WEBVTT - Would You Go Topless In Front Of Your Dad? 

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<v Speaker 1>Welcome to Mom and me are out loud. It's what

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<v Speaker 1>women are actually talking about on Friday.

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<v Speaker 2>The twenty first of August. I'm Meya Friedman.

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<v Speaker 1>I'm your name was first in the script, and funnily enough,

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<v Speaker 1>even though I do know my name quite well, I'm

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<v Speaker 1>still looking at it in the script.

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<v Speaker 3>It's okay.

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<v Speaker 1>I'm really a lester. If anyone cares, you are, I

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<v Speaker 1>do care. I'm still here for Holly. I'm sorry about that.

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<v Speaker 1>None of us are happy. And also I'm wearing a

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<v Speaker 1>Rustley jacket, so add to the list of people who

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<v Speaker 1>are unhappy or our producers who because I'm rustling.

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<v Speaker 2>It's like shoe jewelry all over again.

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<v Speaker 3>If he's watching the show, you wouldn't realize what like

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<v Speaker 3>season we're in.

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<v Speaker 4>We look like, you know, Justin Bieber and Hailey Bieber

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<v Speaker 4>are always dressed for completely different occasions.

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<v Speaker 3>Yes, that's us. I bags.

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<v Speaker 1>Haley Amelia is in like a hale bright orange. I'd

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<v Speaker 1>say floor orange, cashmere t shirte m. You are in

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<v Speaker 1>a khaki hole to neck, going out in top singlet

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<v Speaker 1>jeans in a.

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<v Speaker 2>Nice top jean's a nice top and I'm in a

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<v Speaker 2>windbreaker with a jaunty neckwork.

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<v Speaker 4>What does that say? What she thinks is going to

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<v Speaker 4>happen on this podcast? But she's wearing a windbreaker.

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<v Speaker 1>Guys, it's very in right now, okay, And I'm still looking.

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<v Speaker 3>For a cape?

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<v Speaker 2>What sort of caps? I find a hold of cape?

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<v Speaker 1>Which we spoke about on our Subscribe episode on Tuesday

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<v Speaker 1>that Dane Hathaway was wearing. And I'm also not wearing

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<v Speaker 1>a fake pregnant belly, not that she was, but some

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<v Speaker 1>people are saying, Oh, anyway, here's what's on our agenda

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<v Speaker 1>for today.

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<v Speaker 4>One celebrity couple has this and another does not. We're

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<v Speaker 4>talking chemistry and why it can't be faked.

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<v Speaker 3>Plus everyone is doing a cleanse. I however, I am doing

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<v Speaker 3>a clog and I'm going to teach.

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<v Speaker 2>You how I like wearing clogs.

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<v Speaker 1>Also, would you go topless in front of your dad?

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<v Speaker 1>I'm just gonna give you a second to think about that.

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<v Speaker 1>I hope you're not driving or even eating or listening

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<v Speaker 1>with your dad, although some people would. One famous woman

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<v Speaker 1>just did, and the internet has questions and you can't speak.

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<v Speaker 1>Is that the mental picture in your head about being

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<v Speaker 1>topless in front of your dad?

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<v Speaker 3>I'm sorry this was not expecting that. Oh my god.

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<v Speaker 2>Okay, in case you see's why Holy should be here.

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<v Speaker 4>In case you miss it.

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<v Speaker 3>Water bottles are shrinking physically, Yes, so we all know

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<v Speaker 3>our emotional water bottles, emotional support water bottles. This is

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<v Speaker 3>mine here, it's a mammamea one. We have Frank Green ones.

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<v Speaker 3>A water bottle says a lot about who you are

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<v Speaker 3>as a person. Mine has race cars on it and straw.

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<v Speaker 2>How many leaders is that?

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<v Speaker 1>Because when we moved officers as a welcome gift to everybody,

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<v Speaker 1>we all got our own water bottles, right, and that

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<v Speaker 1>looks to.

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<v Speaker 2>Me like two leaders?

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<v Speaker 1>Is it's one leader, one lead and that just and

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<v Speaker 1>even when it's empty, it's still pretty heavy.

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<v Speaker 3>It's very heavy. A fact about these kind of like

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<v Speaker 3>metal water bottles we have Frank Green. There's also a

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<v Speaker 3>Wala and Stanley cups. Is that when you drop them

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<v Speaker 3>they make the sound equivalent to a car crash. Yeah,

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<v Speaker 3>they're quite lad, quite alarming.

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<v Speaker 1>Also, why do we all need to be hydrated all

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<v Speaker 1>the time?

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<v Speaker 3>Well, you meant to have like two liters of water

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<v Speaker 3>a day.

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<v Speaker 2>If you're a supermodel man.

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<v Speaker 3>But we all have our water bottles. We're very attached

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<v Speaker 3>to them. What we've noticed is that these water bottles

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<v Speaker 3>are getting smaller and smaller. Mia you have a slightly

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<v Speaker 3>smaller one than the rest of us.

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<v Speaker 1>I obviously lost the first one that I was given

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<v Speaker 1>and so given by myself because I also am the

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<v Speaker 1>co founder of the business. But anyway, I lost it.

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<v Speaker 1>So I went and bought one the other day. But

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<v Speaker 1>the problem with those big ones, the one Leader ones,

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<v Speaker 1>is that they don't fit in a well.

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<v Speaker 2>They're just very heavy. Also, they don't fit in your car, yeah, properly.

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<v Speaker 1>And I like to stay hydrated because I'm basically a

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<v Speaker 1>camel and so I try to carry a water bottle

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<v Speaker 1>around with me to drink more. But I had to

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<v Speaker 1>buy a slightly smaller one, so I think mine's about

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<v Speaker 1>half the size.

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<v Speaker 2>I guess it's half a Leader.

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<v Speaker 3>It looks neater as well. I was in Kmart last

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<v Speaker 3>weekend and they had a row of what they called

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<v Speaker 3>micro water bottles, which were two hundred mL water, which

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<v Speaker 3>I think.

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<v Speaker 4>Is like a dress box literally. As I want to know,

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<v Speaker 4>given that this is an emotional support water bottle, what

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<v Speaker 4>does it say about where we're at. I've usually just

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<v Speaker 4>hit peak water sizing.

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<v Speaker 3>Yeah, we've hit peak water bottle. I think we're tired

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<v Speaker 3>of having them as weights.

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<v Speaker 2>I also think we're well now we're lifting actual weights

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<v Speaker 2>because we need to.

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<v Speaker 1>We're probably throwing our back out. But also, there's only

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<v Speaker 1>so much time you can spend sitting on a toilet

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<v Speaker 1>in a date. And I know this because I spend

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<v Speaker 1>a lot of it on the toilet, because my bladder

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<v Speaker 1>is the size of a thimble. That's all the end

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<v Speaker 1>of the segment.

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<v Speaker 2>A question to.

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<v Speaker 1>Consider, if you've recovered from the mental picture in your

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<v Speaker 1>head as you go about your weekend.

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<v Speaker 2>Consider this, would you go topless in front of your dad?

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<v Speaker 1>Because someone who answered someone whose answer to this question

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<v Speaker 1>is hell, yeah. There's a woman called Brooks Nader who

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<v Speaker 1>I have spent quite a lot of.

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<v Speaker 2>Time looking at. A picture came out this week.

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<v Speaker 1>I'm going to ask you in a second who she

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<v Speaker 1>is and because I didn't know, but what I have

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<v Speaker 1>been looking at is some pictures of her on a

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<v Speaker 1>yacht in Sardinia, off the coast of Sardinia. I don't

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<v Speaker 1>know where Sardinia is, but she's topless, and that's fine.

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<v Speaker 2>Who cares boobs?

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<v Speaker 1>But her dad is right next to her and he's

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<v Speaker 1>not blinking. He's not like, he's not leering or anything.

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<v Speaker 1>But she's just casually topless, and he's just casually just

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<v Speaker 1>talking to her or whatever. And he may not blink,

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<v Speaker 1>but the internet did before. We can talk about the action,

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<v Speaker 1>both of our own and the internets. Three fun facts

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<v Speaker 1>about Brooks Nader. If we don't know who she is,

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<v Speaker 1>which I don't, she.

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<v Speaker 3>Became famous as being like an it girl. She was

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<v Speaker 3>on the cover of Sports Illustrated. She's also like a

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<v Speaker 3>new generation of Kardashian. She has a reality TV show

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<v Speaker 3>on Hulu with her three other sisters called Love Thy Nada.

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<v Speaker 4>Biblical, Jimmy Kimmel.

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<v Speaker 3>Jimmy kim He's the.

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<v Speaker 4>One who's basically been the starmaker for Brooks. What do

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<v Speaker 4>you mean exactly what I just said? And I can't

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<v Speaker 4>take further questions?

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<v Speaker 2>Okay, interesting? So what's interesting?

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<v Speaker 1>If you go straight to the comments section, which I did,

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<v Speaker 1>half of the comments are saying she's in Europe relaxed.

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<v Speaker 1>Americans are just so uptight about their bodies, Amelia, can

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<v Speaker 1>you confirm?

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<v Speaker 4>Look, this is nightmare fuel to me?

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<v Speaker 2>Are a millions? Are a milions more?

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<v Speaker 1>Up type in Australians and Europeans about nudity.

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<v Speaker 2>Do you think a little.

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<v Speaker 4>Bit, I'd say a little bit. I noticed that in

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<v Speaker 4>Australia maybe people wearing more kind of g string swimmers

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<v Speaker 4>regularly to the beach.

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<v Speaker 2>Oh yeah, I forgot about it.

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<v Speaker 4>Although I will point out that when I was growing

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<v Speaker 4>up in the nineteen nineties, I'd go to the beach

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<v Speaker 4>in Sydney and I'd see a lot of women what's

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<v Speaker 4>the term sunbathing topless? I was one of them, and

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<v Speaker 4>now they're gone, and that makes me a little bit sad.

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<v Speaker 1>Well, half of the other half of the comments were

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<v Speaker 1>basically responding to the European comments with that that family

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<v Speaker 1>is from Louisiana. You don't get to be claim European

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<v Speaker 1>habits just because you've been there on holiday for a

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<v Speaker 1>week and a half.

