1 00:00:10,622 --> 00:00:13,342 Speaker 1: You're listening to a MoMA Mia podcast. 2 00:00:13,822 --> 00:00:17,182 Speaker 2: Mamma Mia acknowledges the traditional owners of land and waters 3 00:00:17,222 --> 00:00:19,022 Speaker 2: that this podcast is recorded. 4 00:00:18,662 --> 00:00:23,582 Speaker 3: On micro trend. Final Boss is basically like asking someone 5 00:00:23,622 --> 00:00:26,581 Speaker 3: who is the biggest fashion victim? Who is someone who 6 00:00:26,582 --> 00:00:28,742 Speaker 3: falls for every little trend? And it's not something you'd 7 00:00:28,742 --> 00:00:29,422 Speaker 3: be see Stoke. 8 00:00:29,342 --> 00:00:31,262 Speaker 2: It's me. I was gonna say, it's Mia and her 9 00:00:31,262 --> 00:00:31,902 Speaker 2: shoe jewelry. 10 00:00:31,902 --> 00:00:33,542 Speaker 3: What I was going to say is that there's only 11 00:00:33,582 --> 00:00:35,582 Speaker 3: one person in Australia who wouldn't have an issue with 12 00:00:35,622 --> 00:00:37,022 Speaker 3: that title, and it's Maya Friedman. 13 00:00:40,422 --> 00:00:43,342 Speaker 2: Hello, and welcome to Mamma Mia. Out Loud. It's what 14 00:00:43,382 --> 00:00:46,542 Speaker 2: women are actually talking about on Monday, the nineteenth of May. 15 00:00:46,662 --> 00:00:49,582 Speaker 1: I am Holly Waynwright, I'm Maya Friedman. 16 00:00:49,502 --> 00:00:52,022 Speaker 3: And I'm Jesse Stevens. And did you know we did 17 00:00:52,022 --> 00:00:54,942 Speaker 3: a live show on Saturday night in Sydney And did 18 00:00:54,982 --> 00:00:58,942 Speaker 3: you know that out louders flew in from Singapore. They 19 00:00:59,062 --> 00:01:04,622 Speaker 3: flew in from another country to come and see our extravaganza. 20 00:01:04,742 --> 00:01:07,662 Speaker 3: And we have not received a complaint yet from. 21 00:01:07,462 --> 00:01:11,462 Speaker 2: Them, and from New Zealand, from Tasmania and from all 22 00:01:11,542 --> 00:01:14,742 Speaker 2: over Australia. And my goodness, We had a good time, 23 00:01:14,822 --> 00:01:18,182 Speaker 2: but this Thursday night it is Melbourne's Turney you excited me. 24 00:01:18,542 --> 00:01:21,342 Speaker 1: I'm super excited. Before we start the show, though, a 25 00:01:21,382 --> 00:01:24,182 Speaker 1: special shout out to the out louder who had a 26 00:01:24,222 --> 00:01:27,301 Speaker 1: little bit of a tumble. She'd have a tumble in Sydney. 27 00:01:27,462 --> 00:01:30,462 Speaker 1: And luckily you probably don't know this, but my dear 28 00:01:30,502 --> 00:01:33,862 Speaker 1: friend Justine, who the character of Lucy is modeled on 29 00:01:34,542 --> 00:01:38,102 Speaker 1: in strife, she's a doctor and she was there with 30 00:01:38,142 --> 00:01:40,462 Speaker 1: her husband who's also a doctor, and their son, who 31 00:01:40,542 --> 00:01:43,422 Speaker 1: is a med student, and they all came to the rescue. 32 00:01:43,622 --> 00:01:46,022 Speaker 3: They did, And I think that there's a rumor going 33 00:01:46,062 --> 00:01:49,742 Speaker 3: around that she did ignore medical advice and she stayed 34 00:01:49,742 --> 00:01:52,822 Speaker 3: for it too. And that's how out louders play it, 35 00:01:53,022 --> 00:01:53,822 Speaker 3: that's how they live. 36 00:01:54,182 --> 00:01:56,302 Speaker 2: Not that we advise such things. Please follow the advice 37 00:01:56,302 --> 00:01:59,462 Speaker 2: of your doctor while enjoying out loud. But anyway, on 38 00:01:59,542 --> 00:02:04,022 Speaker 2: the show today, the podcast that started a storm about 39 00:02:04,022 --> 00:02:08,142 Speaker 2: the energy a woman's job brings into the house. Also, 40 00:02:08,302 --> 00:02:12,142 Speaker 2: while Australian Fashion Week brought the off catwalk drama and 41 00:02:12,862 --> 00:02:16,022 Speaker 2: this week Taylor Swift got served a subpoena and lost 42 00:02:16,061 --> 00:02:19,781 Speaker 2: a friend, Mia explains the latest seemingly fatal blow in 43 00:02:19,862 --> 00:02:21,982 Speaker 2: the Blake Taylor Baldoni mess. 44 00:02:22,062 --> 00:02:26,222 Speaker 1: But first, in case you missed it, the Sussexes Harry 45 00:02:26,262 --> 00:02:30,782 Speaker 1: and Meghan had the junior Beckham's Nicola and Brooklyn over 46 00:02:30,902 --> 00:02:33,822 Speaker 1: for dinner. The dinner was held last weekend or the 47 00:02:33,822 --> 00:02:38,941 Speaker 1: weekend before, timing slightly unclear, at the Sussex's Montecito residence 48 00:02:38,942 --> 00:02:42,142 Speaker 1: and was described as an intimate gathering, though it included 49 00:02:42,222 --> 00:02:46,862 Speaker 1: around twenty to twenty five guests, including many VIPs and 50 00:02:46,942 --> 00:02:51,422 Speaker 1: film executives. Brooklyn and Nicola were not apparently directly invited 51 00:02:51,422 --> 00:02:54,901 Speaker 1: by Harry and Meghan. Someone wanted to clarify to the media, 52 00:02:55,062 --> 00:02:58,262 Speaker 1: probably Harry and Meghan, but they were brought along through 53 00:02:58,342 --> 00:03:01,742 Speaker 1: mutual acquaintances, which is surely further proof that their version 54 00:03:01,742 --> 00:03:04,822 Speaker 1: of intimate when you're a celebrity is different to ours. 55 00:03:05,142 --> 00:03:07,341 Speaker 1: In other news, that could be a coincidence, Princess Kate 56 00:03:07,342 --> 00:03:11,542 Speaker 1: wore a Victoria Beckham suit to a pup engagement last week. Holly, 57 00:03:11,582 --> 00:03:13,942 Speaker 1: can you please translate for us what all this means? 58 00:03:14,222 --> 00:03:16,662 Speaker 2: Well, the reason that we're excited about this and trying 59 00:03:16,662 --> 00:03:19,862 Speaker 2: to decode it is obviously we talked about this recently 60 00:03:19,942 --> 00:03:22,942 Speaker 2: but Brooklyn Beckham appears to have been cast out of 61 00:03:22,982 --> 00:03:26,182 Speaker 2: the Beckhams a little bit. And who would have more 62 00:03:26,181 --> 00:03:29,181 Speaker 2: wisdom to impart on how to deal with an estrangement 63 00:03:29,222 --> 00:03:32,302 Speaker 2: from your high profile family than Prince Harry. So it 64 00:03:32,342 --> 00:03:34,062 Speaker 2: does seem to have been some kind of a summit. 65 00:03:34,342 --> 00:03:36,502 Speaker 2: But this is delicious and also, Meir, I love that 66 00:03:36,542 --> 00:03:38,022 Speaker 2: you brought that because it is a little bit of 67 00:03:38,022 --> 00:03:41,782 Speaker 2: a fashion this. David Beckham is a well known monarchist. 68 00:03:41,902 --> 00:03:45,022 Speaker 2: He queued up to see the Queen lying in state. 69 00:03:45,142 --> 00:03:47,222 Speaker 2: They were at both royal weddings. They were at Wills 70 00:03:47,262 --> 00:03:49,582 Speaker 2: and Kate's wedding and Harry and Meghan's wedding. He is 71 00:03:49,622 --> 00:03:54,342 Speaker 2: a big king guy, David. So it's interesting that Princess 72 00:03:54,422 --> 00:03:57,102 Speaker 2: Kate chose to wear a Victorian suit, or at least 73 00:03:57,102 --> 00:03:59,422 Speaker 2: we're all obsessed with this. But one of my favorite 74 00:03:59,422 --> 00:04:01,262 Speaker 2: details from this whole thing is, as you say, me 75 00:04:01,342 --> 00:04:05,502 Speaker 2: at the dinner was supposedly intimate and blah blah, and 76 00:04:05,542 --> 00:04:08,862 Speaker 2: who the source that told People magazine about it. There's 77 00:04:08,862 --> 00:04:11,862 Speaker 2: a clue here where the last line of that story said, 78 00:04:12,422 --> 00:04:15,302 Speaker 2: according to the source, Brooklyn and Nikola had a wonderful 79 00:04:15,382 --> 00:04:19,822 Speaker 2: time and found Harry and Meghan to be particularly kind, caring, 80 00:04:20,022 --> 00:04:25,941 Speaker 2: and generous. I think maybe that comes from within the 81 00:04:25,941 --> 00:04:26,901 Speaker 2: House of Sussex. 82 00:04:27,142 --> 00:04:28,261 Speaker 1: Follow the break cram. 83 00:04:28,301 --> 00:04:32,222 Speaker 3: Can I just say that I reckon Hidden within this 84 00:04:32,381 --> 00:04:37,342 Speaker 3: story is a profound life hack, which is you never 85 00:04:37,381 --> 00:04:41,061 Speaker 3: want to position yourself as good at having guests over. 86 00:04:41,821 --> 00:04:45,501 Speaker 3: I think the three of us have really lowered people's 87 00:04:45,541 --> 00:04:48,021 Speaker 3: expectations when it comes to coming to our home. But 88 00:04:48,061 --> 00:04:52,101 Speaker 3: when you have a Netflix series about making little moments 89 00:04:52,421 --> 00:04:55,262 Speaker 3: next to the beds of guests and putting your dried 90 00:04:55,301 --> 00:04:58,662 Speaker 3: flower pedals on things, and you cook special cakes and 91 00:04:58,702 --> 00:05:02,261 Speaker 3: you make special cocktails, the expectations are too high. I 92 00:05:02,301 --> 00:05:04,222 Speaker 3: would be having a panic attack if I was Meghan 93 00:05:04,262 --> 00:05:05,301 Speaker 3: and I had guests coming over. 94 00:05:05,582 --> 00:05:08,421 Speaker 2: It's true, how much I think your fancy depends on 95 00:05:08,462 --> 00:05:10,621 Speaker 2: whether I've peeled the four all the way off the 96 00:05:10,662 --> 00:05:12,661 Speaker 2: homeless so whether I'm leaving it on just to push 97 00:05:12,702 --> 00:05:13,462 Speaker 2: back when you've got it. 98 00:05:13,621 --> 00:05:17,502 Speaker 3: Absolutely, in case you missed it, there is a way 99 00:05:17,861 --> 00:05:21,621 Speaker 3: to gently stop someone who talks way too much. An 100 00:05:21,702 --> 00:05:24,341 Speaker 3: article in The Washington Post explains that there are lots 101 00:05:24,381 --> 00:05:27,941 Speaker 3: of reasons that a person might talk too much. Alison 102 00:05:27,981 --> 00:05:31,341 Speaker 3: woodbrooks she is an associate professor at Harvard Business School. 103 00:05:31,381 --> 00:05:33,702 Speaker 3: She was interviewed in this article, and she said that 104 00:05:33,981 --> 00:05:38,501 Speaker 3: self disclosure can feel as good as chocolate or having sex. 105 00:05:38,662 --> 00:05:40,981 Speaker 3: So it is addictive to just talk about yourselves. We 106 00:05:41,022 --> 00:05:42,981 Speaker 3: all know that can feel good. Sometimes we do it 107 00:05:43,022 --> 00:05:48,062 Speaker 3: five times a week. Over talking can also be rewarded socially, 108 00:05:48,421 --> 00:05:52,262 Speaker 3: and in extreme cases, over talking might be caused by 109 00:05:52,381 --> 00:05:57,902 Speaker 3: conditions like ADHD, autism, bipolar, or social anxiety. So how 110 00:05:58,022 --> 00:06:03,501 Speaker 3: might we stop it? Some people might be wondering, Well, firstly, 111 00:06:04,142 --> 00:06:08,142 Speaker 3: consider the dynamic, because if you find yourself in repeated 112 00:06:08,181 --> 00:06:12,061 Speaker 3: situations with an overtalk, you might be the problem. Maybe 113 00:06:12,142 --> 00:06:15,782 Speaker 3: you're not talking enough, maybe you're asking too many questions. 114 00:06:16,142 --> 00:06:18,741 Speaker 3: It's a dynamic. You've got to consider your own partner. 