WEBVTT - Lisa Wilkinson Was Everywhere. Then She Wasn’t

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<v Speaker 1>I've been on a huge learning curve, but you know

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<v Speaker 1>one I think I'm stronger for. You know, I know

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<v Speaker 1>who counts in my life. I have seen enormous kindness.

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<v Speaker 1>I've seen the best of people, and I've seen the

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<v Speaker 1>worst of people.

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<v Speaker 2>Lisa Wilkinson has spent literally decades telling other people's stories.

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<v Speaker 2>As a journalist, editor and broadcaster, She's been one of

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<v Speaker 2>the most recognizable and trusted voices in Australian media. She's

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<v Speaker 2>someone who's helped shape not just the stories we hear,

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<v Speaker 2>but also how we understand ourselves. From her early days

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<v Speaker 2>at Dolly mag and calioh through to her years on

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<v Speaker 2>Breakfast TV, Lisa's been a constant presence in the cultural conversation,

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<v Speaker 2>part of the rhythm of people's lives and part of

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<v Speaker 2>the way we've understood the world around us. But there's

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<v Speaker 2>a difference between building a career on asking questions and

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<v Speaker 2>finding yourself in a position where you're the one being

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<v Speaker 2>asked to answer them. Now, after those defining chapters in

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<v Speaker 2>magazines and television, Lisa's moved into her third act, one

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<v Speaker 2>that's quieter, more reflective, and centered on long form storytelling.

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<v Speaker 2>Her latest book returns her to what first drew her

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<v Speaker 2>to journalism, telling someone else's story, this time through the

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<v Speaker 2>life of Australian Titanic survivor Evelyn Marsden. In this conversation,

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<v Speaker 2>Lisa reflects on the different chapters of her career, from

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<v Speaker 2>her ambition and early success to the complexity of her

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<v Speaker 2>time in TV and the more uncertain, quieter space she

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<v Speaker 2>finds herself in. Now we talk about identity, about success,

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<v Speaker 2>about what happens when something that has defined you for

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<v Speaker 2>so long begins to fall away, and about the process

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<v Speaker 2>of finding your way back to yourself when the noise subsides.

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<v Speaker 2>This is Lisa Wilkinson. Well, Lisa Wilkinson, welcome to No Filter.

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<v Speaker 1>It is so nice to see you, Kaylin.

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<v Speaker 2>Oh my goodness. I feel like you were like from

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<v Speaker 2>a Shakespeare play from the womb, untimely ripped because we

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<v Speaker 2>used to see each other at the project and then

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<v Speaker 2>I didn't see you anymore, and neither did the viewer.

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<v Speaker 2>I'm just going to say to our listeners, the No

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<v Speaker 2>Filter listeners, that we will not be in this discussion,

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<v Speaker 2>in this conversation discussing Britney Higgins or Bruce Lammon. That's

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<v Speaker 2>for legal reasons. So this is an auspicious day for

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<v Speaker 2>you because we're also here to catch up with you

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<v Speaker 2>and to find out where Lisa Wilkinson's been at, but

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<v Speaker 2>also to discuss your new venture, which is an epic,

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<v Speaker 2>like an epic undertaking. And this is very much a

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<v Speaker 2>hallmark of you. I've realized that when you take on jobs,

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<v Speaker 2>you don't take on small jobs.

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<v Speaker 1>I also have a tendency to take on jobs that

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<v Speaker 1>I'm not even sure I can do yet.

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<v Speaker 2>Will you go? Where As the ancient mariners would say

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<v Speaker 2>they be monsters, no one has charted that map for you.

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<v Speaker 1>True.

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<v Speaker 2>So it started for people who may not know when

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<v Speaker 2>you're nineteen at Dolly Magazine as the receptionist. Yeah, an

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<v Speaker 2>ad barring journalist, and then two years later I.

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<v Speaker 1>Was the editor. Like what with the management thinking now crazy?

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<v Speaker 1>I just I still don't know why they gave me

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<v Speaker 1>that opportunity. But what I knew was I was not

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<v Speaker 1>going to waste it. I couldn't understand why me, this

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<v Speaker 1>kid from the Western suburbs, who you know, didn't have

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<v Speaker 1>the old school tie or any kind of cushy media

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<v Speaker 1>links that got me there. I just got there on

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<v Speaker 1>hard work and whatever it was that my talent was

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<v Speaker 1>that those above me recognized, and I think they just thought,

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<v Speaker 1>we'll give this kid a shot, and I decided I'm

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<v Speaker 1>just going to go for it.

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<v Speaker 2>Well, you are the sort of person that if you

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<v Speaker 2>give them a shot, like you'll take out the whole fleet.

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<v Speaker 2>That is because you'll die trying totally.

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<v Speaker 1>You know, I do enjoy hard work. I always have

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<v Speaker 1>and I've always worked.

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<v Speaker 2>And where did that come from? Because I was also

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<v Speaker 2>in the time that I spent with you, I was

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<v Speaker 2>also reading your memoir. It wasn't meant to be like that.

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<v Speaker 1>Goodness me, you've gone I have, You've done your homework.

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<v Speaker 2>If you want to know anything about yourself, you can

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<v Speaker 2>ask me.

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<v Speaker 1>I'm a little bit over me at this point from.

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<v Speaker 2>Going well, it's because your upbringing, as you describe it,

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<v Speaker 2>was just so at that time, like a slice of

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<v Speaker 2>average Australia with your beautiful dad and mom Ray and

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<v Speaker 2>Beryl and your ballet lessons, and you're going to the

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<v Speaker 2>local school and you loved ballet, adored it, absolutely adored it,

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<v Speaker 2>and it brought the eye and the eye of some

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<v Speaker 2>of the girls at school.

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<v Speaker 1>Ballet was not cool at Campbelltown High School.

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<v Speaker 2>But there was also something about you, because I always

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<v Speaker 2>think so many people who end up in the public eye,

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<v Speaker 2>I think have had experiences when they were at school

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<v Speaker 2>that were not necessarily pleasant. Maybe for guys it's different.

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<v Speaker 2>I think our industry is populated with guys who with

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<v Speaker 2>how fellow well met those guys you know, for whom

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<v Speaker 2>the Red Sea parted. But most women in media seem

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<v Speaker 2>to have an experience there's something that's different about them,

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<v Speaker 2>and that's what draws the eye. What was it about

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<v Speaker 2>you that what that was different? And that drew the eye?

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<v Speaker 2>If you reflect back on, say, being bullied when you

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<v Speaker 2>were a kid, when you're older, sometimes I think you

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<v Speaker 2>get to see yourself through the prism not of your

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<v Speaker 2>own gaze, but of how you look to them.

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<v Speaker 1>I can say, hand on heart, I have no idea.

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<v Speaker 1>Oh really, it baffled me at the time. I was

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<v Speaker 1>told that the chief bully's boyfriend was apparently saying nice

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<v Speaker 1>things about me. Ah, so that was possibly the original catalyst.

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<v Speaker 1>But you know, it is that thing of once someone's

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<v Speaker 1>been targeted, and I mean and a pylon begins, yes,

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<v Speaker 1>and we're talking the seventies here, Yes, that bruise becomes

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<v Speaker 1>a bit of a gaping wound, and you become an

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<v Speaker 1>easy target, I think, and you want to make yourself

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<v Speaker 1>small and you want to disappear between the cracks. But

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<v Speaker 1>then once I was out of school and I was

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<v Speaker 1>out of that environment and that backdrop where I'd felt

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<v Speaker 1>so humiliated and belittled, I wanted to prove something to

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<v Speaker 1>myself that I was better than the way that they

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<v Speaker 1>saw me. That I could prove to myself. I didn't

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<v Speaker 1>care about anybody else, but I wanted to prove something

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<v Speaker 1>to myself. And I did that through hard work.

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<v Speaker 2>And that's amazing because not everybody has that epiphany or

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<v Speaker 2>has that breakthrough. You know. Sometimes people are shrunken and diminished,

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<v Speaker 2>and that's a very weak place to be trying to

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<v Speaker 2>emerge from. What was it that gave you the strength

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<v Speaker 2>and the drive and the clarity to go, There's a

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<v Speaker 2>world out there, I'm going to see it.

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<v Speaker 1>I think it was my dad, Yeah, right, because Dad

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<v Speaker 1>always believed in me. And I never ever ever told

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<v Speaker 1>my parents about what was going on at school because

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<v Speaker 1>that would make it more real, and I didn't I

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<v Speaker 1>knew my mother. My mother would not be able to

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<v Speaker 1>give me advice because she'd had such a shocking childhood,

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<v Speaker 1>and right throughout my career until my beautiful late mother

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<v Speaker 1>passed away, whenever I would do something a bit gutsy

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<v Speaker 1>in my career, she would always say to me, I'm

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<v Speaker 1>daring you really sure? Have you got advice on that?

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<v Speaker 1>Do you know you don't think you're pushing it a

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<v Speaker 1>little bit too far? She would regularly call me after

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<v Speaker 1>I'd interviewed the Prime Minister on the DA Show and say, oh, Darling, really,

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<v Speaker 1>did you really have to speak to mister Abbitt like that.

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<v Speaker 1>She didn't beate me, but she would always fear for me. Yes,

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<v Speaker 1>So I don't know. Maybe she sensed what happened in

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<v Speaker 1>high school, but because she'd.

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<v Speaker 2>Had I mean, she'd been a bird that a little

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<v Speaker 2>bird that had its her feathers pecked herself really bad.

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<v Speaker 1>Completely, and she was fortunate enough to meet and marry

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<v Speaker 1>an angel in my father Ray. And I think it

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<v Speaker 1>was Dad's ongoing quiet belief in me that saw me

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<v Speaker 1>through all of that, because I think for Dad, I

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<v Speaker 1>was always this right, and I think I always wanted

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<v Speaker 1>to lift for Dad. And Dad wasn't someone who would

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<v Speaker 1>give out huge compliments or you know, it's and He's

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<v Speaker 1>one of those people.

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<v Speaker 2>You know.

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<v Speaker 1>I'm a great believer that your children always see the

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<v Speaker 1>real version of you when you think they're not looking.

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<v Speaker 2>Yes, yes, you think that you're editing yourself.

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<v Speaker 1>Yeah, but they actually get a full three sixty completely

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<v Speaker 1>and it's not always pretty, no true, But I think

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<v Speaker 1>you know, in so many ways, Dad was my north

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<v Speaker 1>star and has been my entire life. He still is now.

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<v Speaker 1>You know. He was such a community minded person, you know,

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<v Speaker 1>social justice, you know, giving.

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<v Speaker 2>Back the Lions Club.

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<v Speaker 1>The Lions Club, he was president there. He was president

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<v Speaker 1>of the local rugby union club. Who would know that

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<v Speaker 1>I would, Well, Dad never discovered that I would go

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<v Speaker 1>on to marry a wallaby.

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<v Speaker 2>Which is incredible.

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<v Speaker 1>I met Pete eighteen months after Dad passed away.

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<v Speaker 2>And how long have you dad known him?

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<v Speaker 1>Well, Dad had known him as a wallaby and.

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<v Speaker 2>In fact years before you met him.

