1 00:00:10,829 --> 00:00:13,869 Speaker 1: So you're listening to a MoMA Mia podcast. 2 00:00:14,829 --> 00:00:18,349 Speaker 2: Mama Maya acknowledges the traditional owners of land and waters 3 00:00:18,349 --> 00:00:31,349 Speaker 2: that this podcast is recorded on Hello and welcome to Canceled, 4 00:00:31,509 --> 00:00:35,349 Speaker 2: The Lazy Girl's Guide to bizarre celebrity cancelations. I'm Jesse 5 00:00:35,469 --> 00:00:39,589 Speaker 2: Stevens and I'm Claire Stephens. Happy twenty twenty five. We 6 00:00:39,709 --> 00:00:43,109 Speaker 2: hope you are enjoying this summer. If you're in Australia, 7 00:00:43,229 --> 00:00:47,229 Speaker 2: it's usually the time we all relaxed. But for some reasons, 8 00:00:47,229 --> 00:00:50,829 Speaker 2: we don't relax very often here. Never not The lazy 9 00:00:50,869 --> 00:00:53,389 Speaker 2: girls are never getting all of that. Well, no, we're 10 00:00:53,429 --> 00:00:56,069 Speaker 2: being the opposite of lazy this time of year. Okay, 11 00:00:56,109 --> 00:00:57,749 Speaker 2: because what we're going to do is we're going to 12 00:00:57,789 --> 00:01:03,109 Speaker 2: give our listeners something we're calling Mama MIA's Hot Pod Summer. Well, 13 00:01:03,229 --> 00:01:04,909 Speaker 2: thank you Rose. What's the weather like out there? 14 00:01:04,989 --> 00:01:07,869 Speaker 3: It's hot, damn hot, really hot. Heart of this is 15 00:01:07,909 --> 00:01:10,029 Speaker 3: my short I can cook things in it that'll crash. 16 00:01:10,189 --> 00:01:10,669 Speaker 3: What cooked. 17 00:01:10,909 --> 00:01:14,429 Speaker 2: We're giving you our favorite moments from Canceled this year, 18 00:01:14,709 --> 00:01:18,549 Speaker 2: including our episode on Benefit the relationship that was made 19 00:01:18,629 --> 00:01:22,349 Speaker 2: up of too much content, joej Sewa, who really pissed 20 00:01:22,389 --> 00:01:25,829 Speaker 2: off the Internet, and Emily Blunt and those Divorced. 21 00:01:25,429 --> 00:01:27,389 Speaker 1: Rumors with John Krasinski. 22 00:01:27,749 --> 00:01:30,109 Speaker 2: And on top of that, all podcasts at My Maya 23 00:01:30,349 --> 00:01:33,989 Speaker 2: have brand new episodes dropping about the topics we couldn't 24 00:01:34,029 --> 00:01:38,189 Speaker 2: stop talking about this year, all curated especially for you. Today, 25 00:01:38,389 --> 00:01:41,669 Speaker 2: we need to talk about Seventh Heaven. If you don't 26 00:01:41,709 --> 00:01:44,829 Speaker 2: know what that is, and you're five years old, and 27 00:01:44,869 --> 00:01:47,869 Speaker 2: you shouldn't be listening, because we say the effort sometimes 28 00:01:47,869 --> 00:01:50,509 Speaker 2: and your mum will get you in trouble. We're recanceling 29 00:01:50,669 --> 00:01:54,349 Speaker 2: the TV show Seventh Heaven aka The Bible Rewritten for 30 00:01:54,429 --> 00:01:57,429 Speaker 2: Fox eight. So whether you sat through random marathons on 31 00:01:57,469 --> 00:02:00,509 Speaker 2: Saturdays or have never watched an episode, we are here 32 00:02:00,549 --> 00:02:03,149 Speaker 2: to prove to you how truly cooked this show was, 33 00:02:03,349 --> 00:02:06,629 Speaker 2: and of course assigned charges and sentences. We asked some 34 00:02:06,829 --> 00:02:09,469 Speaker 2: very important questions like should a teenager go to jail 35 00:02:09,509 --> 00:02:11,349 Speaker 2: over stealing a single drinking glass? 