

0:31:44.182 --> 0:31:46.862
<v Speaker 1>world because I do, you know, contribute to a news

0:31:46.942 --> 0:31:49.822
<v Speaker 1>podcast and a women's health podcast, like a lot of

0:31:49.902 --> 0:31:52.622
<v Speaker 1>it's not great news. And so for me to sit

0:31:52.702 --> 0:31:55.902
<v Speaker 1>down with a romance book and have that predictable storyline

0:31:56.142 --> 0:31:58.902
<v Speaker 1>come out and yes, happy ending, but that doesn't necessarily

0:31:58.942 --> 0:32:01.102
<v Speaker 1>mean of every book, because there are a series where

0:32:01.422 --> 0:32:04.221
<v Speaker 1>the happy ending doesn't come until five books later. There

0:32:04.302 --> 0:32:07.342
<v Speaker 1>is something about that predictability of a storyline that allows

0:32:07.382 --> 0:32:10.542
<v Speaker 1>my brain to be calm and allow me to understand

0:32:10.582 --> 0:32:12.582
<v Speaker 1>that even though there is tension throughout some of it,

0:32:12.942 --> 0:32:15.542
<v Speaker 1>that tension is going to go away eventually. So like,

0:32:15.742 --> 0:32:18.702
<v Speaker 1>it is such a lovely experience to go through these

0:32:19.262 --> 0:32:21.302
<v Speaker 1>tales with all these different characters and they come out

0:32:21.342 --> 0:32:24.182
<v Speaker 1>the other side. And it has real world implications. There's

0:32:24.222 --> 0:32:27.742
<v Speaker 1>been research into women reading romance books and it having

0:32:27.862 --> 0:32:30.542
<v Speaker 1>positive impacts on the relationships they have with their partners

0:32:30.542 --> 0:32:33.582
<v Speaker 1>in the real world. It's helped women with libido issues.

0:32:33.942 --> 0:32:37.342
<v Speaker 1>It's also an ability for women to take a moment

0:32:37.422 --> 0:32:40.342
<v Speaker 1>for themselves when they're very heavily lifting the mental load.

0:32:40.382 --> 0:32:45.782
<v Speaker 1>You know, it's absolutely predictable and comforting while also being

0:32:45.982 --> 0:32:47.902
<v Speaker 1>sexy as hell, and there is nothing wrong with that.

0:32:48.062 --> 0:32:49.782
<v Speaker 4>I want to ask you, am right because one of

0:32:49.822 --> 0:32:51.902
<v Speaker 4>the things I learned about when I was in my

0:32:52.102 --> 0:32:55.582
<v Speaker 4>master class, my romance writing master class, is that there

0:32:55.622 --> 0:32:59.181
<v Speaker 4>are established tropes, and in this instance, that is an

0:32:59.262 --> 0:33:02.981
<v Speaker 4>insulting word. The tropes like enemies to lovers, friends to lovers,

0:33:03.062 --> 0:33:06.822
<v Speaker 4>fake dating, force, proximity, and those niches people will read

0:33:06.862 --> 0:33:09.142
<v Speaker 4>deeply in. So it might be that you love enemies

0:33:09.182 --> 0:33:11.902
<v Speaker 4>to love us, so you'll read all enemies to lovers books.

0:33:12.182 --> 0:33:16.342
<v Speaker 4>And then equally the settings are also very deep niche.

0:33:16.342 --> 0:33:18.982
<v Speaker 4>She's so you might just like cowboys or cowgirls, or

0:33:19.022 --> 0:33:22.661
<v Speaker 4>you might figure skaters, yeah, exactly, or polyamorous you know,

0:33:23.022 --> 0:33:25.742
<v Speaker 4>country threesomes, and you might They were saying, there's closed

0:33:25.782 --> 0:33:28.142
<v Speaker 4>door sex scenes, which means the bedroom door closes before

0:33:28.142 --> 0:33:30.502
<v Speaker 4>you see the sex, open door, which means the sex

0:33:30.661 --> 0:33:34.981
<v Speaker 4>is explored. There's quite a big conservative romance streak now

0:33:34.982 --> 0:33:36.862
<v Speaker 4>where there's no sex at all. There's just you know,

0:33:37.022 --> 0:33:41.542
<v Speaker 4>sort of polite handholding the stuff and sexual tension. Are

0:33:41.622 --> 0:33:43.382
<v Speaker 4>you a cowboy girl or a billionaire girl?

0:33:43.502 --> 0:33:45.181
<v Speaker 3>Oh, that's such a good question.

0:33:45.742 --> 0:33:48.742
<v Speaker 2>I feel like I've only recently, like probably in the

0:33:48.782 --> 0:33:50.862
<v Speaker 2>last year or so, got into romance, because when I

0:33:50.942 --> 0:33:54.181
<v Speaker 2>started reading romance when I was younger, it was very different.

