WEBVTT - Absolutely Everything Is Feminism’s Fault!

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<v Speaker 1>You're listening to a MoMA Mia podcast.

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<v Speaker 2>Mamma Mia acknowledges the traditional owners of land and waters

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<v Speaker 2>that this podcast is recorded on Hello, and welcome to

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<v Speaker 2>Mamma Mia Out Loud, where women come to debrief.

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<v Speaker 1>I'm Holly Wayne, I'm mea.

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<v Speaker 3>Friedman, and I'm Jesse Stevens.

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<v Speaker 2>And here's what's landed on our agenda for today, Friday,

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<v Speaker 2>the twenty seventh of June, Another day, another man hosting

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<v Speaker 2>a panel of women to debate whether feminism has failed.

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<v Speaker 2>And there's a new breed of feminists called a maternal

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<v Speaker 2>feminist that's making some women on this podcast at least

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<v Speaker 2>a little bristly.

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<v Speaker 3>Also, what can we learn from Taylor Swift's date night dressing?

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<v Speaker 1>And I don't know if you're watching the new season

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<v Speaker 1>of DCC, but it's actually packed these gas lighting the

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<v Speaker 1>sex money drama we are going to be unpacking.

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<v Speaker 2>That does a lot to talk about. First of all,

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<v Speaker 2>Jesse Stevens.

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<v Speaker 3>In case he missed it, apparently I might have cortersole face.

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<v Speaker 1>Oh what's cartersold face?

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<v Speaker 3>Cortersold face is when your face is puffy, apparently, and

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<v Speaker 3>you may be hearing the word cortisol a lot lately,

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<v Speaker 3>you might be hearing it in the context of like

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<v Speaker 3>there's a quarterisole diet or signs of high cortisole like

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<v Speaker 3>apparently your eye twitching or your ears ringing or something

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<v Speaker 3>like that. And even apparently there's a quartisole cocktail that

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<v Speaker 3>doesn't follow me.

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<v Speaker 2>That's fine, Off, drink cordiso.

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<v Speaker 1>It's cortisol.

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<v Speaker 2>Good cortisol pad so.

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<v Speaker 3>Cortisol is the body's primary stress hormone, and allegedly it

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<v Speaker 3>can make your face puffy, hence cortisole face.

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<v Speaker 2>Look doctors stressed, does my face puff up? I thought

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<v Speaker 2>when I was stressed, I just looked more haggard even

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<v Speaker 2>than usual.

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<v Speaker 1>That's what I thought too.

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<v Speaker 3>I haven't noticed the puffiness, And doctors wanted on the

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<v Speaker 3>record that this is not a thing. You're not going

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<v Speaker 3>to walk into the doctor and they're going to go, Holly, Wayne, Right,

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<v Speaker 3>you got that quarterizole face again.

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<v Speaker 1>I mean, I shouldn't let someone diagnose me on social media.

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<v Speaker 2>No, you shouldn't.

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<v Speaker 1>Look.

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<v Speaker 3>What annoys me is the corptoring of the language. And

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<v Speaker 3>if you're feeling stressed, that's so fine, But just say

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<v Speaker 3>that you're feeling stressed, rather than to all of these symptoms, which,

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<v Speaker 3>by the way, could be symptoms of anything anything else.

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<v Speaker 2>You know what, Jesse, It's just occurred to me. You

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<v Speaker 2>know how people always say, and I don't know if

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<v Speaker 2>this is true, that people who live in really cold

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<v Speaker 2>climates like the Inuit, they have a thousand words for

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<v Speaker 2>snow because they have some kinds of stuff. Do you

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<v Speaker 2>think we've just invented a thousand ways of saying that

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<v Speaker 2>we're stressed up emotionally? It's regulated. My cortisol is high.

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<v Speaker 1>Yeah. Yeah. Do you think because we're adrenal burst?

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<v Speaker 3>Exactly right? I think you're spot on high.

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<v Speaker 2>The feminism movement didn't unite women.

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<v Speaker 3>It's split women.

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<v Speaker 2>I feel totally.

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<v Speaker 1>Wait listen, fifty percent of young women don't want to

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<v Speaker 1>have children. They're really preoccupied with making money and materialism.

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<v Speaker 2>But we're still looking at society that is increasingly telling

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<v Speaker 2>women where they could be better. But sometimes feminism expected

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<v Speaker 2>women to be prioritized and both sexes want the privileges

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<v Speaker 2>without the responsibilities.

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<v Speaker 1>Can I just said we are producing women and men

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<v Speaker 1>who are and I'll tell you what I mean by that.

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<v Speaker 1>It'll be an interesting discussion. Will be an interesting discussion though,

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<v Speaker 1>Or is it just.

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<v Speaker 2>Let me explain what we were just listening to. Friends.

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<v Speaker 2>Everyone in podcasting, there is this podcast called Diary of

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<v Speaker 2>a CEO. Right, It's one of the biggest podcasts in

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<v Speaker 2>the world. It's hosted by this young British entrepreneur and

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<v Speaker 2>investi called Stephen Bartlett. He's also like a judge on

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<v Speaker 2>the English version of Shark Tank. Like he's a big deal. Right.

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<v Speaker 2>He's very earnest and he's interested in everything, allegedly, and

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<v Speaker 2>his episodes are marked by their extraordinary length. This one

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<v Speaker 2>fourteen hours.

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<v Speaker 1>There's two and a half hours.

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<v Speaker 2>This one was many hours of my life.

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<v Speaker 1>We listened so you don't have to.

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<v Speaker 2>And also their extraordinary success. He says that he started

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<v Speaker 2>this back in twenty seventeen to get inside the heads

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<v Speaker 2>of other CEOs because he was obviously this very young,

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<v Speaker 2>successful dude. And now it gets around, he says, ten

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<v Speaker 2>million listens and views a month. It's big, big, big.

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<v Speaker 2>He is also kind of I don't know, I'll ask

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<v Speaker 2>you if you agree with this Jesse. He says he's

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<v Speaker 2>politically agnostic, so he will and does have pretty much

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<v Speaker 2>anyone the big voice on there, and he's not afraid

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<v Speaker 2>of like a bit of a culture war biff or

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<v Speaker 2>a bit of pseudoscience. He doesn't really have a point

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<v Speaker 2>of view.

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<v Speaker 3>No, I don't think so. And his audience, I would say,

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<v Speaker 3>are made up of men and women, Like I don't

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<v Speaker 3>think he's probably appeals to men in the same way

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<v Speaker 3>that like a Joe Rogan. I think he's different to

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<v Speaker 3>a Joe Rogan.

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<v Speaker 2>And he has lots of different kinds of people, and

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<v Speaker 2>he has celebrities on, and he has business leaders on,

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<v Speaker 2>and he has psychologists on, etc. Anyway, let's get to this.

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<v Speaker 2>This week's episode is called the Feminism Debate. Is feminism

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<v Speaker 2>betraying women? Question mark? The hidden risk of casual sex?

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<v Speaker 2>Exclamation point? And is feminism creating lonely, broken, sexless men

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<v Speaker 2>question mark exclamation point.

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<v Speaker 3>So that's feminism in capitals. That's an important I think

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<v Speaker 3>it might be.

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<v Speaker 1>It is.

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<v Speaker 2>And the guests are Louise Perry. We've had her on

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<v Speaker 2>No Filter. She is a journal and author. Deborah Francis

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<v Speaker 2>White and Erica Kommissar. I'll tell you a little bit

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<v Speaker 2>about who they are too. They were chosen for this debate,

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<v Speaker 2>I think for their quite specific feminist positions. Louise is

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<v Speaker 2>very anti sex positive culture. She's very convincing on why

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<v Speaker 2>she thinks that's been very bad for women. Deborah is

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<v Speaker 2>a pretty straightforward, like liberal second wave feminist. Really, she's

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<v Speaker 2>the host of the Guilty Feminist podcast and books, and

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<v Speaker 2>she's worried about creeping puritanical values. Right and Erica's area

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<v Speaker 2>of expertise, apparently, Jesse has thoughts is childhood development and attachment.

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<v Speaker 2>She has a very traditional view about early parenthood. So

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<v Speaker 2>we're basically discussing sex, mothering, and work. What could possibly

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<v Speaker 2>go wrong? My first question is why, because we're seeing

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<v Speaker 2>I feel like we're seeing quite a lot of this

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<v Speaker 2>around at the minute. Like Piers Morgan had a feminist

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<v Speaker 2>debate reach.

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<v Speaker 1>This is the second feminist debate I've watched against your

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<v Speaker 1>will because I watched, against my will of high profile

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<v Speaker 1>men bringing in the ladies with opposing views to argue.

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<v Speaker 1>And before we get into it, I was kind of

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<v Speaker 1>resistant to doing this as a segment because I reject

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<v Speaker 1>the premise of debating feminism. If you believe that feminism

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<v Speaker 1>is about women having equal rights to men, are we

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<v Speaker 1>actually debating that? I agree with the point of it.

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<v Speaker 1>It just feels very clickbaity rage baity.

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<v Speaker 2>That's why I want to prosecute why right, because I'm

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<v Speaker 2>seeing a lot of this around at the minute, and

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<v Speaker 2>it's very YouTube stock standard at the minute to get

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<v Speaker 2>a trad wife and get a second wave feminist and

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<v Speaker 2>get them to biff on about stuff like debating feminism,

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<v Speaker 2>which again to me, me or I feel a bit

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<v Speaker 2>like you do, Like I thought that was kind of

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<v Speaker 2>sortid is hot right now?

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<v Speaker 1>Yeah? Like, are we going to give back the vote?

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<v Speaker 1>Are we debating whether we should stop wearing pants or

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<v Speaker 1>having access to our own bank accounts? What actually are

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<v Speaker 1>we debating? Fair?

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<v Speaker 2>And why Jesse? Why are we seeing it all over everywhere?

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<v Speaker 3>I actually think this is an important exercise and I

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<v Speaker 3>found it interesting, if not at times in raging, and

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<v Speaker 3>I disagreed with a lot of it. I agreed with

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<v Speaker 3>some of it, but a social movement like feminism, which

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<v Speaker 3>has evolved over time and has had multiple waves and

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<v Speaker 3>involved so many different demographics and is now facing very

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<v Speaker 3>modern problems. There was a point made early in the

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<v Speaker 3>podcast about how some women have felt bullied by feminism,

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<v Speaker 3>and they kind of talked about this maternal feminism being

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<v Speaker 3>a way to address a gap that's existed in a

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<v Speaker 3>lot of feminist theory, which is that they've not quite

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<v Speaker 3>known what to do with motherhood. In order to get

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<v Speaker 3>women into the workplace, I had to devalue motherhood to

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<v Speaker 3>an extent. And so what's happened as a result is

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<v Speaker 3>that women who find themselves making the choice to stay

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<v Speaker 3>at home or by necessity or whatever it is, have

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<v Speaker 3>gravitated towards whether it's the you know, child wife phenomenon

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<v Speaker 3>or conservatism, because that's the only place that like they.

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<v Speaker 1>Feel valued honors what they do.

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<v Speaker 3>And I think that that is dangerous in a problem.

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<v Speaker 1>I agree. I mean, I think that in some ways

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<v Speaker 1>feminism has really I shouldn't say feminism has done a

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<v Speaker 1>bad job of selling the message. But if people think

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<v Speaker 1>that feminism is about all women should work and not

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<v Speaker 1>be home, and that somehow women who's stay home with

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<v Speaker 1>children and lower down on the leaderboard of what it

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<v Speaker 1>means to be a good woman or a good feminist

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<v Speaker 1>than women who work outside the home, that's certainly not

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<v Speaker 1>how I see feminism.

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<v Speaker 2>Yeah, I reject that that's what feminism thinks.

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<v Speaker 3>I think that the reason why we're having debates about

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<v Speaker 3>feminism right now is because probably in the twenty tens.

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<v Speaker 3>I think there was probably a bit of overall progress, right.

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<v Speaker 3>We remember Beyonce with the feminist behind her, and then

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<v Speaker 3>there was the Me Too movement, which was like this

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<v Speaker 3>enormous kind of cultural conversation, and experts and like sociologists

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<v Speaker 3>and anthropologists will often say that what happens is that

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<v Speaker 3>when you make strides, there is inevitably a backlash. There

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<v Speaker 3>is then like an analysis of what just happened, and

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<v Speaker 3>I think we're probably in that moment now. I also

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<v Speaker 3>think that at the intersection, and Louise Perry said this,

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<v Speaker 3>and I thought it was very true of technology and

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<v Speaker 3>the economy forcing a renegotiation of like gender norms and

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<v Speaker 3>what the role of men are and what the role

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<v Speaker 3>of women are. And that feels quite urgent right now,

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<v Speaker 3>Like we saw with adolescents, I think it's a really

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<v Speaker 3>urgent conversation about young boys and about women working in childcare.

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<v Speaker 3>That's another conversation that's like very very urgent. And I

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<v Speaker 3>think that probably the.

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<v Speaker 1>Well, you say it's urgent, but it's as Hollywood always

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<v Speaker 1>reminds us, women have worked since the beginning of time.

