WEBVTT - The Australian Filmmakers Determined To Solve America’s Burger Chef Murders

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<v Speaker 1>You're listening to Amma Mea podcast. Mama Mea acknowledges the

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<v Speaker 1>traditional owners of land and waters. This podcast was recorded

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<v Speaker 1>on It's a Chilly Night in November nineteen seventy eight

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<v Speaker 1>in the town of Speedway, Indianapolis, and the four teenagers

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<v Speaker 1>on shift at the local burgerschef are starting to clean up.

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<v Speaker 2>Hey, Mama, I was just wondering if I could stay

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<v Speaker 2>back to help close.

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<v Speaker 1>Danny Davis is talking to his mum Norma in the

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<v Speaker 1>back room. He's only sixteen and state law dictates that

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<v Speaker 1>he's only supposed to work until ten pm, but his manager,

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<v Speaker 1>twenty year old Jane Freed, wants him to check with

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<v Speaker 1>his parents if he can stay in extra hour or so.

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<v Speaker 1>They agree. He joins sixteen year old Mark Flemons and

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<v Speaker 1>seventeen year old Ruth Shelton as they go through the

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<v Speaker 1>motions of mopping, wiping and packing away. But when their colleague,

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<v Speaker 1>fellow teenager Brian Crane, stops by the sh shop just

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<v Speaker 1>after midnight to pay his coworkers a visit, he notices

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<v Speaker 1>something odd. The lights are on, the door is open,

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<v Speaker 1>but there is no one there. Scared, he calls police.

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<v Speaker 1>Thank you Police, emergency, but they very quickly decide it's

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<v Speaker 1>just a case of a bunch of irresponsible youngsters walking

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<v Speaker 1>off the job to go party for the night. It

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<v Speaker 1>is a Friday, after all, But none of them return home,

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<v Speaker 1>and thirty six hours later police receive a devastating call.

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<v Speaker 1>I'm Jemma Bath and this is True Crime Conversations Amoma

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<v Speaker 1>mea podcast exploring the world's most notorious crimes by speaking

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<v Speaker 1>to the people who know the most about them. The

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<v Speaker 1>bodies of Danny, Jane Mark, and Druth were found two

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<v Speaker 1>days after their final shift at Bergershev in late nineteen seven,

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<v Speaker 1>twenty miles away in a rural field. They've been shot, stabbed,

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<v Speaker 1>and bashed, each of their murders telling its own devastating

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<v Speaker 1>tale of the teenager's last terrifying moments alive. They were

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<v Speaker 1>all still wearing their orange and brown Burger chef uniforms.

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<v Speaker 1>They were all left in the positions they died. Their

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<v Speaker 1>deaths shocked their small, tight knit community, but from the

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<v Speaker 1>start the police investigation was bungled, and forty years later,

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<v Speaker 1>so many questions about that night remain. Ossies Luke Rinderman

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<v Speaker 1>and Adam came in are the co writers and directors

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<v Speaker 1>of a new documentary drama called The Speedway Murders, which

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<v Speaker 1>tries to unpick and unpack the various theories in this case.

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<v Speaker 1>They've been working on this investigation for five years, speaking

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<v Speaker 1>to families, witnesses, friends, and law enforcement about their recollections.

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<v Speaker 1>Both Luke and Adam join us. Now, Adam Luke, you

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<v Speaker 1>both live in Australia. This crime happened on the other

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<v Speaker 1>side of the world. So what drew you to revisiting

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<v Speaker 1>this crime? We'll start with you.

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<v Speaker 3>Adam Luke's a true crime tragic to the point where

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<v Speaker 3>I worry about him a little bit from time to time.

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<v Speaker 3>We had just had some interest in a script that

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<v Speaker 3>we'd written and were kind of looking for the next

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<v Speaker 3>thing to kind of keep the momentum going. We're big

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<v Speaker 3>fans of the period fashion music. For people who are

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<v Speaker 3>listening that don't know the crime that films based on

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<v Speaker 3>took place in nineteen seventy eight, that was appealing to us.

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<v Speaker 3>We discovered that it was unsolved, the investigation was botched,

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<v Speaker 3>so it felt like that it hadn't sort of been

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<v Speaker 3>given the attention that it should have. So we sort

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<v Speaker 3>of thought, well, maybe if we do a deep dive,

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<v Speaker 3>we can uncover some stuff. So we sort of went

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<v Speaker 3>down this rabbit hole and never really emerged.

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<v Speaker 1>Luke, is there a reason you didn't decid had to

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<v Speaker 1>go down a more Australian unsolved crime.

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<v Speaker 2>I mean, there's definitely Australian unsolved crimes that we're interested in.

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<v Speaker 2>But you know, we were looking all over the world,

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<v Speaker 2>and you know, there was just a certain tragedy to

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<v Speaker 2>the fact that it wasn't solved, and you know, there

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<v Speaker 2>was four people at the center, of young people that

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<v Speaker 2>nothing had been done about, and you know, the families

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<v Speaker 2>not knowing, and so yeah, it just kind of like

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<v Speaker 2>it hit us, and as Adam said, we never really

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<v Speaker 2>come up from it.

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<v Speaker 3>The crime itself happened on the same weekend as the

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<v Speaker 3>Jonestown massacre, so it had always kind of gotten short shrift.

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<v Speaker 3>It never really got the attention that it deserved, which

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<v Speaker 3>was another thing that sort of enticed us.

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<v Speaker 1>Before we get more into the crime, I'd love to

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<v Speaker 1>get a bit more background on you two. You guys

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<v Speaker 1>have known each other for a long time, haven't you.

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<v Speaker 3>It's true we were introduced by a mutual friend in

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<v Speaker 3>I think nineteen eighty nine, so we've kind of been

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<v Speaker 3>really tight ever since.

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<v Speaker 1>What's it like working on a project this big, this

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<v Speaker 1>in depth, this kind of gruesome with your best mete.

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<v Speaker 4>It's a great friendship tester.

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<v Speaker 2>It can be maddening at times. I mean we do

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<v Speaker 2>piss each other off at times, and it is definitely

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<v Speaker 2>a tester and you know, going over and doing you know,

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<v Speaker 2>various trips to Indianapolis and staying very closely together, you know,

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<v Speaker 2>does test the friendship. We never fight about anything not creative.

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<v Speaker 2>It's always creative issues. So it's never like anything about

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<v Speaker 2>the person. It's just you know, we're both so passionate

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<v Speaker 2>about it.

