WEBVTT - Why Personal Style Matters More Than Trends

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<v Speaker 1>You're listening to Amma Mia podcast. Mama Mia acknowledges the

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<v Speaker 1>traditional owners of land and waters that this podcast is

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<v Speaker 1>recorded on. Whoever said orange is a new pink with

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<v Speaker 1>seriously deserved.

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<v Speaker 2>Laurels for spraying croundbreaking. Oh my god, you have to

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<v Speaker 2>do it. You live for fashion.

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<v Speaker 1>Hello, and welcome to Nothing to Wear, the podcast that

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<v Speaker 1>solves fashion problems and levels up your wardrobe. I'm Lee

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<v Speaker 1>Campbell and every week I chat to an expert who

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<v Speaker 1>helps us work out how to get more out of

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<v Speaker 1>the clothes we already owned and tells us exactly what

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<v Speaker 1>is and isn't worth adding to our wardrobes. You've probably

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<v Speaker 1>heard of Megan Hess, and if you haven't, you should.

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<v Speaker 1>Meghan Hess is a world renowned fashion illustrator who's worked

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<v Speaker 1>with top designers and luxury brands across the globe. Her

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<v Speaker 1>big break came in two thousand and six when she

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<v Speaker 1>illustrated the New York Times number one best seller Sex

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<v Speaker 1>and the City. Since then, Meghan has crafted fashion portraits

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<v Speaker 1>for publication like The New York Times, Italian Vogue, and

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<v Speaker 1>Vanity Fair. Her iconic, elegant style has also grace campaigns

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<v Speaker 1>for luxury giants. Like Fendi, Prata, Cartier, and Dior. No

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<v Speaker 1>big deal. Not to mention She's written and illustrated twenty

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<v Speaker 1>two best selling books. Megan's signature style is floaty, elegant,

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<v Speaker 1>and effortlessly chic. I was curious to learn more about

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<v Speaker 1>how she discovered her personal style, how she maintains it

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<v Speaker 1>in a world of ever changing trends, and how she

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<v Speaker 1>weaves it into her incredible body of work. Firstly, Megan,

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<v Speaker 1>welcome to the show. As you know, I requested you specifically,

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<v Speaker 1>and I'm very, very excited. So I want to start

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<v Speaker 1>by what I think will be one of the most

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<v Speaker 1>important questions, describing your style in three words. I feel

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<v Speaker 1>like I could do it for you, but that's not

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<v Speaker 1>what this is about. How do you describe your style

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<v Speaker 1>in three words?

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<v Speaker 2>This is so hard. I think I'm going to narrow

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<v Speaker 2>it down to whimsical, colorful, and fairy tale.

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<v Speaker 1>Oh I love that. I love all of those. I had,

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<v Speaker 1>feminine and sophisticated. I was trying to think of a

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<v Speaker 1>third one flying by the seat of my pants, but

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<v Speaker 1>I absolutely love that. And obviously you're here to talk

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<v Speaker 1>about personal branding and maintaining a signature style, so it

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<v Speaker 1>feels like you know what you look like now. The

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<v Speaker 1>saying rings true for most people. We've got a wardrobe

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<v Speaker 1>full of clothes, but we reach for ten percent of

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<v Speaker 1>that ninety percent of the time. What's in your ten percent?

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<v Speaker 2>I'm depressed to tell you this because I do have

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<v Speaker 2>so many dresses, and I'm obsessed with dresses. But the

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<v Speaker 2>truth is in between the dress wearing, I do mainly

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<v Speaker 2>wear jeans, trainers and blazers and.

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<v Speaker 1>Actually be depressed. It's good to know. I think in

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<v Speaker 1>that age of social media and reality TV and everyone

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<v Speaker 1>looks glamorous all the time, and I'm sure you look

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<v Speaker 1>glamorous in your jeans and your blazer, but it's nice

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<v Speaker 1>to know that sometimes we're just falling back into those

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<v Speaker 1>casual basics. And you know, dresses for you are such

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<v Speaker 1>a passion that it's a collection and art. But I

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<v Speaker 1>did wonder if you've got around the house in those

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<v Speaker 1>all day long.

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<v Speaker 2>No, And I don't draw or in me either. This

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<v Speaker 2>is why I feel like a bit of a sham

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<v Speaker 2>because I traveling, I love being in a blazer and

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<v Speaker 2>jeans and a really comfy kind of knit and trainers.

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<v Speaker 2>And to be honest, during COVID. I really really discovered

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<v Speaker 2>how much I really do love trainers. Yeah, I have

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<v Speaker 2>leaned into that.

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<v Speaker 1>No, I think there can be different sides for out

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<v Speaker 1>fashion personalities, and you're also publicly known for one. But

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<v Speaker 1>you're not sleeping in those beautiful gowns.

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<v Speaker 2>No.

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<v Speaker 1>Now, you never expected to be a fashion person, but

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<v Speaker 1>you have written twenty two books on fashion? Is that right?

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<v Speaker 1>Twenty two?

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<v Speaker 2>I think? So?

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<v Speaker 1>Yessh, So you became a fashion person. How did that happen?

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<v Speaker 2>It's so funny because I still see myself as a

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<v Speaker 2>fashion observer, and I think that that's where I started,

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<v Speaker 2>and I still feel that way in the sense of

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<v Speaker 2>my love of it has always been capturing it, and

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<v Speaker 2>so that's the real thing with illustrating it, and the

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<v Speaker 2>world of it fascinates me, and the world of it

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<v Speaker 2>has never I've never been stressed by the world of it.

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<v Speaker 2>And I meet people all the time that fashion really

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<v Speaker 2>stresses them out and it doesn't stress me out. Is

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<v Speaker 2>because I technically don't feel like I don't know how

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<v Speaker 2>to describe it, not like I don't feel like a

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<v Speaker 2>fashion person. But my job has never really been to

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<v Speaker 2>be displaying the fashion. It's to capture it and draw

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<v Speaker 2>it and show it in illustrations. So that's what it is.

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<v Speaker 2>And I think I've just always been someone who's loved it.

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<v Speaker 2>And a lot of the books that I work on,

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<v Speaker 2>there's lots of books in fashion, and there's lots of amazing,

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<v Speaker 2>very highbrow books about fashion and different things, and I've

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<v Speaker 2>always tried to create books that anyone can enjoy them.

