1 00:00:10,327 --> 00:00:13,047 Speaker 1: You're listening to a MoMA Mia podcast. 2 00:00:13,727 --> 00:00:16,767 Speaker 2: Mamma Mea acknowledges the traditional owners of land and waters 3 00:00:16,807 --> 00:00:23,327 Speaker 2: that this podcast is recorded on Hello and welcome to 4 00:00:23,367 --> 00:00:26,047 Speaker 2: Mamma Mia out Loud. It's all women are actually talking about. 5 00:00:26,127 --> 00:00:28,087 Speaker 2: On Wednesday, the sixth of November. 6 00:00:28,207 --> 00:00:31,767 Speaker 3: I'm Holly Waynwright, I'm Mea Friedman, and I'm Jesse Stevens. 7 00:00:31,967 --> 00:00:33,927 Speaker 2: And on the show today, out louders, you're going to 8 00:00:34,007 --> 00:00:35,767 Speaker 2: hear something a little bit different today, and I'm just 9 00:00:35,767 --> 00:00:37,527 Speaker 2: going to tell you exactly why, because it's been a 10 00:00:37,567 --> 00:00:40,367 Speaker 2: bit of a chaotic day at Mama Mea out Loud, 11 00:00:40,407 --> 00:00:42,567 Speaker 2: as I'm sure you can imagine, with a little something 12 00:00:42,607 --> 00:00:45,607 Speaker 2: that's going on in America. So we recorded our normal 13 00:00:45,647 --> 00:00:47,527 Speaker 2: show at our normal time today and we did a 14 00:00:47,527 --> 00:00:50,047 Speaker 2: bit of a vibe check on where everybody was about 15 00:00:50,087 --> 00:00:52,207 Speaker 2: the election. We didn't do any predictions, but we talked 16 00:00:52,207 --> 00:00:54,087 Speaker 2: about what people might be able to expect for the 17 00:00:54,167 --> 00:00:56,287 Speaker 2: rest of the day and the week, and of course 18 00:00:56,367 --> 00:00:59,687 Speaker 2: things have not entirely gone according to plan. So here's 19 00:00:59,727 --> 00:01:04,327 Speaker 2: what we've done. We have recorded a special episode just 20 00:01:04,367 --> 00:01:07,647 Speaker 2: for you, an emergency meeting that is all about where 21 00:01:07,687 --> 00:01:12,647 Speaker 2: we stand with the American Election on Wednesday afternoon evening right, 22 00:01:12,967 --> 00:01:17,167 Speaker 2: that has me mea Jesse Amelia Lester. It's feelings, its thoughts, 23 00:01:17,407 --> 00:01:20,367 Speaker 2: it's where things are standing. And if you are feeling anxious, 24 00:01:20,367 --> 00:01:22,847 Speaker 2: if you're feeling worried, if you're feeling triumphant, you want 25 00:01:22,847 --> 00:01:25,447 Speaker 2: to go and listen to that. If you would rather 26 00:01:25,527 --> 00:01:27,847 Speaker 2: eat a box of hair than hear anything else about 27 00:01:27,887 --> 00:01:30,207 Speaker 2: the American election, or you just need to avoid it, 28 00:01:30,567 --> 00:01:33,367 Speaker 2: we've got you. The rest of this show is American 29 00:01:33,407 --> 00:01:36,007 Speaker 2: Election Free and it's just a little bit shorter than 30 00:01:36,087 --> 00:01:39,047 Speaker 2: usual because we took out our original election chat and 31 00:01:39,087 --> 00:01:41,527 Speaker 2: needed it. So that is full disclosure on what you're 32 00:01:41,527 --> 00:01:43,887 Speaker 2: about to hear. So remember, if you want to hear 33 00:01:43,927 --> 00:01:46,287 Speaker 2: our thoughts and feelings about the American election, there is 34 00:01:46,327 --> 00:01:49,967 Speaker 2: a special emergency Meeting episode in your feed, and if 35 00:01:50,007 --> 00:01:51,967 Speaker 2: you want to avoid it, listen to this one. And 36 00:01:52,007 --> 00:01:53,887 Speaker 2: if you want to do both, please do. 37 00:01:54,327 --> 00:01:56,127 Speaker 4: In case you missed it, you need to get rid 38 00:01:56,167 --> 00:01:58,167 Speaker 4: of your black Spachelor in the bin. 39 00:01:58,327 --> 00:02:01,087 Speaker 1: Like, what do you mean watch black Plastic Dispatchela. If 40 00:02:01,127 --> 00:02:02,287 Speaker 1: you've got it, then in the kitchen. 41 00:02:03,407 --> 00:02:05,647 Speaker 4: Sorry, hold way, I don't know where you keep your Spachelor. 42 00:02:05,727 --> 00:02:07,807 Speaker 4: Maybe it's in your bedside table because of what you 43 00:02:07,967 --> 00:02:08,207 Speaker 4: like to. 44 00:02:08,327 --> 00:02:10,727 Speaker 2: Just a bit say spatually. You mean like the thing 45 00:02:10,767 --> 00:02:11,487 Speaker 2: you cook, like. 46 00:02:12,927 --> 00:02:13,447 Speaker 3: Your eggs? 47 00:02:13,527 --> 00:02:14,207 Speaker 1: Are you high? 48 00:02:14,487 --> 00:02:15,447 Speaker 3: I have a metal one? 49 00:02:15,487 --> 00:02:17,807 Speaker 1: This is probably because is that black? Jesse? 50 00:02:18,047 --> 00:02:18,207 Speaker 4: No? 51 00:02:18,327 --> 00:02:20,327 Speaker 3: But does that make me better than people with black one? 52 00:02:20,407 --> 00:02:23,207 Speaker 2: Sorry? You mean the black plastic spatula that we all 53 00:02:23,407 --> 00:02:24,527 Speaker 2: do our fried eggs and stuff with. 54 00:02:24,847 --> 00:02:25,927 Speaker 3: Not all, that's what I mean. 55 00:02:26,087 --> 00:02:29,407 Speaker 1: I'm sorry, Miya. So are we clear on what its 56 00:02:29,447 --> 00:02:31,887 Speaker 1: bachelor is and where it's kept? Jesse? Are we clear 57 00:02:31,927 --> 00:02:35,487 Speaker 1: on what black is? Can I continue? Please? Continue? 58 00:02:35,527 --> 00:02:36,767 Speaker 2: I'm sorry, Miya, I'm sorry. 59 00:02:37,287 --> 00:02:39,007 Speaker 4: The reason you have to get rid of your black 60 00:02:39,127 --> 00:02:42,847 Speaker 4: plastics bachelor in your kitchen or your bedroom, sorry it 61 00:02:42,967 --> 00:02:47,367 Speaker 4: is is because it's probably leeching chemicals into your cooking oil. 62 00:02:47,447 --> 00:02:49,527 Speaker 4: Oh that's not ideal, which also might be in your bedroom. 63 00:02:49,567 --> 00:02:52,287 Speaker 1: I don't know whole Well, it's about, isn't it about? 64 00:02:52,287 --> 00:02:54,887 Speaker 3: It reacts with heat, so Polly's using it in the bedroom. 65 00:02:54,927 --> 00:02:57,047 Speaker 3: It's reacting with Yeah, yeah. 66 00:02:56,847 --> 00:02:59,047 Speaker 2: It's lay now that you've shown it to me, I 67 00:02:59,127 --> 00:03:01,727 Speaker 2: have that spatula that exact spatchelor. So there was an 68 00:03:01,767 --> 00:03:04,887 Speaker 2: article in the Atlantic couple of days ago which I 69 00:03:04,967 --> 00:03:08,407 Speaker 2: screenshot and put in my family group chat saying, everyone 70 00:03:08,487 --> 00:03:12,687 Speaker 2: throw out your black bachelors immediately, and I was immediately 71 00:03:12,687 --> 00:03:14,887 Speaker 2: trolled by my children. 72 00:03:15,287 --> 00:03:17,647 Speaker 1: Jesse was still busy googling what black is. 73 00:03:17,687 --> 00:03:22,487 Speaker 4: But because I often tell them things right about carcinogens, 74 00:03:22,727 --> 00:03:28,327 Speaker 4: which are cancer causing chemicals and are found in certain products, 75 00:03:28,567 --> 00:03:35,647 Speaker 4: and sometimes there are certain foods that in high quantities. 76 00:03:35,047 --> 00:03:39,527 Speaker 2: Are linked to health anxiety or is this like legit 77 00:03:39,687 --> 00:03:42,287 Speaker 2: it's looking after other people. Yes, so my kids when 78 00:03:42,287 --> 00:03:45,887 Speaker 2: they want to troll me, they just send photos of 79 00:03:45,927 --> 00:03:48,887 Speaker 2: themselves eating salami. Yum, salami. 80 00:03:49,567 --> 00:03:51,927 Speaker 1: Stop it, don't eat salami. 81 00:03:52,687 --> 00:03:55,087 Speaker 3: I don't understand the science, right, I read this whole article. 82 00:03:55,167 --> 00:03:56,287 Speaker 3: Ye don't understand. 83 00:03:56,367 --> 00:03:57,807 Speaker 1: Don't need So what I need. 84 00:03:57,767 --> 00:04:00,367 Speaker 3: Is a headline, which is We're thrown out our black spachelors. 85 00:04:00,407 --> 00:04:04,167 Speaker 3: There is another headline, Holly, which is keep cups also 86 00:04:04,327 --> 00:04:06,607 Speaker 3: really good. We love keep cups for the environment, but 87 00:04:06,687 --> 00:04:08,967 Speaker 3: also because if you've got a hot coffee with a 88 00:04:09,007 --> 00:04:12,967 Speaker 3: black plastic lid, also leaching the chemicals. 