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<v Speaker 1>Yeah. Yeah. And the first time I met Pete we

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<v Speaker 1>were both guests on the Today Show. I was editing

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<v Speaker 1>Cleo at the time and he was a part time

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<v Speaker 1>reporter for the Today Show And it was one week

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<v Speaker 1>after Dad had passed away and he was getting out

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<v Speaker 1>of the makeup chair as I was just getting in

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<v Speaker 1>and we were introduced by the producer and I remember

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<v Speaker 1>him putting out his hand just as he was starting

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<v Speaker 1>to get out of the chair, and I put my

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<v Speaker 1>hand out to his, and I remember my hand going

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<v Speaker 1>up and thinking, when is this guy going to be

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<v Speaker 1>fully erect?

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<v Speaker 3>Oh, if you're pardon the expression, hang on and what

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<v Speaker 3>was the end? He stopped at two meters and the

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<v Speaker 3>producer said my name, and she said, Peter FITD Simons,

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<v Speaker 3>this is Lisa Wilkinson and I felt this beautiful, warm handshake,

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<v Speaker 3>but strong. And then about a half a beat after

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<v Speaker 3>she'd said my name, Pete said to me, Oh, you're

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<v Speaker 3>not Ray Wilkinson's daughter, are you?

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<v Speaker 1>And I thought, do not mention my father's name. I

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<v Speaker 1>have got to go on national television in five minutes.

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<v Speaker 1>I am only here because I've had a week off

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<v Speaker 1>with buried dad. I need to focus on work so

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<v Speaker 1>I can find something else to fill my life other

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<v Speaker 1>than the grief of losing my north Star. And he

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<v Speaker 1>said some beautiful words about Dad, and I just I

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<v Speaker 1>just kind of thank you very much and sort of

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<v Speaker 1>sat down.

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<v Speaker 2>Especially in that situation where the grief is raw, it's

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<v Speaker 2>often the kindness completely you undone.

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<v Speaker 1>Always has, always well and to.

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<v Speaker 2>Encounter him, the giant of him, who knew your dad

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<v Speaker 2>and loved your dad, to speak of him beautifully.

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<v Speaker 1>Yeah. He Dad was just so loved by everyone who

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<v Speaker 1>knew him, worked with him, did charity work with him.

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<v Speaker 1>And I still get people saying things about my dad

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<v Speaker 1>to this day, people who knew and loved him deeply.

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<v Speaker 2>He said, you quote him in your book, and it

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<v Speaker 2>was something of a mantra I gather that you've lived by,

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<v Speaker 2>which was he said, Dad always taught me to try

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<v Speaker 2>to look after the bird with the broken wing. And

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<v Speaker 2>I was thinking about that in light of you and

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<v Speaker 2>the troubles which you have found yourself immersed in over

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<v Speaker 2>the last three years, yeah, four years or three or years,

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<v Speaker 2>and I thought to myself, who was looking after you

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<v Speaker 2>when you had your broken wing?

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<v Speaker 1>My family never left my side. They've been incredible.

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<v Speaker 2>And when you were at what period? I mean, I'm

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<v Speaker 2>trying to put together the pieces of because you have

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<v Speaker 2>been so present in our lives.

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<v Speaker 1>You're sorry about that everyone.

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<v Speaker 2>It's not amazing really, to the point where we now

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<v Speaker 2>know we can't take TV for granted at all. Right.

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<v Speaker 1>I think there's a lot of people in TV finding

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<v Speaker 1>that at the.

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<v Speaker 2>Moment, right, But because you were so present, you were

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<v Speaker 2>so present on the Today Show, everyone was waking up

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<v Speaker 2>with you, and then you were very present on the

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<v Speaker 2>project and then you were gone. When you were gone,

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<v Speaker 2>what did that feel like for you? Because you're also

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<v Speaker 2>wired two be seen? Do you know what I mean?

0:15:07.440 --> 0:15:09.160
<v Speaker 2>And to do that work in the public eye?

0:15:09.400 --> 0:15:11.720
<v Speaker 1>No, No, I wouldn't say that. That is not how

0:15:11.760 --> 0:15:14.040
<v Speaker 1>I would define it. I would say I'm wired to

0:15:14.200 --> 0:15:17.720
<v Speaker 1>work and the fact that I was in the public

0:15:17.760 --> 0:15:22.240
<v Speaker 1>eye was just like a cause and effect thing, you know.

0:15:22.400 --> 0:15:24.840
<v Speaker 1>It was it was something that fell off the back

0:15:25.040 --> 0:15:26.760
<v Speaker 1>of doing work that I loved.

0:15:27.040 --> 0:15:29.920
<v Speaker 2>That happened to have a visual aspect to it.

0:15:30.120 --> 0:15:35.200
<v Speaker 1>Yeah, But I mean I didn't disappear completely, because it's

0:15:35.240 --> 0:15:38.000
<v Speaker 1>quite something when you find paparazzi chasing you down the

0:15:38.040 --> 0:15:41.760
<v Speaker 1>street and jumping out from behind bushes and you're appearing

0:15:41.800 --> 0:15:47.480
<v Speaker 1>in a way that is designed to put you in

0:15:47.520 --> 0:15:50.880
<v Speaker 1>a certain light. So you know that do you think

0:15:50.880 --> 0:15:55.360
<v Speaker 1>that light was? Do you think a very negative light?

0:15:55.640 --> 0:15:56.200
<v Speaker 1>What was?

0:15:56.480 --> 0:15:58.360
<v Speaker 2>What was that? They?

0:15:58.680 --> 0:16:04.680
<v Speaker 1>Strong? Something young woman does work that challenges the norm

0:16:05.280 --> 0:16:07.040
<v Speaker 1>doesn't go down well in some quarters.

0:16:07.280 --> 0:16:11.280
<v Speaker 2>Right, I'm very curious about that, because it seems to

0:16:11.320 --> 0:16:15.360
<v Speaker 2>me that the tone around you changed when your memoir

0:16:15.520 --> 0:16:21.720
<v Speaker 2>came out. And I'm reminded of that quote, never pick

0:16:21.720 --> 0:16:24.760
<v Speaker 2>a fight with someone who buys ink by the barrel, right,

0:16:25.160 --> 0:16:29.280
<v Speaker 2>Oh yeah, yeah, And I wouldn't say that I picked

0:16:29.280 --> 0:16:32.400
<v Speaker 2>a fight. No, I just told the truth. But to

0:16:32.560 --> 0:16:33.760
<v Speaker 2>some it was perceived.

0:16:33.960 --> 0:16:39.040
<v Speaker 1>Yeah, and strong forces can decide we need to shut

0:16:39.040 --> 0:16:39.480
<v Speaker 1>this down.

0:16:40.600 --> 0:16:43.840
<v Speaker 2>And what was it in particular? Do you think was

0:16:43.880 --> 0:16:48.640
<v Speaker 2>it the pay, the gender pay disparity with it was

0:16:48.720 --> 0:16:57.120
<v Speaker 2>all of your host Karl? Was it you having asserted

0:16:57.160 --> 0:17:00.800
<v Speaker 2>yourself in a negotiation? What was it?

0:17:01.280 --> 0:17:04.160
<v Speaker 1>I think you'd have to ask those who were behind

0:17:04.200 --> 0:17:09.040
<v Speaker 1>it all. I mean, I'm not really sure, but the

0:17:09.080 --> 0:17:13.680
<v Speaker 1>reaction I got from women was wonderful. I think a

0:17:13.720 --> 0:17:16.719
<v Speaker 1>lot of people could see what was going on, and

0:17:18.359 --> 0:17:20.760
<v Speaker 1>people could see that all I was doing was telling

0:17:20.760 --> 0:17:24.119
<v Speaker 1>the truth. But you know, quite often in memoirs people

0:17:25.280 --> 0:17:29.640
<v Speaker 1>avert the truth because of the effect that it might have.

0:17:30.000 --> 0:17:33.560
<v Speaker 1>And also, when I was reading it, I was very

0:17:33.600 --> 0:17:38.359
<v Speaker 1>conscious of the fact that you weren't being inflammatory, you

0:17:38.400 --> 0:17:41.800
<v Speaker 1>weren't poking a bear. I thought it was a very

0:17:41.880 --> 0:17:45.639
<v Speaker 1>moderate It was a very interesting telling of as you

0:17:45.680 --> 0:17:47.680
<v Speaker 1>say in the book what a lot of women encounter

0:17:48.359 --> 0:17:49.160
<v Speaker 1>in their jobs.

0:17:49.280 --> 0:17:49.639
<v Speaker 2>Yeah.

0:17:49.680 --> 0:17:54.160
<v Speaker 1>Completely. And I disappeared off the show, off the Today Show.

0:17:54.320 --> 0:17:58.240
<v Speaker 1>So I felt the audience was owed an explanation about

0:17:58.280 --> 0:18:02.440
<v Speaker 1>exactly what happened because I wasn't rejecting the audience.

0:18:02.840 --> 0:18:05.200
<v Speaker 2>No, you were not given the option.

0:18:05.600 --> 0:18:10.359
<v Speaker 1>No, And how did that feel? Because I was really sad.

0:18:10.560 --> 0:18:11.600
<v Speaker 2>Yeah, that's hard.

0:18:11.640 --> 0:18:15.000
<v Speaker 1>I loved that job, I really really. It was such

0:18:15.040 --> 0:18:21.479
<v Speaker 1>a privilege to wake up with Australia and to present

0:18:21.560 --> 0:18:27.440
<v Speaker 1>the news and to interview every major politician in the land.

0:18:27.480 --> 0:18:31.080
<v Speaker 1>We had a stream of prime ministers during my tenure there,

0:18:31.200 --> 0:18:35.400
<v Speaker 1>so there was a passing parade.

0:18:35.680 --> 0:18:40.040
<v Speaker 2>So and also you had built the show from it

0:18:40.200 --> 0:18:44.040
<v Speaker 2>being well back in the field, and you had built

0:18:44.040 --> 0:18:44.840
<v Speaker 2>it built well.

0:18:44.880 --> 0:18:47.680
<v Speaker 1>Cart and I were a really good combination. We had

0:18:47.760 --> 0:18:51.520
<v Speaker 1>an incredible chemistry. In many ways, we were quite different

0:18:51.560 --> 0:18:54.640
<v Speaker 1>from each other. But you know, I would I say

0:18:54.640 --> 0:18:56.760
<v Speaker 1>this in the book that you know, right up until

0:18:56.760 --> 0:19:00.200
<v Speaker 1>the very last day, we could still make it each

0:19:00.200 --> 0:19:03.280
<v Speaker 1>other laugh, We could still challenge each other, we could

0:19:03.359 --> 0:19:08.200
<v Speaker 1>still you know, talk through interesting ideas. You know, there

0:19:08.280 --> 0:19:12.639
<v Speaker 1>was still a huge amount of chemistry between us. But

0:19:12.760 --> 0:19:17.600
<v Speaker 1>the management of the day, made a call on who

0:19:17.640 --> 0:19:19.560
<v Speaker 1>they wanted to proceed with and who they didn't.

0:19:19.640 --> 0:19:21.879
<v Speaker 2>And do you think the aim of that was to

0:19:22.800 --> 0:19:25.199
<v Speaker 2>pit you against each Other's too strong? But do you

0:19:25.200 --> 0:19:27.960
<v Speaker 2>know what I mean, to drive a wedge there as

0:19:28.240 --> 0:19:32.000
<v Speaker 2>a negotiating tactic or as a divide and conquer.