0:33:54.302 --> 0:33:56.342
<v Speaker 2>Like I think the first romance novels I read when

0:33:56.342 --> 0:33:58.582
<v Speaker 2>I was about like ten or eleven with a Twilight series,

0:33:59.222 --> 0:34:01.421
<v Speaker 2>and like they all were quite like similar, Like it

0:34:01.542 --> 0:34:04.982
<v Speaker 2>was all about like a petite, fragile girl who flew

0:34:05.062 --> 0:34:07.701
<v Speaker 2>away in the wind because she was so small and

0:34:07.822 --> 0:34:10.502
<v Speaker 2>her boyfriend was like tall and muscle and he has

0:34:10.542 --> 0:34:13.022
<v Speaker 2>abandonment issues since his dog died when he was twelve, but.

0:34:13.102 --> 0:34:15.622
<v Speaker 3>Only she could help him figure that out. And I

0:34:15.742 --> 0:34:18.022
<v Speaker 3>was like, this is kind of weird. Kind of doing

0:34:18.102 --> 0:34:18.901
<v Speaker 3>this would be weird.

0:34:18.982 --> 0:34:20.942
<v Speaker 2>And it's only when I got older and my sister

0:34:21.582 --> 0:34:23.701
<v Speaker 2>I have to talk about her because she has a Bookstagram.

0:34:24.062 --> 0:34:27.502
<v Speaker 3>She reads about probably four books a week. She is obsessed.

0:34:27.542 --> 0:34:29.941
<v Speaker 3>I'm so encouraged by how much all the young women

0:34:29.982 --> 0:34:30.742
<v Speaker 3>I now read.

0:34:30.661 --> 0:34:33.341
<v Speaker 2>And it's all romance, and it's like she loves all

0:34:33.462 --> 0:34:35.582
<v Speaker 2>romance books. And I feel like, especially with younger women,

0:34:35.942 --> 0:34:38.221
<v Speaker 2>when they find a romance author they love, they'll read

0:34:38.342 --> 0:34:39.782
<v Speaker 2>everything that author's written.

0:34:39.862 --> 0:34:42.542
<v Speaker 4>And these women are hard working and prolific. Claire Connolly

0:34:42.701 --> 0:34:44.582
<v Speaker 4>was telling me she writes so many books a year.

0:34:44.661 --> 0:34:47.701
<v Speaker 4>She just absolutely works out it like a queen.

0:34:47.741 --> 0:34:51.022
<v Speaker 3>Because the girls are demanding it. Emily Henry like, I've

0:34:51.062 --> 0:34:52.901
<v Speaker 3>probably read all of her books and now.

0:34:52.862 --> 0:34:55.022
<v Speaker 2>She's having a big deal different movies for all of

0:34:55.102 --> 0:34:57.382
<v Speaker 2>her books. It's like and it's similar, like there's like

0:34:57.741 --> 0:35:00.301
<v Speaker 2>so many different tropes and it's like they churn through them,

0:35:00.382 --> 0:35:03.062
<v Speaker 2>like they go through all of them and you know

0:35:03.342 --> 0:35:05.622
<v Speaker 2>exactly what's going to happen and you can't wait to

0:35:05.701 --> 0:35:08.302
<v Speaker 2>find out at the same time, and you're just so invested,

0:35:08.302 --> 0:35:09.661
<v Speaker 2>and it's like what you said, if it's such a

0:35:09.741 --> 0:35:13.262
<v Speaker 2>good escapism. But at the same time, I do realize

0:35:13.302 --> 0:35:16.102
<v Speaker 2>it does have an impact on my dating life, like

0:35:16.181 --> 0:35:19.021
<v Speaker 2>as a single person, Like there have been times where

0:35:19.221 --> 0:35:22.862
<v Speaker 2>I've literally just quit dating just because I'm so invested

0:35:22.982 --> 0:35:25.382
<v Speaker 2>into these books, and I realized I'll.

0:35:25.261 --> 0:35:25.821
<v Speaker 1>Never get that.

0:35:27.902 --> 0:35:29.741
<v Speaker 3>Both romantic and otherwise.

0:35:30.181 --> 0:35:32.062
<v Speaker 4>Do you think the only other thing I want to ask,

0:35:32.181 --> 0:35:34.941
<v Speaker 4>right is generally with culture, I don't like knowing the ending.

0:35:35.142 --> 0:35:37.662
<v Speaker 4>Like if I can pick the ending at the beginning

0:35:37.661 --> 0:35:39.741
<v Speaker 4>of a TV show, say, or a TV series, then

0:35:39.781 --> 0:35:41.422
<v Speaker 4>I often like, I hate that.

0:35:41.661 --> 0:35:43.701
<v Speaker 3>I like the I like a surprise.

0:35:43.862 --> 0:35:46.822
<v Speaker 4>But the thing that interests me about just how popular

0:35:46.902 --> 0:35:50.542
<v Speaker 4>happy endings are is that clearly that isn't true. Is

0:35:50.622 --> 0:35:53.861
<v Speaker 4>it's just like we just don't want any more things

0:35:53.942 --> 0:35:55.582
<v Speaker 4>to worry about, do you know what I mean?

