WEBVTT - "Mummy, I Can See Her Bum"

0:00:10.622 --> 0:00:13.342
<v Speaker 1>You're listening to a MoMA Mia podcast.

0:00:13.822 --> 0:00:17.182
<v Speaker 2>Mamma Mia acknowledges the traditional owners of land and waters

0:00:17.222 --> 0:00:18.782
<v Speaker 2>that this podcast is recorded on.

0:00:19.422 --> 0:00:22.502
<v Speaker 3>And then he just loves a purse, which is fine

0:00:22.741 --> 0:00:26.101
<v Speaker 3>off the carpet. He just liked pretty girls and nightclubs. Anyway,

0:00:26.342 --> 0:00:26.902
<v Speaker 3>we digress.

0:00:26.982 --> 0:00:28.702
<v Speaker 1>Did you just call Carly gener a purse?

0:00:30.422 --> 0:00:32.902
<v Speaker 3>She's been carrying around a little channel purse like that's

0:00:32.942 --> 0:00:35.262
<v Speaker 3>he Yeah, he dresses very interestingly. You don't hear the

0:00:35.302 --> 0:00:44.662
<v Speaker 3>word purse very attie, and he loves that. Hello and

0:00:44.822 --> 0:00:47.862
<v Speaker 3>welcome to Mama Mia out loud and to our Friday show.

0:00:48.302 --> 0:00:50.821
<v Speaker 3>If you're having a little hyperventilate every time you see

0:00:50.862 --> 0:00:53.302
<v Speaker 3>a headline pop up on your phone, We've got you.

0:00:53.542 --> 0:00:57.182
<v Speaker 3>Today is a news free zone. It's Friday, the seventh

0:00:57.182 --> 0:01:00.582
<v Speaker 3>of February, and I'm Holly Waynewright, I'm Meya Friedman.

0:01:00.262 --> 0:01:01.542
<v Speaker 2>And I'm Jesse Stevens.

0:01:01.822 --> 0:01:04.622
<v Speaker 3>And on the show today, is it ever okay to

0:01:04.782 --> 0:01:08.941
<v Speaker 3>just work all the time? And a new Australian TV show,

0:01:09.142 --> 0:01:12.102
<v Speaker 3>a new classic American comedy and a big Oscar movie

0:01:12.142 --> 0:01:14.502
<v Speaker 3>for you to binge on the weekend. It's our recommendations

0:01:14.822 --> 0:01:17.381
<v Speaker 3>and our best and worst of the week include Meer's boobs.

0:01:17.422 --> 0:01:19.662
<v Speaker 3>I'm not telling you whether they're best or worst. You'll

0:01:19.662 --> 0:01:21.942
<v Speaker 3>have to wait and see which Mabby went eachell into,

0:01:22.662 --> 0:01:27.542
<v Speaker 3>a scone related dethroning and a shock consolation. But first Mia,

0:01:28.022 --> 0:01:28.542
<v Speaker 3>in case.

0:01:28.382 --> 0:01:30.661
<v Speaker 4>You missed it, suns out, buns out. If you've been

0:01:30.702 --> 0:01:33.742
<v Speaker 4>anywhere near a body of water or sand over the

0:01:33.782 --> 0:01:36.022
<v Speaker 4>last few summers, you would have noticed a lot of

0:01:36.022 --> 0:01:41.301
<v Speaker 4>bear bums, mostly belonging to young girls wearing G string swimmers,

0:01:42.062 --> 0:01:44.182
<v Speaker 4>and this has caused mixed feelings in the community. I

0:01:44.182 --> 0:01:46.382
<v Speaker 4>think it would be safe to say some are celebrating

0:01:46.422 --> 0:01:50.062
<v Speaker 4>the body confidence of a new generation. They're very body confident,

0:01:50.422 --> 0:01:52.502
<v Speaker 4>happy to get their bum out. We were trying to

0:01:52.582 --> 0:01:55.542
<v Speaker 4>hide our bums. But others are insisting that they should

0:01:55.542 --> 0:01:58.382
<v Speaker 4>be banned, these g strings and indeed these naked bottoms,

0:01:58.422 --> 0:02:00.102
<v Speaker 4>and one local council.

0:02:00.342 --> 0:02:01.302
<v Speaker 1>Has done just that.

0:02:01.702 --> 0:02:04.622
<v Speaker 4>Last week, the Blue Mountain City Council in New South

0:02:04.622 --> 0:02:08.582
<v Speaker 4>Wales announced a ban on all G string swimmers at

0:02:08.582 --> 0:02:12.702
<v Speaker 4>its public pool in the city. Critics argue that the

0:02:12.702 --> 0:02:17.262
<v Speaker 4>band infringes on personal choice and bodily autonomy, and is

0:02:17.302 --> 0:02:20.062
<v Speaker 4>about telling women what they can and can't wear, which

0:02:20.102 --> 0:02:23.022
<v Speaker 4>is a big step backwards, but supporters claim that it

0:02:23.102 --> 0:02:26.462
<v Speaker 4>maintains a family friendly environment in public.

0:02:26.702 --> 0:02:29.342
<v Speaker 2>You can set your watch to this debate. Yes, I

0:02:29.422 --> 0:02:32.142
<v Speaker 2>reckon this time next year we'll be having the same

0:02:32.262 --> 0:02:36.702
<v Speaker 2>argument because it is so predictable. This time last year

0:02:37.102 --> 0:02:39.382
<v Speaker 2>there was an open letter that was written by a

0:02:39.942 --> 0:02:43.142
<v Speaker 2>man who basically said, I don't want to be walking

0:02:43.181 --> 0:02:45.582
<v Speaker 2>down the street with your bum in front of me.

0:02:45.622 --> 0:02:48.702
<v Speaker 2>I don't know where to look. And now it's come

0:02:48.782 --> 0:02:51.742
<v Speaker 2>for public pools. Like when we talked about this last year,

0:02:51.862 --> 0:02:55.582
<v Speaker 2>I just went, we don't seem to be able to

0:02:55.662 --> 0:03:00.982
<v Speaker 2>understand how socially and culturally conditioned we are to see

0:03:00.982 --> 0:03:03.222
<v Speaker 2>certain things as sexualized in the same way that an

0:03:03.222 --> 0:03:06.181
<v Speaker 2>ankle was sexualized in Victorian okeran.

0:03:06.302 --> 0:03:07.982
<v Speaker 1>Are you saying that bums aren't sexual?

0:03:08.422 --> 0:03:11.302
<v Speaker 2>There are countries people have been wearing g string bikinis

0:03:11.342 --> 0:03:14.382
<v Speaker 2>for thirty years and everyone's fine with it. There are

0:03:14.382 --> 0:03:16.142
<v Speaker 2>some cultures where you walk around with that your top.

0:03:16.022 --> 0:03:18.342
<v Speaker 3>Of your bum does other things than sex.

0:03:19.462 --> 0:03:21.702
<v Speaker 1>But given that we are not that.

0:03:22.022 --> 0:03:24.102
<v Speaker 4>I mean, I don't know when a culture starts, you

0:03:24.142 --> 0:03:25.302
<v Speaker 4>know what I mean, I don't know when you.

0:03:25.422 --> 0:03:28.102
<v Speaker 3>When you evolve, doesn't it evolves all the time.

0:03:28.262 --> 0:03:30.221
<v Speaker 1>I don't hate this. I don't hate this bad.

0:03:30.822 --> 0:03:33.262
<v Speaker 2>I reckon that if you are a private business, you

0:03:33.302 --> 0:03:35.662
<v Speaker 2>get to decide guidelines about what people wear. If you

0:03:35.702 --> 0:03:37.742
<v Speaker 2>go to a golf course, who.

0:03:37.582 --> 0:03:40.022
<v Speaker 4>Has priority the person who wants to get their bum

0:03:40.062 --> 0:03:44.542
<v Speaker 4>out or the people who are uncomfortable seeing the bum?

0:03:44.902 --> 0:03:47.662
<v Speaker 3>If you have a right to be comfortable at all times.

0:03:47.902 --> 0:03:50.582
<v Speaker 4>So how is it how is it different to boobs

0:03:50.862 --> 0:03:53.022
<v Speaker 4>you just said, Jesse, there are countries where boobs are fine.

0:03:53.062 --> 0:03:55.022
<v Speaker 4>People are very topless at the beach. They're very comfortable

0:03:55.022 --> 0:03:56.942
<v Speaker 4>with that. So should we just do that too.

0:03:57.142 --> 0:03:59.342
<v Speaker 2>I think we actually have legal guidelines when it comes

0:03:59.382 --> 0:04:02.222
<v Speaker 2>to public nudity, and so there are for example, you

0:04:02.222 --> 0:04:03.782
<v Speaker 2>can't walk around without pants on.

0:04:03.902 --> 0:04:05.382
<v Speaker 1>Do you mean we'd like no under.

0:04:05.302 --> 0:04:08.262
<v Speaker 2>With no undies on? Yeah, you can't do that unless

0:04:07.702 --> 0:04:11.782
<v Speaker 2>you sorry, then that is out. But you are, as

0:04:11.822 --> 0:04:15.182
<v Speaker 2>it stands, allowed to walk around in a thong bikini.

0:04:15.182 --> 0:04:17.382
<v Speaker 2>And I think that this is funny when we consider

0:04:17.382 --> 0:04:19.861
<v Speaker 2>that men have been walking around in budget smugglers and

0:04:19.981 --> 0:04:22.622
<v Speaker 2>we've not had any issue with it. So it's women's

0:04:22.662 --> 0:04:25.022
<v Speaker 2>bodies that are always more policed.

0:04:25.142 --> 0:04:28.662
<v Speaker 3>And it's also interesting because this particular ruling in the

0:04:28.702 --> 0:04:31.981
<v Speaker 3>Blue Mountains city area. Public pools are a big deal

0:04:31.981 --> 0:04:33.702
<v Speaker 3>if you live Inland, if you don't live anywhere near

0:04:33.741 --> 0:04:36.501
<v Speaker 3>the coast, if you live regionally, the place you swim,

0:04:36.621 --> 0:04:39.142
<v Speaker 3>unless you're rich enough to have your own pool is

0:04:39.181 --> 0:04:41.622
<v Speaker 3>the public pool. And so it's a melting pot, right.

0:04:41.662 --> 0:04:44.022
<v Speaker 3>You've got all different cultures, You've got people of all

0:04:44.022 --> 0:04:47.181
<v Speaker 3>different ages, You've got people of all different backgrounds and

0:04:47.301 --> 0:04:51.222
<v Speaker 3>all different persuasions. And in a way, any public space

0:04:51.342 --> 0:04:55.381
<v Speaker 3>like that is a tolerance tester, right, Like, how comfortable

0:04:55.421 --> 0:04:58.022
<v Speaker 3>are we to all rub up against each other sometimes

0:04:58.061 --> 0:05:01.541
<v Speaker 3>literally in the public pool and each other's standards. MEA

0:05:01.662 --> 0:05:04.342
<v Speaker 3>might be there who thinks that all bombs are a

0:05:04.421 --> 0:05:06.302
<v Speaker 3>sexual Come on, is that what you think? Do you

0:05:06.342 --> 0:05:10.421
<v Speaker 3>have a particular lineous the bar?

0:05:11.902 --> 0:05:13.502
<v Speaker 2>What are you allowed to have a little bit of

0:05:13.582 --> 0:05:15.902
<v Speaker 2>check or no cheek shots perhaps or pens?