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<v Speaker 1>Working class women have always worked. Women have had the

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<v Speaker 1>opportunity to work pretty much since the Second World War

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<v Speaker 1>and particularly in the last generation. I just don't understand

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<v Speaker 1>what we're debating.

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<v Speaker 3>We've seen it in government in Australia recently, and I

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<v Speaker 3>know that it's happening around the world too, is like

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<v Speaker 3>childcare subsidies, things like that, whether women want the childcare

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<v Speaker 3>subsidies or whether they want maternity leave. And in the US,

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<v Speaker 3>I think that was it was interesting, right because two

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<v Speaker 3>were from the UK and one was from the US,

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<v Speaker 3>and I thought we're arguing different things here because you

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<v Speaker 3>come from different contexts well.

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<v Speaker 2>And also I think you could argue that in the

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<v Speaker 2>particularly in the US, at the minute, it feels kind

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<v Speaker 2>of urgent women's rights are being rolled.

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<v Speaker 3>Back, so that quite literally, Yeah.

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<v Speaker 2>My feeling about this because I'm seeing everywhere and I

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<v Speaker 2>feel like we're being tricked, right, because all of those

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<v Speaker 2>things are so real, and questions about how we pay

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<v Speaker 2>for childcare, whether we even shoued or you know, all

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<v Speaker 2>of those things are really important. But it feels to

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<v Speaker 2>me that at the moment, feminism is the current scapegoat

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<v Speaker 2>for everything that's wrong with the world. Right, so men

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<v Speaker 2>and loneliness and depression. Definitely, feminism's fault. Higher rates of

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<v Speaker 2>anxiety and mental health issues going on in young people,

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<v Speaker 2>Feminism's fault. Definitely. There's a woman on this table, not

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<v Speaker 2>on this table, Stephen Bartlett's table, Erica, who thought there

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<v Speaker 2>was a very direct link between kids not having mothers

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<v Speaker 2>at home in their early years and anxiety and depression,

0:10:52.182 --> 0:10:56.382
<v Speaker 2>an increasingly pornographically addicted culture and all the associated problems

0:10:56.422 --> 0:11:00.422
<v Speaker 2>with that. Definitely feminism's fault. More single people, falling birth rates,

0:11:00.422 --> 0:11:05.582
<v Speaker 2>feminism's fault. Divorce obviously, feminism's fault. Devaluing of motherhood, feminism's fault.

0:11:05.662 --> 0:11:09.182
<v Speaker 2>And it's like, all of those things are real, but

0:11:09.542 --> 0:11:13.702
<v Speaker 2>whose fault they are is the most complicated question, so

0:11:14.062 --> 0:11:17.582
<v Speaker 2>it has nothing in this model. This Stephen Bartlett likes

0:11:17.582 --> 0:11:19.462
<v Speaker 2>saying to that, and I'm not necessarily blaming him, He's

0:11:19.502 --> 0:11:22.382
<v Speaker 2>an interesting guy, but saying, you know, do you think

0:11:22.422 --> 0:11:25.182
<v Speaker 2>it's women's fault that men are anxious and lonely or

0:11:25.222 --> 0:11:27.302
<v Speaker 2>that men don't feel they have a place anymore? Like

0:11:27.382 --> 0:11:31.222
<v Speaker 2>it's convenient that we're not asking bigger, more complicated questions

0:11:31.222 --> 0:11:34.462
<v Speaker 2>that aren't a sexy for podcast headlines, because a lot

0:11:34.502 --> 0:11:36.622
<v Speaker 2>of this has to do with the changing nature of

0:11:36.622 --> 0:11:38.382
<v Speaker 2>the economy, and the fact that a lot of traditional

0:11:38.502 --> 0:11:41.262
<v Speaker 2>jobs that men used to do don't exist anymore. A

0:11:41.302 --> 0:11:43.302
<v Speaker 2>lot of this has to do with technology, a lot

0:11:43.302 --> 0:11:45.262
<v Speaker 2>of this has to do with capitalism, a lot of

0:11:45.262 --> 0:11:47.422
<v Speaker 2>this has to do with social media, and the people

0:11:47.502 --> 0:11:50.022
<v Speaker 2>benefiting from most of those things are men, and the

0:11:50.022 --> 0:11:52.862
<v Speaker 2>most powerful people in the world are still men. So

0:11:52.902 --> 0:11:56.182
<v Speaker 2>it feels like a trick that we're all being blamed

0:11:56.822 --> 0:11:58.222
<v Speaker 2>because we're greedy, feminine.

0:11:58.302 --> 0:11:59.862
<v Speaker 3>And it's also like we're going to get the three

0:11:59.902 --> 0:12:03.222
<v Speaker 3>women on to fix it when I think that the

0:12:03.262 --> 0:12:05.502
<v Speaker 3>two biggest things that you just touched on there. One

0:12:05.582 --> 0:12:07.782
<v Speaker 3>is the declining birth rate. I think that is a

0:12:07.862 --> 0:12:10.182
<v Speaker 3>panic that is happening all over the world right now

0:12:10.222 --> 0:12:12.062
<v Speaker 3>where people are going, we are not at replacement rate,

0:12:12.102 --> 0:12:14.302
<v Speaker 3>and that is an actual issue. So we need women

0:12:14.302 --> 0:12:17.102
<v Speaker 3>to have more bab And I don't think it is

0:12:17.142 --> 0:12:19.342
<v Speaker 3>feminism's fault. I think that it's an economic story.

0:12:19.462 --> 0:12:22.902
<v Speaker 1>Well, hang on, it actually is because if women don't

0:12:22.902 --> 0:12:27.262
<v Speaker 1>have equal rights and they don't get to choose whether

0:12:27.382 --> 0:12:31.982
<v Speaker 1>they leave their husbands or have jobs, or get paid

0:12:32.222 --> 0:12:35.102
<v Speaker 1>the same amount, or use or use contraception, or have

0:12:35.142 --> 0:12:38.022
<v Speaker 1>access to abortion, they are going to stay home and

0:12:38.022 --> 0:12:39.822
<v Speaker 1>have more babies because I have no choice.

0:12:39.902 --> 0:12:42.222
<v Speaker 3>Well, I think it's also something having a baby is

0:12:42.262 --> 0:12:44.302
<v Speaker 3>something that women do with men, so to me, that's

0:12:44.302 --> 0:12:47.462
<v Speaker 3>a relational conversation. And the other thing that I think

0:12:47.542 --> 0:12:49.742
<v Speaker 3>is a really big one is cost of living and

0:12:49.782 --> 0:12:52.862
<v Speaker 3>the fact that you needed two income household in order

0:12:52.862 --> 0:12:55.342
<v Speaker 3>to afford a house. There was a comment that was like, look,

0:12:55.422 --> 0:12:57.662
<v Speaker 3>maybe if families would just not buy the.

0:12:57.582 --> 0:13:00.622
<v Speaker 1>Holiday house then go to Europe so much.

0:13:00.622 --> 0:13:02.982
<v Speaker 3>Exactly, and it's like, no, no, no, You've got two full

0:13:03.022 --> 0:13:06.062
<v Speaker 3>time working parents who are going how are we going

0:13:06.102 --> 0:13:09.902
<v Speaker 3>to get the childcare done? Who are then choosing care

0:13:10.062 --> 0:13:12.542
<v Speaker 3>or whatever they need to and then they're being like

0:13:12.862 --> 0:13:15.542
<v Speaker 3>double shamed for that. And I just need a moment

0:13:16.182 --> 0:13:20.262
<v Speaker 3>on Erica Commissar because as someone who exists on Instagram

0:13:20.342 --> 0:13:24.742
<v Speaker 3>and TikTok, she is stalking me, She's everywhere, she is

0:13:24.782 --> 0:13:26.942
<v Speaker 3>popping up all of the time, and she says deliberately

0:13:26.982 --> 0:13:30.182
<v Speaker 3>inflammatory things. And I almost didn't want to repeat it

0:13:30.222 --> 0:13:32.222
<v Speaker 3>on this podcast because I think that it is so

0:13:32.582 --> 0:13:36.502
<v Speaker 3>upsetting to mothers in particular, but also fathers. Sending your

0:13:36.582 --> 0:13:40.901
<v Speaker 3>child to childcare is a day orphanage, which is a

0:13:40.942 --> 0:13:43.342
<v Speaker 3>contradiction in terms that actually doesn't even make sense.

0:13:43.502 --> 0:13:44.262
<v Speaker 1>Very inflammatory.

0:13:44.342 --> 0:13:46.822
<v Speaker 3>It's so inflammatory, And what I want to say about

0:13:46.822 --> 0:13:50.302
<v Speaker 3>it is that she is looking at correlation and causation.

0:13:50.382 --> 0:13:53.302
<v Speaker 3>She's looking at ADHD and kids and mental health issues,

0:13:53.302 --> 0:13:55.622
<v Speaker 3>and she's going, well, daycare, it has to be that

0:13:55.662 --> 0:13:58.582
<v Speaker 3>you're putting them in the care of strangers and they're

0:13:58.622 --> 0:14:01.702
<v Speaker 3>all screaming and they're all upset, and she's saying that

0:14:02.102 --> 0:14:04.822
<v Speaker 3>as a psychoanalyst. She's sitting there as a psychoanalyst. But

0:14:04.902 --> 0:14:07.261
<v Speaker 3>I don't think that's where it's coming from. And I've

0:14:07.262 --> 0:14:10.141
<v Speaker 3>said on this podcast before, I'm happy for research to

0:14:10.182 --> 0:14:12.702
<v Speaker 3>be unpopular, and sometimes it is, and I think that's important.

0:14:13.182 --> 0:14:15.062
<v Speaker 3>I went deep because I went if there is a

0:14:15.102 --> 0:14:19.342
<v Speaker 3>paper that is proving that sending your child to childcare

0:14:19.502 --> 0:14:23.662
<v Speaker 3>is causing attachment issues which then results in ADHD, that's massive,

0:14:23.742 --> 0:14:27.062
<v Speaker 3>like we should absolutely be talking about that. It doesn't exist,

0:14:27.142 --> 0:14:31.102
<v Speaker 3>like it genuinely is not evidence based. And she comes

0:14:31.102 --> 0:14:33.542
<v Speaker 3>from a very Christian conservative background, which is fine.

0:14:33.662 --> 0:14:36.542
<v Speaker 1>She calls herself a maternal feminist, so she says she

0:14:36.622 --> 0:14:40.982
<v Speaker 1>believes in women having choices, but that they should forego

0:14:41.102 --> 0:14:43.862
<v Speaker 1>some of those choices when they have children. That the

0:14:43.902 --> 0:14:46.022
<v Speaker 1>needs of the child, should you surp any.

0:14:46.102 --> 0:14:48.502
<v Speaker 3>And she'll say something that is evidence based, and then

0:14:48.542 --> 0:14:50.942
<v Speaker 3>she'll say some truth in that, but then she'll throw

0:14:50.982 --> 0:14:54.622
<v Speaker 3>out a word like narcissism, as though the narcissism of mothers.

0:14:54.702 --> 0:14:56.502
<v Speaker 3>She's saying, you know, you have a baby, and then

0:14:56.542 --> 0:14:58.182
<v Speaker 3>you want to go on a holiday and leave the baby.

0:14:58.222 --> 0:15:02.022
<v Speaker 3>I'm like, who who's leaving the baby? Like, you don't

0:15:02.062 --> 0:15:06.622
<v Speaker 3>think that you can still be a primary caregiver while having,

0:15:06.982 --> 0:15:10.262
<v Speaker 3>you know, someone else, Like it's Eric, I pushed.

0:15:09.982 --> 0:15:12.502
<v Speaker 2>A lot of my buttons. Unsurprisingly, I'm trying to remain

0:15:12.542 --> 0:15:15.942
<v Speaker 2>calmt because the thing that's really interesting about this kind

0:15:15.982 --> 0:15:19.302
<v Speaker 2>of just asking questions debate, right because you know, I

0:15:19.302 --> 0:15:21.062
<v Speaker 2>said my thing before about how I think we're being

0:15:21.262 --> 0:15:23.542
<v Speaker 2>tricked a bit in a sort of culture war that's

0:15:23.582 --> 0:15:27.742
<v Speaker 2>trying to make young women in particular feel that they've

0:15:27.782 --> 0:15:30.822
<v Speaker 2>been tricked somehow by feminism and that a simpler, happier

0:15:30.822 --> 0:15:32.742
<v Speaker 2>life would be one where they had fewer choices. We

0:15:32.782 --> 0:15:34.902
<v Speaker 2>see that a lot. That's tradwife stuff. We look at

0:15:34.902 --> 0:15:37.502
<v Speaker 2>it a lot. But the reason why this kind of

0:15:37.502 --> 0:15:39.742
<v Speaker 2>debate is really interesting is I was listening to Erica

0:15:40.182 --> 0:15:42.622
<v Speaker 2>and I was thinking about my son, and I was

0:15:42.622 --> 0:15:44.902
<v Speaker 2>thinking about how I went back to work pretty early

0:15:45.102 --> 0:15:47.862
<v Speaker 2>and we did put him in childcare quite young because

0:15:47.902 --> 0:15:51.062
<v Speaker 2>of various circumstances. And then I'm going, oh, is that why?

