1 00:00:11,424 --> 00:00:16,024 Speaker 1: You're listening to a Muma Mia podcast. Mamma Mia acknowledges 2 00:00:16,104 --> 00:00:19,584 Speaker 1: the traditional owners of land and borders that this podcast 3 00:00:19,704 --> 00:00:27,224 Speaker 1: is recorded on from Mamma Mia. Welcome to the Spill, 4 00:00:27,264 --> 00:00:32,904 Speaker 1: your daily pop culture fix. I'm Laura Brodnick and I. Okay, guys, 5 00:00:32,904 --> 00:00:35,704 Speaker 1: it's taken us a while start this episode because Emily 6 00:00:35,864 --> 00:00:39,704 Speaker 1: has been hysterically laughing in her own notes this episode. 7 00:00:39,984 --> 00:00:44,624 Speaker 2: Are you still guys this episode? 8 00:00:44,624 --> 00:00:46,584 Speaker 1: I'm going to be so just to be clear, you're 9 00:00:46,664 --> 00:00:50,264 Speaker 1: laughing at your own notes, but the only jokes I've made, 10 00:00:50,704 --> 00:00:53,424 Speaker 1: I've been laughing all day at my desk. Okay, can't wait, 11 00:00:53,824 --> 00:00:56,384 Speaker 1: don't wait, wait to high art this episode. So there's 12 00:00:56,424 --> 00:00:58,424 Speaker 1: no easy way to say this next part. We don't 13 00:00:58,464 --> 00:01:00,704 Speaker 1: have a hook for today's episode. Emily and I were 14 00:01:00,784 --> 00:01:03,664 Speaker 1: just we actually have no reason to do this episode 15 00:01:03,784 --> 00:01:05,664 Speaker 1: except that we were sitting in the kitchen here at 16 00:01:05,664 --> 00:01:07,824 Speaker 1: our shared office and Mamma Mia working on a little 17 00:01:08,024 --> 00:01:10,704 Speaker 1: work trip that we're going on soon, and we were 18 00:01:10,744 --> 00:01:12,264 Speaker 1: talking about what we were going to do on this 19 00:01:12,424 --> 00:01:15,144 Speaker 1: very special Friday and thinking that although there's been some 20 00:01:15,184 --> 00:01:19,344 Speaker 1: fun stuff this week, Taylor Elison Swift got engaged. Yeah, 21 00:01:19,424 --> 00:01:20,104 Speaker 1: I'm Soufset. 22 00:01:20,144 --> 00:01:22,864 Speaker 2: I wasn't on that episode. Yeah, well you had TV on. 23 00:01:23,184 --> 00:01:25,304 Speaker 1: Yes, yes, I had a sweet which is a great choice. 24 00:01:25,344 --> 00:01:27,024 Speaker 1: No offense to you, but I didn't think you were 25 00:01:27,024 --> 00:01:29,304 Speaker 1: in that bracket. You were an expert far down the 26 00:01:29,344 --> 00:01:31,544 Speaker 1: list of who I was gonna call. But there's also 27 00:01:31,584 --> 00:01:33,984 Speaker 1: been a lot of tents in sad stuff in the news, 28 00:01:34,024 --> 00:01:36,184 Speaker 1: like the summer I turned pretty cast. They're copying it 29 00:01:36,304 --> 00:01:38,544 Speaker 1: right now, we're all feeling it. So we thought, what 30 00:01:38,624 --> 00:01:42,064 Speaker 1: can we do to bring some light and happiness into 31 00:01:42,144 --> 00:01:44,904 Speaker 1: Spiller's lives? And so I said to Emily, what are 32 00:01:44,944 --> 00:01:47,104 Speaker 1: you truly afraid of? Which is the way I started 33 00:01:47,104 --> 00:01:50,184 Speaker 1: all my fun conversations. And then we started talking about 34 00:01:50,344 --> 00:01:54,864 Speaker 1: movies that have given us truly irrational fears that we 35 00:01:54,904 --> 00:01:57,704 Speaker 1: would normally never say out loud. And these aren't run 36 00:01:57,704 --> 00:02:00,464 Speaker 1: of the mill fears. These aren't a log falling off 37 00:02:00,464 --> 00:02:03,104 Speaker 1: the back of a truck final destination. That's a shared 38 00:02:03,184 --> 00:02:04,344 Speaker 1: fear we all have that, that's. 39 00:02:04,264 --> 00:02:06,504 Speaker 2: A shared fear, and it's a reasonable fear. Yeah, I'm 40 00:02:06,544 --> 00:02:09,064 Speaker 2: talking about fears that I've had since I was twelve 41 00:02:09,064 --> 00:02:12,384 Speaker 2: because of certain movies. Yeah, that till this day. As 42 00:02:12,424 --> 00:02:17,024 Speaker 2: a twenty nine year old woman. There are some things 43 00:02:17,104 --> 00:02:18,904 Speaker 2: I still can't get around here and you. 44 00:02:18,864 --> 00:02:21,184 Speaker 1: Don't want to tell people, and so we're not going 45 00:02:21,224 --> 00:02:23,224 Speaker 1: don't worry. This isn't gonna be a scary episode, and 46 00:02:23,424 --> 00:02:26,504 Speaker 1: maybe just for more of emotional fear for people listening 47 00:02:26,504 --> 00:02:29,064 Speaker 1: at home. But we're going to talk about some horror 48 00:02:29,064 --> 00:02:31,144 Speaker 1: movies but also some real life movies. I've got a 49 00:02:31,224 --> 00:02:33,064 Speaker 1: rom com on my list that has put the fear 50 00:02:33,104 --> 00:02:35,464 Speaker 1: of God into me for many years, so we're going 51 00:02:35,504 --> 00:02:35,984 Speaker 1: to get into it. 52 00:02:36,024 --> 00:02:37,064 Speaker 2: I've got a children's movie. 53 00:02:37,264 --> 00:02:41,584 Speaker 1: Oh yeah, it started younger, it started young. So here 54 00:02:41,624 --> 00:02:44,544 Speaker 1: we are irrational fears that movies have given us that 55 00:02:44,584 --> 00:02:47,344 Speaker 1: we would normally never say out loud. Emily, this doc 56 00:02:47,424 --> 00:02:49,144 Speaker 1: that has been cracking you up for the last hour, 57 00:02:49,264 --> 00:02:50,064 Speaker 1: do you want to kick us off? 58 00:02:50,064 --> 00:02:53,624 Speaker 2: Okay, I'm going to say my in my opinion, funniest 59 00:02:53,704 --> 00:02:56,184 Speaker 2: way till last. Okay, So I'm going to start off 60 00:02:56,224 --> 00:02:58,144 Speaker 2: with a horror movie that I watched when I was 61 00:02:58,184 --> 00:03:02,104 Speaker 2: way too young. It has your favorite actress in it. 62 00:03:02,104 --> 00:03:03,504 Speaker 2: It's The Grudge two thousand and four. 63 00:03:03,584 --> 00:03:05,784 Speaker 1: Oh yeah, yeah, Sarah, and that is my favorite actress. 64 00:03:05,784 --> 00:03:06,944 Speaker 1: Thank you, so Sarah. 65 00:03:07,104 --> 00:03:11,464 Speaker 2: Michelle sm She plays Karen Davis. She moves to Tokyo 66 00:03:12,104 --> 00:03:14,784 Speaker 2: and she starts working in this house as a carer, 67 00:03:15,664 --> 00:03:19,784 Speaker 2: and people stop dying. Everyone who enters this house dies. 68 00:03:20,304 --> 00:03:22,584 Speaker 2: There's a lot of woo woo happening. It's like proper, 69 00:03:22,944 --> 00:03:28,664 Speaker 2: proper horror. You would be surprised to know that this 70 00:03:28,784 --> 00:03:32,344 Speaker 2: gave me a fear of intercoms. 71 00:03:33,264 --> 00:03:35,304 Speaker 1: Because I was gonna say, like, if you said to people, 72 00:03:35,384 --> 00:03:38,104 Speaker 1: I'm scared from the Grudge, that would be totally a 73 00:03:38,264 --> 00:03:41,104 Speaker 1: rational and above board fear because it is a horror 74 00:03:41,104 --> 00:03:43,264 Speaker 1: movie designed to scare the shit out of people. Have 75 00:03:43,344 --> 00:03:45,264 Speaker 1: you seen the original Japanese version. 76 00:03:45,104 --> 00:03:47,464 Speaker 2: Which is way scary, Yeah, yeah, scarier. 77 00:03:47,624 --> 00:03:50,544 Speaker 1: So their Merican version is watered down, but it's still scary. 78 00:03:50,304 --> 00:03:53,064 Speaker 2: Still scary. Okay. So the reason I'm scared of intercoms. 79 00:03:53,384 --> 00:03:55,104 Speaker 2: You know, when you watch a horror movie as a 80 00:03:55,224 --> 00:03:57,984 Speaker 2: kid and it's scarce the living daylight's out of you 81 00:03:58,024 --> 00:03:59,744 Speaker 2: that you can't stop thinking about. It becomes your whole 82 00:03:59,744 --> 00:04:01,544 Speaker 2: life because you have nothing else going around you. Yeah, 83 00:04:01,664 --> 00:04:03,424 Speaker 2: like back in my day, we didn't have the TikTok, 84 00:04:03,424 --> 00:04:05,144 Speaker 2: we didn't have the YouTube, we didn't. 85 00:04:04,944 --> 00:04:08,384 Speaker 1: Have like grandmother, what did you call it? 86 00:04:09,904 --> 00:04:10,104 Speaker 3: Vieo. 87 00:04:10,424 --> 00:04:11,784 Speaker 2: The do you call web videos? 88 00:04:11,824 --> 00:04:14,424 Speaker 1: I'm pretty sure that anyway, I mean, I do sad 89 00:04:14,464 --> 00:04:15,184 Speaker 1: that was recorded. 