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<v Speaker 1>The burger chef we're talking about is in a place

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<v Speaker 1>called Speedway in Indianapolis, Adam, what's that part of America?

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<v Speaker 3>Like? It's Midwest, so it's sort of in the heartland.

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<v Speaker 3>You know, most people when they go and visit America,

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<v Speaker 3>they don't tend to go to the Midwest. They go

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<v Speaker 3>to the coasts, you know, sort of LA or New

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<v Speaker 3>York or you know, maybe a Chicago or something like that,

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<v Speaker 3>which actually is just kind of on top of Indiana

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<v Speaker 3>where this is. In a lot of ways, it's the

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<v Speaker 3>real America. Indianapolis is kind of a small town. I

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<v Speaker 3>think there's under a million people there, and Speedway is

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<v Speaker 3>kind of a town within Indianapolis, a suburb within Indianapolis.

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<v Speaker 3>I guess they're an extremely hospitable people, and you know,

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<v Speaker 3>if you sort of venture outside the city, it's a

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<v Speaker 3>lot of cornfields and diners and that sort of typical

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<v Speaker 3>Middle America.

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<v Speaker 1>You've mentioned that we're talking nineteen seventy eight, and around

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<v Speaker 1>the time of this crime, there had actually been quite

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<v Speaker 1>a few violent incidents. Can you set that scene for us?

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<v Speaker 4>So Speedway is this little enclave.

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<v Speaker 3>I guess that, by all reports was kind of a

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<v Speaker 3>sleepy little hamlet. People didn't tend to lock their doors.

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<v Speaker 3>It was a safe place to grow up. It was

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<v Speaker 3>an autoparts industry, you know, it was the sort of

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<v Speaker 3>economic driver. Something happened in the late seventies. This kind

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<v Speaker 3>of hell mouth opens in Speedway, and all of a sudden,

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<v Speaker 3>we've got bike gangs, I've got drugs, we've got violent crime, murder,

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<v Speaker 3>and a lot of these things play into the theory

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<v Speaker 3>surrounding what happened at the Burgershev and in a lot

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<v Speaker 3>of ways, it's quite maddening when you're trying to investigate

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<v Speaker 3>a crime because there were so many bad actors in

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<v Speaker 3>Speedway at the time, you know, chop shops as well,

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<v Speaker 3>so places that would sort of steal cars and piece

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<v Speaker 3>them out, that it's kind of hard to narrow the field.

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<v Speaker 3>It's hard to kind of rule anybody out when you

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<v Speaker 3>look at people that you think may have been capable

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<v Speaker 3>of something as heinous as the quadruple murder of four

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<v Speaker 3>kids in Speedway specifically at the time, there were plenty

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<v Speaker 3>of people with form.

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<v Speaker 1>How was the initial disappearance of these four young people

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<v Speaker 1>discovered on that night or on that following morning in

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<v Speaker 1>November nineteen seventy eight, there.

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<v Speaker 2>Was an employee that was working there that went out

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<v Speaker 2>on a date with another employee, and as he dropped

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<v Speaker 2>his date off, he went back to see if they

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<v Speaker 2>needed help closing and came in the back door and

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<v Speaker 2>then subsequently found it open, and then went in and

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<v Speaker 2>saw that the safe had been ransacked and some things

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<v Speaker 2>were sort of like at place, and he rang the manager,

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<v Speaker 2>and then the manager rang police, and then police came down.

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<v Speaker 1>And what did they do? Did they move quickly? Did

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<v Speaker 1>they ignore it?

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<v Speaker 2>So in their infinite wisdom they let them reopen the

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<v Speaker 2>restaurant the next day for business as usual, hoping that

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<v Speaker 2>the kids had just kind of taken the money and

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<v Speaker 2>gone off to party.

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<v Speaker 1>In twenty twenty four, it's hard to comprehend that revisiting

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<v Speaker 1>that yourselves. Is that like a normal thing to do

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<v Speaker 1>in policing in the late seventies to just kind of

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<v Speaker 1>ignore something that looks quite sinister and a bit like

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<v Speaker 1>a crime scene.

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<v Speaker 4>I think everybody accepts now.

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<v Speaker 3>It was a mistake that kind of hamstrung the case

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<v Speaker 3>really speed made police at the time. Remember, is kind

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<v Speaker 3>of a small town, and even though there was a

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<v Speaker 3>lot of violent they wouldn't have had to deal with

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<v Speaker 3>many quadruple murders. And I think they just watched it

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<v Speaker 3>and continued to botch it from there.

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<v Speaker 4>You know. They restaged the crime.

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<v Speaker 3>Scene a few days later so they could take crime

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<v Speaker 3>scene photos. The kids were taken from the burger chef,

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<v Speaker 3>but they were actually discovered about half an hour away

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<v Speaker 3>in a warded area in Johnson County. There were things

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<v Speaker 3>taken from that site in Johnson County. There were police

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<v Speaker 3>that were fired later for being drunk on the job.

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<v Speaker 3>And the whole thing was just a complete mess.

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<v Speaker 2>I think like originally, you know, first forty eight hours,

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<v Speaker 2>which is obviously we know now the most important in

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<v Speaker 2>an investigation. I think, you know, they were hopeful, you know,

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<v Speaker 2>because it was so under resource that you know first

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<v Speaker 2>of all, that they did just go off and they

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<v Speaker 2>were just going to turn up again. And then I

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<v Speaker 2>think that they were hoping then that it would be

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<v Speaker 2>kidnapping and there would be a ransom. And then from

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<v Speaker 2>there when they found the bodies forty eight hours later,

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<v Speaker 2>that's when paddic set in for them that they'd done

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<v Speaker 2>the wrong thing.

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<v Speaker 1>Do you expand a bit on how the bodies were

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<v Speaker 1>found and in what state what had happened to those

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<v Speaker 1>four young people.

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<v Speaker 2>Danny and Ruth were found very close together, almost touching,

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<v Speaker 2>like legs kind of touching. They were both shot in

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<v Speaker 2>the back of the head. There was I think two

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<v Speaker 2>shots in each of them. And then a little bit

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<v Speaker 2>further away, Jane was found stabbed in the heart to

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<v Speaker 2>stab wounds in her chest and it appears to be

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<v Speaker 2>that that was over the shoulder, so either she was

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<v Speaker 2>running or someone came up behind her and surprised her

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<v Speaker 2>and she was stabbed twice. And then even further away,

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<v Speaker 2>which is an infinite source of conversation between me and

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<v Speaker 2>Adam and other people. Mark was found, and he was

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<v Speaker 2>found where his back was sort of like laid back

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<v Speaker 2>on his legs and he actually drowned on his own blood.