0:15:51.062 --> 0:15:53.142
<v Speaker 2>Maybe that's why this, this and this, Maybe that's it.

0:15:53.182 --> 0:15:54.822
<v Speaker 2>And then it pushes by buttons. I'm like, oh, yeah,

0:15:54.822 --> 0:15:56.942
<v Speaker 2>she must be right. I'm a terrible person. And then

0:15:57.182 --> 0:15:59.382
<v Speaker 2>you know what I mean, it immediately starts to eternalize.

0:15:59.382 --> 0:16:01.542
<v Speaker 2>And the thing is that why this stuff is tricky

0:16:02.142 --> 0:16:05.262
<v Speaker 2>is that these three smart women who are good at arguing,

0:16:05.702 --> 0:16:08.662
<v Speaker 2>and they were all good at arguing, got through all

0:16:08.742 --> 0:16:11.102
<v Speaker 2>the sort of push button issues all the way from

0:16:11.222 --> 0:16:13.182
<v Speaker 2>should a man open a door for a woman like

0:16:13.342 --> 0:16:16.822
<v Speaker 2>who gives a shit honestly? Through to staying at home

0:16:17.422 --> 0:16:20.182
<v Speaker 2>through to pornography, all these things, and they're really engaging

0:16:20.222 --> 0:16:23.542
<v Speaker 2>interesting discussions, but it all seems to just end up

0:16:23.582 --> 0:16:26.742
<v Speaker 2>back on women's laps. Whether it's whether or not my kid,

0:16:27.222 --> 0:16:30.662
<v Speaker 2>you know, has particular issues because I went back to work,

0:16:31.102 --> 0:16:34.262
<v Speaker 2>or whether women are being violently abused in the name

0:16:34.302 --> 0:16:37.062
<v Speaker 2>of pornography and it's because women are too sexually liberated.

0:16:37.062 --> 0:16:38.622
<v Speaker 2>It all ends up back on our laps.

0:16:38.702 --> 0:16:41.662
<v Speaker 1>Yeah, I was interested in because it wasn't just about motherhood.

0:16:41.662 --> 0:16:44.382
<v Speaker 1>There was a lot about sex, and particularly that's Louise

0:16:44.462 --> 0:16:49.542
<v Speaker 1>Perry's area of interest. And she's written about how hook

0:16:49.582 --> 0:16:53.382
<v Speaker 1>up culture has been really great for men but not

0:16:53.462 --> 0:16:58.182
<v Speaker 1>good for women because generally women are more inclined to

0:16:58.262 --> 0:17:02.982
<v Speaker 1>want emotional connection and be very unsatisfied and devalued and

0:17:03.102 --> 0:17:05.422
<v Speaker 1>suffer from low self esteem and all of those things

0:17:05.702 --> 0:17:09.381
<v Speaker 1>through casual sex, and that she believes that women should

0:17:09.662 --> 0:17:14.262
<v Speaker 1>only have sex with someone after they're engaged, which is

0:17:14.302 --> 0:17:17.221
<v Speaker 1>interesting because that means that everyone's marrying the first person

0:17:17.262 --> 0:17:20.782
<v Speaker 1>they have sex with, right, presuming that engagement leads to marriage.

0:17:21.182 --> 0:17:25.341
<v Speaker 1>And she was also saying, as was Erica, they kept

0:17:25.341 --> 0:17:27.901
<v Speaker 1>talking about too much choice, and we do know that

0:17:27.942 --> 0:17:31.022
<v Speaker 1>if people are given too much choice, they get paralyzed,

0:17:31.101 --> 0:17:33.662
<v Speaker 1>they don't know what to do. People do prefer less choice.

0:17:33.782 --> 0:17:36.621
<v Speaker 1>But they both kept talking about there needs to be

0:17:36.702 --> 0:17:40.021
<v Speaker 1>more rules and more structure, and I kept sort of

0:17:40.101 --> 0:17:43.302
<v Speaker 1>shouting at the phone, just like, but what do you mean?

0:17:44.182 --> 0:17:47.542
<v Speaker 1>Do you mean that women shouldn't be allowed to have

0:17:47.661 --> 0:17:50.462
<v Speaker 1>sex with men unless they were engaged? Do you mean

0:17:50.462 --> 0:17:53.542
<v Speaker 1>that women shouldn't be allowed to work until their children

0:17:53.542 --> 0:17:56.421
<v Speaker 1>were three years old, Like, what are you actually saying?

0:17:56.542 --> 0:17:58.941
<v Speaker 3>The point I thought was strong on that, and I

0:17:59.022 --> 0:18:01.502
<v Speaker 3>heard it by a very liberal feminist said in a

0:18:01.542 --> 0:18:04.821
<v Speaker 3>podcast recently which she referred to something I'm gonna bungle it,

0:18:04.821 --> 0:18:08.181
<v Speaker 3>but it was something like the relief of responsibility or

0:18:08.182 --> 0:18:09.381
<v Speaker 3>the relief of duty.

0:18:09.581 --> 0:18:11.901
<v Speaker 1>So let's get the government and men to make rules

0:18:11.901 --> 0:18:12.982
<v Speaker 1>for us, because I don't.

0:18:12.782 --> 0:18:14.621
<v Speaker 3>Know much better what she was talking about. She was

0:18:14.661 --> 0:18:18.621
<v Speaker 3>talking about when you're in a position where your life

0:18:18.742 --> 0:18:21.382
<v Speaker 3>so for example, let's say you have a job, there

0:18:21.422 --> 0:18:24.181
<v Speaker 3>is actually some relief to knowing where to go every day,

0:18:24.542 --> 0:18:26.622
<v Speaker 3>to having structure in your life. And for men, it's

0:18:26.621 --> 0:18:29.462
<v Speaker 3>like there is relief in knowing what the role of

0:18:29.502 --> 0:18:31.422
<v Speaker 3>a dad is and that the role of a dad

0:18:31.462 --> 0:18:34.142
<v Speaker 3>is not to leave and go and sleep with one

0:18:34.222 --> 0:18:37.421
<v Speaker 3>hundred women on the weekend. Like humans actually really like

0:18:37.502 --> 0:18:41.901
<v Speaker 3>being responsible to other people. And that's what I think

0:18:41.982 --> 0:18:44.821
<v Speaker 3>is strong in it that you go okay in terms

0:18:44.861 --> 0:18:49.141
<v Speaker 3>of community. I see men that I young, men that

0:18:49.262 --> 0:18:52.462
<v Speaker 3>I know, and women I suppose that are in this

0:18:52.702 --> 0:18:56.022
<v Speaker 3>state of not quite knowing what their job is or

0:18:56.061 --> 0:18:58.141
<v Speaker 3>what their role is, or who they're responsible to or

0:18:58.141 --> 0:18:59.821
<v Speaker 3>how they should spend their time, and that doesn't mean

0:18:59.861 --> 0:19:00.581
<v Speaker 3>they should be forced.

0:19:00.621 --> 0:19:02.661
<v Speaker 1>So you're saying that there's something to be said for

0:19:02.742 --> 0:19:05.901
<v Speaker 1>gender roles and throwing them out. That's actually agree with that.

0:19:05.901 --> 0:19:08.502
<v Speaker 3>That's actually not so much about gender roles. I think

0:19:08.542 --> 0:19:13.461
<v Speaker 3>it's just about responsibility to other people, and I'm allergic

0:19:13.581 --> 0:19:17.381
<v Speaker 3>to sort of a hyper hyper individualized models, which I

0:19:17.381 --> 0:19:19.661
<v Speaker 3>think is again nothing true with feminism and everything to

0:19:19.901 --> 0:19:23.101
<v Speaker 3>capitalism is I think that there is something important about

0:19:23.422 --> 0:19:26.782
<v Speaker 3>being beholden and responsible to other people. I think it

0:19:26.782 --> 0:19:27.861
<v Speaker 3>makes us feel safer.

0:19:27.742 --> 0:19:29.782
<v Speaker 2>For sure. But you know, there's a lot of things

0:19:29.821 --> 0:19:32.262
<v Speaker 2>said in this conversation and many conversations like this, that

0:19:32.341 --> 0:19:36.101
<v Speaker 2>were really true and interesting and worth turning over. But

0:19:36.462 --> 0:19:39.022
<v Speaker 2>the way that it just keeps coming back to, we

0:19:39.101 --> 0:19:41.902
<v Speaker 2>need some very specific rules about it, you know, because

0:19:42.061 --> 0:19:44.502
<v Speaker 2>even when they're talking about gender roles and parenting, of

0:19:44.581 --> 0:19:46.742
<v Speaker 2>course there are differences between men and women. Of course,

0:19:46.782 --> 0:19:48.942
<v Speaker 2>there are all those things. The way that they were

0:19:48.982 --> 0:19:53.861
<v Speaker 2>talking about it completely ignored the whole idea that men

0:19:53.982 --> 0:19:57.061
<v Speaker 2>have also benefited a lot from these roles being blurred,

0:19:57.061 --> 0:20:01.262
<v Speaker 2>which they have. Yes, I see and know so many

0:20:01.742 --> 0:20:05.862
<v Speaker 2>fathers who get an enormous amount of joy and pleasure

0:20:05.942 --> 0:20:08.061
<v Speaker 2>out of being the kind of involved parent that doesn't

0:20:08.101 --> 0:20:10.182
<v Speaker 2>necessarily mean they're stay at home twenty four to seven

0:20:10.182 --> 0:20:13.461
<v Speaker 2>Paris that they didn't get, you know what I mean, Like,

0:20:13.861 --> 0:20:16.542
<v Speaker 2>when you've got the very very rigid view that women

0:20:16.581 --> 0:20:19.941
<v Speaker 2>do the caring and men do the providing and that's it.

0:20:19.942 --> 0:20:23.142
<v Speaker 2>It doesn't only put all of the onus of caring

0:20:23.141 --> 0:20:26.222
<v Speaker 2>and all of the work associated with that on women unpaid,

0:20:26.462 --> 0:20:29.302
<v Speaker 2>but it also robs men of all the joys of

0:20:29.341 --> 0:20:32.502
<v Speaker 2>it because they are literally removed from the family unit

0:20:32.542 --> 0:20:34.502
<v Speaker 2>and their only job is to bring home the meat.

0:20:34.861 --> 0:20:37.061
<v Speaker 2>And it's kind of like, don't we all kind of

0:20:37.101 --> 0:20:41.701
<v Speaker 2>instinctively know that a bit of everything is good and

0:20:42.061 --> 0:20:45.061
<v Speaker 2>that also some people are more suited to this and

0:20:45.101 --> 0:20:46.902
<v Speaker 2>some people are more suited to that, and you can

0:20:46.942 --> 0:20:48.662
<v Speaker 2>work it out in a familial way.

0:20:48.581 --> 0:20:51.101
<v Speaker 3>And that kind of fifties and I think there is

0:20:51.141 --> 0:20:55.341
<v Speaker 3>something maybe particularly in the US model of a wife

0:20:55.341 --> 0:20:58.022
<v Speaker 3>and a husband was not utopia, Like it was really

0:20:58.061 --> 0:20:59.742
<v Speaker 3>really toxic in a lot of ways.

0:20:59.821 --> 0:21:01.621
<v Speaker 1>Well that I want to touch on that for a second,

0:21:01.702 --> 0:21:06.262
<v Speaker 1>because one of Louise Perry's points about hookup culture is

0:21:06.302 --> 0:21:10.302
<v Speaker 1>so terrible and monogamy is the best state for women.

0:21:11.022 --> 0:21:13.101
<v Speaker 1>I think that there is some truth in that. I

0:21:13.141 --> 0:21:15.982
<v Speaker 1>think that she was saying that women are particularly young women,

0:21:15.982 --> 0:21:19.022
<v Speaker 1>are being sold this idea that it's really liberating to

0:21:19.302 --> 0:21:22.462
<v Speaker 1>have attachment free sex, to sleep with a different person

0:21:22.502 --> 0:21:26.941
<v Speaker 1>every night, to be on the apps, to not have relationships,

0:21:26.942 --> 0:21:29.621
<v Speaker 1>but to just have sex. And there will always be

0:21:29.782 --> 0:21:32.022
<v Speaker 1>some people that that is good for, and of course

0:21:32.061 --> 0:21:35.302
<v Speaker 1>everybody should be able to choose. But I do agree

0:21:35.422 --> 0:21:37.981
<v Speaker 1>that if we are trying to convince women to be

0:21:38.022 --> 0:21:41.542
<v Speaker 1>ashamed that they want to get married or ashamed somehow

0:21:41.542 --> 0:21:43.821
<v Speaker 1>they're letting the side down, or they're not a feminist

0:21:43.942 --> 0:21:46.901
<v Speaker 1>because they want a boyfriend, or they want to be

0:21:46.942 --> 0:21:50.942
<v Speaker 1>monogamous and casual sex isn't their thing. I do think

0:21:50.982 --> 0:21:53.982
<v Speaker 1>that it's important again, both options are really.

