1 00:00:11,104 --> 00:00:11,384 Speaker 1: So much. 2 00:00:11,424 --> 00:00:14,104 Speaker 2: You're listening to a Muma Mia podcast. 3 00:00:14,784 --> 00:00:18,664 Speaker 1: Mamma Mia acknowledges the traditional owners of land and borders 4 00:00:18,704 --> 00:00:26,664 Speaker 1: that this podcast is recorded on from Mama Mia. Welcome 5 00:00:26,704 --> 00:00:28,984 Speaker 1: to the Spill your daily pop culture fix. 6 00:00:29,104 --> 00:00:31,504 Speaker 2: I'm Laura Brodnick and I'm Cascena Lukitch. 7 00:00:31,864 --> 00:00:34,704 Speaker 1: And coming up on the show's day, a very passionate 8 00:00:34,744 --> 00:00:37,784 Speaker 1: topic that we're going to dive into because we've bere 9 00:00:37,824 --> 00:00:39,864 Speaker 1: even had our morning meeting this morning, we just came 10 00:00:39,904 --> 00:00:42,384 Speaker 1: in and started ranting about this. A whole bunch of 11 00:00:42,424 --> 00:00:44,664 Speaker 1: new reboots have been announced, a whole bunch of new 12 00:00:44,704 --> 00:00:48,024 Speaker 1: sequels of some of our favorite movies growing up, and 13 00:00:48,184 --> 00:00:50,024 Speaker 1: it has divided the world. We're going to get into 14 00:00:50,024 --> 00:00:52,984 Speaker 1: that because some harsh truths need to be told. 15 00:00:53,464 --> 00:00:57,304 Speaker 2: Yes, but first another sequel slash reboot. 16 00:00:57,744 --> 00:01:00,344 Speaker 1: All my thoughts aside for this one, well, just we'll. 17 00:01:00,104 --> 00:01:03,304 Speaker 2: Do this first. Because over the weekend I watched Happy 18 00:01:03,344 --> 00:01:04,744 Speaker 2: Gilmore too, Me too? 19 00:01:05,504 --> 00:01:07,064 Speaker 1: And wait when did you watch it? We'll watch it 20 00:01:07,064 --> 00:01:08,744 Speaker 1: the same time. I watched it on Saturday afternoon. 21 00:01:08,824 --> 00:01:09,784 Speaker 2: I watched it Sunday night. 22 00:01:10,024 --> 00:01:12,424 Speaker 1: Okay, I put my phone in a different room. I 23 00:01:12,504 --> 00:01:14,464 Speaker 1: like blacked out my curtains. I was like, no one 24 00:01:14,504 --> 00:01:14,904 Speaker 1: talked to me. 25 00:01:15,224 --> 00:01:17,704 Speaker 2: The bar was low for me. I wasn't feeling that 26 00:01:18,104 --> 00:01:21,864 Speaker 2: excited about it. My husband watched it on Friday night. 27 00:01:22,264 --> 00:01:23,784 Speaker 1: Separate viewing. I love that for you guys. 28 00:01:24,184 --> 00:01:26,584 Speaker 2: We never watched things together. Yeah, that's as it should 29 00:01:26,584 --> 00:01:29,784 Speaker 2: be because one of us is doing kids. It's just 30 00:01:29,864 --> 00:01:33,824 Speaker 2: we don't have the time to do the same shows together. 31 00:01:33,944 --> 00:01:35,104 Speaker 2: We also have a different taste. 32 00:01:35,144 --> 00:01:36,904 Speaker 1: Yeah, I know that tells me you're a healthy couple. 33 00:01:37,544 --> 00:01:40,504 Speaker 2: Yeah, we'll see how we go. So I watched it 34 00:01:40,664 --> 00:01:44,824 Speaker 2: and I was really pleasantly surprised. Me too. 35 00:01:45,144 --> 00:01:47,624 Speaker 1: Do you think it's because we went in not expecting 36 00:01:47,664 --> 00:01:50,144 Speaker 1: it to be this like big spectacle. I went in 37 00:01:50,224 --> 00:01:53,264 Speaker 1: just thinking, like, I love Adam Sandler. I love that 38 00:01:53,344 --> 00:01:55,544 Speaker 1: man so much. I love the movies he makes, and 39 00:01:55,584 --> 00:01:57,824 Speaker 1: this is just dipping a toe back into this world 40 00:01:57,864 --> 00:02:00,304 Speaker 1: he created, and that's all I want from it. 41 00:02:00,984 --> 00:02:05,984 Speaker 2: My name is Happy Gilmore. Thirty years ago I decided 42 00:02:06,024 --> 00:02:07,144 Speaker 2: to give GoF a train. 43 00:02:08,824 --> 00:02:10,784 Speaker 1: But even when you're at the top of your game, 44 00:02:13,104 --> 00:02:14,624 Speaker 1: you can always shank one. 45 00:02:14,904 --> 00:02:20,664 Speaker 2: Happy Gilmour sucks. How are you gonna put Vienna through 46 00:02:20,704 --> 00:02:23,984 Speaker 2: ballet school? It's seventy five thousand dollars a year. That's 47 00:02:23,984 --> 00:02:26,104 Speaker 2: four years. That's three hundred and thirty three grand. 48 00:02:26,504 --> 00:02:31,304 Speaker 1: That's terrible math, Johnny, it's three hundred grand. 49 00:02:31,744 --> 00:02:34,624 Speaker 2: Remember the Happy Place I Went to? You go to yours? 50 00:02:36,344 --> 00:02:39,704 Speaker 2: Often with these sequels that happen a long time after 51 00:02:39,784 --> 00:02:43,464 Speaker 2: the original movie, you rehash the same jokes over and 52 00:02:43,464 --> 00:02:47,864 Speaker 2: over again, which definitely happens in Happy gon War two. 53 00:02:47,944 --> 00:02:50,624 Speaker 2: We're gonna do some spoilers, so oh yeah. 54 00:02:50,504 --> 00:02:53,624 Speaker 1: Okay, well maybe not spoiler spoilers, but it's mostly all 55 00:02:53,664 --> 00:02:54,024 Speaker 1: out there. 56 00:02:54,064 --> 00:02:56,104 Speaker 2: But if you haven't seen it and you like really 57 00:02:56,104 --> 00:02:58,584 Speaker 2: want to keep it to yourself, then maybe just kind 58 00:02:58,584 --> 00:02:59,064 Speaker 2: of It's. 59 00:02:58,904 --> 00:03:00,864 Speaker 1: Also, I guess, not a movie littered with plot twists, 60 00:03:00,904 --> 00:03:02,264 Speaker 1: Like you kind of know what's gonna happen to go 61 00:03:02,304 --> 00:03:03,864 Speaker 1: into it, and that's part of the comfort of knowing 62 00:03:03,904 --> 00:03:05,344 Speaker 1: that it's going to have a happy ending. There are 63 00:03:05,344 --> 00:03:06,264 Speaker 1: no plot twists. 64 00:03:06,384 --> 00:03:09,944 Speaker 2: But even though they rehashed similar jokes, it did seem 65 00:03:09,984 --> 00:03:13,984 Speaker 2: quite fresh. What they did quite a lot of is 66 00:03:14,184 --> 00:03:17,744 Speaker 2: using the old footage from the original movie and injecting 67 00:03:17,784 --> 00:03:21,344 Speaker 2: it into it, which kind of built that nostalgia up. 68 00:03:21,664 --> 00:03:24,944 Speaker 2: I think for me, some of the big big things 69 00:03:24,944 --> 00:03:27,984 Speaker 2: that I really really loved Bad Bunny. I think was 70 00:03:28,024 --> 00:03:29,024 Speaker 2: a real standout. 71 00:03:29,344 --> 00:03:31,224 Speaker 1: That was someone I had a bit of nerves about 72 00:03:31,224 --> 00:03:33,344 Speaker 1: about him coming in there, because I was like, I 73 00:03:33,384 --> 00:03:35,544 Speaker 1: know that man is very hot, and I know he's 74 00:03:35,544 --> 00:03:37,504 Speaker 1: got great songs, but I just didn't think he'd have 75 00:03:37,544 --> 00:03:38,624 Speaker 1: the comedic timing. 76 00:03:38,904 --> 00:03:41,704 Speaker 2: Have you seen his Shrek snl' sketch? 77 00:03:41,824 --> 00:03:44,024 Speaker 1: No? No, I know he can do sketches and things. 78 00:03:44,064 --> 00:03:46,224 Speaker 1: I know he often comes on like talk shows with 79 00:03:46,264 --> 00:03:48,544 Speaker 1: like a little prepared bit, but I don't know because 80 00:03:48,544 --> 00:03:50,624 Speaker 1: he had quite a bigger part than I thought. When 81 00:03:50,664 --> 00:03:52,344 Speaker 1: I found out it was more of like a supporting 82 00:03:52,424 --> 00:03:54,184 Speaker 1: role than a cameo, That's when I got nervous. 83 00:03:54,304 --> 00:03:57,704 Speaker 2: Yeah, I honestly think he was an absolute stand out 84 00:03:57,744 --> 00:04:03,544 Speaker 2: to me. Amazing comedic timing, so so funny, like just 85 00:04:03,584 --> 00:04:07,944 Speaker 2: his little quips, the way he played his character, Like, 86 00:04:08,304 --> 00:04:10,984 Speaker 2: I think this guy has a future in comedy. I 87 00:04:11,024 --> 00:04:12,384 Speaker 2: was blown away by him. 88 00:04:12,544 --> 00:04:15,344 Speaker 1: Travis kelcey wishes you were talking about him right now. 89 00:04:15,384 --> 00:04:19,544 Speaker 1: So that's all he wants people to say about his Okay, obviously. 