WEBVTT - Finding The Blueprint To Your Wardrobe

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<v Speaker 1>You're listening to Amma Mia podcast. Mama Mia acknowledges the

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<v Speaker 1>traditional owners of land and waters that this podcast is

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<v Speaker 1>recorded on. Whoever said orange is the new pink but

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<v Speaker 1>seriously disturved laurels for spraying groundbreaking?

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<v Speaker 2>Oh my god, you have to do it. You live

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<v Speaker 2>for fashion.

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<v Speaker 1>Hello, and welcome to Nothing to Wear, the podcast that

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<v Speaker 1>solves fashion problems and levels up your wardrobe. I'm Lee

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<v Speaker 1>Campbell and every week I talk to an expert who

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<v Speaker 1>helps us work out how to get more out of

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<v Speaker 1>the clothes we already own and tells us exactly what

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<v Speaker 1>is and isn't worth adding to our wardrobe. And on that.

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<v Speaker 1>Do you have all your favorite wardrobe pieces but feel

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<v Speaker 1>a bit lost when it comes to putting them together.

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<v Speaker 1>The chances are you haven't yet discovered the blueprint for

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<v Speaker 1>your wardrobe, a way to unlock the full potential of

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<v Speaker 1>everything you own. Today's guest, Anthea O'Connor, is here to help.

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<v Speaker 1>A personal stylist and former Melbourne editor of Bogu Australia,

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<v Speaker 1>Anthea has spent decades helping women discover their signature style

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<v Speaker 1>and simplifying their morning routines to make it easy to

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<v Speaker 1>choose what to wear and how to wear it. Finding

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<v Speaker 1>your wardrobe blueprint is just one of her go to

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<v Speaker 1>tips for making fashion feel effortless. Anthea, Firstly, welcome to

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<v Speaker 1>the show. It is so wonderful to have you, and

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<v Speaker 1>I start every episode with a new guest with a

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<v Speaker 1>couple of questions. So, firstly, can you describe your own

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<v Speaker 1>style in three words?

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<v Speaker 3>Oh goodness, well high lay and thank you for having me.

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<v Speaker 3>Very excited to be joining you today. And look. I

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<v Speaker 3>have given this a little bit of thought because I thought,

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<v Speaker 3>by now, at this point in my career, I really

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<v Speaker 3>should have this downpat. I've come up with a word

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<v Speaker 3>called progressive classic, which I kind of made up because

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<v Speaker 3>I guess, like most people, i'd like to think my

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<v Speaker 3>sense of style is classic, but I think progressive meaning

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<v Speaker 3>I'm not going to get stuck in a style right,

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<v Speaker 3>and I'm always looking ahead to what the kind of reworked,

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<v Speaker 3>refreshed classic pieces.

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<v Speaker 1>I really really like that there's the classics that shapes change,

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<v Speaker 1>but it's still a white shirt. It might be a

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<v Speaker 1>different white shirt.

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<v Speaker 3>That's exactly right, and the category might be the same,

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<v Speaker 3>but execution is tweaked a little bit, and you're moving

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<v Speaker 3>forward with it.

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<v Speaker 1>I love that. Now are you claiming that as one

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<v Speaker 1>word or two?

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<v Speaker 3>Look? I in my notes yet, I've made it up

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<v Speaker 3>and it was hyphened, but we could make that one word.

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<v Speaker 1>Yeah, that's the one word. What else have you got?

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<v Speaker 2>Elevated?

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<v Speaker 3>Which is sort of a funny old word, but I

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<v Speaker 3>think for me that means I'm just going to be

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<v Speaker 3>trying to smarten it up all the time. I'm one

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<v Speaker 3>of those people where I feel, you know, don't save

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<v Speaker 3>your good stuff, put it on, feel good, look your best,

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<v Speaker 3>and don't kind of save it for.

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<v Speaker 2>A special occasion.

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<v Speaker 1>I agree.

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<v Speaker 2>Mind being the most overdressed person in a room.

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<v Speaker 1>Me neither. I'm not going to wear a ball gown.

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<v Speaker 1>But if I've got five pairs of jeans and one

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<v Speaker 1>of them are the best ones, I want to reach

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<v Speaker 1>for the moment.

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<v Speaker 3>So that's exactly my thinking as well. And then I

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<v Speaker 3>thought another word was maybe assured, And by that I

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<v Speaker 3>mean I know what looks good on me by now,

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<v Speaker 3>and I know how it makes me feel, and I

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<v Speaker 3>hope that's reflected in my style and how I'm wearing something.

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<v Speaker 1>I love that too, and I hope so too. Because

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<v Speaker 1>this is your job. And I must agree you are

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<v Speaker 1>definitely those three words. Now, the saying that rings true

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<v Speaker 1>with most people. We wear ten percent of our wardrobe

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<v Speaker 1>ninety percent of the time, so there's stuff we reached

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<v Speaker 1>for over and over. What's in your This.

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<v Speaker 3>Is such a great stat and it's interesting because I've

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<v Speaker 3>sort of used that stat a lot myself, and I

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<v Speaker 3>thought we wore twenty percent of our wardrobe eighty percent

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<v Speaker 3>of the time.

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<v Speaker 2>So I'm loving this increased.

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<v Speaker 1>I feel sorry for the ninety percent though.

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<v Speaker 3>Oh it's so true. So what is in my ten percent?

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<v Speaker 3>It is definitely denim. I do feel we've had a

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<v Speaker 3>couple of seasons of very denim centric kind of style

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<v Speaker 3>and fashion looks, so denim at the moment shirts, I

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<v Speaker 3>wear shirts and shirting a lot. I really kind of

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<v Speaker 3>go between those and white T shirts.

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<v Speaker 1>You and I sound like we should share a wardrobe

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<v Speaker 1>as long as.

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<v Speaker 3>I get your skincare in the mix too. So definitely

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<v Speaker 3>denim shirts, T shirts and a great blazer are my

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<v Speaker 3>definite sort of tight pieces within that temper.

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<v Speaker 1>I like that we are very similar. Now, Listen, you're

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<v Speaker 1>a personal stylist and you have been for many years,

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<v Speaker 1>so who are your clients and what do you find

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<v Speaker 1>are their main problems with their wardrobe? What are they

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<v Speaker 1>coming to you for?

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<v Speaker 2>Good question, Good question. I am a stylist.

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<v Speaker 3>And I work with everyday normal ladies, just regular women

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<v Speaker 3>who are getting about their weeks, their days and their weeks.

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<v Speaker 3>I have a really broad mix of clients. I've been

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<v Speaker 3>doing this for fourteen years since I left Vogue, and

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<v Speaker 3>really I'm working with clients that I began working with

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<v Speaker 3>back in twenty ten. So it's been a really lovely

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<v Speaker 3>next chapter of my fashion career. And I work with

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<v Speaker 3>regular women that can be anything from corporate executive to

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<v Speaker 3>stay at home mum to someone that is juggling their

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<v Speaker 3>own business with other aspects of their life and kind

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<v Speaker 3>of everything in between. So I guess the thing that

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<v Speaker 3>probably sets my sort of little business and what I

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<v Speaker 3>do a part is I sort of begin this journey

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<v Speaker 3>with all my gorgeous clients, and we sort of really

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<v Speaker 3>stay together. That's amazing, in and out of work together

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<v Speaker 3>and see each other a few times a year, once

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<v Speaker 3>a year, once every two years.

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<v Speaker 2>It kind of depends on the client.

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<v Speaker 1>And why do they come to you? Are they overwhelmed

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<v Speaker 1>by fashion? Do they not have time for fashion. Are

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<v Speaker 1>they try to get the best out of their budget

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<v Speaker 1>all of the above.

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<v Speaker 2>Yes, absolutely, all of the above.

