1 00:00:10,622 --> 00:00:13,342 Speaker 1: You're listening to a MoMA Mia podcast. 2 00:00:13,822 --> 00:00:17,182 Speaker 2: Mamma Mia acknowledges the traditional owners of land and waters 3 00:00:17,222 --> 00:00:22,502 Speaker 2: that this podcast is recorded on Hello and welcome to 4 00:00:22,542 --> 00:00:25,102 Speaker 2: Mamma Mia out loud. It's what women are actually talking 5 00:00:25,142 --> 00:00:28,821 Speaker 2: about on Wednesday, the eighth of October. I'm Holly Waynwright. 6 00:00:28,382 --> 00:00:30,822 Speaker 3: I'm Jesse Stevens, and I'm Amelia Lester. 7 00:00:31,062 --> 00:00:33,461 Speaker 2: And here's what's made our agenda today. 8 00:00:33,781 --> 00:00:37,502 Speaker 3: We are on day six of the Taylor Swift Life 9 00:00:37,502 --> 00:00:43,262 Speaker 3: Event discourse exactly right, and today Swift is in trouble. 10 00:00:43,382 --> 00:00:46,622 Speaker 3: You may have missed why. We discuss why some fans 11 00:00:46,702 --> 00:00:47,862 Speaker 3: are very pissed off. 12 00:00:48,102 --> 00:00:50,462 Speaker 4: And we're going to talk about Klana maxink. That's a 13 00:00:50,502 --> 00:00:53,822 Speaker 4: new term for the buy now, pay later lifestyle. But 14 00:00:54,302 --> 00:00:56,942 Speaker 4: there might be a dark side to young women buying 15 00:00:57,102 --> 00:00:58,822 Speaker 4: luxury goods with these services. 16 00:00:59,222 --> 00:01:02,942 Speaker 2: And j Lo and Ben, I don't know. I don't 17 00:01:02,942 --> 00:01:05,422 Speaker 2: know if we're ready to go through all this again. Friends, 18 00:01:06,262 --> 00:01:10,502 Speaker 2: we need to hold hands and discuss why some should 19 00:01:10,542 --> 00:01:11,782 Speaker 2: just not try to be friends. 20 00:01:11,822 --> 00:01:14,982 Speaker 3: We have some urgent thoughts. But first, Jesse, in case 21 00:01:15,022 --> 00:01:17,982 Speaker 3: you missed it, there has been a surge in shark 22 00:01:18,062 --> 00:01:21,581 Speaker 3: tracking app downloads, which is following the death of a 23 00:01:21,622 --> 00:01:25,381 Speaker 3: surfer in d Y last month. So after people saw 24 00:01:25,422 --> 00:01:28,502 Speaker 3: that news, thousands of people, particularly in New South Wales, 25 00:01:28,702 --> 00:01:33,342 Speaker 3: downloaded the app Shark Smart. There's another one called dorsal something. 26 00:01:33,462 --> 00:01:34,662 Speaker 2: That's the one I've got. 27 00:01:34,582 --> 00:01:37,902 Speaker 3: Yeah, and it works by providing real time alerts about 28 00:01:37,982 --> 00:01:43,982 Speaker 3: tagged shark detections and also sightings from surf life saving drones. Now, 29 00:01:44,022 --> 00:01:47,101 Speaker 3: while your actual chances of being attacked by a shark 30 00:01:47,262 --> 00:01:51,142 Speaker 3: in Australia are ridiculously low, you're far more likely to 31 00:01:51,182 --> 00:01:54,942 Speaker 3: get caught in, say a lethal rip. Incidents of shark 32 00:01:54,942 --> 00:01:58,782 Speaker 3: attacks in Australia have gone up for a variety of reasons. 33 00:01:59,102 --> 00:02:02,662 Speaker 3: I knew about changes in coastal erosion and even climate 34 00:02:02,742 --> 00:02:05,382 Speaker 3: change and a bunch of things. And also more people 35 00:02:05,422 --> 00:02:08,661 Speaker 3: are using Australian beaches than ever before in history, right, 36 00:02:08,662 --> 00:02:12,542 Speaker 3: more people are swimmingulation growth, lots of tourists exactly exactly right, 37 00:02:12,621 --> 00:02:15,422 Speaker 3: So it does make sense. But in saying that, the 38 00:02:15,501 --> 00:02:19,422 Speaker 3: approach to any injuries with sharks has improved astronomically, so 39 00:02:19,702 --> 00:02:22,341 Speaker 3: it is very unlikely to have a fatal shark attack 40 00:02:23,462 --> 00:02:25,502 Speaker 3: now I would know. So, Holly, you have a shark 41 00:02:25,542 --> 00:02:28,462 Speaker 3: tracking app. I do and for all the surfing you do. 42 00:02:31,782 --> 00:02:35,022 Speaker 2: Look, it's interesting because you know, I'm against tracking in general. 43 00:02:35,062 --> 00:02:39,382 Speaker 2: I want to respect the sharks. Yeah, but I have 44 00:02:39,502 --> 00:02:42,781 Speaker 2: dorsal and I don't know why my relationship with it 45 00:02:42,822 --> 00:02:44,582 Speaker 2: this summer is going to be complicated because, without wanting 46 00:02:44,582 --> 00:02:46,582 Speaker 2: to sound flippant about what has clearly been you know, 47 00:02:46,742 --> 00:02:50,782 Speaker 2: very traumatic incidents and loss of life, the problem with 48 00:02:50,862 --> 00:02:52,702 Speaker 2: it is is now I get pinged all the time. 49 00:02:52,742 --> 00:02:54,942 Speaker 2: So I live near the coast and on the south 50 00:02:54,982 --> 00:02:58,262 Speaker 2: coast of New South Wales, and so my area you 51 00:02:58,302 --> 00:03:00,582 Speaker 2: know that you select the area that you're interested in, 52 00:03:01,142 --> 00:03:05,182 Speaker 2: and it's quite big and it pings all the time, 53 00:03:05,462 --> 00:03:07,662 Speaker 2: and that's quite alarming. So you open your thing and 54 00:03:07,662 --> 00:03:10,022 Speaker 2: there's a little shark fin and it's at beach near 55 00:03:10,022 --> 00:03:11,662 Speaker 2: where I live, and it's at there, and it's there 56 00:03:11,702 --> 00:03:13,542 Speaker 2: and it says this is a white, this is a bronzer, 57 00:03:13,582 --> 00:03:16,262 Speaker 2: this is and it kind of messes with my head 58 00:03:17,342 --> 00:03:19,302 Speaker 2: because then I also think, oh, these are only the 59 00:03:19,342 --> 00:03:22,062 Speaker 2: tag sharks, because I think, and don't at me if 60 00:03:22,102 --> 00:03:23,462 Speaker 2: I got this wrong, but I think the way I 61 00:03:23,462 --> 00:03:25,342 Speaker 2: thought that these are sharks that are. 62 00:03:25,262 --> 00:03:27,902 Speaker 3: Tagged, they're tagged, And then I'm not sure if this 63 00:03:27,942 --> 00:03:31,182 Speaker 3: is Jossil as well, but there's like drone technology used 64 00:03:31,181 --> 00:03:34,302 Speaker 3: by places that they kind of look over when the 65 00:03:34,302 --> 00:03:35,982 Speaker 3: water's they can see. 66 00:03:36,142 --> 00:03:37,742 Speaker 2: These are basically the sharks. 67 00:03:37,382 --> 00:03:38,062 Speaker 1: We know about. 68 00:03:38,222 --> 00:03:41,382 Speaker 4: And what this means is the holly sharks, the ones 69 00:03:41,422 --> 00:03:44,982 Speaker 4: that resent being trapped figure out all these like sneaky 70 00:03:45,062 --> 00:03:46,662 Speaker 4: ways to swim under the radar. 71 00:03:46,902 --> 00:03:48,062 Speaker 1: We're not even thinking. 72 00:03:49,222 --> 00:03:51,142 Speaker 3: They are not on fine, my friends, they are not. 73 00:03:51,542 --> 00:03:53,742 Speaker 2: And the thing is is it's changed my mindset. So 74 00:03:53,782 --> 00:03:56,182 Speaker 2: you know, I might walk along the beach then where 75 00:03:56,182 --> 00:03:58,862 Speaker 2: I live, and I usually look out the sea and 76 00:03:58,862 --> 00:04:00,662 Speaker 2: I thinking that's beautiful. If it's a lovely day, I'm 77 00:04:00,662 --> 00:04:02,262 Speaker 2: going to go for a swim. Now I'm finding myself 78 00:04:02,262 --> 00:04:04,982 Speaker 2: looking out there and going I know what's out there, 79 00:04:05,022 --> 00:04:10,062 Speaker 2: And it's changing my relationship with the ocean. So I wonder, 80 00:04:10,142 --> 00:04:14,662 Speaker 2: like I wonder if they're really sensible and help us 81 00:04:14,662 --> 00:04:19,222 Speaker 2: assess risk or if they make us mentally increase the risk. 82 00:04:19,382 --> 00:04:22,702 Speaker 3: Yeah, and also if it makes us acknowledge who the 83 00:04:22,741 --> 00:04:26,222 Speaker 3: ocean primarily belongs to. Right, it's like the idea that 84 00:04:26,301 --> 00:04:28,261 Speaker 3: they're going to exist and we have to work out 85 00:04:28,262 --> 00:04:31,782 Speaker 3: how to coexist. But I was also thinking I got 86 00:04:31,782 --> 00:04:33,662 Speaker 3: stuck in a rip like a few years ago. It 87 00:04:33,702 --> 00:04:36,821 Speaker 3: was really scary, Yeah, terrifying, And I'm like, oh, there's 88 00:04:36,821 --> 00:04:38,541 Speaker 3: got to be an app that tells me where there's 89 00:04:38,541 --> 00:04:40,501 Speaker 3: a rip. Of course there is some app. It's a 90 00:04:40,501 --> 00:04:44,782 Speaker 3: bit of a less interesting app, right of fins exactly, 91 00:04:44,902 --> 00:04:47,621 Speaker 3: less shark fins. But I'm like, that would probably be 92 00:04:47,702 --> 00:04:49,421 Speaker 3: more useful if before we got in the water we 93 00:04:49,462 --> 00:04:50,342 Speaker 3: all checked to go, all. 94 00:04:50,342 --> 00:04:52,141 Speaker 2: Right, assess the danger of this beach. 95 00:04:52,301 --> 00:04:55,941 Speaker 4: Yeah, listen, I need an app for something else. Magpies 96 00:04:56,142 --> 00:04:59,702 Speaker 4: in swooping season, No, and I got swooped twice. 97 00:04:59,821 --> 00:05:01,061 Speaker 3: Yes, where were you? 98 00:05:01,181 --> 00:05:01,461 Speaker 2: Sorry? 99 00:05:01,462 --> 00:05:04,581 Speaker 3: That sounded like victim blaming. I'm so sorry, but where Yeah, 100 00:05:04,621 --> 00:05:07,101 Speaker 3: you're next time? Asked me what I was wearing. And 101 00:05:07,142 --> 00:05:09,262 Speaker 3: by the way, there's no truth to the fact that 102 00:05:09,301 --> 00:05:11,061 Speaker 3: they swoop particular colors. 103 00:05:11,222 --> 00:05:13,821 Speaker 4: So before you, okay what I was wearing, which was 104 00:05:13,902 --> 00:05:16,941 Speaker 4: a beige hat, If that's okay with you, Jesse, it 105 00:05:17,061 --> 00:05:18,061 Speaker 4: needed eyes on the bat. 106 00:05:18,301 --> 00:05:19,461 Speaker 3: So were you in a park? 107 00:05:19,621 --> 00:05:22,501 Speaker 4: No, I was just walking in my neighborhood and this 108 00:05:22,621 --> 00:05:24,541 Speaker 4: magpie swoops me and then I have to cross over 109 00:05:24,582 --> 00:05:26,821 Speaker 4: the street and he clearly has a vendetta. They do 110 00:05:26,902 --> 00:05:29,261 Speaker 4: whole grudges. They do because they know about faces. They 111 00:05:29,342 --> 00:05:31,541 Speaker 4: know up to two hundred human faces, and they remember 112 00:05:31,541 --> 00:05:32,741 Speaker 4: them for up to twenty years. 113 00:05:33,142 --> 00:05:35,222 Speaker 1: So this smagpie clearly hates me. 114 00:05:35,741 --> 00:05:38,061 Speaker 4: And now I've been advised you cannot walk down that 115 00:05:38,101 --> 00:05:41,181 Speaker 4: street during swooping season because now he thinks you really 116 00:05:41,222 --> 00:05:44,462 Speaker 4: are a threat. Something about you really triggered him. And 117 00:05:44,501 --> 00:05:46,541 Speaker 4: it's a hymn. They're all male. You just got to 118 00:05:46,582 --> 00:05:48,782 Speaker 4: avoid that street for the rest of the month. 119 00:05:48,861 --> 00:05:49,861 Speaker 3: Okay, that's helpful. 120 00:05:50,061 --> 00:05:51,341 Speaker 2: It belongs to the birds. 121 00:05:51,501 --> 00:05:54,261 Speaker 4: But there is a tracking, a way to track magpie swoopings. 122 00:05:54,262 --> 00:05:56,941 Speaker 4: I've gone deep on this. There are websites where you 123 00:05:56,981 --> 00:06:00,382 Speaker 4: can in real time see people logging their magpie swoopings, 124 00:06:00,421 --> 00:06:01,101 Speaker 4: which I did. 125 00:06:01,582 --> 00:06:03,261 Speaker 1: There's a lot of them around right now. 126 00:06:03,301 --> 00:06:05,181 Speaker 3: Did I tell you I was in a really bad 127 00:06:05,222 --> 00:06:07,461 Speaker 3: mood once and I walked out onto the street and 128 00:06:07,501 --> 00:06:09,502 Speaker 3: a magpie went for me, got me in the eye. 129 00:06:10,741 --> 00:06:13,222 Speaker 3: I remember that I got swooped by a magpie in 130 00:06:13,262 --> 00:06:16,181 Speaker 3: the eye, and I was like, I defended you, like 131 00:06:16,301 --> 00:06:18,942 Speaker 3: people who were afraid of birds. I was always like that, samuch, 132 00:06:19,741 --> 00:06:22,101 Speaker 3: I have a like now now you. 133 00:06:22,061 --> 00:06:23,381 Speaker 1: Do think they're little dinosaur? 