1 00:00:08,234 --> 00:00:10,953 Speaker 1: You're listening to a MoMA Mia podcast. 2 00:00:14,354 --> 00:00:22,034 Speaker 2: Please please please From Mumma Mia. Welcome to the Spills 3 00:00:22,114 --> 00:00:24,514 Speaker 2: watch Party, where we unpack the biggest shows that the 4 00:00:24,554 --> 00:00:27,674 Speaker 2: world is talking about. And right now we are all 5 00:00:27,874 --> 00:00:32,593 Speaker 2: quivering with absolute excitement that the Tom Romcom Bridgeton is 6 00:00:32,714 --> 00:00:36,074 Speaker 2: back with season four. My name is Grace Rubrey. I'm 7 00:00:36,074 --> 00:00:38,274 Speaker 2: a producer and host here at Mamma Mia, and I've 8 00:00:38,274 --> 00:00:41,193 Speaker 2: also worked in film and TV for the past fifteen years, 9 00:00:41,233 --> 00:00:44,833 Speaker 2: across acting, writing, production, post production, and casting. So I 10 00:00:44,954 --> 00:00:47,633 Speaker 2: come with a lot of knowledge. But most importantly, I 11 00:00:47,634 --> 00:00:51,033 Speaker 2: have watched every single thing that's Shonda Rhime's has ever made. 12 00:00:51,153 --> 00:00:53,953 Speaker 2: I would call myself a Shonda super fan. And I'm 13 00:00:53,994 --> 00:00:56,434 Speaker 2: joined today by two of my fellow Bridgeton addicts, and 14 00:00:56,434 --> 00:00:59,154 Speaker 2: I want to start the Today's conversation with what is 15 00:00:59,194 --> 00:01:02,353 Speaker 2: your favorite Shonda Rhymes show? Mine is the og It's 16 00:01:02,394 --> 00:01:06,234 Speaker 2: Gray's Anatomy, but with a caveat, specifically from season one 17 00:01:06,354 --> 00:01:08,594 Speaker 2: to season six, from the one Night Stand to the shooting. 18 00:01:08,874 --> 00:01:11,154 Speaker 2: Everything in there is my favorite. I'm going to hand 19 00:01:11,154 --> 00:01:12,994 Speaker 2: it over to Georgie for her to introduce herself. 20 00:01:13,434 --> 00:01:15,674 Speaker 3: My name is Georgie Page. I look after all the 21 00:01:15,794 --> 00:01:18,754 Speaker 3: entertainment podcasts we do here at Mamma Maya. I am 22 00:01:18,794 --> 00:01:23,753 Speaker 3: a complete Bridgeton superfan. I've got Bridgeton pajamas. I'm really 23 00:01:23,754 --> 00:01:26,274 Speaker 3: deep in the online fandom, and I'm also really interested 24 00:01:26,314 --> 00:01:28,834 Speaker 3: in all the regency information. I can't wait to share 25 00:01:28,834 --> 00:01:31,234 Speaker 3: some of that with you. Apart from Bridgington, I am 26 00:01:31,274 --> 00:01:34,314 Speaker 3: a gladiator, I am a Scandal. 27 00:01:33,834 --> 00:01:34,754 Speaker 4: Super fan as well. 28 00:01:35,114 --> 00:01:37,034 Speaker 2: Amazing and over to you Live. 29 00:01:37,114 --> 00:01:40,074 Speaker 1: I'm Liv James. I'm our content editor for our gen 30 00:01:40,194 --> 00:01:44,314 Speaker 1: Z brand. No, and I would say I'm a professional yearner. Guys, 31 00:01:44,634 --> 00:01:48,394 Speaker 1: I am yearning in every aspect of my life, which 32 00:01:48,434 --> 00:01:51,474 Speaker 1: is why Shonder definitely has a place in my heart. 33 00:01:51,834 --> 00:01:54,594 Speaker 1: My favorite show is Queen Charlotte. 34 00:01:54,714 --> 00:01:58,914 Speaker 2: Yeah absolutely, Okay, So in today's episode, we have scoured 35 00:01:58,914 --> 00:02:01,594 Speaker 2: the Internet and dug deep into Bridgeton Law to gather 36 00:02:01,714 --> 00:02:04,594 Speaker 2: everything you need to know before you watch season four. 37 00:02:04,954 --> 00:02:06,634 Speaker 2: We're going to tell you the clues we have gathered 38 00:02:06,634 --> 00:02:09,913 Speaker 2: from the book, reveal all the production secrets we've uncovered, 39 00:02:09,954 --> 00:02:12,834 Speaker 2: plus all the Easter eggs and hints from the trailers 40 00:02:12,874 --> 00:02:17,194 Speaker 2: and cast interviews. Plus there are some intriguing and hugely 41 00:02:17,314 --> 00:02:20,234 Speaker 2: entertaining fan theories from deep in the internet about how 42 00:02:20,234 --> 00:02:22,714 Speaker 2: they're going to bring Benedict and Sophie's love story to 43 00:02:22,794 --> 00:02:25,354 Speaker 2: the screen. All right, shall we get into it. Let's 44 00:02:25,354 --> 00:02:27,114 Speaker 2: do it, Okay, So I want to start off with 45 00:02:27,474 --> 00:02:31,234 Speaker 2: Julia Quinn is the writer of Bridgeton and how this 46 00:02:31,314 --> 00:02:34,834 Speaker 2: got turned into a series was Shonda Rhymes was on holidays, 47 00:02:35,194 --> 00:02:37,874 Speaker 2: she got the flu. She was reading a bunch of 48 00:02:37,874 --> 00:02:40,834 Speaker 2: books and she ran out of things to read, so 49 00:02:40,834 --> 00:02:43,314 Speaker 2: she found Bridgeton. I want to quote one thing that 50 00:02:43,354 --> 00:02:46,594 Speaker 2: Julia Quinn says about this is she goes to think 51 00:02:46,994 --> 00:02:49,754 Speaker 2: that my life would be completely different if Shonda Rhymes 52 00:02:49,834 --> 00:02:52,194 Speaker 2: hadn't have gotten the flu and been on holidays. And 53 00:02:52,234 --> 00:02:53,474 Speaker 2: I think that's such a wonderful. 54 00:02:53,594 --> 00:02:54,913 Speaker 1: It wasn't just on a bookshelf. 55 00:02:55,354 --> 00:02:57,874 Speaker 3: It was like a book exchange. Now, I love a 56 00:02:57,914 --> 00:03:00,834 Speaker 3: book exchange. Just think that in your local book exchange 57 00:03:00,874 --> 00:03:03,554 Speaker 3: could be the next big Netflix. Sure, but don't you 58 00:03:03,554 --> 00:03:05,434 Speaker 3: think it's funny because when you're sick and you have 59 00:03:05,474 --> 00:03:08,474 Speaker 3: a fever, you sometimes make bad decisions or come up 60 00:03:08,514 --> 00:03:11,034 Speaker 3: with crazy ideas. Do you think she read the book 61 00:03:11,074 --> 00:03:13,274 Speaker 3: and then got better and thought, I've just read it 62 00:03:13,314 --> 00:03:15,194 Speaker 3: again to check it wasn't garbage. 63 00:03:15,634 --> 00:03:17,394 Speaker 4: Oh no, it is great, it's une serious. 64 00:03:17,434 --> 00:03:19,794 Speaker 2: She had her notes app open. I imagine the first 65 00:03:19,834 --> 00:03:21,874 Speaker 2: read was like I'm full of all of these ideas, 66 00:03:22,114 --> 00:03:24,714 Speaker 2: yeah yeah, and of one of the things that drew 67 00:03:24,754 --> 00:03:26,834 Speaker 2: her into it. And this is such a shonder response 68 00:03:26,874 --> 00:03:29,354 Speaker 2: because if we know how she goes about her other shows, 69 00:03:29,514 --> 00:03:31,794 Speaker 2: she said, I didn't see the novel as a romance novel. 70 00:03:32,074 --> 00:03:35,914 Speaker 2: To me, Bridgeton is a workplace drama because in regency 71 00:03:35,954 --> 00:03:38,754 Speaker 2: era society, women have power only in who and how 72 00:03:38,794 --> 00:03:42,554 Speaker 2: they marry, which gives the storytelling something deeper and more universal. 73 00:03:42,634 --> 00:03:44,674 Speaker 1: True, and it links to everything that she's ever done. 74 00:03:44,714 --> 00:03:47,514 Speaker 3: Really, I really get that, because I think it's about 75 00:03:47,554 --> 00:03:49,994 Speaker 3: the conflict and the drama and it just happens to 76 00:03:50,034 --> 00:03:51,194 Speaker 3: be set in the marriage mark. 77 00:03:52,114 --> 00:03:53,994 Speaker 1: I wonder if she had the flu when she decided 78 00:03:53,994 --> 00:03:55,554 Speaker 1: to do the musical episode of Grays. 79 00:03:56,834 --> 00:03:58,514 Speaker 2: Do you know what? She talks about that a lot, 80 00:03:58,554 --> 00:04:01,754 Speaker 2: and that she still stands by it. She shouldn't, that's 81 00:04:01,794 --> 00:04:05,114 Speaker 2: a mistake. Look, we digress. The musical episode of Greys 82 00:04:05,114 --> 00:04:07,634 Speaker 2: Anatomy is its whole other thing. Of watch part I'll 83 00:04:07,674 --> 00:04:11,194 Speaker 2: run through some fastbacks as to how Bridgeton has become 84 00:04:11,274 --> 00:04:13,714 Speaker 2: this huge Juggernaut before we get into the meat of it. 85 00:04:14,114 --> 00:04:17,354 Speaker 2: Bridgeton has officially been recognized by the Guinness World Records 86 00:04:17,674 --> 00:04:21,313 Speaker 2: as the most in demand romantic drama on television, outpacing 87 00:04:21,354 --> 00:04:25,313 Speaker 2: the long running favorites like Outlander. The show has redefined 88 00:04:25,354 --> 00:04:28,113 Speaker 2: the genre of what a period drama can be. There's 89 00:04:28,154 --> 00:04:30,994 Speaker 2: diverse casting in a genre which is traditionally dominated by 90 00:04:31,034 --> 00:04:35,273 Speaker 2: white actors. And also the romance of this is less 91 00:04:35,393 --> 00:04:39,954 Speaker 2: romance and more sexual, which you also wouldn't expect from 92 00:04:39,993 --> 00:04:41,474 Speaker 2: something of this regency era. 93 00:04:41,794 --> 00:04:45,113 Speaker 3: Yes, Series one, episode one, they're banging against a tree 94 00:04:45,234 --> 00:04:46,193 Speaker 3: in the first three minutes. 95 00:04:46,714 --> 00:04:48,154 Speaker 4: You know what you're getting into straightaway. 96 00:04:48,193 --> 00:04:50,993 Speaker 1: Yes, And I think it's important to note Netflix on 97 00:04:51,034 --> 00:04:54,394 Speaker 1: their official site they wrote that this is the steamiest 98 00:04:54,594 --> 00:04:55,794 Speaker 1: season to come. 99 00:04:56,274 --> 00:05:00,154 Speaker 2: So interesting. Nicola Coughlan tell us a funny story on 100 00:05:00,193 --> 00:05:03,313 Speaker 2: Graham Norton when she was doing press for Bridgeton season 101 00:05:03,313 --> 00:05:06,033 Speaker 2: one and talking about the sexuality in season one, and 102 00:05:06,073 --> 00:05:09,393 Speaker 2: she had to tell her grad that the post wedding 103 00:05:09,474 --> 00:05:12,473 Speaker 2: scenes of Daphanie and Hastings the episode that Netflix was 104 00:05:12,474 --> 00:05:14,674 Speaker 2: broken because she didn't want to her run. 105 00:05:15,553 --> 00:05:16,553 Speaker 4: Yeah, they were intense. 106 00:05:16,794 --> 00:05:20,993 Speaker 2: They were quite intense, and as of twenty and twenty five. 107 00:05:21,274 --> 00:05:24,953 Speaker 2: Reports show that Bridgeton is the most streamed original series 108 00:05:25,034 --> 00:05:27,594 Speaker 2: of twenty twenty four, with over twenty one point four 109 00:05:27,594 --> 00:05:31,674 Speaker 2: billion viewing minutes. Much of that was driven by Season three, 110 00:05:31,674 --> 00:05:33,354 Speaker 2: which we're going to get into why that was so 111 00:05:33,393 --> 00:05:34,274 Speaker 2: successful later. 112 00:05:34,513 --> 00:05:36,633 Speaker 4: I think only about half of them would be US three. 113 00:05:36,753 --> 00:05:37,993 Speaker 1: Yes, only half. 114 00:05:38,154 --> 00:05:41,073 Speaker 3: And also we love books here at Mama Mia as well, 115 00:05:41,274 --> 00:05:43,354 Speaker 3: and I love that Season one came out Christmas Day 116 00:05:43,393 --> 00:05:46,273 Speaker 3: twenty twenty. By January, the Duke and I, the book 117 00:05:46,274 --> 00:05:48,393 Speaker 3: it was based on, is number one on the New 118 00:05:48,474 --> 00:05:51,753 Speaker 3: York Times bestseller list, and by April all eight main 119 00:05:51,834 --> 00:05:54,233 Speaker 3: books of the eight siblings on the New York Times 120 00:05:54,234 --> 00:05:54,873 Speaker 3: bestseller list. 121 00:05:55,113 --> 00:05:56,714 Speaker 4: Julia Quinn hit the stratosphere. 122 00:05:56,753 --> 00:05:58,593 Speaker 2: I think it's probably important to note at this point 123 00:05:58,594 --> 00:06:01,234 Speaker 2: that Georgie, you are the Bridgeton expert who's read the book, 124 00:06:01,234 --> 00:06:03,153 Speaker 2: whereas Live and I are just obsessed with the series. 125 00:06:03,513 --> 00:06:06,313 Speaker 3: Well, it's interesting because far more people watching this have 126 00:06:06,513 --> 00:06:09,433 Speaker 3: not read the books, so Shonda's got an opportunity to 127 00:06:09,513 --> 00:06:12,633 Speaker 3: borrow from Julia Quinn's books. But you can also add 128 00:06:12,674 --> 00:06:16,113 Speaker 3: all these other wonders to the Bridgeton universe, like, for example, 129 00:06:16,234 --> 00:06:20,313 Speaker 3: the characters of the Queen, Lord Marcus Anderson, theo Sharp. 130 00:06:20,474 --> 00:06:23,553 Speaker 3: None of these really appeared in Julia Quinn's novels Now. 131 00:06:23,594 --> 00:06:26,273 Speaker 2: It has been a long wait between seasons two years. 132 00:06:26,274 --> 00:06:29,193 Speaker 2: We're going to get into that later. So at this point, 133 00:06:29,234 --> 00:06:31,314 Speaker 2: if you have not finished season three, we want you 134 00:06:31,354 --> 00:06:33,633 Speaker 2: to stop, go back and finish it, or maybe even 135 00:06:33,633 --> 00:06:35,273 Speaker 2: have a refresher on the last episode. You know what, 136 00:06:35,313 --> 00:06:37,273 Speaker 2: you should watch the whole season. It's a cracking season. 137 00:06:37,633 --> 00:06:40,073 Speaker 2: But stop, go watch it, recap and come back to 138 00:06:40,154 --> 00:06:42,273 Speaker 2: us as we get into everything that you need to 139 00:06:42,313 --> 00:06:44,834 Speaker 2: know before the first four episodes of the season drop 140 00:06:44,914 --> 00:06:46,313 Speaker 2: on the twenty ninth of January. 