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<v Speaker 3>I think essentially they're coming to me because they're busy,

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<v Speaker 3>they've got a lot on they've got other things that

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<v Speaker 3>are taking priority in their brain capacity, and they're coming

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<v Speaker 3>to me for my kind of expert eye. I can

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<v Speaker 3>cut to the chase, I know the best black pants

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<v Speaker 3>they need for what they need them to do. It's

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<v Speaker 3>a little bit, I guess I describe it a little

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<v Speaker 3>bit like being an interior designer.

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<v Speaker 2>Not many people would embark on a.

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<v Speaker 3>Big house renovation project without getting an expert opinion or

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<v Speaker 3>an expert eye in the mix for some of those

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<v Speaker 3>critical decisions. And I feel I sort of am a

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<v Speaker 3>little bit similar. But in the wardrobe clothing space, they're

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<v Speaker 3>coming to me for my expert eye, a bit of

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<v Speaker 3>a well edited and I present to them the kind

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<v Speaker 3>of curated edit of what I think they need for

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<v Speaker 3>what they need.

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<v Speaker 1>That's such a good analogy, that is so so true.

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<v Speaker 1>It's like you wouldn't do a big fit out without

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<v Speaker 1>a professional and it's the same thing.

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<v Speaker 3>Embarking on the process of a personal stylist is an

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<v Speaker 3>investment but I do feel you're setting yourself up for

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<v Speaker 3>better financial decisions and outcomes with your wardrobe. Oh and

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<v Speaker 3>this is where it gets really funny. After we sort

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<v Speaker 3>of work through our process together and we set up

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<v Speaker 3>their wardrobe and everything's there, they'll say, oh God, I've

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<v Speaker 3>got a black taie function on Thursday.

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<v Speaker 2>I need a new dress.

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<v Speaker 3>And I'll say, no, you don't refer back to those

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<v Speaker 3>black velvet pants that we just set you up with

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<v Speaker 3>that look great for an after five event and that

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<v Speaker 3>fabulous top. So you don't need to go and do

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<v Speaker 3>that impulse spend panic purchase.

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<v Speaker 1>I never panic purchase, but I emotional purchase a lot,

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<v Speaker 1>which and I'm always in some sort of emotion and

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<v Speaker 1>so honestly, I do need a bit of a mind.

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<v Speaker 1>And when it comes to shopping, it sounds like that's

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<v Speaker 1>what you're good for. Now. Something you've talked about before

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<v Speaker 1>is when you go shopping with these clients, you're like

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<v Speaker 1>their projector against the shop assistance, and you're their advocate.

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<v Speaker 1>What do you mean by that?

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<v Speaker 3>I like to think that I'm a sort of a

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<v Speaker 3>value add in a retail space with a client, because

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<v Speaker 3>I really work with women that are predominantly, I guess

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<v Speaker 3>sort of early forties through to late fifties, and interestingly,

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<v Speaker 3>a lot of women in that demographic might have lost

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<v Speaker 3>their style confidence and lose a little bit of that

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<v Speaker 3>self confidence part, particularly when they're at retail and they

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<v Speaker 3>get a little bit overwhelmed by what's in front of them.

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<v Speaker 3>And I like to think, I'm there. I am a

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<v Speaker 3>bit of an advocate. I will say exactly what I think,

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<v Speaker 3>so whereas perhaps a retail assistant will.

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<v Speaker 2>Say that looks great, that looks great.

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<v Speaker 3>I'm there going actually they really do look great, and

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<v Speaker 3>actually that pair doesn't look as great, and they don't

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<v Speaker 3>look great because of XYZ. So creating a context and

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<v Speaker 3>explanation which makes the whole shopping process a lot more

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<v Speaker 3>informative and educated and easier.

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<v Speaker 1>Ultimately, Yeah, and it can be intimidating. I mean I

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<v Speaker 1>mostly shop online these days, but if I do go

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<v Speaker 1>in store, sometimes as a sales assistant is saying, how

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<v Speaker 1>do you look in that now the size? Let me

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<v Speaker 1>have a look. Oh that looks great, And sometimes you're like, oh, okay,

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<v Speaker 1>and you might end up buying, or we might end

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<v Speaker 1>up leaving because it's a lot But if you tried

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<v Speaker 1>on other things in that story, you might have found

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<v Speaker 1>some winners.

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<v Speaker 3>One hundred percent, and I really kind of make that

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<v Speaker 3>retail time count. I'm out there running around the floor

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<v Speaker 3>making sure I've got all the items that I think

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<v Speaker 3>are right for that client. How they move back with

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<v Speaker 3>the pieces that we've already pulled, So I guess I'm

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<v Speaker 3>sort of that edit running around.

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<v Speaker 1>Half the time, I'm like, oh, I need a different size.

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<v Speaker 1>I can't be bothered to go put my clothes on,

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<v Speaker 1>go get it. I'll just leave that's.

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<v Speaker 3>Exactly right, Whereas I'm out there getting the size above below.

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<v Speaker 3>So we've got all the options and we're doing that

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<v Speaker 3>in real time, bang bang bang yes no, yes no.

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<v Speaker 3>So it ends up banging a much more efficient way

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<v Speaker 3>to go shopping.

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<v Speaker 1>And speaking of in real time. So you take these

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<v Speaker 1>clients shopping rever possible. Do you ever work with people

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<v Speaker 1>that are into state? Do you have people that shop

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<v Speaker 1>online or do you ever recommend, you know, online purchases.

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<v Speaker 2>Absolutely.

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<v Speaker 3>The nature of how we do our retail what I

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<v Speaker 3>call our retail appointment together, because we start with the

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<v Speaker 3>wardrobe board at their house, in their own wardrobe. Part

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<v Speaker 3>two is the retail appointment. That has changed significantly in

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<v Speaker 3>the last four or five years since COVID, So pretty

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<v Speaker 3>much the model now is I will go back to

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<v Speaker 3>with clients with a full recommendations list and it is

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<v Speaker 3>largely online. Now some things we will do in person

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<v Speaker 3>at retail, but largely it will be online. And that

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<v Speaker 3>again depends on the client and the brief and what

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<v Speaker 3>we're trying to fulfill. It is a mix, but it

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<v Speaker 3>is definitely skewing more towards online. And then we go

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<v Speaker 3>we are fitting, and this is where it gets even better,

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<v Speaker 3>because we do a fitting then at the house and

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<v Speaker 3>we are trying all the pieces on with their existing

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<v Speaker 3>items of clothing okay, their accessories in their own personal environment,

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<v Speaker 3>and it just makes for a I think a more

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<v Speaker 3>efficient experience at getting the whole.

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<v Speaker 1>Big picture kind of a wardrobe at it, and then

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<v Speaker 1>a shopping situation of some sort. And then at the end,

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<v Speaker 1>it's kind of pulling together the older than new.

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<v Speaker 2>Pulling it all together.

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<v Speaker 3>We're integrating the new items that we're using to rework

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<v Speaker 3>and refresh their old existing items because we don't just

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<v Speaker 3>throw obviously, we don't just come in and move everything out.

0:10:06.305 --> 0:10:08.625
<v Speaker 3>I'm going into the eye to say they're great, but

0:10:08.625 --> 0:10:10.065
<v Speaker 3>we're going to wear them this way. We're going to

0:10:10.065 --> 0:10:12.425
<v Speaker 3>try those pants with a whole different concept of top

0:10:12.505 --> 0:10:15.025
<v Speaker 3>or a different shape blazer. So we sort of em

0:10:15.145 --> 0:10:17.465
<v Speaker 3>up the things that are certainly there with potential. We

0:10:17.505 --> 0:10:19.105
<v Speaker 3>then bring in the new items that are going to

0:10:19.105 --> 0:10:21.305
<v Speaker 3>just update and refresh what they have, and we just

0:10:21.425 --> 0:10:23.705
<v Speaker 3>do a massive, big fitting together at the end. And

0:10:23.745 --> 0:10:26.825
<v Speaker 3>then that allows them to get a big picture, complete

0:10:26.865 --> 0:10:28.585
<v Speaker 3>sense of how their wardrobe is going to work for

0:10:28.625 --> 0:10:30.385
<v Speaker 3>them and how they're going to get dressed every day

0:10:30.585 --> 0:10:32.665
<v Speaker 3>because seeing it in situ.