89 00:04:13,047 --> 00:04:14,687 Speaker 1: What is it the black that's the problem. 90 00:04:14,767 --> 00:04:17,247 Speaker 2: Yes, if that is green, is it okay? 91 00:04:17,407 --> 00:04:17,967 Speaker 1: I think so? 92 00:04:17,967 --> 00:04:21,487 Speaker 4: So black silicon could be different about plastic, but I 93 00:04:21,567 --> 00:04:23,847 Speaker 4: will get that under advisement and I will come back 94 00:04:23,847 --> 00:04:24,087 Speaker 4: to you. 95 00:04:24,207 --> 00:04:25,567 Speaker 3: I just need someone to write a list of what 96 00:04:25,607 --> 00:04:26,127 Speaker 3: to throw out. 97 00:04:26,287 --> 00:04:29,567 Speaker 1: What am I supposed to use instead of my cooking utensils? 98 00:04:29,607 --> 00:04:31,887 Speaker 2: No, that's bad metal on your metal pans? 99 00:04:32,007 --> 00:04:35,007 Speaker 1: Scratch, No, so you would, I don't know. I use 100 00:04:35,007 --> 00:04:35,687 Speaker 1: a wooden spoon. 101 00:04:36,487 --> 00:04:36,807 Speaker 2: Spoon. 102 00:04:37,407 --> 00:04:40,847 Speaker 1: You can also get wooden. Like wooden, you can get 103 00:04:40,887 --> 00:04:41,847 Speaker 1: with loud. 104 00:04:41,807 --> 00:04:43,487 Speaker 3: Jump in the outludders group and just link us to 105 00:04:43,527 --> 00:04:44,087 Speaker 3: a spatialize. 106 00:04:44,087 --> 00:04:45,287 Speaker 1: I'm not going to tell you what you should use. 107 00:04:45,287 --> 00:04:46,447 Speaker 1: I'm just going to tell you what you need to 108 00:04:46,447 --> 00:04:47,007 Speaker 1: stop using. 109 00:04:47,887 --> 00:04:48,207 Speaker 2: Thank you. 110 00:04:48,407 --> 00:04:51,887 Speaker 4: It's above my pay grade telling you what cooking utensils 111 00:04:51,887 --> 00:04:53,847 Speaker 4: you should use. I'm just going to read you this 112 00:04:53,927 --> 00:04:55,807 Speaker 4: one thing right instead of me just telling you it. 113 00:04:55,887 --> 00:04:58,327 Speaker 4: Cooking with any plastic is a dubious enterprise because he 114 00:04:58,567 --> 00:05:02,847 Speaker 4: encourages potentially harmful plastic compounds to migrate out of the 115 00:05:02,847 --> 00:05:07,367 Speaker 4: polymers and potentially into the food. But as Andrew Turner, 116 00:05:07,407 --> 00:05:11,007 Speaker 4: a biochemist at the University of Limuth, recently said, black 117 00:05:11,007 --> 00:05:14,807 Speaker 4: plastic is particularly crucial to avoid. Oh shit, do you 118 00:05:14,807 --> 00:05:17,407 Speaker 4: No one else is not great? Black plastic Sushi trays. 119 00:05:17,207 --> 00:05:18,567 Speaker 1: Just don't sat. 120 00:05:20,087 --> 00:05:23,287 Speaker 2: Now, I'm just petrified of everything. I can't leave this 121 00:05:23,447 --> 00:05:25,007 Speaker 2: room in a moment. 122 00:05:25,407 --> 00:05:27,847 Speaker 3: Holly and May are gonna attempt to explain to me 123 00:05:28,127 --> 00:05:32,007 Speaker 3: why so many people, including out louders, are losing their 124 00:05:32,047 --> 00:05:34,487 Speaker 3: shit over a sexy TV show and if you haven't 125 00:05:34,487 --> 00:05:36,527 Speaker 3: seen it, me neither. So I will be the voice 126 00:05:36,567 --> 00:05:37,287 Speaker 3: of reason. 127 00:05:48,567 --> 00:05:49,487 Speaker 2: Me out loud. 128 00:05:52,647 --> 00:05:55,487 Speaker 1: This is going to be marvelous. 129 00:05:57,007 --> 00:05:59,847 Speaker 2: Jesse doesn't really want me to talk about Rivals, and 130 00:05:59,927 --> 00:06:02,127 Speaker 2: I get it because, just a little behind the scenes, 131 00:06:02,127 --> 00:06:03,647 Speaker 2: when we decide whether or not we're going to talk 132 00:06:03,647 --> 00:06:06,527 Speaker 2: about a TV show on out Loud, we always very 133 00:06:06,607 --> 00:06:09,207 Speaker 2: much like prosecute with each other whether everybody really is 134 00:06:09,447 --> 00:06:11,647 Speaker 2: watching this or whether it feels like in our world. 135 00:06:11,967 --> 00:06:15,007 Speaker 2: Because in my world it feels like everybody is watching Rivals. 136 00:06:15,047 --> 00:06:17,847 Speaker 2: I think it's the most popular recommendation I've ever given. 137 00:06:18,287 --> 00:06:19,847 Speaker 2: Mia and I were out and about last night and 138 00:06:19,887 --> 00:06:22,407 Speaker 2: people literally stopped me on the street to say Rivals. 139 00:06:22,447 --> 00:06:26,367 Speaker 3: So it's like very and my argument is always that 140 00:06:26,567 --> 00:06:28,767 Speaker 3: if you haven't watched the show, there's nothing work. Have 141 00:06:28,807 --> 00:06:30,607 Speaker 3: you ever been like a dinner party and ring that 142 00:06:30,687 --> 00:06:32,207 Speaker 3: TV show? And then they talk about it and they're like, 143 00:06:32,207 --> 00:06:34,167 Speaker 3: evenly need to and I'm just like, this is boring 144 00:06:34,207 --> 00:06:36,167 Speaker 3: for me that person. 145 00:06:36,367 --> 00:06:38,847 Speaker 2: So the way I convinced Jesse because I was like, 146 00:06:38,887 --> 00:06:41,367 Speaker 2: everyone's watching it, Jesse, and She's like, no, only Hollies 147 00:06:41,367 --> 00:06:44,247 Speaker 2: are watching it. And I was like, Okay, then let's 148 00:06:44,247 --> 00:06:47,407 Speaker 2: say it's making an important cultural statement about the world 149 00:06:47,527 --> 00:06:49,767 Speaker 2: right now. Am I allowed to talk about it then? 150 00:06:49,847 --> 00:06:50,647 Speaker 1: And you said. 151 00:06:50,487 --> 00:06:53,807 Speaker 2: Yes, I was in And then I just quietly mentioned 152 00:06:53,847 --> 00:06:58,327 Speaker 2: all the bonking anyway. Bonking is a very specific, intentional 153 00:06:58,407 --> 00:07:01,047 Speaker 2: word here for the kind of sex that's on display 154 00:07:01,047 --> 00:07:03,807 Speaker 2: on Rivals right. Rivals is a TV show on Disney 155 00:07:03,807 --> 00:07:07,167 Speaker 2: Plus based on famous Jilly Cooper novels of the nineteen eighties, 156 00:07:07,647 --> 00:07:11,447 Speaker 2: and the sex in it very specific kind of sex 157 00:07:11,487 --> 00:07:13,847 Speaker 2: in that there's a lot of it. Everybody is sleeping 158 00:07:13,887 --> 00:07:17,327 Speaker 2: with everybody within minutes. Are all her books? Just put 159 00:07:17,407 --> 00:07:21,647 Speaker 2: Jilly Cooper in context. I've heard her books described as bonkbusters. Yes, 160 00:07:21,727 --> 00:07:24,247 Speaker 2: are they all bonkbusters? They are all bonkbusters. So in 161 00:07:24,287 --> 00:07:27,527 Speaker 2: the nineteen eighties, there was Jilly Cooper, there was Jackie Collins, 162 00:07:27,567 --> 00:07:29,287 Speaker 2: there was Judith Krantz. There was a couple of others 163 00:07:29,447 --> 00:07:32,167 Speaker 2: female authors who were writing what were also often called 164 00:07:32,167 --> 00:07:36,167 Speaker 2: sex and shopping novels. They were very, very dismissed, and 165 00:07:36,287 --> 00:07:38,087 Speaker 2: for good reason. In lots of way like they are light, 166 00:07:38,247 --> 00:07:41,167 Speaker 2: there's no question about that. But with hindsight they are 167 00:07:41,207 --> 00:07:45,007 Speaker 2: also being seen as actually very smart social satire, and 168 00:07:45,287 --> 00:07:48,007 Speaker 2: Jilly Cooper is posh as right. This is her world, 169 00:07:48,047 --> 00:07:51,567 Speaker 2: the world being reflected here in Rivals, which is Tory 170 00:07:51,687 --> 00:07:55,927 Speaker 2: MP's living in their Cotswold stately homes, lords and ladies 171 00:07:56,007 --> 00:07:59,487 Speaker 2: and classes that play a lot that is Jilly Cooper's world. 172 00:08:00,127 --> 00:08:02,567 Speaker 2: But lots of people are clutching their pearls about why 173 00:08:02,607 --> 00:08:05,647 Speaker 2: everybody's so into Rivals. And I have a theory and 174 00:08:05,687 --> 00:08:07,567 Speaker 2: we'll get more to it in a minute, which is 175 00:08:07,647 --> 00:08:11,847 Speaker 2: partly because sex has become very serious right in the 176 00:08:11,887 --> 00:08:13,887 Speaker 2: way we discuss it, and for very good reason. 