1 00:00:10,622 --> 00:00:13,342 Speaker 1: You're listening to a MoMA Mia podcast. 2 00:00:13,822 --> 00:00:17,182 Speaker 2: Mama Mia acknowledges the traditional owners of land and waters 3 00:00:17,222 --> 00:00:18,782 Speaker 2: that this podcast is recorded on. 4 00:00:19,142 --> 00:00:21,222 Speaker 1: So I've got some big news. The winner of the 5 00:00:21,262 --> 00:00:25,262 Speaker 1: Fat Bear competition in Alaska has been announced and it 6 00:00:25,381 --> 00:00:28,942 Speaker 1: is number thirty two, Chunk. And I love this for 7 00:00:28,982 --> 00:00:31,102 Speaker 1: a couple of reasons. The first is that Chunk has 8 00:00:31,142 --> 00:00:34,102 Speaker 1: been in this contest every year since it's begun eleven 9 00:00:34,182 --> 00:00:37,022 Speaker 1: years ago, and he was runner up the last two years, 10 00:00:37,062 --> 00:00:38,462 Speaker 1: but now this is his time. 11 00:00:38,781 --> 00:00:41,622 Speaker 2: This Boad's well for Leonardo DiCaprio at the Oscars Nation. Yeah, 12 00:00:41,662 --> 00:00:43,942 Speaker 2: it does always there, but he never wins, just like 13 00:00:44,022 --> 00:00:45,502 Speaker 2: Chunk's a win. 14 00:00:45,942 --> 00:00:48,262 Speaker 1: And I have to say that I also specially love 15 00:00:48,302 --> 00:00:51,181 Speaker 1: his name because my partner is trying to make the 16 00:00:51,182 --> 00:00:58,222 Speaker 1: category of man chunky boss happen. Chunky bosses. Think Vince Vaughn, Yeah, 17 00:00:58,462 --> 00:01:02,622 Speaker 1: think Jason Segual, Yes, chunky bosses, and so I think 18 00:01:02,662 --> 00:01:05,422 Speaker 1: that in fact, this means that chunky bosses are now in. 19 00:01:05,982 --> 00:01:07,902 Speaker 3: I will also say about Chunk, I have read a 20 00:01:07,941 --> 00:01:11,062 Speaker 3: single detail about our French and that is that he 21 00:01:11,581 --> 00:01:14,902 Speaker 3: has a broken jaw, and that to me signals he's 22 00:01:15,222 --> 00:01:18,102 Speaker 3: commitment to eating salmon like I think he ate too 23 00:01:18,142 --> 00:01:20,502 Speaker 3: much salmon broke his jaw. But he won in the 24 00:01:20,582 --> 00:01:21,822 Speaker 3: end and his body on the line. 25 00:01:21,902 --> 00:01:24,102 Speaker 2: He could still eat the salmon with a broken jaw. 26 00:01:24,182 --> 00:01:26,702 Speaker 2: That is quite commitment. That is quite a commitment. 27 00:01:26,742 --> 00:01:28,662 Speaker 1: Congratulations to our chunky boss Chunk. 28 00:01:30,742 --> 00:01:34,422 Speaker 2: Hello, and welcome to Momma Mia out loud. It's what 29 00:01:34,462 --> 00:01:38,542 Speaker 2: women are actually talking about on Wednesday, the first of October. 30 00:01:39,022 --> 00:01:41,942 Speaker 2: I'm Holly Wainwright and I am trying to restrain any 31 00:01:42,022 --> 00:01:45,262 Speaker 2: panic that it is Wednesday, the first of October. 32 00:01:45,782 --> 00:01:47,902 Speaker 3: I am Jesse Stevens. 33 00:01:47,422 --> 00:01:48,782 Speaker 1: And I'm Amelia Lester. 34 00:01:49,222 --> 00:01:53,102 Speaker 2: And on our show today you might have heard, I know, 35 00:01:53,142 --> 00:01:55,582 Speaker 2: maybe you've heard. I'm just a little bit of news. 36 00:01:56,142 --> 00:02:01,302 Speaker 3: Holly just has been shrieking, running around, frazzled hot. 37 00:02:01,582 --> 00:02:05,702 Speaker 2: I have been very very upset by this, very destabilized 38 00:02:05,782 --> 00:02:11,501 Speaker 2: that's the word. Yeah, he stabilized that Australian royal uncoupling. Well, 39 00:02:11,542 --> 00:02:15,462 Speaker 2: welcome to today's show, where we're going to decode the 40 00:02:15,501 --> 00:02:19,062 Speaker 2: gossip and noise around the Nicole Keith divorceview. 41 00:02:19,382 --> 00:02:22,022 Speaker 3: Plus it's time for us all to hold hands and 42 00:02:22,142 --> 00:02:26,662 Speaker 3: climb Cringe Mountain together we discuss why this viral theory 43 00:02:26,662 --> 00:02:27,822 Speaker 3: could change your life. 44 00:02:28,062 --> 00:02:30,782 Speaker 1: And I went to Sephora this morning and waited until 45 00:02:30,782 --> 00:02:32,462 Speaker 1: the door's opened to get in. 46 00:02:32,782 --> 00:02:34,022 Speaker 3: I feel like you're going through something. 47 00:02:34,142 --> 00:02:36,502 Speaker 1: I'm going through something. Women over forty are doing our 48 00:02:36,502 --> 00:02:39,382 Speaker 1: makeup all wrong, and I'm here to tell you what 49 00:02:39,422 --> 00:02:40,422 Speaker 1: we need to do differently. 50 00:02:40,662 --> 00:02:43,782 Speaker 2: But first of all, I'm not going to say in 51 00:02:43,822 --> 00:02:45,702 Speaker 2: case you missed it, because you didn't miss it. Now, 52 00:02:45,902 --> 00:02:47,061 Speaker 2: nobody missed this. 53 00:02:47,062 --> 00:02:48,982 Speaker 3: Except you for a few hours yesterday morning. 54 00:02:49,062 --> 00:02:52,502 Speaker 2: It's true. In fact, we recorded a whole emergency meeting 55 00:02:52,502 --> 00:02:54,662 Speaker 2: for subscribers about this yesterday, So if you need to 56 00:02:54,702 --> 00:02:56,422 Speaker 2: go back to the beginning of this story, go and 57 00:02:56,462 --> 00:02:59,102 Speaker 2: listen to that right But since then, there has been 58 00:02:59,181 --> 00:03:01,902 Speaker 2: so much coverage, some of it reputable, some of it 59 00:03:02,022 --> 00:03:04,462 Speaker 2: just very gossipy. And what we're going to do is 60 00:03:04,502 --> 00:03:07,502 Speaker 2: do a bit of decode for you here about what 61 00:03:07,702 --> 00:03:10,302 Speaker 2: seems to be true, what seems to be nonsense, what 62 00:03:10,342 --> 00:03:12,942 Speaker 2: seems to be pure speculation. And we do need to, 63 00:03:13,222 --> 00:03:15,022 Speaker 2: as we did in the episode yesterday, we need to 64 00:03:15,062 --> 00:03:18,662 Speaker 2: lay the table to say we're aware that this is 65 00:03:18,782 --> 00:03:22,742 Speaker 2: a non of our business, be some people's real lives. 66 00:03:22,782 --> 00:03:25,462 Speaker 2: That is serious stuff. But I think that it is 67 00:03:25,862 --> 00:03:28,942 Speaker 2: unquestionable that this is the biggest celebrity story in the 68 00:03:28,982 --> 00:03:31,181 Speaker 2: world at the moment, and that we all have something 69 00:03:31,262 --> 00:03:34,342 Speaker 2: of a connection to the Nicole and Keith situation, and 70 00:03:34,422 --> 00:03:37,782 Speaker 2: it is unfolding in quite actually an unconventional way. 71 00:03:38,062 --> 00:03:38,262 Speaker 1: Right. 72 00:03:38,662 --> 00:03:42,462 Speaker 2: So, yesterday the separation was reported. There has been no 73 00:03:43,342 --> 00:03:46,782 Speaker 2: official confirmation from either party. And when we're recorded yesterday, 74 00:03:46,822 --> 00:03:49,782 Speaker 2: we said probably in the next twenty four hours they 75 00:03:49,862 --> 00:03:51,862 Speaker 2: will release or one or the other of them, or 76 00:03:52,062 --> 00:03:54,782 Speaker 2: usually a joint statement will be released which will say 77 00:03:54,902 --> 00:03:57,422 Speaker 2: something along the lines of what do they always say, 78 00:03:57,422 --> 00:03:58,662 Speaker 2: Amelia those statements. 79 00:03:58,342 --> 00:04:01,022 Speaker 1: Please respect our privacy at this time as we focus 80 00:04:01,062 --> 00:04:04,182 Speaker 1: on our family and create beautiful separate journeys which are 81 00:04:04,222 --> 00:04:04,862 Speaker 1: also together. 82 00:04:05,062 --> 00:04:07,102 Speaker 2: Yes, and we respect each other and love each other 83 00:04:07,182 --> 00:04:08,462 Speaker 2: and so on, and so. 84 00:04:08,382 --> 00:04:09,302 Speaker 1: We'll always be friends. 85 00:04:09,342 --> 00:04:12,222 Speaker 2: Yeah, there's usually that kind of nothing to see here 86 00:04:12,502 --> 00:04:17,182 Speaker 2: statement now that very noticeably has not happened in the 87 00:04:17,262 --> 00:04:18,061 Speaker 2: last two days. 88 00:04:18,062 --> 00:04:19,662 Speaker 1: So there hasn't been any statement. 89 00:04:19,741 --> 00:04:22,942 Speaker 2: There has been no direct as we're recording now. Obviously 90 00:04:22,981 --> 00:04:23,541 Speaker 2: that could. 91 00:04:23,421 --> 00:04:24,821 Speaker 1: Change, but that is very unusual. 92 00:04:24,902 --> 00:04:27,701 Speaker 2: It is very unusual because even if and we speculated 93 00:04:27,741 --> 00:04:30,261 Speaker 2: about this yesterday, is that perhaps there was a leak 94 00:04:30,501 --> 00:04:33,382 Speaker 2: they were preparing to announce this, but there had been 95 00:04:33,421 --> 00:04:35,941 Speaker 2: a leak and so they were scrambling. But given the 96 00:04:35,941 --> 00:04:38,861 Speaker 2: fact that today it has been officially reported that Nicole 97 00:04:38,941 --> 00:04:42,501 Speaker 2: Kidman has filed for divorce, so it's definitely happening. 98 00:04:42,662 --> 00:04:44,182 Speaker 1: Did she file in Tennessee? 99 00:04:44,741 --> 00:04:47,181 Speaker 2: She filed in Tennessee, which is where they live, right 100 00:04:47,222 --> 00:04:51,101 Speaker 2: their primary residence. So court documents obtained by page six 101 00:04:51,541 --> 00:04:55,382 Speaker 2: reveal that the breakup was due to a reconcilable differences. 102 00:04:55,941 --> 00:04:59,822 Speaker 2: We all that means too and its what does that? Well, 103 00:05:00,022 --> 00:05:02,701 Speaker 2: I mean, it's a pretty standard reason. Yeah, but it 104 00:05:02,861 --> 00:05:04,861 Speaker 2: just means it broke down, it could not be saved. 105 00:05:05,222 --> 00:05:08,661 Speaker 2: And listed their separation date the September the thirtieth, which 106 00:05:08,702 --> 00:05:13,342 Speaker 2: is okay, yeah, right now, right now, Kidman requested to 107 00:05:13,342 --> 00:05:16,741 Speaker 2: be the primary residential parent of her and Urban's daughters 108 00:05:16,782 --> 00:05:18,902 Speaker 2: and to have custody of them for three hundred and 109 00:05:18,981 --> 00:05:20,021 Speaker 2: six days. 110 00:05:19,741 --> 00:05:22,582 Speaker 3: And out of the year fourteen and seventeen daughters. 111 00:05:22,782 --> 00:05:24,462 Speaker 1: Right, that's not joint customer. 112 00:05:25,022 --> 00:05:28,821 Speaker 2: That's primary custody to her. None of the rest of 113 00:05:28,861 --> 00:05:30,782 Speaker 2: this is authorized what we're about to say. So the 114 00:05:30,782 --> 00:05:33,462 Speaker 2: court documents are legal documents, so we know it's definitely happening, 115 00:05:33,501 --> 00:05:35,421 Speaker 2: but there's been no official statement, as we've said, but 116 00:05:35,501 --> 00:05:38,541 Speaker 2: what there has been is quite a lot of leaking, 117 00:05:39,142 --> 00:05:42,981 Speaker 2: and the leaking seems to be coming mostly from Nicole's side, 118 00:05:43,061 --> 00:05:45,182 Speaker 2: because one of the first things that we heard yesterday 119 00:05:45,621 --> 00:05:47,181 Speaker 2: is that she had been trying hard to keep the 120 00:05:47,181 --> 00:05:49,981 Speaker 2: family together. A family member who didn't want to be 121 00:05:50,101 --> 00:05:53,581 Speaker 2: named told the Sydney Morning Herald because obviously Nicholl's family 122 00:05:53,621 --> 00:05:56,781 Speaker 2: are Australian, that Kidman is heartbroken and that the actor 123 00:05:56,782 --> 00:05:59,101 Speaker 2: had been attempting to keep the family together for several 124 00:05:59,142 --> 00:06:00,421 Speaker 2: months for the sake of the kids. 125 00:06:00,501 --> 00:06:03,942 Speaker 1: I thought that was so interesting that clearly her approved 126 00:06:04,022 --> 00:06:08,142 Speaker 1: source leaked to the Herald, because that's a broadsheet newspaper. 127 00:06:08,462 --> 00:06:11,662 Speaker 1: It's not a guy brag. So they wanted us to 128 00:06:11,741 --> 00:06:13,262 Speaker 1: take that at face value. 129 00:06:13,342 --> 00:06:17,021 Speaker 2: They did, absolutely, And to explain about sources, right, we 130 00:06:17,101 --> 00:06:20,821 Speaker 2: often roll our eyes about celebrity sources sources say, but 131 00:06:21,022 --> 00:06:24,581 Speaker 2: also in these kinds of instances, we know that sources 132 00:06:24,902 --> 00:06:27,941 Speaker 2: close to the celebrity are a legitimate way that you 133 00:06:27,981 --> 00:06:30,061 Speaker 2: get this kind of news out without making it seem 134 00:06:30,101 --> 00:06:31,261 Speaker 2: as if it was you. 135 00:06:30,861 --> 00:06:32,462 Speaker 1: You know, they're right, So. 136 00:06:32,541 --> 00:06:34,501 Speaker 2: I mean, just ask Prince Harry. On one hand, you 137 00:06:34,541 --> 00:06:36,902 Speaker 2: can say, oh, tabloids are full of moder named sources. 138 00:06:36,902 --> 00:06:38,581 Speaker 2: On the other hand, he'll say, the sources that the 139 00:06:38,621 --> 00:06:40,821 Speaker 2: Palace were leaking about me all the time. So you 140 00:06:40,902 --> 00:06:42,342 Speaker 2: know that sources can be reached. 