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<v Speaker 2>If you are a really hardcore fashion lover, or if

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<v Speaker 2>you're an accountant that just kind of wants to know

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<v Speaker 2>more about fashion or enjoy it, it should feel like

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<v Speaker 2>something that you can easily flick through and be inspired

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<v Speaker 2>by and enjoy.

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<v Speaker 1>So when you say stressed, you mean like intimidated, and

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<v Speaker 1>that the fashion world can be very sort of clicky

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<v Speaker 1>and a bit scary. I sometimes feel intimidated by fashion,

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<v Speaker 1>and so I think a lot of people can relate

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<v Speaker 1>to that. So your newest one is Fashion in Color.

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<v Speaker 2>I thought I've always been really fascinated by color in

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<v Speaker 2>fashion in terms of what colors have become related to fashion.

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<v Speaker 2>So for example, when you see someone in that air

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<v Speaker 2>Man's orange, it evokes all those thoughts that you have

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<v Speaker 2>about that brand, that Tiffany blue.

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<v Speaker 1>I was about to say. As soon as you said, Hermes,

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<v Speaker 1>I was thinking, Tiffany blues necks.

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<v Speaker 2>Women's heart rates go up and we see that color.

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<v Speaker 2>And I'm sure before Tiffany in Coo, if we'd seen

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<v Speaker 2>that color, it's a beautiful color, but it wouldn't have

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<v Speaker 2>had that association of effect on us. Yes, read, there's

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<v Speaker 2>so many moments and Valentino pink with Barbie. There's a

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<v Speaker 2>lot of moments. And I think it's fascinating to me

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<v Speaker 2>how different people, whether they're famous or not, when they

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<v Speaker 2>wear a color, depending on the color and what it is,

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<v Speaker 2>how that color takes on a different life. I always

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<v Speaker 2>compare say, Marilyn Munroe in Diamonds Are a Girl's Best Friend,

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<v Speaker 2>where she's in that pink.

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<v Speaker 1>Yes, I've got it in my head.

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<v Speaker 2>Yeah that Ironically, Jackie Kennedy, who I also loved, she

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<v Speaker 2>wore a really similar dress. It's pink satin across with

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<v Speaker 2>the gloves, and yet when she wore it, it took

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<v Speaker 2>on a whole different life. Yeah, it's a whole different feeling.

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<v Speaker 2>It's completely elegant and chic and feels very Jackie Kennedy.

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<v Speaker 2>Yet when Marilyn did it, she did it in her way,

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<v Speaker 2>and so interesting when someone wears a color, what that

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<v Speaker 2>color becomes.

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<v Speaker 1>It's true because I was just thinking red, and until

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<v Speaker 1>red really came back the last few seasons, I always

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<v Speaker 1>thought red was sexy and racy, and it definitely is.

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<v Speaker 1>But then there's so much red at the moment, worn

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<v Speaker 1>by different people in different ways that it's really street

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<v Speaker 1>style or athleisure were and I'm like, I've never would

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<v Speaker 1>have thought of red like that, and so it's interesting. Yeah,

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<v Speaker 1>you have an immediate thought, I think, or an image

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<v Speaker 1>or something from history, and then it can be turned

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<v Speaker 1>on its head. Now. I love that you say as

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<v Speaker 1>a fashion illustrator you sort of experience fashion, but that

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<v Speaker 1>you're still very practically in your private life or when

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<v Speaker 1>you're illustrating. So how do you shop for those two personalities?

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<v Speaker 1>I mean, look at all those dresses behind you. Do

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<v Speaker 1>you know how many dresses you've got? By the way,

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<v Speaker 1>it's a collection. I'm sure that one day, if you

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<v Speaker 1>had to sell it, someone would take it off your

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<v Speaker 1>hands for millions of dollars. But which you goes to

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<v Speaker 1>the shops or which you goes online? Is it the

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<v Speaker 1>beautiful elegant dresses? Is it the jeans and how do

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<v Speaker 1>you decide who you're taking a shopping out of your

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<v Speaker 1>different aspects of your life.

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<v Speaker 2>Yeah, this is the thing that I actually find the

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<v Speaker 2>most fun for me personally about fashion, that I feel

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<v Speaker 2>like I have different fashion lives depending on what I'm doing.

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<v Speaker 2>And I think this is the thing that I enjoy

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<v Speaker 2>the most about fashion is dressing for where I am

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<v Speaker 2>and what I'm doing. And so even when I travel,

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<v Speaker 2>if I'm going to say Paris for work, I really

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<v Speaker 2>want to be in things that make me feel really

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<v Speaker 2>happy in Paris. And I don't mean it so much

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<v Speaker 2>in a costumey style way.

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<v Speaker 1>Do I fee Brenton shirt and you've got your bad hat.

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<v Speaker 2>I don't need to be a full Emily in Paris

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<v Speaker 2>or anything like that. I was just in Paris recently

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<v Speaker 2>and it was quite cool weather and fashion Week was

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<v Speaker 2>just about to start, and I was like, we're there

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<v Speaker 2>same time, Yeah, so picture that weather. It was really

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<v Speaker 2>crisp and coming into fashion week, and I passed a

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<v Speaker 2>lady in our full tropical dress and it almost stressed me.

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<v Speaker 2>I just didn't want it to be wearing that apparently,

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<v Speaker 2>and if she was happy then that I heard it

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<v Speaker 2>be in but for me, it's that really enjoying where

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<v Speaker 2>i am and what I'm wearing. So if I'm traveling,

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<v Speaker 2>I love being in and outfit that feels really good.

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<v Speaker 2>To travel in the studio, I like being in something

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<v Speaker 2>really comfy to draw in. When I'm in different locations,

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<v Speaker 2>I love being in those colors. And the opposite of

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<v Speaker 2>that is so true. If I'm somewhere and it feels

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<v Speaker 2>like this is not the right fun feel for this moment,

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<v Speaker 2>it ruins everything. Like we flew as a family to

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<v Speaker 2>Hawaii and in the dead of Melbourne winter, yes perfectly

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<v Speaker 2>so to be lovely and warm and Hawaii because it

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<v Speaker 2>was really cold and Melbourne. We were all myself, my

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<v Speaker 2>husband and my kids were all in like black tracksuits.

