1 00:00:08,234 --> 00:00:20,114 Speaker 1: You're listening to Amma mea podcast from Mamma Mia. Welcome 2 00:00:20,154 --> 00:00:23,154 Speaker 1: to the Spill, your daily pop culture fix. I'm Laura 3 00:00:23,154 --> 00:00:26,914 Speaker 1: Brodneg and today I'm joined by I'm Free Player. I'm 4 00:00:26,914 --> 00:00:30,874 Speaker 1: the executive producer of Muma MIA's interview podcast No Filter, 5 00:00:31,394 --> 00:00:33,874 Speaker 1: and just a bit of a pop culture addict. Which 6 00:00:33,954 --> 00:00:36,593 Speaker 1: is why you're here today, because today we have a 7 00:00:36,793 --> 00:00:40,434 Speaker 1: very important, brutally honest review. Because love it or hate it, 8 00:00:40,473 --> 00:00:42,434 Speaker 1: we are talking about the show that has really shaped 9 00:00:42,434 --> 00:00:46,153 Speaker 1: pop culture this year, Broken Records. People hate it, people 10 00:00:46,193 --> 00:00:49,034 Speaker 1: love it, and that is the Ryan Murphy series. All's fair. 11 00:00:49,354 --> 00:00:54,194 Speaker 1: You're the first divorce lawyers in town. I need you 12 00:00:54,234 --> 00:00:56,794 Speaker 1: to tell us the whole story. We were in love, 13 00:00:56,954 --> 00:01:01,074 Speaker 1: it was all perfect, except for this one small thing. 14 00:01:02,034 --> 00:01:08,434 Speaker 1: I trusted him. How did this ever happened to me? Men? 15 00:01:08,714 --> 00:01:15,034 Speaker 1: They are terrified of women in power. Thank God. I 16 00:01:15,074 --> 00:01:18,594 Speaker 1: love my job and I think it's interesting to say 17 00:01:18,594 --> 00:01:20,474 Speaker 1: people love it or hate it because you can also 18 00:01:20,554 --> 00:01:23,274 Speaker 1: love it and hate it, yes, which we will get 19 00:01:23,314 --> 00:01:25,794 Speaker 1: into that. So the show has come to an end. 20 00:01:25,834 --> 00:01:27,834 Speaker 1: It's already been renewed for a second season, so it's 21 00:01:27,834 --> 00:01:30,874 Speaker 1: going to come back again. Surprise, It's Glory. It's going 22 00:01:30,954 --> 00:01:34,034 Speaker 1: to come back again. So this is a brutally honest review, 23 00:01:34,034 --> 00:01:35,994 Speaker 1: which if you haven't listened to one before, we go 24 00:01:36,074 --> 00:01:37,874 Speaker 1: through the ins and outs of the whole show. We 25 00:01:37,954 --> 00:01:40,674 Speaker 1: do opinions, we do behind the scenes facts. We're also 26 00:01:40,714 --> 00:01:42,994 Speaker 1: going to talk about the finale, so spoilers if you 27 00:01:43,034 --> 00:01:45,274 Speaker 1: haven't seen it. I mean, the numbers don't lie. A 28 00:01:45,314 --> 00:01:47,314 Speaker 1: lot of people watch this show, but I wonder how 29 00:01:47,314 --> 00:01:49,914 Speaker 1: many people watched all the way to the end. Yeah, 30 00:01:49,994 --> 00:01:53,714 Speaker 1: I agree. I mean, to be fair, I hadn't watched 31 00:01:53,714 --> 00:01:56,034 Speaker 1: it all way to the end until we were like, okay, 32 00:01:56,114 --> 00:01:58,714 Speaker 1: let's talk about it. So last night I crammed the 33 00:01:58,794 --> 00:02:00,914 Speaker 1: last three apps. I'm always interested in this. So would 34 00:02:00,954 --> 00:02:03,674 Speaker 1: you have watched it? Okay, you would. Yeah, it's just 35 00:02:03,714 --> 00:02:05,074 Speaker 1: you know, this time of year, it's hard, this so 36 00:02:05,234 --> 00:02:07,594 Speaker 1: much going on, there's a lot of TV. But also 37 00:02:07,714 --> 00:02:09,394 Speaker 1: I also think it's fair for people who say no, 38 00:02:09,514 --> 00:02:10,913 Speaker 1: because I think this is what I said when the 39 00:02:10,913 --> 00:02:13,554 Speaker 1: show came out, like the big numbers at the start 40 00:02:13,994 --> 00:02:16,274 Speaker 1: was very impressive, but I would have been more impressed 41 00:02:16,274 --> 00:02:18,674 Speaker 1: if the numbers, how the numbers stayed, which they kind 42 00:02:18,714 --> 00:02:21,514 Speaker 1: of did. So talking about sort of getting into how 43 00:02:21,554 --> 00:02:24,114 Speaker 1: this show came to be and how all the forces 44 00:02:24,154 --> 00:02:26,594 Speaker 1: of the world came together to see Kim kartashe in 45 00:02:26,594 --> 00:02:30,674 Speaker 1: a legal drama. She starred an American horror story Delicate 46 00:02:30,714 --> 00:02:32,794 Speaker 1: from twenty twenty three to twenty twenty fours. That was 47 00:02:32,834 --> 00:02:35,394 Speaker 1: the last American horror story season. Did you watch that? 48 00:02:35,434 --> 00:02:37,394 Speaker 1: Are you an American horror story fans make so much 49 00:02:37,434 --> 00:02:39,034 Speaker 1: to catch it on, so much to catch up on. 50 00:02:39,234 --> 00:02:44,634 Speaker 1: I am such an American horror story fan, but like 51 00:02:44,794 --> 00:02:47,913 Speaker 1: a purist. Oh sure, I know exactly what you mean. 52 00:02:48,274 --> 00:02:51,754 Speaker 1: So did I watch the Kim k seasons? No? And 53 00:02:52,034 --> 00:02:55,394 Speaker 1: that's fair because they were not good. But actually I 54 00:02:55,434 --> 00:02:57,234 Speaker 1: don't believe it was her fault. It was not a 55 00:02:57,234 --> 00:03:00,434 Speaker 1: good season. No, And they also, to be fair, were 56 00:03:00,434 --> 00:03:03,474 Speaker 1: not good for a few seasons before. Yeah, the lead 57 00:03:03,554 --> 00:03:06,394 Speaker 1: up before that was kind of disappointing. And I mean, 58 00:03:06,434 --> 00:03:08,314 Speaker 1: the thing is they've come from the highest of highs. 59 00:03:08,754 --> 00:03:11,194 Speaker 1: Is that I really think that Ryan Murphy does make 60 00:03:11,394 --> 00:03:14,353 Speaker 1: excellent television. I know some people trash Glee. That's good 61 00:03:14,354 --> 00:03:17,634 Speaker 1: storytelling was great first obviously kind of peed off towards 62 00:03:17,634 --> 00:03:21,474 Speaker 1: the end season one excellent storytelling American horror story. Some 63 00:03:21,514 --> 00:03:24,114 Speaker 1: of those seasons are some of the best seasons of 64 00:03:24,114 --> 00:03:27,634 Speaker 1: television I've ever seen, absolutely, like each of the first 65 00:03:27,954 --> 00:03:31,954 Speaker 1: like five, Yeah, basically until Jessica Lang left. And that's 66 00:03:32,194 --> 00:03:35,994 Speaker 1: not even just Jessica leaving was what made it not great. 67 00:03:36,954 --> 00:03:42,954 Speaker 1: That's when the stories went sow Ten Asylum, Coven Oven 68 00:03:43,274 --> 00:03:46,594 Speaker 1: So Good Evening and Lady Gaga for Hotel like there 69 00:03:46,634 --> 00:03:50,154 Speaker 1: was still yes exactly, and so Ryan Murphy, I think, 70 00:03:50,194 --> 00:03:52,954 Speaker 1: like why he gravitated towards Kim Kutashi and makes a 71 00:03:52,954 --> 00:03:54,514 Speaker 1: lot of sense. Like I've heard a lot of people 72 00:03:54,554 --> 00:03:57,434 Speaker 1: be like, you know, he's this incredible filmmaker and TV maker, 73 00:03:57,714 --> 00:04:00,754 Speaker 1: and he does make prestige TV like American Crime Story 74 00:04:00,754 --> 00:04:02,794 Speaker 1: and the Upcoming American Love Story, and he makes for 75 00:04:02,834 --> 00:04:04,954 Speaker 1: this incredible TV as much as it is kind of 76 00:04:04,954 --> 00:04:07,954 Speaker 1: often like campy and smutty and stuff like that. But 77 00:04:07,994 --> 00:04:10,834 Speaker 1: I understand his like attraction to Kim Kardashin because he 78 00:04:10,914 --> 00:04:13,634 Speaker 1: also very famously as much as he loves murder and drama, 79 00:04:13,994 --> 00:04:17,354 Speaker 1: he loves like Americana, and he loves pop culture, and 80 00:04:17,394 --> 00:04:20,313 Speaker 1: he loves people who are at the pinnacle of fame 81 00:04:20,354 --> 00:04:22,474 Speaker 1: and glammur and like that's very much Kim so I 82 00:04:22,474 --> 00:04:24,234 Speaker 1: can understand why he saw her and was like, I 83 00:04:24,354 --> 00:04:27,074 Speaker 1: need to like add her to my collection. Yes, yeah, 84 00:04:27,113 --> 00:04:29,674 Speaker 1: I agree, And like, let's not forget that he did 85 00:04:29,753 --> 00:04:33,674 Speaker 1: Screen Queens right, which was so like incredible great, But 86 00:04:33,834 --> 00:04:36,234 Speaker 1: like I remember when he did that. I know Ariana 87 00:04:36,313 --> 00:04:39,393 Speaker 1: had done TV before, but it was kid TV. But 88 00:04:39,474 --> 00:04:42,113 Speaker 1: he kind of he does pick like pop culture icons 89 00:04:42,113 --> 00:04:43,633 Speaker 1: at the time and pop them in a show. And 90 00:04:43,633 --> 00:04:46,474 Speaker 1: I remember when she was cast in that show, people 91 00:04:46,474 --> 00:04:49,513 Speaker 1: were like, oh, that's weird, Ariana Brande's in it. So 92 00:04:49,553 --> 00:04:52,393 Speaker 1: he does, as you say, like pick cultural phenomenons and 93 00:04:52,393 --> 00:04:55,433 Speaker 1: put them in his shows. Yeah. The slight difference here 94 00:04:55,513 --> 00:04:57,954 Speaker 1: and this is not slight towards Kim is like Lady 95 00:04:57,993 --> 00:05:00,313 Speaker 1: Gaga hadn't done like a huge amount of acting when 96 00:05:00,313 --> 00:05:03,313 Speaker 1: she went into Horror Story, but she was really great, 97 00:05:03,553 --> 00:05:07,113 Speaker 1: yes as the sexy evil vampire. And then Ariana Grinder 98 00:05:07,313 --> 00:05:10,273 Speaker 1: was great in Screen Queens, and then Kim Kardashian proven 99 00:05:10,313 --> 00:05:13,593 Speaker 1: to be great. So they are both now legitimate actresses. Yes, 100 00:05:13,953 --> 00:05:17,714 Speaker 1: Oscar worthy actress, Yeah, both of them. Yeah, Kim Kardashan, 101 00:05:17,834 --> 00:05:20,314 Speaker 1: there was no because few people were sort of saying like, oh, 102 00:05:20,313 --> 00:05:23,034 Speaker 1: maybe he's seeing something that we can't see, No, he wasn't. 103 00:05:23,073 --> 00:05:24,754 Speaker 1: He was just seeing fame because she can't act. I 104 00:05:24,794 --> 00:05:26,633 Speaker 1: think even she would say that, But I think it 105 00:05:26,674 --> 00:05:29,193 Speaker 1: was the allure of her because he just wanted to 106 00:05:29,234 --> 00:05:31,433 Speaker 1: put her in something so badly, Because you know, he 107 00:05:31,513 --> 00:05:34,513 Speaker 1: initially pitched that her and Chris Jenner, he pitched a 108 00:05:34,553 --> 00:05:37,634 Speaker 1: reality show. He's like, I've never seen a pitch. When 109 00:05:37,674 --> 00:05:40,353 Speaker 1: he was telling the storyback seen a pitch tank so badly, 110 00:05:40,794 --> 00:05:42,914 Speaker 1: they just both lost interested in what he was saying 111 00:05:42,914 --> 00:05:45,153 Speaker 1: straight away. Kim picked up her phone and Chris was like, 112 00:05:45,274 --> 00:05:47,713 Speaker 1: what else you got? And that's when he pitched All's Fair, 113 00:05:47,873 --> 00:05:50,753 Speaker 1: which is kind of built around the idea of obviously 114 00:05:50,834 --> 00:05:53,513 Speaker 1: Kim going through this really high profile divorce, but also 115 00:05:53,633 --> 00:05:55,433 Speaker 1: off the back of Laura Wosso, who is a very 116 00:05:55,513 --> 00:05:58,634 Speaker 1: high profile yeah, divorce attorney and has represented Kim a 117 00:05:58,633 --> 00:06:02,553 Speaker 1: few times. Yeah, she's certainly think she's given her a 118 00:06:02,594 --> 00:06:04,513 Speaker 1: bit of work. Yeah, which she will be the first 119 00:06:04,513 --> 00:06:06,113 Speaker 1: one to make that John like, that's what I love 120 00:06:06,113 --> 00:06:08,914 Speaker 1: about Kim Kardashian, that she's the first one. She's always 121 00:06:08,914 --> 00:06:11,674 Speaker 1: been good at laughing at herself. Yeah. Yeah. And so 122 00:06:11,753 --> 00:06:13,714 Speaker 1: it was very much of Ryan Murphy kind of seeing 123 00:06:13,753 --> 00:06:15,953 Speaker 1: Kim Kardashian, Okay, she doesn't want to do any more 124 00:06:16,154 --> 00:06:18,074 Speaker 1: reality and kind of why would she. They've got the 125 00:06:18,154 --> 00:06:21,594 Speaker 1: Kardashians already on Hulu a second show about her if 126 00:06:21,633 --> 00:06:24,433 Speaker 1: she did that prison reform show. But I can't see 127 00:06:24,433 --> 00:06:27,514 Speaker 1: her branching off to do a spinoff reality show about herself. 