115 00:06:19,582 --> 00:06:23,702 Speaker 3: But if you do, think no, this person is an 116 00:06:23,702 --> 00:06:27,421 Speaker 3: over talker. Apparently we should start with a bit of empathy. However, 117 00:06:27,662 --> 00:06:30,181 Speaker 3: honesty is the best policy. So do you want to 118 00:06:30,222 --> 00:06:32,222 Speaker 3: know what you're meant to say? I do? 119 00:06:32,541 --> 00:06:33,581 Speaker 2: I definitely need to know. 120 00:06:34,101 --> 00:06:37,342 Speaker 3: According to this writer, here's what you should say. I 121 00:06:37,421 --> 00:06:40,541 Speaker 3: know you like to share your opinions and ideas, but 122 00:06:40,621 --> 00:06:42,342 Speaker 3: I think sometimes you annoy people. 123 00:06:42,782 --> 00:06:46,581 Speaker 2: That seems really harsh. I was thinking about over talkers 124 00:06:46,621 --> 00:06:48,062 Speaker 2: I know, and if I said that to them, I 125 00:06:48,101 --> 00:06:50,222 Speaker 2: think they'd be upset me too. 126 00:06:50,301 --> 00:06:53,182 Speaker 3: So she says, maybe that's too harsh, so you can 127 00:06:53,181 --> 00:06:56,941 Speaker 3: try this instead. You are such a great storyteller, but 128 00:06:57,022 --> 00:07:00,101 Speaker 3: I think you would benefit from asking questions. You can 129 00:07:00,181 --> 00:07:04,262 Speaker 3: learn a lot that way. Also passive aggressive. She also 130 00:07:04,301 --> 00:07:06,702 Speaker 3: has some other suggestions because she says that you could 131 00:07:06,741 --> 00:07:10,022 Speaker 3: use humor right, humor always breaks the eye little bit. 132 00:07:10,022 --> 00:07:13,862 Speaker 3: How about WHOA? You have a lot to say about that? Oh, 133 00:07:14,742 --> 00:07:17,062 Speaker 3: I think you just talked without pause for seven and 134 00:07:17,142 --> 00:07:17,902 Speaker 3: a half minutes. 135 00:07:18,222 --> 00:07:21,102 Speaker 2: These are all mortifying, Jesse, They're all mortifying. 136 00:07:21,542 --> 00:07:23,942 Speaker 3: I'm sorry, but if I said this to any of 137 00:07:23,941 --> 00:07:26,742 Speaker 3: my friends, they wouldn't be my friends anymore. It's an 138 00:07:26,742 --> 00:07:29,062 Speaker 3: awful way to talk to someone. The only other advice 139 00:07:29,142 --> 00:07:31,101 Speaker 3: she had, which I think actually might be a good one. 140 00:07:31,182 --> 00:07:32,662 Speaker 3: You know, you can get an over talker on the 141 00:07:32,702 --> 00:07:37,622 Speaker 3: phone sometimes, she says, create a hard stop, so when 142 00:07:37,702 --> 00:07:39,422 Speaker 3: you answer the phone, you say, hey, I've got to 143 00:07:39,422 --> 00:07:41,261 Speaker 3: walk the dog in ten minutes, but yep, tell me 144 00:07:41,302 --> 00:07:44,342 Speaker 3: what you wanted to say, and then create a hard stop. Maya, 145 00:07:44,422 --> 00:07:46,942 Speaker 3: what do you think of this advice? Too harsh? 146 00:07:47,381 --> 00:07:51,062 Speaker 1: I don't wish to comment. Do you notice I quiet 147 00:07:51,062 --> 00:07:52,902 Speaker 1: I've been in this segment, I did a test. There 148 00:07:52,941 --> 00:07:55,381 Speaker 1: was a test that was linked to in this article 149 00:07:55,782 --> 00:07:57,821 Speaker 1: about how to tell if you talk too much. I 150 00:07:57,821 --> 00:08:00,462 Speaker 1: didn't really need to take the test, but I did, 151 00:08:01,102 --> 00:08:05,422 Speaker 1: and I was pretty much off the charts. And I 152 00:08:05,462 --> 00:08:11,982 Speaker 1: think the diagnosis was a compulsive communicy. But I've kind 153 00:08:12,022 --> 00:08:14,862 Speaker 1: of built a career on that. So you know, I 154 00:08:14,902 --> 00:08:18,142 Speaker 1: talk when I'm tired. I talk too much when I'm anxious. 155 00:08:18,342 --> 00:08:21,622 Speaker 1: I talk too much as a way to deflect. 156 00:08:22,102 --> 00:08:25,102 Speaker 3: Do you ever maya see signs in other people and 157 00:08:25,182 --> 00:08:27,182 Speaker 3: you go, oh, I think I've been talking too much. 158 00:08:27,262 --> 00:08:29,422 Speaker 3: Do you ever pick up on little social cues? 159 00:08:30,062 --> 00:08:30,182 Speaker 1: No? 160 00:08:32,982 --> 00:08:33,782 Speaker 3: How about you, Holly? 161 00:08:33,862 --> 00:08:36,462 Speaker 2: This is so interesting. Well, I couldn't do the test 162 00:08:36,502 --> 00:08:38,182 Speaker 2: because I couldn't do the adding up, which is a 163 00:08:38,182 --> 00:08:41,742 Speaker 2: whole different problem that I have. And I've decided that 164 00:08:41,782 --> 00:08:43,742 Speaker 2: you two know me better than I know myself anyway, 165 00:08:43,782 --> 00:08:45,862 Speaker 2: So you know whether or not I'm an over talker. 166 00:08:46,102 --> 00:08:46,662 Speaker 3: No comment. 167 00:08:46,862 --> 00:08:49,342 Speaker 2: Yeah, I live with an over talker. He may be 168 00:08:49,502 --> 00:08:53,462 Speaker 2: my son. And it's interesting because I watch him. He 169 00:08:53,582 --> 00:08:58,102 Speaker 2: can't physically hold in the words. And so I was 170 00:08:58,142 --> 00:09:01,582 Speaker 2: thinking about trying some of these tactics, because otherwise you 171 00:09:01,622 --> 00:09:03,102 Speaker 2: do end up saying a lot And this is what 172 00:09:03,142 --> 00:09:04,942 Speaker 2: made me a bit sad about it. You do end 173 00:09:04,982 --> 00:09:07,022 Speaker 2: up saying a lot like shut up, like let someone 174 00:09:07,062 --> 00:09:11,622 Speaker 2: else talk, and like negatives all the time. Like I 175 00:09:11,622 --> 00:09:13,822 Speaker 2: think I'm going to try some of these, But they 176 00:09:13,822 --> 00:09:15,822 Speaker 2: do all still sound mean, don't they. 177 00:09:15,942 --> 00:09:18,302 Speaker 1: They don't sound as mean as shut up, let someone 178 00:09:18,302 --> 00:09:20,582 Speaker 1: else get a word in across. 179 00:09:21,302 --> 00:09:23,222 Speaker 2: This is a family. That's how we talk to each 180 00:09:23,222 --> 00:09:23,982 Speaker 2: other in a family. 181 00:09:24,062 --> 00:09:27,182 Speaker 3: Right. Most people, though, who do overtalk, and I think 182 00:09:27,182 --> 00:09:30,982 Speaker 3: that this article acknowledged it, do have some form of 183 00:09:30,982 --> 00:09:33,182 Speaker 3: anxiety and you can often see that, and so what 184 00:09:33,222 --> 00:09:35,662 Speaker 3: you don't want to do is, you know, affect their 185 00:09:35,822 --> 00:09:38,382 Speaker 3: self esteem more so that they're more embarrassed. 186 00:09:38,542 --> 00:09:40,462 Speaker 1: Yeah, I think we're the true victims here. 187 00:09:42,422 --> 00:09:46,342 Speaker 4: I don't want my partner working unless she wants to work. 188 00:09:46,502 --> 00:09:49,662 Speaker 4: If you feel the need to go and work to 189 00:09:49,862 --> 00:09:52,702 Speaker 4: make money, and then you come home and you're complaining 190 00:09:52,742 --> 00:09:55,022 Speaker 4: about your day when we don't need you to make 191 00:09:55,062 --> 00:09:57,782 Speaker 4: money because we're sorted. If we've got four hours to 192 00:09:57,782 --> 00:09:59,742 Speaker 4: spend in the afternoon, and I ask you, how is 193 00:09:59,742 --> 00:10:00,582 Speaker 4: your day today, babe? 194 00:10:00,622 --> 00:10:01,782 Speaker 1: Are want your eyes to line up. 195 00:10:01,742 --> 00:10:04,862 Speaker 4: With excitement, with whatever the fuck it was four postcards 196 00:10:04,902 --> 00:10:09,302 Speaker 4: today and it's so good. It's the calm, it's the harmony, 197 00:10:09,302 --> 00:10:11,702 Speaker 4: it's peace and love that a man that's got a 198 00:10:11,742 --> 00:10:14,862 Speaker 4: busy life, that's chasing his dreams needs when he's trying 199 00:10:14,902 --> 00:10:15,582 Speaker 4: to wind down. 200 00:10:15,862 --> 00:10:18,822 Speaker 2: A man called Chris Griffin, that's who you just heard. 201 00:10:18,902 --> 00:10:21,022 Speaker 2: He is a podcast host and a YouTuber with a 202 00:10:21,022 --> 00:10:25,422 Speaker 2: big following now. He talks a lot about self optimization, fitness, 203 00:10:25,462 --> 00:10:29,302 Speaker 2: mental health, chasing your dreams, achieving your dreams. And he 204 00:10:29,422 --> 00:10:33,502 Speaker 2: said what he said, and now everybody's very upset. For 205 00:10:33,542 --> 00:10:35,422 Speaker 2: a little bit of context, I went back to listen 206 00:10:35,462 --> 00:10:38,102 Speaker 2: to a little bit of this conversation because Chris was 207 00:10:38,182 --> 00:10:42,062 Speaker 2: talking on this to another YouTuber, an adventure creator called 208 00:10:42,182 --> 00:10:45,782 Speaker 2: Wade Papenfuss, And what they were talking about before they 209 00:10:45,822 --> 00:10:48,862 Speaker 2: got to this bit was about having relationships and how 210 00:10:48,902 --> 00:10:52,022 Speaker 2: it's quite challenging to have relationships when you're very you're 211 00:10:52,022 --> 00:10:54,782 Speaker 2: in a big growth phase, right, So they're both obviously 212 00:10:54,902 --> 00:10:58,022 Speaker 2: very ambitious dudes. They're out there chasing their dreams, as 213 00:10:58,062 --> 00:11:00,662 Speaker 2: they said, and they were like, there isn't really space 214 00:11:00,742 --> 00:11:03,822 Speaker 2: for a girlfriend at the moment. But if there was one, 215 00:11:03,942 --> 00:11:06,142 Speaker 2: and they would quite like them, because they both agreed 216 00:11:06,182 --> 00:11:10,022 Speaker 2: that the presence of women was comforting. They said, is. 217 00:11:09,942 --> 00:11:11,062 Speaker 1: That code for blowjobs? 218 00:11:11,462 --> 00:11:15,261 Speaker 2: I think it's code for attends to our needs. I 219 00:11:15,302 --> 00:11:18,182 Speaker 2: think that's what that's code for. They sort of noodled 220 00:11:18,182 --> 00:11:20,622 Speaker 2: around about what women want and what they're good for 221 00:11:20,702 --> 00:11:22,462 Speaker 2: and what they're useful for, and it led them to 222 00:11:22,502 --> 00:11:25,622 Speaker 2: this conversation about how they would like the women in 223 00:11:25,662 --> 00:11:28,902 Speaker 2: their lives to have a passion. Wade suggested he would 224 00:11:28,902 --> 00:11:31,302 Speaker 2: like it if a girl would be into collecting stamps, 225 00:11:31,422 --> 00:11:34,261 Speaker 2: which is where Chris's comment about if she's collected for 226 00:11:34,422 --> 00:11:38,182 Speaker 2: postcards today, that's great came. Chris said he didn't mind 227 00:11:38,302 --> 00:11:41,262 Speaker 2: if the girl in this mythical girl was platning Barbie 228 00:11:41,302 --> 00:11:44,302 Speaker 2: doll tales. He said it was fine as long as 229 00:11:44,342 --> 00:11:46,862 Speaker 2: they were happy, and that he was a big encourager 230 00:11:46,902 --> 00:11:49,862 Speaker 2: of his girl going for hot girl walks to get 231 00:11:49,902 --> 00:11:53,222 Speaker 2: their feminine chat out. As you can imagine, this commentary 232 00:11:53,262 --> 00:11:56,462 Speaker 2: sparked some shit. First of all, I want to ask 233 00:11:56,542 --> 00:12:00,422 Speaker 2: Mia Jesse. We've been traveling around this past week, working, working, 234 00:12:00,462 --> 00:12:02,822 Speaker 2: doing one of the most fun jobs ever, but working nonetheless, 235 00:12:02,822 --> 00:12:05,102 