1 00:00:10,622 --> 00:00:13,342 Speaker 1: You're listening to a MoMA Mia podcast. 2 00:00:13,822 --> 00:00:17,182 Speaker 2: Mama Mia acknowledges the traditional owners of land and waters 3 00:00:17,222 --> 00:00:18,822 Speaker 2: that this podcast is recorded on. 4 00:00:19,142 --> 00:00:21,101 Speaker 1: So many new things are happening. We're in a new studio. 5 00:00:21,701 --> 00:00:24,422 Speaker 1: We thought we could have our laptops, but we now 6 00:00:24,662 --> 00:00:26,021 Speaker 1: have got iPads. 7 00:00:26,262 --> 00:00:27,982 Speaker 2: I feel like a boomer. It took me so long 8 00:00:28,022 --> 00:00:29,022 Speaker 2: to set this iPad up. 9 00:00:29,422 --> 00:00:31,822 Speaker 1: I brought my own iPad to be shocked to hear. 10 00:00:32,101 --> 00:00:34,622 Speaker 3: I feel like we're three and on a plane. Don't 11 00:00:35,662 --> 00:00:36,342 Speaker 3: put Pepper Peka. 12 00:00:36,382 --> 00:00:38,782 Speaker 1: When I was off for a while, I was catching 13 00:00:38,822 --> 00:00:41,342 Speaker 1: up with you guys by watching the show on YouTube, 14 00:00:41,382 --> 00:00:43,942 Speaker 1: and I was looking at everybody's laptops and it looked 15 00:00:43,982 --> 00:00:47,542 Speaker 1: like you're in a meeting. There's something about it, really. 16 00:00:48,182 --> 00:00:50,502 Speaker 3: It's like when you're sitting and having dinner with someone 17 00:00:50,502 --> 00:00:53,742 Speaker 3: and someone picks up their phone strap the connection and. 18 00:00:53,742 --> 00:00:56,742 Speaker 1: It's very when you're actually behind the mic, I find 19 00:00:56,742 --> 00:00:59,462 Speaker 1: that my eye is always drawn, even though I don't. 20 00:00:59,982 --> 00:01:01,662 Speaker 1: It's like a safety I'm like some other hosts. I 21 00:01:01,662 --> 00:01:04,301 Speaker 1: don't have a lot of notes. It's a safety thing, 22 00:01:04,342 --> 00:01:06,302 Speaker 1: isn't it. And it's like I even find that when 23 00:01:06,342 --> 00:01:08,381 Speaker 1: I've got my phone, I have to turn it upside down, 24 00:01:08,422 --> 00:01:10,782 Speaker 1: so my eye doesn't doesn't get trained. 25 00:01:10,902 --> 00:01:12,301 Speaker 3: So now what you can do is you can watch 26 00:01:12,342 --> 00:01:13,341 Speaker 3: your bluey on your iPad. 27 00:01:13,542 --> 00:01:15,462 Speaker 1: We watch a super fight and then I can take 28 00:01:15,462 --> 00:01:18,262 Speaker 1: a photo with my iPad out. 29 00:01:18,142 --> 00:01:18,542 Speaker 2: At a wedding. 30 00:01:18,622 --> 00:01:23,222 Speaker 3: Yeah, yeah, welcome to MoMA. Me are out loud? What 31 00:01:23,342 --> 00:01:26,902 Speaker 3: women are actually talking about? On Wednesday, the eleventh of June, 32 00:01:27,102 --> 00:01:29,502 Speaker 3: I am Jesse Stevens, I'm Mere Friedman. 33 00:01:29,182 --> 00:01:31,462 Speaker 2: And I'm Vana filling in for Holly. 34 00:01:31,222 --> 00:01:34,622 Speaker 3: Today and on the show Today, the Project First and 35 00:01:34,662 --> 00:01:37,142 Speaker 3: now Q and A. Should we be mourning the loss 36 00:01:37,182 --> 00:01:40,462 Speaker 3: of the panel show and what will replace it? Plus 37 00:01:40,502 --> 00:01:43,021 Speaker 3: how did wife guys get such a bad rap? I'm 38 00:01:43,022 --> 00:01:45,582 Speaker 3: ready to fight you both on that and Sydney Sweeney's 39 00:01:45,582 --> 00:01:48,822 Speaker 3: bathwater and Bonnie Blue locking herself in a glass cage 40 00:01:49,182 --> 00:01:51,702 Speaker 3: empowerment or oppression with a price tag. 41 00:01:51,902 --> 00:01:55,462 Speaker 2: But first, and in case you missed it, Channel nine 42 00:01:55,582 --> 00:01:58,622 Speaker 2: journalist Lauren Tomasi was shot by a rubber bullet by 43 00:01:58,662 --> 00:02:02,422 Speaker 2: authorities while reporting on the protest happening in Los Angeles 44 00:02:02,422 --> 00:02:05,502 Speaker 2: against the immigration raids. This is what she said on 45 00:02:05,542 --> 00:02:06,022 Speaker 2: the event. 46 00:02:06,462 --> 00:02:08,542 Speaker 4: We were reporting on the Today Show all morning. The 47 00:02:08,582 --> 00:02:11,782 Speaker 4: situation on the ground in downtown LA. My cameraman, Jimmy 48 00:02:11,822 --> 00:02:15,261 Speaker 4: and I had started by that detention center in downtown 49 00:02:15,422 --> 00:02:18,422 Speaker 4: LA and there was you know, a few skirmishes here 50 00:02:18,422 --> 00:02:22,181 Speaker 4: and there, and a little bit of chaos moments as 51 00:02:22,222 --> 00:02:24,621 Speaker 4: we went throughout the morning. But it was about five 52 00:02:24,662 --> 00:02:28,381 Speaker 4: o'clock local time there were suddenly just thousands of protesters 53 00:02:28,382 --> 00:02:30,582 Speaker 4: on the streets of downtown LA, and we felt that 54 00:02:30,742 --> 00:02:34,621 Speaker 4: presence of the LAPD and law enforcement really ramp up. 55 00:02:34,982 --> 00:02:38,142 Speaker 4: Jimmy and I went live. We were doing a cross 56 00:02:38,181 --> 00:02:42,702 Speaker 4: into the program, and police started pushing their way up 57 00:02:42,702 --> 00:02:45,982 Speaker 4: the street. They'd begun firing tear gas canisters and those 58 00:02:46,062 --> 00:02:49,822 Speaker 4: rubber bullets, and we moved onto the sidewalk and really 59 00:02:49,822 --> 00:02:52,102 Speaker 4: tried to stay out of the way. What you saw 60 00:02:52,181 --> 00:02:54,902 Speaker 4: that report was at the end of that live cross 61 00:02:54,982 --> 00:02:57,142 Speaker 4: we'd moved off to the side of the road. We're 62 00:02:57,181 --> 00:02:59,222 Speaker 4: at the side of police. I had my back to 63 00:02:59,342 --> 00:03:02,502 Speaker 4: those LAPD offices. I was really focused on the camera 64 00:03:02,502 --> 00:03:06,862 Speaker 4: and you know, finishing that report telling what was happening. Yeah, 65 00:03:06,902 --> 00:03:08,742 Speaker 4: and I got hit. Jimmy scooped me up and we 66 00:03:08,822 --> 00:03:12,022 Speaker 4: made our way as quickly as possible. Yeah, a bit 67 00:03:12,062 --> 00:03:12,462 Speaker 4: of a shock. 68 00:03:12,622 --> 00:03:16,102 Speaker 2: Since then, three more journalists have been reported being injured 69 00:03:16,142 --> 00:03:19,462 Speaker 2: by authorities. An ABC cameraman was injured while filming a 70 00:03:19,502 --> 00:03:22,422 Speaker 2: group of protesters when police opened fire with less than 71 00:03:22,502 --> 00:03:24,742 Speaker 2: lethal rounds. He was hit in the chest, but not 72 00:03:24,782 --> 00:03:27,862 Speaker 2: seriously injured as he was wearing a bulletproof vest. Another 73 00:03:27,942 --> 00:03:30,702 Speaker 2: ABC journalist, Lauren Day, was injured via tear gas, and 74 00:03:30,742 --> 00:03:33,822 Speaker 2: a British journalist, Nick Stern, needed an emergency surgery after 75 00:03:33,822 --> 00:03:37,342 Speaker 2: being hit with a plastic bullet. So this video has 76 00:03:37,342 --> 00:03:39,822 Speaker 2: gone absolutely viral. I saw it all over my TikTok 77 00:03:39,862 --> 00:03:42,382 Speaker 2: and I think I watched it about ten times. Jesse, 78 00:03:42,502 --> 00:03:44,542 Speaker 2: why are these protests actually happening? 