1 00:00:11,104 --> 00:00:11,384 Speaker 1: So much. 2 00:00:11,424 --> 00:00:14,104 Speaker 2: You're listening to a Muma Mia podcast. 3 00:00:14,784 --> 00:00:18,664 Speaker 3: Mamma Mia acknowledges the traditional owners of land and borders 4 00:00:18,704 --> 00:00:26,704 Speaker 3: that this podcast is recorded on From Mamma Mia. Welcome 5 00:00:26,704 --> 00:00:29,584 Speaker 3: to the Spill your daily pop culture fix. I'm Laura 6 00:00:29,664 --> 00:00:32,464 Speaker 3: Brodney and I'm cassemue Lugitch, and today we have a 7 00:00:32,584 --> 00:00:35,744 Speaker 3: very special episode that we have just been frothing to 8 00:00:35,824 --> 00:00:38,104 Speaker 3: do because then he's like literally shaking in her chair. 9 00:00:38,504 --> 00:00:42,024 Speaker 2: It's just bringing back all of my like nostalgic. It's 10 00:00:42,024 --> 00:00:43,424 Speaker 2: gonna be a fun one today. 11 00:00:43,264 --> 00:00:44,904 Speaker 3: Yes, exactly, because I'm just gonna go out and say, 12 00:00:44,984 --> 00:00:46,904 Speaker 3: the two girls who can't dance, maybe you can. I 13 00:00:46,904 --> 00:00:49,784 Speaker 3: don't know, maybe you're a secret ballerina or something like that. 14 00:00:50,544 --> 00:00:52,704 Speaker 3: But I feel like both of us grew up wanting 15 00:00:52,744 --> 00:00:54,904 Speaker 3: to be dancers and we didn't have the feet to 16 00:00:54,904 --> 00:00:57,384 Speaker 3: get us there, and so instead we watched dance movies. 17 00:00:57,464 --> 00:01:00,104 Speaker 3: Like all girls of like the nineties and early two thousands, 18 00:01:00,384 --> 00:01:02,384 Speaker 3: we were raised on dance movies. And that's all we're 19 00:01:02,384 --> 00:01:05,624 Speaker 3: talking about today, because if you can believe this, this 20 00:01:05,664 --> 00:01:08,944 Speaker 3: news shocked me to my soul center stage in the 21 00:01:08,984 --> 00:01:12,384 Speaker 3: Last Fortnight Turn twenty five, that movie has been in 22 00:01:12,424 --> 00:01:15,104 Speaker 3: the world for twenty five years. Go who named you? 23 00:01:15,264 --> 00:01:15,544 Speaker 1: Jordy? 24 00:01:15,624 --> 00:01:17,544 Speaker 2: So you need to concentrate on your turn out. 25 00:01:18,704 --> 00:01:19,384 Speaker 3: She's so good. 26 00:01:19,984 --> 00:01:20,984 Speaker 1: Yeah, just ask her. 27 00:01:21,304 --> 00:01:23,464 Speaker 3: You're not like most of the girls here. Your technique 28 00:01:23,544 --> 00:01:25,104 Speaker 3: is nowhere near where she'd feel. 29 00:01:25,224 --> 00:01:25,984 Speaker 2: Jody's hopeless. 30 00:01:26,584 --> 00:01:29,264 Speaker 1: She's like, ranking are you kicking me out? I want 31 00:01:29,304 --> 00:01:31,824 Speaker 1: you to really think this is the right place for you. 32 00:01:31,984 --> 00:01:33,504 Speaker 3: You're not here by mistake. 33 00:01:33,864 --> 00:01:37,264 Speaker 1: Someone at your audition watched you dance and saw something special. 34 00:01:37,424 --> 00:01:39,104 Speaker 1: Would you gotta do is figure out how to find 35 00:01:39,144 --> 00:01:42,144 Speaker 1: that again? Do you think I'm an idiot for getting 36 00:01:42,184 --> 00:01:42,824 Speaker 1: involved with him? 37 00:01:42,904 --> 00:01:45,064 Speaker 3: I think he's an idiot for not treating you well. 38 00:01:45,504 --> 00:01:49,824 Speaker 2: Whatever you feel just dancing? Wow, whine, I feel really old. 39 00:01:50,304 --> 00:01:53,744 Speaker 2: And two, this whole episode is like a millennial. 40 00:01:53,464 --> 00:01:55,944 Speaker 3: Rain one hundred I'm gonna say. And two, I can dance, 41 00:01:55,984 --> 00:01:57,504 Speaker 3: and I wanted you to get up and do it now. 42 00:01:58,024 --> 00:01:58,824 Speaker 2: I can't dance. 43 00:01:58,904 --> 00:02:01,464 Speaker 1: I can do serbian dancing. That's I'm actually quite good 44 00:02:01,464 --> 00:02:02,344 Speaker 1: at serbian dancing. 45 00:02:02,744 --> 00:02:04,024 Speaker 2: But other things. 46 00:02:05,624 --> 00:02:06,344 Speaker 3: It was a whole separate. 47 00:02:06,504 --> 00:02:09,744 Speaker 1: I remember leaving because I went and watched Center Stage 48 00:02:09,824 --> 00:02:12,904 Speaker 1: with my yeah, and she took me to We went 49 00:02:12,944 --> 00:02:15,224 Speaker 1: on a mummy daughter date. We see Center Stage and 50 00:02:15,264 --> 00:02:17,104 Speaker 1: I walked out of there being like, I want to 51 00:02:17,144 --> 00:02:17,784 Speaker 1: be a ballerina. 52 00:02:18,344 --> 00:02:20,144 Speaker 3: Oh my god, me two and now I was like sixteen. 53 00:02:20,184 --> 00:02:21,784 Speaker 3: I was like, it's way too late. But I remember 54 00:02:21,904 --> 00:02:25,144 Speaker 3: going like fifteen or I wasn't like fifty. Oh, I 55 00:02:25,184 --> 00:02:26,944 Speaker 3: mean I was in high school. I was like mid 56 00:02:27,064 --> 00:02:29,624 Speaker 3: high two thousand. It came out, okay, well I was 57 00:02:29,824 --> 00:02:31,744 Speaker 3: younger than that. And the reason I remember like being 58 00:02:31,784 --> 00:02:33,544 Speaker 3: a teen is because it was just on that cusp 59 00:02:33,584 --> 00:02:35,584 Speaker 3: of when we were allowed to go to the movies 60 00:02:35,624 --> 00:02:37,464 Speaker 3: by ourselves. So all our moms would drop us off 61 00:02:37,504 --> 00:02:38,984 Speaker 3: and we all meet in the car park and go in. 62 00:02:39,344 --> 00:02:41,584 Speaker 3: And we watched Center Stage on a Saturday night together 63 00:02:41,944 --> 00:02:43,704 Speaker 3: with all my girlfriends from high school. And I just 64 00:02:43,704 --> 00:02:46,504 Speaker 3: remember it being this, like, yeah, like a transformative experience. 65 00:02:46,784 --> 00:02:48,384 Speaker 3: So if you haven't seen it, first of all, what 66 00:02:48,464 --> 00:02:49,824 Speaker 3: the hell are you doing here? Go out and like 67 00:02:50,024 --> 00:02:53,264 Speaker 3: educate yourself on cinema. Go away, now, pause it right now, 68 00:02:53,744 --> 00:02:56,384 Speaker 3: go watch it. We'll hear back from the yes. Because 69 00:02:56,424 --> 00:02:57,904 Speaker 3: Center Stage, as I said, we came out in the 70 00:02:57,984 --> 00:03:00,984 Speaker 3: year two thousand. It's a teen drama and it tells 71 00:03:01,064 --> 00:03:03,664 Speaker 3: the story of this young group of ballet dancers. So 72 00:03:03,704 --> 00:03:05,864 Speaker 3: they're all turning eighteen, like they've just left high school 73 00:03:06,184 --> 00:03:09,984 Speaker 3: and they've auditioned for the American Ballet Academy in New York. 74 00:03:10,424 --> 00:03:11,864 Speaker 3: That's not the official name. It's just spit on like 75 00:03:11,904 --> 00:03:12,824 Speaker 3: a real ballet See. 76 00:03:12,824 --> 00:03:15,024 Speaker 1: Well, yeah, the American Ballet Theater is just what the 77 00:03:15,064 --> 00:03:17,864 Speaker 1: actual name is ABT, So it's based off that. But 78 00:03:17,984 --> 00:03:20,784 Speaker 1: it's you know, these most prestigious ballet school in New York, 79 00:03:20,864 --> 00:03:23,944 Speaker 1: and there's all of these different characters that get into 80 00:03:24,024 --> 00:03:27,704 Speaker 1: this particular program, yes, like the graduate program, and then 81 00:03:27,944 --> 00:03:29,904 Speaker 1: they get picked for the company at the end of 82 00:03:29,984 --> 00:03:30,464 Speaker 1: the season. 83 00:03:31,224 --> 00:03:35,424 Speaker 2: It's Zoe Saldana's very first movie, very first. 84 00:03:35,184 --> 00:03:37,224 Speaker 3: Movie, which when you watch it back, you're just like, 85 00:03:37,344 --> 00:03:39,504 Speaker 3: she is a revelation in this movie, like you can 86 00:03:39,584 --> 00:03:41,984 Speaker 3: just go to till she's obviously the most famous out 87 00:03:42,024 --> 00:03:43,544 Speaker 3: of the cast. Everyone in the cast has gone on 88 00:03:43,584 --> 00:03:45,064 Speaker 3: to do good things, but she's the one who's the 89 00:03:45,104 --> 00:03:48,464 Speaker 3: big breakout movie star, Oscar Winner, the star of two 90 00:03:48,504 --> 00:03:50,584 Speaker 3: of the biggest movie franchises in the world. And I 91 00:03:50,664 --> 00:03:52,464 Speaker 3: feel like you get that from watching her in this. 92 00:03:52,704 --> 00:03:54,584 Speaker 1: Yeah, she is a real natural. Now, I do want 93 00:03:54,624 --> 00:03:56,344 Speaker 1: to point out I did have a look. So we're 94 00:03:56,344 --> 00:03:58,304 Speaker 1: going to be talking about a couple of dance maybe yesterday. 