0:05:15.941 --> 0:05:19.822
<v Speaker 4>I find it challenging not to look at myself, but

0:05:20.101 --> 0:05:23.621
<v Speaker 4>this idea of because like, if you're wearing a g string,

0:05:24.501 --> 0:05:27.981
<v Speaker 4>are you wearing it so that the people to appear.

0:05:28.662 --> 0:05:30.301
<v Speaker 3>To be honest? The reason you're wearing it is because

0:05:30.301 --> 0:05:33.662
<v Speaker 3>it's in fashion. Like literally, as you said in your

0:05:33.662 --> 0:05:36.422
<v Speaker 3>intro in the last few years, suddenly it's everywhere, and

0:05:36.941 --> 0:05:39.022
<v Speaker 3>it's interesting. Where I live, I don't see as many

0:05:39.101 --> 0:05:41.501
<v Speaker 3>g strings. But I was in Sydney last weekend and

0:05:41.541 --> 0:05:43.622
<v Speaker 3>I'm at the beaches I used to live at, and

0:05:43.941 --> 0:05:46.301
<v Speaker 3>it's the only swimmers you see on young women, and

0:05:46.342 --> 0:05:49.022
<v Speaker 3>it's because it's in fashion. I don't actually think they're

0:05:49.101 --> 0:05:54.501
<v Speaker 3>thinking very much about what it means, what it's strategy.

0:05:54.621 --> 0:05:56.782
<v Speaker 4>I think it's more flattering, and I think that I

0:05:56.821 --> 0:05:58.981
<v Speaker 4>have this conversation with my daughter all the time. She

0:05:59.181 --> 0:06:01.861
<v Speaker 4>thinks that it's more I mean, I'm completely used to

0:06:01.902 --> 0:06:04.222
<v Speaker 4>it now, but she thinks it's more flattering, and she

0:06:04.342 --> 0:06:08.061
<v Speaker 4>thinks that me with my covered up bottoms, that it

0:06:08.142 --> 0:06:10.901
<v Speaker 4>looks terrible and it just looks really awful. And I

0:06:10.902 --> 0:06:13.101
<v Speaker 4>can see to her, I like my eyes become accustomed

0:06:13.142 --> 0:06:16.701
<v Speaker 4>to it. But like where like on the beach is fine.

0:06:17.061 --> 0:06:19.981
<v Speaker 4>I've told this story before when we've been away at

0:06:19.981 --> 0:06:22.502
<v Speaker 4>a resort and then the girls are like that and

0:06:22.541 --> 0:06:24.262
<v Speaker 4>the beach and swimming, that's fine. But then you come

0:06:24.262 --> 0:06:26.342
<v Speaker 4>into the restaurant and you walk.

0:06:26.181 --> 0:06:29.662
<v Speaker 1>Back to your room on the road. What does your productimity,

0:06:30.142 --> 0:06:31.902
<v Speaker 1>what does your proximity.

0:06:31.342 --> 0:06:35.141
<v Speaker 4>Need to be to water to have to put your

0:06:35.181 --> 0:06:37.942
<v Speaker 4>bum away and also to not be in your budgies

0:06:38.022 --> 0:06:39.021
<v Speaker 4>like I don't.

0:06:38.861 --> 0:06:39.261
<v Speaker 3>Think you have.

0:06:39.342 --> 0:06:40.301
<v Speaker 1>I don't know away.

0:06:40.501 --> 0:06:43.421
<v Speaker 2>I think it's fine. I think that if you can

0:06:43.462 --> 0:06:48.621
<v Speaker 2>smell sea water or any water, anybody of chlorine chlorine.

0:06:48.421 --> 0:06:50.381
<v Speaker 4>So not at the supermarket, not at the shops.

0:06:50.741 --> 0:06:56.941
<v Speaker 2>It depends on when you get Is it okay to

0:06:57.022 --> 0:06:59.701
<v Speaker 2>work all the time? This week Mother and Maya launched

0:06:59.702 --> 0:07:02.581
<v Speaker 2>a brand new podcast called biz and it is all

0:07:02.621 --> 0:07:05.662
<v Speaker 2>about rewriting the rules of work for a new generation.

0:07:06.501 --> 0:07:10.062
<v Speaker 2>It interrogates what your work life is actually meant look like.

0:07:10.142 --> 0:07:13.822
<v Speaker 2>And this is the question that I've been pondering for months.

0:07:14.422 --> 0:07:16.542
<v Speaker 2>Over the summer, I listened to an interview on search

0:07:16.542 --> 0:07:18.901
<v Speaker 2>Engine where they spoke to Ira Glass, the host and

0:07:18.941 --> 0:07:21.821
<v Speaker 2>producer of This American Life, which is one of the

0:07:21.821 --> 0:07:25.622
<v Speaker 2>biggest radio and podcast shows ever made. It asked the

0:07:25.702 --> 0:07:29.462
<v Speaker 2>question that inspired this segment, is it okay to work

0:07:29.462 --> 0:07:32.502
<v Speaker 2>all the time? The only word we have for someone

0:07:32.502 --> 0:07:36.982
<v Speaker 2>who prioritizes work is a workaholic, And the implication is

0:07:37.062 --> 0:07:40.142
<v Speaker 2>that it is a narrow, somewhat sad way to live

0:07:40.222 --> 0:07:42.702
<v Speaker 2>your life. But if I had to summarize it, and

0:07:42.821 --> 0:07:44.782
<v Speaker 2>unhealthy and unhealthy.

0:07:44.302 --> 0:07:48.701
<v Speaker 4>And as a result of an addiction paslogic some problem.

0:07:48.862 --> 0:07:51.862
<v Speaker 2>Glass kind of says in this episode, Yeah, it's okay

0:07:51.902 --> 0:07:53.822
<v Speaker 2>to work all the time if you love it, if

0:07:53.862 --> 0:07:55.581
<v Speaker 2>you believe in it, working all the time can be

0:07:55.702 --> 0:07:59.222
<v Speaker 2>enormously fulfilling. And does he think he would have got

0:07:59.262 --> 0:08:02.062
<v Speaker 2>to where he is without putting in eighty plus hour weeks.

0:08:02.302 --> 0:08:05.502
<v Speaker 2>Probably not. We have a cover story on Muma Mia

0:08:05.582 --> 0:08:07.502
<v Speaker 2>this week about the death of the girl Boss. One

0:08:07.502 --> 0:08:09.982
<v Speaker 2>of the hosts of Beers, Michelle Battersby, is on TikTok

0:08:10.022 --> 0:08:13.661
<v Speaker 2>talking about revenge, quitting the buzzwords when it comes to work,

0:08:13.742 --> 0:08:16.862
<v Speaker 2>a flexibility and work life balance, and how to avoid burnout.

0:08:17.502 --> 0:08:20.662
<v Speaker 2>So is there something pathological about wanting to work all

0:08:20.702 --> 0:08:23.622
<v Speaker 2>the time? Maya? You have deep seated issues, does this

0:08:23.702 --> 0:08:24.302
<v Speaker 2>resonate with you?

0:08:26.342 --> 0:08:28.342
<v Speaker 4>I was really interested when you sent me a link

0:08:28.381 --> 0:08:30.902
<v Speaker 4>to that podcast until I listened more.

0:08:30.941 --> 0:08:31.542
<v Speaker 1>And I really.

0:08:31.381 --> 0:08:35.022
<v Speaker 4>Respect the two podcasters, PJ Vote who's the host, and

0:08:35.062 --> 0:08:37.661
<v Speaker 4>of course Ara Glass, who's iconic in the podcasting and

0:08:37.742 --> 0:08:41.662
<v Speaker 4>journalism world. I was really interested in them both talking

0:08:41.662 --> 0:08:43.502
<v Speaker 4>about how much they love to work and if it's

0:08:43.542 --> 0:08:45.542
<v Speaker 4>okay to work all the time, until I learned that

0:08:45.622 --> 0:08:48.182
<v Speaker 4>neither of them have children and they're both single.

0:08:48.222 --> 0:08:50.942
<v Speaker 2>Actually, that was actually where he was starting from, was

0:08:50.942 --> 0:08:53.182
<v Speaker 2>that he's at a threshold in his life where he's going,

0:08:53.702 --> 0:08:55.902
<v Speaker 2>do I don't tie? And is it okay to dedicate

0:08:55.902 --> 0:08:58.302
<v Speaker 2>a life to work like that was sort of part

0:08:58.342 --> 0:09:00.622
<v Speaker 2>of the philosophical drive for the episode.

0:09:00.662 --> 0:09:03.782
<v Speaker 4>I think the first thing to say is that, my goodness,

0:09:04.062 --> 0:09:07.742
<v Speaker 4>what a privileged conversation to have, because we're talking about

0:09:08.182 --> 0:09:10.262
<v Speaker 4>is it okay to work all the time because you

0:09:10.422 --> 0:09:14.062
<v Speaker 4>want it? Versus is it okay to work all the

0:09:14.102 --> 0:09:16.542
<v Speaker 4>time because you need to to keep a roof over

0:09:16.582 --> 0:09:19.302
<v Speaker 4>your head, or pay single parents because you don't have

0:09:19.342 --> 0:09:22.302
<v Speaker 4>health insurance and you've got medical bills to pay. So

0:09:22.342 --> 0:09:24.742
<v Speaker 4>I think for most people who work more than they

0:09:24.782 --> 0:09:29.542
<v Speaker 4>want to, it's not about some existential choice. Right. Having

0:09:29.622 --> 0:09:34.022
<v Speaker 4>said that, we are talking about this idea of it's

0:09:34.062 --> 0:09:36.622
<v Speaker 4>so interesting in Beers this generation, and m does it

0:09:36.622 --> 0:09:39.622
<v Speaker 4>so well on the show, is their boundaries. So while

0:09:39.702 --> 0:09:44.502
<v Speaker 4>perhaps a generation ago we fetishized working around the clock

0:09:44.582 --> 0:09:46.582
<v Speaker 4>and back in my dome, we slept in the office

0:09:46.582 --> 0:09:48.062
<v Speaker 4>and we worked all blah blah, and we just did

0:09:48.142 --> 0:09:51.142
<v Speaker 4>what it took and blah blah, it's now very uncool

0:09:51.222 --> 0:09:53.422
<v Speaker 4>to be that. It's now much more cool to be

0:09:54.542 --> 0:09:58.062
<v Speaker 4>m Vernon's vibe, which is I'm really ambitious, but I

0:09:58.142 --> 0:10:00.422
<v Speaker 4>want to do it in the least amount of possible time.

0:10:00.662 --> 0:10:03.381
<v Speaker 1>I'm also really lazy. I don't love work that.

0:10:03.422 --> 0:10:06.462
<v Speaker 4>Much, but I do want to be successful. Like it's

0:10:06.502 --> 0:10:09.302
<v Speaker 4>saying all the quiet parts out loud and feeling like

0:10:09.342 --> 0:10:12.742
<v Speaker 4>you it have to perhaps try as hard. And I

0:10:12.782 --> 0:10:15.302
<v Speaker 4>think that there's a generation of us who are like, wait,

0:10:15.462 --> 0:10:17.422
<v Speaker 4>is that an option? I don't know how to do that.

0:10:17.822 --> 0:10:20.142
<v Speaker 2>The way that PJ sets up this episode is that

0:10:20.262 --> 0:10:22.622
<v Speaker 2>he overheard a conversation between a man in his twenties

0:10:22.622 --> 0:10:24.382
<v Speaker 2>and a man in his fifties, and the man in

0:10:24.422 --> 0:10:29.742
<v Speaker 2>his twenties said, I love working. It makes me feel alive.