141 00:06:47,594 --> 00:06:52,674 Speaker 1: So the season's most notorious gentleman, Benedicte Brigitton, He must 142 00:06:52,794 --> 00:06:55,074 Speaker 1: bow to that most powerful of forces. 143 00:06:55,873 --> 00:06:59,073 Speaker 2: Mothers do simply must marry. You have not met the 144 00:06:59,113 --> 00:07:01,593 Speaker 2: right young lady. I am charclinghi adventures and. 145 00:07:01,633 --> 00:07:05,914 Speaker 4: Course you're right. All the eyes as a tongue will 146 00:07:05,953 --> 00:07:11,794 Speaker 4: be on us masquerade ball. Can you imagine how beautiful 147 00:07:11,794 --> 00:07:12,514 Speaker 4: a ball would be? 148 00:07:13,034 --> 00:07:16,674 Speaker 2: Just once, just to have that feeling for one glorious night, 149 00:07:17,514 --> 00:07:18,434 Speaker 2: you could go tonight. 150 00:07:18,714 --> 00:07:20,314 Speaker 4: We need to find me a good costume. 151 00:07:20,514 --> 00:07:21,634 Speaker 2: I would need to be well. 152 00:07:21,594 --> 00:07:26,393 Speaker 4: Disguised just to be out by midnight. I cannot dance 153 00:07:27,434 --> 00:07:30,314 Speaker 4: a lady who cannot dance. You are quite bit teacher. 154 00:07:30,634 --> 00:07:31,394 Speaker 4: You are perhaps the. 155 00:07:31,314 --> 00:07:32,834 Speaker 2: Most intriguing person I've ever met. 156 00:07:34,874 --> 00:07:38,914 Speaker 5: Behind the cover of a mask, anything can happen. 157 00:07:39,074 --> 00:07:40,634 Speaker 4: We must find the owner of this glove. 158 00:07:40,794 --> 00:07:42,874 Speaker 2: He sounds as if you had been made a new man. 159 00:07:43,434 --> 00:07:44,994 Speaker 4: What if he's looking for you. 160 00:07:45,154 --> 00:07:47,874 Speaker 2: And does not want to find it? Be he wants 161 00:07:47,914 --> 00:07:50,514 Speaker 2: to fight the lady of the sort the cow, and she's. 162 00:07:52,194 --> 00:07:52,273 Speaker 3: So. 163 00:07:52,434 --> 00:07:56,713 Speaker 2: This book is based on Benedict, Benedict Bridgititon and him 164 00:07:56,754 --> 00:08:00,314 Speaker 2: finding his love match in Sophie. I want to start 165 00:08:00,354 --> 00:08:02,794 Speaker 2: off with you live Yes to talk about why we 166 00:08:02,834 --> 00:08:06,393 Speaker 2: love Benedict. I know you have a lot of feelings 167 00:08:06,393 --> 00:08:07,194 Speaker 2: on this. 168 00:08:07,194 --> 00:08:10,713 Speaker 1: This is one of my passion projects. Look, Benedict, he's 169 00:08:10,953 --> 00:08:12,953 Speaker 1: the wild card of the family. I'd say he's the 170 00:08:13,034 --> 00:08:15,674 Speaker 1: free spirit. He's the one that can't get tied down. 171 00:08:15,714 --> 00:08:19,474 Speaker 1: He travels, he sleeps with anyone and everyone. He has 172 00:08:19,514 --> 00:08:22,354 Speaker 1: a lot of different kind of hobbies and he's just 173 00:08:22,554 --> 00:08:26,834 Speaker 1: the fun loving brother. And I think people specifically at 174 00:08:26,834 --> 00:08:30,593 Speaker 1: the moment are obsessed with a slow burn as well, 175 00:08:30,834 --> 00:08:33,434 Speaker 1: and that's what his love story is all about. That's 176 00:08:33,434 --> 00:08:36,594 Speaker 1: what we've discovered through the trailer. Everyone's like, oh my gosh, 177 00:08:36,634 --> 00:08:39,674 Speaker 1: everyone's obsessed with heated rivalry. Everyone's obsessed with people we 178 00:08:39,714 --> 00:08:43,474 Speaker 1: meet on vacation, the slow burn, and he is also 179 00:08:43,594 --> 00:08:44,274 Speaker 1: just so hot. 180 00:08:44,794 --> 00:08:46,674 Speaker 2: He's so hot. 181 00:08:46,714 --> 00:08:51,754 Speaker 4: Oh, where's this glow up going to come? There's nowhere 182 00:08:51,794 --> 00:08:52,154 Speaker 4: to go. 183 00:08:52,474 --> 00:08:54,874 Speaker 1: Well, funny you say that is that it is very 184 00:08:54,874 --> 00:08:57,554 Speaker 1: famous that every Bridgeston brother has a glow up before 185 00:08:57,594 --> 00:08:59,914 Speaker 1: the season that they come into being the main character. 186 00:09:00,314 --> 00:09:02,474 Speaker 1: And that is also how people predict who's going to 187 00:09:02,514 --> 00:09:04,594 Speaker 1: have the next season. So that's something to look out 188 00:09:04,594 --> 00:09:07,714 Speaker 1: for for this season too. Who suddenly just gets hot. 189 00:09:07,834 --> 00:09:10,594 Speaker 2: We'll have a hotness tracker of all of the kids. 190 00:09:10,834 --> 00:09:13,794 Speaker 1: Who's looking like they're hitting the gym a little bit more? 191 00:09:14,034 --> 00:09:15,474 Speaker 4: You know, you are spot on though. 192 00:09:15,554 --> 00:09:19,914 Speaker 3: So Anthony lost those horrendous sideburns at the end of 193 00:09:19,954 --> 00:09:22,274 Speaker 3: season one, thank god, because Kate would not be there 194 00:09:22,274 --> 00:09:25,754 Speaker 3: with those jobs just revolting. Colin just got a really 195 00:09:25,794 --> 00:09:28,714 Speaker 3: good tan, and he got jacked and he got more hair. 196 00:09:28,914 --> 00:09:32,194 Speaker 2: Yeah, he also got hotter in the press tour. Yes, 197 00:09:32,634 --> 00:09:35,474 Speaker 2: how they styled him and how they did his hair. True, 198 00:09:35,474 --> 00:09:38,194 Speaker 2: he as a human being kind of drummed up the 199 00:09:38,194 --> 00:09:41,354 Speaker 2: support of Bridgeton. We're being hot. I mean, as we know, 200 00:09:41,474 --> 00:09:43,314 Speaker 2: press tours are kind of an extension of the show. 201 00:09:43,394 --> 00:09:46,714 Speaker 1: Now, yes, so that is obviously. I mean, we all 202 00:09:46,754 --> 00:09:50,474 Speaker 1: love every Bridgitton brother, but I would say Benedict is 203 00:09:50,554 --> 00:09:52,914 Speaker 1: the He's like the wild card. 204 00:09:53,194 --> 00:09:55,554 Speaker 2: He's absolutely a free spirit, and. 205 00:09:55,514 --> 00:09:57,514 Speaker 1: You're like, I can't wait for the one girl to 206 00:09:57,554 --> 00:09:58,994 Speaker 1: walk in to change his mind. 207 00:09:59,194 --> 00:10:01,434 Speaker 2: It's none of them really want to be tied down, 208 00:10:01,474 --> 00:10:04,434 Speaker 2: except for Daphanie and maybe Francesca, but all of the 209 00:10:04,434 --> 00:10:09,074 Speaker 2: Bridgeton siblings have that air of I don't really want this. Yeah, well, 210 00:10:09,074 --> 00:10:13,154 Speaker 2: they've got such full lives with a wonderful family unit anyway, 211 00:10:13,634 --> 00:10:16,834 Speaker 2: so including someone else and bringing someone else into that 212 00:10:16,954 --> 00:10:18,834 Speaker 2: life they know they have to do it, yeah, but 213 00:10:18,914 --> 00:10:20,354 Speaker 2: they're just not that juzzed about it. 214 00:10:20,714 --> 00:10:22,394 Speaker 3: The thing I love about Benedict is that he has 215 00:10:22,474 --> 00:10:25,514 Speaker 3: really distinct relationships with all of his siblings. He does 216 00:10:25,794 --> 00:10:30,234 Speaker 3: slinging shit is his love language, and his relationships with Eloise, 217 00:10:30,474 --> 00:10:33,794 Speaker 3: with Colin, with Anthony, they're all just so interesting. And 218 00:10:33,834 --> 00:10:37,914 Speaker 3: I find that second brother, the spare Trope, really interesting. 219 00:10:38,114 --> 00:10:41,274 Speaker 1: Yeah so do I I think that that's why specifically 220 00:10:41,314 --> 00:10:44,434 Speaker 1: online too. People are like, oh my gosh, we're gonna 221 00:10:44,434 --> 00:10:44,754 Speaker 1: get it. 222 00:10:44,914 --> 00:10:49,394 Speaker 2: Yeah, which it obviously was released well in advance that 223 00:10:49,434 --> 00:10:52,794 Speaker 2: this was Benedict's season. There is a big reveal that 224 00:10:52,834 --> 00:10:55,554 Speaker 2: Shondon doge of releasing whose season it is and then 225 00:10:55,594 --> 00:10:58,674 Speaker 2: also releasing who their love match is the casting of that, 226 00:10:58,754 --> 00:11:01,034 Speaker 2: which I found very interesting that as they started shooting 227 00:11:01,314 --> 00:11:04,674 Speaker 2: they released that the love match was Yernha, which is 228 00:11:04,674 --> 00:11:05,674 Speaker 2: an Australian actor. 229 00:11:05,834 --> 00:11:07,714 Speaker 3: Do you know this makes her one of the first 230 00:11:07,914 --> 00:11:11,994 Speaker 3: non British stars of Bridgitton. Nicola Coughlin is Irish and 231 00:11:12,034 --> 00:11:14,554 Speaker 3: the actor who plays Will Mondridge was born in Nigeria 232 00:11:14,634 --> 00:11:18,234 Speaker 3: but grew up in the UK. But Yerin is full 233 00:11:18,474 --> 00:11:20,834 Speaker 3: born and bred Ozzie. She's just bought an apartment in 234 00:11:20,874 --> 00:11:21,714 Speaker 3: Sydney with her mum. 235 00:11:21,794 --> 00:11:24,394 Speaker 2: There's acting royalty in her family. Her grandmother is a 236 00:11:24,474 --> 00:11:27,834 Speaker 2: veteran Korean actress. She is Korean Australian is a veteran 237 00:11:27,914 --> 00:11:30,914 Speaker 2: Korean actress and a radio host, and both her parents 238 00:11:30,954 --> 00:11:34,354 Speaker 2: met in acting school, which I thought there's a dynasty there. 239 00:11:34,554 --> 00:11:36,394 Speaker 1: There's a very cute video that you can find on 240 00:11:36,434 --> 00:11:39,114 Speaker 1: TikTok of her grandmother finding out that she got the 241 00:11:39,194 --> 00:11:41,954 Speaker 1: role in Bridgington and how proud she was and how 242 00:11:41,994 --> 00:11:44,674 Speaker 1: the family legacy is still living on. But it was 243 00:11:44,714 --> 00:11:46,194 Speaker 1: really cute how she was talking about it. 244 00:11:46,234 --> 00:11:49,233 Speaker 2: Oh, I love that. And she is also a nidergrad. 245 00:11:49,354 --> 00:11:51,794 Speaker 2: She has some credits in Australia Reef Break in twenty 246 00:11:51,874 --> 00:11:55,154 Speaker 2: nineteen as well as the stand series Bad Behavior, which 247 00:11:55,154 --> 00:11:57,834 Speaker 2: I actually auditioned for. Oh fun fact, and I went 248 00:11:57,834 --> 00:11:59,074 Speaker 2: back and I was like, oh, we would have shared 249 00:11:59,074 --> 00:12:01,394 Speaker 2: a scene. I obviously like ten years older than it 250 00:12:01,594 --> 00:12:03,154 Speaker 2: just wouldn't have worked. And I've let it go. I've 251 00:12:03,194 --> 00:12:06,074 Speaker 2: let it go. She said a few things about being cast. 252 00:12:06,194 --> 00:12:09,034 Speaker 2: That she was in Korea when she got the call. 253 00:12:09,114 --> 00:12:11,154 Speaker 2: She was having brunch with her mum. Got the call 254 00:12:11,194 --> 00:12:13,114 Speaker 2: that she got the role. I was jumping up and 255 00:12:13,154 --> 00:12:15,114 Speaker 2: down on the street And she always thinks about that 256 00:12:15,194 --> 00:12:17,714 Speaker 2: all these strangers just saw her having the most important 257 00:12:17,754 --> 00:12:20,514 Speaker 2: moment of her life on the street and they would 258 00:12:20,514 --> 00:12:23,034 Speaker 2: have had no idea what was happening, and that it 259 00:12:23,234 --> 00:12:26,114 Speaker 2: just felt like she was crawling into her favorite TV show. 260 00:12:26,594 --> 00:12:29,634 Speaker 2: She has mentioned that all of the Bridgeton cast members 261 00:12:29,714 --> 00:12:32,434 Speaker 2: were very, very warm to her joining the cast and 262 00:12:32,474 --> 00:12:34,314 Speaker 2: it would be one of those hard things You're joining 263 00:12:34,914 --> 00:12:37,074 Speaker 2: a well knit group of people who have been working 264 00:12:37,114 --> 00:12:39,874 Speaker 2: together for what five to six years and being the newcomer. 265 00:12:39,914 --> 00:12:42,794 Speaker 2: I wonder how that feels. So Yarin gets this role, 266 00:12:42,914 --> 00:12:45,434 Speaker 2: She goes for the audition and gets the role all 267 00:12:45,474 --> 00:12:48,554 Speaker 2: within ten days, which I think is crazy. So normally 268 00:12:48,594 --> 00:12:51,674 Speaker 2: they would do a chemistry test with your love. If 269 00:12:51,714 --> 00:12:53,354 Speaker 2: you're doing any type of romance, you're gonna do a 270 00:12:53,434 --> 00:12:55,754 Speaker 2: chemistry test just to make sure that's going to come 271 00:12:55,754 --> 00:12:57,914 Speaker 2: off on screen. Georgie, what do we know about this? 272 00:12:58,314 --> 00:13:01,554 Speaker 3: Okay, So this chemistry test is done on zoom. Luke's 273 00:13:01,594 --> 00:13:04,714 Speaker 3: in a room with all the casting execs. Yarn's first 274 00:13:04,754 --> 00:13:07,834 Speaker 3: opinion of Luke was that he looked bored and tied, which. 275 00:13:07,634 --> 00:13:08,474 Speaker 4: He probably was. 276 00:13:08,634 --> 00:13:10,074 Speaker 2: He'd probably done quite a few of them. 277 00:13:10,594 --> 00:13:13,634 Speaker 3: But they said after this chemistry test, they all looked 278 00:13:13,674 --> 00:13:15,914 Speaker 3: at each other when Yerin left the call and said, yeah, 279 00:13:15,954 --> 00:13:18,114 Speaker 3: that was something that was a thing, and they decided 280 00:13:18,114 --> 00:13:19,834 Speaker 3: that she was going to get the role. So they 281 00:13:19,874 --> 00:13:23,514 Speaker 3: actually didn't meet until after Yarin was cast. The show runner, 282 00:13:23,514 --> 00:13:26,234 Speaker 3: The Big Boss, Jess Brownell, had a dinner party and 283 00:13:26,274 --> 00:13:28,394 Speaker 3: they actually met outside the front. 