79 00:03:44,742 --> 00:03:46,542 Speaker 3: Yeah, I think that for a lot of people that 80 00:03:46,622 --> 00:03:49,622 Speaker 3: got the protests on their radar right because LA at 81 00:03:49,622 --> 00:03:52,862 Speaker 3: the moment, there are a number of protests because of 82 00:03:53,182 --> 00:03:56,822 Speaker 3: this bill that Trump has pushed and we talked about 83 00:03:56,822 --> 00:04:00,742 Speaker 3: it on the show last week. But basically Trump wants 84 00:04:01,222 --> 00:04:07,342 Speaker 3: three thousand arrests nationally a day for immigrants like he 85 00:04:07,382 --> 00:04:10,622 Speaker 3: sees them as illegal immigrants. So it's actually said three thousand, 86 00:04:10,702 --> 00:04:14,902 Speaker 3: so it's like immigration raids in LA. The people that 87 00:04:14,942 --> 00:04:17,981 Speaker 3: have gone to protest are basically saying we don't agree 88 00:04:17,981 --> 00:04:18,421 Speaker 3: with this. 89 00:04:18,382 --> 00:04:20,702 Speaker 1: So you may have been hearing about ICE raids, which 90 00:04:20,902 --> 00:04:24,981 Speaker 1: stands for Immigration Customs Enforcement. So that's the body like 91 00:04:25,022 --> 00:04:28,581 Speaker 1: border security here and the Australian Federal Police that looks 92 00:04:28,621 --> 00:04:32,381 Speaker 1: after border security and immigration, and so anyone that is 93 00:04:32,462 --> 00:04:35,781 Speaker 1: seen to be breaching the immigration laws in the US. 94 00:04:36,301 --> 00:04:39,181 Speaker 1: And there are many, many thousands of people there on 95 00:04:39,222 --> 00:04:43,301 Speaker 1: that basis, they're basically rounding them up and deporting them. 96 00:04:43,782 --> 00:04:46,541 Speaker 1: And there were protests in LA. There are protests that 97 00:04:46,582 --> 00:04:49,261 Speaker 1: have now spread all over the US. And the bigger 98 00:04:49,301 --> 00:04:53,181 Speaker 1: picture there is that LA is probably the most democratic state, 99 00:04:53,262 --> 00:04:56,421 Speaker 1: the most left leaning state in America. Its governor is 100 00:04:56,462 --> 00:04:58,822 Speaker 1: a guy called Gavin Newsom. That's the equivalent of the 101 00:04:58,861 --> 00:05:02,782 Speaker 1: premiere of a state in Australia. And Trump hates him. 102 00:05:02,821 --> 00:05:06,741 Speaker 1: He's a potential future Democratic candidate for president. And so 103 00:05:07,022 --> 00:05:11,301 Speaker 1: it's now just become this thing where Trump is sending 104 00:05:11,301 --> 00:05:14,621 Speaker 1: in the National Guards, sending in the Marines, making this 105 00:05:14,702 --> 00:05:18,541 Speaker 1: big show of force because he loves a spectacle. As 106 00:05:18,582 --> 00:05:21,902 Speaker 1: we're recording this news is breaking that curfew has been 107 00:05:21,941 --> 00:05:26,741 Speaker 1: imposed on downtown LA and President Trump has defended deploying 108 00:05:26,741 --> 00:05:31,261 Speaker 1: the military and called the protesters animals and a foreign enemy. 109 00:05:31,101 --> 00:05:33,222 Speaker 3: Which is the first time in sixty years that a 110 00:05:33,421 --> 00:05:36,701 Speaker 3: president because there's particular powers that a president has that 111 00:05:36,741 --> 00:05:40,062 Speaker 3: they very rarely use, like similar to Australia. Actually there 112 00:05:40,101 --> 00:05:42,501 Speaker 3: are state laws and things within the remit of a 113 00:05:42,702 --> 00:05:45,782 Speaker 3: governor and then there are things that a president can 114 00:05:45,821 --> 00:05:48,181 Speaker 3: do but often don't because they're kind of just trusting. 115 00:05:48,181 --> 00:05:50,621 Speaker 3: It happened during COVID. It was really complicated in the 116 00:05:50,702 --> 00:05:52,462 Speaker 3: US that a governor had the rules and it was 117 00:05:52,541 --> 00:05:55,421 Speaker 3: like there was fifty different countries and same in Australia's. 118 00:05:56,462 --> 00:05:59,222 Speaker 3: And so Trump has gone, I am sending in the 119 00:05:59,301 --> 00:06:02,021 Speaker 3: National Guard. Why is that such a big deal? Because 120 00:06:02,022 --> 00:06:04,422 Speaker 3: it escalates and a lot of people are saying they 121 00:06:04,462 --> 00:06:07,262 Speaker 3: are trained. Like the reason you would send in a 122 00:06:07,342 --> 00:06:10,941 Speaker 3: national guard is if there was life a war, or 123 00:06:11,022 --> 00:06:14,062 Speaker 3: if there was some kind of unrest, civil unrest or 124 00:06:14,342 --> 00:06:18,902 Speaker 3: serious uprising, which Newsom says, this doesn't warrant that at 125 00:06:18,941 --> 00:06:21,501 Speaker 3: all is going to escalate. And that's why this video 126 00:06:21,662 --> 00:06:24,742 Speaker 3: in that context is so critical because it does look 127 00:06:24,821 --> 00:06:28,141 Speaker 3: like it's escalating and that's something we saw on camera. 128 00:06:28,621 --> 00:06:32,861 Speaker 3: Even if she wasn't the Australian reporter wasn't a reporter, 129 00:06:33,222 --> 00:06:36,302 Speaker 3: if she was a civilian who was there and demonstrating 130 00:06:36,342 --> 00:06:39,621 Speaker 3: peacefully on the sidewalk. On the sidewalk, they still shouldn't 131 00:06:39,621 --> 00:06:41,501 Speaker 3: be shot with a rubber bullet like that. I think 132 00:06:41,582 --> 00:06:43,301 Speaker 3: is just a taste. 133 00:06:42,941 --> 00:06:45,061 Speaker 1: Of She's clearly media exactly right. 134 00:06:45,142 --> 00:06:47,741 Speaker 3: That's a taste of what's happening and not what's meant 135 00:06:47,782 --> 00:06:50,222 Speaker 3: to happen in a civil democracy. 136 00:06:50,981 --> 00:06:53,662 Speaker 1: In case you missed it, two big TV panel shows 137 00:06:53,702 --> 00:06:56,861 Speaker 1: were acts this week. Iconic ones The Project and also 138 00:06:57,061 --> 00:07:00,582 Speaker 1: Q and A. Both were acted because their audiences had 139 00:07:00,621 --> 00:07:03,902 Speaker 1: shrunk to the point of being unsustainable to keep making them. 140 00:07:04,301 --> 00:07:07,262 Speaker 1: Channel ten officially announced the cancelation of The Project after 141 00:07:07,262 --> 00:07:11,062 Speaker 1: a sixteen year run. One episode is going to air 142 00:07:11,182 --> 00:07:13,102 Speaker 1: in a couple of weeks. June twenty seven, and the 143 00:07:13,142 --> 00:07:16,182 Speaker 1: ABC this morning announced that it was acting Q and A, 144 00:07:16,502 --> 00:07:20,381 Speaker 1: which was its flagship panel debate program that has been 145 00:07:20,422 --> 00:07:24,142 Speaker 1: around for nearly seventeen years now. Sarah Harris and or 146 00:07:24,222 --> 00:07:26,262 Speaker 1: laid Ali will be leaving Network ten, and there are 147 00:07:26,262 --> 00:07:29,102 Speaker 1: dozens of people behind the scenes on both shows who 148 00:07:29,102 --> 00:07:31,862 Speaker 1: will be either made redundant or be redeployed. It's never 149 00:07:31,902 --> 00:07:34,422 Speaker 1: a good day when people lose their jobs in any industry. 150 00:07:34,941 --> 00:07:37,261 Speaker 1: But before we get to why we think people stop 151 00:07:37,342 --> 00:07:40,342 Speaker 1: watching these shows. Jesse, it's close to home. You're a 152 00:07:40,381 --> 00:07:44,742 Speaker 1: regular panelist on the project. You were there the day 153 00:07:44,782 --> 00:07:46,982 Speaker 1: before it was acted. Yeah, coincidence. 154 00:07:47,222 --> 00:07:49,062 Speaker 3: I know, it's exactly right. They saw me and they 155 00:07:49,102 --> 00:07:49,941 Speaker 3: went this, good. 156 00:07:50,062 --> 00:07:52,261 Speaker 1: God, how are you doing. It's not it's awful. 