177 00:08:13,967 --> 00:08:14,167 Speaker 1: Yeap. 178 00:08:14,287 --> 00:08:17,007 Speaker 2: You know, in recent times women love sex, but also 179 00:08:17,247 --> 00:08:19,447 Speaker 2: sex has been used as a weapon against us. It's 180 00:08:19,487 --> 00:08:22,847 Speaker 2: been disappointing us, it's been exhausting us, and we feel 181 00:08:22,887 --> 00:08:24,607 Speaker 2: like we're allowed to say all that for the first 182 00:08:24,607 --> 00:08:27,647 Speaker 2: time and talk about it. And it's very important, but 183 00:08:27,727 --> 00:08:31,087 Speaker 2: it's not a lot of fun. And sometimes sex is 184 00:08:31,167 --> 00:08:34,807 Speaker 2: just fun, and sometimes TV is just fun, and sometimes 185 00:08:34,807 --> 00:08:37,607 Speaker 2: culture just needs to be fun and maybe in the 186 00:08:37,607 --> 00:08:39,447 Speaker 2: world that we're living in right now, for all the 187 00:08:39,487 --> 00:08:41,927 Speaker 2: reasons we were just discussing and many more. What the 188 00:08:42,007 --> 00:08:45,207 Speaker 2: success of Rivals is showing us is that that first 189 00:08:45,247 --> 00:08:48,327 Speaker 2: for escapism is really at a very high pitch. I 190 00:08:48,327 --> 00:08:50,887 Speaker 2: think nobody wants this, and the success of that shows 191 00:08:50,927 --> 00:08:53,447 Speaker 2: another side of that too. It's just sort of silly, 192 00:08:53,647 --> 00:08:57,247 Speaker 2: you know, but this is a very specific kind of silly. Mia. 193 00:08:57,287 --> 00:08:59,327 Speaker 2: Why do you think everybody's loving Rivals? 194 00:08:59,647 --> 00:09:00,607 Speaker 1: I think you're spot on. 195 00:09:00,887 --> 00:09:04,527 Speaker 4: I think it's the escapism in that you don't have 196 00:09:04,607 --> 00:09:08,127 Speaker 4: to think. There are no life lessons in Rivals. There's 197 00:09:08,167 --> 00:09:12,327 Speaker 4: no moralizing, no scolding. Because it's set in the eighties 198 00:09:12,727 --> 00:09:17,087 Speaker 4: at a television network, a sort of rural regional television network. 199 00:09:17,767 --> 00:09:20,567 Speaker 4: It was a simpler and yes, in many case worse, 200 00:09:20,647 --> 00:09:25,607 Speaker 4: but definitely simpler time. And I was reading something about it, 201 00:09:25,807 --> 00:09:29,727 Speaker 4: a review that said, to love Jilli Cooper's stories is 202 00:09:29,767 --> 00:09:31,967 Speaker 4: to be constantly aware of how amesh they are in 203 00:09:32,007 --> 00:09:35,487 Speaker 4: a particular time and place, one where racehorses were celebrities, 204 00:09:35,647 --> 00:09:38,607 Speaker 4: groping was standard, and everybody seemed to be in love 205 00:09:38,607 --> 00:09:42,607 Speaker 4: with Princess Diana. And then it also says In Jilli 206 00:09:42,687 --> 00:09:46,607 Speaker 4: Cooper's World, men conquer women's si, the sun shines perpetually 207 00:09:46,967 --> 00:09:51,447 Speaker 4: on gold Cotswold's mansions, Marie Bells in Bloom, and absolutely 208 00:09:51,487 --> 00:09:56,967 Speaker 4: everybody is down to fuck. There's like a remarkable lack 209 00:09:57,047 --> 00:09:59,807 Speaker 4: of angst. And that doesn't mean that you look at 210 00:09:59,887 --> 00:10:03,687 Speaker 4: like the groping scenes and the sexism, like my reaction 211 00:10:03,807 --> 00:10:05,447 Speaker 4: to it. I look at it, and I was around 212 00:10:05,447 --> 00:10:07,847 Speaker 4: for those times. I was young in the eighties, but 213 00:10:08,287 --> 00:10:11,527 Speaker 4: you know, I worked in restaurants and worked in workplaces 214 00:10:11,527 --> 00:10:13,127 Speaker 4: where sexual harassment happened. 215 00:10:13,567 --> 00:10:14,687 Speaker 1: And it's not that it's. 216 00:10:14,567 --> 00:10:16,287 Speaker 4: Like, oh, they were the good old days where you 217 00:10:16,287 --> 00:10:18,367 Speaker 4: could just get pinched on the bum and it was flirting. 218 00:10:19,047 --> 00:10:20,487 Speaker 4: I look at that and it makes me feel good 219 00:10:20,527 --> 00:10:23,327 Speaker 4: because I'm like, look how far we've come. But in 220 00:10:23,367 --> 00:10:28,527 Speaker 4: the actual show, apart from one scene in this, there's 221 00:10:28,567 --> 00:10:32,927 Speaker 4: not angst amongst the characters. The characters don't they angst, 222 00:10:33,007 --> 00:10:35,727 Speaker 4: but not about I don't want to say politically correct things, 223 00:10:35,767 --> 00:10:38,247 Speaker 4: because that's it just was a time when you didn't 224 00:10:38,327 --> 00:10:42,327 Speaker 4: question things, you just sort of accepted them. 225 00:10:42,447 --> 00:10:45,127 Speaker 3: It's hedonism, I think, And like I was reading this 226 00:10:45,247 --> 00:10:47,607 Speaker 3: analysis on it, and it was saying the people are happy, 227 00:10:47,847 --> 00:10:48,647 Speaker 3: which is really nice. 228 00:10:48,687 --> 00:10:49,687 Speaker 1: There were less choices. 229 00:10:49,767 --> 00:10:52,127 Speaker 4: I can't believe I'm saying this, but like, there's a 230 00:10:52,167 --> 00:10:55,167 Speaker 4: whole bit where one of the main female characters who's 231 00:10:55,167 --> 00:10:59,047 Speaker 4: sleeping with her boss and everybody knows she's sleeping with 232 00:10:59,087 --> 00:11:03,287 Speaker 4: her boss, and then she's offered another job and she 233 00:11:03,367 --> 00:11:06,087 Speaker 4: just doesn't really have any angst about sleeping with her boss, 234 00:11:06,087 --> 00:11:08,247 Speaker 4: and no one else really has any angst for her. 235 00:11:08,607 --> 00:11:10,487 Speaker 3: There are a lot of parallels in some ways between 236 00:11:10,487 --> 00:11:12,367 Speaker 3: the eighties and now, like because I was looking back, 237 00:11:12,447 --> 00:11:15,967 Speaker 3: being like, oh, it's less nihilistic, Like there's such nihilism now. 238 00:11:16,047 --> 00:11:20,407 Speaker 3: People feel this sort of depressive realism and this cynicism 239 00:11:20,607 --> 00:11:23,447 Speaker 3: that maybe we're really sick of seeing reflected back to us. 240 00:11:23,767 --> 00:11:26,087 Speaker 3: But I was reading like the eighties, when you really 241 00:11:26,087 --> 00:11:29,567 Speaker 3: think about it, nuclear war, Like people were terrified. It's 242 00:11:29,607 --> 00:11:31,127 Speaker 3: not like things were perfect. 243 00:11:31,007 --> 00:11:34,447 Speaker 2: And thatches Britain was a very difficult, dark place. Not 244 00:11:34,527 --> 00:11:36,327 Speaker 2: that you'd know that from watching Rival, No. 245 00:11:36,327 --> 00:11:38,807 Speaker 3: But despite all of that, and I think there's some 246 00:11:38,927 --> 00:11:42,287 Speaker 3: truth to it, there was optimism even though people were 247 00:11:42,327 --> 00:11:44,967 Speaker 3: scared about the nuclear war stuff. You know, what was 248 00:11:45,007 --> 00:11:47,407 Speaker 3: happening in the US and Russia, and it was, you know, 249 00:11:47,447 --> 00:11:49,887 Speaker 3: Wake of Vold, all of that kind of stuff. There 250 00:11:50,207 --> 00:11:53,927 Speaker 3: was this sense of optimism and this sense of hedonism, which. 251 00:11:53,767 --> 00:11:56,567 Speaker 4: And also naivety Jesse because two things that struck me 252 00:11:56,607 --> 00:12:00,127 Speaker 4: watching this. Firstly was the lack of surgery. It was 253 00:12:00,167 --> 00:12:03,007 Speaker 4: cast really really well because people looked different in the 254 00:12:03,007 --> 00:12:04,687 Speaker 4: eighties and the nineties and even in the early two 255 00:12:04,727 --> 00:12:07,407 Speaker 4: thousands before everyone was having botox. 256 00:12:07,007 --> 00:12:08,647 Speaker 1: Feelers, perfect teeth. 257 00:12:09,247 --> 00:12:12,767 Speaker 4: People looked differently, their bodies looked different, their faces looked different. 