141 00:06:42,381 --> 00:06:44,222 Speaker 3: And I suppose as well that not all sources are 142 00:06:44,222 --> 00:06:48,581 Speaker 3: created equal. So you know, the other gossip, I suppose 143 00:06:48,741 --> 00:06:53,182 Speaker 3: that has been coming out. Every possibility, every rumor that 144 00:06:53,301 --> 00:06:56,622 Speaker 3: could surface about this relationship has surfaced over the last 145 00:06:56,662 --> 00:06:59,021 Speaker 3: twenty four hours. So it was always going to be 146 00:06:59,421 --> 00:07:02,101 Speaker 3: discussions about Keith. Urban has had a history with addiction, 147 00:07:02,462 --> 00:07:05,741 Speaker 3: so that becomes a question. So it was inevitable that 148 00:07:05,782 --> 00:07:09,982 Speaker 3: there would be speculation about infidelity. Hollywood, we make of 149 00:07:10,022 --> 00:07:10,622 Speaker 3: those rooms. 150 00:07:10,862 --> 00:07:14,182 Speaker 2: Some of the signs that you know something feels a 151 00:07:14,182 --> 00:07:17,821 Speaker 2: little off is that the reputable sources like page six 152 00:07:17,862 --> 00:07:20,262 Speaker 2: and people are now saying so as we're recording this, 153 00:07:20,422 --> 00:07:24,422 Speaker 2: people are saying the split is turning dramatic. Nicole's hurt 154 00:07:24,462 --> 00:07:27,342 Speaker 2: and feels betrayed. Now we've heard that part. This next 155 00:07:27,342 --> 00:07:29,021 Speaker 2: part is the part that's a bit new, which is 156 00:07:29,022 --> 00:07:31,182 Speaker 2: that she wanted to save their marriage, but it seems 157 00:07:31,222 --> 00:07:34,662 Speaker 2: he's already moved on. I think that he's already moved on. 158 00:07:34,862 --> 00:07:36,702 Speaker 2: Is the bit that blends a little bit of weight 159 00:07:36,982 --> 00:07:40,982 Speaker 2: to the rumors of infidelity. Clearly, what is coming out 160 00:07:40,982 --> 00:07:42,982 Speaker 2: here is that the side of the story that we 161 00:07:43,022 --> 00:07:46,461 Speaker 2: are seeing is that this was not Nicole. This is 162 00:07:46,502 --> 00:07:48,782 Speaker 2: to do with Keith. She was spending the summer with 163 00:07:48,821 --> 00:07:51,581 Speaker 2: her daughters. He's been on tour and something has happened. 164 00:07:51,702 --> 00:07:54,062 Speaker 2: That is the vibe of what is being put out there. 165 00:07:54,342 --> 00:07:57,342 Speaker 1: Yeah, I think that the speculation is coming out because 166 00:07:57,381 --> 00:07:59,662 Speaker 1: there's a bit of a vacuum because there was no 167 00:07:59,742 --> 00:08:04,021 Speaker 1: official statement proclaiming to still be friends. Because we've seen 168 00:08:04,142 --> 00:08:07,941 Speaker 1: leaking to reputable sources like The Herald and like Page six, 169 00:08:08,022 --> 00:08:11,302 Speaker 1: which is where sometimes supporting came from, and People magazine. 170 00:08:11,422 --> 00:08:14,102 Speaker 1: So that's why we're seeing so much speculation. But I 171 00:08:14,142 --> 00:08:18,102 Speaker 1: think that the big takeaway is that Nicole's camp wants 172 00:08:18,182 --> 00:08:21,862 Speaker 1: us to understand that from her perspective, she did everything 173 00:08:21,941 --> 00:08:24,942 Speaker 1: she could. She didn't want this to happen, and her 174 00:08:25,022 --> 00:08:29,222 Speaker 1: filing doesn't negate that. It means that she tried everything 175 00:08:29,502 --> 00:08:31,622 Speaker 1: and she just couldn't make it work. That's what her 176 00:08:31,662 --> 00:08:33,342 Speaker 1: camp wants us to understand from this. 177 00:08:33,502 --> 00:08:36,222 Speaker 3: The other piece of material we're getting from sources is 178 00:08:36,462 --> 00:08:39,822 Speaker 3: regarding intimacy. I'm saying, the word intimacy come up a lot, 179 00:08:40,102 --> 00:08:42,502 Speaker 3: and it's about how there had been a breakdown in 180 00:08:42,502 --> 00:08:45,462 Speaker 3: an intimacy because Keith Urban had been traveling a lot, 181 00:08:45,502 --> 00:08:47,742 Speaker 3: she had been traveling a lot, and basically they never 182 00:08:47,742 --> 00:08:50,342 Speaker 3: saw each other. And it was the nail in the 183 00:08:50,342 --> 00:08:53,502 Speaker 3: coffin when Keith Urban basically moved out, is what it 184 00:08:53,582 --> 00:08:55,942 Speaker 3: sounds like, and that that happened at the beginning of 185 00:08:56,062 --> 00:09:00,302 Speaker 3: the US summer. So that's sort of the other piece 186 00:09:00,342 --> 00:09:02,342 Speaker 3: of the puzzle, which you were saying yesterday, Holly on 187 00:09:02,622 --> 00:09:05,142 Speaker 3: the subscriber episode. Is this going to become a narrative 188 00:09:05,182 --> 00:09:06,542 Speaker 3: about how hard Nicole works? 189 00:09:06,662 --> 00:09:09,141 Speaker 2: Yeah, I'm interested because obviously all the things we just 190 00:09:09,182 --> 00:09:11,622 Speaker 2: said that the sources saying, particularly the stuff about Keith 191 00:09:11,662 --> 00:09:14,142 Speaker 2: and whether or not there's somebody else involved that is 192 00:09:14,222 --> 00:09:17,222 Speaker 2: scorellous gossip at this point definitely is as you've very 193 00:09:17,222 --> 00:09:20,102 Speaker 2: clearly stated, Amelia. What doesn't seem to be beyond question 194 00:09:20,222 --> 00:09:22,822 Speaker 2: is that this was his call and that Nicole has 195 00:09:22,822 --> 00:09:27,262 Speaker 2: been blindsided, in verted commas by this news. But it's 196 00:09:27,342 --> 00:09:31,582 Speaker 2: interesting because now all the takes start coming out, and 197 00:09:31,702 --> 00:09:34,262 Speaker 2: right now that's very much where the story sits that 198 00:09:34,302 --> 00:09:37,582 Speaker 2: what did Keith do right? But the story will probably 199 00:09:37,582 --> 00:09:39,982 Speaker 2: turn a few more times in the next couple of weeks. 200 00:09:40,022 --> 00:09:43,462 Speaker 2: And what we're seeing too are some angles about Nicole's 201 00:09:43,542 --> 00:09:47,382 Speaker 2: ambition in inverted commas in terms of lots and lots 202 00:09:47,422 --> 00:09:50,742 Speaker 2: of work, lots and lots of quite. I've seen some 203 00:09:51,182 --> 00:09:53,502 Speaker 2: not so veiled references to the fact that she keeps 204 00:09:53,502 --> 00:09:57,102 Speaker 2: picking these sexy parts that she's choosing to get naked 205 00:09:57,142 --> 00:10:00,182 Speaker 2: a lot. I've seen some mean reporting about oh, he 206 00:10:00,302 --> 00:10:03,822 Speaker 2: was so obsessed with his youth and beauty regime and 207 00:10:03,902 --> 00:10:06,942 Speaker 2: he couldn't Basically, the undercurrent is like that two vain 208 00:10:07,062 --> 00:10:09,502 Speaker 2: people couldn't survive in this marriage. All of that feel 209 00:10:09,742 --> 00:10:12,542 Speaker 2: mean spirited. But what do we think about why we 210 00:10:13,422 --> 00:10:16,222 Speaker 2: project so much and need to dig into all of 211 00:10:16,262 --> 00:10:16,982 Speaker 2: this so much? 212 00:10:17,222 --> 00:10:20,942 Speaker 3: Yeah, the projecting, because there's been as Amelia was saying 213 00:10:20,942 --> 00:10:22,782 Speaker 3: about the vacuum, I think that's a really good point 214 00:10:22,862 --> 00:10:25,502 Speaker 3: because then there's just a whole lot of think pieces 215 00:10:25,742 --> 00:10:28,462 Speaker 3: or heart pieces that are sort of saying There was 216 00:10:28,502 --> 00:10:31,622 Speaker 3: one I was reading that was saying, oh, well, we 217 00:10:31,622 --> 00:10:33,862 Speaker 3: were lied to, like because that was the thing is 218 00:10:33,902 --> 00:10:36,222 Speaker 3: that he called her baby girl. And they were always 219 00:10:36,382 --> 00:10:41,062 Speaker 3: so publicly affectionate. People are now looking at their relationship 220 00:10:41,102 --> 00:10:43,702 Speaker 3: through the lens of being quite performative, which to me 221 00:10:43,822 --> 00:10:46,942 Speaker 3: is just such an absurd claim. When a couple has 222 00:10:46,982 --> 00:10:50,302 Speaker 3: been together for nineteen years, things can just change. It 223 00:10:50,302 --> 00:10:52,582 Speaker 3: doesn't mean they were lying three years ago when they 224 00:10:52,582 --> 00:10:55,262 Speaker 3: were hooking up on the red carpet, like go for it. 225 00:10:55,302 --> 00:10:58,381 Speaker 3: That relationship has just evolved, like so many do well. 226 00:10:58,422 --> 00:11:02,022 Speaker 1: I also think that there's a parallel here. There's inescapable 227 00:11:02,102 --> 00:11:07,302 Speaker 1: parallels with Nicole's divorce from Tom Cruise. The idea that 228 00:11:07,342 --> 00:11:10,982 Speaker 1: she was blindsided, and again that's fairly well sourced reporting 229 00:11:11,022 --> 00:11:13,742 Speaker 1: that she felt sort of very surprised by the turn 230 00:11:13,822 --> 00:11:17,302 Speaker 1: the marriage took, and then also the idea that it 231 00:11:17,462 --> 00:11:20,702 Speaker 1: was very much even though Nicole was this instigator of 232 00:11:20,742 --> 00:11:23,142 Speaker 1: the divorce, it was something where she felt unable to 233 00:11:23,142 --> 00:11:25,902 Speaker 1: do anything else about it. We also need to keep 234 00:11:25,942 --> 00:11:27,502 Speaker 1: in mind that both of them were going through a 235 00:11:27,502 --> 00:11:30,862 Speaker 1: lot of personal change over the last year. Nicole has 236 00:11:30,942 --> 00:11:34,702 Speaker 1: written very beautifully in the Australian press about how hard 237 00:11:34,742 --> 00:11:36,982 Speaker 1: it was to lose her mother in October of last 238 00:11:37,022 --> 00:11:40,222 Speaker 1: year and how that really occasioned a big rethink for 239 00:11:40,302 --> 00:11:42,262 Speaker 1: her of what her life was about and what she 240 00:11:42,302 --> 00:11:45,222 Speaker 1: wanted to do with her life. Keith earlier this year, 241 00:11:45,422 --> 00:11:48,022 Speaker 1: just before his tour began, fired a number of his 242 00:11:48,102 --> 00:11:50,982 Speaker 1: band members, and people didn't really understand why that was. 243 00:11:51,022 --> 00:11:53,342 Speaker 1: He'd been playing with them for a long time. He 244 00:11:53,422 --> 00:11:55,542 Speaker 1: spoke at the time about how he was sort of 245 00:11:55,582 --> 00:11:58,822 Speaker 1: reorganizing his life and rethinking how he wanted to do things. 246 00:11:59,062 --> 00:12:01,262 Speaker 1: And then their children are growing up and one of 247 00:12:01,302 --> 00:12:04,142 Speaker 1: their daughters has become a model and is getting some 248 00:12:04,222 --> 00:12:06,462 Speaker 1: fame in her own right, So there's a lot of 249 00:12:06,582 --> 00:12:08,382 Speaker 1: change there separate from the marriage. 250 00:12:08,382 --> 00:12:10,502 Speaker 2: They're entering a new era. And we talked about this 251 00:12:10,542 --> 00:12:13,982 Speaker 2: a little bit yesterday. Is that a midlife marriage collapse 252 00:12:14,102 --> 00:12:16,742 Speaker 2: is very common, you know, and very often it's instigated 253 00:12:16,742 --> 00:12:19,142 Speaker 2: by the woman, to be honest. Is that we talked 254 00:12:19,142 --> 00:12:22,422 Speaker 2: also about how after losing a parent often that destabilization 255 00:12:22,582 --> 00:12:25,142 Speaker 2: can cause you to make big changes in your life 256 00:12:25,542 --> 00:12:28,622 Speaker 2: when you look around and go, this is this it now? 257 00:12:28,902 --> 00:12:30,902 Speaker 2: And I agree with your point, Jesse, that I think 258 00:12:31,502 --> 00:12:34,102 Speaker 2: the narrative of like, oh, they were faking it all 259 00:12:34,142 --> 00:12:36,982 Speaker 2: this time is nonsense because you can't fake it for 260 00:12:37,022 --> 00:12:41,022 Speaker 2: twenty years. And although some people were always sniffy about 261 00:12:41,022 --> 00:12:44,262 Speaker 2: the PDA, and to be fair, Tom and Nicole were 262 00:12:44,262 --> 00:12:47,502 Speaker 2: also known for their PDA. Like there are some very famous, 263 00:12:47,982 --> 00:12:51,022 Speaker 2: very gorgeous red carpet shots of them from you know, 264 00:12:51,062 --> 00:12:53,862 Speaker 2: the nineties and noughties where they were all over each other. 