0:10:29.902 --> 0:10:32.022
<v Speaker 2>It is my whole purpose, is all I want to do,

0:10:32.342 --> 0:10:34.022
<v Speaker 2>and the man in his fifties sort of looked at

0:10:34.102 --> 0:10:37.942
<v Speaker 2>him and went, that'll change. And the implication was that

0:10:38.062 --> 0:10:41.142
<v Speaker 2>as you get older, as you get wiser, your relationship

0:10:41.142 --> 0:10:43.182
<v Speaker 2>with work evolves because you realize that it's not the

0:10:43.182 --> 0:10:45.862
<v Speaker 2>most important thing. Has that been your experience.

0:10:46.182 --> 0:10:49.062
<v Speaker 3>It's really tricky because I think that even just work

0:10:49.182 --> 0:10:51.942
<v Speaker 3>it means lots of different things. To lots of different

0:10:51.982 --> 0:10:55.702
<v Speaker 3>people because you're right Mayor about that the grind is

0:10:55.742 --> 0:10:58.902
<v Speaker 3>out of fashion. But that's also because in a very

0:10:59.022 --> 0:11:02.822
<v Speaker 3>self focused culture, the vibe is, why would I kill

0:11:02.862 --> 0:11:05.422
<v Speaker 3>myself for you? I don't mean you literally, yeah, I

0:11:05.462 --> 0:11:06.062
<v Speaker 3>mean my box?

0:11:06.342 --> 0:11:06.462
<v Speaker 4>Right?

0:11:06.622 --> 0:11:10.262
<v Speaker 3>Then why would I put in overtime? I've never seen

0:11:10.302 --> 0:11:13.422
<v Speaker 3>my children, never get to go to my mum's birthday,

0:11:13.902 --> 0:11:17.382
<v Speaker 3>miss my best friend's you know, engagement party, so that

0:11:17.462 --> 0:11:19.822
<v Speaker 3>my boss likes me more like, I think that in

0:11:19.862 --> 0:11:23.542
<v Speaker 3>a more self focused culture, they're like what they want,

0:11:23.582 --> 0:11:26.662
<v Speaker 3>a much clearer idea of what this exchange is, like

0:11:26.702 --> 0:11:29.142
<v Speaker 3>what do I need to do to get what I need?

0:11:29.662 --> 0:11:32.582
<v Speaker 3>And maybe they're still into the hustle if it just

0:11:32.622 --> 0:11:34.702
<v Speaker 3>benefits them, do you know what I mean? Because I

0:11:34.742 --> 0:11:38.262
<v Speaker 3>think that that's part of this cultural shit. I think

0:11:38.302 --> 0:11:40.742
<v Speaker 3>whereas what me is talking about about the gen X

0:11:40.862 --> 0:11:42.902
<v Speaker 3>work culture, and I think this is particularly true probably

0:11:42.942 --> 0:11:46.102
<v Speaker 3>of women, because if you think about how hard many

0:11:46.142 --> 0:11:50.942
<v Speaker 3>many women had to work to prove themselves in traditional industries.

0:11:51.342 --> 0:11:53.022
<v Speaker 3>It was like, can I go above and beyond? I

0:11:53.062 --> 0:11:55.782
<v Speaker 3>need to be better than everybody. I will stay that

0:11:55.902 --> 0:11:58.782
<v Speaker 3>extra two hours, I will come in early. It was

0:11:58.902 --> 0:12:03.102
<v Speaker 3>like a striving that maybe the culture underneath has looked

0:12:03.102 --> 0:12:04.702
<v Speaker 3>at and gone. But what did you get for that?

0:12:04.942 --> 0:12:05.582
<v Speaker 1>Do you know what I mean?

0:12:05.782 --> 0:12:06.942
<v Speaker 3>What did you really get for that?

0:12:07.262 --> 0:12:09.862
<v Speaker 2>You said it was self focused, which is part of it,

0:12:09.942 --> 0:12:13.302
<v Speaker 2>But I also think it's being very sensitive to exploitation.

0:12:13.742 --> 0:12:17.582
<v Speaker 2>And we've probably had a generation where some workers did

0:12:17.622 --> 0:12:21.462
<v Speaker 2>feel exploited, or there's a generation I think COVID was

0:12:21.462 --> 0:12:24.822
<v Speaker 2>also a moment where people were laid off, they lost

0:12:24.822 --> 0:12:27.062
<v Speaker 2>their jobs for this thing that they gave everything too,

0:12:27.582 --> 0:12:29.822
<v Speaker 2>and then the workplace turned around didn't love you back.

0:12:30.102 --> 0:12:34.422
<v Speaker 2>And you have the workplace some workplaces where you go, oh,

0:12:34.462 --> 0:12:37.702
<v Speaker 2>I'm working around the clock for something that isn't giving

0:12:37.742 --> 0:12:40.862
<v Speaker 2>me what I'm giving it, which I think is somewhat

0:12:40.902 --> 0:12:42.062
<v Speaker 2>of a workplace revolution.

0:12:42.102 --> 0:12:43.902
<v Speaker 3>So I think all that goes into the pot and

0:12:43.982 --> 0:12:46.422
<v Speaker 3>mixes up and sort of comes out in this realignment

0:12:46.462 --> 0:12:49.662
<v Speaker 3>we're having. But in terms of that thing about age,

0:12:50.542 --> 0:12:54.702
<v Speaker 3>I think it's more about priorities, right because to me

0:12:54.782 --> 0:12:56.662
<v Speaker 3>A's point at the beginning that if you're working to

0:12:56.702 --> 0:12:59.222
<v Speaker 3>put a roof over your head and food on the table,

0:12:59.262 --> 0:13:01.422
<v Speaker 3>and so you're taking on extra shifts to do that,

0:13:01.582 --> 0:13:03.622
<v Speaker 3>and maybe you're a single parent and maybe you know

0:13:03.942 --> 0:13:06.822
<v Speaker 3>then that's like the bare necessities. But then if you've

0:13:06.982 --> 0:13:10.742
<v Speaker 3>established that, then the choice becomes what is the payoff

0:13:10.782 --> 0:13:14.422
<v Speaker 3>between the amount of work I'll do to get more

0:13:14.942 --> 0:13:16.862
<v Speaker 3>and what it will take from me? Because I think,

0:13:16.902 --> 0:13:19.022
<v Speaker 3>of course it's okay to work all the time, but

0:13:19.062 --> 0:13:21.462
<v Speaker 3>you've got to expect that that'll cost you elsewhere. Like

0:13:21.542 --> 0:13:24.862
<v Speaker 3>any arrangement in your life, you'll put in and you'll

0:13:24.902 --> 0:13:26.182
<v Speaker 3>have to sacrifice something for it.

0:13:26.222 --> 0:13:29.102
<v Speaker 4>I also found it a really unsatisfying conversation because it

0:13:29.142 --> 0:13:31.982
<v Speaker 4>was between two men. Not only do they not have

0:13:32.222 --> 0:13:35.902
<v Speaker 4>dependence that they spoke of in the form of children,

0:13:36.102 --> 0:13:40.982
<v Speaker 4>but they also were men. So the culture and what

0:13:41.022 --> 0:13:45.902
<v Speaker 4>we internalize around women and work is very, very different.

0:13:45.982 --> 0:13:49.342
<v Speaker 4>It's why I always think about actresses like Angelina, Julie

0:13:49.382 --> 0:13:52.422
<v Speaker 4>and Nicole Kidman. They always have to talk about I

0:13:52.622 --> 0:13:55.982
<v Speaker 4>work to help other people. I do these roles for

0:13:56.102 --> 0:13:58.782
<v Speaker 4>my daughters, I do these roles for my mother. It's like,

0:13:59.782 --> 0:14:02.982
<v Speaker 4>do you actually Because it's so forbidden for a woman.

0:14:02.742 --> 0:14:05.062
<v Speaker 1>To say, I bloody love work.

0:14:05.422 --> 0:14:07.342
<v Speaker 4>And that's not to say we don't feel conflicted and

0:14:07.422 --> 0:14:10.182
<v Speaker 4>we have to find ways to justify. But Nico doesn't

0:14:10.222 --> 0:14:12.222
<v Speaker 4>have to do shit that she doesn't want to. She

0:14:12.342 --> 0:14:15.742
<v Speaker 4>works a ton, and yet she still has to perform

0:14:15.902 --> 0:14:20.182
<v Speaker 4>this pantomime of it's not because I enjoy it, it's selfless.

0:14:20.222 --> 0:14:22.822
<v Speaker 2>There has to be something moral about your ambitions.

0:14:23.222 --> 0:14:24.782
<v Speaker 3>We talked about this once when I was saying how

0:14:24.862 --> 0:14:28.342
<v Speaker 3>uncomfortable it makes me in my life when the narrative

0:14:28.462 --> 0:14:30.542
<v Speaker 3>that Brent will tell the kids if I'm not around

0:14:30.622 --> 0:14:34.142
<v Speaker 3>is Mummy's working really hard for us, right, And I

0:14:34.342 --> 0:14:37.942
<v Speaker 3>entirely understand why he says that, and it's true I am,

0:14:38.302 --> 0:14:41.622
<v Speaker 3>But is that the only reason, Like, could I not

0:14:42.382 --> 0:14:45.342
<v Speaker 3>similar outcome that we would have food on the table

0:14:45.822 --> 0:14:48.422
<v Speaker 3>and we would make the mortgage payments and I could

0:14:48.462 --> 0:14:51.702
<v Speaker 3>be home a bit more. Yes, if the only fact,

0:14:51.822 --> 0:14:55.582
<v Speaker 3>if the only variable was mummy's working hard for the

0:14:55.582 --> 0:14:58.422
<v Speaker 3>food and the mortgage, then there probably could be a

0:14:58.422 --> 0:15:01.382
<v Speaker 3>workaround that would mean I was around more. But that's

0:15:01.422 --> 0:15:03.342
<v Speaker 3>why I think you've got to own the selfish part

0:15:03.382 --> 0:15:05.262
<v Speaker 3>a little bit. And selfish is a negative word, but

0:15:05.302 --> 0:15:07.262
<v Speaker 3>it's like, but I do love it, and I do

0:15:07.342 --> 0:15:08.022
<v Speaker 3>love my words.

0:15:08.742 --> 0:15:11.742
<v Speaker 4>You just said, so you didn't say ambitious. When someone

0:15:11.742 --> 0:15:14.462
<v Speaker 4>says a woman is ambitious, it's usually particularly if it's

0:15:14.462 --> 0:15:18.222
<v Speaker 4>another woman, it's coded as being she's selfish, because that's

0:15:18.302 --> 0:15:22.382
<v Speaker 4>how women working for any other reason than necessity or

0:15:22.422 --> 0:15:25.142
<v Speaker 4>for the benefit of someone else, it's coded as selfish.

0:15:25.142 --> 0:15:27.502
<v Speaker 4>And the other thing that's worth noting is that the

0:15:27.502 --> 0:15:29.422
<v Speaker 4>Internet is allowed us to work all the time. Like

0:15:29.462 --> 0:15:31.302
<v Speaker 4>it used to be that you couldn't like there was

0:15:31.342 --> 0:15:34.222
<v Speaker 4>only so much you could do thanks to technology or

0:15:34.262 --> 0:15:34.822
<v Speaker 4>the lack of it.

0:15:35.022 --> 0:15:36.542
<v Speaker 1>Now there's no endpoint.