90 00:04:15,304 --> 00:04:16,984 Speaker 2: So I would watch a horror movie with my friends 91 00:04:16,984 --> 00:04:18,744 Speaker 2: because it was the cool thing to do as a kid, 92 00:04:18,864 --> 00:04:20,624 Speaker 2: and then this horror movie would just stick to me 93 00:04:20,744 --> 00:04:23,984 Speaker 2: for like years. So I had to develop coping mechanisms 94 00:04:24,024 --> 00:04:26,904 Speaker 2: to make sure that I'm never in that situation and 95 00:04:26,944 --> 00:04:29,704 Speaker 2: that my friends there Michelle Keller is in all the 96 00:04:29,704 --> 00:04:30,504 Speaker 2: time apparently. 97 00:04:30,704 --> 00:04:31,104 Speaker 1: Yeah. 98 00:04:31,104 --> 00:04:33,824 Speaker 2: So the whole movie, you see the Grudge, which is 99 00:04:33,904 --> 00:04:36,824 Speaker 2: like this woman in this house is killing everyone. It's 100 00:04:37,064 --> 00:04:39,384 Speaker 2: like seems like she's stuck in the house. Yeah, and 101 00:04:39,424 --> 00:04:41,664 Speaker 2: like you'll only die if you go in the house, 102 00:04:41,704 --> 00:04:43,064 Speaker 2: and then she kills you in the house and no 103 00:04:43,064 --> 00:04:45,544 Speaker 2: one ever sees you again. But there's this one scene 104 00:04:46,064 --> 00:04:49,024 Speaker 2: where her brother in law goes into the house, but 105 00:04:49,064 --> 00:04:50,944 Speaker 2: then he leaves and goes home. 106 00:04:51,024 --> 00:04:52,224 Speaker 1: Yeah, so you think he's safe. 107 00:04:52,424 --> 00:04:54,944 Speaker 2: You think he's safe, but then he comes back and 108 00:04:54,944 --> 00:04:58,384 Speaker 2: he gets killed. Yeah, but guess what, there's one other person, 109 00:04:58,784 --> 00:05:01,944 Speaker 2: his wife, So she hasn't been in the house, or 110 00:05:01,944 --> 00:05:03,904 Speaker 2: maybe she has, but then she left and she was fine. 111 00:05:04,144 --> 00:05:06,784 Speaker 2: She's at home in her apartment, living her best life. 112 00:05:06,824 --> 00:05:08,824 Speaker 1: So she thinks she's safe. She thinks she's good, she's safe. 113 00:05:08,864 --> 00:05:10,744 Speaker 2: She doesn't even know this is going on. She thinks 114 00:05:10,744 --> 00:05:14,984 Speaker 2: the husband's at work, yeah, let alone dead. So she's 115 00:05:15,024 --> 00:05:18,504 Speaker 2: at home, cooking dinner, enjoying her time in an apartment. 116 00:05:18,704 --> 00:05:21,864 Speaker 2: As I said, her intercom rings, Bisbys. 117 00:05:23,784 --> 00:05:25,624 Speaker 1: I've seen this with you many times. I'm like on 118 00:05:25,704 --> 00:05:27,304 Speaker 1: the edge of my seat, trying to think of what's 119 00:05:27,304 --> 00:05:27,784 Speaker 1: gonna happen. 120 00:05:28,024 --> 00:05:32,384 Speaker 2: She answers silence, and I'm like, no, it can't be 121 00:05:32,424 --> 00:05:32,784 Speaker 2: the grudge. 122 00:05:32,784 --> 00:05:35,184 Speaker 1: The grudge lives at home, can't leave you can't leave 123 00:05:35,184 --> 00:05:38,304 Speaker 1: the grudges house bound. We all know that the grudges 124 00:05:39,584 --> 00:05:41,264 Speaker 1: you will never go to Tokyo. You seeing at home. 125 00:05:41,264 --> 00:05:42,944 Speaker 1: The grudge can't get me, The girls can't get me. 126 00:05:44,504 --> 00:05:47,384 Speaker 2: And then it rings again. She's like, hello, it was 127 00:05:47,424 --> 00:05:51,264 Speaker 2: a husband's voice, but was it her husband? It was 128 00:05:51,264 --> 00:05:55,144 Speaker 2: the grudge. Till this day, if someone rings my intercom 129 00:05:55,144 --> 00:05:56,944 Speaker 2: in my apartment, I cannot talk. 130 00:05:57,184 --> 00:05:57,984 Speaker 1: Are you serious? 131 00:05:58,064 --> 00:06:00,424 Speaker 2: I just buzz them in immediately. I cannot talk. I'm 132 00:06:00,424 --> 00:06:03,304 Speaker 2: so scared I'll hear a voice and I'll not be them. 133 00:06:03,504 --> 00:06:06,504 Speaker 1: No intercomms. Actually, I mean thanks for this new fear 134 00:06:06,544 --> 00:06:09,184 Speaker 1: and lock so I have a huge fear of intercoms 135 00:06:09,184 --> 00:06:12,264 Speaker 1: and security cameras. For that reason is that I've seen 136 00:06:12,264 --> 00:06:15,544 Speaker 1: them use too many times in horror movies. To the 137 00:06:15,584 --> 00:06:18,184 Speaker 1: movies like golden tickets, oh one hundred percent, all these 138 00:06:18,184 --> 00:06:21,104 Speaker 1: things that are meant to keep you safe actually because 139 00:06:21,104 --> 00:06:24,264 Speaker 1: they're always used in horror movies as devices to foreshadow 140 00:06:24,384 --> 00:06:26,744 Speaker 1: death activity. The whole thing was. 141 00:06:26,664 --> 00:06:30,384 Speaker 2: On a camera. Yeah, wasn't it on camera across a bed? 142 00:06:30,584 --> 00:06:32,864 Speaker 1: Yeah. The other thing is I will not live in 143 00:06:32,904 --> 00:06:35,544 Speaker 1: an apartment that has a little peephole. You're a little 144 00:06:36,184 --> 00:06:38,664 Speaker 1: thing because you're supposed to look through that to see 145 00:06:38,664 --> 00:06:40,544 Speaker 1: if there's danger outside. So it should actually be a 146 00:06:40,584 --> 00:06:43,104 Speaker 1: safety thing. But do you know how many horror movies 147 00:06:43,464 --> 00:06:46,384 Speaker 1: where they look through the lens, even the latest Evil 148 00:06:46,424 --> 00:06:47,944 Speaker 1: Dead movie where they look for the lens and the 149 00:06:47,984 --> 00:06:49,984 Speaker 1: mother when she's been taken over by the Evil Dead 150 00:06:50,024 --> 00:06:53,064 Speaker 1: curse is staring and smiling back into it. 151 00:06:53,064 --> 00:06:55,304 Speaker 2: It's smile, don't smile. 152 00:06:56,144 --> 00:07:01,904 Speaker 1: Smiles are the scariest thing. Intercoms smiles, Ruphlund Truck. Well, okay, 153 00:07:02,104 --> 00:07:04,504 Speaker 1: so I wasn't scared of the intercom in my apartment, 154 00:07:04,544 --> 00:07:07,944 Speaker 1: and it does ring every soften with deliveries or whatnot, 155 00:07:08,064 --> 00:07:10,704 Speaker 1: or the random friend who's popping by unannounced. I'm not 156 00:07:10,744 --> 00:07:11,664 Speaker 1: answering that thing now. 157 00:07:11,904 --> 00:07:14,184 Speaker 2: No, well, now, okay, what you have to do is 158 00:07:14,224 --> 00:07:15,824 Speaker 2: you just louse them men, don't let them talk. 159 00:07:15,984 --> 00:07:17,624 Speaker 1: Oh well, then I'm going to let a stranger into 160 00:07:17,624 --> 00:07:19,664 Speaker 1: my house. You know what, I've also seen the strangers. 161 00:07:21,744 --> 00:07:24,224 Speaker 1: I've seen all the home. This is so why I 162 00:07:24,264 --> 00:07:26,224 Speaker 1: live in a fortress. I live many floors up. You 163 00:07:26,584 --> 00:07:27,424 Speaker 1: swite car together. 164 00:07:27,624 --> 00:07:29,824 Speaker 2: Maybe we won't let anyone in our apartments ever. 165 00:07:29,864 --> 00:07:32,264 Speaker 1: Again, I think that's a good idea. It seems fair. 166 00:07:34,464 --> 00:07:37,304 Speaker 1: My first one is a little movie that came out 167 00:07:37,384 --> 00:07:41,944 Speaker 1: in twenty thirteen, starring Sandra Bullock and George Clooney. But 168 00:07:42,024 --> 00:07:44,504 Speaker 1: this is not a wrong com It is a movie 169 00:07:44,544 --> 00:07:47,584 Speaker 1: set in space called Grab. Oh my God, have you 170 00:07:47,624 --> 00:07:50,624 Speaker 1: seen it? Yeah? Yeah, it's actually I should say great movie. 171 00:07:50,704 --> 00:07:52,704 Speaker 1: I actually think this is the movie that Sandra Bullock 172 00:07:52,744 --> 00:07:54,784 Speaker 1: should have won her Oscar for, not The blind Side, 173 00:07:54,784 --> 00:07:56,144 Speaker 1: because she was a great in that, but she got 174 00:07:56,144 --> 00:07:58,824 Speaker 1: one of those It's Time oscars. And the reason she 175 00:07:58,864 --> 00:08:00,864 Speaker 1: got cast in this movie is that she just she 176 00:08:00,864 --> 00:08:02,664 Speaker 1: was getting sent all these scripts. She wanted to do 177 00:08:02,704 --> 00:08:05,264 Speaker 1: this big part she got sent all of these scripts 178 00:08:05,304 --> 00:08:07,944 Speaker 1: and all ship, all the women parts in Hollywood were shit. 179 00:08:08,024 --> 00:08:09,504 Speaker 1: So she called herund to her friends and she said, 180 00:08:09,544 --> 00:08:12,664 Speaker 1: is there an incredible part out there that's a male 181 00:08:12,944 --> 00:08:14,504 Speaker 1: role that we could just switch to a female and 182 00:08:14,544 --> 00:08:17,464 Speaker 1: it wouldn't affect the story. And that was Gravity. So 183 00:08:17,544 --> 00:08:19,744 Speaker 1: the movie itself, it's meant to be like a tense thriller, 184 00:08:19,744 --> 00:08:21,504 Speaker 1: and it is, but I don't think it's It's not why. 185 00:08:21,344 --> 00:08:23,464 Speaker 2: She has like a man's name in the movie. 