95 00:03:58,944 --> 00:04:01,744 Speaker 1: But I do want to point out the Rotten Tomatoes 96 00:04:01,824 --> 00:04:05,024 Speaker 1: ratings on them because I think that all of these 97 00:04:05,064 --> 00:04:05,704 Speaker 1: movies that we're going. 98 00:04:05,704 --> 00:04:09,864 Speaker 2: To be talking about are sorely under So then. 99 00:04:09,824 --> 00:04:13,384 Speaker 1: Stage just forty two on top Rotten Tomato had just 100 00:04:13,744 --> 00:04:16,544 Speaker 1: an eighty two percent approval rate from the audience, which 101 00:04:16,584 --> 00:04:17,544 Speaker 1: is who it was made for. 102 00:04:17,784 --> 00:04:20,944 Speaker 3: I'm just sorry how many movies from twenty five years 103 00:04:20,944 --> 00:04:22,904 Speaker 3: ago are still such a big part of our lives 104 00:04:22,984 --> 00:04:24,984 Speaker 3: as this movie is. And you know why the score 105 00:04:25,064 --> 00:04:27,664 Speaker 3: is so low from reviewers, It's because men. They're men, 106 00:04:27,904 --> 00:04:30,344 Speaker 3: old white men. They're old men, and this movie was 107 00:04:30,464 --> 00:04:31,664 Speaker 3: not made for you, made for you. 108 00:04:31,864 --> 00:04:34,264 Speaker 2: Do you know how passionate I get about this because 109 00:04:34,304 --> 00:04:35,544 Speaker 2: there's so many things. 110 00:04:35,624 --> 00:04:38,904 Speaker 1: There's so many movies like like even things like beauty 111 00:04:39,864 --> 00:04:43,184 Speaker 1: or makeup or things like that that get demoralized by 112 00:04:43,304 --> 00:04:45,544 Speaker 1: men as being silly little girl thing. 113 00:04:45,664 --> 00:04:49,704 Speaker 2: Yes, because it doesn't mean as much to them. 114 00:04:49,744 --> 00:04:52,424 Speaker 3: Those members watching a different movie to us. So there's interesting. 115 00:04:52,464 --> 00:04:55,264 Speaker 3: There's so many good character stories in this dance movie. 116 00:04:55,504 --> 00:04:57,904 Speaker 3: So obviously we have Jodie Sawyer main girl. 117 00:04:58,104 --> 00:04:58,264 Speaker 2: You know. 118 00:04:58,464 --> 00:05:00,704 Speaker 3: Character energy is that she's very sweet. A lot of 119 00:05:00,744 --> 00:05:02,864 Speaker 3: things kind of happen to her, but we follow her story. 120 00:05:03,224 --> 00:05:06,224 Speaker 3: She's played by Amanda Shall, who also her first acting 121 00:05:06,344 --> 00:05:09,184 Speaker 3: role ever, which comes across a bit more than then 122 00:05:09,264 --> 00:05:12,544 Speaker 3: z Always Seldana who is playing Eva Rodriguez, who's like 123 00:05:12,744 --> 00:05:14,064 Speaker 3: the tough girl from the streets. 124 00:05:14,504 --> 00:05:17,424 Speaker 2: She's got her hair out of her, she's not wearing 125 00:05:17,504 --> 00:05:18,064 Speaker 2: pink tie. 126 00:05:18,184 --> 00:05:20,024 Speaker 3: Yeah, she's the cool girl. So she's the cool girl 127 00:05:20,024 --> 00:05:22,744 Speaker 3: who's an incredible dancer. And then Amanda Schell, who's gone 128 00:05:22,744 --> 00:05:24,464 Speaker 3: to have a really great career. If you look up 129 00:05:24,504 --> 00:05:27,424 Speaker 3: her IMDb page, she's been in nearly every TV series 130 00:05:27,464 --> 00:05:29,224 Speaker 3: in the whole world. I think a lot of people 131 00:05:29,344 --> 00:05:31,504 Speaker 3: loved her. She played like a really villainous role in 132 00:05:31,584 --> 00:05:34,224 Speaker 3: One Tree Hill. She had a huge character arc on suits. 133 00:05:34,304 --> 00:05:35,864 Speaker 3: She just she pops up in everything. 134 00:05:35,984 --> 00:05:38,304 Speaker 1: The reason that I think this movie lands a lot, 135 00:05:38,464 --> 00:05:42,984 Speaker 1: particularly with people who actually are dancers, is that Amanda 136 00:05:43,024 --> 00:05:49,264 Speaker 1: schoul Ethan Stifles, Sasha Ridetzky, and Julie Kent were all dancers. 137 00:05:49,384 --> 00:05:53,144 Speaker 1: They had all been professional dancers. And then Iliya Kuley, 138 00:05:53,264 --> 00:05:55,824 Speaker 1: who is the Russian guy. Yeah, so he was a 139 00:05:55,864 --> 00:06:00,504 Speaker 1: figure skater, oh yeah, and then Zoey Salana had ballet training, 140 00:06:00,584 --> 00:06:04,064 Speaker 1: so they all actually had some professional training. 141 00:06:04,864 --> 00:06:07,504 Speaker 2: The only one that didn't have like proper professional training 142 00:06:07,664 --> 00:06:09,544 Speaker 2: was Zoe but she had done dancing. 143 00:06:09,304 --> 00:06:11,624 Speaker 3: Before, and you never see her do a full dancing shot. 144 00:06:11,664 --> 00:06:13,664 Speaker 3: She's always holding her arms and doing anything like that. 145 00:06:13,784 --> 00:06:16,144 Speaker 3: So yeah, they let Dodie into the school even though, 146 00:06:16,184 --> 00:06:18,464 Speaker 3: as they say in the audition, bad feet. But then 147 00:06:18,544 --> 00:06:20,304 Speaker 3: one of the guys who's doing the audition is like, 148 00:06:20,504 --> 00:06:22,384 Speaker 3: but look at her, and the camera zooms in on 149 00:06:22,424 --> 00:06:24,184 Speaker 3: her and I guess she's like smiling and stuff. And 150 00:06:24,264 --> 00:06:27,704 Speaker 3: then the movie follows this group of dancers over a year. 151 00:06:28,064 --> 00:06:29,824 Speaker 3: So the idea is that they're in the program for 152 00:06:29,944 --> 00:06:32,504 Speaker 3: a year and at the end, only two students get 153 00:06:32,584 --> 00:06:34,584 Speaker 3: selected to actually join the company and the rest of 154 00:06:34,624 --> 00:06:36,864 Speaker 3: them might as well die. Is kind of the that 155 00:06:37,064 --> 00:06:40,424 Speaker 3: of it, like you get. Yeah. We also have Susan 156 00:06:40,504 --> 00:06:42,664 Speaker 3: Mary Patt who is still an incredible actress, but she 157 00:06:42,824 --> 00:06:45,504 Speaker 3: was such a mainstay of these like early two thousands movies, 158 00:06:45,904 --> 00:06:47,784 Speaker 3: like she's in Ten Things I Hate About You and 159 00:06:47,824 --> 00:06:49,784 Speaker 3: all this sort of stuff. And she plays Maureen, who's 160 00:06:49,864 --> 00:06:52,384 Speaker 3: like the best dancer in the school and kind of 161 00:06:52,464 --> 00:06:54,464 Speaker 3: the mean girl, but they all become friends as things 162 00:06:54,584 --> 00:06:58,024 Speaker 3: go along, and she's got the eating disorder. Yeah, and 163 00:06:58,144 --> 00:06:59,864 Speaker 3: then she falls in love with the doctor and they 164 00:06:59,904 --> 00:07:01,344 Speaker 3: have like the amazing romance. 165 00:07:01,744 --> 00:07:03,904 Speaker 1: Yeah. So many great moments of this movie. I do 166 00:07:04,024 --> 00:07:05,424 Speaker 1: want to ask you before we move on to our 167 00:07:05,504 --> 00:07:07,624 Speaker 1: next movie, what is your favorite part. 168 00:07:08,344 --> 00:07:09,424 Speaker 2: Of the movie. 169 00:07:09,544 --> 00:07:12,424 Speaker 3: Oh, I mean this, so many moments. I love when 170 00:07:12,584 --> 00:07:15,104 Speaker 3: Jody goes into dance class, when she's kind of falling 171 00:07:15,104 --> 00:07:16,904 Speaker 3: in love with Cooper and like finds her rhythm. But 172 00:07:16,984 --> 00:07:18,224 Speaker 3: the thing is, and this is what I love about 173 00:07:18,264 --> 00:07:20,224 Speaker 3: dance movies, and this is the string that will go 174 00:07:20,344 --> 00:07:22,664 Speaker 3: through all of these movies we're talking about today, is 175 00:07:22,744 --> 00:07:24,984 Speaker 3: the best thing about a dance movie is that at 176 00:07:25,024 --> 00:07:28,544 Speaker 3: the end, it has this big performance number where everyone's 177 00:07:28,664 --> 00:07:32,144 Speaker 3: problems are solved through dance. And I love that it's 178 00:07:32,224 --> 00:07:33,464 Speaker 3: the final performance. 