0:19:31.920 --> 0:19:33.640
<v Speaker 1>I'll never know, because I was never told.

0:19:34.480 --> 0:19:36.080
<v Speaker 2>And did you speak to Carl after that?

0:19:36.359 --> 0:19:37.560
<v Speaker 1>Oh? Yeah? Yeah?

0:19:38.359 --> 0:19:43.240
<v Speaker 2>And how was he? What was his We've probably had.

0:19:44.600 --> 0:19:48.760
<v Speaker 1>More honest conversations since. But you know that was a

0:19:48.760 --> 0:19:51.960
<v Speaker 1>difficult position for him to be in as well. But

0:19:52.400 --> 0:19:55.360
<v Speaker 1>you know I moved on. I went to the project

0:19:55.359 --> 0:19:59.359
<v Speaker 1>which I had an options move on, So you know,

0:19:59.480 --> 0:20:02.840
<v Speaker 1>in many ways I couldn't complain. I was just I

0:20:02.960 --> 0:20:06.080
<v Speaker 1>was sad to lose that particular role.

0:20:06.200 --> 0:20:06.680
<v Speaker 2>Yes, But.

0:20:09.160 --> 0:20:13.040
<v Speaker 1>I have always looked at jobs like that. Every job

0:20:13.040 --> 0:20:17.280
<v Speaker 1>I've ever had, I've always thought, oh my god, what

0:20:17.520 --> 0:20:19.000
<v Speaker 1>idiot put me here?

0:20:19.920 --> 0:20:20.000
<v Speaker 2>Like?

0:20:20.600 --> 0:20:23.880
<v Speaker 1>How did I end up in this role? And every

0:20:24.000 --> 0:20:28.560
<v Speaker 1>day I always approached every job I've had as.

0:20:28.720 --> 0:20:30.280
<v Speaker 2>Though it's run by idiots.

0:20:32.560 --> 0:20:34.960
<v Speaker 1>That wasn't how I was going to finish that sentence,

0:20:35.000 --> 0:20:39.440
<v Speaker 1>But I don't dismiss it. No, I've always approached work

0:20:39.600 --> 0:20:42.640
<v Speaker 1>as at some point someone's going to come and tap

0:20:42.680 --> 0:20:45.080
<v Speaker 1>me on the shoulder. And that's a great way to

0:20:45.160 --> 0:20:48.960
<v Speaker 1>approach any job, particularly in the media, because it's such

0:20:49.000 --> 0:20:54.840
<v Speaker 1>a peripatetic kind of existence, and you know, swings and roundabouts,

0:20:54.960 --> 0:21:00.600
<v Speaker 1>the whims of others, management changes. So I always walked

0:21:00.640 --> 0:21:04.639
<v Speaker 1>in there thinking, I'm so lucky to have this job.

0:21:04.960 --> 0:21:07.439
<v Speaker 1>I'm going to make this a great show. I'm going

0:21:07.480 --> 0:21:10.200
<v Speaker 1>to do a great interview. I always did my homework,

0:21:10.520 --> 0:21:16.840
<v Speaker 1>you know. I always approached the role with gratitude and

0:21:17.760 --> 0:21:21.000
<v Speaker 1>having done my homework, So I don't I don't look

0:21:21.040 --> 0:21:24.240
<v Speaker 1>back and regret anything about that role.

0:21:24.320 --> 0:21:26.200
<v Speaker 2>Other than not getting to say goodbye.

0:21:26.680 --> 0:21:28.640
<v Speaker 1>Yes, but that wasn't my call.

0:21:29.000 --> 0:21:31.359
<v Speaker 2>No, And the same on the project, not getting to

0:21:31.400 --> 0:21:32.159
<v Speaker 2>say goodbye.

0:21:32.320 --> 0:21:38.080
<v Speaker 1>Well, I did say goodbye, but it was under or

0:21:38.080 --> 0:21:41.800
<v Speaker 1>it wasn't my call. That was somebody else's decision. Once again,

0:21:42.240 --> 0:21:42.800
<v Speaker 1>So of.

0:21:42.880 --> 0:21:47.359
<v Speaker 2>All the jobs that you've had, which one do you

0:21:47.440 --> 0:21:51.840
<v Speaker 2>look back on with the most fondness? And I gain

0:21:51.960 --> 0:21:54.720
<v Speaker 2>I know that you're not a pillar of salt sort

0:21:54.760 --> 0:21:59.760
<v Speaker 2>of person, so prone to the revision mirror. But which

0:21:59.760 --> 0:22:08.680
<v Speaker 2>of those stirs the heart? I would say, editing, Dolly ah, yeah, leaving.

0:22:08.320 --> 0:22:13.480
<v Speaker 1>That job that had given me so much joy, and

0:22:13.520 --> 0:22:17.320
<v Speaker 1>the engagement with the readers, like that relationship was so

0:22:18.680 --> 0:22:24.080
<v Speaker 1>beautiful and pure and honest and trusting because it was

0:22:24.119 --> 0:22:28.159
<v Speaker 1>a teenage bible, you know, young girls trusted us in

0:22:28.200 --> 0:22:30.800
<v Speaker 1>a way that was never lost on me.

0:22:33.200 --> 0:22:38.480
<v Speaker 2>More with Lisa Wilkinson after this short break. So I

0:22:38.600 --> 0:22:42.400
<v Speaker 2>just finished reading your book this morning, right, the.

0:22:42.320 --> 0:22:45.520
<v Speaker 1>Second one, the second Evelyn, The second book Evelyn, The

0:22:45.560 --> 0:22:51.760
<v Speaker 1>Titanic Story of Evelyn, Yeah, Marston, which is such an epic.

0:22:53.119 --> 0:22:57.359
<v Speaker 2>It's an odyssey. It was an odyssey. Yeah, And I

0:22:57.520 --> 0:23:01.320
<v Speaker 2>can't I couldn't help thinking I was reading about Evelyn,

0:23:01.320 --> 0:23:03.800
<v Speaker 2>this extraordinary Australian woman.

0:23:04.119 --> 0:23:05.000
<v Speaker 1>Isn't she amazing?

0:23:05.200 --> 0:23:07.560
<v Speaker 2>Extraordinary from South Australia.

0:23:07.640 --> 0:23:08.560
<v Speaker 1>I just love her.

0:23:09.040 --> 0:23:11.560
<v Speaker 2>I didn't know that there were six Australians on the

0:23:11.600 --> 0:23:12.800
<v Speaker 2>Titanic either, did.

0:23:12.640 --> 0:23:15.800
<v Speaker 1>I, which is where the idea came from. Because my

0:23:15.960 --> 0:23:23.320
<v Speaker 1>husband is a very successful author of great Australian history stories.

0:23:23.000 --> 0:23:24.960
<v Speaker 2>Yes, and how many is he written.

0:23:25.760 --> 0:23:29.239
<v Speaker 1>I think he's in his forties, forty plus books, I know.

0:23:29.880 --> 0:23:35.280
<v Speaker 1>And the really annoying thing is he works incredibly hard

0:23:35.320 --> 0:23:39.080
<v Speaker 1>on them. The research is enormous. But Pete has always

0:23:39.119 --> 0:23:44.640
<v Speaker 1>written with such incredible ease. It just flows out of him.

0:23:44.920 --> 0:23:49.800
<v Speaker 1>And he's quite poetic in his writing. He's like, you,

0:23:49.800 --> 0:23:53.600
<v Speaker 1>you're an extraordinary writer. You have the most beautiful turn

0:23:53.640 --> 0:23:57.439
<v Speaker 1>of phrase, and Pete is like that and so. But

0:23:57.480 --> 0:24:00.720
<v Speaker 1>the history thing adds another dimension to oh really does?

0:24:01.040 --> 0:24:03.320
<v Speaker 1>I mean? It was one thing to write my own memoir,

0:24:03.520 --> 0:24:06.960
<v Speaker 1>but to disappear into the life of a woman from

0:24:07.119 --> 0:24:11.480
<v Speaker 1>more than one hundred years ago was an extraordinary exercise

0:24:11.520 --> 0:24:14.919
<v Speaker 1>that I'd never embarked upon before. But it's an idea

0:24:15.040 --> 0:24:18.400
<v Speaker 1>I came up with for Pete because I was in

0:24:18.440 --> 0:24:24.960
<v Speaker 1>the middle of the nightmare of the Trial and Pete

0:24:25.000 --> 0:24:27.399
<v Speaker 1>was working on an upcoming book that he's got and

0:24:27.440 --> 0:24:30.720
<v Speaker 1>a picture of the Titanic came up and he just

0:24:30.760 --> 0:24:33.520
<v Speaker 1>said to me, isn't she a beauty? And I said,

0:24:33.520 --> 0:24:35.240
<v Speaker 1>what are you talking about? And he showed me the

0:24:35.280 --> 0:24:37.439
<v Speaker 1>picture and I said, oh, is that the Titanic? And

0:24:37.480 --> 0:24:39.560
<v Speaker 1>he said, yes, isn't she a beauty? And I said

0:24:40.280 --> 0:24:45.840
<v Speaker 1>she was probably not so pretty these days, But and

0:24:45.880 --> 0:24:47.840
<v Speaker 1>I just thought about it for a second. I said,

0:24:48.119 --> 0:24:51.760
<v Speaker 1>were there any Australians on the Titanic? And he said,

0:24:51.760 --> 0:24:53.840
<v Speaker 1>I've got no idea. And I said, I don't either,

0:24:53.920 --> 0:24:55.880
<v Speaker 1>And how do we not know whether there are any

0:24:55.880 --> 0:24:59.199
<v Speaker 1>is Like, there might be an amazing story there for

0:24:59.280 --> 0:25:01.359
<v Speaker 1>one of your upcome books. You really should check it

0:25:01.400 --> 0:25:05.120
<v Speaker 1>out anyway, and he agreed. A couple of days went by,

0:25:05.280 --> 0:25:07.119
<v Speaker 1>I asked him, you know, if he'd done anything, and

0:25:07.119 --> 0:25:11.000
<v Speaker 1>he hadn't, and I thought, hmm, I've got a computer.

0:25:11.800 --> 0:25:14.000
<v Speaker 1>I've heard of that thing called the internet. I should

0:25:14.080 --> 0:25:17.040
<v Speaker 1>check and see. And I discovered that there were six

0:25:17.280 --> 0:25:21.679
<v Speaker 1>Australian born passengers and crew on the Titanic and only

0:25:21.840 --> 0:25:26.879
<v Speaker 1>one survived. This twenty eight year old kick ass nurse,

0:25:27.640 --> 0:25:31.160
<v Speaker 1>youngest of five children, grew up in Hoylton, an hour

0:25:31.200 --> 0:25:34.800
<v Speaker 1>and a half north of Adelaide. She was a champion

0:25:34.920 --> 0:25:38.359
<v Speaker 1>horsewoman and she used to love to row on the

0:25:38.480 --> 0:25:39.600
<v Speaker 1>Murray River.

0:25:40.480 --> 0:25:43.800
<v Speaker 2>And when I read that, but I thought, by the

0:25:43.800 --> 0:25:48.920
<v Speaker 2>way a pursuit that a lot of women engaged, So

0:25:48.960 --> 0:25:52.879
<v Speaker 2>she was very unusual. Yes, love of horse riding in

0:25:52.920 --> 0:25:54.879
<v Speaker 2>her physical pursuit.