0:15:36.622 --> 0:15:39.782
<v Speaker 3>The people I know who have the best boundaried work

0:15:39.822 --> 0:15:42.622
<v Speaker 3>life balance, to use that Hackney term, in my life

0:15:42.902 --> 0:15:45.342
<v Speaker 3>are people whose jobs are very clearly on and very

0:15:45.342 --> 0:15:48.822
<v Speaker 3>clearly off and like although Mea will always win obviously

0:15:48.822 --> 0:15:50.662
<v Speaker 3>the working hard Olympics around here because she runs a

0:15:50.662 --> 0:15:54.542
<v Speaker 3>business that never literally never turns off. My work is

0:15:54.782 --> 0:15:56.982
<v Speaker 3>I rarely have a day off because there's always something

0:15:57.022 --> 0:15:58.982
<v Speaker 3>that can be done, Whereas when I had a more

0:15:59.022 --> 0:16:03.062
<v Speaker 3>managerial role, I probably was at work more, but I

0:16:03.142 --> 0:16:06.062
<v Speaker 3>had more clear definition. And that's a big difference.

0:16:05.702 --> 0:16:08.822
<v Speaker 4>To out loud as in a Moment, a truish story

0:16:09.142 --> 0:16:12.022
<v Speaker 4>that was based on a lie and changed everything.

0:16:15.942 --> 0:16:19.822
<v Speaker 3>Vibes, ideas, atmosphere, something casual, something fun.

0:16:20.382 --> 0:16:21.902
<v Speaker 1>This is my best recommendation.

0:16:23.582 --> 0:16:27.862
<v Speaker 4>It's time for our recommendations, the things that we are recommending.

0:16:28.062 --> 0:16:31.902
<v Speaker 1>As the name suggests, Wow, now we all have that

0:16:31.902 --> 0:16:32.942
<v Speaker 1>should be the tapping.

0:16:32.742 --> 0:16:33.782
<v Speaker 2>Line for this segment for.

0:16:33.782 --> 0:16:34.582
<v Speaker 1>You to watch.

0:16:34.822 --> 0:16:36.622
<v Speaker 4>I'm going to trademarket and put it on T shirt.

0:16:36.982 --> 0:16:38.182
<v Speaker 4>We all have things for you to watch.

0:16:39.182 --> 0:16:40.382
<v Speaker 1>You might have to want to go fast.

0:16:40.702 --> 0:16:41.662
<v Speaker 3>You're going to go first.

0:16:42.222 --> 0:16:44.702
<v Speaker 2>You know those weeks when you can't wait for Friday

0:16:44.742 --> 0:16:47.262
<v Speaker 2>because you're so desperate to recommend what you need to recommend,

0:16:47.302 --> 0:16:51.182
<v Speaker 2>because you fucking nailed your recommendation. Yeah, that's me this week.

0:16:51.982 --> 0:16:54.502
<v Speaker 2>I'm late to the party. But season two of this

0:16:54.542 --> 0:16:58.782
<v Speaker 2>season has just dropped, so it's been sort of reinvigorated Severance.

0:17:02.022 --> 0:17:05.222
<v Speaker 5>What you all did was one of the most painful

0:17:05.222 --> 0:17:11.182
<v Speaker 5>moments in the history of this company. But the four

0:17:11.222 --> 0:17:16.901
<v Speaker 5>of you have become known as the face of Severance reform.

0:17:16.982 --> 0:17:18.302
<v Speaker 3>Okay, so we're not in trouble.

0:17:18.381 --> 0:17:20.861
<v Speaker 2>I don't think so. Melchik said, we're famous, all of

0:17:20.942 --> 0:17:25.982
<v Speaker 2>us equally, or one of us is like to start

0:17:26.861 --> 0:17:27.262
<v Speaker 2>So what.

0:17:27.182 --> 0:17:30.821
<v Speaker 3>The hell did you guys see up there? It's not

0:17:30.942 --> 0:17:32.101
<v Speaker 3>our world up there, And.

0:17:34.101 --> 0:17:36.741
<v Speaker 2>Oh my god, I'm on the Severance train. It is

0:17:36.782 --> 0:17:40.262
<v Speaker 2>a show on Apple TV, and it's about work right,

0:17:40.502 --> 0:17:44.101
<v Speaker 2>It's work. It is stunning, it is brilliant, it is genius,

0:17:44.262 --> 0:17:46.982
<v Speaker 2>it is life changing from the beginning.

0:17:47.182 --> 0:17:50.542
<v Speaker 1>Okay, everyone's time three times to watch it.

0:17:50.621 --> 0:17:53.101
<v Speaker 2>Okay, I have a hack for you in terms of that.

0:17:53.141 --> 0:17:55.462
<v Speaker 2>But I'm going to start by saying, it's got Adam Scott, Scott,

0:17:55.502 --> 0:17:58.661
<v Speaker 2>Tricia Quet, it's got Christopher Walken, it's directed by Ben Steel.

0:17:58.782 --> 0:18:02.302
<v Speaker 2>My god, that saying more. Okay, Maya. I saw the

0:18:02.302 --> 0:18:04.782
<v Speaker 2>ad I read the description. I watched half an episode

0:18:05.422 --> 0:18:07.581
<v Speaker 2>two years ago, and I went, it's not for me.

0:18:08.462 --> 0:18:11.421
<v Speaker 1>Stopian felt like black Meer and now like The Office.

0:18:11.782 --> 0:18:14.101
<v Speaker 2>God, no, it's like black Mirror.

0:18:14.141 --> 0:18:14.982
<v Speaker 3>So it's not funny.

0:18:15.141 --> 0:18:18.222
<v Speaker 2>It is. Actually it's dark. It's got kind of dark humor.

0:18:18.262 --> 0:18:23.341
<v Speaker 2>It's a psychological thriller. It's dystopian. But I got halfway

0:18:23.381 --> 0:18:26.382
<v Speaker 2>through the episode and I looked at Lucra and I went, no,

0:18:26.581 --> 0:18:28.782
<v Speaker 2>it's just not doing it for me, and he was like, no, no, no,

0:18:28.861 --> 0:18:31.101
<v Speaker 2>I'm in by the end of that first you just

0:18:31.182 --> 0:18:33.502
<v Speaker 2>youve got to trust me. Okay, Okay, you just got

0:18:33.502 --> 0:18:36.302
<v Speaker 2>to watch the first episode. Now, this is a premise.

0:18:36.661 --> 0:18:39.141
<v Speaker 2>So Mark Scout, who's played by Adam Scott, is an

0:18:39.141 --> 0:18:44.141
<v Speaker 2>employee at a company called Luhmen. Right, and Luhmen does

0:18:44.141 --> 0:18:45.982
<v Speaker 2>this thing where they insert a chip in your brain

0:18:46.422 --> 0:18:49.302
<v Speaker 2>and you become a severed employee. What that means is

0:18:49.302 --> 0:18:52.181
<v Speaker 2>that when you walk into your work building, you become

0:18:52.222 --> 0:18:54.421
<v Speaker 2>your work self, otherwise known as an inny, and you

0:18:54.462 --> 0:18:58.581
<v Speaker 2>have no memories of your outing. So you go and

0:18:58.621 --> 0:19:00.982
<v Speaker 2>have a work day, like we're having our work day

0:19:01.022 --> 0:19:02.581
<v Speaker 2>right now. I don't even know I have a kid,

0:19:03.061 --> 0:19:04.022
<v Speaker 2>I don't know I'm married.

0:19:04.022 --> 0:19:06.101
<v Speaker 3>I presider of bringing your whole self to words, it's

0:19:06.141 --> 0:19:06.862
<v Speaker 3>the opposite.

0:19:06.901 --> 0:19:08.622
<v Speaker 2>And then you walk out and then I go home

0:19:08.661 --> 0:19:12.182
<v Speaker 2>to Luna could have state secrets. I've got absolutely no idea.

0:19:12.222 --> 0:19:15.222
<v Speaker 2>So that big idea. The big question is why would

0:19:15.222 --> 0:19:17.981
<v Speaker 2>someone choose that what has happened in someone's life to

0:19:18.061 --> 0:19:21.502
<v Speaker 2>go Why would they consent to that in the first place,

0:19:21.502 --> 0:19:23.861
<v Speaker 2>because they've signed up for it? Right, Oh my god,

0:19:23.901 --> 0:19:26.182
<v Speaker 2>it's just so so so okay. It's like the best

0:19:26.302 --> 0:19:28.341
<v Speaker 2>episode of Black Mary you've ever seen. Back in twenty

0:19:28.381 --> 0:19:30.341
<v Speaker 2>twenty two, when the first season came out, it was

0:19:30.381 --> 0:19:34.061
<v Speaker 2>nominated fourteen Emmys, Right, and then we have waited years

0:19:34.101 --> 0:19:36.782
<v Speaker 2>because of writers strikes, because of all of this. For

0:19:36.861 --> 0:19:39.382
<v Speaker 2>the next season. I started on Friday, and I am

0:19:39.381 --> 0:19:44.381
<v Speaker 2>now up to date and it's just oh, okay, watch

0:19:44.381 --> 0:19:45.782
<v Speaker 2>it whole.

0:19:46.381 --> 0:19:47.101
<v Speaker 1>I've got a movie.

0:19:47.101 --> 0:19:48.862
<v Speaker 3>I went to the movies. I had a date night

0:19:48.942 --> 0:19:50.821
<v Speaker 3>at the movies the other week, and I watched A

0:19:50.901 --> 0:19:54.782
<v Speaker 3>Complete Unknown, which is the movie that Timothy Challamaye plays

0:19:54.782 --> 0:19:57.622
<v Speaker 3>Bob Dylan in, and I bloody loved it.

0:19:57.901 --> 0:20:01.461
<v Speaker 5>You tramped all the way from Minnesota.

0:20:01.661 --> 0:20:02.182
<v Speaker 3>Why is that?

0:20:03.502 --> 0:20:03.662
<v Speaker 4>Oh?

0:20:03.742 --> 0:20:04.901
<v Speaker 1>I catch you smoke.

0:20:06.341 --> 0:20:08.542
<v Speaker 5>If you're traveling.

0:20:08.182 --> 0:20:09.941
<v Speaker 3>In the north drift.

0:20:10.821 --> 0:20:11.262
<v Speaker 4>I see.

0:20:11.302 --> 0:20:14.061
<v Speaker 3>No one wants to hear when he can't roll. Last month, well,

0:20:14.302 --> 0:20:15.581
<v Speaker 3>I like your songs with.

0:20:15.702 --> 0:20:21.142
<v Speaker 5>The winds hit heavy on the boardline? Who wrote this?

0:20:22.182 --> 0:20:22.822
<v Speaker 4>He did?

0:20:22.821 --> 0:20:25.941
<v Speaker 3>Remember me? How about that jump by as folks?

0:20:27.422 --> 0:20:31.702
<v Speaker 1>Because she's pretty, sings pretty once, maybe.

0:20:31.502 --> 0:20:34.941
<v Speaker 3>A little too pretty, true love. Your songs are like

0:20:34.942 --> 0:20:37.061
<v Speaker 3>an oil painting and the dentist's office.

0:20:37.542 --> 0:20:39.982
<v Speaker 5>You're kind of an asshole bomb if.

0:20:39.782 --> 0:20:40.342
<v Speaker 4>You go.

0:20:41.861 --> 0:20:44.741
<v Speaker 3>FA usual complaint of all movies now too long. But

0:20:44.782 --> 0:20:45.622
<v Speaker 3>I didn't even mind.

0:20:45.702 --> 0:20:47.302
<v Speaker 2>No, Holy I looked it up because I went, I'm

0:20:47.302 --> 0:20:48.981
<v Speaker 2>going to say that. On Saurday night, two hours and

0:20:49.022 --> 0:20:50.581
<v Speaker 2>twenty minutes, I said, I can't.