90 00:04:19,144 --> 00:04:21,464 Speaker 2: We know that Travis kelce had a cameo in it, 91 00:04:22,104 --> 00:04:25,864 Speaker 2: the bit where ok here's a slight spoiler and it 92 00:04:25,944 --> 00:04:28,624 Speaker 2: was also kind of erotic. When Bad Bunny is like 93 00:04:28,984 --> 00:04:32,184 Speaker 2: pasting honey on his chest, I was like, oh, and 94 00:04:32,224 --> 00:04:37,144 Speaker 2: then something more aggressive happens. But I kind of wanted 95 00:04:37,184 --> 00:04:39,144 Speaker 2: to go through a couple of the cameos because there 96 00:04:39,184 --> 00:04:43,504 Speaker 2: are a lot of cameos. It is probably one of 97 00:04:43,584 --> 00:04:46,544 Speaker 2: the most cameo heavy movies I've seen in a very 98 00:04:46,624 --> 00:04:51,304 Speaker 2: long time. I think partly it's because Adam has such 99 00:04:51,344 --> 00:04:54,344 Speaker 2: a broad range of people who love to work with 100 00:04:54,424 --> 00:04:57,384 Speaker 2: him and to such an iconic movie that everybody just 101 00:04:57,424 --> 00:04:59,584 Speaker 2: wanted to be a part of it. Margaret Qually was 102 00:04:59,624 --> 00:05:02,504 Speaker 2: one of them. She plays a very very small role 103 00:05:02,544 --> 00:05:05,184 Speaker 2: towards the beginning, but she just wanted to be in it. 104 00:05:05,704 --> 00:05:09,384 Speaker 2: So some of the big ones we've got, obviously Marcelo Hernandez, 105 00:05:09,504 --> 00:05:14,224 Speaker 2: who plays Estebahn so he's from SNL. I think he 106 00:05:14,264 --> 00:05:17,664 Speaker 2: plays a really great role. We've got post Malone shows 107 00:05:17,744 --> 00:05:21,624 Speaker 2: up in there, Steve Buscemi, Eminem it's a blink and 108 00:05:21,664 --> 00:05:25,784 Speaker 2: you'll miss it Eminem cameo and I actually kind of 109 00:05:26,424 --> 00:05:30,504 Speaker 2: didn't quite realize until a few minutes, Like it really 110 00:05:31,064 --> 00:05:33,944 Speaker 2: threw me because it does not look like Eminem and 111 00:05:34,024 --> 00:05:37,344 Speaker 2: it's basically a complete family affair. Every single person in 112 00:05:37,424 --> 00:05:41,264 Speaker 2: Adam Sander's family is in this movie. Sonny Sandler plays 113 00:05:41,304 --> 00:05:46,064 Speaker 2: his actual daughter, Sadie Sandler plays another character in the show. 114 00:05:46,664 --> 00:05:50,584 Speaker 2: His real life wife, Jackie Sandler, plays the ballet teacher 115 00:05:51,184 --> 00:05:55,424 Speaker 2: Judy Sandler. Adam Sandler's mom is in it, like they're 116 00:05:55,584 --> 00:05:59,664 Speaker 2: all there, and then obviously Ben Stiller reprises his role. 117 00:06:00,264 --> 00:06:04,064 Speaker 2: I also really love Christopher McDonald as Shoot McGavin. I 118 00:06:04,104 --> 00:06:08,744 Speaker 2: think he really changed his character a bit. So if 119 00:06:08,744 --> 00:06:11,704 Speaker 2: you don't know SHOOTE mcgavon based goes insane, he ends 120 00:06:11,744 --> 00:06:13,824 Speaker 2: up in the same asylum, and I feel like he 121 00:06:13,944 --> 00:06:16,104 Speaker 2: just did such a good job of playing this like 122 00:06:16,624 --> 00:06:22,224 Speaker 2: crazed lunatic. I just thought it was touching and really nice. 123 00:06:22,784 --> 00:06:28,224 Speaker 2: But spillers may not know some of the cameos because 124 00:06:28,264 --> 00:06:32,784 Speaker 2: it's not really our vibe. Now I have an insider 125 00:06:32,864 --> 00:06:36,504 Speaker 2: source akaa, my husband who was telling me about all 126 00:06:36,544 --> 00:06:40,864 Speaker 2: of the golf cameos. Did you know any of this? 127 00:06:41,264 --> 00:06:44,104 Speaker 2: Like when you watched it, did you clock who was 128 00:06:44,144 --> 00:06:45,904 Speaker 2: like a golf a golf star. 129 00:06:46,584 --> 00:06:48,544 Speaker 1: I didn't know their names because I don't really follow 130 00:06:48,584 --> 00:06:51,264 Speaker 1: professional golf circles, but every time they brought in someone 131 00:06:51,264 --> 00:06:54,184 Speaker 1: who was clearly like a plant from the golfing world 132 00:06:54,224 --> 00:06:56,584 Speaker 1: playing themselves. It did kind of feel a bit obvious. 133 00:06:56,744 --> 00:07:00,464 Speaker 2: So it is basically my husband was like, oh, it's 134 00:07:00,464 --> 00:07:03,264 Speaker 2: the who's who of golf. I had no idea, but 135 00:07:03,304 --> 00:07:06,864 Speaker 2: he's like, oh, it's Rory mcenroyal and Brick Coker and Bryson. 136 00:07:06,904 --> 00:07:09,384 Speaker 2: And I was like, uh huh uh huh yep, okay, 137 00:07:09,384 --> 00:07:12,144 Speaker 2: cool yep. And there's an Ba's stars in there, there's 138 00:07:12,184 --> 00:07:16,624 Speaker 2: soccer stars in there. It is just very, very cameo heavy. 139 00:07:16,704 --> 00:07:22,224 Speaker 2: But it doesn't feel overdone to me. So anyway, needless 140 00:07:22,264 --> 00:07:25,384 Speaker 2: to say, I really enjoyed it. It's silly, it's funny. 141 00:07:25,544 --> 00:07:28,664 Speaker 2: It's not gonna win an Oscar, but if you enjoy 142 00:07:28,864 --> 00:07:32,864 Speaker 2: that kind of humor, you will enjoy this. Showa nana. 143 00:07:33,984 --> 00:07:37,584 Speaker 2: So we've spoken a lot about reboots and sequels and 144 00:07:37,624 --> 00:07:39,824 Speaker 2: it's kind of been a conversation that's been happening a 145 00:07:39,824 --> 00:07:42,504 Speaker 2: lot of and we've kind of taken ourselves out of 146 00:07:42,544 --> 00:07:46,104 Speaker 2: it because it does feel rehashed a bit, but it 147 00:07:46,144 --> 00:07:49,904 Speaker 2: does feel like it's kind of reaching fever pitch at 148 00:07:49,944 --> 00:07:54,784 Speaker 2: the moment. So today it was announced that Bendett, like Beckham, 149 00:07:55,104 --> 00:07:58,944 Speaker 2: looks like it maybe getting a sequel. We've got Fokker 150 00:07:59,104 --> 00:08:02,184 Speaker 2: in law. Ben Stilla announced that on his Instagram Devil 151 00:08:02,184 --> 00:08:09,624 Speaker 2: Wears product too Freaky of Friday. It's just really overtaking Hollywood, 152 00:08:10,384 --> 00:08:12,584 Speaker 2: and I feel like we kind of want to like 153 00:08:12,664 --> 00:08:15,344 Speaker 2: dissect it a little bit and like do we like 154 00:08:15,424 --> 00:08:17,224 Speaker 2: it or do we not like it? 155 00:08:17,464 --> 00:08:19,824 Speaker 1: Well, like I think about ten years into this conversation 156 00:08:19,904 --> 00:08:23,464 Speaker 1: when there's really reached, when I think studios and streamers 157 00:08:23,464 --> 00:08:26,024 Speaker 1: in particular started realizing that they could just take these 158 00:08:26,064 --> 00:08:29,024 Speaker 1: properties and reboot them and do sequels. And the hard 159 00:08:29,024 --> 00:08:30,704 Speaker 1: thing is that I've been like a little on board 160 00:08:30,744 --> 00:08:33,264 Speaker 1: with it because I understand why they're doing it. It's 161 00:08:33,304 --> 00:08:35,944 Speaker 1: the only way apart from like a big tent pole 162 00:08:36,024 --> 00:08:38,984 Speaker 1: like Marvel, which is also taking material that has a 163 00:08:39,064 --> 00:08:40,984 Speaker 1: huge fan base and making it into movies. It's the 164 00:08:40,984 --> 00:08:43,584 Speaker 1: only way a lot of studios can make money now 165 00:08:43,664 --> 00:08:46,064 Speaker 1: with the way like the film industry is collapsing, So 166 00:08:46,104 --> 00:08:48,424 Speaker 1: they know if they do a reboot or a sequel, 167 00:08:48,464 --> 00:08:50,944 Speaker 1: there's a built in audience. And so for a while 168 00:08:50,944 --> 00:08:52,944 Speaker 1: there I was kind of on board with it. But 169 00:08:53,184 --> 00:08:56,664 Speaker 1: now it's infiltrated the market so much it's just like 170 00:08:56,704 --> 00:08:59,344 Speaker 1: I feel like it's squeezed every little bit of creativity 171 00:08:59,384 --> 00:09:01,064 Speaker 1: and interest out. We'll just think of like the content 172 00:09:01,104 --> 00:09:04,544 Speaker 1: we've been doing recently, Happy Gone More too, I know 173 00:09:04,584 --> 00:09:06,664 Speaker 1: what you did last summer, which is a reboot and 174 00:09:06,704 --> 00:09:09,704 Speaker 1: the same kind of material talking constantly about the devil 175 00:09:09,704 --> 00:09:12,584 Speaker 1: weares prior to and practical magic too. And it's just 176 00:09:13,104 --> 00:09:16,304 Speaker 1: everything in our world at the moment is so center 177 00:09:16,344 --> 00:09:18,944 Speaker 1: on reboots and sequels. It just feels like we're in 178 00:09:18,944 --> 00:09:21,064 Speaker 1: this like constant loop now that we can't get. 179 00:09:20,944 --> 00:09:23,184 Speaker 2: Out of, and it's almost like a little bit of 180 00:09:23,744 --> 00:09:26,624 Speaker 2: you know, sucking the creativity out. You know, you start 181 00:09:26,664 --> 00:09:30,784 Speaker 2: to miss out on those original ideas, Like you think 182 00:09:30,784 --> 00:09:35,344 Speaker 2: about a movie like Parasite, which was so obviously an 183 00:09:35,344 --> 00:09:40,504 Speaker 2: Oscar winner and so revolutionary that it feels like sometimes 184 00:09:40,544 --> 00:09:45,744 Speaker 2: we miss out on those really unique and different ideas. 