284 00:13:28,154 --> 00:13:30,714 Speaker 4: Door and Jess watched them on her ring cam. 285 00:13:31,834 --> 00:13:34,514 Speaker 3: So they walked towards each other and Luke held out 286 00:13:34,554 --> 00:13:35,114 Speaker 3: his arms. 287 00:13:35,234 --> 00:13:37,114 Speaker 4: Oh, and they gave each other a big hug. 288 00:13:37,194 --> 00:13:39,154 Speaker 3: Now, she didn't save that footage, and you can save 289 00:13:39,234 --> 00:13:41,474 Speaker 3: ring camera footage for twenty four hours, and I really 290 00:13:41,474 --> 00:13:42,034 Speaker 3: regret that. 291 00:13:41,994 --> 00:13:44,074 Speaker 4: She didn't because I would just love to see this. 292 00:13:44,794 --> 00:13:47,834 Speaker 3: The rumor is that Luke played piano for them that night, 293 00:13:48,514 --> 00:13:49,394 Speaker 3: but I horse. 294 00:13:50,434 --> 00:13:52,634 Speaker 2: I could see Benedict doing it. Yeah, exactly. 295 00:13:52,674 --> 00:13:55,114 Speaker 4: He has a romantic hero in real life. 296 00:13:55,194 --> 00:13:58,593 Speaker 3: I think casting a major role for one of Netflix's 297 00:13:58,634 --> 00:14:03,074 Speaker 3: biggest series via Zoom is a really boss move. 298 00:14:03,194 --> 00:14:04,154 Speaker 1: Yeah, it's quite game. 299 00:14:04,474 --> 00:14:07,474 Speaker 2: Normally they would fly people for chemistry tests. That is 300 00:14:07,514 --> 00:14:09,834 Speaker 2: something that they often do, and I know obviously covid 301 00:14:09,954 --> 00:14:13,354 Speaker 2: moved everything online to having chemistry tests, but I'm really 302 00:14:13,354 --> 00:14:14,314 Speaker 2: surprised by that. 303 00:14:14,874 --> 00:14:18,034 Speaker 1: Even for you, Grace, you've done auditions and shit, you 304 00:14:18,114 --> 00:14:18,754 Speaker 1: do them. 305 00:14:18,914 --> 00:14:21,914 Speaker 2: Like would you. I've done callbacks on Zoom before, and 306 00:14:21,954 --> 00:14:24,474 Speaker 2: they're clunky, and there's a few different ways that they 307 00:14:24,474 --> 00:14:26,554 Speaker 2: can do them. You can have someone their end, like 308 00:14:26,594 --> 00:14:29,194 Speaker 2: on another little Zoom screen doing the lines for you, 309 00:14:29,234 --> 00:14:30,554 Speaker 2: and you've kind of got to figure out what your 310 00:14:30,554 --> 00:14:32,634 Speaker 2: eyeline's meant to be or they ask you to have 311 00:14:32,674 --> 00:14:35,434 Speaker 2: someone in your room with you doing it, but you've 312 00:14:35,474 --> 00:14:37,674 Speaker 2: got to change your eyeline to still be on the screen. 313 00:14:37,714 --> 00:14:39,834 Speaker 2: So it works for their recording, but the audio is 314 00:14:39,874 --> 00:14:43,274 Speaker 2: coming from within the space that you're in. It's because 315 00:14:43,274 --> 00:14:45,434 Speaker 2: then for privacy reasons, they don't want to bring in 316 00:14:45,674 --> 00:14:48,834 Speaker 2: someone else to that zoom call. So it is like 317 00:14:49,234 --> 00:14:51,594 Speaker 2: COVID obviously changed so many things that made things easier, 318 00:14:51,594 --> 00:14:55,194 Speaker 2: but this didn't make things easier. But for something so 319 00:14:55,394 --> 00:14:57,954 Speaker 2: intimate that they're going to have to do, I mean, 320 00:14:57,994 --> 00:15:00,234 Speaker 2: I'm assuming it's going to be the same the steamier 321 00:15:00,314 --> 00:15:03,874 Speaker 2: season that we know exactly. Trust that these two actors 322 00:15:03,914 --> 00:15:04,954 Speaker 2: are going to be able to pull that. 323 00:15:05,234 --> 00:15:07,554 Speaker 3: So all the bridges and couples had different sort of 324 00:15:07,634 --> 00:15:10,354 Speaker 3: chemistry reads, and it depends on the timing as well 325 00:15:10,434 --> 00:15:12,954 Speaker 3: round COVID, So Phoebe and Reggae Jean, who played the 326 00:15:13,034 --> 00:15:15,554 Speaker 3: leads in Series one, already knew each other and worked 327 00:15:15,554 --> 00:15:18,274 Speaker 3: together on a British TV show called Waterloo Road, so 328 00:15:18,314 --> 00:15:21,714 Speaker 3: the British public knew their chemistry, but the Schondolin execs didn't. 329 00:15:21,994 --> 00:15:24,074 Speaker 3: They got them to do a chemistry read together and 330 00:15:24,114 --> 00:15:28,634 Speaker 3: said that the chemistry was absolutely palpable. Simone Ashley had 331 00:15:28,634 --> 00:15:30,594 Speaker 3: to come in and meet Jonathan Bailey and they sat 332 00:15:30,594 --> 00:15:32,914 Speaker 3: on opposite ends of the couch and read as. 333 00:15:32,874 --> 00:15:33,714 Speaker 4: Kate and Anthony. 334 00:15:34,114 --> 00:15:37,954 Speaker 3: Johnny Bailey said that the chemistry with Simone was off 335 00:15:37,954 --> 00:15:40,194 Speaker 3: the charts, and before she left the room they knew 336 00:15:40,234 --> 00:15:41,914 Speaker 3: that they were going to give her the role. Whereas 337 00:15:41,954 --> 00:15:44,874 Speaker 3: Nicola Cochlin was the first actor of anyone to be 338 00:15:44,954 --> 00:15:48,474 Speaker 3: cast in Bridgeton, so she had read the books found 339 00:15:48,474 --> 00:15:50,794 Speaker 3: out that the character of Colin was going to be 340 00:15:50,834 --> 00:15:53,874 Speaker 3: the one who ends up with her character slipped into 341 00:15:53,954 --> 00:15:58,074 Speaker 3: Luke Newton's DMS. Don't we love that so much? And 342 00:15:58,114 --> 00:16:00,274 Speaker 3: they got to know each other and they became friends. 343 00:16:00,394 --> 00:16:03,234 Speaker 3: They actually sort of had that discussion, we really need 344 00:16:03,274 --> 00:16:06,314 Speaker 3: to work on our chemistry and now they're vesties. 345 00:16:07,434 --> 00:16:09,154 Speaker 2: That and you know what that again, if you're coming 346 00:16:09,154 --> 00:16:11,434 Speaker 2: back to the press tour of their season, it was 347 00:16:11,474 --> 00:16:14,314 Speaker 2: so joyful to watch them two together, so it's clear 348 00:16:14,354 --> 00:16:18,114 Speaker 2: that the friendship is the foundation of their relationship. 349 00:16:18,274 --> 00:16:21,274 Speaker 3: Look, that is really interesting because Shondaland have a very 350 00:16:21,314 --> 00:16:26,474 Speaker 3: serious no assholes policy. So the genius casting director behind 351 00:16:26,514 --> 00:16:28,634 Speaker 3: Bridgeton and so many of the other shows is Kelly 352 00:16:28,674 --> 00:16:33,474 Speaker 3: Valentine Henry. She said that they only hire nice, hard 353 00:16:33,514 --> 00:16:36,514 Speaker 3: working people. The idea is that they need to become 354 00:16:36,554 --> 00:16:38,634 Speaker 3: like an extended family, and they also want people to 355 00:16:38,674 --> 00:16:42,074 Speaker 3: hang around for seasons and seasons like what's happened with Bridgeton. 356 00:16:42,514 --> 00:16:45,274 Speaker 3: I love this policy and it became public when Shonda 357 00:16:45,314 --> 00:16:47,274 Speaker 3: spoke about it in an interview. She was talking about 358 00:16:47,274 --> 00:16:50,794 Speaker 3: Scandal and she said, there are no Higels on this set. 359 00:16:50,914 --> 00:16:52,754 Speaker 3: She's referring to Catherine Heigel. 360 00:16:53,034 --> 00:16:54,914 Speaker 4: What a burn? She said. 361 00:16:54,954 --> 00:16:57,594 Speaker 3: I don't put up with bullshit or nasty people anymore. 362 00:16:57,914 --> 00:17:00,634 Speaker 3: I think this is so interesting and what a great 363 00:17:00,954 --> 00:17:01,794 Speaker 3: policy to have. 364 00:17:01,994 --> 00:17:04,634 Speaker 1: I wonder how they can tell. Is there a questionnaire 365 00:17:06,074 --> 00:17:06,754 Speaker 1: what would you do? 366 00:17:07,754 --> 00:17:09,634 Speaker 2: It's like one of those HR forms that we have 367 00:17:09,674 --> 00:17:11,474 Speaker 2: to fill out and start here to be like, what's 368 00:17:11,474 --> 00:17:16,154 Speaker 2: your personality type? If there's like a CNY clash? 369 00:17:16,194 --> 00:17:17,234 Speaker 4: Did they ever get it wrong? 370 00:17:18,354 --> 00:17:20,674 Speaker 2: So after this quick break, we're going to go into 371 00:17:20,754 --> 00:17:23,354 Speaker 2: the history of how the show came about, the big 372 00:17:23,394 --> 00:17:26,154 Speaker 2: move with a new showrunner, plus what should we expect 373 00:17:26,234 --> 00:17:29,114 Speaker 2: from the aesthetic of Bridgington. Georgie has the rundown on 374 00:17:29,154 --> 00:17:31,394 Speaker 2: the costumes, the music, and more so, do not go 375 00:17:31,434 --> 00:17:36,434 Speaker 2: anywhere so Shonda Rhimes tends to use the same people 376 00:17:36,554 --> 00:17:38,714 Speaker 2: across a few shows. She's built people that she trusts, 377 00:17:38,754 --> 00:17:41,234 Speaker 2: that she likes to work with. Obviously, her longtime producer 378 00:17:41,234 --> 00:17:44,074 Speaker 2: Betsy Beers has been across everything with her, but she's 379 00:17:44,114 --> 00:17:47,914 Speaker 2: also worked with the original showrunner and creator of Bridgeton, 380 00:17:48,074 --> 00:17:52,234 Speaker 2: which is Chris van duson Legend, and he worked across 381 00:17:52,634 --> 00:17:56,274 Speaker 2: Gray's Anatomy, Private Practice Scandal. He's written on episodes and 382 00:17:56,434 --> 00:17:59,274 Speaker 2: was the showrunner for season one and season two of Bridgeton, 383 00:17:59,674 --> 00:18:02,434 Speaker 2: at which point Shonder goes, how can we expand how 384 00:18:02,434 --> 00:18:04,634 Speaker 2: can we make this a bigger franchise? We need to 385 00:18:04,634 --> 00:18:07,114 Speaker 2: bring more people in. One of those people has been 386 00:18:07,114 --> 00:18:09,674 Speaker 2: sitting in the writer's room across again more Shonda shows 387 00:18:09,674 --> 00:18:12,154 Speaker 2: and has written on season one. In season two, which 388 00:18:12,194 --> 00:18:14,954 Speaker 2: is Jess Brown, Chris goes off to make Queen Charlotte 389 00:18:15,314 --> 00:18:18,914 Speaker 2: and Jess takes over season three and now season four. 390 00:18:19,554 --> 00:18:22,314 Speaker 2: I mean season three. She did a pretty great job 391 00:18:22,474 --> 00:18:23,354 Speaker 2: of running that one. 392 00:18:23,714 --> 00:18:25,914 Speaker 3: I can't imagine how hard it would be to take 393 00:18:26,114 --> 00:18:30,273 Speaker 3: over something that was created in someone else's mind, But 394 00:18:30,314 --> 00:18:32,914 Speaker 3: I suppose because they are like a family at Shondaland, 395 00:18:32,954 --> 00:18:35,313 Speaker 3: and they work together so much. And Shonda's in the 396 00:18:35,354 --> 00:18:38,434 Speaker 3: writer's room as well, so you've actually got that genius 397 00:18:38,474 --> 00:18:39,513 Speaker 3: sort of sitting next to you. 398 00:18:39,714 --> 00:18:41,354 Speaker 2: What they would have done in that first season is 399 00:18:41,354 --> 00:18:43,714 Speaker 2: they've created the world. They've created a bible. And it's 400 00:18:43,714 --> 00:18:45,434 Speaker 2: the same as when you're picking up episodes as a 401 00:18:45,434 --> 00:18:48,274 Speaker 2: writer or you're picking up episodes as a director. You're 402 00:18:48,274 --> 00:18:51,914 Speaker 2: looking at what has been created by the minds of Yeah, 403 00:18:51,914 --> 00:18:55,634 Speaker 2: the creators the god of this series, and it's your 404 00:18:55,754 --> 00:18:59,194 Speaker 2: job as the creative whatever capacity you're coming in as 405 00:18:59,194 --> 00:19:01,754 Speaker 2: as a writer, the showrunner, the director, to go, how 406 00:19:01,754 --> 00:19:03,273 Speaker 2: do I keep the tone of the world, how do 407 00:19:03,354 --> 00:19:04,273 Speaker 2: I keep that alive? 408 00:19:04,914 --> 00:19:07,114 Speaker 1: I think'd be interesting to know what a show runner 409 00:19:07,314 --> 00:19:10,834 Speaker 1: is actually, because I have no idea, So Grace Ketoi. 410 00:19:10,514 --> 00:19:13,674 Speaker 2: Yeah, so a showrunner it's more an American term. There 411 00:19:13,674 --> 00:19:16,313 Speaker 2: are people who act in those roles in Australia, but 412 00:19:16,314 --> 00:19:17,834 Speaker 2: we would just call them a creator. If you look 413 00:19:17,834 --> 00:19:19,234 Speaker 2: at the credits, a lot of the time you'll see 414 00:19:19,274 --> 00:19:22,314 Speaker 2: created by and for either a creator or a showrunner. 