179 00:07:33,544 --> 00:07:34,344 Speaker 2: So that is our. 180 00:07:34,344 --> 00:07:36,624 Speaker 1: Definition of a dance movie. What we're gonna be talking 181 00:07:36,624 --> 00:07:40,744 Speaker 1: about today. It's either a movie about dance or problems being. 182 00:07:40,744 --> 00:07:44,184 Speaker 3: So vied down. Because I actually don't think and I'm 183 00:07:44,224 --> 00:07:47,024 Speaker 3: not even being overly dramatic or stilly here. I actually 184 00:07:47,104 --> 00:07:50,424 Speaker 3: think that moment in the final performance where JODI's on stage, 185 00:07:50,504 --> 00:07:52,904 Speaker 3: and she's dancing in this production that's so against the 186 00:07:52,944 --> 00:07:53,544 Speaker 3: traditional ballot. 187 00:07:53,624 --> 00:07:55,904 Speaker 1: Yeah, goo go, I'm getting really excited about arms are 188 00:07:55,904 --> 00:07:58,384 Speaker 1: black eggs. It's my favorite moment was the red sky 189 00:07:58,504 --> 00:07:59,424 Speaker 1: rim Yes, that's what. 190 00:07:59,384 --> 00:08:02,584 Speaker 3: I was gonna say. Sorry, that's classic cinema. Guys. Again, 191 00:08:02,584 --> 00:08:05,024 Speaker 3: if you haven't watch, just as a practical have. 192 00:08:05,104 --> 00:08:07,344 Speaker 2: You ever looked at the can you see how I go? 193 00:08:07,464 --> 00:08:07,504 Speaker 1: So? 194 00:08:07,664 --> 00:08:09,664 Speaker 3: Have you seen the IMDb? Yes? 195 00:08:09,824 --> 00:08:11,704 Speaker 1: So the tree for this that was actually a practical 196 00:08:11,744 --> 00:08:14,344 Speaker 1: effect that Scott actually did. Obviously, the points she is 197 00:08:14,384 --> 00:08:15,184 Speaker 1: she couldn't. 198 00:08:14,864 --> 00:08:17,824 Speaker 2: Like, yeah, yeah, do that, but that skirt revealed yes. 199 00:08:18,744 --> 00:08:20,744 Speaker 3: So it's like her character in the final dance the 200 00:08:20,784 --> 00:08:23,464 Speaker 3: Big Showcase we had sex mirrors her storyline through the 201 00:08:23,544 --> 00:08:26,024 Speaker 3: movie where she gets with this bad guy who's Cooper, 202 00:08:26,104 --> 00:08:28,464 Speaker 3: her dance teacher, which is problematic but so hot, especially 203 00:08:28,464 --> 00:08:30,584 Speaker 3: when you're a teenager watching it. And then she's between 204 00:08:30,624 --> 00:08:33,464 Speaker 3: these two good guys. So it's Charlie and Cooper and 205 00:08:33,584 --> 00:08:35,624 Speaker 3: they do the dance back on stage and then all 206 00:08:35,664 --> 00:08:37,624 Speaker 3: of a sudden, the camera just pans up and she's 207 00:08:37,664 --> 00:08:39,984 Speaker 3: in this red outfit on stage and then it goes dance, 208 00:08:40,144 --> 00:08:43,904 Speaker 3: and then she just dances across the stage. Yeah, honestly, 209 00:08:44,064 --> 00:08:45,864 Speaker 3: I know that dance in my head, like I couldn't 210 00:08:45,904 --> 00:08:47,744 Speaker 3: technically do it, but I can kind of do it 211 00:08:48,144 --> 00:08:51,064 Speaker 3: because I've watched it so many times, and when she 212 00:08:51,184 --> 00:08:53,744 Speaker 3: does the times at the end, as the thing goes. 213 00:08:55,184 --> 00:08:57,424 Speaker 3: Then it's also followed by my other favorite moment of 214 00:08:57,504 --> 00:09:00,704 Speaker 3: this movie, which is at the end where every dancer 215 00:09:00,904 --> 00:09:03,504 Speaker 3: is walking into the room to kind of seal their 216 00:09:03,584 --> 00:09:05,784 Speaker 3: fate and you find it who gets in. And before that, 217 00:09:05,904 --> 00:09:08,984 Speaker 3: we had that moment with Maureen where she confronts her. 218 00:09:08,984 --> 00:09:12,064 Speaker 1: Mother, runs out, she leaves, she doesn't want to do 219 00:09:12,104 --> 00:09:15,104 Speaker 1: the dance, she leaves, and that's when Eva comes out 220 00:09:15,144 --> 00:09:16,464 Speaker 1: and she we surprised. 221 00:09:16,104 --> 00:09:18,224 Speaker 2: The audience, and the mom comes up and storms up 222 00:09:18,264 --> 00:09:19,824 Speaker 2: to her daughter and she goes, what. 223 00:09:19,904 --> 00:09:20,344 Speaker 1: Are you doing? 224 00:09:20,584 --> 00:09:21,424 Speaker 2: Y's your dream? 225 00:09:21,704 --> 00:09:21,904 Speaker 3: Yeah? 226 00:09:21,904 --> 00:09:23,824 Speaker 2: And what did she say? What's the iconic line? 227 00:09:24,344 --> 00:09:25,104 Speaker 3: It's your dream? 228 00:09:25,584 --> 00:09:29,664 Speaker 2: This is your dream? Or don't just throw away your dream. 229 00:09:30,304 --> 00:09:34,144 Speaker 3: It's your dream and it matters more to you than 230 00:09:34,584 --> 00:09:35,664 Speaker 3: anything mattered to me. 231 00:09:36,504 --> 00:09:39,224 Speaker 1: So I did it. I'm not you, mom. 232 00:09:39,944 --> 00:09:43,024 Speaker 3: I mean you didn't have the feet, I don't have 233 00:09:43,144 --> 00:09:45,464 Speaker 3: the heart. And then the other bit when Jodie walks 234 00:09:45,464 --> 00:09:47,064 Speaker 3: into the room, and she thinks they're going to offer 235 00:09:47,064 --> 00:09:48,504 Speaker 3: her to be part of the company, and she says 236 00:09:48,544 --> 00:09:50,624 Speaker 3: she can't because then she was spending the best years 237 00:09:50,664 --> 00:09:52,864 Speaker 3: of her dance life waving a rose back and forth, 238 00:09:52,944 --> 00:09:55,104 Speaker 3: and I'm better than that. And then she's like, if 239 00:09:55,144 --> 00:09:57,024 Speaker 3: you're going to offer me a role, don't do it 240 00:09:57,064 --> 00:09:58,304 Speaker 3: because I won't be able to say no. And then 241 00:09:58,344 --> 00:10:00,144 Speaker 3: she walks out of it, and then she dumps Creeper 242 00:10:00,184 --> 00:10:01,384 Speaker 3: as well and hooks up with Charlie. 243 00:10:01,544 --> 00:10:04,024 Speaker 1: But then but then she also becomes part of Cooper 244 00:10:04,104 --> 00:10:05,864 Speaker 1: Nielsen's company, which he has. 245 00:10:07,384 --> 00:10:09,864 Speaker 3: What is your next best? Okay, So my next. 246 00:10:09,784 --> 00:10:12,984 Speaker 1: One that I to bring up is one that is 247 00:10:13,744 --> 00:10:18,864 Speaker 1: also a mainstay of like the two thousands early aughts, Honey, 248 00:10:19,344 --> 00:10:23,064 Speaker 1: Oh My God, another cinema classic again nineteen percent on 249 00:10:23,184 --> 00:10:26,184 Speaker 1: Rotten Tomatoes, but seventy one percent audience rating. 250 00:10:26,304 --> 00:10:27,824 Speaker 2: So I think we're sensing a bit of a thing. 251 00:10:27,944 --> 00:10:29,024 Speaker 3: The audience knows what's up. 252 00:10:29,104 --> 00:10:33,064 Speaker 1: Starring Jessica Alba. Guys, you have seen this poster. This 253 00:10:33,224 --> 00:10:37,224 Speaker 1: poster was on every teenage boys wall. It is Jessica 254 00:10:37,304 --> 00:10:39,144 Speaker 1: Albert and basically just her abs. 255 00:10:39,184 --> 00:10:39,544 Speaker 3: Do you know what? 256 00:10:39,624 --> 00:10:39,784 Speaker 1: Though? 257 00:10:39,944 --> 00:10:42,024 Speaker 2: This is two thousand and three, this movie came out. 258 00:10:42,504 --> 00:10:44,424 Speaker 1: I think this is what gave me a complex about 259 00:10:44,464 --> 00:10:47,544 Speaker 1: my stomach because he and also feel like Jessica Album 260 00:10:47,584 --> 00:10:50,024 Speaker 1: wouldn't want that for you, but like they really like 261 00:10:50,224 --> 00:10:52,664 Speaker 1: it was all about abs in the warts. 