0:25:54.640 --> 0:25:59.359
<v Speaker 1>Yeah, and you know, very athletic. And when I read

0:25:59.359 --> 0:26:01.960
<v Speaker 1>the words, there was very little on the internet about her.

0:26:02.600 --> 0:26:07.000
<v Speaker 1>You know, she only ever gave two interviews, and it

0:26:07.240 --> 0:26:12.080
<v Speaker 1>said that Evelyn was so good that she wanted to

0:26:12.200 --> 0:26:15.360
<v Speaker 1>challenge herself when she rode on the River Murray at

0:26:15.400 --> 0:26:19.440
<v Speaker 1>murray Bridge in South Australia. And so you know a

0:26:19.480 --> 0:26:22.960
<v Speaker 1>lot of the rowers would row with the current and

0:26:23.040 --> 0:26:25.760
<v Speaker 1>when the title flow turned, they would row back to

0:26:25.800 --> 0:26:28.520
<v Speaker 1>shore with the current. Evelyn didn't want to do that.

0:26:29.280 --> 0:26:33.720
<v Speaker 1>Evelyn wanted to row against the tide right. And when

0:26:33.720 --> 0:26:37.119
<v Speaker 1>I read those words, a young woman who wrote against

0:26:37.160 --> 0:26:41.600
<v Speaker 1>the tide, I just thought, how many Australian women women

0:26:42.119 --> 0:26:45.919
<v Speaker 1>feel like they are constantly rowing against the tide?

0:26:47.440 --> 0:26:52.240
<v Speaker 2>So you say, how many Australian women did Lisa Wilkinson

0:26:52.359 --> 0:26:52.760
<v Speaker 2>feel that?

0:26:53.480 --> 0:26:57.520
<v Speaker 1>Sure? Yeah, And I just the fact that she was

0:26:57.560 --> 0:27:01.240
<v Speaker 1>doing this one hundred years ago. And the more I

0:27:01.280 --> 0:27:04.240
<v Speaker 1>looked into it, I thought, oh my god, the Titanic

0:27:04.400 --> 0:27:08.679
<v Speaker 1>actually happened during the rise of the Suffragettes. And this

0:27:08.880 --> 0:27:12.080
<v Speaker 1>was a young girl who, unlike her two older sisters,

0:27:12.560 --> 0:27:15.919
<v Speaker 1>didn't want to get married, didn't necessarily want to have children,

0:27:16.000 --> 0:27:17.840
<v Speaker 1>or you know, she wasn't sort of saying that as

0:27:18.000 --> 0:27:22.760
<v Speaker 1>there's my goal in life. She decided she wanted to

0:27:22.800 --> 0:27:24.919
<v Speaker 1>be a nurse. She wanted to give back, so she

0:27:25.000 --> 0:27:30.159
<v Speaker 1>went to train at Adelaide Hospital and while she was

0:27:30.200 --> 0:27:34.080
<v Speaker 1>at Adelaide Hospital. A woman, a patient needed to go

0:27:34.240 --> 0:27:37.679
<v Speaker 1>back to the UK and she needed a nurse to

0:27:37.720 --> 0:27:38.520
<v Speaker 1>accompany her.

0:27:39.200 --> 0:27:41.600
<v Speaker 2>Yes offered the gigs when they'd have a companion.

0:27:41.840 --> 0:27:46.720
<v Speaker 1>Yes offered Evelyn the gig, and Evelyn thought, I now

0:27:46.760 --> 0:27:49.480
<v Speaker 1>get to see the world. So she got to London

0:27:49.760 --> 0:27:52.040
<v Speaker 1>and she thought, this is the life for me. So

0:27:52.080 --> 0:27:56.200
<v Speaker 1>she applied to be a nurse stewardess on cruise ships

0:27:57.080 --> 0:28:01.760
<v Speaker 1>and she couldn't believe her luck. And in the middle

0:28:01.760 --> 0:28:07.360
<v Speaker 1>of it all meets a handsome ship's doctor, William Abel James.

0:28:08.760 --> 0:28:12.560
<v Speaker 1>They become engaged and the two of them hear about

0:28:12.600 --> 0:28:18.040
<v Speaker 1>the Titanic, which is launching in April of nineteen twelve,

0:28:18.640 --> 0:28:23.600
<v Speaker 1>and they both apply. They are both successful, but with

0:28:23.680 --> 0:28:28.320
<v Speaker 1>a few days to go, William is told sorry, you're

0:28:28.359 --> 0:28:30.960
<v Speaker 1>not going to go on the Titanic. You're going on

0:28:31.000 --> 0:28:35.520
<v Speaker 1>the Macedonia, which is traveling to Sydney, and so Evelyn

0:28:35.600 --> 0:28:37.120
<v Speaker 1>sailed alone.

0:28:37.480 --> 0:28:42.800
<v Speaker 2>Now this book I wept when I read it, particularly

0:28:42.880 --> 0:28:48.640
<v Speaker 2>the I mean basically my education about the Titanic. I

0:28:48.640 --> 0:28:50.840
<v Speaker 2>don't know if you know they've made a movie.

0:28:51.280 --> 0:28:51.800
<v Speaker 1>I've heard.

0:28:52.760 --> 0:28:53.920
<v Speaker 2>I bet you were like me.

0:28:54.480 --> 0:28:57.120
<v Speaker 1>I thought, oh yeah, I know. The Titanic story. I've

0:28:57.120 --> 0:29:01.600
<v Speaker 1>seen what James Cameron did I have your friend, Yeah, yes,

0:29:02.520 --> 0:29:05.440
<v Speaker 1>I've seen the docos. You know, we all know the

0:29:05.480 --> 0:29:09.840
<v Speaker 1>Titanic story. And you know why we do, because it's

0:29:10.000 --> 0:29:13.440
<v Speaker 1>widely believed that the three best known words in the

0:29:13.480 --> 0:29:18.600
<v Speaker 1>English language are God, Coca cola, and Titanic.

0:29:19.320 --> 0:29:24.600
<v Speaker 2>Who said that, that's bizarre, it's widely reported. Well, I

0:29:24.720 --> 0:29:27.120
<v Speaker 2>want your sources. There's a lot of sources in here.

0:29:27.280 --> 0:29:30.000
<v Speaker 1>Here's the thing that I couldn't believe when I was

0:29:30.000 --> 0:29:33.000
<v Speaker 1>going through the process of researching this, you know, sitting

0:29:33.040 --> 0:29:35.880
<v Speaker 1>at home, sitting in cafes, writing it. And I wasn't

0:29:35.920 --> 0:29:38.320
<v Speaker 1>telling a lot of people that I was writing the

0:29:38.360 --> 0:29:44.240
<v Speaker 1>story because I just thought, how oners has this story

0:29:45.720 --> 0:29:52.720
<v Speaker 1>Laine idol for over a century? That this story has

0:29:52.840 --> 0:29:56.640
<v Speaker 1>never been properly told, and lay it on top of that.

0:29:57.000 --> 0:30:00.880
<v Speaker 1>Once I started going back and watching movies. You know,

0:30:00.920 --> 0:30:03.640
<v Speaker 1>there was a wonderful one in the nineteen fifties called

0:30:03.640 --> 0:30:06.040
<v Speaker 1>A Night to Remember, and I remember that was the

0:30:06.080 --> 0:30:09.560
<v Speaker 1>first time I ever cried watching a movie because the

0:30:09.600 --> 0:30:12.560
<v Speaker 1>heartbreak of this story. It's an old black and white

0:30:13.320 --> 0:30:16.000
<v Speaker 1>and I was a teenager when I first saw it.

0:30:17.240 --> 0:30:22.320
<v Speaker 1>The heartbreaking stories in the Titanic, and I do tell

0:30:22.400 --> 0:30:24.160
<v Speaker 1>quite a few of them, you know, the ones that

0:30:24.320 --> 0:30:27.080
<v Speaker 1>really kind of sat with me when I was doing

0:30:27.080 --> 0:30:31.320
<v Speaker 1>the research. But one of the things I realized is

0:30:31.480 --> 0:30:33.640
<v Speaker 1>all of the documentaries, all of the movies, all of

0:30:33.680 --> 0:30:39.600
<v Speaker 1>the books have always been told by men. This story

0:30:39.640 --> 0:30:42.680
<v Speaker 1>has never been told through the female lens. And yet

0:30:42.720 --> 0:30:45.760
<v Speaker 1>this happened during the rise of the suffragettes, and there

0:30:45.800 --> 0:30:49.479
<v Speaker 1>were so many incredible women on that boat, and a

0:30:49.520 --> 0:30:52.200
<v Speaker 1>lot of them fighting for women to get the right

0:30:52.240 --> 0:30:55.960
<v Speaker 1>to vote. All these pieces of the puzzle started fitting together.

0:30:56.400 --> 0:30:58.920
<v Speaker 1>Where was the second place in the world where women

0:30:58.960 --> 0:31:03.000
<v Speaker 1>got the right to vote Evelyn's home state, South Australia

0:31:03.000 --> 0:31:06.040
<v Speaker 1>they got it in eighteen ninety four. Was New Zealand first.

0:31:06.240 --> 0:31:10.400
<v Speaker 1>New Zealand was first, and you know, in first class

0:31:10.440 --> 0:31:13.320
<v Speaker 1>in particular, because that's where the educated women were who

0:31:13.440 --> 0:31:20.360
<v Speaker 1>had careers. There were poets, philosophers, businesswomen, millionairesses, extraordinary fashion designers.

0:31:20.560 --> 0:31:23.760
<v Speaker 2>The role like the role call of people.

0:31:23.960 --> 0:31:27.560
<v Speaker 1>Yes, the highest paid actress movie actress in the world

0:31:28.480 --> 0:31:33.320
<v Speaker 1>was in first class, Dorothy Perkins, and she in fact

0:31:33.440 --> 0:31:37.440
<v Speaker 1>made a movie four weeks after the sinking of the

0:31:37.480 --> 0:31:45.000
<v Speaker 1>Titanic she wrote it, directed it, did everything, and played herself,

0:31:45.920 --> 0:31:49.920
<v Speaker 1>and that was released four weeks after the sinking, four

0:31:49.960 --> 0:31:51.880
<v Speaker 1>weeks she.

0:31:51.800 --> 0:31:53.959
<v Speaker 2>Barely would have recovered from our hypothermia.

0:31:54.000 --> 0:31:57.400
<v Speaker 1>Well, she even wore the same outfit she had on

0:31:57.480 --> 0:32:01.400
<v Speaker 1>that she was rescued in, and it haunted her for

0:32:01.480 --> 0:32:02.680
<v Speaker 1>the rest of her life.

0:32:02.840 --> 0:32:05.880
<v Speaker 2>Okay, So I don't know if you've wondered this or not.

0:32:06.000 --> 0:32:09.920
<v Speaker 2>I imagine that you have because you were so immersed in this,

0:32:10.040 --> 0:32:12.960
<v Speaker 2>and this did not come to you easily. It's a

0:32:13.120 --> 0:32:18.160
<v Speaker 2>formidable work. Were you drawn to the story of Titanic

0:32:18.920 --> 0:32:21.880
<v Speaker 2>and drawn to the story of Evelyn because of what

0:32:22.120 --> 0:32:24.680
<v Speaker 2>you were going through at the time, do you think?