0:21:53.901 --> 0:21:56.901
<v Speaker 2>But as Deborah said in this is that I don't

0:21:56.942 --> 0:21:59.502
<v Speaker 2>think that is what young women are being told. You

0:21:59.661 --> 0:22:02.942
<v Speaker 2>still see overwhelmingly that the ideal that they are being

0:22:02.982 --> 0:22:06.782
<v Speaker 2>told is to get married, and overwhelmingly we're excited about

0:22:06.782 --> 0:22:10.302
<v Speaker 2>engagements and weddings and relationships. I think that all of

0:22:10.341 --> 0:22:12.821
<v Speaker 2>this is about people being allowed to make choices that

0:22:12.861 --> 0:22:15.022
<v Speaker 2>work for them, and for a very very long time,

0:22:15.022 --> 0:22:19.022
<v Speaker 2>women were shamed in all kinds of ways for being

0:22:19.061 --> 0:22:21.101
<v Speaker 2>sexual in any way, you know what I mean, and

0:22:21.182 --> 0:22:23.701
<v Speaker 2>that so it's I don't know. I just think we

0:22:23.782 --> 0:22:26.302
<v Speaker 2>shouldn't even though we just have to a point. I

0:22:26.302 --> 0:22:28.502
<v Speaker 2>don't think we should allow ourselves to be tricked into

0:22:28.502 --> 0:22:30.461
<v Speaker 2>this idea. As you started off by saying here that

0:22:30.502 --> 0:22:33.461
<v Speaker 2>feminism is up for debate and that feminism is the

0:22:33.502 --> 0:22:35.261
<v Speaker 2>cause of all the problems of the world, and just

0:22:35.302 --> 0:22:38.341
<v Speaker 2>a few more podcasts round tables about it where we

0:22:38.422 --> 0:22:41.302
<v Speaker 2>get to say things like are feminists responsible for all

0:22:41.302 --> 0:22:45.701
<v Speaker 2>the angry men? Is like really going to solve it out, louders.

0:22:45.742 --> 0:22:48.462
<v Speaker 1>I have strong feelings about this season of the Dallas

0:22:48.502 --> 0:22:51.262
<v Speaker 1>Cowboy Cheerleaders, which is brought to you by spraytnds and

0:22:51.302 --> 0:22:54.621
<v Speaker 1>gas lighting. We're going to be unpacking it after this

0:22:54.742 --> 0:23:00.022
<v Speaker 1>break out, Louders. We've got a listener dilemma, and we

0:23:00.061 --> 0:23:02.742
<v Speaker 1>need your collective wisdom to help us and our partners

0:23:02.782 --> 0:23:06.782
<v Speaker 1>YUWI to solve it. Here is the problem. I'm thirty three,

0:23:06.942 --> 0:23:09.181
<v Speaker 1>child free by choice, and I have a close friend

0:23:09.262 --> 0:23:12.061
<v Speaker 1>Sarah Sarah who has two young kids aged four and seven.

0:23:12.341 --> 0:23:14.461
<v Speaker 1>We've been mates for over a decade, but lately I'm

0:23:14.542 --> 0:23:16.702
<v Speaker 1>dreading whenever she asks to come over to my place.

0:23:17.061 --> 0:23:20.182
<v Speaker 1>When she brings her kids over, it honestly is chaos.

0:23:20.381 --> 0:23:23.262
<v Speaker 1>They touch everything, leave sticky fingerprints on my white walls,

0:23:23.341 --> 0:23:25.701
<v Speaker 1>jump on my furniture, and last time one of them

0:23:25.702 --> 0:23:29.702
<v Speaker 1>broke a ceramic VARs that had sentimental value. Sarah barely

0:23:29.742 --> 0:23:32.942
<v Speaker 1>supervises them and just says kids will be kids. I've

0:23:32.942 --> 0:23:35.701
<v Speaker 1>tried suggesting we meet at Park's kid friendly cafes or

0:23:35.702 --> 0:23:38.861
<v Speaker 1>her place, but she always has excuses her house is

0:23:38.901 --> 0:23:41.941
<v Speaker 1>too messy or she needs a change of scenery. I

0:23:41.942 --> 0:23:44.661
<v Speaker 1>think she genuinely doesn't realize how stressful it is for me.

0:23:45.022 --> 0:23:47.061
<v Speaker 1>I love Sarah and I don't want to lose our friendship,

0:23:47.222 --> 0:23:50.262
<v Speaker 1>but I'm starting to resent her visits. Am I being unreasonable?

0:23:50.502 --> 0:23:53.141
<v Speaker 1>How do I have this conversation without sounding like I

0:23:53.182 --> 0:23:56.141
<v Speaker 1>hate children? So the question is, if you've got friends

0:23:56.141 --> 0:23:58.381
<v Speaker 1>like this and she asks to come over, what do

0:23:58.422 --> 0:23:58.821
<v Speaker 1>you do next?

0:23:58.901 --> 0:24:02.022
<v Speaker 3>Jesse Stevens, the children are not coming to your home anymore.

0:24:02.101 --> 0:24:04.102
<v Speaker 3>You are not obliged to have those children in your home.

0:24:04.182 --> 0:24:06.661
<v Speaker 3>I don't think I totally get it. It's like you

0:24:06.702 --> 0:24:08.942
<v Speaker 3>are just waiting for them to push over a vase

0:24:09.022 --> 0:24:10.742
<v Speaker 3>or break the tell vision and then things get really,

0:24:10.742 --> 0:24:13.661
<v Speaker 3>really awkward. I think you've got to keep pushing the park.

0:24:13.901 --> 0:24:16.141
<v Speaker 3>Go to the places where they jump on the trampolines

0:24:16.141 --> 0:24:17.381
<v Speaker 3>and they break their arms. Go do that.

0:24:17.381 --> 0:24:20.382
<v Speaker 1>It's unpopular opinion. I don't like seeing my girlfriends with

0:24:20.422 --> 0:24:22.182
<v Speaker 1>their children. I don't have.

0:24:22.101 --> 0:24:23.221
<v Speaker 3>Someone in that stage.

0:24:23.302 --> 0:24:28.222
<v Speaker 2>Yeah, it's unavoidable, that's not true nighttime, but you haven't

0:24:28.222 --> 0:24:31.182
<v Speaker 2>always got a babysitter like it is unavoidable. But I

0:24:31.222 --> 0:24:33.542
<v Speaker 2>think that Sarah in this instance isn't being a very

0:24:33.581 --> 0:24:37.821
<v Speaker 2>good friend, because you can tell, unless you're completely unself aware,

0:24:37.861 --> 0:24:39.461
<v Speaker 2>you can tell if you take your kids to someone's

0:24:39.462 --> 0:24:41.501
<v Speaker 2>house whether they're happy for them to be there or not,

0:24:41.742 --> 0:24:43.461
<v Speaker 2>or if they are in a state of anxiety and

0:24:43.502 --> 0:24:45.502
<v Speaker 2>moving things out of the whale. Time I find was Sarah,

0:24:45.502 --> 0:24:46.742
<v Speaker 2>I wouldn't take my kids around.

0:24:46.742 --> 0:24:48.861
<v Speaker 1>So what do you say to Sarah. I've got an idea.

0:24:49.101 --> 0:24:51.702
<v Speaker 1>Don't have a big conversation about how you never want

0:24:51.702 --> 0:24:53.302
<v Speaker 1>to do it anymore. You've just got to take each

0:24:53.381 --> 0:24:56.302
<v Speaker 1>thing as it comes. And there's always a reason. I'm

0:24:56.341 --> 0:24:58.621
<v Speaker 1>so sorry the cleaners are going to be here today.

0:24:58.861 --> 0:25:02.622
<v Speaker 1>I've got a trade here. There's always a reason. And

0:25:03.222 --> 0:25:05.182
<v Speaker 1>then there just keeps being reasons.

0:25:04.861 --> 0:25:08.341
<v Speaker 3>Buy a dog that bites people and be like, I'm

0:25:08.381 --> 0:25:10.381
<v Speaker 3>so sorry my dog bite your children.

0:25:10.462 --> 0:25:12.701
<v Speaker 2>I think MEA's ideas are slightly better today.

0:25:12.821 --> 0:25:14.861
<v Speaker 1>Out loud as what would you do next? Share your

0:25:14.901 --> 0:25:17.461
<v Speaker 1>thoughts in the Mama Mea out Loud Facebook group, and

0:25:17.502 --> 0:25:19.862
<v Speaker 1>if you have a dilemma, send it to us at

0:25:19.901 --> 0:25:22.662
<v Speaker 1>out loud at mammamea dot com dot are you, We'd

0:25:22.702 --> 0:25:23.381
<v Speaker 1>love to help you.

0:25:24.502 --> 0:25:26.701
<v Speaker 3>There was a story in the Good Weekend Over the

0:25:26.702 --> 0:25:30.262
<v Speaker 3>Weekend called date Night Dressing. Taylor Swift makes an effort,

0:25:30.341 --> 0:25:33.861
<v Speaker 3>and so can we. The writer Damien will Know says,

0:25:34.022 --> 0:25:36.661
<v Speaker 3>it reminds your loved one of their initial attraction to

0:25:36.702 --> 0:25:39.621
<v Speaker 3>you and proves to you that you can still flirt

0:25:39.621 --> 0:25:40.142
<v Speaker 3>with fashion.

0:25:40.341 --> 0:25:41.502
<v Speaker 1>So getting dressed up?

0:25:41.702 --> 0:25:44.982
<v Speaker 3>Yes? Now, Maya, you know how to describe clothes better

0:25:44.982 --> 0:25:45.422
<v Speaker 3>than I do.

0:25:45.502 --> 0:25:45.741
<v Speaker 2>I do?

0:25:45.901 --> 0:25:50.381
<v Speaker 3>Can you please describe in this audio medium, yea, what

0:25:50.901 --> 0:25:52.421
<v Speaker 3>Taylor Swift looks like on date night?

0:25:52.861 --> 0:25:55.422
<v Speaker 2>Go out? They seem to do date night quite a lot.

0:25:55.621 --> 0:25:58.701
<v Speaker 1>Yeah, whenever they're outside together, they're photographed, and they do

0:25:58.821 --> 0:26:00.941
<v Speaker 1>go out to dinner a lot, either with other couples

0:26:01.061 --> 0:26:04.341
<v Speaker 1>or just together, and they are always dressed up. But

0:26:04.381 --> 0:26:06.781
<v Speaker 1>then Travis is always dressed up because he's a man

0:26:06.821 --> 0:26:09.901
<v Speaker 1>who likes fashion tailors like a.

0:26:09.661 --> 0:26:11.462
<v Speaker 3>Fun, jaunty little hat he does.

0:26:11.621 --> 0:26:14.581
<v Speaker 1>It really was interesting that this. I didn't see this

0:26:14.661 --> 0:26:17.181
<v Speaker 1>story over the weekend, but I was actually looking at

0:26:17.182 --> 0:26:19.221
<v Speaker 1>some of the pictures of Taylor and Travis because they

0:26:19.262 --> 0:26:23.542
<v Speaker 1>were out again last week, and I was thinking, to myself, God,

0:26:23.621 --> 0:26:27.141
<v Speaker 1>she makes an effort heels. She's always wearing heels. She

0:26:27.222 --> 0:26:30.582
<v Speaker 1>was wearing a flippy little skirt. She's wearing the millennial

0:26:30.621 --> 0:26:33.502
<v Speaker 1>equivalent of Holly's jeans and a nice top. So what

0:26:33.581 --> 0:26:36.462
<v Speaker 1>jeans and a nice top were for gen x, Millennial

0:26:36.581 --> 0:26:39.861
<v Speaker 1>dressing is like a flippy little skirt, a nice little

0:26:39.982 --> 0:26:43.262
<v Speaker 1>tight top, and either ankle boots or heels.

0:26:43.381 --> 0:26:46.542
<v Speaker 3>And you said she never wears trainers, and I said,

0:26:46.542 --> 0:26:49.781
<v Speaker 3>to you or trackies. She dresses like a millennial. And

0:26:49.821 --> 0:26:51.901
<v Speaker 3>I can say that because I'm a millennial. That is

0:26:51.901 --> 0:26:54.621
<v Speaker 3>how I'm millennial coded. We millennials dresser.

0:26:54.742 --> 0:26:59.782
<v Speaker 1>And he dresses like it's always very coordinated. He loves fashion,

0:26:59.942 --> 0:27:03.542
<v Speaker 1>and NFL players in America really do. It's very different

0:27:03.742 --> 0:27:06.302
<v Speaker 1>like footy players in Australia who do just turn up

0:27:06.302 --> 0:27:08.661
<v Speaker 1>in the team track seat or their Stubbicks or whatever.

0:27:08.742 --> 0:27:11.102
<v Speaker 1>But in a Merica, it's like a lot of them

0:27:11.262 --> 0:27:14.022
<v Speaker 1>are fashion plates. They have contracts, they're sponsored by big

0:27:14.061 --> 0:27:17.861
<v Speaker 1>fashion housards, so they'll wear like a full Louis Vouton outfit,

0:27:18.462 --> 0:27:21.502
<v Speaker 1>and he likes matching things.