134 00:06:23,582 --> 00:06:26,861 Speaker 2: Yes, that's kind of funny. It's kind of funny seeing 135 00:06:26,902 --> 00:06:30,581 Speaker 2: someone's being swooped if they're not get hurt. I acknowledge 136 00:06:30,582 --> 00:06:32,502 Speaker 2: this is wrong, but I was in my neighborhood the 137 00:06:32,501 --> 00:06:33,701 Speaker 2: other week and there was a kid and he had 138 00:06:33,741 --> 00:06:35,462 Speaker 2: a bike helmet on and I even had those things 139 00:06:35,501 --> 00:06:37,741 Speaker 2: sticking out of it, because kids are very savvy on 140 00:06:37,782 --> 00:06:40,821 Speaker 2: their bikes around my neighborhood. They'll put like cable ties 141 00:06:40,861 --> 00:06:43,342 Speaker 2: sticking out of their helmet and stuff to deter them. 142 00:06:43,621 --> 00:06:45,861 Speaker 2: And there was a kid. He was riding along the 143 00:06:45,902 --> 00:06:48,582 Speaker 2: pavement and these magpies just kept swooping him, and he 144 00:06:48,702 --> 00:06:51,701 Speaker 2: was like, it was actually very amusing to watch. He 145 00:06:51,821 --> 00:06:56,061 Speaker 2: was fine, nobody was hurt, but it was just very primal, 146 00:06:56,222 --> 00:06:58,821 Speaker 2: very boy versus and I think he was kind of 147 00:06:58,941 --> 00:07:00,582 Speaker 2: enjoying it because then he went to the end of 148 00:07:00,582 --> 00:07:01,341 Speaker 2: the road turn around. 149 00:07:01,462 --> 00:07:01,622 Speaker 3: Yeah. 150 00:07:02,501 --> 00:07:04,941 Speaker 2: I just thought it was so funny, but I'm sorry, 151 00:07:04,981 --> 00:07:06,222 Speaker 2: I know it's not funny. 152 00:07:07,421 --> 00:07:11,382 Speaker 3: I saw a post by rider Caroline O'donnaho yesterday that 153 00:07:11,502 --> 00:07:14,422 Speaker 3: read people will winge all year that culture has become 154 00:07:14,462 --> 00:07:17,302 Speaker 3: too splintered and that there are no water cooler moments anymore, 155 00:07:17,462 --> 00:07:19,622 Speaker 3: and then lose their shit if an album or movie 156 00:07:19,742 --> 00:07:21,342 Speaker 3: is in the news for longer than three days. 157 00:07:21,342 --> 00:07:25,901 Speaker 2: This is entirely accurate because we're having one of those 158 00:07:26,102 --> 00:07:29,302 Speaker 2: what do we call a monocultural moment, yes because yesterday 159 00:07:29,542 --> 00:07:32,382 Speaker 2: I was out and about around Sydney work and all 160 00:07:32,422 --> 00:07:34,462 Speaker 2: you could hear coming out of every car and every 161 00:07:34,502 --> 00:07:37,462 Speaker 2: shop was that new Taylor Swift single, The Fate of Aphilia, 162 00:07:37,502 --> 00:07:40,142 Speaker 2: And it was very unifying. It felt great. It was 163 00:07:40,182 --> 00:07:42,182 Speaker 2: a warm evening and that song was everywhere, and you 164 00:07:42,222 --> 00:07:44,021 Speaker 2: were like, when was the last time we were all 165 00:07:44,062 --> 00:07:44,901 Speaker 2: playing the same. 166 00:07:44,782 --> 00:07:47,462 Speaker 3: The same song exactly, And then people get annoyed because 167 00:07:47,462 --> 00:07:49,222 Speaker 3: they're like, well, I don't even like it, it's overrated. 168 00:07:49,262 --> 00:07:50,942 Speaker 3: You can't say that it's overrated, et cetera. 169 00:07:51,102 --> 00:07:53,382 Speaker 2: And you don't know enough about this artist to have 170 00:07:53,381 --> 00:07:56,182 Speaker 2: an opinion about editing. When then you like that song. 171 00:07:56,102 --> 00:07:58,142 Speaker 3: Or not, you know what you actually know too much, 172 00:07:58,222 --> 00:07:58,862 Speaker 3: So how about that? 173 00:07:59,422 --> 00:07:59,941 Speaker 1: Exactly? 174 00:08:00,142 --> 00:08:02,982 Speaker 3: We are on day six of the Taylor Swift Life 175 00:08:02,982 --> 00:08:06,302 Speaker 3: of a Showgirl discourse, and today's chapter is all about AI. 176 00:08:07,102 --> 00:08:10,781 Speaker 3: So we talked about all the tail, the disk track, 177 00:08:11,462 --> 00:08:18,901 Speaker 3: the treadwife, accusations, accusation on yesterday's Too Much Bread. But 178 00:08:19,182 --> 00:08:22,742 Speaker 3: today we're going to talk about why Taylor is in trouble. 179 00:08:23,182 --> 00:08:26,701 Speaker 3: So on Saturday, our time, something about a bunch of 180 00:08:26,742 --> 00:08:29,821 Speaker 3: orange doors were hidden in twelve cities around the world. 181 00:08:30,182 --> 00:08:32,622 Speaker 3: There was a treasure hunt. There was something about like 182 00:08:32,662 --> 00:08:34,622 Speaker 3: you'd go to the door. There was a QR code. 183 00:08:35,142 --> 00:08:37,462 Speaker 3: None of this needs to make sense. Just stay with this, 184 00:08:38,142 --> 00:08:40,781 Speaker 3: just roll with it. What you might have actually seen 185 00:08:40,982 --> 00:08:43,222 Speaker 3: is that if you went on Google that day, they 186 00:08:43,262 --> 00:08:46,942 Speaker 3: had a special Taylor Swift themed kind of info thing, 187 00:08:46,982 --> 00:08:48,742 Speaker 3: you know how they come with sometimes out. 188 00:08:48,702 --> 00:08:51,302 Speaker 2: Loud to posted about it and said go and google 189 00:08:51,302 --> 00:08:53,262 Speaker 2: Taylor Swift and see what happens. So I did, because 190 00:08:53,262 --> 00:08:55,342 Speaker 2: I do it loud to tell me, and that very 191 00:08:55,422 --> 00:08:56,902 Speaker 2: quickly didn't understand. 192 00:08:56,702 --> 00:08:59,862 Speaker 3: Exactly well, that was part of it, right. So these 193 00:09:00,222 --> 00:09:03,262 Speaker 3: twelve doors led to twelve videos which were part of 194 00:09:03,262 --> 00:09:08,262 Speaker 3: a promotional scavenger hunt released by Google. So what's the problem, 195 00:09:08,542 --> 00:09:09,142 Speaker 3: what's the problem? 196 00:09:09,582 --> 00:09:11,342 Speaker 2: Bit of fun the kind of thing that people do 197 00:09:11,422 --> 00:09:11,982 Speaker 2: all the time for. 198 00:09:12,142 --> 00:09:14,381 Speaker 3: Emotion, exactly. It feels a bit Pokemon go. 199 00:09:14,822 --> 00:09:16,622 Speaker 2: How famous do you have to be? The take out 200 00:09:16,662 --> 00:09:19,022 Speaker 2: of Google? Like? Could I do it? On a book release? 201 00:09:20,782 --> 00:09:24,902 Speaker 3: So fans started noticing that these videos looked very AI 202 00:09:25,382 --> 00:09:27,862 Speaker 3: So there's a finger that goes through a napkin. A 203 00:09:27,942 --> 00:09:31,382 Speaker 3: hanger is there and then that disappears. There's a treadmill, 204 00:09:31,422 --> 00:09:35,422 Speaker 3: but all the letters are gibberish. To summarize. Look, I've 205 00:09:35,462 --> 00:09:39,142 Speaker 3: seen these videos along with most people on the internet. 206 00:09:39,302 --> 00:09:43,022 Speaker 3: These videos are AI. Taylor hasn't confirmed it. None's officially 207 00:09:43,062 --> 00:09:45,502 Speaker 3: confirmed it, but they just are. 208 00:09:45,782 --> 00:09:49,142 Speaker 4: One of them looks distinctly like the prompts they put 209 00:09:49,182 --> 00:09:53,382 Speaker 4: into the generative. AI was something about George Michael's Freedom 210 00:09:53,702 --> 00:09:57,182 Speaker 4: ninety video. Do you remember that iconic musically here with 211 00:09:57,222 --> 00:09:59,982 Speaker 4: the supermodels and the bathtub and the dark mansion. 212 00:10:00,062 --> 00:10:01,702 Speaker 1: That was absolutely the prompt. 213 00:10:01,942 --> 00:10:06,102 Speaker 3: Okay, that's how it felt, right. So this is from 214 00:10:06,142 --> 00:10:11,342 Speaker 3: an artist who has fiercely advocated for artists' rights. That's 215 00:10:11,382 --> 00:10:14,982 Speaker 3: always been her beat. She has spoken out about pornographic 216 00:10:15,022 --> 00:10:18,142 Speaker 3: deep fakes, which are created by AI, that she's been 217 00:10:18,182 --> 00:10:21,102 Speaker 3: a victim of that. Last year, she explicitly called out 218 00:10:21,102 --> 00:10:24,182 Speaker 3: Donald Trump after he used an AI generated image of 219 00:10:24,622 --> 00:10:27,702 Speaker 3: Taylor endorsing him for president, and she said this has 220 00:10:27,742 --> 00:10:31,261 Speaker 3: conjured up my fears around AI. Now the closer I look, 221 00:10:31,302 --> 00:10:32,942 Speaker 3: the more I think that people are missing a very 222 00:10:33,022 --> 00:10:34,342 Speaker 3: key piece of the puzzle. 223 00:10:34,382 --> 00:10:34,622 Speaker 1: Here. 224 00:10:34,662 --> 00:10:37,302 Speaker 3: But before we get to that, what do you guys 225 00:10:37,382 --> 00:10:39,222 Speaker 3: make of this use of AI. Do you think that 226 00:10:39,262 --> 00:10:42,302 Speaker 3: it's us all being a little bit hysterical or do 227 00:10:42,302 --> 00:10:43,462 Speaker 3: you think it's a real misstep. 228 00:10:43,942 --> 00:10:45,902 Speaker 4: No, I think it's a real mistep I think when 229 00:10:45,982 --> 00:10:49,422 Speaker 4: I watch aar videos like these, I feel sad. So 230 00:10:49,502 --> 00:10:52,542 Speaker 4: the one that looks like the George Michael Freedom ninety video, 231 00:10:52,782 --> 00:10:56,662 Speaker 4: it feels like an alien version of the George Michael 232 00:10:56,702 --> 00:10:59,302 Speaker 4: Freedom ninety video. It has none of the originality, it 233 00:10:59,302 --> 00:11:01,222 Speaker 4: has none of the punch, it has none of that 234 00:11:01,742 --> 00:11:05,542 Speaker 4: incredibly invigorating feeling when you see original creative art for 235 00:11:05,582 --> 00:11:07,942 Speaker 4: the first time. And I do have to point out, 236 00:11:08,142 --> 00:11:12,502 Speaker 4: sorry to be a down but generative AI is generative, 237 00:11:12,622 --> 00:11:15,582 Speaker 4: meaning it's drawing on what other artists have done to 238 00:11:15,662 --> 00:11:18,302 Speaker 4: create new things. So not only is she putting out 239 00:11:18,302 --> 00:11:21,062 Speaker 4: of work people who could have made those videos, she's 240 00:11:21,182 --> 00:11:24,822 Speaker 4: also drawing on work that other artists have produced without 241 00:11:24,862 --> 00:11:25,582 Speaker 4: paying for it. 242 00:11:25,622 --> 00:11:27,662 Speaker 1: And there's a huge environmental cost too. But we all 243 00:11:27,702 --> 00:11:28,662 Speaker 1: know that as well. 244 00:11:28,942 --> 00:11:31,742 Speaker 2: I have seen all these criticisms AI is stolen art, 245 00:11:31,742 --> 00:11:35,942 Speaker 2: as everybody knows it's accurate. The thing is, I think 246 00:11:35,942 --> 00:11:38,982 Speaker 2: that Taylor Swift, particularly at moments of mass saturation of 247 00:11:39,022 --> 00:11:41,342 Speaker 2: Taylor Swift, as we have been living through for almost 248 00:11:41,342 --> 00:11:43,662 Speaker 2: a week. As you point out, she becomes like the 249 00:11:43,742 --> 00:11:46,062 Speaker 2: lens through which you see everything in the culture and 250 00:11:46,102 --> 00:11:50,102 Speaker 2: every argument within the culture. So whether that is ambition 251 00:11:50,222 --> 00:11:52,582 Speaker 2: versus greed, you know, is she too greedy or is 252 00:11:52,622 --> 00:11:56,502 Speaker 2: she just an ambitious you know woman, hustle versus tradwifeism. 253 00:11:57,142 --> 00:11:59,902 Speaker 2: All of the conversations we're having, you can apply them 254 00:12:00,182 --> 00:12:04,462 Speaker 2: to a Taylor Swift moment like this one, Like pop 255 00:12:04,542 --> 00:12:06,822 Speaker 2: versus art is also one, you know, is this just 256 00:12:06,862 --> 00:12:09,382 Speaker 2: throwaway pop? Lots of people are saying, and then this 257 00:12:09,702 --> 00:12:13,942 Speaker 2: which is the AI versus the true artists. I think 258 00:12:13,942 --> 00:12:15,902 Speaker 2: that Amelia is right. I think that if you're taking 259 00:12:16,022 --> 00:12:20,062 Speaker 2: a serious view on it, it is nonsense that someone 260 00:12:20,102 --> 00:12:23,062 Speaker 2: as powerful as Taylor Swift, because she's become a corporation 261 00:12:23,262 --> 00:12:26,502 Speaker 2: in herself. She's very much and she draws criticism for this, 262 00:12:26,542 --> 00:12:29,862 Speaker 2: but is also massively admired for this at this point 263 00:12:29,862 --> 00:12:32,822 Speaker 2: in her career, in complete control of her kingdom in 264 00:12:32,862 --> 00:12:35,782 Speaker 2: a way that her queendom rather in a way that 265 00:12:36,022 --> 00:12:39,462 Speaker 2: most artists are certainly not. They are being dictated to 266 00:12:39,542 --> 00:12:42,822 Speaker 2: by record companies, marketing executives, all those things. Whereas we 267 00:12:42,862 --> 00:12:46,622 Speaker 2: all know that Swift has fought really, really hard to 268 00:12:46,742 --> 00:12:52,022 Speaker 2: have complete creative control of her world, and so because 269 00:12:52,022 --> 00:12:55,142 Speaker 2: of that, it also kind of opens her up to 270 00:12:55,342 --> 00:12:59,422 Speaker 2: personal criticism in a way that if the circumstances were different, 271 00:12:59,422 --> 00:13:00,942 Speaker 2: it wouldn't be And I think you said this in 272 00:13:00,982 --> 00:13:03,902 Speaker 2: the show yesterday the subscribers show that we did, Jesse. 