157 00:07:52,381 --> 00:07:54,622 Speaker 3: It's really sad. It's sad for a few reasons. I'm 158 00:07:54,662 --> 00:07:57,582 Speaker 3: sad for my friends who are losing their jobs. I'm 159 00:07:57,582 --> 00:07:59,302 Speaker 3: sad for myself because I really. 160 00:07:59,102 --> 00:07:59,702 Speaker 5: Liked that job. 161 00:08:00,022 --> 00:08:04,742 Speaker 3: And I'm sad because it was a staple of Australian television. 162 00:08:05,022 --> 00:08:08,502 Speaker 3: Another feeling I'm having. I just need a very quick rant. 163 00:08:08,742 --> 00:08:09,141 Speaker 1: Please. 164 00:08:10,381 --> 00:08:14,382 Speaker 3: For months, if not years, certain publications and certain commentators 165 00:08:14,381 --> 00:08:19,782 Speaker 3: and individuals have gleefully reported on the ratings of the project. 166 00:08:19,941 --> 00:08:22,821 Speaker 3: They have been it's been like every time there's a 167 00:08:22,941 --> 00:08:25,902 Speaker 3: dip or they're kind of like there are rumors of acting. 168 00:08:26,062 --> 00:08:29,262 Speaker 3: They have just reported and reported and had this strange 169 00:08:30,022 --> 00:08:32,462 Speaker 3: hatred of the show that seems totally unfounded. You don't 170 00:08:32,462 --> 00:08:34,502 Speaker 3: have to love it, But I don't know why they 171 00:08:34,542 --> 00:08:36,462 Speaker 3: were cheering so much for it to be axed. 172 00:08:36,702 --> 00:08:39,342 Speaker 1: It's weird when the media cheers for shows to be. 173 00:08:39,422 --> 00:08:45,182 Speaker 3: Axed, especially Australian made shows that employ Australians who are 174 00:08:45,342 --> 00:08:47,902 Speaker 3: like creating a show for view, Like it's just a 175 00:08:47,982 --> 00:08:50,942 Speaker 3: very very strange vibe, which I know the media does sometimes. 176 00:08:51,342 --> 00:08:54,422 Speaker 3: But what's really irked me is that since it's been axed, 177 00:08:54,622 --> 00:08:58,542 Speaker 3: those same people and those same publications are writing like 178 00:08:58,622 --> 00:09:01,342 Speaker 3: these eulogies of just like, guys, this is a really 179 00:09:01,422 --> 00:09:03,262 Speaker 3: sad day for Australian media. 180 00:09:03,302 --> 00:09:04,382 Speaker 5: And in fact, you know. 181 00:09:04,382 --> 00:09:06,382 Speaker 3: A lot of people got their start on the project 182 00:09:06,422 --> 00:09:09,542 Speaker 3: and for writers' rooms it's really important and the producers 183 00:09:09,622 --> 00:09:11,782 Speaker 3: going to lose it and I'm like, you weren't helping 184 00:09:12,102 --> 00:09:14,262 Speaker 3: with your fist in the air, going acts some acts, 185 00:09:14,262 --> 00:09:15,142 Speaker 3: some acts them. 186 00:09:15,262 --> 00:09:17,142 Speaker 1: Like that's kind of what the media does though, Like 187 00:09:17,182 --> 00:09:19,142 Speaker 1: I remember that it used to happen a lot when 188 00:09:19,382 --> 00:09:21,782 Speaker 1: the leaders of political parties were changing all the time. 189 00:09:22,102 --> 00:09:24,182 Speaker 1: It was like they were gunning for it because it's 190 00:09:24,182 --> 00:09:26,222 Speaker 1: a story, it's something to write about, it's something to 191 00:09:26,262 --> 00:09:29,902 Speaker 1: talk about. But then it actually happens and you're like, oh, 192 00:09:30,142 --> 00:09:32,702 Speaker 1: that's when everyone has their nostalgia, so they're just meeting 193 00:09:32,702 --> 00:09:35,542 Speaker 1: the audience need and not that not that it was 194 00:09:35,702 --> 00:09:39,102 Speaker 1: canceled because the media was writing about it, but I've 195 00:09:39,102 --> 00:09:40,862 Speaker 1: been thinking a lot about it, and you know, you 196 00:09:40,942 --> 00:09:43,302 Speaker 1: and I, Jesse, you have both done the project, you 197 00:09:43,542 --> 00:09:45,381 Speaker 1: a lot more than me. I did it a long 198 00:09:45,422 --> 00:09:47,662 Speaker 1: time ago, and before that, I did the panel and 199 00:09:47,702 --> 00:09:49,342 Speaker 1: then I did Q and A a few times, and 200 00:09:49,382 --> 00:09:51,822 Speaker 1: you've done Q and A. I used to love watching 201 00:09:51,822 --> 00:09:53,982 Speaker 1: those shows, but I don't watch either of them anymore, 202 00:09:54,102 --> 00:09:57,622 Speaker 1: and I think that's because for me, podcasts have replaced 203 00:09:57,622 --> 00:10:01,261 Speaker 1: panel shows. Podcasts and social media have completely disrupted the 204 00:10:01,302 --> 00:10:02,302 Speaker 1: panel show format. 205 00:10:02,462 --> 00:10:05,022 Speaker 3: For me, it's more social media. There is a sense 206 00:10:05,062 --> 00:10:06,822 Speaker 3: now I hear a lot of people say this that 207 00:10:06,862 --> 00:10:09,302 Speaker 3: if the news is important, not urgent enough, it will 208 00:10:09,302 --> 00:10:12,542 Speaker 3: find me. That didn't used to be possible. You would 209 00:10:12,582 --> 00:10:14,662 Speaker 3: have to opt in, whether it was opening a newspaper 210 00:10:14,742 --> 00:10:18,422 Speaker 3: or appointment viewing, whereas now you know. We did a 211 00:10:18,462 --> 00:10:21,822 Speaker 3: subscriber episode yesterday with Clare Murphy and Holly talking about 212 00:10:21,862 --> 00:10:25,542 Speaker 3: the project being axed, and Claire was saying she does 213 00:10:25,582 --> 00:10:28,462 Speaker 3: consume the project, but it's all through social media, and 214 00:10:28,542 --> 00:10:31,502 Speaker 3: of course that's not monetized. There aren't ad dollars in 215 00:10:31,542 --> 00:10:34,502 Speaker 3: watching a small clip on social media, and that's kind 216 00:10:34,582 --> 00:10:38,702 Speaker 3: of meant that we don't feel any urgency or fomo. 217 00:10:38,902 --> 00:10:41,262 Speaker 5: It's like the opposite. Now there is no phomo for did. 218 00:10:41,142 --> 00:10:42,622 Speaker 1: You ever watch those shows? 219 00:10:43,022 --> 00:10:43,222 Speaker 6: No? 220 00:10:43,302 --> 00:10:45,742 Speaker 2: But like exactly what cler Murphy're saying. So what I 221 00:10:45,782 --> 00:10:48,102 Speaker 2: would do is like I would see clips on TikTok 222 00:10:48,422 --> 00:10:50,302 Speaker 2: and Q and A. If I saw a clip on 223 00:10:50,302 --> 00:10:52,462 Speaker 2: TikTok and make me feel really, really smart, So I 224 00:10:52,582 --> 00:10:54,862 Speaker 2: tell people that, yeah, I watched Q and A, when 225 00:10:54,902 --> 00:10:55,662 Speaker 2: really I did it. 226 00:10:55,942 --> 00:10:57,582 Speaker 1: I feel like, that's but you did watch it, but 227 00:10:57,622 --> 00:10:59,622 Speaker 1: you watched it on a clip of it on social media. 228 00:10:59,702 --> 00:10:59,902 Speaker 4: Yeah. 229 00:10:59,942 --> 00:11:02,822 Speaker 2: So that's why I was so surprising because I always 230 00:11:02,862 --> 00:11:05,302 Speaker 2: thought that young people did watch Q and A because 231 00:11:05,302 --> 00:11:06,822 Speaker 2: we all wanted to be smart and with the project 232 00:11:06,822 --> 00:11:08,982 Speaker 2: because it had that like underlining sense of humor with 233 00:11:09,142 --> 00:11:12,462 Speaker 2: new it was easy to understand and digest. But I 234 00:11:12,462 --> 00:11:14,622 Speaker 2: think we were all just watching clips and just telling 235 00:11:14,702 --> 00:11:16,622 Speaker 2: people that we were actually watching the full show. 236 00:11:16,782 --> 00:11:18,422 Speaker 5: So am I have a question for you? 237 00:11:18,502 --> 00:11:21,542 Speaker 3: Because the project, in particular, you were who they were 238 00:11:21,542 --> 00:11:23,982 Speaker 3: trying to get right. They were always news done differently. 