128 00:06:27,553 --> 00:06:30,234 Speaker 1: It's not really the brand, no exactly, and they've you know, 129 00:06:30,234 --> 00:06:32,074 Speaker 1: they've tried that in the past, and they've never really 130 00:06:32,113 --> 00:06:35,194 Speaker 1: worked as well as their core show. Yeah exactly. Oh yeah, 131 00:06:35,193 --> 00:06:37,113 Speaker 1: obviously they had all like the Take Miami's Take New 132 00:06:37,154 --> 00:06:38,794 Speaker 1: Yorks and stuff, but that was a very different time. 133 00:06:39,354 --> 00:06:41,913 Speaker 1: And so that's why Ryan Murphy came up with All's 134 00:06:41,953 --> 00:06:43,954 Speaker 1: Fair as a way to kind of take Kim going 135 00:06:43,993 --> 00:06:45,914 Speaker 1: through law school. And he's like, what if in an 136 00:06:45,953 --> 00:06:49,993 Speaker 1: alternate timeline, Kim Kardashian, who then becomes a Laura Grant, 137 00:06:50,034 --> 00:06:52,074 Speaker 1: actually went to law school and became a lawyer, and 138 00:06:52,154 --> 00:06:53,993 Speaker 1: what would that look like of her being in this 139 00:06:54,073 --> 00:06:57,874 Speaker 1: high profile like sexy persona, which is how the show 140 00:06:58,234 --> 00:07:01,914 Speaker 1: the show came about. And then he assembled like, yeah, 141 00:07:02,034 --> 00:07:08,154 Speaker 1: the most incredible of like female movie stars, So yes, 142 00:07:08,234 --> 00:07:10,594 Speaker 1: getting onto our core cast. I know a lot about 143 00:07:10,634 --> 00:07:14,794 Speaker 1: the show made crazy headlines as it was coming out, 144 00:07:14,874 --> 00:07:18,153 Speaker 1: so just the trailer alone became the biggest ever in 145 00:07:18,194 --> 00:07:20,434 Speaker 1: like twenty four hours for Hulu. It did like fifty 146 00:07:20,434 --> 00:07:23,674 Speaker 1: seven million views in the first day, and it actually 147 00:07:23,714 --> 00:07:26,794 Speaker 1: beat out the season three trailer of The Kardashians, which 148 00:07:26,834 --> 00:07:30,554 Speaker 1: was their former highest numbers. So Kim's like, really, she's 149 00:07:30,554 --> 00:07:33,393 Speaker 1: competing against herself, really there for the numbers on Hulu. 150 00:07:33,794 --> 00:07:36,713 Speaker 1: And then after all the terrible reviews came out for 151 00:07:36,754 --> 00:07:39,554 Speaker 1: the first episode of All's Fair, a lot of people 152 00:07:39,554 --> 00:07:41,354 Speaker 1: giving it as zero and a lot of people saying 153 00:07:41,393 --> 00:07:44,074 Speaker 1: it's the worst thing they've ever seen. Then the audience 154 00:07:44,154 --> 00:07:47,154 Speaker 1: numbers were huge and it became the highest scripted premiere 155 00:07:47,274 --> 00:07:49,913 Speaker 1: in three years. And a lot of that initial media 156 00:07:49,914 --> 00:07:52,874 Speaker 1: attention came when the cast list was announced, because this 157 00:07:52,994 --> 00:07:57,393 Speaker 1: cast list insane, insane, insane. We've got Nami Watts as 158 00:07:57,674 --> 00:07:59,994 Speaker 1: Liberty Ronson. I must say, my favorite thing about this 159 00:08:00,034 --> 00:08:03,393 Speaker 1: show is all the names, which I actually struggled to 160 00:08:03,434 --> 00:08:04,994 Speaker 1: keep track of all their names. They're all sound like 161 00:08:05,034 --> 00:08:06,994 Speaker 1: fake names. They do all sound like fake names, which 162 00:08:06,994 --> 00:08:09,874 Speaker 1: is fabulous and so can and so fitting of this show. 163 00:08:10,274 --> 00:08:12,794 Speaker 1: But throughout it, I just in my head was calling 164 00:08:12,874 --> 00:08:15,394 Speaker 1: them Naomi, you know, yeah, of coltca. Well, the thing 165 00:08:15,474 --> 00:08:17,074 Speaker 1: is sometimes they were really going in and out of 166 00:08:17,114 --> 00:08:19,554 Speaker 1: just being themselves and being characters. So yes, we have 167 00:08:19,634 --> 00:08:22,394 Speaker 1: Kim Kardashian as a Lura Grant. Yes, And every time 168 00:08:22,393 --> 00:08:23,834 Speaker 1: they said a Lura, I'm just like, I just don't 169 00:08:23,834 --> 00:08:25,914 Speaker 1: believe that's her name. To be honest with Luus, yeah, 170 00:08:25,953 --> 00:08:28,594 Speaker 1: that's what we are. They Nami Watson as Liberty Ronson, 171 00:08:28,714 --> 00:08:32,594 Speaker 1: who was playing a British woman. She kind of swung 172 00:08:32,674 --> 00:08:35,634 Speaker 1: in and out of Bakay. Do you sounding Australian? Yeah, 173 00:08:35,634 --> 00:08:38,114 Speaker 1: as well. I know, Well the first two episodes, I 174 00:08:38,194 --> 00:08:40,713 Speaker 1: was trying to understand what her accent was meant to be. 175 00:08:41,314 --> 00:08:44,114 Speaker 1: I thought she was Australian but sounded like an Australian 176 00:08:44,114 --> 00:08:46,474 Speaker 1: who'd been living in London. But Naomi doesn't live in London. 177 00:08:46,474 --> 00:08:48,874 Speaker 1: She lives in New York. So was really confused. And 178 00:08:48,874 --> 00:08:51,314 Speaker 1: then later it's apparent because it becomes a running Joe 179 00:08:51,394 --> 00:08:54,434 Speaker 1: yeah that she's British. I was like, oh, Naomi, not 180 00:08:54,474 --> 00:08:56,914 Speaker 1: your best word. She lived in Austraia for a long time, 181 00:08:56,954 --> 00:08:59,274 Speaker 1: but she's originally from the UK. But she came from 182 00:08:59,514 --> 00:09:01,914 Speaker 1: the UK to Australia, I think at like fourteen, so 183 00:09:02,194 --> 00:09:04,434 Speaker 1: she did drop her accent and it was Australian. But 184 00:09:04,474 --> 00:09:06,674 Speaker 1: then in the show they also use it as a 185 00:09:06,674 --> 00:09:08,594 Speaker 1: weird pop point about how she's just a bit on 186 00:09:08,634 --> 00:09:11,554 Speaker 1: the outer because she's British. British. I'm like, literally, not, 187 00:09:11,674 --> 00:09:14,594 Speaker 1: that's not the reason. That's do you really think you're 188 00:09:14,634 --> 00:09:16,834 Speaker 1: best friends of ten years and your other fellow lawyers 189 00:09:16,834 --> 00:09:18,434 Speaker 1: every song and they're gonna leave you other lip because like, 190 00:09:18,594 --> 00:09:21,914 Speaker 1: you know what, she's British, Like, it's it's not it's 191 00:09:21,914 --> 00:09:23,434 Speaker 1: not a plot point. The plot point of this show. 192 00:09:23,434 --> 00:09:25,154 Speaker 1: I do love and we'll get to that. Then we 193 00:09:25,194 --> 00:09:30,554 Speaker 1: had Nissi Nash as Emerald Green. Epic Emerald Green. It's 194 00:09:30,754 --> 00:09:35,634 Speaker 1: so funny, Loud, I know, well, it sounds like a 195 00:09:35,674 --> 00:09:38,834 Speaker 1: Cludo character. It's so funny. It just sounds like a 196 00:09:38,834 --> 00:09:40,434 Speaker 1: fake day that you'd make up if you were like 197 00:09:40,514 --> 00:09:42,674 Speaker 1: thinking and you're like Emerald Green. I mean, I guess, 198 00:09:43,674 --> 00:09:45,154 Speaker 1: like you look at a paint chip on the wall, 199 00:09:45,274 --> 00:09:48,714 Speaker 1: you see that it was giving like George Glass, Yeah, yeah, 200 00:09:48,754 --> 00:09:51,833 Speaker 1: exactly exactly that vibe. But I guess she carrolls it off. 201 00:09:51,874 --> 00:09:54,674 Speaker 1: She does feel like an Emerald Tiana Taylor as Milan. 202 00:09:55,354 --> 00:09:57,474 Speaker 1: That name sounded fair. It doesn't sound like a name 203 00:09:57,514 --> 00:09:59,714 Speaker 1: that she potentially gave herself once she moved to La, 204 00:09:59,754 --> 00:10:02,234 Speaker 1: which is a backstory I invented for her. Yeah, I 205 00:10:02,274 --> 00:10:06,274 Speaker 1: love that it works. And then Glenn Close as Dina Standish. 206 00:10:06,354 --> 00:10:10,394 Speaker 1: I feel like we the ball that one. Yeah, Dina fine. 207 00:10:11,234 --> 00:10:13,114 Speaker 1: They were like, we'll give the older woman a kind 208 00:10:13,114 --> 00:10:15,914 Speaker 1: of older sounding again, and I didn't need to happen. No, Yeah, 209 00:10:16,034 --> 00:10:17,914 Speaker 1: but at least they didn't give her like a real 210 00:10:17,994 --> 00:10:21,554 Speaker 1: older sounding name. She was a normal, yea god, norma 211 00:10:21,594 --> 00:10:24,114 Speaker 1: brown or something. And then my favorite name of the 212 00:10:24,274 --> 00:10:29,674 Speaker 1: entire series, Sarah Paulson as Carrington Lane. So Harrington Lane 213 00:10:29,754 --> 00:10:32,154 Speaker 1: is the best name, and that name out of all 214 00:10:32,194 --> 00:10:33,833 Speaker 1: of them, sounds like that's her name. That sounds like 215 00:10:34,114 --> 00:10:37,074 Speaker 1: that character's real name, Carrington Lane. Yeah. Yeah, And everyone 216 00:10:37,074 --> 00:10:41,194 Speaker 1: calling her car car just sounded like a fantastic No. 217 00:10:41,314 --> 00:10:44,074 Speaker 1: But I couldn't keep track of their names for quite 218 00:10:44,114 --> 00:10:47,874 Speaker 1: some time. But funnily enough, it was actually Kim who 219 00:10:48,394 --> 00:10:50,234 Speaker 1: I don't believe her as an actor. I feel like 220 00:10:50,234 --> 00:10:53,674 Speaker 1: I'm watching Kim Yadashian throughout this entire show. The other 221 00:10:53,754 --> 00:10:57,074 Speaker 1: actors are all brilliant actors, and I felt like I 222 00:10:57,234 --> 00:11:02,234 Speaker 1: was watching acting. Yeah, wild acting going sound very much 223 00:11:02,274 --> 00:11:04,594 Speaker 1: like Harry styles like, it feels like a movie, a 224 00:11:04,634 --> 00:11:08,154 Speaker 1: movie that feels like a movie. Sarah Paulson's an actress. 225 00:11:08,194 --> 00:11:11,514 Speaker 1: It feels like an actress. No, But because they repeat 226 00:11:12,074 --> 00:11:15,714 Speaker 1: Alura yea her name so many times at the beginning, 227 00:11:15,754 --> 00:11:17,674 Speaker 1: and I think it was to try and drum into 228 00:11:17,714 --> 00:11:21,394 Speaker 1: people like Kim, it's not Kim. That it did kind 229 00:11:21,394 --> 00:11:23,634 Speaker 1: of work. Her name did stick for me, but I 230 00:11:23,674 --> 00:11:26,594 Speaker 1: still felt like I was watching Kim. I know it's hard, Well, yeah, 231 00:11:26,634 --> 00:11:30,794 Speaker 1: we were watching Kim. We really were watching Kim. Because 232 00:11:30,794 --> 00:11:32,674 Speaker 1: we don't explact to anyone, even people who watched it 233 00:11:32,714 --> 00:11:35,354 Speaker 1: to remember every crazy plot line from this show. I 234 00:11:35,394 --> 00:11:38,554 Speaker 1: can't remember every crazy but we'll go through each of 235 00:11:38,594 --> 00:11:41,074 Speaker 1: the characters. So we should start with Kim. Allura Grant's 236 00:11:41,114 --> 00:11:44,274 Speaker 1: story really does bookend and kind of quite drive this 237 00:11:44,434 --> 00:11:47,674 Speaker 1: series the way that it starts. She's what seems like 238 00:11:47,754 --> 00:11:50,354 Speaker 1: the protagonist of the show. Yeah, well she is the 239 00:11:50,354 --> 00:11:52,314 Speaker 1: top build on the show. Yes, which was the other 240 00:11:52,354 --> 00:11:54,554 Speaker 1: thing because so many people were just like, I can't 241 00:11:54,594 --> 00:11:57,714 Speaker 1: believe that she's top build and that all these other 242 00:11:57,754 --> 00:12:01,074 Speaker 1: actresses that Glenn Close and Sarah Paul said a Nissie 243 00:12:01,114 --> 00:12:04,354 Speaker 1: Nash would sign on to being the supporting actress dick 244 00:12:04,354 --> 00:12:06,474 Speaker 1: In Kardashian. But I kind of get why they did, 245 00:12:07,274 --> 00:12:10,994 Speaker 1: kind of get worthy. I mean, Sarah's so loyal to right, 246 00:12:11,194 --> 00:12:13,274 Speaker 1: She's so long. I feel like sometimes I feel like 247 00:12:13,274 --> 00:12:15,994 Speaker 1: saying to her, Sarah, like you can say no. I 248 00:12:16,034 --> 00:12:19,714 Speaker 1: don't know. She doesn't think she cares because she really 249 00:12:20,234 --> 00:12:23,554 Speaker 1: credits her entire career totally, And to be honest, I 250 00:12:23,634 --> 00:12:25,114 Speaker 1: kind of get it. Because the thing is like, when 251 00:12:25,154 --> 00:12:27,034 Speaker 1: you're an actress, like you can be the most talented 252 00:12:27,034 --> 00:12:30,314 Speaker 1: and incredible person, but you still need someone, mostly at 253 00:12:30,314 --> 00:12:32,634 Speaker 1: the time, a very powerful man to say yes to 254 00:12:32,634 --> 00:12:34,674 Speaker 1: you and give you work. You can't really go out 255 00:12:34,714 --> 00:12:36,274 Speaker 1: and like, you know, you can obviously go and make 256 00:12:36,274 --> 00:12:37,514 Speaker 1: your own TV