265 00:12:53,902 --> 00:12:55,822 Speaker 2: Like I think that is maybe who she is, and 266 00:12:55,862 --> 00:12:58,062 Speaker 2: that's okay, right, Like I don't think that means that 267 00:12:58,102 --> 00:13:02,102 Speaker 2: anybody's acting there. But over twenty years, so much in 268 00:13:02,142 --> 00:13:04,702 Speaker 2: your life shifts, and I think there are some celebrity 269 00:13:04,742 --> 00:13:08,982 Speaker 2: relationships that, because they've been there for such a long time, 270 00:13:09,702 --> 00:13:13,142 Speaker 2: feel they reflect something about either your own or your 271 00:13:13,182 --> 00:13:16,982 Speaker 2: own life or chapters in your life. Then that's why 272 00:13:17,022 --> 00:13:18,662 Speaker 2: you're so obsessed with it. 273 00:13:18,902 --> 00:13:22,142 Speaker 1: And yet those parallels are striking because remember how with 274 00:13:22,262 --> 00:13:25,102 Speaker 1: Nicole and Tom, there was that same line that Nicole 275 00:13:25,222 --> 00:13:27,782 Speaker 1: was too ambitious, Nicole was working too hard, Nicole took 276 00:13:27,822 --> 00:13:30,742 Speaker 1: her clothes off in a London production of the play 277 00:13:30,782 --> 00:13:33,182 Speaker 1: The Blue Room, and she did, and there was also 278 00:13:33,222 --> 00:13:35,502 Speaker 1: eyes White Shut, which of course they weren't together, but 279 00:13:35,582 --> 00:13:38,302 Speaker 1: there was also this narrative that Nicole was putting herself 280 00:13:38,302 --> 00:13:39,222 Speaker 1: out there too much. 281 00:13:39,662 --> 00:13:43,182 Speaker 3: I think what we can probably conclude at this point 282 00:13:43,302 --> 00:13:46,381 Speaker 3: is that the split is acrimonious like that. 283 00:13:46,742 --> 00:13:49,422 Speaker 2: This is quite because if you can't get your lawyers 284 00:13:49,422 --> 00:13:51,822 Speaker 2: together in a room and your pr people together in 285 00:13:51,822 --> 00:13:54,502 Speaker 2: a room to settle on a statement that you can 286 00:13:54,542 --> 00:13:57,102 Speaker 2: put out to put out a few fires. 287 00:13:56,902 --> 00:14:00,222 Speaker 3: And if you're hearing that one party feels betrayed, it 288 00:14:00,302 --> 00:14:03,262 Speaker 3: is going to be I just keep thinking, that is 289 00:14:03,302 --> 00:14:05,982 Speaker 3: a lot of time with lawyers that they've got ahead 290 00:14:05,982 --> 00:14:06,222 Speaker 3: of them. 291 00:14:06,862 --> 00:14:08,622 Speaker 2: If you do want to go back to the beginning 292 00:14:08,702 --> 00:14:10,862 Speaker 2: of this story, if it is obsessing you, I know 293 00:14:10,902 --> 00:14:13,982 Speaker 2: it isn't obsessing everybody, but it's definitely obsessing. My group chats, 294 00:14:13,982 --> 00:14:16,742 Speaker 2: my GenEx group chats are going off with this story, 295 00:14:17,102 --> 00:14:20,702 Speaker 2: different levels of devastation about it. You can go and 296 00:14:20,742 --> 00:14:22,942 Speaker 2: listen to our subset that we were talking about. There 297 00:14:23,022 --> 00:14:24,262 Speaker 2: is a link in the show notes. 298 00:14:24,302 --> 00:14:26,902 Speaker 1: Go do that in case you missed it. If you 299 00:14:27,062 --> 00:14:30,142 Speaker 1: are a woman over forty, you are doing your makeup wrong. 300 00:14:30,822 --> 00:14:33,782 Speaker 1: This is the confronting truth that I learned from a 301 00:14:33,942 --> 00:14:37,822 Speaker 1: TikTok and Instagram personality called Erica Taylor. She is an 302 00:14:37,862 --> 00:14:41,382 Speaker 1: American makeup artist who has over ten million views on 303 00:14:41,422 --> 00:14:46,302 Speaker 1: YouTube for a video called common Mistakes Which Age Your Face? Now. 304 00:14:46,302 --> 00:14:48,662 Speaker 1: The premise of This is that she puts one hand 305 00:14:48,782 --> 00:14:51,662 Speaker 1: over half of her face and she shows you her 306 00:14:51,702 --> 00:14:54,502 Speaker 1: makeup done according to the way millennials have been taught 307 00:14:54,542 --> 00:14:57,182 Speaker 1: for time immemorial to do their makeup, and then she 308 00:14:57,262 --> 00:14:59,342 Speaker 1: reveals the second half of her face. She takes her 309 00:14:59,342 --> 00:15:01,742 Speaker 1: hand away, and you suddenly see how much younger she 310 00:15:01,782 --> 00:15:04,262 Speaker 1: looks when she follows her own tips on how to 311 00:15:04,262 --> 00:15:05,062 Speaker 1: do your own makeup. 312 00:15:05,102 --> 00:15:07,542 Speaker 3: And importantly, it's the same products. It's not even that 313 00:15:07,542 --> 00:15:10,182 Speaker 3: she's using different products, it's just the great page is different. 314 00:15:10,582 --> 00:15:13,182 Speaker 1: Yes, she's using the same products. Let's have a listen, 315 00:15:13,182 --> 00:15:15,302 Speaker 1: because she's really interesting the way she talks here she 316 00:15:15,382 --> 00:15:16,182 Speaker 1: is on eyeshadow. 317 00:15:16,502 --> 00:15:18,742 Speaker 4: If we're in our forties and up even later thirties, 318 00:15:18,782 --> 00:15:20,542 Speaker 4: and you've been doing the same makeup that you learned 319 00:15:20,702 --> 00:15:22,742 Speaker 4: in high school or in your twenties for the last 320 00:15:22,742 --> 00:15:25,902 Speaker 4: twenty to thirty years, forty years, possibly this is for 321 00:15:26,022 --> 00:15:28,262 Speaker 4: you what we did with our shadow and what we 322 00:15:28,302 --> 00:15:29,822 Speaker 4: should do with her eyeshadow. 323 00:15:30,022 --> 00:15:32,662 Speaker 1: Let's go. And what I found so confronting about this 324 00:15:32,782 --> 00:15:35,502 Speaker 1: and why I ran to Saphora this morning is because 325 00:15:35,582 --> 00:15:37,862 Speaker 1: I thought I had a pretty good handle on how 326 00:15:37,902 --> 00:15:40,422 Speaker 1: to do my makeup, because I am a woman in 327 00:15:40,422 --> 00:15:43,582 Speaker 1: my early forties who read women's magazines religiously all through 328 00:15:43,582 --> 00:15:45,422 Speaker 1: my teens. I know to put the little bit of 329 00:15:45,462 --> 00:15:47,862 Speaker 1: white eye shadow underneath my brows for a bit of pop. 330 00:15:48,382 --> 00:15:50,862 Speaker 1: I know how to do the lining of my lips. 331 00:15:50,862 --> 00:15:53,142 Speaker 1: This is what I thought. No, I was wrong. I 332 00:15:53,182 --> 00:15:54,982 Speaker 1: was wrong about all of it. Would you like to 333 00:15:55,062 --> 00:15:57,382 Speaker 1: know the specific ways in which I've been doing my 334 00:15:57,422 --> 00:16:01,182 Speaker 1: makeup wrong? Number one, you press your eyeliner. You do 335 00:16:01,262 --> 00:16:04,302 Speaker 1: not pull your eyeliner, so you don't think about that. 336 00:16:04,342 --> 00:16:05,822 Speaker 1: First second, pull your. 337 00:16:05,702 --> 00:16:06,782 Speaker 2: Eye out to do this. 338 00:16:06,902 --> 00:16:09,542 Speaker 1: You don't touch it because you're distorting the eye shape. 339 00:16:09,582 --> 00:16:11,302 Speaker 1: Then you just need to let your eye be and 340 00:16:11,302 --> 00:16:13,382 Speaker 1: then you need to press in your eyeliner like it's 341 00:16:13,382 --> 00:16:14,022 Speaker 1: a little stamp. 342 00:16:14,102 --> 00:16:15,542 Speaker 3: I've seen makeup hardist do that. 343 00:16:15,622 --> 00:16:16,342 Speaker 1: I don't. 344 00:16:16,422 --> 00:16:19,502 Speaker 3: I can't do it. It's definitely pul I definitely that's 345 00:16:19,542 --> 00:16:19,982 Speaker 3: what we. 346 00:16:19,822 --> 00:16:23,382 Speaker 1: Were taught to do. Secondly, you need to extend your 347 00:16:23,382 --> 00:16:25,822 Speaker 1: eyeshadow up to your eyebrows. 348 00:16:26,262 --> 00:16:28,982 Speaker 2: I'm not doing that. That's that's crazy, Like. 349 00:16:28,942 --> 00:16:33,022 Speaker 1: That's what she says. That's what she says. Your blush 350 00:16:33,102 --> 00:16:36,542 Speaker 1: it needs to go even higher than you think, even high. 351 00:16:36,542 --> 00:16:37,902 Speaker 1: I don't think my blush. 352 00:16:37,582 --> 00:16:39,822 Speaker 2: Could go high because I've been I've been hearing this 353 00:16:39,982 --> 00:16:42,782 Speaker 2: advice about like we used to think, smile, put it 354 00:16:42,782 --> 00:16:44,902 Speaker 2: on the apple of your cheek. Wrong, wrong, wrong. I've 355 00:16:44,902 --> 00:16:46,822 Speaker 2: been hearing this advice for a while now on Mama 356 00:16:46,822 --> 00:16:49,382 Speaker 2: Mea whenever we do, you know, make up advice for 357 00:16:49,702 --> 00:16:52,262 Speaker 2: over forties, over fifties, it goes not and they're like 358 00:16:52,382 --> 00:16:54,342 Speaker 2: high high. My blush at this point is kind of 359 00:16:54,382 --> 00:16:59,382 Speaker 2: somewhere here, somewhere. I look like it's on your scalp exactly. 360 00:17:00,022 --> 00:17:03,182 Speaker 2: And then finally, don't extend your lipliner to the edges 361 00:17:03,222 --> 00:17:06,302 Speaker 2: of your lips because that will make them look bad 362 00:17:06,462 --> 00:17:10,062 Speaker 2: or something. You just have to like stop halfway interesting 363 00:17:10,101 --> 00:17:12,421 Speaker 2: because that's the opposite for your eyes. They say that 364 00:17:12,502 --> 00:17:12,982 Speaker 2: your eyes. 365 00:17:13,022 --> 00:17:15,821 Speaker 3: I was saying that if you stop kind of bluntly, 366 00:17:15,821 --> 00:17:17,101 Speaker 3: because if you don't know how to do a wing, 367 00:17:17,222 --> 00:17:18,861 Speaker 3: let's be honest, most of us are not good at 368 00:17:18,861 --> 00:17:21,341 Speaker 3: a wing. Then we stop, and apparently that makes our 369 00:17:21,381 --> 00:17:23,341 Speaker 3: eyes look smaller. So we've got to just kind of 370 00:17:23,341 --> 00:17:25,862 Speaker 3: do a little flick to have them look up. 371 00:17:25,742 --> 00:17:29,581 Speaker 1: A little flick, which felt crazy to me, but then 372 00:17:29,621 --> 00:17:32,141 Speaker 1: I tried it today and I got about two hours 373 00:17:32,182 --> 00:17:35,261 Speaker 1: sleep last night, so I think I look better than 374 00:17:35,302 --> 00:17:37,022 Speaker 1: I would have looked without the flick you look. 375 00:17:38,182 --> 00:17:41,581 Speaker 2: But question at this point, if I started coming in 376 00:17:41,702 --> 00:17:46,502 Speaker 2: with a Wingland highlighter, would you think Holly has finally 377 00:17:46,542 --> 00:17:51,462 Speaker 2: lost it? It's just lost. The highlighter is not gonna 378 00:17:51,502 --> 00:17:52,581 Speaker 2: save your sister. 379 00:17:53,222 --> 00:17:55,341 Speaker 1: It does feel crazy. I think this is all in 380 00:17:55,422 --> 00:17:57,502 Speaker 1: service of an idea that I read about, which was 381 00:17:57,542 --> 00:18:03,421 Speaker 1: that babies and children have extremely wide faces. They're very wide, yes, 382 00:18:03,462 --> 00:18:06,742 Speaker 1: and then as your age, it sort of just turns long. 383 00:18:07,262 --> 00:18:09,262 Speaker 1: And so all of these tips are in service of 384 00:18:09,302 --> 00:18:11,982 Speaker 1: making your face look as wide as possible. 385 00:18:12,381 --> 00:18:15,462 Speaker 3: Yeah, and apparently the big thing I remember Maya writing 386 00:18:15,502 --> 00:18:19,582 Speaker 3: about this that the thing that ages you is uneven 387 00:18:19,621 --> 00:18:21,222 Speaker 3: skin tone. So what you have to try and do 388 00:18:21,302 --> 00:18:24,061 Speaker 3: is get completely even skin tone. It's like one of 389 00:18:24,101 --> 00:18:25,341 Speaker 3: the first things, that's what things. 390 00:18:25,742 --> 00:18:28,061 Speaker 1: Oh sure, that seems easy to do underneath the harsh 391 00:18:28,061 --> 00:18:30,942 Speaker 1: Australian sun. Thanks me for that very practical tip. 392 00:18:31,502 --> 00:18:34,582 Speaker 2: No powder only creams. Yes, So if I haven't put 393 00:18:34,581 --> 00:18:35,981 Speaker 2: a powder on my face for a long time, but 394 00:18:36,061 --> 00:18:38,221 Speaker 2: if I am now extending. 395 00:18:37,742 --> 00:18:42,742 Speaker 1: My eyes, yes, my brow yes, with your fingers, she says. 396 00:18:42,542 --> 00:18:45,542 Speaker 2: Dark brown like up to here with the This is 397 00:18:45,542 --> 00:18:47,821 Speaker 2: going to be very exciting for you all next week. 398 00:18:48,341 --> 00:18:49,821 Speaker 1: The idea is, you know how we were taught to 399 00:18:49,821 --> 00:18:52,581 Speaker 1: put a sort of gentle fawn color on our lids 400 00:18:52,621 --> 00:18:55,061 Speaker 1: to make it pop. When you get older, you don't 401 00:18:55,061 --> 00:18:57,141 Speaker 1: want it to pop because it looks swollen. You've got 402 00:18:57,262 --> 00:18:59,502 Speaker 1: to use a medium colored eyes shadow on it. 403 00:18:59,702 --> 00:19:01,661 Speaker 2: I feel victimized. 404 00:19:02,422 --> 00:19:05,262 Speaker 3: In a moment the importance of cringe and why gen 405 00:19:05,381 --> 00:19:13,341 Speaker 3: Z in particular have a phobia of it. Friends, it's 406 00:19:13,381 --> 00:19:15,901 Speaker 3: time to put your hiking boots on and climb up 407 00:19:15,901 --> 00:19:20,501 Speaker 3: cringe Mountain. Let me explain. The phrase cringe Mountain comes 408 00:19:20,542 --> 00:19:25,101 Speaker 3: from an Australian creator consultant named Erica Mallett who coined 409 00:19:25,101 --> 00:19:27,861 Speaker 3: the term in twenty twenty three. And she was part 410 00:19:27,861 --> 00:19:30,341 Speaker 3: of a hip hop duo and she was also like 411 00:19:30,381 --> 00:19:34,341 Speaker 3: a radio host on Triple J. All these career pursuits 412 00:19:34,341 --> 00:19:36,461 Speaker 3: were very public, and when she was on Triple J, 413 00:19:36,621 --> 00:19:40,381 Speaker 3: she would get messages through the text line calling her cringe. 