239 00:11:24,342 --> 00:11:26,381 Speaker 3: They were trying to appeal to a younger audience, which 240 00:11:26,422 --> 00:11:29,381 Speaker 3: worked sixteen seventeen years ago, but then their younger audiences 241 00:11:29,462 --> 00:11:31,902 Speaker 3: moved to a different medium and they failed to capture them. 242 00:11:32,022 --> 00:11:33,982 Speaker 1: But it's not just the younger audiences that moved to 243 00:11:34,022 --> 00:11:36,862 Speaker 1: a different medium. We all did because back then it 244 00:11:36,902 --> 00:11:42,422 Speaker 1: was revolutionary to have unscripted conversation about current events and 245 00:11:42,462 --> 00:11:44,462 Speaker 1: pop culture and politics and. 246 00:11:44,422 --> 00:11:47,302 Speaker 3: To merge light and shade. Yeah, the project I think 247 00:11:47,342 --> 00:11:51,062 Speaker 3: pioneered and now has infiltrated podcasting. But is there any 248 00:11:51,102 --> 00:11:54,142 Speaker 3: format that's getting you back to free to air television? 249 00:11:54,222 --> 00:11:58,102 Speaker 2: Sampang Tonight really yes, I love Sampang Tonight. I just 250 00:11:58,182 --> 00:12:00,302 Speaker 2: find it's so much fun and so funny, and he's 251 00:12:00,382 --> 00:12:02,942 Speaker 2: really really funny. So I think I'm driven by the 252 00:12:02,982 --> 00:12:07,182 Speaker 2: actual personalities of the shows, right, and I find that 253 00:12:07,382 --> 00:12:10,782 Speaker 2: really interesting. But I think with free to air TV, 254 00:12:11,142 --> 00:12:13,862 Speaker 2: it's the timing, like you have to watch it at 255 00:12:13,862 --> 00:12:16,022 Speaker 2: that time and that's not my scrolling time, Like that's 256 00:12:16,022 --> 00:12:19,262 Speaker 2: not my downtime. My downtime is like nine thirty PM 257 00:12:19,302 --> 00:12:19,822 Speaker 2: in bed, And. 258 00:12:19,782 --> 00:12:23,542 Speaker 1: The change of viewing exactly appointment viewing. You can only 259 00:12:23,582 --> 00:12:26,582 Speaker 1: have around sort of big events like I don't know, 260 00:12:26,742 --> 00:12:31,742 Speaker 1: awards shows or the finale of Master Chef or Maths, 261 00:12:31,942 --> 00:12:32,422 Speaker 1: you feel. 262 00:12:32,262 --> 00:12:34,422 Speaker 2: Like you've got so if you miss it, Whereas like 263 00:12:34,462 --> 00:12:37,022 Speaker 2: with shows that happen every week. You don't really get 264 00:12:37,022 --> 00:12:37,542 Speaker 2: that Fomo. 265 00:12:37,822 --> 00:12:41,102 Speaker 3: We touched on this in yesterday's subscriber episode, but I 266 00:12:41,142 --> 00:12:44,382 Speaker 3: think it's worth pausing on what's lost, because what is 267 00:12:44,462 --> 00:12:48,022 Speaker 3: lost is rigor a certain code of ethics that these 268 00:12:48,062 --> 00:12:51,222 Speaker 3: programs adhere to, whether it's fact checkers, whether it's lawyers, 269 00:12:51,542 --> 00:12:54,142 Speaker 3: like what goes to air on the project went through 270 00:12:54,142 --> 00:12:56,462 Speaker 3: a lot of hands, and now if news is being 271 00:12:57,142 --> 00:13:02,862 Speaker 3: shared through the opinion of us individuals, well, I'm thinking 272 00:13:02,902 --> 00:13:05,062 Speaker 3: about social media even more so. I mean, we have 273 00:13:05,142 --> 00:13:08,342 Speaker 3: a team and you know, and we are bound by 274 00:13:08,702 --> 00:13:10,982 Speaker 3: certain ethics and we'll get in trouble if we breach them. 275 00:13:11,222 --> 00:13:13,542 Speaker 3: Whereas if you're on social media and you're kind of 276 00:13:13,702 --> 00:13:15,222 Speaker 3: just yelling into your. 277 00:13:15,142 --> 00:13:17,302 Speaker 2: Phone and you're spitting a pinion like it's fat. 278 00:13:17,142 --> 00:13:19,182 Speaker 3: Yes exactly. I mean that's what's replacing it. 279 00:13:19,262 --> 00:13:22,542 Speaker 1: That's I also have to say, as someone who's been 280 00:13:22,622 --> 00:13:25,502 Speaker 1: running a media company for almost the same amount of 281 00:13:25,502 --> 00:13:28,462 Speaker 1: time as those two shows, you got to evolve, Like 282 00:13:28,502 --> 00:13:31,182 Speaker 1: if Mum and mea was still a website, we would 283 00:13:31,182 --> 00:13:33,862 Speaker 1: have been probably disrupted and canceled a long time ago. 284 00:13:34,022 --> 00:13:37,862 Speaker 1: We became podcasts, and now we're becoming vodcasts and We're 285 00:13:37,862 --> 00:13:40,222 Speaker 1: doing new and different things all the time, and I 286 00:13:40,262 --> 00:13:43,822 Speaker 1: think that the one thing that's certain in media is 287 00:13:43,822 --> 00:13:46,342 Speaker 1: that you're going to be disrupted, and that's why you 288 00:13:46,422 --> 00:13:48,822 Speaker 1: do always have to evolve. And if you wait until 289 00:13:48,822 --> 00:13:52,182 Speaker 1: you start losing audience, it's too late to evolve. You've 290 00:13:52,182 --> 00:13:54,342 Speaker 1: actually got to evolve when things are going really well. 291 00:13:54,502 --> 00:13:56,742 Speaker 2: So was it surprising to you. 292 00:13:56,182 --> 00:13:58,622 Speaker 1: No, because I thought, and I don't want to sound 293 00:13:58,662 --> 00:14:01,702 Speaker 1: like a dick going h like, I'm a basic bitch, 294 00:14:01,702 --> 00:14:04,942 Speaker 1: and I stopped watching those shows because they felt so 295 00:14:05,462 --> 00:14:08,102 Speaker 1: of their time and even ahead of their time when 296 00:14:08,142 --> 00:14:11,381 Speaker 1: they launched, but then they stayed the same. You know, 297 00:14:11,422 --> 00:14:13,542 Speaker 1: when you think of the world sixteen seventeen years ago, 298 00:14:13,622 --> 00:14:17,462 Speaker 1: literally pre podcasts and pre social media, you can't then 299 00:14:17,662 --> 00:14:21,662 Speaker 1: be doing the same format. And so I'm sad that 300 00:14:21,662 --> 00:14:25,022 Speaker 1: they've been canceled. There's some great people working on those shows, 301 00:14:25,022 --> 00:14:28,702 Speaker 1: but I think that you got to keep changing. It's exhausting, 302 00:14:29,022 --> 00:14:32,062 Speaker 1: but I mean that's the reality of working in media today. 303 00:14:32,422 --> 00:14:33,902 Speaker 1: Unfortunately or fortunately. 304 00:14:34,182 --> 00:14:36,582 Speaker 3: I talked about how I felt about this in more 305 00:14:36,582 --> 00:14:39,902 Speaker 3: depth on yesterday's subscriber episode, and again shout out to 306 00:14:39,942 --> 00:14:41,422 Speaker 3: everyone who lost their jobs. 307 00:14:41,422 --> 00:14:42,422 Speaker 5: That's just a shitty day. 308 00:14:42,862 --> 00:14:45,902 Speaker 3: But you can find that subscriber episode via the link 309 00:14:45,942 --> 00:14:48,542 Speaker 3: in our show notes in case you missed it. A 310 00:14:48,622 --> 00:14:51,902 Speaker 3: judge has thrown out Justin Baldonie's four hundred million that's 311 00:14:52,062 --> 00:14:55,382 Speaker 3: US dollars defamation suit against Blake Lively. 