Speaker 2: and when we all got home, I wonder what the 236 00:12:05,262 --> 00:12:06,862 Speaker 2: energy we brought into the house was. 237 00:12:07,262 --> 00:12:10,782 Speaker 3: The energy I bring into the house most days is 238 00:12:10,782 --> 00:12:13,902 Speaker 3: something I don't think Chris would want anything to do with. 239 00:12:14,062 --> 00:12:16,902 Speaker 3: And that's that's one of the many reasons we are 240 00:12:16,942 --> 00:12:20,142 Speaker 3: not married. But look, the work thing is one thing, 241 00:12:20,822 --> 00:12:23,702 Speaker 3: and if we put that to one side, what he 242 00:12:23,902 --> 00:12:27,982 Speaker 3: is saying is that I want you to be so 243 00:12:28,182 --> 00:12:32,662 Speaker 3: emotionally regulated and so even, and so in control of 244 00:12:32,702 --> 00:12:36,782 Speaker 3: your emotions and catered to me that when I walk 245 00:12:36,782 --> 00:12:38,302 Speaker 3: in the door, because I'm going to have a stressful 246 00:12:38,342 --> 00:12:40,502 Speaker 3: job and I'm really ambitious and my life is complex 247 00:12:40,542 --> 00:12:43,022 Speaker 3: and meaningful, and that will come with highs and lows. 248 00:12:43,262 --> 00:12:45,782 Speaker 3: So then when I come into my home, I need 249 00:12:45,862 --> 00:12:49,822 Speaker 3: you to be the steady one. And the example of 250 00:12:49,862 --> 00:12:53,702 Speaker 3: all of those the stamp collecting and the platting Barbie 251 00:12:53,782 --> 00:12:57,702 Speaker 3: doll hair, which is fine, you can do that. What 252 00:12:57,742 --> 00:12:59,782 Speaker 3: I will say about both of those hobbies is that 253 00:13:00,102 --> 00:13:03,782 Speaker 3: they have no intrinsic meaning. They are totally meaningless. And 254 00:13:03,822 --> 00:13:06,622 Speaker 3: I'm not saying that work has to be where you 255 00:13:06,662 --> 00:13:10,502 Speaker 3: get your meaning from. There's a point to be made there, absolutely, 256 00:13:10,582 --> 00:13:13,942 Speaker 3: And if women, I've said this before, I think that 257 00:13:14,102 --> 00:13:18,142 Speaker 3: caregiving and looking after kids or sick relatives or whatever 258 00:13:18,222 --> 00:13:20,982 Speaker 3: is a really justified and important thing to do with 259 00:13:21,062 --> 00:13:24,062 Speaker 3: your life. But it's also I would say that there's 260 00:13:24,102 --> 00:13:27,662 Speaker 3: something inherently meaningful about that. And as someone who recently 261 00:13:28,382 --> 00:13:30,822 Speaker 3: was on maternity leave, I can tell you that when 262 00:13:31,422 --> 00:13:34,222 Speaker 3: Luca walked in the door sometimes my eyes didn't light up. 263 00:13:34,542 --> 00:13:39,102 Speaker 3: I'd had a really, really tough day, and so that expectation, 264 00:13:39,222 --> 00:13:41,902 Speaker 3: to me betrays the fact that he's twenty two. I 265 00:13:41,902 --> 00:13:44,582 Speaker 3: think it's naivety and idealism that he doesn't really know 266 00:13:44,622 --> 00:13:47,062 Speaker 3: what it is to be in a long term relationship 267 00:13:47,062 --> 00:13:47,822 Speaker 3: with an adult woman. 268 00:13:47,982 --> 00:13:49,942 Speaker 1: I thought he was older than that. I didn't realize 269 00:13:49,982 --> 00:13:51,862 Speaker 1: he was only twenty two. That explains a lot more. 270 00:13:52,182 --> 00:13:55,302 Speaker 1: I think that this guy probably hasn't had such a 271 00:13:55,302 --> 00:13:59,382 Speaker 1: great week. I feel like what he started off by 272 00:13:59,422 --> 00:14:03,382 Speaker 1: saying was actually correct, which is, I don't want my 273 00:14:03,702 --> 00:14:07,942 Speaker 1: partner to work unless she wants to. So it's not 274 00:14:08,022 --> 00:14:11,902 Speaker 1: like he was denying her of all autonomy. But what 275 00:14:12,062 --> 00:14:15,742 Speaker 1: was quite revealing is that he couldn't imagine a woman 276 00:14:15,862 --> 00:14:19,902 Speaker 1: wanting to work if she had the option to not work. 277 00:14:20,662 --> 00:14:23,742 Speaker 1: And I think that that is something that is a 278 00:14:23,822 --> 00:14:27,462 Speaker 1: really wide held belief, widely held belief and one that 279 00:14:27,502 --> 00:14:30,782 Speaker 1: a lot of us internalize. And that's why when this 280 00:14:30,822 --> 00:14:35,622 Speaker 1: conversation often happens after you have kids in a relationship, 281 00:14:36,582 --> 00:14:39,342 Speaker 1: when the conversation comes to will she go back to work, 282 00:14:40,182 --> 00:14:42,662 Speaker 1: it comes down to, oh, but by the time we 283 00:14:42,702 --> 00:14:46,382 Speaker 1: pay for childcare? What's the point? As if the only 284 00:14:46,542 --> 00:14:48,902 Speaker 1: reason a woman would ever work is for money? And 285 00:14:48,942 --> 00:14:51,662 Speaker 1: that's what he also said. He said, if I'm making 286 00:14:51,742 --> 00:14:53,742 Speaker 1: enough money, if I'm successful, and I've got enough money 287 00:14:53,742 --> 00:14:55,942 Speaker 1: that we don't have to work to pay the bills 288 00:14:55,942 --> 00:14:58,502 Speaker 1: and put food on the table, then why would any 289 00:14:58,542 --> 00:15:02,342 Speaker 1: woman want to? Now there are some who women who 290 00:15:02,342 --> 00:15:04,622 Speaker 1: wouldn't want to, at least they might think they don't 291 00:15:04,622 --> 00:15:08,582 Speaker 1: want to, But what does happen with things like superannuation? 292 00:15:08,702 --> 00:15:13,342 Speaker 1: What does happen with their financial independence and ability to 293 00:15:13,422 --> 00:15:17,262 Speaker 1: leave that relationship? If he cheats, if he becomes violent, 294 00:15:17,462 --> 00:15:21,062 Speaker 1: if she just doesn't want to be with him anymore, 295 00:15:21,622 --> 00:15:24,342 Speaker 1: if she's got this big gap where she hasn't worked, 296 00:15:24,382 --> 00:15:25,942 Speaker 1: if she's been a stay at home girlfriend or a 297 00:15:25,942 --> 00:15:29,342 Speaker 1: stay at home mother, it might seem like a good choice, 298 00:15:29,342 --> 00:15:31,102 Speaker 1: but it's hard to be able to have a crystal 299 00:15:31,102 --> 00:15:32,822 Speaker 1: ball and know what the future is going to bring. 300 00:15:33,182 --> 00:15:35,942 Speaker 1: But I also do think that he's really right in 301 00:15:36,022 --> 00:15:39,862 Speaker 1: some respects, because what nobody tells you is that when 302 00:15:39,862 --> 00:15:42,902 Speaker 1: you've got two big careers, you start playing the who's 303 00:15:42,902 --> 00:15:46,382 Speaker 1: busier and who's more hardly done by Olympics, and it's 304 00:15:46,422 --> 00:15:48,062 Speaker 1: like a big struggle to be on the top of 305 00:15:48,102 --> 00:15:50,982 Speaker 1: the leaderboard as to who's the busiest and the most tired. 306 00:15:51,222 --> 00:15:52,982 Speaker 3: I played that Olympics when I was at home with 307 00:15:53,022 --> 00:15:55,382 Speaker 3: a baby too. By the way, Yeah, I agree, I 308 00:15:55,422 --> 00:15:56,062 Speaker 3: agree with that. 309 00:15:56,182 --> 00:15:58,142 Speaker 1: I'm so glad you made that point, because it's not like, 310 00:15:58,622 --> 00:16:01,022 Speaker 1: even if something's fulfilling and you're looking after a child 311 00:16:01,062 --> 00:16:02,742 Speaker 1: and you love that child, even if your job's for 312 00:16:02,782 --> 00:16:05,022 Speaker 1: filling and you love that job and you love your 313 00:16:05,022 --> 00:16:08,302 Speaker 1: hot girl walk, you still might come home and have 314 00:16:08,422 --> 00:16:11,742 Speaker 1: normal humans about it and want to talk about them. 315 00:16:11,942 --> 00:16:13,742 Speaker 2: I think you make a very good point there, Mir, 316 00:16:13,822 --> 00:16:17,742 Speaker 2: and that if this conversation wasn't really as gendered as 317 00:16:17,742 --> 00:16:20,262 Speaker 2: it is, and it was like, you know, the whole 318 00:16:20,302 --> 00:16:22,982 Speaker 2: point about particularly when you have a family, whether you 319 00:16:23,022 --> 00:16:25,182 Speaker 2: can both have Because they were talking very much in 320 00:16:25,222 --> 00:16:29,582 Speaker 2: the context as to very ambitious men right who clearly 321 00:16:29,662 --> 00:16:32,422 Speaker 2: their work and their career is very important to them, right. 322 00:16:32,462 --> 00:16:35,542 Speaker 2: That was very much the context of this conversation, And 323 00:16:35,582 --> 00:16:38,102 Speaker 2: so they were pondering what they wanted in a partner 324 00:16:38,182 --> 00:16:40,782 Speaker 2: in that context, and clearly what they want in a 325 00:16:40,822 --> 00:16:43,822 Speaker 2: partner in that context is a support person, like not. 326 00:16:44,262 --> 00:16:46,302 Speaker 1: I don't mean the traditional sense, yeah. 327 00:16:46,062 --> 00:16:48,222 Speaker 2: And I don't necessarily mean because they just want them 328 00:16:48,302 --> 00:16:50,422 Speaker 2: to do their washing or whatever. But they want somebody 329 00:16:50,822 --> 00:16:53,102 Speaker 2: to hold down the home and the harmony of the 330 00:16:53,142 --> 00:16:55,942 Speaker 2: home and all that kind of stuff. And you could 331 00:16:56,022 --> 00:16:58,502 Speaker 2: argue that everybody needs that, and there are lots of 332 00:16:58,542 --> 00:17:03,022 Speaker 2: conversations that couples and families have about who's gonna take 333 00:17:03,062 --> 00:17:04,822 Speaker 2: a step back, who's going to take a step forward 334 00:17:04,862 --> 00:17:08,262 Speaker 2: at different times. But the thing was, is I wonder 335 00:17:08,262 --> 00:17:10,502 Speaker 2: if he feels the same way. I don't think he would. 336 00:17:10,502 --> 00:17:12,661 Speaker 2: If a man doesn't want to work, does he have 337 00:17:12,742 --> 00:17:14,341 Speaker 2: to work? Should he have to work? 338 00:17:14,422 --> 00:17:14,661 Speaker 1: You know? 339 00:17:14,782 --> 00:17:18,581 Speaker 2: And this idea of I want the peace and harmony 340 00:17:18,621 --> 00:17:21,461 Speaker 2: that a man who's chasing his dream needs when he 341 00:17:21,502 --> 00:17:25,501 Speaker 2: tries to wind down when he gets home, just feels 342 00:17:25,661 --> 00:17:28,382 Speaker 2: so much that the man and his needs is always 343 00:17:28,422 --> 00:17:30,581 Speaker 2: at the top of the leaderboard, you know, which I 344 00:17:30,621 --> 00:17:32,701 Speaker 2: think is one of the things that's pushed a lot 345 00:17:32,742 --> 00:17:34,302 Speaker 2: of buttons because a lot of people have been got 346 00:17:34,341 --> 00:17:36,942 Speaker 2: really mad about this. Laura hen sure she wasn't mad, 347 00:17:36,982 --> 00:17:38,941 Speaker 2: but on the kickpod asked a lot of the questions 348 00:17:38,982 --> 00:17:41,581 Speaker 2: you did then Mia, where she said, well, Chris, that's fine, 349 00:17:41,621 --> 00:17:44,061 Speaker 2: but are you going to if your partner isn't working, 350 00:17:44,101 --> 00:17:45,901 Speaker 2: are you going to pay into her super for her? 351 00:17:46,222 --> 00:17:48,702 Speaker 2: Are you going to give her a weekly allowance to spend? 