414 00:19:40,422 --> 00:19:42,902 Speaker 3: That was the number one piece of feedback. She got 415 00:19:42,982 --> 00:19:45,662 Speaker 3: your cringe. An article in The New York Times by 416 00:19:45,742 --> 00:19:50,622 Speaker 3: Gilander Mizzizzi says this idea of stumbling publicly enduring judgment 417 00:19:50,661 --> 00:19:53,982 Speaker 3: and finding resilience in the process isn't new. What's new 418 00:19:54,061 --> 00:19:57,821 Speaker 3: is the language. The phrase cringe is distinct of the 419 00:19:57,861 --> 00:20:01,502 Speaker 3: Internet age, born of comments sections and meme culture to 420 00:20:01,581 --> 00:20:06,382 Speaker 3: describe acute awkwardness or social embarrassment. Now, rather than get 421 00:20:06,462 --> 00:20:10,222 Speaker 3: hurt by the cringe comments, Mallet decided to embrace the word. 422 00:20:10,581 --> 00:20:13,701 Speaker 3: She decided it meant that she was taking risks, that 423 00:20:13,782 --> 00:20:17,662 Speaker 3: the audience could hear, that she had not yet arrived 424 00:20:17,702 --> 00:20:21,421 Speaker 3: at a place where she was clear and confident, and 425 00:20:21,462 --> 00:20:26,381 Speaker 3: she acknowledged that witnessing that makes people very uncomfortable. Here's 426 00:20:26,422 --> 00:20:30,262 Speaker 3: a little bit of how Erica explains her concept of 427 00:20:30,341 --> 00:20:31,021 Speaker 3: Cringe Mountain. 428 00:20:31,222 --> 00:20:33,421 Speaker 5: People who hate on you for climbing Crench Mountain are 429 00:20:33,462 --> 00:20:36,142 Speaker 5: never the ones who have climbed Cringe Mountain themselves. They 430 00:20:36,182 --> 00:20:37,381 Speaker 5: are never hating from the. 431 00:20:37,422 --> 00:20:38,061 Speaker 1: Land of cool. 432 00:20:38,101 --> 00:20:40,782 Speaker 5: They are always hating from base Camp. So this is 433 00:20:40,821 --> 00:20:43,702 Speaker 5: Crnch Mountain. This is you climbing Cringe Mountain. Everyone has 434 00:20:43,702 --> 00:20:45,782 Speaker 5: to climb Crunch Mountain to get to the land of cool. 435 00:20:46,022 --> 00:20:49,101 Speaker 5: This is base Clamp where everyone starts, and this is 436 00:20:49,141 --> 00:20:52,061 Speaker 5: where the haters live. Nobody who has ever been through 437 00:20:52,101 --> 00:20:55,821 Speaker 5: the climb will hate on someone who is still climbing. Ever, 438 00:20:56,061 --> 00:20:58,101 Speaker 5: because they know what it's like to climb crench Mountain, 439 00:20:58,141 --> 00:20:59,221 Speaker 5: they would never laugh at you. 440 00:20:59,262 --> 00:21:00,141 Speaker 1: They know it's hard. 441 00:21:00,661 --> 00:21:03,741 Speaker 3: Now, this is proven very hard for gen Z in 442 00:21:03,782 --> 00:21:06,901 Speaker 3: particular to do because they live in a culture of 443 00:21:06,982 --> 00:21:11,421 Speaker 3: total digital surveillance, and that has made them a lot 444 00:21:11,462 --> 00:21:14,942 Speaker 3: of research into this hesitant to try new things because 445 00:21:14,982 --> 00:21:18,302 Speaker 3: they don't want to be seen as being cringe. Cringe culture, 446 00:21:18,381 --> 00:21:21,661 Speaker 3: some creative say, is holding these young people back. And 447 00:21:21,742 --> 00:21:24,341 Speaker 3: as Mallett says, you can't reach the land of cool 448 00:21:24,502 --> 00:21:28,661 Speaker 3: until you have climbed your cringe mountain, Amelia, Cringe was 449 00:21:28,702 --> 00:21:30,941 Speaker 3: definitely a thing for me growing up. It was a 450 00:21:31,022 --> 00:21:34,222 Speaker 3: term we threw around. But do you think that there 451 00:21:34,302 --> 00:21:38,581 Speaker 3: is a greater fear now, given that the Internet doesn't 452 00:21:38,581 --> 00:21:41,941 Speaker 3: exist in your home study it exists in your pocket 453 00:21:41,942 --> 00:21:46,821 Speaker 3: all the time, that we're more afraid of looking embarrassing online. 454 00:21:46,982 --> 00:21:49,941 Speaker 1: Yeah. Look, I just did a segment on a podcast 455 00:21:50,022 --> 00:21:53,181 Speaker 1: about how I'm now trying out winged eyeliners. So I 456 00:21:53,182 --> 00:21:56,982 Speaker 1: think I speak from a position of real authority from 457 00:21:57,061 --> 00:22:00,142 Speaker 1: the very apex of Cringe Mountain, and the view from 458 00:22:00,222 --> 00:22:03,022 Speaker 1: up here is good, honestly, Like I'm at the top, 459 00:22:03,581 --> 00:22:05,782 Speaker 1: I'm obsessed with this idea because I think it almost 460 00:22:05,861 --> 00:22:08,622 Speaker 1: gives us permission to try new things. It almost gives 461 00:22:08,661 --> 00:22:11,661 Speaker 1: us permission to lean into that embarrassment that we feel 462 00:22:11,702 --> 00:22:14,101 Speaker 1: when we're trying something outside of our comfort zone. And 463 00:22:14,141 --> 00:22:15,662 Speaker 1: the first thing that I thought of when I came 464 00:22:15,702 --> 00:22:19,581 Speaker 1: across this concept was whether it's applicable to book writing. 465 00:22:19,702 --> 00:22:22,141 Speaker 1: This is an achievement that I have not fulfilled in 466 00:22:22,182 --> 00:22:24,501 Speaker 1: my life. I would love to one day. Did you 467 00:22:24,542 --> 00:22:27,061 Speaker 1: feel you were climbing cringe Mountain when you go first 468 00:22:27,101 --> 00:22:27,782 Speaker 1: wrote your books? 469 00:22:27,901 --> 00:22:32,181 Speaker 2: Holly, one hundred percent, like one hundred percent. So much 470 00:22:32,381 --> 00:22:36,022 Speaker 2: of writing is trying to get over your own cringe 471 00:22:36,182 --> 00:22:39,021 Speaker 2: because I don't know who said it, Jesse you might remember. 472 00:22:39,022 --> 00:22:41,302 Speaker 2: But there's some really good writing advice, which is, you 473 00:22:41,341 --> 00:22:44,022 Speaker 2: know your ambition for what you're writing isn't yet matched 474 00:22:44,061 --> 00:22:46,821 Speaker 2: by your skills, particularly when you start like You've got 475 00:22:46,861 --> 00:22:50,182 Speaker 2: some talent, obviously, but in your mind, the thing you're 476 00:22:50,222 --> 00:22:52,061 Speaker 2: going to write is this amazing. 477 00:22:52,381 --> 00:22:54,181 Speaker 3: You know what good writing looks like, and you know 478 00:22:54,182 --> 00:22:54,941 Speaker 3: that what you've done. 479 00:22:54,821 --> 00:22:57,581 Speaker 2: Is yeah, and you're cringing through it, but it's also 480 00:22:57,581 --> 00:22:59,462 Speaker 2: probably far worse in your mind than it is. So 481 00:22:59,502 --> 00:23:01,861 Speaker 2: it's somewhere in the middle, but the cringe of it 482 00:23:01,942 --> 00:23:03,661 Speaker 2: and the how dare you? And the who do you 483 00:23:03,702 --> 00:23:05,581 Speaker 2: think you are? And people are going to laugh at 484 00:23:05,581 --> 00:23:07,941 Speaker 2: that and all of those things. Yes, And then the 485 00:23:07,982 --> 00:23:11,542 Speaker 2: other thing that is enormously cringe about writing a book 486 00:23:11,621 --> 00:23:16,101 Speaker 2: is promoting a book because self promotion. And I think 487 00:23:16,141 --> 00:23:19,341 Speaker 2: it's interesting because you're so right, Jesse, that generations that 488 00:23:19,381 --> 00:23:22,622 Speaker 2: have grown up with internet surveillance are very sensitive to cringe. 489 00:23:23,141 --> 00:23:26,542 Speaker 2: But gen X is very sensitive to self promotional cringe 490 00:23:26,581 --> 00:23:29,381 Speaker 2: because we grew up being told that selling out is 491 00:23:29,422 --> 00:23:32,661 Speaker 2: the worst thing you can do, Whereas if you've grown 492 00:23:32,742 --> 00:23:36,022 Speaker 2: up with Instagram and people basically selling things to you 493 00:23:36,302 --> 00:23:39,581 Speaker 2: all the time, everywhere you look, in every format, you 494 00:23:39,702 --> 00:23:42,341 Speaker 2: kind of take a certain level of self promotion and 495 00:23:42,381 --> 00:23:46,142 Speaker 2: selling on board. But gen X's we were told that's 496 00:23:46,262 --> 00:23:49,302 Speaker 2: very uncool, and then suddenly you have to be out 497 00:23:49,302 --> 00:23:52,661 Speaker 2: there all the time self promoting, and the cringe is real. 498 00:23:53,101 --> 00:23:57,101 Speaker 3: Yeah. Yeah, I think with any creative process there is 499 00:23:57,222 --> 00:24:01,461 Speaker 3: certainly an element of cringe. And I always think that 500 00:24:01,661 --> 00:24:05,341 Speaker 3: the most ruthless reviews are written by people who have 501 00:24:05,381 --> 00:24:07,621 Speaker 3: never written the book they want to write, Like I 502 00:24:07,661 --> 00:24:10,942 Speaker 3: think Goodreads is full of peace, people tearing apart books 503 00:24:11,542 --> 00:24:14,262 Speaker 3: with a sense that they could do a better job, 504 00:24:14,821 --> 00:24:16,902 Speaker 3: and they might be able to do a better job, 505 00:24:16,901 --> 00:24:19,581 Speaker 3: but they've never written the book. Like cringe is real 506 00:24:19,942 --> 00:24:25,101 Speaker 3: in that there's this vicarious empathetic embarrassment that we see 507 00:24:25,141 --> 00:24:28,941 Speaker 3: for people, even someone doing something embarrassing online or making 508 00:24:28,982 --> 00:24:31,302 Speaker 3: a mistake or whatever. You go, oh, and that's a 509 00:24:31,381 --> 00:24:36,861 Speaker 3: deeply psychological, just true emotion. But at the same time, 510 00:24:36,901 --> 00:24:41,022 Speaker 3: I think there is a sense even online of who 511 00:24:41,061 --> 00:24:43,502 Speaker 3: do you think you are? With people who are either 512 00:24:43,542 --> 00:24:48,021 Speaker 3: publishing anything, their ambition is worn on their sleeve. Like 513 00:24:48,901 --> 00:24:52,422 Speaker 3: in some ways gen Z are able to throw off 514 00:24:52,462 --> 00:24:55,142 Speaker 3: those shackles because the content creator is something that never 515 00:24:55,141 --> 00:24:58,421 Speaker 3: would have existed among say boomers. But then on the 516 00:24:58,422 --> 00:25:02,021 Speaker 3: other hand, I was reading that there is this fear 517 00:25:02,302 --> 00:25:04,861 Speaker 3: among I think it was Tyler, the creator was talking 518 00:25:04,901 --> 00:25:08,421 Speaker 3: about how young people are scared of dancing now, like 519 00:25:08,462 --> 00:25:10,462 Speaker 3: they'll go out and they he was in some situation 520 00:25:10,542 --> 00:25:12,381 Speaker 3: they weren't dancing and he was like, why aren't you dancing? 521 00:25:12,381 --> 00:25:14,061 Speaker 3: And they were like, I'm scared someone's going to film me. 522 00:25:14,861 --> 00:25:17,061 Speaker 2: Like, but this is so real because I think about 523 00:25:17,061 --> 00:25:19,502 Speaker 2: this for my daughter's generation, well, but not only, but 524 00:25:20,222 --> 00:25:24,261 Speaker 2: they've literally grown up knowing that, and maybe millennials did too. 525 00:25:24,341 --> 00:25:28,302 Speaker 2: You tell me, but that whatever you're doing, even in 526 00:25:28,341 --> 00:25:30,782 Speaker 2: your friend group, even in your school, even in your life, 527 00:25:30,782 --> 00:25:33,181 Speaker 2: somebody somewhere is probably bitching about it on the internet, 528 00:25:33,182 --> 00:25:35,741 Speaker 2: as in I don't mean publicly shaming like we do 529 00:25:35,821 --> 00:25:38,022 Speaker 2: with a celebrity, but in negative chat, in a group 530 00:25:38,141 --> 00:25:39,821 Speaker 2: chat that is a side chat to the one that 531 00:25:39,861 --> 00:25:42,262 Speaker 2: you have with your friends in the dms that you're 532 00:25:42,302 --> 00:25:44,821 Speaker 2: not invited to, that someone will be going did you 533 00:25:44,861 --> 00:25:46,982 Speaker 2: see that picture that so and so posted? Who does 534 00:25:47,022 --> 00:25:49,581 Speaker 2: she think she is? Or did you see that thing 535 00:25:49,581 --> 00:25:51,542 Speaker 2: that they tried to do on the football field or 536 00:25:51,581 --> 00:25:54,061 Speaker 2: on the stage at the school musical or whatever, And 537 00:25:54,101 --> 00:25:56,741 Speaker 2: who do they think they are? That is a very 538 00:25:56,742 --> 00:25:59,542 Speaker 2: different experience than the one that I had growing up, 539 00:25:59,581 --> 00:26:02,141 Speaker 2: for example, where of course people bitched about people. I'm 540 00:26:02,141 --> 00:26:04,502 Speaker 2: not pretending that's a new invention, but there were so 541 00:26:04,702 --> 00:26:06,982 Speaker 2: fewer forums and public places to do it. So if 542 00:26:07,022 --> 00:26:11,581 Speaker 2: you literally grow up knowing that everything you're doing is 543 00:26:11,661 --> 00:26:14,222 Speaker 2: being there's a commentary to it somewhere, and it will 544 00:26:14,262 --> 00:26:19,141 Speaker 2: probably be mostly negative. It takes a very particular type 545 00:26:19,182 --> 00:26:22,782 Speaker 2: of strengths to push through and climb cringe Mountain. 