0:10:32.545 --> 0:10:34.745
<v Speaker 1>And you need to write because otherwise you just think, oh,

0:10:34.785 --> 0:10:36.465
<v Speaker 1>that new top goes with those pants. But actually, if

0:10:36.505 --> 0:10:38.345
<v Speaker 1>you take the time to work out all the combos,

0:10:38.345 --> 0:10:39.865
<v Speaker 1>you've got so much more to wear than you think

0:10:39.865 --> 0:10:42.025
<v Speaker 1>you do. You've got some great tips. So you have

0:10:42.305 --> 0:10:44.865
<v Speaker 1>three objectives, and I want to break down each of them.

0:10:44.945 --> 0:10:47.905
<v Speaker 1>Their first is finding the blueprint to your wardrobe, the

0:10:47.985 --> 0:10:50.305
<v Speaker 1>second is the style uniform, and then the thirty is

0:10:50.385 --> 0:10:52.625
<v Speaker 1>unlocking the way women get dressed in the morning. So

0:10:52.865 --> 0:10:56.425
<v Speaker 1>kind of three steps. Can you explain the blueprint? First?

0:10:56.665 --> 0:10:57.505
<v Speaker 2>Well, I guess when I.

0:10:57.465 --> 0:11:02.025
<v Speaker 3>Say blueprint, it really is identifying and establishing what your

0:11:02.065 --> 0:11:04.385
<v Speaker 3>personal style is. So once we get a handle on

0:11:04.465 --> 0:11:06.705
<v Speaker 3>what that is, we can then sort of put some

0:11:06.745 --> 0:11:08.825
<v Speaker 3>pigs in the ground, if you like, What are the

0:11:08.865 --> 0:11:11.505
<v Speaker 3>items of clothes that are going to contribute to that

0:11:11.585 --> 0:11:12.825
<v Speaker 3>sort of style blueprint?

0:11:12.905 --> 0:11:15.705
<v Speaker 2>Okay, what are the things you need? Once we establish

0:11:15.825 --> 0:11:19.065
<v Speaker 2>what that blueprint is, it just makes every future purchase

0:11:19.265 --> 0:11:20.025
<v Speaker 2>a little easier.

0:11:20.225 --> 0:11:22.905
<v Speaker 3>Yes, and it relates back to what you have, how

0:11:22.945 --> 0:11:24.545
<v Speaker 3>you get dressed, how you want to look.

0:11:24.705 --> 0:11:27.185
<v Speaker 1>How can someone at home establish their blueprint? They don't

0:11:27.185 --> 0:11:29.905
<v Speaker 1>have a you there. Do they look at their ten

0:11:29.905 --> 0:11:32.065
<v Speaker 1>percent the stuff they wear all the time? Do they

0:11:32.625 --> 0:11:35.105
<v Speaker 1>assess their lifestyle? You know, they've got a toddler, they're

0:11:35.145 --> 0:11:36.945
<v Speaker 1>out on the floor. You know, they're a lawyer and

0:11:36.985 --> 0:11:39.785
<v Speaker 1>they've always got to wear, you know, a certain style.

0:11:39.985 --> 0:11:42.105
<v Speaker 1>How does one find their blueprint?

0:11:42.465 --> 0:11:45.865
<v Speaker 3>Get a big clothing rack or two, pull out everything

0:11:46.225 --> 0:11:49.425
<v Speaker 3>and start organizing into groups. Pull out the things you

0:11:49.465 --> 0:11:52.425
<v Speaker 3>wear all the time, okay they're over there. Pull out

0:11:52.465 --> 0:11:55.025
<v Speaker 3>the things you really wish you could wear more of,

0:11:55.105 --> 0:11:56.865
<v Speaker 3>but you're a little bit unsure as to how to

0:11:56.945 --> 0:11:58.785
<v Speaker 3>do that. They're the things you really like that you

0:11:58.865 --> 0:12:00.985
<v Speaker 3>find appealing from a style point of view.

0:12:01.305 --> 0:12:02.545
<v Speaker 2>Put those on another rack.

0:12:02.865 --> 0:12:04.665
<v Speaker 3>Put the things that you just have in warning ages

0:12:04.705 --> 0:12:06.785
<v Speaker 3>and you've got no idea why they're still hanging around

0:12:06.785 --> 0:12:08.985
<v Speaker 3>taking out wardrobe space. Put them on another rack, and

0:12:09.025 --> 0:12:12.745
<v Speaker 3>then a picture just slowly emerges. Okay, I'm wearing those

0:12:12.785 --> 0:12:14.345
<v Speaker 3>things all the time. Am I wearing them because I

0:12:14.425 --> 0:12:16.785
<v Speaker 3>want to? Or it's just a default position because I'm

0:12:16.865 --> 0:12:17.345
<v Speaker 3>used to it.

0:12:18.025 --> 0:12:19.785
<v Speaker 2>Little threads will start to emerge.

0:12:19.825 --> 0:12:22.505
<v Speaker 3>Now obviously if I'm there, I can sort of make

0:12:22.505 --> 0:12:25.545
<v Speaker 3>that connection a little faster, But it does become obvious.

0:12:25.665 --> 0:12:27.225
<v Speaker 3>You can see what you're wearing a lot of you

0:12:27.225 --> 0:12:29.745
<v Speaker 3>can see what's sparking, enjoy what you like wearing, and

0:12:29.785 --> 0:12:32.585
<v Speaker 3>then you can sort of define what are those pieces

0:12:32.625 --> 0:12:34.945
<v Speaker 3>that make me feel good that I feel good in

0:12:35.225 --> 0:12:37.105
<v Speaker 3>that I want to wear more of, And it.

0:12:37.065 --> 0:12:39.065
<v Speaker 2>Kind of just starts to gain a little bit of ments.

0:12:39.385 --> 0:12:42.265
<v Speaker 1>Makes sense, it does, So that's working out the blueprint.

0:12:42.305 --> 0:12:43.825
<v Speaker 1>And then from there, I guess we're left with what

0:12:43.865 --> 0:12:47.705
<v Speaker 1>you call the style uniform, which everybody has. But everyone

0:12:47.785 --> 0:12:49.905
<v Speaker 1>must have a different style uniform.

0:12:49.545 --> 0:12:51.465
<v Speaker 2>One hundred percent. No one's meant to look the same.

0:12:51.505 --> 0:12:53.545
<v Speaker 2>That's all a bit no thank you.

0:12:53.705 --> 0:12:56.185
<v Speaker 3>A lot of people will associate the word uniform have

0:12:56.225 --> 0:12:57.665
<v Speaker 3>a negative connotation about it.

0:12:57.665 --> 0:12:59.865
<v Speaker 1>It sounds a bit boring, but it doesn't. But that's

0:12:59.865 --> 0:13:01.425
<v Speaker 1>not what we mean, not at all.

0:13:01.585 --> 0:13:04.065
<v Speaker 3>And when I say uniform, I really just mean pertaining

0:13:04.105 --> 0:13:08.265
<v Speaker 3>to the individual woman and client, because I think a

0:13:08.305 --> 0:13:11.025
<v Speaker 3>lot of people find sort of solace and assurance in

0:13:11.105 --> 0:13:14.625
<v Speaker 3>having a little bit of a boundary or a uniform definition,

0:13:14.665 --> 0:13:16.465
<v Speaker 3>which is okay, what does uniform mean?