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<v Speaker 2>So either he hid a tree branch as he was

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<v Speaker 2>running or someone with a baseball bat.

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<v Speaker 1>I mean, all murders are horrific, but what you've just

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<v Speaker 1>described is horrifying, Like those final moments for those kids

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<v Speaker 1>would have been horrendous.

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<v Speaker 4>Yeah, I mean, you know, we've thought a lot about that.

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<v Speaker 3>It's horrifying and it's confounding as well, because you know,

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<v Speaker 3>you've got three different modes of death. It's hard to

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<v Speaker 3>make sense of it. It sort of suggests a frenzied attack,

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<v Speaker 3>but just don't know exactly what happened once they got

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<v Speaker 3>the kids out to Johnson County. Did they take them

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<v Speaker 3>out there intending to kill them? Did as you know,

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<v Speaker 3>someone in our film says, you know, they went out

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<v Speaker 3>there to buy themselves time.

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<v Speaker 4>Something went wrong out there. We just don't know.

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<v Speaker 3>But I think what you're describing those last few moments

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<v Speaker 3>for the kids haunts us. And you know, we know

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<v Speaker 3>obviously for Teresa and Norma it's the stuff of nightmares.

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<v Speaker 3>Teresa being Ruth Shelton, one of the victim's sisters, and

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<v Speaker 3>Norma is Danny, who was another victim, his mum.

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<v Speaker 1>Well, let's focus a little bit more on their lives.

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<v Speaker 1>Who were these teenagers? One of them was twenty so

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<v Speaker 1>a young woman, Ruth, Mark, Jane, Danny. What do we

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<v Speaker 1>know about them as people?

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<v Speaker 2>We've read a lot about them and also like spoken

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<v Speaker 2>to their families. So Jane, you know, from all accounts,

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<v Speaker 2>was friendly, vivacious, loved animals, loved art, you know, was

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<v Speaker 2>working her way up pretty quickly in the Burger chef

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<v Speaker 2>you know other burger chefs as well. She'd come from

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<v Speaker 2>another store called Plainfield, and you know, was ambitious and

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<v Speaker 2>doing really well within that company. Mark was good at school, athletic,

0:12:52.422 --> 0:12:56.302
<v Speaker 2>you know, popular, you know from everybody that was spoken

0:12:56.342 --> 0:13:00.382
<v Speaker 2>to around, a good guy. Ruth had actually come from

0:13:00.702 --> 0:13:03.662
<v Speaker 2>the dunkin Donuts next door where she worked and had

0:13:03.702 --> 0:13:06.622
<v Speaker 2>only really just started at the Berger chef. She was

0:13:06.662 --> 0:13:10.582
<v Speaker 2>into computers. She probably would have been a pioneer in

0:13:10.622 --> 0:13:14.302
<v Speaker 2>that area, you know, because it was the seventies. Danny

0:13:14.982 --> 0:13:19.542
<v Speaker 2>was into photography and also wanted to join the Air force.

0:13:20.302 --> 0:13:24.862
<v Speaker 1>Your film really tries to focus on these people as people,

0:13:24.982 --> 0:13:27.622
<v Speaker 1>not just victims, which is something that in the true

0:13:27.702 --> 0:13:30.902
<v Speaker 1>crime genre some creators seem to have gotten a bit

0:13:30.942 --> 0:13:35.662
<v Speaker 1>carried away with. Was that a big focus for you guys, Yeah.

0:13:35.462 --> 0:13:35.902
<v Speaker 4>It was.

0:13:36.102 --> 0:13:38.382
<v Speaker 3>In the course of the research we became quite close with,

0:13:38.702 --> 0:13:43.782
<v Speaker 3>in particular Teresa and also Normal. We felt that we

0:13:44.102 --> 0:13:48.062
<v Speaker 3>owed it to them, you know, that this film wasn't gratuitous,

0:13:48.222 --> 0:13:52.782
<v Speaker 3>that this film was there to memorialize their loved ones,

0:13:53.182 --> 0:13:57.142
<v Speaker 3>rather than having them be kind of pawns into something

0:13:57.382 --> 0:14:01.102
<v Speaker 3>salacious and gratuitous, you know, something that exploits them for

0:14:01.102 --> 0:14:03.982
<v Speaker 3>the sake of entertainment. You know, that was always front

0:14:03.982 --> 0:14:06.782
<v Speaker 3>of mind for us, and that's what drove us. So

0:14:06.942 --> 0:14:10.062
<v Speaker 3>you know, you'll notice in the film there's really very little,

0:14:10.102 --> 0:14:12.102
<v Speaker 3>I mean one sort of description of the death scene,

0:14:12.102 --> 0:14:14.982
<v Speaker 3>as Luke said, and other than that, we chose not

0:14:15.182 --> 0:14:19.702
<v Speaker 3>to recreate that element of the story out of respect

0:14:19.702 --> 0:14:22.662
<v Speaker 3>for them, and I think Teresa says it in the film.

0:14:22.862 --> 0:14:26.342
<v Speaker 3>It's so often the boogeymen in these cases that get

0:14:26.422 --> 0:14:30.422
<v Speaker 3>notarized and the victims are sort of forgotten, and we

0:14:30.742 --> 0:14:32.462
<v Speaker 3>really wanted to sort of flip that on its head,

0:14:32.502 --> 0:14:35.062
<v Speaker 3>and that was the focus in the writing.

0:14:35.142 --> 0:14:38.382
<v Speaker 1>And how do you cast and film something like this

0:14:38.542 --> 0:14:41.342
<v Speaker 1>when you're both based in Australia but you're dealing with

0:14:41.382 --> 0:14:44.542
<v Speaker 1>an American crime. How did that process go?

0:14:45.142 --> 0:14:50.062
<v Speaker 3>We cast Australian actors, We cast them out far and wide,

0:14:50.542 --> 0:14:54.502
<v Speaker 3>and we lucked out with four sort of early career

0:14:55.142 --> 0:14:59.302
<v Speaker 3>actors who were just extraordinary. They worked extensively with a

0:14:59.342 --> 0:15:02.422
<v Speaker 3>dialect coach. The Midwestern drawls are really sort of specific

0:15:02.662 --> 0:15:05.182
<v Speaker 3>kind of accent. It's not just a straight American accent,

0:15:05.902 --> 0:15:09.422
<v Speaker 3>and we had kind of built characters for them, you know,

0:15:09.422 --> 0:15:11.982
<v Speaker 3>it was on the page in the script at the.