312 00:14:55,502 --> 00:14:56,942 Speaker 1: This good day for Blake Lively. 313 00:14:57,182 --> 00:15:00,342 Speaker 3: A good day for Blake Lively. Indeed, this pertains to 314 00:15:00,822 --> 00:15:04,742 Speaker 3: Baldoni accusing Blake Lively and her husband Ryan Reynolds, as 315 00:15:04,782 --> 00:15:07,182 Speaker 3: well as their publicist and also The New York Times 316 00:15:07,542 --> 00:15:11,622 Speaker 3: of basically orchestrating a the smear campaign against him and 317 00:15:11,702 --> 00:15:15,262 Speaker 3: trying to destroy his career. Let's take a few steps backwards, 318 00:15:15,542 --> 00:15:19,542 Speaker 3: because this all started with Blake Lively's lawsuit against Baldoni 319 00:15:19,702 --> 00:15:22,942 Speaker 3: and his production company, and this is yet to be 320 00:15:22,982 --> 00:15:25,262 Speaker 3: tried in a court of law. That case is still 321 00:15:25,302 --> 00:15:29,102 Speaker 3: going ahead, and this surprised everyone at the time. Baldonian 322 00:15:29,182 --> 00:15:32,862 Speaker 3: his team then launched this countersuit and I remember us 323 00:15:32,902 --> 00:15:36,262 Speaker 3: talking about how bizarre the figure was. It just seemed 324 00:15:36,622 --> 00:15:39,062 Speaker 3: plucked out of thin air to have more than it's 325 00:15:39,102 --> 00:15:43,022 Speaker 3: more than six hundred million Australian dollars of him talking 326 00:15:43,062 --> 00:15:46,382 Speaker 3: about sort of damage to his reputation and career, and 327 00:15:46,422 --> 00:15:50,342 Speaker 3: a judge found that there wasn't enough proof of extortion 328 00:15:50,822 --> 00:15:55,142 Speaker 3: or defamation. In fact, the judge said these alleged wrongful 329 00:15:55,222 --> 00:16:00,382 Speaker 3: threats sounded more like legal negotiations. So when Blake Lively's 330 00:16:00,382 --> 00:16:03,302 Speaker 3: team pushed back, that was actually just how a court 331 00:16:03,302 --> 00:16:06,342 Speaker 3: case goes. Because remember we talked a little while ago 332 00:16:06,382 --> 00:16:10,102 Speaker 3: about the Taylor Swift texts, and there was an allegation 333 00:16:10,142 --> 00:16:13,742 Speaker 3: it never got admitted into court that Blake Lively's team 334 00:16:13,902 --> 00:16:16,742 Speaker 3: said to Taylor Swift, show your support or we're going 335 00:16:16,822 --> 00:16:19,382 Speaker 3: to release all that text messages. He was basically talking 336 00:16:19,382 --> 00:16:22,982 Speaker 3: about that kind of stuff which has been dismissed. Lively's 337 00:16:23,022 --> 00:16:26,182 Speaker 3: team has called this a total victory and they await 338 00:16:26,182 --> 00:16:28,222 Speaker 3: their day in court, which is going to be in 339 00:16:28,262 --> 00:16:29,942 Speaker 3: March twenty twenty six. 340 00:16:30,062 --> 00:16:33,102 Speaker 1: So her suit against him is still going ahead stands, 341 00:16:33,182 --> 00:16:36,902 Speaker 1: but what's been dismissed is his countersuit against her. 342 00:16:37,142 --> 00:16:37,342 Speaker 5: Yeah. 343 00:16:37,462 --> 00:16:39,662 Speaker 3: Yeah, if you were Blake Lively, I think you'd be 344 00:16:39,742 --> 00:16:41,222 Speaker 3: feeling pretty vindicated today. 345 00:16:41,982 --> 00:16:43,982 Speaker 1: Out Loud is in a moment what is a wife 346 00:16:44,062 --> 00:16:48,422 Speaker 1: guy and how has this seemingly lovely term become an insult. 347 00:16:52,022 --> 00:16:54,262 Speaker 1: I want to talk about the term wife guy and 348 00:16:54,302 --> 00:16:57,382 Speaker 1: how it's become a bit of an insult. Firstly, in 349 00:16:57,422 --> 00:16:59,782 Speaker 1: case you're not familiar with the term, a wife guy 350 00:16:59,942 --> 00:17:05,101 Speaker 1: is essentially someone whose personality is formed by his role 351 00:17:05,422 --> 00:17:06,182 Speaker 1: as a husband. 352 00:17:06,902 --> 00:17:10,342 Speaker 3: His identity is like, yeah, about he's married to. 353 00:17:10,462 --> 00:17:13,621 Speaker 1: Exactly, and about being married, and about his wife, and 354 00:17:13,702 --> 00:17:15,982 Speaker 1: just about the fact that she is his wife. That's 355 00:17:16,061 --> 00:17:20,342 Speaker 1: kind of his personality. So it first came to prominence 356 00:17:20,581 --> 00:17:23,621 Speaker 1: around the time that Me Too was happening, when there 357 00:17:23,702 --> 00:17:26,861 Speaker 1: was this all this talk about shitty men, and there 358 00:17:26,901 --> 00:17:29,982 Speaker 1: were these men who were like, I'm not shitty. I 359 00:17:30,022 --> 00:17:33,302 Speaker 1: love my wife. And there was a guy in particularly 360 00:17:33,302 --> 00:17:36,461 Speaker 1: guy called Robbie Tripp who had a wife who was 361 00:17:36,621 --> 00:17:38,942 Speaker 1: sort of curvy, and he's like, I love my curvy wife, 362 00:17:38,982 --> 00:17:42,821 Speaker 1: and he started posting this content about his curvy wife 363 00:17:43,101 --> 00:17:45,742 Speaker 1: as if he was some kind of a hero. It's 364 00:17:45,742 --> 00:17:49,302 Speaker 1: actually a woman who was a woman. And when I 365 00:17:49,341 --> 00:17:51,981 Speaker 1: went back and looked at this, she was not even curvy. 366 00:17:52,061 --> 00:17:56,462 Speaker 1: She's probably a size ten anyway. Some of the more 367 00:17:56,942 --> 00:18:01,662 Speaker 1: high profile examples of wife guys would be Prince Harry 368 00:18:02,182 --> 00:18:05,981 Speaker 1: Asap Rocky, who is the partner of Real Sap. 369 00:18:06,462 --> 00:18:09,101 Speaker 3: I was going to let no, we're leaving that in editors, 370 00:18:09,141 --> 00:18:12,742 Speaker 3: we are not not editing that out Sorry a sap rocky. 371 00:18:12,942 --> 00:18:15,742 Speaker 1: Well, it's one of those things that I don't say 372 00:18:15,782 --> 00:18:21,302 Speaker 1: out loud a lot a dollars, sorry a p rocky 373 00:18:21,542 --> 00:18:27,622 Speaker 1: sat Nick Jonas is pronounced phonetically, try and move on. 374 00:18:27,861 --> 00:18:32,661 Speaker 1: Ryan Reynolds, John Legend, husband of Christy Tek and Ryan Reynolds, 375 00:18:32,702 --> 00:18:35,302 Speaker 1: of course, husband of like lovely Barack Obama, husband of 376 00:18:35,341 --> 00:18:40,662 Speaker 1: Michelle Travis Kelcey, partner of Taylor Swift. And David Beckham, 377 00:18:40,742 --> 00:18:45,022 Speaker 1: husband of Posh. So all of those men are not 378 00:18:45,101 --> 00:18:50,302 Speaker 1: only not emasculated by their successful partners. Often their partners 379 00:18:50,302 --> 00:18:52,701 Speaker 1: are more successful in high profile than they are, but 380 00:18:52,821 --> 00:18:55,782 Speaker 1: they actually rejoice in it, right, So they seem to 381 00:18:56,022 --> 00:19:00,381 Speaker 1: be delighted by the fact that they are married to 382 00:19:00,422 --> 00:19:03,382 Speaker 1: these exceptional women. And this is bad, Well, it can 383 00:19:03,462 --> 00:19:05,221 Speaker 1: become bad, And this I'm going to give you an 384 00:19:05,222 --> 00:19:09,181 Speaker 1: example of how it's become bad. The patron saint of 385 00:19:09,341 --> 00:19:14,142 Speaker 1: ye guys in its pejorative form would probably be Brooklyn Beckham, 386 00:19:14,581 --> 00:19:18,421 Speaker 1: who has dozens of tattoos of his wife, Nicola Peltz 387 00:19:18,422 --> 00:19:21,421 Speaker 1: Beckham all over his body, and his whole personality is 388 