262 00:10:52,704 --> 00:10:55,224 Speaker 3: And in this whole movie, she's wearing croptop at pretty 263 00:10:55,264 --> 00:10:57,704 Speaker 3: much every scene and the camera is always moving on here, 264 00:10:57,784 --> 00:10:59,624 Speaker 3: which is kind of interesting because one of the plots 265 00:10:59,664 --> 00:11:02,104 Speaker 3: of the movie is about this young dancer who's trying 266 00:11:02,144 --> 00:11:04,384 Speaker 3: to start her own dance school at Honey Daniels and 267 00:11:04,424 --> 00:11:06,144 Speaker 3: who's trying to like do good things in the world 268 00:11:06,224 --> 00:11:08,224 Speaker 3: and being over sexualized by creepy man. You know. 269 00:11:08,384 --> 00:11:10,624 Speaker 1: So she works with the underprod really children in a 270 00:11:10,704 --> 00:11:14,344 Speaker 1: community center. Her dream is to be a big choreographer 271 00:11:14,944 --> 00:11:18,344 Speaker 1: for music videos. Now there's a couple of other people 272 00:11:18,384 --> 00:11:20,584 Speaker 1: in there, but you know, mainly it's just out of. 273 00:11:20,584 --> 00:11:21,544 Speaker 3: The show year. 274 00:11:21,904 --> 00:11:25,144 Speaker 2: But we do get like Missie is like the main performer, 275 00:11:25,504 --> 00:11:27,384 Speaker 2: and she's like, no, I want Honey. 276 00:11:27,664 --> 00:11:29,464 Speaker 1: I don't care if she just show Michael Jackson how 277 00:11:29,504 --> 00:11:33,624 Speaker 1: the Harlem sheep, I said, I want Honey, Honey Daniels, duh. 278 00:11:34,264 --> 00:11:37,744 Speaker 1: Basically the music producer who she meets who's like opening all. 279 00:11:37,624 --> 00:11:40,064 Speaker 3: These doors for her because he wants to sleep with her. 280 00:11:40,224 --> 00:11:42,864 Speaker 1: Basically says like, if you don't sleep with me, you're 281 00:11:42,904 --> 00:11:45,144 Speaker 1: not going to get far. And that's kind of at 282 00:11:45,184 --> 00:11:47,544 Speaker 1: the crux of the movie, and it's about how overcoming, 283 00:11:48,144 --> 00:11:51,024 Speaker 1: you know, the creepy, disgusting man and still being able 284 00:11:51,064 --> 00:11:53,864 Speaker 1: to succeed. And then, as we said, there's the big 285 00:11:53,944 --> 00:11:55,864 Speaker 1: performance at the air at the end, she's like, I'm 286 00:11:55,864 --> 00:11:58,384 Speaker 1: in a creepy record dude whose name I don't even 287 00:11:58,424 --> 00:11:59,504 Speaker 1: even remember, but it's. 288 00:11:59,344 --> 00:12:02,704 Speaker 3: Not important, it's not important. She Yeah, he plucks her 289 00:12:02,864 --> 00:12:04,824 Speaker 3: from like the club dance scene. I says, she's a 290 00:12:04,864 --> 00:12:07,024 Speaker 3: bartender by night, but she also dances on the club 291 00:12:07,104 --> 00:12:09,024 Speaker 3: floor and there's like dance battles. Yeah, and then she 292 00:12:09,184 --> 00:12:12,104 Speaker 3: gets scouted by him, and he like elevates her through 293 00:12:12,184 --> 00:12:14,904 Speaker 3: the dance choreography world and she thinks it's because her 294 00:12:14,984 --> 00:12:17,304 Speaker 3: choreography is great, which is, but it's mostly because he 295 00:12:17,304 --> 00:12:18,824 Speaker 3: wants to sleep with her. And then when she walks 296 00:12:18,864 --> 00:12:21,704 Speaker 3: away from him, it's that whole thing again where all 297 00:12:21,784 --> 00:12:23,944 Speaker 3: the problems are solved fire dance, because then she gets 298 00:12:23,944 --> 00:12:26,904 Speaker 3: the kids together to do the dance solved by community. 299 00:12:26,944 --> 00:12:28,304 Speaker 2: Do you know what I also love. I love but 300 00:12:28,384 --> 00:12:31,424 Speaker 2: when in these dance movies they get inspiration from I 301 00:12:31,504 --> 00:12:32,264 Speaker 2: know what you And. 302 00:12:32,304 --> 00:12:34,104 Speaker 3: I was gonna say, that's my favorite scene as well. 303 00:12:34,224 --> 00:12:37,304 Speaker 1: So she goes she's walking through like the backstreets and 304 00:12:37,424 --> 00:12:41,024 Speaker 1: there's kids playing basketball. She's like and that becomes like 305 00:12:41,104 --> 00:12:44,424 Speaker 1: one of the key choreographic and the same thing happens. 306 00:12:44,464 --> 00:12:45,944 Speaker 2: Didn't bring it on, you know, hown't bring it all. 307 00:12:46,024 --> 00:12:49,304 Speaker 2: They yeah, yeah, I know that's what a dance moyvie. 308 00:12:49,344 --> 00:12:50,504 Speaker 3: But I just say it is I feel like we 309 00:12:50,504 --> 00:12:51,784 Speaker 3: should have added that in too late now. 310 00:12:51,864 --> 00:12:55,104 Speaker 2: But it is like just where they find inspiration from, 311 00:12:55,184 --> 00:12:58,584 Speaker 2: like unexpected. Yeah yeah. But she's like looking through the 312 00:12:58,784 --> 00:13:01,504 Speaker 2: grape and she's like, very good, that's just seeing it. 313 00:13:01,584 --> 00:13:04,184 Speaker 3: That basketball scene is so good because she's been taken 314 00:13:04,224 --> 00:13:06,824 Speaker 3: basically as a club dancer and a community theater like 315 00:13:06,864 --> 00:13:10,984 Speaker 3: community kids teacher to choreograph this big news video and 316 00:13:11,224 --> 00:13:13,144 Speaker 3: the poor sweet thing who is twenty two years old 317 00:13:13,264 --> 00:13:14,784 Speaker 3: is so out of her depths, like she can't really 318 00:13:14,824 --> 00:13:16,744 Speaker 3: do it. And that's when they like take a break 319 00:13:16,824 --> 00:13:18,584 Speaker 3: and she's over to the side like trying to figure 320 00:13:18,584 --> 00:13:20,304 Speaker 3: out what to do, and then she sees the guys 321 00:13:20,304 --> 00:13:22,344 Speaker 3: playing basketball. You're right, she does, and then in the 322 00:13:22,424 --> 00:13:24,024 Speaker 3: video clip they're all doing basketball. 323 00:13:24,144 --> 00:13:27,744 Speaker 2: Move so good, good, just look. I love a cheesy movie, 324 00:13:27,744 --> 00:13:27,984 Speaker 2: do you know. 325 00:13:28,224 --> 00:13:31,784 Speaker 1: Yeah, we don't watch these movies because they're Oscar worthy. 326 00:13:31,904 --> 00:13:35,224 Speaker 2: We watch them for like nostalgia, yeah, feel good and. 327 00:13:35,304 --> 00:13:37,504 Speaker 3: A bit of fun. And it's just like joy, like 328 00:13:38,104 --> 00:13:40,624 Speaker 3: even joy to our lives exactly Again, if you haven't 329 00:13:40,624 --> 00:13:42,744 Speaker 3: seen Honey, it's got so many things. She falls in 330 00:13:42,824 --> 00:13:45,704 Speaker 3: love with Makai Feiffer Hot, her best friend Joy Bryant. 331 00:13:45,744 --> 00:13:47,784 Speaker 3: She's incredible in this movie. They have a whole thing 332 00:13:47,824 --> 00:13:51,784 Speaker 3: because Honey's like really clear. The dance, Oh his little 333 00:13:51,784 --> 00:13:53,544 Speaker 3: brother and she takes him to get his hand down. 334 00:13:53,704 --> 00:13:55,024 Speaker 2: He's so cute. 335 00:13:55,184 --> 00:13:55,704 Speaker 1: What a movie. 336 00:13:55,784 --> 00:13:59,704 Speaker 3: Beautiful and again everything solved by dance. My next recommendation 337 00:13:59,944 --> 00:14:01,824 Speaker 3: is I'm throwing it all the way back to nineteen 338 00:14:01,904 --> 00:14:04,264 Speaker 3: ninety two. I don't know if anyone's seen this movie, 339 00:14:04,304 --> 00:14:06,384 Speaker 3: but again, I feel like most of you, well we have, 340 00:14:06,744 --> 00:14:09,184 Speaker 3: but I just remember having a VHS of it. That's 341 00:14:09,184 --> 00:14:11,064 Speaker 3: how far it goes back and just watching this movie 342 00:14:11,144 --> 00:14:12,984 Speaker 3: on a loop as a kid with my sisters and brother, 343 00:14:13,104 --> 00:14:15,104 Speaker 3: over and over and over and over again. And it's 344 00:14:15,224 --> 00:14:16,104 Speaker 3: strictly Ballroom. 345 00:14:16,584 --> 00:14:18,704 Speaker 1: Now, can I give you the Rotten Tomatoes rating for 346 00:14:18,744 --> 00:14:20,144 Speaker 1: strictly you want to hear out? 347 00:14:20,264 --> 00:14:21,664 Speaker 3: No, I can't. I can't deal with this. 348 00:14:21,864 --> 00:14:25,584 Speaker 1: Eighty eight percent by reviewers, yeah, and eighty seven percent 349 00:14:25,704 --> 00:14:26,424 Speaker 1: by the audience. 350 00:14:26,424 --> 00:14:27,144 Speaker 3: It's so high. 351 00:14:27,664 --> 00:14:28,824 Speaker 2: Again, this is because this. 352 00:14:28,904 --> 00:14:32,744 Speaker 1: Is Baz Lehman's very first of his Red Curtain trilogy. Yes, Now, 353 00:14:32,784 --> 00:14:34,424 Speaker 1: if you don't know what the Red Curtain trilogy is, 354 00:14:34,464 --> 00:14:38,064 Speaker 1: we've got Strictly Ballroom, Romeo and Juliet and Mulan Roache, 355 00:14:38,104 --> 00:14:39,744 Speaker 1: so that those were kind of the movies that really 356 00:14:39,784 --> 00:14:43,264 Speaker 1: brought out Yes, but Strictly Ballroom is his first one 357 00:14:43,784 --> 00:14:45,424 Speaker 1: is critically acclaim. 