0:15:12.022 --> 0:15:14.102
<v Speaker 4>End of the day. You know, it was nineteen seventy eight.

0:15:14.102 --> 0:15:16.742
<v Speaker 3>We didn't have a ton of archive family videos or

0:15:16.782 --> 0:15:18.942
<v Speaker 3>anything like that, so you know, there was a lot

0:15:19.062 --> 0:15:23.422
<v Speaker 3>that was left to them to fill in their mannerisms

0:15:24.062 --> 0:15:26.862
<v Speaker 3>things like that. To their great credit, each of the

0:15:26.902 --> 0:15:32.102
<v Speaker 3>four actors, Joe's Arta, Sie Randalls, Nya Coffee and DaVita

0:15:32.142 --> 0:15:38.742
<v Speaker 3>McKenzie were just incredibly dedicated, so much of themselves, researched,

0:15:39.542 --> 0:15:43.742
<v Speaker 3>worked incredibly diligently, and you know it's reflected in their performances.

0:15:44.022 --> 0:15:47.302
<v Speaker 1>Does that mean you also created the Burger Chef here

0:15:47.382 --> 0:15:48.262
<v Speaker 1>in Australia.

0:15:48.462 --> 0:15:52.342
<v Speaker 2>Yeah, So we built it in Adelaide. We found an

0:15:52.382 --> 0:15:56.182
<v Speaker 2>abandoned Chinese restaurant. The geography was pretty much exactly the

0:15:56.182 --> 0:16:01.782
<v Speaker 2>same as the site in Indiana, and so with a

0:16:01.982 --> 0:16:05.502
<v Speaker 2>lot of research and an amazing team, we were able

0:16:05.542 --> 0:16:09.102
<v Speaker 2>to like gut the building, knockdown walls, put windows in,

0:16:09.742 --> 0:16:12.782
<v Speaker 2>andretty much build it down to the cup.

0:16:13.142 --> 0:16:16.502
<v Speaker 1>Were there any moments from filming, either with the actors

0:16:16.662 --> 0:16:19.422
<v Speaker 1>or with the real people from this story that really

0:16:19.422 --> 0:16:20.582
<v Speaker 1>stand out to either of you.

0:16:20.942 --> 0:16:21.742
<v Speaker 4>There's so many.

0:16:21.822 --> 0:16:24.262
<v Speaker 3>I think the one that sort of stayed with me

0:16:24.342 --> 0:16:26.462
<v Speaker 3>the most was the day that we all interviewed Norma,

0:16:26.502 --> 0:16:30.742
<v Speaker 3>who was Danny's mum. She's someone who's you to move on,

0:16:30.902 --> 0:16:33.862
<v Speaker 3>sort of had to compartmentalize it, doesn't talk about it

0:16:33.902 --> 0:16:37.062
<v Speaker 3>a lot, doesn't do any media. We ended up meeting

0:16:37.102 --> 0:16:39.662
<v Speaker 3>her and developing a bit of a rapport and she

0:16:39.862 --> 0:16:42.062
<v Speaker 3>ended up agreeing to go on camera. That was a really,

0:16:42.062 --> 0:16:47.942
<v Speaker 3>really tough day, particularly given that Danny had called her

0:16:48.182 --> 0:16:50.822
<v Speaker 3>that night because somebody else was supposed to come in

0:16:50.862 --> 0:16:54.382
<v Speaker 3>and help close. But Danny called his mum that night

0:16:54.422 --> 0:16:56.462
<v Speaker 3>and said, hey, you know, can I hang back and

0:16:56.742 --> 0:16:58.502
<v Speaker 3>do a couple of extra hours because he was quite

0:16:58.582 --> 0:17:01.142
<v Speaker 3>young and supposed to be home by ten thirty. He

0:17:01.182 --> 0:17:02.942
<v Speaker 3>called and asked if he could stay back and help

0:17:03.062 --> 0:17:05.342
<v Speaker 3>for the extra couple hours pay so he could buy

0:17:05.382 --> 0:17:09.382
<v Speaker 3>Christmas presents. They were reluctant, but Danny's mum and his

0:17:09.542 --> 0:17:11.662
<v Speaker 3>dad agreed that who would do that and it was

0:17:11.702 --> 0:17:14.342
<v Speaker 3>the last time they ever spoke to him. So hearing

0:17:14.422 --> 0:17:19.022
<v Speaker 3>her recount that story and seeing just the guilt and

0:17:19.062 --> 0:17:22.382
<v Speaker 3>the trauma was a really tough day.

0:17:25.622 --> 0:17:29.462
<v Speaker 1>You're listening to true Crime Conversations with me, Jemma Bass.

0:17:29.942 --> 0:17:32.942
<v Speaker 1>I'm speaking with Luke Linderman and Adam Camian about the

0:17:32.982 --> 0:17:42.942
<v Speaker 1>Speedway murders. Well, there are a number of witnesses to

0:17:43.022 --> 0:17:46.422
<v Speaker 1>the night in question that you've spoken to. I want

0:17:46.422 --> 0:17:50.702
<v Speaker 1>to focus firstly on the two people that gave the

0:17:50.742 --> 0:17:55.582
<v Speaker 1>descriptions that ended up being widely circulated at the time. Luke,

0:17:55.662 --> 0:17:58.342
<v Speaker 1>what kind of description did they give? Who were police

0:17:58.382 --> 0:18:00.342
<v Speaker 1>and the public being told to look out for?

0:18:00.942 --> 0:18:04.902
<v Speaker 2>So there were two witnesses that were behind the dunkin

0:18:04.982 --> 0:18:06.622
<v Speaker 2>Donuts or sort of like on that there was a

0:18:06.662 --> 0:18:10.622
<v Speaker 2>train line behind and they were approached by two men

0:18:11.062 --> 0:18:13.662
<v Speaker 2>who told them to kind of move on. One of

0:18:13.702 --> 0:18:17.022
<v Speaker 2>the men was long haired with a beard, and the

0:18:17.062 --> 0:18:20.582
<v Speaker 2>other was clean shaven with shorter, blonde hair, which is

0:18:20.622 --> 0:18:25.222
<v Speaker 2>basically like describing every man in seventy. Subsequently, they then

0:18:25.502 --> 0:18:29.742
<v Speaker 2>did police sketches based on their descriptions, and then also

0:18:29.862 --> 0:18:33.142
<v Speaker 2>these really weird busts that were made out of clay,

0:18:33.262 --> 0:18:35.982
<v Speaker 2>like I think it was one of the detective's nieces

0:18:36.022 --> 0:18:39.742
<v Speaker 2>who went to art school, and they're like synonymous with

0:18:39.782 --> 0:18:43.422
<v Speaker 2>this case. They are really very freaky and out there.