show, but even though you need someone 257 00:12:37,554 --> 00:12:39,114 Speaker 1: on a network to say yes. And you know what, 258 00:12:39,234 --> 00:12:41,874 Speaker 1: and this show is testament to that. He gives her 259 00:12:42,354 --> 00:12:46,794 Speaker 1: the best characters and so the actress who feels like 260 00:12:46,834 --> 00:12:50,234 Speaker 1: an actress like she really does get to act, Yeah, 261 00:12:50,274 --> 00:12:51,874 Speaker 1: And I feel like she does say yes to him 262 00:12:51,914 --> 00:12:54,834 Speaker 1: out of loyalty and also just knowing that so much 263 00:12:54,874 --> 00:12:56,474 Speaker 1: of her career is because of him, but it does 264 00:12:56,474 --> 00:12:59,434 Speaker 1: seem like a good working relationship when I interview you, 265 00:12:59,474 --> 00:13:01,794 Speaker 1: there's obviously a little love there. Yeah, there's a real 266 00:13:01,874 --> 00:13:04,274 Speaker 1: kind of camaraderie there. It was interesting when I interviewed 267 00:13:04,274 --> 00:13:06,954 Speaker 1: her for this show and I was asking her about 268 00:13:06,994 --> 00:13:09,194 Speaker 1: like her like power in the industry and stuff. She's 269 00:13:09,434 --> 00:13:11,634 Speaker 1: talking about cutting friends out of her life and cutting 270 00:13:11,674 --> 00:13:14,354 Speaker 1: people out who don't serve her. She was almost saying, 271 00:13:14,394 --> 00:13:16,514 Speaker 1: like the catalyst for her like judging who is worth 272 00:13:16,554 --> 00:13:19,074 Speaker 1: to have in her life comes from Ryan Murphy. Because 273 00:13:19,114 --> 00:13:21,114 Speaker 1: she's like, I know what it's like to have a 274 00:13:21,114 --> 00:13:24,874 Speaker 1: powerful man in my corner looking after me, doing right 275 00:13:24,914 --> 00:13:26,874 Speaker 1: by me. And it's almost like she was saying she 276 00:13:26,994 --> 00:13:29,874 Speaker 1: judges all of her other relationships of how Ryan Murphy 277 00:13:29,874 --> 00:13:33,554 Speaker 1: has treated her, and that's huge, right. So you know 278 00:13:33,714 --> 00:13:36,434 Speaker 1: she was all in for Carrington Leane, but getting back 279 00:13:36,474 --> 00:13:40,434 Speaker 1: to a Laura so she's so forgettable, I know, she 280 00:13:40,514 --> 00:13:44,594 Speaker 1: really is. The thing about this is like with All's fair, 281 00:13:44,794 --> 00:13:47,274 Speaker 1: I think there's a good show it's buried. There's a 282 00:13:47,274 --> 00:13:50,634 Speaker 1: good show buried here. I agree, And you know, honestly, 283 00:13:50,714 --> 00:13:53,514 Speaker 1: I am a Ryan Murphy fan. I will watch almost 284 00:13:53,634 --> 00:13:56,634 Speaker 1: anything he does this one. I was like, I'm not 285 00:13:56,674 --> 00:13:58,794 Speaker 1: interested in Kim. I don't want to watch a show 286 00:13:58,834 --> 00:14:01,674 Speaker 1: that Kim's in, but I love Sarah, so it's like 287 00:14:01,954 --> 00:14:04,554 Speaker 1: my loyalty to Sarah. Yeah, brought me into the show 288 00:14:04,754 --> 00:14:07,394 Speaker 1: exactly because like the idea of it is good again. 289 00:14:07,594 --> 00:14:10,034 Speaker 1: I think people were mocking it like it's old school feminism, 290 00:14:10,114 --> 00:14:11,834 Speaker 1: girl power, but I was like in the right hands, 291 00:14:11,874 --> 00:14:15,994 Speaker 1: Like this idea of these fabulous, beautifully dressed, high powered 292 00:14:16,034 --> 00:14:19,594 Speaker 1: female lawyers breaking away from their male law firm, going 293 00:14:19,594 --> 00:14:22,234 Speaker 1: off and starting their own practice, having a nemesis who 294 00:14:22,274 --> 00:14:24,074 Speaker 1: they had of the old practice, and having all of 295 00:14:24,114 --> 00:14:27,234 Speaker 1: these big guest stars coming through as these divorce women 296 00:14:27,354 --> 00:14:29,394 Speaker 1: with each time they had like a new, like crazy 297 00:14:29,434 --> 00:14:31,874 Speaker 1: case to help them solve. Like it is the formula 298 00:14:31,914 --> 00:14:34,634 Speaker 1: for good TV totally, and it's like super camp and 299 00:14:34,794 --> 00:14:39,634 Speaker 1: highly stylized. So that concept works for me. Yeah, exactly. 300 00:14:39,714 --> 00:14:41,794 Speaker 1: So the letdown was in the execution and in the 301 00:14:41,794 --> 00:14:44,634 Speaker 1: casting in some ways. But Allura Grant, yeah we meet her, 302 00:14:45,834 --> 00:14:49,434 Speaker 1: I would have say, brilliantly dressed. Oh, I mean throughout 303 00:14:49,474 --> 00:14:51,754 Speaker 1: the whole thing. Yeah, And it's like it's one of 304 00:14:51,794 --> 00:14:55,194 Speaker 1: those shows like Sex and the City, like Emily in Paris, 305 00:14:55,234 --> 00:14:58,114 Speaker 1: where like the wardrobe is almost its own character, like 306 00:14:58,154 --> 00:15:01,114 Speaker 1: it's yeah, the wardrobe is epic. Yeah, exactly, so you 307 00:15:01,154 --> 00:15:03,754 Speaker 1: can come and just enjoy the wardrobe and the opulence 308 00:15:03,834 --> 00:15:05,474 Speaker 1: of it all in her life. And so we meet 309 00:15:05,514 --> 00:15:09,354 Speaker 1: her and she's a divorce attorney who's celebrating ten years 310 00:15:09,394 --> 00:15:11,674 Speaker 1: with running this law firm with her two best friends, 311 00:15:12,034 --> 00:15:14,274 Speaker 1: and everything about her life is very much like set 312 00:15:14,314 --> 00:15:16,234 Speaker 1: up to follow her through those first few scenes, it's 313 00:15:16,274 --> 00:15:19,034 Speaker 1: like it's perfect. She works in this beautiful office with 314 00:15:19,074 --> 00:15:21,594 Speaker 1: all these empowered women, she works with her best friends. 315 00:15:21,874 --> 00:15:24,154 Speaker 1: They help women get what they deserve. Like it's this 316 00:15:24,234 --> 00:15:26,714 Speaker 1: very altruistic kind of side to it. Then we see 317 00:15:26,714 --> 00:15:30,194 Speaker 1: her journey to her incredible mansion and you see her 318 00:15:30,234 --> 00:15:32,634 Speaker 1: walk through and greet all the stuff, and she looks 319 00:15:32,674 --> 00:15:36,034 Speaker 1: incredible and she's got this beautiful closet and it's almost 320 00:15:36,114 --> 00:15:39,354 Speaker 1: like we know what Kim Kardashian's real life looks like 321 00:15:39,634 --> 00:15:42,314 Speaker 1: that it's just two steps further. Yes, it has like 322 00:15:42,354 --> 00:15:44,674 Speaker 1: a little bit more color than her actual home. Yes, yes, 323 00:15:44,714 --> 00:15:47,874 Speaker 1: there's more color. It's like Kim's home, but maybe three 324 00:15:47,874 --> 00:15:50,714 Speaker 1: homes ago. Yeah, yeah, before she it's a bit more 325 00:15:50,714 --> 00:15:54,554 Speaker 1: Hollywood star than like minimalist, totally kind of art lover 326 00:15:54,714 --> 00:15:56,954 Speaker 1: that she kind of bills herself as. And also she 327 00:15:56,994 --> 00:15:59,634 Speaker 1: doesn't normally let the staff be shown too much in 328 00:15:59,674 --> 00:16:01,674 Speaker 1: the background of it, because you know her Kim Kardashian's 329 00:16:01,674 --> 00:16:04,274 Speaker 1: house would be it's teeming with a staff of people, 330 00:16:04,594 --> 00:16:06,274 Speaker 1: but you don't often see them in the background of 331 00:16:06,274 --> 00:16:09,154 Speaker 1: the Kardashians. Whereas this we say, you know that moment 332 00:16:09,154 --> 00:16:11,234 Speaker 1: where she walks in and says to the chef, you know, 333 00:16:11,674 --> 00:16:13,994 Speaker 1: dinner in an hour? Yeah, you know that delivery was 334 00:16:14,034 --> 00:16:17,754 Speaker 1: better than the way she because I was like, I'm 335 00:16:17,834 --> 00:16:22,114 Speaker 1: so Ryan, sign me up. She's so stiff, and I'm like, girl, 336 00:16:22,594 --> 00:16:25,714 Speaker 1: you're just playing yourself in this moment. You know how 337 00:16:25,714 --> 00:16:28,114 Speaker 1: to tell the staff when you want dinner? I know. 338 00:16:28,314 --> 00:16:29,794 Speaker 1: And it's like you're meant to Also, you meant to 339 00:16:29,794 --> 00:16:32,874 Speaker 1: really like Alura as a character as well. Did you 340 00:16:32,994 --> 00:16:35,354 Speaker 1: like her? No? No, no, no, But I think I would 341 00:16:35,354 --> 00:16:37,954 Speaker 1: have liked the idea of her. I just don't think 342 00:16:37,994 --> 00:16:41,394 Speaker 1: that Kim Kardashin can emote anything that because again I 343 00:16:41,434 --> 00:16:43,834 Speaker 1: think she has an interesting storyline and like, so we 344 00:16:43,874 --> 00:16:47,954 Speaker 1: meet her husband. Matthew Nozik plays Chase Munroe, and I 345 00:16:47,994 --> 00:16:50,274 Speaker 1: think he did a great job to be honest in 346 00:16:50,354 --> 00:16:53,634 Speaker 1: that bumbling idiot. But he doesn't seem dumb for dumb sake. 347 00:16:53,714 --> 00:16:57,394 Speaker 1: He seems like like a fully formed character. Yes, yes, 348 00:16:57,474 --> 00:17:00,714 Speaker 1: I agree, Like I found him quite vile, oh vile, Yeah, 349 00:17:01,354 --> 00:17:04,154 Speaker 1: but violent right from the start. From the moment he 350 00:17:04,394 --> 00:17:09,994 Speaker 1: taps his lap and says, come to daddy, I was like, yeah, exactly, 351 00:17:10,033 --> 00:17:12,234 Speaker 1: but kind of also felt like a real I'm like, 352 00:17:12,394 --> 00:17:15,634 Speaker 1: I know this man exists. Yeah, oh yeah, one hundred percent. 353 00:17:15,674 --> 00:17:19,154 Speaker 1: That Kim's definitely dated that I think that she waited 354 00:17:19,194 --> 00:17:24,434 Speaker 1: on that, I think she married. That man is watching 355 00:17:24,434 --> 00:17:29,793 Speaker 1: this like, hey, we do know who Elizabeth Taylor is. 356 00:17:31,074 --> 00:17:34,674 Speaker 1: I don't believe that for insecond, and so we kind 357 00:17:34,674 --> 00:17:36,594 Speaker 1: of The interesting part is that she's a divorce lawyer 358 00:17:36,634 --> 00:17:39,313 Speaker 1: who got married, yes kind of, and then is building 359 00:17:39,314 --> 00:17:41,634 Speaker 1: this life with this guy and is like everything in 360 00:17:41,674 --> 00:17:44,474 Speaker 1: her life is so perfect until she finds out that 361 00:17:44,554 --> 00:17:47,194 Speaker 1: he has had an affair with her assistant Milan, who 362 00:17:47,354 --> 00:17:51,594 Speaker 1: she has been mentoring, which is the ultimate kind of betrayal. Yeah, 363 00:17:51,634 --> 00:17:55,353 Speaker 1: that's not the only affair, well many, but that's the 364 00:17:55,354 --> 00:17:58,034 Speaker 1: one of that kind of tips over the years. Yeah, 365 00:17:58,074 --> 00:18:00,154 Speaker 1: and then she has that interesting plot point. This is 366 00:18:00,154 --> 00:18:02,994 Speaker 1: where I thought like the stakes of this show kept changing. 367 00:18:03,314 --> 00:18:07,114 Speaker 1: Sometimes the stakes were so low, like when Carrington's big 368 00:18:07,274 --> 00:18:10,234 Speaker 1: move against Liberty in the Firm was checking her into 369 00:18:10,674 --> 00:18:15,194 Speaker 1: showing them ugly bridesmaid's dresses so fun, and Dina was like, 370 00:18:15,474 --> 00:18:17,474 Speaker 1: I know you were behind that. I'm like, this is 371 00:18:17,514 --> 00:18:22,033 Speaker 1: the most embarrassing plot that I've ever And then the 372 00:18:22,074 --> 00:18:24,434 Speaker 1: British Nurst comes into play with that, because they are 373 00:18:24,474 --> 00:18:28,754 Speaker 1: these like kind of Victorian bridesmaid dresses and all these 374 00:18:28,794 --> 00:18:31,754 Speaker 1: like Hollywood women with my phone faces and they just 375 00:18:31,834 --> 00:18:34,754 Speaker 1: look so ridiculous, and they're like, this is a joke, right, 376 00:18:34,874 --> 00:18:37,154 Speaker 1: And then she's like, no, I thought it'd be really nice, 377 00:18:37,154 --> 00:18:38,834 Speaker 1: and they're like and then She's like, well, obviously none 378 00:18:38,834 --> 00:18:40,074 Speaker 1: of you should be in my wedding. We shouldn't be 379 00:18:40,074 --> 00:18:42,394 Speaker 1: friends and we should give Carrington the law firm. And 380 00:18:42,434 --> 00:18:44,834 Speaker 1: Carrington's like, ha ha, my plot worked. And I was 381 00:18:44,874 --> 00:18:47,874 Speaker 1: like the plot of the ugly bridesmaid's dress. That was 382 00:18:47,914 --> 00:18:51,194 Speaker 1: your big swing, that was your big player, and it worked. 