0:20:50.661 --> 0:20:52.941
<v Speaker 1>I can't have a brutalist, which is four hours.

0:20:53.022 --> 0:20:55.061
<v Speaker 3>No, my mom went to see that. She said she'd

0:20:55.101 --> 0:20:56.422
<v Speaker 3>only go if she was allowed to have a drink

0:20:56.422 --> 0:20:59.741
<v Speaker 3>in the entire My dad was like, sure, anyway, I

0:20:59.861 --> 0:21:03.821
<v Speaker 3>Digress two hours twenty is long, but it is so good.

0:21:03.982 --> 0:21:06.182
<v Speaker 3>It is so good because the music is brilliant. You're

0:21:06.222 --> 0:21:08.462
<v Speaker 3>transported in time to a batter life for a time.

0:21:08.542 --> 0:21:09.902
<v Speaker 1>Because I don't like his music at all.

0:21:10.302 --> 0:21:12.902
<v Speaker 3>Oh wow, when I heard someone say that, really, I've

0:21:12.901 --> 0:21:13.941
<v Speaker 3>heard lots of people say that.

0:21:13.942 --> 0:21:15.101
<v Speaker 1>Maybe it's just I say it all.

0:21:15.262 --> 0:21:17.341
<v Speaker 3>Think it helps, like you don't have to like all

0:21:17.422 --> 0:21:23.782
<v Speaker 3>Bob Dylan, but those iconic sixties songs like a rolling Stone.

0:21:25.182 --> 0:21:28.222
<v Speaker 3>Oh my god, I couldn't love it more. Anyway, it's

0:21:28.262 --> 0:21:29.982
<v Speaker 3>the story of him. But the thing is so it's

0:21:29.982 --> 0:21:32.382
<v Speaker 3>a biopic, right, and it's directed by the guy who

0:21:32.422 --> 0:21:35.061
<v Speaker 3>directed like Walk the Line and all those Johnny Cash.

0:21:36.061 --> 0:21:37.861
<v Speaker 3>He's the guy who makes all the biopics. I think

0:21:37.861 --> 0:21:41.101
<v Speaker 3>he's married Tellen Mirrn Anyway, again, We Digress isn't one

0:21:41.141 --> 0:21:43.262
<v Speaker 3>of those biopics where it's like and he was born

0:21:43.341 --> 0:21:46.061
<v Speaker 3>in this town and he did this. It's very much

0:21:46.061 --> 0:21:48.022
<v Speaker 3>one of those biopics that just takes one moment in

0:21:48.061 --> 0:21:51.141
<v Speaker 3>time and Timothy Challon May plays Dylan and he is

0:21:51.262 --> 0:21:56.302
<v Speaker 3>so extraordinary. I can't even speak about how extraordinary he is.

0:21:56.982 --> 0:21:57.702
<v Speaker 2>I love him.

0:21:57.782 --> 0:21:58.422
<v Speaker 3>How is he?

0:21:58.782 --> 0:22:00.341
<v Speaker 2>I know, We've just he's so talented.

0:22:00.581 --> 0:22:04.302
<v Speaker 3>I think he's had severance chip because when he's working,

0:22:04.341 --> 0:22:09.701
<v Speaker 3>he seems like the most deep, emotionally intelligent intellect to

0:22:09.861 --> 0:22:12.702
<v Speaker 3>all dude. And then he just loves a purse, which

0:22:12.742 --> 0:22:16.022
<v Speaker 3>is fine off the carpet. He just likes pretty girls

0:22:16.222 --> 0:22:19.302
<v Speaker 3>and nightclubs. Anyway, we digress. Did you just call Carlie

0:22:19.302 --> 0:22:23.782
<v Speaker 3>general purse. She's been carrying around a little channel purse

0:22:23.942 --> 0:22:26.382
<v Speaker 3>like that's he Yeah, he dresses very interestingly. You don't

0:22:26.381 --> 0:22:31.622
<v Speaker 3>hear the word purse very oftti and he loves that anyway.

0:22:32.222 --> 0:22:35.542
<v Speaker 3>The women in El Fanning, she plays like the girlfriend

0:22:35.621 --> 0:22:38.222
<v Speaker 3>from the early years who he very quickly cheats on.

0:22:38.702 --> 0:22:41.222
<v Speaker 3>Monica Barbera, she's nominated for an Oscar's gem By. She's

0:22:41.422 --> 0:22:45.102
<v Speaker 3>extraordinarily good. I love, love loved it, Ed Norton, it's

0:22:45.141 --> 0:22:45.941
<v Speaker 3>an Oscar movie.

0:22:46.061 --> 0:22:46.581
<v Speaker 1>Go see it.

0:22:46.901 --> 0:22:49.502
<v Speaker 4>I think mine's more interesting than either of yours. It

0:22:49.581 --> 0:22:52.982
<v Speaker 4>is called it's a mini series based on a true story.

0:22:53.061 --> 0:22:55.621
<v Speaker 4>It's called Apples Side of Vinegar and It is the

0:22:55.661 --> 0:22:59.621
<v Speaker 4>Bell Gibson story. It's out, It came out this week.

0:22:59.702 --> 0:23:03.061
<v Speaker 4>It's all dropped. It is a feast on Netflix.

0:23:03.262 --> 0:23:03.381
<v Speaker 2>Is it?

0:23:03.422 --> 0:23:04.782
<v Speaker 3>I have a question, hand up question.

0:23:05.101 --> 0:23:05.262
<v Speaker 4>Yeah.

0:23:05.422 --> 0:23:08.101
<v Speaker 3>Is it the Bell Gibson story or is it inspired

0:23:08.101 --> 0:23:09.821
<v Speaker 3>by like Strife was inspired by.

0:23:10.022 --> 0:23:11.061
<v Speaker 1>The Bell Gibson story.

0:23:11.901 --> 0:23:16.262
<v Speaker 4>The Bell Gibson story starring an actor whose name I've forgotten,

0:23:16.462 --> 0:23:21.181
<v Speaker 4>who looks incredibly and sounds incredibly like Bell Gibson. She's American.

0:23:21.422 --> 0:23:23.701
<v Speaker 2>I know her from a very famous American.

0:23:24.702 --> 0:23:28.101
<v Speaker 4>Was this week The Premiere, The Premier, The Premier. The

0:23:28.101 --> 0:23:31.261
<v Speaker 4>Premier was this week and live from Amamea in our

0:23:31.302 --> 0:23:34.821
<v Speaker 4>social team presented her with a certificate for the best

0:23:34.821 --> 0:23:38.701
<v Speaker 4>Australian accent on the red carpet because you would never know.

0:23:38.821 --> 0:23:42.342
<v Speaker 4>It is flawless anyway. It tells the story of Bell Gibson,

0:23:42.381 --> 0:23:46.742
<v Speaker 4>of course, who pretended she had brain cancer and launched

0:23:46.742 --> 0:23:47.461
<v Speaker 4>an app and.

0:23:47.341 --> 0:23:48.542
<v Speaker 1>Got a cookbook deal.

0:23:49.022 --> 0:23:51.982
<v Speaker 4>But it tells the story of two other women parallel

0:23:52.061 --> 0:23:57.221
<v Speaker 4>to that, whose paths intersected with Belle One is. In

0:23:57.262 --> 0:23:59.701
<v Speaker 4>the show she's called Miller, but in real life she

0:24:00.141 --> 0:24:04.462
<v Speaker 4>was a lifestyle blogger and former magazine writer called Jess Ainskoff,

0:24:04.542 --> 0:24:06.661
<v Speaker 4>who I knew a little bit. She got cancer in

0:24:06.702 --> 0:24:11.022
<v Speaker 4>her arm, and she chose to back in the early

0:24:11.101 --> 0:24:14.742
<v Speaker 4>two thousands, she chose to not have traditional medicine and

0:24:14.782 --> 0:24:18.142
<v Speaker 4>to cure herself with something called the Gerson diet, which

0:24:18.182 --> 0:24:20.861
<v Speaker 4>was about juices and having coffee ennimals and it's a

0:24:20.901 --> 0:24:24.302
<v Speaker 4>wellness protocol. Even though the doctors said, if we amputate

0:24:24.341 --> 0:24:27.222
<v Speaker 4>your arm, there's like a ninety percent chance that you'll

0:24:27.222 --> 0:24:30.022
<v Speaker 4>be fine, she went, no, I don't want to have chemo.

0:24:30.182 --> 0:24:31.821
<v Speaker 4>I don't want to lose my arm. I'm going to

0:24:31.821 --> 0:24:35.942
<v Speaker 4>try this other way. And she discovered basically these charlatans

0:24:36.061 --> 0:24:38.981
<v Speaker 4>on the Internet. And so it tells the story of

0:24:39.061 --> 0:24:42.982
<v Speaker 4>how her path intersected with Belle's, how Bell became very

0:24:43.141 --> 0:24:47.502
<v Speaker 4>inspired slash jealous of her and co opted her story

0:24:47.581 --> 0:24:49.621
<v Speaker 4>as her own. And then there's the story of a

0:24:49.661 --> 0:24:52.302
<v Speaker 4>third woman called Lucy, who I think is fictionalized, but

0:24:52.422 --> 0:24:57.141
<v Speaker 4>she discovers that she has cancer, has traditional treatment, becomes

0:24:57.222 --> 0:25:00.542
<v Speaker 4>quite disillusioned, and then becomes a disciple of Bell Gibson.

0:25:01.262 --> 0:25:03.142
<v Speaker 5>I'd lied to welcome on the stage.

0:25:03.262 --> 0:25:04.381
<v Speaker 4>Shell Gibson.

0:25:06.661 --> 0:25:08.742
<v Speaker 3>It must have affected her that my book was reviewed

0:25:08.782 --> 0:25:14.022
<v Speaker 3>as better than her. I'm sorry, who's her Miller?

0:25:14.462 --> 0:25:18.341
<v Speaker 4>She was diagnosed with cancer, so she's consistently maintained.

0:25:18.381 --> 0:25:19.742
<v Speaker 2>I have no reason to doubt her.

0:25:20.141 --> 0:25:21.862
<v Speaker 5>Because in her case it's true.

0:25:22.222 --> 0:25:23.262
<v Speaker 2>It's a funny.

0:25:24.262 --> 0:25:26.422
<v Speaker 3>My doctor said, have brain cancer.

0:25:27.101 --> 0:25:29.542
<v Speaker 1>He's a bloggie my life. She's just like you.

0:25:31.302 --> 0:25:32.701
<v Speaker 2>You do look incredible.

0:25:32.782 --> 0:25:34.302
<v Speaker 1>Well, I've never felt better.

0:25:35.661 --> 0:25:38.982
<v Speaker 3>I have to find the right way for me. I

0:25:39.182 --> 0:25:40.222
<v Speaker 3>just got each other.

0:25:42.141 --> 0:25:42.901
<v Speaker 1>Loved the session.

0:25:42.982 --> 0:25:45.061
<v Speaker 2>Four body goose bumps, thanks for coming.

0:25:46.901 --> 0:25:50.622
<v Speaker 3>Bell gives him the brain cancer.

0:25:50.982 --> 0:25:53.662
<v Speaker 4>Great and it looks at the paths of these three

0:25:53.702 --> 0:25:56.381
<v Speaker 4>women and it is so well done.

0:25:56.502 --> 0:25:58.061
<v Speaker 2>Dying to see who wrote it.

0:25:58.061 --> 0:26:00.262
<v Speaker 1>It was written by Samantha Strauss.