00:19:21,581 --> 00:19:26,502 Speaker 1: like eighty percent being married and twenty percent hot sauce. Yeah. 389 00:19:26,542 --> 00:19:27,462 Speaker 5: No, that's very true. 390 00:19:27,621 --> 00:19:29,381 Speaker 1: So once U put a time, these guys would have 391 00:19:29,422 --> 00:19:34,022 Speaker 1: been called pussy whipped. Now sometimes they're called cucks. But 392 00:19:34,302 --> 00:19:36,702 Speaker 1: it has become a bit of a If you look 393 00:19:36,742 --> 00:19:39,902 Speaker 1: at the Brooklyn Beckham example, he's such a wife guy, 394 00:19:39,942 --> 00:19:43,582 Speaker 1: it means that their whole personality is really just about 395 00:19:44,061 --> 00:19:47,542 Speaker 1: being married. And there was a piece that you shared 396 00:19:47,581 --> 00:19:50,861 Speaker 1: with us from The Atlantic this week written by a 397 00:19:50,861 --> 00:19:54,101 Speaker 1: wife guy who was protesting that he's meant to feel 398 00:19:54,141 --> 00:19:56,302 Speaker 1: embarrassed about being a wife guy and how he gets 399 00:19:56,302 --> 00:19:57,782 Speaker 1: teased about it. Mate. 400 00:19:57,901 --> 00:19:59,902 Speaker 2: I thought it was a really nice piece because I'm like, oh, 401 00:19:59,982 --> 00:20:02,981 Speaker 2: this man really likes his wife. That's so nice. And 402 00:20:03,022 --> 00:20:06,741 Speaker 2: I didn't realize that it could be the opposite. And 403 00:20:06,782 --> 00:20:09,861 Speaker 2: I feel like the latest example I heard of what 404 00:20:09,901 --> 00:20:12,782 Speaker 2: I would assume as a wife guy is Walton Goggins 405 00:20:13,422 --> 00:20:16,821 Speaker 2: because of all the rumors that he had allegedly cheated 406 00:20:16,861 --> 00:20:20,182 Speaker 2: on his wife with his co star, and everyone thought 407 00:20:20,222 --> 00:20:22,862 Speaker 2: that happened because all of his comments on his wife's 408 00:20:22,901 --> 00:20:25,982 Speaker 2: Instagram was so full of I love you so much. 409 00:20:25,982 --> 00:20:27,461 Speaker 2: You're the best thing that ever happened to me. You're 410 00:20:27,502 --> 00:20:28,821 Speaker 2: my ocean, my river, my lake. 411 00:20:28,982 --> 00:20:30,101 Speaker 1: So it's like a red flat. 412 00:20:31,861 --> 00:20:34,101 Speaker 2: So I thought wife guy now is like if a 413 00:20:34,141 --> 00:20:37,341 Speaker 2: man shows too much love towards his wife publicly, he's 414 00:20:37,381 --> 00:20:38,221 Speaker 2: secretly cheating. 415 00:20:38,742 --> 00:20:41,061 Speaker 3: We are being so insincere if we think that a 416 00:20:41,061 --> 00:20:42,982 Speaker 3: wife guy is just a man who loves his wife. 417 00:20:43,061 --> 00:20:44,621 Speaker 5: That is not what a wife guy means. 418 00:20:44,942 --> 00:20:47,502 Speaker 3: When I hear that, it conjures up an image of 419 00:20:47,901 --> 00:20:50,502 Speaker 3: someone I follow on Instagram. Right, this is not a 420 00:20:50,502 --> 00:20:52,941 Speaker 3: famous person. This is an acquaintance. And he is a 421 00:20:52,942 --> 00:20:56,021 Speaker 3: wife guy. And what he does is he shares so 422 00:20:56,222 --> 00:20:59,782 Speaker 3: many beautiful pictures of his wife and she is maybe 423 00:20:59,782 --> 00:21:01,542 Speaker 3: she's walking around in like a jumper but like no 424 00:21:01,621 --> 00:21:03,941 Speaker 3: pants on, like a little underpants, and she looks really sexy. 425 00:21:04,101 --> 00:21:04,821 Speaker 2: So what did he do? 426 00:21:05,141 --> 00:21:06,141 Speaker 5: Exactly exactly right? 427 00:21:06,141 --> 00:21:06,782 Speaker 1: How did they do wrong? 428 00:21:06,861 --> 00:21:08,221 Speaker 5: That's what I'm like, what have you done? 429 00:21:08,341 --> 00:21:10,061 Speaker 3: And she's walking around like on the beach and just 430 00:21:10,182 --> 00:21:12,262 Speaker 3: he just loves taking photos and talking about how beautiful 431 00:21:12,262 --> 00:21:15,421 Speaker 3: she is, right, And I'm just like, oh, Madams mcmapy, 432 00:21:15,621 --> 00:21:18,421 Speaker 3: men like you before, and you're cheating on it. I 433 00:21:18,422 --> 00:21:20,861 Speaker 3: have no EVI you think he's cheating it, and I 434 00:21:20,901 --> 00:21:21,901 Speaker 3: do think he's cheating on it. 435 00:21:22,061 --> 00:21:23,942 Speaker 1: I was gonna say, just it seems like he's sort 436 00:21:23,982 --> 00:21:27,662 Speaker 1: of objectifying her as a way to make himself look better. 437 00:21:27,742 --> 00:21:30,582 Speaker 1: Like the subtext is, look what I. 438 00:21:30,581 --> 00:21:32,861 Speaker 5: Got, Look what I got? Who's it for? 439 00:21:33,222 --> 00:21:35,022 Speaker 3: Right? There is something about and I found this with 440 00:21:35,061 --> 00:21:37,262 Speaker 3: the Atlantic piece. I'm like, it's so lovely that you 441 00:21:37,302 --> 00:21:40,581 Speaker 3: love your wife. I don't care that much and I don't. 442 00:21:40,982 --> 00:21:43,702 Speaker 3: It's like when someone wants to thrust onto you their 443 00:21:43,702 --> 00:21:46,102 Speaker 3: relationship and it's like, I don't feel it because I'm 444 00:21:46,141 --> 00:21:48,021 Speaker 3: not in it. So it's more like a thing for 445 00:21:48,061 --> 00:21:49,782 Speaker 3: you to discuss and tell each other how much you 446 00:21:49,821 --> 00:21:54,502 Speaker 3: love each other. But if someone is performing it on Instagram, 447 00:21:54,661 --> 00:21:57,782 Speaker 3: the reason it smells in authentic is because we have 448 00:21:57,901 --> 00:22:00,821 Speaker 3: data points that support that, Like there are so many 449 00:22:00,861 --> 00:22:04,061 Speaker 3: examples of people who go full I love my wife, 450 00:22:04,141 --> 00:22:06,782 Speaker 3: the post that I love my baby. Remember, like Adam 451 00:22:06,861 --> 00:22:09,542 Speaker 3: Levine was a mad wife guy and then boom cheating 452 00:22:09,702 --> 00:22:12,381 Speaker 3: on her with like text messages. There are so many 453 00:22:12,422 --> 00:22:15,181 Speaker 3: examples of men like that. We're using evidence to don't 454 00:22:15,182 --> 00:22:15,502 Speaker 3: you just. 455 00:22:15,502 --> 00:22:18,061 Speaker 1: Mean that men who love their wife also sometimes cheat 456 00:22:18,061 --> 00:22:18,702 Speaker 1: on their wife? 457 00:22:18,861 --> 00:22:23,821 Speaker 3: No, no, no, it's a particular kind of performance. It's 458 00:22:23,821 --> 00:22:26,221 Speaker 3: a particular kind of performance that the men that I 459 00:22:26,381 --> 00:22:29,741 Speaker 3: know in my own relationships, the men who put me 460 00:22:29,782 --> 00:22:32,502 Speaker 3: on Instagram the quickest were the ones who also ghosted 461 00:22:32,542 --> 00:22:35,422 Speaker 3: me the fastest. Well do you feel that to be true? 462 00:22:35,422 --> 00:22:37,342 Speaker 3: And as our professional data. 463 00:22:37,022 --> 00:22:40,662 Speaker 2: I think all men should be wife guys because as 464 00:22:40,702 --> 00:22:43,821 Speaker 2: a single woman, the amount of time I've spent scrolling 465 00:22:43,821 --> 00:22:46,742 Speaker 2: on men's instagrams before I find out they've been married 466 00:22:46,782 --> 00:22:50,101 Speaker 2: for nine years is ridiculous. Because there's also no such 467 00:22:50,182 --> 00:22:51,862 Speaker 2: thing as husband girls, right. 