415 00:19:22,594 --> 00:19:25,313 Speaker 2: They're building the world. So they are coming up with 416 00:19:25,354 --> 00:19:29,434 Speaker 2: the aesthetic, they're coming up with the character's backstories, they're 417 00:19:29,474 --> 00:19:32,674 Speaker 2: coming up with that Bible that then has to be 418 00:19:32,954 --> 00:19:35,994 Speaker 2: followed across all of the seasons, so they are most 419 00:19:36,114 --> 00:19:38,034 Speaker 2: likely whoever the showrunner is is going to write the 420 00:19:38,034 --> 00:19:40,874 Speaker 2: first episode. So Shonda Rhimes is a showrunner, and you'll 421 00:19:40,914 --> 00:19:44,313 Speaker 2: notice in Gray's Anatomy season one she's written probably the 422 00:19:44,314 --> 00:19:48,354 Speaker 2: first three episodes and also cliffhanger episodes, mid season episodes, 423 00:19:48,394 --> 00:19:51,714 Speaker 2: and finale episodes. So they're kind of making sure within 424 00:19:51,794 --> 00:19:55,754 Speaker 2: a series you're staying on track and staying tonally within 425 00:19:55,794 --> 00:19:58,354 Speaker 2: the world. If that makes sense. It does, so it's 426 00:19:58,394 --> 00:20:00,833 Speaker 2: a huge handover for someone else to come in as 427 00:20:00,874 --> 00:20:03,194 Speaker 2: a showrunner. They did it on The Office as well, 428 00:20:03,194 --> 00:20:05,874 Speaker 2: when Mike Suhr and Greg Daniels they did the American 429 00:20:05,914 --> 00:20:08,313 Speaker 2: Office and then they went to do I believe it 430 00:20:08,354 --> 00:20:10,954 Speaker 2: was Parks and Wreck. They moved on to that, and 431 00:20:10,954 --> 00:20:13,274 Speaker 2: then they had to have another showrunner come in, and 432 00:20:13,354 --> 00:20:15,234 Speaker 2: it had to be someone who was in the writer's room, 433 00:20:15,434 --> 00:20:18,434 Speaker 2: someone who's across the tone and the granular detail of 434 00:20:18,514 --> 00:20:20,634 Speaker 2: the show that they can trust that they're going to 435 00:20:20,674 --> 00:20:23,314 Speaker 2: carry it with the same feeling that an audience isn't 436 00:20:23,354 --> 00:20:26,514 Speaker 2: going to notice, like WHOA, something something different has happened here, 437 00:20:26,514 --> 00:20:29,354 Speaker 2: which I'm sure other watch parties will get into when 438 00:20:29,434 --> 00:20:30,874 Speaker 2: something's changed, you can tell. 439 00:20:31,074 --> 00:20:34,154 Speaker 1: Yeah, actually that makes a lot of sense. For some reason, 440 00:20:34,234 --> 00:20:37,274 Speaker 1: show runner reminds me of like, I don't know, maybe 441 00:20:37,314 --> 00:20:40,234 Speaker 1: it's like working in hospit and being a runners. Just 442 00:20:40,274 --> 00:20:42,273 Speaker 1: like I'm like, are they the ones getting the coffee 443 00:20:42,314 --> 00:20:42,674 Speaker 1: and stuff? 444 00:20:42,714 --> 00:20:45,674 Speaker 2: No, there's many assistants and many runners. But that was 445 00:20:45,714 --> 00:20:47,434 Speaker 2: my first job in this industry, being a runner. 446 00:20:47,634 --> 00:20:50,194 Speaker 1: See Okay, So that's like where I'm like, what's going on? 447 00:20:50,274 --> 00:20:51,114 Speaker 1: They need a different name? 448 00:20:51,474 --> 00:20:54,273 Speaker 2: Well, creator. I feel like he's like a showrunner, but 449 00:20:54,314 --> 00:20:56,874 Speaker 2: a showrunner. I watched a documentary on showrunners once, and 450 00:20:56,914 --> 00:20:58,874 Speaker 2: I think the best quote to describe it says, your 451 00:20:58,954 --> 00:21:01,114 Speaker 2: job is to be hated by every department, and then 452 00:21:01,234 --> 00:21:04,714 Speaker 2: you're doing a good job. Maybe not in Shondaland because 453 00:21:04,754 --> 00:21:07,114 Speaker 2: she doesn't believe in assholes. You got to be nice. 454 00:21:07,234 --> 00:21:09,314 Speaker 2: So I'm curious. But you've got to be the one 455 00:21:09,394 --> 00:21:12,474 Speaker 2: pushing and pushing and pushing to make sure exactly what 456 00:21:12,514 --> 00:21:17,634 Speaker 2: you want is the performances, the shots, the music, the editing, everything. 457 00:21:17,634 --> 00:21:19,634 Speaker 2: It's your job to make sure it links back to 458 00:21:19,634 --> 00:21:20,073 Speaker 2: the Bible. 459 00:21:20,354 --> 00:21:21,154 Speaker 4: Fascinating Dan. 460 00:21:21,234 --> 00:21:23,754 Speaker 1: The more you know, hey, wow, well. 461 00:21:23,634 --> 00:21:25,474 Speaker 2: I mean one of the things that obviously they're in 462 00:21:25,514 --> 00:21:28,234 Speaker 2: control of is making sure that the costumes link and 463 00:21:28,874 --> 00:21:31,874 Speaker 2: the music fits in tonally with what we've seen, and 464 00:21:31,954 --> 00:21:35,794 Speaker 2: it's such an iconic way that Bridgeton does this, Georgie. 465 00:21:35,834 --> 00:21:38,274 Speaker 2: Is there anything that we know about this season from 466 00:21:38,474 --> 00:21:41,474 Speaker 2: the costumes or the seasons that they do, or any 467 00:21:41,554 --> 00:21:44,154 Speaker 2: artists that they're going to cover of their music, Grace, We. 468 00:21:44,074 --> 00:21:47,354 Speaker 3: Actually know a shockingly large amount considering it's not even 469 00:21:47,394 --> 00:21:50,314 Speaker 3: out for another week. So this is the first season 470 00:21:50,514 --> 00:21:53,554 Speaker 3: that has the majority of its set in autumn, So 471 00:21:53,594 --> 00:21:56,154 Speaker 3: the colors of this season are going to be different 472 00:21:56,714 --> 00:21:59,033 Speaker 3: still to keep the og fans happy. There's still going 473 00:21:59,074 --> 00:22:01,914 Speaker 3: to be pastors, that's vital. There's going to be more 474 00:22:01,954 --> 00:22:04,834 Speaker 3: sort of automny colors than we've seen before. So what 475 00:22:04,874 --> 00:22:07,714 Speaker 3: they've done between last series in this one is built 476 00:22:07,754 --> 00:22:11,274 Speaker 3: a new backlot at the Shepardon Studios for whole new 477 00:22:11,394 --> 00:22:14,074 Speaker 3: street scenes of Bridgeton, so we're going to see more 478 00:22:14,154 --> 00:22:16,793 Speaker 3: of London and more of the countryside. They're still going 479 00:22:16,834 --> 00:22:18,674 Speaker 3: to be doing the same places that we love, like 480 00:22:18,714 --> 00:22:21,554 Speaker 3: Bridgeton House, which by the way, is a real house 481 00:22:21,714 --> 00:22:24,194 Speaker 3: but doesn't have the purple wisteria in real life. 482 00:22:24,354 --> 00:22:28,034 Speaker 2: What a shame that is plant that immediately Yes, that's 483 00:22:28,074 --> 00:22:30,714 Speaker 2: so interesting that that's real because it looks depending on 484 00:22:30,754 --> 00:22:33,353 Speaker 2: the shots, its looks three D to me. Yeah, it 485 00:22:33,394 --> 00:22:34,474 Speaker 2: looks like visual effects. 486 00:22:34,554 --> 00:22:37,754 Speaker 1: Yeah it actually does. Yeah, like almost like a drawing. 487 00:22:37,994 --> 00:22:39,154 Speaker 1: Sometimes I'm like hmmm. 488 00:22:39,354 --> 00:22:41,714 Speaker 3: So that's very So a huge part of this season 489 00:22:41,834 --> 00:22:44,154 Speaker 3: is going to be set in a place called my Cottage, 490 00:22:44,194 --> 00:22:46,273 Speaker 3: which is a stupid name, but they will explain that 491 00:22:46,354 --> 00:22:50,154 Speaker 3: is Benedict's country cottage and by cottage I mean giant 492 00:22:50,354 --> 00:22:54,194 Speaker 3: mansions of course with stuff, So that actually becomes a 493 00:22:54,194 --> 00:22:57,513 Speaker 3: whole nother character I suppose of this season. We do 494 00:22:57,634 --> 00:23:00,513 Speaker 3: know what was frickin' cold when they were filming, and 495 00:23:00,634 --> 00:23:02,914 Speaker 3: Luke Thompson has spoken about the fact that under the 496 00:23:03,034 --> 00:23:06,394 Speaker 3: very sexy clothes they are all wearing warming patches all 497 00:23:06,394 --> 00:23:07,114 Speaker 3: over their stomach. 498 00:23:07,474 --> 00:23:09,714 Speaker 4: Oh to be one of those warming patches. 499 00:23:09,394 --> 00:23:11,714 Speaker 2: I will say, those warming patches. I'm a cold person. 500 00:23:11,754 --> 00:23:14,434 Speaker 2: And I was working on a show called The PM's Daughter. 501 00:23:14,474 --> 00:23:16,114 Speaker 2: It's an Australian show and it was in one of 502 00:23:16,154 --> 00:23:20,194 Speaker 2: those really cold old mansions in Burwood, freezing middle of 503 00:23:20,234 --> 00:23:22,954 Speaker 2: winter in Covid. They were shooting sum up in winter 504 00:23:23,194 --> 00:23:25,434 Speaker 2: which is what they commonly do. And what it is 505 00:23:25,434 --> 00:23:27,914 Speaker 2: is these warming patches that they stick on to where 506 00:23:27,954 --> 00:23:30,674 Speaker 2: heat escapes on your back and they put them on 507 00:23:30,754 --> 00:23:33,593 Speaker 2: it. It just is like a heat pack that surges like warmth, 508 00:23:33,674 --> 00:23:35,914 Speaker 2: and they're incredible it because I'm cold. I was like, 509 00:23:35,954 --> 00:23:37,754 Speaker 2: can you get things like a chemist? Because I want 510 00:23:37,754 --> 00:23:39,314 Speaker 2: these like every day of my life. 511 00:23:39,834 --> 00:23:42,513 Speaker 3: Sorry, continue, So now we'll be watching it knowing that 512 00:23:42,634 --> 00:23:45,874 Speaker 3: Luke and Erin are actually nice and snug under their outfits. 513 00:23:46,434 --> 00:23:51,313 Speaker 3: So the costumes for Bridgeton are absolutely incredible, as you know. 514 00:23:51,754 --> 00:23:55,354 Speaker 3: So the Bridgington timeline is around eighteen twelve to eighteen fifteen. 515 00:23:55,634 --> 00:23:58,194 Speaker 3: This is the same time as Pride and Prejudice when 516 00:23:58,194 --> 00:24:01,074 Speaker 3: we're watching the Pride and Predge movies and TV series. 517 00:24:01,514 --> 00:24:04,513 Speaker 3: They are country people. They're in bonnets. You see no 518 00:24:04,634 --> 00:24:07,434 Speaker 3: bonnets like that in Bridgeton, and they made a real 519 00:24:07,474 --> 00:24:09,914 Speaker 3: effort to not do this because the people of Bridgington 520 00:24:09,994 --> 00:24:13,434 Speaker 3: are the rich townies, not the country folk. And how 521 00:24:13,474 --> 00:24:16,874 Speaker 3: a woman dresses, she's basically like a walking billboard for 522 00:24:16,914 --> 00:24:20,234 Speaker 3: how much money she has. So even when they're just promenading, 523 00:24:20,354 --> 00:24:21,794 Speaker 3: which they do a hell of a lot of the time, 524 00:24:21,834 --> 00:24:24,474 Speaker 3: getting their steps up. You really are on display for 525 00:24:24,514 --> 00:24:26,314 Speaker 3: how much money your husband has. 526 00:24:26,754 --> 00:24:27,994 Speaker 4: Netflix were originally. 527 00:24:27,714 --> 00:24:30,194 Speaker 3: Blown away by how much Shondaland wanted to spend on 528 00:24:30,274 --> 00:24:34,194 Speaker 3: the costumes, and we're very keen to Vita, which Shonderland 529 00:24:34,234 --> 00:24:36,074 Speaker 3: came in and said, no, no, no, we'll be thrifty in 530 00:24:36,114 --> 00:24:39,434 Speaker 3: other ways. We need to spend this cash. So they 531 00:24:39,434 --> 00:24:42,354 Speaker 3: have a person in the costume team on Bridgeton who 532 00:24:42,394 --> 00:24:46,513 Speaker 3: only sources fabrics. Their whole job is traveling to different 533 00:24:46,514 --> 00:24:49,474 Speaker 3: coture houses all over the world to get fabrics. That's 534 00:24:49,474 --> 00:24:51,874 Speaker 3: actually really important because some of those dresses you see, 535 00:24:51,954 --> 00:24:55,594 Speaker 3: particularly like the Featherington dresses, are four different layers of 536 00:24:55,634 --> 00:24:58,914 Speaker 3: fabric to get the effect that we're seeing. They also 537 00:24:58,994 --> 00:25:02,114 Speaker 3: use three D printing in their costumes, so this year 538 00:25:02,154 --> 00:25:03,793 Speaker 3: we're still going to see the citrus colors on the 539 00:25:03,794 --> 00:25:07,354 Speaker 3: Featherington thank god, oranges, limes and lemons and stuff that 540 00:25:07,594 --> 00:25:09,994 Speaker 3: you'll also notice that when the Featherington family are in money, 541 00:25:10,034 --> 00:25:13,114 Speaker 3: there's more gold in with the citruses as well. Less 542 00:25:13,234 --> 00:25:17,074 Speaker 3: when they're in their povo times, the Bridgetons will still 543 00:25:17,114 --> 00:25:19,513 Speaker 3: be in that sort of tiffany. 544 00:25:19,314 --> 00:25:20,754 Speaker 2: Wedgewood blue color. 545 00:25:20,834 --> 00:25:24,194 Speaker 3: Blue is the main Bridgeton color they are old money, 546 00:25:24,274 --> 00:25:26,914 Speaker 3: they are not gaudy. They have absolutely nothing to prove 547 00:25:27,394 --> 00:25:31,634 Speaker 3: more what Luke Thompson calls glorious waistcoats on Benedict this year, 548 00:25:31,674 --> 00:25:33,914 Speaker 3: Thank god because they're one of my favorite parts. Do 549 00:25:33,954 --> 00:25:36,434 Speaker 3: you know the first season of Bridgeton they had seven 550 00:25:36,594 --> 00:25:39,114 Speaker 3: and a half thousand pieces of costume. 