0:32:25.200 --> 0:32:25.400
<v Speaker 3>No?

0:32:25.800 --> 0:32:29.520
<v Speaker 1>But what it did give me. I mean, what I've

0:32:29.560 --> 0:32:35.520
<v Speaker 1>done throughout my career is if there's a common denominator

0:32:35.720 --> 0:32:41.720
<v Speaker 1>through magazines and through television and radio, it's as a journalist,

0:32:41.800 --> 0:32:45.200
<v Speaker 1>you're a conduit to helping other people tell their stories,

0:32:46.200 --> 0:32:51.280
<v Speaker 1>and to find this amazing woman whose story had never

0:32:51.320 --> 0:32:56.560
<v Speaker 1>been properly told, and to immerse myself to the point

0:32:56.600 --> 0:32:59.880
<v Speaker 1>where I was going to be able to finally have

0:33:00.000 --> 0:33:05.960
<v Speaker 1>this woman's story told, celebrate her heroism, her desire to

0:33:06.160 --> 0:33:10.720
<v Speaker 1>always give back, to tell the incredible love story that

0:33:10.880 --> 0:33:16.000
<v Speaker 1>happened between her and William, which ultimately will break people's

0:33:16.120 --> 0:33:20.680
<v Speaker 1>heart with the way it all finishes. So I was

0:33:20.800 --> 0:33:23.720
<v Speaker 1>drawn to it because it gave me an enormous project

0:33:23.720 --> 0:33:25.640
<v Speaker 1>to work. And I've never worked on a project this

0:33:25.720 --> 0:33:28.960
<v Speaker 1>big in my life. You know, in magazines they came

0:33:28.960 --> 0:33:33.840
<v Speaker 1>out every month, Television came out every day. So to

0:33:33.960 --> 0:33:36.800
<v Speaker 1>work on something, you know, with all of my heart

0:33:36.920 --> 0:33:39.960
<v Speaker 1>and all of my energy and bring all of my

0:33:40.360 --> 0:33:44.000
<v Speaker 1>research and journalistic skills to it was again, it was

0:33:44.360 --> 0:33:46.080
<v Speaker 1>such a privilege.

0:33:45.520 --> 0:33:50.640
<v Speaker 2>Because also I think in circumstances in which your back

0:33:50.800 --> 0:33:54.960
<v Speaker 2>is against the wall, work can be such a salvation.

0:33:55.080 --> 0:34:00.280
<v Speaker 1>Oh completely, you know, just I was utterly immerged in

0:34:00.360 --> 0:34:00.960
<v Speaker 1>her story.

0:34:02.280 --> 0:34:09.960
<v Speaker 2>Coming up more of my conversation with Lisa Wilkinson Evelyn Marsden.

0:34:10.000 --> 0:34:14.160
<v Speaker 2>I'm putting her to one side, and I want to

0:34:14.239 --> 0:34:18.560
<v Speaker 2>know when you had to get into the lifeboat. What

0:34:18.880 --> 0:34:24.920
<v Speaker 2>period when you're in the troubles, were you like, Okay,

0:34:25.160 --> 0:34:29.200
<v Speaker 2>I've got to get off this ship. What was yours?

0:34:29.200 --> 0:34:31.400
<v Speaker 1>I couldn't really get off the ship, you know, it

0:34:31.440 --> 0:34:35.520
<v Speaker 1>was a ship that was sailing and I had to row.

0:34:36.719 --> 0:34:40.400
<v Speaker 1>I just had to row. And how was that challenging,

0:34:41.960 --> 0:34:47.359
<v Speaker 1>but I got through it. What did you learn about yourself? Then?

0:34:51.120 --> 0:34:55.560
<v Speaker 1>That I have reserves of patients because I knew that

0:34:55.640 --> 0:35:00.400
<v Speaker 1>this was going to be a very long process. I

0:35:00.400 --> 0:35:08.280
<v Speaker 1>can be quite forgiving ah, because I didn't I really

0:35:08.320 --> 0:35:12.640
<v Speaker 1>didn't want to bottle things up. I didn't want to

0:35:12.680 --> 0:35:15.640
<v Speaker 1>get sick during all of this. I mean through all

0:35:15.680 --> 0:35:19.080
<v Speaker 1>of this. I mean, perspective is a wonderful thing. I've

0:35:19.360 --> 0:35:22.719
<v Speaker 1>had a few friends who've been going through enormous health challenges,

0:35:23.280 --> 0:35:28.799
<v Speaker 1>one of whom I've lost, And you know, I had

0:35:28.840 --> 0:35:32.759
<v Speaker 1>a job to do. I had no choice but to

0:35:32.840 --> 0:35:36.680
<v Speaker 1>go through all of this and come out the other side.

0:35:36.920 --> 0:35:40.440
<v Speaker 2>And also it mattered to you. It had to matter

0:35:40.480 --> 0:35:47.680
<v Speaker 2>to you because much like Evelyn saving her life by

0:35:47.719 --> 0:35:53.879
<v Speaker 2>having learned to row, you were hardwired because of what

0:35:53.960 --> 0:35:57.319
<v Speaker 2>you had done those twelve years of waking up with

0:35:57.360 --> 0:36:00.200
<v Speaker 2>today where you've got to wake up whistling doesn't matter.

0:36:00.080 --> 0:36:00.640
<v Speaker 1>What's going on.

0:36:01.040 --> 0:36:04.440
<v Speaker 2>So your muscles for positivity, and I do believe that

0:36:04.440 --> 0:36:11.279
<v Speaker 2>they're muscles were trained, very well trained. But even so,

0:36:11.680 --> 0:36:16.480
<v Speaker 2>you got such a terrible kicking that it hurt many

0:36:16.520 --> 0:36:18.920
<v Speaker 2>of us who were not a part of it and

0:36:18.960 --> 0:36:22.719
<v Speaker 2>were not privy to it and we're not whatever, but

0:36:22.840 --> 0:36:23.640
<v Speaker 2>could feel it.

0:36:26.000 --> 0:36:31.040
<v Speaker 1>And I saw that through messages that people such as

0:36:31.080 --> 0:36:36.600
<v Speaker 1>yourself sent through and they meant the world, the absolute

0:36:36.880 --> 0:36:40.640
<v Speaker 1>world because often, and you were one of them, I

0:36:40.680 --> 0:36:45.560
<v Speaker 1>would get messages from people on just another day, just

0:36:45.680 --> 0:36:48.200
<v Speaker 1>checking in to see how I am. And I will

0:36:48.320 --> 0:36:50.799
<v Speaker 1>never ever forget the kindness of that.

0:36:52.000 --> 0:36:55.879
<v Speaker 2>Did you ever think and I can't imagine that it's

0:36:55.920 --> 0:36:59.239
<v Speaker 2>a part of your makeup? But did you ever think

0:37:00.440 --> 0:37:01.520
<v Speaker 2>this is too hard?

0:37:02.080 --> 0:37:08.560
<v Speaker 1>Oh? Sure, yeah, plenty of times. But there's there was

0:37:08.600 --> 0:37:09.400
<v Speaker 1>no alternative.

0:37:09.600 --> 0:37:12.080
<v Speaker 2>If you said that to Pete, what would he say?

0:37:13.719 --> 0:37:16.160
<v Speaker 1>I can't say that I remember the specifics of it,

0:37:16.239 --> 0:37:19.960
<v Speaker 1>but you know, I'm very fortunate that that guy I

0:37:20.000 --> 0:37:23.160
<v Speaker 1>met in the makeup room back in May of nineteen

0:37:23.239 --> 0:37:28.279
<v Speaker 1>ninety one, you know, has been a rock right throughout

0:37:28.680 --> 0:37:34.880
<v Speaker 1>my marriage, and never more so than over recent years.

0:37:35.680 --> 0:37:38.920
<v Speaker 1>You know, he's just he's made a very strong stuff.

0:37:39.960 --> 0:37:40.960
<v Speaker 1>Petros rock.

0:37:42.680 --> 0:37:45.880
<v Speaker 2>Really it's in the narrying. Yeah, I think you're right,

0:37:46.520 --> 0:37:50.200
<v Speaker 2>so knowing what you know now and on the cusp

0:37:50.280 --> 0:37:55.600
<v Speaker 2>of you being a historical author.

0:37:55.800 --> 0:37:57.839
<v Speaker 1>Wow, I hadn't thought about suppose I am.

0:37:57.960 --> 0:38:02.839
<v Speaker 2>Yeah, you are when you think about success, which as

0:38:02.920 --> 0:38:06.880
<v Speaker 2>much as you are quite modest about you know, you

0:38:07.000 --> 0:38:08.840
<v Speaker 2>kind of act like you were just kind of bumping

0:38:08.840 --> 0:38:10.719
<v Speaker 2>into the furniture and you were just a girl who

0:38:10.800 --> 0:38:13.560
<v Speaker 2>got lucky. There's much more to it than that, obviously.

0:38:14.920 --> 0:38:18.080
<v Speaker 2>But when you look at the definition of success now,

0:38:19.239 --> 0:38:20.399
<v Speaker 2>how do you define it?

0:38:22.840 --> 0:38:29.000
<v Speaker 1>Gee, that's a huge question. Probably living a life that

0:38:29.719 --> 0:38:37.359
<v Speaker 1>you know personally has meaning that makes a contribution and

0:38:37.400 --> 0:38:38.480
<v Speaker 1>to live authentically.

0:38:39.680 --> 0:38:42.200
<v Speaker 2>Has that changed? Do you think? I mean, you've got

0:38:42.239 --> 0:38:45.719
<v Speaker 2>more time now. Sometimes I think when you're in the

0:38:45.760 --> 0:38:49.680
<v Speaker 2>cut and thrust of a job, a big job, you

0:38:49.719 --> 0:38:52.400
<v Speaker 2>don't have the time to be analyzing what's going on

0:38:52.480 --> 0:38:55.440
<v Speaker 2>in your own life. But did you did anything change

0:38:55.680 --> 0:38:59.560
<v Speaker 2>upon reflection with time about how you live or how

0:38:59.560 --> 0:39:02.560
<v Speaker 2>you want to live? No?

0:39:02.600 --> 0:39:07.640
<v Speaker 1>Not really. I just you know, I'm getting older now,

0:39:07.719 --> 0:39:11.200
<v Speaker 1>so I'm very aware of the passing of time and

0:39:12.440 --> 0:39:18.120
<v Speaker 1>wanting the way I spend my time to have meaning

0:39:18.880 --> 0:39:22.080
<v Speaker 1>and to live with an open heart.

0:39:23.040 --> 0:39:25.719
<v Speaker 2>To everybody. You said you're very forgiving. You learned that

0:39:25.719 --> 0:39:28.080
<v Speaker 2>that was an interesting thing. Who have you had to

0:39:28.120 --> 0:39:32.000
<v Speaker 2>forgive people who.

0:39:34.960 --> 0:39:42.840
<v Speaker 1>Probably made some bad decisions along the way because of

0:39:42.880 --> 0:39:46.680
<v Speaker 1>the stress of everything that was going on. And I

0:39:46.760 --> 0:39:50.239
<v Speaker 1>understand that you know, when you when you're under a

0:39:50.280 --> 0:39:53.520
<v Speaker 1>lot of pressure, people can make bad choices.

0:39:54.880 --> 0:40:02.680
<v Speaker 2>And if your dad saw you, now, what would he say.