0:13:16.505 --> 0:13:18.985
<v Speaker 2>Well, it means it's a collection of pieces that I

0:13:19.065 --> 0:13:21.825
<v Speaker 2>wear that I like that all work together.

0:13:22.105 --> 0:13:25.545
<v Speaker 3>So I guess my big thing when working with clients

0:13:25.585 --> 0:13:28.265
<v Speaker 3>is I want to establish a framework of clothes, let's

0:13:28.265 --> 0:13:31.305
<v Speaker 3>call that their uniform that all work together more than

0:13:31.345 --> 0:13:31.785
<v Speaker 3>one way.

0:13:31.905 --> 0:13:33.945
<v Speaker 2>Things that we're not going to have really.

0:13:33.705 --> 0:13:37.745
<v Speaker 3>Are items that sit on their own in isolation, that

0:13:37.865 --> 0:13:38.985
<v Speaker 3>don't really do anything.

0:13:39.105 --> 0:13:40.945
<v Speaker 1>Yeah, but you've got to work hard to work out

0:13:40.945 --> 0:13:43.385
<v Speaker 1>how to wear them, because clothes shouldn't be that way exactly.

0:13:43.425 --> 0:13:44.945
<v Speaker 3>Like, you look at them and you think, I want

0:13:44.945 --> 0:13:46.425
<v Speaker 3>to wear that, but I've got no idea what's going

0:13:46.465 --> 0:13:48.425
<v Speaker 3>with that? Is it a skirt that then brings a

0:13:48.505 --> 0:13:51.065
<v Speaker 3>top and a shoe issue with it? Is it a

0:13:51.185 --> 0:13:53.825
<v Speaker 3>random top that makes no sense with your color palette

0:13:53.825 --> 0:13:56.305
<v Speaker 3>and the tones of the other items in your wardrobe.

0:13:56.465 --> 0:13:59.265
<v Speaker 3>So once we kind of move those things on, we

0:13:59.305 --> 0:14:02.865
<v Speaker 3>then introduce shapes and colors and things that all kind

0:14:02.905 --> 0:14:03.545
<v Speaker 3>of work together.

0:14:03.625 --> 0:14:05.105
<v Speaker 2>So you can basically.

0:14:04.745 --> 0:14:06.745
<v Speaker 3>Put six of your tops with two pezz of your

0:14:06.745 --> 0:14:09.025
<v Speaker 3>pants and all of a sudden, how's my MAT's going

0:14:09.065 --> 0:14:10.945
<v Speaker 3>twelve different looks more?

0:14:11.385 --> 0:14:13.825
<v Speaker 1>And that's kind of you captual wardrobe, but instead of

0:14:13.865 --> 0:14:15.905
<v Speaker 1>sort of there's so many terms for it, but it's

0:14:15.985 --> 0:14:19.065
<v Speaker 1>kind of almost going through your wardrobe, working out your blueprint,

0:14:19.065 --> 0:14:21.945
<v Speaker 1>and then you're like, oh, that's my style uniform, and

0:14:21.985 --> 0:14:26.145
<v Speaker 1>then you can buy more of the similar look or

0:14:26.385 --> 0:14:29.105
<v Speaker 1>length or whatever, because you know that's what you're subconsciously

0:14:29.225 --> 0:14:32.265
<v Speaker 1>throwing on every morning. It's just making that conscious Okay,

0:14:32.265 --> 0:14:34.265
<v Speaker 1>this is my uniform exactly.

0:14:34.305 --> 0:14:36.665
<v Speaker 3>It's like we need to blow it all up to

0:14:36.945 --> 0:14:40.025
<v Speaker 3>bring it back together with less pieces that prove their worth,

0:14:40.265 --> 0:14:42.945
<v Speaker 3>that show how they work a multitude of ways.

0:14:43.105 --> 0:14:46.745
<v Speaker 2>Yes, Like, honestly, we are not buying a blazer unless.

0:14:46.465 --> 0:14:49.625
<v Speaker 3>It works three ways good across a number of different

0:14:49.665 --> 0:14:51.585
<v Speaker 3>dress codes, and if it doesn't get that tick of

0:14:51.585 --> 0:14:54.585
<v Speaker 3>approval for me, it's not coming home with the client.

0:14:55.065 --> 0:14:56.665
<v Speaker 1>It's so funny you say that because I did a

0:14:56.665 --> 0:14:58.105
<v Speaker 1>mini clear out on the weekend and there was this

0:14:58.145 --> 0:15:00.865
<v Speaker 1>blazer that I bought but still had tags on maybe

0:15:00.945 --> 0:15:03.105
<v Speaker 1>nine months ago, and I tried to make her work.

0:15:03.185 --> 0:15:06.145
<v Speaker 1>I love the color, but it's just not part of

0:15:06.145 --> 0:15:07.945
<v Speaker 1>my style uniform. And I was trying to make the

0:15:07.945 --> 0:15:10.745
<v Speaker 1>blazer fit into my style and it just didn't. So

0:15:10.825 --> 0:15:13.945
<v Speaker 1>I've donated her. Someone will love her. I liked her

0:15:13.945 --> 0:15:15.745
<v Speaker 1>on her own, but she did not form part of

0:15:15.785 --> 0:15:16.745
<v Speaker 1>my style uniform.

0:15:17.225 --> 0:15:19.145
<v Speaker 3>That's kind of it, right, That is sort of my

0:15:19.825 --> 0:15:23.505
<v Speaker 3>whole ethos with my clients. It's things that don't make sense,

0:15:23.545 --> 0:15:26.105
<v Speaker 3>that don't then fit into the picture that we create.

0:15:26.185 --> 0:15:37.585
<v Speaker 3>We need to park those for now. Now, having said

0:15:37.625 --> 0:15:40.745
<v Speaker 3>all of that, you absolutely can have an item that

0:15:40.785 --> 0:15:43.825
<v Speaker 3>sparks joy and is therefore no other reason than it

0:15:43.865 --> 0:15:45.465
<v Speaker 3>makes you happy and you love it.

0:15:45.505 --> 0:15:48.865
<v Speaker 2>So it's not all just rules and regulations of all

0:15:48.905 --> 0:15:49.785
<v Speaker 2>the extra.

0:15:49.825 --> 0:15:51.865
<v Speaker 1>I guess that's sort of different. Like you say, spark joy,

0:15:51.865 --> 0:15:53.985
<v Speaker 1>it's kind of the Marie Condo of your wardrobe. It's

0:15:53.985 --> 0:15:57.025
<v Speaker 1>like that sparks joy. But we're talking style uniform day

0:15:57.025 --> 0:16:00.585
<v Speaker 1>to day, so that our busy, rushed mornings aren't spent

0:16:00.705 --> 0:16:02.905
<v Speaker 1>forty five minutes trying to make that bloody blazer work.

0:16:03.905 --> 0:16:05.465
<v Speaker 3>It is all about at the end of the day,

0:16:05.585 --> 0:16:08.745
<v Speaker 3>my whole process with clients is about making getting dressed

0:16:08.785 --> 0:16:09.665
<v Speaker 3>every day easier.

0:16:10.145 --> 0:16:11.985
<v Speaker 1>And that's what I want to ask you about, because

0:16:12.025 --> 0:16:16.545
<v Speaker 1>you finally touch on unlocking getting dressed in the morning

0:16:16.585 --> 0:16:19.305
<v Speaker 1>and not hating it and feeling frenzied and throwing clothes

0:16:19.305 --> 0:16:21.785
<v Speaker 1>all over the floor or throwing on something that doesn't

0:16:21.785 --> 0:16:24.585
<v Speaker 1>make you feel good. So how does this work? How

0:16:24.625 --> 0:16:26.545
<v Speaker 1>do we enjoy getting dressed in the morning.