0:26:00.302 --> 0:26:05.302
<v Speaker 4>She wrote, Yeah, okay. I think it's based off the

0:26:05.341 --> 0:26:09.942
<v Speaker 4>original investigative reporting that Nick Tuscani and Oh Yeah Yeah

0:26:10.141 --> 0:26:12.901
<v Speaker 4>did for the Age many years ago. They won a

0:26:12.901 --> 0:26:15.661
<v Speaker 4>lot of awards for that, and it's actually produced. I

0:26:15.702 --> 0:26:18.182
<v Speaker 4>didn't realize by my cousin and Mils Sherman at Sea

0:26:18.222 --> 0:26:23.742
<v Speaker 4>Saw they've done Slow Horses, the King speech Lion Seesaw

0:26:24.022 --> 0:26:27.782
<v Speaker 4>does amazing work, like really dramatic worsh My god, I

0:26:27.782 --> 0:26:30.661
<v Speaker 4>can't wait to say it's brilliant. They've even recreated that

0:26:30.661 --> 0:26:34.382
<v Speaker 4>famous sixty minutes interview where she's wearing the turtle, where

0:26:34.381 --> 0:26:35.182
<v Speaker 4>she's wearing the pink turk.

0:26:35.182 --> 0:26:36.341
<v Speaker 3>Do you think we'll do it? Do you think if

0:26:36.381 --> 0:26:38.022
<v Speaker 3>we all watch it, can we do an episode on it?

0:26:38.022 --> 0:26:39.941
<v Speaker 3>Do you think me like that? Oh?

0:26:40.022 --> 0:26:42.222
<v Speaker 4>Yeah, no, no, I was going to say, I want

0:26:42.262 --> 0:26:44.661
<v Speaker 4>to do a recap of every episode. We will do

0:26:45.101 --> 0:26:48.542
<v Speaker 4>a recap episode the three of us. And also, if

0:26:48.542 --> 0:26:50.742
<v Speaker 4>you want to know more about the Bill Gibson story,

0:26:50.942 --> 0:26:53.581
<v Speaker 4>We've done a whole podcast about this and it is

0:26:53.661 --> 0:26:56.542
<v Speaker 4>fascinating her story, So we'll put a link to that

0:26:56.542 --> 0:26:57.022
<v Speaker 4>in the show.

0:26:56.942 --> 0:27:02.302
<v Speaker 2>Notes after the break Boobs a dethroned King and discovering

0:27:02.381 --> 0:27:06.702
<v Speaker 2>music taste. It is our best and Worst. Every Tuesday

0:27:06.742 --> 0:27:09.782
<v Speaker 2>and Thursday, we drop new segments of Mummeya out Loud

0:27:09.942 --> 0:27:12.861
<v Speaker 2>just from me A. Subscribers follow the link in the

0:27:12.861 --> 0:27:15.502
<v Speaker 2>show notes to get your daily Joseph out Loud and

0:27:15.502 --> 0:27:26.862
<v Speaker 2>a big thank you to all our current subscribers.

0:27:28.861 --> 0:27:30.901
<v Speaker 3>I'm going to go first and best and worse this week.

0:27:30.982 --> 0:27:33.182
<v Speaker 3>I'm a reminder to the group that best and worst

0:27:33.182 --> 0:27:35.381
<v Speaker 3>can be silly, it can be serious, it can be

0:27:35.462 --> 0:27:38.741
<v Speaker 3>whatever you want it to be. Very serious worst this

0:27:38.861 --> 0:27:42.381
<v Speaker 3>week I want to prepare everybody. Okay, Brent is no

0:27:42.462 --> 0:27:44.702
<v Speaker 3>longer the king of SCons in my.

0:27:44.742 --> 0:27:50.421
<v Speaker 2>Neighborhood because Brent your boyfriend. He won the Scon Award

0:27:50.462 --> 0:27:53.901
<v Speaker 2>for the best Scottis in the country, or.

0:27:53.942 --> 0:27:57.861
<v Speaker 3>It has been restored. Very quick backstory. I live in

0:27:58.061 --> 0:28:00.422
<v Speaker 3>regional New South Wales. Country shows are a big deal.

0:28:00.581 --> 0:28:03.022
<v Speaker 3>The very show was on at the weekend. Everybody enters

0:28:03.061 --> 0:28:05.421
<v Speaker 3>things so like they have like a puppy with the

0:28:05.422 --> 0:28:10.661
<v Speaker 3>waggiest tail competition. They have competition for the biggest pumpkins.

0:28:09.702 --> 0:28:13.582
<v Speaker 2>Like the Grammys, and he walked in the Grammys, right yeah.

0:28:13.621 --> 0:28:16.861
<v Speaker 1>And he has New Zealand into local city.

0:28:17.182 --> 0:28:20.502
<v Speaker 3>Brent had baked his famous lemonade scones, which are only

0:28:20.542 --> 0:28:23.581
<v Speaker 3>famous in the four walls of her house, and entered

0:28:23.621 --> 0:28:26.942
<v Speaker 3>them into the baking contest, which is hotly contested. Right

0:28:26.982 --> 0:28:29.341
<v Speaker 3>at these things, there are people there that c w A.

0:28:29.462 --> 0:28:33.222
<v Speaker 3>There's people there have been They are not the album

0:28:33.262 --> 0:28:36.621
<v Speaker 3>of the year, album of the year. And he just

0:28:36.702 --> 0:28:40.862
<v Speaker 3>swooped in like chapel ron a pointy hat and he

0:28:41.142 --> 0:28:44.622
<v Speaker 3>won last year and the man was insufferable. Actually, we've

0:28:44.622 --> 0:28:46.942
<v Speaker 3>got the recipe for a scon somewhere. We'll put it somewhere.

0:28:47.022 --> 0:28:48.622
<v Speaker 2>So would you say he was a favorite going into

0:28:48.622 --> 0:28:48.982
<v Speaker 2>this year?

0:28:49.102 --> 0:28:49.382
<v Speaker 1>He was.

0:28:50.582 --> 0:28:53.102
<v Speaker 3>You'd go into town and all anyone would talk to

0:28:53.142 --> 0:28:55.741
<v Speaker 3>you about was like, is Brent entering his SCons? And

0:28:55.782 --> 0:28:58.022
<v Speaker 3>then the rumors started. They said, so and so has

0:28:58.062 --> 0:29:01.302
<v Speaker 3>brought a Thermo mix and she's going to allow Oh yeah,

0:29:01.302 --> 0:29:04.142
<v Speaker 3>he allowed to use whatever. And she's been practicing and

0:29:04.142 --> 0:29:06.502
<v Speaker 3>blah blah, and so and so has been practicing every

0:29:06.542 --> 0:29:10.021
<v Speaker 3>day because everybody wants to beat Brent. And indeed, another

0:29:10.022 --> 0:29:13.582
<v Speaker 3>friend of mine Ali lid better One and took Brent out.

0:29:13.822 --> 0:29:16.181
<v Speaker 4>He was a very upset a runners up prize or

0:29:16.222 --> 0:29:19.862
<v Speaker 4>any participation award, get a commendation, maya.

0:29:20.262 --> 0:29:21.462
<v Speaker 3>It was like he fell.

0:29:21.782 --> 0:29:22.302
<v Speaker 1>What happened?

0:29:22.382 --> 0:29:27.262
<v Speaker 3>Great heights. He claims that he had to do it

0:29:27.382 --> 0:29:30.902
<v Speaker 3>very early in the morning. He claims for the self

0:29:30.942 --> 0:29:33.262
<v Speaker 3>raising flowers old and not new. I'm like, well, that's

0:29:33.262 --> 0:29:35.782
<v Speaker 3>a rookie era. Anyway, my friend al lid better One.

0:29:35.902 --> 0:29:38.661
<v Speaker 3>People on the internet have called her Ali did better

0:29:38.742 --> 0:29:42.542
<v Speaker 3>and made little for her. Ali, I know you're listening.

0:29:42.542 --> 0:29:45.942
<v Speaker 3>She is an out louder. Congratulations, Brent will never come

0:29:45.982 --> 0:29:46.662
<v Speaker 3>to your house again.

0:29:46.822 --> 0:29:48.502
<v Speaker 1>I'm not sad because I never got to try one.

0:29:48.582 --> 0:29:52.022
<v Speaker 3>I'll bring you one now that they're not special anyway.

0:29:52.502 --> 0:29:56.102
<v Speaker 3>My best, which is much nicer, is that my firstborn

0:29:56.542 --> 0:30:00.942
<v Speaker 3>turned fifteen this week. My daughter and teenage girls get

0:30:00.982 --> 0:30:02.342
<v Speaker 3>a bad rap often from me.

0:30:03.502 --> 0:30:06.142
<v Speaker 1>Did you give her a G string swim birthday?

0:30:06.262 --> 0:30:09.542
<v Speaker 3>I didn't and she isn't yet wearing one of those,

0:30:09.742 --> 0:30:10.502
<v Speaker 3>but it's probably not.

0:30:12.782 --> 0:30:13.262
<v Speaker 1>Exactly.

0:30:13.582 --> 0:30:15.941
<v Speaker 3>But teenage girls get a bad rap often from us

0:30:15.982 --> 0:30:20.182
<v Speaker 3>because it can be tricky, like it's a transition of parenting.

0:30:20.262 --> 0:30:23.701
<v Speaker 3>There is no question from this little person and she

0:30:23.822 --> 0:30:25.942
<v Speaker 3>was my baby. And this little person who just looks

0:30:25.982 --> 0:30:28.422
<v Speaker 3>at you like mommy, you know, and she's so delighted

0:30:28.422 --> 0:30:29.902
<v Speaker 3>and she wants to be with you all the time

0:30:30.102 --> 0:30:33.302
<v Speaker 3>to this person who basically couldn't care less. She and

0:30:33.382 --> 0:30:36.022
<v Speaker 3>you nine this year, she's near ten this year. Oh okay.

0:30:36.462 --> 0:30:40.461
<v Speaker 3>And she mostly has requests for me like can I

0:30:40.542 --> 0:30:43.142
<v Speaker 3>have and will you take me? And am I allowed to?

0:30:43.782 --> 0:30:45.582
<v Speaker 3>And very little else. She gets in the car and

0:30:45.622 --> 0:30:47.302
<v Speaker 3>I often say you have to talk to me for

0:30:47.302 --> 0:30:49.542
<v Speaker 3>ten minutes before you put earbuds in, and she's like,

0:30:51.742 --> 0:30:53.941
<v Speaker 3>but the thing there is is my best is because

0:30:53.942 --> 0:30:56.982
<v Speaker 3>the other side of that is the joy in seeing

0:30:57.022 --> 0:30:59.782
<v Speaker 3>them become more independent, Like there's sadness for you. And

0:30:59.782 --> 0:31:01.742
<v Speaker 3>a lot of my friends message my mother's group obviously

0:31:01.782 --> 0:31:04.181
<v Speaker 3>all our kids turning fifteen, they are messaging each other,

0:31:04.222 --> 0:31:07.462
<v Speaker 3>and I'm really struggling with this pulling away. But there's

0:31:07.502 --> 0:31:11.382
<v Speaker 3>also so much joy in seeing and become independent beings.

0:31:11.462 --> 0:31:13.582
<v Speaker 3>And I just I love it a bits and I

0:31:13.582 --> 0:31:15.462
<v Speaker 3>look at it and i just think, obviously in my eyes,

0:31:15.502 --> 0:31:16.262
<v Speaker 3>I'm like, you're.