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<v Speaker 3>I thought, you have to immerse yourself into the culture.

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<v Speaker 1>Well, it's interesting this idea, and people do have their

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<v Speaker 1>boobs out a lot more in Europe, it's true, and

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<v Speaker 1>in Australia, you're right, you see it.

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<v Speaker 2>A lot less.

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<v Speaker 4>It is probably so smart.

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<v Speaker 1>I also think it's because of phones, because there's one

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<v Speaker 1>thing being on a beach topless, another being on the

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<v Speaker 1>internet top.

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<v Speaker 3>Less, which happened to Brooks.

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<v Speaker 2>Well, yes, that's what happened to Brooks.

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<v Speaker 1>But this idea of being nude in front of people

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<v Speaker 1>who aren't your intimate partner got us talking about something

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<v Speaker 1>called the prude Index, which was an expression coined by

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<v Speaker 1>someone we work with and their group.

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<v Speaker 2>Chat, which is called the Hot Girl group Chat.

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<v Speaker 3>Great name.

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<v Speaker 1>They say it's ironic and that I'm not going to

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<v Speaker 1>tell you who they are because they're a little bit embarrassed.

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<v Speaker 1>Any weird group chat names.

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<v Speaker 3>I have some like I don't know if I'm allowed

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<v Speaker 3>to say, I actually think.

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<v Speaker 2>Is it rude and inappropriate?

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<v Speaker 3>There's rude and inappropriate and involves the name of substances.

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<v Speaker 4>Okay, Amelia, I do they're in jokes?

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<v Speaker 2>Okay you yes, I can't say no. I've got one

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<v Speaker 2>called growlers.

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<v Speaker 4>That's my favorite.

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<v Speaker 1>I can't explain why that is anyway, the prude Index.

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<v Speaker 1>So this group of girls, they were talking about being prudes,

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<v Speaker 1>right or not being prudes, and how the prude index

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<v Speaker 1>has two axes.

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<v Speaker 2>One is that's the.

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<v Speaker 4>First time you've ever said the word axes on the show.

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<v Speaker 2>I don't say load.

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<v Speaker 1>One of them is how comfortable you are with talking

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<v Speaker 1>about sex in front of your friends, for example. The

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<v Speaker 1>other is how comfortable you are being nude in front

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<v Speaker 1>of your friends or people who aren't your intimate party.

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<v Speaker 4>Because that's different.

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<v Speaker 2>Yeah, you might be high.

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<v Speaker 1>You might get a lot of points for being very

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<v Speaker 1>comfortable talking about.

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<v Speaker 2>Your sex life or about sex, but.

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<v Speaker 1>Then you're not comfortable maybe showing your boobs to your

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<v Speaker 1>friends or getting changed in front of your friends.

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<v Speaker 2>And I would say probably, Well, parents are a whole

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<v Speaker 2>other story. Amelia, we do you think you rate?

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<v Speaker 1>I've just said Amelia and looked at them. Sorry, I'm

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<v Speaker 1>just thinking of everybody's boobs. I don't know what to say.

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<v Speaker 1>I'm just looking at you both and just thinking I

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<v Speaker 1>don't really care. Like you could get your boobs out now,

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<v Speaker 1>I could get my boobs out now and not really care.

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<v Speaker 3>I think I'm high on the like sex open. I

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<v Speaker 3>want to say the opposite of prude. I am very

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<v Speaker 3>comfortable talking about sex with friends. I think when it

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<v Speaker 3>comes to the nudity part of things, I think I

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<v Speaker 3>am a bit more prudish. I feel like I could

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<v Speaker 3>go topless, but I can't do full vadge out.

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<v Speaker 4>When it comes to nudity. I think two things. There's

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<v Speaker 4>kind of two variables on these axes. One is culture

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<v Speaker 4>and one is age, so or maybe life stage. I

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<v Speaker 4>mean to say so on stage, I think if you

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<v Speaker 4>have given birth, you are very unlikely to care about

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<v Speaker 4>nudity in the same way. Ever, again, do you think

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<v Speaker 4>that's true.

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<v Speaker 2>That's a bit of a conngrension.

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<v Speaker 4>As a mother, I no longer care. And then on

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<v Speaker 4>the on the culture point, when I lived in Japan,

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<v Speaker 4>which I know is another annoying sentence, I already started

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<v Speaker 4>a sentence as a mother. But when I lived in Japan,

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<v Speaker 4>I realized that when you go to the public barths there,

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<v Speaker 4>they are sex separated, but you do not wear clothes,

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<v Speaker 4>so no swimmers in the barths, and you realize that,

0:11:21.280 --> 0:11:25.640
<v Speaker 4>I think, if you see enough different types of actual bodies,

0:11:26.320 --> 0:11:30.920
<v Speaker 4>they completely lose their mystique and you get over your

0:11:30.960 --> 0:11:34.240
<v Speaker 4>own insecurities about it because you realize that no one

0:11:34.320 --> 0:11:34.960
<v Speaker 4>else cares.

0:11:35.120 --> 0:11:37.520
<v Speaker 1>I used to go to a Korean bath house in

0:11:37.559 --> 0:11:41.720
<v Speaker 1>my probably my twenties, probably before I had kids, actually,

0:11:42.480 --> 0:11:46.760
<v Speaker 1>and I found it really quite confronting. Not confronting looking

0:11:46.760 --> 0:11:49.760
<v Speaker 1>at other women's bodies, but just there are so few

0:11:49.840 --> 0:11:53.000
<v Speaker 1>times when you're naked, like once you you know, most

0:11:53.000 --> 0:11:55.560
<v Speaker 1>people aren't even naked in their own house much. I

0:11:55.600 --> 0:11:56.400
<v Speaker 1>had everyone in my.

0:11:56.840 --> 0:11:58.520
<v Speaker 2>House was out the other day.

0:11:58.559 --> 0:12:00.840
<v Speaker 1>I can't remember why or where they were, but I

0:12:00.880 --> 0:12:03.839
<v Speaker 1>knew they were out and I was naked in my house.

0:12:03.920 --> 0:12:06.320
<v Speaker 2>I think some of them were actually out of the country.

0:12:06.480 --> 0:12:08.120
<v Speaker 1>And I was naked in my house, and I thought,

0:12:08.400 --> 0:12:13.679
<v Speaker 1>I'm never ever naked for any length of time. Because also,

0:12:13.760 --> 0:12:18.000
<v Speaker 1>once you have children, and they're not little children anymore.

0:12:18.000 --> 0:12:20.360
<v Speaker 1>I mean when they're little, your body's their body, like

0:12:20.360 --> 0:12:25.320
<v Speaker 1>they don't even just differentiate. But then they get to

0:12:25.400 --> 0:12:28.480
<v Speaker 1>a certain age where they don't want you to see

0:12:28.480 --> 0:12:31.280
<v Speaker 1>them and they don't want to see you, and you've

0:12:31.320 --> 0:12:34.360
<v Speaker 1>got to respect that, even if you're in a naked house,

0:12:35.280 --> 0:12:38.880
<v Speaker 1>because it's not just what they're comfortable with you seeing,

0:12:38.880 --> 0:12:41.640
<v Speaker 1>it's what they're comfortable seeing. And I think it's around

0:12:41.640 --> 0:12:44.280
<v Speaker 1>puberty that kids stop wanting to see their parents nude,

0:12:44.280 --> 0:12:46.840
<v Speaker 1>because that's when they're starting to think about all that stuff.

0:12:47.240 --> 0:12:53.240
<v Speaker 1>But what's really interesting is that I never it never

0:12:53.360 --> 0:12:56.720
<v Speaker 1>changes for me, like I'm happy to go to the

0:12:56.760 --> 0:12:58.560
<v Speaker 1>toilet in front of my kids or for my kids

0:12:58.559 --> 0:12:59.280
<v Speaker 1>to see me nude.

0:12:59.360 --> 0:13:00.719
<v Speaker 2>I don't care like they're like in a.

0:13:00.720 --> 0:13:04.520
<v Speaker 1>Category of I mean, I can't think like, yeah, you

0:13:04.520 --> 0:13:08.080
<v Speaker 1>know what I mean my parents, however, I mean my mom.

0:13:08.120 --> 0:13:10.720
<v Speaker 2>I wouldn't care my dad seen me.

0:13:10.960 --> 0:13:14.120
<v Speaker 4>So are you saying though, in general, on this graph,

0:13:14.480 --> 0:13:17.920
<v Speaker 4>you are neither brutish about sex nor nudity.

0:13:19.200 --> 0:13:22.720
<v Speaker 2>Yes, yes, and that's probably a later thing. I agree

0:13:22.760 --> 0:13:22.960
<v Speaker 2>with you.

0:13:23.000 --> 0:13:26.280
<v Speaker 1>So you changed after I had kids, also as I

0:13:26.320 --> 0:13:28.360
<v Speaker 1>got older, like when I was in my twenties and stuff.

0:13:28.360 --> 0:13:31.440
<v Speaker 1>We would never talk about vibrators and all of that

0:13:31.559 --> 0:13:33.440
<v Speaker 1>kind of stuff. And even though I worked at like

0:13:33.600 --> 0:13:37.240
<v Speaker 1>Cosmo and Cleo, we would never talk about our you know,

0:13:37.960 --> 0:13:40.840
<v Speaker 1>sex toys, or we wouldn't We wouldn't really talk about

0:13:40.840 --> 0:13:42.320
<v Speaker 1>our own stay wives much.

0:13:42.400 --> 0:13:46.240
<v Speaker 4>What's so interesting is that information about sex was so

0:13:46.360 --> 0:13:49.800
<v Speaker 4>much more gate kept than the sealed sections. The whole

0:13:49.840 --> 0:13:52.920
<v Speaker 4>concept of a sealed section is just absurd these days.