258 00:12:12,607 --> 00:12:14,967 Speaker 2: And they were all having sex regardless. They were all 259 00:12:15,007 --> 00:12:17,367 Speaker 2: having sex, not necessarily in real life, but in this show. 260 00:12:17,407 --> 00:12:19,407 Speaker 4: And also people look different to each other. There wasn't 261 00:12:19,447 --> 00:12:23,967 Speaker 4: this homogenized beauty standard in quite the same way. But 262 00:12:24,527 --> 00:12:27,287 Speaker 4: because no one had phones and there was no internet, 263 00:12:28,127 --> 00:12:31,367 Speaker 4: things literally were more simple because you had access to 264 00:12:31,447 --> 00:12:35,967 Speaker 4: less information and the information of the world didn't intrude 265 00:12:35,967 --> 00:12:38,407 Speaker 4: on you every minute of every day. 266 00:12:38,807 --> 00:12:41,047 Speaker 3: I was reading quotes by Jilly Cooper and she said 267 00:12:41,087 --> 00:12:43,327 Speaker 3: life is quite short of joy, and I think sex 268 00:12:43,407 --> 00:12:46,967 Speaker 3: is heaven. And she's just like she really likes sex 269 00:12:47,127 --> 00:12:49,607 Speaker 3: like a lot, and she's very worried that the young 270 00:12:49,607 --> 00:12:52,007 Speaker 3: people aren't having sex anymore. She has all these theories 271 00:12:52,047 --> 00:12:53,887 Speaker 3: as to why they're not having sex, and her number 272 00:12:53,887 --> 00:12:57,127 Speaker 3: one theory is jogging, and she says that jogging is 273 00:12:57,167 --> 00:13:00,167 Speaker 3: really bad for people's sex life because the thing about 274 00:13:00,207 --> 00:13:01,487 Speaker 3: this show is that no one need to take it 275 00:13:01,567 --> 00:13:04,367 Speaker 3: up early. It was like everyone slept in. There's no alarms, 276 00:13:04,607 --> 00:13:08,687 Speaker 3: there's no green smoothies, No, there's no gh there's no exercise, 277 00:13:09,007 --> 00:13:11,487 Speaker 3: there's no protein, there's no like. 278 00:13:11,527 --> 00:13:14,007 Speaker 2: There's also no pawn on taps. So if you horny, 279 00:13:14,087 --> 00:13:15,687 Speaker 2: then go find somebody. 280 00:13:15,967 --> 00:13:19,887 Speaker 1: There weren't vibrators really not to my knowledge, she. 281 00:13:19,927 --> 00:13:22,487 Speaker 3: Says, and she's gotten a bit of backlash for this 282 00:13:22,927 --> 00:13:25,367 Speaker 3: that Me Too took the fun out of sex, and 283 00:13:25,447 --> 00:13:27,327 Speaker 3: a few people have gone like, I think everyone can 284 00:13:27,407 --> 00:13:30,607 Speaker 3: agree that it was a really important revolution, but to 285 00:13:30,687 --> 00:13:33,087 Speaker 3: look at it and go sex can also be really fun. 286 00:13:33,767 --> 00:13:36,767 Speaker 3: And in novels and television since the Me Too movement, 287 00:13:37,247 --> 00:13:39,887 Speaker 3: sex has become it's like every sex scene has to 288 00:13:39,967 --> 00:13:43,207 Speaker 3: have the awkwardness and the body hair and the then 289 00:13:43,367 --> 00:13:45,927 Speaker 3: I scuttled out of the thing and there was seemen, 290 00:13:46,087 --> 00:13:49,207 Speaker 3: like just too much fucking detail that we've gone really 291 00:13:49,247 --> 00:13:52,607 Speaker 3: really deep and clinical on in this It's like she 292 00:13:52,807 --> 00:13:55,087 Speaker 3: was saying, you know, two people find each other and 293 00:13:55,127 --> 00:13:57,527 Speaker 3: then they hump for two and a half minutes and 294 00:13:57,567 --> 00:13:59,247 Speaker 3: they both orgasm at the same time, and it's like, 295 00:13:59,287 --> 00:14:01,047 Speaker 3: sometimes we just want our sex like that. 296 00:14:01,247 --> 00:14:03,567 Speaker 2: I also think that we always have to remember because 297 00:14:03,727 --> 00:14:07,607 Speaker 2: I think it's dangerous for us and for the enthusiasm 298 00:14:07,647 --> 00:14:09,167 Speaker 2: for this to be. And I know this isn't what 299 00:14:09,287 --> 00:14:11,687 Speaker 2: you're saying mere but to be read as like a 300 00:14:11,767 --> 00:14:15,127 Speaker 2: longing for a pre medio era. I don'noce it, right, 301 00:14:15,567 --> 00:14:18,447 Speaker 2: I really really don't. I think we also always need 302 00:14:18,487 --> 00:14:20,847 Speaker 2: to remember that like witnessing something and enjoying it isn't 303 00:14:20,967 --> 00:14:23,927 Speaker 2: endorsing it. So the fact that I love watching Rupert 304 00:14:23,927 --> 00:14:26,367 Speaker 2: Campbell Black, who's like the cat in this you know, 305 00:14:26,447 --> 00:14:29,007 Speaker 2: I'm enjoying watching him, does not mean that I think, oh, 306 00:14:29,007 --> 00:14:31,127 Speaker 2: of course he should just shove his hand up girl's skirts. 307 00:14:31,167 --> 00:14:33,047 Speaker 2: And of course I don't think that sexual assault is 308 00:14:33,127 --> 00:14:35,247 Speaker 2: very serious and of course like it's none of that. 309 00:14:35,327 --> 00:14:39,287 Speaker 2: It's just that like a mature recognition that you can 310 00:14:39,327 --> 00:14:42,687 Speaker 2: witness something and enjoy something and also have critical thought 311 00:14:42,727 --> 00:14:44,887 Speaker 2: about it that you don't necessarily need to apply to that. 312 00:14:45,207 --> 00:14:47,647 Speaker 2: Even though I'm loving rivals, I don't think even it 313 00:14:47,687 --> 00:14:50,207 Speaker 2: means that we should be lionizing Jilly Cooper. Like I 314 00:14:50,247 --> 00:14:53,047 Speaker 2: listened to Jilly Cooper on Elizabeth Day recently she did 315 00:14:53,087 --> 00:14:56,327 Speaker 2: How to Fail. It was a very unsatisfying experience because 316 00:14:56,767 --> 00:14:59,407 Speaker 2: in a modern world, you know, what we expect from 317 00:14:59,407 --> 00:15:03,567 Speaker 2: a podcast interview with an author is like lots of analysis, 318 00:15:03,687 --> 00:15:06,167 Speaker 2: lots of and Elizabeth Day kept trying to get her 319 00:15:06,247 --> 00:15:09,887 Speaker 2: to engage in that, and she just won't because that's 320 00:15:09,927 --> 00:15:11,607 Speaker 2: just not how she sees the world. For example, she 321 00:15:11,607 --> 00:15:13,487 Speaker 2: was talking about how she's always on a diet. She's 322 00:15:13,527 --> 00:15:15,927 Speaker 2: like nearly eighty, she's always on a diet, and so 323 00:15:15,967 --> 00:15:18,247 Speaker 2: Elizabeth Day was trying to like lead her into don't 324 00:15:18,287 --> 00:15:20,087 Speaker 2: you think that's because the culture has always told you 325 00:15:20,087 --> 00:15:22,887 Speaker 2: you're not good enough? And don't you think that's really sad? 326 00:15:22,927 --> 00:15:24,887 Speaker 2: And don't you think you like being so cruelty yourself 327 00:15:24,887 --> 00:15:26,847 Speaker 2: and don't think it's a terrible message. And Jilly Cooper's 328 00:15:26,847 --> 00:15:28,927 Speaker 2: just literally they're going, darling, I just don't want to 329 00:15:28,927 --> 00:15:32,607 Speaker 2: be fat. Like that's her world and her bubble, and 330 00:15:32,647 --> 00:15:34,487 Speaker 2: it doesn't mean that we should all applaud that and 331 00:15:34,527 --> 00:15:36,407 Speaker 2: be like, yes, we should all be like Jilly Cooper. 332 00:15:36,407 --> 00:15:38,727 Speaker 2: It's just like things can just be Yeah. 333 00:15:38,727 --> 00:15:40,967 Speaker 3: You know, I've been reading about how it's like this 334 00:15:41,087 --> 00:15:44,887 Speaker 3: really subtle form of satire without the commentary, because I 335 00:15:44,887 --> 00:15:47,327 Speaker 3: think we're used to being knocked over the head with messages. 336 00:15:47,407 --> 00:15:49,527 Speaker 3: So even in kids' books, you can't pick up a 337 00:15:49,567 --> 00:15:52,767 Speaker 3: kid's book without being like, and this is a message 338 00:15:52,807 --> 00:15:56,887 Speaker 3: about blah, which I think for some people is very American. 