186 00:08:23,464 --> 00:08:24,144 Speaker 1: Her name's Ryan. 187 00:08:24,344 --> 00:08:24,784 Speaker 3: Yeah. 188 00:08:25,064 --> 00:08:27,064 Speaker 2: So they just literally didn't change anything, you. 189 00:08:27,104 --> 00:08:29,424 Speaker 1: Know, They literally did no heavy lifting, which I guess 190 00:08:29,424 --> 00:08:31,424 Speaker 1: goes to show that it didn't need to be a man. 191 00:08:31,704 --> 00:08:33,224 Speaker 1: It was written for a man, but they just put 192 00:08:33,224 --> 00:08:35,464 Speaker 1: a woman in there and it was like, literally nothing changed. 193 00:08:35,824 --> 00:08:37,384 Speaker 2: Smashing glass ceilings. 194 00:08:37,064 --> 00:08:40,584 Speaker 1: Exactly, smashing glass ceilings, instilling fear and people everywhere. So 195 00:08:40,944 --> 00:08:44,064 Speaker 1: Sandra Bullock and George Clooney are these two astronauts working 196 00:08:44,064 --> 00:08:46,544 Speaker 1: on this space ship up in space. She's more of 197 00:08:46,584 --> 00:08:49,384 Speaker 1: the tech. She's there to do, like the work. He's 198 00:08:49,464 --> 00:08:53,464 Speaker 1: like the cavalier kind of cowboy astronaut who's like really 199 00:08:53,504 --> 00:08:54,704 Speaker 1: he's basically George Clooney. 200 00:08:54,824 --> 00:09:00,624 Speaker 2: He's basically like Brad Pen and. 201 00:08:59,024 --> 00:09:02,224 Speaker 1: He's like the door on the ship, this huge space junk. 202 00:09:02,304 --> 00:09:03,904 Speaker 1: This is when my space talk's going to get a 203 00:09:03,944 --> 00:09:07,744 Speaker 1: bit non technical. This huge unexpected storm of space junk 204 00:09:07,944 --> 00:09:11,624 Speaker 1: blast past them because a Russian has fired another ship 205 00:09:11,624 --> 00:09:14,104 Speaker 1: and it's put this debris everywhere, And so George and 206 00:09:14,144 --> 00:09:16,904 Speaker 1: Sandra out on a spacewalk fixing things. They get thrown 207 00:09:16,904 --> 00:09:19,984 Speaker 1: away and their entire spaceship is destroyed and all their 208 00:09:20,064 --> 00:09:23,264 Speaker 1: crew killed instantly. It's not looking good for Sandra and 209 00:09:23,264 --> 00:09:25,944 Speaker 1: George until they realize that they can get to another 210 00:09:26,024 --> 00:09:28,344 Speaker 1: spaceship that will get them home, but they don't have 211 00:09:28,384 --> 00:09:31,744 Speaker 1: any energy left in their spaceship things. So they're floating 212 00:09:31,744 --> 00:09:34,064 Speaker 1: along and as they're trying to hop onto this other 213 00:09:34,104 --> 00:09:35,864 Speaker 1: spaceship to get in there to get the shuttle back 214 00:09:35,864 --> 00:09:38,144 Speaker 1: to Earth. This is their only chance that stands between 215 00:09:38,184 --> 00:09:40,984 Speaker 1: them and death, Sandra Billocks character gets wrapped up in 216 00:09:41,064 --> 00:09:43,504 Speaker 1: the ropes that's pulling them, and then she's like, I'm 217 00:09:43,544 --> 00:09:45,944 Speaker 1: gonna have to let myself gone, and George Colooney's trying 218 00:09:45,944 --> 00:09:47,824 Speaker 1: to untangle her, and then all of a sudden he 219 00:09:47,864 --> 00:09:50,504 Speaker 1: makes this one decision and he goes to pull the 220 00:09:50,584 --> 00:09:52,864 Speaker 1: rope towards her, and then he lets go and that 221 00:09:53,024 --> 00:09:55,664 Speaker 1: shot of his hand just letting go, because that's instant 222 00:09:55,704 --> 00:09:58,024 Speaker 1: death and he's still there. But the thing is there's 223 00:09:58,024 --> 00:09:59,944 Speaker 1: no fuel left in their space shoots, so then he 224 00:10:00,064 --> 00:10:04,184 Speaker 1: is floating away, and he floats away for so long 225 00:10:04,704 --> 00:10:07,904 Speaker 1: that would be the longest, saddest death. And she's calling 226 00:10:07,904 --> 00:10:10,104 Speaker 1: out to him like say no, trying to get him back. 227 00:10:10,424 --> 00:10:13,464 Speaker 1: He's dead in many hours to come. And that has 228 00:10:13,504 --> 00:10:15,184 Speaker 1: given me a fear of being lost in space. 229 00:10:15,344 --> 00:10:17,464 Speaker 2: Yeah, it looks so scary, just. 230 00:10:17,424 --> 00:10:19,904 Speaker 1: That finality of being like that shot of his hand 231 00:10:19,984 --> 00:10:21,664 Speaker 1: letting gold of the rope and he'm floating away. 232 00:10:21,704 --> 00:10:23,664 Speaker 2: Now I'm just seeing of him where he's like a 233 00:10:23,704 --> 00:10:27,424 Speaker 2: little dot in this vast mass of blackness, and he's just. 234 00:10:27,344 --> 00:10:29,664 Speaker 1: Going to keep floating till his air runs. 235 00:10:29,704 --> 00:10:32,664 Speaker 2: Nothing you can do and rather still you can't feel, 236 00:10:33,144 --> 00:10:34,464 Speaker 2: you're just aware. 237 00:10:34,424 --> 00:10:36,704 Speaker 1: And he's trying to give her instructions to the very 238 00:10:36,744 --> 00:10:38,784 Speaker 1: last moment until he floats so far away that their 239 00:10:38,784 --> 00:10:42,624 Speaker 1: communication cuts out. And can I tell you, I know, yeah, 240 00:10:42,624 --> 00:10:43,344 Speaker 1: I would have liked. 241 00:10:43,264 --> 00:10:44,864 Speaker 2: To be one of the crew members. You don't even 242 00:10:44,904 --> 00:10:45,464 Speaker 2: know what's happening. 243 00:10:45,544 --> 00:10:49,104 Speaker 1: Yeah, it's just like Bank not George Clooney suffered for hours. 244 00:10:49,944 --> 00:10:50,824 Speaker 2: He could still be up there. 245 00:10:50,864 --> 00:10:52,744 Speaker 1: He could still be there. Well, his body is floating 246 00:10:52,784 --> 00:10:55,344 Speaker 1: around up there somewhere, So just think about that. But 247 00:10:55,984 --> 00:10:58,024 Speaker 1: I know what you're going to say, Laura, that's crazy. 248 00:10:58,224 --> 00:11:00,304 Speaker 1: You're not going to float away in space. But I 249 00:11:00,344 --> 00:11:01,984 Speaker 1: have nightmares about this, and I think about it all 250 00:11:01,984 --> 00:11:05,384 Speaker 1: the time, and it's becoming a less irrational fear and 251 00:11:05,424 --> 00:11:08,224 Speaker 1: more of a rational fear because I feel like, no, 252 00:11:08,264 --> 00:11:11,224 Speaker 1: don't don't you think tell you this, let me tell 253 00:11:11,224 --> 00:11:14,584 Speaker 1: you this before you love me. Space travel is becoming 254 00:11:15,544 --> 00:11:19,064 Speaker 1: more and more kind of part of the world. Next 255 00:11:19,144 --> 00:11:22,904 Speaker 1: Katy Perry, I'm just saying they do. They do a 256 00:11:23,024 --> 00:11:28,344 Speaker 1: media influence. I was just like, now for the media. 257 00:11:28,064 --> 00:11:32,304 Speaker 3: Girls from a music can I just say, it's not 258 00:11:33,504 --> 00:11:38,744 Speaker 3: trivial space. 259 00:11:42,384 --> 00:11:45,784 Speaker 2: Do not let go of that rope folding onto every 260 00:11:45,864 --> 00:11:46,504 Speaker 2: road in the air. 261 00:11:48,784 --> 00:11:51,304 Speaker 1: I've got my mic I've got my whole scripted front. 262 00:11:51,584 --> 00:11:54,184 Speaker 2: It'd be the one astronaut who wouldn't like under a 263 00:11:54,264 --> 00:12:02,744 Speaker 2: seatbelt you can fight around now like no, no, it's 264 00:12:02,784 --> 00:12:04,544 Speaker 2: like you basically just went out of an aeroplane. 265 00:12:06,344 --> 00:12:09,064 Speaker 1: Because I'm just saying it used to be crazy like 266 00:12:09,184 --> 00:12:11,584 Speaker 1: I didn't know anyone who went to space. I've met 267 00:12:11,664 --> 00:12:14,464 Speaker 1: Katy Perry. 268 00:12:14,944 --> 00:12:15,424 Speaker 2: Space. 269 00:12:15,984 --> 00:12:18,904 Speaker 1: I met Katy Perry. Katy Perry went to space. Space 270 00:12:19,024 --> 00:12:19,984 Speaker 1: tourism is happening. 