352 00:17:49,141 --> 00:17:49,221 Speaker 4: Like? 353 00:17:49,302 --> 00:17:53,022 Speaker 2: How practically does this work? And then doesn't that totally 354 00:17:53,061 --> 00:17:56,861 Speaker 2: alter the power balance in this relationship? That's the problem 355 00:17:56,942 --> 00:17:59,422 Speaker 2: with it is that on the surface, of course, it's 356 00:17:59,462 --> 00:18:02,101 Speaker 2: a lovely idea that I want someone I love to 357 00:18:02,141 --> 00:18:03,981 Speaker 2: get to live the life they want and make her 358 00:18:04,061 --> 00:18:06,861 Speaker 2: home happy and all those things, but the details of 359 00:18:06,901 --> 00:18:10,462 Speaker 2: it mean that you would always be in control that relationship. 360 00:18:10,581 --> 00:18:14,861 Speaker 3: This reveals a deep anxiety that I don't know if 361 00:18:14,901 --> 00:18:17,861 Speaker 3: a lot of men feel it, but certainly maybe men 362 00:18:17,942 --> 00:18:20,702 Speaker 3: like him feel it, which is maybe justified that two 363 00:18:20,782 --> 00:18:24,702 Speaker 3: generations ago, men's role was really clear. It was really 364 00:18:24,742 --> 00:18:27,581 Speaker 3: easily defined. You had a job and it was to 365 00:18:27,621 --> 00:18:30,542 Speaker 3: provide for your family. I say that like it was easy, 366 00:18:30,542 --> 00:18:32,702 Speaker 3: it actually wasn't because for a lot of men, whether 367 00:18:32,742 --> 00:18:35,782 Speaker 3: it was during the depression or it was during recessions, 368 00:18:36,422 --> 00:18:39,861 Speaker 3: their entire identity was their employment, and when their employment 369 00:18:39,942 --> 00:18:42,302 Speaker 3: was lost, that was a disaster. But because of the 370 00:18:42,462 --> 00:18:47,702 Speaker 3: economic realities of the modern day, most homes need two 371 00:18:47,742 --> 00:18:50,941 Speaker 3: people working, especially at the moment, that is the real 372 00:18:51,182 --> 00:18:54,061 Speaker 3: You live in a capital city exactly. And so I'm 373 00:18:54,101 --> 00:18:57,182 Speaker 3: hearing a lot and we know this. There's been much 374 00:18:57,222 --> 00:19:00,101 Speaker 3: spoken about the manisphere and men kind of trying to 375 00:19:01,101 --> 00:19:03,181 Speaker 3: hold on to what it is that makes them a 376 00:19:03,222 --> 00:19:06,101 Speaker 3: man and why that's different to a woman. And I 377 00:19:06,101 --> 00:19:09,862 Speaker 3: think that that maybe makes people feel safe. And I've 378 00:19:09,861 --> 00:19:13,981 Speaker 3: seen this resurgence of masculine and feminine energy, which is 379 00:19:14,022 --> 00:19:17,421 Speaker 3: something he spoke about a lot where he basically says 380 00:19:17,581 --> 00:19:20,661 Speaker 3: there's a natural feminine and a natural masculine, And the 381 00:19:20,702 --> 00:19:24,542 Speaker 3: idea is that he goes to work and he's ambitious 382 00:19:24,581 --> 00:19:27,142 Speaker 3: and he's active, whereas she needs to get in touch 383 00:19:27,141 --> 00:19:29,901 Speaker 3: with her girlfriends and go on her hot girl walks 384 00:19:29,942 --> 00:19:30,901 Speaker 3: and all that kind of stuff. 385 00:19:31,182 --> 00:19:33,262 Speaker 1: It's a very bridget in way of looking at women, 386 00:19:33,341 --> 00:19:33,701 Speaker 1: isn't it. 387 00:19:33,742 --> 00:19:36,421 Speaker 3: And it's coded. It's coded, I think, so it's not 388 00:19:36,462 --> 00:19:38,101 Speaker 3: as simple. I see a lot of people in even 389 00:19:38,101 --> 00:19:42,421 Speaker 3: the wellness faces talk about it, and on the surface, 390 00:19:43,381 --> 00:19:48,942 Speaker 3: you go, all right, maybe masculine and feminine exists within 391 00:19:49,061 --> 00:19:51,581 Speaker 3: all of us to varying degrees at different points throughout 392 00:19:51,581 --> 00:19:52,302 Speaker 3: our whole lives. 393 00:19:52,341 --> 00:19:52,701 Speaker 1: Whatever. 394 00:19:53,621 --> 00:19:57,462 Speaker 3: But what it's often saying is men are asserting their role. 395 00:19:57,742 --> 00:20:02,101 Speaker 3: And what that means for the woman is caregiver, quiet, 396 00:20:02,702 --> 00:20:06,421 Speaker 3: support stuff, support stuff, exactly exactly right, receiver like all 397 00:20:06,462 --> 00:20:11,061 Speaker 3: of these things that I think very quickly diminish her 398 00:20:11,101 --> 00:20:11,862 Speaker 3: and degrade her. 399 00:20:12,262 --> 00:20:14,701 Speaker 1: But I mean, he wants a trad wife, and there 400 00:20:14,702 --> 00:20:16,821 Speaker 1: are lots of women who want to be trad wives, 401 00:20:16,861 --> 00:20:19,462 Speaker 1: so kind of good luck to them all. 402 00:20:19,542 --> 00:20:23,262 Speaker 2: Surely, Yeah, if the jigsaws all fit together, then that's great. 403 00:20:23,462 --> 00:20:26,581 Speaker 2: But I want to push back slightly. You know, working 404 00:20:26,581 --> 00:20:29,061 Speaker 2: class women have always had to work. My grandparents work, 405 00:20:29,141 --> 00:20:32,581 Speaker 2: my grandmother's worked, like most families have always had to 406 00:20:32,621 --> 00:20:34,661 Speaker 2: have a balance of this kind of stuff and piece 407 00:20:34,702 --> 00:20:38,382 Speaker 2: it together. I feel like it's become a real status symbol, 408 00:20:38,542 --> 00:20:43,622 Speaker 2: particularly in this particular corner of self optimized maleness. It's 409 00:20:43,621 --> 00:20:46,101 Speaker 2: a real status symbol to be able to say my 410 00:20:46,182 --> 00:20:49,982 Speaker 2: partner doesn't have to work. It's seen as an aspirational thing, 411 00:20:50,621 --> 00:20:53,262 Speaker 2: and I think that that's unfortunate because I think it's 412 00:20:53,302 --> 00:20:57,542 Speaker 2: still always casts women's career as secondary and the disposable one. 413 00:20:58,061 --> 00:21:01,302 Speaker 2: And really I think that in most partnerships and families 414 00:21:01,621 --> 00:21:05,142 Speaker 2: and groups, it's about personality, it's about different people, it's 415 00:21:05,141 --> 00:21:07,582 Speaker 2: about what they want, and you have to make compromises 416 00:21:07,621 --> 00:21:11,462 Speaker 2: around that. But it's just not as simple as men strive, 417 00:21:11,621 --> 00:21:14,462 Speaker 2: women care, and I don't actually think it has ever 418 00:21:14,502 --> 00:21:15,221 Speaker 2: been that simple. 419 00:21:15,302 --> 00:21:17,901 Speaker 3: When I first kind of saw this, I went, A man, 420 00:21:18,022 --> 00:21:21,782 Speaker 3: a woman, whatever, has the right to marry whoever they want. 421 00:21:21,821 --> 00:21:23,981 Speaker 3: That's a nature of heterosexuality. You can make it as 422 00:21:24,022 --> 00:21:26,141 Speaker 3: political as you like, but if a man doesn't want 423 00:21:26,182 --> 00:21:27,821 Speaker 3: to be with a feminist, then he won't be with 424 00:21:27,861 --> 00:21:32,661 Speaker 3: a feminist. Relationships end, they begin, they're rearranged, then it's negotiated. 425 00:21:33,101 --> 00:21:35,461 Speaker 3: Whatever he can marry whoever he wants, and if he 426 00:21:35,462 --> 00:21:38,302 Speaker 3: wants to provide for her, that's fine. The issue a 427 00:21:38,341 --> 00:21:41,702 Speaker 3: lot of men and women took with this was the 428 00:21:42,022 --> 00:21:45,141 Speaker 3: music that was the bed of the clip and the 429 00:21:45,141 --> 00:21:49,181 Speaker 3: way in which he was positioning this as as aspirational 430 00:21:49,341 --> 00:21:54,381 Speaker 3: and as a man. If you really consider yourself ambitious 431 00:21:54,381 --> 00:21:57,302 Speaker 3: and building an empire, then here's what you need. In 432 00:21:57,341 --> 00:22:03,421 Speaker 3: a woman and that instruction grinded people in a moment. 433 00:22:03,581 --> 00:22:06,741 Speaker 3: All the drama from Australian Fashion Week and why interviews 434 00:22:06,942 --> 00:22:13,262 Speaker 3: with influencers are going viral, I want to present to 435 00:22:13,302 --> 00:22:16,542 Speaker 3: you both an all or nothing story from this year's 436 00:22:16,581 --> 00:22:21,061 Speaker 3: Australian Fashion Week, which just wrapped up in Sydney. People 437 00:22:21,141 --> 00:22:24,222 Speaker 3: will know either everything about this story if you spent 438 00:22:24,262 --> 00:22:26,621 Speaker 3: your weekend stuck in a TikTok rabbit hole with names 439 00:22:26,661 --> 00:22:30,581 Speaker 3: like Sofa dofa Jamie as a party and something about 440 00:22:30,702 --> 00:22:35,941 Speaker 3: micro trend's final boss taking over your feed what or 441 00:22:36,222 --> 00:22:39,462 Speaker 3: perhaps you are me on Friday who had never heard 442 00:22:39,581 --> 00:22:41,502 Speaker 3: of any of these things or any of these people. 443 00:22:42,742 --> 00:22:46,022 Speaker 3: For some context, the event was held this year by 444 00:22:46,061 --> 00:22:49,341 Speaker 3: the Australian Fashion Council for the first time, so their 445 00:22:49,381 --> 00:22:52,302 Speaker 3: long running partner IMG pulled out at the end of 446 00:22:52,381 --> 00:22:55,901 Speaker 3: last year, meaning that this was a much scaled back event. 447 00:22:56,462 --> 00:22:58,662 Speaker 3: So if you heard nothing at all about fashion Week, 448 00:22:59,141 --> 00:23:02,662 Speaker 3: that might be why. Now for the drama, this year 449 00:23:02,942 --> 00:23:05,502 Speaker 3: was all about the influencers, and I don't mean that 450 00:23:05,661 --> 00:23:09,542 Speaker 3: in a derogatory way. They are wielding the most power 451 00:23:09,742 --> 00:23:12,461 Speaker 3: when it comes to fashion trends at the moment and 452 00:23:12,621 --> 00:23:16,621 Speaker 3: brands or blogs sent social media teams to do fox pops. 453 00:23:17,422 --> 00:23:20,702 Speaker 3: Vox pops are little interviews that you do on the street, 454 00:23:20,782 --> 00:23:22,982 Speaker 3: or we might send someone to a premiere and interview 455 00:23:23,101 --> 00:23:25,581 Speaker 3: an actor, or it's sort of like a behind the 456 00:23:25,621 --> 00:23:28,542 Speaker 3: scenes look at what's going on at an event. But 457 00:23:28,702 --> 00:23:34,581 Speaker 3: some influences thought that the questions they were thrown were inappropriate. 458 00:23:34,901 --> 00:23:37,502 Speaker 3: Here's a little bit of what Sofa dofa had to say. 459 00:23:37,782 --> 00:23:41,262 Speaker 5: Someone asked a bunch of creators, who's the biggest micro 460 00:23:41,381 --> 00:23:43,502 Speaker 5: trend final boss? First of all? 461 00:23:43,782 --> 00:23:44,302 Speaker 1: Shit question. 462 00:23:44,422 --> 00:23:45,741 Speaker 5: I don't know how many people they ask, but you 463 00:23:45,782 --> 00:23:49,862 Speaker 5: can see almost everyone is uncomfortable and clearly doesn't want 464 00:23:49,901 --> 00:23:52,021 Speaker 5: to answer that because you're pretty much asking them to 465 00:23:52,141 --> 00:23:54,341 Speaker 5: name a creator and like call them out, and that's 466 00:23:54,381 --> 00:23:57,581 Speaker 5: just not like. I feel like the Australian influencer scene 467 00:23:57,621 --> 00:24:00,341 Speaker 5: is already so toxic and we have such big, like 468 00:24:00,422 --> 00:24:04,462 Speaker 5: tall poppy syndrome, like we don't need other creators bringing 469 00:24:04,821 --> 00:24:07,302 Speaker 5: people down. Also, I got named as one of them 470 00:24:07,341 --> 00:24:09,701 Speaker 5: by someone that will schan to Australian. 