546 00:26:22,861 --> 00:26:27,261 Speaker 1: You've just made me realize that cringe is basically doing 547 00:26:27,381 --> 00:26:31,461 Speaker 1: something in the view of the Internet, which these days 548 00:26:31,502 --> 00:26:35,462 Speaker 1: means everything. It's different from embarrassment. When Jesse and I 549 00:26:35,782 --> 00:26:39,582 Speaker 1: were younger and we were growing up as millennials who 550 00:26:39,621 --> 00:26:43,501 Speaker 1: maybe didn't even have smartphones yet, embarrassment was when you 551 00:26:43,542 --> 00:26:47,622 Speaker 1: did something and you felt a little bit embarrassed. Cringe 552 00:26:47,661 --> 00:26:50,741 Speaker 1: is when someone's watching you and they cringe. It's a 553 00:26:50,782 --> 00:26:51,422 Speaker 1: different thing. 554 00:26:51,942 --> 00:26:54,381 Speaker 3: Yeah, And as you say, Amelia, it's like, if you 555 00:26:54,422 --> 00:26:57,702 Speaker 3: want to launch a new business central to that strategy, 556 00:26:57,742 --> 00:27:01,061 Speaker 3: we'll probably be making an Instagram page, and then whether 557 00:27:01,101 --> 00:27:04,422 Speaker 3: that page grows or not is in public view. And 558 00:27:04,861 --> 00:27:06,542 Speaker 3: maybe you get a new job. Do you post it 559 00:27:06,581 --> 00:27:08,742 Speaker 3: on LinkedIn? Do you then do a few posts about 560 00:27:08,742 --> 00:27:12,061 Speaker 3: your successes there and image of you at a conference? 561 00:27:12,742 --> 00:27:13,702 Speaker 2: And what's the line? 562 00:27:13,782 --> 00:27:13,861 Speaker 1: Like? 563 00:27:14,101 --> 00:27:17,341 Speaker 2: Yeah, like, I see these people over here sharing their 564 00:27:17,381 --> 00:27:19,341 Speaker 2: successes in a very proud way and it seems to 565 00:27:19,341 --> 00:27:21,262 Speaker 2: be working for them. Can I do that or does that? 566 00:27:21,581 --> 00:27:21,661 Speaker 1: Like? 567 00:27:21,702 --> 00:27:24,142 Speaker 2: What's the line? And sometimes you're gonna. 568 00:27:23,782 --> 00:27:28,061 Speaker 3: Do you think that success hinges on a high tolerance 569 00:27:28,061 --> 00:27:32,101 Speaker 3: for cringe? Do you think that people who climb the mountain. 570 00:27:32,702 --> 00:27:35,341 Speaker 3: So this woman who does the videos, she found an 571 00:27:35,381 --> 00:27:37,581 Speaker 3: old clip of post Malone, and post Malone is, you know, 572 00:27:37,661 --> 00:27:40,741 Speaker 3: one of the most successful recording artists currently and this 573 00:27:40,821 --> 00:27:43,422 Speaker 3: first film clip could only be described as cringe, which 574 00:27:43,462 --> 00:27:45,421 Speaker 3: I'm sure if you went back to early Taylor Swift 575 00:27:45,502 --> 00:27:46,101 Speaker 3: or if you went. 576 00:27:45,982 --> 00:27:48,182 Speaker 2: Back Taylor Swift is a very good example. 577 00:27:48,341 --> 00:27:50,501 Speaker 3: Yes, and you just have to greet your teeth and 578 00:27:50,542 --> 00:27:53,422 Speaker 3: go call me cringe. I'm on my own journey. Do 579 00:27:53,462 --> 00:27:56,382 Speaker 3: you think that the more tolerance you have for cringe, 580 00:27:56,861 --> 00:27:58,341 Speaker 3: the higher you'll climb. 581 00:27:58,542 --> 00:28:01,061 Speaker 1: Yeah, Tailor Swift's a great example. Another example is Robin. 582 00:28:01,262 --> 00:28:03,262 Speaker 1: Think about the fact that in the first part of 583 00:28:03,262 --> 00:28:07,182 Speaker 1: her career, Robin was really seen as a somewhat embarrassing 584 00:28:07,462 --> 00:28:10,502 Speaker 1: pop artist, and then she comes out with a single 585 00:28:10,542 --> 00:28:12,702 Speaker 1: that's probably one of the greatest songs of all time, 586 00:28:12,982 --> 00:28:17,302 Speaker 1: Dancing on my Own, and she's not cringe anymore. But 587 00:28:17,542 --> 00:28:20,621 Speaker 1: both Taylor and Robin did many years in the cringe trenches. 588 00:28:21,022 --> 00:28:23,702 Speaker 2: But there are plenty of people who still would call 589 00:28:23,742 --> 00:28:25,581 Speaker 2: Taylor Swift cringe right Like, I'm not one of them. 590 00:28:25,621 --> 00:28:27,341 Speaker 2: We're not bashing her. Let's face, She's going to own 591 00:28:27,341 --> 00:28:29,142 Speaker 2: the next few days. Out louders. As we know she's 592 00:28:29,182 --> 00:28:32,102 Speaker 2: got an album dropping on Friday, you'll be hearing about it. 593 00:28:33,141 --> 00:28:35,462 Speaker 2: But there are people who I watched one of her 594 00:28:35,742 --> 00:28:38,542 Speaker 2: videos this week. It was like for kmart or something, 595 00:28:38,622 --> 00:28:41,261 Speaker 2: and she was directing a version of her self target. 596 00:28:41,582 --> 00:28:44,062 Speaker 2: She was directing a version of herself in this video, 597 00:28:44,102 --> 00:28:46,102 Speaker 2: and one Taylor was dressed as the showgirl and was 598 00:28:46,102 --> 00:28:48,342 Speaker 2: a bit wobbly on her feet and like looking wrong, 599 00:28:48,382 --> 00:28:50,582 Speaker 2: and the other Taylor was the director. Now there was 600 00:28:50,661 --> 00:28:53,461 Speaker 2: something a little bit cringe about that video, right, But 601 00:28:53,542 --> 00:28:57,582 Speaker 2: Taylor Swift owns the universe, So who cares if there 602 00:28:57,582 --> 00:29:00,622 Speaker 2: are people cringing about her? And cringe is to do 603 00:29:00,702 --> 00:29:03,222 Speaker 2: with cool. Cool people don't like to ever be seen 604 00:29:03,262 --> 00:29:06,622 Speaker 2: to try anything, and at some point you have to 605 00:29:06,782 --> 00:29:10,502 Speaker 2: try to succeed anything. And it sounds like such a 606 00:29:10,702 --> 00:29:14,302 Speaker 2: very cliched little mantra, but I think about it with 607 00:29:14,422 --> 00:29:17,302 Speaker 2: my daughter, who not to turn this into a parenting conversation, 608 00:29:17,382 --> 00:29:20,661 Speaker 2: but she loves football, she loves NFL. Sometimes on the 609 00:29:20,661 --> 00:29:23,302 Speaker 2: field she'll make a really embarrassing mistake, like try and 610 00:29:23,342 --> 00:29:25,302 Speaker 2: run and bounce the ball and it gets out of 611 00:29:25,342 --> 00:29:28,782 Speaker 2: her hands. And it's more she's mortified because she knows 612 00:29:28,822 --> 00:29:31,102 Speaker 2: her friends have seen it. She knows she tried to 613 00:29:31,182 --> 00:29:34,102 Speaker 2: do something cool and she fucked it. Yeah, and the 614 00:29:34,222 --> 00:29:35,981 Speaker 2: cringe is all part of it. And she'll come off 615 00:29:36,022 --> 00:29:38,222 Speaker 2: and she's like, I shouldn't have even I'm not good 616 00:29:38,222 --> 00:29:39,862 Speaker 2: at bouncing, I shouldn't have tried to bounce. 617 00:29:39,902 --> 00:29:42,461 Speaker 3: And it's like, so it's a cringe about really the 618 00:29:42,502 --> 00:29:44,542 Speaker 3: fear of trying. And if you've got a whole generation 619 00:29:44,622 --> 00:29:47,662 Speaker 3: who is internalized the fear of trying. 620 00:29:47,462 --> 00:29:53,741 Speaker 2: Being caught trying try in private is okay. But as 621 00:29:53,782 --> 00:29:56,221 Speaker 2: you just said about cringe being trying something in the 622 00:29:56,262 --> 00:29:58,981 Speaker 2: view of the internet, that's so true. 623 00:29:59,902 --> 00:30:03,862 Speaker 3: Eventually you've kind of got to be seen with most 624 00:30:03,902 --> 00:30:07,502 Speaker 3: of what you do, and failure is obviously in terms 625 00:30:07,542 --> 00:30:09,502 Speaker 3: of growth, mindset and getting to where you want to be. 626 00:30:09,702 --> 00:30:13,422 Speaker 3: Failure is one thing, but cringe is a whole other. 627 00:30:13,661 --> 00:30:17,782 Speaker 3: There's shame and embarrassment just tied up with that that 628 00:30:17,902 --> 00:30:18,702 Speaker 3: no one wants to feel. 629 00:30:18,782 --> 00:30:20,742 Speaker 2: And it's why this analogy is great, right, because it's 630 00:30:20,782 --> 00:30:22,941 Speaker 2: the idea you could now go, you know, I'm pitching 631 00:30:22,942 --> 00:30:24,982 Speaker 2: my tent on cringe Mountain for six months, you know 632 00:30:25,022 --> 00:30:27,582 Speaker 2: what I mean, Like, yeah, I've got to cringe all out. 633 00:30:27,622 --> 00:30:29,582 Speaker 2: I know I'm going to make some mistakes in however 634 00:30:29,661 --> 00:30:31,462 Speaker 2: I talk about this thing or do this thing. 635 00:30:32,142 --> 00:30:33,221 Speaker 3: Cringe isn't going to kill me. 636 00:30:33,422 --> 00:30:36,622 Speaker 1: It's inherent to any creative endeavor. In twenty twenty five, 637 00:30:36,702 --> 00:30:40,302 Speaker 1: I think about an acquaintance of mine who has recently 638 00:30:40,382 --> 00:30:45,221 Speaker 1: become somewhat incongruously a musician. She was always a musician, 639 00:30:45,302 --> 00:30:48,021 Speaker 1: but she's now trying to make a niche in music 640 00:30:48,262 --> 00:30:52,461 Speaker 1: for the dom and sub community, and so she just 641 00:30:52,502 --> 00:30:54,542 Speaker 1: sort of like came out as a member of that 642 00:30:54,582 --> 00:30:57,102 Speaker 1: community who was also a musician who writes music about 643 00:30:57,142 --> 00:31:01,902 Speaker 1: it on Instagram exactly. And she I've watched her career 644 00:31:02,102 --> 00:31:05,221 Speaker 1: kind of develop and really take on a lot of 645 00:31:05,262 --> 00:31:08,221 Speaker 1: momentum in the last year or two on Instagram, and 646 00:31:08,262 --> 00:31:11,782 Speaker 1: I think about how much cringe she must have felt 647 00:31:12,022 --> 00:31:14,742 Speaker 1: coming out to everyone in her life about the fact 648 00:31:14,742 --> 00:31:16,661 Speaker 1: that she was in this community and that she wanted 649 00:31:16,661 --> 00:31:19,302 Speaker 1: to write music about this community. But if she wants 650 00:31:19,302 --> 00:31:21,902 Speaker 1: to succeed as a musician these days, you just got 651 00:31:21,942 --> 00:31:22,941 Speaker 1: to climb cringe mountain. 652 00:31:23,022 --> 00:31:28,982 Speaker 3: Question, Actually, is it only worth climbing cringe mountain if 653 00:31:28,982 --> 00:31:30,822 Speaker 3: you do land in the land of cool? Because I 654 00:31:30,822 --> 00:31:33,222 Speaker 3: think I've had moments of climbing Cringe Mountain I'm thinking 655 00:31:33,302 --> 00:31:36,022 Speaker 3: of I have an acquaintance who was doing something on 656 00:31:36,062 --> 00:31:38,902 Speaker 3: the internet, very specific thing, and all of us were going, 657 00:31:38,982 --> 00:31:40,142 Speaker 3: what the hell is she doing? 658 00:31:40,422 --> 00:31:42,742 Speaker 1: Like this is mother in law? 659 00:31:43,661 --> 00:31:46,981 Speaker 3: Yes it was me, as she was doing something that 660 00:31:47,102 --> 00:31:51,582 Speaker 3: none of us understood. This niche has blown up to 661 00:31:51,822 --> 00:31:54,462 Speaker 3: such an extent that this person is the most successful 662 00:31:54,462 --> 00:31:56,942 Speaker 3: person any of us know. Most people will have heard 663 00:31:56,982 --> 00:32:00,502 Speaker 3: of them. They have this incredible profile. It's amazing. And 664 00:32:00,542 --> 00:32:02,262 Speaker 3: now all of us look at each other and go, 665 00:32:03,022 --> 00:32:03,661 Speaker 3: we were wrong. 666 00:32:03,742 --> 00:32:04,982 Speaker 2: So she's in the land of cool. 667 00:32:05,022 --> 00:32:07,382 Speaker 3: She's absolutely in the land of cool. And we now 668 00:32:07,422 --> 00:32:10,422 Speaker 3: look retrospectively on cringe and go, we were cringe for cringing. 669 00:32:11,022 --> 00:32:14,942 Speaker 3: But if that person stayed at two hundred views, if 670 00:32:14,942 --> 00:32:17,741 Speaker 3: there is no growth like that does happen for a 671 00:32:17,742 --> 00:32:20,661 Speaker 3: lot of people, And then us a board mission. 672 00:32:20,342 --> 00:32:22,741 Speaker 2: The narratives that you'll try, and you'll try, and then 673 00:32:22,782 --> 00:32:24,542 Speaker 2: one day you will see like it just isn't true 674 00:32:24,582 --> 00:32:27,702 Speaker 2: for everything. Very many of us never achieve our dreams, 675 00:32:27,742 --> 00:32:30,261 Speaker 2: as they say, so I think that's fine. But if 676 00:32:30,262 --> 00:32:32,062 Speaker 2: your friend had stayed on two hundred views, how long 677 00:32:32,102 --> 00:32:34,422 Speaker 2: would she have slogged up Cringe Mountain four before she'd 678 00:32:34,462 --> 00:32:37,542 Speaker 2: chosen a different path to really talture this analogy. Yeah, 679 00:32:37,622 --> 00:32:40,022 Speaker 2: I was on Saturday night. I went to see Ben Lee, right, 680 00:32:40,302 --> 00:32:44,862 Speaker 2: iconic Australian musician, and he was playing through an iconic 681 00:32:44,902 --> 00:32:47,182 Speaker 2: album of his that's twenty five years old now, right, 682 00:32:47,422 --> 00:32:49,102 Speaker 2: And one of the songs on the album is We're 683 00:32:49,102 --> 00:32:52,622 Speaker 2: all in this together all yea, And he before he 684 00:32:52,742 --> 00:32:54,542 Speaker 2: sung that, because he sang those songs in order, and 685 00:32:54,542 --> 00:32:56,902 Speaker 2: it gets towards the end before he sings that song, 686 00:32:56,942 --> 00:33:01,022 Speaker 2: he basically apologizes for it. He basically says, everybody thinks 687 00:33:01,062 --> 00:33:02,021 Speaker 2: this song is cringe. 