36 00:02:11,389 --> 00:02:12,789 Speaker 1: Should siblings hook up? 37 00:02:14,349 --> 00:02:17,589 Speaker 2: Yes or no? That comes up weirdly often it does, 38 00:02:17,669 --> 00:02:21,589 Speaker 2: along with many other insane storylines from this show. Enjoy 39 00:02:23,309 --> 00:02:27,509 Speaker 2: craziest storylines, Jesse, You've already mentioned this. When Mary wants 40 00:02:27,589 --> 00:02:31,549 Speaker 2: kissing lessons, so practices on her brother Matt. The interesting 41 00:02:31,549 --> 00:02:33,949 Speaker 2: thing about this is that it was the first episode 42 00:02:34,789 --> 00:02:37,949 Speaker 2: of the whole show, and I think this, you know, 43 00:02:37,989 --> 00:02:39,749 Speaker 2: how you're in a you and I have done a 44 00:02:39,789 --> 00:02:42,269 Speaker 2: writer's room recently, and we've talked about this with writing, 45 00:02:42,709 --> 00:02:45,989 Speaker 2: where you're like, is this a thing? Right, Like you're 46 00:02:46,029 --> 00:02:48,629 Speaker 2: kind of in a room you're spitballing and you're like, yeah, yeah, 47 00:02:48,669 --> 00:02:51,469 Speaker 2: you know when you had one recently about tampons and 48 00:02:51,469 --> 00:02:53,349 Speaker 2: where you put them and blah blah blah, and you go, 49 00:02:53,469 --> 00:02:55,909 Speaker 2: you know when you do this and everyone's like, yeah, 50 00:02:55,949 --> 00:02:57,709 Speaker 2: you just know. In the writer's room, everyone's like, hey, 51 00:02:57,949 --> 00:02:59,469 Speaker 2: when you just start olding up with your brother because 52 00:02:59,549 --> 00:03:04,229 Speaker 2: you want to get practiced, and someone was like, looh, 53 00:03:04,429 --> 00:03:09,149 Speaker 2: it's illegal. That's not the vibe. So Matt and Mary 54 00:03:09,189 --> 00:03:11,589 Speaker 2: are in the backyard and Mary. 55 00:03:11,149 --> 00:03:12,749 Speaker 1: Sexual kind I know it was episode one, but that 56 00:03:12,829 --> 00:03:16,909 Speaker 1: was sexual chemistry. Mary asks Matt, so, do I touch 57 00:03:16,909 --> 00:03:18,229 Speaker 1: his face with my hands? 58 00:03:18,749 --> 00:03:18,829 Speaker 3: No? 59 00:03:19,069 --> 00:03:21,789 Speaker 1: Look, if anybody touch his face, he touches your face. 60 00:03:22,869 --> 00:03:23,669 Speaker 1: Maybe he doesn't look. 61 00:03:23,669 --> 00:03:24,029 Speaker 3: I don't know. 62 00:03:24,069 --> 00:03:24,909 Speaker 1: Do we have to do this? 63 00:03:25,029 --> 00:03:25,229 Speaker 2: Yes? 64 00:03:25,389 --> 00:03:28,789 Speaker 1: So just stand still? Okay, So I close my eyes. 65 00:03:29,229 --> 00:03:31,829 Speaker 2: Then Mary's like, okay, so I close my eyes and 66 00:03:31,869 --> 00:03:34,469 Speaker 2: she kind of purses her lips and leans in to 67 00:03:34,549 --> 00:03:39,309 Speaker 2: kiss him. Meanwhile, Reverend Eric has just walked out to 68 00:03:39,349 --> 00:03:42,629 Speaker 2: put the rubbish out and he makes eye contact with Matt. 69 00:03:43,509 --> 00:03:45,069 Speaker 1: Oh, dad, this is what it looks like. 70 00:03:45,749 --> 00:03:51,029 Speaker 2: That's relieve and then there's like sick and the scene 71 00:03:51,109 --> 00:03:55,429 Speaker 2: is over. But that's not the only instance a sexual tension. 