273 00:13:04,102 --> 00:13:07,062 Speaker 2: Is that you know, there's obviously Taylor Swift the human, 274 00:13:07,102 --> 00:13:09,182 Speaker 2: there's Taylor Swift the artist, this tailor Swift the brand, 275 00:13:09,182 --> 00:13:12,942 Speaker 2: and Taylor with the brand is of course open for criticism. 276 00:13:12,982 --> 00:13:15,022 Speaker 2: I mean, all those people are to a point, but 277 00:13:15,102 --> 00:13:18,102 Speaker 2: because she is the queen of her kingdom, any criticism 278 00:13:18,102 --> 00:13:21,302 Speaker 2: of Taylor Swift the Brand quickly falls and translates into 279 00:13:21,302 --> 00:13:24,222 Speaker 2: criticism of her. So if the people who are saying 280 00:13:25,222 --> 00:13:28,542 Speaker 2: this use of AI is disappointing from somebody who has, 281 00:13:28,582 --> 00:13:31,582 Speaker 2: as you've both pointed out, been very stridently defensive of 282 00:13:31,782 --> 00:13:35,502 Speaker 2: artists who can afford to pay proper people to put 283 00:13:35,502 --> 00:13:39,422 Speaker 2: their videos together, that is all valid criticism, but where 284 00:13:39,462 --> 00:13:43,302 Speaker 2: it often ends up is silly, selfish billionaire, you know 285 00:13:43,342 --> 00:13:46,142 Speaker 2: what I mean. And that's kind of disappointing. 286 00:13:46,502 --> 00:13:52,622 Speaker 3: I reckon Taylor Swift is so pissed off. So it 287 00:13:52,942 --> 00:13:57,062 Speaker 3: was released by Google. Now Google has a brand new 288 00:13:57,102 --> 00:13:59,502 Speaker 3: product it is about to release that is going up 289 00:13:59,542 --> 00:14:02,902 Speaker 3: against Open Ai, and that product is an AI video generator, 290 00:14:03,182 --> 00:14:04,942 Speaker 3: and this is the biggest cultural moment of the year. 291 00:14:05,302 --> 00:14:08,582 Speaker 3: So Google, to my mind, has gone, how do we 292 00:14:08,742 --> 00:14:12,822 Speaker 3: harness the tailor Swift brand to promote this product? 293 00:14:12,942 --> 00:14:13,742 Speaker 2: But they can't do that. 294 00:14:13,782 --> 00:14:17,542 Speaker 3: They can't do that. Taylor Swift's okay, exactly right now. 295 00:14:17,902 --> 00:14:21,182 Speaker 3: I can see a world in which this was pitched 296 00:14:21,622 --> 00:14:23,942 Speaker 3: or whatever they went, We're gonna have doors, and we're 297 00:14:23,942 --> 00:14:25,822 Speaker 3: gonna have this and we're gonna have Easter eggs and 298 00:14:25,902 --> 00:14:30,342 Speaker 3: blah blah blah, and Taylor's team has thought, okay, that's fine. 299 00:14:30,862 --> 00:14:34,022 Speaker 3: But the fact that this hasn't been shared by Taylor Nation, 300 00:14:34,222 --> 00:14:37,622 Speaker 3: which is her official kind of what they share on Instagram. 301 00:14:37,662 --> 00:14:40,782 Speaker 3: It's been taken off the YouTube channels since it went up, 302 00:14:41,142 --> 00:14:44,222 Speaker 3: suggests to me that she is trying to distance herself 303 00:14:44,222 --> 00:14:47,862 Speaker 3: from it. It's cheap, it's anti art, it doesn't make 304 00:14:47,902 --> 00:14:52,262 Speaker 3: you feel anything, and it is in consistent with the 305 00:14:52,302 --> 00:14:54,422 Speaker 3: film that she released on the weekend. So I didn't 306 00:14:54,422 --> 00:14:56,102 Speaker 3: go and see it, but lots of people in the 307 00:14:56,102 --> 00:14:59,022 Speaker 3: office did. And the point of that film, whether you 308 00:14:59,142 --> 00:15:02,942 Speaker 3: liked it or not, was to show the perfectionism and 309 00:15:03,022 --> 00:15:06,222 Speaker 3: the control of Taylor Swift is like a creative genius, 310 00:15:06,382 --> 00:15:09,782 Speaker 3: Like she's going from the costumes to the set to 311 00:15:09,982 --> 00:15:14,022 Speaker 3: every little detail. There is not a shred of AI 312 00:15:14,182 --> 00:15:17,142 Speaker 3: in that. It is almost an ANTIAI project. So to 313 00:15:17,262 --> 00:15:21,502 Speaker 3: then have these weird promotional videos that are made with 314 00:15:21,702 --> 00:15:24,822 Speaker 3: Google AI software is just very bizarre. 315 00:15:24,942 --> 00:15:28,622 Speaker 4: Devil's advocate on this is that surveys have shown that 316 00:15:28,742 --> 00:15:32,302 Speaker 4: young people do not care as much about this notion 317 00:15:32,342 --> 00:15:36,262 Speaker 4: of AI art versus human art as older people do. 318 00:15:36,982 --> 00:15:40,622 Speaker 4: And these videos also, like there's been speculation, for instance, 319 00:15:40,622 --> 00:15:43,342 Speaker 4: there's like slippers and blankets depicted in the videos, and 320 00:15:43,342 --> 00:15:45,702 Speaker 4: there's been speculation that this will become part of the 321 00:15:45,742 --> 00:15:48,582 Speaker 4: merch world or the universe of things you can buy 322 00:15:48,662 --> 00:15:52,542 Speaker 4: related to the Showgirl era. I just wonder if, even 323 00:15:52,542 --> 00:15:56,742 Speaker 4: if she was involved, the thinking was that the target 324 00:15:56,822 --> 00:15:59,502 Speaker 4: audience for these kinds of things, people running around a 325 00:15:59,542 --> 00:16:02,862 Speaker 4: city taking QR code pictures, that's not probably going to 326 00:16:02,862 --> 00:16:05,342 Speaker 4: be older people, It's going to be younger people. And 327 00:16:05,422 --> 00:16:08,102 Speaker 4: maybe there's some way in which we need to get 328 00:16:08,142 --> 00:16:08,462 Speaker 4: over this. 329 00:16:08,622 --> 00:16:11,222 Speaker 2: Yeah, that's what I was going to ask, because although 330 00:16:11,742 --> 00:16:14,702 Speaker 2: obviously I, like quite deeply do believe that AI is 331 00:16:14,742 --> 00:16:18,462 Speaker 2: built on stolen art, I do also understand that Taylor 332 00:16:18,502 --> 00:16:22,262 Speaker 2: Swift and any really successful artist in this era has 333 00:16:22,302 --> 00:16:24,542 Speaker 2: to be always on in a way that means you 334 00:16:24,582 --> 00:16:28,902 Speaker 2: are generating stuff all the time, and she is very 335 00:16:28,942 --> 00:16:31,422 Speaker 2: good at that. She has adapted and her team have 336 00:16:31,462 --> 00:16:34,782 Speaker 2: adapted very quickly to every new platform that has come 337 00:16:34,862 --> 00:16:37,302 Speaker 2: her way. Because she's been famous in creating music long 338 00:16:37,422 --> 00:16:41,342 Speaker 2: enough that TikTok certainly wasn't a thing. YouTube phenomenon wasn't 339 00:16:41,342 --> 00:16:41,582 Speaker 2: a thing. 340 00:16:41,662 --> 00:16:43,902 Speaker 4: She was able to define new platforms which it took 341 00:16:43,902 --> 00:16:47,022 Speaker 4: her music off Spotify. She basically got Spotify to move 342 00:16:47,062 --> 00:16:48,342 Speaker 4: how it treated artists. 343 00:16:48,582 --> 00:16:53,182 Speaker 2: So she is very adaptable, very savvy, very technologically savvy. 344 00:16:53,742 --> 00:16:55,702 Speaker 2: Like her art is one thing, I don't think anyone 345 00:16:55,702 --> 00:16:58,982 Speaker 2: can argue that some exploding hearts on Google that you 346 00:16:59,062 --> 00:17:01,302 Speaker 2: press and get his art, it's not. It's just the 347 00:17:01,342 --> 00:17:06,701 Speaker 2: gamification that just adds to the And so of course 348 00:17:06,821 --> 00:17:08,662 Speaker 2: artists are going to use AI to make that kind 349 00:17:08,702 --> 00:17:12,182 Speaker 2: of stuff because it's not high stakes and the volume 350 00:17:12,222 --> 00:17:15,302 Speaker 2: that is required. Is it a good use of the 351 00:17:15,381 --> 00:17:20,141 Speaker 2: human artists time to be making tiny little blad videos 352 00:17:20,182 --> 00:17:23,462 Speaker 2: of this might be the bath that from the hotel 353 00:17:23,621 --> 00:17:26,302 Speaker 2: that maybe Taylor Swift wants lay in to recover from 354 00:17:26,341 --> 00:17:27,621 Speaker 2: her Barcelona show line. 355 00:17:27,702 --> 00:17:34,861 Speaker 3: And like video editors, graphic designers, creatives are terrified and 356 00:17:34,982 --> 00:17:37,982 Speaker 3: are losing jobs and are being replaced at a quicker 357 00:17:38,061 --> 00:17:39,901 Speaker 3: rate than pretty much anyone else. And I think that 358 00:17:39,942 --> 00:17:44,462 Speaker 3: this reveals probably the greatest tension, well, there are a 359 00:17:44,462 --> 00:17:46,262 Speaker 3: few tensions, but one of the greatest tensions in the 360 00:17:46,341 --> 00:17:48,901 Speaker 3: music industry at the moment, which is this fear of 361 00:17:49,141 --> 00:17:49,862 Speaker 3: AI and. 362 00:17:49,821 --> 00:17:51,381 Speaker 2: All creative industries to be honest. 363 00:17:51,462 --> 00:17:54,661 Speaker 3: Yeah, And so to kind of have that as any 364 00:17:54,782 --> 00:17:58,861 Speaker 3: part of what you do feels like even if she 365 00:17:58,982 --> 00:18:01,102 Speaker 3: didn't know about it, I think you'd be kicking yourself 366 00:18:01,141 --> 00:18:04,421 Speaker 3: because you would want to and it sends a like 367 00:18:04,462 --> 00:18:06,302 Speaker 3: a feeling of disappointment. 368 00:18:06,462 --> 00:18:07,941 Speaker 1: When the audience for it. 369 00:18:08,022 --> 00:18:10,782 Speaker 4: I think Holly's point that great artists have to do 370 00:18:10,861 --> 00:18:13,502 Speaker 4: a lot of things. They're stretched in terms of their 371 00:18:13,581 --> 00:18:16,621 Speaker 4: own personal time and being able to fulfill all their projects, 372 00:18:16,661 --> 00:18:17,542 Speaker 4: but they're also. 373 00:18:17,502 --> 00:18:18,701 Speaker 1: Pushing the envelope. 374 00:18:18,742 --> 00:18:21,342 Speaker 4: They're changing what we think of as acceptable and as 375 00:18:21,422 --> 00:18:26,381 Speaker 4: normal redefining things, and I wonder if this is part 376 00:18:26,422 --> 00:18:29,182 Speaker 4: of us being left behind a little bit by this 377 00:18:29,341 --> 00:18:32,581 Speaker 4: new notion of what is art, and she's speaking to 378 00:18:32,661 --> 00:18:33,702 Speaker 4: younger people. 379 00:18:33,661 --> 00:18:36,542 Speaker 2: Before we move on. Jesse, I think in the same 380 00:18:36,542 --> 00:18:38,102 Speaker 2: way that I had to do a mere culpa when 381 00:18:38,141 --> 00:18:40,981 Speaker 2: I told all the out louders with such confidence that 382 00:18:41,101 --> 00:18:43,341 Speaker 2: Kate Middleton would never die her hair like that she 383 00:18:43,462 --> 00:18:46,542 Speaker 2: just wouldn't, and that she did, and I had to 384 00:18:46,581 --> 00:18:49,542 Speaker 2: say sorry, guys. I think we went viral a little 385 00:18:49,581 --> 00:18:53,381 Speaker 2: while ago for your theory that Taylor Swift was definitely 386 00:18:53,422 --> 00:18:55,941 Speaker 2: going to play the Super Bowl, and not only do 387 00:18:56,022 --> 00:18:58,061 Speaker 2: we know she's not because bad Bunny is, but she 388 00:18:58,302 --> 00:19:01,461 Speaker 2: spelled out on Jimmy Fallon last night why she definitely 389 00:19:01,542 --> 00:19:03,741 Speaker 2: wasn't going to. Do you have anything to say to 390 00:19:03,742 --> 00:19:04,341 Speaker 2: the other idea. 391 00:19:04,742 --> 00:19:06,861 Speaker 3: I tried to East Egg. I'm not a swifty and 392 00:19:06,901 --> 00:19:09,941 Speaker 3: I tried to East Egg. And sometimes we don't really 393 00:19:10,022 --> 00:19:11,861 Speaker 3: understand Easter eggs and you've just got to throw them 394 00:19:11,861 --> 00:19:13,941 Speaker 3: out there, and sometimes you go eastter egg hunting and 395 00:19:13,942 --> 00:19:16,901 Speaker 3: you just get a rapper. I tried. I was wrong. 