383 00:18:51,674 --> 00:18:55,034 Speaker 1: We need to talk about Carrington. Yes, let's leave the 384 00:18:55,114 --> 00:18:58,394 Speaker 1: Laura for now. We can come back to her. She 385 00:18:58,434 --> 00:19:02,114 Speaker 1: goes through some stuff and her facial expression never changes. 386 00:19:02,394 --> 00:19:05,714 Speaker 1: That's the hard thing is like I understand stunt casting, Yes, 387 00:19:05,754 --> 00:19:07,793 Speaker 1: boy do I understand it, and I think Grime Murphy's 388 00:19:07,834 --> 00:19:10,314 Speaker 1: really good at it. But you can't stunt cast a lead. 389 00:19:10,954 --> 00:19:13,313 Speaker 1: You can't lead. I think what we're saying it like 390 00:19:13,554 --> 00:19:17,593 Speaker 1: this show couldn't hang on Kim No absolutely not claims 391 00:19:17,634 --> 00:19:19,914 Speaker 1: about her having top billing, like she shouldn't have had 392 00:19:19,954 --> 00:19:23,474 Speaker 1: top billing. No, because she can't emote, She can't carry 393 00:19:23,514 --> 00:19:25,634 Speaker 1: the show. She doesn't give any insight to the character. 394 00:19:25,954 --> 00:19:27,834 Speaker 1: I mean, these are all really good actresses, but a 395 00:19:27,874 --> 00:19:30,793 Speaker 1: show like this doesn't need an award winning actress, but 396 00:19:30,874 --> 00:19:33,674 Speaker 1: it just needs something to pull you in. And she 397 00:19:33,714 --> 00:19:36,434 Speaker 1: should have been a side character who they wheeled in 398 00:19:36,514 --> 00:19:39,353 Speaker 1: every couple of scenes, every few episodes, and then every 399 00:19:39,394 --> 00:19:40,754 Speaker 1: time you see her on screen, you'd be like, Oh, 400 00:19:40,794 --> 00:19:43,394 Speaker 1: what's she gonna do? Like Kim Karashian's here, She's meant 401 00:19:43,434 --> 00:19:45,954 Speaker 1: to be the emotional plot point. There's no emotion. The 402 00:19:45,994 --> 00:19:47,594 Speaker 1: only time we see emotion from is when she's putting 403 00:19:47,594 --> 00:19:50,114 Speaker 1: the bridesmaids dress on. Yeah, and I think that's an outtake. 404 00:19:50,554 --> 00:19:52,513 Speaker 1: They filmed an out take because you can see them 405 00:19:52,554 --> 00:19:54,634 Speaker 1: all look at each other and they start laughing. Yeah. 406 00:19:54,794 --> 00:19:56,834 Speaker 1: And it's the only time Kim's face moves during the 407 00:19:56,874 --> 00:20:00,154 Speaker 1: whole shot. And when you actually get her real laugh, 408 00:20:00,394 --> 00:20:03,154 Speaker 1: yes's her real laugh, yes, which we all know because 409 00:20:03,194 --> 00:20:04,834 Speaker 1: we've heard it so many times on the show. She 410 00:20:04,874 --> 00:20:08,434 Speaker 1: doesn't have a particularly elegant laugh, but in the moments 411 00:20:08,514 --> 00:20:10,594 Speaker 1: through the show where she does laugh, it's like a 412 00:20:10,594 --> 00:20:13,674 Speaker 1: little tinker like. So that is her laugh and her 413 00:20:13,754 --> 00:20:16,234 Speaker 1: Kim laughing very different. And in that moment, she's just 414 00:20:16,274 --> 00:20:18,274 Speaker 1: being herself because I think that the cameras on them 415 00:20:18,274 --> 00:20:20,154 Speaker 1: and they break and they kept it in and it's 416 00:20:20,154 --> 00:20:21,794 Speaker 1: the only time you get real emotion and it wasn't 417 00:20:21,794 --> 00:20:24,634 Speaker 1: meant to happen. Yeah, So getting onto Yes Carrington, what 418 00:20:24,714 --> 00:20:28,234 Speaker 1: did you love about that character? And or hate? Literally everything? 419 00:20:28,634 --> 00:20:32,994 Speaker 1: Like absolutely everything. They are the best lines they were 420 00:20:33,034 --> 00:20:35,594 Speaker 1: delivered on a TV show. A particularly favorite one, Yeah, 421 00:20:35,594 --> 00:20:39,754 Speaker 1: A pussy. Yeah, that was great. It was just so good, 422 00:20:40,194 --> 00:20:44,114 Speaker 1: like talking about her dead cat, yeah, but referring to 423 00:20:44,154 --> 00:20:47,274 Speaker 1: it as her dead pussy and how she couldn't stop 424 00:20:47,314 --> 00:20:50,114 Speaker 1: petting it that her mum had to tell it. It 425 00:20:50,194 --> 00:20:53,594 Speaker 1: was just so funny and Sarah delivered it so well. 426 00:20:53,634 --> 00:20:56,194 Speaker 1: And it just didn't stop but kept going, just kept going, 427 00:20:56,274 --> 00:20:58,234 Speaker 1: and no wonder so much of the trailer was just 428 00:20:58,314 --> 00:21:00,754 Speaker 1: those one was like I think people like tuned into 429 00:21:00,794 --> 00:21:02,474 Speaker 1: sort of see how kN kadash she would act in 430 00:21:02,474 --> 00:21:05,434 Speaker 1: the first trailer, but then they kind of stayed around 431 00:21:05,474 --> 00:21:08,474 Speaker 1: for the Sarah Paulson all her or quips everything with 432 00:21:08,514 --> 00:21:10,874 Speaker 1: that character. I mean, she plays a villain very well, 433 00:21:11,074 --> 00:21:14,034 Speaker 1: we know that for American horror story. Everything even just 434 00:21:14,074 --> 00:21:16,874 Speaker 1: about the initial look that she had and the gloves 435 00:21:16,874 --> 00:21:19,634 Speaker 1: and then finding out the layering of the storyline behind 436 00:21:19,674 --> 00:21:23,033 Speaker 1: why she dressed like that, Yes, for sure, And like 437 00:21:23,114 --> 00:21:25,274 Speaker 1: it's so funny because it starts off in that first 438 00:21:25,314 --> 00:21:28,994 Speaker 1: episode where she is kind of accused of being ugly, 439 00:21:29,034 --> 00:21:31,874 Speaker 1: which Sarah Pulson is so beautiful, so weird when they 440 00:21:32,154 --> 00:21:34,234 Speaker 1: try to sign someone, it's almost like we're watching a 441 00:21:34,314 --> 00:21:36,314 Speaker 1: turn and everyone's like, well, males teller is so hot, 442 00:21:36,394 --> 00:21:37,954 Speaker 1: so and that's a plot point, Like it's just a 443 00:21:38,034 --> 00:21:40,634 Speaker 1: plot po is it? And also Sarah Paulson being the 444 00:21:40,674 --> 00:21:43,394 Speaker 1: ugly duckling, I was like, unless she made her look ugly, yeah, 445 00:21:43,394 --> 00:21:46,634 Speaker 1: which they didn't didn't. They didn't all helped. She looked 446 00:21:46,674 --> 00:21:50,194 Speaker 1: gorgeous but she just didn't have I don't know, as 447 00:21:50,274 --> 00:21:54,114 Speaker 1: much filler. Yeah, she just looked more natural, is really it? 448 00:21:54,314 --> 00:21:56,634 Speaker 1: So I guess, you know, and I guess in those 449 00:21:56,674 --> 00:21:59,354 Speaker 1: circles maybe that is ugly. I don't know. And also 450 00:21:59,394 --> 00:22:01,434 Speaker 1: Elaura is meant to be this bombshell, and obviously Kim 451 00:22:01,474 --> 00:22:04,154 Speaker 1: cush she is like, he's beautiful, so he's one kind 452 00:22:04,194 --> 00:22:06,593 Speaker 1: of against her. But yeah, I love to set up 453 00:22:06,674 --> 00:22:08,514 Speaker 1: her character. This is where the show is a good 454 00:22:08,514 --> 00:22:10,994 Speaker 1: show because the backstory of them all being in that 455 00:22:11,114 --> 00:22:13,274 Speaker 1: law firm together and them choosing not to take her, 456 00:22:13,354 --> 00:22:16,954 Speaker 1: even though Kim Kardashian's delivery was terrible in that scene. Otherwise, 457 00:22:16,954 --> 00:22:18,834 Speaker 1: you can't just have these women stiping each other. There's 458 00:22:18,874 --> 00:22:21,434 Speaker 1: no steaks, no The stakes of watching them in that 459 00:22:21,514 --> 00:22:24,513 Speaker 1: mediation room and watching them come at each other and 460 00:22:24,554 --> 00:22:27,754 Speaker 1: knowing that they had this very emotional ten year history 461 00:22:28,274 --> 00:22:31,234 Speaker 1: makes those scenes so believable. Otherwise, you like, growing women 462 00:22:31,234 --> 00:22:33,674 Speaker 1: wouldn't act like that, But growing women with that amount 463 00:22:33,674 --> 00:22:36,474 Speaker 1: of emotional baggage and the feeling of being the one 464 00:22:36,514 --> 00:22:39,954 Speaker 1: who was left out, Yeah that I understand that driving 465 00:22:39,994 --> 00:22:41,594 Speaker 1: her in such a way when they're like to her, 466 00:22:41,834 --> 00:22:44,353 Speaker 1: why can't you let it go. You have everything, like 467 00:22:44,594 --> 00:22:46,033 Speaker 1: they kind of do allude to the fact that her 468 00:22:46,034 --> 00:22:48,834 Speaker 1: firm is more successful, she wins more cases, she makes 469 00:22:48,834 --> 00:22:51,674 Speaker 1: more money, so technically she's the winner, but she can't 470 00:22:51,754 --> 00:22:54,793 Speaker 1: let it go. And I really relate to that. You 471 00:22:54,834 --> 00:22:59,154 Speaker 1: know what she reminded me of ye was a much 472 00:22:59,234 --> 00:23:03,954 Speaker 1: more full on Sue Sylvester, Like she had that same 473 00:23:04,194 --> 00:23:07,594 Speaker 1: kind of meanness with her lines and her delivery and 474 00:23:08,034 --> 00:23:10,273 Speaker 1: the way that she went at them. But it was 475 00:23:10,354 --> 00:23:14,634 Speaker 1: like r rated. Yeah, her line to the standouts, which 476 00:23:14,634 --> 00:23:16,554 Speaker 1: when you look back at Clayte, that's what everyone talks 477 00:23:16,554 --> 00:23:19,914 Speaker 1: about exactly. The thing is like that gets tired, like 478 00:23:19,954 --> 00:23:22,914 Speaker 1: Sue Sylvester would have got tired if they didn't give 479 00:23:22,954 --> 00:23:26,034 Speaker 1: her these emotional black backstories and plot points and these 480 00:23:26,074 --> 00:23:28,834 Speaker 1: softer moments so that the harder moments hit harder because 481 00:23:28,874 --> 00:23:31,594 Speaker 1: a straight up villain's boring anyone who's just I mean, 482 00:23:31,634 --> 00:23:33,474 Speaker 1: for the sake of it. And I though that's why 483 00:23:33,474 --> 00:23:35,394 Speaker 1: I thought that what they did quite well with Carrington. 484 00:23:35,514 --> 00:23:36,874 Speaker 1: And I also I know that a lot of the 485 00:23:36,914 --> 00:23:40,154 Speaker 1: initial reviews said even Sarah Paulson can't say this, and 486 00:23:40,194 --> 00:23:42,194 Speaker 1: there's a lot of trick to that, but I also 487 00:23:42,274 --> 00:23:45,833 Speaker 1: think that there's some truly lovely acting moments from her 488 00:23:45,874 --> 00:23:48,594 Speaker 1: in this The look on her face when she finds 489 00:23:48,634 --> 00:23:50,274 Speaker 1: out that they're not taking her to the law firm, 490 00:23:50,354 --> 00:23:52,954 Speaker 1: the naked kind of hurt and pain in her eyes 491 00:23:53,634 --> 00:23:56,434 Speaker 1: is so good. But also the side storyline of her 492 00:23:56,474 --> 00:23:59,234 Speaker 1: being a mother the mum I thought worked so well. 493 00:23:59,314 --> 00:24:02,514 Speaker 1: It was beautiful, wasn't it. Like it was really interesting 494 00:24:02,594 --> 00:24:06,274 Speaker 1: to watch that and that dynamic then for her because 495 00:24:06,554 --> 00:24:09,194 Speaker 1: you feel, like, you know, in those first few episodes 496 00:24:09,234 --> 00:24:12,674 Speaker 1: when you don't know that she's just this kind of workaholic, 497 00:24:13,314 --> 00:24:18,394 Speaker 1: somewhat psychotic like woman who all she does is work 498 00:24:18,914 --> 00:24:21,874 Speaker 1: and seek vengeance and hate, and then she's got this 499 00:24:21,954 --> 00:24:25,194 Speaker 1: whole other life that you don't expect. Yeah, it's so 500 00:24:25,234 --> 00:24:26,954 Speaker 1: interesting because like in your head, like I don't know 501 00:24:26,954 --> 00:24:29,154 Speaker 1: about you, but I really assigned her a backstory based 502 00:24:29,194 --> 00:24:31,474 Speaker 1: on what I've been told, and because the show came 503 00:24:31,514 --> 00:24:34,313 Speaker 1: across very surface level, I assigned her a very surface 504 00:24:34,394 --> 00:24:36,634 Speaker 1: level backstory where I was like, oh, she just lives 505 00:24:36,634 --> 00:24:39,994 Speaker 1: in this dark, creepy pent house apartment, you know, where 506 00:24:39,994 --> 00:24:42,553 Speaker 1: she's like so rich, but she just like is like 507 00:24:42,714 --> 00:24:45,434 Speaker 1: very lonely and like it's all that she doesn't get 508 00:24:45,514 --> 00:24:48,674 Speaker 1: joy from anything outside, and that she'll almost like she 509 00:24:48,794 --> 00:24:52,234 Speaker 1: words down at the courtroom, but they actually barely spend 510 00:24:52,234 --> 00:24:54,714 Speaker 1: any time in a courtroom. They're not doing courtrooms. They're 511 00:24:54,834 --> 00:24:57,434 Speaker 1: like backdoor deals and mediations, which I think is probably 512 00:24:57,554 --> 00:25:00,674 Speaker 1: very true. Actually it probably is a divorce. Yeah, yeah, 513 00:25:00,674 --> 00:25:02,354 Speaker 1: it wasn't a courtroom drama. They're probably all just like, 514 00:25:02,514 --> 00:25:03,714 Speaker 1: we're not going to look good here, like we need 515 00:25:03,754 --> 00:25:05,994 Speaker 1: to be now, we need to spend all the time 516 00:25:06,034 --> 00:25:10,033 Speaker 1: in our boardroom where we need lacquered. Yeah, she's not 517 00:25:10,354 --> 00:25:13,754 Speaker 1: like old, yeah, all that sort of stuff, and so like, yeah, 518 00:25:13,754 --> 00:25:15,513 Speaker 1: with Carrington, I just assume that she kind of just 519 00:25:15,634 --> 00:25:16,994 Speaker 1: like wore down at the end of the day and 520 00:25:17,034 --> 00:25:21,394 Speaker 1: didn't exist. And so seeing her like like like a 521 00:25:21,474 --> 00:25:28,033 Speaker 1: highly active romba, like a really angry, swearing rebuff. It 522 00:25:28,114 --> 00:25:30,394 Speaker 1: was really believable watching her be in that mum roll 523 00:25:30,434 --> 00:25:32,674 Speaker 1: because you can see that she's a little bit sharp 524 00:25:32,714 --> 00:25:34,474 Speaker 1: with her daughter, but you also get the idea that 525 00:25:34,514 --> 00:25:38,074 Speaker 1: she's the only person in her life who she kind 526 00:25:38,074 --> 00:25:41,194 Speaker 1: of speaks to in that more caring way, and she 527 00:25:41,674 --> 00:25:43,513 Speaker 1: as a woman knows what it's like to be the 528 00:25:43,554 --> 00:25:46,033 Speaker 1: one who's not included and who's left out. And so 529 00:25:46,074 --> 00:25:49,073 Speaker 1: when she sees that fate happen to her daughter, the 530 00:25:49,114 --> 00:25:52,154 Speaker 1: look of tragedy and regret on her face, it's almost like, 531 00:25:52,194 --> 00:25:53,994 Speaker 1: that's the worst thing I could have wished for you 532 00:25:54,194 --> 00:25:56,674 Speaker 1: is to feel rejected the way I've been rejected even 533 00:25:56,714 --> 00:26:00,994 Speaker 1: though I'm successful. And so that was a really heartbreaking moment. 534 00:26:01,114 --> 00:26:03,594 Speaker 1: Yeah it was, and thank goodness it was given to 535 00:26:03,674 --> 00:26:07,594 Speaker 1: Sarah yet exactly to kind of well, I mean had 536 00:26:07,634 --> 00:26:09,914 Speaker 1: some heartbreaking moments too, like again, but she just couldn't 537 00:26:09,914 --> 00:26:11,834 Speaker 1: deliver on them. This should have been a great plot 538 00:26:11,834 --> 00:26:15,234 Speaker 1: point when she goes into the fertility clinic and is like, 539 00:26:15,554 --> 00:26:17,234 Speaker 1: this is the last chance for me to have these 540 00:26:17,234 --> 00:26:19,114 Speaker 1: embryo's the last chance for me to be a mother. 541 00:26:19,514 --> 00:26:24,834 Speaker 1: I always want that. She's like stolen from her husband. Yeah, 542 00:26:24,914 --> 00:26:27,634 Speaker 1: doesn't know about it, and she's forging the paperwork, and 543 00:26:27,714 --> 00:26:29,714 Speaker 1: you see the sort of like pain in her face. 544 00:26:30,034 --> 00:26:31,674 Speaker 1: We don't actually don't se any pain in face, but 545 00:26:31,674 --> 00:26:33,394 Speaker 1: you should see pain in her face as she's making 546 00:26:33,394 --> 00:26:35,954 Speaker 1: the decision. That's like a huge plot point as well, 547 00:26:35,994 --> 00:26:38,073 Speaker 1: but it just doesn't land. Even when she finds out 548 00:26:38,114 --> 00:26:40,274 Speaker 1: she's not pregnant. She comes out of the bathroom store 549 00:26:40,434 --> 00:26:42,314 Speaker 1: to dinner and she's like, I'm not pregnant, and I 550 00:26:42,394 --> 00:26:45,394 Speaker 1: was like, give us something us is you're meant. This 551 00:26:45,434 --> 00:26:48,194 Speaker 1: is meant to be a tragedy for you. You broke the law, 552 00:26:48,314 --> 00:26:50,513 Speaker 1: you risked everything for this because you wanted it more 553 00:26:50,554 --> 00:26:52,593 Speaker 1: than anything, and now it hasn't worked and it's your 554 00:26:52,674 --> 00:26:56,194 Speaker 1: last chance and you just suppose it. Can't even blink. No. 555 00:26:57,314 --> 00:27:00,434 Speaker 1: The plot points are funny because they don't really go anywhere, 556 00:27:00,474 --> 00:27:02,754 Speaker 1: and sometimes they don't go anywhere for so long that 557 00:27:02,754 --> 00:27:05,513 Speaker 1: you've forgotten about them. Yeah, and then you're like do 558 00:27:05,554 --> 00:27:08,234 Speaker 1: they really matter? In the same way the court cases 559 00:27:08,274 --> 00:27:11,194 Speaker 1: that they're all the divorces that they're working on each 560 00:27:11,234 --> 00:27:16,553 Speaker 1: episode also are like who cares? Yeah? I thought that 561 00:27:16,634 --> 00:27:18,474 Speaker 1: was not that I thought the show was going to 562 00:27:18,514 --> 00:27:20,634 Speaker 1: be about the law, but like it really does get 563 00:27:20,634 --> 00:27:22,274 Speaker 1: away from I thought it was going to be more 564 00:27:22,274 --> 00:27:25,033 Speaker 1: of that, like guest Star of the week coming in 565 00:27:25,074 --> 00:27:27,794 Speaker 1: and we started strong, which was amazing. We did start strong, 566 00:27:27,834 --> 00:27:30,154 Speaker 1: some of those storylines that they have a favorite guest star, 567 00:27:30,434 --> 00:27:33,354 Speaker 1: Jessica Simpson. Jessica Simpson was great. I loved it and 568 00:27:33,394 --> 00:27:35,513 Speaker 1: it was so funny because when she comes in and 569 00:27:35,554 --> 00:27:39,314 Speaker 1: she looks terrible, right, I mean you learn later there's 570 00:27:39,314 --> 00:27:41,714 Speaker 1: a reason for it, But I like watching it was like, 571 00:27:42,354 --> 00:27:45,834 Speaker 1: oh God, like, what happened? What happened to do you? Jess? Like? 572 00:27:46,274 --> 00:27:49,634 Speaker 1: She looks terrible. That's then part of her storyline is 573 00:27:49,674 --> 00:27:52,994 Speaker 1: that she's had all this botched surgery because her husband's 574 00:27:53,034 --> 00:27:54,434 Speaker 1: forced her to have it to try and make it 575 00:27:54,514 --> 00:27:57,634 Speaker 1: look young and whatever, and then so she wants to 576 00:27:57,674 --> 00:28:00,074 Speaker 1: sue him for doing that to her. But it's such 577 00:28:00,114 --> 00:28:05,434 Speaker 1: a fun, camp Ryan Murphy esque La Wild storyline that 578 00:28:05,514 --> 00:28:07,793 Speaker 1: I really enjoyed it. I love to say jess I 579 00:28:07,914 --> 00:28:09,914 Speaker 1: wanted her to have a bigger role. Yeah, to be honest, 580 00:28:09,954 --> 00:28:12,074 Speaker 1: because I thought the significance you're right of her being 581 00:28:12,074 --> 00:28:14,514 Speaker 1: there was huge. One is that I love how much 582 00:28:14,674 --> 00:28:17,674 Speaker 1: she's just openly excited about being friends with Kim Kardashi 583 00:28:17,674 --> 00:28:19,674 Speaker 1: in real life, which I feel as if very relatable. 584 00:28:19,914 --> 00:28:22,234 Speaker 1: It's like Jessica Simpson has been famous for most of 585 00:28:22,234 --> 00:28:25,074 Speaker 1: her life. Was fifteen, yeah, and she's like a millionaire 586 00:28:25,074 --> 00:28:27,034 Speaker 1: in her like I think Shoeline made like a billion 587 00:28:27,074 --> 00:28:29,154 Speaker 1: dollars or something like that. And bath products, remember that 588 00:28:29,234 --> 00:28:32,073 Speaker 1: Jessica Simpson bath product and if she used them, Oh, 589 00:28:32,154 --> 00:28:36,273 Speaker 1: my god deserved dessert and they didn't smell good. I did. 590 00:28:36,274 --> 00:28:38,314 Speaker 1: It was too much to taste them. Oh yeah you 591 00:28:38,354 --> 00:28:41,194 Speaker 1: could eat that. Yeah, it's supposed to. But they tasted 592 00:28:41,194 --> 00:28:43,394 Speaker 1: really sweet. It's like the body cream was literally just 593 00:28:43,474 --> 00:28:47,554 Speaker 1: thick chocolate. Yeah, and everyone's like, I'm gonna put shampoo. 594 00:28:47,674 --> 00:28:49,754 Speaker 1: Was just like it was just like actual vanilla, like 595 00:28:49,754 --> 00:28:52,114 Speaker 1: not vanilla scented like a pump. It was like it 596 00:28:52,154 --> 00:28:54,994 Speaker 1: was like barthing and cake and you're all just like whoa, yeah, 597 00:28:55,154 --> 00:28:57,474 Speaker 1: so sick. It was almost like the pump packs that 598 00:28:57,554 --> 00:29:00,474 Speaker 1: have behind the counter at Starbucks. That was like basically 599 00:29:00,834 --> 00:29:03,194 Speaker 1: it was like bathing and Starbucks. And my friends were 600 00:29:03,194 --> 00:29:06,194 Speaker 1: all teens were like, oh, Jessica's amazing products were sexy. 601 00:29:06,434 --> 00:29:08,354 Speaker 1: She made a lot of money. She made so much 602 00:29:08,434 --> 00:29:10,874 Speaker 1: money and had a clothing line in particular act the 603 00:29:10,874 --> 00:29:12,994 Speaker 1: clothing line selling it all in like seas and you 604 00:29:13,074 --> 00:29:14,914 Speaker 1: know that she went because she's like, yes, is my 605 00:29:15,154 --> 00:29:18,114 Speaker 1: lowest a smart girl and people don't or she listens 606 00:29:18,154 --> 00:29:20,914 Speaker 1: to smart people, which is also smart yes, because she's like, 607 00:29:21,074 --> 00:29:22,954 Speaker 1: my fans aren't going to go shop in like these 608 00:29:23,034 --> 00:29:25,834 Speaker 1: really high end boutiques. They need to go to Walmart, 609 00:29:25,874 --> 00:29:27,914 Speaker 1: which is where she sold some of her shoes and things, 610 00:29:27,994 --> 00:29:30,074 Speaker 1: and so she made a lot of money. And so 611 00:29:30,474 --> 00:29:33,754 Speaker 1: her daughter and Northwest go to school together, and so 612 00:29:34,154 --> 00:29:36,314 Speaker 1: she's all about the posting, like when she's like over 613 00:29:36,394 --> 00:29:38,434 Speaker 1: at Kim's or well like when her daughter Maxwell gets 614 00:29:38,434 --> 00:29:40,434 Speaker 1: invited to sleep over. And I was like, it's just 615 00:29:40,634 --> 00:29:42,994 Speaker 1: very social crimeery, but in like a really cute way. Yeah, 616 00:29:42,994 --> 00:29:46,194 Speaker 1: and it's funny because Jess was famous before Kim. Yeah, 617 00:29:46,474 --> 00:29:50,194 Speaker 1: and that's famous, so so famous. But also and I 618 00:29:50,274 --> 00:29:53,074 Speaker 1: think this is really fun with bringing Jess on the show. 619 00:29:54,074 --> 00:29:57,634 Speaker 1: Her marriages have been very famous. So I mean her 620 00:29:57,714 --> 00:30:00,434 Speaker 1: reality TV show was newly Wed, so we saw that, 621 00:30:01,074 --> 00:30:04,274 Speaker 1: we saw her marriage play out, and then all the 622 00:30:04,354 --> 00:30:06,674 Speaker 1: world watched while it broke down exactly, so she became 623 00:30:06,754 --> 00:30:08,834 Speaker 1: very much to no one for divorce and no one 624 00:30:08,914 --> 00:30:11,074 Speaker 1: for like being the woman who was like trying to 625 00:30:11,154 --> 00:30:12,994 Speaker 1: date these men and like you know, and people were 626 00:30:13,034 --> 00:30:14,794 Speaker 1: like talking about her being like sad and alone. And 627 00:30:14,834 --> 00:30:16,674 Speaker 1: then when she married her husband, they had their kids, 628 00:30:16,754 --> 00:30:18,874 Speaker 1: like she finally got this happy ending, and then the 629 00:30:18,914 --> 00:30:22,274 Speaker 1: storyline around their divorce was negative towards her. And so 630 00:30:22,394 --> 00:30:24,114 Speaker 1: I feel like, because she did a lot of press 631 00:30:24,234 --> 00:30:26,034 Speaker 1: for this show for being a guestar. But she was 632 00:30:26,114 --> 00:30:27,874 Speaker 1: just like, put me in, coach, I'll do every red 633 00:30:27,914 --> 00:30:29,874 Speaker 1: carp I'll do every interview, talk about it so much, 634 00:30:30,274 --> 00:30:33,594 Speaker 1: And she was talking about finding redemption after going through 635 00:30:33,634 --> 00:30:35,874 Speaker 1: her own divorce, of going in and playing this woman, 636 00:30:35,994 --> 00:30:37,634 Speaker 1: and so I love that for her and I want 637 00:30:37,754 --> 00:30:39,594 Speaker 1: her