0:35:55.822 --> 0:35:58.701
<v Speaker 2>Yeah, I think it's nice when I read romance are

0:35:58.902 --> 0:36:01.862
<v Speaker 2>usually able to read them in a few days, because

0:36:01.942 --> 0:36:06.022
<v Speaker 2>even when there's like a tiff or a fight or

0:36:06.102 --> 0:36:09.022
<v Speaker 2>that big like climax moment when nothing's going right, you

0:36:09.181 --> 0:36:13.022
<v Speaker 2>never feel like you're in danger. You always feel safe

0:36:13.062 --> 0:36:15.661
<v Speaker 2>throughout that whole book because you know they're going to

0:36:15.701 --> 0:36:16.182
<v Speaker 2>come around.

0:36:16.422 --> 0:36:18.102
<v Speaker 1>And this is the thing too, is because these are

0:36:18.342 --> 0:36:22.181
<v Speaker 1>tales written about women by women. Yeah, and you can

0:36:22.342 --> 0:36:24.941
<v Speaker 1>absolutely tell them. There's a big section of TikTok which

0:36:25.022 --> 0:36:27.941
<v Speaker 1>compares how men write women as supposed to how women

0:36:28.062 --> 0:36:28.542
<v Speaker 1>right when.

0:36:28.462 --> 0:36:30.622
<v Speaker 3>Supple tender breasts, we don't see any of that now.

0:36:31.701 --> 0:36:34.982
<v Speaker 1>Her breasts were quivering in anticipation, like they're just it's

0:36:35.261 --> 0:36:37.502
<v Speaker 1>being written by women is so different, and you're right

0:36:37.622 --> 0:36:40.181
<v Speaker 1>them in that. It feels like a safe space, like

0:36:40.302 --> 0:36:42.502
<v Speaker 1>it doesn't matter what's really happening in the storyline. You

0:36:42.622 --> 0:36:45.142
<v Speaker 1>know that that author is taking care of you and

0:36:45.302 --> 0:36:47.342
<v Speaker 1>will actually deliver to you what you need by the

0:36:47.462 --> 0:36:50.701
<v Speaker 1>end of it. It's really beautifully written women.

0:36:51.142 --> 0:36:53.502
<v Speaker 4>That's what Rachel Johns, who's another romance writer who I

0:36:53.542 --> 0:36:54.862
<v Speaker 4>was talking about that we ken, said, she said, I

0:36:54.942 --> 0:36:57.782
<v Speaker 4>want people to know that it's not all heaving bosoms anymore.

0:36:58.822 --> 0:37:02.301
<v Speaker 4>I'm throbbing members like there's a lot more variety than that.

0:37:02.982 --> 0:37:04.902
<v Speaker 4>But one of the things I did as Claire Connolly,

0:37:04.942 --> 0:37:08.062
<v Speaker 4>because as you said, she specializes in billionaires, and I

0:37:08.181 --> 0:37:10.862
<v Speaker 4>was like, is Elon Musk really done that franchise, because

0:37:12.221 --> 0:37:15.261
<v Speaker 4>you know everybody fell for that fifty shades. Oh and

0:37:15.382 --> 0:37:18.022
<v Speaker 4>he just happens for the US Man Alive as well

0:37:18.062 --> 0:37:18.781
<v Speaker 4>as really hot.

0:37:19.022 --> 0:37:20.222
<v Speaker 3>Oh my god, that book.

0:37:20.422 --> 0:37:22.542
<v Speaker 2>When I was in high school, I remember we just

0:37:22.701 --> 0:37:24.741
<v Speaker 2>had a PDF that would get passed around on a

0:37:24.822 --> 0:37:27.862
<v Speaker 2>USB to all the girls what like.

0:37:29.181 --> 0:37:31.861
<v Speaker 3>Yeah, it was amazing out loud as.

0:37:31.982 --> 0:37:33.582
<v Speaker 4>We're going to put a link in the show notes

0:37:33.701 --> 0:37:36.022
<v Speaker 4>to Claire Connelly, who's the writer, who's masterclass I did.

0:37:36.382 --> 0:37:38.701
<v Speaker 3>I've found it so eye opening. Tell us if you

0:37:38.781 --> 0:37:40.102
<v Speaker 3>love romance, we want to know.

0:37:40.342 --> 0:37:42.861
<v Speaker 1>Can I leave on one last point because last time

0:37:42.902 --> 0:37:46.301
<v Speaker 1>I was on I mentioned some recommendations for the romance book.

0:37:46.342 --> 0:37:47.542
<v Speaker 3>Give us some gateway people.