0:18:43.702 --> 0:18:45.902
<v Speaker 1>I was going to say they look like an art project,

0:18:45.942 --> 0:18:47.382
<v Speaker 1>and interestingly they are.

0:18:48.222 --> 0:18:52.022
<v Speaker 3>It's worth googling for people who are listening, because it

0:18:52.102 --> 0:18:55.622
<v Speaker 3>really is quite wild that anyone would release these two

0:18:55.702 --> 0:18:59.102
<v Speaker 3>ridiculous busts to the public, and then they were put on.

0:18:59.182 --> 0:19:02.622
<v Speaker 2>Public display like in mauls for people to kind of

0:19:02.622 --> 0:19:06.422
<v Speaker 2>walk past and look at and then find those two people.

0:19:06.542 --> 0:19:08.582
<v Speaker 2>So that was quite unique. Actually, that was one of

0:19:08.622 --> 0:19:11.902
<v Speaker 2>the first things that I saw when I was researching

0:19:11.982 --> 0:19:13.942
<v Speaker 2>the case and kind of draw into it that these

0:19:14.142 --> 0:19:17.502
<v Speaker 2>busts were, you know, what was given to the public Adam.

0:19:17.542 --> 0:19:20.302
<v Speaker 1>One of the early prominent theories was that these four

0:19:20.342 --> 0:19:23.502
<v Speaker 1>became victims of a local robbery gang. Can you talk

0:19:23.542 --> 0:19:25.342
<v Speaker 1>us through who they were, what were they doing at

0:19:25.342 --> 0:19:25.742
<v Speaker 1>the time.

0:19:26.222 --> 0:19:29.222
<v Speaker 3>Yeah, this was a crew of guys from around the

0:19:29.302 --> 0:19:36.702
<v Speaker 3>Johnson County area who had been robbing KFC's other fast

0:19:36.742 --> 0:19:39.462
<v Speaker 3>food restaurants, and in particular there were a few burger

0:19:39.582 --> 0:19:42.742
<v Speaker 3>chefs that they knocked over as well. It was a

0:19:42.782 --> 0:19:46.262
<v Speaker 3>theory that came from Indiana State Police detective at a

0:19:46.302 --> 0:19:49.222
<v Speaker 3>time called Ken York, and it's a theory that some

0:19:49.542 --> 0:19:54.222
<v Speaker 3>people in law enforcement and others still believe is the answer.

0:19:54.782 --> 0:19:57.182
<v Speaker 3>I think if you knew nothing about this case and

0:19:57.262 --> 0:19:59.702
<v Speaker 3>you kind of came to the robber gang theory, which

0:19:59.782 --> 0:20:03.222
<v Speaker 3>is what we've called it in the film, it's incredibly compelling.

0:20:03.422 --> 0:20:07.022
<v Speaker 3>It's very convincing. We think that there are some holes

0:20:07.302 --> 0:20:10.542
<v Speaker 3>in it. People always say that the mo of the

0:20:10.582 --> 0:20:13.142
<v Speaker 3>robber gang coming in through the back door at closing

0:20:13.182 --> 0:20:16.542
<v Speaker 3>when somebody was taking out the trash. The reality is

0:20:16.982 --> 0:20:19.862
<v Speaker 3>nobody knows that, and yes, the back door was found

0:20:19.902 --> 0:20:21.982
<v Speaker 3>a jar, But how the kids were taken out of

0:20:22.022 --> 0:20:25.462
<v Speaker 3>the restaurant is a complete mystery. Because this is something

0:20:25.462 --> 0:20:27.142
<v Speaker 3>that we sort of try to address in the film.

0:20:27.422 --> 0:20:29.702
<v Speaker 3>The hours between about eleven thirty when we believe the

0:20:29.782 --> 0:20:33.862
<v Speaker 3>kids were taken and sort of roughly one thirty am

0:20:34.022 --> 0:20:36.462
<v Speaker 3>the next morning when shots are heard out at Johnson

0:20:36.502 --> 0:20:39.862
<v Speaker 3>County is kind of this black hole in time that

0:20:40.142 --> 0:20:44.422
<v Speaker 3>you people speculate over endlessly. And the robber gang is

0:20:44.462 --> 0:20:47.062
<v Speaker 3>one of the more convincing theories that you hear.

0:20:47.502 --> 0:20:51.102
<v Speaker 1>Luke tell me about Donald Forrester. How did he become

0:20:51.142 --> 0:20:52.062
<v Speaker 1>involved in this case?

0:20:52.502 --> 0:20:57.342
<v Speaker 2>Donald Forrester was a known bad actor in the area

0:20:57.382 --> 0:21:02.502
<v Speaker 2>who was in jail for a violent rape where he

0:21:02.582 --> 0:21:06.862
<v Speaker 2>was serving ninety five years. He came to police attention

0:21:07.902 --> 0:21:13.462
<v Speaker 2>and then subsequently confess twice, recounted twice. We played some

0:21:13.502 --> 0:21:18.062
<v Speaker 2>of the second confession in the film where it feels

0:21:18.142 --> 0:21:22.822
<v Speaker 2>like he's being led. You know, some of his answers

0:21:22.902 --> 0:21:26.582
<v Speaker 2>don't really kind of correlate with how the bots were

0:21:26.622 --> 0:21:30.862
<v Speaker 2>actually found, and you know, the talk was that, you know,

0:21:30.942 --> 0:21:33.902
<v Speaker 2>he was actually shown into the war room and kind

0:21:33.902 --> 0:21:36.942
<v Speaker 2>of got to see a lot of the crime saying

0:21:36.942 --> 0:21:40.622
<v Speaker 2>photographs before he had his confession. So in the end

0:21:41.782 --> 0:21:44.342
<v Speaker 2>recounted for the second time, and then they didn't have

0:21:44.462 --> 0:21:46.782
<v Speaker 2>enough to prosecute, so it was pretty much dropped.