396 00:19:17,381 --> 00:19:20,542 Speaker 3: I reserve my right to still lay claim to this 397 00:19:20,581 --> 00:19:22,302 Speaker 3: theory if it happens. 398 00:19:22,022 --> 00:19:24,102 Speaker 2: And some people, lots of people agreed with you. There 399 00:19:24,101 --> 00:19:27,182 Speaker 2: was something about sour dough being the logo for them. 400 00:19:27,182 --> 00:19:30,022 Speaker 3: Something about that there was an orange and blast. I 401 00:19:30,022 --> 00:19:32,021 Speaker 3: was like, I thought, this is how we played Easter Eggs. 402 00:19:32,061 --> 00:19:35,821 Speaker 1: Sour dough is the logo of any apparently. 403 00:19:36,341 --> 00:19:37,221 Speaker 2: Is anyway whatever. 404 00:19:37,542 --> 00:19:38,702 Speaker 3: We don't really understand. 405 00:19:38,742 --> 00:19:40,861 Speaker 2: She says she's definitely not going to and she's definitely 406 00:19:40,901 --> 00:19:41,542 Speaker 2: not going to. 407 00:19:41,542 --> 00:19:43,381 Speaker 3: Because Travis still plays. 408 00:19:43,462 --> 00:19:47,141 Speaker 2: She's hoping her man will be out there on the field, 409 00:19:47,742 --> 00:19:50,782 Speaker 2: like bashing into people and putting his skull at risk. 410 00:19:50,861 --> 00:19:53,621 Speaker 2: And she's like, I can't be working on my corrol. 411 00:19:53,901 --> 00:19:55,742 Speaker 3: Well, it's the kind of thing you say to throw 412 00:19:55,821 --> 00:19:57,542 Speaker 3: us off her scent. 413 00:19:59,022 --> 00:20:01,302 Speaker 2: I'm a bit stups never backsteaw. 414 00:20:01,341 --> 00:20:04,022 Speaker 3: I don't really understand Easter Eggs, but we just have 415 00:20:04,141 --> 00:20:07,502 Speaker 3: some fun with some theories, and ultimately they're very low steaks. 416 00:20:08,262 --> 00:20:11,262 Speaker 4: In a moment, would you have to pay your injectables? 417 00:20:11,702 --> 00:20:14,382 Speaker 4: We look into the dark side of buy now, pay 418 00:20:14,462 --> 00:20:21,741 Speaker 4: later culture. So, like everyone else, I've been listening to 419 00:20:21,982 --> 00:20:24,942 Speaker 4: Taylor's new album and there's a song on there called 420 00:20:24,942 --> 00:20:28,502 Speaker 4: Elizabeth Taylor, in which she sings, I would trade the 421 00:20:28,581 --> 00:20:33,022 Speaker 4: cartier for someone to trust talking about her now very famous, 422 00:20:33,581 --> 00:20:38,181 Speaker 4: very expensive Cartier watch that she also wore quite prominently 423 00:20:38,222 --> 00:20:40,502 Speaker 4: in her engagement photos with Travis Kelsey. 424 00:20:41,022 --> 00:20:42,782 Speaker 3: How much is a Cartier watch do you think? 425 00:20:42,821 --> 00:20:45,462 Speaker 4: So that exact model is no longer being sold new, 426 00:20:46,101 --> 00:20:49,262 Speaker 4: but vintage editions of it are going for upwards of 427 00:20:49,302 --> 00:20:52,421 Speaker 4: twenty thousand dollars or more, because of course everyone wants 428 00:20:52,422 --> 00:20:52,901 Speaker 4: one now. 429 00:20:53,462 --> 00:20:54,861 Speaker 1: And I love this watch. 430 00:20:54,901 --> 00:20:56,941 Speaker 4: When I saw in the engagement photos, I have a 431 00:20:56,982 --> 00:20:59,941 Speaker 4: really unattractive watch, Miya has in fact told me that 432 00:21:00,061 --> 00:21:03,702 Speaker 4: on occasion, and I'm aware of that. And I saw 433 00:21:03,742 --> 00:21:05,982 Speaker 4: these photos of her wearing the Cartier and I thought, 434 00:21:06,022 --> 00:21:07,061 Speaker 4: that's a nice watch. 435 00:21:07,262 --> 00:21:08,381 Speaker 1: Maybe I should look into it. 436 00:21:08,422 --> 00:21:09,542 Speaker 3: Maybe she got it from Zaz. 437 00:21:11,262 --> 00:21:12,101 Speaker 1: So I googled the. 438 00:21:12,141 --> 00:21:14,902 Speaker 4: Cartier watch and discovered that if I could even get 439 00:21:14,901 --> 00:21:17,461 Speaker 4: my hands on one, it would be twenty five thousand dollars. 440 00:21:17,542 --> 00:21:20,901 Speaker 4: But I could use one of these buy now, pay 441 00:21:20,982 --> 00:21:24,662 Speaker 4: later programs or services to pay just a little bit 442 00:21:24,782 --> 00:21:27,262 Speaker 4: now and then pay the rest of it off later. 443 00:21:27,462 --> 00:21:28,901 Speaker 3: Whatever could go wrong. 444 00:21:28,821 --> 00:21:31,741 Speaker 1: But you've seen these right in every checkout page for 445 00:21:31,782 --> 00:21:34,821 Speaker 1: an online shop, you see the opportunity to get the 446 00:21:34,861 --> 00:21:37,582 Speaker 1: product now, pay a little bit for it and then 447 00:21:37,661 --> 00:21:38,621 Speaker 1: pay it off later. 448 00:21:38,742 --> 00:21:40,661 Speaker 3: So for installments exactly. 449 00:21:40,742 --> 00:21:43,302 Speaker 4: So the various companies that do this after pays an 450 00:21:43,341 --> 00:21:46,782 Speaker 4: Australian one, there's also Zip, there's Klana. So you see 451 00:21:46,821 --> 00:21:50,141 Speaker 4: these companies on every checkout now. And the way that 452 00:21:50,141 --> 00:21:53,662 Speaker 4: it's different to old fashioned layby is layby was all 453 00:21:53,702 --> 00:21:57,742 Speaker 4: about paying gradually and then getting the product. But these 454 00:21:57,782 --> 00:22:01,421 Speaker 4: news services say you get the product and then you 455 00:22:01,542 --> 00:22:04,621 Speaker 4: pay for it. Buy now, pay later, much more attractive, 456 00:22:04,821 --> 00:22:08,901 Speaker 4: much more attractive. So I managed to avoid going into 457 00:22:09,141 --> 00:22:13,502 Speaker 4: debt for my Cartier. But sefer that is not to 458 00:22:13,542 --> 00:22:15,982 Speaker 4: say I have not been tempted before, and a generation 459 00:22:16,222 --> 00:22:19,061 Speaker 4: is now turning to buy now, pay later for everything 460 00:22:19,061 --> 00:22:22,101 Speaker 4: from botox to concert tickets, says a recent article in 461 00:22:22,101 --> 00:22:24,341 Speaker 4: the Wall Street Journal. I was staggered by these numbers. 462 00:22:24,422 --> 00:22:28,261 Speaker 4: Forty percent of Australians use these services regularly. Millennials make 463 00:22:28,341 --> 00:22:31,742 Speaker 4: up seventy five percent of users of these various services. 464 00:22:32,381 --> 00:22:35,662 Speaker 4: And a recent US study nailed the problem with them, 465 00:22:35,661 --> 00:22:38,741 Speaker 4: which is, yes, they're interest free if you pay them 466 00:22:38,782 --> 00:22:41,501 Speaker 4: off on time. They're not interest free if you end 467 00:22:41,581 --> 00:22:43,542 Speaker 4: up having to pay over a longer period, as a 468 00:22:43,542 --> 00:22:46,581 Speaker 4: lot of people do. And what these loans make you 469 00:22:46,661 --> 00:22:49,982 Speaker 4: do is buy things you would not have otherwise bought. 470 00:22:50,101 --> 00:22:51,542 Speaker 1: That's the sweet spot for them. 471 00:22:51,942 --> 00:22:54,742 Speaker 4: So various people interviewed in this Wall Street Journal article 472 00:22:54,782 --> 00:22:56,782 Speaker 4: on New York Times article on the subject was also 473 00:22:56,861 --> 00:23:00,382 Speaker 4: coming out recently. They've bought Harry style tickets, they've bought flights, 474 00:23:00,462 --> 00:23:03,421 Speaker 4: they've bought luxury lipsticks. We've talked about the Louis Vuitton 475 00:23:03,462 --> 00:23:05,782 Speaker 4: one hundred and eighty dollars lipstick. They're buying that on 476 00:23:05,821 --> 00:23:08,981 Speaker 4: the buy now, pay later the consumer psychology this is 477 00:23:09,022 --> 00:23:11,782 Speaker 4: really old. We all know I'd rather pay a dollar 478 00:23:11,821 --> 00:23:14,462 Speaker 4: a day for a year than three hundred and sixty 479 00:23:14,462 --> 00:23:16,621 Speaker 4: five dollars up front. But there does seem to be 480 00:23:16,742 --> 00:23:19,781 Speaker 4: something new in this idea that like, why did I 481 00:23:19,821 --> 00:23:21,462 Speaker 4: think I could buy a cashier watch? 482 00:23:21,502 --> 00:23:23,101 Speaker 1: Why was that even on my radar? 483 00:23:23,302 --> 00:23:25,581 Speaker 4: And why was it tempting for me to pay a 484 00:23:25,581 --> 00:23:27,742 Speaker 4: little bit now and then a lot later for it? 485 00:23:27,782 --> 00:23:28,061 Speaker 2: Holy? 486 00:23:28,262 --> 00:23:28,821 Speaker 1: Is this new? 487 00:23:29,661 --> 00:23:32,102 Speaker 2: Yes? And no, I think that. You know, we've used 488 00:23:32,101 --> 00:23:34,701 Speaker 2: that analogy before of walking through business class to get 489 00:23:34,742 --> 00:23:37,182 Speaker 2: to economy, and how you're always more pissed off about 490 00:23:37,222 --> 00:23:39,941 Speaker 2: sitting in economy if you've walked through business class first. 491 00:23:40,782 --> 00:23:43,821 Speaker 2: Now we do that for everything because of social media. 492 00:23:43,901 --> 00:23:46,782 Speaker 2: So I have never obviously set foot in a first 493 00:23:46,782 --> 00:23:50,101 Speaker 2: class airplane section what if we call it? So I 494 00:23:50,141 --> 00:23:53,942 Speaker 2: don't know what it's called. But because of TikTok and Instagram, 495 00:23:53,982 --> 00:23:55,141 Speaker 2: I know exactly what they look like. 496 00:23:55,302 --> 00:23:57,381 Speaker 3: Cabin cabin, that's the word we're looking for. 497 00:23:57,742 --> 00:24:00,981 Speaker 2: I've never set foot in the first class cabin of 498 00:24:01,022 --> 00:24:03,421 Speaker 2: an airplane, but because of Instagram TikTok, I know exactly 499 00:24:03,462 --> 00:24:05,262 Speaker 2: what they look like. I know about the fluffy beds 500 00:24:05,262 --> 00:24:07,381 Speaker 2: and about the door. I know about the caveat service. 501 00:24:07,422 --> 00:24:09,061 Speaker 2: I know about all these things. I could even tell 502 00:24:09,061 --> 00:24:11,462 Speaker 2: you that different airlines have different like yeah, I could 503 00:24:11,462 --> 00:24:12,061 Speaker 2: tell you I. 504 00:24:12,022 --> 00:24:14,902 Speaker 1: Know which one I want to fly first. 505 00:24:14,742 --> 00:24:17,581 Speaker 2: Which is never going to happen. I have never owned 506 00:24:17,661 --> 00:24:20,542 Speaker 2: a designer handbag, but I know exactly that a Minnie 507 00:24:20,621 --> 00:24:23,382 Speaker 2: Kelly is more expensive than the bigger bags, even though 508 00:24:23,782 --> 00:24:25,621 Speaker 2: you can't fit an iPhone in it. I know this 509 00:24:25,661 --> 00:24:28,022 Speaker 2: stuff because it's all on social media. So we all 510 00:24:28,101 --> 00:24:30,701 Speaker 2: now have to walk through business class to get to 511 00:24:30,742 --> 00:24:34,181 Speaker 2: economy on everything from healthcare to skin care to beauty 512 00:24:34,222 --> 00:24:37,821 Speaker 2: to lunch to holidays. Like that's what it feels like, right, Yes, 513 00:24:38,302 --> 00:24:43,181 Speaker 2: and so that's why I think this is so appealing 514 00:24:43,262 --> 00:24:46,381 Speaker 2: in this moment. It's obviously really appealing to any have 515 00:24:46,462 --> 00:24:48,462 Speaker 2: to pay small amounts when we're all in the cost 516 00:24:48,462 --> 00:24:51,542 Speaker 2: of living crisis and everything's expensive. I saw in that 517 00:24:51,581 --> 00:24:54,901 Speaker 2: New York Times piece that two thirds of Coachella tickets 518 00:24:54,942 --> 00:24:55,581 Speaker 2: are brought this way. 519 00:24:55,661 --> 00:24:56,021 Speaker 1: Wow. 520 00:24:56,061 --> 00:24:57,861 Speaker 2: So and that makes it. I mean, we all know 521 00:24:57,901 --> 00:24:59,702 Speaker 2: how expensive it is to go to a concert now, 522 00:24:59,742 --> 00:25:01,862 Speaker 2: to go to any kind of event that you want 523 00:25:01,901 --> 00:25:05,101 Speaker 2: to go to, and so it makes financial sense in 524 00:25:05,141 --> 00:25:08,861 Speaker 2: this kind of cost of living crisis, but also luxury 525 00:25:08,901 --> 00:25:11,462 Speaker 2: goods that are, to quote what Jesse Stevens would say, 526 00:25:11,621 --> 00:25:15,542 Speaker 2: none of our business, like most people's business. The Cardier watch, 527 00:25:15,742 --> 00:25:16,461 Speaker 2: why should we know? 528 00:25:16,661 --> 00:25:18,101 Speaker 3: You know what I mean, It's better if I don't. 529 00:25:18,141 --> 00:25:20,581 Speaker 2: It's better if I don't. Is now sort of it 530 00:25:20,661 --> 00:25:24,981 Speaker 2: appears to be democratized because it's everywhere and everybody seems 531 00:25:24,982 --> 00:25:27,381 Speaker 2: to be tiktoking about them all the time, but they 532 00:25:27,422 --> 00:25:28,702 Speaker 2: are still very exclusive. 