0:13:53.360 --> 0:13:57.719
<v Speaker 3>I think there's also a difference between going nude for necessity,

0:13:57.840 --> 0:13:59.760
<v Speaker 3>So like if you were on holiday with your girlfriends

0:13:59.800 --> 0:14:02.679
<v Speaker 3>and you sharing a room, there's a difference between like

0:14:02.720 --> 0:14:06.880
<v Speaker 3>being comfortable having your boobs out if you're changing, compared

0:14:06.920 --> 0:14:09.080
<v Speaker 3>to having your boobs out and before you put your

0:14:09.120 --> 0:14:10.600
<v Speaker 3>next top on. You're having a conversation.

0:14:10.840 --> 0:14:13.680
<v Speaker 1>Oh yeah, which is there? Which is what Brooks Nader

0:14:13.760 --> 0:14:15.840
<v Speaker 1>was sort of doing on that boat. I don't have

0:14:15.880 --> 0:14:17.480
<v Speaker 1>a sister, and neither is Amelia.

0:14:18.080 --> 0:14:19.400
<v Speaker 2>What's it like with a sister.

0:14:19.760 --> 0:14:23.520
<v Speaker 3>Oh it's fine, it's so fun. Always forever full frontal,

0:14:23.720 --> 0:14:27.920
<v Speaker 3>always forever full frontal. I think I have a friend though, who,

0:14:28.040 --> 0:14:31.880
<v Speaker 3>like well into her like early twenties, would still like

0:14:32.160 --> 0:14:35.520
<v Speaker 3>shower with her sister. Sorry, yeah, that's odd.

0:14:35.600 --> 0:14:37.360
<v Speaker 2>Is it?

0:14:36.520 --> 0:14:38.160
<v Speaker 1>I don't have a sister.

0:14:38.200 --> 0:14:39.200
<v Speaker 2>I've got nothing to measure it.

0:14:39.200 --> 0:14:41.800
<v Speaker 3>But then she was like that is like so like,

0:14:41.920 --> 0:14:44.520
<v Speaker 3>why wouldn't you like it's really like, if I'm in

0:14:44.520 --> 0:14:45.920
<v Speaker 3>the shower and she needs to use a shower, we'll

0:14:45.960 --> 0:14:46.640
<v Speaker 3>just shower together.

0:14:46.720 --> 0:14:47.680
<v Speaker 2>What about your mum?

0:14:48.320 --> 0:14:50.320
<v Speaker 3>Mom's fine, Yeah, mom's fine.

0:14:50.560 --> 0:14:52.880
<v Speaker 4>But when I was a teenager and i'd be shopping

0:14:52.880 --> 0:14:56.160
<v Speaker 4>for clothes, remember how fraught that was coming. You just

0:14:56.200 --> 0:15:00.320
<v Speaker 4>feel such crippling self consciousness about taking your clothes. And

0:15:00.800 --> 0:15:03.120
<v Speaker 4>they used to be these communal change room sometimes to

0:15:03.120 --> 0:15:05.240
<v Speaker 4>remember those, I don't think they have any more, probably

0:15:05.240 --> 0:15:07.440
<v Speaker 4>for phone reasons as well. And I remember my heart

0:15:07.480 --> 0:15:09.920
<v Speaker 4>would always sink because it'd be like, I cannot get

0:15:10.000 --> 0:15:11.120
<v Speaker 4>changed in front of these chranger.

0:15:11.240 --> 0:15:13.040
<v Speaker 1>Yeah, it is pretty funny when your kids are like, no,

0:15:13.200 --> 0:15:14.920
<v Speaker 1>you can't come in. I'm not, and I'm like, I've

0:15:14.920 --> 0:15:16.560
<v Speaker 1>seen it before, Bloody made it.

0:15:16.640 --> 0:15:17.160
<v Speaker 2>I cooked that.

0:15:17.680 --> 0:15:18.160
<v Speaker 4>Yeah.

0:15:18.200 --> 0:15:21.320
<v Speaker 1>Anyway, it's interesting because the sister thing changes it for me.

0:15:21.400 --> 0:15:25.720
<v Speaker 1>The fact that the dad of Brooks Nader has three daughters.

0:15:26.920 --> 0:15:29.800
<v Speaker 1>Somehow that was an important data point in when I

0:15:29.920 --> 0:15:31.440
<v Speaker 1>was like, she was comfortable.

0:15:31.120 --> 0:15:32.040
<v Speaker 4>Didn't make it better.

0:15:32.280 --> 0:15:34.800
<v Speaker 1>Well, because I've got friends who either have lots of

0:15:34.880 --> 0:15:39.760
<v Speaker 1>sisters or like hat or lots of daughters. And when

0:15:39.800 --> 0:15:42.760
<v Speaker 1>you were in a girl house, the dad just has

0:15:42.800 --> 0:15:44.960
<v Speaker 1>to muck in, Like the dad's almost just not there.

0:15:45.800 --> 0:15:48.200
<v Speaker 2>Yeah, So it's like because there are.

0:15:48.120 --> 0:15:52.120
<v Speaker 1>So many girls and just like maybe one guy, the

0:15:52.200 --> 0:15:53.720
<v Speaker 1>dynamic is just different.

0:15:54.360 --> 0:15:56.720
<v Speaker 4>Out ladders in a moment, the couple who has it

0:15:56.800 --> 0:16:00.640
<v Speaker 4>and the couple who doesn't spot the difference. It was

0:16:00.680 --> 0:16:04.440
<v Speaker 4>the photos which first stopped my scroll this weekend. I

0:16:04.480 --> 0:16:07.920
<v Speaker 4>saw Kerry Russell and Matthew Reese, two TV actors, in

0:16:07.960 --> 0:16:11.200
<v Speaker 4>the new issue of Variety, in matching double denim. They

0:16:11.200 --> 0:16:12.960
<v Speaker 4>were out in the woods somewhere. Let me just paint

0:16:12.960 --> 0:16:15.640
<v Speaker 4>you this picture they're out in the woods. They're genuinely

0:16:15.720 --> 0:16:18.760
<v Speaker 4>enjoying each other's company. In one of the shots, Kerry

0:16:18.880 --> 0:16:23.000
<v Speaker 4>is cuddled into Matthew's jacket. In another, she's cracking up

0:16:23.040 --> 0:16:25.600
<v Speaker 4>as he mugs for the camera. I don't even know

0:16:25.640 --> 0:16:28.400
<v Speaker 4>these actors very well. Obviously, Kerry Russell was in Felicity,

0:16:28.720 --> 0:16:31.840
<v Speaker 4>then she's in The Diplomats. Matthew Reese is most recently

0:16:31.840 --> 0:16:35.440
<v Speaker 4>in Widow's Bay. But it wasn't even them as actors

0:16:35.480 --> 0:16:37.960
<v Speaker 4>that caught me. It was the way they related to

0:16:38.040 --> 0:16:42.880
<v Speaker 4>each other. Maybe heterosexuality is real. Read a top comment.

0:16:42.960 --> 0:16:46.800
<v Speaker 4>I thought, age appropriate couple in Hollywood who look their

0:16:46.840 --> 0:16:50.320
<v Speaker 4>age and radiate love. What a gift? Read another What

0:16:50.400 --> 0:16:51.440
<v Speaker 4>a gift? I loved that.

0:16:51.560 --> 0:16:54.960
<v Speaker 1>Didn't they meet while they were doing The Americans? Everyone

0:16:55.040 --> 0:16:56.880
<v Speaker 1>raves about that show, but I've never watched it.

0:16:57.240 --> 0:16:59.440
<v Speaker 4>That's part of what's so interesting about this is that

0:16:59.440 --> 0:17:02.160
<v Speaker 4>their relationship did start in Scandal, so they were both

0:17:02.200 --> 0:17:06.000
<v Speaker 4>cast on The Americans. Around twenty twelve, Kerrie was married,

0:17:06.119 --> 0:17:09.680
<v Speaker 4>she already had two kids, and there was a lot

0:17:09.720 --> 0:17:13.520
<v Speaker 4>of intrigue around the timeline of when she and her

0:17:14.200 --> 0:17:18.640
<v Speaker 4>first husband separated. But then eventually she and Matthew were

0:17:18.640 --> 0:17:21.439
<v Speaker 4>clearly an idem. They confirmed their relationship a couple of

0:17:21.480 --> 0:17:24.320
<v Speaker 4>years after Kerry announced her separation from her first husband.

0:17:24.320 --> 0:17:25.520
<v Speaker 4>But that's what's so interesting.

0:17:25.600 --> 0:17:29.439
<v Speaker 1>So they met when they played a couple of secret

0:17:29.480 --> 0:17:31.040
<v Speaker 1>agents I think on The Americans.

0:17:31.160 --> 0:17:32.800
<v Speaker 2>Yep, oh, that's interesting.

0:17:32.920 --> 0:17:35.760
<v Speaker 4>And then four years after they met on that set,

0:17:35.920 --> 0:17:38.800
<v Speaker 4>they announced that they were expecting a child, so they

0:17:38.960 --> 0:17:42.720
<v Speaker 4>now co parenting three children together. Matthew actually addressed these

0:17:42.720 --> 0:17:46.360
<v Speaker 4>somewhat scandalous beginnings in this recent New York Times interview.

0:17:46.520 --> 0:17:49.360
<v Speaker 3>I want to talk about Kerrie Russell. She's your partner,

0:17:49.640 --> 0:17:50.240
<v Speaker 3>thank god.

0:17:50.840 --> 0:17:57.800
<v Speaker 5>Yes, she's also an extraordinary actor. You first work together

0:17:58.840 --> 0:18:01.240
<v Speaker 5>in The Americans, which is just one of my all

0:18:01.320 --> 0:18:02.119
<v Speaker 5>time favorite shows.

0:18:03.160 --> 0:18:04.439
<v Speaker 6>What is it like to fall in love with your

0:18:04.440 --> 0:18:06.920
<v Speaker 6>coach star kind of I remember at the time going,

0:18:06.920 --> 0:18:12.719
<v Speaker 6>oh no, because I wouldn't advise it.

0:18:12.960 --> 0:18:15.920
<v Speaker 5>You question it because because you know you're playing a

0:18:16.000 --> 0:18:17.119
<v Speaker 5>romantic partner.

0:18:16.960 --> 0:18:20.040
<v Speaker 6>So you're going, hang on, you know, let's be very

0:18:20.080 --> 0:18:22.720
<v Speaker 6>serious about this, and you know, carry out two kids.