688 00:33:02,622 --> 00:33:03,022 Speaker 1: It is. 689 00:33:03,302 --> 00:33:07,262 Speaker 2: He basically was like, it is cringe, but funnily enough, 690 00:33:07,661 --> 00:33:10,982 Speaker 2: Australia or the world seems to find this song again 691 00:33:11,102 --> 00:33:14,742 Speaker 2: at particular moments when they need it. But he basically 692 00:33:14,782 --> 00:33:19,542 Speaker 2: sort of said, I'm sorry that this is cheesy and 693 00:33:19,622 --> 00:33:21,182 Speaker 2: some of you find it embarrassing. 694 00:33:21,462 --> 00:33:23,662 Speaker 1: He sort of said sorry, not sorry. Yeah, he did, 695 00:33:23,742 --> 00:33:26,701 Speaker 1: And that brings me to I think my proposition to 696 00:33:26,782 --> 00:33:29,022 Speaker 1: the two of you about Cringe Mountain, which is this 697 00:33:29,062 --> 00:33:31,741 Speaker 1: is something that we've talked about how jen Z in 698 00:33:31,782 --> 00:33:34,701 Speaker 1: particular is struggling with the concept of Cringe Mountain. I 699 00:33:34,742 --> 00:33:36,782 Speaker 1: think as you get older, you realize that you can 700 00:33:36,862 --> 00:33:39,222 Speaker 1: just keep climbing the mountain and that you just surrender 701 00:33:39,302 --> 00:33:41,782 Speaker 1: to the cringe. It's not about the destination, it's about 702 00:33:41,822 --> 00:33:42,382 Speaker 1: the journey. 703 00:33:42,661 --> 00:33:46,662 Speaker 3: You feel less observed and you just say, I'm fed, 704 00:33:48,542 --> 00:33:51,102 Speaker 3: and you know what, no one cares about me, and 705 00:33:51,142 --> 00:33:53,262 Speaker 3: no one is looking at me as much as I 706 00:33:53,302 --> 00:33:53,741 Speaker 3: think they are. 707 00:33:54,262 --> 00:33:56,462 Speaker 1: I want to talk about something that I deeply love 708 00:33:56,661 --> 00:33:58,822 Speaker 1: and it's something that I do when I'm feeling sad. 709 00:33:59,502 --> 00:34:01,502 Speaker 1: That's what I do is I pull up my phone 710 00:34:01,622 --> 00:34:05,302 Speaker 1: and I start watching the Jennifer Hudson show Spirit Tunnels. 711 00:34:06,102 --> 00:34:07,582 Speaker 1: Let me tell you what the spirit tunnels are if 712 00:34:07,622 --> 00:34:10,022 Speaker 1: you don't know about them. So, Jennifer Hudson is an 713 00:34:10,022 --> 00:34:12,582 Speaker 1: Egot winner. She's won an Emmy, a Grammy, an Oscar, 714 00:34:12,622 --> 00:34:15,142 Speaker 1: and a Tony. She now has a talk show that 715 00:34:15,342 --> 00:34:20,301 Speaker 1: is pretty not particularly acclaimed or particularly widely viewed. But 716 00:34:20,542 --> 00:34:23,381 Speaker 1: the Spirit Tunnel, which is what guests do before they 717 00:34:23,422 --> 00:34:26,502 Speaker 1: come on the show, has in fact gone viral worldwide. 718 00:34:26,542 --> 00:34:29,102 Speaker 1: And what happens is the guests before they come on set, 719 00:34:29,142 --> 00:34:32,261 Speaker 1: they walk down a very normal corporate looking corridor which 720 00:34:32,302 --> 00:34:35,582 Speaker 1: is lined with the staff of Jennifer Hudson's show, and 721 00:34:35,622 --> 00:34:38,021 Speaker 1: the staff sing and they clap, drawing on the soul 722 00:34:38,062 --> 00:34:43,062 Speaker 1: train tradition, and the guests engaging in singing and dancing 723 00:34:43,062 --> 00:34:46,341 Speaker 1: and clapping, and really what happens is you watch their reactions, 724 00:34:46,382 --> 00:34:48,942 Speaker 1: and in their reactions, you learn everything about that person. 725 00:34:50,221 --> 00:34:54,142 Speaker 1: So there are two very best spirit tunnel performances, and 726 00:34:54,181 --> 00:34:57,542 Speaker 1: the first is from Aaron Pierre, who voiced Mafasa in 727 00:34:57,582 --> 00:35:01,781 Speaker 1: the Mafaser movie. This next spirit tunnel rock the Jinsennet. 728 00:35:02,661 --> 00:35:04,742 Speaker 4: I'm not even sure I need to set this clip 729 00:35:04,822 --> 00:35:06,861 Speaker 4: up at all. I'm gonna just let. 730 00:35:06,862 --> 00:35:16,542 Speaker 1: Y'all watch, Okay, So I know that this is in 731 00:35:16,582 --> 00:35:19,182 Speaker 1: a visual medium and you won't be able to fully 732 00:35:19,181 --> 00:35:21,861 Speaker 1: appreciate this until you watch it. But Aaron Pierre, who 733 00:35:21,902 --> 00:35:24,022 Speaker 1: no one had heard of before this spirit tunnel performance. 734 00:35:24,102 --> 00:35:26,261 Speaker 1: Let's be clear, he was not a famous actor, but 735 00:35:26,382 --> 00:35:31,661 Speaker 1: now he is famous because of how unbelievably smooth, appealing 736 00:35:31,982 --> 00:35:35,181 Speaker 1: attractive he is as he walks down this spirit time. 737 00:35:35,261 --> 00:35:37,341 Speaker 3: I'm going to share it on our Instagram story so 738 00:35:37,422 --> 00:35:38,301 Speaker 3: everyone can find it. 739 00:35:38,422 --> 00:35:42,062 Speaker 2: Yeah, and if you are confused about spirits, Chunnles full Stop. 740 00:35:42,102 --> 00:35:44,782 Speaker 2: We shared yesterday the top five, So get your phone, 741 00:35:44,862 --> 00:35:47,022 Speaker 2: go to Mama Maha out loud Instagram and look at 742 00:35:47,022 --> 00:35:48,782 Speaker 2: those and you know exactly what we're talking about. 743 00:35:48,822 --> 00:35:52,102 Speaker 1: The second spirit tunnel that I have to mention because 744 00:35:52,102 --> 00:35:54,102 Speaker 1: I think about it, it's my Roman Empire. I think 745 00:35:54,142 --> 00:35:56,142 Speaker 1: about it a couple of times a week. It's Michelle 746 00:35:56,181 --> 00:35:59,622 Speaker 1: Obama who bought a certain confidence and an ease which 747 00:35:59,701 --> 00:36:02,661 Speaker 1: I just aspire to having in everyday life, not just 748 00:36:02,701 --> 00:36:12,022 Speaker 1: in spirit tunnels. Everybody that was her going uh oh. 749 00:36:12,102 --> 00:36:14,502 Speaker 1: That was sung to the tune of Stevie Wonders I Wish, 750 00:36:14,542 --> 00:36:17,421 Speaker 1: and it's just a delightful thirty seconds. There are other 751 00:36:17,462 --> 00:36:21,102 Speaker 1: great ones. Gwen Stefani Usher came in on rollerblades. Chelsea 752 00:36:21,181 --> 00:36:25,102 Speaker 1: Handler was an interesting one because she's obviously not comfortable dancing, 753 00:36:25,261 --> 00:36:28,422 Speaker 1: which maybe puts her a disadvantage in spirit tunnel terms. 754 00:36:28,462 --> 00:36:31,021 Speaker 1: But she was very endearingly awkward and she kept walking 755 00:36:31,022 --> 00:36:33,142 Speaker 1: down the tunnel saying I wish I could dance better, 756 00:36:33,181 --> 00:36:35,062 Speaker 1: and it kind of softened her image because I think 757 00:36:35,062 --> 00:36:36,662 Speaker 1: of her as someone who's quite brash. 758 00:36:36,781 --> 00:36:39,901 Speaker 2: I have a question, so I love your theory that 759 00:36:40,022 --> 00:36:43,502 Speaker 2: how you react to a spirit tunnel reveals who you are, 760 00:36:43,622 --> 00:36:45,982 Speaker 2: because it's kind of like when everybody sings happy Birthday 761 00:36:46,022 --> 00:36:47,102 Speaker 2: to you in public. 762 00:36:46,862 --> 00:36:48,221 Speaker 3: Or something exactly like that. 763 00:36:48,302 --> 00:36:51,741 Speaker 2: But how comfortable you are with that, and Australians and 764 00:36:51,822 --> 00:36:55,701 Speaker 2: English people like we were not not comfortable reveals a 765 00:36:55,701 --> 00:36:58,742 Speaker 2: lot about you. But also this has become, as you said, 766 00:36:58,781 --> 00:37:01,462 Speaker 2: like the Jennifer Hudson show, maybe successful, maybe not, but 767 00:37:01,622 --> 00:37:04,701 Speaker 2: just like James Cordon's carpool Karaoke or so like, this 768 00:37:04,741 --> 00:37:08,142 Speaker 2: has become the social play for that show. And so 769 00:37:08,302 --> 00:37:09,982 Speaker 2: now if I was ever in vite to go on 770 00:37:10,102 --> 00:37:12,502 Speaker 2: Jennifer Hudson, I would have to prep with my team, right, 771 00:37:12,582 --> 00:37:14,942 Speaker 2: I would have to be like, how should I react. 772 00:37:15,062 --> 00:37:17,622 Speaker 2: I don't know how to dance. I'm not talented, I 773 00:37:17,622 --> 00:37:18,661 Speaker 2: don't know much the bet. 774 00:37:19,342 --> 00:37:19,941 Speaker 1: Would it be. 775 00:37:19,942 --> 00:37:24,422 Speaker 2: Better for me to just like high five people as 776 00:37:24,302 --> 00:37:26,821 Speaker 2: the tunnel or should I try and do a bit 777 00:37:26,822 --> 00:37:28,701 Speaker 2: of a shimmy or should I just pretend I'm not 778 00:37:28,741 --> 00:37:33,022 Speaker 2: there choreographs? So now there must be strategy. 779 00:37:33,102 --> 00:37:35,661 Speaker 1: Yeah, Well it's interesting because only one we only know 780 00:37:35,781 --> 00:37:38,662 Speaker 1: of one person who's simply abstained from the Spirit Tunnel, 781 00:37:38,741 --> 00:37:41,262 Speaker 1: and that was Noah Wiley from the Pit and obviously 782 00:37:41,342 --> 00:37:43,502 Speaker 1: from Er and I actually kind of love that move. 783 00:37:43,622 --> 00:37:45,181 Speaker 1: It's like he knew it wasn't going to do him 784 00:37:45,181 --> 00:37:46,861 Speaker 1: any favors, so we just said, I'm not going to 785 00:37:46,902 --> 00:37:47,102 Speaker 1: do it. 786 00:37:47,181 --> 00:37:49,222 Speaker 3: He says in the interview. He was like, I refuse 787 00:37:49,302 --> 00:37:52,102 Speaker 3: to dance in public. And I was like same, Like 788 00:37:52,261 --> 00:37:56,382 Speaker 3: I didn't know we could just range Mountain, Jesse range mountains. 789 00:37:56,502 --> 00:37:59,462 Speaker 3: I was so indeed. I saw that, and I was like, 790 00:37:59,862 --> 00:38:01,901 Speaker 3: I have never related more to anyone because the other 791 00:38:01,942 --> 00:38:03,902 Speaker 3: one that I saw that I highly related to was 792 00:38:04,102 --> 00:38:04,782 Speaker 3: Simon Cowell. 793 00:38:04,862 --> 00:38:07,142 Speaker 1: Oh, dear, let's talk about Simon kaw. 794 00:38:07,221 --> 00:38:10,622 Speaker 2: Kind of why this really got into psyche this week. 795 00:38:11,221 --> 00:38:12,981 Speaker 2: He didn't know what he should. 796 00:38:12,661 --> 00:38:15,821 Speaker 1: Have abstained is. I think I guess he figured, look, 797 00:38:15,862 --> 00:38:18,142 Speaker 1: I'm in the music industry. It would be churlish of 798 00:38:18,261 --> 00:38:20,301 Speaker 1: me not to get involved in the Spirit Tunnel. But 799 00:38:20,661 --> 00:38:23,382 Speaker 1: let's just say he did the Nicole Kidman seal clap, 800 00:38:23,462 --> 00:38:26,741 Speaker 1: if we remember that, where the fingers sort of display 801 00:38:26,862 --> 00:38:30,662 Speaker 1: outwards and he just looks intensely uncomfortable. Here's a question 802 00:38:30,741 --> 00:38:34,142 Speaker 1: for you, Holly, do you think any english person could 803 00:38:34,221 --> 00:38:35,661 Speaker 1: ever do the Spirit Tunnel? No? 804 00:38:35,942 --> 00:38:41,862 Speaker 2: I think that English people are not well plased. Oh no, no, no, Actually, 805 00:38:41,902 --> 00:38:44,102 Speaker 2: he would be endearing in how grumpy he would be 806 00:38:44,142 --> 00:38:45,142 Speaker 2: about the whole thing. 807 00:38:45,502 --> 00:38:47,302 Speaker 1: But it's just he would do finger guns. 808 00:38:47,342 --> 00:38:49,462 Speaker 2: We don't know what to do, Like, it's just not 809 00:38:49,781 --> 00:38:52,261 Speaker 2: in us. It's just not there. The other thing I 810 00:38:52,261 --> 00:38:54,221 Speaker 2: always think about the Spirit Tunnel, and maybe this is 811 00:38:54,261 --> 00:38:56,701 Speaker 2: just because of my workplace, is I don't know if 812 00:38:56,701 --> 00:38:58,741 Speaker 2: the people who are doing all the singing clapping are 813 00:38:58,781 --> 00:39:02,382 Speaker 2: really the crew, but those poor people have to learn 814 00:39:02,462 --> 00:39:05,821 Speaker 2: us off rehearse it, presumably, and then they're having a 815 00:39:05,862 --> 00:39:08,301 Speaker 2: busy day and they're doing all their things and Jennifer's like, 816 00:39:08,502 --> 00:39:11,542 Speaker 2: get up, its Spirit Tunnel time. And you know, for 817 00:39:11,661 --> 00:39:15,301 Speaker 2: Michelle Obama that corridor is packed, but for some other 818 00:39:15,382 --> 00:39:18,502 Speaker 2: people it's a little light on. And it just reminds 819 00:39:18,542 --> 00:39:21,261 Speaker 2: me of sometimes we've had like politicians into Mama Maya 820 00:39:21,582 --> 00:39:25,302 Speaker 2: and you know, we're like, everybody look like really happy 821 00:39:25,302 --> 00:39:25,821 Speaker 2: to see them. 822 00:39:25,862 --> 00:39:26,142 Speaker 3: Come on. 823 00:39:26,181 --> 00:39:28,382 Speaker 2: We need everybody for the social videos, and some people 824 00:39:28,382 --> 00:39:31,622 Speaker 2: are like, I think I've got a headache or like, 825 00:39:32,022 --> 00:39:34,021 Speaker 2: and then other people come and they're like, oh my god. 826 00:39:34,542 --> 00:39:36,821 Speaker 2: I would also be really insecure about how many people 827 00:39:36,862 --> 00:39:37,382 Speaker 2: turned up from me. 828 00:39:37,462 --> 00:39:40,901 Speaker 3: It's incredibly vulnerable and there is no where to hide. 829 00:39:40,942 --> 00:39:41,181 Speaker 1: It is. 830 00:39:41,221 --> 00:39:43,062 Speaker 3: It is the epitome of my worst nightmare. 