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<v Speaker 2>Luggage went missing, all of it. Oh no, And so

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<v Speaker 2>we landed. It's like hot and everyone's happy and in life,

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<v Speaker 2>you know, we're all stressed out in these black tracksuits.

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<v Speaker 2>And I remember saying to my daughter, it's fine, Like

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<v Speaker 2>I don't want to just buy something to get through

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<v Speaker 2>the next twelve hours. Obviously, we can just hang out

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<v Speaker 2>today in Hawaii in our black tracksuits and we'll be fine.

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<v Speaker 2>And it was so like miserable and everyone's passing a

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<v Speaker 2>slide that's wrong.

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<v Speaker 1>Maybe they have to packed for the wrong location. When

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<v Speaker 1>I see your name, I think beautiful floral dresses, lace high,

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<v Speaker 1>next sleep. So you have nailed personal branding. You know

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<v Speaker 1>your personal style at least that public persona. Did that

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<v Speaker 1>happen naturally? Is that what you're just drawn to? Was

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<v Speaker 1>it a decision?

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<v Speaker 2>I think at some point I figured out what I feel. Really.

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<v Speaker 2>When I say comfortable, I don't necessarily.

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<v Speaker 1>Mean physically comfortable, not as comfortable.

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<v Speaker 2>In this dress as I would be in a tracksuit. Yes,

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<v Speaker 2>I think I just figured out what clothes make me

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<v Speaker 2>feel my best self. And it's a combin nation of

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<v Speaker 2>when I'm in something that I feel my best self,

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<v Speaker 2>I don't think about what I'm wearing, and I'm the

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<v Speaker 2>opposite if I'm in something that I feel like either

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<v Speaker 2>looks maybe too tight on me, or I'm in really

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<v Speaker 2>constrictive underwear, or I'm in something that I think I

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<v Speaker 2>may not look good in or whatever it is, and

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<v Speaker 2>that can really affect how I am with other people

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<v Speaker 2>or be then really awkward, or I might be shy

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<v Speaker 2>or I'm so when I'm wearing something and I figured

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<v Speaker 2>out early on that this type of outfit, for example,

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<v Speaker 2>I don't even think about it. I put it on.

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<v Speaker 2>I feel like myself, and so I'm really enjoying talking

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<v Speaker 2>to you. If for some reason, let's say stylists had

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<v Speaker 2>come and put me in a really tight, short red dress,

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<v Speaker 2>I would be so awkward speaking to you right now,

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<v Speaker 2>even if everyone told me I looked cool.

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<v Speaker 1>Yeah.

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<v Speaker 2>This is the other thing, because I've worked in fashion

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<v Speaker 2>in a sense, I have always known that you never

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<v Speaker 2>have to do all the trends.

0:11:01.385 --> 0:11:03.705
<v Speaker 1>Yes, and that was going to be about stressed out.

0:11:03.785 --> 0:11:06.025
<v Speaker 2>They get stress. Oh my god, Tartan's coming. I don't

0:11:06.025 --> 0:11:08.505
<v Speaker 2>look good, And I was thinking just let Tartan fly

0:11:08.665 --> 0:11:11.425
<v Speaker 2>bys or if you loved tart and really lean in

0:11:11.465 --> 0:11:12.185
<v Speaker 2>and go crazy.

0:11:12.225 --> 0:11:14.865
<v Speaker 1>Yeah, and when it's out again, you don't have to

0:11:15.145 --> 0:11:17.145
<v Speaker 1>put it away, you don't keep wearing it. I love

0:11:17.225 --> 0:11:19.385
<v Speaker 1>that about you. I think that you're so steadfast in

0:11:19.505 --> 0:11:22.585
<v Speaker 1>knowing what works for you when it comes to trends.

0:11:22.625 --> 0:11:25.665
<v Speaker 1>Do you still dabble? Do you still like looking at them?

0:11:25.705 --> 0:11:27.905
<v Speaker 1>Do you like wearing them? Or are you pretty set

0:11:28.105 --> 0:11:30.785
<v Speaker 1>in your work look? And then I guess your home

0:11:30.785 --> 0:11:33.345
<v Speaker 1>look and travel look. But do you dabble in the trends.

0:11:33.665 --> 0:11:36.945
<v Speaker 2>If it's something that genuinely sparks joy when I see it,

0:11:36.985 --> 0:11:39.705
<v Speaker 2>then I will absolutely I feel no pressure to ever

0:11:39.785 --> 0:11:42.785
<v Speaker 2>do it. And again because I feel like I'm more

0:11:42.945 --> 0:11:46.505
<v Speaker 2>observing and capturing. I've never felt like anyone expects me

0:11:46.745 --> 0:11:50.025
<v Speaker 2>next week. I'm mainly in my studio, like no one cares. Yeah,

0:11:50.985 --> 0:11:52.825
<v Speaker 2>So I don't feel any pressure to wear it if

0:11:52.865 --> 0:11:55.865
<v Speaker 2>I was someone that was that lots of people saw

0:11:55.945 --> 0:11:56.265
<v Speaker 2>all the.

0:11:56.185 --> 0:11:59.345
<v Speaker 1>Time, more in the public eye, like weekly or Yeah.

0:11:59.505 --> 0:12:02.305
<v Speaker 2>But when things do come along that, I think, oh,

0:12:02.345 --> 0:12:06.465
<v Speaker 2>I love even like denim jumpsuits, actually really do love them.

0:12:06.505 --> 0:12:08.985
<v Speaker 2>For example, even tho there's a lot of bathroom issues,

0:12:09.065 --> 0:12:12.865
<v Speaker 2>I still think a really great baggy almost boiler suit

0:12:12.945 --> 0:12:15.345
<v Speaker 2>denim jumpsuit, I think it's really fun. So when things

0:12:15.345 --> 0:12:17.545
<v Speaker 2>like that come in, I will actually get really excited

0:12:17.665 --> 0:12:19.905
<v Speaker 2>that's a trend that's happening, And I'll think to myself,

0:12:20.025 --> 0:12:22.865
<v Speaker 2>it will be really fun to search from high end

0:12:22.905 --> 0:12:25.385
<v Speaker 2>to low end to what would be a great shape,

0:12:25.425 --> 0:12:27.225
<v Speaker 2>and I will get one and I'll have so much

0:12:27.225 --> 0:12:29.265
<v Speaker 2>fun wearing it, and I'll be really excited that that's

0:12:29.345 --> 0:12:33.745
<v Speaker 2>come in. Whereas the trends not for you God, suddenly

0:12:33.825 --> 0:12:36.985
<v Speaker 2>mid drifts are in whatever. It's just I'm actually justs

0:12:36.985 --> 0:12:39.985
<v Speaker 2>fascinated by it, and I love watching other people wear

0:12:40.025 --> 0:12:40.545
<v Speaker 2>it and do it.