0:18:22.720 --> 0:18:25.400
<v Speaker 6>And it wasn't something I was going to enter too lightly.

0:18:28.600 --> 0:18:34.240
<v Speaker 6>And then sometimes you can't fight it, you know, it's ordained.

0:18:34.720 --> 0:18:35.240
<v Speaker 2>I had no.

0:18:35.240 --> 0:18:37.520
<v Speaker 3>Idea he was, well, I was like, here's that man.

0:18:37.960 --> 0:18:41.080
<v Speaker 4>And what you can't hear in that clip is literally

0:18:41.119 --> 0:18:44.440
<v Speaker 4>whenever either of them talks about the other one, they

0:18:44.560 --> 0:18:48.480
<v Speaker 4>just like break out into this full face smile. They

0:18:48.640 --> 0:18:51.479
<v Speaker 4>cannot stop smiling when they talk about each other. And

0:18:51.520 --> 0:18:53.120
<v Speaker 4>it's not that they talk about each other a lot.

0:18:53.200 --> 0:18:55.840
<v Speaker 4>Lady Gossip had a piece this week about the Variety

0:18:55.920 --> 0:18:59.560
<v Speaker 4>interview and she observed that they don't perform their celebrity

0:18:59.560 --> 0:19:01.120
<v Speaker 4>as a cup this it is very rare.

0:19:01.280 --> 0:19:04.399
<v Speaker 1>I didn't even realize or like, I knew nothing about

0:19:04.440 --> 0:19:06.840
<v Speaker 1>them as a couple, Like I know of their work,

0:19:07.400 --> 0:19:10.240
<v Speaker 1>but they're not like famous famous.

0:19:10.240 --> 0:19:14.000
<v Speaker 2>They're not like you know, tomm and Zendeya or like

0:19:14.080 --> 0:19:15.680
<v Speaker 2>Nicole and Keith.

0:19:15.520 --> 0:19:18.160
<v Speaker 4>The kind of ideal level of fame. Matthew actually says

0:19:18.200 --> 0:19:20.399
<v Speaker 4>that he's famous enough to get a good table at

0:19:20.400 --> 0:19:22.560
<v Speaker 4>a restaurant and then he can eat his meal there

0:19:22.600 --> 0:19:25.080
<v Speaker 4>in peace, which is I think the perfect level of fame.

0:19:25.240 --> 0:19:27.919
<v Speaker 3>So what do you think makes like what part of

0:19:27.920 --> 0:19:29.399
<v Speaker 3>their relationship are you obsessed with?

0:19:30.040 --> 0:19:33.840
<v Speaker 4>I think what it is is that they have chemistry,

0:19:34.000 --> 0:19:38.000
<v Speaker 4>which is such a sort of hard to define thing,

0:19:38.320 --> 0:19:40.560
<v Speaker 4>but it's also something that you know, it when you

0:19:40.600 --> 0:19:42.439
<v Speaker 4>see it, and you know when it's not there. So

0:19:42.480 --> 0:19:44.840
<v Speaker 4>we've talked a lot on this show in recent times

0:19:44.840 --> 0:19:48.960
<v Speaker 4>about show mances, about this new trend in Hollywood where

0:19:49.000 --> 0:19:51.080
<v Speaker 4>people are pretending, well, it's not so much that it's new,

0:19:51.080 --> 0:19:54.280
<v Speaker 4>but it's been happening a lot lately where people pretend

0:19:54.320 --> 0:19:56.080
<v Speaker 4>that maybe they're in a relationship.

0:19:56.119 --> 0:19:57.760
<v Speaker 3>Is a relationship with j Lo.

0:19:58.200 --> 0:20:00.719
<v Speaker 4>In that Netflix movie that she made with ted La

0:20:00.840 --> 0:20:01.679
<v Speaker 4>so Man.

0:20:01.520 --> 0:20:06.840
<v Speaker 3>Oh yeah, Office, And it happened also with Liam Nisan

0:20:06.960 --> 0:20:09.520
<v Speaker 3>and Pam Anderson on the Nika Gun Press tour, and

0:20:09.560 --> 0:20:13.359
<v Speaker 3>I started with Sydney Sweeney and Glen Powell for the

0:20:13.440 --> 0:20:14.000
<v Speaker 3>Idea of You.

0:20:14.480 --> 0:20:17.680
<v Speaker 4>And also just very recently, Kaya Goerber and Homer gear

0:20:18.480 --> 0:20:20.520
<v Speaker 4>are in that new Rye Murphy show and there's a

0:20:20.520 --> 0:20:23.680
<v Speaker 4>little bit of sort of intriguing gossip around them. And yet,

0:20:23.760 --> 0:20:26.280
<v Speaker 4>you know, when we looked at Pam and Liam on

0:20:26.320 --> 0:20:28.919
<v Speaker 4>the Red Carpet, we wanted to believe they were a couping,

0:20:29.119 --> 0:20:32.440
<v Speaker 4>But did it ever really in our bones feel true. No,

0:20:33.320 --> 0:20:36.280
<v Speaker 4>Whereas when you look at Kerry and Matthew, you know

0:20:36.359 --> 0:20:38.880
<v Speaker 4>it's real. And what's interesting about it is that it's

0:20:38.920 --> 0:20:41.680
<v Speaker 4>not just about PDA In fact, Kerry and Matthew in

0:20:41.720 --> 0:20:44.359
<v Speaker 4>the Variety interview don't even touch each other. They're in

0:20:44.400 --> 0:20:50.040
<v Speaker 4>two separate armchairs doing the interview. Think about Kylie and Timothay,

0:20:50.080 --> 0:20:53.480
<v Speaker 4>for instance, those two are constantly touching each other. I'm

0:20:53.480 --> 0:20:56.560
<v Speaker 4>sure they like each other a lot. Do I feel

0:20:56.560 --> 0:21:02.080
<v Speaker 4>like they have oodles of chemistry that in just bibable quality? No, So,

0:21:02.200 --> 0:21:05.760
<v Speaker 4>if it's not PDA, what is it that we're seeing

0:21:06.040 --> 0:21:08.080
<v Speaker 4>when we say that's chemistry.

0:21:08.520 --> 0:21:12.560
<v Speaker 3>I think it's quiet chalance. Like it's not nonchalance, and

0:21:12.600 --> 0:21:15.960
<v Speaker 3>it's not chalance, it's quiet chalance. Love this And I

0:21:16.040 --> 0:21:20.560
<v Speaker 3>noticed this sometimes on red carpets, especially with Tom and Zendaya. Yes,

0:21:20.600 --> 0:21:23.679
<v Speaker 3>he's perfect, always looking at her, like wherever he is,

0:21:23.720 --> 0:21:26.240
<v Speaker 3>he's doing an interview, and he's looking at her. And

0:21:26.280 --> 0:21:28.960
<v Speaker 3>then he will like quietly, like if her the strap

0:21:29.000 --> 0:21:31.040
<v Speaker 3>of her dress lips off, he will like quietly put

0:21:31.040 --> 0:21:33.359
<v Speaker 3>it there without making a big fuss about it. I

0:21:33.400 --> 0:21:36.320
<v Speaker 3>also recently saw a TikTok of this couple sitting at

0:21:36.359 --> 0:21:39.760
<v Speaker 3>a table and I think one of her friends was

0:21:39.760 --> 0:21:43.640
<v Speaker 3>filming them, and she drops something on the floor and

0:21:43.800 --> 0:21:46.200
<v Speaker 3>he's engaged in a different conversation. She drops something on

0:21:46.200 --> 0:21:47.719
<v Speaker 3>the floor and she bends to pick it up, and

0:21:47.760 --> 0:21:49.600
<v Speaker 3>he quietly puts his hand on the edge of the

0:21:49.600 --> 0:21:52.120
<v Speaker 3>table so she doesn't bump her head as she gets up.

0:21:52.400 --> 0:21:54.000
<v Speaker 3>It's like those little things.

0:21:54.119 --> 0:21:57.119
<v Speaker 2>It's noticing, it's noticing, it's noticing.

0:21:57.440 --> 0:22:00.280
<v Speaker 4>So where for instance, we've talked about Dual de bro

0:22:00.359 --> 0:22:03.280
<v Speaker 4>and Callum Turner on this show and how he is

0:22:03.359 --> 0:22:07.320
<v Speaker 4>extravagantly in love with her, is that chemistry or is

0:22:07.359 --> 0:22:08.280
<v Speaker 4>that a bit different?

0:22:08.720 --> 0:22:10.960
<v Speaker 3>I think it's if you talk about it.

0:22:10.920 --> 0:22:13.920
<v Speaker 4>Too much, that's not chemistry necessarily.

0:22:14.160 --> 0:22:19.600
<v Speaker 1>So look at Nikola Peltzbeckerm and Brooklyn. To me, they're

0:22:19.640 --> 0:22:20.480
<v Speaker 1>both in love with.

0:22:20.440 --> 0:22:24.720
<v Speaker 4>Her, yes, whereas David and Victoria chemistry.

0:22:25.720 --> 0:22:26.000
<v Speaker 3>Yeah.

0:22:26.160 --> 0:22:26.760
<v Speaker 2>Interesting.

0:22:26.960 --> 0:22:29.840
<v Speaker 1>Yeah. He posted just this week a shot of her

0:22:30.080 --> 0:22:34.159
<v Speaker 1>like in this sort of sea through she is skirt

0:22:34.280 --> 0:22:35.600
<v Speaker 1>walking from behind, like.

0:22:35.640 --> 0:22:37.240
<v Speaker 3>Clearly like he's obsessed with her.

0:22:37.440 --> 0:22:40.800
<v Speaker 4>Yes, yeah, And so you can see this in real

0:22:40.840 --> 0:22:43.359
<v Speaker 4>life too, Like these are just celebrity couples. But I

0:22:43.400 --> 0:22:46.600
<v Speaker 4>think we've all had that experience where you've met a

0:22:46.680 --> 0:22:49.600
<v Speaker 4>couple and sometimes they make sense to you. That's a

0:22:49.640 --> 0:22:52.000
<v Speaker 4>phrase that I think you can use as a substanceute

0:22:52.000 --> 0:22:54.840
<v Speaker 4>for chemistry, or they make sense together. And sometimes you

0:22:54.920 --> 0:22:57.439
<v Speaker 4>can't quite figure out what the dynamic is.