471 00:24:09,302 --> 00:24:11,421 Speaker 3: Bat allow me to translate. 472 00:24:11,702 --> 00:24:14,502 Speaker 2: I was gonna say, Jesse, could you please translate because 473 00:24:14,502 --> 00:24:15,981 Speaker 2: none of that made any sense to me. 474 00:24:16,101 --> 00:24:19,661 Speaker 3: Okay, So micro Trend Final Boss is basically like asking 475 00:24:19,742 --> 00:24:22,782 Speaker 3: someone who is the biggest fashion victim, who is someone 476 00:24:22,782 --> 00:24:24,982 Speaker 3: who falls for every little trend and it's not something 477 00:24:25,022 --> 00:24:25,782 Speaker 3: you'd be stoked. 478 00:24:25,782 --> 00:24:28,342 Speaker 2: It's me, I was gonna say, it's mea Sue Jewelry. 479 00:24:28,341 --> 00:24:29,982 Speaker 3: What I was going to say is that there's only 480 00:24:30,022 --> 00:24:32,022 Speaker 3: one person in Australia who wouldn't have an issue with 481 00:24:32,061 --> 00:24:33,262 Speaker 3: that title, and it's Maya Freed. 482 00:24:33,621 --> 00:24:34,941 Speaker 1: I didn't realize it was an insult. 483 00:24:37,022 --> 00:24:39,222 Speaker 3: The other questions they were asked were things like your 484 00:24:39,222 --> 00:24:42,462 Speaker 3: most expensive piece of clothing, how much they earn their 485 00:24:42,462 --> 00:24:45,941 Speaker 3: most controversial fashion opinion, that kind of thing. Now, Jamie 486 00:24:46,022 --> 00:24:49,662 Speaker 3: as a party, they are a celebrity stylist, and when 487 00:24:49,702 --> 00:24:54,502 Speaker 3: asked about micro Trend Final Boss, they said so for 488 00:24:54,621 --> 00:24:59,341 Speaker 3: Dofa and so for Dopher was like that's mean, and 489 00:24:59,462 --> 00:25:01,902 Speaker 3: so for Dopha. 490 00:25:00,982 --> 00:25:02,942 Speaker 1: Was like, take me out of this narrative. 491 00:25:03,061 --> 00:25:07,462 Speaker 3: Yes, and you're wearing Sheen and she is an insult exactly, 492 00:25:07,542 --> 00:25:12,182 Speaker 3: which is that fast fashion giant? So you're a hypocrite. 493 00:25:12,422 --> 00:25:15,502 Speaker 3: So fast fashion was a big thing and something that 494 00:25:15,542 --> 00:25:17,542 Speaker 3: a lot of them were asked about, and a lot 495 00:25:17,581 --> 00:25:20,181 Speaker 3: of people would be you know, there's this viral clip 496 00:25:20,182 --> 00:25:22,821 Speaker 3: of a woman standing there and she's got this over 497 00:25:22,861 --> 00:25:24,502 Speaker 3: the top dress on and over the top hat on, 498 00:25:24,581 --> 00:25:27,502 Speaker 3: and someone says, what's the biggest fashion mistake people are making? 499 00:25:27,542 --> 00:25:31,302 Speaker 3: And she says fast fashion yuck, which, by the way, 500 00:25:31,422 --> 00:25:34,261 Speaker 3: I fundamentally agree with. But all the comments on this 501 00:25:34,302 --> 00:25:36,542 Speaker 3: are going are you planning on re wearing that hat? 502 00:25:36,782 --> 00:25:36,861 Speaker 4: Like? 503 00:25:36,901 --> 00:25:38,462 Speaker 3: How often are you going to wear that hat? How 504 00:25:38,462 --> 00:25:41,581 Speaker 3: often are you going to wear that dress? And the tension, 505 00:25:41,621 --> 00:25:43,581 Speaker 3: of course, is that people do not want to be 506 00:25:43,661 --> 00:25:46,702 Speaker 3: told by people richer than them and thinner than them 507 00:25:47,022 --> 00:25:50,141 Speaker 3: that they need to stay away from fast fashion because 508 00:25:50,542 --> 00:25:53,421 Speaker 3: for people who can't go up to the local shops 509 00:25:53,462 --> 00:25:56,661 Speaker 3: and buy something that fits them, this is the only 510 00:25:56,742 --> 00:26:01,182 Speaker 3: business that's catering to them. So there is this it's 511 00:26:01,222 --> 00:26:04,382 Speaker 3: easy for people even op shopping, and this is what 512 00:26:04,661 --> 00:26:06,701 Speaker 3: was being discussed in the comments. Even going to your 513 00:26:06,702 --> 00:26:09,782 Speaker 3: local op shop has become more and more expensive because 514 00:26:09,821 --> 00:26:12,222 Speaker 3: the quality of the clothes is more. I was speaking 515 00:26:12,222 --> 00:26:15,861 Speaker 3: to someone recently who works at knopshop who were saying 516 00:26:15,861 --> 00:26:18,741 Speaker 3: that they will not put she in clothes on the 517 00:26:18,821 --> 00:26:22,542 Speaker 3: rack if you put fast fashioned tea moochi in in 518 00:26:22,581 --> 00:26:24,941 Speaker 3: a bag and go and donate it. They will not 519 00:26:24,982 --> 00:26:28,982 Speaker 3: put it on the rack because they probably can't put 520 00:26:29,022 --> 00:26:30,941 Speaker 3: it on the rack for the same price or cheaper 521 00:26:30,982 --> 00:26:33,061 Speaker 3: than what you would get it on the internet tomorrow. 522 00:26:33,141 --> 00:26:35,701 Speaker 1: There's also this not virtue signaling because it's true, but 523 00:26:35,782 --> 00:26:37,821 Speaker 1: the answer that you should be giving. You know, what 524 00:26:37,821 --> 00:26:40,621 Speaker 1: are you wearing? Oh, this is all thrifted, this is 525 00:26:40,661 --> 00:26:44,061 Speaker 1: all vintage, this is all borrowed. That doesn't help the 526 00:26:44,061 --> 00:26:48,422 Speaker 1: fashion industry, That doesn't help the Australian fashion industry, and actually. 527 00:26:48,141 --> 00:26:50,782 Speaker 2: Doesn't help the consumer because they can't buy what you're 528 00:26:50,782 --> 00:26:52,702 Speaker 2: wearing exactly. 529 00:26:52,782 --> 00:26:55,662 Speaker 3: And something that one of the stylists was saying is that, oh, 530 00:26:55,702 --> 00:27:00,341 Speaker 3: we've got this poo pooing of Shean or other fast 531 00:27:00,422 --> 00:27:02,621 Speaker 3: fashion brands, But do you want to know where some 532 00:27:02,661 --> 00:27:04,262 Speaker 3: of your designer clothes were made. They were made in 533 00:27:04,262 --> 00:27:07,782 Speaker 3: the same factory. So I think that we are lifting 534 00:27:07,821 --> 00:27:10,622 Speaker 3: the lid on a lot of this camerism. And it's 535 00:27:10,661 --> 00:27:14,701 Speaker 3: messy and it's confusing, and people have to make a 536 00:27:14,742 --> 00:27:17,502 Speaker 3: living somehow, and there's a lot of hypocrisy. So here 537 00:27:17,542 --> 00:27:20,661 Speaker 3: are my questions, because this is the great philosophical debate 538 00:27:20,702 --> 00:27:24,262 Speaker 3: of the day. Has Fashion Week become an ethical nightmare? 539 00:27:24,901 --> 00:27:28,661 Speaker 3: Is this controversy inevitable when influencers become front and center? 540 00:27:29,061 --> 00:27:32,222 Speaker 3: And why do you think the questions directed at influences 541 00:27:32,702 --> 00:27:35,621 Speaker 3: are so weird? Holly? What do you reckon? 542 00:27:37,141 --> 00:27:40,262 Speaker 2: Well, obviously they are definitely trying to get them to 543 00:27:40,302 --> 00:27:42,422 Speaker 2: talk shit about each other. That's exactly what they're doing 544 00:27:42,462 --> 00:27:45,302 Speaker 2: for virality. We all know that, right, is that as 545 00:27:45,341 --> 00:27:47,702 Speaker 2: you would say, Jesse, you'd say, look at the Internet, 546 00:27:47,901 --> 00:27:52,502 Speaker 2: nobody's going viral, being gushingly positive about anybody on there. 547 00:27:53,141 --> 00:27:56,502 Speaker 2: But it is very unfair to do it because you know, 548 00:27:56,581 --> 00:27:59,341 Speaker 2: I'm sure that most of the influencers stopped outside and 549 00:27:59,422 --> 00:28:01,461 Speaker 2: asked with the little fluffy mic because that's what it 550 00:28:01,462 --> 00:28:04,701 Speaker 2: looks like, you know, probably feeling quite game and they 551 00:28:04,782 --> 00:28:07,662 Speaker 2: want to participate in all those things, and then they've 552 00:28:07,661 --> 00:28:09,302 Speaker 2: got to think about that on their feet, and they're 553 00:28:09,302 --> 00:28:10,741 Speaker 2: not or how it's going to be portrayed, and it 554 00:28:10,901 --> 00:28:16,542 Speaker 2: feels mean what I'm confused about because I'm in the camp. 555 00:28:16,661 --> 00:28:19,502 Speaker 2: I had been oblivious to this. I'd only noticed that 556 00:28:19,742 --> 00:28:23,821 Speaker 2: Australian Fashion Week was going on because a very few 557 00:28:23,861 --> 00:28:27,101 Speaker 2: people on my feed were there and posing outside. I've 558 00:28:27,182 --> 00:28:30,702 Speaker 2: seen almost nothing from catwalks I've seen almost no actual 559 00:28:30,782 --> 00:28:34,382 Speaker 2: fashion of any kind. I've seen very little commentary about it, 560 00:28:34,901 --> 00:28:38,942 Speaker 2: and I just wonder if it's even relevant anymore. Mia, 561 00:28:39,102 --> 00:28:43,382 Speaker 2: you speak much better fashion than I do. Explain why 562 00:28:43,782 --> 00:28:46,221 Speaker 2: it's still a thing that everybody's talking about. 563 00:28:46,782 --> 00:28:49,782 Speaker 1: Well, they're not really, except for people who are making 564 00:28:49,822 --> 00:28:52,222 Speaker 1: content about the thing that none of us are really 565 00:28:52,262 --> 00:28:55,622 Speaker 1: talking about. I went to the first Australian Fashion Week 566 00:28:55,702 --> 00:28:59,222 Speaker 1: in nineteen ninety six and it was meant to be 567 00:28:59,342 --> 00:29:01,822 Speaker 1: and it was for a really long time a way 568 00:29:01,862 --> 00:29:05,302 Speaker 1: to showcase Australian designers, and some of the designers that 569 00:29:05,862 --> 00:29:08,741 Speaker 1: walk to the catwalk then, like Zimmerman, have gone on 570 00:29:08,782 --> 00:29:12,462 Speaker 1: to be international, all huge labels. And when I was 571 00:29:12,502 --> 00:29:15,702 Speaker 1: a magazine editor, it was magazine editors and media who 572 00:29:15,702 --> 00:29:19,582 Speaker 1: would go and buyers from late department stores and the designers, 573 00:29:19,942 --> 00:29:21,981 Speaker 1: some who you knew and some that you didn't. It 574 00:29:21,982 --> 00:29:24,582 Speaker 1: was very expensive to put on a show, but it 575 00:29:24,622 --> 00:29:28,822 Speaker 1: would pay for itself, hopefully in exposure and coverage in 576 00:29:29,342 --> 00:29:34,181 Speaker 1: press and in sales to department stores and stuff. But 577 00:29:34,502 --> 00:29:39,941 Speaker 1: now with social media, fashion influencers and micro trends aren't 578 00:29:40,022 --> 00:29:45,902 Speaker 1: actually about the things that Australian designers manufacture because it 579 00:29:46,022 --> 00:29:49,662 Speaker 1: takes too long. Everything's sped up to the point where 580 00:29:49,702 --> 00:29:51,662 Speaker 1: it used to be that you know, fashion Week would 581 00:29:51,702 --> 00:29:54,062 Speaker 1: happen has always been around this time of year, but 582 00:29:54,102 --> 00:29:57,461 