0:37:48.142 --> 0:37:50.862
<v Speaker 1>People gave me some really great recommendations. I've read the

0:37:50.902 --> 0:37:53.661
<v Speaker 1>plated Prisoner series. Thank you to everyone who recommended that

0:37:53.741 --> 0:37:56.661
<v Speaker 1>to me. That was fabulous. I also want to do

0:37:56.781 --> 0:37:59.462
<v Speaker 1>a shout out to Shield of Sparrows, which is a

0:37:59.822 --> 0:38:02.862
<v Speaker 1>gorgeous book by Devney Perry. I only have the review

0:38:02.942 --> 0:38:05.261
<v Speaker 1>copy of This is not the actual cover of Diabound,

0:38:05.302 --> 0:38:07.181
<v Speaker 1>but this is one of the best books I've read

0:38:07.261 --> 0:38:09.741
<v Speaker 1>in the longest time. Is by Stable Sorenson and just

0:38:09.862 --> 0:38:13.022
<v Speaker 1>a heads up to for Kellie Hart fans. The sequel

0:38:13.022 --> 0:38:16.302
<v Speaker 1>to Quicksilver is out next month and we're all gagginged

0:38:16.302 --> 0:38:19.262
<v Speaker 1>ot these all romanticy category?

0:38:19.382 --> 0:38:20.261
<v Speaker 3>Is that what we call it?

0:38:21.062 --> 0:38:24.782
<v Speaker 1>Yes? So it is like strong female characters with super

0:38:24.822 --> 0:38:28.382
<v Speaker 1>hot boys, and there's often like wolves or magic or

0:38:28.462 --> 0:38:31.701
<v Speaker 1>in this case dragons for Wings of Blood, which is

0:38:31.781 --> 0:38:34.221
<v Speaker 1>what I'm currently reading. And inside of that, and this

0:38:34.342 --> 0:38:36.302
<v Speaker 1>is another thing I think we haven't taken into account

0:38:36.622 --> 0:38:39.142
<v Speaker 1>is all the merch that now comes with romantic books

0:38:39.142 --> 0:38:40.861
<v Speaker 1>because I have a fourth Wing book.

0:38:40.982 --> 0:38:45.901
<v Speaker 3>Mok, I'm so jealous. Calm down, I'm down, my friend.

0:38:48.302 --> 0:38:51.782
<v Speaker 2>After the break, we are sharing our very best recommendations,

0:38:51.862 --> 0:38:54.741
<v Speaker 2>including something Claire I feel like will make you feel

0:38:54.822 --> 0:38:56.422
<v Speaker 2>so much better about your dog.

0:38:56.302 --> 0:38:59.102
<v Speaker 3>Story one unlimited out Loud access.

0:38:59.302 --> 0:39:03.341
<v Speaker 4>We drop episodes every Tuesday and Thursday exclusively for Mamma

0:39:03.382 --> 0:39:04.261
<v Speaker 4>Mia subscribers.

0:39:04.661 --> 0:39:06.502
<v Speaker 3>Follow the link at the show notes to get us in.

0:39:06.502 --> 0:39:09.941
<v Speaker 4>Your ears five days a week and a huge cute

0:39:10.022 --> 0:39:11.781
<v Speaker 4>to all our current subscribers.

0:39:19.741 --> 0:39:23.622
<v Speaker 2>Vibes ideas, atmosphere, something casual, something fun.

0:39:24.181 --> 0:39:25.661
<v Speaker 1>This is my best recommendation.

0:39:26.942 --> 0:39:30.142
<v Speaker 2>It is a recommendations time. Holly, do you want to

0:39:30.181 --> 0:39:30.422
<v Speaker 2>take it.

0:39:30.462 --> 0:39:31.582
<v Speaker 3>Away, I do.

0:39:32.142 --> 0:39:34.022
<v Speaker 4>I know that Claire is going to be recommending a

0:39:34.062 --> 0:39:36.622
<v Speaker 4>couple of podcasts, so and I was going to recommend

0:39:36.622 --> 0:39:37.942
<v Speaker 4>one and I'm not now, but I've just got to

0:39:37.942 --> 0:39:40.142
<v Speaker 4>put in one quick mention, okay, for one of my

0:39:40.302 --> 0:39:41.982
<v Speaker 4>gen X queen's Jennifer Aniston.

0:39:42.462 --> 0:39:45.341
<v Speaker 3>She's on Dax Shepherd's Armchair Expert. This week. I saw

0:39:45.382 --> 0:39:46.702
<v Speaker 3>some clips of hers.

0:39:46.862 --> 0:39:50.142
<v Speaker 4>The thing that's very exciting for Anniston stands about this

0:39:50.261 --> 0:39:52.461
<v Speaker 4>is she's never done a long form I've never seen

0:39:52.502 --> 0:39:55.261
<v Speaker 4>her do it interviews. It's just not what she does right.

0:39:55.701 --> 0:39:58.701
<v Speaker 4>And obviously I've listened to it all and obviously it's great.