0:27:21.901 --> 0:27:25.302
<v Speaker 2>I have thoughts about date night dressing because when I

0:27:25.302 --> 0:27:27.581
<v Speaker 2>saw that headline about datelight dressing, I was like, yes,

0:27:27.742 --> 0:27:30.942
<v Speaker 2>because I'm in a long term relationship. We've been together

0:27:30.982 --> 0:27:34.622
<v Speaker 2>for twenty years. It's a long time, right, and if

0:27:34.661 --> 0:27:36.581
<v Speaker 2>we're going out on a date night, we do have

0:27:36.661 --> 0:27:38.542
<v Speaker 2>date nights, and it's usually just a pop trivia which

0:27:38.581 --> 0:27:40.182
<v Speaker 2>no one's dressing up for. But if we were going

0:27:40.222 --> 0:27:44.222
<v Speaker 2>out for Travison Taylor type dinner, yeah, I would want

0:27:44.262 --> 0:27:47.101
<v Speaker 2>Brent to dress up, and I would have quite specific

0:27:47.222 --> 0:27:50.262
<v Speaker 2>thoughts about what I would like him to wear. However,

0:27:50.341 --> 0:27:53.621
<v Speaker 2>if you turn that lens on me and went and

0:27:53.661 --> 0:27:55.661
<v Speaker 2>this isn't true because he couldn't give a shit, But

0:27:55.742 --> 0:27:59.022
<v Speaker 2>let's imagine Brent likes you in heels. I like you

0:27:59.061 --> 0:28:01.182
<v Speaker 2>in heels, wear heels for me, you know what I mean?

0:28:02.302 --> 0:28:06.221
<v Speaker 2>I would feel icky about that, right, like I know

0:28:06.302 --> 0:28:08.782
<v Speaker 2>couples who he'll say, I love it when you wear skirts,

0:28:08.821 --> 0:28:12.341
<v Speaker 2>wear more skirts. Right now, that's all the same thing

0:28:12.542 --> 0:28:14.341
<v Speaker 2>as me in a way, or is it? This is

0:28:14.381 --> 0:28:16.542
<v Speaker 2>what I want me to tell me, as me saying

0:28:16.581 --> 0:28:18.741
<v Speaker 2>to Brent, babe that shirt?

0:28:19.462 --> 0:28:19.502
<v Speaker 1>No?

0:28:20.341 --> 0:28:24.101
<v Speaker 2>Can we can we please wear something that because I

0:28:24.661 --> 0:28:27.421
<v Speaker 2>do want him to look as if he's made an effort.

0:28:27.661 --> 0:28:29.902
<v Speaker 2>And very often when you see a typical couple out

0:28:29.901 --> 0:28:32.502
<v Speaker 2>on a date in an ordinary kind of place, very

0:28:32.502 --> 0:28:34.542
<v Speaker 2>often she'll be quite dressed up and he will not.

0:28:34.861 --> 0:28:37.502
<v Speaker 3>And that's why you're allowed to tell him to put

0:28:37.502 --> 0:28:38.022
<v Speaker 3>on a nice.

0:28:37.901 --> 0:28:39.661
<v Speaker 2>So am I? So that's my question? Yeah, there are

0:28:39.661 --> 0:28:41.701
<v Speaker 2>their gender rules about date night dressing.

0:28:41.902 --> 0:28:45.022
<v Speaker 3>I think so because the women are so often setting

0:28:45.062 --> 0:28:49.142
<v Speaker 3>the standard, like women aren't feminists going in a stained

0:28:49.142 --> 0:28:51.702
<v Speaker 3>shirt that smells a bit funny, like women generally aren't.

0:28:52.222 --> 0:28:55.382
<v Speaker 3>But on Taylor, I think por Taylor, right, I often

0:28:55.382 --> 0:28:57.902
<v Speaker 3>think about I feel sorry for Taylor because she doesn't

0:28:57.902 --> 0:28:59.982
<v Speaker 3>have the privilege of going out in their truckies.

0:29:00.102 --> 0:29:01.461
<v Speaker 2>You could go in the back door.

0:29:01.422 --> 0:29:04.262
<v Speaker 3>She's gonna be photographed. And also, as you say, Hollie,

0:29:04.342 --> 0:29:06.502
<v Speaker 3>she's going to a Michelon Star restaurant, which we're not.

0:29:06.542 --> 0:29:08.262
<v Speaker 3>We're going to the local pub. So I can wear

0:29:08.302 --> 0:29:09.501
<v Speaker 3>my active wear to the local pub.

0:29:09.622 --> 0:29:12.302
<v Speaker 1>But Taylor enjoys it. Clearly you can tell she's someone

0:29:12.342 --> 0:29:15.782
<v Speaker 1>who likes playing with clothes, who likes wearing clothes.

0:29:15.982 --> 0:29:18.062
<v Speaker 2>So is it okay to want your partner to dress

0:29:18.102 --> 0:29:18.742
<v Speaker 2>up for date night?

0:29:19.102 --> 0:29:20.982
<v Speaker 1>I think it's not about what they're wearing. I think

0:29:21.022 --> 0:29:23.062
<v Speaker 1>that the desire you have for them to dress up

0:29:23.142 --> 0:29:26.742
<v Speaker 1>is not about their clothes. It's about making an effort

0:29:26.862 --> 0:29:29.462
<v Speaker 1>for you, as you said exactly. It's making an efforts

0:29:29.502 --> 0:29:33.822
<v Speaker 1>you exactly, and it's saying I care what you think

0:29:33.862 --> 0:29:36.461
<v Speaker 1>of me. That's why I have this conversation with my

0:29:36.542 --> 0:29:39.342
<v Speaker 1>partner a lot about if there's something that he wears

0:29:39.342 --> 0:29:42.782
<v Speaker 1>that I particularly don't like, he should not wear it

0:29:42.862 --> 0:29:47.181
<v Speaker 1>because which I agree with, it'll wear the other way around.

0:29:47.302 --> 0:29:50.742
<v Speaker 1>I mean, he doesn't really comment on my clothes except goodness,

0:29:52.422 --> 0:29:53.582
<v Speaker 1>which is the correct.

0:29:53.302 --> 0:29:55.342
<v Speaker 2>Response Jason and everyone else.

0:29:56.902 --> 0:29:59.302
<v Speaker 1>Exactly. And you say, well, like, who do we dress for?

0:29:59.382 --> 0:30:01.342
<v Speaker 1>And that's what this gets to the bottom of who

0:30:01.422 --> 0:30:02.902
<v Speaker 1>do we dress for? When you are going on a

0:30:02.982 --> 0:30:06.862
<v Speaker 1>date or a date night. Who are you actually dressing for?

0:30:06.902 --> 0:30:09.542
<v Speaker 1>When you go to someone's wedding or someone's engagement or

0:30:09.582 --> 0:30:11.902
<v Speaker 1>or someone's birthday party? Who were you dressing for? Are

0:30:11.902 --> 0:30:15.142
<v Speaker 1>you signaling to them? I care about you, and I

0:30:15.222 --> 0:30:18.902
<v Speaker 1>have tried hard with my clothes out of respect to you,

0:30:18.982 --> 0:30:22.342
<v Speaker 1>because I'm acknowledging that this is special and I want

0:30:22.382 --> 0:30:23.421
<v Speaker 1>to look a bit special for you.

0:30:23.622 --> 0:30:27.062
<v Speaker 3>I think too that and this is a fashion word

0:30:27.262 --> 0:30:30.062
<v Speaker 3>that I'm starting to try to use. It elevates how

0:30:30.142 --> 0:30:33.022
<v Speaker 3>you feel. So I go. We very rarely go on

0:30:33.182 --> 0:30:34.942
<v Speaker 3>date nights, but we went, you know, a little while

0:30:34.982 --> 0:30:37.502
<v Speaker 3>ago for an anniversary. And it's like, I like the

0:30:37.542 --> 0:30:39.702
<v Speaker 3>idea that you put on a like local will put

0:30:39.702 --> 0:30:42.822
<v Speaker 3>on a fragrance or like you're kind of I don't know,

0:30:43.062 --> 0:30:44.342
<v Speaker 3>shave dressing it exactly.

0:30:44.582 --> 0:30:46.422
<v Speaker 2>Let it feels special. Yeah.

0:30:46.462 --> 0:30:49.102
<v Speaker 3>And then when I'm sitting there, it's not about whether

0:30:49.222 --> 0:30:52.542
<v Speaker 3>or not he thinks I look pretty, but it's more

0:30:52.622 --> 0:30:56.542
<v Speaker 3>me sitting there going I feel like this occasion is special.

0:30:56.502 --> 0:30:58.862
<v Speaker 1>That I'm to take for granted, because I want to

0:30:58.902 --> 0:31:01.982
<v Speaker 1>know you're not taking me for granted. The thing that's

0:31:02.102 --> 0:31:05.742
<v Speaker 1>different for me, I suppose in my relationship is that

0:31:06.102 --> 0:31:08.741
<v Speaker 1>I get dressed up for work, and I have this

0:31:08.822 --> 0:31:11.221
<v Speaker 1>weird thing in my bad. If I'm not going to work,

0:31:12.142 --> 0:31:16.142
<v Speaker 1>I'm not getting dressed up so I will never get

0:31:16.222 --> 0:31:19.062
<v Speaker 1>dressed up to go, which is so weird. Like when

0:31:19.062 --> 0:31:21.822
<v Speaker 1>I'm out in public, I'm not a Taylor Swift, but

0:31:22.062 --> 0:31:24.022
<v Speaker 1>when I'm out in public or going to a restaurant

0:31:24.062 --> 0:31:27.501
<v Speaker 1>or whatever, I will wear trackies and I will wear trainers,

0:31:27.582 --> 0:31:30.262
<v Speaker 1>and I will wear no makeup or if I'm going

0:31:30.302 --> 0:31:32.822
<v Speaker 1>out on the weekend or whatever, because to me, getting

0:31:32.862 --> 0:31:34.262
<v Speaker 1>dressed up signals.

0:31:33.862 --> 0:31:36.701
<v Speaker 2>Work, and maybe the intimacy if you were doing that

0:31:36.742 --> 0:31:38.741
<v Speaker 2>on a date night is like this is me, like

0:31:38.902 --> 0:31:41.421
<v Speaker 2>real me, you know what I mean, Like not real you,

0:31:41.502 --> 0:31:43.982
<v Speaker 2>but like a version of you that only you get

0:31:43.982 --> 0:31:44.421
<v Speaker 2>to see you.

0:31:45.102 --> 0:31:47.222
<v Speaker 1>Often, when you're in a long term relationship, you will

0:31:47.222 --> 0:31:49.302
<v Speaker 1>get dressed up to go to work, to go and

0:31:49.302 --> 0:31:52.142
<v Speaker 1>see friends, to do whatever, and then the time that

0:31:52.182 --> 0:31:53.862
<v Speaker 1>you can let it all hang out is at home.

0:31:53.902 --> 0:31:56.502
<v Speaker 1>So there are many cases that your partner will only

0:31:56.542 --> 0:31:59.862
<v Speaker 1>see you dressed like that, and so sometimes it's nice

0:31:59.862 --> 0:32:00.902
<v Speaker 1>to remind them.

0:32:01.022 --> 0:32:03.501
<v Speaker 3>They yeah, that's why, Like going to a wedding together

0:32:03.622 --> 0:32:05.142
<v Speaker 3>is nice or something like that. But the other night,

0:32:05.222 --> 0:32:07.062
<v Speaker 3>I was putting on earnks because I was going to

0:32:07.222 --> 0:32:09.742
<v Speaker 3>see some friends, and Luca was like, how are you

0:32:09.782 --> 0:32:12.941
<v Speaker 3>putting on it? I haven't seen you in earrings for months.

0:32:13.742 --> 0:32:15.342
<v Speaker 3>I have a waste an earring on Luca.

0:32:15.422 --> 0:32:17.221
<v Speaker 2>But also you have a toddler who would pulled the.

0:32:17.382 --> 0:32:20.062
<v Speaker 3>Yeah, exactly right. I'm like these are for me because

0:32:20.062 --> 0:32:22.181
<v Speaker 3>I'm going out with some friends and I feel like

0:32:22.262 --> 0:32:24.142
<v Speaker 3>I'll feel better if I have them on. But the

0:32:24.142 --> 0:32:26.221
<v Speaker 3>idea of getting dressed up for each other, I think

0:32:26.222 --> 0:32:28.262
<v Speaker 3>that there are also other ways to show intimacy.

0:32:28.262 --> 0:32:31.902
<v Speaker 2>As you say after the break, We've got recommendations and

0:32:32.062 --> 0:32:33.622
<v Speaker 2>I have something I need to share with the group

0:32:34.182 --> 0:32:34.741
<v Speaker 2>out louders.

0:32:34.782 --> 0:32:36.542
<v Speaker 1>If you want to listen to us every day of

0:32:36.542 --> 0:32:39.342
<v Speaker 1>the week, you can get access to exclusive segments on

0:32:39.422 --> 0:32:43.062
<v Speaker 1>Tuesdays and Thursdays by becoming a Mum and Me a subscriber.

0:32:43.422 --> 0:32:45.582
<v Speaker 1>Follow the link in the show notes to subscribe and

0:32:45.622 --> 0:32:47.981
<v Speaker 1>support us. And a big thank you to all our

0:32:48.022 --> 0:32:49.062
<v Speaker 1>current subscribers.