Speaker 1: they would be showing Spring summer, which wouldn't be available 583 00:29:57,702 --> 00:30:01,262 Speaker 1: until August or September. That would be fine because the 584 00:30:01,262 --> 00:30:04,502 Speaker 1: magazines were also you know, needed to work three months 585 00:30:04,502 --> 00:30:07,422 Speaker 1: in advance, so all of that cycle would work quite well. 586 00:30:07,462 --> 00:30:11,142 Speaker 1: But now that everything's instant, what's shown on the catwalk 587 00:30:11,702 --> 00:30:14,582 Speaker 1: you can't buy tomorrow or the next day, or even 588 00:30:14,622 --> 00:30:16,701 Speaker 1: next week or next month. That's how it used to be, 589 00:30:17,262 --> 00:30:19,661 Speaker 1: and the things that people are wearing outside and the 590 00:30:19,702 --> 00:30:23,741 Speaker 1: content that they make are about global trends, not about 591 00:30:23,942 --> 00:30:28,102 Speaker 1: you know, seasons in Australia or particular designers here. And 592 00:30:28,142 --> 00:30:31,782 Speaker 1: so that's why. To satisfy this instant gratification for these 593 00:30:31,822 --> 00:30:34,222 Speaker 1: micro trends which moves so fast, and you know we've 594 00:30:34,222 --> 00:30:35,822 Speaker 1: talked about on the show before, it might seem like 595 00:30:35,822 --> 00:30:39,142 Speaker 1: there's a different one every week. To support that, you 596 00:30:39,302 --> 00:30:42,582 Speaker 1: usually have to buy things from these global fast fashion 597 00:30:43,102 --> 00:30:47,342 Speaker 1: behemoths whose impact on the environment is hugely questionable. You know, 598 00:30:47,422 --> 00:30:50,982 Speaker 1: the sheines, the czars, the all of those kind of labels, 599 00:30:51,062 --> 00:30:54,342 Speaker 1: the temus. It's almost like the whole influencer world and 600 00:30:54,422 --> 00:30:58,622 Speaker 1: micro trends exists separately to the actual Australian fashion industry 601 00:30:58,742 --> 00:30:59,742 Speaker 1: of selling clothes. 602 00:30:59,902 --> 00:31:01,422 Speaker 2: Your spot interesting. 603 00:31:01,542 --> 00:31:05,902 Speaker 3: I also reckon that there is a legitimate tension that 604 00:31:05,982 --> 00:31:09,262 Speaker 3: you just spoke to Maya. You said it that first 605 00:31:09,702 --> 00:31:13,502 Speaker 3: fashion week there were you know, whether it was stylists, 606 00:31:13,582 --> 00:31:17,862 Speaker 3: magazine editors, fashion journalists who had a certain set of 607 00:31:18,102 --> 00:31:21,501 Speaker 3: training and experience that made them able to speak a 608 00:31:21,502 --> 00:31:25,062 Speaker 3: certain language and afforded them a certain understanding of what 609 00:31:25,342 --> 00:31:28,982 Speaker 3: they were watching. Right, And this isn't to undermine influences, 610 00:31:29,702 --> 00:31:33,501 Speaker 3: but what's lacking is expertise because you might be wearing 611 00:31:33,542 --> 00:31:37,062 Speaker 3: a dress that you bought online or whatever. But fashion 612 00:31:37,062 --> 00:31:41,102 Speaker 3: week can become all appearance, no substance because the people 613 00:31:41,142 --> 00:31:44,782 Speaker 3: you're speaking to don't necessarily know anything about the Australian 614 00:31:44,782 --> 00:31:49,262 Speaker 3: fashion industry. They're showing up. They're being invited because people 615 00:31:49,302 --> 00:31:52,302 Speaker 3: want them to make content or appear in content that 616 00:31:52,382 --> 00:31:55,222 Speaker 3: will go viral. So they are being used as pawns 617 00:31:55,222 --> 00:31:58,022 Speaker 3: in a game of exposure. 618 00:31:57,661 --> 00:32:01,262 Speaker 1: But also their contents about themselves. It's not about anyone else, 619 00:32:01,342 --> 00:32:04,502 Speaker 1: like when it was magazines and again, I've never been 620 00:32:04,542 --> 00:32:07,382 Speaker 1: really a fan. I've never been in that world of catwalks, 621 00:32:07,462 --> 00:32:10,622 Speaker 1: and I find them hugely problematic with the models that 622 00:32:10,661 --> 00:32:13,582 Speaker 1: they show. There are also very expensive for designers, and 623 00:32:13,622 --> 00:32:16,302 Speaker 1: I'm also not very interested in, you know, the bias 624 00:32:16,382 --> 00:32:18,782 Speaker 1: cut of that skirt length. You know, I don't find 625 00:32:18,782 --> 00:32:21,421 Speaker 1: that interesting to me. Clothes are a lot more about 626 00:32:21,462 --> 00:32:25,302 Speaker 1: feelings and about practicality. But you know, back in the 627 00:32:25,382 --> 00:32:29,102 Speaker 1: days of magazines, magazines wrote about clothes and designers, whereas 628 00:32:29,142 --> 00:32:32,622 Speaker 1: influencers are just about themselves. And that's fine, but it's 629 00:32:32,942 --> 00:32:37,142 Speaker 1: these are two different parallel tracks that almost don't intersect 630 00:32:37,182 --> 00:32:37,622 Speaker 1: at all. 631 00:32:37,702 --> 00:32:40,822 Speaker 3: The other difference is that all those years ago, if 632 00:32:40,862 --> 00:32:44,342 Speaker 3: you were a designer, for example, or even if you're 633 00:32:44,382 --> 00:32:47,421 Speaker 3: on a red carpet right let's say you're ashaketty, you 634 00:32:47,542 --> 00:32:50,782 Speaker 3: have been subject to some sort of media training. Someone 635 00:32:50,822 --> 00:32:53,862 Speaker 3: has taught you what to answer, what not to answer, 636 00:32:54,222 --> 00:32:58,342 Speaker 3: how to speak, all of that. And this sofa Doph 637 00:32:58,382 --> 00:33:01,502 Speaker 3: made of really I thought valid point, which was none 638 00:33:01,542 --> 00:33:02,622 Speaker 3: of us have media training. 639 00:33:02,742 --> 00:33:05,902 Speaker 1: Oh Jesse, come on, they grew up on social media. 640 00:33:06,022 --> 00:33:08,262 Speaker 1: The media we're talking about. 641 00:33:08,462 --> 00:33:10,822 Speaker 3: No, no, no, no, no. She had an experience at 642 00:33:10,822 --> 00:33:14,782 Speaker 3: the TikTok Awards two years ago, where Tony Armstrong was 643 00:33:14,782 --> 00:33:18,182 Speaker 3: showing her questions and she said something quite awkward and strange. 644 00:33:18,782 --> 00:33:21,782 Speaker 3: These people do not have when you work in certain industries, 645 00:33:21,782 --> 00:33:24,102 Speaker 3: when you work in media, you're an actor or whatever. 646 00:33:24,142 --> 00:33:26,582 Speaker 1: They don't. You don't get met like this seems to 647 00:33:27,102 --> 00:33:30,982 Speaker 1: like the media training is being on social media. They're 648 00:33:31,022 --> 00:33:33,062 Speaker 1: better trained than any of the rest of us. 649 00:33:33,062 --> 00:33:36,142 Speaker 3: Oh, I totally, I totally disagree. I think that this 650 00:33:36,262 --> 00:33:39,022 Speaker 3: is what happens when even like the freelance or the 651 00:33:39,062 --> 00:33:41,941 Speaker 3: individualization of the work, most of these people have never 652 00:33:41,982 --> 00:33:44,982 Speaker 3: worked in a workplace. They've never even had the privilege 653 00:33:45,022 --> 00:33:47,302 Speaker 3: of learning from other people, so they get. 654 00:33:47,222 --> 00:33:49,662 Speaker 2: Also, Jesse, you made that sound as if, oh if 655 00:33:49,702 --> 00:33:52,461 Speaker 2: only they'd all been so professional in their answers. That 656 00:33:52,582 --> 00:33:55,022 Speaker 2: wasn't the point of the whole exercise, right, The whole 657 00:33:55,062 --> 00:33:58,102 Speaker 2: point was let's create some drama to go viral. So 658 00:33:58,182 --> 00:34:00,222 Speaker 2: they did exactly what was required of them. 659 00:34:00,382 --> 00:34:04,182 Speaker 3: Yes, but then they sit there and go I felt trapped. 660 00:34:04,262 --> 00:34:06,981 Speaker 3: I felt like that was really uncomfortable. I didn't like that, 661 00:34:07,062 --> 00:34:08,902 Speaker 3: and I didn't know how to answer because I've never 662 00:34:08,902 --> 00:34:09,782 Speaker 3: been media tres. 663 00:34:09,902 --> 00:34:12,022 Speaker 1: I don't know what this mythical media training is did 664 00:34:12,062 --> 00:34:13,022 Speaker 1: you get media training? 665 00:34:13,382 --> 00:34:15,982 Speaker 2: Not really, did you learn what not to say to 666 00:34:16,022 --> 00:34:19,142 Speaker 2: a hot mic because of the consequences of having done 667 00:34:19,181 --> 00:34:19,942 Speaker 2: it once or twice? 668 00:34:20,142 --> 00:34:23,021 Speaker 3: Yeah, I reckon that when you say when you tour 669 00:34:23,102 --> 00:34:26,622 Speaker 3: a book or even just working alongside you guys, I 670 00:34:26,661 --> 00:34:29,582 Speaker 3: think that you have the privilege. I have learned so 671 00:34:29,701 --> 00:34:31,501 Speaker 3: much from both of you about what not to say. 672 00:34:31,942 --> 00:34:34,102 Speaker 1: Media training didn't help me every time I've stuck my 673 00:34:34,102 --> 00:34:36,502 Speaker 1: foot in it. I just think that this is a cycle. 674 00:34:36,701 --> 00:34:39,341 Speaker 1: Now we're making content about the content that was made 675 00:34:39,342 --> 00:34:43,501 Speaker 1: about the content. We're now about six steps removed from 676 00:34:43,542 --> 00:34:46,781 Speaker 1: the actual point of why everyone was there, which was 677 00:34:47,422 --> 00:34:50,462 Speaker 1: Australian Fashion Week and to support Australian designers and showcase 678 00:34:50,502 --> 00:34:53,301 Speaker 1: their work. I just think that's how the internet works now. 679 00:34:53,382 --> 00:34:56,582 Speaker 1: And for these influencers to say, oh, I didn't understand 680 00:34:56,582 --> 00:34:59,661 Speaker 1: what was going to happen, I mean, come on, they're 681 00:34:59,701 --> 00:35:02,221 Speaker 1: milking it and we're in an attention economy. 682 00:35:03,221 --> 00:35:05,422 Speaker 2: I'm about to tell you a story that made me 683 00:35:05,462 --> 00:35:09,022 Speaker 2: believe in romance once more because there's a couple from 684 00:35:09,022 --> 00:35:10,981 Speaker 2: the North of England, which is where I'm from. 685 00:35:11,022 --> 00:35:11,382 Speaker 4: Friends. 686 00:35:11,582 --> 00:35:14,862 Speaker 2: They're called Rachel and Norman, and it was Rachel's birthday, 687 00:35:15,062 --> 00:35:17,181 Speaker 2: and they decided to have a night out in Blackpool, 688 00:35:17,221 --> 00:35:19,982 Speaker 2: which is not the most glamorous of locations. But have 689 00:35:20,102 --> 00:35:22,501 Speaker 2: I had a night out in Blackpool in my time? Yes? 690 00:35:22,582 --> 00:35:22,821 Speaker 3: I have. 691 00:35:23,382 --> 00:35:25,022 Speaker 2: They decided to go and have a night out in 692 00:35:25,022 --> 00:35:28,542 Speaker 2: Blackpool and stay at a hotel. Right now, Rachel loves 693 00:35:28,622 --> 00:35:31,982 Speaker 2: crisps chips as you would call them, also hard relate. 694 00:35:32,062 --> 00:35:36,301 Speaker 2: They are my absolute favorite thing, and so he organized 695 00:35:36,342 --> 00:35:39,302 Speaker 2: for the hotel to buy loads of bags of crisps 696 00:35:39,342 --> 00:35:41,341 Speaker 2: to surprise his wife with for when they went up 697 00:35:41,382 --> 00:35:41,861 Speaker 2: to the room. 698 00:35:42,221 --> 00:35:44,421 Speaker 3: That's the most romantic thing I ever heard. 