0:16:27.025 --> 0:16:29.705
<v Speaker 3>By the time that I've gone through the process with

0:16:29.785 --> 0:16:32.145
<v Speaker 3>my clients from sort of the wardrobe board it through

0:16:32.185 --> 0:16:35.185
<v Speaker 3>the retail appointment to the fitting where we do a

0:16:35.225 --> 0:16:39.305
<v Speaker 3>styling session and fitting at home, we've demonstrated.

0:16:38.785 --> 0:16:42.185
<v Speaker 2>Fifty looks and I photograph it. I put it together for.

0:16:42.145 --> 0:16:44.145
<v Speaker 1>The client with So do you have them put on

0:16:44.185 --> 0:16:45.785
<v Speaker 1>the outfit and your photograph.

0:16:45.385 --> 0:16:47.145
<v Speaker 2>It one million percent?

0:16:47.705 --> 0:16:49.585
<v Speaker 1>So then they've got a little bible of outfits to

0:16:49.665 --> 0:16:50.105
<v Speaker 1>look through.

0:16:50.505 --> 0:16:50.785
<v Speaker 2>Percent.

0:16:50.945 --> 0:16:53.665
<v Speaker 3>It's like inspo for the Tuesday morning when it's six

0:16:53.705 --> 0:16:55.945
<v Speaker 3>degrees in Melbourne. You've lost the will to leave. You've

0:16:55.985 --> 0:16:58.185
<v Speaker 3>got to be for a meeting. What the heck am

0:16:58.225 --> 0:17:03.545
<v Speaker 3>I wearing page twelve done, done, and it's just a guideline.

0:17:03.585 --> 0:17:06.305
<v Speaker 3>It will spark thoughts on how to put other pieces together.

0:17:06.385 --> 0:17:09.665
<v Speaker 3>Obviously it's not entirely conclusive. It can't be every single combat.

0:17:10.265 --> 0:17:12.385
<v Speaker 1>Yeah, I might feel them confident enough to go out

0:17:12.425 --> 0:17:13.905
<v Speaker 1>and buy a few new pieces, but I'm sure they

0:17:13.945 --> 0:17:16.025
<v Speaker 1>know how to work them back in exactly.

0:17:16.185 --> 0:17:18.705
<v Speaker 3>The whole point is that I set them up. I

0:17:18.785 --> 0:17:21.425
<v Speaker 3>create this kind of foundation, this platform where yep, I

0:17:21.505 --> 0:17:23.385
<v Speaker 3>know how I want to look, I know the pieces

0:17:23.385 --> 0:17:25.625
<v Speaker 3>that I feel good in, I know how I want

0:17:25.625 --> 0:17:29.225
<v Speaker 3>my style to progress. And then they do have the

0:17:29.225 --> 0:17:31.545
<v Speaker 3>confidence to layer in and add the pieces that are

0:17:31.545 --> 0:17:34.705
<v Speaker 3>going to work back with those core foundation pieces. It

0:17:34.785 --> 0:17:37.265
<v Speaker 3>ends up being a cost saving because not only are

0:17:37.265 --> 0:17:41.025
<v Speaker 3>they set up, and they just don't need to keep adding, adding, adding,

0:17:41.705 --> 0:17:43.665
<v Speaker 3>When they ring me and they get in touch, it's

0:17:43.665 --> 0:17:45.105
<v Speaker 3>like I've got to get this. I am just like

0:17:45.305 --> 0:17:47.625
<v Speaker 3>big Brother bad news.

0:17:47.825 --> 0:17:49.425
<v Speaker 2>I'm like, absolutely no, I.

0:17:49.505 --> 0:17:51.785
<v Speaker 1>Do not need that. Put the credit card away.

0:17:51.825 --> 0:17:54.345
<v Speaker 2>A hard no on that and forget it, and we

0:17:54.425 --> 0:17:54.785
<v Speaker 2>love it.

0:17:55.025 --> 0:17:57.425
<v Speaker 1>If people don't have you at home, should they put

0:17:57.425 --> 0:17:59.185
<v Speaker 1>on their combos, stand in front of a full link

0:17:59.185 --> 0:18:01.185
<v Speaker 1>mirror and take a photo and save them on their phone.

0:18:01.225 --> 0:18:04.185
<v Speaker 1>How should people because I love the visual reminder, because

0:18:04.185 --> 0:18:06.185
<v Speaker 1>I'm so forgetful, So how can we do it at

0:18:06.185 --> 0:18:07.825
<v Speaker 1>home without the joy of you there?

0:18:08.065 --> 0:18:13.025
<v Speaker 3>Absolutely, you need to dedicate a Sunday afternoon colle some

0:18:13.065 --> 0:18:14.145
<v Speaker 3>space in your brin to think.

0:18:14.185 --> 0:18:15.705
<v Speaker 2>Okay, hang on a minute, I'm just gonna go back

0:18:15.745 --> 0:18:17.185
<v Speaker 2>and look in my wardrobe. What have I got?

0:18:17.385 --> 0:18:20.065
<v Speaker 3>Pull some things out, try some outfits on things that

0:18:20.145 --> 0:18:24.545
<v Speaker 3>you see on Instagram, tiktop online, good old magazines. I

0:18:24.585 --> 0:18:25.345
<v Speaker 3>still buy them.

0:18:25.225 --> 0:18:25.825
<v Speaker 2>I still read.

0:18:26.025 --> 0:18:26.545
<v Speaker 1>I love them.

0:18:26.865 --> 0:18:29.545
<v Speaker 2>Sheets behind me. I love that. I've got teest sheets.

0:18:29.545 --> 0:18:31.625
<v Speaker 2>There's a tear sheet there I've carried around for thirty years.

0:18:31.665 --> 0:18:34.745
<v Speaker 1>I love it. Yeah, there's nothing like just having sparking

0:18:34.745 --> 0:18:36.265
<v Speaker 1>an idea from a photo that's.

0:18:36.185 --> 0:18:38.465
<v Speaker 3>Exactly right, and it will often exactly get you thinking

0:18:38.545 --> 0:18:41.825
<v Speaker 3>about that and then something else from there, and just

0:18:41.905 --> 0:18:45.745
<v Speaker 3>pull together those references, those little inspo nuggets, and then

0:18:45.865 --> 0:18:49.265
<v Speaker 3>try things on, photograph them. Yeah, create a folder in

0:18:49.305 --> 0:18:51.305
<v Speaker 3>your phone and you've just got them all there.

0:18:51.465 --> 0:18:54.585
<v Speaker 1>And just shoes at this point as well, and always shoes,

0:18:54.625 --> 0:18:55.585
<v Speaker 1>full outfit.

0:18:55.305 --> 0:18:58.505
<v Speaker 2>Full outfits. Honestly, often I'll be in a change room.

0:18:58.345 --> 0:19:00.345
<v Speaker 3>With a client they've got the outfit on and they've

0:19:00.425 --> 0:19:02.985
<v Speaker 3>left their socks on, like you've got joking.

0:19:03.345 --> 0:19:05.425
<v Speaker 1>Oh you got that's me. I shop in active wear

0:19:05.505 --> 0:19:07.425
<v Speaker 1>leggings and I just try dresses on over leggings because

0:19:07.425 --> 0:19:07.745
<v Speaker 1>that's how.

0:19:09.105 --> 0:19:12.345
<v Speaker 2>That's absolutely not happening. So sorry, I'm like the time,

0:19:12.425 --> 0:19:13.105
<v Speaker 2>like the school too.

0:19:13.185 --> 0:19:15.705
<v Speaker 1>No, it's true, because then you think something works in

0:19:15.705 --> 0:19:17.705
<v Speaker 1>your head. It's Tuesday morning, you're running late, and then

0:19:17.705 --> 0:19:19.185
<v Speaker 1>the shoes don't look good and you're like, o'h bug it.