0:22:57.600 --> 0:23:01.000
<v Speaker 1>It's almost what it isn't so in in couples that

0:23:01.080 --> 0:23:06.960
<v Speaker 1>have chemistry, there's no ambivalence. Yeah right, there's no there's

0:23:06.960 --> 0:23:12.080
<v Speaker 1>obviously no contempt, but there's a real there's a real attention.

0:23:12.400 --> 0:23:16.119
<v Speaker 1>It's the noticing, like it's not performative. The other thing

0:23:16.160 --> 0:23:19.679
<v Speaker 1>I love about Carrie Russell and Matthew Reese is that

0:23:20.000 --> 0:23:23.400
<v Speaker 1>they're like fifty and fifty one and they both look

0:23:23.440 --> 0:23:26.359
<v Speaker 1>it yep, and they look so beautiful.

0:23:26.400 --> 0:23:27.320
<v Speaker 4>But also like that.

0:23:27.359 --> 0:23:29.840
<v Speaker 2>They're the same age, yes, because that's kind.

0:23:29.720 --> 0:23:33.560
<v Speaker 4>Of rare, and that they're equals in so many ways.

0:23:33.640 --> 0:23:37.200
<v Speaker 4>Let's listen to this delightful clip from the Variety interview,

0:23:37.240 --> 0:23:39.320
<v Speaker 4>which will give you a sense of how they interact

0:23:39.359 --> 0:23:41.000
<v Speaker 4>with each other. And what you should know is at

0:23:41.040 --> 0:23:44.480
<v Speaker 4>the start, Kerrie is laughing so hard that you can't

0:23:44.480 --> 0:23:46.240
<v Speaker 4>hear it, you know, that kind of silent laugh.

0:23:46.400 --> 0:23:46.600
<v Speaker 1>Yeah.

0:23:47.040 --> 0:23:48.719
<v Speaker 4>How do you pick what project to work on?

0:23:49.160 --> 0:23:49.480
<v Speaker 2>Cash?

0:23:49.640 --> 0:23:54.000
<v Speaker 6>Cash basis like what pays most wins? Very simple, three

0:23:54.080 --> 0:23:56.160
<v Speaker 6>children and a mortgage. I'll get after it.

0:23:56.400 --> 0:23:56.440
<v Speaker 1>No.

0:23:56.560 --> 0:23:59.800
<v Speaker 6>In fairness as a script, I'd never seen it's so good.

0:24:01.080 --> 0:24:02.159
<v Speaker 6>I was desperate to do that.

0:24:02.560 --> 0:24:05.640
<v Speaker 3>Almost everything he does, he's always like he thinks he's

0:24:05.680 --> 0:24:06.119
<v Speaker 3>not great.

0:24:06.240 --> 0:24:07.560
<v Speaker 4>He thinks he's always like.

0:24:07.880 --> 0:24:11.639
<v Speaker 5>I think that's every acrect And this was the only

0:24:11.720 --> 0:24:12.960
<v Speaker 5>thing he's ever come home.

0:24:13.520 --> 0:24:15.960
<v Speaker 3>And I was like, oh, he likes this, but that

0:24:16.040 --> 0:24:17.600
<v Speaker 3>means like he goes, yeah, it was.

0:24:17.560 --> 0:24:18.640
<v Speaker 2>Fine, it was fine.

0:24:18.680 --> 0:24:20.480
<v Speaker 6>And I'm like that.

0:24:20.840 --> 0:24:23.400
<v Speaker 4>That's a rich text to me because there's a couple

0:24:23.480 --> 0:24:25.840
<v Speaker 4>of components I want to pull out from that. First

0:24:25.840 --> 0:24:29.600
<v Speaker 4>of all, notice how she big ups him and he

0:24:29.680 --> 0:24:32.120
<v Speaker 4>is immediately like trying to bat it down, like oh,

0:24:32.160 --> 0:24:35.400
<v Speaker 4>every actor does that. But she's observed him, she's noticed him,

0:24:35.840 --> 0:24:38.320
<v Speaker 4>and she's trying to support him as he's selling this

0:24:38.440 --> 0:24:42.080
<v Speaker 4>project and instead of just sort of going along with it,

0:24:42.160 --> 0:24:45.040
<v Speaker 4>he tries to be self deprecating, but she's like, no,

0:24:45.119 --> 0:24:47.760
<v Speaker 4>this is true, this is real. So there's that element

0:24:47.840 --> 0:24:51.639
<v Speaker 4>of supporting him, but also like the easy humor between

0:24:51.680 --> 0:24:53.920
<v Speaker 4>the two of them, like three kids in a mortgage

0:24:54.000 --> 0:24:58.240
<v Speaker 4>and like they're just they're just supporting each other but

0:24:58.320 --> 0:24:59.960
<v Speaker 4>also being real and honest.

0:24:59.640 --> 0:25:01.600
<v Speaker 1>With each And the reason, of course they did the

0:25:01.600 --> 0:25:04.160
<v Speaker 1>interview together was because they're both nominated for I think

0:25:04.240 --> 0:25:05.040
<v Speaker 1>multiple Emmys.

0:25:05.119 --> 0:25:07.800
<v Speaker 4>Yeah, it's a really interesting publicity move from them because

0:25:08.560 --> 0:25:11.159
<v Speaker 4>they don't. As we talked about, they don't normally do

0:25:11.200 --> 0:25:13.639
<v Speaker 4>stuff like this. But what they're trying to do is

0:25:13.840 --> 0:25:18.159
<v Speaker 4>basically get Emmys for their various projects, Kerry for The

0:25:18.200 --> 0:25:21.480
<v Speaker 4>Diplomat on Netflix and Matthew for Widow's Bay, which is

0:25:21.480 --> 0:25:22.760
<v Speaker 4>my favorite TV show of the year.

0:25:22.840 --> 0:25:24.399
<v Speaker 3>It's a smart strategy, I think.

0:25:24.920 --> 0:25:27.239
<v Speaker 1>After the break, the three things we loved most this

0:25:27.320 --> 0:25:31.200
<v Speaker 1>week A movie, a fragrance, and a hack for applying concealer.

0:25:32.640 --> 0:25:35.679
<v Speaker 3>Before we get into our recos today, I have some

0:25:35.880 --> 0:25:40.880
<v Speaker 3>breaking personal news. I'm doing a clog. Let me explain.

0:25:41.359 --> 0:25:44.359
<v Speaker 3>So I saw a photo on substack and it was

0:25:44.400 --> 0:25:48.120
<v Speaker 3>a picture of a woman inhaling a bowl of pasta

0:25:48.880 --> 0:25:52.080
<v Speaker 3>and the title of the photo was, while everyone's doing

0:25:52.119 --> 0:25:55.080
<v Speaker 3>a cleanse, I'm doing a clog. And I was like,

0:25:55.240 --> 0:25:57.919
<v Speaker 3>this is a trend I can get behind. Even though

0:25:57.960 --> 0:25:59.800
<v Speaker 3>it's not really a trend, I'm making it a trend.

0:26:00.040 --> 0:26:03.960
<v Speaker 3>Can I tell you some of my clog activities, prioritizing carbs,

0:26:04.200 --> 0:26:07.720
<v Speaker 3>especially over protein. Amelia. You taught me this one, having

0:26:07.800 --> 0:26:09.160
<v Speaker 3>a mocha instead of a flat.

0:26:09.160 --> 0:26:10.920
<v Speaker 4>This is my greatest life hack of all time. Do

0:26:10.960 --> 0:26:12.800
<v Speaker 4>you know that you can order chocolate in your coffee

0:26:12.800 --> 0:26:14.879
<v Speaker 4>and no one tells you you can't. Did you know

0:26:14.920 --> 0:26:16.040
<v Speaker 4>that I didn't a mocker.

0:26:16.240 --> 0:26:20.800
<v Speaker 1>Yeah, speaking of carbs versus protein, that's a clog of

0:26:20.840 --> 0:26:21.600
<v Speaker 1>a different kind.

0:26:22.320 --> 0:26:24.040
<v Speaker 2>All of this shout out.

0:26:23.960 --> 0:26:28.320
<v Speaker 1>The midlife women who are lifting weights and chugging protein.

0:26:28.760 --> 0:26:31.439
<v Speaker 3>Putting vassaline all over my face instead of a fancy

0:26:31.480 --> 0:26:32.880
<v Speaker 3>one hundred dollars moisturizer.

0:26:33.160 --> 0:26:34.200
<v Speaker 2>Oh well, that's just sill.

0:26:34.280 --> 0:26:36.960
<v Speaker 3>Pick it up, clog it up. Not wearing makeup on weekends.

0:26:37.240 --> 0:26:40.720
<v Speaker 3>I'm clogging, staying inside to watch TV or read, even

0:26:40.760 --> 0:26:42.760
<v Speaker 3>if it's a quote nice day out.

0:26:43.440 --> 0:26:44.040
<v Speaker 2>Oh I see.

0:26:44.080 --> 0:26:47.600
<v Speaker 1>So it's not just it's basically doing the what is

0:26:47.640 --> 0:26:50.119
<v Speaker 1>It's like doing the opposite of what's good for you.

0:26:50.280 --> 0:26:54.080
<v Speaker 3>You're doing the opposite of like constantly trying to better ourselves, like.

0:26:54.119 --> 0:26:56.159
<v Speaker 4>The opposite of maxing. It's meaning.

0:26:56.280 --> 0:26:59.080
<v Speaker 3>I love it's doing it's meaning. And my last one

0:26:59.160 --> 0:27:02.040
<v Speaker 3>having dessert to every meal, including breakfast.

0:27:02.080 --> 0:27:02.520
<v Speaker 4>I love her.

0:27:02.560 --> 0:27:05.560
<v Speaker 3>Oh yeah, there's my clog activities. You're welcome to join.

0:27:05.680 --> 0:27:12.040
<v Speaker 4>Firing vibes ideas Atosphere, something casual, something fun.