271 00:12:20,384 --> 00:12:20,544 Speaker 3: You know. 272 00:12:21,424 --> 00:12:23,344 Speaker 1: You know what's going to happen next, a media for Mill, 273 00:12:23,424 --> 00:12:25,064 Speaker 1: which is what we go and where you go and 274 00:12:25,184 --> 00:12:28,984 Speaker 1: experience something to write about it. This company, you're. 275 00:12:28,904 --> 00:12:29,664 Speaker 2: Going to write about the. 276 00:12:33,144 --> 00:12:35,624 Speaker 1: Masks not out of the realm of possibility than in 277 00:12:35,624 --> 00:12:37,464 Speaker 1: ten years. I'm sitting at my desk at Mama Mirea 278 00:12:37,464 --> 00:12:39,944 Speaker 1: because I'm still here doing this job, and someone taps 279 00:12:39,944 --> 00:12:42,504 Speaker 1: it on the shoulder like Hailraa. We've got this client. 280 00:12:43,064 --> 00:12:46,664 Speaker 1: It's Space, It's Space, it's Spaceos. They're doing a media 281 00:12:46,704 --> 00:12:48,424 Speaker 1: for mill like they want to you know, women have 282 00:12:48,504 --> 00:12:51,064 Speaker 1: the spending power. We know that Mamma Mia speaks to women. 283 00:12:51,424 --> 00:12:53,344 Speaker 1: The spill speaks to women. Will you go in like, 284 00:12:53,424 --> 00:12:55,624 Speaker 1: go up in space. It's totally fine. Katy Perry did it. 285 00:12:55,664 --> 00:12:57,584 Speaker 1: Every Celebri's done it. By the next one, I'm up 286 00:12:57,584 --> 00:12:58,064 Speaker 1: in space. 287 00:12:58,584 --> 00:13:00,704 Speaker 2: And it's like, when you please include a saturin mention 288 00:13:02,464 --> 00:13:04,064 Speaker 2: Saturday from a good pr right now? 289 00:13:04,144 --> 00:13:07,144 Speaker 1: Yeah, please just pop in a few like Mars mentions 290 00:13:07,144 --> 00:13:09,344 Speaker 1: a Satin mentioned Polutos like back, he's. 291 00:13:09,184 --> 00:13:12,344 Speaker 2: A planet again to come back, but make it sound natural. 292 00:13:18,304 --> 00:13:20,344 Speaker 2: Did not mention gravity. 293 00:13:21,504 --> 00:13:25,664 Speaker 1: Gravity has done bad My no goes. It's just like gravity, 294 00:13:26,304 --> 00:13:30,544 Speaker 1: some of them the Alien franchise, Alien Franchise movies and 295 00:13:30,624 --> 00:13:35,184 Speaker 1: TV shows. I'm trying to get audition to space. So 296 00:13:35,864 --> 00:13:38,064 Speaker 1: now I love the movie Gravity, but I can't watch 297 00:13:38,064 --> 00:13:40,344 Speaker 1: it again because I'm so worried about those nightmares, which 298 00:13:40,384 --> 00:13:43,824 Speaker 1: are just intensifying as space moves closer and closer and 299 00:13:43,824 --> 00:13:45,944 Speaker 1: closer to me in a career way. 300 00:13:46,104 --> 00:13:50,664 Speaker 2: Oh my god, I love that so much. That's so funny. Okay, Okay, 301 00:13:50,904 --> 00:13:52,744 Speaker 2: my next one house of wax? 302 00:13:53,104 --> 00:13:56,584 Speaker 1: What house of wax? Oh? House of wax? Okay, I 303 00:13:56,584 --> 00:13:59,864 Speaker 1: didn't know what you think. I don't know, said Hassleback. 304 00:13:59,864 --> 00:14:03,184 Speaker 1: I'm like, well, like the American commentator, she's terrifying. Yeah, 305 00:14:03,184 --> 00:14:05,304 Speaker 1: Elizabeth Hasselback of WA. 306 00:14:05,384 --> 00:14:08,144 Speaker 2: Yeah, gave me a fear that still runs through today 307 00:14:08,184 --> 00:14:08,664 Speaker 2: of madam. 308 00:14:11,664 --> 00:14:13,744 Speaker 1: I fear of Chad Michael Murray. 309 00:14:15,504 --> 00:14:21,744 Speaker 2: Pals acting, Oh my god, there's a Madam to swords 310 00:14:21,784 --> 00:14:23,784 Speaker 2: near where we live in Darling Harbor. 311 00:14:23,904 --> 00:14:25,504 Speaker 1: I've ever been? Have you been? Should we do? 312 00:14:25,584 --> 00:14:25,864 Speaker 2: Like? 313 00:14:25,864 --> 00:14:29,984 Speaker 1: Like? Of course, should we do like a fear conversion, like. 314 00:14:29,944 --> 00:14:32,464 Speaker 2: We'll go in because you know what when you walk past, 315 00:14:32,504 --> 00:14:34,704 Speaker 2: because they don't have blind so they keep it like 316 00:14:34,784 --> 00:14:37,704 Speaker 2: open so you can see in. And the first people 317 00:14:37,744 --> 00:14:39,944 Speaker 2: you see is mean marry Oh my god. 318 00:14:40,504 --> 00:14:43,224 Speaker 1: They look nothing like making So if anyone doesn't know, 319 00:14:43,264 --> 00:14:45,384 Speaker 1: Madame Chords is like a thing around the world, right, 320 00:14:45,504 --> 00:14:46,664 Speaker 1: it's been a big tourist trap. 321 00:14:46,704 --> 00:14:49,664 Speaker 2: It's a big of tourist trap. It's like these big 322 00:14:49,704 --> 00:14:52,184 Speaker 2: wax figures of celebrities and they're meant to be super 323 00:14:52,224 --> 00:14:56,424 Speaker 2: super lifelike. When we got to Australia, some low right now, 324 00:14:56,624 --> 00:14:58,704 Speaker 2: because one in New York is pretty good and I 325 00:14:58,704 --> 00:15:00,824 Speaker 2: went to that one before I watched Chowser Wax. Yeah, 326 00:15:01,264 --> 00:15:03,544 Speaker 2: the ones I've been other places. 327 00:15:03,704 --> 00:15:05,744 Speaker 1: The Sydney Wance like they just poured it into like a. 328 00:15:05,704 --> 00:15:10,224 Speaker 2: Te so house of wax. The movie does have that, 329 00:15:10,464 --> 00:15:13,184 Speaker 2: Chad Michael Murray and Paris Hilton. It's about these group 330 00:15:13,224 --> 00:15:15,784 Speaker 2: of friends who are on their way to a football match. 331 00:15:15,984 --> 00:15:19,824 Speaker 2: They get stranded, their class break down, and all that's 332 00:15:19,864 --> 00:15:23,184 Speaker 2: in that town is this big wax museum that's run 333 00:15:23,224 --> 00:15:28,304 Speaker 2: by two evil brothers and it is so so scary. 334 00:15:28,344 --> 00:15:30,384 Speaker 2: The way they kill them is by pouring hot wax 335 00:15:30,424 --> 00:15:32,784 Speaker 2: on them. And they go into the wax museum and 336 00:15:32,784 --> 00:15:34,504 Speaker 2: they're like, oh, these wax figures look real, and then 337 00:15:34,504 --> 00:15:36,984 Speaker 2: they're like, wait, I think these are. 338 00:15:36,944 --> 00:15:40,984 Speaker 1: People, And I was like what, Yeah, they're people that 339 00:15:41,064 --> 00:15:43,784 Speaker 1: have been killed horribly and then preserved from all time 340 00:15:43,824 --> 00:15:47,264 Speaker 1: in their waxident. But for people, yeah, no spoilers. Some 341 00:15:47,304 --> 00:15:50,704 Speaker 1: of the characters get turned into wax. That scene where 342 00:15:51,024 --> 00:15:54,184 Speaker 1: the Gilmore Girls guy, the Supernatural actor, Yeah, Darry Poljecia, 343 00:15:54,144 --> 00:15:56,744 Speaker 1: I guess we'll spoil it's been for twenty it's just 344 00:15:56,744 --> 00:15:59,424 Speaker 1: been after for twenty years. The other day, Paris Hilton 345 00:15:59,464 --> 00:16:01,704 Speaker 1: commenting on it, Oh my god, that scene where they're 346 00:16:01,704 --> 00:16:05,824 Speaker 1: like cut his face open, yeah, because he's still alive 347 00:16:05,864 --> 00:16:07,864 Speaker 1: the whole time they're making him to a wax statue. 348 00:16:07,944 --> 00:16:09,744 Speaker 2: I think it's parasitallicon where they pull wax on her 349 00:16:09,784 --> 00:16:12,304 Speaker 2: and she's like and then she's stop screaming, she's done. 350 00:16:12,504 --> 00:16:15,064 Speaker 1: Yeah, and she gets the oh yeah, the arrow through 351 00:16:15,104 --> 00:16:18,024 Speaker 1: the head. Yeah. Oh. It is a gruesome movie that 352 00:16:18,184 --> 00:16:21,104 Speaker 1: was peak like slasher period. I love that, and that 353 00:16:21,224 --> 00:16:24,064 Speaker 1: gives you a fear of so many things. Going on 354 00:16:24,104 --> 00:16:26,104 Speaker 1: a road trip with a sibling and a boyfriend. Yeah, 355 00:16:26,224 --> 00:16:26,784 Speaker 1: that's what they do. 356 00:16:27,024 --> 00:16:28,224 Speaker 2: Bad idea, bad idea. 357 00:16:28,384 --> 00:16:31,544 Speaker 1: Small towns, small towns, two brothers, two brothers. Well there's 358 00:16:31,544 --> 00:16:32,504 Speaker 1: a hidden brother at the end. 359 00:16:32,544 --> 00:16:35,264 Speaker 2: Remember what don't know? 360 00:16:35,424 --> 00:16:39,864 Speaker 1: Don't two brothers? Huge fear small town locals, locals, local 361 00:16:39,904 --> 00:16:45,784 Speaker 1: businesses and wax wax and small business Madam, don't support 362 00:16:45,824 --> 00:16:48,624 Speaker 1: small don't support small businesses because they're clearly in the 363 00:16:48,704 --> 00:16:54,024 Speaker 1: wax industry handles out family owned businesses. God, sorry, too dangerous, 364 00:16:54,504 --> 00:16:57,144 Speaker 1: bringing capitalism. I don't think a capitalism tries to turn 365 00:16:57,184 --> 00:16:58,464 Speaker 1: you into a finey wax statue. 