0:19:19.225 --> 0:19:21.145
<v Speaker 1>You rip everything off and chuck on your boring black outfit.

0:19:21.385 --> 0:19:23.865
<v Speaker 3>So take that extra sort of twenty minutes on Sunday

0:19:24.145 --> 0:19:26.345
<v Speaker 3>to map it out in your brain, find your shoes,

0:19:26.385 --> 0:19:28.105
<v Speaker 3>and then all of a sudden, I promise you, once

0:19:28.145 --> 0:19:30.945
<v Speaker 3>you start, things start making sense and it sort of

0:19:31.185 --> 0:19:32.025
<v Speaker 3>is self fulfilling.

0:19:32.145 --> 0:19:34.265
<v Speaker 1>And you know what I mean. I know it's November now,

0:19:34.265 --> 0:19:35.945
<v Speaker 1>but we'll blink and it's Christmas. This could be a

0:19:35.985 --> 0:19:37.545
<v Speaker 1>good little project to do if you've got some time

0:19:37.625 --> 0:19:39.345
<v Speaker 1>off over Christmas and New Year's, have a play a

0:19:39.385 --> 0:19:41.705
<v Speaker 1>new orderbe it's kind of like a New Year reset.

0:19:41.825 --> 0:19:44.025
<v Speaker 1>And then even if you just start with fifteen outfits

0:19:44.065 --> 0:19:45.905
<v Speaker 1>you like, that'll help.

0:19:45.785 --> 0:19:47.625
<v Speaker 3>One hundred percent and it is often the time of

0:19:47.705 --> 0:19:49.385
<v Speaker 3>year where I do get the most calls because it

0:19:49.465 --> 0:19:52.065
<v Speaker 3>is that call to action to sort of start the year, refresh,

0:19:52.105 --> 0:19:55.385
<v Speaker 3>clean the slide, start again, and also think about all

0:19:55.425 --> 0:19:57.105
<v Speaker 3>the items that you're not wearing that are taking up

0:19:57.185 --> 0:19:59.745
<v Speaker 3>ninety percent that we talked about. You've had a great

0:19:59.745 --> 0:20:02.345
<v Speaker 3>time with those pieces, so how about we pass them

0:20:02.385 --> 0:20:04.105
<v Speaker 3>on to someone else who's going to get value.

0:20:04.105 --> 0:20:04.745
<v Speaker 2>And we're out of.

0:20:04.745 --> 0:20:07.545
<v Speaker 1>Them, or you haven't and you feel guilty and they're

0:20:07.545 --> 0:20:10.145
<v Speaker 1>just sitting there making you feel bad, So all them,

0:20:10.185 --> 0:20:11.585
<v Speaker 1>donate them and get them out.

0:20:11.905 --> 0:20:15.025
<v Speaker 3>One hundred percent everyone wins in that situation. And I

0:20:15.065 --> 0:20:19.505
<v Speaker 3>love the increasing circular nature of fashion. That's just been

0:20:19.905 --> 0:20:23.145
<v Speaker 3>something that's fallen into my process over the last sort

0:20:23.145 --> 0:20:25.505
<v Speaker 3>of probably five years, and I love it. And often

0:20:26.065 --> 0:20:28.345
<v Speaker 3>at the wardrobe bought at stage I'm leaving. I left

0:20:28.385 --> 0:20:31.265
<v Speaker 3>to clients with twenty three garbage.

0:20:30.945 --> 0:20:31.745
<v Speaker 2>Bags last week.

0:20:32.705 --> 0:20:35.705
<v Speaker 3>To be fair, that was an old time peak because

0:20:35.785 --> 0:20:37.585
<v Speaker 3>there was a lot she'd sort of had twenty years

0:20:37.585 --> 0:20:38.745
<v Speaker 3>worth of things in her work.

0:20:39.065 --> 0:20:41.705
<v Speaker 1>Yeah, but how fun your job sounds so fine?

0:20:42.665 --> 0:20:44.825
<v Speaker 3>Well, I just want to remind people fashion is so

0:20:44.945 --> 0:20:47.745
<v Speaker 3>not glamorous because at my age I'm still lugging garbage

0:20:47.785 --> 0:20:49.825
<v Speaker 3>bags of clothes out of the back and the boot.

0:20:49.585 --> 0:20:53.305
<v Speaker 1>Of my car and scouring through dusty wardrobes and cupboards.

0:20:53.345 --> 0:20:53.905
<v Speaker 1>I love it.

0:20:54.105 --> 0:20:56.465
<v Speaker 3>I guess in summery it's about what are the items

0:20:56.505 --> 0:20:58.305
<v Speaker 3>you already have? What are the new things we can

0:20:58.385 --> 0:21:01.025
<v Speaker 3>layer in to just give you a refreshed, renewed sense

0:21:01.065 --> 0:21:02.865
<v Speaker 3>of personal style, give you a little bit of a

0:21:02.865 --> 0:21:05.425
<v Speaker 3>pep in your step, because, let's be honest, new things

0:21:05.465 --> 0:21:08.625
<v Speaker 3>and shopping and sparkling new things is exciting and unlocks

0:21:08.665 --> 0:21:10.745
<v Speaker 3>that dopamine and we all feel good about that. How

0:21:10.745 --> 0:21:13.305
<v Speaker 3>do we keep that balanced? And then how do we

0:21:13.345 --> 0:21:15.465
<v Speaker 3>make getting dressed joyful again? For a lot of women,

0:21:15.505 --> 0:21:18.145
<v Speaker 3>getting dressed it's just a chore that is negative and

0:21:18.385 --> 0:21:21.745
<v Speaker 3>not great. I want to make women feel good about

0:21:22.105 --> 0:21:24.305
<v Speaker 3>how they look when they are out there in the world,

0:21:24.385 --> 0:21:27.025
<v Speaker 3>presenting the best version of themselves. I know people say

0:21:27.025 --> 0:21:29.905
<v Speaker 3>clothes and fashion is vacuous and shallow, but funnily enough,

0:21:29.945 --> 0:21:32.465
<v Speaker 3>it's a tool that helps us present the best version

0:21:32.505 --> 0:21:33.065
<v Speaker 3>of ourself.

0:21:33.305 --> 0:21:36.505
<v Speaker 1>Agrees present the best version of ourself and just feel

0:21:36.545 --> 0:21:37.985
<v Speaker 1>happy and confident.

0:21:37.985 --> 0:21:38.665
<v Speaker 2>And feel good.

0:21:38.985 --> 0:21:41.505
<v Speaker 1>Now, Anthea, we're about to jump into bougie and budget.

0:21:41.545 --> 0:21:43.785
<v Speaker 1>But first, if our listeners want to find out more

0:21:43.785 --> 0:21:45.985
<v Speaker 1>of your tips at about your services, where can they

0:21:46.025 --> 0:21:46.385
<v Speaker 1>find you?

0:21:46.825 --> 0:21:49.225
<v Speaker 3>They can have a look at my Instagram at Theoro

0:21:49.225 --> 0:21:52.345
<v Speaker 3>O'Connor and my page is called the Fashion Edit but

0:21:52.425 --> 0:21:55.465
<v Speaker 3>it's under my name, and also my website at Theoconnor

0:21:55.545 --> 0:21:57.865
<v Speaker 3>dot com. So I've got a lot of information about

0:21:58.505 --> 0:22:00.745
<v Speaker 3>how i work with my clients and my services on

0:22:00.745 --> 0:22:08.545
<v Speaker 3>my website, so a bit more detail there.