533 00:25:28,861 --> 00:25:31,942 Speaker 3: And that's not an accident. Amelia as well, that you've 534 00:25:31,942 --> 00:25:34,941 Speaker 3: felt for a moment like that what should belong to you? 535 00:25:35,422 --> 00:25:38,821 Speaker 3: And that's because there's been all this analysis done on 536 00:25:38,901 --> 00:25:42,221 Speaker 3: the feminization of these brands. So there was an article 537 00:25:42,222 --> 00:25:45,061 Speaker 3: in the Atlantic that talked about how these are being 538 00:25:45,101 --> 00:25:49,101 Speaker 3: framed as cute debt and even the use of the 539 00:25:49,101 --> 00:25:53,702 Speaker 3: word cute is like, there's something very female about having 540 00:25:53,742 --> 00:25:54,821 Speaker 3: a little bit of shopping debts. 541 00:25:54,982 --> 00:25:56,502 Speaker 1: Yeah, that's fine indulgence. 542 00:25:56,621 --> 00:25:59,302 Speaker 4: There's actually an afterpay ad that reads, eat the whole 543 00:25:59,341 --> 00:26:02,581 Speaker 4: tub of ice cream and spread the calories over six weeks. 544 00:26:02,621 --> 00:26:05,821 Speaker 3: Like that's a female code. It's a girl math, Yes, exactly. 545 00:26:06,661 --> 00:26:09,861 Speaker 3: There's also the cash app in the US and it 546 00:26:09,901 --> 00:26:13,222 Speaker 3: said little payments are so much cuter. And that's when 547 00:26:13,262 --> 00:26:16,981 Speaker 3: this writer named Annie Joy Williams looked at it and went, Okay, 548 00:26:17,022 --> 00:26:20,621 Speaker 3: this is not for men. And even Klana the brand 549 00:26:20,661 --> 00:26:22,461 Speaker 3: for a little while. I'm not sure if it still is, 550 00:26:22,462 --> 00:26:24,462 Speaker 3: but it was pink and one of the people who 551 00:26:24,502 --> 00:26:27,022 Speaker 3: was promoting it was Paris Hilton. It was this idea 552 00:26:27,141 --> 00:26:30,302 Speaker 3: that like, women are entitled to those little treats. 553 00:26:30,381 --> 00:26:31,581 Speaker 1: It's about treating yourself. 554 00:26:31,581 --> 00:26:33,821 Speaker 4: In fact, let's have a listen to the way that 555 00:26:33,861 --> 00:26:36,821 Speaker 4: this shows up on social media and on TikTok. 556 00:26:37,182 --> 00:26:38,861 Speaker 3: The payday sales got me good. 557 00:26:39,022 --> 00:26:44,621 Speaker 4: Okay, after paydays, say anyone else fall victim to after 558 00:26:44,661 --> 00:26:47,462 Speaker 4: payday sales because I assured it it's. 559 00:26:47,022 --> 00:26:50,182 Speaker 2: So dangerous because it's not new in that debt and 560 00:26:50,262 --> 00:26:53,302 Speaker 2: credit card debt has obviously often been marketed to the 561 00:26:53,341 --> 00:26:56,461 Speaker 2: youth market, but now it's much more stringent rules about that. 562 00:26:56,742 --> 00:27:00,461 Speaker 2: And in Australia the biden now pay later industry is 563 00:27:00,502 --> 00:27:02,581 Speaker 2: subject to pretty strict rules. This year they change the 564 00:27:02,661 --> 00:27:05,302 Speaker 2: rules on it, but still the marketing of it is 565 00:27:05,341 --> 00:27:08,542 Speaker 2: the wild West on social media, no question. And if 566 00:27:08,542 --> 00:27:11,742 Speaker 2: you're susceptible to that kind of mindset, and I certainly was. 567 00:27:11,782 --> 00:27:14,302 Speaker 2: I've spoken about this before on the show that when 568 00:27:14,341 --> 00:27:17,582 Speaker 2: I was younger, credit card debt that was a massive 569 00:27:17,581 --> 00:27:19,982 Speaker 2: problem for me. In this article, one of the women 570 00:27:20,022 --> 00:27:23,901 Speaker 2: interview talked about buying something on after pay for the 571 00:27:23,901 --> 00:27:26,341 Speaker 2: first time, and she says taking home such a treasure 572 00:27:26,742 --> 00:27:29,861 Speaker 2: for only a small cost upfront felt like stumbling across 573 00:27:29,901 --> 00:27:33,581 Speaker 2: a cheat code, a kind of unlock. And that is 574 00:27:33,742 --> 00:27:37,981 Speaker 2: exactly how I remember feeling when I first bought a 575 00:27:37,982 --> 00:27:39,902 Speaker 2: pair of genes on credit card for the first time, 576 00:27:40,022 --> 00:27:42,782 Speaker 2: Like putting that card down knowing I didn't have the 577 00:27:42,821 --> 00:27:45,981 Speaker 2: money for the genes and walking out with those genes, 578 00:27:46,581 --> 00:27:49,181 Speaker 2: it unlocked something in my brain. It's not anything to 579 00:27:49,222 --> 00:27:51,221 Speaker 2: be proud of. I'm sure it's you know, to do 580 00:27:51,262 --> 00:27:53,862 Speaker 2: with your makeup in lots of ways that then went 581 00:27:53,901 --> 00:27:56,101 Speaker 2: on to have really serious repercusions. For me, I got 582 00:27:56,101 --> 00:27:58,182 Speaker 2: in so much credit card debt when I was young. 583 00:27:58,542 --> 00:28:00,542 Speaker 2: It came back to bite me later in life. It 584 00:28:00,661 --> 00:28:03,501 Speaker 2: still plays out sometimes. My attitude to money can be 585 00:28:03,621 --> 00:28:07,262 Speaker 2: terrible and if you're susceptible to that, because some people aren't, 586 00:28:07,262 --> 00:28:09,061 Speaker 2: they're like, I'm scared of debt. I never want to 587 00:28:09,061 --> 00:28:11,861 Speaker 2: get a debt. And the marketing of this doesn't talk 588 00:28:11,901 --> 00:28:14,861 Speaker 2: about debt noticing no, because dad is a big scary word, 589 00:28:14,901 --> 00:28:17,981 Speaker 2: particularly in a tight economy. But this is all little treats. 590 00:28:18,022 --> 00:28:22,902 Speaker 2: But if you are susceptible to that kind of instant gratification, 591 00:28:23,222 --> 00:28:27,542 Speaker 2: that kind of delaying the inevitable, then this can be 592 00:28:27,581 --> 00:28:28,302 Speaker 2: really dangerous. 593 00:28:28,341 --> 00:28:29,742 Speaker 3: And that's the thing is that a lot of these 594 00:28:29,901 --> 00:28:31,942 Speaker 3: I guess you'd call them products, but they have been 595 00:28:32,462 --> 00:28:35,341 Speaker 3: marketed as the anti credit card because they're going, well, 596 00:28:35,462 --> 00:28:37,542 Speaker 3: if you did the credit card, then you'd be paying interest, 597 00:28:37,542 --> 00:28:39,102 Speaker 3: and with us, you're not. You just have to do 598 00:28:39,142 --> 00:28:42,542 Speaker 3: your FOURGN installments or whatever. If you're putting a lot 599 00:28:42,622 --> 00:28:45,422 Speaker 3: of products on this then I don't think a lot 600 00:28:45,462 --> 00:28:49,142 Speaker 3: of us, if we're honest, have a totally transparent relationship 601 00:28:49,182 --> 00:28:52,182 Speaker 3: with how much we're spending, because when you spend four 602 00:28:52,222 --> 00:28:54,102 Speaker 3: hundred dollars, it is the same as spending four dollars. 603 00:28:54,142 --> 00:28:55,902 Speaker 3: It's just tap tap tap tap tap tap tap, like 604 00:28:56,222 --> 00:28:59,782 Speaker 3: all the time. And I can avoid looking at my 605 00:29:00,542 --> 00:29:03,181 Speaker 3: bank account if I want, like I don't have to 606 00:29:03,622 --> 00:29:05,822 Speaker 3: even go to an ATM and discover that I've got nothing. 607 00:29:05,862 --> 00:29:08,142 Speaker 3: I used to have to look at how much was left, 608 00:29:08,422 --> 00:29:10,462 Speaker 3: and now you can just kind of put your hands 609 00:29:10,462 --> 00:29:12,742 Speaker 3: over your eyes and ignore it, which is a very 610 00:29:12,822 --> 00:29:16,741 Speaker 3: dangerous way to live. And it also normalizes living a 611 00:29:16,822 --> 00:29:19,702 Speaker 3: life of debt, basically putting your whole life in debt. 612 00:29:19,942 --> 00:29:21,862 Speaker 4: And you can also tell that we're in a real 613 00:29:21,942 --> 00:29:26,181 Speaker 4: moment of people embracing this because these companies tried to 614 00:29:26,222 --> 00:29:29,862 Speaker 4: market themselves as different from credit cards, and now credit 615 00:29:29,862 --> 00:29:32,862 Speaker 4: cards and traditional banks are getting in on the buy now, 616 00:29:32,942 --> 00:29:35,941 Speaker 4: pay later scheme because they've recognized that you can collect 617 00:29:35,982 --> 00:29:39,022 Speaker 4: a lot of interest from people when they don't fully 618 00:29:39,102 --> 00:29:41,542 Speaker 4: understand where and when the money is getting taken out 619 00:29:41,582 --> 00:29:44,262 Speaker 4: of their bank account. But I wanted to talk about 620 00:29:44,342 --> 00:29:47,142 Speaker 4: why this is happening in this moment, because Holly, I 621 00:29:47,182 --> 00:29:49,501 Speaker 4: couldn't agree with you more. That feeling of when you 622 00:29:49,582 --> 00:29:51,781 Speaker 4: first are spending on a credit card and doing it 623 00:29:51,822 --> 00:29:54,702 Speaker 4: recklessly as a young person, and buying jeans and buying 624 00:29:54,942 --> 00:29:57,342 Speaker 4: I remember I bought a new Mew handbag back in 625 00:29:57,342 --> 00:29:59,502 Speaker 4: the day that I definitely could not have afforded, which 626 00:29:59,542 --> 00:30:01,382 Speaker 4: I put on a credit card, which then got me 627 00:30:01,422 --> 00:30:03,902 Speaker 4: into trouble later. But I think what's new about this 628 00:30:04,062 --> 00:30:07,542 Speaker 4: is a couple of deeper cultural vibes that. 629 00:30:07,422 --> 00:30:08,421 Speaker 1: Are kind of fueling it. 630 00:30:08,542 --> 00:30:10,422 Speaker 4: So we all got into the but of buying things 631 00:30:10,422 --> 00:30:13,142 Speaker 4: to lift our mood in the pandemic, and now that's 632 00:30:13,182 --> 00:30:16,102 Speaker 4: continued as things like groceries get more and more out 633 00:30:16,142 --> 00:30:16,582 Speaker 4: of reach. 634 00:30:16,902 --> 00:30:18,981 Speaker 1: We all need fun money. We all feel like we 635 00:30:19,062 --> 00:30:20,062 Speaker 1: deserve fun money. 636 00:30:20,422 --> 00:30:23,302 Speaker 4: And then there's that notion of financial manifestation that's also 637 00:30:23,342 --> 00:30:26,822 Speaker 4: really big on TikTok, the abundance mentality. You remember Ronda 638 00:30:26,862 --> 00:30:28,942 Speaker 4: Burns The Secret, that book that came out in two 639 00:30:28,942 --> 00:30:31,501 Speaker 4: thousand and four, which led to people thinking that if 640 00:30:31,542 --> 00:30:33,941 Speaker 4: you lived beyond your means and if you put that 641 00:30:34,062 --> 00:30:37,222 Speaker 4: out into the universe enough, that would lead to financial success. 642 00:30:37,382 --> 00:30:39,542 Speaker 4: And I think we're seeing that play out now in 643 00:30:39,582 --> 00:30:41,181 Speaker 4: the way people are spending money. 644 00:30:41,462 --> 00:30:44,542 Speaker 3: I write about this in my most recent book in 645 00:30:44,622 --> 00:30:48,782 Speaker 3: Terms of Class, Right, there's almost this rising class consciousness 646 00:30:48,822 --> 00:30:51,862 Speaker 3: a lot of our upbringings, I think, particularly in Australia, 647 00:30:51,902 --> 00:30:54,941 Speaker 3: from suburbs to schools, you are surrounded by people who 648 00:30:54,942 --> 00:30:58,062 Speaker 3: are in your class and who probably have a similar 649 00:30:58,102 --> 00:31:02,382 Speaker 3: amount of money to you, and it feels quite comforting 650 00:31:02,862 --> 00:31:06,102 Speaker 3: because at my school no one had designer items and 651 00:31:06,142 --> 00:31:06,862 Speaker 3: no one went. 652 00:31:06,742 --> 00:31:09,261 Speaker 1: To Aspen a drunk elephant hadn't even been invved. 