to come back in season two. Same. I do 638 00:30:39,714 --> 00:30:43,834 Speaker 1: think she loved seeing but you know whatever, Like, yeah, 639 00:30:44,154 --> 00:30:46,474 Speaker 1: they can do anything. Yeah, could bring her back for 640 00:30:46,554 --> 00:30:50,274 Speaker 1: another round. She would be so up for it. Someone 641 00:30:50,354 --> 00:30:52,354 Speaker 1: else who I really loved in this show and who 642 00:30:52,394 --> 00:30:56,794 Speaker 1: I thought really elevated the storyline was Niche Nash as 643 00:30:56,954 --> 00:31:00,714 Speaker 1: Emerald Green. Amazing ten. I mean, first of all, great actress, Yes, 644 00:31:00,794 --> 00:31:05,194 Speaker 1: great actress, great to say, and definitely was kind of 645 00:31:05,354 --> 00:31:09,274 Speaker 1: like the moral compass them all, which was nice, but like, yeah, 646 00:31:09,354 --> 00:31:14,274 Speaker 1: so there was definitely purpose to that character, whereas yeah, 647 00:31:14,714 --> 00:31:17,234 Speaker 1: well the thing is and nothing against Naomi Watts is 648 00:31:17,274 --> 00:31:19,554 Speaker 1: a great actress. And I know someone who we've both 649 00:31:19,594 --> 00:31:22,394 Speaker 1: interviewed super lovely loves mom and me. I often likes 650 00:31:22,394 --> 00:31:25,394 Speaker 1: her stuff, yeah, which is nice. Love her could cut 651 00:31:25,434 --> 00:31:27,434 Speaker 1: her on the shoulder and make no difference, right, And 652 00:31:27,754 --> 00:31:31,114 Speaker 1: there's times where she's just missing ageous as well. I mean, 653 00:31:31,834 --> 00:31:33,314 Speaker 1: like she may have been busy, she might have been 654 00:31:33,354 --> 00:31:36,194 Speaker 1: doing a couple of projects Jet getting the Jets to 655 00:31:36,234 --> 00:31:38,714 Speaker 1: Wonder and then there was an episode whe'd actually forgotten 656 00:31:38,754 --> 00:31:42,114 Speaker 1: about her and then someone mentions her. I was like, oh, 657 00:31:42,514 --> 00:31:45,674 Speaker 1: like Liberty, that's oh yeah, Naomi. We haven't seen Naomi 658 00:31:45,754 --> 00:31:49,594 Speaker 1: and herbs thing like getting proposed to and then finding 659 00:31:49,594 --> 00:31:52,114 Speaker 1: out that he had like taken this high loan all this, 660 00:31:52,154 --> 00:31:53,834 Speaker 1: so they tried to give her stakes, but it's like 661 00:31:54,274 --> 00:31:56,794 Speaker 1: she was out of the main storyline so much. Some 662 00:31:56,914 --> 00:31:58,794 Speaker 1: people have said, I don't think this is true because 663 00:31:58,794 --> 00:32:00,034 Speaker 1: I think if she signed on for the show, she 664 00:32:00,074 --> 00:32:02,034 Speaker 1: signed on for the show. Some people have said that 665 00:32:02,194 --> 00:32:04,074 Speaker 1: part of her signing on was that she wanted to 666 00:32:04,154 --> 00:32:06,554 Speaker 1: be away from the main cast because she didn't like 667 00:32:06,634 --> 00:32:08,554 Speaker 1: acting off Kim and she didn't get pulled, and why 668 00:32:08,594 --> 00:32:11,634 Speaker 1: would she sign on. She wouldn't dumb, Like yeah, I 669 00:32:11,714 --> 00:32:13,394 Speaker 1: think that they were just trying to sort of broaden 670 00:32:13,474 --> 00:32:15,914 Speaker 1: the story out and give her this separate storyline. But 671 00:32:16,074 --> 00:32:17,994 Speaker 1: what it did was just make her so forgettable that 672 00:32:18,554 --> 00:32:20,874 Speaker 1: when you look back through a lot of the scenes 673 00:32:20,914 --> 00:32:22,434 Speaker 1: and like you could just cut her out and nothing 674 00:32:22,434 --> 00:32:24,114 Speaker 1: would change at the end of the day, It's really 675 00:32:24,514 --> 00:32:27,634 Speaker 1: a Lura and Carrington show to quite an extent. Definitely, 676 00:32:27,834 --> 00:32:30,434 Speaker 1: I completely agree, And I think to bring it back 677 00:32:30,474 --> 00:32:34,434 Speaker 1: to Emerald, that was a necessary character, Like we needed 678 00:32:34,554 --> 00:32:39,274 Speaker 1: that kind of relief between the woodenness of Kim and 679 00:32:39,354 --> 00:32:42,954 Speaker 1: then like the huge acting and personality that we got 680 00:32:42,994 --> 00:32:45,714 Speaker 1: from Sarah. Yeah, exactly. And also, if I had to 681 00:32:45,754 --> 00:32:47,474 Speaker 1: pick any of them that I would go and watch 682 00:32:47,514 --> 00:32:50,434 Speaker 1: a spin off show, I would watch Emerald spin off show. Yeah, 683 00:32:50,594 --> 00:32:54,034 Speaker 1: with her triplets. Yes, I freaking loved that. It was 684 00:32:54,594 --> 00:32:57,154 Speaker 1: another twist. I didn't expect all these women to have 685 00:32:57,234 --> 00:32:59,514 Speaker 1: these home lives because the show felt so insular and 686 00:32:59,634 --> 00:33:01,834 Speaker 1: kind of very much about like just them at work. 687 00:33:01,954 --> 00:33:03,474 Speaker 1: So I just assumed that she was just like a 688 00:33:03,514 --> 00:33:05,994 Speaker 1: fabulous rich woman who would just party after work. And 689 00:33:06,074 --> 00:33:08,634 Speaker 1: when you realize that she's got triplets that she decided 690 00:33:08,634 --> 00:33:11,074 Speaker 1: to have with a like look twenty five. Yeah, they're 691 00:33:11,114 --> 00:33:15,034 Speaker 1: in high school and so they were like overachieving and 692 00:33:15,754 --> 00:33:18,794 Speaker 1: her family dynamic at home I loved. Yeah, I loved 693 00:33:18,794 --> 00:33:20,594 Speaker 1: the dynamic with her and the boys. I also loved 694 00:33:20,634 --> 00:33:23,434 Speaker 1: her much. They loved her, and I would a little 695 00:33:23,474 --> 00:33:27,834 Speaker 1: too much when one of them said she looked bangable. Yeah. Yeah, 696 00:33:27,834 --> 00:33:30,514 Speaker 1: there's a questionable line there. There's a questionable line. But 697 00:33:30,554 --> 00:33:32,474 Speaker 1: I was like, oh, if there was any spinoff i'd watch, 698 00:33:32,554 --> 00:33:36,354 Speaker 1: it would be Emerald in Her Emerald and the Navigating Life. Yeah. 699 00:33:36,754 --> 00:33:38,154 Speaker 1: But then this is why I don't know what to 700 00:33:38,154 --> 00:33:41,034 Speaker 1: do with this show, because sometimes it's so campy and ridiculous, 701 00:33:41,434 --> 00:33:44,634 Speaker 1: and you have like Elizabeth Berkley's character, who I loved 702 00:33:44,714 --> 00:33:47,914 Speaker 1: her being in there too, from Showgirls and from Saved 703 00:33:47,914 --> 00:33:50,474 Speaker 1: by the Veloping, this iconic actress who really lost her career, 704 00:33:50,874 --> 00:33:53,114 Speaker 1: exactly the kind of person that Ryan Murphy would pluck 705 00:33:53,154 --> 00:33:55,154 Speaker 1: and put in a show. Totally like you have her 706 00:33:55,274 --> 00:33:57,074 Speaker 1: jump off the building and just kill herself, and like 707 00:33:57,194 --> 00:33:59,474 Speaker 1: everyone's like, oh, okay, So the tone of the show 708 00:33:59,594 --> 00:34:02,234 Speaker 1: is like, oh so, like there's no stakes and nothing matters, 709 00:34:02,754 --> 00:34:04,834 Speaker 1: And the next moment you're watching the show of Emerald 710 00:34:04,874 --> 00:34:08,314 Speaker 1: being raped, which horrific, but also all of a sudden, 711 00:34:08,314 --> 00:34:10,154 Speaker 1: it's very serious, and that is serious. But I'm just like, 712 00:34:10,194 --> 00:34:13,314 Speaker 1: it feels very jarring because this feels like a fantasy 713 00:34:13,354 --> 00:34:15,354 Speaker 1: show that has no stakes, and now you're giving me 714 00:34:15,394 --> 00:34:17,914 Speaker 1: a very serious plot line that everyone's treating very seriously, 715 00:34:18,314 --> 00:34:20,513 Speaker 1: and I don't know where it fits into them. It's 716 00:34:20,594 --> 00:34:26,474 Speaker 1: interesting because the clients they take on have these insane storylines, 717 00:34:26,554 --> 00:34:28,434 Speaker 1: you know, like the one with the safe full of 718 00:34:28,834 --> 00:34:31,433 Speaker 1: millions of dollars worth of jewelry, but they're all quite 719 00:34:31,554 --> 00:34:35,914 Speaker 1: fanciful and ridiculous. So obviously are people that hire lawyers 720 00:34:36,194 --> 00:34:38,873 Speaker 1: that have millions and millions and million dollars and they're 721 00:34:38,874 --> 00:34:41,554 Speaker 1: going through these crazy divorces or whatever with intense prenups 722 00:34:41,554 --> 00:34:45,234 Speaker 1: and everything. But the clients they take on are utterly ridiculous, 723 00:34:45,634 --> 00:34:48,993 Speaker 1: which is typical of a TV series, Like the storyline 724 00:34:49,114 --> 00:34:52,514 Speaker 1: of that show kind of then informs what's going on 725 00:34:52,954 --> 00:34:56,314 Speaker 1: in the other you know, the main women's lives, the lawyers' lives, 726 00:34:56,834 --> 00:34:58,834 Speaker 1: so they intersect in that way and they use them 727 00:34:58,834 --> 00:35:02,754 Speaker 1: as plot carriers they go nowhere. It's a bit strange. 728 00:35:03,114 --> 00:35:06,714 Speaker 1: But then what is interesting then is for these women 729 00:35:06,754 --> 00:35:10,033 Speaker 1: who are or playing divorce attorneys the way that their 730 00:35:10,274 --> 00:35:14,234 Speaker 1: own personal lives, like how they've been stunted as well, 731 00:35:14,354 --> 00:35:18,554 Speaker 1: like emotionally and in their romances because I guess of 732 00:35:18,634 --> 00:35:21,473 Speaker 1: what they're exposed to, which that's interesting because that would 733 00:35:21,554 --> 00:35:24,433 Speaker 1: be real, yes, you know, there would be so many 734 00:35:24,954 --> 00:35:28,754 Speaker 1: divorce attorneys that then have seen the foulest ways that 735 00:35:28,834 --> 00:35:31,714 Speaker 1: people treat each other, Then how do you have trust 736 00:35:31,834 --> 00:35:34,714 Speaker 1: like you can understand? Like with Liberty's character, Naomi, what's 737 00:35:34,874 --> 00:35:38,354 Speaker 1: character like, why she's so ambivalent about getting married when 738 00:35:38,354 --> 00:35:39,754 Speaker 1: she's like, I want to take it slow because she's 739 00:35:39,754 --> 00:35:42,194 Speaker 1: seen the worst, Yeah, and she doesn't want her personal 740 00:35:42,234 --> 00:35:44,393 Speaker 1: life to mirror her worst yes. Yeah, And then it 741 00:35:44,474 --> 00:35:47,194 Speaker 1: kind of does, of course, and its Emerald whips out 742 00:35:47,234 --> 00:35:48,754 Speaker 1: her computer, It's like, I'll look him up. I'm like, 743 00:35:48,794 --> 00:35:50,473 Speaker 1: first of all, why don't you do that? Ages ago? 744 00:35:50,954 --> 00:35:52,913 Speaker 1: And also no good will ever come of this because 745 00:35:52,954 --> 00:35:55,914 Speaker 1: every time she looks anyone up in her magic computer, 746 00:35:56,074 --> 00:35:59,114 Speaker 1: her magic computer where she finds just the worst things 747 00:35:59,114 --> 00:36:03,474 Speaker 1: about people. But actually that was so awful when Emerald, 748 00:36:03,514 --> 00:36:08,194 Speaker 1: who had sworn off dating, gets talked into putting herself 749 00:36:08,274 --> 00:36:11,234 Speaker 1: out there and then that happens, and it's horrific. Yeah, 750 00:36:11,314 --> 00:36:13,714 Speaker 1: I didn't love that. I didn't either. I just felt 751 00:36:13,754 --> 00:36:15,473 Speaker 1: obviously it's allfull. You don't want to watch any woman 752 00:36:15,514 --> 00:36:17,794 Speaker 1: go through that on screen. No, But at the same time, 753 00:36:17,994 --> 00:36:20,594 Speaker 1: it just felt like it wasn't something that this show 754 00:36:20,714 --> 00:36:23,474 Speaker 1: could properly deal with, and it didn't, and it just 755 00:36:23,554 --> 00:36:25,554 Speaker 1: felt so out of place, and as you say, it 756 00:36:25,714 --> 00:36:28,514 Speaker 1: was jarring because everything else had been quite silly and 757 00:36:28,674 --> 00:36:32,234 Speaker 1: camp and their clients, like their stories were all silly 758 00:36:32,314 --> 00:36:35,994 Speaker 1: and camp and kind of overly overly sexualized but in 759 00:36:36,074 --> 00:36:39,794 Speaker 1: a consensual way. Or you know, the billions of dollars 760 00:36:39,834 --> 00:36:42,354 Speaker 1: of jewelry and look, they were all just ridiculous. So 761 00:36:42,434 --> 00:36:45,634 Speaker 1: then to have this quite real thing happened, yeh, was 762 00:36:45,794 --> 00:36:47,434 Speaker 1: jarring and fell out of