551 00:25:39,394 --> 00:25:41,314 Speaker 4: Oh so this is huge. 552 00:25:41,314 --> 00:25:43,714 Speaker 3: I can't wait to see because I feel like every 553 00:25:43,714 --> 00:25:45,674 Speaker 3: season of Bridgington they step up in. 554 00:25:45,674 --> 00:25:48,634 Speaker 2: Terms of costumes. Live what's the internet saying about the 555 00:25:48,634 --> 00:25:51,194 Speaker 2: costumes of Bridgeton, whether it's the previous seasons or what 556 00:25:51,234 --> 00:25:52,273 Speaker 2: we're looking ahead to. 557 00:25:52,714 --> 00:25:55,714 Speaker 1: The conversation about the showrunner to switch over is interesting 558 00:25:55,794 --> 00:25:58,554 Speaker 1: because a lot of people are actually angry about last 559 00:25:58,554 --> 00:26:01,354 Speaker 1: season and the costumes. They felt like it was too modernized, 560 00:26:01,634 --> 00:26:05,074 Speaker 1: the makeup and particularly the nails, And then with the 561 00:26:05,154 --> 00:26:09,034 Speaker 1: trailer that's come out this season, everyone's far happier. They've 562 00:26:09,074 --> 00:26:11,554 Speaker 1: seen that it's gone back to natural makeup, it's gone 563 00:26:11,634 --> 00:26:14,434 Speaker 1: back to natural ish nails and kind of pared it 564 00:26:14,474 --> 00:26:16,834 Speaker 1: back a little bit. So it was actually you've I 565 00:26:16,954 --> 00:26:20,273 Speaker 1: feel like you've explained exactly why it happened. So people 566 00:26:20,674 --> 00:26:23,434 Speaker 1: criticized that from last season, but are happy about it 567 00:26:23,474 --> 00:26:23,714 Speaker 1: for this. 568 00:26:23,674 --> 00:26:26,114 Speaker 2: Sea even noticing the nails, Well, it doesn't surprise me 569 00:26:26,234 --> 00:26:28,234 Speaker 2: when you tell me the details in terms of seven 570 00:26:28,274 --> 00:26:30,874 Speaker 2: and a half thousand costumes, like there is people of 571 00:26:30,954 --> 00:26:34,354 Speaker 2: really looking at every single element of this, which is 572 00:26:35,274 --> 00:26:38,074 Speaker 2: also what they do with the music. Is there any 573 00:26:38,154 --> 00:26:40,514 Speaker 2: teasers that we know what covers might we hear? 574 00:26:40,914 --> 00:26:43,834 Speaker 3: Jess Brown has said that her angle for the music 575 00:26:44,154 --> 00:26:47,634 Speaker 3: is classic rock with some modern bangers and do not 576 00:26:47,754 --> 00:26:52,434 Speaker 3: worry a really pinnacle tailor swift moment. So the producer 577 00:26:52,514 --> 00:26:54,914 Speaker 3: is Chris Bauers. He's done all of the show music. 578 00:26:55,234 --> 00:26:57,874 Speaker 3: He's created a slightly different sound this year, and the 579 00:26:57,994 --> 00:27:01,154 Speaker 3: reason is that season four is more about class politics. 580 00:27:01,154 --> 00:27:03,634 Speaker 3: It's more upstairs downstairs, a bit more down to abby. 581 00:27:03,874 --> 00:27:06,474 Speaker 3: We find out what's happening in the world of the Maids, 582 00:27:06,634 --> 00:27:08,514 Speaker 3: and they're going to reflect that through the music by 583 00:27:08,554 --> 00:27:11,273 Speaker 3: making it a bit more folksy, a little bit less regal. 584 00:27:11,634 --> 00:27:13,674 Speaker 3: Live You're gonna love this this season. That it's most 585 00:27:13,674 --> 00:27:17,714 Speaker 3: compared to is the music from Queen Charlotte because of 586 00:27:17,754 --> 00:27:19,553 Speaker 3: the fact that you're seeing people who might not be 587 00:27:19,874 --> 00:27:21,754 Speaker 3: so commonly in high society. 588 00:27:22,154 --> 00:27:24,474 Speaker 1: I have a fun little tibit so on TikTok. There's 589 00:27:24,474 --> 00:27:27,194 Speaker 1: already fan edits of course from the trailer, and what 590 00:27:27,394 --> 00:27:31,154 Speaker 1: happens is there's a whole ecosystem of assigning different songs 591 00:27:31,154 --> 00:27:34,114 Speaker 1: to different couples and saying this is their song. Now 592 00:27:34,194 --> 00:27:38,234 Speaker 1: the song that has been assigned to Benedict and Sophie 593 00:27:38,274 --> 00:27:42,954 Speaker 1: at the moment is enchanted by Taylor Swift perfect now yes, 594 00:27:43,074 --> 00:27:44,754 Speaker 1: and can I read you just a line from it's 595 00:27:44,794 --> 00:27:50,754 Speaker 1: singing it? No, No, your eyes whispered, have we met? 596 00:27:51,074 --> 00:27:51,874 Speaker 2: Cross the room? 597 00:27:51,954 --> 00:27:55,354 Speaker 1: Your silhouette starts to make its way to me. The 598 00:27:55,394 --> 00:28:00,114 Speaker 1: playful conversation starts. Counter all your quick remarks, like passing 599 00:28:00,194 --> 00:28:05,674 Speaker 1: notes in secrecy. It's literally them, It's literally like that. 600 00:28:05,674 --> 00:28:08,114 Speaker 1: That is their song. That is completely their song, and 601 00:28:08,594 --> 00:28:10,793 Speaker 1: it's got millions of views on TikTok already. 602 00:28:11,034 --> 00:28:12,754 Speaker 2: All right, we're going to have you tracking the music 603 00:28:12,994 --> 00:28:16,313 Speaker 2: quite extensively across these first four episodes that drop, and 604 00:28:16,514 --> 00:28:18,594 Speaker 2: we can do some deep dive into the lyrics to 605 00:28:18,634 --> 00:28:20,354 Speaker 2: go what have we been told about all of them? 606 00:28:20,634 --> 00:28:20,834 Speaker 5: Now? 607 00:28:20,874 --> 00:28:23,714 Speaker 2: Georgie, it has been two years. We have had a 608 00:28:23,714 --> 00:28:26,474 Speaker 2: writer strike in that time. Did that impact the timing? 609 00:28:26,514 --> 00:28:29,994 Speaker 2: Because in theory, it's a book we know they can 610 00:28:30,034 --> 00:28:32,634 Speaker 2: start production at the end of post production. Why were 611 00:28:32,674 --> 00:28:34,034 Speaker 2: we waiting two years. 612 00:28:33,954 --> 00:28:37,074 Speaker 3: Grace, That is such a good question and one that 613 00:28:37,554 --> 00:28:40,714 Speaker 3: really grinds my gears for one of a better expression. 614 00:28:40,754 --> 00:28:42,914 Speaker 3: So it's a two year schedule for Bridgeton. Let me 615 00:28:42,914 --> 00:28:46,394 Speaker 3: explain how this works. It is a really complex production. 616 00:28:46,954 --> 00:28:49,234 Speaker 3: First you've got the extensive writing, Then you've got the 617 00:28:49,274 --> 00:28:53,554 Speaker 3: elaborate costumes, the set designs after its cast. Then all 618 00:28:53,594 --> 00:28:56,914 Speaker 3: the casts do different training. For example, the character Francesca 619 00:28:57,034 --> 00:29:00,434 Speaker 3: learns the piano, the character of Kate learns advanced horse writing. 620 00:29:00,754 --> 00:29:03,514 Speaker 3: Then there's the filming. Filming goes for eight months, then 621 00:29:03,554 --> 00:29:06,914 Speaker 3: there's a really complex post production. Then there's global dubbing 622 00:29:07,114 --> 00:29:09,074 Speaker 3: and needs to come out on Netflix at the same 623 00:29:09,114 --> 00:29:12,634 Speaker 3: time in all languages. That's actually a huge undertaking of 624 00:29:12,714 --> 00:29:16,474 Speaker 3: a task. Netflix also has a strategic release schedule for 625 00:29:16,514 --> 00:29:20,394 Speaker 3: these big shows to maximum subscriber engagement. They do this 626 00:29:20,474 --> 00:29:22,514 Speaker 3: with a lot of the big ones as well, like 627 00:29:22,914 --> 00:29:26,074 Speaker 3: Stranger Things, The Witcher, Wednesday. They all seem to be 628 00:29:26,154 --> 00:29:27,914 Speaker 3: on a close to two year schedule. 629 00:29:28,314 --> 00:29:30,834 Speaker 4: So what they're doing here is they're really stretching out 630 00:29:30,834 --> 00:29:33,274 Speaker 4: their established hits to keep people hooked for. 631 00:29:33,394 --> 00:29:36,554 Speaker 3: Longer, So Jess Brownhill says this two years wait is 632 00:29:36,674 --> 00:29:40,394 Speaker 3: necessary because of the very high production value of a 633 00:29:40,394 --> 00:29:43,154 Speaker 3: show like this. They say it takes one week, for example, 634 00:29:43,314 --> 00:29:46,394 Speaker 3: to film a ball scene, one week of standing round 635 00:29:46,914 --> 00:29:50,794 Speaker 3: the carriage scene. Remember the carriage scene in season three 636 00:29:50,994 --> 00:29:56,634 Speaker 3: that took three days to complete. That's between directing, intimacy, coordinator, blocking, rehearsing, 637 00:29:56,954 --> 00:29:58,034 Speaker 3: and take up to take. 638 00:29:57,954 --> 00:30:00,754 Speaker 4: To get all the angles right. Lucky Niicoler. 639 00:30:01,154 --> 00:30:03,394 Speaker 3: They also do some really clever work, Like I was 640 00:30:03,434 --> 00:30:06,634 Speaker 3: saying that Shondaland can be thrifty. So for example, you 641 00:30:06,634 --> 00:30:09,634 Speaker 3: know the scene of the presentation to the Queen, Daphanie's 642 00:30:09,634 --> 00:30:11,714 Speaker 3: done it, Aloys has done at Francesca's done It, where 643 00:30:11,714 --> 00:30:14,274 Speaker 3: they walk forward Curtsey and a presenter to the Queen. 644 00:30:14,714 --> 00:30:18,554 Speaker 3: They're actually shot twice because the same extras are used 645 00:30:18,554 --> 00:30:21,074 Speaker 3: on both sides of the aisle, so they shoot one side, 646 00:30:21,234 --> 00:30:24,274 Speaker 3: shimmy everyone over to the other and shoot the other side. 647 00:30:24,474 --> 00:30:25,594 Speaker 4: And that's just a really. 648 00:30:25,434 --> 00:30:29,394 Speaker 3: Clever way of saving money. Obviously, the pandemic was continuing 649 00:30:29,434 --> 00:30:31,994 Speaker 3: between season one and two, so a two year gap 650 00:30:32,074 --> 00:30:34,714 Speaker 3: made perfect sense. Then there was the writers and Actors 651 00:30:34,714 --> 00:30:37,994 Speaker 3: strike between two and three, plus the filming of Queen Charlotte, 652 00:30:37,994 --> 00:30:40,354 Speaker 3: which took them away from it. I don't like this 653 00:30:40,474 --> 00:30:43,954 Speaker 3: two year gap because this whole two year thing, it 654 00:30:43,994 --> 00:30:47,514 Speaker 3: can overlap, right, Why can't they start pre production for 655 00:30:47,594 --> 00:30:50,754 Speaker 3: another series using different staff who are doing the pre 656 00:30:50,794 --> 00:30:54,114 Speaker 3: production thing, like the casting directors versus the editing people 657 00:30:54,114 --> 00:30:56,994 Speaker 3: who are working on the season before. Why can't they 658 00:30:57,034 --> 00:30:59,074 Speaker 3: overlap more and give us more of what we want? 659 00:30:59,074 --> 00:31:01,234 Speaker 3: Because also, these actors are going to age out of 660 00:31:01,234 --> 00:31:02,354 Speaker 3: these roles if we're not careful. 661 00:31:02,434 --> 00:31:04,514 Speaker 2: Yeah, they're probably listening to this jology going we want 662 00:31:04,514 --> 00:31:05,034 Speaker 2: to break. 663 00:31:05,354 --> 00:31:07,834 Speaker 4: We'll hire more people, we need more Bridgitton. 664 00:31:08,194 --> 00:31:10,514 Speaker 1: Yeah, there's a conversation as well going online at the 665 00:31:10,554 --> 00:31:12,954 Speaker 1: moment about this, well, not particularly how long it takes 666 00:31:12,994 --> 00:31:15,034 Speaker 1: to film, but how they release it and how it's 667 00:31:15,074 --> 00:31:18,154 Speaker 1: done in two chunks. People aren't happy with it. They 668 00:31:18,154 --> 00:31:21,234 Speaker 1: don't like it. They wish, actually, which I thought was 669 00:31:21,274 --> 00:31:23,554 Speaker 1: quite interesting. They wish that it was just a weekly 670 00:31:23,594 --> 00:31:26,634 Speaker 1: release rather than having a big chunk and then another 671 00:31:26,674 --> 00:31:29,114 Speaker 1: big chunk, which Netflix does a lot. They did it 672 00:31:29,114 --> 00:31:33,114 Speaker 1: with Stranger Things just earlier this year. But I think 673 00:31:33,154 --> 00:31:35,394 Speaker 1: I do like it. Do you guys like it? How 674 00:31:35,434 --> 00:31:36,954 Speaker 1: it comes out in blocks. 675 00:31:37,394 --> 00:31:40,194 Speaker 2: I would prefer like two episodes at a time, because 676 00:31:40,194 --> 00:31:42,914 Speaker 2: I like, I feel like my brain has been damaged 677 00:31:42,954 --> 00:31:47,154 Speaker 2: by streaming, but I need to watch at least two 678 00:31:47,194 --> 00:31:48,754 Speaker 2: if I'm going to sit down for an episode. Although 679 00:31:48,794 --> 00:31:51,274 Speaker 2: I will say I enjoyed the Monday night White Lotus 680 00:31:51,394 --> 00:31:54,594 Speaker 2: ritual of just one episode, but when you've got everything, 681 00:31:54,634 --> 00:31:56,274 Speaker 2: I do feel like it kind of ruins it because 682 00:31:56,314 --> 00:31:58,554 Speaker 2: once you get to like episode five, if you've binged 683 00:31:58,554 --> 00:32:01,914 Speaker 2: it because you have no self control, it does become 684 00:32:01,954 --> 00:32:03,874 Speaker 2: white noise, and that's where you're picking up your phone 685 00:32:03,874 --> 00:32:06,994 Speaker 2: and you're not really paying attention. So I'm like, maybe 686 00:32:07,314 --> 00:32:10,354 Speaker 2: like once a week or two episodes at a time. Georgie, 687 00:32:10,514 --> 00:32:13,034 Speaker 2: I'm really into this part one and part two that 688 00:32:13,074 --> 00:32:14,954 Speaker 2: they do if allows me and the rest of the 689 00:32:14,954 --> 00:32:18,034 Speaker 2: online community or my pals to really delve into the 690 00:32:18,034 --> 00:32:21,434 Speaker 2: first four episodes, and it allows a massive cliffhanger halfway 691 00:32:21,434 --> 00:32:22,154 Speaker 2: through the series. 