0:21:47.182 --> 0:21:49.462
<v Speaker 1>But why would he want to confess to a crime

0:21:49.502 --> 0:21:49.942
<v Speaker 1>he didn't do.

0:21:50.342 --> 0:21:52.582
<v Speaker 2>He was in a pretty bad prison at the time

0:21:52.662 --> 0:21:55.222
<v Speaker 2>and wanted to be moved, and I think through the

0:21:55.342 --> 0:21:58.062
<v Speaker 2>kind of police leverage, they're going to move him into

0:21:58.222 --> 0:22:02.182
<v Speaker 2>like a nicer, cushier prison. So you know, he felt like,

0:22:02.622 --> 0:22:04.462
<v Speaker 2>you know, if he gave this confession that you know,

0:22:04.782 --> 0:22:05.502
<v Speaker 2>better treatment.

0:22:05.982 --> 0:22:08.582
<v Speaker 1>Adam, it's kind of obvious to look at the victims

0:22:08.622 --> 0:22:11.502
<v Speaker 1>themselves and see whether there's any possible links there to

0:22:11.542 --> 0:22:15.342
<v Speaker 1>see whether you know they could have enemies or anyone

0:22:15.342 --> 0:22:17.982
<v Speaker 1>potentially out to get them. What were you able to

0:22:18.062 --> 0:22:20.782
<v Speaker 1>find out about that? I understand that there was a

0:22:20.822 --> 0:22:24.702
<v Speaker 1>bit of a focus on Mark for a second, and

0:22:24.742 --> 0:22:27.342
<v Speaker 1>then a lot of focus on Jane and her family.

0:22:27.782 --> 0:22:33.662
<v Speaker 3>Both Mark and Jane had brothers who had their problems

0:22:33.822 --> 0:22:37.582
<v Speaker 3>with the law. Jane's brother in particular, who did kind

0:22:37.582 --> 0:22:39.862
<v Speaker 3>of fit the description of the bearded man. He had

0:22:39.862 --> 0:22:41.982
<v Speaker 3>a sort of shock of brown hair and a beard.

0:22:41.982 --> 0:22:45.902
<v Speaker 3>At the time, he was running with a motorcycle gang

0:22:45.982 --> 0:22:49.942
<v Speaker 3>called the Sons of Silence and ended up being arrested

0:22:50.142 --> 0:22:53.662
<v Speaker 3>for cocaine possession I think at the time, and was

0:22:53.702 --> 0:22:58.022
<v Speaker 3>associated with a lot of other bad actors, interestingly, one

0:22:58.062 --> 0:23:01.382
<v Speaker 3>of whom was Donald Forrester, we believe, So he's one

0:23:01.422 --> 0:23:06.062
<v Speaker 3>that comes up a lot because you often hear speculation

0:23:06.142 --> 0:23:08.502
<v Speaker 3>about whether drugs were being dealt out of the burger chef.

0:23:08.742 --> 0:23:11.742
<v Speaker 3>Apparently this was not an uncommon thing that they would

0:23:12.062 --> 0:23:15.982
<v Speaker 3>move small amounts of marijuana through drive up windows when

0:23:16.022 --> 0:23:17.782
<v Speaker 3>people would come to a lot of their food, So

0:23:17.982 --> 0:23:21.102
<v Speaker 3>speculation that that was happening. If it was happening, did

0:23:21.182 --> 0:23:24.302
<v Speaker 3>Jane know about it? Which kind of snowballed into it

0:23:24.382 --> 0:23:26.742
<v Speaker 3>Jane was dealing drugs and ended up in trouble because

0:23:26.782 --> 0:23:29.062
<v Speaker 3>of that. This is something that Luke and I go

0:23:29.102 --> 0:23:32.422
<v Speaker 3>back and forth on. I'm less convinced about that. I

0:23:32.462 --> 0:23:35.182
<v Speaker 3>haven't really seen any evidence that Jane was dealing drugs,

0:23:35.262 --> 0:23:37.742
<v Speaker 3>nor have I seen any evidence that Mark was dealing drugs.

0:23:38.182 --> 0:23:40.782
<v Speaker 3>So one of the things that people speculated about is,

0:23:40.942 --> 0:23:43.902
<v Speaker 3>you know, could it have been drug related but through

0:23:44.022 --> 0:23:47.342
<v Speaker 3>James's brother And you know, Charlie Gray, who was dating

0:23:47.422 --> 0:23:50.982
<v Speaker 3>Jane at the time that she died, said that, in fact,

0:23:51.022 --> 0:23:55.102
<v Speaker 3>she would have tried to protect her brother had that happened,

0:23:55.542 --> 0:23:57.262
<v Speaker 3>if it came to that, So you know, was the

0:23:57.342 --> 0:24:02.542
<v Speaker 3>debt being collected that night owed by James free Jane's brother?

0:24:03.022 --> 0:24:06.182
<v Speaker 3>You know, the other one is Mark's brother, less is

0:24:06.262 --> 0:24:09.142
<v Speaker 3>known about him, but he also had his issues and

0:24:09.342 --> 0:24:10.262
<v Speaker 3>was in and out of prison.

0:24:22.222 --> 0:24:26.542
<v Speaker 1>There was one eyewitness called Alan who gave actual names

0:24:26.942 --> 0:24:32.342
<v Speaker 1>that he says he saw that night, Jeffreed and Tim Willoughby. Adam,

0:24:32.382 --> 0:24:34.662
<v Speaker 1>Who were they? And what did Alan say that he

0:24:34.742 --> 0:24:35.422
<v Speaker 1>saw that night?