358 00:14:45,264 --> 00:14:48,144 Speaker 3: It is exactly critically aclaimed, and I think I've watched 359 00:14:48,144 --> 00:14:50,624 Speaker 3: it recently. It still holds up today as just being 360 00:14:50,664 --> 00:14:53,264 Speaker 3: like such a fantastic movie. Again, It's got everything we 361 00:14:53,344 --> 00:14:55,344 Speaker 3: want in a dance movie. It's got a love story, 362 00:14:55,424 --> 00:14:58,664 Speaker 3: it's got a makeover, it's got people fighting through dance 363 00:14:58,744 --> 00:15:01,384 Speaker 3: and dance villains, and at the end, everything is sold 364 00:15:01,624 --> 00:15:03,504 Speaker 3: via dance, and that's all I want in a dance movie. 365 00:15:03,864 --> 00:15:06,024 Speaker 3: So it's set in Sydney and it tells a story 366 00:15:06,064 --> 00:15:09,144 Speaker 3: of Scott Hastings played by Paul mccurio, who he's been 367 00:15:09,184 --> 00:15:10,864 Speaker 3: on like Dancing with the Stars and stuff. He's on 368 00:15:10,904 --> 00:15:12,344 Speaker 3: the other stuff, but he's like a judge on Dancing 369 00:15:12,384 --> 00:15:14,344 Speaker 3: with the Stars and stuff, and people see him they're 370 00:15:14,344 --> 00:15:16,224 Speaker 3: just like, oh, it's poor from Dancing the Stars. I'm like, 371 00:15:16,304 --> 00:15:16,864 Speaker 3: how dare you? 372 00:15:17,224 --> 00:15:17,264 Speaker 1: That? 373 00:15:17,424 --> 00:15:19,664 Speaker 3: Is? Scott Hastings the best dancer in the whole world. 374 00:15:20,024 --> 00:15:24,264 Speaker 3: So his parents were really famous ballroom dance champions, and 375 00:15:24,744 --> 00:15:27,064 Speaker 3: now his dad doesn't dance, and his mom like runs 376 00:15:27,104 --> 00:15:29,784 Speaker 3: the ballroom dancing Australia at school and all this sort 377 00:15:29,824 --> 00:15:32,384 Speaker 3: of stuff, and he's like the very best dancer and 378 00:15:32,624 --> 00:15:34,704 Speaker 3: he and his partner are sort of set to win 379 00:15:34,824 --> 00:15:38,184 Speaker 3: this big dance competition and then she leaves him for Ken, 380 00:15:38,664 --> 00:15:40,464 Speaker 3: who owns like a pool business. It's the whole thing. 381 00:15:41,024 --> 00:15:45,184 Speaker 3: And he starts secretly dancing with a dancer called Fran 382 00:15:45,624 --> 00:15:48,944 Speaker 3: played by Tara Maurice, who they're so awful about her 383 00:15:48,944 --> 00:15:50,784 Speaker 3: at this good so much about how you look because 384 00:15:50,824 --> 00:15:53,904 Speaker 3: she's seen as like everyone's like she's ugly, she can't dance, 385 00:15:53,944 --> 00:15:56,504 Speaker 3: she's got bad skin and bad hair, and she really 386 00:15:56,584 --> 00:15:58,584 Speaker 3: wants to be a dancer, so she and Scott start 387 00:15:58,704 --> 00:16:02,024 Speaker 3: practicing secretly, and then her father starts like helping them 388 00:16:02,064 --> 00:16:03,544 Speaker 3: learn to dance, and this is where we have one 389 00:16:03,544 --> 00:16:05,784 Speaker 3: of the best scenes in cinema. It's so funny because 390 00:16:05,784 --> 00:16:08,224 Speaker 3: the al Mum and Mer office overlooked King's Cross which 391 00:16:08,224 --> 00:16:11,304 Speaker 3: has the massive big Coca Cola sign, and no one 392 00:16:11,344 --> 00:16:13,384 Speaker 3: ever wanted that desk with the Mamea office. They always 393 00:16:13,384 --> 00:16:14,984 Speaker 3: wanted the Harbor of You, but I always wanted the 394 00:16:15,064 --> 00:16:16,744 Speaker 3: King's Cross desk so I could look at the Coke 395 00:16:16,864 --> 00:16:19,624 Speaker 3: sign and think about strictly ballroom. Because there's a scene 396 00:16:19,624 --> 00:16:22,064 Speaker 3: where they're dancing, where they dance in front of the sign. 397 00:16:22,104 --> 00:16:24,144 Speaker 3: It wasn't actually a film there, I found out only recently. 398 00:16:24,304 --> 00:16:25,024 Speaker 3: That really kills me. 399 00:16:25,144 --> 00:16:28,184 Speaker 1: But I feel like the only reason that this shouldn't 400 00:16:28,184 --> 00:16:30,184 Speaker 1: belong in here is because it's too good. A movie 401 00:16:30,304 --> 00:16:32,784 Speaker 1: like this is actually quite a good piece of Australian cinema. 402 00:16:32,904 --> 00:16:33,784 Speaker 3: You know, it's incredible. 403 00:16:33,864 --> 00:16:37,104 Speaker 2: But maybe then that kind of goes to the argument 404 00:16:37,144 --> 00:16:39,304 Speaker 2: that not all dance movies have to be cheesy. 405 00:16:39,584 --> 00:16:41,824 Speaker 1: Oh no, But the thing is, this one's cheesy, cheesy, 406 00:16:41,864 --> 00:16:44,704 Speaker 1: but it is, like it's actually just such a classic 407 00:16:44,824 --> 00:16:45,944 Speaker 1: part of Australian cinema. 408 00:16:46,144 --> 00:16:47,904 Speaker 2: If you think about like Murial's. 409 00:16:47,464 --> 00:16:52,104 Speaker 3: Wedding the Castle strictly balled, it's very It has like 410 00:16:52,144 --> 00:16:55,264 Speaker 3: almost like a cartoonish quality too, like you've got heroes 411 00:16:55,304 --> 00:16:57,344 Speaker 3: and villains and people are really over the top. But 412 00:16:57,824 --> 00:17:00,344 Speaker 3: as they go through the movie, Scott and Fran you know, 413 00:17:00,544 --> 00:17:03,864 Speaker 3: start to fall in love and she gets a moke over, 414 00:17:03,984 --> 00:17:06,784 Speaker 3: but not in really intense makeover. But the final dance 415 00:17:06,824 --> 00:17:09,584 Speaker 3: scene is one of the most cinematic things I've ever seen, 416 00:17:09,584 --> 00:17:11,784 Speaker 3: because they're out on the floor and they're doing this 417 00:17:11,904 --> 00:17:13,744 Speaker 3: amazing dance and they're like, they're not supposed to be 418 00:17:13,824 --> 00:17:15,224 Speaker 3: on the dance floor, and they kind of come out 419 00:17:15,224 --> 00:17:17,184 Speaker 3: and start dancing, and then the music gets turned off 420 00:17:17,424 --> 00:17:19,464 Speaker 3: and then everyone starts cheering for it to start again, 421 00:17:19,624 --> 00:17:21,064 Speaker 3: and then they come out and do that, and they 422 00:17:21,144 --> 00:17:23,424 Speaker 3: finish the dance and she's in that long red gown 423 00:17:23,784 --> 00:17:26,944 Speaker 3: and she he's in the gold jacket, and it's so incredible, 424 00:17:27,584 --> 00:17:30,504 Speaker 3: and then it just ends with everyone just dancing together. 425 00:17:30,864 --> 00:17:34,784 Speaker 3: All these people moments exactly just coming back together through dance. 426 00:17:34,824 --> 00:17:37,144 Speaker 3: Oh my god. If you haven't seen it, strictly borroom. 427 00:17:36,944 --> 00:17:41,344 Speaker 1: Just like it is, that's a really good one. We're 428 00:17:41,344 --> 00:17:43,664 Speaker 1: going to miss a lot of them here, so please 429 00:17:43,704 --> 00:17:45,544 Speaker 1: don't come for us in the comments. I know that 430 00:17:45,624 --> 00:17:48,264 Speaker 1: there are we could have done the like, there are 431 00:17:48,424 --> 00:17:50,504 Speaker 1: so many to go through now. The one that I 432 00:17:50,624 --> 00:17:53,664 Speaker 1: wanted to bring up next again it goes back into 433 00:17:54,144 --> 00:17:57,824 Speaker 1: Rotten Tomatoes reviewer rating of twenty one percent, but an 434 00:17:57,864 --> 00:18:02,984 Speaker 1: eighty three percent audience rating, and it became a massive franchise. 435 00:18:03,064 --> 00:18:06,624 Speaker 1: It also launched a massive heart throb and that is 436 00:18:06,744 --> 00:18:10,864 Speaker 1: called Step Up two thousand and six, the very first 437 00:18:10,904 --> 00:18:14,464 Speaker 1: Step Up movie with Channing Tatum and Jenna Dowham before 438 00:18:14,544 --> 00:18:16,424 Speaker 1: she was doing Tatum. 