653 00:31:09,862 --> 00:31:12,262 Speaker 3: So I was quite comfortable and just kind of went 654 00:31:12,302 --> 00:31:16,062 Speaker 3: all right, this is how my people and my sphere, 655 00:31:16,182 --> 00:31:17,742 Speaker 3: my milu whatever lives. 656 00:31:17,822 --> 00:31:20,382 Speaker 1: Yeah, I've big indulgences, were like maybe this thing I've. 657 00:31:20,222 --> 00:31:23,182 Speaker 4: Scrub Yeah, maybe a bit of fudge hair color exactly, 658 00:31:23,222 --> 00:31:24,622 Speaker 4: which you could buy at the supermarket. 659 00:31:24,661 --> 00:31:27,462 Speaker 3: Yes, whatever was at Wilworth. And then you go out 660 00:31:27,502 --> 00:31:30,342 Speaker 3: into the world and this was I guess pre social media, 661 00:31:30,822 --> 00:31:32,822 Speaker 3: and I went, oh, my goodness. 662 00:31:32,422 --> 00:31:33,382 Speaker 1: This is wow. 663 00:31:34,102 --> 00:31:36,382 Speaker 3: As you were saying, it's like those walls have kind 664 00:31:36,462 --> 00:31:39,622 Speaker 3: of come down and we've got this insight almost into 665 00:31:39,661 --> 00:31:43,062 Speaker 3: other people's homes constantly, and sometimes I worry that that's 666 00:31:43,062 --> 00:31:45,182 Speaker 3: a bad thing. It's the nune of my business. 667 00:31:45,102 --> 00:31:46,981 Speaker 2: It is, And well it's not a bad thing. I 668 00:31:46,982 --> 00:31:49,181 Speaker 2: think it's in many ways, it's probably an eye opening, 669 00:31:49,382 --> 00:31:51,181 Speaker 2: motivating thing. And when I say that, I don't mean 670 00:31:51,222 --> 00:31:53,502 Speaker 2: to work crowd or I mean to understand how the 671 00:31:53,542 --> 00:31:57,942 Speaker 2: world works. Yeah, but to the manifesting point is really interesting. 672 00:31:58,102 --> 00:32:00,142 Speaker 2: You know, we talked a while ago about that really 673 00:32:00,222 --> 00:32:03,582 Speaker 2: rich influencer, Becka Bloom. Yeah, and there's a whole rich 674 00:32:03,702 --> 00:32:07,062 Speaker 2: talk thing, right, and I had never really stepped into 675 00:32:07,062 --> 00:32:09,102 Speaker 2: that until we had that conversation and I needed to 676 00:32:09,102 --> 00:32:11,542 Speaker 2: go and find becker Bloom was and now I watch 677 00:32:11,542 --> 00:32:14,941 Speaker 2: her quite often. But what we were talking about on 678 00:32:14,982 --> 00:32:17,342 Speaker 2: that is that there wasn't a lot of vitriol directed 679 00:32:17,422 --> 00:32:20,102 Speaker 2: towards her. There's actually quite a lot of goodwill because 680 00:32:20,102 --> 00:32:22,941 Speaker 2: there's something almost soothing about the way that she does that. 681 00:32:23,502 --> 00:32:26,742 Speaker 2: But I also think that it's true that people feel 682 00:32:26,782 --> 00:32:29,941 Speaker 2: like if I can present a tiny bit of that, 683 00:32:29,942 --> 00:32:32,981 Speaker 2: that lifestyle might come my way. We also spoke recently, 684 00:32:33,022 --> 00:32:37,022 Speaker 2: remember about how dressing for work is back, like dress 685 00:32:37,062 --> 00:32:38,862 Speaker 2: for the job you want is back, and all those 686 00:32:38,942 --> 00:32:42,622 Speaker 2: kind of things, And there's sort of a confidence that 687 00:32:42,661 --> 00:32:45,741 Speaker 2: we're encouraging about you know, you need to look a 688 00:32:45,742 --> 00:32:48,742 Speaker 2: certain way, act a certain way, act rich to get rich, 689 00:32:48,782 --> 00:32:51,461 Speaker 2: all of those kind of things that I think is 690 00:32:51,622 --> 00:32:54,221 Speaker 2: very appealing because it all gives you just all this 691 00:32:54,382 --> 00:32:57,662 Speaker 2: list of excuses for if you are as I certainly 692 00:32:57,702 --> 00:33:01,661 Speaker 2: am and was more so susceptible to recklessness when it 693 00:33:01,702 --> 00:33:04,342 Speaker 2: comes to money. And it's really important to make the 694 00:33:04,342 --> 00:33:07,542 Speaker 2: distinction here that in difficult economic times, which were certainly 695 00:33:07,542 --> 00:33:10,022 Speaker 2: in now, some people are using by now later to 696 00:33:10,022 --> 00:33:12,382 Speaker 2: buy their basics. That's a different ballgame that says a 697 00:33:12,382 --> 00:33:16,302 Speaker 2: lot about the economy. What we're discussing really is not 698 00:33:16,422 --> 00:33:19,661 Speaker 2: about that, but more, as you say, the curtain dropping 699 00:33:19,702 --> 00:33:22,302 Speaker 2: on this other life, this luxurious life that we all 700 00:33:22,302 --> 00:33:24,421 Speaker 2: feel we should have a part of, as you've already 701 00:33:24,462 --> 00:33:28,181 Speaker 2: alluded to, Amelia, like skin care and beauty things that 702 00:33:28,702 --> 00:33:31,102 Speaker 2: again used to beat the idea. When I was younger, 703 00:33:31,142 --> 00:33:33,822 Speaker 2: there used to be these mythical brands, you know, like 704 00:33:33,942 --> 00:33:37,701 Speaker 2: Lemur or whatever, that were for very rich ladies in 705 00:33:37,902 --> 00:33:40,942 Speaker 2: very fancy spas, and you were never getting anywhere near 706 00:33:40,982 --> 00:33:44,622 Speaker 2: that stuff. And now, as we've talked about twelve year 707 00:33:44,661 --> 00:33:48,661 Speaker 2: olds in Sephora, you know, it's it's really interesting a 708 00:33:49,142 --> 00:33:50,221 Speaker 2: piece of a lifestyle. 709 00:33:50,342 --> 00:33:53,542 Speaker 3: Can I ask how you stopped with the credit cards? 710 00:33:53,702 --> 00:33:54,102 Speaker 1: What do you do? 711 00:33:54,262 --> 00:33:56,582 Speaker 2: I was forced into it. This is a personal story, 712 00:33:56,622 --> 00:34:00,062 Speaker 2: but it's true that I was very reckless with money. 713 00:34:00,622 --> 00:34:02,542 Speaker 2: I don't know what like. I'm sure a therapist can 714 00:34:02,582 --> 00:34:04,862 Speaker 2: tell me why. But I was reckless with money, and 715 00:34:04,902 --> 00:34:09,982 Speaker 2: I also was very avoidant of dealing with it. When 716 00:34:10,022 --> 00:34:12,702 Speaker 2: I got together with Brent and we kind of merged 717 00:34:12,702 --> 00:34:15,181 Speaker 2: our lives, one of the most shameful moments of my 718 00:34:15,262 --> 00:34:17,661 Speaker 2: life was having to sit down and tell him how 719 00:34:17,741 --> 00:34:18,261 Speaker 2: much did I. 720 00:34:18,382 --> 00:34:20,462 Speaker 3: That seems like a really common in a lot of 721 00:34:20,462 --> 00:34:22,502 Speaker 3: these articles. I read that it was a partner where 722 00:34:22,542 --> 00:34:24,861 Speaker 3: they had to almost confess and go by the way 723 00:34:25,221 --> 00:34:26,261 Speaker 3: I mean fifty K. 724 00:34:27,261 --> 00:34:32,582 Speaker 4: And also that avoidant idea because these services automatically withdraw 725 00:34:32,741 --> 00:34:36,582 Speaker 4: the amount from your bank account, they're playing on people 726 00:34:36,661 --> 00:34:38,741 Speaker 4: who don't want to think about it. Yes, because you 727 00:34:38,822 --> 00:34:40,781 Speaker 4: don't have to think about it, they're going to take 728 00:34:40,822 --> 00:34:42,862 Speaker 4: it out whether you like it or not. What I 729 00:34:42,942 --> 00:34:45,741 Speaker 4: keep coming back to, Holly, is your genius analogy about 730 00:34:45,781 --> 00:34:48,341 Speaker 4: business class. The one way I would change it is 731 00:34:48,382 --> 00:34:50,582 Speaker 4: I actually think it's not so much that we're now 732 00:34:50,822 --> 00:34:53,982 Speaker 4: all being exposed to business class. We're all being exposed 733 00:34:54,022 --> 00:34:56,181 Speaker 4: to first class. And if you think about the way 734 00:34:56,422 --> 00:35:00,142 Speaker 4: international flights are structured, we don't walk through first now 735 00:35:00,622 --> 00:35:01,102 Speaker 4: or economy. 736 00:35:01,181 --> 00:35:03,462 Speaker 2: That's one of the appeals of first classic. The plubs 737 00:35:03,502 --> 00:35:05,102 Speaker 2: won't walk through the sack at you and go. 738 00:35:05,142 --> 00:35:08,582 Speaker 4: Oh, but now we're all walking through first class. 739 00:35:08,582 --> 00:35:10,902 Speaker 3: When I learned that could lay down on a plane, 740 00:35:11,102 --> 00:35:14,742 Speaker 3: I thought, when I've been sitting in economy after twelve hours, 741 00:35:14,822 --> 00:35:18,022 Speaker 3: if you told me I could pay even five hundred 742 00:35:18,062 --> 00:35:20,741 Speaker 3: bucks a day to get that bed, I'd pay it. 743 00:35:20,781 --> 00:35:26,421 Speaker 2: No half. Megan Duchess went to Paris for a lovely weekend. 744 00:35:27,022 --> 00:35:27,661 Speaker 1: No one needs it. 745 00:35:28,942 --> 00:35:32,421 Speaker 2: She went to Paris and had a lovely time. That's 746 00:35:32,462 --> 00:35:33,062 Speaker 2: my head line. 747 00:35:33,102 --> 00:35:36,942 Speaker 3: Do you think that she flew first mate, she flew private? 748 00:35:37,062 --> 00:35:38,142 Speaker 3: Come on, I care. 749 00:35:38,221 --> 00:35:40,582 Speaker 2: That's the whole other thing. We're never getting on those planes. 750 00:35:40,622 --> 00:35:43,022 Speaker 4: What I'm worried about is that she wore this all 751 00:35:43,062 --> 00:35:46,542 Speaker 4: white outfit with the sort of scarf attached. Yes, And 752 00:35:46,582 --> 00:35:48,901 Speaker 4: I just kept thinking about being in Paris with all 753 00:35:48,902 --> 00:35:51,062 Speaker 4: the red wine in her all white house. 754 00:35:52,022 --> 00:35:53,062 Speaker 1: Did you have a tied pin. 755 00:35:56,102 --> 00:35:59,142 Speaker 2: I'm only telling you about this because it signaled a 756 00:35:59,181 --> 00:36:01,221 Speaker 2: bit of a new era. I think in terms of 757 00:36:01,302 --> 00:36:04,142 Speaker 2: Meg's world, because we've been Mia always says that this. 758 00:36:04,302 --> 00:36:06,462 Speaker 2: She always says she wants to be a celebrity and 759 00:36:06,462 --> 00:36:08,102 Speaker 2: just let the woman be a celebrity, but she kind 760 00:36:08,102 --> 00:36:10,382 Speaker 2: of hasn't been able to because she's royal adjacent. So 761 00:36:10,902 --> 00:36:13,342 Speaker 2: this was the first time I can remember for ages 762 00:36:13,862 --> 00:36:15,821 Speaker 2: where she just went and did a celebrity thing because 763 00:36:15,822 --> 00:36:18,062 Speaker 2: she got invited by the designer. She kinds of knows him. 764 00:36:18,142 --> 00:36:20,462 Speaker 2: It was his first show for Balanciaga. I don't really 765 00:36:20,502 --> 00:36:22,661 Speaker 2: understand what any of that means. She's worked with him 766 00:36:22,661 --> 00:36:25,861 Speaker 2: a long time. He swept Valentino whatever, one of my 767 00:36:25,902 --> 00:36:30,781 Speaker 2: business and he invited her to come. We call it 768 00:36:30,862 --> 00:36:33,422 Speaker 2: a jolly, you know, a jolly a for mill almost 769 00:36:33,582 --> 00:36:36,462 Speaker 2: like a book. It's a book. It's like you come, Megs, 770 00:36:36,741 --> 00:36:37,502 Speaker 2: sit front row. 771 00:36:37,661 --> 00:36:39,142 Speaker 3: So her name was just on the door. 772 00:36:39,221 --> 00:36:41,661 Speaker 2: Yeah, she wasn't like walking the catwalk rightd of things. 773 00:36:41,661 --> 00:36:43,102 Speaker 2: She was just going to be there and be one 774 00:36:43,102 --> 00:36:45,102 Speaker 2: of the famous people there. All the famous people do it, 775 00:36:45,382 --> 00:36:46,821 Speaker 2: And this is the first time I've seen her just 776 00:36:46,862 --> 00:36:48,862 Speaker 2: go and have a little bit of fun. She posted 777 00:36:48,902 --> 00:36:53,661 Speaker 2: an excellently basic video about here's my breakfast in the hotel. 778 00:36:53,781 --> 00:36:55,862 Speaker 2: Here's my view out the window. She was definitely staying 779 00:36:55,862 --> 00:36:58,341 Speaker 2: in that really fancy one that Taylor Swift stays in. 780 00:36:58,701 --> 00:37:00,702 Speaker 2: And here's what I wore, and here and my shoes, 781 00:37:00,701 --> 00:37:02,781 Speaker 2: and here's my hair. And it was lovely. But that's 782 00:37:02,822 --> 00:37:04,341 Speaker 2: not what everybody said, was it, Jesse. 