72 00:03:55,469 --> 00:03:57,109 Speaker 1: This is one of those things that you watch and 73 00:03:57,149 --> 00:03:59,749 Speaker 1: you go, I don't want to be a parent. I 74 00:03:59,829 --> 00:04:02,309 Speaker 1: don't want to I want to deal with that. 75 00:04:02,389 --> 00:04:04,069 Speaker 2: I don't want to walk inside and be like, how 76 00:04:04,069 --> 00:04:06,909 Speaker 2: do I come on now? Now, I've just got this 77 00:04:06,909 --> 00:04:11,109 Speaker 2: thing on my list, deal with my kids hooking up. 78 00:04:11,189 --> 00:04:16,149 Speaker 2: That wasn't in the fucking brochure. That wasn't the only 79 00:04:16,189 --> 00:04:19,629 Speaker 2: instance of sexual tension between the siblings. Later on in 80 00:04:19,669 --> 00:04:23,309 Speaker 2: the series, both Mary and Lucy want to go to 81 00:04:23,389 --> 00:04:26,829 Speaker 2: prom with Matt, and it's. 82 00:04:26,669 --> 00:04:27,469 Speaker 1: Just really odd. 83 00:04:28,509 --> 00:04:32,029 Speaker 2: It's really weird because and I think it's honestly like, yeah, 84 00:04:32,029 --> 00:04:36,349 Speaker 2: he's hot, he's your brother. And then when Lucy goes 85 00:04:36,389 --> 00:04:41,069 Speaker 2: into labor, Matt is there and he's a doctor, okay, 86 00:04:41,429 --> 00:04:44,869 Speaker 2: but Lucy generalist or ob or I think he's like 87 00:04:44,989 --> 00:04:47,909 Speaker 2: still training at this point, all right, But Lucy's husband, 88 00:04:47,989 --> 00:04:50,309 Speaker 2: Kevin is like, don't look at her. 89 00:04:51,029 --> 00:04:53,789 Speaker 3: You better not be looking at my wife. Kevin. I'm 90 00:04:53,789 --> 00:04:54,229 Speaker 3: a doctor. 91 00:04:54,389 --> 00:04:56,309 Speaker 1: You're her brother, but I'm a doctor. 92 00:04:57,349 --> 00:04:58,949 Speaker 3: I hope that doesn't mean what I think it means. 93 00:04:59,429 --> 00:05:04,109 Speaker 2: What do you not want anyone to look at her 94 00:05:04,189 --> 00:05:06,109 Speaker 2: vagina while she's giving birth? 95 00:05:06,789 --> 00:05:08,429 Speaker 1: Is that it because someone. 96 00:05:08,309 --> 00:05:08,629 Speaker 3: Has to? 97 00:05:09,069 --> 00:05:10,109 Speaker 2: Is it weird if it's a brother. 98 00:05:10,469 --> 00:05:12,149 Speaker 1: Yeah, the stranger things have happened. 99 00:05:12,149 --> 00:05:12,269 Speaker 3: I know. 100 00:05:12,509 --> 00:05:16,829 Speaker 2: I've spoken to people who are doctors who deliver babies, 101 00:05:17,189 --> 00:05:19,189 Speaker 2: and I have asked a question to them and their sibling, 102 00:05:19,509 --> 00:05:22,349 Speaker 2: and I've said, would you want to deliver her baby 103 00:05:22,429 --> 00:05:22,789 Speaker 2: or whatever? 104 00:05:23,229 --> 00:05:26,589 Speaker 1: And often they say no, I wouldn't want to. I 105 00:05:26,589 --> 00:05:29,829 Speaker 1: wouldn't too close. Too close. So again, it is Matt 106 00:05:29,869 --> 00:05:32,269 Speaker 1: being a creep. It is he's like, no, show me 107 00:05:32,309 --> 00:05:38,269 Speaker 1: a bad come salivating, Come on, Jesse. 