0:12:40.625 --> 0:12:41.385
<v Speaker 1>Yeah, it's fun.

0:12:41.705 --> 0:12:42.705
<v Speaker 2>It doesn't mean I will.

0:12:43.065 --> 0:12:45.305
<v Speaker 1>I'm not particularly in the public eye except for on

0:12:45.345 --> 0:12:47.345
<v Speaker 1>social media. But I just really admire the fact that

0:12:47.425 --> 0:12:50.585
<v Speaker 1>you really do know your personal style and can admire

0:12:51.185 --> 0:12:54.825
<v Speaker 1>but not get distracted because I am still abou abert.

0:12:55.185 --> 0:12:58.785
<v Speaker 1>I'm still learning the difference between admiring and wanting and

0:12:58.825 --> 0:13:01.305
<v Speaker 1>then buying and regretting. And so you talk about the

0:13:01.305 --> 0:13:03.985
<v Speaker 1>boiler suit, for example, and you talk about searching high

0:13:04.025 --> 0:13:06.465
<v Speaker 1>and low. How do you shop? Are you an online shopper?

0:13:06.505 --> 0:13:08.305
<v Speaker 1>Are you a researcher? Are you impulsive?

0:13:08.905 --> 0:13:12.265
<v Speaker 2>If it's something that I really really love, I usually

0:13:12.345 --> 0:13:16.265
<v Speaker 2>know immediately, and even if there's nothing that I really

0:13:16.305 --> 0:13:18.225
<v Speaker 2>need that thing for, I will buy that.

0:13:18.465 --> 0:13:18.705
<v Speaker 1>Yeah.

0:13:18.705 --> 0:13:18.865
<v Speaker 2>Thing.

0:13:18.985 --> 0:13:21.105
<v Speaker 1>It's emotional sometimes, isn't it. You fall in love?

0:13:21.985 --> 0:13:24.265
<v Speaker 2>Yeah, and it's like I can't live without that. You

0:13:24.545 --> 0:13:27.425
<v Speaker 2>just see something. I think it's just a great shape,

0:13:27.465 --> 0:13:29.505
<v Speaker 2>it's the right color. I don't know where I'll wear that.

0:13:29.585 --> 0:13:32.865
<v Speaker 2>I often do bank up pink things for my children's

0:13:32.865 --> 0:13:36.345
<v Speaker 2>book series because I discovered well, I've just found that

0:13:36.345 --> 0:13:39.305
<v Speaker 2>that was another incident where I had ended her. It

0:13:39.345 --> 0:13:41.065
<v Speaker 2>was a writer's festival and I had to do a

0:13:41.105 --> 0:13:43.705
<v Speaker 2>school visit and I packed a really fun pink dress

0:13:43.745 --> 0:13:46.105
<v Speaker 2>to go to the school to meet all the preps

0:13:46.145 --> 0:13:49.345
<v Speaker 2>to do a Clariss reading, and forgot to pack the

0:13:49.425 --> 0:13:52.465
<v Speaker 2>pink dress and it was just a one overnight. I

0:13:52.665 --> 0:13:54.825
<v Speaker 2>just had what I was wearing that day, and I

0:13:54.865 --> 0:13:58.505
<v Speaker 2>had it. It was a gray jacket with these gray pants,

0:13:58.505 --> 0:14:01.985
<v Speaker 2>like almost I got horrible accidentally. Corporate Yeah, yeah, yeah, Yeah,

0:14:02.105 --> 0:14:03.905
<v Speaker 2>it was fun with kids, and I always find that

0:14:03.945 --> 0:14:05.985
<v Speaker 2>they're always like that's the lady in the book.

0:14:06.145 --> 0:14:08.745
<v Speaker 1>Yes, and it's always a character, particularly when it comes

0:14:08.745 --> 0:14:09.265
<v Speaker 1>to children.

0:14:09.385 --> 0:14:12.225
<v Speaker 2>Yeah, they were really down and they were not excited

0:14:12.265 --> 0:14:14.025
<v Speaker 2>to see me, and they were not they were almost

0:14:14.065 --> 0:14:17.105
<v Speaker 2>scared of me. So it looks like a corporate like.

0:14:17.385 --> 0:14:19.105
<v Speaker 1>It looked like a joop of the real author.

0:14:20.705 --> 0:14:23.665
<v Speaker 2>Yeah, it just wasn't fun. So to answer your question, though,

0:14:23.705 --> 0:14:28.385
<v Speaker 2>I do bank up things for Clarius, things often really fun,

0:14:28.465 --> 0:14:31.145
<v Speaker 2>crazy colorful pink things or things to go with books

0:14:31.145 --> 0:14:33.105
<v Speaker 2>that I know that are coming in that color, or

0:14:33.185 --> 0:14:34.705
<v Speaker 2>just things that I fall in love with. And then

0:14:34.705 --> 0:14:36.865
<v Speaker 2>if I don't see anything. I can go for ages

0:14:36.905 --> 0:14:39.465
<v Speaker 2>without buying single thing and I'm happy.