339 00:15:57,647 --> 00:16:00,127 Speaker 3: In fact, Baby Reindeer had a similar A lot of 340 00:16:00,167 --> 00:16:02,727 Speaker 3: people said a similar thing that because it was an 341 00:16:02,727 --> 00:16:06,527 Speaker 3: American it could deal with complexity and nuance in a 342 00:16:06,567 --> 00:16:08,847 Speaker 3: way where someone didn't get up and go and this 343 00:16:09,007 --> 00:16:11,727 Speaker 3: is what to take from this show. Yeah, sometimes it's 344 00:16:11,807 --> 00:16:12,727 Speaker 3: better to not have that. 345 00:16:12,847 --> 00:16:15,287 Speaker 2: Interestingly, though, and this will be interesting to see. I've 346 00:16:15,367 --> 00:16:17,807 Speaker 2: seen a lot of commentary that Rivals needs to do 347 00:16:17,887 --> 00:16:20,407 Speaker 2: well in America to get a second season green lit, 348 00:16:21,047 --> 00:16:24,727 Speaker 2: and it might not do well in America, yeah, because 349 00:16:24,727 --> 00:16:27,767 Speaker 2: it's a very high production value. The soundtrack is unbelievable. 350 00:16:27,767 --> 00:16:30,047 Speaker 2: But that kind of stuff costs a fortune and great cast, 351 00:16:30,407 --> 00:16:33,207 Speaker 2: very high production values, and whether or not it does 352 00:16:33,207 --> 00:16:35,367 Speaker 2: well in America, like this is why I'm desperate for 353 00:16:35,407 --> 00:16:38,087 Speaker 2: you to watch it, Jesse, because I need to know 354 00:16:38,167 --> 00:16:40,567 Speaker 2: what the hell you would make of it in the 355 00:16:40,607 --> 00:16:43,247 Speaker 2: same way I'm dying to know what an American would 356 00:16:43,327 --> 00:16:46,807 Speaker 2: make of it, like it's so different to everything else 357 00:16:46,847 --> 00:16:50,887 Speaker 2: that's on the TV right now. Well, thanks for the feedback. 358 00:16:51,127 --> 00:16:52,527 Speaker 4: Great, I'd love your feedback. 359 00:16:53,167 --> 00:16:53,967 Speaker 1: What a gift. 360 00:16:56,047 --> 00:16:59,807 Speaker 4: Look, speaking of TV shows, I want to introduce a 361 00:16:59,847 --> 00:17:03,807 Speaker 4: new little mini segment called feedback is a gift, And 362 00:17:03,887 --> 00:17:07,727 Speaker 4: I have some feedback for the people in charge of 363 00:17:07,847 --> 00:17:11,927 Speaker 4: streaming networks, and it is this thank you to the 364 00:17:11,967 --> 00:17:14,767 Speaker 4: streamers who are still letting us binge. 365 00:17:14,407 --> 00:17:15,247 Speaker 1: On our shows. 366 00:17:15,687 --> 00:17:19,727 Speaker 4: What I'm really struggling with are my shows on streaming 367 00:17:19,807 --> 00:17:23,527 Speaker 4: that are dropping once a week because I can't remember 368 00:17:23,527 --> 00:17:27,047 Speaker 4: where they are or when they drop. So I've started 369 00:17:27,087 --> 00:17:29,247 Speaker 4: to watch all these shows. So they'll start by dropping 370 00:17:29,287 --> 00:17:31,447 Speaker 4: two or three. I'll watch those, I'll be like, this 371 00:17:31,567 --> 00:17:34,727 Speaker 4: is great, I want to watch more, and then it'll 372 00:17:34,727 --> 00:17:37,887 Speaker 4: be like next episodes in a week. I'm like, well, 373 00:17:37,927 --> 00:17:40,367 Speaker 4: that's great, as if I'm going to remember, so. 374 00:17:40,367 --> 00:17:41,647 Speaker 3: You forget, you forget about. 375 00:17:41,687 --> 00:17:44,167 Speaker 1: So I've half started six new shows. 376 00:17:44,207 --> 00:17:46,927 Speaker 4: I can't find any of them. I've forgotten what half 377 00:17:46,967 --> 00:17:49,607 Speaker 4: of them are. I can't retain the plot from week 378 00:17:49,647 --> 00:17:52,447 Speaker 4: to week. I'm not happy. So that's my feedback. 379 00:17:52,567 --> 00:17:54,607 Speaker 3: I think you need to. I just want to be 380 00:17:54,647 --> 00:17:58,647 Speaker 3: in probably bring that to your psychologist, but I completely disagree. 381 00:17:58,887 --> 00:18:00,127 Speaker 2: Yeah, we dook. 382 00:18:00,207 --> 00:18:02,087 Speaker 3: I really like it. I like looking forward to something. 383 00:18:02,167 --> 00:18:05,247 Speaker 3: I actually think it like there's like more momentum, and 384 00:18:05,367 --> 00:18:07,527 Speaker 3: all week I'm just like, can't wait, can't wait. 385 00:18:07,447 --> 00:18:09,327 Speaker 1: Home, not for a half hour show though, maybe for 386 00:18:09,407 --> 00:18:12,287 Speaker 1: an hour shot. Okay, okay, but I'm watching. 387 00:18:12,167 --> 00:18:14,487 Speaker 4: Disclaimer at the moment. Couldn't tell you when it drops. 388 00:18:14,767 --> 00:18:16,647 Speaker 4: I don't know how often it drops or how many 389 00:18:16,647 --> 00:18:19,607 Speaker 4: episodes today night. Yeah, but then I think they didn't 390 00:18:19,647 --> 00:18:21,887 Speaker 4: drop one for two weeks, like it's I'm just all 391 00:18:21,927 --> 00:18:23,367 Speaker 4: over the shop after. 392 00:18:23,167 --> 00:18:26,327 Speaker 2: The break, the woman making very big money off young 393 00:18:26,407 --> 00:18:30,127 Speaker 2: men at schoolies Shocking or the most Consensual Environment for 394 00:18:30,247 --> 00:18:33,807 Speaker 2: Sex out loud As. 395 00:18:33,847 --> 00:18:35,567 Speaker 4: If you want to listen to us every day of 396 00:18:35,607 --> 00:18:38,367 Speaker 4: the week, you can get access to exclusive segments on 397 00:18:38,487 --> 00:18:42,087 Speaker 4: Tuesdays and Thursdays by becoming a Mum and mea subscriber. 398 00:18:42,487 --> 00:18:44,647 Speaker 4: Follow the link in the show notes to subscribe and 399 00:18:44,687 --> 00:18:47,047 Speaker 4: support us, and a big thank you to all our 400 00:18:47,087 --> 00:18:48,127 Speaker 4: current subscribers. 401 00:18:53,887 --> 00:18:56,007 Speaker 5: They have to fill in two consent forms. They have 402 00:18:56,047 --> 00:18:58,327 Speaker 5: to bring ID so they've already ben have to think 403 00:18:58,327 --> 00:19:00,607 Speaker 5: about it a lot, and they're fully aware like this, 404 00:19:00,727 --> 00:19:02,247 Speaker 5: it's not a shock on the day I'm going to 405 00:19:02,287 --> 00:19:04,447 Speaker 5: feel there. They're aware they need to film there, and 406 00:19:04,447 --> 00:19:07,247 Speaker 5: it's in a controlled environment. You can't be drinking beforehand, 407 00:19:07,287 --> 00:19:09,487 Speaker 5: you can't have done drugs. So when you think of 408 00:19:09,527 --> 00:19:13,087 Speaker 5: a safe environment, it's the security on the door as well. 409 00:19:13,127 --> 00:19:15,647 Speaker 5: So it's sort of what about it is unsafe. 410 00:19:15,927 --> 00:19:18,847 Speaker 3: Australia is in the grips of a moral panic about 411 00:19:18,887 --> 00:19:23,287 Speaker 3: a woman named Bonnie Blue. Only Fans, barely legal boys 412 00:19:23,447 --> 00:19:26,967 Speaker 3: and schoolies. If this sounds vaguely familiar, that would be 413 00:19:26,967 --> 00:19:30,127 Speaker 3: because we had this discussion this time last year when 414 00:19:30,167 --> 00:19:34,127 Speaker 3: three Only Fans creators spoke on National TV about targeting 415 00:19:34,167 --> 00:19:37,567 Speaker 3: young men on schoolies, filming their consensual sex and then 416 00:19:37,647 --> 00:19:41,447 Speaker 3: profiting off it. This year, creator Bonnie Blue is going 417 00:19:41,487 --> 00:19:45,727 Speaker 3: to the Gold Coast alongside another high profile Only Fans 418 00:19:45,807 --> 00:19:49,287 Speaker 3: creator named Annie Knight. You interviewed Annie Night, didn't. 419 00:19:49,047 --> 00:19:49,287 Speaker 2: You, ma'am? 420 00:19:49,407 --> 00:19:50,207 Speaker 1: I did for No Filter. 421 00:19:50,447 --> 00:19:54,727 Speaker 3: Yeah, really really interesting interview Night posted on TikTok. Bonnie 422 00:19:54,767 --> 00:19:57,647 Speaker 3: Blue and I are going to be pleasuring some barely 423 00:19:57,727 --> 00:20:00,727 Speaker 3: legal eighteen year olds and we are so excited meet 424 00:20:00,767 --> 00:20:04,647 Speaker 3: us there. We can't wait. The Adult Industry Choice Awards 425 00:20:04,727 --> 00:20:07,887 Speaker 3: has posted a statement on Instagram about these two women 426 00:20:07,927 --> 00:20:10,807 Speaker 3: that reads, we do not, don't or support behavior that 427 00:20:10,887 --> 00:20:14,767 Speaker 3: exploits young individuals, particularly those in the early stages of adulthood. 