108 00:05:38,949 --> 00:05:45,869 Speaker 2: When Matt doesn't steal a glass and ends up in court, Okay, 109 00:05:46,069 --> 00:05:50,109 Speaker 2: Mary goes to a diner and she steals a glass. 110 00:05:51,069 --> 00:05:52,189 Speaker 1: It's water glass. 111 00:05:52,349 --> 00:05:55,309 Speaker 2: Do you remember when we were kids the amount of 112 00:05:55,389 --> 00:05:57,189 Speaker 2: glasses that were in our cupboard That do in the 113 00:05:57,229 --> 00:05:59,189 Speaker 2: long term, I swear every time we went to a 114 00:05:59,229 --> 00:06:01,349 Speaker 2: bowling club or an arasl or anything. 115 00:06:02,229 --> 00:06:05,709 Speaker 1: It just somehow, I'm sorry. 116 00:06:05,389 --> 00:06:08,469 Speaker 2: Like mum was like packing her children to bags and 117 00:06:08,509 --> 00:06:13,069 Speaker 2: just picked up like a four play. Yeah, so she 118 00:06:13,149 --> 00:06:15,709 Speaker 2: steals the glass to try to impress her basketball friends. 119 00:06:16,109 --> 00:06:18,589 Speaker 1: But I don't think it's cool. 120 00:06:19,389 --> 00:06:23,549 Speaker 2: Obviously. Reverend Campden finds it, yeah, and he's like tut tut, 121 00:06:23,589 --> 00:06:24,989 Speaker 2: who stole the glass? 122 00:06:25,069 --> 00:06:28,309 Speaker 1: So relatable in terms of adolescent issues. 123 00:06:28,669 --> 00:06:32,469 Speaker 2: And Matt takes the blame, which is odd, but I 124 00:06:32,469 --> 00:06:35,869 Speaker 2: think he's like trying to flirt with Mary. And Eric 125 00:06:35,989 --> 00:06:37,789 Speaker 2: is like, okay, we'll go back and tell them you 126 00:06:37,869 --> 00:06:42,869 Speaker 2: stole it and return it. So Matt does and then 127 00:06:43,549 --> 00:06:45,869 Speaker 2: decides to press chart. 128 00:06:46,309 --> 00:06:52,869 Speaker 3: An apology unaccepted. That's right, unaccepted. I'm pressing charges. 129 00:06:54,629 --> 00:06:54,869 Speaker 2: Jesse. 130 00:06:55,189 --> 00:06:56,669 Speaker 1: Matt goes to jail. 131 00:06:58,069 --> 00:07:03,869 Speaker 2: He goes to jail class, that's not how the law work. 132 00:07:04,549 --> 00:07:07,109 Speaker 2: And then he's at the trial. Matt could go to 133 00:07:07,149 --> 00:07:09,029 Speaker 2: school at the open fire, and he want to go 134 00:07:09,069 --> 00:07:12,149 Speaker 2: to jail, like this is America. So then he goes 135 00:07:12,149 --> 00:07:13,029 Speaker 2: to trial. 136 00:07:13,069 --> 00:07:15,429 Speaker 1: Because if you wouldn't go to trial. 137 00:07:16,109 --> 00:07:21,469 Speaker 2: One thing courts takes seriously, it's teenage es. Actually when 138 00:07:21,469 --> 00:07:24,509 Speaker 2: you're a white Christian that they took one look at 139 00:07:24,549 --> 00:07:28,549 Speaker 2: Matt and when you're tru no, no, But then all 140 00:07:28,629 --> 00:07:32,749 Speaker 2: these other students march in with other things they've stolen 141 00:07:32,829 --> 00:07:34,949 Speaker 2: from diners, your runner. 142 00:07:35,229 --> 00:07:38,309 Speaker 3: They're all a bunch of little thieves. I'm pressing charges. 