0:14:39.585 --> 0:14:41.505
<v Speaker 1>Yeah, fine, good on you. God, I need to find

0:14:41.545 --> 0:14:43.705
<v Speaker 1>that balance. I think it's interesting though, and we hear

0:14:43.745 --> 0:14:45.745
<v Speaker 1>time and time again on the podcast that people are

0:14:45.825 --> 0:14:48.945
<v Speaker 1>missing the staple basics like the T shirt or maybe

0:14:48.945 --> 0:14:51.425
<v Speaker 1>the jeans. And that's because I can appreciate a good

0:14:51.425 --> 0:14:53.065
<v Speaker 1>T shirt, but it's not so often that I have

0:14:53.145 --> 0:14:55.625
<v Speaker 1>an emotional reaction to a T shirt. But you walk

0:14:55.625 --> 0:14:57.905
<v Speaker 1>into a store and there's a beautiful, flowy MAXI dress,

0:14:58.385 --> 0:14:59.945
<v Speaker 1>you fall in love in a different way than you

0:14:59.945 --> 0:15:01.705
<v Speaker 1>fall in love with a T shirt. Hence why a

0:15:01.745 --> 0:15:03.785
<v Speaker 1>lot of people are like, oh yeah, basics missing from

0:15:03.865 --> 0:15:08.185
<v Speaker 1>my wardrobe. So now talking again about fast moving trends

0:15:08.225 --> 0:15:10.745
<v Speaker 1>and just trends over the decades you draw them. So

0:15:10.785 --> 0:15:13.545
<v Speaker 1>what have you observed, Like, how has it been observing

0:15:13.545 --> 0:15:16.945
<v Speaker 1>fashion through the illustrating lens and the rise of social

0:15:16.945 --> 0:15:20.065
<v Speaker 1>media and the trends moving faster than ever through drawing?

0:15:20.265 --> 0:15:21.985
<v Speaker 2>Well, this is really funny. Someone asked me the other

0:15:22.025 --> 0:15:24.025
<v Speaker 2>day about that scene in Devil Wears Prada, you know

0:15:24.025 --> 0:15:26.065
<v Speaker 2>where they talk about that blue But you don't know

0:15:26.225 --> 0:15:30.065
<v Speaker 2>is that that sweater is not just blue. It's not turquois,

0:15:30.145 --> 0:15:33.865
<v Speaker 2>it's not lapis, it's actually ceruleum. If I'm illustrating things

0:15:34.025 --> 0:15:38.865
<v Speaker 2>for really in advance, I will often be really surprised

0:15:38.945 --> 0:15:41.185
<v Speaker 2>by what the color is, what is going to be,

0:15:41.345 --> 0:15:43.465
<v Speaker 2>and that wedge boots are back, and.

0:15:43.385 --> 0:15:45.145
<v Speaker 1>Things like that, really are they?

0:15:46.785 --> 0:15:50.785
<v Speaker 2>They weren't one. It's not that I've been told, but

0:15:50.865 --> 0:15:52.545
<v Speaker 2>just things that I think. It's almost like the more

0:15:52.585 --> 0:15:54.985
<v Speaker 2>I think, I just don't know that lilac is going

0:15:55.025 --> 0:15:57.065
<v Speaker 2>to be the color for everyone, or that wedge boots

0:15:57.105 --> 0:16:01.065
<v Speaker 2>are coming. It's usually about two years before and then

0:16:01.065 --> 0:16:03.145
<v Speaker 2>within about that twelve months then you do see in

0:16:03.145 --> 0:16:07.225
<v Speaker 2>designer collections that lilac color and wedge boots, and then

0:16:07.265 --> 0:16:08.625
<v Speaker 2>about a year after that, then.

0:16:08.545 --> 0:16:11.785
<v Speaker 1>It's in years an e h and M. That always

0:16:11.785 --> 0:16:14.105
<v Speaker 1>blows my mind. I'm like, somewhere in a room, I know,

0:16:14.265 --> 0:16:16.785
<v Speaker 1>and you know you can buy access to these summits

0:16:16.785 --> 0:16:19.465
<v Speaker 1>and stuff, but someone setting all the trends and how

0:16:19.465 --> 0:16:21.145
<v Speaker 1>did they know? And I remember when I traveled to

0:16:21.185 --> 0:16:24.105
<v Speaker 1>London in June and the ice blue was everywhere because

0:16:24.105 --> 0:16:26.145
<v Speaker 1>it was their high summer, and I was like, oh no,

0:16:26.305 --> 0:16:28.305
<v Speaker 1>that looks very cheap and I'm not going to be

0:16:28.385 --> 0:16:29.985
<v Speaker 1>that color. And what have I bought for the last

0:16:30.065 --> 0:16:32.225
<v Speaker 1>few weeks. Not that I've bought a lot, but everything

0:16:32.265 --> 0:16:34.825
<v Speaker 1>I'm looking at is ice blue, and I'm like, oh, well, yep,

0:16:34.985 --> 0:16:37.545
<v Speaker 1>I'm a sheep. But it's fascinating, isn't it.

0:16:37.545 --> 0:16:39.105
<v Speaker 2>It is because I think the other thing too, is

0:16:39.105 --> 0:16:41.185
<v Speaker 2>that they become our options.

0:16:41.425 --> 0:16:42.345
<v Speaker 1>Yes, that's true.

0:16:42.585 --> 0:16:45.705
<v Speaker 2>Most people are not buying the original ice blue thing

0:16:45.705 --> 0:16:49.585
<v Speaker 2>from Schanella duor for example, we're buying from Zara or

0:16:49.625 --> 0:16:52.505
<v Speaker 2>places that it cens up. They're doing that great new

0:16:52.705 --> 0:16:55.505
<v Speaker 2>shape jacket in either ice blue, beij black or cream.

0:16:55.905 --> 0:16:58.225
<v Speaker 2>So that's why we do end up with that specific guys.

0:16:58.185 --> 0:17:00.265
<v Speaker 1>It's so true. And it's like you know, you buy

0:17:00.265 --> 0:17:01.905
<v Speaker 1>a red car and then you see that model all

0:17:01.985 --> 0:17:04.385
<v Speaker 1>over the street. It was probably there, it's just once

0:17:04.425 --> 0:17:07.905
<v Speaker 1>it's on your radar, then you de see it everywhere. Now,

0:17:07.945 --> 0:17:11.825
<v Speaker 1>before we get into busion budget, one last question. Do

0:17:11.865 --> 0:17:15.065
<v Speaker 1>you have any strategies or creative rituals to keep your

0:17:15.105 --> 0:17:19.625
<v Speaker 1>stylef fresh for yourself and for your work? Because you've

0:17:19.705 --> 0:17:22.425
<v Speaker 1>nailed who you are what you do, but then you

0:17:22.465 --> 0:17:24.345
<v Speaker 1>don't seem bored of who you are or what you do.

0:17:24.425 --> 0:17:25.825
<v Speaker 1>How do you keep it exciting.