0:31:16.222 --> 0:31:20.902
<v Speaker 4>Just the most gorgeous.

0:31:21.582 --> 0:31:25.421
<v Speaker 2>Well yeah, mo, than, what was your worst?

0:31:25.742 --> 0:31:29.142
<v Speaker 1>My worst of the week was actually my boobs, which is.

0:31:29.222 --> 0:31:32.902
<v Speaker 4>So you've got good boobs, bab No, They're too big

0:31:33.102 --> 0:31:35.782
<v Speaker 4>and I don't like them at the moment. I'm fighting

0:31:35.822 --> 0:31:39.622
<v Speaker 4>with my boobs. So I've been trying to add testosterone.

0:31:39.661 --> 0:31:41.542
<v Speaker 4>I'm actually thinking this might be the problem. Although test

0:31:42.302 --> 0:31:44.342
<v Speaker 4>testosterone adding it to my hr T.

0:31:44.782 --> 0:31:47.782
<v Speaker 3>This is not medical advice. Do not take medical You

0:31:47.782 --> 0:31:48.222
<v Speaker 3>should do that.

0:31:50.262 --> 0:31:53.342
<v Speaker 4>You can just go and get it like from the shop.

0:31:53.702 --> 0:31:55.062
<v Speaker 2>It sounds like you're having to play.

0:31:55.822 --> 0:31:59.502
<v Speaker 4>No. I was prescribed it biomedical professional based on my

0:32:00.102 --> 0:32:04.222
<v Speaker 4>hormonal levels, which were measured because I'm postmenopausal now, and

0:32:04.422 --> 0:32:07.142
<v Speaker 4>so every time I've tried to use it, it's not

0:32:07.182 --> 0:32:09.102
<v Speaker 4>agreed with me. And I well, the first time I

0:32:09.182 --> 0:32:11.862
<v Speaker 4>realized I used twice as much as I was meant to.

0:32:11.982 --> 0:32:12.582
<v Speaker 2>Did you grow a bit?

0:32:12.862 --> 0:32:16.582
<v Speaker 4>Did? I wanted to vomit and I felt really wrong,

0:32:16.742 --> 0:32:19.582
<v Speaker 4>felt terrible. And then I went and went, oh, I

0:32:19.822 --> 0:32:21.862
<v Speaker 4>actually was meant to be one pump, but I put

0:32:21.902 --> 0:32:24.702
<v Speaker 4>one pump under each arm instead of just one pump

0:32:24.742 --> 0:32:26.782
<v Speaker 4>between the two arms. Anyway, now I'm having like a

0:32:26.862 --> 0:32:29.062
<v Speaker 4>quarter of a pump. I don't think it's agreeing with me.

0:32:29.422 --> 0:32:32.342
<v Speaker 4>It gave me a period. I started spotting my boobs

0:32:32.382 --> 0:32:34.622
<v Speaker 4>were like sore in the way that they feel like

0:32:34.661 --> 0:32:36.981
<v Speaker 4>when you're about to get your period or when you're pregnant.

0:32:36.982 --> 0:32:39.222
<v Speaker 4>And I was like, imagine if I was pregnant, but

0:32:39.422 --> 0:32:40.582
<v Speaker 4>I'm not pregnant.

0:32:40.582 --> 0:32:43.941
<v Speaker 2>Ply's laugh Now, well it's so beautiful focus I have

0:32:43.982 --> 0:32:45.461
<v Speaker 2>a baby, and you're like, I want a baby, and

0:32:45.502 --> 0:32:48.302
<v Speaker 2>I'm like, Maya, you're fifty something.

0:32:47.302 --> 0:32:50.542
<v Speaker 1>It's miracle.

0:32:50.822 --> 0:32:54.862
<v Speaker 4>Anyway, but my boobs just became so big, and I

0:32:54.982 --> 0:32:57.622
<v Speaker 4>just became I started thinking about getting a breast reduction.

0:32:57.702 --> 0:32:59.662
<v Speaker 1>This week. They've settled down a bit now.

0:32:59.582 --> 0:33:01.502
<v Speaker 3>Maybe just back off the testosterone.

0:33:01.542 --> 0:33:04.941
<v Speaker 4>Jel yeah, I have. I've stopped that again. Anyway, So

0:33:05.022 --> 0:33:05.741
<v Speaker 4>that was my worst.

0:33:05.942 --> 0:33:07.542
<v Speaker 3>I just want to give you a compliment though, because

0:33:07.542 --> 0:33:09.382
<v Speaker 3>I think you dress your boobs very well, because you've

0:33:09.382 --> 0:33:10.902
<v Speaker 3>been I'm telling me for a while now how much

0:33:10.942 --> 0:33:13.182
<v Speaker 3>you don't like your big boobs, But I don't notice.

0:33:13.222 --> 0:33:16.102
<v Speaker 4>I think that you're interesting. This is not a diss

0:33:16.142 --> 0:33:18.302
<v Speaker 4>on anyone's big boobs. I have no objection. They just

0:33:18.342 --> 0:33:21.342
<v Speaker 4>feel because I didn't grow up with big boobs, I'm

0:33:21.382 --> 0:33:21.981
<v Speaker 4>just not used to it.

0:33:22.022 --> 0:33:22.702
<v Speaker 1>I feel like I've had.

0:33:22.661 --> 0:33:24.421
<v Speaker 3>A boob job, like you're in someone else's body.

0:33:24.462 --> 0:33:24.902
<v Speaker 1>Thank you.

0:33:25.742 --> 0:33:29.382
<v Speaker 4>Anyway, My best is Jesse mentioned we launched biz this week.

0:33:29.382 --> 0:33:31.542
<v Speaker 4>I think it's like our sixtieth podcast or something. I've

0:33:31.622 --> 0:33:34.622
<v Speaker 4>kind of lost count. What's been so fun on the

0:33:34.742 --> 0:33:38.382
<v Speaker 4>show has been all the talent. Like there's Sophurst who

0:33:38.422 --> 0:33:42.182
<v Speaker 4>used to work at Google, Michelle Battersby, who is an entrepreneur.

0:33:42.222 --> 0:33:44.822
<v Speaker 4>She has a company called Sunroom, and she's been a

0:33:45.182 --> 0:33:49.342
<v Speaker 4>chief marketing officer for Bumble and she's done amazing things

0:33:49.342 --> 0:33:51.502
<v Speaker 4>as well, and of course our own lazy girl, and

0:33:51.702 --> 0:33:53.981
<v Speaker 4>Vernon who's very ambitious but also wants to just have

0:33:54.022 --> 0:33:56.262
<v Speaker 4>a good lightoun who doesn't need, who does need? And

0:33:56.422 --> 0:33:58.782
<v Speaker 4>Vernon because what she brings to the show is a

0:33:58.822 --> 0:34:01.501
<v Speaker 4>lot of humor and also the perspective of what you

0:34:01.542 --> 0:34:04.622
<v Speaker 4>were talking about, Jesse, which is the I'm ambitious, but

0:34:04.661 --> 0:34:05.342
<v Speaker 4>I'm also just.

0:34:05.342 --> 0:34:06.742
<v Speaker 2>A very fresh take on career.

0:34:06.862 --> 0:34:10.422
<v Speaker 4>Yeah, and so it sounds different, It sounds like a

0:34:10.462 --> 0:34:13.741
<v Speaker 4>different show. It's a lot of fun. I really love

0:34:13.782 --> 0:34:16.862
<v Speaker 4>that process of just working creatively with the team on

0:34:16.902 --> 0:34:20.941
<v Speaker 4>that show, including our Grepp Georgie, Who's and now it's

0:34:20.982 --> 0:34:23.022
<v Speaker 4>we're just letting it into the world and it's being

0:34:23.062 --> 0:34:25.502
<v Speaker 4>received really well and I'm stoked. So that's my best

0:34:25.542 --> 0:34:26.021
<v Speaker 4>of the week.

0:34:26.462 --> 0:34:30.861
<v Speaker 2>New Talent Worst has been a while coming along with

0:34:30.902 --> 0:34:33.421
<v Speaker 2>this podcast. For the last three and a bit years,

0:34:33.462 --> 0:34:36.781
<v Speaker 2>I've been co hosting another podcast called Canceled, which is

0:34:37.302 --> 0:34:40.181
<v Speaker 2>my favorite thing going in and recording that. It's my

0:34:40.261 --> 0:34:42.462
<v Speaker 2>twin sister, Claire and I sit there and just laugh

0:34:42.502 --> 0:34:44.861
<v Speaker 2>for forty five minutes. We have had some of the

0:34:44.902 --> 0:34:48.862
<v Speaker 2>best times in that studio. And over the last few months,

0:34:48.862 --> 0:34:52.661
<v Speaker 2>Claire has been making some career decisions. She's been finishing

0:34:52.661 --> 0:34:56.341
<v Speaker 2>off a book, and when you write a book, it's

0:34:56.382 --> 0:35:00.062
<v Speaker 2>a very solitary task and by the end you kind

0:35:00.062 --> 0:35:02.542
<v Speaker 2>of go, oh, wow, look what I can do On

0:35:02.542 --> 0:35:04.901
<v Speaker 2>my own, and I think that she sort of looked

0:35:04.942 --> 0:35:07.421
<v Speaker 2>up and went, I have some projects that I feel,

0:35:07.502 --> 0:35:10.261
<v Speaker 2>especially when you're a twin, much of what you do

0:35:10.342 --> 0:35:13.701
<v Speaker 2>and who you are is about that relationship and it's

0:35:13.741 --> 0:35:16.422
<v Speaker 2>a bit of codependence. And so Claire came to this

0:35:16.502 --> 0:35:19.022
<v Speaker 2>conclusion over summer, I think I want to do a

0:35:19.022 --> 0:35:21.582
<v Speaker 2>few things on my own, and that would mean stopping

0:35:21.622 --> 0:35:26.661
<v Speaker 2>doing canceled and it broke my heart, Like I wasn't

0:35:26.701 --> 0:35:31.701
<v Speaker 2>ready for it to finish. I felt like I was

0:35:31.862 --> 0:35:35.181
<v Speaker 2>dumped and that I was sister by my sister, and

0:35:35.221 --> 0:35:38.022
<v Speaker 2>also like I was going, oh, but almost you know,

0:35:38.062 --> 0:35:41.381
<v Speaker 2>when you beg them to take you back and look,

0:35:41.542 --> 0:35:45.102
<v Speaker 2>it was a classic it's not you, it's me situation,

0:35:45.342 --> 0:35:48.261
<v Speaker 2>like it was what Claire is planning. And I think

0:35:48.261 --> 0:35:50.462
<v Speaker 2>that once you've had a baby, your priority shift and

0:35:50.502 --> 0:35:52.861
<v Speaker 2>all that kind of stuff. And it's been really really

0:35:52.902 --> 0:35:56.982
<v Speaker 2>hard to kind of see that gap and the community

0:35:56.982 --> 0:35:58.942
<v Speaker 2>that we've built and the listeners we have so so

0:35:59.062 --> 0:36:01.022
<v Speaker 2>much fun, and to have to sit down and we

0:36:01.062 --> 0:36:04.422
<v Speaker 2>recorded last episode, which was so fun, but to have

0:36:04.462 --> 0:36:06.741
<v Speaker 2>to tell them, I was like, oh, I have so

0:36:06.862 --> 0:36:08.941
<v Speaker 2>much fun chatting to you every way.

0:36:09.102 --> 0:36:11.822
<v Speaker 4>A lot of our latters of who are also canceled listeners.