783 00:37:04,661 --> 00:37:06,861 Speaker 3: There are a few headlines, Oh my god, o that woman, 784 00:37:06,942 --> 00:37:10,502 Speaker 3: the poor woman. So she allegedly laughs at a model 785 00:37:10,741 --> 00:37:11,862 Speaker 3: falling over on the catwalk. 786 00:37:12,302 --> 00:37:14,221 Speaker 2: Would she's not me with the Magpie boy. 787 00:37:14,302 --> 00:37:16,542 Speaker 3: No, well you would have. That's why you're not invited. 788 00:37:16,982 --> 00:37:19,582 Speaker 3: But there's a picture of her smirking with no context, 789 00:37:19,902 --> 00:37:22,221 Speaker 3: and someone has found a model falling over and they're like, 790 00:37:22,261 --> 00:37:26,742 Speaker 3: there we go, Megan markleks pointing and laughing. She also 791 00:37:27,142 --> 00:37:29,542 Speaker 3: went to the Balenciaga show, which is a big no 792 00:37:29,542 --> 00:37:32,421 Speaker 3: no because she got invited to get well three years 793 00:37:32,462 --> 00:37:37,662 Speaker 3: ago Balenciaga had two controversial campaigns, so now apparently people 794 00:37:37,661 --> 00:37:39,181 Speaker 3: are like, I thought you cared about. 795 00:37:39,062 --> 00:37:42,982 Speaker 2: Children, even though it's now a completely different person. Yes, sure, yeah, terrible, 796 00:37:43,022 --> 00:37:43,861 Speaker 2: what a terrible human. 797 00:37:43,982 --> 00:37:46,261 Speaker 3: There is more. There is a video of her in 798 00:37:46,302 --> 00:37:49,142 Speaker 3: a limo with her feet on the seat, which was 799 00:37:49,142 --> 00:37:51,222 Speaker 3: seen as disrespectful, but wait the limo. 800 00:37:51,542 --> 00:37:55,022 Speaker 2: Yes, disrespectful celebrities have done more disrespectful things than that 801 00:37:55,062 --> 00:37:55,582 Speaker 2: in a limo. 802 00:37:55,741 --> 00:37:59,862 Speaker 3: Yeah, this limo was only streets away from where lady 803 00:37:59,902 --> 00:38:04,502 Speaker 3: died died, And how dare you have your feet up 804 00:38:05,382 --> 00:38:07,181 Speaker 3: in a way that suggests you up? 805 00:38:07,302 --> 00:38:10,062 Speaker 1: I'm sorry, I think it was weird. I think it 806 00:38:10,102 --> 00:38:10,542 Speaker 1: was weird. 807 00:38:10,822 --> 00:38:10,982 Speaker 4: All. 808 00:38:11,181 --> 00:38:12,821 Speaker 2: Paris is only streets away from. 809 00:38:12,781 --> 00:38:15,582 Speaker 4: That time, and her husband's not the feed up. But 810 00:38:15,741 --> 00:38:18,062 Speaker 4: when I saw that video, my first thought was, you 811 00:38:18,142 --> 00:38:20,741 Speaker 4: took a video of you in the back of a 812 00:38:20,862 --> 00:38:23,221 Speaker 4: car speeding through the streets of Paris. 813 00:38:23,502 --> 00:38:26,902 Speaker 3: No, I just think that at all. 814 00:38:27,181 --> 00:38:30,261 Speaker 2: Okay, well, a lot of the car I think speeding 815 00:38:30,342 --> 00:38:31,382 Speaker 2: is you know, an add on? 816 00:38:31,661 --> 00:38:35,181 Speaker 3: Okay. Apparently she also walked in a way that reminded 817 00:38:35,181 --> 00:38:37,902 Speaker 3: people of Zooland and the comments said. 818 00:38:38,181 --> 00:38:40,462 Speaker 1: I don't know how zoo Lander woked. 819 00:38:40,261 --> 00:38:42,821 Speaker 3: Like an exaggerated model, and they were like, Megan, you're 820 00:38:42,862 --> 00:38:45,862 Speaker 3: not a model, You're just a guest. Then the body 821 00:38:45,902 --> 00:38:48,341 Speaker 3: language experts came because that's what they had to do. 822 00:38:48,342 --> 00:38:49,342 Speaker 3: They ran out of headline. 823 00:38:49,542 --> 00:38:52,182 Speaker 4: I am so excited to become a body language expert 824 00:38:52,221 --> 00:38:52,941 Speaker 4: later in my life. 825 00:38:52,982 --> 00:38:55,142 Speaker 3: You would be so good at it because this body 826 00:38:55,221 --> 00:38:56,062 Speaker 3: language experts. 827 00:38:56,302 --> 00:38:58,502 Speaker 1: It's good for people who like making mountains out of 828 00:38:58,542 --> 00:38:59,142 Speaker 1: molehills and. 829 00:38:59,221 --> 00:39:04,102 Speaker 3: Just looking at photos of fa exactly. So apparently she 830 00:39:04,302 --> 00:39:09,301 Speaker 3: looked anxious and uncomfortable allegedly, and you may did anyone 831 00:39:09,342 --> 00:39:12,341 Speaker 3: else the video of the awkward kiss with her friend. 832 00:39:12,261 --> 00:39:14,342 Speaker 1: Oh did you see that? The kiss with Anna Windjaw? 833 00:39:14,622 --> 00:39:15,942 Speaker 1: They looked like they were chummy. 834 00:39:16,062 --> 00:39:17,901 Speaker 3: This was like they went in both ways and then 835 00:39:17,902 --> 00:39:19,862 Speaker 3: maybe they accidentally confusing. 836 00:39:20,181 --> 00:39:22,902 Speaker 2: Yeah, they hadn't read the etiquette guide once on the left. 837 00:39:23,022 --> 00:39:26,941 Speaker 3: That's it exactly, she did that wrong. And also apparently 838 00:39:27,342 --> 00:39:30,902 Speaker 3: she was a bit flirty because she was walking towards 839 00:39:30,902 --> 00:39:32,622 Speaker 3: a car and then she turned around in a way 840 00:39:32,661 --> 00:39:33,462 Speaker 3: that felt dramatic. 841 00:39:33,701 --> 00:39:35,502 Speaker 1: I have to say, I think that this was a 842 00:39:35,542 --> 00:39:39,502 Speaker 1: triumph for her. It really was. Notwithstanding at tabloid headlines. 843 00:39:39,542 --> 00:39:41,582 Speaker 4: I thought she looked fabulous, But also what was really 844 00:39:41,622 --> 00:39:44,181 Speaker 4: interesting was her star power when you compared it to 845 00:39:44,422 --> 00:39:46,622 Speaker 4: As Holly mentioned, there were lots of other celebrities there, 846 00:39:46,661 --> 00:39:49,182 Speaker 4: including Nicole Kidman. In one of her very first public 847 00:39:49,181 --> 00:39:52,021 Speaker 4: appearances since the announcement of her separation from Keith Urban. 848 00:39:52,462 --> 00:39:55,062 Speaker 4: She went to Paris for the Chanelle Show with her daughters. 849 00:39:55,181 --> 00:39:58,462 Speaker 4: And what I thought was interesting is that Megan fashion 850 00:39:58,502 --> 00:40:02,022 Speaker 4: commentator said she was indisputably the biggest star at Paris 851 00:40:02,022 --> 00:40:03,181 Speaker 4: Fashion Week and. 852 00:40:03,181 --> 00:40:06,062 Speaker 3: She wasn't there with Harry. She was there, yes, so she's. 853 00:40:05,942 --> 00:40:07,142 Speaker 1: Ready for her celebrity era. 854 00:40:07,221 --> 00:40:09,422 Speaker 2: She is right. I think she's ready for her celebrity era. 855 00:40:09,741 --> 00:40:13,062 Speaker 2: And I love how many different stories one can pull 856 00:40:13,302 --> 00:40:15,701 Speaker 2: out of a very short video of a woman going, 857 00:40:15,741 --> 00:40:19,821 Speaker 2: look at my breakfast in Paris? Anyway, that's awesome in 858 00:40:19,902 --> 00:40:24,062 Speaker 2: a moment. More scorelous gossip. I have an unpopular opinion 859 00:40:24,701 --> 00:40:28,822 Speaker 2: there are some exes who should not be friends, also 860 00:40:28,942 --> 00:40:31,781 Speaker 2: known as why Ben Affleck and j Loo shouldn't be 861 00:40:31,862 --> 00:40:33,182 Speaker 2: on that red carpet together? 862 00:40:33,261 --> 00:40:37,902 Speaker 3: This week one unlimited out Loud Access. We drop episodes 863 00:40:37,982 --> 00:40:41,941 Speaker 3: every Tuesday and Thursday exclusively for Mum and Maya subscribers. 864 00:40:42,422 --> 00:40:44,502 Speaker 3: Follow the link in the show notes to get us 865 00:40:44,502 --> 00:40:47,262 Speaker 3: in your ears five days a week, and a huge 866 00:40:47,302 --> 00:40:49,341 Speaker 3: thank you to all our current subscribers. 867 00:40:54,302 --> 00:40:59,782 Speaker 2: Friends, schorelous time, but based on facts right, As I said, 868 00:40:59,902 --> 00:41:01,501 Speaker 2: I don't know if we're all ready to go through 869 00:41:01,502 --> 00:41:04,901 Speaker 2: this again. So let's hold hands. But someone needs to 870 00:41:04,942 --> 00:41:10,261 Speaker 2: call j Loo's zodiacal council. Remember do you remember in 871 00:41:10,982 --> 00:41:16,182 Speaker 2: Jayla's amazing self created movie This Is Me Now, Yes, 872 00:41:16,462 --> 00:41:19,861 Speaker 2: she had a celebrity panel representing the zodiac giving her 873 00:41:19,942 --> 00:41:22,862 Speaker 2: love life advice. Trevor Nowah there, Yes, or a dream 874 00:41:24,102 --> 00:41:26,741 Speaker 2: it seems like a fever dream post. Malone was there, 875 00:41:26,862 --> 00:41:30,502 Speaker 2: Jane Fonda was there. Is such a strange group and 876 00:41:30,542 --> 00:41:33,981 Speaker 2: they were all saying things like no, don't and yes, 877 00:41:34,102 --> 00:41:37,422 Speaker 2: do whatever and basically directing Jayla's life. Well, they've obviously 878 00:41:37,462 --> 00:41:40,702 Speaker 2: taken a few days off because she and Ben Affleck 879 00:41:40,701 --> 00:41:42,781 Speaker 2: were on the red carpet together this week, which has 880 00:41:42,822 --> 00:41:45,582 Speaker 2: started a whole lot of rumors. Again, now a little 881 00:41:45,622 --> 00:41:48,782 Speaker 2: bit of factual context. She was on the red carpet 882 00:41:48,781 --> 00:41:51,422 Speaker 2: for the New York premiere of a new musical movie 883 00:41:51,462 --> 00:41:53,622 Speaker 2: called Kiss of the Spider Woman, which is based on 884 00:41:53,622 --> 00:41:57,901 Speaker 2: a famous stage musical. It was obviously a project that 885 00:41:58,022 --> 00:42:01,702 Speaker 2: got the green light during her and Ben's marriage, because 886 00:42:01,862 --> 00:42:04,982 Speaker 2: Ben and of course Matt Damon because he's always around, 887 00:42:05,741 --> 00:42:07,502 Speaker 2: are producers on this movie. 888 00:42:07,781 --> 00:42:08,902 Speaker 3: Was he at the press conference? 889 00:42:09,781 --> 00:42:12,102 Speaker 2: See him? See any Matt Damon? I think he maybe 890 00:42:12,142 --> 00:42:14,741 Speaker 2: had the sense to just send flowers, which is what 891 00:42:15,142 --> 00:42:18,701 Speaker 2: Ben Afflecks should have done, right, so this is a 892 00:42:18,701 --> 00:42:21,822 Speaker 2: project that they clearly started together when they were married. 893 00:42:21,902 --> 00:42:25,062 Speaker 2: Just a quick refresher, they were married from twenty twenty 894 00:42:25,102 --> 00:42:27,622 Speaker 2: two to twenty twenty four, so that window there, and 895 00:42:27,822 --> 00:42:31,462 Speaker 2: also of course engaged from two thousand and two to 896 00:42:31,502 --> 00:42:36,702 Speaker 2: two thousand and four. Symmetry is amazing something about manifesting. Anyway, 897 00:42:36,781 --> 00:42:38,422 Speaker 2: So she's got a new project, she's got the New 898 00:42:38,462 --> 00:42:41,022 Speaker 2: York City premier. Ben turns up. There are lots of 899 00:42:41,022 --> 00:42:44,421 Speaker 2: pictures of them together. She looks, she looks fabulous, he's 900 00:42:44,502 --> 00:42:47,341 Speaker 2: kissy kissing her, and there's lots of people going, oh 901 00:42:47,342 --> 00:42:49,502 Speaker 2: my god, are they getting back together. I just want 902 00:42:49,542 --> 00:42:51,701 Speaker 2: to posit the theory and explore this theory with you. 903 00:42:52,502 --> 00:42:57,221 Speaker 2: There are some exes whose chemistry prohibits them from ever 904 00:42:57,302 --> 00:42:59,942 Speaker 2: being friends. Like, yes, it was a nice thing to 905 00:43:00,022 --> 00:43:03,181 Speaker 2: do in theory that Ben Affleck turned up to direct 906 00:43:03,221 --> 00:43:06,542 Speaker 2: some attention to Jalo's new project that he has invested 907 00:43:06,542 --> 00:43:10,062 Speaker 2: interest in. But you can just tell to the body 908 00:43:10,142 --> 00:43:13,741 Speaker 2: language experts, you can just tell no. 909 00:43:13,982 --> 00:43:16,502 Speaker 4: And do you think that's a really interesting theory because 910 00:43:16,542 --> 00:43:19,942 Speaker 4: clearly some celebrities can do it, Like I believe that 911 00:43:19,982 --> 00:43:22,861 Speaker 4: if Chris Martin and Gwenne's Paltrow showed up for each 912 00:43:22,902 --> 00:43:25,941 Speaker 4: other's big premies. That wouldn't be a problem, that would 913 00:43:25,942 --> 00:43:28,221 Speaker 4: be fine. We'd think that was cozy and supportive. 