0:17:26.465 --> 0:17:28.385
<v Speaker 2>Oh wow, that's a nice thing to.

0:17:28.265 --> 0:17:30.785
<v Speaker 1>Say, because I've been in the industry twenty years and

0:17:30.825 --> 0:17:33.025
<v Speaker 1>I'm sometimes like I'm a bit bored of I love

0:17:33.105 --> 0:17:35.305
<v Speaker 1>what I do, but you know, decades.

0:17:34.985 --> 0:17:38.985
<v Speaker 2>Do you get bored? I get bored of me too, totally,

0:17:39.225 --> 0:17:42.545
<v Speaker 2>I think, because for me there's a sense of once

0:17:42.585 --> 0:17:45.585
<v Speaker 2>I made that decision to always feel comfortable even now,

0:17:45.625 --> 0:17:48.865
<v Speaker 2>I don't wear all my meggat really high heels because

0:17:48.905 --> 0:17:52.145
<v Speaker 2>I know that I will be miserable within half an

0:17:52.185 --> 0:17:54.625
<v Speaker 2>hour at whatever it is. So I've just cut things

0:17:54.705 --> 0:17:56.465
<v Speaker 2>down to things at heights. I know I can be

0:17:56.545 --> 0:17:58.985
<v Speaker 2>in all night and be happy. I think once I've

0:17:59.025 --> 0:18:04.625
<v Speaker 2>given myself the parameters of joy around fashion fancying, yes, yeah,

0:18:04.745 --> 0:18:06.705
<v Speaker 2>then within that I can actually have a lot of

0:18:06.745 --> 0:18:09.065
<v Speaker 2>fun with it because I love suiting as well. So

0:18:09.145 --> 0:18:11.905
<v Speaker 2>even just with in suiting, knowing that, okay, I've got

0:18:11.905 --> 0:18:14.865
<v Speaker 2>an exact link on my leg that I can either

0:18:14.985 --> 0:18:16.465
<v Speaker 2>still do it with a heel or I can do

0:18:16.505 --> 0:18:19.705
<v Speaker 2>it with a trainer. Yes, because before that, I had

0:18:19.745 --> 0:18:21.905
<v Speaker 2>all these great suits for different reasons, and I never

0:18:21.945 --> 0:18:24.225
<v Speaker 2>wore any of them because they involved wearing a really

0:18:24.305 --> 0:18:28.105
<v Speaker 2>high boot. So that pant didn't dry well. Yes, and

0:18:28.105 --> 0:18:30.305
<v Speaker 2>then I suddenly realized, no, there's an actual link where

0:18:30.345 --> 0:18:32.105
<v Speaker 2>I can do both. And as soon as I got

0:18:32.145 --> 0:18:35.465
<v Speaker 2>all my good suit trousers tailored to that length, I

0:18:35.545 --> 0:18:37.505
<v Speaker 2>wear them all the time now. So now I've added

0:18:37.545 --> 0:18:39.785
<v Speaker 2>sort of suits and shirts and things to a lot

0:18:39.785 --> 0:18:41.505
<v Speaker 2>of it as well, and again it's comfort so I

0:18:41.505 --> 0:18:42.145
<v Speaker 2>can walk in it.

0:18:42.185 --> 0:18:45.265
<v Speaker 1>So and you're right, because practicality and joy can coexist.

0:18:45.345 --> 0:18:47.505
<v Speaker 1>It's just kind of looking at your lifestyle and going okay,

0:18:47.745 --> 0:18:50.665
<v Speaker 1>I love those fashion pieces, but my lifestyle is flats now,

0:18:50.785 --> 0:18:52.585
<v Speaker 1>or you know, I've got a fall child or whatever,

0:18:52.625 --> 0:18:54.505
<v Speaker 1>and you can fuse the two. It doesn't have to

0:18:54.505 --> 0:18:56.265
<v Speaker 1>be just leggings and a T shirt, although that's me

0:18:56.345 --> 0:18:59.065
<v Speaker 1>a lot of the time. You can have joy and practicality.

0:18:59.385 --> 0:18:59.905
<v Speaker 2>Yeah, I think.

0:18:59.945 --> 0:19:15.505
<v Speaker 3>So it's very expensive, NY.

0:19:15.225 --> 0:19:17.065
<v Speaker 2>How wondred percent?

0:19:18.905 --> 0:19:22.585
<v Speaker 1>Okay, boohie and budget. So we're bringing our favorite something affordable,

0:19:22.665 --> 0:19:25.945
<v Speaker 1>something maybe not so affordable, favorite personal style items. Do

0:19:25.945 --> 0:19:27.665
<v Speaker 1>you want to start with your boohie or your budget?

0:19:27.945 --> 0:19:28.865
<v Speaker 2>I'll start with budget.

0:19:28.905 --> 0:19:29.945
<v Speaker 1>Okay, let's do budget.

0:19:30.065 --> 0:19:34.705
<v Speaker 2>Changed my theory on budget okay, originally because I posperware, Well, no,

0:19:34.825 --> 0:19:36.665
<v Speaker 2>my thing was always I spent a lot of time

0:19:36.705 --> 0:19:38.425
<v Speaker 2>in my studio drawing, and so I need to be

0:19:38.425 --> 0:19:40.305
<v Speaker 2>comfortable to do that. Then I thought to myself, I

0:19:40.305 --> 0:19:44.185
<v Speaker 2>should invest in a really great a cream cashmere jumper,

0:19:44.265 --> 0:19:46.745
<v Speaker 2>because that's the thing I'm wearing all the time, So

0:19:46.785 --> 0:19:48.545
<v Speaker 2>that's what I should actually invest in. This is what

0:19:48.585 --> 0:19:51.825
<v Speaker 2>I thought. So then I bought a very expensive Scottish

0:19:52.225 --> 0:19:55.865
<v Speaker 2>one of the top of the range cashmere cream jumpers

0:19:56.105 --> 0:19:59.305
<v Speaker 2>because I thought, this will last a very long time.

0:19:59.545 --> 0:20:01.465
<v Speaker 2>I wear it all the time. This makes more sense

0:20:01.665 --> 0:20:04.945
<v Speaker 2>than spending a lot of money on a crazy Maxi dress. Yes,

0:20:05.225 --> 0:20:07.665
<v Speaker 2>I bought the Kashmir jumper. And then it was almost

0:20:07.705 --> 0:20:10.905
<v Speaker 2>like having a third child. Had to hand wash it.