place in the show. And 763 00:36:47,514 --> 00:36:49,433 Speaker 1: it does and they obviously did because they like set 764 00:36:49,474 --> 00:36:50,873 Speaker 1: out to like look for this man and take him 765 00:36:50,874 --> 00:36:52,634 Speaker 1: down and obviously what happens to him and everything. But 766 00:36:52,634 --> 00:36:54,393 Speaker 1: at the same time, like because of how the show 767 00:36:54,554 --> 00:36:55,714 Speaker 1: is and the style of it, they did have to 768 00:36:55,794 --> 00:36:58,114 Speaker 1: move on from it. And so it's kind of like 769 00:36:58,154 --> 00:36:59,914 Speaker 1: you have this moment in time and they move on 770 00:37:00,114 --> 00:37:02,354 Speaker 1: to other things, and then there is some sad moments, 771 00:37:02,394 --> 00:37:05,194 Speaker 1: like with Dina's husband dying. Also er O'Neil pops up. Yes, 772 00:37:07,114 --> 00:37:10,913 Speaker 1: it's so good. I mean, that was an interesting storyline 773 00:37:11,034 --> 00:37:14,593 Speaker 1: because she can't let him go. Yeah, and that again, 774 00:37:14,754 --> 00:37:17,234 Speaker 1: that's where the tone changed because all of a sudden, like, yes, 775 00:37:17,274 --> 00:37:19,434 Speaker 1: it's kind of creepy. That she's keeping her dead husband's 776 00:37:19,474 --> 00:37:21,393 Speaker 1: body upstairs and while anyone touch it. But it does 777 00:37:21,474 --> 00:37:23,954 Speaker 1: fill in tone with the show, yes, whereas the Emerald 778 00:37:24,034 --> 00:37:27,274 Speaker 1: situation did it. But it also moves the plot along 779 00:37:27,394 --> 00:37:29,634 Speaker 1: because Carrington had to be able to come back into 780 00:37:29,674 --> 00:37:31,434 Speaker 1: the fold in that way, and you had to have 781 00:37:31,554 --> 00:37:33,594 Speaker 1: like Liberty and the others be pushed aside to make 782 00:37:33,674 --> 00:37:35,274 Speaker 1: ways for the finale. And that's how we did that. 783 00:37:35,394 --> 00:37:37,234 Speaker 1: And I think that's it, like the Emerald moment, like 784 00:37:37,314 --> 00:37:40,274 Speaker 1: it's too real, whereas everything else is so highly stylized 785 00:37:40,354 --> 00:37:45,634 Speaker 1: and silly and ridiculous that it just felt yeah yeah, 786 00:37:46,354 --> 00:37:49,314 Speaker 1: which kind of moves us into the finale, which a 787 00:37:49,354 --> 00:37:51,154 Speaker 1: lot happened and nothing happened, which is I think the 788 00:37:51,234 --> 00:37:54,034 Speaker 1: tagline of the show show because it did really cent 789 00:37:54,114 --> 00:37:56,154 Speaker 1: her on Dina being and it is kind of interesting. 790 00:37:56,194 --> 00:37:57,873 Speaker 1: This is the thing like Ryan Murphy, He's got all 791 00:37:57,914 --> 00:37:59,913 Speaker 1: the players in the right spot, he just couldn't land 792 00:37:59,954 --> 00:38:02,754 Speaker 1: the plane. Maybe season two where he's like, Dina is 793 00:38:02,834 --> 00:38:06,354 Speaker 1: this all powerful, all knowing everyone bows down to, everyone 794 00:38:06,434 --> 00:38:09,914 Speaker 1: loves her character in the show, and so the catalyst 795 00:38:10,034 --> 00:38:12,714 Speaker 1: for Carrington finally turning against her is when she's trying 796 00:38:12,754 --> 00:38:15,074 Speaker 1: to figure out who voted against her for her to 797 00:38:15,114 --> 00:38:16,714 Speaker 1: come into the law firm. Also her coming to the 798 00:38:16,794 --> 00:38:19,513 Speaker 1: law firm, that's a terrible idea. Why are they even 799 00:38:19,674 --> 00:38:23,074 Speaker 1: entertaining that that's know me? What's his best moment? Basically, 800 00:38:23,234 --> 00:38:25,194 Speaker 1: she's like, well, if you guys, let Carrington, you'll still 801 00:38:25,194 --> 00:38:27,513 Speaker 1: be looking for someone because, over my fucking dead body, 802 00:38:27,554 --> 00:38:29,074 Speaker 1: will I work with her? I'm like, that is a 803 00:38:29,114 --> 00:38:32,033 Speaker 1: true emotion. The first time anyone this show has spoken sense. 804 00:38:32,074 --> 00:38:34,314 Speaker 1: You can't bring her into your law and have coffee 805 00:38:34,354 --> 00:38:38,393 Speaker 1: with her in the break when she's literally trying to 806 00:38:38,714 --> 00:38:41,114 Speaker 1: try to attack you across the table, slept with your 807 00:38:41,154 --> 00:38:43,154 Speaker 1: eggs husband. Not that they have to work with people 808 00:38:43,194 --> 00:38:44,754 Speaker 1: that you like in a law firm like this, but 809 00:38:44,834 --> 00:38:47,513 Speaker 1: also you can't work with people you hate. But also 810 00:38:47,554 --> 00:38:50,674 Speaker 1: you can't work with someone that you don't trust, assault 811 00:38:51,754 --> 00:38:54,913 Speaker 1: that will sleep with your husband, like for revenge. Yeah, 812 00:38:55,434 --> 00:38:57,794 Speaker 1: I want to just trust walking into the courtroom with them, 813 00:38:57,834 --> 00:38:59,434 Speaker 1: and I don't think they should even again, it's a 814 00:38:59,474 --> 00:39:01,794 Speaker 1: weird time. That's I think the only thing that you 815 00:39:01,834 --> 00:39:03,954 Speaker 1: could say to really take Carrington laid down is that 816 00:39:04,074 --> 00:39:07,354 Speaker 1: these women her crazy insults at each other about their 817 00:39:07,474 --> 00:39:09,754 Speaker 1: looks and their lives and their families and stuff, and 818 00:39:09,794 --> 00:39:12,194 Speaker 1: nothing sticks because they've said at all. Yeah, the only 819 00:39:12,314 --> 00:39:14,634 Speaker 1: thing that you could hurt Carrington with is what they 820 00:39:14,714 --> 00:39:16,634 Speaker 1: have Dina do, which is when she says, I don't 821 00:39:16,714 --> 00:39:19,794 Speaker 1: choose you. Because through all of this, Dina was still 822 00:39:19,874 --> 00:39:22,074 Speaker 1: her mentor the way that she was Liberty's mentoring, in 823 00:39:22,074 --> 00:39:24,274 Speaker 1: the way she was Laura's mentor, and so it was 824 00:39:24,274 --> 00:39:26,513 Speaker 1: the only thing holding them all together, that this woman 825 00:39:26,674 --> 00:39:29,274 Speaker 1: cared for all of them. And I think that was 826 00:39:29,354 --> 00:39:31,474 Speaker 1: Carrington's thing that was carrying her through, is like she 827 00:39:31,554 --> 00:39:33,674 Speaker 1: always felt like she had one foot in the circle 828 00:39:34,154 --> 00:39:36,033 Speaker 1: because of Dina. And then when Dina says, I didn't 829 00:39:36,074 --> 00:39:38,034 Speaker 1: vote for you, and only did I not vote for 830 00:39:38,074 --> 00:39:40,634 Speaker 1: you to come to join the law firm. But I've 831 00:39:40,714 --> 00:39:43,393 Speaker 1: now realized that the others were right all along, and 832 00:39:43,474 --> 00:39:45,634 Speaker 1: they could just smell the stink on you before I could. 833 00:39:45,954 --> 00:39:47,634 Speaker 1: And I never felt love for you. I've only ever 834 00:39:47,714 --> 00:39:50,594 Speaker 1: felt pity. Yeah, it's good character development because it's the 835 00:39:50,594 --> 00:39:52,474 Speaker 1: only thing that could propel Carrington to do what she 836 00:39:52,594 --> 00:39:56,553 Speaker 1: does next, Yes, which is a cat slight her, which 837 00:39:56,634 --> 00:39:59,034 Speaker 1: is take them all down from the inside. It's so 838 00:39:59,114 --> 00:40:01,274 Speaker 1: funny that little book where she just has their names 839 00:40:01,314 --> 00:40:04,794 Speaker 1: right now and she crosses each one else is so 840 00:40:05,234 --> 00:40:08,994 Speaker 1: like mean girls, Esque's and very Taylor. I've got a 841 00:40:09,034 --> 00:40:13,154 Speaker 1: list of names. And yes in red underline, Ryan Murphey 842 00:40:13,194 --> 00:40:16,634 Speaker 1: was listening to that album. Ye. This was a reputation. 843 00:40:17,074 --> 00:40:20,034 Speaker 1: This was a reputation series, a reputation the series. The 844 00:40:20,114 --> 00:40:22,114 Speaker 1: best bit was when she crossed out Liberty's name after 845 00:40:22,154 --> 00:40:26,234 Speaker 1: the bridesmaids dress and the next moment she's framed Dina 846 00:40:26,274 --> 00:40:29,874 Speaker 1: for murder. I'm like, two different but they both worked. 847 00:40:30,554 --> 00:40:32,834 Speaker 1: And now we end the season with like, so she's 848 00:40:32,914 --> 00:40:36,234 Speaker 1: tricked the other lawyers. So here's the thing. At this point, 849 00:40:36,914 --> 00:40:39,954 Speaker 1: I was like, Okay, you're just I no know. I 850 00:40:40,114 --> 00:40:43,034 Speaker 1: was like, this is what I wanted all along. Carrington 851 00:40:43,794 --> 00:40:46,714 Speaker 1: is the star, Yeah, of this show. She's giving up 852 00:40:46,794 --> 00:40:49,594 Speaker 1: all pretends that Kim was the star of this show. Yes, 853 00:40:49,674 --> 00:40:52,714 Speaker 1: so let her have the front half coming home strong 854 00:40:52,914 --> 00:40:55,554 Speaker 1: with Sarah Yeah exactly, and her having all the one 855 00:40:55,634 --> 00:40:58,314 Speaker 1: liners in her It really is her show. And it's 856 00:40:58,394 --> 00:41:01,234 Speaker 1: interesting because I was reading an interview with the executive 857 00:41:01,234 --> 00:41:03,714 Speaker 1: producer who also directed a few of the scenes, and 858 00:41:03,794 --> 00:41:05,754 Speaker 1: he was talking about Kim's acting and stuff getting better, 859 00:41:05,794 --> 00:41:07,434 Speaker 1: but He's also like, oh, there's so many things we 860 00:41:07,514 --> 00:41:09,553 Speaker 1: had to cut. I was like, I friakin bet you guys. 861 00:41:09,594 --> 00:41:11,674 Speaker 1: Did I think she was meant to be more of 862 00:41:11,794 --> 00:41:13,834 Speaker 1: I think she peters out as a show goes along. 863 00:41:14,314 --> 00:41:17,314 Speaker 1: The Illura character doesn't have as much to do and 864 00:41:17,434 --> 00:41:18,913 Speaker 1: I will go out on a limb that I think 865 00:41:19,034 --> 00:41:20,794 Speaker 1: they didn't cut too much. But there's a few big 866 00:41:20,874 --> 00:41:22,714 Speaker 1: scenes that have been cut because they just couldn't get 867 00:41:22,754 --> 00:41:25,074 Speaker 1: her there. Yeah, she just wasn't giving anything, And there's 868 00:41:25,114 --> 00:41:27,873 Speaker 1: so many Carrington scenes. And I think when they did 869 00:41:27,914 --> 00:41:30,393 Speaker 1: the edit, if it had been a stronger actress in 870 00:41:30,434 --> 00:41:33,234 Speaker 1: the Kim Kardashian part, maybe it would have been more 871 00:41:33,274 --> 00:41:35,114 Speaker 1: of an even cut. But it just feels that they've 872 00:41:35,154 --> 00:41:37,553 Speaker 1: cut more of Kim's and left more of Sarah Paul's them, 873 00:41:37,874 --> 00:41:39,433 Speaker 1: which of course you would if you're looking at an 874 00:41:39,514 --> 00:41:41,354 Speaker 1: editor of the two of them together. Oh, it's actually 875 00:41:41,434 --> 00:41:44,154 Speaker 1: so daunting, and like, honestly, hats off to Kim that 876 00:41:44,274 --> 00:41:46,234 Speaker 1: she was willing to stand there and be a scene partner. 877 00:41:46,314 --> 00:41:49,674 Speaker 1: Was absolutely, Yeah, that's the hard thing. It's like there's 878 00:41:49,674 --> 00:41:52,114 Speaker 1: a certain kind of bravery in that. Yeah, there is 879 00:41:52,274 --> 00:41:55,993 Speaker 1: in throwing yourself into not just naivity, do we think. 