699 00:35:44,622 --> 00:35:48,741 Speaker 2: Yeah, thirty packets of a sortied crisps as a surprise 700 00:35:49,221 --> 00:35:53,342 Speaker 2: on the bed. But the hotel staff misunderstood Johnny's instruction 701 00:35:53,741 --> 00:35:59,462 Speaker 2: and they opened thirty packets of the sordid chick had sprinkled. 702 00:36:00,102 --> 00:36:04,542 Speaker 1: Over the bed like pettles, exactly like rosettals. 703 00:36:04,942 --> 00:36:08,261 Speaker 2: So they walked into the room, presumably for a night 704 00:36:08,302 --> 00:36:12,062 Speaker 2: of exciting passion they'd eat some crisps, to find that 705 00:36:12,142 --> 00:36:16,861 Speaker 2: the bed was a soggy, salty, fatty mess. Rachel, though, 706 00:36:17,261 --> 00:36:19,062 Speaker 2: who is trying to pull back from her four packs 707 00:36:19,062 --> 00:36:21,221 Speaker 2: of chips, a day. Did make sure to eat some 708 00:36:21,261 --> 00:36:23,622 Speaker 2: of them so as not to be wasteful, which I 709 00:36:23,661 --> 00:36:25,701 Speaker 2: think means that she also is not a fan of 710 00:36:25,741 --> 00:36:28,902 Speaker 2: fast fashion Jessy and is ethical like you are. But 711 00:36:29,102 --> 00:36:31,022 Speaker 2: I love this story to be This is. 712 00:36:30,982 --> 00:36:34,982 Speaker 3: A problem with romantic gestures. It's like you think, oh, 713 00:36:35,062 --> 00:36:37,661 Speaker 3: chocolate in the bath or something, and it's like, yeah, 714 00:36:37,661 --> 00:36:40,221 Speaker 3: you just end up with melted chocolate down your boobs, 715 00:36:40,462 --> 00:36:43,821 Speaker 3: like looking absolutely revolting, and your partner's like, this is 716 00:36:43,862 --> 00:36:45,582 Speaker 3: not the sexy moment I thought it was going to be. 717 00:36:45,942 --> 00:36:48,542 Speaker 1: Like sex in the shower or at the beach never 718 00:36:48,622 --> 00:36:51,261 Speaker 1: quite lives up to expectation rolling around in a lot 719 00:36:51,261 --> 00:36:54,181 Speaker 1: of crushed off crisps, So I reckon maybe would live 720 00:36:54,261 --> 00:36:58,382 Speaker 1: up to expectations. I think he'd get cuts after the break. 721 00:36:58,741 --> 00:37:01,062 Speaker 1: We are never ever getting back together. There's some bad 722 00:37:01,102 --> 00:37:04,982 Speaker 1: blood between Blake and Taylor, and I'll explain why in 723 00:37:05,062 --> 00:37:05,622 Speaker 1: a minute. 724 00:37:06,221 --> 00:37:09,382 Speaker 3: Every Tuesday and Thursday, we drop new segments of Mummy 725 00:37:09,582 --> 00:37:13,102 Speaker 3: out Loud just from Maya. Subscribers follow the link in 726 00:37:13,142 --> 00:37:15,462 Speaker 3: the show notes to get your daily Joseph out Loud 727 00:37:15,701 --> 00:37:24,502 Speaker 3: And a big thank you to all our current subscribers. 728 00:37:24,542 --> 00:37:32,542 Speaker 1: I'm last week Taylor Swift was subpoenaed in the upcoming 729 00:37:32,741 --> 00:37:36,941 Speaker 1: Blake Lively Justin Baldoni trial, which frankly cannot come soon 730 00:37:37,062 --> 00:37:39,822 Speaker 1: enough because I think everybody is exhausted. We spoke about 731 00:37:39,822 --> 00:37:42,661 Speaker 1: this on the show last week, but over the weekend 732 00:37:42,661 --> 00:37:46,342 Speaker 1: things got worse for both Taylor and her former best 733 00:37:46,382 --> 00:37:50,301 Speaker 1: friend Blake, and it seems like their ten year friendship 734 00:37:50,342 --> 00:37:52,622 Speaker 1: is over. And it's really sad because Taylor is the 735 00:37:52,622 --> 00:37:56,462 Speaker 1: godmother to Blake's three eldest children, her three daughters, and 736 00:37:56,622 --> 00:37:59,622 Speaker 1: they've been super tight. Remember at the Super Bowl last year, 737 00:38:00,181 --> 00:38:03,661 Speaker 1: Blake was by Taylor's side. So what happened over the 738 00:38:03,661 --> 00:38:07,702 Speaker 1: weekend is that Justin Baldoni's lawyer, Brian Friedman no relation 739 00:38:08,781 --> 00:38:11,301 Speaker 1: sent a letter or applied to the judge to have 740 00:38:11,462 --> 00:38:15,102 Speaker 1: a letter admitted into the trial. That was from an 741 00:38:15,142 --> 00:38:20,622 Speaker 1: anonymous source who said that apparently Blake's lawyer called Taylor's 742 00:38:20,661 --> 00:38:24,622 Speaker 1: lawyer a few weeks ago and said that Taylor needed 743 00:38:24,661 --> 00:38:26,941 Speaker 1: to put out a statement of support for Blake on 744 00:38:27,022 --> 00:38:30,661 Speaker 1: social media and if she didn't, Blake might have to 745 00:38:30,701 --> 00:38:37,142 Speaker 1: release ten years of texts between the two former best friends. Now, Allegedly, 746 00:38:37,422 --> 00:38:40,902 Speaker 1: Taylor's lawyer said this is extortion and hung up the 747 00:38:40,942 --> 00:38:44,062 Speaker 1: phone and ended the call. Now the judge has not 748 00:38:44,102 --> 00:38:48,381 Speaker 1: allowed this to be submitted and has said to Baldoni's team, 749 00:38:48,701 --> 00:38:51,582 Speaker 1: stops growing around. This has got nothing to do with 750 00:38:51,622 --> 00:38:54,741 Speaker 1: the case. You're just causing trouble and there's going to 751 00:38:54,741 --> 00:38:56,902 Speaker 1: be consequences if you keep doing this, because it's not 752 00:38:56,982 --> 00:39:01,982 Speaker 1: the first time. But unfortunately it was too late. Everybody's 753 00:39:01,982 --> 00:39:05,341 Speaker 1: read these allegations and lots of content's been made, and 754 00:39:06,022 --> 00:39:07,782 Speaker 1: the fact that it won't be part of the trial 755 00:39:07,862 --> 00:39:10,942 Speaker 1: is kind of neither here nor there, because now it 756 00:39:11,022 --> 00:39:13,382 Speaker 1: makes Blake look a whole lot worse. 757 00:39:13,661 --> 00:39:17,181 Speaker 2: I don't understand. So from where I'm sitting, this just 758 00:39:17,261 --> 00:39:21,701 Speaker 2: looks like Justin Baldoni is continuing to throw shit at 759 00:39:21,781 --> 00:39:23,542 Speaker 2: any shit that he can get his hands on. A 760 00:39:23,582 --> 00:39:26,942 Speaker 2: Blake Lively. Yeah, that has nothing to do with anything 761 00:39:26,982 --> 00:39:30,741 Speaker 2: they're talking about, because there's not relevant in any way. 762 00:39:30,902 --> 00:39:33,461 Speaker 3: I disagree with you, Holly. This all hinges on whether 763 00:39:33,542 --> 00:39:36,462 Speaker 3: or not Blake Lively as telling the truth. She's accused 764 00:39:36,582 --> 00:39:40,822 Speaker 3: Justin Baldoni of sexual assault, which is a really serious allegation. 765 00:39:41,542 --> 00:39:46,982 Speaker 3: If Baldoni's lawyers can prove that Blake doesn't tell the 766 00:39:46,982 --> 00:39:52,982 Speaker 3: truth and that she essentially blackmailed Taylor Swift into giving 767 00:39:53,022 --> 00:39:56,422 Speaker 3: her public support. Then all the stuff about Justin Baldoni 768 00:39:56,462 --> 00:39:59,502 Speaker 3: playing the public so was Blake to the same extent. 769 00:39:59,781 --> 00:40:01,902 Speaker 3: This is a character assessment, right. 770 00:40:01,862 --> 00:40:04,102 Speaker 2: Like, surely the problem is is he can't prove that 771 00:40:04,221 --> 00:40:06,341 Speaker 2: he didn't prove that the judge threw it out. He 772 00:40:06,422 --> 00:40:08,342 Speaker 2: just said it and now it's all over the internet. 773 00:40:08,342 --> 00:40:11,582 Speaker 3: Look, I'm with you, but play Devil's Advocate. Isn't this 774 00:40:12,582 --> 00:40:15,301 Speaker 3: the reason why you do a subpoena because you could 775 00:40:15,302 --> 00:40:17,861 Speaker 3: prove it If you subpoena Taylor Swift and you say 776 00:40:17,942 --> 00:40:20,221 Speaker 3: I want to see your text messages, then was his 777 00:40:20,342 --> 00:40:23,102 Speaker 3: idea that there would be evidence within her phone or 778 00:40:23,102 --> 00:40:26,181 Speaker 3: there would be evidence in the correspondence that this thing 779 00:40:26,261 --> 00:40:28,221 Speaker 3: had taken place between the two of them. And we 780 00:40:28,342 --> 00:40:31,102 Speaker 3: do know that there's been some sort of falling out 781 00:40:31,181 --> 00:40:34,861 Speaker 3: because the aforementioned unfollowing on Instagram. Everyone knows that that's 782 00:40:34,862 --> 00:40:36,062 Speaker 3: something you can bring to a court. 783 00:40:36,181 --> 00:40:39,542 Speaker 1: Right there are two courts playing out in parallel. One 784 00:40:39,542 --> 00:40:41,142 Speaker 1: is the court of public opinion and the other is 785 00:40:41,181 --> 00:40:44,542 Speaker 1: the actual court court. And while the court court will 786 00:40:44,542 --> 00:40:49,502 Speaker 1: not hear this allegation about Blake, allegedly trying to extort 787 00:40:49,542 --> 00:40:53,861 Speaker 1: Taylor through their lawyers. The court of public opinion has 788 00:40:53,902 --> 00:40:57,422 Speaker 1: been all over it, and it's you know, all over TikTok, 789 00:40:57,422 --> 00:41:00,062 Speaker 1: it's all over social media. We're talking about it now, 790 00:41:00,622 --> 00:41:03,942 Speaker 1: and so it's really just part of this mutually assured 791 00:41:03,982 --> 00:41:09,542 Speaker 1: destruction and smear campaign that is just had so many casualties, 792 00:41:09,902 --> 00:41:15,782 Speaker 1: you know, friendships that have been decades long, and relationships 793 00:41:15,822 --> 00:41:20,661 Speaker 1: and reputations and careers and job opportunities and the collateral damage. 794 00:41:20,701 --> 00:41:24,102 Speaker 1: I mean, even the press tour for Blake Lively's recent 795 00:41:24,142 --> 00:41:27,342 Speaker 1: movie and other simple favor with Anna Kendrick and a 796 00:41:27,422 --> 00:41:31,221 Speaker 1: Kendricks dragged into it. Like everybody within a million mile 797 00:41:31,422 --> 00:41:35,781 Speaker 1: radius of this Blast from It ends with us, and 798 00:41:35,862 --> 00:41:38,942 Speaker 1: that movie is just going down and is being smart 799 00:41:38,982 --> 00:41:41,982 Speaker 1: and it's awful to watch. Like, can you imagine Taylor Swift, 800 00:41:42,142 --> 00:41:46,062 Speaker 1: She's just finished her tour, She's trying to just stay 801 00:41:46,062 --> 00:41:49,381 Speaker 1: inside and be away from the spotlight. This has got 802 00:41:49,462 --> 00:41:52,542 Speaker 1: nothing to do with her, and she's been portrayed as 803 00:41:52,582 --> 00:41:55,462 Speaker 1: a main character in a narrative that she wants my. 804 00:41:55,502 --> 00:41:57,422 Speaker 2: Part of by Justin Baldoni. 805 00:41:57,661 --> 00:42:00,622 Speaker 1: Yeah, by Justin Baldoni. And it just feels like, I 806 00:42:00,622 --> 00:42:03,741 Speaker 1: don't know the level of betrayal. Imagine that this. 807 00:42:03,741 --> 00:42:06,142 Speaker 3: Court case isn't actually going to happen until twenty twenty six, 808 00:42:06,181 --> 00:42:07,142 Speaker 3: So we've got another. 