0:27:12.560 --> 0:27:14.080
<v Speaker 3>This is my best recommendation.

0:27:15.080 --> 0:27:16.040
<v Speaker 2>It's reco's time.

0:27:16.240 --> 0:27:18.239
<v Speaker 1>Do you know that The most popular part of our

0:27:18.280 --> 0:27:20.960
<v Speaker 1>episode is recos and we've got some crackers today.

0:27:21.240 --> 0:27:23.679
<v Speaker 3>I believe that because I just told Amelia I've started

0:27:23.720 --> 0:27:26.520
<v Speaker 3>reading and you've read it to ask not the Kennedy women.

0:27:26.800 --> 0:27:31.480
<v Speaker 2>Yeah, it's so good. The thing about.

0:27:31.040 --> 0:27:33.800
<v Speaker 1>Our recos, if I do say so myself, they have

0:27:33.880 --> 0:27:36.840
<v Speaker 1>a very long tale. So it's not just that we

0:27:36.920 --> 0:27:39.439
<v Speaker 1>reco things that are like, listen to this, this is

0:27:39.440 --> 0:27:40.520
<v Speaker 1>the hot thing right now.

0:27:41.040 --> 0:27:43.480
<v Speaker 2>There's some classics in there. Like often I'll be like,

0:27:43.520 --> 0:27:47.320
<v Speaker 2>what should I read? Oh I remember? Not whole actually

0:27:47.359 --> 0:27:48.120
<v Speaker 2>sometimes whole.

0:27:48.440 --> 0:27:51.320
<v Speaker 1>It's the TV shows of holes that are not my vibe,

0:27:51.520 --> 0:27:54.240
<v Speaker 1>but lots about louders really like that.

0:27:54.359 --> 0:27:56.640
<v Speaker 3>A lot about louders are starting to read a lot

0:27:56.640 --> 0:27:57.920
<v Speaker 3>of and patch it after.

0:27:57.720 --> 0:28:02.320
<v Speaker 1>You recommend phats. It was so good, Amelia, what are

0:28:02.320 --> 0:28:02.960
<v Speaker 1>you recommending this?

0:28:02.960 --> 0:28:05.160
<v Speaker 4>Well, first of all, grab a micro and ridden patch

0:28:05.240 --> 0:28:08.120
<v Speaker 4>it always yes, you know we're going to go wrong

0:28:08.160 --> 0:28:11.840
<v Speaker 4>with that. My record was something which has been bringing

0:28:11.880 --> 0:28:14.320
<v Speaker 4>me some real joy this past week. And it's a

0:28:14.320 --> 0:28:17.080
<v Speaker 4>bit random, but they're with me. It's a perfume, and

0:28:17.119 --> 0:28:19.960
<v Speaker 4>it's not just any perfume, but it's a perfume that

0:28:20.040 --> 0:28:22.960
<v Speaker 4>I wore in high school that I have rediscovered sort of.

0:28:24.160 --> 0:28:25.840
<v Speaker 3>When you smell it at you getting like memory.

0:28:25.960 --> 0:28:29.720
<v Speaker 4>No, for sure, like scent is so closely tied with memories,

0:28:29.840 --> 0:28:32.320
<v Speaker 4>and I had this perfume. I decided I needed a

0:28:32.320 --> 0:28:35.280
<v Speaker 4>signature scent in high school because I read a lot

0:28:35.280 --> 0:28:37.960
<v Speaker 4>of women's magazines edited by me, and that told me

0:28:38.040 --> 0:28:38.440
<v Speaker 4>to do that.

0:28:38.680 --> 0:28:39.640
<v Speaker 3>I'm sure I wrote it.

0:28:40.560 --> 0:28:42.960
<v Speaker 4>So I went to the perfume shop because there used

0:28:43.000 --> 0:28:46.160
<v Speaker 4>to be like little shops then that weren't like Amazon.

0:28:46.360 --> 0:28:48.120
<v Speaker 4>And I walked in and I was like, I need

0:28:48.160 --> 0:28:51.160
<v Speaker 4>a signature cent. I was in my school uniform, and

0:28:52.240 --> 0:28:55.920
<v Speaker 4>basically we wound up picking one called Gucci Envy.

0:28:56.320 --> 0:28:56.480
<v Speaker 7>Oh.

0:28:58.080 --> 0:29:00.400
<v Speaker 4>It was launched in nineteen ninety seven. I'd say up

0:29:00.440 --> 0:29:00.920
<v Speaker 4>for it.

0:29:01.040 --> 0:29:04.400
<v Speaker 1>My first part was in an a after Impulse Classic.

0:29:05.600 --> 0:29:08.080
<v Speaker 4>Yeah, I had spic Skull's Impulse, and then I graduated

0:29:08.120 --> 0:29:10.920
<v Speaker 4>to Gucci MB. Tom Ford was in charge of Gucci.

0:29:10.960 --> 0:29:14.920
<v Speaker 4>He's like my favorite, and it's just this classic nineties cent.

0:29:15.160 --> 0:29:15.960
<v Speaker 4>It's sort of like.

0:29:16.120 --> 0:29:20.280
<v Speaker 1>Big scent, big bottles now well clean green is how

0:29:20.320 --> 0:29:21.200
<v Speaker 1>I describe it.

0:29:21.560 --> 0:29:24.080
<v Speaker 4>Lily of the Valley and like a little bit of

0:29:24.400 --> 0:29:27.400
<v Speaker 4>cedar at the end. It's it's like what Gwyneth Paltrow

0:29:27.480 --> 0:29:31.400
<v Speaker 4>was wearing in great expectations when she wore that green set.

0:29:31.640 --> 0:29:35.600
<v Speaker 2>Was she actually wearing no marr? Okay, yep.

0:29:35.680 --> 0:29:38.320
<v Speaker 4>Anyway, it was just continued around twenty eleven. I don't

0:29:38.320 --> 0:29:40.640
<v Speaker 4>know why, and now bottles of it actually go one

0:29:40.680 --> 0:29:42.720
<v Speaker 4>hundreds of dollars online and every now and then I

0:29:42.840 --> 0:29:44.520
<v Speaker 4>kind of look and look them up and think I

0:29:44.560 --> 0:29:48.200
<v Speaker 4>can't possibly justify this. But I recently learned that there's

0:29:48.280 --> 0:29:51.800
<v Speaker 4>a small business in Melbourne called the Dupe Spot and

0:29:51.880 --> 0:29:55.360
<v Speaker 4>it makes a very respectable version that they say is

0:29:55.480 --> 0:30:01.200
<v Speaker 4>inspired by MVY. The thirty miliidp is thirty five dollars, which,

0:30:01.560 --> 0:30:04.960
<v Speaker 4>to take me back to my youth, is kind of cheap, and.

0:30:05.520 --> 0:30:07.840
<v Speaker 2>The original would have been hundred, like one hundred.

0:30:08.120 --> 0:30:10.200
<v Speaker 4>Yeah it was. Yeah, it came two days after I

0:30:10.320 --> 0:30:12.480
<v Speaker 4>ordered it. I've just been spraying it ever since. Look,

0:30:12.520 --> 0:30:15.480
<v Speaker 4>I will be honest. Rex is a time to be honest.

0:30:15.760 --> 0:30:18.280
<v Speaker 4>This perfume doesn't have amazing staying power, like you put

0:30:18.280 --> 0:30:20.080
<v Speaker 4>it on in the morning and it's gone two hours later.

0:30:20.080 --> 0:30:22.760
<v Speaker 4>But it cost me thirty five dollars And it's really

0:30:22.800 --> 0:30:25.360
<v Speaker 4>all about the nostalgia trip. And I love this shop

0:30:25.400 --> 0:30:28.200
<v Speaker 4>because it makes all sorts of other versions of hard

0:30:28.240 --> 0:30:31.560
<v Speaker 4>to find or obscure or discontinued cents. So some others

0:30:31.560 --> 0:30:34.320
<v Speaker 4>it's got the Body Shop's nineties white musk formulation because

0:30:34.440 --> 0:30:38.520
<v Speaker 4>they changed it out, or Stella McCartney's original scent. Do

0:30:38.520 --> 0:30:40.640
<v Speaker 4>you remember that one from the early two thousands that

0:30:40.720 --> 0:30:42.640
<v Speaker 4>was a classic. Takes me back to that time.

0:30:42.800 --> 0:30:44.080
<v Speaker 2>K one I remember from.

0:30:44.240 --> 0:30:48.000
<v Speaker 4>Yeah, So just just have a browse around the dupe

0:30:48.040 --> 0:30:51.040
<v Speaker 4>spot and see what time travel you can do.

0:30:51.240 --> 0:30:52.160
<v Speaker 2>That's so interesting.

0:30:52.240 --> 0:30:56.040
<v Speaker 1>I can't revisit fragrances. They're too evocative for me. I

0:30:56.120 --> 0:30:58.959
<v Speaker 1>have to have a fragrance, wear it for a period

0:30:58.960 --> 0:31:02.720
<v Speaker 1>of time and then like every day, and then I

0:31:03.360 --> 0:31:04.800
<v Speaker 1>stop and I never go back to it.

0:31:04.840 --> 0:31:07.240
<v Speaker 2>I actually can't stand to smell it them again.

0:31:07.720 --> 0:31:09.680
<v Speaker 4>Yeah, because nostalgia person.

0:31:11.600 --> 0:31:14.160
<v Speaker 1>I think I'm a hyperfixation person. So it becomes so

0:31:14.440 --> 0:31:18.280
<v Speaker 1>inextricably linked for me to a moment in time. Like

0:31:18.320 --> 0:31:21.120
<v Speaker 1>I can't wear the fragrance I was wearing during COVID obviously.

0:31:22.120 --> 0:31:24.000
<v Speaker 4>Was it La Labo Santa thirty three?

0:31:24.160 --> 0:31:24.640
<v Speaker 2>It wasn't.