185 00:09:46,624 --> 00:09:51,304 Speaker 2: The thing is, the studios know that this is what's 186 00:09:51,344 --> 00:09:53,984 Speaker 2: going to bring in the dollars. The data doesn't lie, 187 00:09:54,624 --> 00:10:00,024 Speaker 2: and in an economy where everything is streaming, studios rely 188 00:10:00,184 --> 00:10:03,024 Speaker 2: on at our Netflix, Disney Plus stand all of these 189 00:10:03,544 --> 00:10:08,344 Speaker 2: studios rely on the data that comes from it, and 190 00:10:08,384 --> 00:10:11,464 Speaker 2: what the data shows them is that but this is 191 00:10:11,504 --> 00:10:15,464 Speaker 2: what is being strange, this is what is being played, 192 00:10:16,304 --> 00:10:20,624 Speaker 2: and it's almost like this emotional comfort food for viewers. 193 00:10:21,064 --> 00:10:22,504 Speaker 1: And the hard thing is, like I do feel like 194 00:10:22,504 --> 00:10:24,024 Speaker 1: a little bit of a hypocrite because I know, like 195 00:10:24,064 --> 00:10:25,744 Speaker 1: We've had a lot of shows lately where I've been like, 196 00:10:25,744 --> 00:10:28,384 Speaker 1: oh my god, practical magic too, tell me everything, hook 197 00:10:28,384 --> 00:10:30,544 Speaker 1: it to my veins kind of thing, and then at 198 00:10:30,584 --> 00:10:33,104 Speaker 1: the same time there's this like crazy fatigue. I feel 199 00:10:33,104 --> 00:10:35,344 Speaker 1: like the tipping point was actually last night for me 200 00:10:35,704 --> 00:10:38,024 Speaker 1: because I saw the news of Bend Atlefe Beckham, the 201 00:10:38,064 --> 00:10:40,704 Speaker 1: sequel in the works, and I love that movie like 202 00:10:40,744 --> 00:10:43,224 Speaker 1: every other millennial woman, Like that's such a huge moment. 203 00:10:43,584 --> 00:10:45,784 Speaker 1: But I also feel like it just exists in this 204 00:10:45,904 --> 00:10:48,304 Speaker 1: perfect world where I don't feel like I need to 205 00:10:48,344 --> 00:10:50,544 Speaker 1: go back into it and see those women's stories. I 206 00:10:50,544 --> 00:10:52,384 Speaker 1: feel like it exists in a moment in time. But 207 00:10:52,504 --> 00:10:55,224 Speaker 1: the point that tipped me over was about last night 208 00:10:55,264 --> 00:10:56,784 Speaker 1: at midnight and I was doing a little scroll before 209 00:10:56,824 --> 00:10:59,424 Speaker 1: I went to bed, and I saw Piper Prebo on 210 00:10:59,464 --> 00:11:02,304 Speaker 1: a panel and she was asked about a Coyote Ugly 211 00:11:02,384 --> 00:11:06,264 Speaker 1: sequel and she said, we're having conversations and it looks 212 00:11:06,264 --> 00:11:08,944 Speaker 1: like it's happening, and I really tossed my phone across 213 00:11:08,944 --> 00:11:11,104 Speaker 1: the room and I was like, that is an yeah, 214 00:11:11,144 --> 00:11:13,584 Speaker 1: because especially like a movie like that Cody Ugly, Like 215 00:11:13,584 --> 00:11:16,064 Speaker 1: I don't know, I'm sure assuming you love that as 216 00:11:16,104 --> 00:11:18,264 Speaker 1: a teen, Yeah. 217 00:11:17,904 --> 00:11:20,224 Speaker 2: You can't see my face if you're listening, but if 218 00:11:20,264 --> 00:11:23,864 Speaker 2: you're watching a vod I am like, yeah, Like we. 219 00:11:24,024 --> 00:11:26,264 Speaker 1: Watched Segravens and pretend we were dancing on a bar, 220 00:11:26,344 --> 00:11:28,024 Speaker 1: and that's what you should do when you're like eleven 221 00:11:28,464 --> 00:11:30,384 Speaker 1: and you'd like have no idea what alcohol is like, 222 00:11:30,384 --> 00:11:32,264 Speaker 1: but you're like cosplay with your friends being drunk of 223 00:11:32,464 --> 00:11:35,384 Speaker 1: just a beautiful memory. But that movie exists in like 224 00:11:35,464 --> 00:11:37,824 Speaker 1: a moment in time where like it's based on a 225 00:11:38,064 --> 00:11:40,864 Speaker 1: Elizabeth Gilbert article that she wrote about a bar called 226 00:11:40,864 --> 00:11:43,504 Speaker 1: Cody Ugly, and then it kind of took this wish 227 00:11:43,624 --> 00:11:46,264 Speaker 1: fulfillment story that I feel like wouldn't land as much 228 00:11:46,304 --> 00:11:48,464 Speaker 1: now it had the music and the song and like 229 00:11:48,504 --> 00:11:52,864 Speaker 1: everything about it is just so realig I love that song. 230 00:11:52,864 --> 00:11:54,464 Speaker 1: I would die if I have a sorely and rhymes 231 00:11:54,504 --> 00:11:56,704 Speaker 1: just because like that song is my whole life. But 232 00:11:56,744 --> 00:11:59,264 Speaker 1: I also feel like, how do you recapture that now? 233 00:11:59,344 --> 00:12:00,744 Speaker 1: Like while it's going to be back at the bar 234 00:12:00,824 --> 00:12:03,384 Speaker 1: teaching a new group of women how to be cody 235 00:12:03,464 --> 00:12:05,064 Speaker 1: ugly dancers. Like I don't need to see that. 236 00:12:05,464 --> 00:12:07,544 Speaker 2: Yeah, I think the interesting thing with the bend at 237 00:12:07,624 --> 00:12:11,464 Speaker 2: like Beckham one, I can see there being a space 238 00:12:11,544 --> 00:12:14,224 Speaker 2: for that, particularly with like the conversations around women in 239 00:12:14,264 --> 00:12:18,944 Speaker 2: sport and the rise of like the American women's football team, 240 00:12:19,064 --> 00:12:21,504 Speaker 2: Like they have had to research and so I think 241 00:12:21,584 --> 00:12:24,344 Speaker 2: there is a new story to be told there. It 242 00:12:24,464 --> 00:12:27,664 Speaker 2: was interesting the director Grinda Shanda, this is the quote 243 00:12:27,704 --> 00:12:29,704 Speaker 2: she says, She's like, it's very hard with sequels. There 244 00:12:29,704 --> 00:12:31,824 Speaker 2: are very few sequels that I think really hit the 245 00:12:31,904 --> 00:12:34,704 Speaker 2: mark after the success of the first film. So I 246 00:12:34,744 --> 00:12:37,464 Speaker 2: think that's why she's been really reticent to do it. 247 00:12:37,664 --> 00:12:39,144 Speaker 1: Yeah, that one I. 248 00:12:39,104 --> 00:12:42,344 Speaker 2: Can see there being some space for. 249 00:12:42,904 --> 00:12:44,664 Speaker 1: Yeah. And it's not like I want that woman to 250 00:12:44,664 --> 00:12:46,224 Speaker 1: make a movie. I even want her to make with 251 00:12:46,624 --> 00:12:48,824 Speaker 1: the same cars, like write her a blank check. I 252 00:12:48,904 --> 00:12:50,984 Speaker 1: just think like, sometimes it's got to be like a 253 00:12:51,104 --> 00:12:54,504 Speaker 1: straight sequel or nothing, Whereas I feel like sometimes back 254 00:12:54,544 --> 00:12:56,664 Speaker 1: in the day, like in the nineties, even going back 255 00:12:56,664 --> 00:12:58,544 Speaker 1: to then, they kind of had the same idea of 256 00:12:58,624 --> 00:13:01,544 Speaker 1: how to replicate success without watering it down so like 257 00:13:01,584 --> 00:13:04,304 Speaker 1: Pretty Woman, Like that was a huge success. They tried 258 00:13:04,304 --> 00:13:07,384 Speaker 1: to make Pretty Woman too. Every draft was just horrendous 259 00:13:07,624 --> 00:13:09,944 Speaker 1: because you're gonna have to have Richard Gear breaking up 260 00:13:09,984 --> 00:13:13,104 Speaker 1: with his prostitute lover. Like, there's no fun way to 261 00:13:13,144 --> 00:13:16,104 Speaker 1: go back into that perfect romantic moment we left them in. 262 00:13:16,344 --> 00:13:18,464 Speaker 1: So instead of making a direct sequel, they just took 263 00:13:18,584 --> 00:13:20,944 Speaker 1: the same leads, the same ride as the same cast 264 00:13:21,024 --> 00:13:23,304 Speaker 1: and made Runaway Bride. And people went to see it 265 00:13:23,304 --> 00:13:25,904 Speaker 1: because it was almost like an unofficial sequel to Pretty 266 00:13:25,904 --> 00:13:29,304 Speaker 1: Women without ruining the original. Let's go back to that. 267 00:13:29,944 --> 00:13:31,904 Speaker 2: I think so too. I mean, I like a sequel, 268 00:13:31,944 --> 00:13:34,944 Speaker 2: but I every single time I watched them, I'm like, 269 00:13:35,144 --> 00:13:37,224 Speaker 2: is this going to ruin my childhood? 