468 00:22:51,702 --> 00:22:54,142 Speaker 1: Because everyone I know, I know them. 469 00:22:54,262 --> 00:22:56,782 Speaker 2: Everyone is a husband girl though, and it's not even 470 00:22:56,782 --> 00:22:59,782 Speaker 2: a term, because that's just every woman in a relationship 471 00:22:59,821 --> 00:23:02,061 Speaker 2: who posts about her life because a husband or a 472 00:23:02,061 --> 00:23:05,381 Speaker 2: partner will automatically be in there. Everyone is a husband. 473 00:23:05,702 --> 00:23:08,302 Speaker 2: But then you go on a woman's Instagram and you 474 00:23:08,302 --> 00:23:11,422 Speaker 2: can pinpost on Instagram. I guarantee you the first three 475 00:23:11,462 --> 00:23:14,542 Speaker 2: posts will be a pin of her wedding day, her engagement, 476 00:23:14,782 --> 00:23:16,461 Speaker 2: the last trip they took to Buslona. 477 00:23:17,182 --> 00:23:20,302 Speaker 1: That's about her. That's here's me in my wedding dress, 478 00:23:20,621 --> 00:23:23,262 Speaker 1: and also here's me on my trip to Barcelona in 479 00:23:23,262 --> 00:23:25,782 Speaker 1: a bikini and he just happens to be there. So 480 00:23:25,861 --> 00:23:29,422 Speaker 1: what's the term for a woman I've never thought about 481 00:23:29,422 --> 00:23:31,621 Speaker 1: it before in terms of giving it a name. But 482 00:23:31,661 --> 00:23:33,461 Speaker 1: I can think of two people I know who do 483 00:23:33,542 --> 00:23:39,382 Speaker 1: exactly this, their husband girls, and they post hot shots 484 00:23:39,422 --> 00:23:43,302 Speaker 1: of their husbands all the time and talk about their 485 00:23:43,422 --> 00:23:48,782 Speaker 1: husbands in a way that's I don't want to say objectifying, but. 486 00:23:48,821 --> 00:23:52,381 Speaker 5: That subversive, doesn't it It feels. 487 00:23:52,022 --> 00:23:53,822 Speaker 1: Like, oh no to me, just feels like a flex, 488 00:23:54,141 --> 00:23:56,022 Speaker 1: the same kind of flex as a husband guy. 489 00:23:56,222 --> 00:23:57,621 Speaker 2: So are they both hot husbands? 490 00:23:57,901 --> 00:23:58,061 Speaker 4: Yeah? 491 00:23:58,061 --> 00:24:00,582 Speaker 2: Because I think that's different to being a husband girl. 492 00:24:00,621 --> 00:24:03,302 Speaker 2: I think if you're posting your hot husband, everyone should 493 00:24:03,302 --> 00:24:05,022 Speaker 2: be doing that because you're doing that for the girls. 494 00:24:05,022 --> 00:24:07,782 Speaker 2: You're not doing that to show that you're doing something. 495 00:24:07,581 --> 00:24:09,222 Speaker 1: Well, you mean, like as a public service. 496 00:24:09,341 --> 00:24:12,022 Speaker 2: I think what a husband's girl is more like all 497 00:24:12,061 --> 00:24:14,861 Speaker 2: the photos on the Instagram stories will be like the 498 00:24:14,982 --> 00:24:17,022 Speaker 2: husband with the kids and the husband doing that. And 499 00:24:17,061 --> 00:24:19,262 Speaker 2: if you notice, like even when women go on holidays 500 00:24:19,262 --> 00:24:21,861 Speaker 2: with families, all the photos are husbands and kids because 501 00:24:21,861 --> 00:24:23,262 Speaker 2: she's the one taking the photos. 502 00:24:23,782 --> 00:24:27,261 Speaker 3: What's implicit in this, like especially the wife guy terminology, 503 00:24:27,302 --> 00:24:30,702 Speaker 3: what's implicit is that in a heterosexual relationship, men should 504 00:24:30,702 --> 00:24:33,022 Speaker 3: have the upper hand. Like that's how culturally we understand 505 00:24:33,022 --> 00:24:35,222 Speaker 3: it is that men should have the power. So then 506 00:24:35,341 --> 00:24:38,381 Speaker 3: when it looks like a man is worshiping a woman, 507 00:24:38,742 --> 00:24:39,422 Speaker 3: we're like, what. 508 00:24:39,502 --> 00:24:40,341 Speaker 5: Is going on here? 509 00:24:40,341 --> 00:24:42,302 Speaker 3: And like we get a magnifying glass out and try 510 00:24:42,302 --> 00:24:46,262 Speaker 3: and understand it. We see them as a cock or emasculated, 511 00:24:46,581 --> 00:24:50,702 Speaker 3: or as somehow betraying the social order. Like that's why 512 00:24:50,742 --> 00:24:53,941 Speaker 3: these terms in and of themselves are pretty sexist. But 513 00:24:54,022 --> 00:24:56,421 Speaker 3: I do think that there's something to a type of 514 00:24:56,542 --> 00:25:00,741 Speaker 3: man who is performing his hetero relationship in order to 515 00:25:00,901 --> 00:25:04,262 Speaker 3: just get attention and applause from other people, from everyone 516 00:25:04,302 --> 00:25:05,221 Speaker 3: except his wife. 517 00:25:05,422 --> 00:25:05,742 Speaker 6: Yeah. 518 00:25:05,782 --> 00:25:08,661 Speaker 1: I mean, we're all performing our personalities on social media, right, 519 00:25:08,982 --> 00:25:12,141 Speaker 1: whether you got a profile or not. Everybody's deciding what 520 00:25:12,222 --> 00:25:15,101 Speaker 1: they put out there. And for some people it's their 521 00:25:15,182 --> 00:25:17,662 Speaker 1: kids that are their identity. For some people it's their 522 00:25:17,661 --> 00:25:20,022 Speaker 1: work that's their identity. For some people it's their face 523 00:25:20,141 --> 00:25:22,861 Speaker 1: or their body, that their ass that's their identity. But 524 00:25:22,982 --> 00:25:25,901 Speaker 1: for some women it's their husbands, and for some men 525 00:25:26,022 --> 00:25:28,661 Speaker 1: it's their wives. And I think that the term wife 526 00:25:28,661 --> 00:25:31,942 Speaker 1: guy is interesting because, as you say, it is kind 527 00:25:31,982 --> 00:25:35,981 Speaker 1: of subversive, because we can think of a million examples 528 00:25:36,022 --> 00:25:38,782 Speaker 1: of men who are really emasculated by their partners, who 529 00:25:38,782 --> 00:25:43,302 Speaker 1: are beautiful, successful, or just you know, don't want to 530 00:25:43,422 --> 00:25:45,542 Speaker 1: talk about how much they love their partners because they'll 531 00:25:45,581 --> 00:25:48,142 Speaker 1: be seen as soft. So I think it stands out. 532 00:25:48,462 --> 00:25:50,101 Speaker 2: What I also want to talk about is the different 533 00:25:50,182 --> 00:25:54,141 Speaker 2: levels of embarrassments between the wife guy and the husband girl. 534 00:25:54,422 --> 00:25:57,061 Speaker 2: Because in the Atlantic piece, the wife guy he's embarrassed 535 00:25:57,061 --> 00:25:58,661 Speaker 2: because his friends take the piss out of him for 536 00:25:58,702 --> 00:26:01,702 Speaker 2: loving his wife so much. Whereas with my friends who 537 00:26:01,702 --> 00:26:04,302 Speaker 2: are like posting about their partners all the time, the 538 00:26:04,302 --> 00:26:07,382 Speaker 2: embarrassment comes when they break up and they realize they 539 00:26:07,381 --> 00:26:10,702 Speaker 2: have to archive a shitload more of Pope then their partner. 