0:31:24.720 --> 0:31:27.080
<v Speaker 1>I can't remember what it was, but if I smelt it,

0:31:27.120 --> 0:31:28.760
<v Speaker 1>I would be able to tell you. Because I would

0:31:28.880 --> 0:31:32.440
<v Speaker 1>just start twitching. Yeah, I find that I find fragrances

0:31:32.440 --> 0:31:35.040
<v Speaker 1>to a vocative. But there is one that I really miss,

0:31:35.080 --> 0:31:38.840
<v Speaker 1>which is Romeo JILLII, which is a designer who I

0:31:38.840 --> 0:31:40.640
<v Speaker 1>don't even think it around anymore. But it was a

0:31:40.640 --> 0:31:42.480
<v Speaker 1>fragrance that I wore a lot in the nineties and

0:31:42.560 --> 0:31:43.880
<v Speaker 1>might be able to go back to that. I'll go

0:31:43.920 --> 0:31:44.880
<v Speaker 1>on a hop on that website.

0:31:44.960 --> 0:31:46.840
<v Speaker 4>You just reminded me that the reason I could afford

0:31:46.880 --> 0:31:49.719
<v Speaker 4>that Coucci envy is because I had a job working

0:31:49.760 --> 0:31:52.360
<v Speaker 4>at the mall at Red Earth. Do you remember that

0:31:52.520 --> 0:31:53.080
<v Speaker 4>very well?

0:31:53.200 --> 0:31:54.160
<v Speaker 3>I do not remember this.

0:31:54.720 --> 0:31:57.120
<v Speaker 2>It was like the Australian version of the Body Shop.

0:31:57.440 --> 0:32:01.360
<v Speaker 3>Oh nice. I'm not a big France person because I

0:32:01.760 --> 0:32:04.200
<v Speaker 3>usually forget to put it on before I leave the house.

0:32:04.240 --> 0:32:07.880
<v Speaker 3>Big on deodorant, I'm always with my doo. The only

0:32:07.920 --> 0:32:12.120
<v Speaker 3>fragrance that I always think about is the Elizabeth Arden

0:32:12.640 --> 0:32:15.560
<v Speaker 3>green tea. Yes, love it, and I think it's because

0:32:15.560 --> 0:32:18.040
<v Speaker 3>it's my mom's scent, and whenever I smell it, I

0:32:18.080 --> 0:32:20.320
<v Speaker 3>just think of my house. So I bored it and

0:32:20.360 --> 0:32:21.840
<v Speaker 3>I was like, oh my god, I feel like a

0:32:21.880 --> 0:32:22.400
<v Speaker 3>boss bitch.

0:32:22.440 --> 0:32:25.280
<v Speaker 4>That's so true. Your mom's scent is such a classic

0:32:25.360 --> 0:32:28.000
<v Speaker 4>genre long comentras or is my mom.

0:32:27.960 --> 0:32:32.760
<v Speaker 3>Oh so nice? My reco Today is a movie I

0:32:32.760 --> 0:32:34.720
<v Speaker 3>saw in the cinema, so I'm sorry. You have to

0:32:34.720 --> 0:32:36.720
<v Speaker 3>go to the cinemas if you want to see it.

0:32:36.720 --> 0:32:39.960
<v Speaker 3>It's the movie that everyone's talking about because of Anne

0:32:40.000 --> 0:32:43.640
<v Speaker 3>Hathaway the End of Oak Street. It stars Anne Hathaway

0:32:43.640 --> 0:32:45.920
<v Speaker 3>and you and McGregor. It's the one where she came

0:32:45.960 --> 0:32:48.600
<v Speaker 3>out on the we talked about in the subs episode

0:32:48.600 --> 0:32:51.200
<v Speaker 3>in the Jeans and the Cape yeap, and she was

0:32:51.240 --> 0:32:54.280
<v Speaker 3>actually theme dressing for the character in this movie. Because

0:32:54.280 --> 0:32:58.040
<v Speaker 3>the character is a suburban mum in the eighties. She's

0:32:58.160 --> 0:33:00.400
<v Speaker 3>kind of having a tough time with her family. She

0:33:00.520 --> 0:33:04.480
<v Speaker 3>wants to divorce her husband, and she's writing this big

0:33:04.520 --> 0:33:07.840
<v Speaker 3>novel about it. While this is all happening, the finally

0:33:07.920 --> 0:33:12.560
<v Speaker 3>dynamics overnight, the whole suburb she's living in gets transported

0:33:12.600 --> 0:33:17.000
<v Speaker 3>to another period of time that involves dinosaurs, the Cretaceous period.

0:33:18.120 --> 0:33:19.120
<v Speaker 3>And then it's hard.

0:33:19.240 --> 0:33:19.520
<v Speaker 2>I thought.

0:33:20.120 --> 0:33:24.520
<v Speaker 3>It goes from like lovely family, happy movie to crazy

0:33:24.680 --> 0:33:28.000
<v Speaker 3>action dinosaurs killing everyone. It's so good. You know what

0:33:28.080 --> 0:33:30.200
<v Speaker 3>it reminds me of because it is And I love

0:33:30.240 --> 0:33:31.600
<v Speaker 3>this movie so much, and I was trying to think

0:33:31.640 --> 0:33:34.680
<v Speaker 3>why I love it because it's so bizarre, so random.

0:33:35.080 --> 0:33:38.200
<v Speaker 3>It's because it's an original IP and an original screenplay.

0:33:38.520 --> 0:33:40.800
<v Speaker 3>And I'm getting the same feelings when I watch Sinners

0:33:40.880 --> 0:33:43.320
<v Speaker 3>for the first time, Like we're in like this world

0:33:43.320 --> 0:33:48.160
<v Speaker 3>where everyone's doing sequels. Adaptation, yeah, big license, Yeah, like

0:33:48.240 --> 0:33:50.920
<v Speaker 3>big production companies don't want to take risks with anything new,

0:33:51.000 --> 0:33:52.600
<v Speaker 3>so they just keep doing the same thing over and

0:33:52.640 --> 0:33:54.560
<v Speaker 3>over again because they know it's what works and what's

0:33:54.560 --> 0:33:57.800
<v Speaker 3>makes them money. And the reason, coming back to her

0:33:57.880 --> 0:34:01.480
<v Speaker 3>theme dressing, was she was creating these big conversations because

0:34:01.480 --> 0:34:04.040
<v Speaker 3>the cast really needed to because this movie like took

0:34:04.120 --> 0:34:06.560
<v Speaker 3>eighty million, I think to make, and they have to

0:34:06.880 --> 0:34:09.360
<v Speaker 3>really push it to make sure that they make that money.

0:34:09.440 --> 0:34:11.960
<v Speaker 2>So the dinosaurs, Is it a bit Jurassic Park? Is

0:34:12.000 --> 0:34:12.680
<v Speaker 2>it like that? Yes?

0:34:12.800 --> 0:34:14.799
<v Speaker 3>But I am a dinosaur Nord and there aren't really

0:34:14.880 --> 0:34:16.080
<v Speaker 3>like Jurassic dinosaurs in it.

0:34:16.120 --> 0:34:17.160
<v Speaker 4>Is it funny?

0:34:17.239 --> 0:34:18.000
<v Speaker 2>Why do I think.

0:34:17.840 --> 0:34:22.399
<v Speaker 4>It's like dark Hue like some accurate to say it's

0:34:22.440 --> 0:34:24.840
<v Speaker 4>kind of a throwback to like Honey I Shrunk. The

0:34:24.920 --> 0:34:25.799
<v Speaker 4>kids kind of.

0:34:25.800 --> 0:34:28.960
<v Speaker 3>Vibe yes, because it's said in the eighties, and then

0:34:28.960 --> 0:34:32.920
<v Speaker 3>they go back to the Cretaceous period is so good.

0:34:33.120 --> 0:34:35.160
<v Speaker 2>The Cretaceous period. The fashion is good.

0:34:36.080 --> 0:34:40.520
<v Speaker 3>The dinosaurs look amazing. The dinosaurs are actually accurate dinosaurs.

0:34:40.560 --> 0:34:43.239
<v Speaker 3>They have like feathers and fur. Okay, it's just like

0:34:43.440 --> 0:34:46.840
<v Speaker 3>really fun, really original. It like spins all the tropes

0:34:46.880 --> 0:34:49.160
<v Speaker 3>on their heads, so every like people in the like,

0:34:49.160 --> 0:34:52.480
<v Speaker 3>I haven't been in a more engaged audience. People were screaming,

0:34:52.920 --> 0:34:55.040
<v Speaker 3>scream laughing, scream crying.

0:34:55.160 --> 0:34:57.800
<v Speaker 2>It was just that doesn't happen when you're watching it.

0:34:57.800 --> 0:34:59.280
<v Speaker 4>It sounds like a good date movie.

0:34:59.440 --> 0:34:59.719
<v Speaker 2>It is.

0:35:00.120 --> 0:35:03.160
<v Speaker 3>It's just such a fun, like energy driven movie.

0:35:03.239 --> 0:35:05.359
<v Speaker 1>That's so interesting that she did that time travel one

0:35:05.400 --> 0:35:07.280
<v Speaker 1>because she's also going to star in Yesteryear.

0:35:07.680 --> 0:35:09.400
<v Speaker 3>Yeah, yeah, probably practicing.

0:35:09.719 --> 0:35:12.680
<v Speaker 1>Okay, my reco I've brought props, which is not very

0:35:12.680 --> 0:35:14.960
<v Speaker 1>interesting if you're listening to this, but just stay with me.

0:35:18.280 --> 0:35:20.759
<v Speaker 1>I have I'm leaning into things that you don't have

0:35:20.800 --> 0:35:22.759
<v Speaker 1>to buy, just things that you can do.

0:35:23.000 --> 0:35:23.280
<v Speaker 6>Right.

0:35:23.400 --> 0:35:26.920
<v Speaker 1>So my trick that I saw on a reel or

0:35:26.920 --> 0:35:29.520
<v Speaker 1>a TikTok is a new way to put on concealer.

0:35:29.960 --> 0:35:32.799
<v Speaker 1>You might already be doing this, but when I used

0:35:32.840 --> 0:35:35.799
<v Speaker 1>to put on concealer, I used to because I've got

0:35:35.840 --> 0:35:37.560
<v Speaker 1>really dark circles under my eyes.