0:32:52.862 --> 0:32:54.462
<v Speaker 2>So I have something I need to share with the group.

0:32:54.502 --> 0:32:56.981
<v Speaker 2>I need a bit of counseling from my girls. So

0:32:57.502 --> 0:33:00.062
<v Speaker 2>I'm about to go on a big holiday, which is

0:33:00.142 --> 0:33:03.021
<v Speaker 2>very exciting. I have been planning saving for this holiday

0:33:03.062 --> 0:33:05.102
<v Speaker 2>for born the year. We're going on a family holiday.

0:33:05.502 --> 0:33:08.062
<v Speaker 2>We're going to see my family right and then go

0:33:08.102 --> 0:33:10.062
<v Speaker 2>on holiday together with them will be great.

0:33:10.182 --> 0:33:12.342
<v Speaker 1>When you think about that, do you say we're going

0:33:12.422 --> 0:33:14.461
<v Speaker 1>home or you don't say? Think about it like that.

0:33:14.542 --> 0:33:17.342
<v Speaker 2>I do. I will say I'm going home, and then

0:33:17.342 --> 0:33:19.022
<v Speaker 2>when I'm there, I'll say I'm going home. Do you

0:33:19.142 --> 0:33:19.542
<v Speaker 2>know what I mean?

0:33:19.661 --> 0:33:20.982
<v Speaker 1>Yeah, yeah, back to Australia.

0:33:21.062 --> 0:33:23.302
<v Speaker 2>Yeah. But the thing that I need to share with

0:33:23.342 --> 0:33:25.582
<v Speaker 2>the group is at the age I am. I've only

0:33:25.661 --> 0:33:27.902
<v Speaker 2>just realized in the in the last few days literally

0:33:27.982 --> 0:33:30.382
<v Speaker 2>of planning this holiday, that I am no longer a child.

0:33:31.102 --> 0:33:33.342
<v Speaker 2>And what I mean by that is, I've obviously lived

0:33:33.342 --> 0:33:35.222
<v Speaker 2>away from my parents for a very long time. I've

0:33:35.262 --> 0:33:37.062
<v Speaker 2>lived more of my adult life here than I lived

0:33:37.102 --> 0:33:40.021
<v Speaker 2>in Britain. I'm you know, this is my home, and

0:33:40.062 --> 0:33:43.142
<v Speaker 2>so I've had years and decades of family visits either

0:33:43.302 --> 0:33:45.502
<v Speaker 2>just me or me and Brent and then me and

0:33:45.542 --> 0:33:47.502
<v Speaker 2>the kids, but like we haven't been over there together

0:33:47.542 --> 0:33:50.741
<v Speaker 2>for six years and over all those decades. When I

0:33:50.782 --> 0:33:54.582
<v Speaker 2>go home, it's something of an event, Like you get

0:33:54.622 --> 0:33:56.542
<v Speaker 2>to the airport and the family will be there and

0:33:56.582 --> 0:33:59.222
<v Speaker 2>they're excited to see you, and Mum will have organized

0:33:59.262 --> 0:34:02.142
<v Speaker 2>that there's going to be a dinner and everybody's organized for.

0:34:02.262 --> 0:34:03.102
<v Speaker 1>Like the prodigal daughter.

0:34:03.382 --> 0:34:05.302
<v Speaker 3>You will get to your daughter.

0:34:05.142 --> 0:34:08.102
<v Speaker 2>And it's like your favorite marm things in the fridge

0:34:08.142 --> 0:34:10.661
<v Speaker 2>and whatever. Right, you're being a child in a way

0:34:10.742 --> 0:34:12.342
<v Speaker 2>like when you go home, you get to be a

0:34:12.382 --> 0:34:15.942
<v Speaker 2>child again, don't you. And I was realizing that this

0:34:16.062 --> 0:34:18.181
<v Speaker 2>life stage that I'm in, and so many of my

0:34:18.181 --> 0:34:20.022
<v Speaker 2>friends are in, and I know so many outlouders are in,

0:34:21.022 --> 0:34:24.022
<v Speaker 2>you know, this time, my parents have kind of crossed

0:34:24.022 --> 0:34:25.901
<v Speaker 2>a bit of a rubicon in terms of their age

0:34:25.902 --> 0:34:28.542
<v Speaker 2>and what they can do. So it's much more like

0:34:29.022 --> 0:34:31.062
<v Speaker 2>we'll try and get a taxi to come to the

0:34:31.102 --> 0:34:33.462
<v Speaker 2>airport if we can. And I'm like, please don't, please,

0:34:33.502 --> 0:34:35.741
<v Speaker 2>don't worry about that. It's okay because they don't drive

0:34:35.741 --> 0:34:39.422
<v Speaker 2>anymore because my mom isn't doing all the like social

0:34:39.542 --> 0:34:41.862
<v Speaker 2>organizing that you used to do. Then like my brother's

0:34:41.862 --> 0:34:43.342
<v Speaker 2>a bit like, oh, I think I've got to work,

0:34:43.382 --> 0:34:45.622
<v Speaker 2>but I'll come around, like And the thing is is,

0:34:45.661 --> 0:34:48.022
<v Speaker 2>I'm not upset about that in terms of like, oh,

0:34:48.022 --> 0:34:49.701
<v Speaker 2>why won't they make an effort? But it all just

0:34:49.701 --> 0:34:53.302
<v Speaker 2>suddenly dawned on me in that way. The age sometimes

0:34:53.302 --> 0:34:55.821
<v Speaker 2>does that, like an era is over, you know what

0:34:55.902 --> 0:34:59.582
<v Speaker 2>I mean. And now when I go back home in

0:34:59.582 --> 0:35:03.221
<v Speaker 2>inverted commas, it's more about what could I do to

0:35:03.342 --> 0:35:07.742
<v Speaker 2>help them, and I've got to organize everything, which is fine,

0:35:07.781 --> 0:35:09.262
<v Speaker 2>but do you know what I mean, it's kind of emotion.

0:35:10.462 --> 0:35:13.302
<v Speaker 2>It's really kind of hit me that something has really

0:35:13.382 --> 0:35:15.902
<v Speaker 2>shifted in all of this and it will never be

0:35:15.982 --> 0:35:18.181
<v Speaker 2>like that again. I will never go back to Manchester

0:35:18.221 --> 0:35:20.422
<v Speaker 2>again and be my mom and Dad's house in the

0:35:20.462 --> 0:35:23.261
<v Speaker 2>way that I was for thirty years. Like I will

0:35:23.302 --> 0:35:25.661
<v Speaker 2>never have those airport experiences again with my little niece

0:35:25.701 --> 0:35:28.182
<v Speaker 2>and nephew. I will never I don't know, it's a lot.

0:35:28.382 --> 0:35:31.701
<v Speaker 3>Yeah, I've heard people describe it as you'll go there

0:35:32.302 --> 0:35:34.781
<v Speaker 3>and you've been an adult for a while, but you're

0:35:34.822 --> 0:35:37.062
<v Speaker 3>going to be the grown up now, like you're the

0:35:37.221 --> 0:35:40.701
<v Speaker 3>grown up in that situation. That's like the level of

0:35:41.302 --> 0:35:45.622
<v Speaker 3>responsibility for everyone and the caring role has shifted. And

0:35:45.661 --> 0:35:47.661
<v Speaker 3>I think that as well, like you probably feel the

0:35:47.701 --> 0:35:50.982
<v Speaker 3>passage of time more acutely because you have those gaps,

0:35:51.022 --> 0:35:53.102
<v Speaker 3>And I think that you notice change more when you

0:35:53.142 --> 0:35:55.982
<v Speaker 3>see someone every single day. You don't notice the change

0:35:55.982 --> 0:35:59.062
<v Speaker 3>as obviously as when you get there and you go oh, because.

0:35:58.822 --> 0:36:02.261
<v Speaker 1>It's not incremental and what you just described whole. Is

0:36:03.781 --> 0:36:06.342
<v Speaker 1>it's a last that you didn't realize was a last.

0:36:06.622 --> 0:36:08.661
<v Speaker 1>You think there's going to be I mean, you know

0:36:08.862 --> 0:36:11.622
<v Speaker 1>logically there going to be in summers that time will

0:36:11.661 --> 0:36:14.542
<v Speaker 1>match on and things will change. But it's very clear

0:36:14.582 --> 0:36:16.942
<v Speaker 1>in the sand. It's not that it's a little bit different.

0:36:17.022 --> 0:36:22.262
<v Speaker 1>It's like, ah, okay, so this is a different chapter. Yeah,

0:36:22.302 --> 0:36:25.462
<v Speaker 1>And it's not even from what you're saying. It's not

0:36:25.502 --> 0:36:29.142
<v Speaker 1>even a dramatic chapter like Thank heavens, no one's died.

0:36:29.181 --> 0:36:33.022
<v Speaker 1>There's no terrible illness. It's more just And that's why

0:36:33.062 --> 0:36:35.861
<v Speaker 1>I think you can often not notice it, particularly if

0:36:35.902 --> 0:36:38.622
<v Speaker 1>you live close to your parents and you see them

0:36:38.661 --> 0:36:41.261
<v Speaker 1>more often. You'll only become aware of it when there

0:36:41.302 --> 0:36:43.582
<v Speaker 1>is a big drama like they fall or something will happen.

0:36:44.142 --> 0:36:47.102
<v Speaker 1>But this is a really distinct line in the sand

0:36:47.261 --> 0:36:49.382
<v Speaker 1>where you have to change identities and.

0:36:49.542 --> 0:36:52.261
<v Speaker 2>Is it's really interesting, it's really and there's grief in that.

0:36:52.261 --> 0:36:54.341
<v Speaker 2>It makes you think about you know, I've been so

0:36:54.582 --> 0:36:57.181
<v Speaker 2>lucky in that for We've had, you know, a couple

0:36:57.261 --> 0:36:59.221
<v Speaker 2>of decades of my parents coming to visit me and

0:36:59.302 --> 0:37:02.661
<v Speaker 2>us having all these wonderful holidays together, you know, like

0:37:02.822 --> 0:37:04.622
<v Speaker 2>really great We've been to Tasmania and we've been to

0:37:04.661 --> 0:37:06.301
<v Speaker 2>the Barrier Reef, and we've spent lots of summers in

0:37:06.342 --> 0:37:10.142
<v Speaker 2>Sydney and they's been glorious and it's done. That is

0:37:10.261 --> 0:37:14.781
<v Speaker 2>really like, it's just it's just a jolt, you know.

0:37:14.862 --> 0:37:17.981
<v Speaker 2>And now I'm thinking, like in practical terms, I'm like, Okay,

0:37:17.982 --> 0:37:20.982
<v Speaker 2>I've got four days at Manchester with my teenagers. What

0:37:21.062 --> 0:37:22.622
<v Speaker 2>am I going to do it? Because normally I don't know,

0:37:22.781 --> 0:37:24.622
<v Speaker 2>do you know what I mean? Like, it's just it's

0:37:24.661 --> 0:37:26.982
<v Speaker 2>like this shift and it's yeah, anyway, most of.

0:37:26.942 --> 0:37:29.781
<v Speaker 3>The time you don't say the last until it's in retrospect.

0:37:29.942 --> 0:37:31.381
<v Speaker 3>And even if you knew it was a last, how

0:37:31.422 --> 0:37:33.382
<v Speaker 3>would you savor it? Like are any of us truly

0:37:33.422 --> 0:37:35.301
<v Speaker 3>able to savor anything in the moment. It's like you

0:37:35.661 --> 0:37:39.542
<v Speaker 3>just look back and there's such nostalgia and grief and

0:37:39.622 --> 0:37:40.781
<v Speaker 3>like a bit of sadness in that.

0:37:41.022 --> 0:37:44.302
<v Speaker 1>It's really interesting because you know that pressure that mothers

0:37:44.302 --> 0:37:47.421
<v Speaker 1>of young kids talk about when older women will say,

0:37:47.542 --> 0:37:52.142
<v Speaker 1>savor every second it goes by so fast. Now as

0:37:52.462 --> 0:37:55.862
<v Speaker 1>we're at the age when our friends are losing parents,

0:37:56.902 --> 0:37:58.381
<v Speaker 1>I don't know if you are whole, But I'm also

0:37:58.382 --> 0:38:01.262
<v Speaker 1>getting that spend every moment you can oh your parents,

0:38:01.382 --> 0:38:01.861
<v Speaker 1>and I do.

0:38:01.942 --> 0:38:03.502
<v Speaker 2>And I have to say, I know this sounds like

0:38:03.542 --> 0:38:05.261
<v Speaker 2>throat clearing, but I also have to say, like, I

0:38:05.342 --> 0:38:07.181
<v Speaker 2>know how lucky I am that I can still go

0:38:07.221 --> 0:38:09.781
<v Speaker 2>and visit my parents right there are because we're are

0:38:09.862 --> 0:38:11.901
<v Speaker 2>as you say me, we're in the era. I've got

0:38:12.142 --> 0:38:14.622
<v Speaker 2>so many good friends who are literally losing their parents

0:38:14.701 --> 0:38:17.942
<v Speaker 2>right now, but you're right there. Pressure that, the pressure

0:38:17.982 --> 0:38:20.701
<v Speaker 2>of that, of making it count, and also it's very

0:38:20.781 --> 0:38:23.862
<v Speaker 2>brings into sharp focus the loss that is around the corner.