439 00:18:16,624 --> 00:18:19,704 Speaker 3: Or what else. You can you can see them forard life. 440 00:18:19,904 --> 00:18:24,104 Speaker 1: That is so this movie kind of catapulted Channing Tatum. 441 00:18:24,184 --> 00:18:27,984 Speaker 1: He did do She's the Man before that another fantastic Yeah, 442 00:18:28,104 --> 00:18:31,584 Speaker 1: I loved that movie two thousand and six, but this 443 00:18:31,784 --> 00:18:35,424 Speaker 1: was kind of like this really launched. Yeah, this was 444 00:18:35,584 --> 00:18:37,864 Speaker 1: all about like how sexy Channing Tatum was. 445 00:18:37,944 --> 00:18:40,384 Speaker 3: Yeah, this was his big star. And you know what's 446 00:18:40,424 --> 00:18:42,704 Speaker 3: funny is like, out of all the movies that we're 447 00:18:42,704 --> 00:18:45,504 Speaker 3: discussing today, this is the silliest plot you get. 448 00:18:45,624 --> 00:18:47,824 Speaker 1: So this is real. 449 00:18:47,904 --> 00:18:50,184 Speaker 2: It's really stupid. Although I think that the last one 450 00:18:50,224 --> 00:18:51,544 Speaker 2: I think matches it. 451 00:18:51,984 --> 00:18:57,344 Speaker 3: Oh really really way more unbelievable. We'll talk about this, okay, okay, Laura. 452 00:18:58,704 --> 00:19:02,464 Speaker 1: So basically what happens is Channing's character he gets caught 453 00:19:02,624 --> 00:19:06,744 Speaker 1: vandalizing and as punishment, the judge orders him to do 454 00:19:06,904 --> 00:19:10,264 Speaker 1: two hundred hours of community service at the Merryland. 455 00:19:09,904 --> 00:19:10,744 Speaker 3: School of the Arts. 456 00:19:11,104 --> 00:19:13,344 Speaker 2: Short and buttlemore. Yeah, so he's a guy from the 457 00:19:13,384 --> 00:19:14,264 Speaker 2: wrong side of the tracks. 458 00:19:14,304 --> 00:19:17,864 Speaker 1: He wears like baggy pants and like big chunky sneakers 459 00:19:18,024 --> 00:19:21,024 Speaker 1: and just like a wife beat a cap that's not 460 00:19:21,184 --> 00:19:25,024 Speaker 1: quite on the side, but like weirdly not backwards, very specific. 461 00:19:25,704 --> 00:19:28,864 Speaker 1: Chatting Tatum black rim like it kind of makes me 462 00:19:28,984 --> 00:19:32,144 Speaker 1: cringe now. Oh yeah, Also chatting Tatum makes me cringe 463 00:19:32,144 --> 00:19:32,544 Speaker 1: a little bit. 464 00:19:32,704 --> 00:19:33,384 Speaker 3: But he was so hot. 465 00:19:33,584 --> 00:19:36,544 Speaker 1: He was so hot at this this moment in time. 466 00:19:36,944 --> 00:19:40,464 Speaker 1: And then Jenna Duan's character what is actually in the center. 467 00:19:40,624 --> 00:19:44,184 Speaker 1: She's very poised, she dances, but she's trying to find 468 00:19:44,784 --> 00:19:47,784 Speaker 1: a partner for this her final performance. 469 00:19:47,384 --> 00:19:50,784 Speaker 3: All leading up to this final showcase, and. 470 00:19:50,824 --> 00:19:55,144 Speaker 2: She can't find anyone. And there's a classic moment where 471 00:19:55,264 --> 00:19:56,304 Speaker 2: he's cleaning because. 472 00:19:56,144 --> 00:19:58,264 Speaker 1: He has to be a janitor for the school and 473 00:19:58,344 --> 00:20:01,544 Speaker 1: he's just cleaning who's like old because all these guys 474 00:20:01,584 --> 00:20:04,184 Speaker 1: like fail, they can't pick her up, and then she 475 00:20:04,344 --> 00:20:06,304 Speaker 1: jumps into his arms dirty dancing style. 476 00:20:07,024 --> 00:20:09,224 Speaker 2: Sorry, we're not mentioning. It didn't sing that. I talk 477 00:20:09,264 --> 00:20:09,864 Speaker 2: about that later. 478 00:20:10,464 --> 00:20:12,824 Speaker 1: So many I know we should talk about dirty dancing, 479 00:20:12,904 --> 00:20:15,024 Speaker 1: but it's like, I feel like it's been done anyway. 480 00:20:15,664 --> 00:20:18,464 Speaker 2: So picks her up and then like flips her over 481 00:20:18,544 --> 00:20:19,224 Speaker 2: and holds her. 482 00:20:19,424 --> 00:20:20,464 Speaker 3: Yeahs, kind of, it's so hot. 483 00:20:20,544 --> 00:20:23,544 Speaker 2: It's really hot. And this is like where they fell 484 00:20:23,584 --> 00:20:25,304 Speaker 2: in love, which I think is kind of sweat. 485 00:20:25,344 --> 00:20:27,704 Speaker 3: And don't again. I just love that. It's this like 486 00:20:27,784 --> 00:20:30,104 Speaker 3: she's in this whole school of professional dancers and they 487 00:20:30,144 --> 00:20:31,624 Speaker 3: all want to dance with her in her final because 488 00:20:31,664 --> 00:20:33,944 Speaker 3: she's the girl of the school. She's the best dancer 489 00:20:33,984 --> 00:20:36,024 Speaker 3: and that makes her the most popular. And there's also 490 00:20:36,064 --> 00:20:37,624 Speaker 3: a scene where she's like looking out the window and 491 00:20:37,704 --> 00:20:40,184 Speaker 3: she used Channing Tatum like breakdancing, turn of the broom 492 00:20:40,224 --> 00:20:43,184 Speaker 3: around and stuff. And so then they start dancing together 493 00:20:43,344 --> 00:20:45,824 Speaker 3: to train for this showcase, and they go and do 494 00:20:45,944 --> 00:20:47,864 Speaker 3: like a dance battle at a club. A classic dance 495 00:20:47,904 --> 00:20:49,344 Speaker 3: battle is always my favorite thing. 496 00:20:49,384 --> 00:20:51,704 Speaker 2: In these movies. There has to be like a street battle. 497 00:20:51,824 --> 00:20:54,984 Speaker 1: Especially in these early aughts movies, it's all about like 498 00:20:55,144 --> 00:20:56,944 Speaker 1: that street hip hop. 499 00:20:57,104 --> 00:20:59,984 Speaker 3: Every movie from that time is so like dance battles 500 00:21:00,024 --> 00:21:01,224 Speaker 3: on the street. And I feel like I missed a 501 00:21:01,464 --> 00:21:03,704 Speaker 3: important high school experience because no one ever invited me 502 00:21:03,784 --> 00:21:04,624 Speaker 3: to dance. 503 00:21:04,424 --> 00:21:07,264 Speaker 1: But I like street Yeah, street dancing was kind of 504 00:21:07,344 --> 00:21:10,544 Speaker 1: that was like hip hop. Yeah, that was I thought 505 00:21:10,584 --> 00:21:13,024 Speaker 1: the early lots was all about. And I feel like 506 00:21:13,064 --> 00:21:16,304 Speaker 1: that it's like the perfect segue into our final movie 507 00:21:16,344 --> 00:21:17,264 Speaker 1: that we're going to be talking about. 508 00:21:17,344 --> 00:21:19,744 Speaker 3: Yees. So it's very similar to Step Up because it's 509 00:21:19,784 --> 00:21:20,384 Speaker 3: like Good Girl. 510 00:21:20,744 --> 00:21:21,864 Speaker 2: It's basically the same movie. 511 00:21:21,944 --> 00:21:24,104 Speaker 3: Boy from the wrong side of the tracks get together 512 00:21:24,184 --> 00:21:26,424 Speaker 3: and they come together and dance. So we're talking about 513 00:21:26,784 --> 00:21:29,064 Speaker 3: I think maybe one of the most popular dance movies 514 00:21:29,184 --> 00:21:30,704 Speaker 3: of all time. We saved a good one for the 515 00:21:30,784 --> 00:21:32,624 Speaker 3: last one, save the Last Dance. 516 00:21:32,784 --> 00:21:34,424 Speaker 2: Now do we want to hear the Rotten Tomatoes rating? 517 00:21:34,544 --> 00:21:36,544 Speaker 3: Oh my god, No, it's stressing me out. Okay, tell 518 00:21:36,584 --> 00:21:38,144 Speaker 3: me it's bad. I know what actually is going to 519 00:21:38,184 --> 00:21:38,664 Speaker 3: surprise you. 520 00:21:39,464 --> 00:21:43,144 Speaker 1: Fifty four percent reviewed by like professional reviewers and then 521 00:21:43,664 --> 00:21:45,744 Speaker 1: fifty nine percent by audience. 