366 00:16:58,664 --> 00:17:00,824 Speaker 2: That's mine, Madame de Sword's okay. 367 00:17:01,104 --> 00:17:03,584 Speaker 1: Later, Well, since you do that, I'll do a horror 368 00:17:03,624 --> 00:17:05,144 Speaker 1: movie as well, which we weren't going to do because 369 00:17:05,144 --> 00:17:06,864 Speaker 1: the hips horror movies. I give you a fear of, like, 370 00:17:07,384 --> 00:17:09,144 Speaker 1: you know, like a stranger coming to your house and 371 00:17:09,264 --> 00:17:12,104 Speaker 1: killing you, or a slasher, or like some sort of 372 00:17:12,224 --> 00:17:14,464 Speaker 1: magical thing happening. There's lots of those kind of ones. 373 00:17:15,024 --> 00:17:17,624 Speaker 1: But this is a real problem every day for me. 374 00:17:17,744 --> 00:17:19,504 Speaker 1: Every day I live with this because you know, I 375 00:17:19,624 --> 00:17:23,144 Speaker 1: love showering, I love cleanliness, I love shower I love 376 00:17:23,224 --> 00:17:27,464 Speaker 1: being clean of hand sanitizer. I love soap, I love water, 377 00:17:28,064 --> 00:17:31,464 Speaker 1: but I'm scared of the bathroom because a lot of 378 00:17:31,664 --> 00:17:35,184 Speaker 1: terrible things have happened in horror movies and bathrooms. But 379 00:17:35,264 --> 00:17:36,984 Speaker 1: I want to talk more about like one of the 380 00:17:37,104 --> 00:17:43,864 Speaker 1: ultimate slashes psychological thrillers, Psycho. Psycho. Yeah, well, this is 381 00:17:43,904 --> 00:17:46,304 Speaker 1: the famous scene from it, Like there's like the movie 382 00:17:46,344 --> 00:17:48,224 Speaker 1: itself is very famous, but I remember watching it. I 383 00:17:48,264 --> 00:17:50,664 Speaker 1: watched as a teenager. I saved up some of my 384 00:17:50,704 --> 00:17:52,624 Speaker 1: money from Kmart and I took my back down to 385 00:17:52,664 --> 00:17:55,064 Speaker 1: the video store. I rented some DVDs because I'm gonna 386 00:17:55,064 --> 00:17:56,744 Speaker 1: get into horror. I'm going to get into movies. I 387 00:17:56,864 --> 00:17:58,664 Speaker 1: rented Psycho. I was like fourteen, because I was like, 388 00:17:58,744 --> 00:18:01,184 Speaker 1: that's the movie that people watch. Watched it in broad 389 00:18:01,264 --> 00:18:03,544 Speaker 1: daylight while all my family was out. I was so 390 00:18:03,984 --> 00:18:06,544 Speaker 1: terrified by that final scene where he's rocking. I'm gonna 391 00:18:06,544 --> 00:18:08,184 Speaker 1: give spoilers away because it's one of the best plot 392 00:18:08,184 --> 00:18:10,264 Speaker 1: twists in the world. But there's someone who looks in 393 00:18:10,464 --> 00:18:12,424 Speaker 1: the camera and smiles again, smiling. 394 00:18:12,624 --> 00:18:12,784 Speaker 3: Yeah. 395 00:18:13,784 --> 00:18:16,184 Speaker 1: And I was so terrified that at three o'clock in 396 00:18:16,224 --> 00:18:17,704 Speaker 1: the afternoon, I couldn't even be in the house. I 397 00:18:17,744 --> 00:18:19,384 Speaker 1: was too freaked out. So I went and sat in 398 00:18:19,424 --> 00:18:21,304 Speaker 1: the front yard in the sunlight and waited for my 399 00:18:21,344 --> 00:18:22,104 Speaker 1: family to come home. 400 00:18:22,304 --> 00:18:23,944 Speaker 2: Nothing bad happens in the sun Yeah. 401 00:18:23,904 --> 00:18:24,944 Speaker 1: Well I do want to be in the house. 402 00:18:25,024 --> 00:18:27,344 Speaker 2: Yeah, where the bathroom was. 403 00:18:27,504 --> 00:18:30,424 Speaker 1: So the reason is that. So the lead actresses Janetly, 404 00:18:30,904 --> 00:18:33,744 Speaker 1: and she's playing this woman called Marian who steals some money. 405 00:18:33,824 --> 00:18:35,344 Speaker 1: So she did a bad thing, but she didn't deserve 406 00:18:35,344 --> 00:18:37,344 Speaker 1: to die. Stole some money so that her boyfriend would 407 00:18:37,344 --> 00:18:39,744 Speaker 1: marry her. This is also a cautionary tale against marriage, 408 00:18:39,784 --> 00:18:41,384 Speaker 1: love and relationships. 409 00:18:40,864 --> 00:18:41,544 Speaker 2: And stealing money. 410 00:18:41,704 --> 00:18:47,024 Speaker 1: Yeah. Marriage. And she goes to this tire little hotel 411 00:18:47,464 --> 00:18:49,304 Speaker 1: and she's going to take the money back. The next day, 412 00:18:49,384 --> 00:18:51,344 Speaker 1: she feels bad for stealing. But while she's in the 413 00:18:51,384 --> 00:18:52,984 Speaker 1: totel room, she goes to the shower. She's having a 414 00:18:53,064 --> 00:18:55,544 Speaker 1: nice relaxing shower. It's meant to be warm and relaxing 415 00:18:55,584 --> 00:18:57,984 Speaker 1: and lovely, and then she turns around, screams, and she 416 00:18:58,064 --> 00:19:01,664 Speaker 1: gets stabbed to death in the shower. And that was 417 00:19:01,704 --> 00:19:04,784 Speaker 1: a very deliberate thing from Alfred Hitchcock because he and 418 00:19:04,904 --> 00:19:07,904 Speaker 1: his team were like, where do women in particular, but 419 00:19:07,904 --> 00:19:10,704 Speaker 1: where do people feel the most vulnerable? And they just 420 00:19:10,744 --> 00:19:13,984 Speaker 1: got that in and realizing what's exactly, and now you think, 421 00:19:14,064 --> 00:19:15,664 Speaker 1: sorry to everyone who's listening to this. Now you think 422 00:19:15,704 --> 00:19:17,384 Speaker 1: about that every time you get into the shower, because 423 00:19:17,544 --> 00:19:21,984 Speaker 1: you're going into an enclosed room, mostly alone. You're standing 424 00:19:22,064 --> 00:19:24,784 Speaker 1: in a tiny, enclosed space from which you cannot escape. 425 00:19:25,104 --> 00:19:27,904 Speaker 1: You've often got your eyes closed, naked back to the door, 426 00:19:27,984 --> 00:19:30,704 Speaker 1: and you're naked, and you usually don't have a phone. 427 00:19:30,704 --> 00:19:33,144 Speaker 1: Everything around you there's water, so people are less likely 428 00:19:33,224 --> 00:19:35,704 Speaker 1: to hear you scream. You're in a confined space. And 429 00:19:35,904 --> 00:19:37,624 Speaker 1: so even now when I go into the shower, I 430 00:19:37,824 --> 00:19:40,424 Speaker 1: can't have my back to the door. And I live alone, 431 00:19:40,504 --> 00:19:42,064 Speaker 1: so I do check that the doors or lots before 432 00:19:42,104 --> 00:19:44,864 Speaker 1: I shower, but I have a defensive shower, so I'm watching. 433 00:19:44,944 --> 00:19:46,184 Speaker 1: I don't put my head into the water for a 434 00:19:46,224 --> 00:19:47,744 Speaker 1: long time. I don't put my back to the door. 435 00:19:48,224 --> 00:19:49,624 Speaker 1: I know where my phone is, I know where my 436 00:19:49,704 --> 00:19:50,064 Speaker 1: keys are. 437 00:19:50,544 --> 00:19:52,904 Speaker 2: It's actually like, no, I think that fear is so 438 00:19:53,104 --> 00:19:56,704 Speaker 2: valid because I feel like Psycho made a full cultural 439 00:19:56,864 --> 00:19:59,984 Speaker 2: shift with that scene. Because I don't know a single 440 00:20:00,064 --> 00:20:04,584 Speaker 2: person now who showers facing the faucet. Everyone always turns around. 441 00:20:04,584 --> 00:20:06,224 Speaker 1: So do you have a death wish? You if you 442 00:20:06,344 --> 00:20:07,184 Speaker 1: shower facing. 443 00:20:07,584 --> 00:20:10,224 Speaker 2: And watch Psycho, you know that scene. You know what 444 00:20:10,384 --> 00:20:11,304 Speaker 2: happens when you face the. 445 00:20:11,304 --> 00:20:12,744 Speaker 1: Shower, and then once you get out of the shower, 446 00:20:12,824 --> 00:20:14,624 Speaker 1: then you've got the mirror, and everyone knows that the 447 00:20:14,704 --> 00:20:16,024 Speaker 1: mirror is also trying to kill you. 448 00:20:16,424 --> 00:20:18,024 Speaker 2: Cab it in mirror. If you open it, you can't 449 00:20:18,024 --> 00:20:18,504 Speaker 2: close it again. 450 00:20:18,664 --> 00:20:20,064 Speaker 1: You can't close it again because there'll be a serial 451 00:20:20,104 --> 00:20:22,544 Speaker 1: killed behind you and your ghost. And you also can't 452 00:20:22,584 --> 00:20:24,384 Speaker 1: put your head down and like wash your hands then 453 00:20:24,424 --> 00:20:26,744 Speaker 1: put your head up. That's when the killer appears when 454 00:20:26,744 --> 00:20:28,944 Speaker 1: you're looking. So now I can't use my bathroom mirror. 