270 00:13:37,504 --> 00:13:39,304 Speaker 1: Yeah? And that is so true. 271 00:13:39,584 --> 00:13:43,144 Speaker 2: This is going to ruin my fond memories of that. 272 00:13:43,184 --> 00:13:47,224 Speaker 2: And we're addicted to nostalgia, Like people love it because 273 00:13:47,224 --> 00:13:50,144 Speaker 2: it makes you feel warm and fuzzy when before you 274 00:13:50,784 --> 00:13:54,144 Speaker 2: had a mortgage and kids to put to daycare and 275 00:13:54,224 --> 00:13:58,984 Speaker 2: you know, responsibilities, Like it gives you that listfulness of 276 00:13:59,064 --> 00:14:01,984 Speaker 2: that time time gone by, Like there's a reason we 277 00:14:02,144 --> 00:14:05,464 Speaker 2: love it. But I so often I avoid watching them 278 00:14:05,504 --> 00:14:08,104 Speaker 2: because I'm like, please don't ruin this for me. 279 00:14:08,504 --> 00:14:11,464 Speaker 1: Yeah, it's so often I'm like presently surprised. I feel 280 00:14:11,504 --> 00:14:15,104 Speaker 1: like when the screen franchise rebooted, like bringing back Nev 281 00:14:15,144 --> 00:14:17,504 Speaker 1: Cambell a lot of the other characters from the originals, 282 00:14:17,704 --> 00:14:19,944 Speaker 1: but also bringing in a new cast and like starting 283 00:14:19,944 --> 00:14:21,664 Speaker 1: that again, I felt like that was a world that 284 00:14:21,704 --> 00:14:23,664 Speaker 1: we could go back into. And I feel like the 285 00:14:23,744 --> 00:14:25,464 Speaker 1: last time I saw a sequel and I was like 286 00:14:25,544 --> 00:14:28,264 Speaker 1: really blown away by how good it was was Beetlejuice too, 287 00:14:28,704 --> 00:14:30,064 Speaker 1: which when I first heard of it, I was like, 288 00:14:30,104 --> 00:14:32,104 Speaker 1: we don't need it, don't go back. But I think 289 00:14:32,144 --> 00:14:33,624 Speaker 1: that was just such a strong story. 290 00:14:33,664 --> 00:14:34,184 Speaker 2: It worked. 291 00:14:34,224 --> 00:14:36,504 Speaker 1: But maybe also like I like the movie Beetlejuice, but 292 00:14:36,544 --> 00:14:38,704 Speaker 1: it's not like a part of my DNA like to 293 00:14:38,824 --> 00:14:41,424 Speaker 1: some other people. So maybe that also when you have 294 00:14:41,504 --> 00:14:42,664 Speaker 1: like a bit of space from it. 295 00:14:42,904 --> 00:14:46,584 Speaker 2: Yeah. I think this conversation, though about reboots and sequels 296 00:14:46,584 --> 00:14:48,464 Speaker 2: has been happening for like ten years. When we're doing 297 00:14:48,504 --> 00:14:51,264 Speaker 2: research for this, I was going back through all the 298 00:14:51,344 --> 00:14:54,304 Speaker 2: old articles of people talking these think pieces. This is 299 00:14:54,384 --> 00:14:57,464 Speaker 2: not like a new conversation. We are very very aware 300 00:14:57,504 --> 00:15:02,584 Speaker 2: of that. But let's just pull the reins back a 301 00:15:02,664 --> 00:15:08,264 Speaker 2: little bit, let's try to not reboot every single thing. 302 00:15:08,984 --> 00:15:11,144 Speaker 2: So with Fokker in Law, I think Foger in Law 303 00:15:11,344 --> 00:15:14,704 Speaker 2: works because we've already had meet the Parents, we had 304 00:15:14,744 --> 00:15:19,024 Speaker 2: Meet the Fokkers, we had Little Fockers, so it's already 305 00:15:19,344 --> 00:15:23,224 Speaker 2: its own cinematic universe. It is already a universe. So 306 00:15:23,264 --> 00:15:28,184 Speaker 2: I feel like that works. Although I'm confused about Ariana Grande. 307 00:15:27,944 --> 00:15:30,424 Speaker 1: Being in it, I think she probably just grew up 308 00:15:30,464 --> 00:15:32,864 Speaker 1: loving those movies and also that girl, and she's a 309 00:15:32,984 --> 00:15:35,544 Speaker 1: very good comedic actress, and she loves doing those big 310 00:15:35,584 --> 00:15:38,504 Speaker 1: comedic swings, so I think that's probably what sold her. 311 00:15:39,144 --> 00:15:41,264 Speaker 2: I will watch that one that I'm okay with the 312 00:15:41,304 --> 00:15:44,584 Speaker 2: Beckham one, but it like Beckham, I think I would 313 00:15:44,624 --> 00:15:48,224 Speaker 2: also be I think there's space for that in this 314 00:15:48,304 --> 00:15:52,344 Speaker 2: current climate. Freaky of Friday, I'm worried. 315 00:15:52,024 --> 00:15:56,544 Speaker 1: About everything I've seen from like the trailers looks quite promising. 316 00:15:56,584 --> 00:15:59,304 Speaker 1: I haven't seen it yet. That's this weekend activity before 317 00:15:59,304 --> 00:16:01,024 Speaker 1: it comes down in cinemas. But I also think with 318 00:16:01,064 --> 00:16:02,904 Speaker 1: that like there does feel like there's a bit more 319 00:16:02,944 --> 00:16:06,064 Speaker 1: story to tell, just because Lindsay Lohan's character Anna was 320 00:16:06,104 --> 00:16:08,624 Speaker 1: a teenager at the time and now, like there's enough 321 00:16:08,664 --> 00:16:11,104 Speaker 1: story theirline without her having her own child, and like 322 00:16:11,144 --> 00:16:14,024 Speaker 1: the role reversal that's happening there, and also having like 323 00:16:14,104 --> 00:16:16,664 Speaker 1: Jamie Lee Curtis's character there. That what I'm kind of 324 00:16:16,704 --> 00:16:19,344 Speaker 1: okay with. I feel like the rules, not that anyone's 325 00:16:19,344 --> 00:16:21,224 Speaker 1: listening to my rules, but I love a good rule. 326 00:16:21,624 --> 00:16:23,544 Speaker 1: I think the rules are like, is there a whole 327 00:16:23,584 --> 00:16:26,344 Speaker 1: nother story to tell without going and tarnishing the original 328 00:16:26,384 --> 00:16:29,264 Speaker 1: story or was it not made for a big enough 329 00:16:29,304 --> 00:16:31,704 Speaker 1: audience the first time? And that's where I think that's 330 00:16:31,744 --> 00:16:34,784 Speaker 1: maybe more of a TV series thing, because there's so 331 00:16:34,784 --> 00:16:36,464 Speaker 1: many TV shows that I grew up with it as 332 00:16:36,464 --> 00:16:39,584 Speaker 1: a teen that like, I'm still completely obsessed with to 333 00:16:39,744 --> 00:16:44,264 Speaker 1: this day. Buffy the Vampire Slayer, obviously, Charmed, Roswell, all 334 00:16:44,304 --> 00:16:48,104 Speaker 1: those kind of TV shows, and a lot of those 335 00:16:48,144 --> 00:16:50,624 Speaker 1: have got reboots or in the moment they're in like 336 00:16:50,664 --> 00:16:53,104 Speaker 1: the process of getting a reboot. Literally the other day 337 00:16:53,144 --> 00:16:55,104 Speaker 1: they put up the table reef for Buffy the Vampire 338 00:16:55,104 --> 00:16:57,744 Speaker 1: Slayer and about twenty spillers. The second it was up 339 00:16:57,824 --> 00:16:59,624 Speaker 1: center to me and I was like, guys, I've seen 340 00:16:59,664 --> 00:17:02,144 Speaker 1: and obviously I'm sobby, but I. 341 00:17:02,104 --> 00:17:04,224 Speaker 2: Always the Charmed reboot didn't work. 342 00:17:04,464 --> 00:17:06,784 Speaker 1: It kind of worked for a few seasons, though I'm 343 00:17:06,824 --> 00:17:09,624 Speaker 1: not in your same way. I also think it wasn't 344 00:17:09,984 --> 00:17:11,624 Speaker 1: I feel, but I never think it was going to 345 00:17:11,664 --> 00:17:14,584 Speaker 1: be because the original Charm was like a big network 346 00:17:14,704 --> 00:17:17,064 Speaker 1: television show and like it was on Thursday night's at 347 00:17:17,064 --> 00:17:19,104 Speaker 1: like eight o'clock and that was the one show on 348 00:17:19,224 --> 00:17:22,024 Speaker 1: so we all watched it, whereas the New Charmed reboot, 349 00:17:22,104 --> 00:17:24,744 Speaker 1: I think went into like a streaming world where you're 350 00:17:24,784 --> 00:17:26,904 Speaker 1: just watching with lots of other things, and so it's 351 00:17:26,904 --> 00:17:29,304 Speaker 1: never gonna have that hit. But I also think, like 352 00:17:29,344 --> 00:17:31,584 Speaker 1: the original Charm was all white women and a very 353 00:17:31,664 --> 00:17:34,424 Speaker 1: kind of singular story, and so when the New Charmed 354 00:17:34,464 --> 00:17:36,504 Speaker 1: came out, I was like, it doesn't matter if it's 355 00:17:36,504 --> 00:17:37,984 Speaker 1: for me. I did watch and I liked it, but 356 00:17:38,024 --> 00:17:39,384 Speaker 1: it wasn't going to hit the same way as when 357 00:17:39,384 --> 00:17:40,904 Speaker 1: I was a teen. But I think it was just 358 00:17:41,184 --> 00:17:43,624 Speaker 1: existed for a different audience. And I think that's the 359 00:17:43,624 --> 00:17:46,904 Speaker 1: same thing with the Roswell reboot, which is actually quite great, 360 00:17:46,904 --> 00:17:48,784 Speaker 1: but it didn't hit the same as like the original 361 00:17:48,824 --> 00:17:51,344 Speaker 1: Sherry apple Bee version that was on it when we 362 00:17:51,344 --> 00:17:53,824 Speaker 1: were teens. But I also think like it broadened out 363 00:17:53,824 --> 00:17:55,864 Speaker 1: in the world. It also made it more inclusive, it 364 00:17:55,864 --> 00:17:58,504 Speaker 1: told a different story, it was a layered story, and 365 00:17:58,704 --> 00:18:01,144 Speaker 1: maybe like we got our turn the first time around, 366 00:18:01,144 --> 00:18:03,064 Speaker 1: so it was for a new audience. So that's why 367 00:18:03,104 --> 00:18:05,504 Speaker 1: with Buffy, I'm almost like, I know why Sarah Michelle 368 00:18:05,544 --> 00:18:07,904 Speaker 1: Gella wants to do it, But I've always been of 369 00:18:07,944 --> 00:18:09,984 Speaker 1: the opinion that I think they should just pluck a 370 00:18:10,024 --> 00:18:12,824 Speaker 1: story from the Buffy world and go and make it 371 00:18:12,864 --> 00:18:15,224 Speaker 1: with like a whole new cast and have and let 372 00:18:15,264 --> 00:18:17,944 Speaker 1: like this generation have their own version of it. 373 00:18:18,224 --> 00:18:22,664 Speaker 2: I think the next iteration of this taking ideas is 374 00:18:22,704 --> 00:18:25,264 Speaker 2: going to be podcasts. So we've seen this a couple 375 00:18:25,264 --> 00:18:27,264 Speaker 2: of times. You know, We've got Dying for Sex, We've 376 00:18:27,304 --> 00:18:29,904 Speaker 2: got Shrink next Door. So it's kind of like a 377 00:18:29,904 --> 00:18:32,544 Speaker 2: lot of the times now people are picking these whether 378 00:18:32,544 --> 00:18:35,904 Speaker 2: they're true crime docs or whatever, those really big podcasts, 379 00:18:35,944 --> 00:18:39,344 Speaker 2: and those are being turned into films that I'm interested in. 380 00:18:39,624 --> 00:18:41,824 Speaker 2: That kind of speaks to me the same as like 381 00:18:42,424 --> 00:18:43,864 Speaker 2: a book being turned into a. 382 00:18:43,824 --> 00:18:46,544 Speaker 1: Movie, because really a book is like the only other 383 00:18:46,584 --> 00:18:48,624 Speaker 1: thing now that'll get an audience in. So it's at 384 00:18:48,664 --> 00:18:51,224 Speaker 1: the moment it's either you're taking ip from an old 385 00:18:51,224 --> 00:18:53,064 Speaker 1: movie or TV show or you're taking a book because 386 00:18:53,064 --> 00:18:55,344 Speaker 1: you need some sort of built in audience. But I 387 00:18:55,344 --> 00:18:57,384 Speaker 1: also think, like, do you think it's dumbing down our 388 00:18:57,424 --> 00:18:59,744 Speaker 1: movie experience a little bit? Because I just think like, 389 00:18:59,864 --> 00:19:01,544 Speaker 1: going to watch I Know what you did last summer, 390 00:19:01,704 --> 00:19:03,864 Speaker 1: which I loved moments of, but you're only looking at 391 00:19:03,864 --> 00:19:06,544 Speaker 1: it like that's a callback. That's a callback, that's a callback, 392 00:19:06,864 --> 00:19:09,064 Speaker 1: And then I think about watching that verse going in 393 00:19:09,104 --> 00:19:10,904 Speaker 1: to watch The Materialist, which I know a lot of 394 00:19:10,904 --> 00:19:13,184 Speaker 1: people had very strong feelings, like you either loved it 395 00:19:13,224 --> 00:19:15,224 Speaker 1: or you hated it, but at least we were having 396 00:19:15,224 --> 00:19:19,024 Speaker 1: this big throwdown cultural discussion about a topic and a 397 00:19:19,064 --> 00:19:21,104 Speaker 1: movie that we hadn't talked about before. And so you're 398 00:19:21,104 --> 00:19:23,224 Speaker 1: sitting in that movie and every thought in your head 399 00:19:23,264 --> 00:19:25,624 Speaker 1: has to be fresh, every opinion has to be real. 400 00:19:25,744 --> 00:19:28,384 Speaker 1: You're not just being like keeping a tally in your 401 00:19:28,384 --> 00:19:30,624 Speaker 1: head of how many callbacks that have been. And I 402 00:19:30,704 --> 00:19:32,344 Speaker 1: just think that that's better for our headminds. 403 00:19:32,584 --> 00:19:34,704 Speaker 2: But I think there's space for both of them. 404 00:19:35,264 --> 00:19:36,864 Speaker 1: But that's the studio. There's not space. 405 00:19:38,104 --> 00:19:40,504 Speaker 2: But this is what I'm saying, Studios, if you're listening, 406 00:19:40,544 --> 00:19:43,464 Speaker 2: there is room for both. We can have that nostalgia. 407 00:19:43,504 --> 00:19:46,464 Speaker 2: We can do those callbacks, we can play the same 408 00:19:46,584 --> 00:19:51,024 Speaker 2: jokes like happy Gilmore too, and enjoy that and watch 409 00:19:51,064 --> 00:19:54,024 Speaker 2: it with just like a bit of love and nostalgia. 410 00:19:54,104 --> 00:19:56,504 Speaker 2: And then we can do things. We can recreate them, 411 00:19:56,584 --> 00:20:01,384 Speaker 2: we can reimagine them and use that creativity to push 412 00:20:01,464 --> 00:20:07,744 Speaker 2: ourselves in a different direction. But unfortunately, and this is 413 00:20:07,784 --> 00:20:09,944 Speaker 2: where it is, the numbers just don't lie. 414 00:20:10,544 --> 00:20:13,144 Speaker 1: Maybe the key is just to put Pedro Pascal and everything. 415 00:20:13,184 --> 00:20:14,904 Speaker 1: Have you seen those videos? People go into a movie 416 00:20:14,904 --> 00:20:16,784 Speaker 1: now to see, like to see the new releases, like 417 00:20:16,784 --> 00:20:18,744 Speaker 1: do you want to see Fantastic Four with Pedro Pascal? 418 00:20:18,984 --> 00:20:22,464 Speaker 1: The Materialist with Pedro Pascal or Eddington with Pedro Pascal. 419 00:20:22,504 --> 00:20:23,744 Speaker 2: I will watch anything with Petro. 420 00:20:23,864 --> 00:20:25,904 Speaker 1: I think maybe he has to just be shove that 421 00:20:25,984 --> 00:20:28,784 Speaker 1: man's face on every movie poster because there's three very 422 00:20:28,824 --> 00:20:33,664 Speaker 1: different movies CG. Three very different movies and titles, but 423 00:20:33,704 --> 00:20:35,984 Speaker 1: they're pulling the same audience. So I don't know, I 424 00:20:35,984 --> 00:20:38,664 Speaker 1: feel like that man's tired. But maybe that's where at 425 00:20:38,664 --> 00:20:41,944 Speaker 1: the moment. Okay, So, as I said, we were having 426 00:20:41,984 --> 00:20:44,704 Speaker 1: a bit of after that very impassioned discussion that no 427 00:20:44,704 --> 00:20:46,624 Speaker 1: one in Hollyood's gonna listen to. But I feel good 428 00:20:46,624 --> 00:20:47,664 Speaker 1: that we got it off our chests. 429 00:20:47,904 --> 00:20:51,504 Speaker 2: I do too. I feel comfortable, and now I'm about 430 00:20:51,544 --> 00:20:53,224 Speaker 2: to feel uncomfortable. 