0:39:58.781 --> 0:40:01.341
<v Speaker 4>She's very warm and funny. There's no like bombshells. It's

0:40:01.382 --> 0:40:03.301
<v Speaker 4>not like she's like so one day Brad Pitt came

0:40:03.342 --> 0:40:06.661
<v Speaker 4>home and it's not like that, damn it, because she's

0:40:06.781 --> 0:40:08.341
<v Speaker 4>kind of in a safe space, I guess with her

0:40:08.382 --> 0:40:11.261
<v Speaker 4>mate Dax and Monica. But anyway, I loved it. I

0:40:11.382 --> 0:40:12.942
<v Speaker 4>just loved hanging out with her for an hour and

0:40:13.022 --> 0:40:15.021
<v Speaker 4>she did. There were a couple of really interesting things.

0:40:15.062 --> 0:40:17.582
<v Speaker 4>She talked about why she'd never adopted a kid. That

0:40:17.701 --> 0:40:20.821
<v Speaker 4>was really interesting. Quick just for any gen X is

0:40:20.822 --> 0:40:23.741
<v Speaker 4>out there who do love Deaniston getting to hear her talk.

0:40:23.822 --> 0:40:25.862
<v Speaker 4>I hope she's gonna feel like she can do that

0:40:25.902 --> 0:40:28.702
<v Speaker 4>a bit more. But my actual one is my best

0:40:28.741 --> 0:40:32.221
<v Speaker 4>friend in the world at the moment. Conceala a particular concealer.

0:40:32.741 --> 0:40:36.382
<v Speaker 4>Jesse's been doing some makeup recos lately and I have

0:40:36.741 --> 0:40:40.181
<v Speaker 4>recommended before a really good affordable concealer by this brand

0:40:40.261 --> 0:40:43.102
<v Speaker 4>called Revolution. I can't find it anywhere, and I don't

0:40:43.102 --> 0:40:45.462
<v Speaker 4>think it's because of my recommendation, but I think it's

0:40:45.502 --> 0:40:47.741
<v Speaker 4>all that. I think it's because Lee Campbell recommended it, right,

0:40:48.142 --> 0:40:50.422
<v Speaker 4>So anytime I walk into a price line, I go

0:40:50.502 --> 0:40:51.902
<v Speaker 4>and look for it, and I can't find it.

0:40:51.982 --> 0:40:53.221
<v Speaker 3>So I've had to replace it.

0:40:53.942 --> 0:40:55.542
<v Speaker 4>As like Lauders know, I don't mind a bit of

0:40:55.582 --> 0:40:58.622
<v Speaker 4>a spenny beauty thing sometimes it's a little treat, but

0:40:59.221 --> 0:41:01.062
<v Speaker 4>I don't like spending lots of money on Consila, and

0:41:01.181 --> 0:41:03.741
<v Speaker 4>my experience tells me that often the more expensive ones

0:41:03.781 --> 0:41:04.502
<v Speaker 4>don't work as well.

0:41:04.661 --> 0:41:06.782
<v Speaker 3>Like I've got to be really careful with Consala.

0:41:07.102 --> 0:41:09.181
<v Speaker 4>Well, I don't have to be careful. That's an overstatement.

0:41:09.542 --> 0:41:11.862
<v Speaker 4>Like a lot of concealers get cakey. The ones with

0:41:11.982 --> 0:41:12.822
<v Speaker 4>really good coverage.

0:41:12.862 --> 0:41:13.582
<v Speaker 3>I get that as well.

0:41:13.741 --> 0:41:15.582
<v Speaker 1>That's why I'm so scared of Kinceala.

0:41:16.342 --> 0:41:19.421
<v Speaker 4>So I always go for the Serumi almost runny ones,

0:41:20.022 --> 0:41:21.741
<v Speaker 4>kind of like foundation. Yeah, but some of them are

0:41:21.781 --> 0:41:24.062
<v Speaker 4>too runny, like Trinny's one is too running. I used

0:41:24.062 --> 0:41:25.501
<v Speaker 4>to use that, but it's two Running's.

0:41:25.181 --> 0:41:26.102
<v Speaker 3>Not good anyway.

0:41:26.181 --> 0:41:29.781
<v Speaker 4>So let me just tell someone because this is not revolutionary,

0:41:29.822 --> 0:41:32.782
<v Speaker 4>but it is an affordable chemist one that is rocking

0:41:32.822 --> 0:41:34.742
<v Speaker 4>my world at the minute, which is just the Laurel

0:41:35.181 --> 0:41:37.462
<v Speaker 4>True Match Radiant Serum Conceala.

0:41:37.622 --> 0:41:39.062
<v Speaker 3>I one hundred percent agree with that.

0:41:39.582 --> 0:41:42.582
<v Speaker 4>It's so good and they have so many shades, and

0:41:42.822 --> 0:41:46.142
<v Speaker 4>right now it's fifteen bucks. It's fifteen bloody bucks in

0:41:46.221 --> 0:41:48.582
<v Speaker 4>price line. I've been really tired lately. I haven't been

0:41:48.582 --> 0:41:50.981
<v Speaker 4>sleeping great. I'm sure it's something hormonal blah blah blah.