692 00:32:22,354 --> 00:32:25,554 Speaker 3: We have a whole month to wait. So season four, 693 00:32:25,634 --> 00:32:28,474 Speaker 3: Episode four is called an Offer from a Gentleman, which 694 00:32:28,514 --> 00:32:30,154 Speaker 3: is the name of the novel that it's based on. 695 00:32:30,474 --> 00:32:33,034 Speaker 3: And let's just say there is an offer from Benedict 696 00:32:33,234 --> 00:32:35,634 Speaker 3: to Sophie. They're probably going to need a month to 697 00:32:35,674 --> 00:32:35,994 Speaker 3: get over. 698 00:32:36,194 --> 00:32:38,274 Speaker 2: Let's leave it there, and then after this break we're 699 00:32:38,274 --> 00:32:41,154 Speaker 2: going to go into some fan theories and what we 700 00:32:41,234 --> 00:32:44,954 Speaker 2: know about the press to us so far. All right, 701 00:32:45,034 --> 00:32:47,554 Speaker 2: let's get into this new season. We have scoured the 702 00:32:47,554 --> 00:32:49,594 Speaker 2: internet to tell you as much as we can about 703 00:32:49,594 --> 00:32:51,914 Speaker 2: what's coming up. But first things first, what's it about? 704 00:32:52,074 --> 00:32:54,314 Speaker 2: What do we know about it? What's the storyline? 705 00:32:54,514 --> 00:32:57,834 Speaker 3: So this is the Cinderella story. It's not based on 706 00:32:57,874 --> 00:33:01,434 Speaker 3: the Cinderella story. It is the Cinderella story. 707 00:33:01,394 --> 00:33:01,914 Speaker 4: In this case. 708 00:33:01,954 --> 00:33:04,674 Speaker 3: It all happens at a masqu grade ball. Benedict meets 709 00:33:04,714 --> 00:33:07,874 Speaker 3: a lady in silver, falls completely in love with her. 710 00:33:08,034 --> 00:33:11,394 Speaker 3: She has to flee at midnight for some non shocking reason, 711 00:33:11,634 --> 00:33:13,554 Speaker 3: and she leaves behind an item of clothing. It's not 712 00:33:13,594 --> 00:33:15,394 Speaker 3: a shoe this time. We know from the trailer it's 713 00:33:15,394 --> 00:33:15,794 Speaker 3: a glove. 714 00:33:16,514 --> 00:33:19,074 Speaker 2: And on the trailer, what are the other clues that 715 00:33:19,114 --> 00:33:20,234 Speaker 2: we have in the trailer live. 716 00:33:20,674 --> 00:33:23,074 Speaker 1: Well, we know that he gets into his painting a 717 00:33:23,114 --> 00:33:25,634 Speaker 1: little bit. He paints her because he can't stop thinking 718 00:33:25,634 --> 00:33:27,754 Speaker 1: about her, which is so romantic. I can't even get 719 00:33:27,754 --> 00:33:30,954 Speaker 1: a text back, and then he's painting her. I'd like 720 00:33:30,954 --> 00:33:34,114 Speaker 1: someone to paint me please. And then we also know 721 00:33:34,514 --> 00:33:38,514 Speaker 1: that they do meet again, so Sophie knows it's him, 722 00:33:38,554 --> 00:33:42,994 Speaker 1: but Benedict he might not know consciously, but I think 723 00:33:43,034 --> 00:33:46,274 Speaker 1: subconsciously he can feel that there's something different about this 724 00:33:46,314 --> 00:33:47,994 Speaker 1: girl that he's met. 725 00:33:48,114 --> 00:33:49,434 Speaker 3: I don't know if the TV series is going to 726 00:33:49,434 --> 00:33:52,234 Speaker 3: follow this exactly, but in the book, Sophie is a maid. 727 00:33:53,154 --> 00:33:57,914 Speaker 3: She re meets Benedict and begins working for the family. 728 00:33:58,594 --> 00:34:02,434 Speaker 3: He falls for maid Sophie, but his heart is already 729 00:34:02,474 --> 00:34:03,994 Speaker 3: taken with the lady in Silver. 730 00:34:04,714 --> 00:34:06,594 Speaker 4: Hmm, what a conundrum. 731 00:34:06,714 --> 00:34:08,794 Speaker 1: Okay, so these are the bits that are going viral 732 00:34:08,873 --> 00:34:10,993 Speaker 1: in the trailer at the moment, and I'm sure you 733 00:34:11,034 --> 00:34:13,794 Speaker 1: guys could guess it is him walking out of the water. 734 00:34:14,114 --> 00:34:16,953 Speaker 4: Oh we know. 735 00:34:19,794 --> 00:34:22,234 Speaker 1: It's so insane, Like I was like, what when I 736 00:34:22,274 --> 00:34:26,154 Speaker 1: saw that the painting which I mentioned before. Now, something 737 00:34:26,194 --> 00:34:30,714 Speaker 1: that's not about Benedict and Sophie is Violet. And Violet 738 00:34:30,954 --> 00:34:34,154 Speaker 1: is having a little bit what fans are thinking, her 739 00:34:34,194 --> 00:34:37,194 Speaker 1: own little love story going on, and she gets the 740 00:34:37,714 --> 00:34:43,154 Speaker 1: she's finally having her garden watered. Okay, that phrase, I 741 00:34:43,194 --> 00:34:43,594 Speaker 1: hate it. 742 00:34:44,634 --> 00:34:47,473 Speaker 2: I dislike it, but I'm also good for her, yes, 743 00:34:47,554 --> 00:34:50,234 Speaker 2: because it's a long time coming. You've got little bits 744 00:34:50,274 --> 00:34:53,513 Speaker 2: like we've learnt so much about their love story through 745 00:34:53,554 --> 00:34:57,473 Speaker 2: season two, and then she's thinking about dipping her toe 746 00:34:57,474 --> 00:34:59,314 Speaker 2: back in the water in season three, So if we're 747 00:34:59,354 --> 00:35:03,593 Speaker 2: going fully in, I'm happy for her. But she's never 748 00:35:03,674 --> 00:35:08,754 Speaker 2: been projected as a sexual being so lovely, so I 749 00:35:08,834 --> 00:35:11,194 Speaker 2: really wonder how they're going to make that transition so shy. 750 00:35:11,354 --> 00:35:13,714 Speaker 1: I know, I'm really excited for that part two. And 751 00:35:13,754 --> 00:35:16,634 Speaker 1: then one comment that I really loved and that I 752 00:35:16,674 --> 00:35:19,914 Speaker 1: think really sums up everything is the man who looked 753 00:35:19,994 --> 00:35:23,434 Speaker 1: everywhere and nowhere for love found it when he returned home. 754 00:35:23,914 --> 00:35:26,274 Speaker 1: That is a comment on a TikTok that got forty 755 00:35:26,354 --> 00:35:29,154 Speaker 1: thousand likes, and you can see why because it's just 756 00:35:29,194 --> 00:35:31,074 Speaker 1: such a nice little sum up of what's going to 757 00:35:31,154 --> 00:35:31,674 Speaker 1: happen here. 758 00:35:32,234 --> 00:35:34,674 Speaker 3: So the quote that Benedict says to Eloise as she's 759 00:35:34,754 --> 00:35:37,074 Speaker 3: leaving for Scotland at the end of series three is 760 00:35:37,394 --> 00:35:39,393 Speaker 3: it feels right now that the next thing I might 761 00:35:39,474 --> 00:35:41,034 Speaker 3: learn might change me completely. 762 00:35:41,154 --> 00:35:42,674 Speaker 4: And that's it. It's meeting Sophie. 763 00:35:42,714 --> 00:35:45,994 Speaker 2: Oh my gosh, what can we expect from the cast 764 00:35:46,034 --> 00:35:49,234 Speaker 2: and the characters? Who is back this season? Because it 765 00:35:49,314 --> 00:35:51,194 Speaker 2: was a big deal that Hastings never came back. Are 766 00:35:51,234 --> 00:35:54,634 Speaker 2: there any characters that suddenly don't make an appearance, Well, 767 00:35:54,674 --> 00:35:57,354 Speaker 2: let me quickly say, I have not recovered from Regga 768 00:35:57,434 --> 00:36:00,514 Speaker 2: Jeon not returning. Shonda is fine with it because she 769 00:36:00,634 --> 00:36:02,154 Speaker 2: thinks his story wrapped up. 770 00:36:02,274 --> 00:36:03,234 Speaker 4: He got his happy. 771 00:36:03,074 --> 00:36:05,994 Speaker 2: Ending, David. Shonda's fine with Sandra Oh leaving Gray. She 772 00:36:06,034 --> 00:36:08,114 Speaker 2: clearly doesn't get yet They're going to. 773 00:36:08,114 --> 00:36:10,114 Speaker 1: Have to do something about it because online as well, 774 00:36:10,234 --> 00:36:13,754 Speaker 1: that's the most popular video about season four, is about 775 00:36:13,794 --> 00:36:16,114 Speaker 1: the fact that Daphne's not there and hasn't been and 776 00:36:16,154 --> 00:36:18,474 Speaker 1: how there's a hole in everyone's hearts. They're going to 777 00:36:18,714 --> 00:36:23,114 Speaker 1: have to do something next season because otherwise everyone's just 778 00:36:23,154 --> 00:36:24,914 Speaker 1: gonna be so upset. 779 00:36:25,234 --> 00:36:27,434 Speaker 3: Yeah, okay, let me tell the good news. So firstly, 780 00:36:27,634 --> 00:36:30,314 Speaker 3: Luke Newton and Nikola Cochlan a back, thank God. With 781 00:36:30,474 --> 00:36:33,873 Speaker 3: their very cute baby. We know that they're back, and 782 00:36:33,914 --> 00:36:35,994 Speaker 3: they are also thrilled to be back. They said, the 783 00:36:35,994 --> 00:36:38,114 Speaker 3: pressures being taken off quite a bit this season. They 784 00:36:38,194 --> 00:36:40,314 Speaker 3: just get to go to those supporting roles where they 785 00:36:40,394 --> 00:36:42,714 Speaker 3: still have a story arc, but they don't need to 786 00:36:42,754 --> 00:36:46,234 Speaker 3: worry about being leading man and leading lady. Now, Simone 787 00:36:46,274 --> 00:36:49,634 Speaker 3: Ashley and Johnny Bailey are back, and this is big 788 00:36:49,874 --> 00:36:54,034 Speaker 3: right because they are the standout stars of Bridgeton. Jonathan 789 00:36:54,074 --> 00:36:56,954 Speaker 3: Bailey not only sexiest man alive. Last year, he was 790 00:36:56,954 --> 00:37:00,034 Speaker 3: the highest grossing actor of twenty twenty five. That's a 791 00:37:00,154 --> 00:37:03,234 Speaker 3: historical first for an openly gay male actor. This is 792 00:37:03,274 --> 00:37:06,474 Speaker 3: driven by his roles in Drastic World, Rebirth and Wicked 793 00:37:06,554 --> 00:37:09,234 Speaker 3: for Good and Simone has been really busy. First she 794 00:37:09,274 --> 00:37:11,033 Speaker 3: was in F one, cut out of it, but still 795 00:37:11,074 --> 00:37:12,593 Speaker 3: she was in it and she's been killing. 796 00:37:12,754 --> 00:37:13,594 Speaker 1: She was cut out of it. 797 00:37:13,674 --> 00:37:17,834 Speaker 2: She was someone cut down significantly. Oh I know, they 798 00:37:17,834 --> 00:37:19,754 Speaker 2: just said it was the story and they're edited like 799 00:37:19,914 --> 00:37:21,873 Speaker 2: they had to for timing. They had to edit out 800 00:37:21,874 --> 00:37:22,514 Speaker 2: her story arc. 801 00:37:22,874 --> 00:37:24,674 Speaker 3: That's why we're doing a Bridgeton podcast and not in 802 00:37:24,794 --> 00:37:27,634 Speaker 3: F one podcast because they make bad decisions. She's now 803 00:37:27,674 --> 00:37:30,154 Speaker 3: been filming the Devil Wears Prata follow up in New 804 00:37:30,234 --> 00:37:33,354 Speaker 3: York City. So it's actually massive though that they're coming 805 00:37:33,394 --> 00:37:35,634 Speaker 3: back because you know what they don't need to know, 806 00:37:36,194 --> 00:37:38,554 Speaker 3: and good on them for coming back to a show 807 00:37:38,714 --> 00:37:41,314 Speaker 3: that gave them their big start that they love where 808 00:37:41,354 --> 00:37:43,874 Speaker 3: they feel like they have this family on set. 809 00:37:44,114 --> 00:37:47,434 Speaker 4: Jonathan Bailey said that he will always return to support 810 00:37:47,554 --> 00:37:48,234 Speaker 4: his siblings. 811 00:37:48,314 --> 00:37:50,714 Speaker 1: Is he just the best guy world's I feel like 812 00:37:50,754 --> 00:37:52,834 Speaker 1: he's a bit of a side quest guy too, Like 813 00:37:52,914 --> 00:37:55,274 Speaker 1: he just showed up at the Australian TikTok Awards and 814 00:37:55,434 --> 00:37:58,554 Speaker 1: he did it surprised everyone. I was there and I 815 00:37:58,634 --> 00:38:01,074 Speaker 1: actually couldn't believe my eyes. Like he was just standing 816 00:38:01,074 --> 00:38:02,234 Speaker 1: on the stage and I was looking up and I 817 00:38:02,314 --> 00:38:05,074 Speaker 1: was like, what are you doing here? I couldn't believe it. 818 00:38:05,074 --> 00:38:07,514 Speaker 2: He also surprised his sister who was at the movies 819 00:38:07,594 --> 00:38:10,594 Speaker 2: watching Wicked, and he just rocked up and likes surprise 820 00:38:10,714 --> 00:38:12,354 Speaker 2: to cinema. So yeah, side quest guy. 821 00:38:12,394 --> 00:38:13,674 Speaker 1: Yeah, he likes a side quest. 822 00:38:13,834 --> 00:38:16,754 Speaker 3: He is the anti reggaejeon and we love him for that. 823 00:38:17,034 --> 00:38:18,834 Speaker 3: He remembers where he came from and I hope that 824 00:38:18,874 --> 00:38:21,314 Speaker 3: sounds pointed because it is meant to be. Now, I've 825 00:38:21,314 --> 00:38:23,873 Speaker 3: heard a rumor that they don't appear much in Part one. 826 00:38:24,354 --> 00:38:26,154 Speaker 3: The fans are going to get very angry for that 827 00:38:26,274 --> 00:38:29,114 Speaker 3: month between, but know that they appear in Part two. 828 00:38:29,594 --> 00:38:30,993 Speaker 4: One of the theories about what. 829 00:38:31,074 --> 00:38:33,474 Speaker 3: Is going to happen is we know the character of 830 00:38:33,514 --> 00:38:36,594 Speaker 3: Gregory is going to get a crush this season because 831 00:38:36,634 --> 00:38:38,433 Speaker 3: the actor who plays him, has just on his very 832 00:38:38,434 --> 00:38:40,914 Speaker 3: first podcast appearance and he talks about getting a crush. 