431 00:20:54,104 --> 00:20:55,904 Speaker 1: In our morning meeting, which maybe we should just put 432 00:20:55,904 --> 00:20:57,344 Speaker 1: a camera in there. At the stage of the game, 433 00:20:57,504 --> 00:21:00,184 Speaker 1: we were talking about like a few movies that we 434 00:21:00,184 --> 00:21:03,504 Speaker 1: would just hate or love to see reboot it, and 435 00:21:03,544 --> 00:21:06,344 Speaker 1: our producer Minisha, who's in the room with us right now, 436 00:21:06,784 --> 00:21:08,904 Speaker 1: was like, hold that, I'm going to get a list 437 00:21:08,984 --> 00:21:12,624 Speaker 1: of movies and get your raw and honest opinions on 438 00:21:12,664 --> 00:21:15,224 Speaker 1: the pod of which ones we want to see be rebooted. 439 00:21:15,264 --> 00:21:16,784 Speaker 1: So we haven't seen this list, We're going to have 440 00:21:16,824 --> 00:21:22,024 Speaker 1: our real reactions. The first on the list, or Cruel Intentions, 441 00:21:22,664 --> 00:21:25,504 Speaker 1: it was rebooted as a TV show and they did 442 00:21:25,544 --> 00:21:28,704 Speaker 1: do Crawel intention It was good. They did like four 443 00:21:28,744 --> 00:21:29,824 Speaker 1: of them, five of them. 444 00:21:30,464 --> 00:21:33,464 Speaker 2: I'm gonna say no because I feel like it's been done. 445 00:21:33,744 --> 00:21:37,184 Speaker 2: And that first one I actually really like Cruel Intentions too. 446 00:21:37,704 --> 00:21:39,824 Speaker 1: Yeah, look, there's a few crauel attentions there, Like they're 447 00:21:39,864 --> 00:21:42,824 Speaker 1: so ridiculous because the first one, I'm sorry, is a 448 00:21:42,864 --> 00:21:47,144 Speaker 1: great movie, great movie, great character, is great acting, is 449 00:21:47,184 --> 00:21:49,904 Speaker 1: a sexy villain who's also a die hard feminist. What 450 00:21:50,024 --> 00:21:52,664 Speaker 1: could be better? It's so bad, So I'm going to 451 00:21:52,704 --> 00:21:55,504 Speaker 1: say no on that one. I feel like bad because 452 00:21:55,504 --> 00:21:57,064 Speaker 1: when the TV show came out, I was like, guys, 453 00:21:57,064 --> 00:21:58,544 Speaker 1: it's not that bad, and then I watched it and 454 00:21:58,624 --> 00:22:00,664 Speaker 1: it was that bad. Sorry, guys, that's not me. That's 455 00:22:00,704 --> 00:22:01,544 Speaker 1: a big recommendation. 456 00:22:01,664 --> 00:22:04,824 Speaker 2: No, we've done it. We've seen it, and perfection doesn't 457 00:22:04,864 --> 00:22:08,624 Speaker 2: need to be exact fixed. The next one is jaw Breaker. 458 00:22:08,984 --> 00:22:13,624 Speaker 1: No, no one touch Drawbreaker. Sorry, that's again a perfect movie. 459 00:22:13,744 --> 00:22:15,024 Speaker 1: You couldn't make that today. 460 00:22:15,544 --> 00:22:16,784 Speaker 2: It's so problematic. 461 00:22:17,024 --> 00:22:19,944 Speaker 1: Yeah, in the best way possible. Yeah, and it's because 462 00:22:20,024 --> 00:22:22,744 Speaker 1: I hasn't seen Dawbreaker. It's got all the girls of 463 00:22:22,784 --> 00:22:26,144 Speaker 1: that time. It's got like Rose McGowan, it's got Judy Greer. 464 00:22:26,744 --> 00:22:30,584 Speaker 2: It's just yeah, Rose McGowan in that movie is like 465 00:22:30,744 --> 00:22:31,624 Speaker 2: the person. 466 00:22:31,304 --> 00:22:33,704 Speaker 1: She should have got an oscar, so perfect, believe it. 467 00:22:33,864 --> 00:22:36,344 Speaker 2: Villain. But I watched that when I was quite young, 468 00:22:36,504 --> 00:22:38,064 Speaker 2: and it came out when we were like watch well, 469 00:22:38,104 --> 00:22:39,984 Speaker 2: well I think I was twelve, I was younger than that. 470 00:22:40,504 --> 00:22:43,424 Speaker 2: I remember being so traumatized by the bit where they 471 00:22:43,504 --> 00:22:47,824 Speaker 2: opened the boot and there's the Jawbreaker in her throat. 472 00:22:48,024 --> 00:22:50,304 Speaker 1: So if anyone hasn't seen it, it's about some girls 473 00:22:50,304 --> 00:22:53,664 Speaker 1: that like classic girlhood stuff. They accidentally kill their best 474 00:22:53,704 --> 00:22:57,024 Speaker 1: friend and are praying, and then they remake over the 475 00:22:57,064 --> 00:22:59,104 Speaker 1: nerdy girl at school that so she won't tell that 476 00:22:59,144 --> 00:23:00,864 Speaker 1: they murdered. Hilarity ensues. 477 00:23:01,264 --> 00:23:04,064 Speaker 2: It's so good, it's a really good movie. Absolutely not, 478 00:23:04,184 --> 00:23:06,824 Speaker 2: don't touch it, And what would you even do with it? 479 00:23:06,984 --> 00:23:08,584 Speaker 1: I mean, the thing is like, there obviously is a 480 00:23:08,584 --> 00:23:10,304 Speaker 1: little retribution at the end, but I feel like today 481 00:23:10,384 --> 00:23:12,904 Speaker 1: they'd be like, oh no, everyone's beautiful and murder's wrong, 482 00:23:12,904 --> 00:23:14,504 Speaker 1: and that's not the message I want teens to have. 483 00:23:14,904 --> 00:23:17,584 Speaker 1: No that I just say, don't don't tell them that. Okay, 484 00:23:17,624 --> 00:23:19,424 Speaker 1: the next one, I feel like, we just do it. Oh, 485 00:23:19,584 --> 00:23:21,984 Speaker 1: pretty Woman? Oh I think we already made our thoughts 486 00:23:22,024 --> 00:23:23,504 Speaker 1: no one, or I made my thoughts no one, and 487 00:23:23,504 --> 00:23:24,384 Speaker 1: that what's your thoughts? 488 00:23:24,824 --> 00:23:28,504 Speaker 2: Again? I don't think it would be made today, do 489 00:23:28,504 --> 00:23:32,104 Speaker 2: you know? It's funny. In the initial script of Pretty Woman, 490 00:23:32,104 --> 00:23:34,184 Speaker 2: there was going to be that completely different ending. It 491 00:23:34,224 --> 00:23:37,504 Speaker 2: wasn't supposed to be he saved, so she was supposed 492 00:23:37,504 --> 00:23:40,144 Speaker 2: to go back out on the streets. Yeah, and audiences 493 00:23:40,224 --> 00:23:44,024 Speaker 2: like absolutely hated it, so they changed on ending a lot. 494 00:23:44,424 --> 00:23:44,624 Speaker 1: Yeah. 495 00:23:44,664 --> 00:23:48,104 Speaker 2: Yeah, the initial the initial script was really really dark, 496 00:23:48,984 --> 00:23:50,224 Speaker 2: and then she turned into a wrong com. 497 00:23:50,424 --> 00:23:52,184 Speaker 1: Yeah, and then they just turned into a beautiful makeover 498 00:23:52,264 --> 00:23:54,584 Speaker 1: wrong com where like a sex worker just gets caught 499 00:23:54,624 --> 00:23:57,984 Speaker 1: up in this fantasy world and then everybody and it's 500 00:23:58,024 --> 00:24:00,384 Speaker 1: just beautiful. Really, that's what's my version of it. I 501 00:24:00,384 --> 00:24:01,944 Speaker 1: watched as a kid over and over again. It was 502 00:24:01,984 --> 00:24:05,264 Speaker 1: my version of Cinderella. Frickin' love it. Okay, Oh, I 503 00:24:05,264 --> 00:24:06,984 Speaker 1: feel like neither of us are gonna like this one. 504 00:24:07,184 --> 00:24:09,904 Speaker 1: Center Stage is the answer to all of these just 505 00:24:09,944 --> 00:24:13,184 Speaker 1: gonna be like no, because okay, that was also a 506 00:24:13,224 --> 00:24:14,064 Speaker 1: perfect movie. 507 00:24:14,144 --> 00:24:17,784 Speaker 2: Okay, center Stage. I'm not a dancer. I can't dance, 508 00:24:18,224 --> 00:24:18,624 Speaker 2: but I have a. 509 00:24:19,144 --> 00:24:20,864 Speaker 1: Sensitive about that, so thank you for Admitian. 