0:41:51.181 --> 0:41:52.462
<v Speaker 4>So i wake up in the morning and I'm like,

0:41:52.982 --> 0:41:54.861
<v Speaker 4>oh my god, especially when we're filming, I'm like, oh.

0:41:54.862 --> 0:41:55.701
<v Speaker 3>My god, Cancela.

0:41:55.781 --> 0:41:57.781
<v Speaker 4>And it's just the right amount of runny for me,

0:41:57.982 --> 0:42:00.062
<v Speaker 4>Like it doesn't settle in my lines, but it gives

0:42:00.102 --> 0:42:02.942
<v Speaker 4>good coverage. It's glowy, and it's you can find it,

0:42:03.062 --> 0:42:03.661
<v Speaker 4>and it's cheap.

0:42:03.822 --> 0:42:05.821
<v Speaker 3>It lasts all day. I actually have two.

0:42:05.862 --> 0:42:07.622
<v Speaker 2>I have one for my under eyes because my under

0:42:07.661 --> 0:42:09.502
<v Speaker 2>eyes I need a lighter shade because I quite dark.

0:42:09.942 --> 0:42:11.622
<v Speaker 2>Then I have one that's actually my skin color and

0:42:11.701 --> 0:42:14.022
<v Speaker 2>I use it sometimes as foundation for my blemishes.

0:42:14.382 --> 0:42:15.462
<v Speaker 3>Comes the Trae so.

0:42:15.622 --> 0:42:20.342
<v Speaker 4>Lorel truemach Radian serum Conceala It kicks, Claire.

0:42:20.382 --> 0:42:21.502
<v Speaker 3>What do you have today?

0:42:21.862 --> 0:42:24.181
<v Speaker 1>As Holly mentioned, I've got a couple of podcasts and

0:42:24.822 --> 0:42:27.862
<v Speaker 1>I'm going to be a slightly indulgent one today because

0:42:27.942 --> 0:42:30.422
<v Speaker 1>they're both podcasts that I make. Oh so go on

0:42:31.462 --> 0:42:34.701
<v Speaker 1>give yourself some flowers, Clam Murphy, I am going to

0:42:34.902 --> 0:42:38.221
<v Speaker 1>thank you, Miley. I am currently filling in on True

0:42:38.261 --> 0:42:41.821
<v Speaker 1>Crime Conversations because our regular host Jimmy Bath went off

0:42:41.862 --> 0:42:43.942
<v Speaker 1>and had a baby, so her Maternity Live I've been

0:42:43.982 --> 0:42:45.982
<v Speaker 1>covering for the past few months and we have got

0:42:46.142 --> 0:42:48.502
<v Speaker 1>a couple of really cracky interviews coming up if you

0:42:48.661 --> 0:42:53.182
<v Speaker 1>love true crime. Yesterday we dropped an episode with Harold

0:42:53.221 --> 0:42:57.982
<v Speaker 1>Scheckter and he is the absolute foremost expert in ed

0:42:58.102 --> 0:43:00.902
<v Speaker 1>Gean and if you've been watching Ryan Murphy's Monster have

0:43:01.221 --> 0:43:04.901
<v Speaker 1>the third series on ed Gan. He has a lot

0:43:05.062 --> 0:43:05.741
<v Speaker 1>of things.

0:43:05.542 --> 0:43:07.181
<v Speaker 3>To say, so it's a serial killer guy.

0:43:07.781 --> 0:43:09.461
<v Speaker 1>Yeah, he's not a serial killer.

0:43:09.542 --> 0:43:12.142
<v Speaker 3>No, No, your guest isn't. But the monster's Ed Gean. No,

0:43:12.622 --> 0:43:13.502
<v Speaker 3>ed Dean is awesome.

0:43:13.661 --> 0:43:16.781
<v Speaker 1>He was the largs serial killer. So that is part

0:43:16.822 --> 0:43:21.022
<v Speaker 1>of the problem that Harold Scheckter has with Ryan Murphy's

0:43:21.022 --> 0:43:23.741
<v Speaker 1>depiction of Ed Green, because he claims quite a high

0:43:23.741 --> 0:43:27.821
<v Speaker 1>percentage of that story is untrue, which is wild. The

0:43:27.982 --> 0:43:30.181
<v Speaker 1>other one coming up next week is one that I

0:43:30.342 --> 0:43:33.781
<v Speaker 1>feel like I've prepared my entire life to do. I'm

0:43:33.822 --> 0:43:35.302
<v Speaker 1>sitting down with Kathleen Folbick.

0:43:35.502 --> 0:43:37.661
<v Speaker 3>Oh my god, wow, I would love to hear that.