143 00:07:38,349 --> 00:07:39,549 Speaker 3: I want them all in jail. 144 00:07:40,109 --> 00:07:43,389 Speaker 2: And the sentiment is like, judge, you're gonna arrest all 145 00:07:43,469 --> 00:07:44,069 Speaker 2: of us. 146 00:07:44,349 --> 00:07:49,469 Speaker 1: And the judge is like, absolutely not. 147 00:07:49,509 --> 00:07:52,349 Speaker 2: How the law works, do not? I know that's how 148 00:07:52,349 --> 00:07:54,669 Speaker 2: we think the law works. But if you are on 149 00:07:55,029 --> 00:07:58,469 Speaker 2: trial for hitting someone like a hit and run, and 150 00:07:58,549 --> 00:08:00,189 Speaker 2: I walk in and go I did a hit and runner, 151 00:08:00,229 --> 00:08:04,949 Speaker 2: you're gonna arrest both of us. Yes, yes, but you're separate. 152 00:08:05,069 --> 00:08:08,069 Speaker 2: You're separate, but thank you for handing yourself in there. 153 00:08:08,909 --> 00:08:12,189 Speaker 2: So yeah, base, the moral of the story is you 154 00:08:12,269 --> 00:08:18,349 Speaker 2: will get arrested for stealing one one time, which confirms 155 00:08:18,349 --> 00:08:21,789 Speaker 2: the theory I have as of now that Seventh Heaven 156 00:08:22,829 --> 00:08:27,109 Speaker 2: was like an updated Bible. Oh my god, yes, so 157 00:08:27,149 --> 00:08:31,069 Speaker 2: there's like Old Testament, New Testament, seventh Heaven Testament and 158 00:08:31,109 --> 00:08:34,309 Speaker 2: seventh Heaven. Everything was like a parable or so shall 159 00:08:34,469 --> 00:08:35,549 Speaker 2: not steal a glass room? 160 00:08:35,989 --> 00:08:36,509 Speaker 1: Yeah yeah? 161 00:08:36,549 --> 00:08:39,869 Speaker 2: And what happens and like Reverend is God and it 162 00:08:39,909 --> 00:08:42,229 Speaker 2: comes in and it's basically like, how do we teach 163 00:08:42,229 --> 00:08:44,669 Speaker 2: a new generation of Americans. 164 00:08:44,029 --> 00:08:45,309 Speaker 1: The Bible sinning. 165 00:08:45,549 --> 00:08:51,549 Speaker 2: Well, there's a lot of parables. Okay. Next craziest storyline, 166 00:08:51,909 --> 00:08:57,549 Speaker 2: Simon finds a homeless girl. Simon brings home a homeless 167 00:08:57,589 --> 00:08:59,749 Speaker 2: girl and literally yells. 168 00:08:59,549 --> 00:09:02,189 Speaker 1: Hey, look what I've found. Can I keep her? Can 169 00:09:02,269 --> 00:09:03,869 Speaker 1: I keep her? I keep her? 170 00:09:04,469 --> 00:09:07,149 Speaker 2: She has the worst makeup I've ever seen to try 171 00:09:07,189 --> 00:09:08,109 Speaker 2: and make her look dirty. 172 00:09:08,109 --> 00:09:09,309 Speaker 1: It's like a little bit of bronze up. 173 00:09:09,749 --> 00:09:12,549 Speaker 2: Yeah, they clean her up, and then Simon and Ruthie 174 00:09:12,669 --> 00:09:15,029 Speaker 2: have a fight about who gets to own her. 175 00:09:15,069 --> 00:09:18,789 Speaker 1: Slaves are illegal because she's right here. Okay. 176 00:09:18,909 --> 00:09:23,029 Speaker 2: Simon literally starts training her like a dog with treats. 