510 00:24:21,064 --> 00:24:24,384 Speaker 2: I have a weird obsession with ballet. I'm actually listening 511 00:24:24,424 --> 00:24:27,784 Speaker 2: to a podcast at the moment about Balanchine, which is 512 00:24:27,824 --> 00:24:32,504 Speaker 2: this like amazing dancer who basically created the American ballet theater, 513 00:24:33,104 --> 00:24:36,264 Speaker 2: and I'm like really obsessed with ballet. So I actually 514 00:24:36,344 --> 00:24:40,424 Speaker 2: think Center Stage could be remade. I actually think that 515 00:24:40,464 --> 00:24:42,984 Speaker 2: one could do a reboot, not a sequel, a. 516 00:24:42,984 --> 00:24:45,544 Speaker 1: Reboot maybe it's that bringing new people to tell their stories, 517 00:24:45,544 --> 00:24:47,384 Speaker 1: because the thing is, we haven't had just a great 518 00:24:47,544 --> 00:24:50,024 Speaker 1: dance movie in I can't even remember the last time 519 00:24:50,384 --> 00:24:52,784 Speaker 1: with an ending sequence like that, And I would again 520 00:24:52,784 --> 00:24:53,584 Speaker 1: watch the hell out of that. 521 00:24:53,744 --> 00:24:55,704 Speaker 2: I think that one I would be okay with because 522 00:24:55,704 --> 00:24:58,624 Speaker 2: I think that the story of Ballerina is what they 523 00:24:58,664 --> 00:25:02,704 Speaker 2: go through. I have like just such a weird fascination 524 00:25:03,224 --> 00:25:08,304 Speaker 2: admiration for ballet dancers, and I would watch that. Yes, 525 00:25:08,464 --> 00:25:10,904 Speaker 2: I'm okay with that one. Next one is Bring It On. 526 00:25:11,584 --> 00:25:13,744 Speaker 2: Oh they tried it. 527 00:25:13,904 --> 00:25:16,184 Speaker 1: I mean again, they've made about ten of those. But 528 00:25:16,224 --> 00:25:19,224 Speaker 1: I guess we're talking about remaking the original Bring It 529 00:25:19,264 --> 00:25:22,944 Speaker 1: On or rebooting it. You know what, I don't hate 530 00:25:23,104 --> 00:25:26,544 Speaker 1: the idea of Kirsten Dunce and Eliza dush Que, those 531 00:25:26,744 --> 00:25:29,624 Speaker 1: characters who are so different are best friends now still 532 00:25:29,624 --> 00:25:33,904 Speaker 1: in their forties and come back to the Toro's to 533 00:25:34,424 --> 00:25:37,584 Speaker 1: get those gals back on track and train them for 534 00:25:38,264 --> 00:25:39,824 Speaker 1: the nationals that are coming up. 535 00:25:40,464 --> 00:25:43,184 Speaker 2: Yeah, I don't think happening. But you know, like. 536 00:25:43,384 --> 00:25:46,624 Speaker 1: Torrence's daughter doesn't want to be a cheerleader and Alio's 537 00:25:46,704 --> 00:25:47,544 Speaker 1: daughter does. 538 00:25:47,464 --> 00:25:49,384 Speaker 2: Okay, we could do that, and you know what, the 539 00:25:49,424 --> 00:25:52,584 Speaker 2: other thing is because of Cheer, which was a huge 540 00:25:52,744 --> 00:25:56,144 Speaker 2: chip on Netflix. You can get Gabby Butler from Cheer, 541 00:25:56,264 --> 00:25:57,744 Speaker 2: like you could bring her and you could do a 542 00:25:57,744 --> 00:26:01,064 Speaker 2: bunch of those cameos of those really amazing cheerleaders. And 543 00:26:01,624 --> 00:26:03,784 Speaker 2: I think there's space to that. You could redo that, 544 00:26:03,824 --> 00:26:05,304 Speaker 2: and I quite like the idea of. 545 00:26:05,344 --> 00:26:07,384 Speaker 1: Like I like the plot that I just formulated. Yeayeah, 546 00:26:07,544 --> 00:26:09,144 Speaker 1: I think we get kiss and dunts on the phone. 547 00:26:09,224 --> 00:26:11,944 Speaker 1: She's still really in the thing of acting. Eliza Deshku 548 00:26:11,984 --> 00:26:14,104 Speaker 1: has left acting, but maybe this is the call that 549 00:26:14,104 --> 00:26:16,904 Speaker 1: would get her back. Okay, miss Congeniality. 550 00:26:17,144 --> 00:26:18,864 Speaker 2: I rewatched those movies recently. 551 00:26:18,944 --> 00:26:21,704 Speaker 1: Yeah, the first one's incredible, the second ones I. 552 00:26:21,624 --> 00:26:24,584 Speaker 2: Still like it fine. I don't think it needs to 553 00:26:24,624 --> 00:26:25,064 Speaker 2: be done. 554 00:26:25,264 --> 00:26:27,064 Speaker 1: Yeah, I wonder if it needs to be like a 555 00:26:27,224 --> 00:26:29,824 Speaker 1: like take the idea from the first movie with the 556 00:26:29,904 --> 00:26:32,304 Speaker 1: same premise, so obviously different actors, because Sandra Bullock hasn't 557 00:26:32,304 --> 00:26:33,624 Speaker 1: got time for that now, and like make it into 558 00:26:33,704 --> 00:26:36,104 Speaker 1: like a limited series or something because they like, you 559 00:26:36,104 --> 00:26:39,824 Speaker 1: have to do something different, or maybe we gender swap it. 560 00:26:39,904 --> 00:26:43,544 Speaker 1: Maybe it's a like a frumpy male who needs to 561 00:26:43,544 --> 00:26:45,664 Speaker 1: go into sort of a male beauty progan or something. 562 00:26:45,704 --> 00:26:47,024 Speaker 1: I just feel like it needs something. You can't just 563 00:26:47,064 --> 00:26:48,184 Speaker 1: retell the same story. 564 00:26:48,464 --> 00:26:51,744 Speaker 2: I think the reason why this wouldn't work is because 565 00:26:51,784 --> 00:26:56,464 Speaker 2: beauty pageants have changed so much since Yeah, Miss Congeniality 566 00:26:56,544 --> 00:26:59,624 Speaker 2: came out. Like the women that are in like these 567 00:26:59,704 --> 00:27:04,264 Speaker 2: Miss America, Miss Universe are like they're actually all like doctors, 568 00:27:05,064 --> 00:27:08,464 Speaker 2: very very intelligent philanthropists. It's not this. 569 00:27:08,544 --> 00:27:11,824 Speaker 1: Whole like ditsy just the whole Simpson thing. Well, maybe 570 00:27:11,824 --> 00:27:13,504 Speaker 1: that's the thing. Maybe when the FBI and Trump it's 571 00:27:13,544 --> 00:27:15,464 Speaker 1: not involved in it things that they're going to be. 572 00:27:15,544 --> 00:27:17,584 Speaker 1: Maybe that's the thing. Maybe the character thinks they're gonna 573 00:27:17,584 --> 00:27:19,264 Speaker 1: be dumb and she gets in there and realizes they're 574 00:27:19,264 --> 00:27:21,424 Speaker 1: actually all smarter than her, and then they sold the crime. 575 00:27:21,664 --> 00:27:23,104 Speaker 1: But you know what, I'm gonna put bump that to 576 00:27:23,104 --> 00:27:24,424 Speaker 1: the bottom of the list because like it's one that 577 00:27:24,464 --> 00:27:25,304 Speaker 1: I'm like, I don't really care. 578 00:27:25,344 --> 00:27:28,744 Speaker 2: Yeah, I don't really care. But Sandra Bullock walking out 579 00:27:28,824 --> 00:27:32,664 Speaker 2: in that purple dress in the first movie, I had 580 00:27:32,664 --> 00:27:33,824 Speaker 2: a massive crush on her. 581 00:27:33,904 --> 00:27:36,064 Speaker 1: Yeah, when Mustang Sally was playing, that was just a 582 00:27:36,064 --> 00:27:38,904 Speaker 1: great moment. I feel like makeovers have really gone out 583 00:27:38,904 --> 00:27:42,264 Speaker 1: of style, and I just think the makeover like Montage 584 00:27:42,264 --> 00:27:43,784 Speaker 1: with the music, and I just think, bring it back. 585 00:27:43,944 --> 00:27:45,024 Speaker 2: I love a makeup. 586 00:27:44,784 --> 00:27:48,344 Speaker 1: Honestly, there were whole movies that were built around a 587 00:27:48,384 --> 00:27:49,224 Speaker 1: makeover montage. 588 00:27:49,304 --> 00:27:51,184 Speaker 2: She's all that take the glasses off. 589 00:27:51,224 --> 00:27:53,424 Speaker 1: Yeah, and the whole and the whole kind of vibe 590 00:27:53,424 --> 00:27:54,944 Speaker 1: around it. All, Right, what else do you want on 591 00:27:54,944 --> 00:27:55,264 Speaker 1: the list? 592 00:27:55,464 --> 00:27:57,184 Speaker 2: Burlesque? Do you know? 593 00:27:57,264 --> 00:27:59,424 Speaker 1: It's a weird, a weird, weird thing that I'm not 594 00:27:59,464 --> 00:28:02,104 Speaker 1: proud of. Is Like, I am a die hard musical 595 00:28:02,144 --> 00:28:05,944 Speaker 1: theater girl, and I have no thoughts about burlesque. I've 596 00:28:05,944 --> 00:28:08,304 Speaker 1: seen it once. It was fine. I think I stopped 597 00:28:08,304 --> 00:28:10,544 Speaker 1: watching him halfway through. It's a movie made for me, 598 00:28:10,624 --> 00:28:11,624 Speaker 1: So I feel bad about that. 599 00:28:11,984 --> 00:28:13,824 Speaker 2: Laura, I'm gonna hold your hand when I say this. 600 00:28:14,824 --> 00:28:18,424 Speaker 2: I feel the same way. Really, Yes, we are both 601 00:28:18,504 --> 00:28:23,184 Speaker 2: die hard musical I mean Chare and like Christina Aguilera, 602 00:28:23,384 --> 00:28:27,704 Speaker 2: like it should be something that I enjoyed, but I 603 00:28:27,864 --> 00:28:29,224 Speaker 2: just it did nothing for me. 604 00:28:29,304 --> 00:28:31,024 Speaker 1: It's such a secret shame that I carry because so 605 00:28:31,064 --> 00:28:32,824 Speaker 1: many people say to me, like we're talking about musical 606 00:28:32,824 --> 00:28:35,184 Speaker 1: movies and dance sequences and all these things. That's all 607 00:28:35,224 --> 00:28:37,104 Speaker 1: we listen to, all the music we listen to, and 608 00:28:37,104 --> 00:28:38,944 Speaker 1: then people will be like to me, and you love burlesque, 609 00:28:38,944 --> 00:28:41,744 Speaker 1: and I'm like yeah, because I'm like, I can't tell 610 00:28:41,744 --> 00:28:43,944 Speaker 1: you that I don't. It's like betraying our family. 