0:38:23.902 --> 0:38:27.301
<v Speaker 1>If it's there, we wish you well on your trip.

0:38:27.302 --> 0:38:28.221
<v Speaker 1>We're going to miss you.

0:38:28.781 --> 0:38:29.741
<v Speaker 2>Before helping me, you.

0:38:29.701 --> 0:38:31.502
<v Speaker 3>Should tell you you need to tell the out louders

0:38:31.502 --> 0:38:33.261
<v Speaker 3>how long you're going to be. I'm going to put

0:38:33.302 --> 0:38:33.822
<v Speaker 3>in their dowry.

0:38:33.942 --> 0:38:36.022
<v Speaker 2>I'm away for three weeks, but you're going to get

0:38:36.022 --> 0:38:39.502
<v Speaker 2>the wonderful, wonderful filling hosts that we have here. I

0:38:39.622 --> 0:38:40.381
<v Speaker 2>just like to call them that.

0:38:40.582 --> 0:38:43.301
<v Speaker 3>Yeah, yeah, yeah, yeah, Leicester.

0:38:43.542 --> 0:38:45.582
<v Speaker 2>If anyone came to the live shows, you know, there's

0:38:45.582 --> 0:38:48.021
<v Speaker 2>a little tension between them and Amelia about who gets

0:38:48.022 --> 0:38:50.822
<v Speaker 2>to be the lead filling. So that'll be fun to watch.

0:38:52.462 --> 0:38:56.341
<v Speaker 2>Vibes ideas, something casual, something fun.

0:38:56.902 --> 0:38:58.421
<v Speaker 3>This is my best recommendation.

0:38:59.342 --> 0:39:01.821
<v Speaker 1>Before you go, though, We've got one more segment, which

0:39:01.902 --> 0:39:04.902
<v Speaker 1>is recommendations. We've got some things to tell you to

0:39:04.982 --> 0:39:07.741
<v Speaker 1>watch and see. I'm going to go first. Did you

0:39:07.781 --> 0:39:10.582
<v Speaker 1>guys watch season one of the I was Cowboy Cheerleaders

0:39:10.622 --> 0:39:11.462
<v Speaker 1>America Sweetheart.

0:39:11.741 --> 0:39:12.861
<v Speaker 3>I loved it.

0:39:12.862 --> 0:39:15.262
<v Speaker 2>It was a huge cultural moment.

0:39:15.582 --> 0:39:17.502
<v Speaker 3>Do we need to take the dance to the second?

0:39:17.502 --> 0:39:18.902
<v Speaker 3>I haven't started, but I need to know if I

0:39:18.942 --> 0:39:19.382
<v Speaker 3>need to watch this.

0:39:19.661 --> 0:39:23.062
<v Speaker 1>You know, it depends. I mean, I really like season one.

0:39:23.701 --> 0:39:27.542
<v Speaker 1>Season two is different in that there's a lot more

0:39:27.542 --> 0:39:30.622
<v Speaker 1>about the auditions. Look top line, not a lot happens.

0:39:30.661 --> 0:39:33.342
<v Speaker 1>I like the auditions, yeah, but the auditions and training

0:39:33.422 --> 0:39:36.102
<v Speaker 1>camp is really sorry should say more. Training camp is

0:39:36.142 --> 0:39:38.661
<v Speaker 1>really stretched out, and that whole thing about who gets

0:39:38.701 --> 0:39:42.261
<v Speaker 1>cut from training camp stretch stretch, stretch, stretch. So that

0:39:42.382 --> 0:39:45.022
<v Speaker 1>takes up about, you know, two thirds of the series.

0:39:45.062 --> 0:39:48.221
<v Speaker 1>At least, it's a bit of a quieter season. There's

0:39:48.342 --> 0:39:50.022
<v Speaker 1>less drama.

0:39:50.622 --> 0:39:52.902
<v Speaker 2>We're a part of each other's lives forever.

0:39:53.022 --> 0:39:55.502
<v Speaker 1>You know what we're going to do each other's wedding.

0:39:57.502 --> 0:39:59.861
<v Speaker 1>You're like, when we make this team, we're gonna make

0:39:59.862 --> 0:40:03.102
<v Speaker 1>it together because we're such good friends, but then it

0:40:03.102 --> 0:40:09.502
<v Speaker 1>doesn't always end up like that. We are really excited

0:40:09.661 --> 0:40:13.341
<v Speaker 1>that there's a lot of new girls. Every year. The

0:40:13.382 --> 0:40:17.701
<v Speaker 1>talent just gets better and better and better. I'd say

0:40:17.701 --> 0:40:20.542
<v Speaker 1>there's less laughs. I mean, you're more familiar, obviously with

0:40:20.622 --> 0:40:23.861
<v Speaker 1>all the care all, particularly with the structure, and you know,

0:40:23.902 --> 0:40:25.782
<v Speaker 1>the coaches and the choreographers and stuff.

0:40:26.822 --> 0:40:28.381
<v Speaker 3>Some of our girls come back, do I know.

0:40:28.982 --> 0:40:32.942
<v Speaker 1>Reese comes back with her now husband, but she's really

0:40:33.022 --> 0:40:37.181
<v Speaker 1>minor role. And you see Victoria, remember Victoria who left.

0:40:37.261 --> 0:40:38.942
<v Speaker 1>You only see her for like five minutes in the

0:40:38.982 --> 0:40:41.862
<v Speaker 1>last episode, so she's gone. There's a lot of veterans,

0:40:41.902 --> 0:40:44.821
<v Speaker 1>so people who were in the team last season but

0:40:44.942 --> 0:40:48.341
<v Speaker 1>weren't featured players in the series. I suppose the main

0:40:48.502 --> 0:40:51.742
<v Speaker 1>person there's two main people in this season. One is Shandy,

0:40:51.862 --> 0:40:54.461
<v Speaker 1>who becomes a new sort of team leader and there's

0:40:54.502 --> 0:40:56.981
<v Speaker 1>drama with her which I won't spoil. And the other

0:40:57.062 --> 0:40:59.102
<v Speaker 1>is Jada, who's a five year vet I think Chandi

0:40:59.221 --> 0:41:01.142
<v Speaker 1>is also a five year VETT. They've both been in

0:41:01.181 --> 0:41:02.861
<v Speaker 1>the team for a long time, but they sort of

0:41:03.102 --> 0:41:06.941
<v Speaker 1>particularly Jada steps up into this leadership role around pay

0:41:07.422 --> 0:41:09.301
<v Speaker 1>and what's extraordinary.

0:41:09.701 --> 0:41:12.181
<v Speaker 3>Is this is famis destroying everything exactly.

0:41:12.221 --> 0:41:14.302
<v Speaker 1>Remember there was a whole big thing last time about

0:41:14.982 --> 0:41:17.701
<v Speaker 1>they were getting paid not even livable wage, and they

0:41:17.741 --> 0:41:19.622
<v Speaker 1>all had to work two or three other jobs, even

0:41:19.661 --> 0:41:23.582
<v Speaker 1>though the Dallas Cowboys players were getting paid tens of

0:41:23.622 --> 0:41:26.142
<v Speaker 1>millions of dollars, some of them in their contracts, so

0:41:26.181 --> 0:41:27.781
<v Speaker 1>it was very much seen as this little sort of

0:41:27.781 --> 0:41:30.741
<v Speaker 1>part time job. And even despite all of that pushback,

0:41:31.422 --> 0:41:34.182
<v Speaker 1>they started this season and it's actually the twenty twenty

0:41:34.181 --> 0:41:38.181
<v Speaker 1>four season without any pay increase after all of that,

0:41:38.582 --> 0:41:41.062
<v Speaker 1>and they make this big show of showing on the

0:41:41.102 --> 0:41:43.341
<v Speaker 1>show all of the perks that they get. But the

0:41:43.382 --> 0:41:46.221
<v Speaker 1>irony is that all the perks are like sponsored, so

0:41:46.261 --> 0:41:48.222
<v Speaker 1>it doesn't cost the company anything, but it's like free

0:41:48.261 --> 0:41:51.781
<v Speaker 1>botox and free press on nails and free you can't

0:41:51.781 --> 0:41:54.341
<v Speaker 1>pay your rent with free botimes. And it's all the

0:41:54.382 --> 0:41:57.622
<v Speaker 1>stuff that they need to meet these impossibly high understandards.

0:41:57.622 --> 0:42:00.741
<v Speaker 1>And there are these extraordinary scenes with them working these

0:42:00.781 --> 0:42:02.861
<v Speaker 1>incredible hours. Some of the work forty hours a week.

0:42:02.982 --> 0:42:05.462
<v Speaker 1>Some weeks they work and then they come home and

0:42:05.462 --> 0:42:08.901
<v Speaker 1>they have to scrub their own uniforms with toothbrushes to

0:42:08.942 --> 0:42:11.701
<v Speaker 1>get the fake tan and the makeup out of them,

0:42:11.741 --> 0:42:13.661
<v Speaker 1>because their uniforms don't even get clean.

0:42:13.781 --> 0:42:16.221
<v Speaker 2>Do you think, like, because when the first season of

0:42:16.261 --> 0:42:18.942
<v Speaker 2>this dropped, even though there have been reality shows that

0:42:19.302 --> 0:42:21.502
<v Speaker 2>this was the subject of few years, it was such

0:42:21.582 --> 0:42:23.622
<v Speaker 2>a smash hit and we all were talking about it

0:42:23.661 --> 0:42:26.142
<v Speaker 2>because we were looking into a world we didn't know.

0:42:26.622 --> 0:42:28.622
<v Speaker 2>And then the second season we know the world. So

0:42:28.661 --> 0:42:29.781
<v Speaker 2>it's a bit less interesting.

0:42:29.982 --> 0:42:33.462
<v Speaker 1>But I'd say that's probably the case. And it's interesting

0:42:33.502 --> 0:42:36.941
<v Speaker 1>because I talked about gas lighting earlier, this whole theme

0:42:36.942 --> 0:42:38.382
<v Speaker 1>of getting out of your head, like some of the

0:42:38.382 --> 0:42:40.542
<v Speaker 1>girls are sort of psyching themselves out and can they

0:42:40.701 --> 0:42:44.301
<v Speaker 1>perform properly? But then also what's in their head is,

0:42:44.302 --> 0:42:46.781
<v Speaker 1>hang on, shouldn't they be paid more? And you know,

0:42:46.862 --> 0:42:48.941
<v Speaker 1>as they said, the world was telling them, you fight

0:42:48.982 --> 0:42:53.462
<v Speaker 1>for more money. But then the Dallas Cowboys administration are

0:42:53.502 --> 0:42:57.062
<v Speaker 1>all saying, oh, but you know, your full time job

0:42:57.142 --> 0:42:59.301
<v Speaker 1>that you have to do, that's what makes you interesting,

0:42:59.701 --> 0:43:01.821
<v Speaker 1>that's what people love about you. And they also say,

0:43:01.822 --> 0:43:04.901
<v Speaker 1>but we had to work full time jobs. Yeah, And

0:43:04.942 --> 0:43:07.022
<v Speaker 1>so there's a lot of this gas lighting that what

0:43:07.062 --> 0:43:09.461
<v Speaker 1>these women are asking for, they're being made to feel

0:43:09.622 --> 0:43:12.421
<v Speaker 1>really ashamed and uncomfortable and as if if you really

0:43:12.422 --> 0:43:14.221
<v Speaker 1>love dancing, you should be grateful for this.

0:43:14.181 --> 0:43:15.701
<v Speaker 3>Time, and there's another girl who will do it for

0:43:15.741 --> 0:43:16.102
<v Speaker 3>that prime.

0:43:16.221 --> 0:43:18.341
<v Speaker 2>I thought I was going to watch it as escapism,

0:43:18.422 --> 0:43:19.982
<v Speaker 2>am I, we're going to watch it for us escapism

0:43:20.102 --> 0:43:21.461
<v Speaker 2>or we're not really escaping much.

0:43:21.582 --> 0:43:23.701
<v Speaker 1>You can watch it for escapism because the stakes are

0:43:23.701 --> 0:43:24.181
<v Speaker 1>really low.

0:43:24.502 --> 0:43:26.222
<v Speaker 3>Great, I just need to say some high kicks.

0:43:26.302 --> 0:43:27.661
<v Speaker 1>Yeah, no, all of that's good.

0:43:27.781 --> 0:43:28.741
<v Speaker 2>Yeah, still okay, good.

0:43:28.982 --> 0:43:30.462
<v Speaker 1>So if you do want to watch, it is on

0:43:30.542 --> 0:43:32.582
<v Speaker 1>Netflix now and you can binge all the episodes they've

0:43:32.582 --> 0:43:33.062
<v Speaker 1>all dropped.