833 00:38:41,194 --> 00:38:42,993 Speaker 3: The question is, who's he getting a crush on. He's 834 00:38:42,994 --> 00:38:45,154 Speaker 3: not out in society, it's not gonna be one of 835 00:38:45,154 --> 00:38:45,554 Speaker 3: his sisters. 836 00:38:45,554 --> 00:38:46,234 Speaker 4: Who does he meet. 837 00:38:46,674 --> 00:38:49,154 Speaker 3: The rumor is that he has a crush on Kate, 838 00:38:49,514 --> 00:38:51,834 Speaker 3: his sister in law, which is just too cute. And 839 00:38:51,874 --> 00:38:53,914 Speaker 3: I really hope that that's true and she would also 840 00:38:53,994 --> 00:38:57,074 Speaker 3: be so kind to him as well, so you know, 841 00:38:57,394 --> 00:38:58,474 Speaker 3: I'm hoping that's happening. 842 00:38:58,714 --> 00:38:58,873 Speaker 4: Now. 843 00:38:58,914 --> 00:39:02,074 Speaker 3: You mentioned Phoebe Dinnever, who plays Daphanie. She was asked 844 00:39:02,114 --> 00:39:04,154 Speaker 3: in an interview the other day about whether or not 845 00:39:04,234 --> 00:39:07,034 Speaker 3: she appears in season four. She has said that she 846 00:39:07,314 --> 00:39:09,554 Speaker 3: is waiting for the call. She said, I haven't received 847 00:39:09,554 --> 00:39:11,873 Speaker 3: a call yet. I believe they're filming, but she is 848 00:39:11,994 --> 00:39:14,994 Speaker 3: open to it. She's not ruling out returning to future series. 849 00:39:15,154 --> 00:39:17,274 Speaker 3: I feel that means she's not in this one. Let's 850 00:39:17,274 --> 00:39:18,874 Speaker 3: hope she's in an upcoming one. 851 00:39:19,154 --> 00:39:19,314 Speaker 4: Now. 852 00:39:19,314 --> 00:39:21,553 Speaker 3: There's some changes to the cast this season as well. 853 00:39:21,594 --> 00:39:24,953 Speaker 3: The characters of Alice Mondridge and Brimsley are upgraded from 854 00:39:24,994 --> 00:39:26,834 Speaker 3: supporting characters to main cast. 855 00:39:27,754 --> 00:39:28,754 Speaker 4: This is a fan theory. 856 00:39:28,754 --> 00:39:30,314 Speaker 3: I want to get your thoughts on it, because you 857 00:39:30,314 --> 00:39:37,154 Speaker 3: are both Queen Charlotte devotees. Is Alice Mondridge the love 858 00:39:37,314 --> 00:39:42,034 Speaker 3: child of Lady Danbury and Violet Bridgeton's dad, Lord Leger. 859 00:39:42,394 --> 00:39:45,913 Speaker 3: We know they had an affair, it's spoken about in 860 00:39:45,954 --> 00:39:49,074 Speaker 3: Bridgeton series three and Queen Charlotte. 861 00:39:49,834 --> 00:39:52,234 Speaker 4: Is she the love child who was raised by Cora 862 00:39:52,354 --> 00:39:53,034 Speaker 4: the maid o? 863 00:39:55,194 --> 00:39:56,194 Speaker 2: I never thought about? 864 00:39:56,874 --> 00:39:57,634 Speaker 1: Did you find that? 865 00:39:58,234 --> 00:39:59,474 Speaker 4: Just here blowing your minds? 866 00:39:59,954 --> 00:40:04,314 Speaker 3: I love that because why is Alice Mondridge a major character? 867 00:40:04,754 --> 00:40:05,114 Speaker 2: Yes? 868 00:40:05,474 --> 00:40:07,354 Speaker 3: We know she's in society and when they keep yeah, 869 00:40:07,354 --> 00:40:10,714 Speaker 3: they keep bringing them, yeah, constantly all the time. Lady 870 00:40:10,794 --> 00:40:14,594 Speaker 3: Danbury's always supporting her. Last season we saw her up 871 00:40:14,634 --> 00:40:16,154 Speaker 3: on the plinth with the Queen. 872 00:40:16,434 --> 00:40:18,354 Speaker 4: It is downing next to the Queen and Lady Danbury. 873 00:40:18,474 --> 00:40:18,714 Speaker 3: Yeah. 874 00:40:18,754 --> 00:40:20,913 Speaker 1: It is a conversation that's happening online too, where people 875 00:40:20,954 --> 00:40:22,794 Speaker 1: are like they get way too much at airtime. Why 876 00:40:22,834 --> 00:40:25,714 Speaker 1: is this happening? They're not necessarily adding much to anything. 877 00:40:26,634 --> 00:40:26,834 Speaker 2: Yeah. 878 00:40:26,914 --> 00:40:29,913 Speaker 3: People were very annoyed about Willmondridge will he keep the 879 00:40:29,914 --> 00:40:32,434 Speaker 3: pub or won't he? Last season being a bit of 880 00:40:32,434 --> 00:40:34,554 Speaker 3: a waste of screen time. One thing that I have 881 00:40:34,634 --> 00:40:37,234 Speaker 3: heard about this season of Bridgington there is not a 882 00:40:37,274 --> 00:40:38,234 Speaker 3: wasted scene. 883 00:40:38,394 --> 00:40:40,073 Speaker 4: There is not a wasted storyline. 884 00:40:40,394 --> 00:40:42,873 Speaker 3: Interesting, so it's not one of those what they call 885 00:40:42,954 --> 00:40:45,234 Speaker 3: second screen shows. You were talking about that before Grace, 886 00:40:45,474 --> 00:40:48,393 Speaker 3: the ones where they will actually say this is my 887 00:40:48,554 --> 00:40:51,473 Speaker 3: sister Julie, Hello, sister Julie, because they know we're all 888 00:40:51,474 --> 00:40:54,794 Speaker 3: on our phone. Everything is important and Bridgington is filled 889 00:40:54,834 --> 00:40:56,873 Speaker 3: with Easter eggs, so it's actually one to put your 890 00:40:56,874 --> 00:40:57,714 Speaker 3: phone aside. 891 00:40:57,874 --> 00:41:00,794 Speaker 1: It's essential to put you you'll miss too much. 892 00:41:01,274 --> 00:41:03,554 Speaker 3: We also know that Lady Danbury is going to have 893 00:41:03,594 --> 00:41:05,314 Speaker 3: a significant storyline in this series. 894 00:41:05,354 --> 00:41:06,234 Speaker 4: We don't know what it is. 895 00:41:06,394 --> 00:41:08,674 Speaker 3: There was nothing in book that's going to give that away, 896 00:41:08,914 --> 00:41:11,594 Speaker 3: but she had her own teaser clip, so those amazing, 897 00:41:11,674 --> 00:41:14,394 Speaker 3: beautiful ones that are coming out from the Shondaland socials. 898 00:41:14,914 --> 00:41:17,274 Speaker 3: So because she's had that, we know that there's going 899 00:41:17,314 --> 00:41:19,674 Speaker 3: to be a major storyline about her. We also know 900 00:41:19,754 --> 00:41:22,714 Speaker 3: that Benedict is going to speak French in series four, 901 00:41:23,234 --> 00:41:27,674 Speaker 3: but badly he speaks to fluent Sophie. Now let's talk 902 00:41:27,714 --> 00:41:30,354 Speaker 3: about why this is interesting. Luke Thompson was born in 903 00:41:30,394 --> 00:41:33,514 Speaker 3: the UK. He moved to France when he was two 904 00:41:34,034 --> 00:41:37,154 Speaker 3: and he is fluent in French. He was more comfortable 905 00:41:37,194 --> 00:41:39,433 Speaker 3: speaking French until he moved back to the UK when 906 00:41:39,434 --> 00:41:41,834 Speaker 3: he was twenty, so we lived there eighteen years. He 907 00:41:41,914 --> 00:41:43,913 Speaker 3: went to a French primary school. He went to a 908 00:41:43,914 --> 00:41:46,834 Speaker 3: French high school that had an anglophone section, so he 909 00:41:46,914 --> 00:41:49,433 Speaker 3: spoke English when he was in those classes. But he 910 00:41:49,514 --> 00:41:53,354 Speaker 3: spoke French everywhere growing up, except at home to his parents. 911 00:41:53,354 --> 00:41:55,513 Speaker 3: They made him still speak English, so he said, when 912 00:41:55,514 --> 00:41:57,794 Speaker 3: he moved back to the UK when he was twenty 913 00:41:57,834 --> 00:42:01,474 Speaker 3: to go to university, yes he could speak English fluently, 914 00:42:01,514 --> 00:42:04,913 Speaker 3: but he wasn't comfortable in it. He didn't live in 915 00:42:04,954 --> 00:42:07,874 Speaker 3: English whereas now, he said, that's how he feels about French. 916 00:42:08,114 --> 00:42:10,554 Speaker 4: So know that when you're watching this episode. 917 00:42:10,154 --> 00:42:11,194 Speaker 2: Dummed himself down. 918 00:42:11,794 --> 00:42:12,794 Speaker 4: He has dumbed himself. 919 00:42:12,914 --> 00:42:16,393 Speaker 3: I love that because let me just play you how 920 00:42:16,474 --> 00:42:37,434 Speaker 3: Luke Thompson actually speaks my god nose. 921 00:42:34,114 --> 00:42:41,034 Speaker 2: The bridgeton. That's a Frenchman. That's a Frenchman. Have you 922 00:42:41,074 --> 00:42:41,834 Speaker 2: ever heard anything sex? 923 00:42:42,714 --> 00:42:44,714 Speaker 1: I didn't think it could get any better and it 924 00:42:44,834 --> 00:42:45,154 Speaker 1: just did. 925 00:42:45,794 --> 00:42:48,514 Speaker 3: Isn't he just divine? So he is speaking bad French. 926 00:42:48,514 --> 00:42:52,074 Speaker 3: We're going to hear that. There's also a really sexual 927 00:42:52,154 --> 00:42:55,114 Speaker 3: theme of water, so we know that he comes out 928 00:42:55,194 --> 00:42:59,674 Speaker 3: of the lake in the nut, I would assume, thank god. 929 00:43:00,434 --> 00:43:04,994 Speaker 3: There's also rumors in part two about a buff. I 930 00:43:04,994 --> 00:43:06,473 Speaker 3: don't know what will happen in the bar. 931 00:43:06,634 --> 00:43:09,794 Speaker 4: I mean, I guess, but I'm pretty excited. 932 00:43:10,034 --> 00:43:11,114 Speaker 2: There's a sex scene in the bath. 933 00:43:11,434 --> 00:43:13,034 Speaker 4: There's a sex scene in the bath. You heard it 934 00:43:13,074 --> 00:43:13,634 Speaker 4: here first. 935 00:43:13,874 --> 00:43:17,154 Speaker 1: If it's the hottest season yet, and I'm thinking about 936 00:43:17,194 --> 00:43:17,994 Speaker 1: season one. 937 00:43:18,274 --> 00:43:21,314 Speaker 2: So I'm thinking about a stairs the stair, yes, yes, yes. 938 00:43:21,234 --> 00:43:24,114 Speaker 1: Can we outside scene to the outside. They're gonna have 939 00:43:24,194 --> 00:43:26,914 Speaker 1: to ramp it up. It's going to have to be crazy. 940 00:43:26,954 --> 00:43:29,234 Speaker 1: It will have to be a bath top sex scene. 941 00:43:28,914 --> 00:43:31,994 Speaker 3: That will And know that there's no spas back in 942 00:43:32,034 --> 00:43:34,354 Speaker 3: eighteen thirteen, so we know that actually having sex in 943 00:43:34,394 --> 00:43:36,074 Speaker 3: a bath would be very hard and probably put you 944 00:43:36,114 --> 00:43:36,473 Speaker 3: back out. 945 00:43:36,554 --> 00:43:37,354 Speaker 2: Yeah. 946 00:43:37,394 --> 00:43:39,634 Speaker 3: So another thing is the titles of all the episodes 947 00:43:39,674 --> 00:43:42,354 Speaker 3: of season four has come out, and my good friends 948 00:43:42,354 --> 00:43:45,794 Speaker 3: in the fandom have been delving into what they think happens. So, 949 00:43:45,874 --> 00:43:49,354 Speaker 3: for example, episode six is called the Passing Winter. Is 950 00:43:49,354 --> 00:43:51,393 Speaker 3: this going to be a Christmas episode? And is this 951 00:43:51,434 --> 00:43:54,794 Speaker 3: the one that Anthony and Kate come back from India 952 00:43:54,834 --> 00:43:56,234 Speaker 3: to spend Christmas with their family. 953 00:43:56,634 --> 00:43:58,714 Speaker 2: I welcome them back yeah, so I like this. 954 00:43:58,874 --> 00:43:59,354 Speaker 4: I hope so. 955 00:43:59,394 --> 00:44:01,194 Speaker 2: And if we know that they don't come back, if 956 00:44:01,194 --> 00:44:04,114 Speaker 2: we're going to be disappointed by the first four, I feel. 957 00:44:03,874 --> 00:44:05,433 Speaker 1: They have to well, they have to come back early 958 00:44:05,514 --> 00:44:08,754 Speaker 1: in the next If they come back in that in 959 00:44:08,794 --> 00:44:11,274 Speaker 1: the last episode for like three minutes. 960 00:44:11,154 --> 00:44:12,873 Speaker 2: Yeah, people are gonna be mad and be like, that's 961 00:44:12,914 --> 00:44:14,354 Speaker 2: not back. That's what we're gonna write. 962 00:44:14,394 --> 00:44:17,834 Speaker 3: I'll have something to say now episode seven. I need 963 00:44:17,874 --> 00:44:19,594 Speaker 3: to be careful with my words because I don't want 964 00:44:19,594 --> 00:44:20,554 Speaker 3: to give anything away to you. 965 00:44:20,634 --> 00:44:21,594 Speaker 4: It's called the Beyond. 966 00:44:22,114 --> 00:44:24,913 Speaker 3: There is the assumption that someone dies. Now, let me 967 00:44:24,954 --> 00:44:27,274 Speaker 3: tell you, as someone who's read the book, some people 968 00:44:27,354 --> 00:44:29,554 Speaker 3: need to die. Do people need to die for the 969 00:44:29,634 --> 00:44:32,274 Speaker 3: storyline as we know it in the books to continue 970 00:44:32,554 --> 00:44:34,873 Speaker 3: and all the Bridgetens to have their happy ending. So 971 00:44:35,034 --> 00:44:38,433 Speaker 3: I'm wondering if someone passes in episode seven of series four, 972 00:44:38,634 --> 00:44:39,553 Speaker 3: I'll leave it right there. 973 00:44:40,074 --> 00:44:42,114 Speaker 2: What I love about doing this podcast is that we 974 00:44:42,154 --> 00:44:44,274 Speaker 2: can put all our predictions out here and then we 975 00:44:44,354 --> 00:44:46,794 Speaker 2: get to feel smug about week. 976 00:44:47,394 --> 00:44:48,074 Speaker 1: That's so true. 977 00:44:48,074 --> 00:44:50,953 Speaker 3: Something a bit happier is that there's definitely an exploration 978 00:44:51,154 --> 00:44:54,714 Speaker 3: of a queer or multiple queer storylines, so we know 979 00:44:54,754 --> 00:44:56,874 Speaker 3: that Elouez's book is next in line. 980 00:44:57,234 --> 00:44:58,754 Speaker 4: Some people are theorizing. 981 00:44:58,314 --> 00:45:00,474 Speaker 3: That she won't be the lead because things need to 982 00:45:00,514 --> 00:45:03,514 Speaker 3: happen in this series for that to go ahead. 