455 00:20:29,224 --> 00:20:31,184 Speaker 1: I've got a back out of there, I can't turn 456 00:20:31,224 --> 00:20:33,304 Speaker 1: the lights on it off, and I can't shower. I'm 457 00:20:33,344 --> 00:20:34,544 Speaker 1: in a really bad spot here. 458 00:20:35,784 --> 00:20:37,624 Speaker 2: Okay, yeah, okay, that's valid. That's bad. 459 00:20:37,744 --> 00:20:37,984 Speaker 1: Thank you. 460 00:20:39,904 --> 00:20:43,504 Speaker 2: Okay, my last one. Okay, I was so nervous to 461 00:20:43,544 --> 00:20:45,224 Speaker 2: put this one in because I know people will make 462 00:20:45,304 --> 00:20:48,624 Speaker 2: fun of me. But it's such a true fear I 463 00:20:48,784 --> 00:20:50,984 Speaker 2: have that I feel like I started getting over it 464 00:20:51,024 --> 00:20:53,304 Speaker 2: as an adult, okay, but it's still a bit like 465 00:20:53,624 --> 00:20:56,784 Speaker 2: freaked out when I remember that it exists. One hundred 466 00:20:56,784 --> 00:21:00,704 Speaker 2: and two dumbats one and two. The sequel gave me 467 00:21:00,824 --> 00:21:03,704 Speaker 2: a fear of Big Ben. 468 00:21:05,944 --> 00:21:13,984 Speaker 1: The clock in London. Okay, Emily stopped breathing. Everyone, it's 469 00:21:14,024 --> 00:21:16,104 Speaker 1: so serciot, my god, it's big betting with the room 470 00:21:16,184 --> 00:21:16,784 Speaker 1: with us right now. 471 00:21:16,984 --> 00:21:21,024 Speaker 2: No, because Oka. Firstly, one hundred and one Damnatians came 472 00:21:21,064 --> 00:21:22,904 Speaker 2: out in nineteen ninety six, which is when I was born, 473 00:21:22,944 --> 00:21:25,864 Speaker 2: So I missed that. I was old enough to go 474 00:21:26,024 --> 00:21:28,184 Speaker 2: to the cinema to watch one hundred and two Dumatis. 475 00:21:28,224 --> 00:21:31,064 Speaker 2: So that was my first introduction to the Dalmatian universe. 476 00:21:31,384 --> 00:21:31,584 Speaker 1: Yeah. 477 00:21:32,744 --> 00:21:37,224 Speaker 2: Kuela Deville played by Glenn Close, Yeah, scared shit out 478 00:21:37,264 --> 00:21:40,624 Speaker 2: of me. So so scared because if you remember one 479 00:21:40,704 --> 00:21:42,784 Speaker 2: hundred and one Damnations, they like defeat her and then 480 00:21:42,824 --> 00:21:43,984 Speaker 2: she goes into therapy. 481 00:21:44,264 --> 00:21:46,024 Speaker 1: Oh, I should say, before you go any further, please 482 00:21:46,064 --> 00:21:49,024 Speaker 1: excuse my ignorance. I have not seen the cinematic masterpiece 483 00:21:49,064 --> 00:21:49,904 Speaker 1: that is one hundred and two. 484 00:21:50,544 --> 00:21:52,944 Speaker 2: Let me tell you, you'll fear for your life. 485 00:21:53,024 --> 00:21:53,144 Speaker 1: Oh. 486 00:21:53,584 --> 00:21:57,904 Speaker 2: So, one hundred and two Dumbatians starts off with Kuela 487 00:21:57,944 --> 00:22:01,144 Speaker 2: Deville in rehab. She's going through somebody, she's going through 488 00:22:01,224 --> 00:22:04,384 Speaker 2: some movie. She's going through some therapy to help her 489 00:22:04,704 --> 00:22:07,984 Speaker 2: get over her hatred of Dalmatian dogs. So it opens 490 00:22:08,104 --> 00:22:11,344 Speaker 2: up with her in like this psychoatic unit where she's 491 00:22:11,384 --> 00:22:14,264 Speaker 2: like in this room and she's covered in all of 492 00:22:14,344 --> 00:22:16,704 Speaker 2: these Dalmation puppies. So we're licking her and playing with her, 493 00:22:16,744 --> 00:22:19,984 Speaker 2: and she's loving them. She's laughing, she's having the best time. 494 00:22:20,544 --> 00:22:23,464 Speaker 2: But she's been conditioned to now love Dalmatians and she's 495 00:22:23,544 --> 00:22:26,864 Speaker 2: like such a good person, she loves Dalmatians. But there's 496 00:22:26,904 --> 00:22:29,744 Speaker 2: something wrong with this condition. Yeah, she goes out on 497 00:22:29,824 --> 00:22:34,584 Speaker 2: the streets of London. Yeah, Big Ben strikes. Her face changes, 498 00:22:35,464 --> 00:22:39,304 Speaker 2: Big Ben strikes again. Her face changes again, Big Ben 499 00:22:39,424 --> 00:22:42,744 Speaker 2: strikes again. She's now back to the original Corolla Deville. 500 00:22:43,144 --> 00:22:44,744 Speaker 1: So well, like the sound sound of. 501 00:22:44,864 --> 00:22:48,304 Speaker 2: Big Ben just completely undid all that work of her. 502 00:22:49,464 --> 00:22:50,384 Speaker 2: The power of sound. 503 00:22:50,624 --> 00:22:55,024 Speaker 1: Okay, it's sound. I don't want to say. When I was. 504 00:22:56,544 --> 00:22:59,224 Speaker 2: I watched that in cinema, I was like, no, not 505 00:22:59,424 --> 00:22:59,904 Speaker 2: big Ben. 506 00:23:00,704 --> 00:23:03,184 Speaker 1: Not Big Ben. The one beacon in safety we had. 507 00:23:03,344 --> 00:23:07,744 Speaker 2: Four years afterwards. Any type of bell, noise or sound 508 00:23:07,904 --> 00:23:16,504 Speaker 2: of photos like sent me into a as like a child. 509 00:23:17,624 --> 00:23:22,544 Speaker 1: I couldn't cope with Ben Ben, anything, anything big anyone 510 00:23:23,064 --> 00:23:27,864 Speaker 1: called Ben. Churches and churches if Emily doesn't come to 511 00:23:27,904 --> 00:23:30,464 Speaker 1: your wedding. Oh, if your name's Ben, don't. 512 00:23:30,264 --> 00:23:33,824 Speaker 2: Take it to bell at your wedding. Consider me uninvited. 513 00:23:34,824 --> 00:23:37,104 Speaker 1: Okay, have you what did you do when you went 514 00:23:37,144 --> 00:23:39,184 Speaker 1: to London? That's an ado. You've been to London. 515 00:23:39,544 --> 00:23:41,864 Speaker 2: Yeah, I had been to London and I saw Big Ben. 516 00:23:42,264 --> 00:23:44,504 Speaker 2: I didn't do the tour my parents at the tour. 517 00:23:44,664 --> 00:23:45,424 Speaker 2: You had to not go. 518 00:23:45,584 --> 00:23:46,264 Speaker 3: Yeah, I was. 519 00:23:46,424 --> 00:23:48,464 Speaker 2: I'm not even joking, guys, I was like twenty one, when. 520 00:23:49,544 --> 00:23:51,184 Speaker 1: Everyone's likely you were ten years old. 521 00:23:51,384 --> 00:23:53,184 Speaker 2: No, no, no, no, no, that's twenty one when I 522 00:23:53,224 --> 00:23:55,664 Speaker 2: went to see Big Ben. I feel like I'm glad 523 00:23:55,664 --> 00:23:57,784 Speaker 2: I've been exposed to Big Ben. I feel like I 524 00:23:57,944 --> 00:23:58,304 Speaker 2: needed that. 525 00:23:58,664 --> 00:24:01,104 Speaker 1: Otherwise it would have been as looming fear always in 526 00:24:01,184 --> 00:24:02,984 Speaker 1: your mind. Now you're like, I've seen it. I've looked 527 00:24:02,984 --> 00:24:04,864 Speaker 1: into the eyes of Big Ben and I trembled. But 528 00:24:04,944 --> 00:24:05,264 Speaker 1: I did it. 529 00:24:05,544 --> 00:24:07,584 Speaker 2: Oh my god. It also gave me a fear of 530 00:24:07,664 --> 00:24:08,704 Speaker 2: women who die there. 531 00:24:10,064 --> 00:24:12,784 Speaker 1: Because gun Closes has got half Cola Deville, half black 532 00:24:12,824 --> 00:24:13,504 Speaker 1: and half white. 533 00:24:14,384 --> 00:24:18,304 Speaker 2: My mom couldn't die her parents, she couldn't cover up 534 00:24:18,344 --> 00:24:21,584 Speaker 2: the white. She had to do it in private. Oh 535 00:24:21,664 --> 00:24:26,024 Speaker 2: my god, I would freak out Corola Deville like Glenn Close, 536 00:24:26,464 --> 00:24:29,304 Speaker 2: amazing actress. Oh my god, she did things to me 537 00:24:29,344 --> 00:24:31,344 Speaker 2: as a kid that I was like, I can't get past. 538 00:24:31,464 --> 00:24:33,184 Speaker 1: Did you have a dog growing up? No? 539 00:24:33,304 --> 00:24:35,304 Speaker 2: I got my dog's way after so you went. 540 00:24:35,424 --> 00:24:35,944 Speaker 1: What would know? 541 00:24:36,024 --> 00:24:36,944 Speaker 2: I wasn't scared of dogs? 542 00:24:37,344 --> 00:24:38,824 Speaker 1: No, no, I no, no. But I thought, because the 543 00:24:38,864 --> 00:24:41,784 Speaker 1: whole thing about Glen Close, I was just scared of Close. 544 00:24:42,184 --> 00:24:45,544 Speaker 1: I think Ben, what Big Ben did to Glenn Close. 