0:20:11.265 --> 0:20:14.305
<v Speaker 2>I was actually terrified of anything happening to it if

0:20:14.345 --> 0:20:17.065
<v Speaker 2>I had to lay it flat. I was worried someone

0:20:17.105 --> 0:20:18.545
<v Speaker 2>else might accidently put it in the wash.

0:20:19.865 --> 0:20:23.105
<v Speaker 1>So much stress for yourself. Yeah, And then.

0:20:22.985 --> 0:20:25.345
<v Speaker 2>In the end, what happened was I was coming out

0:20:25.385 --> 0:20:28.425
<v Speaker 2>of the studio and it got caught and pulled a

0:20:28.425 --> 0:20:31.665
<v Speaker 2>whole right in front of my chair. And I realized,

0:20:31.705 --> 0:20:34.585
<v Speaker 2>in that moment, You've spent a year stressing about this

0:20:34.905 --> 0:20:37.785
<v Speaker 2>stupid jumper, and now it's got a hole. I can't

0:20:37.785 --> 0:20:39.705
<v Speaker 2>even fix it because you can't stitch up that bit there.

0:20:40.305 --> 0:20:43.145
<v Speaker 2>So now my theory is with budget is to actually

0:20:43.665 --> 0:20:46.305
<v Speaker 2>not spend a lot. So get all my Cashmi jumpers

0:20:46.345 --> 0:20:47.305
<v Speaker 2>cream from Unich.

0:20:47.345 --> 0:20:49.025
<v Speaker 1>I was going to just say, I hope you ended

0:20:49.105 --> 0:20:49.665
<v Speaker 1>up at you to go.

0:20:49.945 --> 0:20:51.905
<v Speaker 2>Yes, I have, and I get a couple of them

0:20:51.945 --> 0:20:55.345
<v Speaker 2>in cream, and then I have no stress whatever. Ironically,

0:20:55.385 --> 0:20:56.385
<v Speaker 2>nothing's happened.

0:20:56.865 --> 0:20:59.665
<v Speaker 1>Pretty durable, and I'm not a good laundry person. They're

0:20:59.665 --> 0:21:00.425
<v Speaker 1>pretty durable.

0:21:00.585 --> 0:21:03.025
<v Speaker 2>Yeah, they're fine, and T shirts as well, So my

0:21:03.105 --> 0:21:05.425
<v Speaker 2>theory is not to try and have one precious basic

0:21:05.505 --> 0:21:10.065
<v Speaker 2>but to wear them with abandonment and expect things to

0:21:10.105 --> 0:21:12.145
<v Speaker 2>get spilt on them and replace them.

0:21:12.305 --> 0:21:15.305
<v Speaker 1>Yeah, and I also think, you know, budget can mean cheap,

0:21:15.345 --> 0:21:18.265
<v Speaker 1>but it can also just mean affordable but still good quality,

0:21:18.305 --> 0:21:20.145
<v Speaker 1>because that's the same as me. My budget is one

0:21:20.145 --> 0:21:22.105
<v Speaker 1>of the uniclow T shirts. It's the one hundred percent

0:21:22.145 --> 0:21:24.985
<v Speaker 1>cotton crew neck T shirt, nineteen dollars ninety. I actually

0:21:24.985 --> 0:21:27.025
<v Speaker 1>get the men's because I prefer the bit more over it, so.

0:21:27.425 --> 0:21:28.945
<v Speaker 2>I let the men's shape and the arms are a

0:21:28.985 --> 0:21:29.465
<v Speaker 2>bit longer.

0:21:30.705 --> 0:21:33.665
<v Speaker 1>Bucks. Honestly, I have thrashed mine, I have washed them

0:21:33.665 --> 0:21:36.305
<v Speaker 1>with any opposite color under the sun, and they're still

0:21:36.345 --> 0:21:39.145
<v Speaker 1>so good. So budget can still be good quality. It's

0:21:39.185 --> 0:21:40.705
<v Speaker 1>just not costing you thousands of dollars.

0:21:40.865 --> 0:21:43.185
<v Speaker 2>Yeah, and then you can relax in them. You're like

0:21:44.265 --> 0:21:46.465
<v Speaker 2>your day and enjoy your life.

0:21:46.545 --> 0:21:48.865
<v Speaker 1>There's no point. I mean, of course you've got occasional

0:21:48.865 --> 0:21:50.385
<v Speaker 1>where but if you've got stuff in your water that's

0:21:50.425 --> 0:21:52.745
<v Speaker 1>too precious to have aware, what's really the point?

0:21:52.945 --> 0:21:54.265
<v Speaker 2>Yeah, that's right, I agree.

0:21:54.065 --> 0:21:55.785
<v Speaker 1>But do you have a bougie for me? Do you

0:21:55.825 --> 0:21:57.785
<v Speaker 1>have something quite fancy so boogie?

0:21:57.865 --> 0:22:01.585
<v Speaker 2>On the other extreme are things that I really have

0:22:02.265 --> 0:22:04.585
<v Speaker 2>thought long and hard about before I bought them. And

0:22:04.585 --> 0:22:08.985
<v Speaker 2>it's normally things like say handbags or pieces of jewelry.

0:22:09.025 --> 0:22:10.945
<v Speaker 2>When I say jewel where I don't mean you know,

0:22:11.385 --> 0:22:14.865
<v Speaker 2>crazy high and jewelry just sort of accessories that again

0:22:14.985 --> 0:22:17.905
<v Speaker 2>with those basics suddenly, So then it means that if

0:22:17.905 --> 0:22:20.785
<v Speaker 2>I am in my unic clothes sweater with some jeans

0:22:20.825 --> 0:22:23.665
<v Speaker 2>and just a really basic slide or pair of flats,

0:22:24.225 --> 0:22:27.105
<v Speaker 2>then if I've got a bag that just really makes

0:22:27.145 --> 0:22:30.505
<v Speaker 2>me feel amazing, or some really amazing accessories with that

0:22:30.505 --> 0:22:32.345
<v Speaker 2>that I do look after and I do plan to

0:22:32.425 --> 0:22:35.545
<v Speaker 2>keep forever, give to my daughter one day. They're the

0:22:35.585 --> 0:22:38.545
<v Speaker 2>things that I do really invest in in a splint,

0:22:38.865 --> 0:22:41.065
<v Speaker 2>and I don't always go for just the classics. Sometimes

0:22:41.105 --> 0:22:46.665
<v Speaker 2>there are things that are crazy and wild, but there's

0:22:46.985 --> 0:22:49.705
<v Speaker 2>something that forever will be fun and forever be fun

0:22:49.745 --> 0:22:52.225
<v Speaker 2>with something basic or with something over.