0:43:33.261 --> 0:43:35.901
<v Speaker 3>I'm going to be cheeky and throw in a recommendation

0:43:36.221 --> 0:43:39.301
<v Speaker 3>for two quick things. The first is my sister Claire,

0:43:39.302 --> 0:43:41.862
<v Speaker 3>Steven's friend of the podcast. You can pre order her book,

0:43:42.022 --> 0:43:44.022
<v Speaker 3>and I don't think I've mentioned that on this podcast.

0:43:44.062 --> 0:43:44.301
<v Speaker 1>Novel.

0:43:44.781 --> 0:43:46.661
<v Speaker 3>She has a novel coming out and it's called The

0:43:46.701 --> 0:43:49.062
<v Speaker 3>Worst Thing I've Ever done is coming out in October.

0:43:49.502 --> 0:43:51.542
<v Speaker 3>And I know I'm biased, So it's like I can

0:43:51.582 --> 0:43:54.142
<v Speaker 3>tell you that it's really good, but it is if

0:43:54.181 --> 0:43:55.981
<v Speaker 3>you read it. I have read it, and I only

0:43:55.982 --> 0:43:57.981
<v Speaker 3>got to read it at the very end. I didn't

0:43:58.022 --> 0:44:00.102
<v Speaker 3>get to read it as a work in progress intense,

0:44:00.462 --> 0:44:04.542
<v Speaker 3>but yes, it is unlike anything I've ever read. And

0:44:04.862 --> 0:44:07.982
<v Speaker 3>while it's about the intensity and the cruelty of online pylons,

0:44:07.982 --> 0:44:10.661
<v Speaker 3>and Claire writes about that with an a curacy that

0:44:10.942 --> 0:44:14.301
<v Speaker 3>is so unique because of how she's spoken to people

0:44:14.342 --> 0:44:16.902
<v Speaker 3>who have experienced it and had tastes of it herself,

0:44:17.542 --> 0:44:20.862
<v Speaker 3>it also has this profound level of depth. It's about

0:44:20.902 --> 0:44:23.542
<v Speaker 3>the selves that we invent on the internet. It's about

0:44:23.622 --> 0:44:25.781
<v Speaker 3>what we forgive each other for in real life as

0:44:25.781 --> 0:44:29.582
<v Speaker 3>opposed to what we punish each other for online. And

0:44:29.982 --> 0:44:31.582
<v Speaker 3>it's one of those books that will change you. You

0:44:31.622 --> 0:44:33.741
<v Speaker 3>will have a very different perspective by the end. And

0:44:33.822 --> 0:44:36.182
<v Speaker 3>I just promise you it is going to be big.

0:44:36.422 --> 0:44:38.622
<v Speaker 3>And the thing about pre orders, We've talked about this before.

0:44:38.942 --> 0:44:40.942
<v Speaker 3>If you pre order a book, you're sending a message

0:44:40.982 --> 0:44:43.221
<v Speaker 3>to the industry, which is a bloody hard industry that

0:44:44.661 --> 0:44:46.342
<v Speaker 3>you're interested in, that people want to buy this book,

0:44:46.382 --> 0:44:49.261
<v Speaker 3>and it's a really important part of the process. So

0:44:49.302 --> 0:44:52.181
<v Speaker 3>you can buy it on bigw or book Topier or wherever.

0:44:52.622 --> 0:44:55.102
<v Speaker 3>And it is out in October. And she also has

0:44:55.142 --> 0:44:58.741
<v Speaker 3>a substack, which is it's brilliant. She wrote a great

0:44:58.781 --> 0:45:02.062
<v Speaker 3>piece called Vulnerable Chat about exercise. Recently, she also wrote

0:45:02.062 --> 0:45:05.102
<v Speaker 3>about being in your mid thirties without botox. There are

0:45:05.102 --> 0:45:08.142
<v Speaker 3>just really interesting essays that she's writing. And I know

0:45:08.181 --> 0:45:11.422
<v Speaker 3>how many out louders love Clare's work, so her substantiautiful.

0:45:11.862 --> 0:45:14.221
<v Speaker 3>It's called NQR or not quite right. We'll have a

0:45:14.221 --> 0:45:16.221
<v Speaker 3>link in the show notes. You're going to love the

0:45:16.261 --> 0:45:17.862
<v Speaker 3>book and you'll love her writing.

0:45:18.261 --> 0:45:21.341
<v Speaker 2>My main recommendation is a book by Deborah Oswald. Now

0:45:21.422 --> 0:45:22.982
<v Speaker 2>some of you will know who Deborah Oswald is. Me

0:45:23.142 --> 0:45:27.862
<v Speaker 2>you certainly will. She wrote Offspring. She is a famous

0:45:27.942 --> 0:45:32.781
<v Speaker 2>veteran Australian TV writer. She has written a book that

0:45:32.822 --> 0:45:34.422
<v Speaker 2>I've been I have been meaning to read it for

0:45:34.462 --> 0:45:36.661
<v Speaker 2>ages because I met her at a writerest thing I

0:45:36.661 --> 0:45:38.301
<v Speaker 2>did and I was like, oh, I haven't read your book.

0:45:38.342 --> 0:45:41.142
<v Speaker 2>But anyway, I did read it. You know, sometimes you

0:45:41.502 --> 0:45:43.102
<v Speaker 2>kind of got to read something because you said you

0:45:43.142 --> 0:45:45.301
<v Speaker 2>would read it, and then you're just like, oh my god,

0:45:45.302 --> 0:45:47.341
<v Speaker 2>this is so great. Her new novel is called One

0:45:47.382 --> 0:45:50.502
<v Speaker 2>hundred Years of Betty and it is a book from

0:45:50.502 --> 0:45:53.062
<v Speaker 2>the perspective of a woman, an Australian woman who is

0:45:53.102 --> 0:45:55.502
<v Speaker 2>about to turn a hundred and she is reflecting on

0:45:55.542 --> 0:45:58.181
<v Speaker 2>her life, and it goes all the way back to

0:45:58.221 --> 0:46:00.701
<v Speaker 2>when she was born in London before the Second World War,

0:46:00.982 --> 0:46:04.102
<v Speaker 2>and then what happens to her. Think about like Forest Gumpen,

0:46:04.181 --> 0:46:07.502
<v Speaker 2>you know how like a history told through one person's perspective.

0:46:08.342 --> 0:46:11.022
<v Speaker 2>So she comes to us Tralia is a ten pound palm,

0:46:11.181 --> 0:46:13.302
<v Speaker 2>you know. It goes through all these different social movements

0:46:13.342 --> 0:46:15.142
<v Speaker 2>and things that have happened to her, but it is

0:46:15.181 --> 0:46:18.142
<v Speaker 2>she is the most delicious character. I just wanted to

0:46:18.221 --> 0:46:20.342
<v Speaker 2>all the time get back to hanging out with Betty.

0:46:20.781 --> 0:46:23.622
<v Speaker 2>Like there's a feminist awakening to a point, but also

0:46:23.741 --> 0:46:27.181
<v Speaker 2>just lots of really interesting relationship parts to it, motherhood

0:46:27.221 --> 0:46:30.261
<v Speaker 2>written in ways that are just really refreshing. I love,

0:46:30.302 --> 0:46:32.102
<v Speaker 2>love loved it. So it's a novel. It's got a

0:46:32.102 --> 0:46:33.981
<v Speaker 2>great cover, and it's called One hundred Years of Betty

0:46:34.022 --> 0:46:36.902
<v Speaker 2>and you will love it. And then I also just

0:46:36.942 --> 0:46:38.661
<v Speaker 2>have to throw in because you've just told me that

0:46:38.741 --> 0:46:40.701
<v Speaker 2>m Vernham has already recommended this. But Brent and I

0:46:40.741 --> 0:46:43.821
<v Speaker 2>watched Sinners last weekend, which is a sort of blockbuster

0:46:44.781 --> 0:46:48.142
<v Speaker 2>vampiary movie with a twist with Michael B. Jordan. It's

0:46:48.142 --> 0:46:50.461
<v Speaker 2>made by the guy who made Black Panther and made

0:46:50.462 --> 0:46:52.702
<v Speaker 2>Creed and which are not necessarily things I would watch,

0:46:52.942 --> 0:46:55.701
<v Speaker 2>But then I watched this. It is the most original movie.

0:46:55.701 --> 0:46:57.861
<v Speaker 2>It is so much fun, and just watch it.

0:46:57.902 --> 0:46:59.502
<v Speaker 3>Where can I watch that? Because it was out at

0:46:59.502 --> 0:47:01.181
<v Speaker 3>the movies and now I can watch her Home.

0:47:01.102 --> 0:47:03.582
<v Speaker 2>Sinners is out. You have to still buy or rent

0:47:03.622 --> 0:47:05.381
<v Speaker 2>it at this point. I think it's going to come

0:47:05.422 --> 0:47:07.781
<v Speaker 2>to Max maybe but not yet. At the moment. You

0:47:07.822 --> 0:47:10.062
<v Speaker 2>can buy a rent it on Apple or on Prime.

0:47:10.422 --> 0:47:12.181
<v Speaker 2>And it's like, you know, people say, how can you

0:47:12.261 --> 0:47:13.222
<v Speaker 2>tell a new story?

0:47:13.342 --> 0:47:13.502
<v Speaker 1>Right?

0:47:13.741 --> 0:47:15.941
<v Speaker 2>And it's a fat umpiate movie, so like how many

0:47:15.942 --> 0:47:17.861
<v Speaker 2>times can tell the MYPI movie? The way you tell

0:47:17.902 --> 0:47:19.862
<v Speaker 2>a new story is by telling it from a completely

0:47:19.862 --> 0:47:23.022
<v Speaker 2>different perspective, and this is told from a Black Americans perspective.

0:47:23.022 --> 0:47:26.382
<v Speaker 2>It's set in the thirties. It is great. It is sexy,

0:47:26.422 --> 0:47:29.062
<v Speaker 2>it is fun, it is fresh. The music's fantastic. It

0:47:29.221 --> 0:47:31.622
<v Speaker 2>is violent, but it is fun. Sinners it's great.

0:47:31.781 --> 0:47:34.181
<v Speaker 1>I might watch that on the small screen because I don't.

0:47:34.221 --> 0:47:36.261
<v Speaker 1>I can't watch those kinds of things on the big

0:47:36.261 --> 0:47:39.261
<v Speaker 1>screen if they're scary, But the small screen I can

0:47:39.302 --> 0:47:39.742
<v Speaker 1>look away.

0:47:39.942 --> 0:47:42.142
<v Speaker 2>It's got some good female characters and the music.

0:47:41.942 --> 0:47:44.102
<v Speaker 3>Is oh, that's all.

0:47:44.022 --> 0:47:45.462
<v Speaker 2>We've got time. Oh that's been a big show, a

0:47:45.502 --> 0:47:48.102
<v Speaker 2>big Friday show. Thank you to all of you out

0:47:48.102 --> 0:47:49.982
<v Speaker 2>loud us for being here with us today. We're going

0:47:50.062 --> 0:47:51.502
<v Speaker 2>to be back in your ears next week. Well, these

0:47:51.502 --> 0:47:53.941
<v Speaker 2>guys will be at least Jesse and Mia read us out.

0:47:54.181 --> 0:47:57.022
<v Speaker 3>A big thank you to our team group executive producer

0:47:57.181 --> 0:48:00.582
<v Speaker 3>Ruth Devine, executive producer Emiline Gazillis.

0:48:00.382 --> 0:48:02.982
<v Speaker 1>Lea Porgus is our audio producer, Josh Green is our

0:48:03.062 --> 0:48:06.781
<v Speaker 1>video producer. Coco and Tessa are our junior content producers,

0:48:06.781 --> 0:48:09.542
<v Speaker 1>and Mom and Mia studios are styled with furniture from

0:48:09.582 --> 0:48:13.781
<v Speaker 1>Fenton and Fenton. Visit Fenton and Fenton dot com dot au.

0:48:14.142 --> 0:48:15.982
<v Speaker 3>Before you go, we want to tell you about Yesterdays

0:48:15.982 --> 0:48:19.341
<v Speaker 3>subscriber episode. Holly and Vernon and I helped too out

0:48:19.382 --> 0:48:24.382
<v Speaker 3>louders through their dilemma. One had an inheritance dilemma revolving

0:48:24.382 --> 0:48:27.982
<v Speaker 3>around a piece of jewelry, and meanwhile another is pregnant

0:48:27.982 --> 0:48:32.381
<v Speaker 3>with her third baby and she's having some regrets. A link,

0:48:32.462 --> 0:48:34.222
<v Speaker 3>as always will be in the show notes.

0:48:34.342 --> 0:48:36.862
<v Speaker 1>Bon Voyage Hole. We'll see you in a few weeks.

0:48:37.221 --> 0:48:37.861
<v Speaker 3>Enjoy it.

0:48:37.942 --> 0:48:41.142
<v Speaker 2>We love you, bye too bye.

0:48:41.221 --> 0:48:44.221
<v Speaker 3>Shout out to any MoMA Mea subscribers listening. If you

0:48:44.302 --> 0:48:47.022
<v Speaker 3>love the show and you want to support us, subscribing

0:48:47.062 --> 0:48:49.661
<v Speaker 3>to MoMA Mia is the very best way to do so.

0:48:50.022 --> 0:48:51.782
<v Speaker 3>There's a link in the episode description