0:22:13.745 --> 0:22:19.985
<v Speaker 1>It's very expensive, honey, how mud are these percent bougie

0:22:19.985 --> 0:22:21.665
<v Speaker 1>and budget? So sticking to the theme of sort of

0:22:21.665 --> 0:22:26.185
<v Speaker 1>blueprint personal style uniform, I am going to shock you

0:22:26.265 --> 0:22:28.705
<v Speaker 1>because I'm normally jeans and a T shirt. But we're

0:22:28.745 --> 0:22:31.385
<v Speaker 1>heading into the humid Sydney weather. So I've got what

0:22:31.545 --> 0:22:34.585
<v Speaker 1>is my sort of style uniform for summer. I've got

0:22:34.585 --> 0:22:37.865
<v Speaker 1>a more expensive skirt and a more affordable tank. But

0:22:37.985 --> 0:22:39.745
<v Speaker 1>do you want to go first with your boogie or

0:22:39.785 --> 0:22:40.345
<v Speaker 1>your budget?

0:22:40.785 --> 0:22:44.185
<v Speaker 3>A bougie item worth the investment is a blazer and

0:22:44.625 --> 0:22:46.705
<v Speaker 3>now I am from Melbourne, so really we are wearing

0:22:46.705 --> 0:22:49.065
<v Speaker 3>blazers three hundred and sixty out of three sixty five

0:22:49.625 --> 0:22:52.945
<v Speaker 3>And I won Fashion Salotto last year when I was

0:22:52.985 --> 0:22:56.305
<v Speaker 3>in London and I found a saline blazer for sixty

0:22:56.345 --> 0:22:57.185
<v Speaker 3>percent off.

0:22:57.385 --> 0:23:00.105
<v Speaker 2>In my eyes, thank you fashion.

0:23:00.665 --> 0:23:02.985
<v Speaker 1>Yeah, that's your good fashion karma coming back to you.

0:23:03.705 --> 0:23:06.745
<v Speaker 3>So that's been just an absolute winner and I love

0:23:06.785 --> 0:23:08.665
<v Speaker 3>it and I'll wear it forever. And it was a

0:23:08.665 --> 0:23:10.505
<v Speaker 3>bit different to what I'd normally buy, but it all

0:23:10.585 --> 0:23:11.465
<v Speaker 3>just fell into place.

0:23:11.505 --> 0:23:14.625
<v Speaker 2>I love it. So bougie blazers are worth the spend.

0:23:15.105 --> 0:23:17.425
<v Speaker 2>It's certainly worth buying as well as you can in

0:23:17.465 --> 0:23:18.145
<v Speaker 2>that category.

0:23:18.145 --> 0:23:21.105
<v Speaker 3>In that space, get a great cut, a great style

0:23:21.145 --> 0:23:23.305
<v Speaker 3>that works for your body shape, that you feel good in,

0:23:23.545 --> 0:23:24.705
<v Speaker 3>and it's going to go the distance.

0:23:24.745 --> 0:23:27.745
<v Speaker 1>So tick worth the money, I think, particularly because when

0:23:27.785 --> 0:23:29.225
<v Speaker 1>you throw on a blazer to it just makes you

0:23:29.265 --> 0:23:31.585
<v Speaker 1>feel powerful, like it is a power item. I don't

0:23:31.585 --> 0:23:32.425
<v Speaker 1>know why, but.

0:23:32.585 --> 0:23:35.825
<v Speaker 3>Well it makes you feel pulled together and polish and

0:23:35.905 --> 0:23:37.625
<v Speaker 3>like you've sort of finished the job.

0:23:37.705 --> 0:23:40.385
<v Speaker 1>Yes, absolutely, that's a good way to put it. And

0:23:40.385 --> 0:23:41.185
<v Speaker 1>what's your budget?

0:23:41.825 --> 0:23:44.465
<v Speaker 3>Okay, well the budget and no surprise here is a

0:23:44.505 --> 0:23:47.265
<v Speaker 3>white T shirt and my current favorite is the Cause

0:23:47.585 --> 0:23:48.785
<v Speaker 3>Clean cut T shirt.

0:23:49.145 --> 0:23:51.745
<v Speaker 1>And that's such a good tea Honestly, I feel like

0:23:51.785 --> 0:23:53.425
<v Speaker 1>I did to on a tea band, but every time

0:23:53.425 --> 0:23:55.385
<v Speaker 1>I just see a good tea, I can't not buy it.

0:23:55.425 --> 0:23:57.465
<v Speaker 3>Well, I now have a wardrobe of bhaite T shirt,

0:23:57.545 --> 0:23:59.425
<v Speaker 3>so you know, please to say not a full war

0:23:59.505 --> 0:24:00.185
<v Speaker 3>drobe of blazers.

0:24:00.185 --> 0:24:01.465
<v Speaker 2>It's a wardrobe of white T shirt.

0:24:01.545 --> 0:24:03.665
<v Speaker 3>And they all do different things, right, So they do

0:24:03.825 --> 0:24:07.305
<v Speaker 3>different way of fabric, different neckline, sleep, they all do

0:24:07.385 --> 0:24:11.505
<v Speaker 3>little different things so few but that Coose T shirt

0:24:11.545 --> 0:24:14.705
<v Speaker 3>is my new current fave and it's probably be sold out,

0:24:15.025 --> 0:24:16.865
<v Speaker 3>but you know at the end of this season, because

0:24:16.865 --> 0:24:17.545
<v Speaker 3>I've told that.

0:24:17.465 --> 0:24:19.825
<v Speaker 1>Many people, make sure you stuck up before you tell

0:24:19.865 --> 0:24:22.625
<v Speaker 1>anyone else. Well, speaking of cause my bougie is from

0:24:22.665 --> 0:24:26.505
<v Speaker 1>Cosh Oh good. It's the Maxi slip skirt, yes, because

0:24:26.505 --> 0:24:29.465
<v Speaker 1>I love a slipskirt and a tank or a white tea,

0:24:29.705 --> 0:24:32.625
<v Speaker 1>especially it's quite humid here in summer in Sydney and

0:24:32.665 --> 0:24:37.545
<v Speaker 1>also perimenopause. I'm getting hot. I run hot, I run hot,

0:24:37.585 --> 0:24:39.585
<v Speaker 1>so I'm normally jeans and a tea. But my kind

0:24:39.585 --> 0:24:42.065
<v Speaker 1>of version of that is a slip skirt. But the

0:24:42.105 --> 0:24:44.585
<v Speaker 1>reason I love this one is it's fully lined, yes,

0:24:44.625 --> 0:24:47.265
<v Speaker 1>because I don't want that cheap sort of satin that

0:24:47.345 --> 0:24:49.745
<v Speaker 1>snap clings to all your boulders and your undies. This

0:24:49.865 --> 0:24:51.905
<v Speaker 1>is fully lined. It comes in a light sort of

0:24:52.185 --> 0:24:56.105
<v Speaker 1>blue dusty color. It's not that kind of kid like

0:24:56.185 --> 0:24:59.985
<v Speaker 1>baby blue. It's a mature light blue, fully lined silk

0:25:00.265 --> 0:25:02.785
<v Speaker 1>and cotton. It's two hundred and fifteen dollars. So you

0:25:02.825 --> 0:25:05.505
<v Speaker 1>can definitely get a lot more affordable slip skirts. You know,

0:25:05.505 --> 0:25:07.145
<v Speaker 1>you can get good affordable ones, but you can also

0:25:07.185 --> 0:25:10.585
<v Speaker 1>get nasty ones. Nice not too high, slid up the side,

0:25:10.625 --> 0:25:13.785
<v Speaker 1>but enough that you can walk. Yes, you gotta be

0:25:13.825 --> 0:25:17.545
<v Speaker 1>got to walk. So I love that flat heels, sneakers, honestly,

0:25:17.625 --> 0:25:20.105
<v Speaker 1>anything with that, all of it. And then I'm putting

0:25:20.105 --> 0:25:22.225
<v Speaker 1>with that. I've actually got to this in two colors.