0:22:52.025 --> 0:22:53.905
<v Speaker 1>The yeah, and that obviously speaks to you. And if

0:22:53.905 --> 0:22:55.345
<v Speaker 1>you're going to have it forever, that's part of your

0:22:55.345 --> 0:22:57.865
<v Speaker 1>personal style, isn't it. That's exactly what it was about.

0:22:58.065 --> 0:23:00.985
<v Speaker 1>My boogie is not very boogie, but I have come

0:23:01.425 --> 0:23:03.905
<v Speaker 1>to just admit that I am jeans and a T shirt.

0:23:03.945 --> 0:23:06.105
<v Speaker 1>I mean, I have a lot of clothes. I love experimenting,

0:23:06.545 --> 0:23:09.825
<v Speaker 1>but my ten percent is when I'm running out or

0:23:09.825 --> 0:23:11.585
<v Speaker 1>I've got my son, I run upstairs to my bedroom

0:23:11.585 --> 0:23:13.025
<v Speaker 1>and I throw on jeans and a T shirt. And

0:23:13.105 --> 0:23:16.425
<v Speaker 1>so really that's probably what I'll be buried in. I

0:23:16.505 --> 0:23:19.385
<v Speaker 1>love the barrel leg jean. I know it's controversial. I

0:23:19.425 --> 0:23:23.265
<v Speaker 1>love a tasted leg jean. I love them. And I'm

0:23:23.305 --> 0:23:25.105
<v Speaker 1>not particularly tall and I try and we're a little

0:23:25.145 --> 0:23:26.705
<v Speaker 1>kitten heel, but I can get away with a sandal.

0:23:27.065 --> 0:23:29.345
<v Speaker 1>So I just bought and they're not expensive, but compared

0:23:29.385 --> 0:23:32.465
<v Speaker 1>to my twenty dollar T shirt, the cause arch tapered jean.

0:23:33.025 --> 0:23:35.745
<v Speaker 1>They're like a winter white soft cream, but not a

0:23:35.785 --> 0:23:39.985
<v Speaker 1>very yellowy cream. The balloon shape, the barrel isn't too hectic,

0:23:40.065 --> 0:23:41.865
<v Speaker 1>and there are one hundred and thirty nine dollars. And

0:23:42.385 --> 0:23:43.745
<v Speaker 1>at the end of the day, I want to be

0:23:43.825 --> 0:23:46.545
<v Speaker 1>so many different personalities because I haven't nailed my personal

0:23:46.545 --> 0:23:49.265
<v Speaker 1>branding yet. But if I had personal brand, it's jeans

0:23:49.265 --> 0:23:51.345
<v Speaker 1>and a T shirt. So they're those beautiful couse jeens.

0:23:51.585 --> 0:23:54.185
<v Speaker 2>That shape's really fluttering, I think to a lot of.

0:23:54.145 --> 0:23:57.705
<v Speaker 1>People say it's not. It depends on where the balloon happens.

0:23:57.705 --> 0:23:59.865
<v Speaker 1>It can't happen up near the hips. It's gotta be

0:23:59.865 --> 0:24:00.305
<v Speaker 1>lower down.

0:24:00.545 --> 0:24:02.305
<v Speaker 2>It gives like a good waist, and then I love

0:24:02.345 --> 0:24:04.065
<v Speaker 2>that it comes into the angle and looks so good

0:24:04.105 --> 0:24:04.945
<v Speaker 2>with like a huge.

0:24:04.825 --> 0:24:07.745
<v Speaker 1>Agreed I'm a huge advocate for it. My boss hates

0:24:07.785 --> 0:24:09.985
<v Speaker 1>them and we argue vehemently about it. But I will

0:24:10.025 --> 0:24:12.305
<v Speaker 1>stand up for a balloon or a bel jean any

0:24:12.385 --> 0:24:14.865
<v Speaker 1>day of the week. VI too, Megan, You are such

0:24:14.905 --> 0:24:16.705
<v Speaker 1>a joy. I am desperate to come and play in

0:24:16.705 --> 0:24:17.585
<v Speaker 1>your wardrobe.

0:24:17.385 --> 0:24:18.785
<v Speaker 2>Until then in time.

0:24:19.545 --> 0:24:21.185
<v Speaker 1>Thank you so much for joining us at all. The

0:24:21.225 --> 0:24:23.585
<v Speaker 1>best for your twenty second book. That's amazing.

0:24:24.145 --> 0:24:26.745
<v Speaker 2>Thank you Lee, thanks for having me, Thank.

0:24:26.505 --> 0:24:28.905
<v Speaker 1>You for listening to Nothing to Wear. Don't forget to

0:24:28.905 --> 0:24:31.185
<v Speaker 1>sign up to the Nothing to Wear newsletter. There's a

0:24:31.225 --> 0:24:34.385
<v Speaker 1>link in the show notes, and if you enjoy today's episode,

0:24:34.385 --> 0:24:37.505
<v Speaker 1>we have another episode on personal style and bringing it

0:24:37.545 --> 0:24:39.785
<v Speaker 1>back to the basics, so we've popped a link to

0:24:39.825 --> 0:24:42.585
<v Speaker 1>that one in the show notes too. See you next week.

0:24:43.105 --> 0:24:46.305
<v Speaker 1>This episode was produced by Grace Rufray with audio production

0:24:46.385 --> 0:24:50.305
<v Speaker 1>by Lou Hill. This podcast is powered by US subscribers.

0:24:50.945 --> 0:24:53.305
<v Speaker 1>If you believe in independent women's media and you want

0:24:53.305 --> 0:24:55.585
<v Speaker 1>to support us, there's a link in the show notes,

0:24:55.625 --> 0:24:58.425
<v Speaker 1>and a big thank you to all our current subscribers.