428 00:20:14,807 --> 00:20:18,407 Speaker 3: And they've said eighteen to twenties filming content that involves 429 00:20:18,447 --> 00:20:20,847 Speaker 3: young men or women who may not be fully developed 430 00:20:20,967 --> 00:20:24,207 Speaker 3: or aware of potential long term impacts crosses a line 431 00:20:24,407 --> 00:20:26,687 Speaker 3: that we as a community should be committed to avoiding. 432 00:20:27,007 --> 00:20:29,487 Speaker 3: This type of behavior is a violation of the values 433 00:20:29,527 --> 00:20:33,807 Speaker 3: and ethics that underpin a responsible and respectful adult industry. 434 00:20:34,247 --> 00:20:36,767 Speaker 3: They actually said that what they're doing makes a laughing 435 00:20:36,847 --> 00:20:39,687 Speaker 3: stock of the whole industry and it puts sex workers 436 00:20:39,687 --> 00:20:43,367 Speaker 3: and content creators in harm's way, And they announced that 437 00:20:43,407 --> 00:20:45,967 Speaker 3: they were stripping any individuals who do this kind of 438 00:20:46,007 --> 00:20:50,287 Speaker 3: thing of any accolades that they've given them. Harrison, what 439 00:20:50,367 --> 00:20:53,007 Speaker 3: kind of accolade? Well, if they've been given as the 440 00:20:53,047 --> 00:20:55,287 Speaker 3: Industry Choice Awards, if you've won an award their. 441 00:20:55,167 --> 00:20:55,807 Speaker 1: Life, give it back. 442 00:20:55,847 --> 00:20:56,567 Speaker 3: You've got to give it back. 443 00:20:56,607 --> 00:20:58,687 Speaker 1: So it's not like they get government grants or anything. 444 00:20:58,847 --> 00:21:01,887 Speaker 3: I don't think so. Harrison James, who is an activist 445 00:21:01,887 --> 00:21:04,567 Speaker 3: and a child sexual assault survivor wrote an article on 446 00:21:04,647 --> 00:21:07,927 Speaker 3: Muma Maya where he argued that these young men are 447 00:21:07,927 --> 00:21:11,967 Speaker 3: products of a society where mainstream pornography has conditioned them 448 00:21:11,967 --> 00:21:15,687 Speaker 3: to view all sexual experiences as a measure of status 449 00:21:15,727 --> 00:21:19,247 Speaker 3: and validation and a ticket to manhood, and he sees 450 00:21:19,327 --> 00:21:23,647 Speaker 3: this as exploiting teenage boys under the guise of content creation. 451 00:21:24,447 --> 00:21:27,527 Speaker 3: He said that in his own experience, these harmful narratives 452 00:21:27,967 --> 00:21:30,927 Speaker 3: made him believe that what he endured was part of 453 00:21:30,967 --> 00:21:35,007 Speaker 3: a sexual fantasy rather than a violation. So people might 454 00:21:35,047 --> 00:21:37,247 Speaker 3: suggest that if you're a young boy and you have 455 00:21:37,367 --> 00:21:41,247 Speaker 3: any sexual experience, whether coercion or exploitation, was involved with 456 00:21:41,327 --> 00:21:44,407 Speaker 3: an older woman, then that's a fantasy that's not illegal, 457 00:21:44,527 --> 00:21:47,807 Speaker 3: and hers for the boy, for the boys. So even 458 00:21:47,807 --> 00:21:50,007 Speaker 3: a lot of comments and he's said this about what 459 00:21:50,087 --> 00:21:52,247 Speaker 3: he's posted on Instagram, a lot of comments are like, 460 00:21:52,567 --> 00:21:55,567 Speaker 3: stop blocking them. This is every man's fantasy. And he's 461 00:21:55,607 --> 00:21:58,327 Speaker 3: saying that is really harmful if you're a young boy 462 00:21:58,607 --> 00:22:01,167 Speaker 3: who has been a victim of child sexual abuse, because 463 00:22:01,167 --> 00:22:03,407 Speaker 3: it really confuses your understanding of what happened. 464 00:22:03,527 --> 00:22:07,927 Speaker 4: Can we draw a slight line between child and eighteen 465 00:22:08,007 --> 00:22:11,127 Speaker 4: to twenty year olds get what he's saying, and I 466 00:22:11,127 --> 00:22:13,647 Speaker 4: think that's a really interesting point of view, and I'm 467 00:22:13,687 --> 00:22:15,807 Speaker 4: going to definitely read that and think about it. 468 00:22:16,687 --> 00:22:18,487 Speaker 1: But I just think that. 469 00:22:18,727 --> 00:22:23,807 Speaker 4: Comparing eighteen year olds to children, or women sleeping with 470 00:22:23,887 --> 00:22:27,927 Speaker 4: eighteen year olds to women or men because it's children, 471 00:22:27,967 --> 00:22:30,367 Speaker 4: I just think that's a different conversation, isn't it. 472 00:22:30,287 --> 00:22:32,487 Speaker 2: Because isn't one of the main things in this is 473 00:22:32,527 --> 00:22:35,207 Speaker 2: they have to show id that they are eighteen. 474 00:22:35,327 --> 00:22:37,167 Speaker 1: They do, so they're not children. 475 00:22:37,687 --> 00:22:40,727 Speaker 2: But in James's defense, and also the age of consent 476 00:22:40,887 --> 00:22:44,047 Speaker 2: is sixteen, Yes, and she's only doing this for eighteen 477 00:22:44,087 --> 00:22:44,967 Speaker 2: and over correct. 478 00:22:45,207 --> 00:22:48,527 Speaker 3: Yes, but they're the ones using the term barely legal, 479 00:22:48,807 --> 00:22:51,247 Speaker 3: so they're the ones who are throwing barely legal. They 480 00:22:51,287 --> 00:22:55,607 Speaker 3: have talked about freshies are real specific. 481 00:22:55,127 --> 00:22:56,207 Speaker 1: So it's a marketing term. 482 00:22:56,407 --> 00:22:59,807 Speaker 3: It's a marketing term, and it's also about taking their virginity. 483 00:22:59,887 --> 00:23:02,087 Speaker 3: Both women have talked about their desire to take the 484 00:23:02,167 --> 00:23:06,967 Speaker 3: virginity of these young men and whether or not it's legal. 485 00:23:07,007 --> 00:23:11,887 Speaker 3: I think what those particular tis speak to is a 486 00:23:12,007 --> 00:23:15,687 Speaker 3: vulnerability and a difference in the power of someone who 487 00:23:15,767 --> 00:23:18,767 Speaker 3: has had no sexual experience at all and someone who 488 00:23:19,007 --> 00:23:21,887 Speaker 3: is saying I slept with thirty three people yesterday. 489 00:23:22,047 --> 00:23:24,967 Speaker 2: Okay, I listened to a little grab of podcast Into 490 00:23:24,967 --> 00:23:27,807 Speaker 2: with Bonnie Blue where she says that so this is 491 00:23:27,847 --> 00:23:31,527 Speaker 2: obviously part of her whole thing has made her very rich. 492 00:23:31,607 --> 00:23:33,247 Speaker 2: This is how a year rolls out. She goes to 493 00:23:33,287 --> 00:23:36,247 Speaker 2: a spring breaking Cancoon, then she comes to Schoolies in Australia, 494 00:23:36,407 --> 00:23:38,287 Speaker 2: then she goes and does fresh As Week in England. 495 00:23:38,807 --> 00:23:42,767 Speaker 2: She says, the cues can be eight hours long. So 496 00:23:42,847 --> 00:23:45,407 Speaker 2: the boys the met yep. So the men who were 497 00:23:45,487 --> 00:23:47,647 Speaker 2: queuing up to have sex with Bonnie Blue, and I 498 00:23:47,687 --> 00:23:52,847 Speaker 2: assume the others are signing release forms, waiting in line 499 00:23:52,887 --> 00:23:57,367 Speaker 2: for eight hours, showing their ID passing a sobriety test. 500 00:23:57,847 --> 00:24:00,847 Speaker 2: How are they being exploited? There is no other sex 501 00:24:00,927 --> 00:24:04,687 Speaker 2: that they would have at Schoolies Week that requires that 502 00:24:04,807 --> 00:24:10,127 Speaker 2: level of scrutiny and consent. They're not drunk in a bar. 503 00:24:10,687 --> 00:24:13,807 Speaker 2: They're not older women preying on boys in inverted comments 504 00:24:13,807 --> 00:24:18,167 Speaker 2: who are drunken bars. This is like a very intentional experience. 505 00:24:17,607 --> 00:24:17,887 Speaker 1: I think. 506 00:24:17,927 --> 00:24:20,767 Speaker 3: So if this is presented, and let's be clear, this 507 00:24:20,847 --> 00:24:22,447 Speaker 3: is rage baiting, right. 508 00:24:24,127 --> 00:24:26,967 Speaker 2: Marketing, because she makes She said that in September she 509 00:24:27,047 --> 00:24:30,047 Speaker 2: made five hundred thousand pounds, which is nearly a million dollars, 510 00:24:30,327 --> 00:24:32,767 Speaker 2: so she is getting incredibly rich. If you look at 511 00:24:32,767 --> 00:24:36,287 Speaker 2: her Instagram, she appears like any other influencer you follow. 