545 00:24:46,584 --> 00:24:48,304 Speaker 1: I mean, it's something we don't talk about enough in 546 00:24:48,344 --> 00:24:50,624 Speaker 1: pop culture. No, I thought you'd be scared because Corolla 547 00:24:50,664 --> 00:24:52,304 Speaker 1: Devill would come and take your dogs away. But there 548 00:24:52,344 --> 00:24:52,824 Speaker 1: were no dogs. 549 00:24:53,144 --> 00:24:54,984 Speaker 2: But I was scared you would take me away. Sure 550 00:24:55,224 --> 00:24:58,544 Speaker 2: it was you speak a Wikipedia description of one hundred 551 00:24:58,544 --> 00:25:01,464 Speaker 2: and two dombations. Please, I feel like it understands my fear. Okay, 552 00:25:01,704 --> 00:25:05,504 Speaker 2: it says Kroella transforms into a good woman after she 553 00:25:05,664 --> 00:25:11,664 Speaker 2: leaves prison. However, the sound of Big Ben, the sounded 554 00:25:11,744 --> 00:25:14,424 Speaker 2: Big Ben, causes her to go back to a devious way, 555 00:25:14,864 --> 00:25:17,424 Speaker 2: and she decides to kidnap one hundred and two dumbation. 556 00:25:17,824 --> 00:25:20,504 Speaker 2: He's for a new coat, just so that they. 557 00:25:20,504 --> 00:25:23,144 Speaker 1: Knew she's serious this time. I mean, look, I understand 558 00:25:24,664 --> 00:25:27,264 Speaker 1: the sound of big bed. It's in Wikipedia, so it's true. 559 00:25:27,664 --> 00:25:30,624 Speaker 1: It happened. My god, people have irrational fears of stuff, 560 00:25:30,624 --> 00:25:32,504 Speaker 1: And can I say I understand because if you're gonna 561 00:25:32,584 --> 00:25:35,824 Speaker 1: kill a puppy, you'd kill a child exactly, Like it's 562 00:25:35,904 --> 00:25:37,664 Speaker 1: not that big of a jump. No, no, no, no, no, 563 00:25:37,824 --> 00:25:39,744 Speaker 1: So one hundred and three damatians did they ever make that? 564 00:25:40,104 --> 00:25:41,424 Speaker 1: Like that would have been the next step? 565 00:25:41,544 --> 00:25:44,064 Speaker 2: Watch out, watch out? She could have catched me in that. 566 00:25:44,264 --> 00:25:46,664 Speaker 1: She would have brought another landmarks the Eiffel Tower. 567 00:25:46,424 --> 00:25:49,264 Speaker 2: Against tickets two one hundred and three dumbations like count 568 00:25:49,384 --> 00:25:49,784 Speaker 2: me out. 569 00:25:50,104 --> 00:25:53,504 Speaker 1: No. Also, nothing scares you like things you've see in 570 00:25:53,544 --> 00:25:55,384 Speaker 1: your childhood. I don't even talk about the movies that 571 00:25:55,464 --> 00:25:57,064 Speaker 1: scared me my childhood, Like I don't even say them 572 00:25:57,064 --> 00:25:58,784 Speaker 1: out loud, because like it's still too much of a 573 00:25:58,864 --> 00:25:59,344 Speaker 1: real fear. 574 00:25:59,544 --> 00:26:01,504 Speaker 2: It's so scary. Like there's some things I wouldn't do, 575 00:26:01,664 --> 00:26:03,224 Speaker 2: Like if you ever asked me if I wanted to 576 00:26:03,264 --> 00:26:04,864 Speaker 2: interview gun clothes, I'd be like hard, No. 577 00:26:05,184 --> 00:26:07,824 Speaker 1: I understand, because I feel like she hates me the well. No, no, 578 00:26:07,904 --> 00:26:10,144 Speaker 1: the actress who scared me in my childhood from a 579 00:26:10,184 --> 00:26:13,704 Speaker 1: movie is unfortunately still alive and still acting, And anytime 580 00:26:13,704 --> 00:26:15,264 Speaker 1: I see her at anything, I'm just like, get that 581 00:26:15,344 --> 00:26:17,664 Speaker 1: woman away from me, just like her face terrifies me. 582 00:26:18,104 --> 00:26:18,504 Speaker 3: Who is it? 583 00:26:19,224 --> 00:26:25,864 Speaker 1: Angel Right, She's not the most scary person you've ever seen, Loud, 584 00:26:25,864 --> 00:26:28,264 Speaker 1: I don't want she is scary. I exist scared. I 585 00:26:28,264 --> 00:26:29,984 Speaker 1: won't even interview people who are in movies with her. 586 00:26:30,424 --> 00:26:32,304 Speaker 1: I can't, they can't. I kind of like Katie Perry 587 00:26:32,304 --> 00:26:34,104 Speaker 1: and I link through space, not being linked to Angelica 588 00:26:34,184 --> 00:26:38,784 Speaker 1: Houston anyway. I kind of watch ever After its favorite movie. Anyway. Well, 589 00:26:38,784 --> 00:26:40,504 Speaker 1: I feel like I'm ending us on a bad note 590 00:26:40,584 --> 00:26:42,584 Speaker 1: now because I wanted to bring up a movie that 591 00:26:42,624 --> 00:26:44,464 Speaker 1: has appeared on this podcast before, because it's one of 592 00:26:44,504 --> 00:26:46,024 Speaker 1: my favorite movies of all all time? 593 00:26:46,184 --> 00:26:47,064 Speaker 2: Is it Jurassic Park? 594 00:26:47,304 --> 00:26:49,264 Speaker 1: No, that's your favorite movie? And I wish you wouldn't 595 00:26:49,264 --> 00:26:49,664 Speaker 1: bring it up? 596 00:26:51,144 --> 00:26:52,064 Speaker 2: How many times can I bring? 597 00:26:53,744 --> 00:26:55,824 Speaker 1: Too many times? I wouldn't normally repeat. But this movie 598 00:26:55,904 --> 00:26:59,104 Speaker 1: did give me a fear of misunderstanding or romantic situation, 599 00:26:59,544 --> 00:27:03,104 Speaker 1: something that I live I live in fear of. It's 600 00:27:03,224 --> 00:27:04,224 Speaker 1: under the Tuscan sun. 601 00:27:04,504 --> 00:27:06,064 Speaker 2: Oh you love this love. 602 00:27:07,104 --> 00:27:09,104 Speaker 1: I last talked about it actually just a year ago 603 00:27:09,184 --> 00:27:11,784 Speaker 1: before I went to Europe. I talked about it as 604 00:27:12,024 --> 00:27:15,104 Speaker 1: all the movies. It's a beautiful movie. I also watched 605 00:27:15,144 --> 00:27:16,624 Speaker 1: it while I was in Rome last year. I just 606 00:27:16,704 --> 00:27:18,824 Speaker 1: had like in my little hotel room one night after 607 00:27:18,864 --> 00:27:21,544 Speaker 1: I'd been out dancing at a piazza. But that's it 608 00:27:21,744 --> 00:27:25,824 Speaker 1: is the most beautiful movie. It's Diane Lane and she 609 00:27:26,224 --> 00:27:29,664 Speaker 1: has this terrible breakup, and so her friends, who were 610 00:27:29,704 --> 00:27:32,584 Speaker 1: played by Sandra Ow and Kate Walsh from Gray's Anatomy, 611 00:27:32,664 --> 00:27:35,304 Speaker 1: but this is pre Gray's Anatomy, and they're a lesbian couple. 612 00:27:35,384 --> 00:27:37,584 Speaker 1: They've just found out that Sandro's character is pregnant, so 613 00:27:37,664 --> 00:27:40,064 Speaker 1: they had booked this holiday to Tuscany, so give it 614 00:27:40,104 --> 00:27:42,104 Speaker 1: to their dear friend Frances, because she's gone through this 615 00:27:42,224 --> 00:27:45,064 Speaker 1: terrible breakup and her husband, because she was the breadwinner, 616 00:27:45,184 --> 00:27:47,824 Speaker 1: took their house, took everything. So she goes to Tuscany. 617 00:27:47,864 --> 00:27:50,224 Speaker 1: And while she's on this bus trip through Tuscany, which 618 00:27:50,264 --> 00:27:53,824 Speaker 1: is another fear, a bus trip with randoms, another fear unlooked, 619 00:27:54,064 --> 00:27:56,464 Speaker 1: she sees this beautiful villa and she jumps off the 620 00:27:56,544 --> 00:27:59,184 Speaker 1: bus and she buys it and she starts doing it up. 621 00:27:59,544 --> 00:28:02,024 Speaker 1: So that part is beautiful. But while she's there she's 622 00:28:02,024 --> 00:28:04,504 Speaker 1: obviously wanting to meet someone she never thinks. She thinks 623 00:28:04,584 --> 00:28:07,184 Speaker 1: romances are over for her forever. And then she meets 624 00:28:07,224 --> 00:28:12,464 Speaker 1: this absolutely stunning sexy man called Marchelochello, and she and 625 00:28:12,544 --> 00:28:16,224 Speaker 1: Marcello have like a wild romantic twist, and he lives 626 00:28:16,664 --> 00:28:20,744 Speaker 1: hours away in Positano. It's the whole thing. It's a 627 00:28:20,784 --> 00:28:22,264 Speaker 1: whole thing of like she's going to go visit him 628 00:28:22,264 --> 00:28:24,904 Speaker 1: and he's going to visit her. But then Sandro arrives heavily, 629 00:28:24,944 --> 00:28:26,984 Speaker 1: heavily pregnant. Kate Walsh has left her probably to go 630 00:28:27,024 --> 00:28:29,424 Speaker 1: star on private practice, and so she has to keep 631 00:28:29,504 --> 00:28:32,064 Speaker 1: pushing Marcello every couple of months, like I can't come, 632 00:28:32,064 --> 00:28:33,824 Speaker 1: I can't come, I can't come. And all of a sudden, 633 00:28:33,864 --> 00:28:37,624 Speaker 1: once the baby arrives, she realizes that everyone here around 634 00:28:37,664 --> 00:28:40,184 Speaker 1: her has a life. Everyone, all her neighbors, the people 635 00:28:40,184 --> 00:28:42,344 Speaker 1: who are working on a house, Sandra, everyone has something. 