0:40:03.880 --> 0:40:05.759
<v Speaker 1>I think he'd just say I'm very proud of you,

0:40:07.960 --> 0:40:10.560
<v Speaker 1>and the hug would have lasted for about ten minutes.

0:40:11.840 --> 0:40:13.319
<v Speaker 2>And be like you married him.

0:40:15.719 --> 0:40:23.920
<v Speaker 1>Well. I always rejected the footballing millieure that Dad was

0:40:23.960 --> 0:40:26.279
<v Speaker 1>surrounded by when I was a teenager, because all of

0:40:26.280 --> 0:40:31.040
<v Speaker 1>my girlfriends were dating the guys in dad's football team.

0:40:31.680 --> 0:40:36.120
<v Speaker 1>Mum was doing the sospoge quite popular, it turns out,

0:40:37.080 --> 0:40:39.560
<v Speaker 1>and so I always rejected it. But I would sit

0:40:39.640 --> 0:40:43.480
<v Speaker 1>with Dad and watch the Wallabies weirdly, and of course

0:40:43.640 --> 0:40:45.600
<v Speaker 1>Pete would have been one of the Wallabies who was

0:40:45.760 --> 0:40:50.040
<v Speaker 1>playing when I used to watch them on TV. But

0:40:50.560 --> 0:40:52.880
<v Speaker 1>you know, on the day we got married, which was

0:40:53.000 --> 0:40:55.480
<v Speaker 1>nine months after we met, like we were in a

0:40:55.800 --> 0:41:02.200
<v Speaker 1>serious hurry. And so I'm walking down the aisle on

0:41:02.280 --> 0:41:06.319
<v Speaker 1>the arm of my older brother towards a Wallaby and

0:41:06.480 --> 0:41:10.320
<v Speaker 1>there as best man is the World Cup winning wallabye

0:41:10.320 --> 0:41:13.440
<v Speaker 1>captain Nick varr Jones. I just looked to the sky

0:41:13.680 --> 0:41:19.000
<v Speaker 1>and whispered to Dad, you got me. I've finally given in.

0:41:19.320 --> 0:41:20.480
<v Speaker 2>Beauty in surrender.

0:41:23.680 --> 0:41:24.439
<v Speaker 1>He's a good man.

0:41:25.239 --> 0:41:31.000
<v Speaker 2>If you could project something for yourself going into the future.

0:41:31.880 --> 0:41:35.880
<v Speaker 1>See, I've never planned ahead ever, and it's not a

0:41:35.920 --> 0:41:41.880
<v Speaker 1>case of just you know, thinking, taking good luck for granted.

0:41:42.640 --> 0:41:48.080
<v Speaker 1>But I also believe in making space and that gives

0:41:48.080 --> 0:41:53.000
<v Speaker 1>you the freedom to make hopefully wise decisions. And right

0:41:53.040 --> 0:41:57.280
<v Speaker 1>now I'm just completely focused on Evelyn. I really want

0:41:57.840 --> 0:42:02.000
<v Speaker 1>Australia to get to know Evelyn. And somebody said to

0:42:02.040 --> 0:42:04.680
<v Speaker 1>me the other day, you know, if Evelyn had been

0:42:04.719 --> 0:42:08.919
<v Speaker 1>a man, Australia would have known about him, and I said,

0:42:08.960 --> 0:42:10.719
<v Speaker 1>that's true, and then I said, but hang on, no,

0:42:11.800 --> 0:42:16.640
<v Speaker 1>Only twenty percent of the men on Titanic survived, and

0:42:16.760 --> 0:42:20.120
<v Speaker 1>as it turned out, there were only two ships doctors

0:42:20.120 --> 0:42:23.319
<v Speaker 1>on the Titanic, So if William had been one of

0:42:23.360 --> 0:42:26.080
<v Speaker 1>those doctors, William would have died.

0:42:26.760 --> 0:42:28.520
<v Speaker 2>The men and the men built it, and the men,

0:42:29.040 --> 0:42:31.520
<v Speaker 2>you know, sunk it. But it was the same men

0:42:31.840 --> 0:42:33.720
<v Speaker 2>who said women and children first.

0:42:33.800 --> 0:42:39.120
<v Speaker 1>Absolutely I can, and that has been a really interesting

0:42:39.200 --> 0:42:41.719
<v Speaker 1>line that I've had to walk, you know, from a

0:42:41.760 --> 0:42:46.800
<v Speaker 1>purely feminist point of view, because you cannot take away

0:42:46.880 --> 0:42:53.239
<v Speaker 1>from the extraordinary heroism of those who, in order to

0:42:53.280 --> 0:42:58.160
<v Speaker 1>save others lost their own lives, and that was overwhelmingly men,

0:42:58.719 --> 0:43:03.160
<v Speaker 1>no question, and it was women and children first.

0:43:03.200 --> 0:43:06.280
<v Speaker 2>Yes, And it's like a metaphor for also the lines

0:43:06.320 --> 0:43:12.399
<v Speaker 2>that we straddle as feminists in the modern world is

0:43:12.440 --> 0:43:17.800
<v Speaker 2>that equality doesn't mean that we can't avail ourselves of

0:43:17.880 --> 0:43:21.240
<v Speaker 2>the strengths that men have, that we don't have physical

0:43:21.280 --> 0:43:25.160
<v Speaker 2>strength or valor or whatever. It's not that women don't

0:43:25.200 --> 0:43:28.799
<v Speaker 2>have them necessarily, but it's true that men have got

0:43:28.840 --> 0:43:30.920
<v Speaker 2>them in different proportions often.

0:43:31.160 --> 0:43:34.319
<v Speaker 1>Yeah. True. There's a wonderful story in that. It's one

0:43:34.400 --> 0:43:38.520
<v Speaker 1>of my absolute favorites because you know, I've tried to

0:43:38.560 --> 0:43:43.640
<v Speaker 1>elevate wherever i could in equal measure. I hope the

0:43:43.800 --> 0:43:47.880
<v Speaker 1>heroism of many of the women who are on board,

0:43:48.239 --> 0:43:51.560
<v Speaker 1>but also their kick assedness, which I know is not

0:43:51.600 --> 0:43:54.560
<v Speaker 1>a word, but I've just made it a word. Because

0:43:54.600 --> 0:44:00.560
<v Speaker 1>there's this amazing couple who arrive, William and Lucy Carter,

0:44:01.280 --> 0:44:06.440
<v Speaker 1>he is heir to a coal mining fortune dynasty, and

0:44:06.480 --> 0:44:10.480
<v Speaker 1>his wife Lucille, and they have two children, also called

0:44:10.680 --> 0:44:14.040
<v Speaker 1>William and Lucille, because that's what rich people do, they

0:44:14.080 --> 0:44:18.000
<v Speaker 1>create children in their own image. And they arrive they're

0:44:18.040 --> 0:44:23.400
<v Speaker 1>heading to New York. Obviously, and they arrive with everything

0:44:23.440 --> 0:44:27.160
<v Speaker 1>but the kitchen sink, a coterie of servants, and a

0:44:27.160 --> 0:44:32.279
<v Speaker 1>bunch of polo ponies. Yes, so you know they're well

0:44:32.320 --> 0:44:35.799
<v Speaker 1>and truly in first class. And on the night they

0:44:35.880 --> 0:44:40.840
<v Speaker 1>hit the iceberg, William wakes Lucille up and says, quick,

0:44:41.320 --> 0:44:44.399
<v Speaker 1>we've hit an iceberg. Get the kids dressed. I'll meet

0:44:44.440 --> 0:44:48.279
<v Speaker 1>you up on deck. So she does exactly that dutifully,

0:44:48.760 --> 0:44:52.040
<v Speaker 1>and she gets up on deck and cannot find William anywhere,

0:44:52.360 --> 0:44:55.840
<v Speaker 1>and she keeps resisting getting into the lifeboats because she

0:44:56.000 --> 0:45:00.520
<v Speaker 1>has to find her great love, William. And eventually the

0:45:00.560 --> 0:45:02.919
<v Speaker 1>ship is so close to sinking she has no choice.

0:45:02.960 --> 0:45:05.960
<v Speaker 1>She is ordered with the two children into the lifeboat.

0:45:06.719 --> 0:45:11.160
<v Speaker 1>And so, like so many moments of desperation where couples

0:45:11.200 --> 0:45:13.080
<v Speaker 1>are being torn apart, the men have to stay on

0:45:13.120 --> 0:45:17.759
<v Speaker 1>the ship, the women get in the lifeboats. She eventually

0:45:17.800 --> 0:45:21.439
<v Speaker 1>the rescue boat is the Carpathia. She arrives at the Carpathia.

0:45:22.080 --> 0:45:25.719
<v Speaker 1>So often, wives who think they've lost their husbands are

0:45:25.760 --> 0:45:29.080
<v Speaker 1>hoping against hope that maybe they've been rescued by another

0:45:29.120 --> 0:45:31.400
<v Speaker 1>boat or a lifeboat, and they might see them on

0:45:31.440 --> 0:45:36.680
<v Speaker 1>the Carpathia. And she's pulled up to the top of

0:45:36.719 --> 0:45:39.279
<v Speaker 1>the Carpathian. She looks around, hoping that she's going to

0:45:39.320 --> 0:45:43.000
<v Speaker 1>find William. And she looks up and there is William

0:45:43.600 --> 0:45:48.880
<v Speaker 1>leaning casually against a railing, smoking a cigarette, and he

0:45:49.040 --> 0:45:52.439
<v Speaker 1>takes one look at her and says, I've just had

0:45:52.480 --> 0:45:58.000
<v Speaker 1>a jolly good breakfast, before adding I thought you and

0:45:58.040 --> 0:46:02.799
<v Speaker 1>the children would never make it. And how do we

0:46:02.880 --> 0:46:06.640
<v Speaker 1>know that he said those words, because those exact words

0:46:06.680 --> 0:46:11.040
<v Speaker 1>were quoted in the divorce papers that Lucile filed the

0:46:11.160 --> 0:46:18.680
<v Speaker 1>following you coward, you awful, awful man, and it came

0:46:18.719 --> 0:46:21.960
<v Speaker 1>to like that he was more than likely one of

0:46:22.000 --> 0:46:25.239
<v Speaker 1>the men who dressed as a woman and got into

0:46:25.239 --> 0:46:30.680
<v Speaker 1>a lifeboat. So I just I love that she divorced

0:46:30.719 --> 0:46:34.680
<v Speaker 1>him after that act of complete and utter cowardice.

0:46:34.800 --> 0:46:37.680
<v Speaker 2>Well, I think that that's probably not an uncommon thing

0:46:37.880 --> 0:46:41.560
<v Speaker 2>when your feet have been held to the fire and

0:46:41.600 --> 0:46:45.640
<v Speaker 2>you've seen how your life partner responds under that pressure.