522 00:21:46,184 --> 00:21:47,624 Speaker 3: I feel like this is another one. So This came 523 00:21:47,664 --> 00:21:48,984 Speaker 3: out in two thousand and one. It was one of 524 00:21:49,024 --> 00:21:51,144 Speaker 3: those movies that was produced by MTV when they were 525 00:21:51,184 --> 00:21:53,464 Speaker 3: making movies, which is a weird plot twist for them. 526 00:21:53,704 --> 00:21:55,464 Speaker 3: I wonder if this one had such a good critical 527 00:21:55,504 --> 00:21:58,664 Speaker 3: score because it starred Sean Patrick Thomas, who was like 528 00:21:59,144 --> 00:22:01,504 Speaker 3: quite a critically acclaimed actor at the time, so like, 529 00:22:01,824 --> 00:22:03,984 Speaker 3: you know, he's getting better reviews than Channing Tatum. And 530 00:22:04,104 --> 00:22:06,624 Speaker 3: also Julia Styles. She's still incredible now. She does a 531 00:22:06,664 --> 00:22:08,824 Speaker 3: lot of great stuff, but she was peak Julia Styles 532 00:22:09,224 --> 00:22:11,064 Speaker 3: in the early two thousand She was coming off the 533 00:22:11,104 --> 00:22:12,904 Speaker 3: back of a lot of big movies. 534 00:22:13,064 --> 00:22:17,184 Speaker 1: This has a better Rotten Tomatoes review than Center Stage 535 00:22:17,264 --> 00:22:18,264 Speaker 1: is kind of baffling to me. 536 00:22:18,904 --> 00:22:20,904 Speaker 3: Yeah, exactly. Well, I think at the time everyone was like, 537 00:22:20,984 --> 00:22:23,464 Speaker 3: this is a really important piece of cinema. It's really 538 00:22:23,544 --> 00:22:25,264 Speaker 3: touching on important issues because it was meant to be 539 00:22:25,584 --> 00:22:27,864 Speaker 3: the serious dance movie. It's only now that we look 540 00:22:27,904 --> 00:22:29,784 Speaker 3: back at it like it was a bit heavy handed. 541 00:22:30,024 --> 00:22:33,464 Speaker 3: So Julia Styles plays a seventeen year old bally dancer 542 00:22:33,544 --> 00:22:36,504 Speaker 3: called Sarah, and she's auditioning for Juilliard, which is, you know, 543 00:22:36,864 --> 00:22:39,544 Speaker 3: one of the best dance schools in the world. Yes, yes, 544 00:22:39,704 --> 00:22:43,104 Speaker 3: it's all building towards Juilliard. And her mother dies in 545 00:22:43,144 --> 00:22:44,984 Speaker 3: a car accident when she's like coming to pick her 546 00:22:45,024 --> 00:22:46,544 Speaker 3: up from dance, and she feels a lot of guilt. 547 00:22:46,584 --> 00:22:49,064 Speaker 3: She vows never to dance again. Fair enough. Then she 548 00:22:49,184 --> 00:22:52,264 Speaker 3: has to move to the South Side, which as a kid, 549 00:22:52,304 --> 00:22:53,744 Speaker 3: I didn't really get that she was moving to, Like 550 00:22:53,784 --> 00:22:55,544 Speaker 3: I thought she was moving to like a completely different town, 551 00:22:55,584 --> 00:22:57,584 Speaker 3: but the South Side was meant to be like such 552 00:22:57,664 --> 00:22:59,624 Speaker 3: the bad side of the tracks that she'd never been there. 553 00:22:59,664 --> 00:23:01,984 Speaker 3: And she's like this beautiful white woman who moves in 554 00:23:02,024 --> 00:23:04,624 Speaker 3: with her father who's a musician, and like they don't 555 00:23:04,664 --> 00:23:06,624 Speaker 3: have a relationship. Yeah, And then she goes to this 556 00:23:06,824 --> 00:23:08,904 Speaker 3: new high school where she's one of the very few 557 00:23:08,944 --> 00:23:12,784 Speaker 3: white students, and she befriends a young single mother who's 558 00:23:12,824 --> 00:23:14,584 Speaker 3: like a seventeen year old mother at the school called 559 00:23:14,664 --> 00:23:18,104 Speaker 3: Shanil played by Kerrie Washington. I know, isn't that when 560 00:23:18,144 --> 00:23:20,704 Speaker 3: you see her like one of her like breakout roles, 561 00:23:20,744 --> 00:23:22,544 Speaker 3: Like she wasn't Kerrie Washington then she was just a 562 00:23:22,624 --> 00:23:24,824 Speaker 3: sad character to Julia Styles, and she's gone on to 563 00:23:24,904 --> 00:23:27,504 Speaker 3: be like the most successful I would say from the movie. 564 00:23:28,104 --> 00:23:28,304 Speaker 2: Yeah. 565 00:23:28,584 --> 00:23:30,664 Speaker 3: Also interesting that the bad girl at school's paid by 566 00:23:30,744 --> 00:23:33,144 Speaker 3: Bianca Lawson, which you might not know her name, but 567 00:23:33,264 --> 00:23:35,664 Speaker 3: you know her face because bian Clawson then went on 568 00:23:35,744 --> 00:23:39,144 Speaker 3: to play a teenager for over twenty years. She was 569 00:23:39,184 --> 00:23:41,544 Speaker 3: in Buffy, Vampire Slayers, she was in Pretty Little Liars, 570 00:23:41,624 --> 00:23:43,864 Speaker 3: she was in Dawson Creek. She played a teen in 571 00:23:43,984 --> 00:23:46,944 Speaker 3: every single teen show until she turned about forty. 572 00:23:47,144 --> 00:23:50,024 Speaker 1: Okay, So the great scenes in this movie is when 573 00:23:50,024 --> 00:23:52,864 Speaker 1: they're like falling in love and then they're you know, 574 00:23:52,944 --> 00:23:54,384 Speaker 1: the moment when they're training. 575 00:23:54,624 --> 00:23:56,824 Speaker 2: Yeah, and then there's the challenging bit when they go 576 00:23:56,864 --> 00:23:57,384 Speaker 2: to the club. 577 00:23:57,504 --> 00:24:01,104 Speaker 1: Then again there's another nightclub scene and then Kerrie Washington 578 00:24:01,184 --> 00:24:03,744 Speaker 1: gets mad at her because she's like, he's like one 579 00:24:03,784 --> 00:24:05,624 Speaker 1: of the only decent black men and in your ten 580 00:24:05,664 --> 00:24:07,704 Speaker 1: you're a distant white girl taking away one of our 581 00:24:07,784 --> 00:24:08,944 Speaker 1: only decent black man. 582 00:24:09,504 --> 00:24:12,664 Speaker 2: I actually and that it's actually still is like a 583 00:24:13,424 --> 00:24:14,864 Speaker 2: key message from that. Yeah. 584 00:24:14,904 --> 00:24:17,144 Speaker 3: I think a big plot point is the interracial romance 585 00:24:17,184 --> 00:24:19,224 Speaker 3: between Sarah and Derek, which I feel like there was 586 00:24:19,264 --> 00:24:21,024 Speaker 3: a lot of conversation around that at the time. You 587 00:24:21,064 --> 00:24:23,464 Speaker 3: know that people get angry at them when they kiss 588 00:24:23,504 --> 00:24:25,944 Speaker 3: in public, like both their families are against their friends 589 00:24:25,984 --> 00:24:27,904 Speaker 3: are against it. But I actually think it's some of 590 00:24:27,944 --> 00:24:30,664 Speaker 3: the lines from Kerrie Washington's character that kind of carry 591 00:24:30,704 --> 00:24:33,224 Speaker 3: the most weight, because sometimes she's painted as like, oh, 592 00:24:33,304 --> 00:24:35,024 Speaker 3: she's trying to keep her friend away from her brother 593 00:24:35,144 --> 00:24:37,504 Speaker 3: and she doesn't understand. But a lot of the time, 594 00:24:37,544 --> 00:24:39,104 Speaker 3: when you like look back on the movie as like 595 00:24:39,144 --> 00:24:41,024 Speaker 3: an adult, a lot of the stuff she's saying about 596 00:24:41,104 --> 00:24:43,864 Speaker 3: race is kind of like so much more the deeper message. 597 00:24:43,984 --> 00:24:48,344 Speaker 1: Yeah, also whence and class, because it's exactly race obviously 598 00:24:48,464 --> 00:24:50,104 Speaker 1: is a huge part of it, but then there's the 599 00:24:50,224 --> 00:24:54,344 Speaker 1: class issues that come along with that, Yeah, and how 600 00:24:54,504 --> 00:24:58,544 Speaker 1: intertwined they are in this particular area of Chicago because 601 00:24:58,624 --> 00:25:00,464 Speaker 1: of what white people did. 602 00:25:00,544 --> 00:25:02,384 Speaker 2: And again I'm not going to go into the whole 603 00:25:02,464 --> 00:25:05,304 Speaker 2: history of America, but that's I think there was like 604 00:25:05,384 --> 00:25:07,304 Speaker 2: actually like a really strong message there. 605 00:25:07,544 --> 00:25:09,464 Speaker 3: There's also a little bit but like the Julia Styles 606 00:25:09,504 --> 00:25:11,504 Speaker 3: like bit of white stain your complex and stuff that 607 00:25:11,584 --> 00:25:14,424 Speaker 3: I think is more heightened now than what we see 608 00:25:14,464 --> 00:25:17,224 Speaker 3: is there's such a good scene where carry Washington's character 609 00:25:17,424 --> 00:25:19,704 Speaker 3: is like trying to get medical care for her baby 610 00:25:19,704 --> 00:25:22,744 Speaker 3: who's really sick, and Julia Styles is sitting with her 611 00:25:22,784 --> 00:25:25,184 Speaker 3: in the doctor's office, complaining about like her boyfriend and 612 00:25:25,224 --> 00:25:27,344 Speaker 3: her life, and you just see the look on Kerry 613 00:25:27,424 --> 00:25:29,784 Speaker 3: Washington's face being like, bitch, I have a real problem. 