983 00:45:03,794 --> 00:45:06,714 Speaker 4: I'm speaking very generally here as. 984 00:45:06,594 --> 00:45:08,634 Speaker 2: The reader Algy holds the secret. 985 00:45:08,914 --> 00:45:12,473 Speaker 3: I can tell you're holding You're like so hard, I'm 986 00:45:12,474 --> 00:45:15,754 Speaker 3: shining so hard. But there are some complicated paths from 987 00:45:15,754 --> 00:45:20,834 Speaker 3: an LGBTQIA plus perspective. For example, Francesca, we'll have a 988 00:45:20,874 --> 00:45:24,554 Speaker 3: complicated path ahead. We know about Mikayla Stirling, who is 989 00:45:24,554 --> 00:45:27,473 Speaker 3: her husband's cousin, who she already had almost like a 990 00:45:27,554 --> 00:45:30,913 Speaker 3: visceral reaction to meeting. There's a lot of speculation with 991 00:45:30,994 --> 00:45:34,433 Speaker 3: fans with no evidence. I'll say about Kate's past, whether 992 00:45:34,554 --> 00:45:37,314 Speaker 3: or not she had a romantic relationship with a woman 993 00:45:37,354 --> 00:45:39,674 Speaker 3: in India in the past, and whether that's going to 994 00:45:39,674 --> 00:45:42,433 Speaker 3: be explored again. And also we know that Benedict's had 995 00:45:42,474 --> 00:45:46,834 Speaker 3: a quick storyline in series three episodes, even back to 996 00:45:46,874 --> 00:45:49,114 Speaker 3: series one with Henry Granville when there. 997 00:45:49,074 --> 00:45:51,914 Speaker 4: Was still sort of you know, he was queer adjacent. 998 00:45:51,994 --> 00:45:55,074 Speaker 3: She might say, so, also, is he going to explain 999 00:45:55,154 --> 00:45:57,154 Speaker 3: this side of his life to Sophie this season? 1000 00:45:57,514 --> 00:45:58,114 Speaker 4: We're not sure. 1001 00:45:58,234 --> 00:46:00,714 Speaker 2: All right, Well, before we wrap up, let's talk about 1002 00:46:00,714 --> 00:46:03,873 Speaker 2: what we actually have seen in the PR tours. The 1003 00:46:03,914 --> 00:46:08,114 Speaker 2: press tours are such a huge part of a show 1004 00:46:08,154 --> 00:46:11,634 Speaker 2: coming out now really truly, I think Barbie and Oppenheimer 1005 00:46:11,714 --> 00:46:14,994 Speaker 2: changed the game so live. What has come out of 1006 00:46:15,154 --> 00:46:17,034 Speaker 2: season fourth Press two was so far well, it. 1007 00:46:17,034 --> 00:46:20,473 Speaker 1: Was an extravaganza that was like so insane. I wish 1008 00:46:20,554 --> 00:46:22,754 Speaker 1: I was invited to it. It was in Paris, yes, 1009 00:46:22,874 --> 00:46:24,194 Speaker 1: so there's. 1010 00:46:23,994 --> 00:46:25,754 Speaker 2: That Leo not just speaking French line. 1011 00:46:25,994 --> 00:46:28,674 Speaker 1: It just looked like an absolute dream. As far as 1012 00:46:28,714 --> 00:46:32,154 Speaker 1: what they've been saying, they've been very calculated. They've focused, 1013 00:46:32,314 --> 00:46:35,154 Speaker 1: I would say, mainly on making sure that they look 1014 00:46:35,394 --> 00:46:38,393 Speaker 1: like they are very good friends. They had a lot 1015 00:46:38,394 --> 00:46:42,554 Speaker 1: of chemistry on the carpet. They were very like power giggly. 1016 00:46:42,674 --> 00:46:44,834 Speaker 1: That's what I would say. That's a really good way giggly, 1017 00:46:44,914 --> 00:46:47,314 Speaker 1: like looking at each other a lot rather than looking 1018 00:46:47,394 --> 00:46:48,274 Speaker 1: at the interviewers. 1019 00:46:48,674 --> 00:46:50,874 Speaker 2: Does it feel curated or does it feel natural? 1020 00:46:52,794 --> 00:46:56,794 Speaker 1: I am gonna be controversial, it feels curated. I actually 1021 00:46:56,834 --> 00:46:57,873 Speaker 1: don't believe it that much. 1022 00:46:58,034 --> 00:47:00,314 Speaker 2: I'm like, because they're pushing too much. Do you think 1023 00:47:00,354 --> 00:47:03,074 Speaker 2: it's been like whether they're friends or not? Yeah, it 1024 00:47:03,114 --> 00:47:04,114 Speaker 2: does feel. 1025 00:47:03,914 --> 00:47:06,154 Speaker 1: I think they've been told that, like you need to 1026 00:47:06,194 --> 00:47:07,634 Speaker 1: lock in here, need to make. 1027 00:47:07,514 --> 00:47:10,913 Speaker 2: It Pamala Anderson and Liam Neeson pushing that on us. 1028 00:47:10,954 --> 00:47:12,634 Speaker 1: I think they are doing that a little bit. It 1029 00:47:12,714 --> 00:47:15,234 Speaker 1: is subtle, but it is a bit. I don't know. 1030 00:47:15,314 --> 00:47:18,033 Speaker 1: I watched one video last night. There was giggles about 1031 00:47:18,074 --> 00:47:19,913 Speaker 1: things that weren't funny, and I was like. 1032 00:47:20,074 --> 00:47:22,234 Speaker 4: I see, I don't mind that. 1033 00:47:22,394 --> 00:47:25,674 Speaker 3: I'm happy with the curated press tour because there are 1034 00:47:25,714 --> 00:47:28,953 Speaker 3: too many secrets and this is like an avengure thing. 1035 00:47:29,234 --> 00:47:31,514 Speaker 4: They can't say anything, so. 1036 00:47:33,034 --> 00:47:33,994 Speaker 1: It's like all they can do. 1037 00:47:34,554 --> 00:47:34,754 Speaker 2: Yeah. 1038 00:47:34,754 --> 00:47:36,393 Speaker 3: So I saw a video the other day where they 1039 00:47:36,394 --> 00:47:39,073 Speaker 3: were talking to the actors Hannah Dodd and Claudia Jesse, 1040 00:47:39,234 --> 00:47:41,954 Speaker 3: who are Eloise and Francesca, and the interviewer said to 1041 00:47:41,954 --> 00:47:46,074 Speaker 3: Claudia Jesse, so you're next. Now Claudia Jesse can't say anything. 1042 00:47:46,274 --> 00:47:48,953 Speaker 3: Does she know she's next? Probably, but she can't talk 1043 00:47:48,994 --> 00:47:50,994 Speaker 3: about it. So they just looked at each other and laughed, 1044 00:47:51,034 --> 00:47:54,154 Speaker 3: and then they looked at the interviewers in give us 1045 00:47:54,154 --> 00:47:57,514 Speaker 3: something else. We actually can't say anything. And you'll notice 1046 00:47:57,514 --> 00:48:00,194 Speaker 3: with a lot of the videos online, we love watching them, 1047 00:48:00,314 --> 00:48:02,674 Speaker 3: but like last season, for example, there was a whole 1048 00:48:02,754 --> 00:48:05,953 Speaker 3: video of the cast of Bridgish and answering questions while 1049 00:48:05,994 --> 00:48:08,873 Speaker 3: playing with puppies. And there's another one who am I 1050 00:48:09,114 --> 00:48:12,034 Speaker 3: sort of games that they play together, so they're really 1051 00:48:12,114 --> 00:48:14,794 Speaker 3: leaning into that thing. Hey, it does really well on socials. 1052 00:48:14,794 --> 00:48:17,754 Speaker 3: I totally get that the share factor is amazing, but 1053 00:48:17,794 --> 00:48:19,953 Speaker 3: also there's not much that they can say. 1054 00:48:19,994 --> 00:48:20,634 Speaker 1: Oh there isn't. 1055 00:48:20,834 --> 00:48:22,953 Speaker 2: I guess that's the appeal of things like Chicken Shop 1056 00:48:22,994 --> 00:48:25,354 Speaker 2: Date and Hot Wings is that people can go on 1057 00:48:25,394 --> 00:48:28,874 Speaker 2: and promote their show without promoting their show. Yeah they're themselves, 1058 00:48:28,874 --> 00:48:29,714 Speaker 2: they're promoting yourself. 1059 00:48:29,794 --> 00:48:32,874 Speaker 1: Yeah true. And maybe it is is that these guys 1060 00:48:32,954 --> 00:48:36,953 Speaker 1: aren't actually famous enough for us to care about who 1061 00:48:36,994 --> 00:48:39,114 Speaker 1: they are as a person. Not that we don't care, 1062 00:48:39,234 --> 00:48:43,154 Speaker 1: but we're just we're not there yet as like a fandom. 1063 00:48:43,234 --> 00:48:46,234 Speaker 4: Well that's that's so true. 1064 00:48:46,274 --> 00:48:50,194 Speaker 3: Like who had heard of any of these actors before Bridgeton? 1065 00:48:50,274 --> 00:48:53,034 Speaker 3: And they made a conscious effort to not hire famous people. 1066 00:48:53,354 --> 00:48:56,314 Speaker 3: So a lot of the people Lady Bridgeton, Lady Danbury 1067 00:48:56,354 --> 00:49:00,514 Speaker 3: and the Queen massive names in British theater. Nicola Cochlan 1068 00:49:00,594 --> 00:49:03,834 Speaker 3: I knew from Dairy Girls, but really everyone else was 1069 00:49:03,874 --> 00:49:06,434 Speaker 3: a bit of a no name for a reason, but strategic. 1070 00:49:06,554 --> 00:49:09,274 Speaker 2: I love that because sometimes when I watch trailers these days, 1071 00:49:09,354 --> 00:49:12,514 Speaker 2: especially if we go like Leonardo DiCaprio, bide Martin Scorsese. 1072 00:49:12,594 --> 00:49:15,433 Speaker 2: I've seen this film, yes, seen it, even though it's 1073 00:49:15,474 --> 00:49:18,393 Speaker 2: a different story, everything is the same. But when you go, oh, 1074 00:49:18,434 --> 00:49:21,674 Speaker 2: different people, Yeah, I agree. I lean in further. And 1075 00:49:21,714 --> 00:49:23,674 Speaker 2: I know that that's anti to how we cast. You 1076 00:49:23,714 --> 00:49:26,154 Speaker 2: cast names to ensure an audience. But the people who 1077 00:49:26,194 --> 00:49:28,953 Speaker 2: are brave enough to cast people who aren't known and 1078 00:49:29,034 --> 00:49:31,114 Speaker 2: do it for the right character, the right story, to 1079 00:49:31,194 --> 00:49:33,754 Speaker 2: serve the whole world, I think they have a better show. 1080 00:49:33,954 --> 00:49:36,714 Speaker 2: You're so right because also, if Leo is playing opposite 1081 00:49:36,714 --> 00:49:39,513 Speaker 2: someone who is, say thirty, I'm watching it going, well, 1082 00:49:39,554 --> 00:49:40,433 Speaker 2: this is unrealistic. 1083 00:49:40,634 --> 00:49:41,714 Speaker 4: He wouldn't be interested. 1084 00:49:41,754 --> 00:49:45,234 Speaker 3: Whereas we don't know almost anything about the British and corent. 1085 00:49:44,994 --> 00:49:46,674 Speaker 2: Of love life. 1086 00:49:46,874 --> 00:49:48,594 Speaker 3: We don't know who Johnny Baile, who's one of the 1087 00:49:48,634 --> 00:49:51,474 Speaker 3: biggest stars in the world, is dating, which is massive. 1088 00:49:51,674 --> 00:49:54,674 Speaker 3: Luke Thompson purposely never talks about his love life. He 1089 00:49:54,834 --> 00:49:57,834 Speaker 3: says that it doesn't make sense as him as an 1090 00:49:57,874 --> 00:50:00,794 Speaker 3: actor to give away chunks of his life, and he 1091 00:50:00,954 --> 00:50:02,594 Speaker 3: wants to be seen as an empty vessel. 1092 00:50:02,634 --> 00:50:03,794 Speaker 4: He wants you to be able to. 1093 00:50:03,714 --> 00:50:07,074 Speaker 3: See him playing Benedict and believe that he wants to 1094 00:50:07,194 --> 00:50:08,754 Speaker 3: you'd be able to see him on the West End 1095 00:50:08,754 --> 00:50:10,433 Speaker 3: stage and believe he's playing another role. 1096 00:50:10,794 --> 00:50:13,554 Speaker 2: They're about the work, and I respect that they'd like Shonder. 1097 00:50:13,594 --> 00:50:15,954 Speaker 2: They're just like Shonder at the top sets this ethic 1098 00:50:16,234 --> 00:50:19,234 Speaker 2: of like personal life not important, Let's just do the work. 1099 00:50:19,474 --> 00:50:22,514 Speaker 4: Yeah, professionally, I think that's really admirable. But all I 1100 00:50:22,554 --> 00:50:24,074 Speaker 4: want to know is who they're banging. 1101 00:50:24,994 --> 00:50:27,314 Speaker 2: And at some point there will be wedding photos for 1102 00:50:27,394 --> 00:50:30,754 Speaker 2: people like purchased at some price. We will know bits 1103 00:50:30,754 --> 00:50:34,714 Speaker 2: and pieces throughout the years. I'm pretty excited from this episode, 1104 00:50:34,714 --> 00:50:36,154 Speaker 2: and I hope you are too, so thank you so 1105 00:50:36,274 --> 00:50:38,433 Speaker 2: much for joining us today to get across everything you 1106 00:50:38,474 --> 00:50:41,554 Speaker 2: need to know before Benedict's season of Bridgeton drops on 1107 00:50:41,594 --> 00:50:45,194 Speaker 2: Netflix on Thursday, twenty ninth of January. We hope you 1108 00:50:45,314 --> 00:50:47,274 Speaker 2: love deep diving with us, and if you're looking for more, 1109 00:50:47,314 --> 00:50:49,674 Speaker 2: make sure you check out our other watch party series. 1110 00:50:49,834 --> 00:50:52,034 Speaker 2: We have whole seasons to be not Emily in Paris. 1111 00:50:52,074 --> 00:50:54,913 Speaker 2: Nobody wants this. The summer I turned pretty plus one 1112 00:50:54,954 --> 00:50:57,914 Speaker 2: off episodes on big movies, from Wicked to the Thursday 1113 00:50:58,034 --> 00:51:01,274 Speaker 2: Murder Club. Watch Party is produced by moniche Y Swarren, 1114 00:51:01,474 --> 00:51:04,994 Speaker 2: audio production by Scott Stronik and video production by Michael Keane. 1115 00:51:05,074 --> 00:51:18,514 Speaker 5: Bye Bye Bye, Mamma Mia acknowledges the traditional owners of 1116 00:51:18,554 --> 00:51:21,474 Speaker 5: the land. We have recorded this podcast on the Gadigol 1117 00:51:21,514 --> 00:51:24,674 Speaker 5: people of the Oronation. We pay our respects to their 1118 00:51:24,674 --> 00:51:27,594 Speaker 5: elders past and present, and extend that respect to all 1119 00:51:27,634 --> 00:51:29,874 Speaker 5: Aboriginal and Torres Strait Islander cultures.