0:24:36.062 --> 0:24:39.542
<v Speaker 3>Mary and George who are the teenagers who were sitting

0:24:39.582 --> 0:24:42.982
<v Speaker 3>on the tracks. They claim to have seen these two

0:24:43.022 --> 0:24:46.062
<v Speaker 3>men that moved them on. But there's only one person

0:24:46.102 --> 0:24:50.022
<v Speaker 3>that claims to have seen anything other than that, and

0:24:50.062 --> 0:24:53.142
<v Speaker 3>that is Alan Prewitt who turns up drunk to the

0:24:53.222 --> 0:24:56.142
<v Speaker 3>dunkin Donuts with a friend, goes outside to get some

0:24:56.222 --> 0:24:59.102
<v Speaker 3>heir because he's feeling unwell, and says he sees an

0:24:59.142 --> 0:25:02.742
<v Speaker 3>orange van pull up and he recognizes two people. They

0:25:02.782 --> 0:25:08.062
<v Speaker 3>are Jeffreed and Tim Willoughby. In terms of what Alan

0:25:08.142 --> 0:25:11.342
<v Speaker 3>Prewitt saw, it depends on the day that you talk

0:25:11.422 --> 0:25:15.542
<v Speaker 3>to him. Unfortunately, he was, how should we put it,

0:25:15.662 --> 0:25:18.902
<v Speaker 3>a bit of an unreliable narrator, to the point where

0:25:18.982 --> 0:25:21.022
<v Speaker 3>in nine point eighty one he gave a statement to

0:25:21.182 --> 0:25:22.462
<v Speaker 3>Jim Kramer was a detective.

0:25:22.502 --> 0:25:24.342
<v Speaker 4>I had the case for the best part of twenty

0:25:24.422 --> 0:25:25.502
<v Speaker 4>five years, I think.

0:25:25.782 --> 0:25:30.422
<v Speaker 3>And that statement drove the investigation from the state police

0:25:30.462 --> 0:25:33.982
<v Speaker 3>for a really long time. In talking to us, so

0:25:34.062 --> 0:25:37.462
<v Speaker 3>many parts of his story fell apart, and we sort

0:25:37.502 --> 0:25:39.542
<v Speaker 3>of gave him the opportunity. We said to him, listen,

0:25:39.782 --> 0:25:42.422
<v Speaker 3>because what he claims is that he was kind of

0:25:42.502 --> 0:25:45.582
<v Speaker 3>under pressure and felt like a police were going to

0:25:45.582 --> 0:25:47.542
<v Speaker 3>pin the crime on him because he had been there.

0:25:47.582 --> 0:25:49.982
<v Speaker 3>He was also a kind of near do well. He

0:25:50.062 --> 0:25:53.862
<v Speaker 3>said that he just starts making stuff up to sort

0:25:53.862 --> 0:25:58.262
<v Speaker 3>of divert their attention somewhere else. So, you know, in

0:25:58.302 --> 0:26:01.022
<v Speaker 3>our conversations with him, he ends up walking back almost

0:26:01.142 --> 0:26:03.822
<v Speaker 3>all of what he said in that nineteen eighty one statement,

0:26:04.422 --> 0:26:08.142
<v Speaker 3>but he maintains and I think in the film he says,

0:26:08.142 --> 0:26:10.782
<v Speaker 3>and I will take this to the grave that he

0:26:10.822 --> 0:26:14.382
<v Speaker 3>saw that Van and Jeffreed and Tim Willoby, and that's

0:26:14.382 --> 0:26:17.862
<v Speaker 3>something that he never walked back. So Jeff Freed and

0:26:17.862 --> 0:26:21.062
<v Speaker 3>Tim Willerby were We probably need a separate interview to

0:26:21.062 --> 0:26:24.822
<v Speaker 3>talk about Tim Willerby because that's a crazy story. Local

0:26:24.862 --> 0:26:29.702
<v Speaker 3>bad actor involved with chop shops. Jeffreed was a local

0:26:30.102 --> 0:26:33.102
<v Speaker 3>character who was known as the Mayor of the Snake Pit,

0:26:33.142 --> 0:26:35.662
<v Speaker 3>which was sort of a turn speedway's name for the

0:26:35.702 --> 0:26:39.102
<v Speaker 3>Indianapolis five hundred race and there's a turn on the

0:26:39.182 --> 0:26:41.382
<v Speaker 3>racetrack that in the month of May is like a

0:26:41.462 --> 0:26:43.982
<v Speaker 3>kind of party place, and that's called the Snake Pit.

0:26:44.022 --> 0:26:46.542
<v Speaker 3>And Jeffreed was the mayor of the Snake Pit. He

0:26:46.622 --> 0:26:48.302
<v Speaker 3>was known as a guy who could be violent. He

0:26:48.382 --> 0:26:50.702
<v Speaker 3>was known as a guy who would collect debts.

0:26:51.102 --> 0:26:53.022
<v Speaker 1>I know you say that Alan might not be the

0:26:53.022 --> 0:26:56.262
<v Speaker 1>most credible witness, but he's not the only person that

0:26:56.382 --> 0:26:59.302
<v Speaker 1>mentions Jeff. And this is potentially the biggest bombshell from

0:26:59.382 --> 0:27:03.622
<v Speaker 1>your documentary. You have a mate of Jeff's who told

0:27:03.622 --> 0:27:08.862
<v Speaker 1>you something quite remarkable. Tell me about what Tim told you.

0:27:09.462 --> 0:27:13.742
<v Speaker 2>So Tim dropped a bombshell that Jeff came to him

0:27:14.222 --> 0:27:17.782
<v Speaker 2>and had somewhat of a confession that he wanted to

0:27:17.782 --> 0:27:21.262
<v Speaker 2>get off his chest. That you know, he was there

0:27:21.342 --> 0:27:25.982
<v Speaker 2>that night and subsequently things got out of hand and

0:27:27.182 --> 0:27:32.022
<v Speaker 2>he was forced to handle a situation and pretty much

0:27:33.062 --> 0:27:36.782
<v Speaker 2>confessed details of what happened that night.

0:27:37.302 --> 0:27:40.182
<v Speaker 1>So he knew kind of what happened to those kids.

0:27:40.622 --> 0:27:44.062
<v Speaker 2>Yeah, so he was there and was partly responsible and

0:27:44.742 --> 0:27:46.542
<v Speaker 2>felt like he needed to get it off his chest

0:27:46.582 --> 0:27:51.022
<v Speaker 2>to his very good friend Tim and dropped this bombshell

0:27:51.062 --> 0:27:51.942
<v Speaker 2>of a story on him.

0:27:52.422 --> 0:27:55.422
<v Speaker 1>So why had Tim never gone to police with this information?

0:27:55.822 --> 0:27:58.982
<v Speaker 2>I mean, he claims that the police never came to him.

0:27:59.062 --> 0:28:02.262
<v Speaker 2>He's never seen the police. The police were never interested.