0:35:37.680 --> 0:35:37.879
<v Speaker 2>Right.

0:35:38.680 --> 0:35:41.120
<v Speaker 1>I used to put it all the way up to

0:35:41.400 --> 0:35:44.640
<v Speaker 1>my what's it called, up to my lash line? I

0:35:44.719 --> 0:35:48.000
<v Speaker 1>used to go all the way out there, right, looks

0:35:48.040 --> 0:35:50.360
<v Speaker 1>a bit strange, makes your eyes look a bit weird.

0:35:50.960 --> 0:35:54.080
<v Speaker 1>And so this makeup artist was saying, don't put it

0:35:54.160 --> 0:35:57.399
<v Speaker 1>too close to your lash line because naturally there are

0:35:57.440 --> 0:36:00.440
<v Speaker 1>shadows where your bottom lashes are anyway, and if you

0:36:00.480 --> 0:36:03.439
<v Speaker 1>put it all the way up, you look a little

0:36:03.480 --> 0:36:05.359
<v Speaker 1>bit like a gerbil something else.

0:36:05.360 --> 0:36:06.280
<v Speaker 2>We're talking about.

0:36:06.320 --> 0:36:11.919
<v Speaker 3>Placing instead kind of on your cheekbone. Yeah, blending it upwards, uh, well,

0:36:12.080 --> 0:36:13.320
<v Speaker 3>sort of blended down.

0:36:13.560 --> 0:36:15.960
<v Speaker 1>So I'm putting it like I'm just letting that bit.

0:36:16.160 --> 0:36:17.839
<v Speaker 1>You know how, Sometimes when if you don't take your

0:36:17.840 --> 0:36:20.440
<v Speaker 1>makeup off properly, it looks really good the next day

0:36:20.480 --> 0:36:25.160
<v Speaker 1>when it's a little bit smudgy around your lower lashes anyway,

0:36:26.960 --> 0:36:31.040
<v Speaker 1>because it looks okay, I'm wearing using a phenomenal concealer

0:36:31.239 --> 0:36:32.080
<v Speaker 1>that's super cheap.

0:36:32.280 --> 0:36:33.359
<v Speaker 2>I hope they still have it.

0:36:33.360 --> 0:36:36.000
<v Speaker 1>It's for us before it does good concealers. It's called

0:36:36.040 --> 0:36:39.479
<v Speaker 1>best skin Ever, but it's called glow. They've got two

0:36:39.680 --> 0:36:42.400
<v Speaker 1>varieties ones. It's sort of Matt. This is my one

0:36:42.400 --> 0:36:44.680
<v Speaker 1>of my favorite concealers. I'm a bit of a concealer

0:36:45.640 --> 0:36:50.800
<v Speaker 1>or whore. I would say, well, I call it about myself,

0:36:50.960 --> 0:36:54.280
<v Speaker 1>like I love it. I'm happy with all of my concealers.

0:36:54.520 --> 0:36:59.239
<v Speaker 1>I buy a lot of concealers, and I buy a

0:36:59.239 --> 0:37:02.040
<v Speaker 1>lot of bensive concealers, but I always come back to

0:37:02.080 --> 0:37:05.000
<v Speaker 1>this one because when you get a little bit more

0:37:05.040 --> 0:37:08.600
<v Speaker 1>creepy under your eyes, you can't have anything to dry,

0:37:09.200 --> 0:37:12.319
<v Speaker 1>and I can't use like, you know, the oily like

0:37:12.400 --> 0:37:14.520
<v Speaker 1>the ones that are in like yeah, you know, in

0:37:14.640 --> 0:37:17.640
<v Speaker 1>tubs and stuff. I have to use very liquidy ones.

0:37:17.440 --> 0:37:20.240
<v Speaker 3>And as a blend well with your skincn other makeup products.

0:37:20.840 --> 0:37:23.120
<v Speaker 2>Yeah, yeah, yeah, yeah, I really, I really love it.

0:37:23.160 --> 0:37:24.920
<v Speaker 2>And also put it all the way up in.

0:37:26.480 --> 0:37:29.760
<v Speaker 4>Up here, like putting it in the side of bone.

0:37:30.160 --> 0:37:30.879
<v Speaker 2>Is that what it's called?

0:37:31.360 --> 0:37:35.839
<v Speaker 3>Can I quickly do extra reco This one's for Mamma

0:37:35.920 --> 0:37:40.360
<v Speaker 3>Mia subscribers. We're doing another giveaway and a lucky subscriber

0:37:40.440 --> 0:37:43.040
<v Speaker 3>we'll get a five thousand dollars Gold Coast get away

0:37:43.080 --> 0:37:46.680
<v Speaker 3>with dream World for four people. Anti.

0:37:46.960 --> 0:37:50.480
<v Speaker 1>My favorite part about being a Mama mea subscriber is

0:37:50.520 --> 0:37:53.080
<v Speaker 1>that one of them is that you don't have to

0:37:53.120 --> 0:37:56.799
<v Speaker 1>do anything to win stuff. You just by being a subscriber,

0:37:57.239 --> 0:37:59.040
<v Speaker 1>You just can get one of these great prices and you.

0:37:59.000 --> 0:38:02.040
<v Speaker 3>Could win this huge It includes return flights, a two

0:38:02.120 --> 0:38:06.000
<v Speaker 3>night's accommodation, gift cards for transfers and meals. You get

0:38:06.080 --> 0:38:09.920
<v Speaker 3>express passes, you get photos with wildlife, so much more.

0:38:10.200 --> 0:38:13.200
<v Speaker 3>It's going on a holiday without doing the crappy part

0:38:13.200 --> 0:38:15.400
<v Speaker 3>of the holiday, which is a planning and the logistics.

0:38:15.440 --> 0:38:17.719
<v Speaker 3>You don't have to be in Nicole for this one, no,

0:38:17.880 --> 0:38:20.120
<v Speaker 3>we all we do it for you. If you're not

0:38:20.200 --> 0:38:23.759
<v Speaker 3>a subscriber yet, you have until August thirty first to

0:38:23.800 --> 0:38:27.239
<v Speaker 3>become a subscriber and then you'll be automatically entered. Also,

0:38:27.320 --> 0:38:29.640
<v Speaker 3>if you're a subscriber, you get all of the subscriber benefits.

0:38:29.680 --> 0:38:32.319
<v Speaker 3>You get our Tuesdays and Thursday's episodes, you get more

0:38:32.360 --> 0:38:35.439
<v Speaker 3>Mamma Mea articles, you get access to our fitness app Move,

0:38:35.600 --> 0:38:38.520
<v Speaker 3>you get so So March T and c's apply.

0:38:39.000 --> 0:38:42.920
<v Speaker 1>This has been your Friday episode. Enjoy your weekend. Maybe

0:38:42.920 --> 0:38:46.680
<v Speaker 1>you're already on it. If so, we will be joining

0:38:46.680 --> 0:38:49.160
<v Speaker 1>you soon. Otherwise we will be back in your ears

0:38:49.400 --> 0:38:52.800
<v Speaker 1>on Monday bye bye bye.

0:38:53.400 --> 0:38:56.200
<v Speaker 3>Mamma mea acknowledges the traditional owners of the land on

0:38:56.239 --> 0:38:59.640
<v Speaker 3>which we have recorded this podcast out louders.

0:38:59.719 --> 0:39:01.239
<v Speaker 2>I'm sorry to let you down.

0:39:01.320 --> 0:39:02.960
<v Speaker 3>Friends. My dms are full.

0:39:03.440 --> 0:39:05.759
<v Speaker 7>You're all like, come on, Holly, way in on this

0:39:05.840 --> 0:39:08.680
<v Speaker 7>Harry and Meg's business, and look I would, But the

0:39:08.680 --> 0:39:11.600
<v Speaker 7>truth that is, I am in Manchester, got some family

0:39:11.640 --> 0:39:15.200
<v Speaker 7>things going on. Hands are full, but I am keeping

0:39:15.200 --> 0:39:18.440
<v Speaker 7>a beady iron it all for you from close proximity.

0:39:18.680 --> 0:39:21.400
<v Speaker 7>Not that wherever they're going to live probably the Cotswolds

0:39:21.480 --> 0:39:24.200
<v Speaker 7>or somewhere fabulous like that is anywhere near Manchester. I

0:39:24.239 --> 0:39:28.759
<v Speaker 7>don't think Manchester is on their real estate shortlist, but

0:39:28.880 --> 0:39:29.359
<v Speaker 7>you never know.

0:39:29.640 --> 0:39:30.000
<v Speaker 2>Anyway.

0:39:30.040 --> 0:39:33.160
<v Speaker 7>I can tell you that the vibe here is very

0:39:33.160 --> 0:39:36.240
<v Speaker 7>divided between those who are like, oh, welcome home Harry,

0:39:36.320 --> 0:39:39.560
<v Speaker 7>family reunion, isn't that nice? The King's obviously forgiven him

0:39:39.920 --> 0:39:43.080
<v Speaker 7>and those who are like, are you kidding? They're traitors.

0:39:43.440 --> 0:39:46.120
<v Speaker 7>I hope William chases them out with a shitty stick.

0:39:47.160 --> 0:39:49.520
<v Speaker 7>So you know, either way, it's going to be interesting.

0:39:50.160 --> 0:39:53.080
<v Speaker 7>But I can tell you I gasped. I gasped when

0:39:53.120 --> 0:39:53.840
<v Speaker 7>I saw the news.

0:39:53.960 --> 0:39:59.200
<v Speaker 8>I was like, after not great week, I was like

0:40:00.080 --> 0:40:03.000
<v Speaker 8>this is Christmas for those of us who have been

0:40:03.280 --> 0:40:05.120
<v Speaker 8>rooting for Harry and Meg's reunion.

0:40:06.080 --> 0:40:07.920
<v Speaker 7>I will keep abreast of things for you. I know

0:40:08.000 --> 0:40:10.320
<v Speaker 7>me is doing an amazing job. I will back with

0:40:10.400 --> 0:40:10.799
<v Speaker 7>you soon.

0:40:11.120 --> 0:40:11.640
<v Speaker 4>Lots of love,