636 00:28:42,384 --> 00:28:44,224 Speaker 1: And she's like, this is my moment. I'm going to 637 00:28:44,264 --> 00:28:47,344 Speaker 1: go to Marcello. And so he had said that he 638 00:28:47,464 --> 00:28:49,424 Speaker 1: had a dream of her months ago on a white dress. 639 00:28:49,464 --> 00:28:52,304 Speaker 1: So she goes and buys the most beautiful white dress. 640 00:28:52,544 --> 00:28:55,824 Speaker 1: She packs up all her stuff, she travels across Italy. 641 00:28:56,184 --> 00:28:58,904 Speaker 1: She gets a boat, a car, a motorbike to get 642 00:28:58,984 --> 00:29:00,944 Speaker 1: up to this little place in Positano when he lives. 643 00:29:01,224 --> 00:29:03,704 Speaker 1: She gets there and she is she sees him, and 644 00:29:03,824 --> 00:29:06,304 Speaker 1: she was like, basically, I am in love with you. 645 00:29:06,464 --> 00:29:08,904 Speaker 1: We have been waiting for so long. I can't wait 646 00:29:08,984 --> 00:29:10,224 Speaker 1: to be with you. I'm here and I'm in the 647 00:29:10,424 --> 00:29:15,464 Speaker 1: white dress. And he's like, whoa, you've really misread the situation. Yeah, 648 00:29:15,504 --> 00:29:17,304 Speaker 1: we had a thing a few months ago and it 649 00:29:17,424 --> 00:29:18,984 Speaker 1: was nice. And there's a woman in his bed in 650 00:29:19,064 --> 00:29:21,144 Speaker 1: the same room that she's come into, and he's like, 651 00:29:21,224 --> 00:29:23,624 Speaker 1: I'm so sorry, you've misread this situation. It's all in 652 00:29:23,704 --> 00:29:25,664 Speaker 1: your head and this is not a big romantic moment. 653 00:29:25,864 --> 00:29:27,704 Speaker 1: And then she has to hire tailor back to her 654 00:29:27,824 --> 00:29:32,024 Speaker 1: villa and Tuscany humiliated. And so now I live in 655 00:29:32,144 --> 00:29:34,184 Speaker 1: fear of misreading a romantic situation. 656 00:29:34,544 --> 00:29:36,424 Speaker 2: But you're not the kind of person that would do that. 657 00:29:36,824 --> 00:29:39,344 Speaker 1: No, But I'm also trying to take like big swings 658 00:29:39,384 --> 00:29:41,184 Speaker 1: in life. But now I live. Even if a guy 659 00:29:41,344 --> 00:29:43,024 Speaker 1: was standing in front of me in a room full 660 00:29:43,064 --> 00:29:44,824 Speaker 1: of flowers and candles and he held out a ring 661 00:29:44,864 --> 00:29:46,504 Speaker 1: and said, will you marry me? I said, I would 662 00:29:46,504 --> 00:29:48,184 Speaker 1: be like, I'm so sorry. Just to be super clear, 663 00:29:50,664 --> 00:29:55,584 Speaker 1: is that a ring for someone else? At the photographer? 664 00:29:55,664 --> 00:29:58,384 Speaker 1: Does he know what's going on? Like? Should we like check? 665 00:29:58,504 --> 00:30:00,144 Speaker 1: Like I wouldn't even post a photo ID check the 666 00:30:00,184 --> 00:30:02,264 Speaker 1: caption with him first, Like I live in fear of 667 00:30:02,384 --> 00:30:06,584 Speaker 1: misreading a situation romantic or otherwise. I think romantic would 668 00:30:06,624 --> 00:30:07,064 Speaker 1: be the worst. 669 00:30:07,224 --> 00:30:09,944 Speaker 2: How about what if I read all your romantic situation 670 00:30:10,024 --> 00:30:12,104 Speaker 2: please and then give you the down You think that. 671 00:30:12,104 --> 00:30:13,704 Speaker 1: I wouldn't call you if that happened, but I would 672 00:30:13,704 --> 00:30:15,624 Speaker 1: because I feel like you're really good at cutting through. 673 00:30:15,744 --> 00:30:16,224 Speaker 2: Yeah I would. 674 00:30:16,264 --> 00:30:17,304 Speaker 1: I would cutting through. 675 00:30:17,984 --> 00:30:18,544 Speaker 2: I'll tell you how. 676 00:30:18,824 --> 00:30:20,584 Speaker 1: You'd be like hmm put him on face time of 677 00:30:20,704 --> 00:30:21,984 Speaker 1: like okay, he's on my knee. You be like yeah, 678 00:30:22,024 --> 00:30:23,384 Speaker 1: show me the room and I'd be like, yeah, be 679 00:30:23,504 --> 00:30:25,664 Speaker 1: like mmm, flowers, how big is the ring? Like is 680 00:30:25,744 --> 00:30:26,224 Speaker 1: this happening? 681 00:30:26,384 --> 00:30:28,384 Speaker 2: Like I feel like your word can be tuscan Son. 682 00:30:28,704 --> 00:30:29,264 Speaker 1: Yeah. Yeah. 683 00:30:29,584 --> 00:30:31,304 Speaker 2: You'll be like is this a Tuscan Sun situat? 684 00:30:31,504 --> 00:30:33,264 Speaker 1: Yeah. I'll be like I'm so sorry, that's so nice 685 00:30:33,304 --> 00:30:37,704 Speaker 1: one second Emily tuscan Son. So that is an irrational 686 00:30:37,744 --> 00:30:39,784 Speaker 1: fear I have now of leading, even if I'm somewhere 687 00:30:39,784 --> 00:30:41,464 Speaker 1: and I get asked out. I'm just like, do you 688 00:30:41,584 --> 00:30:43,824 Speaker 1: mean like as friends? This is a networking thing? Is 689 00:30:43,864 --> 00:30:45,184 Speaker 1: it for coffee? Like? 690 00:30:45,424 --> 00:30:47,344 Speaker 2: I like that you use that example, though, because I 691 00:30:47,384 --> 00:30:51,464 Speaker 2: do feel like irrational fears do spur from pop culture 692 00:30:51,544 --> 00:30:54,024 Speaker 2: moments that you've digested and have made it like your 693 00:30:54,104 --> 00:30:57,264 Speaker 2: whole world, because you think of like every little aspect 694 00:30:57,344 --> 00:31:00,544 Speaker 2: of everything, like your favorite favorite movie, like your aic park. 695 00:31:01,104 --> 00:31:03,704 Speaker 2: You know, like every little scene, every little aspect. You 696 00:31:03,744 --> 00:31:06,144 Speaker 2: think about it over and over again. So obviously you 697 00:31:06,224 --> 00:31:08,184 Speaker 2: think about not just like the best stuff you love 698 00:31:08,224 --> 00:31:09,744 Speaker 2: about it, but also like, oh my god, imagine that 699 00:31:09,784 --> 00:31:10,224 Speaker 2: happens to me. 700 00:31:10,424 --> 00:31:12,464 Speaker 1: Imagine if that happened to me. And also it's the 701 00:31:12,504 --> 00:31:13,864 Speaker 1: part she has to go back in the friend's like, 702 00:31:14,024 --> 00:31:14,784 Speaker 1: how was it you guys? 703 00:31:14,824 --> 00:31:16,464 Speaker 2: Amom you're still wearing the white dress. 704 00:31:16,584 --> 00:31:18,904 Speaker 1: Yeah, she was still wearing the light dress. So I 705 00:31:19,024 --> 00:31:20,824 Speaker 1: live in fear. I would rather fall for Cliff in 706 00:31:20,904 --> 00:31:22,064 Speaker 1: Italy than go through that. 707 00:31:22,224 --> 00:31:24,184 Speaker 2: I die that dress and then go back. 708 00:31:25,144 --> 00:31:26,344 Speaker 1: I feel like, oh my god, God there and he 709 00:31:26,424 --> 00:31:30,504 Speaker 1: was dead and he said my name before he died. 710 00:31:30,544 --> 00:31:34,184 Speaker 1: I can't want to tell you no one needs to 711 00:31:34,224 --> 00:31:39,944 Speaker 1: go to Positano. So that keeps good. No one's asked 712 00:31:39,944 --> 00:31:40,104 Speaker 1: me to. 713 00:31:40,264 --> 00:31:42,784 Speaker 2: We're not going to we're not going to Tokyo. We're 714 00:31:42,824 --> 00:31:43,664 Speaker 2: not going to big them. 715 00:31:43,864 --> 00:31:47,744 Speaker 1: We're not going to space to space unless the brand 716 00:31:47,824 --> 00:31:48,664 Speaker 1: fee is right. I don't know. 717 00:31:48,784 --> 00:31:51,824 Speaker 2: Hey, yeah, yeah, the money, the money. 718 00:31:52,064 --> 00:31:54,224 Speaker 1: No, we're not seeing the money, and we're not showering, 719 00:31:54,624 --> 00:31:58,864 Speaker 1: and we're not trusting small family businesses. This is some 720 00:31:59,024 --> 00:32:00,704 Speaker 1: life lessons, guy, life lessons. 721 00:32:00,864 --> 00:32:01,944 Speaker 2: I hope you wrote them down. 722 00:32:02,264 --> 00:32:04,144 Speaker 1: Yeah, saying them again. Stay safe out there. 723 00:32:05,544 --> 00:32:08,264 Speaker 2: Thank you so much for listening to this episode of 724 00:32:08,384 --> 00:32:10,984 Speaker 2: This Field today. Did not forget to follow us on TikTok. 725 00:32:11,024 --> 00:32:13,464 Speaker 2: We are at the Spill podcast. The Spill is produced 726 00:32:13,464 --> 00:32:16,264 Speaker 2: by Militias Myron with sound production by Scott Stronik. We'll 727 00:32:16,304 --> 00:32:19,104 Speaker 2: be back here in your podcast feed on Monday morning 728 00:32:19,224 --> 00:32:21,664 Speaker 2: for all of our celebrity headlines with morning Tea and 729 00:32:21,744 --> 00:32:23,584 Speaker 2: then another Spill episode at three pm. 730 00:32:23,824 --> 00:32:24,544 Speaker 1: Bye bye