614 00:25:29,904 --> 00:25:32,024 Speaker 3: It's like I don't have time for your white girl shit. 615 00:25:32,384 --> 00:25:33,824 Speaker 3: And that's still such a real thing. 616 00:25:34,024 --> 00:25:36,584 Speaker 1: But what we do have to talk about because actually 617 00:25:36,784 --> 00:25:39,224 Speaker 1: recently it's been doing the rounds on TikTok. Yeah, it's 618 00:25:39,304 --> 00:25:44,504 Speaker 1: the final dance that Julia Styles auditions for Julia I know, 619 00:25:45,104 --> 00:25:46,744 Speaker 1: I'm sorry, it's really bad. 620 00:25:47,224 --> 00:25:50,304 Speaker 3: I just okay, uncompular opinion. I just don't think it's bad. 621 00:25:50,384 --> 00:25:54,024 Speaker 3: And I only realize recently that everyone thinks that dance 622 00:25:54,144 --> 00:25:56,624 Speaker 3: is terrible. It's to the point where it was parodied 623 00:25:56,704 --> 00:25:59,984 Speaker 3: on Saturday Night Live and the real Julia Styles came 624 00:26:00,024 --> 00:26:01,824 Speaker 3: out and did the dance with her because she's like, yeah, 625 00:26:01,824 --> 00:26:03,264 Speaker 3: I know it's bad. I mean on the joke. It 626 00:26:03,344 --> 00:26:04,984 Speaker 3: was so funny because when she was doing press for 627 00:26:05,024 --> 00:26:07,624 Speaker 3: that movie, Julia Styles was like, I did most of 628 00:26:07,664 --> 00:26:10,144 Speaker 3: the ballet myself, and everyone was like, oh, that's amazing. 629 00:26:10,184 --> 00:26:12,184 Speaker 3: But now people look back and be like, yeah, it 630 00:26:12,384 --> 00:26:15,224 Speaker 3: shows because you're not a ballet dancer. No, it was 631 00:26:15,384 --> 00:26:17,464 Speaker 3: but really okay. But usually it's incredible. 632 00:26:17,504 --> 00:26:17,984 Speaker 2: So she's gone. 633 00:26:18,064 --> 00:26:20,304 Speaker 1: Now it's a great ending because you know the bit 634 00:26:20,344 --> 00:26:22,904 Speaker 1: where it pants to him and he's, yeah, he's he's 635 00:26:22,944 --> 00:26:24,664 Speaker 1: in this in the wings and he's going. 636 00:26:25,344 --> 00:26:27,624 Speaker 3: That's the thing. Derek's been training her to not just 637 00:26:27,704 --> 00:26:28,904 Speaker 3: be a ballet dancer, to be a bit of a 638 00:26:28,944 --> 00:26:31,424 Speaker 3: hip hop dancer, because Derek can do everything. He's gonna 639 00:26:31,424 --> 00:26:34,184 Speaker 3: be a doctor. He's lovely and sweet. The man can dance. 640 00:26:34,504 --> 00:26:36,664 Speaker 3: He talks to everyone. He's like this unicorn of a man. 641 00:26:36,944 --> 00:26:38,784 Speaker 3: He and Sarah have this hot and heavy romance and 642 00:26:38,864 --> 00:26:41,064 Speaker 3: then they break up. And then she goes to the 643 00:26:41,144 --> 00:26:43,424 Speaker 3: audition and she goes out on stage and she falls 644 00:26:43,504 --> 00:26:45,264 Speaker 3: over and she sucks up, and then he doesn't think 645 00:26:45,264 --> 00:26:46,824 Speaker 3: he runs out on stage. She goes, yes, she's ready, 646 00:26:46,944 --> 00:26:49,264 Speaker 3: she's ready, and like they have a moment. Yeah, And 647 00:26:49,344 --> 00:26:51,744 Speaker 3: then she does the dance and hears choreographed for her. 648 00:26:51,864 --> 00:26:53,744 Speaker 3: And can I just say as a teenager watching miss 649 00:26:53,944 --> 00:26:55,064 Speaker 3: she comes out in the black. 650 00:26:54,864 --> 00:26:56,944 Speaker 1: Pants and pants, so it's like, all I can think 651 00:26:56,984 --> 00:26:59,304 Speaker 1: about those pants is the noise they make when you walk. 652 00:26:59,744 --> 00:27:01,744 Speaker 3: Yeah, she's like a a leotage. She's like a knee 653 00:27:01,784 --> 00:27:05,664 Speaker 3: length like folded up like leather pants, the foldable chair feet, 654 00:27:05,664 --> 00:27:07,944 Speaker 3: it's so much. She comes out at one stage, she 655 00:27:08,064 --> 00:27:10,144 Speaker 3: like leans aside and like pushes like her shoes up 656 00:27:10,424 --> 00:27:13,984 Speaker 3: her sum across her nose. Oh my god, I actually 657 00:27:14,104 --> 00:27:15,704 Speaker 3: but can't I say. Watching this as a kid, I 658 00:27:15,864 --> 00:27:17,824 Speaker 3: was like, this is the pinnacle of dance. I was like, 659 00:27:17,944 --> 00:27:20,784 Speaker 3: she's incredible. She does the twists and turns. The best 660 00:27:20,864 --> 00:27:22,704 Speaker 3: part is, yeah, where she runs off stage and she 661 00:27:22,864 --> 00:27:26,384 Speaker 3: runs back out with a folding folding chair and puts 662 00:27:26,424 --> 00:27:27,824 Speaker 3: it down and then does like a little chair. 663 00:27:28,064 --> 00:27:29,664 Speaker 2: It's so bad, the flips chair. 664 00:27:29,944 --> 00:27:32,464 Speaker 1: Anyway, Look, I know there are a lot of dance 665 00:27:32,504 --> 00:27:35,104 Speaker 1: movies we haven't spoken about. You know, We've got Black Swan, 666 00:27:35,224 --> 00:27:38,144 Speaker 1: there's obviously dirty dancing. I would maybe bring it on, 667 00:27:39,024 --> 00:27:41,304 Speaker 1: you know, can you tell us, guys in the comments, 668 00:27:41,504 --> 00:27:43,384 Speaker 1: reach out and tell us what your favorites are. Did 669 00:27:43,464 --> 00:27:45,864 Speaker 1: we miss anyone that you're going to really get up 670 00:27:45,984 --> 00:27:46,824 Speaker 1: set at us about. 671 00:27:46,944 --> 00:27:48,664 Speaker 3: I know, I just think there's nothing that hits like 672 00:27:48,704 --> 00:27:50,984 Speaker 3: a dance movie. And it's because you're watching the skill 673 00:27:51,064 --> 00:27:53,504 Speaker 3: build and it's like the best way to build a romance. 674 00:27:53,544 --> 00:27:54,824 Speaker 3: This is the best way to like have a fight, 675 00:27:54,904 --> 00:27:57,584 Speaker 3: to build tension. But it's that final dance scene. That's 676 00:27:57,584 --> 00:27:59,384 Speaker 3: what for all of these movies why we picked them, 677 00:27:59,384 --> 00:28:02,104 Speaker 3: because they all have these incredible final dance scenes that 678 00:28:02,224 --> 00:28:04,824 Speaker 3: have had this life outside of the movie, whether they're 679 00:28:04,864 --> 00:28:07,904 Speaker 3: good like Strictly Ballroom or bad like say the Last Dance. 680 00:28:08,024 --> 00:28:11,144 Speaker 3: Like it's all about fixing problems through dance. I think 681 00:28:11,184 --> 00:28:13,464 Speaker 3: as a society we should go back to that. We 682 00:28:13,544 --> 00:28:15,424 Speaker 3: should fix problems through dance. It just it's like it 683 00:28:15,464 --> 00:28:16,784 Speaker 3: feels like a full proof plan, right. 684 00:28:16,944 --> 00:28:17,344 Speaker 2: I love it. 685 00:28:17,544 --> 00:28:20,224 Speaker 1: Next time I have any arguments with my kids, I'm 686 00:28:20,264 --> 00:28:21,584 Speaker 1: just going to dance at them and say, if. 687 00:28:21,464 --> 00:28:24,264 Speaker 3: They listen dance battle, Well, thank you so much for 688 00:28:24,344 --> 00:28:26,184 Speaker 3: listening to The Spill today. Hope you feel the need 689 00:28:26,264 --> 00:28:28,064 Speaker 3: to get up and dance, even if you're terrible at 690 00:28:28,104 --> 00:28:29,944 Speaker 3: it like us. Again, I'm just projecting. 691 00:28:30,704 --> 00:28:31,584 Speaker 2: Stop projecting it. 692 00:28:31,824 --> 00:28:33,104 Speaker 3: We're going to have to prove it to me. I 693 00:28:33,184 --> 00:28:35,784 Speaker 3: haven't seen it. And make sure you're following the Spill 694 00:28:35,864 --> 00:28:37,984 Speaker 3: on TikTok and Instagram. It's where we post all of 695 00:28:38,024 --> 00:28:40,784 Speaker 3: our good content. And The Spill is produced by Georgie 696 00:28:40,864 --> 00:28:44,104 Speaker 3: Page and Manisha Iswaren with sound production by Scott Stronning. 697 00:28:44,144 --> 00:28:45,784 Speaker 3: And we'll see you back here on your feet at 698 00:28:45,824 --> 00:28:47,784 Speaker 3: three pm on Monday. Bye see ya.