177 00:09:23,589 --> 00:09:27,309 Speaker 2: Then Reverend Camden in a parallel storyline that you forgot 178 00:09:27,389 --> 00:09:30,589 Speaker 2: to mention Happy Oh yeah, sorry, Happy the dog played 179 00:09:30,589 --> 00:09:33,589 Speaker 2: by Happy Happy the dog. That's what I always remember 180 00:09:33,629 --> 00:09:37,549 Speaker 2: from the storyline. We get to happy Happy Happy often 181 00:09:37,629 --> 00:09:38,629 Speaker 2: drives plot forward. 182 00:09:39,349 --> 00:09:39,829 Speaker 1: Okay. 183 00:09:40,949 --> 00:09:45,709 Speaker 2: Reverend Camden somehow he always joins the police force, but 184 00:09:45,869 --> 00:09:49,669 Speaker 2: like incidentally, so all of a sudden he has access 185 00:09:49,669 --> 00:09:53,429 Speaker 2: to missing persons files. Okay, and he's at the police station. Yeah, 186 00:09:53,509 --> 00:09:55,789 Speaker 2: just in his spare time. And this man is a 187 00:09:55,829 --> 00:09:58,189 Speaker 2: trusted member of the community. Like all reverend should be. 188 00:10:00,349 --> 00:10:02,709 Speaker 2: This man walks into the police station and you know 189 00:10:02,829 --> 00:10:06,109 Speaker 2: straight away, well, that's the father of the homeless girl 190 00:10:06,229 --> 00:10:12,149 Speaker 2: that your children are training to see. And you know 191 00:10:12,229 --> 00:10:15,269 Speaker 2: that because their makeup is equally as terrible. 192 00:10:15,349 --> 00:10:17,589 Speaker 1: Okay, so it's like you also have dirt on your lip? 193 00:10:17,709 --> 00:10:17,829 Speaker 3: Yees. 194 00:10:17,949 --> 00:10:21,269 Speaker 2: Yeah. It turns out he's not homeless, he's an alcoholic. 195 00:10:22,229 --> 00:10:24,669 Speaker 2: So Eric goes home and tells Simon, you. 196 00:10:24,749 --> 00:10:26,029 Speaker 1: Got to give the homeless girl back. 197 00:10:26,069 --> 00:10:29,069 Speaker 2: Well, no, he's like, this girl's name is Sarah, And 198 00:10:29,109 --> 00:10:32,509 Speaker 2: suddenly she starts talking. She's been silent until now, and 199 00:10:32,549 --> 00:10:34,949 Speaker 2: she just gives like a whole family background. It's like 200 00:10:34,989 --> 00:10:36,869 Speaker 2: everything's been silent, so much mystery. And then she's like, 201 00:10:36,909 --> 00:10:40,029 Speaker 2: my dad's an alcoholic because my mom like just gives 202 00:10:40,669 --> 00:10:43,829 Speaker 2: year's worth of a story. You trusts, Eric, Yeah, luckily, 203 00:10:44,749 --> 00:10:48,309 Speaker 2: Eric and Matt go to the alcoholic man's house. 204 00:10:48,909 --> 00:10:50,629 Speaker 1: So he's not homeless. He's not homeless. 205 00:10:50,669 --> 00:10:53,469 Speaker 2: Oh, but his house is messy because he's an alcoholic. 206 00:10:53,109 --> 00:10:54,389 Speaker 1: Okay, which is why he's got dirt. 207 00:10:54,549 --> 00:10:57,829 Speaker 2: Yes, So they go to his house to clean it. Oh, 208 00:10:57,949 --> 00:11:00,589 Speaker 2: that'll do it as a lesson, okay, And the lesson 209 00:11:00,669 --> 00:11:06,429 Speaker 2: I think to matt is, if you drink alcohol, you'll 210 00:11:06,469 --> 00:11:09,709 Speaker 2: have a messy house. I don't know, but they clean 211 00:11:09,749 --> 00:11:11,749 Speaker 2: his house, and I think they're not allowed to keep 212 00:11:11,789 --> 00:11:12,749 Speaker 2: the homeless. 