809 00:42:07,382 --> 00:42:09,301 Speaker 2: It might not happen at all. I wouldn't be in 810 00:42:09,342 --> 00:42:11,381 Speaker 2: the a bit surprised if it doesn't happen at all 811 00:42:11,462 --> 00:42:14,262 Speaker 2: after all of this mess, Like, how is it possibly 812 00:42:14,261 --> 00:42:14,822 Speaker 2: going to happen? 813 00:42:14,942 --> 00:42:16,981 Speaker 3: I wonder though, I mean, I know you're saying that 814 00:42:17,102 --> 00:42:19,182 Speaker 3: these people have nothing to do with it. But if 815 00:42:19,422 --> 00:42:24,342 Speaker 3: Blake Lively's lawyer threatened Taylor Swift, then that is a crime. 816 00:42:24,781 --> 00:42:26,582 Speaker 1: But we don't know if that's we don't we don't 817 00:42:26,622 --> 00:42:27,741 Speaker 1: know if it's true. 818 00:42:28,062 --> 00:42:33,142 Speaker 3: But Friedman, the lawyer, signed an Affidavid saying that this 819 00:42:33,342 --> 00:42:34,462 Speaker 3: was true, which. 820 00:42:34,342 --> 00:42:37,062 Speaker 2: Well, he's saying an ath of David saying that somebody 821 00:42:37,142 --> 00:42:39,261 Speaker 2: told someone told it was true. 822 00:42:39,062 --> 00:42:41,542 Speaker 3: That someone told him it was true, and that holds 823 00:42:41,582 --> 00:42:44,661 Speaker 3: penalties of perjury. So that is a big swing. If 824 00:42:44,661 --> 00:42:47,742 Speaker 3: this is made up, then he took a big risk 825 00:42:48,181 --> 00:42:51,702 Speaker 3: to go and put this out there at all. Someone 826 00:42:51,741 --> 00:42:53,381 Speaker 3: has sat on the phone with him for an hour 827 00:42:53,822 --> 00:42:56,142 Speaker 3: and told him, he said that this person is very 828 00:42:56,181 --> 00:42:57,422 Speaker 3: closely linked to Taylor Swift. 829 00:42:57,462 --> 00:42:58,901 Speaker 1: I don't know if it was a very big risk, 830 00:42:58,982 --> 00:43:00,701 Speaker 1: because I think he knew that the gidge. 831 00:43:00,462 --> 00:43:02,861 Speaker 2: It would get thrown out, So it's not a risk 832 00:43:02,902 --> 00:43:04,902 Speaker 2: at all. It's just shit throwing because he knew that 833 00:43:04,942 --> 00:43:06,542 Speaker 2: he was going to say it, the judge was going 834 00:43:06,622 --> 00:43:09,262 Speaker 2: to say, that's bullshit. But it doesn't matter. It doesn't 835 00:43:09,261 --> 00:43:11,941 Speaker 2: matter because, as MIAs said, as long as it got 836 00:43:11,982 --> 00:43:14,942 Speaker 2: to be in the spotlight for a second, that's all 837 00:43:15,022 --> 00:43:16,821 Speaker 2: that mattered. And that's one of the things I keep 838 00:43:16,862 --> 00:43:20,462 Speaker 2: thinking about this trial because I'm not a massive swifty 839 00:43:20,542 --> 00:43:22,781 Speaker 2: like you are, Mia, of course, but it makes me 840 00:43:22,982 --> 00:43:26,861 Speaker 2: very sad if it is true that their relationship is over. 841 00:43:26,982 --> 00:43:30,382 Speaker 2: As in Blake and Taylor friendship breakups as we know, 842 00:43:30,462 --> 00:43:34,221 Speaker 2: are devastating, never mind when they are that entrenched like 843 00:43:34,342 --> 00:43:36,662 Speaker 2: this is not just they were just having their picture 844 00:43:36,661 --> 00:43:38,941 Speaker 2: taken together for a couple of years. This was, as 845 00:43:38,942 --> 00:43:42,342 Speaker 2: you say, godmother to the kids, holidayed together all the time, 846 00:43:42,822 --> 00:43:46,742 Speaker 2: Taylor's written songs about. Apparently, this is a very intense 847 00:43:46,741 --> 00:43:49,582 Speaker 2: friendship and if it has crumbled, that's really sad. But 848 00:43:49,661 --> 00:43:53,741 Speaker 2: the other thing is it's really interesting how this, as 849 00:43:53,781 --> 00:43:55,821 Speaker 2: you've said, Mia, this court case is playing out in 850 00:43:55,822 --> 00:43:57,502 Speaker 2: the court of public opinion as well as in the 851 00:43:57,661 --> 00:44:00,862 Speaker 2: legal process, and it's the court of public opinion that matters. 852 00:44:00,862 --> 00:44:03,821 Speaker 2: And Baldoni knows that too, as we know from way 853 00:44:03,822 --> 00:44:07,341 Speaker 2: back when the text messages that aren't disputed where he's 854 00:44:07,382 --> 00:44:10,221 Speaker 2: like bury her. He knows that all that matters is 855 00:44:10,261 --> 00:44:13,781 Speaker 2: the publicity around this case. And now it's so interesting 856 00:44:13,822 --> 00:44:17,982 Speaker 2: because tabloid reporting about celebrities has always been toxic, it's 857 00:44:17,982 --> 00:44:21,382 Speaker 2: always been bitter, it's always skewed to the negative, but 858 00:44:21,422 --> 00:44:24,221 Speaker 2: it used to come from the outside. And now it's 859 00:44:24,382 --> 00:44:28,622 Speaker 2: like because it all plays out in excavation of clues 860 00:44:28,741 --> 00:44:31,102 Speaker 2: on social media and grabs of this and grabs of 861 00:44:31,102 --> 00:44:32,622 Speaker 2: that and holding that up to the light and who's 862 00:44:32,661 --> 00:44:36,822 Speaker 2: unfollowed who, and it's worse and more intrusive than ever 863 00:44:36,982 --> 00:44:38,022 Speaker 2: in so many ways. 864 00:44:38,261 --> 00:44:41,622 Speaker 3: I'm still stuck on this point. Okay, if Justin Beldoni 865 00:44:42,781 --> 00:44:47,022 Speaker 3: called the most famous person in the entire world, let's 866 00:44:47,022 --> 00:44:50,382 Speaker 3: say it was George Clooney, and said, you better release 867 00:44:50,502 --> 00:44:53,062 Speaker 3: a public statement. If this was an allegation not proved, 868 00:44:53,102 --> 00:44:56,142 Speaker 3: if this was a rumor going around that he said, 869 00:44:56,261 --> 00:44:59,422 Speaker 3: you better provide some public support, put out a public statement, 870 00:44:59,462 --> 00:45:01,462 Speaker 3: or I am going to release all our text messages. 871 00:45:01,661 --> 00:45:03,542 Speaker 3: Do we not think that that would be relevant to 872 00:45:03,582 --> 00:45:04,102 Speaker 3: the case. 873 00:45:04,661 --> 00:45:07,422 Speaker 2: But it's not real to the case because the case is. 874 00:45:07,422 --> 00:45:10,302 Speaker 1: About what happened between Justin and Blake, not what happened 875 00:45:10,302 --> 00:45:13,861 Speaker 1: between Blake and No Taylor between them. 876 00:45:13,862 --> 00:45:16,302 Speaker 3: But the case is also what happened afterwards. The case 877 00:45:16,382 --> 00:45:19,861 Speaker 3: is about defamation, the case is about bots, but. 878 00:45:19,781 --> 00:45:22,062 Speaker 2: It's got nothing to do with Taylor Swift. 879 00:45:22,102 --> 00:45:25,741 Speaker 1: This is all stuff that's happened after the case. Like, 880 00:45:25,781 --> 00:45:29,221 Speaker 1: the case doesn't just keep going indefinitely. I mean, there 881 00:45:29,221 --> 00:45:31,342 Speaker 1: can be other cases about that. This is like the 882 00:45:31,422 --> 00:45:33,781 Speaker 1: hydra of this case. There are cases that are just 883 00:45:33,822 --> 00:45:35,822 Speaker 1: springing up and everybody suing everybody. 884 00:45:35,902 --> 00:45:38,421 Speaker 3: I think that this is how court cases work, though, 885 00:45:38,462 --> 00:45:40,942 Speaker 3: Like even if you looked at Bruce Lehman and Britney Higgins, 886 00:45:40,942 --> 00:45:42,422 Speaker 3: the shit that came up in that that you went, 887 00:45:42,502 --> 00:45:43,342 Speaker 3: how is that relevant? 888 00:45:43,422 --> 00:45:45,861 Speaker 1: This is how that's when everyone started to sue each 889 00:45:45,862 --> 00:45:46,982 Speaker 1: other exactly exactly. 890 00:45:47,181 --> 00:45:49,102 Speaker 3: And so I'm just saying I don't think that it's 891 00:45:49,741 --> 00:45:54,261 Speaker 3: ridiculous or totally irrelevant. I think that this detail I 892 00:45:54,302 --> 00:45:56,381 Speaker 3: can understand why a lawyer would bring it. 893 00:45:56,342 --> 00:45:58,062 Speaker 2: Up, But what's crappy about it? 894 00:45:58,102 --> 00:45:58,301 Speaker 1: Though? 895 00:45:58,382 --> 00:46:01,902 Speaker 2: Is that, as we've already said, it's not necessarily true, 896 00:46:02,062 --> 00:46:04,221 Speaker 2: but you just believe it to be true because you've 897 00:46:04,221 --> 00:46:06,981 Speaker 2: been told. And so the court of public opinion has 898 00:46:07,022 --> 00:46:09,462 Speaker 2: reached its verdict, and it generally seems to be the 899 00:46:09,582 --> 00:46:11,502 Speaker 2: Blake Lively is not a nice person. 900 00:46:11,942 --> 00:46:14,261 Speaker 1: I watched another simple Favor on the weekend, and I 901 00:46:14,302 --> 00:46:18,142 Speaker 1: watched a simple favor as well. She's a movie star, 902 00:46:18,462 --> 00:46:20,782 Speaker 1: like she is an actual movie star in the sense 903 00:46:20,822 --> 00:46:24,502 Speaker 1: of there are some people like Julia Roberts and George 904 00:46:24,502 --> 00:46:28,221 Speaker 1: Clooney who just pop off the screen, and I think 905 00:46:28,261 --> 00:46:30,502 Speaker 1: Blake Lively does like whatever you think of her personally. 906 00:46:30,542 --> 00:46:33,142 Speaker 1: And I know it's really hard in many ways for 907 00:46:33,822 --> 00:46:37,982 Speaker 1: celebrities and movie stars of today because of everything we 908 00:46:38,062 --> 00:46:41,301 Speaker 1: know about them, like the Timothy Shallomys, and we know 909 00:46:41,701 --> 00:46:43,261 Speaker 1: so much about their lives in a way that we 910 00:46:43,302 --> 00:46:47,022 Speaker 1: didn't really so much of the Julia Roberts's and the 911 00:46:47,062 --> 00:46:52,102 Speaker 1: Winnona Riders and celebrities of previous generations. But Blake Lively 912 00:46:52,622 --> 00:46:55,181 Speaker 1: has an amazing presence on screen. I thought, I mean, 913 00:46:55,181 --> 00:46:57,022 Speaker 1: those movies are absurd, but they are actually, you know, 914 00:46:57,142 --> 00:46:59,301 Speaker 1: quite a good time, and she was very good in them. 915 00:46:59,342 --> 00:47:00,222 Speaker 1: So is Anna Kendry. 916 00:47:00,661 --> 00:47:02,741 Speaker 2: That is all we've got time for out louders on 917 00:47:02,781 --> 00:47:05,222 Speaker 2: our Monday show if we've stunted a bit funny to today. 918 00:47:05,261 --> 00:47:07,542 Speaker 2: By the way, we are still little recording remotely, so 919 00:47:07,582 --> 00:47:10,102 Speaker 2: we're all in our different homes dealing with doggies and 920 00:47:10,142 --> 00:47:13,142 Speaker 2: different things. So massive thank you to our team for 921 00:47:13,261 --> 00:47:15,022 Speaker 2: juggling all of that to bring you the show, and 922 00:47:15,062 --> 00:47:16,941 Speaker 2: to all of you for being here with us. We'll 923 00:47:16,942 --> 00:47:18,821 Speaker 2: be back in your ears tomorrow. 924 00:47:19,062 --> 00:47:19,902 Speaker 4: Bye bye. 925 00:47:21,062 --> 00:47:24,221 Speaker 1: Shout out to any Mum and Maya subscribers listening. If 926 00:47:24,261 --> 00:47:26,862 Speaker 1: you love the show and want to support us as well, 927 00:47:27,062 --> 00:47:29,461 Speaker 1: subscribing to Mom and Miya is the very best way 928 00:47:29,462 --> 00:47:31,982 Speaker 1: to do so. There is a link in the episode description.