831 00:39:43,181 --> 00:39:46,582 Speaker 1: Like but that's why it's telling of personality. Because Aaron Pierre, 832 00:39:46,661 --> 00:39:49,422 Speaker 1: no one showed up, no one knew who Aaron Pierre 833 00:39:49,502 --> 00:39:51,861 Speaker 1: from The Fasta was, and he still bought his A 834 00:39:52,022 --> 00:39:54,462 Speaker 1: game and it's a fun game to play. A parlor 835 00:39:54,502 --> 00:39:56,582 Speaker 1: game in your life is to think about who in 836 00:39:56,622 --> 00:39:59,542 Speaker 1: your life would do a great spirit tunnel and who 837 00:39:59,781 --> 00:40:03,181 Speaker 1: just because I got to say, Maya, we're doing an 838 00:40:03,181 --> 00:40:05,301 Speaker 1: amazing spirit tunny annoying. 839 00:40:05,582 --> 00:40:08,701 Speaker 3: My Roman empire has been. There's a band called role 840 00:40:08,741 --> 00:40:12,221 Speaker 3: Model and they are performing this song you will have 841 00:40:12,261 --> 00:40:15,102 Speaker 3: heard it called Sally when the wine runs out live 842 00:40:15,542 --> 00:40:16,982 Speaker 3: and every time they do it, there's a bridge, there's 843 00:40:16,982 --> 00:40:19,142 Speaker 3: a really catchy bit and a really famous person gets on. 844 00:40:19,062 --> 00:40:21,301 Speaker 2: Stage and down seas again another great social place. 845 00:40:21,542 --> 00:40:24,781 Speaker 3: Yes, so you've got Kate Hudson, you've got Olivia Rodrigo, 846 00:40:24,902 --> 00:40:27,261 Speaker 3: You've got I think Renee Rap came out, But the 847 00:40:27,302 --> 00:40:29,542 Speaker 3: best one so far that I have watched on repeat, 848 00:40:29,582 --> 00:40:31,741 Speaker 3: and I think it's always when it's someone you don't 849 00:40:31,781 --> 00:40:36,102 Speaker 3: really expect to be amazing was Natalie Portman. She came out, 850 00:40:36,542 --> 00:40:41,301 Speaker 3: she was so confident, so uninhibited, had incredible rhythm, and 851 00:40:41,342 --> 00:40:43,462 Speaker 3: I was just like, what can I do in my life? 852 00:40:43,582 --> 00:40:46,902 Speaker 3: I'll climb any fucking cringe mountain to look like Natalie 853 00:40:46,942 --> 00:40:49,102 Speaker 3: Portman in my mid forties or whatever it is. 854 00:40:49,142 --> 00:40:50,942 Speaker 1: Do you think it was a black Swan training? 855 00:40:51,261 --> 00:40:54,622 Speaker 2: I was very rat there was something very she sold 856 00:40:54,622 --> 00:40:57,062 Speaker 2: her soul to the devil about that particular appearance because 857 00:40:57,102 --> 00:40:59,742 Speaker 2: she looked twenty and she was having the best time. 858 00:41:00,181 --> 00:41:01,622 Speaker 1: I'm wearing cutoff jenim Shwe. 859 00:41:01,822 --> 00:41:04,022 Speaker 3: It's like, you just can't learn it, and that's why 860 00:41:04,102 --> 00:41:05,502 Speaker 3: it's so revealing him a person? 861 00:41:05,661 --> 00:41:06,221 Speaker 1: Is it? You go? 862 00:41:06,422 --> 00:41:08,142 Speaker 3: It really says something about who you are. 863 00:41:08,221 --> 00:41:11,142 Speaker 2: We should share the little internet clips that we watch 864 00:41:11,181 --> 00:41:15,021 Speaker 2: when we're sad, because Is and I do this quite often. 865 00:41:15,502 --> 00:41:17,861 Speaker 2: Is Timothy Chalomaye on Saturday Night. 866 00:41:17,982 --> 00:41:18,542 Speaker 1: Ah. 867 00:41:18,582 --> 00:41:22,181 Speaker 2: He is exceptionally good, particularly the sketch she does with 868 00:41:22,221 --> 00:41:25,582 Speaker 2: Pete Davidson called Eat Skirt, which every time I see 869 00:41:25,622 --> 00:41:27,661 Speaker 2: it I have to love so hard. Share out that 870 00:41:27,862 --> 00:41:29,741 Speaker 2: is with the things that just lift your spirits when 871 00:41:29,741 --> 00:41:30,221 Speaker 2: you watch that. 872 00:41:30,221 --> 00:41:30,861 Speaker 1: Oh, I love it. 873 00:41:31,622 --> 00:41:34,502 Speaker 3: After the break, the actress who refuses to promote her 874 00:41:34,582 --> 00:41:37,502 Speaker 3: new TV series or pocket any money from it, we 875 00:41:37,582 --> 00:41:40,582 Speaker 3: unpack a scandal unfolding in real Time. 876 00:41:41,181 --> 00:41:44,942 Speaker 2: One unlimited out loud access. We drop episodes every Tuesday 877 00:41:44,942 --> 00:41:49,062 Speaker 2: and Thursday exclusively for Mamma Mia subscribers. Follow the link 878 00:41:49,062 --> 00:41:50,782 Speaker 2: of the show notes to get us in your ears 879 00:41:51,062 --> 00:41:53,781 Speaker 2: five days a week. And a huge thank you to 880 00:41:53,982 --> 00:41:55,622 Speaker 2: all our current subscribers. 881 00:42:03,862 --> 00:42:06,821 Speaker 3: An actress named Natalie Dormer is refusing to promote her 882 00:42:06,902 --> 00:42:11,422 Speaker 3: latest TV series and has donated every last cent of 883 00:42:11,462 --> 00:42:15,302 Speaker 3: her salary to charity. This was not originally her plan. 884 00:42:15,462 --> 00:42:18,502 Speaker 3: If you don't recognize that name, you will probably know 885 00:42:18,582 --> 00:42:21,701 Speaker 3: her face. Natalie Drmer was in Game of Thrones, she 886 00:42:21,781 --> 00:42:24,142 Speaker 3: was in the Hunger Games franchise, who popped up in 887 00:42:24,221 --> 00:42:28,582 Speaker 3: Captain America. Anyway, this year, she's got this series coming 888 00:42:28,622 --> 00:42:31,702 Speaker 3: out called The Lady, where she plays Sarah Ferguson, Duchess 889 00:42:31,701 --> 00:42:34,902 Speaker 3: of York, and she says that after learning new information 890 00:42:35,142 --> 00:42:39,821 Speaker 3: about Sarah Ferguson's behavior after filming had all wrapped up, 891 00:42:40,462 --> 00:42:43,261 Speaker 3: she will not promote the project and will donate all 892 00:42:43,342 --> 00:42:47,301 Speaker 3: earnings to the National Association for People Abused in Childhood 893 00:42:47,582 --> 00:42:51,742 Speaker 3: and the Center of Expertise on Child's Sexual Abuse. Holly, 894 00:42:51,822 --> 00:42:56,342 Speaker 3: I've seen some headlines Sarah Ferguson, Jeffrey Epstein leaked email 895 00:42:56,542 --> 00:42:59,341 Speaker 3: something something, What is actually going on there? 896 00:43:00,102 --> 00:43:03,221 Speaker 2: So an email has come to light recently in reputable 897 00:43:03,221 --> 00:43:07,382 Speaker 2: British newspapers about an email that Sarah Ferguson sent to 898 00:43:07,462 --> 00:43:10,902 Speaker 2: Jeffrey Epstein all the way back in twenty eleven. Now 899 00:43:11,062 --> 00:43:14,222 Speaker 2: most people know that Prince Andrew has had a whole 900 00:43:14,261 --> 00:43:18,181 Speaker 2: Epstein related crisis and that the late Virginia just Frey 901 00:43:18,542 --> 00:43:20,942 Speaker 2: accused him of sexually assaulting her when she was a minor, 902 00:43:21,062 --> 00:43:24,902 Speaker 2: allegations that he denied, but he still reached a settlement 903 00:43:24,942 --> 00:43:27,342 Speaker 2: with her. It was sealed, so we don't know exactly 904 00:43:27,502 --> 00:43:29,701 Speaker 2: how much it was, but it's estimated to have been 905 00:43:30,022 --> 00:43:33,381 Speaker 2: somewhere between three and twelve million pounds. Right, But this 906 00:43:33,422 --> 00:43:36,301 Speaker 2: isn't about Andrew. This is about Fergie. What came to 907 00:43:36,422 --> 00:43:39,102 Speaker 2: light via these emails, although this part of the story 908 00:43:39,181 --> 00:43:42,301 Speaker 2: was well known already, is that Fergie borrowed money from 909 00:43:42,342 --> 00:43:44,982 Speaker 2: Epstein in twenty ten. And I want you to all 910 00:43:45,062 --> 00:43:49,102 Speaker 2: remember that everybody knew by twenty ten that Epstein had 911 00:43:49,142 --> 00:43:53,582 Speaker 2: already been found guilty of sexual charges around a minor 912 00:43:53,661 --> 00:43:56,062 Speaker 2: and had actually served time for it, So that was 913 00:43:56,062 --> 00:43:58,022 Speaker 2: already on the table. It's not that people didn't know 914 00:43:58,062 --> 00:44:00,942 Speaker 2: that right. In twenty ten, she borrows fifteen thousand pounds 915 00:44:00,942 --> 00:44:03,422 Speaker 2: from him. That might seem like a small ish amount 916 00:44:03,422 --> 00:44:06,062 Speaker 2: of money, but it was allegedly to pay off one 917 00:44:06,102 --> 00:44:09,422 Speaker 2: of her personal assistants. And then she gave an inn 918 00:44:09,822 --> 00:44:13,302 Speaker 2: where she publicly distanced herself from Epstein. So she said 919 00:44:13,382 --> 00:44:15,742 Speaker 2: in that interview where she was brought up, you borrowed 920 00:44:15,741 --> 00:44:17,741 Speaker 2: money from him? Is he one of your friends? She 921 00:44:18,181 --> 00:44:23,462 Speaker 2: condemned pedophilia's sexual abuse, basically distance herself from Epstein, But 922 00:44:23,622 --> 00:44:26,542 Speaker 2: the email which is the new part, was sent to 923 00:44:26,582 --> 00:44:30,341 Speaker 2: him after that interview, basically apologizing for writing it. In 924 00:44:30,342 --> 00:44:34,421 Speaker 2: the email, she writes, I know you feel hillaciously let 925 00:44:34,462 --> 00:44:37,502 Speaker 2: down by me, and I must humbly apologize to you 926 00:44:37,582 --> 00:44:40,661 Speaker 2: and your heart for that. She called him a steadfast, 927 00:44:40,741 --> 00:44:43,861 Speaker 2: generous and supreme friend, and she assured him that she 928 00:44:43,982 --> 00:44:48,022 Speaker 2: never used the P word her words about him. Now 929 00:44:48,062 --> 00:44:50,661 Speaker 2: you might be wondering why a duchess would need to 930 00:44:50,701 --> 00:44:53,741 Speaker 2: borrow fifteen thousand pounds from a dodgy billionaire. 931 00:44:54,221 --> 00:44:55,782 Speaker 1: Couldn't you borrow it from the queen? 932 00:44:55,942 --> 00:44:56,262 Speaker 5: Well? 933 00:44:56,422 --> 00:44:58,981 Speaker 2: You know, I wonder, because so this is what's really 934 00:44:58,982 --> 00:45:01,462 Speaker 2: interesting about all this. I don't want to disappear down 935 00:45:01,502 --> 00:45:05,102 Speaker 2: a tunnel. But we imagine that all the royals are loaded, 936 00:45:05,142 --> 00:45:09,461 Speaker 2: and obviously compared to ordinary people, they are, but at 937 00:45:10,062 --> 00:45:13,502 Speaker 2: unless you're one of the very top tiers. Most royals 938 00:45:13,502 --> 00:45:16,261 Speaker 2: are asset rich but cash poor. So they might get 939 00:45:16,302 --> 00:45:19,582 Speaker 2: given here's an estate to live in. It's got a 940 00:45:19,622 --> 00:45:23,622 Speaker 2: crumbling beautiful estate house on it. It's got staff who 941 00:45:23,661 --> 00:45:25,221 Speaker 2: need to be paid, it's got grounds that need to 942 00:45:25,261 --> 00:45:27,741 Speaker 2: be maintained, it's got blah blah blah blah blah. But 943 00:45:27,822 --> 00:45:32,342 Speaker 2: they're not allowed to earn money in traditional ways very often, 944 00:45:32,422 --> 00:45:34,661 Speaker 2: and this is changing a bit over time as the 945 00:45:34,781 --> 00:45:37,062 Speaker 2: rules have changed about who's on the public person who isn't. 946 00:45:37,102 --> 00:45:39,661 Speaker 2: But broadly speaking, you're a bit restricted in what you 947 00:45:39,701 --> 00:45:42,462 Speaker 2: can do for money, but your lifestyle might be quite expensive. 