213 00:11:12,349 --> 00:11:13,709 Speaker 1: Girl have to give her back. 214 00:11:14,829 --> 00:11:18,309 Speaker 2: I worry about the family's finances because Annie, I mean, 215 00:11:18,789 --> 00:11:21,069 Speaker 2: she's a tireless worker. 216 00:11:21,189 --> 00:11:22,389 Speaker 1: We see her with laundry busts. 217 00:11:22,389 --> 00:11:24,749 Speaker 2: She works harder than bloody Reverend Camden. Ah, she works 218 00:11:24,749 --> 00:11:27,989 Speaker 2: harder than them all put together. But she's not contributing 219 00:11:27,989 --> 00:11:30,469 Speaker 2: to the bottom line of that household. She's not because 220 00:11:31,189 --> 00:11:33,029 Speaker 2: I don't think she's on benefits. 221 00:11:33,549 --> 00:11:36,429 Speaker 1: But I can't see it all. 222 00:11:36,469 --> 00:11:38,629 Speaker 2: It's a soling cump family. It's a souling cump family 223 00:11:38,629 --> 00:11:42,269 Speaker 2: with seven children and from giving one them and I'm like, 224 00:11:43,189 --> 00:11:46,149 Speaker 2: how much and putting your nose in other people's business. 225 00:11:46,229 --> 00:11:48,389 Speaker 1: It's not paid. It's not paid. 226 00:11:48,989 --> 00:11:52,189 Speaker 2: And another, actually an important part of that is it 227 00:11:52,269 --> 00:11:56,549 Speaker 2: is heavily implied that the church pays for their house. 228 00:11:56,629 --> 00:11:58,749 Speaker 2: Their house is too nice, it's too like a church 229 00:11:58,949 --> 00:12:02,469 Speaker 2: donated to bloody Sarah and her dad. A church shouldn't 230 00:12:02,549 --> 00:12:07,789 Speaker 2: be paying for your wholesome suburban line pancakes you have 231 00:12:07,869 --> 00:12:10,509 Speaker 2: for breakfast. Yeah, yeah, the reverend was too rich. That 232 00:12:10,589 --> 00:12:14,669 Speaker 2: always bothered me, Jesse. When Matt takes a slut to 233 00:12:14,749 --> 00:12:18,549 Speaker 2: prom so Matt doesn't have a prom date. This is 234 00:12:18,589 --> 00:12:21,149 Speaker 2: where Lucy and Mary are like, take me. Then a 235 00:12:21,189 --> 00:12:25,389 Speaker 2: weird man comes to Reverend Camden and he's like, can 236 00:12:25,429 --> 00:12:27,029 Speaker 2: Matt take my daughter to prompt? 237 00:12:27,229 --> 00:12:28,909 Speaker 3: I've got the perfect guy in mind to take Connie 238 00:12:28,949 --> 00:12:31,189 Speaker 3: to the prom, but I need your help. I was 239 00:12:31,229 --> 00:12:33,629 Speaker 3: wondering if your son Matt could possibly take Connie. 240 00:12:33,789 --> 00:12:36,669 Speaker 2: Well, like I said, you know, I could ask. This 241 00:12:36,709 --> 00:12:40,029 Speaker 2: is great. Thanks, which is weird because everyone's always just 242 00:12:40,069 --> 00:12:41,989 Speaker 2: in each other's business and it's. 243 00:12:41,869 --> 00:12:45,549 Speaker 1: All men being like can we trade daughters? You know 244 00:12:45,589 --> 00:12:45,989 Speaker 1: what I mean? 245 00:12:47,109 --> 00:12:49,269 Speaker 2: It's exactly what it is. So he's like, yeah, yeah, 246 00:12:49,269 --> 00:12:52,069 Speaker 2: my daughter Connie, can he take her? He goes home 247 00:12:52,109 --> 00:12:54,549 Speaker 2: and says, Matt, can you take this Connie chick to prompt? 