512 00:24:36,327 --> 00:24:38,767 Speaker 2: It's all just skink care and kittens and shopping, right, 513 00:24:39,007 --> 00:24:41,527 Speaker 2: and she's like, I'm rich, I like designer bags. It's 514 00:24:41,647 --> 00:24:44,367 Speaker 2: very aspirational. There isn't any sex on there. Then if 515 00:24:44,407 --> 00:24:47,367 Speaker 2: you go to her adult platforms, the way she describes 516 00:24:47,367 --> 00:24:51,167 Speaker 2: herself is I'm every wife's worst nightmare. I'm excellent, banter, 517 00:24:51,447 --> 00:24:53,607 Speaker 2: perky tits, juicy ass, blah blah blah. 518 00:24:53,687 --> 00:24:53,767 Speaker 6: Right. 519 00:24:54,327 --> 00:24:57,007 Speaker 2: The thing is, though, is that again I don't have 520 00:24:57,087 --> 00:24:59,407 Speaker 2: to approve of that or think that it's good for 521 00:24:59,487 --> 00:25:03,807 Speaker 2: the world, but these are adult people consenting to a 522 00:25:03,847 --> 00:25:05,167 Speaker 2: sexual experience. 523 00:25:05,487 --> 00:25:08,247 Speaker 3: I think that the reason why there's such a moral 524 00:25:08,287 --> 00:25:10,607 Speaker 3: panic is because it's not illegal, right, Like we can 525 00:25:10,647 --> 00:25:14,247 Speaker 3: all agree what they're doing. No, no, no, but I think 526 00:25:14,247 --> 00:25:16,407 Speaker 3: it would be clearer. I mean, the term of barely 527 00:25:16,487 --> 00:25:19,887 Speaker 3: legal is like they're kind of purposely muddying well, the ethics, 528 00:25:19,967 --> 00:25:21,927 Speaker 3: And I think we're always going to have arguments about 529 00:25:22,007 --> 00:25:25,007 Speaker 3: the ethics of sex and consent, like more so than 530 00:25:25,007 --> 00:25:28,967 Speaker 3: ever in the last few years, and this is subverting 531 00:25:29,007 --> 00:25:31,007 Speaker 3: a lot of what we understand about sex because it's 532 00:25:31,007 --> 00:25:33,847 Speaker 3: the female who is older. She's twenty five and the 533 00:25:33,847 --> 00:25:36,767 Speaker 3: boys are eighteen. So even though the age gap isn't enormous, 534 00:25:36,847 --> 00:25:40,167 Speaker 3: someone's making money out of it and someone isn't. But 535 00:25:40,847 --> 00:25:43,807 Speaker 3: that's also the porn industry, right, except it's the other 536 00:25:43,847 --> 00:25:46,927 Speaker 3: way around. So the porn industry, we know people going 537 00:25:47,287 --> 00:25:51,367 Speaker 3: praying on barely legal women to get them into the 538 00:25:51,407 --> 00:25:55,487 Speaker 3: adult industry, and then it's often the men who are 539 00:25:55,767 --> 00:25:57,727 Speaker 3: making all the money off it, which is why only 540 00:25:57,767 --> 00:26:00,407 Speaker 3: fans has absolutely blown up. But we've looked at that 541 00:26:00,487 --> 00:26:03,687 Speaker 3: model and we don't feel good about it. Ethically. I 542 00:26:03,687 --> 00:26:06,567 Speaker 3: think it's that the model is now being replicated. But 543 00:26:06,687 --> 00:26:10,687 Speaker 3: with these women and what they're saying. I went deep 544 00:26:10,727 --> 00:26:14,047 Speaker 3: on both of their tiktoks and it says your sex 545 00:26:14,087 --> 00:26:17,167 Speaker 3: life will be downhill from here. This is your fantasy. 546 00:26:17,927 --> 00:26:22,327 Speaker 3: It's women presenting themselves as in service of men, and 547 00:26:22,407 --> 00:26:24,647 Speaker 3: it feels like it fits into this sort of male 548 00:26:25,007 --> 00:26:27,127 Speaker 3: in cell internet nobody. 549 00:26:27,407 --> 00:26:29,687 Speaker 2: But it's and again I want to be really clear 550 00:26:29,727 --> 00:26:32,007 Speaker 2: that I'm not. It's not like I think, Yay, this 551 00:26:32,127 --> 00:26:34,727 Speaker 2: is the best thing ever, but it's the opposite of that, 552 00:26:35,007 --> 00:26:37,607 Speaker 2: because they are saying those things to those guys while 553 00:26:37,607 --> 00:26:39,447 Speaker 2: they are taking their money. 554 00:26:39,567 --> 00:26:42,287 Speaker 3: They're taking their money, yes, but what they are presenting 555 00:26:42,327 --> 00:26:45,407 Speaker 3: themselves as. I'm not saying that every sex worker does this, 556 00:26:45,527 --> 00:26:48,407 Speaker 3: but they're presenting themselves as like men need to be 557 00:26:48,487 --> 00:26:50,847 Speaker 3: sexually serviced. And they will say that. They'll say, if 558 00:26:50,887 --> 00:26:52,807 Speaker 3: your husband cheats on you, it's because you're lazy and 559 00:26:52,847 --> 00:26:55,127 Speaker 3: you're not giving him what they want again, rage baiting, 560 00:26:55,607 --> 00:26:59,447 Speaker 3: and I am servicing your men. And like even with 561 00:26:59,487 --> 00:27:01,607 Speaker 3: the SCHOOLI thing, they're like, you know, when you finish, 562 00:27:01,687 --> 00:27:04,567 Speaker 3: finish wherever you want. Like they're playing up this female fantasy. 563 00:27:04,727 --> 00:27:07,607 Speaker 4: I have a question. I have two questions. Actually, firstly, 564 00:27:07,607 --> 00:27:08,687 Speaker 4: does money change hands? 565 00:27:09,807 --> 00:27:12,487 Speaker 2: Well, the boys are oh no, no, they don't get paid, but. 566 00:27:12,127 --> 00:27:14,127 Speaker 4: The girls don't get paid either, right, like get paid 567 00:27:14,167 --> 00:27:19,127 Speaker 4: for only fans exactly. So when you say it's the fantasy, 568 00:27:19,287 --> 00:27:23,087 Speaker 4: Holly's right, it's the fantasy of the people who pay 569 00:27:23,167 --> 00:27:26,167 Speaker 4: to watch it, which are men. Women aren't watching that, 570 00:27:26,687 --> 00:27:29,167 Speaker 4: so I understand what you're saying. You're saying that these 571 00:27:29,207 --> 00:27:33,287 Speaker 4: women are reinforcing the standard of porn which centers the 572 00:27:33,327 --> 00:27:38,687 Speaker 4: male experience, because that's who they're paying customers are and 573 00:27:38,727 --> 00:27:39,887 Speaker 4: that's what these. 574 00:27:39,727 --> 00:27:41,887 Speaker 3: Boys, they're replicating a fantasy. 575 00:27:42,087 --> 00:27:46,887 Speaker 4: Yeah, okay, I understand that. But also people have said 576 00:27:46,887 --> 00:27:49,807 Speaker 4: to me, how would you feel because I'm going to 577 00:27:49,847 --> 00:27:51,767 Speaker 4: re replay I'm going to get Annie to tell us 578 00:27:51,767 --> 00:27:54,807 Speaker 4: a little bit about this and replay this interview in 579 00:27:54,927 --> 00:27:57,647 Speaker 4: no filter this week. But you know, I was having 580 00:27:57,647 --> 00:27:59,687 Speaker 4: a conversation with someone who said, well, how would you 581 00:27:59,727 --> 00:28:04,167 Speaker 4: feel if this was a male OnlyFans creator coming and 582 00:28:04,207 --> 00:28:04,967 Speaker 4: doing this with girls? 583 00:28:04,967 --> 00:28:07,407 Speaker 1: And I'm like, that's a different thing. 584 00:28:07,887 --> 00:28:15,247 Speaker 4: It's not because there aren't the cultural historical power imbalances. 585 00:28:15,607 --> 00:28:17,527 Speaker 4: It's a reversal. It's kind of a little bit like 586 00:28:17,567 --> 00:28:20,447 Speaker 4: talking about reverse racism. It's like it's in a completely 587 00:28:20,447 --> 00:28:25,807 Speaker 4: different context. Women having sex with younger men do. 588 00:28:26,207 --> 00:28:29,327 Speaker 3: What we're doing like with men, is we socialize them 589 00:28:29,367 --> 00:28:32,407 Speaker 3: to think that they should always want to have sex, 590 00:28:32,687 --> 00:28:36,727 Speaker 3: that it's a mark of their power and their masculinity, and. 591 00:28:36,687 --> 00:28:39,127 Speaker 1: It just see its school is, like, that's what happens 592 00:28:39,127 --> 00:28:39,927 Speaker 1: at school. 