0:25:22.265 --> 0:25:23.985
<v Speaker 1>It's a bit like your tea. It's h and M

0:25:24.065 --> 0:25:27.185
<v Speaker 1>Nit tank thirty four ninety nine. It looks like a

0:25:27.185 --> 0:25:30.345
<v Speaker 1>good old Bonds singlet, but it's a thicker ribbed knit

0:25:31.105 --> 0:25:33.145
<v Speaker 1>whereby the straps are thick enough to wear a bra.

0:25:33.225 --> 0:25:35.385
<v Speaker 1>It comes in black, white, beige, and red.

0:25:35.865 --> 0:25:38.345
<v Speaker 2>I'm making notes because I'm buying that that we hang up.

0:25:38.425 --> 0:25:40.625
<v Speaker 1>It is just such a good basic tank. You could

0:25:40.625 --> 0:25:43.265
<v Speaker 1>wear that with a lovely wide leg pant and a heel,

0:25:43.945 --> 0:25:47.465
<v Speaker 1>your jeans, shorts, your blazer, your chuck on a shirt.

0:25:47.465 --> 0:25:49.385
<v Speaker 1>You know, it's just one of those really good all rounders.

0:25:49.385 --> 0:25:53.785
<v Speaker 1>So that's my blueprint for this summer. I'm mixing it

0:25:53.865 --> 0:25:54.785
<v Speaker 1>up perfect.

0:25:54.825 --> 0:25:56.665
<v Speaker 2>And can I just add around that tank?

0:25:56.865 --> 0:25:57.025
<v Speaker 1>Yes?

0:25:57.225 --> 0:25:59.025
<v Speaker 3>Can you sort of move out of a cotton tank

0:26:00.145 --> 0:26:02.705
<v Speaker 3>cotton tank into that more of a knit tank all

0:26:02.745 --> 0:26:04.905
<v Speaker 3>of a sudden that feels like a dressier.

0:26:04.425 --> 0:26:07.905
<v Speaker 2>Top, you know, that's it's a nice top concept.

0:26:08.185 --> 0:26:12.305
<v Speaker 3>Yes, and goes back into the hole, back with your jeans,

0:26:12.345 --> 0:26:15.105
<v Speaker 3>back with your jean shorts, back with knee length denim

0:26:15.185 --> 0:26:16.865
<v Speaker 3>jean shorts. That we're seeing a lot of the sum

0:26:17.385 --> 0:26:19.745
<v Speaker 3>that's it. It's going to roll out one hundred ways.

0:26:19.865 --> 0:26:21.745
<v Speaker 1>Yes, But then you know beautiful like I've got like

0:26:21.785 --> 0:26:24.465
<v Speaker 1>a cream pair of wide leg pants, like I could

0:26:24.545 --> 0:26:26.265
<v Speaker 1>check on a heel and go somewhere quite fancy with

0:26:26.305 --> 0:26:27.985
<v Speaker 1>that tank. And I like that the cut looks like

0:26:28.025 --> 0:26:31.025
<v Speaker 1>a traditional white singlet, but the knit just brings up

0:26:31.065 --> 0:26:33.185
<v Speaker 1>that elevation. And it's thirty five bucks.

0:26:33.265 --> 0:26:35.505
<v Speaker 2>Yeah. No, I'm just going to be jumping on.

0:26:35.505 --> 0:26:37.185
<v Speaker 1>There in the minute, will anthe. I think we should

0:26:37.185 --> 0:26:39.785
<v Speaker 1>go on and buy each other's purchasers before we tell

0:26:39.825 --> 0:26:42.425
<v Speaker 1>the whole world. Thank you for joining me. I love

0:26:42.465 --> 0:26:44.305
<v Speaker 1>the blueprint. I've got it in my head, but I'm

0:26:44.305 --> 0:26:46.025
<v Speaker 1>going to go home and do it physically because I

0:26:46.065 --> 0:26:48.065
<v Speaker 1>know my style uniform. I'm a bit of a chameleon.

0:26:48.105 --> 0:26:49.945
<v Speaker 1>But at the end of the day, I know what's

0:26:49.945 --> 0:26:52.345
<v Speaker 1>going to be on that first rack you do, and I.

0:26:52.265 --> 0:26:54.745
<v Speaker 3>Think it's just about taking that formal step to moving

0:26:54.785 --> 0:26:57.385
<v Speaker 3>all the other stuff on, just conceding that these are

0:26:57.385 --> 0:26:58.225
<v Speaker 3>the pieces you wear.

0:26:58.345 --> 0:26:59.225
<v Speaker 1>Yes, you know.

0:26:59.305 --> 0:27:01.305
<v Speaker 2>The truth is you don't need a lot in the end.

0:27:01.425 --> 0:27:03.305
<v Speaker 3>Now, that's the thing if you get rid of the clutter,

0:27:03.465 --> 0:27:05.985
<v Speaker 3>the liberating feeling. And I see it with my clients.

0:27:05.985 --> 0:27:09.225
<v Speaker 3>The minute we move the volume out, everyone's shoulders go down,

0:27:09.785 --> 0:27:13.025
<v Speaker 3>things become clearer, things become more joyful as we talked about,

0:27:13.345 --> 0:27:14.825
<v Speaker 3>and it all becomes a lot easier.

0:27:15.145 --> 0:27:16.905
<v Speaker 2>And we've sort of untangled the.

0:27:16.905 --> 0:27:20.225
<v Speaker 3>Little sort of not fashion my wardrobe and how I

0:27:20.225 --> 0:27:20.785
<v Speaker 3>get dressed.

0:27:20.825 --> 0:27:22.545
<v Speaker 2>It all just sort of I love it.

0:27:22.545 --> 0:27:24.385
<v Speaker 1>It's so true, it is. It's simple. We make things

0:27:24.385 --> 0:27:26.705
<v Speaker 1>hard for ourselves. Anthea, thank you so much for joining me.

0:27:26.745 --> 0:27:28.385
<v Speaker 1>I will be having you back soon because you're a

0:27:28.385 --> 0:27:29.185
<v Speaker 1>wealth of knowledge.

0:27:29.345 --> 0:27:31.265
<v Speaker 2>Oh you're the best leade. Thank you for having me.

0:27:31.305 --> 0:27:32.465
<v Speaker 2>It's been a lot of fun.

0:27:32.865 --> 0:27:35.465
<v Speaker 1>Thank you for listening to Nothing to Wear. Don't forget

0:27:35.465 --> 0:27:37.505
<v Speaker 1>to sign up to the Nothing to Wear newsletter. There's

0:27:37.505 --> 0:27:39.625
<v Speaker 1>a link in the show notes and it is free.

0:27:40.145 --> 0:27:42.745
<v Speaker 1>And if you have enjoyed this episode and it has

0:27:42.825 --> 0:27:45.305
<v Speaker 1>inspired you to shop your own wardrobe, you can listen

0:27:45.345 --> 0:27:47.865
<v Speaker 1>to our episode on the six new season looks you

0:27:47.945 --> 0:27:49.905
<v Speaker 1>already own. There's a link in the show notes so

0:27:49.985 --> 0:27:53.025
<v Speaker 1>that too. See you next week. This episode was produced

0:27:53.025 --> 0:27:56.705
<v Speaker 1>by Grace Rubray with audio production by Lou Hill. This

0:27:56.825 --> 0:28:00.465
<v Speaker 1>podcast is powered by our subscribers. If you believe in

0:28:00.465 --> 0:28:03.025
<v Speaker 1>independent women's media and want to support us, there's a

0:28:03.065 --> 0:28:04.865
<v Speaker 1>link in the show notes, and a big thank you

0:28:04.945 --> 0:28:06.625
<v Speaker 1>to all our current subscribers.