880 00:41:57,074 --> 00:41:59,194 Speaker 1: I also just think she's so used to being the 881 00:41:59,554 --> 00:42:02,234 Speaker 1: winner in every room. Yeah, yes, exactly, And she's so 882 00:42:02,474 --> 00:42:04,274 Speaker 1: used to be like she's the most famous person. I'm 883 00:42:04,314 --> 00:42:06,394 Speaker 1: sure it didn't occur to her that it was strange 884 00:42:06,434 --> 00:42:09,114 Speaker 1: for her to have toiling over these actresses because and 885 00:42:09,194 --> 00:42:11,314 Speaker 1: in her head used to be Yeah, I mean she 886 00:42:11,514 --> 00:42:13,714 Speaker 1: had top feeling over her family. I think it's the 887 00:42:13,834 --> 00:42:17,234 Speaker 1: first thing that she couldn't kind of like curate away. Yeah, 888 00:42:17,314 --> 00:42:19,194 Speaker 1: because like when you're on the screen acting, that's it. 889 00:42:19,354 --> 00:42:21,993 Speaker 1: Like there's tricks you can do, but there's not a lot. 890 00:42:22,154 --> 00:42:23,714 Speaker 1: This is what I say when Neppo babies also get 891 00:42:23,754 --> 00:42:25,314 Speaker 1: really famous, it was like, yes, you can get in 892 00:42:25,354 --> 00:42:26,513 Speaker 1: the room and all of them get in the room 893 00:42:26,514 --> 00:42:29,674 Speaker 1: over better talented people. Yeah, but once you're on the 894 00:42:29,754 --> 00:42:32,074 Speaker 1: camera and you're carrying a movie or a TV show, 895 00:42:32,154 --> 00:42:33,754 Speaker 1: you can either do it or you can't. Yeah, and 896 00:42:33,874 --> 00:42:35,794 Speaker 1: she can't do it well, you know, and she's made 897 00:42:35,834 --> 00:42:37,554 Speaker 1: that joke about herself, you know, not bad for a 898 00:42:37,594 --> 00:42:39,234 Speaker 1: girl with no talent, right. I think that's one of 899 00:42:39,274 --> 00:42:42,913 Speaker 1: her like famous lines that we've all heard trotted out 900 00:42:42,954 --> 00:42:45,714 Speaker 1: that I guess, like for my take on the show, 901 00:42:45,874 --> 00:42:47,393 Speaker 1: is I guess not bad for a girl with no 902 00:42:47,514 --> 00:42:51,034 Speaker 1: talent like she but she doesn't have talent. No. I 903 00:42:51,154 --> 00:42:54,393 Speaker 1: wonder how much of her will see in season two. Yeah, 904 00:42:54,434 --> 00:42:56,714 Speaker 1: I'd be interested in that because she still build as 905 00:42:56,754 --> 00:42:58,994 Speaker 1: the lead. And it's interesting because I think she obviously 906 00:42:59,034 --> 00:43:00,874 Speaker 1: does have a lot of talent, but she's her talent 907 00:43:00,994 --> 00:43:03,794 Speaker 1: is an imagery. Yeah, her talent isn't like creating an 908 00:43:03,834 --> 00:43:07,074 Speaker 1: image and seeing it through and knowing how to create 909 00:43:07,154 --> 00:43:11,033 Speaker 1: a product like she like she has talent is in headlines, yes, 910 00:43:11,314 --> 00:43:13,514 Speaker 1: and that is not easy to do. It's not And 911 00:43:13,594 --> 00:43:15,594 Speaker 1: I think what you said about like at the top 912 00:43:15,634 --> 00:43:18,594 Speaker 1: of this about the views at the beginning of the show, 913 00:43:18,674 --> 00:43:21,114 Speaker 1: people were tuning in for Kim. Ryan knew that Kim 914 00:43:21,234 --> 00:43:24,314 Speaker 1: knows that she gets headlined. She gets eyes on her exactly, 915 00:43:24,394 --> 00:43:25,873 Speaker 1: and she is always the one who says, like, my 916 00:43:25,954 --> 00:43:27,714 Speaker 1: family want to cut things out of the Kartashians, like 917 00:43:27,754 --> 00:43:29,154 Speaker 1: where we look bad, and she's the one who's like, 918 00:43:29,154 --> 00:43:31,394 Speaker 1: put it back in. That's the show, that's the drama. 919 00:43:31,834 --> 00:43:33,994 Speaker 1: And she's the one who'll sacrifice looking beautiful in a 920 00:43:34,034 --> 00:43:36,234 Speaker 1: red carpet forgetting a headline, like covering her face or 921 00:43:36,274 --> 00:43:39,194 Speaker 1: something like she's very smart, yeah, and interesting and everything. 922 00:43:39,274 --> 00:43:41,433 Speaker 1: But I just think, like when she releases a song, 923 00:43:41,474 --> 00:43:43,993 Speaker 1: they can edit the song when she like they say, 924 00:43:44,074 --> 00:43:46,234 Speaker 1: like she's written this, Like no, she hasn't. But like 925 00:43:46,314 --> 00:43:49,433 Speaker 1: with the acting, you can't. You can't. They probably can't 926 00:43:49,474 --> 00:43:54,354 Speaker 1: make it eye. But overall I would say all's fair. 927 00:43:54,474 --> 00:43:56,754 Speaker 1: Like it's biggest sin is not that the acting is bad, 928 00:43:56,954 --> 00:43:59,274 Speaker 1: and it's biggest sin is not that the plot didn't 929 00:43:59,274 --> 00:44:00,873 Speaker 1: go anywhere. At the end of the day. I just 930 00:44:00,954 --> 00:44:03,754 Speaker 1: founded a little bit boring, did you I did a 931 00:44:03,794 --> 00:44:07,913 Speaker 1: little bit? Hey, you know what. I enjoyed it, which 932 00:44:07,954 --> 00:44:10,433 Speaker 1: I think partly is because it's this time of year 933 00:44:10,474 --> 00:44:13,754 Speaker 1: and I've got nothing left in my change so watching 934 00:44:13,874 --> 00:44:18,433 Speaker 1: something that takes a lot of focus is feels really 935 00:44:18,474 --> 00:44:21,194 Speaker 1: hard right now. Whereas this was just something I could 936 00:44:21,314 --> 00:44:25,474 Speaker 1: dip in, watch go in with like no expectations actually 937 00:44:25,834 --> 00:44:29,274 Speaker 1: going thinking this is going to be terrible, and it's 938 00:44:29,314 --> 00:44:32,194 Speaker 1: actually I found it quite entertaining. But last night, when 939 00:44:32,194 --> 00:44:34,433 Speaker 1: I crammed the last three episodes and watched three back 940 00:44:34,474 --> 00:44:36,514 Speaker 1: to back, it felt like hard work. And it's the 941 00:44:36,594 --> 00:44:39,594 Speaker 1: thing is I love non prestige TV. Give me like 942 00:44:39,714 --> 00:44:42,154 Speaker 1: a crappy show about women in a big city getting 943 00:44:42,154 --> 00:44:43,514 Speaker 1: coffee and stuff. But the thing is, with a lot 944 00:44:43,514 --> 00:44:45,994 Speaker 1: of those shows, there's a heart to them, yeah, and 945 00:44:46,034 --> 00:44:49,074 Speaker 1: they sometimes is a genuine humor, or there's a comfortingness 946 00:44:49,194 --> 00:44:51,434 Speaker 1: to it or something. And I sometimes think that, like, 947 00:44:51,634 --> 00:44:54,674 Speaker 1: really watchable TV is the hardest thing to make. I know, 948 00:44:54,754 --> 00:44:57,033 Speaker 1: people feel like dramas the hardest thing, or like really 949 00:44:57,074 --> 00:44:58,914 Speaker 1: intense comedy is the hardest thing. But I find like 950 00:44:59,474 --> 00:45:01,674 Speaker 1: TV shows that you want to immerse yourself in, and 951 00:45:01,834 --> 00:45:04,314 Speaker 1: this felt like it should be that. Yeah, it should 952 00:45:04,354 --> 00:45:05,794 Speaker 1: be one of those shows like, Oh, I can't wait 953 00:45:05,834 --> 00:45:08,034 Speaker 1: to sit down and watch this and watch each episode 954 00:45:08,074 --> 00:45:10,194 Speaker 1: over and over again. I can't watch that again. Do 955 00:45:10,314 --> 00:45:12,553 Speaker 1: you think it's fair that it's been called the worst 956 00:45:12,554 --> 00:45:17,634 Speaker 1: shop of the year? Maybe? Yeah, maybe to be fair again, 957 00:45:17,874 --> 00:45:20,354 Speaker 1: I don't hate it, but I just think it had everything, 958 00:45:20,834 --> 00:45:22,874 Speaker 1: and for the fact that it's still not that watchable 959 00:45:23,634 --> 00:45:26,074 Speaker 1: is a pretty far fall. I think I just loved 960 00:45:26,114 --> 00:45:28,634 Speaker 1: Sarah so much that I can't say that about it. 961 00:45:28,754 --> 00:45:30,634 Speaker 1: But then if you ask me what was the worst 962 00:45:30,634 --> 00:45:32,474 Speaker 1: show of the year, I can't think of it. I 963 00:45:32,514 --> 00:45:33,953 Speaker 1: just can't think of anything I've watched. I guess because 964 00:45:33,954 --> 00:45:35,794 Speaker 1: there's other shitty things we wouldn't give the time of day. 965 00:45:35,954 --> 00:45:37,754 Speaker 1: We give the time of day this. So is it 966 00:45:37,834 --> 00:45:40,433 Speaker 1: the worst show I've watched this year? Yeah? Maybe? Yeah? 967 00:45:40,474 --> 00:45:42,114 Speaker 1: Do you think it was worse than And just like 968 00:45:42,234 --> 00:45:44,634 Speaker 1: that Norman, just like that still has a heart to it, 969 00:45:44,874 --> 00:45:46,754 Speaker 1: and just like that still is a world I want 970 00:45:46,754 --> 00:45:48,674 Speaker 1: to live. And I watched one of those episodes. I 971 00:45:48,754 --> 00:45:50,914 Speaker 1: feel like I've got a lot of goodwill for that 972 00:45:51,154 --> 00:45:53,594 Speaker 1: because of the years and years that I spent loving 973 00:45:53,634 --> 00:45:56,474 Speaker 1: sex and the City and loving those characters. But I 974 00:45:56,634 --> 00:45:59,354 Speaker 1: feel like I enjoyed All's Fair this year more than 975 00:45:59,354 --> 00:46:02,874 Speaker 1: I enjoyed And just like God and how that information 976 00:46:05,154 --> 00:46:09,033 Speaker 1: and just like that defend us well again, I find 977 00:46:09,074 --> 00:46:11,834 Speaker 1: a heart and a joyfulness to that show that they 978 00:46:11,874 --> 00:46:14,154 Speaker 1: didn't always have. But that, to me feels like a 979 00:46:14,234 --> 00:46:17,074 Speaker 1: fully formed world. This feels like Ryan Murphy moving dolls 980 00:46:17,114 --> 00:46:20,234 Speaker 1: around on the sound stage, which is exactly what it is. Yeah, 981 00:46:20,594 --> 00:46:22,674 Speaker 1: I don't know, You're probably the one that's right here. 982 00:46:22,874 --> 00:46:25,034 Speaker 1: Like I know that I'm wrong and I know that 983 00:46:25,114 --> 00:46:28,074 Speaker 1: you're right. It became a cultural talking point, and I 984 00:46:28,114 --> 00:46:30,274 Speaker 1: think that's what they wanted at the end of the day. 985 00:46:30,394 --> 00:46:32,674 Speaker 1: That's what this executive producer who talked to the Hollywood 986 00:46:32,674 --> 00:46:35,474 Speaker 1: Reporter said he said that Ryan Murphy got what he 987 00:46:35,554 --> 00:46:38,154 Speaker 1: wanted because everyone is talking about this, and I find 988 00:46:38,194 --> 00:46:39,594 Speaker 1: that so true. It was like he wanted to create 989 00:46:39,634 --> 00:46:42,274 Speaker 1: a cultural moment. He created a cultural moment. It made 990 00:46:42,434 --> 00:46:44,274 Speaker 1: him a lot of money. And now they've been renewed 991 00:46:44,274 --> 00:46:46,674 Speaker 1: for season two. And this is an expensive show to make. 992 00:46:46,714 --> 00:46:49,553 Speaker 1: Think of the clothes, the salary, the sets, the guest 993 00:46:49,554 --> 00:46:52,634 Speaker 1: star prices. There's no way Hulu's saying yes to that 994 00:46:52,834 --> 00:46:55,714 Speaker 1: unless they're getting money back for it. Absolutely, so we 995 00:46:55,834 --> 00:46:57,634 Speaker 1: get to do this all again next year. Will you 996 00:46:57,714 --> 00:47:00,714 Speaker 1: be watching obviously? I mean, wait, it is my job, 997 00:47:00,794 --> 00:47:03,634 Speaker 1: but I'm probably cheatedn't out of curiosity, But I hope 998 00:47:03,674 --> 00:47:06,074 Speaker 1: they find their feet a bit more in season two. 999 00:47:06,514 --> 00:47:08,994 Speaker 1: They sort of let everyone go on their strengths and 1000 00:47:09,074 --> 00:47:11,194 Speaker 1: Kim Kardashing can just in it looking hot as all hell, 1001 00:47:11,234 --> 00:47:13,794 Speaker 1: and they can kind of peter that out a little 1002 00:47:13,874 --> 00:47:16,194 Speaker 1: bit and just yeah, bring that in. I feel like 1003 00:47:16,314 --> 00:47:18,514 Speaker 1: it's not going to be great next year. No, no, 1004 00:47:18,834 --> 00:47:21,994 Speaker 1: but we'll stay tuned for season two. Well, thank you 1005 00:47:22,114 --> 00:47:24,114 Speaker 1: so much for joining us today. And did you know 1006 00:47:24,194 --> 00:47:26,594 Speaker 1: that Spill has a YouTube channel, so you can watch 1007 00:47:26,634 --> 00:47:28,954 Speaker 1: the show every day and see all of our behind 1008 00:47:28,994 --> 00:47:31,274 Speaker 1: the scenes content, and we popped a link in the 1009 00:47:31,314 --> 00:47:33,034 Speaker 1: show notes for you to check it out and make 1010 00:47:33,034 --> 00:47:35,674 Speaker 1: sure you're following us. And Morning Tea drops a new 1011 00:47:35,754 --> 00:47:38,393 Speaker 1: episode every weekday at seven am to get you up 1012 00:47:38,434 --> 00:47:41,074 Speaker 1: to speed on all the celebrity headlines before you go 1013 00:47:41,154 --> 00:47:43,754 Speaker 1: into work, so you will find that here in this feed. 1014 00:47:44,114 --> 00:47:46,433 Speaker 1: The Spill is produced by Minitia It's Warren with sound 1015 00:47:46,474 --> 00:47:59,794 Speaker 1: production by Scott Stronik. Bye Bye, Mumma Mia acknowledges the 1016 00:47:59,874 --> 00:48:02,674 Speaker 1: traditional owners of the land. We have recorded this podcast 1017 00:48:02,794 --> 00:48:06,234 Speaker 1: on the Gatigor people of the Orination. We pay our 1018 00:48:06,274 --> 00:48:09,674 Speaker 1: respects to their past and present and extend that respect 1019 00:48:09,714 --> 00:48:12,194 Speaker 1: to all Aboriginal and Torres Strait Islander cultures.