0:28:02.822 --> 0:28:06.542
<v Speaker 2>After we filmed this segment, we took him down to

0:28:06.622 --> 0:28:09.782
<v Speaker 2>the prosecutor's office and dropped him off and basically waited

0:28:09.782 --> 0:28:13.382
<v Speaker 2>for him to go and tell his story. So we

0:28:13.702 --> 0:28:17.062
<v Speaker 2>had done everything that we could to give everything over

0:28:17.142 --> 0:28:19.702
<v Speaker 2>to the place that we had, including Tim and his

0:28:19.782 --> 0:28:21.022
<v Speaker 2>bombshell story.

0:28:21.422 --> 0:28:24.222
<v Speaker 1>It's one thing to want to tell a story like

0:28:24.262 --> 0:28:27.022
<v Speaker 1>you guys did. You're making a film about an unsolved case.

0:28:27.102 --> 0:28:30.022
<v Speaker 1>But to get information like this that is brand new,

0:28:30.342 --> 0:28:33.502
<v Speaker 1>that hasn't been heard by police or anyone. How did

0:28:33.582 --> 0:28:36.262
<v Speaker 1>it feel for you in that moment to actually hear

0:28:36.342 --> 0:28:37.102
<v Speaker 1>something like this?

0:28:37.742 --> 0:28:40.382
<v Speaker 4>It was exhilarating, if I'm honest.

0:28:40.702 --> 0:28:43.862
<v Speaker 3>It's a real emotional rollercoaster when you're so invested in

0:28:43.902 --> 0:28:46.502
<v Speaker 3>something like this. Sometimes it's maddening because you keep coming

0:28:46.582 --> 0:28:50.902
<v Speaker 3>up against dead ends were otherwise hopeful. Some days are

0:28:50.942 --> 0:28:52.462
<v Speaker 3>the days where you get to speak to someone like

0:28:52.502 --> 0:28:55.822
<v Speaker 3>a Tim Boyer, And I remember I had gotten on

0:28:55.902 --> 0:28:59.462
<v Speaker 3>to him and he didn't reveal everything to me on

0:28:59.502 --> 0:29:01.782
<v Speaker 3>the phone because he was pretty adamant that he wanted

0:29:01.822 --> 0:29:04.662
<v Speaker 3>to talk to us face to face to give us

0:29:04.702 --> 0:29:07.862
<v Speaker 3>the whole story, but he gave me enough information over

0:29:07.902 --> 0:29:10.742
<v Speaker 3>the phone that I remember getting off the phone. You

0:29:10.742 --> 0:29:13.022
<v Speaker 3>know it's two am because of the time difference in

0:29:13.102 --> 0:29:15.662
<v Speaker 3>calling Luke and saying, hey, I think I know what happened.

0:29:16.182 --> 0:29:18.182
<v Speaker 4>So you know, that was pretty special.

0:29:18.622 --> 0:29:21.302
<v Speaker 1>So where does that leave us in terms of an investigation?

0:29:21.462 --> 0:29:24.342
<v Speaker 1>Are police still looking into this? Is it currently still cold?

0:29:24.982 --> 0:29:28.822
<v Speaker 3>The reason that this case is still unsolved, it's partly

0:29:28.822 --> 0:29:32.302
<v Speaker 3>because the police watched the investigation early on, but there's

0:29:32.302 --> 0:29:37.262
<v Speaker 3>also very very little physical evidence, which makes it extremely challenging.

0:29:37.262 --> 0:29:39.782
<v Speaker 3>We know they have tested DNA in the past what

0:29:39.822 --> 0:29:42.742
<v Speaker 3>little DNA they did have, and we know that they're

0:29:42.782 --> 0:29:46.342
<v Speaker 3>sort of preserving some other DNA in the hope that

0:29:46.382 --> 0:29:49.582
<v Speaker 3>technology improves, because when you test a DNA sample often

0:29:49.902 --> 0:29:52.942
<v Speaker 3>you destroy that sample, so that don't want to shoot

0:29:52.942 --> 0:29:53.822
<v Speaker 3>their shot right now.

0:29:54.342 --> 0:29:59.662
<v Speaker 4>But there's very very little physical evidence, which makes closing

0:29:59.702 --> 0:30:00.942
<v Speaker 4>the case challenging.

0:30:01.422 --> 0:30:03.342
<v Speaker 1>What do you think the families hope they're going to

0:30:03.342 --> 0:30:06.022
<v Speaker 1>get from sharing their stories with you and from having

0:30:06.262 --> 0:30:10.062
<v Speaker 1>this crime retold on such a big platform. Do you

0:30:10.102 --> 0:30:13.102
<v Speaker 1>think that they're hopeful that that slim chance of actually

0:30:13.102 --> 0:30:17.022
<v Speaker 1>getting a conviction or justice in any way is still

0:30:17.062 --> 0:30:18.942
<v Speaker 1>what they're kind of leaning towards.

0:30:19.342 --> 0:30:21.542
<v Speaker 3>They want answers, they want to know, you know, they're

0:30:21.542 --> 0:30:24.902
<v Speaker 3>not knowing is the hardest part. People often sort of

0:30:24.902 --> 0:30:28.502
<v Speaker 3>throw around the word closure. I think when you lose

0:30:28.502 --> 0:30:31.462
<v Speaker 3>a loved one in a fashion as brutal as this,

0:30:31.622 --> 0:30:34.702
<v Speaker 3>there's probably not ever really closure. But I think for

0:30:34.822 --> 0:30:39.742
<v Speaker 3>some peace of mind, knowing what happened in their final

0:30:39.822 --> 0:30:42.822
<v Speaker 3>moments would help. I think that's what they're desperate for.

0:30:43.142 --> 0:30:46.222
<v Speaker 3>So our great hope in doing this, and really it's

0:30:46.382 --> 0:30:49.262
<v Speaker 3>kind of been one of the driving factors is that

0:30:49.502 --> 0:30:55.022
<v Speaker 3>someone sitting somewhere will see this and call authorities and

0:30:55.142 --> 0:30:56.942
<v Speaker 3>it'll be a tip that breaks the case open.

0:31:01.782 --> 0:31:04.422
<v Speaker 1>Thanks to Luke Rinderman and Adam camee In for assisting

0:31:04.502 --> 0:31:07.702
<v Speaker 1>us to tell this story. True Crime Conversations is a

0:31:07.782 --> 0:31:11.622
<v Speaker 1>Mumaier podcast hosted and produced by me above. Thanks so

0:31:11.702 --> 0:31:14.342
<v Speaker 1>much for listening. I'll be back next week with another

0:31:14.342 --> 0:31:15.422
<v Speaker 1>true Crime Conversation