0:46:45.800 --> 0:46:49.480
<v Speaker 1>And that's the other thing. You know, It's been such

0:46:49.680 --> 0:46:55.040
<v Speaker 1>an interesting intellectual exercise to go through writing Evelyn's story,

0:46:55.120 --> 0:46:59.839
<v Speaker 1>because you do think, how would I act? I don't

0:46:59.880 --> 0:47:02.680
<v Speaker 1>think until we've all had our feet to the fire

0:47:03.320 --> 0:47:08.239
<v Speaker 1>that we really know how we would react. Would we

0:47:08.320 --> 0:47:12.799
<v Speaker 1>be heroic? Would be would we be so terrified? What

0:47:12.880 --> 0:47:15.360
<v Speaker 1>would that final moment of death had been like for

0:47:15.440 --> 0:47:18.440
<v Speaker 1>all of these people? I mean many times while I

0:47:18.480 --> 0:47:23.400
<v Speaker 1>was writing this, I was crying the stories of magnificence

0:47:23.920 --> 0:47:29.160
<v Speaker 1>and absolute utter tragedy, particularly when it came to some

0:47:29.239 --> 0:47:29.920
<v Speaker 1>of the children.

0:47:31.640 --> 0:47:34.799
<v Speaker 2>I wanted to You've reminded me that one of the

0:47:35.040 --> 0:47:39.000
<v Speaker 2>one of the characters that you introduce us to, Violet

0:47:39.080 --> 0:47:42.120
<v Speaker 2>jessp when are they on the lifeboats and they're watching

0:47:42.200 --> 0:47:48.279
<v Speaker 2>the Titanic and the unsinkable sink extraordinary, watching the rows

0:47:48.320 --> 0:47:54.440
<v Speaker 2>of lights yes slowly go out? Yeah stick, And she says,

0:47:55.680 --> 0:47:58.560
<v Speaker 2>for a fraction of a second, my heart stood still,

0:47:59.719 --> 0:48:04.680
<v Speaker 2>As is often the case when faith hitherto unshaken, faith

0:48:05.640 --> 0:48:07.400
<v Speaker 2>gets its first setback.

0:48:08.040 --> 0:48:11.880
<v Speaker 1>She was a beautiful writer. She wrote her memoir and

0:48:11.920 --> 0:48:17.120
<v Speaker 1>it wasn't published until the nineteen nineties. One of her

0:48:17.320 --> 0:48:22.520
<v Speaker 1>relatives made sure that it became a book, and that

0:48:22.719 --> 0:48:25.080
<v Speaker 1>was one of the books you know, that I've drawn

0:48:25.160 --> 0:48:28.680
<v Speaker 1>on because she was so eloquent in her prose about

0:48:28.719 --> 0:48:33.000
<v Speaker 1>what she experienced, and she was a fellow stewardess with Evelyn.

0:48:33.120 --> 0:48:35.960
<v Speaker 1>They'd worked together on the Olympic, which was the sister

0:48:36.040 --> 0:48:41.680
<v Speaker 1>ship to the Titanic, because of her eloquent description of

0:48:42.680 --> 0:48:47.720
<v Speaker 1>hitherto unshaken faith? Was there a time when your faith

0:48:47.960 --> 0:48:53.040
<v Speaker 1>was shaken? You're talking about in the last couple of years.

0:48:53.040 --> 0:48:56.359
<v Speaker 2>Or even before then. You know that even though your

0:48:56.440 --> 0:49:00.200
<v Speaker 2>pivot from you know today to the project was quite

0:49:00.239 --> 0:49:04.960
<v Speaker 2>an elegant one, that's still that that hurts that stuff

0:49:05.080 --> 0:49:09.719
<v Speaker 2>because it's they're colleagues, but they're also friends, and the

0:49:09.800 --> 0:49:11.319
<v Speaker 2>bosses are you know.

0:49:12.800 --> 0:49:15.040
<v Speaker 1>I think we should separate the bosses and the friends.

0:49:15.360 --> 0:49:19.520
<v Speaker 1>Well maybe, but because you'd had you know, everyone loves

0:49:19.560 --> 0:49:24.439
<v Speaker 1>the Golden Child, which you were until you were quite

0:49:24.520 --> 0:49:25.799
<v Speaker 1>sure how to respond to that.

0:49:25.840 --> 0:49:29.680
<v Speaker 2>Well, until you weren't so well, I was a point

0:49:29.760 --> 0:49:33.680
<v Speaker 2>at which you were shaken by I.

0:49:35.200 --> 0:49:43.160
<v Speaker 1>Certainly disappointed, like deeply disappointed, But I just and I

0:49:43.200 --> 0:49:46.160
<v Speaker 1>think again, this comes from my father. You count your blessings.

0:49:47.560 --> 0:49:52.200
<v Speaker 1>You know what, what doesn't shake us makes us stronger.

0:49:53.360 --> 0:49:56.080
<v Speaker 2>Don't look at me like I don't look at me

0:49:56.280 --> 0:49:56.480
<v Speaker 2>like that.

0:49:56.600 --> 0:49:59.720
<v Speaker 1>I know exactly what you're doing because I've done it myself.

0:49:59.760 --> 0:50:00.319
<v Speaker 1>Well I don't.

0:50:00.400 --> 0:50:04.759
<v Speaker 2>I'm just I'm just I think you've been through a

0:50:04.800 --> 0:50:09.960
<v Speaker 2>lot and I think that it's like your tetris blocks

0:50:10.040 --> 0:50:15.919
<v Speaker 2>are very well arranged, and I'm happy for that for you.

0:50:16.960 --> 0:50:17.279
<v Speaker 1>Thank you.

0:50:17.400 --> 0:50:17.560
<v Speaker 2>Kay.

0:50:19.080 --> 0:50:26.040
<v Speaker 1>It's I've been on a huge learning curve, but you

0:50:26.080 --> 0:50:30.480
<v Speaker 1>know one I think I'm stronger for. You know, I

0:50:30.560 --> 0:50:37.719
<v Speaker 1>know who counts in my life. I have seen enormous kindness.

0:50:38.640 --> 0:50:41.120
<v Speaker 1>I've seen the best of people, and I've seen the

0:50:41.120 --> 0:50:44.480
<v Speaker 1>worst of people. And you can't say that I'm not

0:50:44.600 --> 0:50:45.760
<v Speaker 1>still learning.

0:50:45.920 --> 0:50:48.480
<v Speaker 2>When you say you've seen the worst? What did that

0:50:48.560 --> 0:50:48.960
<v Speaker 2>look like?

0:50:49.880 --> 0:50:50.799
<v Speaker 1>Oh, disappointment?

0:50:51.480 --> 0:50:55.040
<v Speaker 2>Were you prepared for that or sometimes not?

0:50:55.360 --> 0:51:00.520
<v Speaker 1>Yeah? Yeah, I just find dwelling on the negative a

0:51:00.640 --> 0:51:04.360
<v Speaker 1>real waste of energy that you know, I had to

0:51:04.440 --> 0:51:09.040
<v Speaker 1>have energy and I couldn't dwell on things. I just

0:51:09.200 --> 0:51:10.680
<v Speaker 1>had to keep moving forward.

0:51:11.360 --> 0:51:14.319
<v Speaker 2>But you've got to take the lesson as well, you know,

0:51:14.360 --> 0:51:16.560
<v Speaker 2>the old when someone shows you who they are, believe

0:51:16.760 --> 0:51:19.680
<v Speaker 2>believe them, And sometimes it means rethinking people that you've

0:51:19.680 --> 0:51:20.759
<v Speaker 2>known for a long time.

0:51:20.880 --> 0:51:25.840
<v Speaker 1>Yeah, and I'm definitely older and wiser as a result

0:51:25.880 --> 0:51:26.920
<v Speaker 1>of the last few years.

0:51:28.120 --> 0:51:35.120
<v Speaker 2>Well, you know, your travails have been good news for readers.

0:51:35.640 --> 0:51:38.640
<v Speaker 1>I hope. So I really, you know, as I said,

0:51:39.200 --> 0:51:43.880
<v Speaker 1>I really fell in love with Evelyn, and I really

0:51:43.960 --> 0:51:50.040
<v Speaker 1>hope that readers do too. And I'm thrilled that you

0:51:50.280 --> 0:51:51.280
<v Speaker 1>enjoyed it so much.

0:51:51.560 --> 0:51:54.120
<v Speaker 2>I do think more than you do that you were

0:51:54.200 --> 0:51:57.160
<v Speaker 2>drawn to her because of the rowing against the tide.

0:51:57.360 --> 0:51:58.680
<v Speaker 1>Oh yeah, I.

0:52:00.960 --> 0:52:03.400
<v Speaker 2>Heard those words very early.

0:52:03.120 --> 0:52:06.800
<v Speaker 1>On in looking at her story. And I'll tell you

0:52:06.840 --> 0:52:13.080
<v Speaker 1>one of those weird moments that you know, just led

0:52:13.160 --> 0:52:15.760
<v Speaker 1>to I now have to do this story because Pete.

0:52:15.840 --> 0:52:20.840
<v Speaker 1>Actually I put a little dot point memo to Pete

0:52:20.920 --> 0:52:24.319
<v Speaker 1>once I looked into her story, and I said to him,

0:52:24.400 --> 0:52:26.480
<v Speaker 1>you've got to go to your publisher with this, because

0:52:26.520 --> 0:52:30.600
<v Speaker 1>this story is extraordinary and no one's done it. And

0:52:30.640 --> 0:52:34.840
<v Speaker 1>he went to the publisher, and you know, his beautiful

0:52:34.840 --> 0:52:39.400
<v Speaker 1>female publisher, Vanessa came back to me and said, Lisa,

0:52:39.520 --> 0:52:42.120
<v Speaker 1>everyone here is talking about this idea that you've had

0:52:42.160 --> 0:52:44.960
<v Speaker 1>for Pete. I don't think this is a Pete book.

0:52:45.239 --> 0:52:48.240
<v Speaker 1>I think this is a you book. And I said, Vanessa,

0:52:48.480 --> 0:52:50.520
<v Speaker 1>I can't do this. I've never written a book like

0:52:50.560 --> 0:52:55.280
<v Speaker 1>this before. The amount of research alone will be huge,

0:52:56.080 --> 0:52:57.719
<v Speaker 1>and she said, I just want you to sit with

0:52:57.800 --> 0:53:01.439
<v Speaker 1>it and have a think, because I think this would

0:53:01.480 --> 0:53:05.200
<v Speaker 1>be an incredible project for you to work on. And

0:53:05.239 --> 0:53:07.799
<v Speaker 1>I said, look, I just you know, my energies are

0:53:07.800 --> 0:53:12.640
<v Speaker 1>elsewhere at the moment. Literally three hours later, news of

0:53:12.760 --> 0:53:18.000
<v Speaker 1>the Ocean Gate submersible going missing broke around the world,

0:53:19.600 --> 0:53:22.520
<v Speaker 1>and Vanessa called me and she said, have you seen

0:53:22.560 --> 0:53:26.120
<v Speaker 1>the news? And I said, yeah, I think Evelyn and

0:53:26.120 --> 0:53:27.120
<v Speaker 1>I are on a journey.

0:53:28.239 --> 0:53:31.160
<v Speaker 2>And it starts and is she the person that said

0:53:32.640 --> 0:53:36.600
<v Speaker 2>I think Evelyn was sent to save you?

0:53:38.719 --> 0:53:41.440
<v Speaker 1>She said it to me a couple of months ago.

0:53:41.960 --> 0:53:44.040
<v Speaker 2>Did she did Evylne save you?