948 00:45:43,022 --> 00:45:46,142 Speaker 2: And Prince Harry wrote about this in Spare and a 949 00:45:46,181 --> 00:45:48,661 Speaker 2: lot of royles have sort of muched about it. Is 950 00:45:48,701 --> 00:45:51,661 Speaker 2: that they perceive to be living the life of the 951 00:45:51,661 --> 00:45:55,701 Speaker 2: extremely privileged, and they are, but their actual resources are 952 00:45:55,741 --> 00:45:58,502 Speaker 2: not that deep, which is why your Prince Andrews of 953 00:45:58,542 --> 00:46:00,302 Speaker 2: the world, well, I mean one of the reasons why 954 00:46:00,542 --> 00:46:03,542 Speaker 2: the Prince Andrews of the World was traveling around the 955 00:46:03,542 --> 00:46:06,781 Speaker 2: world staying in Epstein's house in Florida, staying in Epstein's 956 00:46:06,822 --> 00:46:09,262 Speaker 2: house in New York, and various other high profile business 957 00:46:09,261 --> 00:46:13,062 Speaker 2: people who want to associate themselves with royalty. It's funny 958 00:46:13,062 --> 00:46:14,821 Speaker 2: because when I've said this before, but I was just 959 00:46:14,862 --> 00:46:16,582 Speaker 2: sick and I was watching the Gilded Age and all 960 00:46:16,622 --> 00:46:18,821 Speaker 2: the way back then. So in New York in the 961 00:46:18,822 --> 00:46:21,462 Speaker 2: eighteen hundreds, they were kind of buying dukes, you know, 962 00:46:21,542 --> 00:46:25,182 Speaker 2: to marry into their families because the Americans had money 963 00:46:25,502 --> 00:46:27,942 Speaker 2: and the Brits had status. And it's kind of like, 964 00:46:28,382 --> 00:46:30,422 Speaker 2: why do you think, oh, I need to get back 965 00:46:30,462 --> 00:46:31,221 Speaker 2: to Fergie, don't I? 966 00:46:31,422 --> 00:46:34,342 Speaker 3: Yeah, why do you think that she's now been cast 967 00:46:34,582 --> 00:46:36,182 Speaker 3: as such a villain in this story. 968 00:46:36,261 --> 00:46:38,861 Speaker 2: So that email leaked a couple of weeks ago, and 969 00:46:38,942 --> 00:46:41,781 Speaker 2: since that happened, a lot of charities in the UK 970 00:46:41,902 --> 00:46:44,661 Speaker 2: have dumped Fergie, so they, you know, even though she's 971 00:46:44,701 --> 00:46:48,782 Speaker 2: not an official royal anymore, she still is the patron 972 00:46:48,822 --> 00:46:51,542 Speaker 2: of a breast cancer charity, and she still lives quite 973 00:46:51,582 --> 00:46:53,862 Speaker 2: a public life, and she's still in the royal family, 974 00:46:53,902 --> 00:46:56,702 Speaker 2: to the point that at Princess Michael of Kent's funeral 975 00:46:56,741 --> 00:46:59,062 Speaker 2: recently she was there. She was quite prominent at it 976 00:46:59,102 --> 00:47:02,941 Speaker 2: with Andrew. But since that email leaked that showed that 977 00:47:03,062 --> 00:47:07,021 Speaker 2: she apologized to Epstein sort of cozied up to him 978 00:47:07,181 --> 00:47:09,861 Speaker 2: after the fact, it's really trashed. 979 00:47:09,542 --> 00:47:12,622 Speaker 3: Share commented or apologized about that. Has there been any 980 00:47:12,622 --> 00:47:13,222 Speaker 3: comment from. 981 00:47:13,102 --> 00:47:16,422 Speaker 2: Fergie not Since then, she hasn't made any official comment. 982 00:47:16,942 --> 00:47:19,502 Speaker 2: But I think that what's happened is that people are 983 00:47:19,542 --> 00:47:23,222 Speaker 2: conflating rightly, So I guess people are conflating the fact 984 00:47:23,701 --> 00:47:26,622 Speaker 2: that you know, you pretended. And this is also what 985 00:47:26,862 --> 00:47:31,062 Speaker 2: Prince Andrew got sort of skewered for in that famous interview. 986 00:47:31,342 --> 00:47:34,502 Speaker 2: You pretended that as soon as you knew that Epstein 987 00:47:34,622 --> 00:47:37,822 Speaker 2: was who he was, you backed off. But then, funnily enough, 988 00:47:37,902 --> 00:47:40,022 Speaker 2: a year later, here's a photo of you at his 989 00:47:40,102 --> 00:47:41,941 Speaker 2: house in New York, and Prince Andrew was like, oh, 990 00:47:41,982 --> 00:47:43,301 Speaker 2: I just want to tell him that we couldn't be 991 00:47:43,342 --> 00:47:45,901 Speaker 2: friends anymore, and like this is a similar thing. 992 00:47:46,062 --> 00:47:50,102 Speaker 1: That's so interesting. You just wonder what Epstein's dynamic was 993 00:47:50,142 --> 00:47:53,342 Speaker 1: with these people, because the British ambassador to the US 994 00:47:53,661 --> 00:47:56,062 Speaker 1: was just fired a couple of weeks ago for doing 995 00:47:56,102 --> 00:48:00,022 Speaker 1: exactly the same thing as Fergie, publicly disavowing his relationship 996 00:48:00,102 --> 00:48:02,781 Speaker 1: with Epstein. His friendship with him and then writing him 997 00:48:02,781 --> 00:48:05,661 Speaker 1: an email saying, don't worry about everything I said in public. 998 00:48:05,741 --> 00:48:08,381 Speaker 1: I actually think you're the best friend ever. Yes, So 999 00:48:08,422 --> 00:48:09,062 Speaker 1: to go back. 1000 00:48:08,902 --> 00:48:11,901 Speaker 3: To Natalie do What I find interesting, right, is that 1001 00:48:12,022 --> 00:48:14,062 Speaker 3: in five minutes there will be a film about Jeffrey 1002 00:48:14,062 --> 00:48:19,462 Speaker 3: Epstein with let's go Sean pin Choice play Jeffrey Epstein. 1003 00:48:19,701 --> 00:48:21,781 Speaker 3: He'll be paid a bunch of money and he will 1004 00:48:21,822 --> 00:48:26,022 Speaker 3: be on every show promoting his movie about Epstein. Probably 1005 00:48:26,062 --> 00:48:28,381 Speaker 3: won't donate that money to charity We've got. I mean, 1006 00:48:28,502 --> 00:48:31,502 Speaker 3: Taika Waititi has played Hitler, like you know, people play 1007 00:48:31,902 --> 00:48:36,662 Speaker 3: bad in adverted commas characters all the time. For Dormer, 1008 00:48:36,822 --> 00:48:39,342 Speaker 3: do you think it was that she played a character 1009 00:48:39,382 --> 00:48:42,142 Speaker 3: who she thought she knew and understood, and now she 1010 00:48:42,181 --> 00:48:47,022 Speaker 3: feels like she hasn't presented an accurate portrayal because she 1011 00:48:47,102 --> 00:48:48,502 Speaker 3: didn't have this piece of information. 1012 00:48:48,701 --> 00:48:51,542 Speaker 2: Look, it's hard to know without seeing the project, right, 1013 00:48:51,862 --> 00:48:54,261 Speaker 2: but let's imagine, because that Fergie is one of those 1014 00:48:54,261 --> 00:48:56,301 Speaker 2: people who lives in the British imagination as a bit 1015 00:48:56,342 --> 00:48:59,542 Speaker 2: of a joke. Right, So, even though she was also 1016 00:48:59,622 --> 00:49:05,142 Speaker 2: busted by an undercover reporter soliciting access to the Prince 1017 00:49:05,181 --> 00:49:07,781 Speaker 2: for money for fifty pounds, like, oh, I'm sure I 1018 00:49:07,781 --> 00:49:09,741 Speaker 2: could get your business proposition in front of them, like 1019 00:49:10,102 --> 00:49:12,821 Speaker 2: she has been done for a few dodgy things over time. 1020 00:49:12,902 --> 00:49:14,342 Speaker 1: Has she ever considered a job? 1021 00:49:15,502 --> 00:49:17,741 Speaker 2: It is a very good question. One of the things 1022 00:49:17,741 --> 00:49:19,462 Speaker 2: she said in the Epstein email is that because she 1023 00:49:19,502 --> 00:49:21,661 Speaker 2: writes children's books, right, And she said, that's why I 1024 00:49:21,701 --> 00:49:25,422 Speaker 2: had to say those things, like she's very dodgy anyway, 1025 00:49:25,862 --> 00:49:29,341 Speaker 2: But she even with that knowledge, the space she occupies 1026 00:49:29,342 --> 00:49:31,942 Speaker 2: in the British sort of culture is a bit of 1027 00:49:31,982 --> 00:49:36,342 Speaker 2: a joke and interesting. Who knows how Natalie Dormer plays 1028 00:49:36,382 --> 00:49:40,861 Speaker 2: her because maybe it's quite light And what I wonder 1029 00:49:40,902 --> 00:49:42,821 Speaker 2: about that because I think you're so right, Jesse, like 1030 00:49:42,942 --> 00:49:44,701 Speaker 2: the Sean Penn will just throw him under the bus. 1031 00:49:44,741 --> 00:49:46,942 Speaker 2: Sean Penn is playing Jeffrey Epstein in the arm in 1032 00:49:47,022 --> 00:49:51,342 Speaker 2: it is taking the millions. But you know that when 1033 00:49:51,342 --> 00:49:54,822 Speaker 2: that project comes out, every press interview that Dorma does, 1034 00:49:54,862 --> 00:49:58,022 Speaker 2: she would be asked about this now because the Epstein 1035 00:49:58,062 --> 00:50:00,582 Speaker 2: email has changed the way people see Fergie. I think, 1036 00:50:00,622 --> 00:50:02,661 Speaker 2: at least for now it might blow over. But she 1037 00:50:02,741 --> 00:50:05,221 Speaker 2: would be saying, how do you feel about portraying somebody 1038 00:50:05,261 --> 00:50:08,342 Speaker 2: who was you know, an apologist for a pedophile or whatever. 1039 00:50:08,422 --> 00:50:10,781 Speaker 2: And does Natalie do normally want to put herself through 1040 00:50:10,781 --> 00:50:13,902 Speaker 2: that this show? I think that actually it's quite a 1041 00:50:13,902 --> 00:50:16,902 Speaker 2: small part in it. It's not about Sarah Ferguson, but 1042 00:50:16,942 --> 00:50:19,622 Speaker 2: Sarah Ferguson appears in the story do you want to 1043 00:50:19,661 --> 00:50:20,622 Speaker 2: put yourself through that? 1044 00:50:20,982 --> 00:50:23,502 Speaker 1: You know? Yeah, she thought she'd be like answering questions 1045 00:50:23,542 --> 00:50:26,982 Speaker 1: about the toe sucking that fergue in the eighties, not 1046 00:50:27,102 --> 00:50:28,502 Speaker 1: about pedophilia exactly. 1047 00:50:28,582 --> 00:50:30,822 Speaker 2: And I think one of the things that it brings 1048 00:50:30,862 --> 00:50:34,582 Speaker 2: up that's interesting to me is that we've always touch tutted, 1049 00:50:34,622 --> 00:50:37,942 Speaker 2: and rightly so about how much public money royals get. 1050 00:50:37,982 --> 00:50:40,062 Speaker 2: But one of the things about them not having an 1051 00:50:40,142 --> 00:50:42,582 Speaker 2: income stream and not being allowed to earn money, which 1052 00:50:42,661 --> 00:50:44,422 Speaker 2: is what Prince Harry has complained about a lot. One 1053 00:50:44,422 --> 00:50:46,102 Speaker 2: of the reasons why he and Megan wanted to leave 1054 00:50:46,902 --> 00:50:50,221 Speaker 2: is it does actually open them up to being quite corruptible. 1055 00:50:50,622 --> 00:50:52,542 Speaker 2: And Andrew isn't the only royal who that's been the 1056 00:50:52,542 --> 00:50:54,462 Speaker 2: case for and so it kind of makes you think 1057 00:50:54,822 --> 00:50:57,582 Speaker 2: we ask all the time, why doesn't King Charles cast 1058 00:50:57,661 --> 00:51:00,821 Speaker 2: Andrew like properly out like publicly humiliate him, kick him 1059 00:51:00,822 --> 00:51:03,741 Speaker 2: out of the family and Fergie, and some of the 1060 00:51:03,902 --> 00:51:06,941 Speaker 2: speculation I've seen around this reporting has been that they 1061 00:51:07,022 --> 00:51:10,582 Speaker 2: might be more detrimental outside the tenth and inside the tent, 1062 00:51:10,622 --> 00:51:14,102 Speaker 2: as in they'll just start talking they know like harsh yep, 1063 00:51:14,181 --> 00:51:16,542 Speaker 2: they know too, like exactly like Harry, he's you know, 1064 00:51:16,781 --> 00:51:18,822 Speaker 2: from outside the tent. He can say all these things. 1065 00:51:19,221 --> 00:51:20,942 Speaker 2: They know a lot of things, they can reveal a 1066 00:51:20,942 --> 00:51:24,142 Speaker 2: lot of things, and so that actually what the Lion 1067 00:51:24,261 --> 00:51:25,821 Speaker 2: King Charles is trying to walk is like. 1068 00:51:26,181 --> 00:51:26,982 Speaker 3: Keep them onside. 1069 00:51:27,022 --> 00:51:29,982 Speaker 2: I don't approve of my brother and his wife, but 1070 00:51:30,902 --> 00:51:33,462 Speaker 2: they're not completely kicking them out because they might be 1071 00:51:33,542 --> 00:51:38,221 Speaker 2: more trouble outside. Out Louder is a massive thank you 1072 00:51:38,382 --> 00:51:41,462 Speaker 2: for being with us today as always, and to our 1073 00:51:41,542 --> 00:51:44,821 Speaker 2: fabulous team for putting the show together. Don't forget you 1074 00:51:44,822 --> 00:51:46,741 Speaker 2: can watch us on YouTube and that we'll be back 1075 00:51:46,741 --> 00:51:47,981 Speaker 2: in your ears tomorrow. 1076 00:51:47,942 --> 00:51:50,261 Speaker 3: And follow us on Instagram at Mama out Loud because 1077 00:51:50,261 --> 00:51:52,182 Speaker 3: we are going to share all those videos that we 1078 00:51:52,181 --> 00:51:53,381 Speaker 3: were talking about. 1079 00:51:53,062 --> 00:51:55,502 Speaker 1: And don't forget to listen to Parenting out Loud, which 1080 00:51:55,582 --> 00:51:58,741 Speaker 1: drops every week on a Saturday. Last week, we talked 1081 00:51:58,781 --> 00:52:03,462 Speaker 1: about Rihanna and Asap Rocky and their love junk and 1082 00:52:04,062 --> 00:52:06,062 Speaker 1: no it's not what you think you know. 1083 00:52:06,181 --> 00:52:09,142 Speaker 2: Mia calls asap rocky, asap rocky, it's my. 1084 00:52:09,142 --> 00:52:14,342 Speaker 1: Favorite mind it in its own feed by searching, parenting 1085 00:52:14,502 --> 00:52:17,301 Speaker 1: out Loud and tap follows so you don't miss a 1086 00:52:17,382 --> 00:52:18,861 Speaker 1: single episode of us. 1087 00:52:19,342 --> 00:52:22,862 Speaker 3: Bye Bye, shout out to any Mum and me A 1088 00:52:22,942 --> 00:52:25,781 Speaker 3: subscribers listening. If you love the show and you want 1089 00:52:25,781 --> 00:52:28,781 Speaker 3: to support us, subscribing to MoMA Mia is the very 1090 00:52:28,862 --> 00:52:31,142 Speaker 3: best way to do so. There's a link in the 1091 00:52:31,221 --> 00:52:32,062 Speaker 3: episode description.