593 00:28:39,767 --> 00:28:43,167 Speaker 3: Is But I feel like that's a bit defeatist and 594 00:28:43,247 --> 00:28:44,487 Speaker 3: limiting of men. 595 00:28:44,607 --> 00:28:47,527 Speaker 2: The thing is, Jessee, right, I entirely agree with all 596 00:28:47,607 --> 00:28:50,167 Speaker 2: your culsory, but this is what I entirely agree with 597 00:28:50,207 --> 00:28:52,447 Speaker 2: your ethical feelings about it, Like do I look at 598 00:28:52,487 --> 00:28:56,927 Speaker 2: this and go like, yeah, yeah, I do, right, But honestly, 599 00:28:57,007 --> 00:28:59,647 Speaker 2: I don't get to police other people's fantasies and sex 600 00:28:59,687 --> 00:29:02,527 Speaker 2: lives when they are consenting adults. The only time that 601 00:29:02,567 --> 00:29:05,327 Speaker 2: this is deeply problematic is if consent is blurry. And 602 00:29:05,367 --> 00:29:08,127 Speaker 2: as I've said, most of the sex going on at 603 00:29:08,127 --> 00:29:11,247 Speaker 2: schoolies where people are under the influence of drugs and alcohol, 604 00:29:11,687 --> 00:29:14,207 Speaker 2: and you know, we've all seen those awful occasions when 605 00:29:14,567 --> 00:29:16,527 Speaker 2: you know people are filmed against their will and that 606 00:29:16,567 --> 00:29:19,727 Speaker 2: goes back like that stuff is deeply problematic. In my mind, 607 00:29:20,047 --> 00:29:22,807 Speaker 2: this is the least problematic of the sex that's happening 608 00:29:22,847 --> 00:29:26,407 Speaker 2: at schoolies because it's all above board, out on the table, 609 00:29:26,487 --> 00:29:28,887 Speaker 2: a very very clear exchange of service. 610 00:29:28,967 --> 00:29:31,007 Speaker 3: I think that the way whether or not I. 611 00:29:30,967 --> 00:29:34,487 Speaker 2: Think that those boys or those women boys, men should 612 00:29:34,527 --> 00:29:36,487 Speaker 2: want to do this is none of my business. 613 00:29:36,727 --> 00:29:39,767 Speaker 3: I think what's overlaid with this that I think people 614 00:29:39,807 --> 00:29:41,367 Speaker 3: are trying to say, and Harris and James is trying 615 00:29:41,367 --> 00:29:43,367 Speaker 3: to say, and I agree with him on this, is 616 00:29:43,727 --> 00:29:46,807 Speaker 3: we like to think that men cannot be sexually vulnerable, 617 00:29:46,927 --> 00:29:49,567 Speaker 3: or that men cannot be vulnerable in sexual dynamics. 618 00:29:49,647 --> 00:29:51,407 Speaker 2: I I don't agree with that, and that's not true. 619 00:29:51,647 --> 00:29:54,647 Speaker 3: Yeah, and so I think again, if it was reversed 620 00:29:54,647 --> 00:29:57,647 Speaker 3: and we go who's more sexually experienced and blah blah blah, 621 00:29:57,687 --> 00:30:00,367 Speaker 3: then I agree that it's different to an extent, But 622 00:30:00,447 --> 00:30:02,847 Speaker 3: I still think that a young man can be sexually exploited. 623 00:30:03,167 --> 00:30:05,447 Speaker 3: I also think the other reason I'm finding it icky 624 00:30:06,007 --> 00:30:08,567 Speaker 3: is that it's on the whole bad for women. I 625 00:30:08,647 --> 00:30:11,087 Speaker 3: keep thinking about the girls who are on schoolies like 626 00:30:11,767 --> 00:30:15,407 Speaker 3: Annie Knight and Bonnie Bloke, like it's school isn't for you, Yeah, 627 00:30:15,447 --> 00:30:18,647 Speaker 3: go go away, go home, Like school isn't for twenty 628 00:30:18,647 --> 00:30:21,327 Speaker 3: five year old sex workers. It's for a bunch of 629 00:30:21,967 --> 00:30:25,807 Speaker 3: young people, whether it's messy sex or whether it's when 630 00:30:25,847 --> 00:30:26,887 Speaker 3: I was eighteen. 631 00:30:26,647 --> 00:30:28,367 Speaker 1: Like TOOLI is too old for school. 632 00:30:28,527 --> 00:30:28,727 Speaker 2: Yeah. 633 00:30:28,727 --> 00:30:31,207 Speaker 3: And if the guy that I'm having, you know, a 634 00:30:31,287 --> 00:30:34,087 Speaker 3: one night stand with, was with a sex worker last night, 635 00:30:34,487 --> 00:30:37,567 Speaker 3: like in terms of the expectations that sets for me 636 00:30:38,047 --> 00:30:41,767 Speaker 3: and what sex that men might expect, you know, I 637 00:30:41,847 --> 00:30:44,207 Speaker 3: just think it's not Like again, it's not illegal. I 638 00:30:44,287 --> 00:30:46,007 Speaker 3: just think it's ethically dubious. 639 00:30:46,247 --> 00:30:47,367 Speaker 2: I think it's depressing. 640 00:30:47,727 --> 00:30:50,087 Speaker 3: I agree that's all we've. 641 00:30:49,927 --> 00:30:53,087 Speaker 2: Got time for today, out louders, some of us, all 642 00:30:53,127 --> 00:30:55,727 Speaker 2: of us, a few of us, and Amelia might be 643 00:30:55,767 --> 00:30:57,367 Speaker 2: popping up in the next few days. We're going to 644 00:30:57,407 --> 00:30:59,647 Speaker 2: be giving you your regular show on Friday, of course, 645 00:30:59,967 --> 00:31:03,167 Speaker 2: for a whole dose of escapism. But until then, we 646 00:31:03,247 --> 00:31:05,607 Speaker 2: love you loads. Thanks to our fabulous team for helping 647 00:31:05,647 --> 00:31:07,767 Speaker 2: us on this big week, and we'll see you tomorrow. 648 00:31:08,007 --> 00:31:12,287 Speaker 3: Bye bye Mayor have you ever thought about a buzz cut? 649 00:31:12,807 --> 00:31:15,407 Speaker 4: I have cut my hair really really short on a 650 00:31:15,487 --> 00:31:18,167 Speaker 4: number of occasions I've seen one time, I also bleached 651 00:31:18,207 --> 00:31:20,367 Speaker 4: it white, so I looked like the eightieth pop star. 652 00:31:20,447 --> 00:31:25,407 Speaker 4: Yeahs okay, Well, always up after that haircut. 653 00:31:25,567 --> 00:31:28,127 Speaker 3: If you need a break from the US election, you 654 00:31:28,167 --> 00:31:29,967 Speaker 3: need some escapism and you want to talk about hair, 655 00:31:30,087 --> 00:31:33,327 Speaker 3: well let me tell you. Holly and Vernon and I 656 00:31:33,367 --> 00:31:37,207 Speaker 3: had a fascinating conversation about hair and what it means 657 00:31:37,207 --> 00:31:39,687 Speaker 3: for women, and it was based off Holly was listening 658 00:31:39,687 --> 00:31:42,927 Speaker 3: to a fascinating podcast with Elizabeth Gilbert, who talked about 659 00:31:43,407 --> 00:31:45,967 Speaker 3: the realization of the epiphany she had that made her 660 00:31:45,967 --> 00:31:49,927 Speaker 3: shave her head and how much sort of hair cuts, 661 00:31:49,967 --> 00:31:52,447 Speaker 3: what we choose to do with our hair changes our identity. 662 00:31:52,527 --> 00:31:53,407 Speaker 3: Here's a snake peek. 663 00:31:53,927 --> 00:31:57,167 Speaker 6: I always heard that there's no other feeling than feeling 664 00:31:57,287 --> 00:31:59,327 Speaker 6: wind on the back of your hair, and I'm like, 665 00:31:59,367 --> 00:32:01,687 Speaker 6: I want to experience that so badly. But I think 666 00:32:02,167 --> 00:32:06,247 Speaker 6: people associate a personality to your hair, like they automatically 667 00:32:06,287 --> 00:32:08,967 Speaker 6: assume he were. And I know this because I think 668 00:32:08,967 --> 00:32:10,687 Speaker 6: it was three or four years ago. Now, do you 669 00:32:10,687 --> 00:32:11,647 Speaker 6: remember when I went blue? 670 00:32:12,047 --> 00:32:12,327 Speaker 5: Yes? 671 00:32:12,967 --> 00:32:15,247 Speaker 6: What did I do when I went blue? Because I 672 00:32:15,327 --> 00:32:18,247 Speaker 6: was still dating at the time, and I remember at 673 00:32:18,367 --> 00:32:22,487 Speaker 6: least five or six men who would always swipe left 674 00:32:22,527 --> 00:32:25,847 Speaker 6: on me on the dating app swipe right. Oh, and 675 00:32:25,927 --> 00:32:29,887 Speaker 6: I remember thinking, they assume a personality to this hairstyle. 676 00:32:30,047 --> 00:32:32,047 Speaker 3: What do you think they were assuming? I think it's 677 00:32:32,127 --> 00:32:33,687 Speaker 3: like if you want to listen to the rest, there 678 00:32:33,727 --> 00:32:34,727 Speaker 3: is a link in our show. 679 00:32:34,567 --> 00:32:37,967 Speaker 2: Notes shout out to any Mama Mia subscribers listening. If 680 00:32:38,007 --> 00:32:40,207 Speaker 2: you love the show and you want to support us, 681 00:32:40,487 --> 00:32:43,167 Speaker 2: subscribing to Mama Mia is the very best way to 682 00:32:43,247 --> 00:32:45,607 Speaker 2: do it. There's a link in the episode description