0:36:11.902 --> 0:36:14.261
<v Speaker 4>Holly and I have been asking when's canceled coming?

0:36:14.342 --> 0:36:14.902
<v Speaker 5>Yeah.

0:36:14.982 --> 0:36:17.542
<v Speaker 2>Yeah, it's really sad. And I think that Claire will

0:36:17.582 --> 0:36:19.502
<v Speaker 2>go and do projects, and we go off and do

0:36:19.542 --> 0:36:21.982
<v Speaker 2>our own things, and then we'll be back doing something

0:36:21.982 --> 0:36:25.622
<v Speaker 2>in some capacity at some point. But for now it's

0:36:25.902 --> 0:36:28.301
<v Speaker 2>it's resting. We have a back catalog of a million

0:36:28.342 --> 0:36:30.742
<v Speaker 2>episodes that are so much fun. But I'm very, very.

0:36:30.582 --> 0:36:33.062
<v Speaker 4>Sad to see that that's the end of an era.

0:36:33.181 --> 0:36:36.181
<v Speaker 2>It's the end of an era. Look, my best what.

0:36:36.221 --> 0:36:38.222
<v Speaker 1>Are you what podcast? Are you going to quit this week?

0:36:38.422 --> 0:36:40.341
<v Speaker 3>I'm not quitting me. In fact, we just brought it back.

0:36:41.422 --> 0:36:43.502
<v Speaker 3>I suddenly thought, hey, I've got to jump on this

0:36:43.582 --> 0:36:45.861
<v Speaker 3>quick and get a mid plumb. This week it's me

0:36:46.062 --> 0:36:47.941
<v Speaker 3>talking to Amanda Kella and her best friend of NADA

0:36:47.982 --> 0:36:52.021
<v Speaker 3>about friendship love and I cry in the intro because

0:36:52.022 --> 0:36:54.062
<v Speaker 3>I wrote an intro about my best friend and about

0:36:54.181 --> 0:36:57.622
<v Speaker 3>ex friends and friendships and cheerleading friends and feedback friends,

0:36:57.661 --> 0:37:00.542
<v Speaker 3>and it made me cry. Me and producer Grace were

0:37:00.622 --> 0:37:02.102
<v Speaker 3>like crying in there, and I was like, this isn't

0:37:02.382 --> 0:37:05.221
<v Speaker 3>how this is supposed to go. Anyway, Go listen to

0:37:05.542 --> 0:37:07.542
<v Speaker 3>one of those friendships that you like. I see why,

0:37:07.661 --> 0:37:08.982
<v Speaker 3>the chemistry of this world.

0:37:09.142 --> 0:37:13.261
<v Speaker 2>I love those episodes. Well, my best is that for

0:37:13.302 --> 0:37:15.942
<v Speaker 2>the last eighty months of my life I have listened

0:37:15.942 --> 0:37:17.781
<v Speaker 2>to more Wiggles than anyone should ever listen to. Right,

0:37:17.822 --> 0:37:19.462
<v Speaker 2>and no hate to the Wiggles. I like them, but

0:37:19.661 --> 0:37:22.062
<v Speaker 2>it does something to you psychologically when you.

0:37:23.661 --> 0:37:25.741
<v Speaker 3>And you begin to obsess about them. I began to

0:37:25.781 --> 0:37:28.902
<v Speaker 3>obsess about them and like start obsessing their private life.

0:37:29.542 --> 0:37:32.382
<v Speaker 2>I follow them stories to yourself. I see them on

0:37:32.382 --> 0:37:34.941
<v Speaker 2>TikTok and I'm like, Hi, how are you so high?

0:37:35.022 --> 0:37:36.622
<v Speaker 2>You live in my house? Yeah, you live in my

0:37:36.622 --> 0:37:39.982
<v Speaker 2>house exactly. And over the weekend I was going to

0:37:40.022 --> 0:37:42.142
<v Speaker 2>visit my pop and where he is at the moment

0:37:42.221 --> 0:37:45.182
<v Speaker 2>is fifty minutes away right long Cartridge, and I tried

0:37:45.181 --> 0:37:47.182
<v Speaker 2>to play my podcast. I try to play my music.

0:37:47.221 --> 0:37:49.981
<v Speaker 2>It's just a firm no on that. It's always from

0:37:50.502 --> 0:37:55.022
<v Speaker 2>from the backseat, firm No Wiggles Anyway, Figgles. We have

0:37:55.181 --> 0:37:57.661
<v Speaker 2>changed and now we have a new request. And you

0:37:57.701 --> 0:38:00.942
<v Speaker 2>know what the new request is, Taya, Oh, we've become

0:38:00.982 --> 0:38:07.062
<v Speaker 2>obsessed with Taylor's to our Well, it's our auntie who

0:38:07.102 --> 0:38:11.181
<v Speaker 2>is the craziest Swifty, you've ever met? She loves Taylor Swift.

0:38:11.342 --> 0:38:14.381
<v Speaker 2>And I think that maybe Luna seems to know a

0:38:14.422 --> 0:38:16.622
<v Speaker 2>lot about the album and the Eras tour, which is

0:38:16.622 --> 0:38:18.902
<v Speaker 2>weird because she's not last screen time. But when I

0:38:18.902 --> 0:38:20.902
<v Speaker 2>did catch her watching the Eras tour, she could do

0:38:20.942 --> 0:38:22.502
<v Speaker 2>a choreographed routine.

0:38:23.142 --> 0:38:24.741
<v Speaker 3>What's her favorite Taylor song?

0:38:24.862 --> 0:38:27.461
<v Speaker 2>Well, she started requesting one. There's one called the One.

0:38:27.502 --> 0:38:29.062
<v Speaker 2>I didn't even know there was one called the One.

0:38:29.221 --> 0:38:31.341
<v Speaker 2>So I was like, hey, Siri, play the one and

0:38:32.022 --> 0:38:33.942
<v Speaker 2>the one and she loves it.

0:38:33.942 --> 0:38:35.221
<v Speaker 1>It was also like, so I can do it with

0:38:35.261 --> 0:38:35.901
<v Speaker 1>a broken heart.

0:38:36.062 --> 0:38:36.582
<v Speaker 2>She does.

0:38:36.942 --> 0:38:37.902
<v Speaker 3>She started tworking.

0:38:37.942 --> 0:38:41.622
<v Speaker 2>She started working, and then the other day we've been

0:38:41.661 --> 0:38:43.142
<v Speaker 2>trying to teach her to say love, so I go,

0:38:43.422 --> 0:38:45.741
<v Speaker 2>I love you. I loved it, Like we're trying to

0:38:45.741 --> 0:38:47.582
<v Speaker 2>get her to say it, and she's going love love

0:38:47.661 --> 0:38:49.661
<v Speaker 2>and then she goes I love and there was this

0:38:49.942 --> 0:38:53.862
<v Speaker 2>pregnant pause and she goes Taya down and she starts

0:38:53.902 --> 0:38:57.062
<v Speaker 2>doing a little twerk. I was like, so the best

0:38:57.261 --> 0:38:59.781
<v Speaker 2>was that for fifty minutes I got to listen to

0:38:59.781 --> 0:39:02.221
<v Speaker 2>Taylor Swift. Fifty minutes I listened back and I was like,

0:39:02.302 --> 0:39:04.982
<v Speaker 2>I can lyrically musically.

0:39:04.661 --> 0:39:06.142
<v Speaker 1>Oh, she's an incredible songwriter.

0:39:06.302 --> 0:39:10.822
<v Speaker 2>I'm here. This is Taylor more for filling for Mummy

0:39:11.022 --> 0:39:12.502
<v Speaker 2>than hot potato better bridges.

0:39:12.701 --> 0:39:15.342
<v Speaker 3>Yes, this is the plan from Auntie. Is she a

0:39:15.422 --> 0:39:17.062
<v Speaker 3>doctrin hu via your door?

0:39:17.342 --> 0:39:19.622
<v Speaker 2>Exactly exactly, and I'll be going to the next tour.

0:39:19.822 --> 0:39:22.102
<v Speaker 3>Love Love, That is all we've got time for today.

0:39:22.261 --> 0:39:24.301
<v Speaker 3>Out Louder is a massive thank you to you for

0:39:24.342 --> 0:39:26.502
<v Speaker 3>being with us all week. Of course, we'll be back

0:39:26.502 --> 0:39:28.622
<v Speaker 3>in your ears next week. But if you still want

0:39:28.661 --> 0:39:31.182
<v Speaker 3>more of us, and why wouldn't you, of course, listen

0:39:31.261 --> 0:39:35.062
<v Speaker 3>to yesterday's episode about Night Bitch. It is an extraordinary

0:39:35.142 --> 0:39:38.062
<v Speaker 3>TV show, the Amy Adams One about motherhood and dogs.

0:39:38.102 --> 0:39:40.102
<v Speaker 3>All of us watched it, all of us discussed it,

0:39:40.502 --> 0:39:42.382
<v Speaker 3>loved it, loved it. There's a link in the show notes.

0:39:42.422 --> 0:39:44.582
<v Speaker 3>Go listen. Jesse Adma read us out.

0:39:44.741 --> 0:39:47.742
<v Speaker 2>A big thank you to our team group executive producer

0:39:47.862 --> 0:39:51.381
<v Speaker 2>Ruth Devine, Executive producer Emmeline Gazillis.

0:39:51.701 --> 0:39:54.622
<v Speaker 4>She has a recommendation. Em She told me she wanted

0:39:54.661 --> 0:39:57.182
<v Speaker 4>to pass on to the Out louders. She's been getting

0:39:57.261 --> 0:40:01.822
<v Speaker 4>really into the fancy flavored tuna and she's even managed

0:40:01.902 --> 0:40:05.301
<v Speaker 4>to convert our big boss Ruth, who once ranted about.

0:40:05.302 --> 0:40:06.701
<v Speaker 1>The stuff because it's our feedback.

0:40:06.781 --> 0:40:10.462
<v Speaker 4>Yeah it can we be controversial having tune in the office.

0:40:10.462 --> 0:40:13.342
<v Speaker 4>But also Ruth didn't like that there were too many tunas.

0:40:12.982 --> 0:40:14.382
<v Speaker 2>No because you're buy the wrong one. You go and

0:40:14.422 --> 0:40:16.102
<v Speaker 2>you get chili oil and you're like, I didn't want that.

0:40:16.142 --> 0:40:16.981
<v Speaker 2>I wanted sea salt.

0:40:17.062 --> 0:40:20.261
<v Speaker 4>But M's like, lean in, they're having pesto tuna. It's

0:40:20.342 --> 0:40:22.582
<v Speaker 4>just a big I think it's Serena. M's now a

0:40:22.661 --> 0:40:23.942
<v Speaker 4>Tuna influencer anyway.

0:40:24.022 --> 0:40:24.861
<v Speaker 3>Okay, so Reco.

0:40:25.102 --> 0:40:28.181
<v Speaker 2>Our audio producer is Leah Porgies who's probably aiding Tuna too,

0:40:28.382 --> 0:40:30.181
<v Speaker 2>and video producer Josh Green.

0:40:30.542 --> 0:40:32.982
<v Speaker 3>Bye byey.

0:40:33.741 --> 0:40:36.901
<v Speaker 4>Shout out to any Mum and Maya subscribers listening. If

0:40:36.942 --> 0:40:39.502
<v Speaker 4>you love the show and want to support us as well,

0:40:39.741 --> 0:40:42.142
<v Speaker 4>subscribing to Mom and Mia is the very best way

0:40:42.142 --> 0:40:44.661
<v Speaker 4>to do so. There is a link in the episode description.