248 00:12:55,149 --> 00:12:59,149 Speaker 2: And Matt's face he's like, interesting, is she up? Well, 249 00:13:00,149 --> 00:13:02,789 Speaker 2: we learn Connie is a slut? How do you learn 250 00:13:02,869 --> 00:13:06,069 Speaker 2: that from how she dresses? Got it? 251 00:13:06,789 --> 00:13:11,429 Speaker 1: No, she actually she's curvy. She has short hair. Yeah, wow, 252 00:13:11,669 --> 00:13:12,189 Speaker 1: very edgy. 253 00:13:12,309 --> 00:13:16,109 Speaker 2: So what she is is she's a bisexual temptress. 254 00:13:16,309 --> 00:13:20,389 Speaker 1: She's a temptress. She's Anna from the uc Yeah, exactly. Yeah, 255 00:13:20,949 --> 00:13:22,669 Speaker 1: you just don't know which way she's gonna go. 256 00:13:23,109 --> 00:13:25,789 Speaker 2: So Matt asks her and she's like, I can't come. 257 00:13:25,829 --> 00:13:28,309 Speaker 2: I don't have a dress. And Matt's like, that's fine, 258 00:13:28,429 --> 00:13:29,349 Speaker 2: Mum will make you one. 259 00:13:29,669 --> 00:13:33,629 Speaker 1: Oh yuck. And the problem is like a prairie dress. 260 00:13:33,669 --> 00:13:36,709 Speaker 2: The problem is that night and so Annie has seven kids, 261 00:13:36,949 --> 00:13:40,829 Speaker 2: So poor Annie, including surprise es. Yeah, that's to take 262 00:13:40,909 --> 00:13:44,349 Speaker 2: down the curtains and make a dress for this girl 263 00:13:44,429 --> 00:13:45,069 Speaker 2: she's never met. 264 00:13:45,189 --> 00:13:47,749 Speaker 1: Okay, Okay, So I just. 265 00:13:47,749 --> 00:13:49,469 Speaker 2: I just know that if that was our family, the 266 00:13:49,549 --> 00:13:53,309 Speaker 2: resentment between mum and dad situation would be if you 267 00:13:53,469 --> 00:13:57,949 Speaker 2: made them take this random slut to the prom. Anyway 268 00:13:58,069 --> 00:14:00,869 Speaker 2: at prom, Matt's like, no, I'm gonna be a good Christian. 269 00:14:01,029 --> 00:14:03,909 Speaker 2: So he's like, why are you a slut? Ah? 270 00:14:03,949 --> 00:14:06,789 Speaker 1: Why are you a slut? Slight conversion therapy and she's like, 271 00:14:06,909 --> 00:14:09,749 Speaker 1: my mom died and that's a lovely lesson. 272 00:14:13,109 --> 00:14:17,749 Speaker 2: Sometimes women are sluts because you're trauma, okay, And that's 273 00:14:17,789 --> 00:14:22,189 Speaker 2: why Lucy, Mary, Ruthie, they're good girls because they've got 274 00:14:22,189 --> 00:14:27,189 Speaker 2: the example of Annie in a laundry basket. Exactly. There 275 00:14:27,229 --> 00:14:30,429 Speaker 2: are many, many more crazy storylines, like when the family 276 00:14:30,469 --> 00:14:34,309 Speaker 2: celebrated Lucy's first period, and when one character joins a 277 00:14:34,389 --> 00:14:38,469 Speaker 2: gang and another gets married after one day. To listen 278 00:14:38,509 --> 00:14:40,989 Speaker 2: to that entire episode, just click the link in our 279 00:14:40,989 --> 00:14:43,909 Speaker 2: show notes. You can find videos from the podcast and 280 00:14:43,989 --> 00:14:47,189 Speaker 2: evidence of the celebrity crimes on our Instagram at the 281 00:14:47,229 --> 00:14:51,589 Speaker 2: Twins underscore thoughts, or on TikTok at cancel the podcast, 282 00:14:51,989 --> 00:14:54,909 Speaker 2: Bye Bye,