914 00:43:28,422 --> 00:43:28,942 Speaker 2: Absolutely. 915 00:43:29,022 --> 00:43:31,661 Speaker 4: So here's one theory to posit about this. Is it 916 00:43:31,902 --> 00:43:35,022 Speaker 4: because Ben and Jalo don't have children? 917 00:43:35,142 --> 00:43:36,422 Speaker 1: Is that somehow in the mix? 918 00:43:36,582 --> 00:43:36,741 Speaker 3: Well? 919 00:43:36,822 --> 00:43:40,502 Speaker 2: I think my theory is if your relationship breaks up, 920 00:43:40,781 --> 00:43:44,502 Speaker 2: as many do, because you are more like flatmates in 921 00:43:44,502 --> 00:43:48,661 Speaker 2: inverted commers, or more like siblings by now in inverted commerce, like, 922 00:43:49,102 --> 00:43:52,542 Speaker 2: as long as there is not high betrayal or toxic 923 00:43:52,582 --> 00:43:58,142 Speaker 2: behavior involved in your split, you can probably storia celebrate 924 00:43:58,221 --> 00:43:59,461 Speaker 2: somebody else's wood. 925 00:43:59,502 --> 00:44:03,142 Speaker 4: Jen and Ben in fact, gender and Ben they can 926 00:44:03,221 --> 00:44:03,542 Speaker 4: do it. 927 00:44:03,582 --> 00:44:04,741 Speaker 1: They've got the flat. 928 00:44:04,582 --> 00:44:07,502 Speaker 2: Made energy, and you can and probably should. Really again 929 00:44:07,622 --> 00:44:10,781 Speaker 2: with those caveats about you know, abuse, try and be 930 00:44:10,822 --> 00:44:12,741 Speaker 2: civil and nice when you've got the kids involved, and 931 00:44:12,781 --> 00:44:16,622 Speaker 2: these two do not. But they blended family are quite close, 932 00:44:16,701 --> 00:44:19,142 Speaker 2: so her kids and his kids are quite tight. But 933 00:44:19,302 --> 00:44:21,502 Speaker 2: I just think, and I know I'm projecting, and I 934 00:44:21,542 --> 00:44:25,181 Speaker 2: know this is scoreless. I just get the vibe from 935 00:44:25,261 --> 00:44:29,862 Speaker 2: them every time they're in a space. It's like sparks. 936 00:44:29,902 --> 00:44:31,861 Speaker 2: You just get that vibe and you can't do. 937 00:44:31,902 --> 00:44:34,901 Speaker 3: That think they had sex in the toilet a car 938 00:44:35,181 --> 00:44:35,901 Speaker 3: or at time later? 939 00:44:36,661 --> 00:44:40,301 Speaker 4: You know what it actually might be Ben himself, because 940 00:44:41,181 --> 00:44:44,901 Speaker 4: I was thinking about Gwyneth's ex'es and I don't think 941 00:44:45,022 --> 00:44:49,542 Speaker 4: Gwinn and Ben have roommate flatmate energy. I think this 942 00:44:49,781 --> 00:44:52,622 Speaker 4: and remember how she said he was technically excellent in bed. 943 00:44:53,062 --> 00:44:56,062 Speaker 4: I wonder if it's just Ben who can't really? 944 00:44:56,261 --> 00:44:59,222 Speaker 2: I wonder do you not have a platonic vibe? 945 00:44:59,622 --> 00:45:02,062 Speaker 3: Central to it as well is the amount of time 946 00:45:02,102 --> 00:45:02,542 Speaker 3: you're with them? 947 00:45:02,622 --> 00:45:05,421 Speaker 4: Oh, I first thought you were saying sensual, and I 948 00:45:05,462 --> 00:45:07,701 Speaker 4: was really excited for you sut a sentence of the 949 00:45:07,701 --> 00:45:08,422 Speaker 4: word sensual. 950 00:45:09,022 --> 00:45:12,861 Speaker 3: I wonder if you've been together for twenty years, right 951 00:45:13,261 --> 00:45:16,222 Speaker 3: then it's like, clearly you worked through a bunch of stuff, 952 00:45:17,062 --> 00:45:21,261 Speaker 3: Like the sexual tension probably did evaporate a little bit 953 00:45:21,542 --> 00:45:24,102 Speaker 3: because they've been on and off, on and off, and 954 00:45:24,342 --> 00:45:26,661 Speaker 3: for those relatively short periods of time. 955 00:45:26,741 --> 00:45:29,582 Speaker 4: They can only stand each other for twenty four months exactly, 956 00:45:29,661 --> 00:45:31,502 Speaker 4: just get out take it, dunkin Donuts. 957 00:45:31,622 --> 00:45:34,421 Speaker 2: You But I think the sex is obviously so good. Yeah, 958 00:45:34,422 --> 00:45:36,781 Speaker 2: it blocks some kind of common sense. 959 00:45:36,982 --> 00:45:38,741 Speaker 3: Yes, and we've been there. 960 00:45:38,902 --> 00:45:41,022 Speaker 2: They have to keep marrying each other just like over 961 00:45:41,062 --> 00:45:44,701 Speaker 2: an hour. Again, if the sex with your ex is 962 00:45:44,701 --> 00:45:46,941 Speaker 2: so good that you feel like you have to marry them, 963 00:45:47,102 --> 00:45:50,741 Speaker 2: every dame, don't pretend to be friends. Don't just send 964 00:45:50,741 --> 00:45:52,341 Speaker 2: good luck because Jla. 965 00:45:52,102 --> 00:45:54,262 Speaker 1: And Mark Anthony. I think they're fine. 966 00:45:54,582 --> 00:45:55,142 Speaker 3: They're fine. 967 00:45:55,221 --> 00:45:56,102 Speaker 1: I think they're fine. 968 00:45:56,142 --> 00:45:57,222 Speaker 3: Do they have the twins? 969 00:45:57,701 --> 00:45:58,062 Speaker 1: They do? 970 00:45:58,102 --> 00:46:00,221 Speaker 3: They do have the twins? Yeah, yeah, yeah, I've been 971 00:46:00,261 --> 00:46:02,422 Speaker 3: looking up pictures of Jael pregnant with twins. 972 00:46:02,822 --> 00:46:05,701 Speaker 2: Oh oh, what are the celebrities? 973 00:46:05,781 --> 00:46:09,022 Speaker 3: Julie Roberts and of course my friend Beyonce, of. 974 00:46:09,062 --> 00:46:11,422 Speaker 2: Course, And how's the comparison going? 975 00:46:13,422 --> 00:46:16,462 Speaker 3: Think about Jlo and Beyonce and a Julie Roberts is 976 00:46:16,462 --> 00:46:18,622 Speaker 3: how great they looked? And so I just look at them. 977 00:46:18,661 --> 00:46:20,341 Speaker 3: And then I look at the picture of j Loo 978 00:46:20,462 --> 00:46:22,741 Speaker 3: at fifty and I go, I can look at that. 979 00:46:22,862 --> 00:46:26,342 Speaker 4: Have any of them said anything about twins and raising twins? 980 00:46:26,862 --> 00:46:28,861 Speaker 3: Well, Jlo was on the front page of a lot 981 00:46:28,862 --> 00:46:32,582 Speaker 3: of magazines. She looked fabulous, she had eyeshadow on, and 982 00:46:32,622 --> 00:46:34,582 Speaker 3: the twins looked happy. So I'm like, I think the 983 00:46:34,622 --> 00:46:38,942 Speaker 3: other side is glamorous and easy. 984 00:46:37,942 --> 00:46:40,502 Speaker 1: Roomy, and sir, we don't hear a lot about them. 985 00:46:40,822 --> 00:46:44,302 Speaker 3: No, they're seventeen. Now, oh wow, oh god, yes, fraternal. 986 00:46:44,622 --> 00:46:47,341 Speaker 2: I don't want to offend you in any way. But 987 00:46:47,422 --> 00:46:50,542 Speaker 2: if you do not look like Jlo before you have twins, 988 00:46:51,741 --> 00:46:55,661 Speaker 2: is having twins? Can imagine bullet, that's going to mean 989 00:46:55,661 --> 00:46:57,261 Speaker 2: you do look like after you. 990 00:46:57,382 --> 00:46:58,661 Speaker 3: I'm we're going to get stronger. 991 00:46:58,781 --> 00:47:00,501 Speaker 4: No, but you've got to use the olive oil. That's 992 00:47:00,622 --> 00:47:02,661 Speaker 4: very important. She says, he's a lot of olive oil 993 00:47:02,701 --> 00:47:03,181 Speaker 4: on your skin. 994 00:47:03,302 --> 00:47:05,022 Speaker 3: Yeah, and I might do some of her workouts. And 995 00:47:05,142 --> 00:47:06,222 Speaker 3: doesn't she have beauty products? 996 00:47:06,422 --> 00:47:07,181 Speaker 2: Just yeah, she does. 997 00:47:07,302 --> 00:47:09,702 Speaker 1: Yeah. Just to bring it back a little bit. 998 00:47:10,862 --> 00:47:13,181 Speaker 2: That's called a sidebar. Sorry about that. 999 00:47:13,342 --> 00:47:15,502 Speaker 4: Page six had a really tell end quote from a 1000 00:47:15,542 --> 00:47:19,022 Speaker 4: Lopez sauce unnamed I get it. They had to meet 1001 00:47:19,102 --> 00:47:22,742 Speaker 4: in a secret location to share this information with Page six. 1002 00:47:23,221 --> 00:47:25,142 Speaker 4: They like each other so much more when they're not 1003 00:47:25,221 --> 00:47:27,502 Speaker 4: married to each other, a Lopez source said, that's a 1004 00:47:27,542 --> 00:47:28,262 Speaker 4: huge red flag. 1005 00:47:28,542 --> 00:47:31,022 Speaker 1: They each have roles to play. This is what I 1006 00:47:31,022 --> 00:47:35,102 Speaker 1: wanted to talk about. She's the glamorous, gorgeous divas superstar 1007 00:47:35,261 --> 00:47:38,382 Speaker 1: on a pedestal. He's the roguish cad who keeps her 1008 00:47:38,422 --> 00:47:42,821 Speaker 1: at a distance to maintain sexual tension. The source added, so. 1009 00:47:42,741 --> 00:47:46,822 Speaker 4: Do you think that the reason why they can't really 1010 00:47:46,862 --> 00:47:50,062 Speaker 4: be friends is because they have gotten lot in this. 1011 00:47:50,142 --> 00:47:53,741 Speaker 1: Sexual role play. It's just unsustainable. 1012 00:47:53,942 --> 00:47:54,741 Speaker 2: Yeah, I think that. 1013 00:47:54,982 --> 00:47:55,301 Speaker 4: I know. 1014 00:47:55,462 --> 00:47:58,062 Speaker 2: I mean, obviously my life is not Jaylah and Bed, 1015 00:47:58,342 --> 00:48:00,142 Speaker 2: but there are some people in your life who if 1016 00:48:00,142 --> 00:48:03,142 Speaker 2: you're ever around them, you fall back into these just 1017 00:48:03,221 --> 00:48:04,901 Speaker 2: the way that you behave with them, And so it's 1018 00:48:05,022 --> 00:48:07,701 Speaker 2: very hard not to flirt with someone with whom you 1019 00:48:07,822 --> 00:48:11,181 Speaker 2: always had flirty energy. You know, it's very hard to 1020 00:48:11,261 --> 00:48:15,022 Speaker 2: bump into them on a work related red carpet and 1021 00:48:15,462 --> 00:48:18,941 Speaker 2: be like very boundary and respectful. You know. 1022 00:48:19,181 --> 00:48:22,261 Speaker 3: I think Jaylo needs a shark tracking app. But it's 1023 00:48:22,302 --> 00:48:25,261 Speaker 3: been I think she needs to check it and she's 1024 00:48:25,261 --> 00:48:28,062 Speaker 3: got to go. Ben's in radius, Jaylo, it's not getting 1025 00:48:28,062 --> 00:48:28,661 Speaker 3: in the water today. 1026 00:48:28,701 --> 00:48:32,302 Speaker 2: If I've been popped, she needs the helmet. 1027 00:48:35,661 --> 00:48:38,941 Speaker 3: Do not dazzle them, but it would be great. Yes 1028 00:48:40,982 --> 00:48:41,701 Speaker 3: out loud. 1029 00:48:41,502 --> 00:48:45,902 Speaker 2: As gosh, I have you feeling really informed and nourished. 1030 00:48:46,422 --> 00:48:50,582 Speaker 2: Back to today's conversation because we had a lot of fun. 1031 00:48:50,622 --> 00:48:54,341 Speaker 2: I hope you did too. Anyway, a massive thank you 1032 00:48:54,422 --> 00:48:57,821 Speaker 2: to you. As always, remember you can go and watch 1033 00:48:57,902 --> 00:48:59,701 Speaker 2: us on YouTube if you want to. 1034 00:49:00,302 --> 00:49:02,701 Speaker 3: Why you'd want to well because we're not AI. 1035 00:49:03,102 --> 00:49:05,382 Speaker 2: But we'll tell you that we are definitely not AI. 1036 00:49:05,582 --> 00:49:07,941 Speaker 2: All LA fingers are here with us, so you can 1037 00:49:07,982 --> 00:49:09,981 Speaker 2: go and watch us on YouTube if you would like too. 1038 00:49:10,342 --> 00:49:12,062 Speaker 2: Massive thank you to our team. We're going to be 1039 00:49:12,102 --> 00:49:13,542 Speaker 2: back in your ears tomorrow, of. 1040 00:49:13,502 --> 00:49:17,542 Speaker 3: Course, and we also have yesterday's Taylor Swift deep Dive 1041 00:49:17,582 --> 00:49:19,341 Speaker 3: if you are more of that conversation. There is a 1042 00:49:19,382 --> 00:49:22,381 Speaker 3: link in the show notes that is for subscribers. 1043 00:49:22,582 --> 00:49:24,902 Speaker 4: Don't forget just before we go to listen to Parenting 1044 00:49:24,942 --> 00:49:27,462 Speaker 4: out Loud. It drops every week on Saturday. In our 1045 00:49:27,582 --> 00:49:31,382 Speaker 4: last episode, we talked about why Magic is having a 1046 00:49:31,502 --> 00:49:35,902 Speaker 4: moment and also delve into the oldest daughter birth auder 1047 00:49:35,982 --> 00:49:39,622 Speaker 4: theory that Taylor has just popularized for us find it 1048 00:49:39,661 --> 00:49:41,822 Speaker 4: in its own feed. You just have to search Parenting 1049 00:49:41,942 --> 00:49:44,982 Speaker 4: out Loud and tap follows so you don't miss an episode. 1050 00:49:45,062 --> 00:49:45,982 Speaker 1: Bye bye,