0:43:37.942 --> 0:43:40.102
<v Speaker 1>I'm so honored that she has agreed to come on

0:43:40.142 --> 0:43:42.661
<v Speaker 1>through Crime Conversations to talk about her experience. If you're

0:43:42.701 --> 0:43:46.462
<v Speaker 1>unaware of Kathleen's story, she lost four children over the

0:43:46.741 --> 0:43:49.982
<v Speaker 1>early to late nineties, and she was jailed because she

0:43:50.142 --> 0:43:53.901
<v Speaker 1>was found guilty of their murder. And it turns out

0:43:54.142 --> 0:43:58.341
<v Speaker 1>that there was a DNA issue that could have meant

0:43:58.902 --> 0:44:01.462
<v Speaker 1>there was a very reasonable explanation for the deaths of

0:44:01.542 --> 0:44:04.542
<v Speaker 1>those four babies. So she is now free. She's going

0:44:04.582 --> 0:44:06.301
<v Speaker 1>to be joining me with her friend Tracy, who's been

0:44:06.342 --> 0:44:10.022
<v Speaker 1>literally at her side this entire time, and so I'm excited.

0:44:10.062 --> 0:44:12.062
<v Speaker 1>That's coming next week, so two episodes.

0:44:12.221 --> 0:44:12.502
<v Speaker 3>Edgaine.

0:44:12.502 --> 0:44:15.421
<v Speaker 1>If you're watching Monsters that's already live, go check it out.

0:44:15.781 --> 0:44:19.502
<v Speaker 1>And next week. Kathleen Folbig on True Crime Conversations. Thank you.

0:44:19.982 --> 0:44:22.622
<v Speaker 1>That is me just advertising myself.

0:44:22.862 --> 0:44:26.181
<v Speaker 3>How exciting. Okay, my recommendation.

0:44:26.302 --> 0:44:28.741
<v Speaker 2>I'm actually so excited to have this recommendation because it

0:44:28.822 --> 0:44:31.462
<v Speaker 2>lines up perfectly with your dog dilemma.

0:44:32.022 --> 0:44:33.822
<v Speaker 3>Okay. It is a substack post.

0:44:33.902 --> 0:44:38.182
<v Speaker 2>It's written by an alias named Father Karen or Father Kareen.

0:44:38.542 --> 0:44:42.301
<v Speaker 2>She's an anonymous writer and this post is titled an

0:44:42.342 --> 0:44:45.062
<v Speaker 2>Open Letter to My dog, who, if I'm being honest,

0:44:45.221 --> 0:44:50.342
<v Speaker 2>low key kind of sucks. It is one of the

0:44:50.542 --> 0:44:54.062
<v Speaker 2>funniest things I've read in a really, really long time,

0:44:54.261 --> 0:44:56.701
<v Speaker 2>and as writers, you know, it's really hard to be

0:44:56.822 --> 0:45:00.382
<v Speaker 2>funny in writing funny. I was reading this while I

0:45:00.502 --> 0:45:02.982
<v Speaker 2>was walking to work and I was cackling on the

0:45:03.102 --> 0:45:04.021
<v Speaker 2>sidewalk the city.

0:45:04.062 --> 0:45:06.782
<v Speaker 3>People thought I was insane. It is so so funny.

0:45:06.822 --> 0:45:09.661
<v Speaker 2>It's basically, she talks about being this young girl and

0:45:09.781 --> 0:45:11.542
<v Speaker 2>she adopts a dog. She lives in New York City.

0:45:11.582 --> 0:45:14.382
<v Speaker 2>She adopts a dog. It has all of this past

0:45:14.462 --> 0:45:16.862
<v Speaker 2>trauma and it's actually a really really hard dog to

0:45:16.902 --> 0:45:19.862
<v Speaker 2>look after. And the letter is to her dog and

0:45:19.982 --> 0:45:22.421
<v Speaker 2>saying how much she loves her dog deeply, but also

0:45:22.502 --> 0:45:24.701
<v Speaker 2>going into all of these things that the dog does

0:45:24.822 --> 0:45:27.062
<v Speaker 2>in its life. I want to read this little snippet out.

0:45:27.142 --> 0:45:30.862
<v Speaker 2>It says, one day, while paying my dog walking bill online,

0:45:30.982 --> 0:45:33.862
<v Speaker 2>I saw a note section on your profile. I clicked

0:45:33.902 --> 0:45:37.181
<v Speaker 2>on it and it said be careful, we'll confront large men,

0:45:37.502 --> 0:45:39.942
<v Speaker 2>which is how I found out you were a radical feminist.

0:45:40.741 --> 0:45:46.102
<v Speaker 3>It is so exiity she have a radical feminist. Oh

0:45:46.181 --> 0:45:46.542
<v Speaker 3>my god.

0:45:46.701 --> 0:45:49.502
<v Speaker 2>I think you'd really enjoy it. It's really really funny.

0:45:49.542 --> 0:45:51.422
<v Speaker 2>We'll put a link to it in our show notes.