0:53:45.560 --> 0:53:50.160
<v Speaker 1>She gave me a focus that I didn't even know

0:53:50.239 --> 0:53:57.239
<v Speaker 1>I needed. And I have been everywhere the last couple

0:53:57.320 --> 0:54:03.000
<v Speaker 1>of years, and I didn't want to read about myself anymore,

0:54:04.160 --> 0:54:08.880
<v Speaker 1>and I'm sure others didn't either. And to be able

0:54:08.960 --> 0:54:13.000
<v Speaker 1>to not focus on me, not feel sorry for me,

0:54:14.040 --> 0:54:24.080
<v Speaker 1>to be elevated by this woman's otherwise unknown magnificence. Just

0:54:24.320 --> 0:54:26.759
<v Speaker 1>every day I worked on this project, I just felt

0:54:26.840 --> 0:54:30.400
<v Speaker 1>good and I felt like I was maybe I was

0:54:30.480 --> 0:54:33.880
<v Speaker 1>meant to be given this space to work on this project.

0:54:34.760 --> 0:54:38.120
<v Speaker 1>And you know, the funny thing is when you know

0:54:38.200 --> 0:54:42.080
<v Speaker 1>we're launching it April fourteen, which is the one hundred

0:54:42.120 --> 0:54:48.720
<v Speaker 1>and fourteenth anniversary of the Titanic hitting the iceberg, twenty

0:54:48.960 --> 0:54:52.200
<v Speaker 1>minutes to midnight, and it sank a twenty past two

0:54:52.440 --> 0:54:55.960
<v Speaker 1>on the fifteenth of April, so we're launching it on

0:54:56.040 --> 0:54:59.319
<v Speaker 1>the fourteenth. And Pete said to me a couple of

0:54:59.320 --> 0:55:00.360
<v Speaker 1>months ago.

0:55:00.120 --> 0:55:04.960
<v Speaker 2>At midnight, I hope that's too macabre. What's to launch

0:55:04.960 --> 0:55:08.000
<v Speaker 2>it at the time? No, no, no, no, no no no.

0:55:08.040 --> 0:55:11.040
<v Speaker 1>We just you know, we wanted to mark with respect

0:55:11.080 --> 0:55:14.719
<v Speaker 1>to the anniversary of the sinking. And Pete said to me,

0:55:14.719 --> 0:55:17.279
<v Speaker 1>who you're going to get to launch it, because we're

0:55:17.360 --> 0:55:20.680
<v Speaker 1>launching it at the Maritime Museum. And I said, I

0:55:20.719 --> 0:55:23.720
<v Speaker 1>don't know. I sort of don't know any boty people.

0:55:24.360 --> 0:55:26.520
<v Speaker 1>And I said, I sort of feel like I need

0:55:27.160 --> 0:55:31.720
<v Speaker 1>maybe a woman from South Australia who's always wrote against

0:55:31.719 --> 0:55:36.440
<v Speaker 1>the tide. Oh my god, Julia Gillard. And I emailed

0:55:36.480 --> 0:55:39.919
<v Speaker 1>her and said, I don't know if you've ever heard

0:55:39.920 --> 0:55:42.600
<v Speaker 1>of this woman, Evelyn Marsden, but this is who she

0:55:42.680 --> 0:55:45.239
<v Speaker 1>is and I've written a book about She got right

0:55:45.280 --> 0:55:48.000
<v Speaker 1>back to me and said, Lisa, how on earth do

0:55:48.120 --> 0:55:50.880
<v Speaker 1>we not know this woman's story. Of course I'll launch

0:55:50.960 --> 0:55:56.640
<v Speaker 1>it for you. So another woman who's wrote against the tide,

0:55:57.320 --> 0:56:01.160
<v Speaker 1>well that's going to be quiet and even I'm very

0:56:01.239 --> 0:56:05.759
<v Speaker 1>much honored that she's agreed to do that.

0:56:05.920 --> 0:56:10.840
<v Speaker 2>It's amazing. I hope that the rest of your the

0:56:10.920 --> 0:56:14.320
<v Speaker 2>cruise of your life, you're.

0:56:14.200 --> 0:56:15.080
<v Speaker 1>Going to get all poet.

0:56:15.560 --> 0:56:20.360
<v Speaker 2>Are you these straits of all moons that you're unencumbered,

0:56:21.360 --> 0:56:24.520
<v Speaker 2>thank you by the troubles of the past.

0:56:25.120 --> 0:56:30.000
<v Speaker 1>Are you tired or invigorated? I'm invigorated by the boy.

0:56:30.440 --> 0:56:35.960
<v Speaker 1>I really am tired of the other who isn't far out.

0:56:37.200 --> 0:56:39.879
<v Speaker 2>Even as I say that, I don't even know how

0:56:39.920 --> 0:56:43.200
<v Speaker 2>many incarnations there are of it, but it's honestly like

0:56:43.719 --> 0:56:48.000
<v Speaker 2>the marrow being leached out of your bones. Lisa Wilkinson,

0:56:49.120 --> 0:56:54.080
<v Speaker 2>good luck to you and to all who's sailing, which

0:56:54.120 --> 0:56:57.359
<v Speaker 2>are believe. It's just it's only one that just got

0:56:57.360 --> 0:57:01.080
<v Speaker 2>really creepy at the end. What about you talking about

0:57:01.960 --> 0:57:03.480
<v Speaker 2>waiting for Pete to get a wrecked?

0:57:03.719 --> 0:57:06.480
<v Speaker 1>Well, it's how long did that take?

0:57:06.560 --> 0:57:09.880
<v Speaker 2>By the way, between that first afternoon tea?

0:57:11.880 --> 0:57:16.640
<v Speaker 1>What until we got married? No? Oh, you're you're somewhere

0:57:16.680 --> 0:57:18.800
<v Speaker 1>else completely of your memoir.

0:57:18.880 --> 0:57:21.680
<v Speaker 2>You're like, if you meet him, if you finally meet

0:57:21.760 --> 0:57:24.680
<v Speaker 2>him and then suddenly three months later you're engaged, I'm like,

0:57:25.000 --> 0:57:26.320
<v Speaker 2>what happened in between?

0:57:26.840 --> 0:57:31.000
<v Speaker 1>Just you know, a lot of conversations late into the night,

0:57:31.160 --> 0:57:35.320
<v Speaker 1>and you know, I mean, you know what it's like

0:57:35.440 --> 0:57:38.800
<v Speaker 1>when you when you meet someone where you just feel

0:57:38.960 --> 0:57:43.880
<v Speaker 1>like where have you been? And it just happens so

0:57:44.120 --> 0:57:48.440
<v Speaker 1>easily that you know, we we sort of didn't leave

0:57:48.480 --> 0:57:53.520
<v Speaker 1>each other side. It's lucky, isn't it so lucky? Just

0:57:53.600 --> 0:57:56.960
<v Speaker 1>a few frogs? Yeah, you know, you sort of you

0:57:57.120 --> 0:58:01.560
<v Speaker 1>work out what you don't want. But I certainly didn't

0:58:02.280 --> 0:58:04.560
<v Speaker 1>go into that relationship with a checklist.

0:58:04.840 --> 0:58:10.040
<v Speaker 2>No. And also you don't know, you know, Nancy Reagan,

0:58:10.080 --> 0:58:12.280
<v Speaker 2>he said, you don't know what a woman's made of.

0:58:12.320 --> 0:58:13.840
<v Speaker 2>She's like a tea bag till you put her in

0:58:13.880 --> 0:58:14.320
<v Speaker 2>hot water.

0:58:14.440 --> 0:58:15.320
<v Speaker 1>Oh yeah.

0:58:15.360 --> 0:58:17.400
<v Speaker 2>But also a relationship is like that.

0:58:17.760 --> 0:58:18.280
<v Speaker 1>Yeah.

0:58:18.440 --> 0:58:21.600
<v Speaker 2>Yeah, because when you fall in love, it's good times.

0:58:22.280 --> 0:58:24.919
<v Speaker 2>Very few people fall in love in bad times. It's

0:58:25.040 --> 0:58:27.600
<v Speaker 2>always good times. Because you're falling in love, you don't

0:58:27.640 --> 0:58:30.520
<v Speaker 2>know what's going to happen, or really necessarily what that

0:58:30.560 --> 0:58:35.840
<v Speaker 2>person is made of until you know the shit gets going.

0:58:37.600 --> 0:58:42.000
<v Speaker 1>I got a pretty good idea early on that, you know,

0:58:42.120 --> 0:58:47.760
<v Speaker 1>Pete comes from the most incredible family, and to be

0:58:47.880 --> 0:58:54.160
<v Speaker 1>welcomed so completely into that family, you know, I thought

0:58:54.200 --> 0:58:56.880
<v Speaker 1>I was on pretty solid ground from the beginning, But

0:58:58.240 --> 0:59:00.000
<v Speaker 1>you know what I've been through the last couple of years,

0:59:00.080 --> 0:59:04.520
<v Speaker 1>that certainly tests the marriage, because you're not always at

0:59:04.520 --> 0:59:09.280
<v Speaker 1>your absolute best when you're being tested like that. So

0:59:09.280 --> 0:59:11.360
<v Speaker 1>I'd probably say I tested him a little more than

0:59:11.360 --> 0:59:14.640
<v Speaker 1>he tested me in recent times. And he was not

0:59:14.680 --> 0:59:19.280
<v Speaker 1>for flinching, no notting him only strong.

0:59:21.440 --> 0:59:23.120
<v Speaker 2>Oh I know where a couple of those are.

0:59:26.800 --> 0:59:30.320
<v Speaker 1>Yeah, no, we're never stronger in fact fully enough, he

0:59:30.360 --> 0:59:33.400
<v Speaker 1>said to me the other day, he said, did you

0:59:33.480 --> 0:59:35.560
<v Speaker 1>know that apparently you and I have split?

0:59:36.440 --> 0:59:36.920
<v Speaker 2>Oh?

0:59:37.440 --> 0:59:40.800
<v Speaker 1>Apparently there was something on social media saying, you know,

0:59:40.960 --> 0:59:44.760
<v Speaker 1>sad news that we have split. And it's just it's

0:59:44.760 --> 0:59:49.120
<v Speaker 1>an indication of how useless social media is that you know,

0:59:49.240 --> 0:59:53.000
<v Speaker 1>I didn't even know that. Yeah. I was just like,

0:59:53.080 --> 0:59:54.520
<v Speaker 1>did I miss something?

0:59:55.040 --> 0:59:59.720
<v Speaker 2>That's right. There's a version of Lisa Wilkinson that most

0:59:59.800 --> 1:00:05.360
<v Speaker 2>of think we know, But this conversation sits just outside

1:00:05.360 --> 1:00:09.400
<v Speaker 2>of that, in a space that's a little quieter, a

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<v Speaker 2>little more reflective, and probably a lot less certain. And

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<v Speaker 2>maybe that's what stays with you, not the headlines or

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<v Speaker 2>the moments that defined a career, but the idea that,

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<v Speaker 2>even after decades of clarity and success, there's still room

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<v Speaker 2>to question, to shift, and to begin again. We've linked

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<v Speaker 2>the details of the Titanic story of Evelyn by Lisa

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<v Speaker 2>Wilkinson in the show notes. Thank you for listening to

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<v Speaker 2>No Filter. The executive producer of No Filter is Breed Player.

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<v Speaker 2>The assistant producer is Coco Levine. Audio production and video

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<v Speaker 2>editing by Josh Green. I am Kate Langbrook. I will

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<v Speaker 2>see you next Monday for another incredible conversation.