611 00:28:44,184 --> 00:28:47,064 Speaker 2: I know. I feel the same way as you. I 612 00:28:47,184 --> 00:28:48,864 Speaker 2: nothing that movie. 613 00:28:48,864 --> 00:28:51,104 Speaker 1: I don't know. I just nothing pay about perfect and 614 00:28:51,144 --> 00:28:54,864 Speaker 1: I've got friends obsessed with burlesque. You're gonna my ole 615 00:28:54,944 --> 00:28:56,984 Speaker 1: producer is gonna have a heart attack because I'm assuming 616 00:28:57,024 --> 00:28:59,864 Speaker 1: you love burl esque. Okay, well yes, okay, sorry, We're 617 00:28:59,864 --> 00:29:02,664 Speaker 1: both nothing it. So I feel like for us it 618 00:29:02,664 --> 00:29:05,024 Speaker 1: would just leave me cold. Other people, it's a perfect movie, 619 00:29:05,064 --> 00:29:06,624 Speaker 1: so maybe don't touch it. But I would love to 620 00:29:06,624 --> 00:29:09,544 Speaker 1: see Christina Aguilera back in the back in the Spotlight, 621 00:29:09,624 --> 00:29:11,664 Speaker 1: and I find that one can act, and boy can 622 00:29:11,704 --> 00:29:14,064 Speaker 1: she sing hot topic that no one's ever said before. 623 00:29:14,424 --> 00:29:15,664 Speaker 1: She can really sing, do you know what? 624 00:29:15,704 --> 00:29:17,664 Speaker 2: That was My biggest dream as a tween was to 625 00:29:17,664 --> 00:29:19,304 Speaker 2: be able to sing like Christine aguile. 626 00:29:19,344 --> 00:29:22,024 Speaker 1: Me too, and I just can barely even lip sync 627 00:29:22,104 --> 00:29:22,824 Speaker 1: up to her level a. 628 00:29:22,824 --> 00:29:27,624 Speaker 2: Bit and the last one thirteen going on thirty, Ooh, 629 00:29:27,664 --> 00:29:29,184 Speaker 2: I think it's too problematic? 630 00:29:29,584 --> 00:29:32,624 Speaker 1: Really, why do you think it's problematic? Being on a 631 00:29:32,704 --> 00:29:37,104 Speaker 1: thirteen year old because Jennifer Gana it's got a thirteen 632 00:29:37,144 --> 00:29:39,664 Speaker 1: year old mind and. 633 00:29:41,064 --> 00:29:44,984 Speaker 2: Is macking on. It just feels a bit icky. Like 634 00:29:45,304 --> 00:29:48,464 Speaker 2: I love the movie, I've rewatched it multiple times. I 635 00:29:48,624 --> 00:29:51,264 Speaker 2: thoroughly enjoy it. But I think in today's audience, which 636 00:29:51,344 --> 00:29:55,504 Speaker 2: is very, very PC these days, I don't think it 637 00:29:55,544 --> 00:30:00,624 Speaker 2: would get past the woke culture. And I'm woke as hell, 638 00:30:01,304 --> 00:30:04,584 Speaker 2: like I'm very PC. I love. I am all for 639 00:30:04,624 --> 00:30:07,344 Speaker 2: it because I think it's growth, it's acceptance, it's you know, 640 00:30:07,624 --> 00:30:09,664 Speaker 2: I'm all for it, But I don't think it would 641 00:30:09,704 --> 00:30:13,864 Speaker 2: get part the ick factor. You know in Big in 642 00:30:13,944 --> 00:30:17,504 Speaker 2: Tom Hanks get big, like with a little boy, and 643 00:30:17,544 --> 00:30:20,544 Speaker 2: the boy he's like in love with an older woman. 644 00:30:20,664 --> 00:30:21,784 Speaker 2: It's like, feels weird it. 645 00:30:21,784 --> 00:30:24,104 Speaker 1: Start getting together. I mean in the women's defense and 646 00:30:24,104 --> 00:30:27,504 Speaker 1: in Mark Ruffalo's defense, they don't know and why would they, 647 00:30:27,544 --> 00:30:29,544 Speaker 1: Why would they think that was a thing. I actually 648 00:30:29,544 --> 00:30:32,144 Speaker 1: think with thirteen going on thirty or suddenly thirty as 649 00:30:32,144 --> 00:30:34,704 Speaker 1: it's I would see it was the Australian title. It's 650 00:30:34,704 --> 00:30:37,024 Speaker 1: one of the few romantic comedies where I could I 651 00:30:37,024 --> 00:30:39,784 Speaker 1: feel like the romance doesn't add that much to the story. 652 00:30:40,264 --> 00:30:41,944 Speaker 1: I feel like the story for that is about the 653 00:30:41,984 --> 00:30:44,344 Speaker 1: magazine her career. Like, I'm all in on that storyline, 654 00:30:44,344 --> 00:30:46,064 Speaker 1: and I would watch the hell out of more movies 655 00:30:46,664 --> 00:30:49,064 Speaker 1: like that, But I feel like it's not when I 656 00:30:49,104 --> 00:30:51,224 Speaker 1: think of romantic comedies where like you so want the 657 00:30:51,304 --> 00:30:54,824 Speaker 1: leads to fall in love. It's not Suddenly thirty for me. Yeah, 658 00:30:55,064 --> 00:30:57,584 Speaker 1: it thriller, hands great, but after that, it's. 659 00:30:57,384 --> 00:31:00,984 Speaker 2: Definitely a B line. It's a Bee story. It's about 660 00:31:00,984 --> 00:31:04,624 Speaker 2: her kind of reassessing what she values. 661 00:31:04,224 --> 00:31:08,824 Speaker 1: In life, right, and just that ridiculous presentation where she's like, 662 00:31:09,024 --> 00:31:11,184 Speaker 1: let's make the magazine funny again. I've always wanted your 663 00:31:11,224 --> 00:31:12,984 Speaker 1: presentation like that at work and to see how quickly 664 00:31:13,024 --> 00:31:15,664 Speaker 1: I get fired when you're just like, it's me and guys. 665 00:31:15,704 --> 00:31:17,704 Speaker 1: That's photos of me and my friends and nothing else. 666 00:31:18,064 --> 00:31:19,424 Speaker 2: Yeah, it's just a collage. 667 00:31:19,704 --> 00:31:22,504 Speaker 1: Yeah, and some balloons. And it's like, get this thirteen 668 00:31:22,584 --> 00:31:24,424 Speaker 1: year old out of here. She shouldn't be allowed to 669 00:31:24,424 --> 00:31:25,704 Speaker 1: walk through the doors of a magazine. 670 00:31:25,944 --> 00:31:27,744 Speaker 2: What are you doing? Have you had a mental break. 671 00:31:28,144 --> 00:31:30,064 Speaker 1: It's like they're like so worried that Sparkle's going to 672 00:31:30,064 --> 00:31:32,944 Speaker 1: steal their ideas, and it's like, no one wants your collage, sweetheart, 673 00:31:33,064 --> 00:31:35,384 Speaker 1: No one but also what a great movie. But yeah, 674 00:31:35,424 --> 00:31:37,344 Speaker 1: maybe we just leave it where it is. Well, now 675 00:31:37,344 --> 00:31:39,624 Speaker 1: we've got our thoughts on every movie that could be 676 00:31:39,664 --> 00:31:40,584 Speaker 1: remade in Hollywood. 677 00:31:40,864 --> 00:31:42,904 Speaker 2: I feel like we should ask our s villers. Are 678 00:31:42,944 --> 00:31:46,344 Speaker 2: there any movies that you think need to be on tough. 679 00:31:46,344 --> 00:31:49,224 Speaker 1: Yes, or anything that you're desperate for a remake because 680 00:31:49,224 --> 00:31:51,304 Speaker 1: you're like, they didn't land the boat first time or 681 00:31:51,344 --> 00:31:53,304 Speaker 1: the plane, they didn't land the plane the first time? 682 00:31:53,944 --> 00:31:56,784 Speaker 1: To go can you? I don't know? That's some things 683 00:31:56,784 --> 00:31:58,904 Speaker 1: like a question fro another day. You could dock a boat, Yes, 684 00:31:58,904 --> 00:32:00,664 Speaker 1: if they didn't dock the boat the first time or 685 00:32:00,744 --> 00:32:03,264 Speaker 1: land a plane, then what do you think they should remake? 686 00:32:03,624 --> 00:32:05,904 Speaker 2: Let us know, Well, thanks so much for listening to 687 00:32:06,144 --> 00:32:09,184 Speaker 2: the spill today, guys. Don't forget to follow us on 688 00:32:09,264 --> 00:32:12,344 Speaker 2: TikTok oh. Yeah there and very very happy to be 689 00:32:12,464 --> 00:32:15,664 Speaker 2: there as Fills. Produced by manishis Warren with sound production 690 00:32:15,904 --> 00:32:18,904 Speaker 2: by Scott Stronik. Catch the News you need to know 691 00:32:19,264 --> 00:32:22,304 Speaker 2: at eight am with Ash London on Morning Tea and 692 00:32:22,344 --> 00:32:24,984 Speaker 2: we'll see you back in the feed at three pm tomorrow. 693 00:32:25,104 --> 00:32:31,344 Speaker 2: Bye bye.