0:45:51.781 --> 0:45:54.421
<v Speaker 1>I love that it reminds me of rescue shelters who

0:45:54.942 --> 0:45:58.221
<v Speaker 1>like truthfully advertise some of the dogs and they'll be like,

0:45:58.741 --> 0:46:01.422
<v Speaker 1>this guy's just an asshole. He will chew everything you

0:46:01.542 --> 0:46:04.661
<v Speaker 1>own and we'll probably run away, but like, please adopt him.

0:46:05.502 --> 0:46:06.181
<v Speaker 1>That's so fun.

0:46:06.382 --> 0:46:09.102
<v Speaker 4>Hold bless a massive thank you out loud As for

0:46:09.181 --> 0:46:12.102
<v Speaker 4>being with us through our Friday show and all week,

0:46:12.181 --> 0:46:14.342
<v Speaker 4>and of course to you Clemurphy who've been filling in

0:46:14.462 --> 0:46:16.982
<v Speaker 4>for Jesse Stevens all week and doing a bloody stellar job.

0:46:17.102 --> 0:46:19.301
<v Speaker 1>Thank you thank you for having me. It's always fun

0:46:19.342 --> 0:46:21.382
<v Speaker 1>to step in and have a weed chat with you guys.

0:46:22.022 --> 0:46:25.382
<v Speaker 3>Friends, do not forget. You can also watch us on YouTube.

0:46:25.502 --> 0:46:27.142
<v Speaker 4>Yeah, so you can see clip pull out all of

0:46:27.181 --> 0:46:29.982
<v Speaker 4>the books that she had. I definitely want to see

0:46:30.062 --> 0:46:32.142
<v Speaker 4>that out loud. As one more thing, I have a

0:46:32.181 --> 0:46:34.862
<v Speaker 4>big question for you. Do you hold a grudge? And

0:46:35.221 --> 0:46:37.261
<v Speaker 4>if you do, when should you let it go? We

0:46:37.382 --> 0:46:41.181
<v Speaker 4>had a conversation on the subscriber episode yesterday about arguably

0:46:41.342 --> 0:46:44.941
<v Speaker 4>the Queen of grudges, Taylor Swift, and discovering that one

0:46:44.982 --> 0:46:47.501
<v Speaker 4>of us loves to hold a grudge while another thinks

0:46:47.542 --> 0:46:50.582
<v Speaker 4>that holding one can actually teach us something. We're going

0:46:50.622 --> 0:46:52.142
<v Speaker 4>to pop a link in the show notes so you

0:46:52.462 --> 0:46:55.942
<v Speaker 4>can listen. Mon's Amelia and Stacey are back in your

0:46:55.982 --> 0:46:59.142
<v Speaker 4>ears tomorrow with a new episode of Parenting Out Loud.

0:46:59.502 --> 0:47:02.341
<v Speaker 4>The guy who created Adolescents has an idea for how

0:47:02.462 --> 0:47:04.942
<v Speaker 4>dads can connect to their sons, but one of the

0:47:05.062 --> 0:47:08.022
<v Speaker 4>hosts is not a fan. They also discuss a kids

0:47:08.102 --> 0:47:10.421
<v Speaker 4>party photo that has everyone up in arms and whether

0:47:10.502 --> 0:47:13.142
<v Speaker 4>we should just say no to some traditions.

0:47:13.462 --> 0:47:14.902
<v Speaker 3>Did someone say elf.

0:47:15.462 --> 0:47:18.261
<v Speaker 4>Find it in its own feed by searching Parenting out

0:47:18.342 --> 0:47:20.822
<v Speaker 4>loud and tap follow so you don't miss an episode.

0:47:21.102 --> 0:47:23.142
<v Speaker 4>A link, as always, will be in the show notes.

0:47:23.741 --> 0:47:25.501
<v Speaker 4>Claire and m thank our team.

0:47:25.982 --> 0:47:28.461
<v Speaker 2>A big thank you to our full team, our group

0:47:28.542 --> 0:47:32.302
<v Speaker 2>executive producer Rute Divine and our executive producer Sasha Tanic.

0:47:32.582 --> 0:47:35.221
<v Speaker 1>Our senior audio producer is the gorgeous Lea Porges, who

0:47:35.261 --> 0:47:37.381
<v Speaker 1>does wear a good power suit. You should check her out.

0:47:37.542 --> 0:47:40.821
<v Speaker 1>Video producer Josh Green, and our junior content producers are

0:47:40.862 --> 0:47:43.661
<v Speaker 1>Coco and Tessa. Bye Bye bye.

0:47:44.741 --> 0:47:47.222
<v Speaker 3>Shout out to any MoMA mia subscribers listening.

0:47:47.342 --> 0:47:49.701
<v Speaker 4>If you love the show and you want to support us,

0:47:50.022 --> 0:47:52.661
<v Speaker 4>subscribing to MoMA Mia is the very best way to

0:47:52.781 --> 0:47:52.982
<v Speaker 4>do it.

0:47:53.261 --> 0:47:55.102
<v Speaker 3>There's a link in the episode description.