540 00:26:11,381 --> 00:26:13,662 Speaker 3: So true, and actually I'm thinking about it. A wife 541 00:26:13,742 --> 00:26:16,381 Speaker 3: guy posts and as this guy said, like his friends 542 00:26:16,422 --> 00:26:18,141 Speaker 3: are kind of rolling their eyes. I've seen it with 543 00:26:18,182 --> 00:26:20,742 Speaker 3: male friends and they kind of go, I'll look at you, 544 00:26:20,821 --> 00:26:23,222 Speaker 3: old ball and chain or like all of those revolting 545 00:26:23,341 --> 00:26:26,302 Speaker 3: like ridiculous terms. Whereas if I were to post a 546 00:26:26,341 --> 00:26:28,302 Speaker 3: picture of Lucra and I and do some kind of 547 00:26:28,581 --> 00:26:31,342 Speaker 3: Academy Award acceptance speech for how much I love him, 548 00:26:31,782 --> 00:26:32,381 Speaker 3: the fire. 549 00:26:32,182 --> 00:26:34,262 Speaker 5: Emojis I would give from my gap, yeah, they. 550 00:26:34,182 --> 00:26:38,342 Speaker 3: Would be there, outbeat goals, love hearts, love you guys. 551 00:26:38,542 --> 00:26:42,581 Speaker 3: They have you would comment, Mum and Dad would comment 552 00:26:42,702 --> 00:26:45,462 Speaker 3: it would reshare and be like couple goals and the 553 00:26:45,661 --> 00:26:47,381 Speaker 3: encouragement would be beautiful. 554 00:26:48,262 --> 00:26:51,141 Speaker 1: After the break, one of Hollywood's rising stars is selling 555 00:26:51,182 --> 00:26:53,862 Speaker 1: her bathwater, and one of the most famous only fan 556 00:26:53,982 --> 00:26:56,702 Speaker 1: stars has said that she wants to do a repulsive 557 00:26:56,782 --> 00:26:58,502 Speaker 1: sex stunt. What the hell is going on? 558 00:26:59,381 --> 00:27:02,702 Speaker 3: Every Tuesday and Thursday, we drop new segments of MUMMYA 559 00:27:02,742 --> 00:27:06,302 Speaker 3: out Loud just for MUMMYA subscribers. Follow the link in 560 00:27:06,341 --> 00:27:08,342 Speaker 3: the show notes to get your daily dose of out 561 00:27:08,341 --> 00:27:14,622 Speaker 3: Loud and a big thank you to all our current subscribers. 562 00:27:16,101 --> 00:27:19,101 Speaker 3: I'm uncomfortable about a few stories this week that I 563 00:27:19,141 --> 00:27:21,902 Speaker 3: think exists on the same continuum, and I want both 564 00:27:21,901 --> 00:27:24,502 Speaker 3: of your help in working out what to think. Right. 565 00:27:25,381 --> 00:27:27,742 Speaker 3: We're going to start with Sydney Sweeney. She's twenty seven 566 00:27:27,821 --> 00:27:31,502 Speaker 3: years old. You might know her from Euphoria the White Lotus. 567 00:27:31,621 --> 00:27:34,022 Speaker 3: She was in that any One but You movie with 568 00:27:34,141 --> 00:27:35,782 Speaker 3: the handsome man, Big Star Big. 569 00:27:36,782 --> 00:27:37,902 Speaker 5: I have a soft spot for her. 570 00:27:38,061 --> 00:27:40,022 Speaker 3: She was great in The Handmaid's Tale. Remember that that 571 00:27:40,141 --> 00:27:41,701 Speaker 3: was like she remembered that. Yeah, she was in one 572 00:27:41,702 --> 00:27:44,782 Speaker 3: of the early seasons. She was great anyway, over the weekend, 573 00:27:45,302 --> 00:27:50,222 Speaker 3: Sweeney's limited edition bath soap went live online Go bust 574 00:27:50,302 --> 00:27:53,821 Speaker 3: e commerce sounds good exactly, which was created with her 575 00:27:53,942 --> 00:27:58,101 Speaker 3: very own bathwater. Now it was created in collaboration with 576 00:27:58,462 --> 00:28:03,542 Speaker 3: men's hygiene brand Doctor Squatch, which is designed to encourage 577 00:28:03,542 --> 00:28:04,942 Speaker 3: men to wash, which. 578 00:28:04,702 --> 00:28:05,582 Speaker 5: Is a noble pursuit. 579 00:28:05,621 --> 00:28:06,101 Speaker 1: I think it is. 580 00:28:07,022 --> 00:28:07,981 Speaker 2: We need Doctor Squash. 581 00:28:09,182 --> 00:28:11,901 Speaker 3: So here's just a little taste of the ad. 582 00:28:12,462 --> 00:28:15,381 Speaker 7: Hello, you dirty little boys, are you interested in my 583 00:28:15,502 --> 00:28:20,542 Speaker 7: body watch? Well you can't have it because this isn't 584 00:28:20,581 --> 00:28:22,462 Speaker 7: from boys, it's from men. 585 00:28:22,621 --> 00:28:22,901 Speaker 4: All right. 586 00:28:22,942 --> 00:28:24,141 Speaker 5: Any questions about. 587 00:28:23,901 --> 00:28:25,901 Speaker 1: Can you For those who are just listening, can you 588 00:28:25,942 --> 00:28:27,421 Speaker 1: explain what the ad looked like? 589 00:28:27,581 --> 00:28:27,861 Speaker 5: Yes? 590 00:28:27,982 --> 00:28:31,702 Speaker 3: So the ad is beautiful Sidney Sweeney laying in a bathtub, 591 00:28:32,101 --> 00:28:33,902 Speaker 3: And as the story goes, she says she was laying 592 00:28:33,901 --> 00:28:36,421 Speaker 3: in the bathtub doing the ad, and then she pitched 593 00:28:36,422 --> 00:28:38,342 Speaker 3: the idea, I think we should put a drop of 594 00:28:38,342 --> 00:28:40,382 Speaker 3: my bath water in the soap and make that a 595 00:28:40,742 --> 00:28:42,302 Speaker 3: promotional tool. 596 00:28:42,622 --> 00:28:45,422 Speaker 1: Right, So a bit salt, burn a bit salt when 597 00:28:45,422 --> 00:28:47,862 Speaker 1: he drinks the bath water, exactly of his love interest. 598 00:28:48,262 --> 00:28:51,421 Speaker 3: So the bar of soap retails for eight US dollars, 599 00:28:51,462 --> 00:28:53,422 Speaker 3: which is about twelve Australian dollars. 600 00:28:53,462 --> 00:28:53,782 Speaker 5: I don't know. 601 00:28:53,782 --> 00:28:55,502 Speaker 3: If I was going to put myself in some bath water, 602 00:28:55,982 --> 00:28:57,461 Speaker 3: I'd be charging at least fifteen. 603 00:28:57,582 --> 00:28:59,262 Speaker 1: It doesn't matter at salt Out now right. 604 00:28:59,462 --> 00:29:02,342 Speaker 3: The resale value on eBay now is like close to 605 00:29:02,382 --> 00:29:04,062 Speaker 3: three thousand Australian dollars. 606 00:29:04,302 --> 00:29:06,622 Speaker 1: It's interesting because when I was first reading about this, 607 00:29:06,902 --> 00:29:11,181 Speaker 1: and the Internet is obviously buzzing about it, I was like, ooh, yuck, 608 00:29:11,342 --> 00:29:13,782 Speaker 1: why would she do this? She doesn't need to do this. 609 00:29:14,982 --> 00:29:17,862 Speaker 1: Having heard the ad and the tone and thinking about 610 00:29:17,862 --> 00:29:20,822 Speaker 1: it a little bit more, there is a kind of 611 00:29:20,862 --> 00:29:22,822 Speaker 1: a rogue humor about it. 612 00:29:23,142 --> 00:29:24,302 Speaker 5: Yeah, yeah, there is. 613 00:29:24,661 --> 00:29:26,982 Speaker 3: On the cover of the Bar of Soap, it says 614 00:29:27,062 --> 00:29:28,382 Speaker 3: smells like morning wood. 615 00:29:28,702 --> 00:29:28,862 Speaker 7: Oh. 616 00:29:29,502 --> 00:29:31,422 Speaker 3: Some of the commentary since, like The New York posted 617 00:29:31,422 --> 00:29:34,142 Speaker 3: a review and they were like joking about like I 618 00:29:34,182 --> 00:29:35,742 Speaker 3: took a bite of it and it doesn't taste as 619 00:29:35,742 --> 00:29:38,342 Speaker 3: good as I expected it to, like that kind of stuff, 620 00:29:38,822 --> 00:29:40,542 Speaker 3: Like it gets pretty icky pretty fast. 621 00:29:40,622 --> 00:29:42,622 Speaker 2: Right when I first saw the ad, I thought it 622 00:29:42,742 --> 00:29:44,941 Speaker 2: was like an snl skit, Like, I thought it was 623 00:29:45,022 --> 00:29:47,542 Speaker 2: a full joke. And then when I found out it 624 00:29:47,582 --> 00:29:49,902 Speaker 2: was real, that's when I got a bit weird about it. 625 00:29:50,502 --> 00:29:53,421 Speaker 1: Yeah, yeah, why did you get weird about it because. 626 00:29:53,102 --> 00:29:55,742 Speaker 2: I felt like everything about Sidney Sweeney and she's talked 627 00:29:55,742 --> 00:29:59,142 Speaker 2: about her looks for a while now, and it's always 628 00:29:59,182 --> 00:30:03,021 Speaker 2: in the sense of I'm a really good actor. I 629 00:30:03,102 --> 00:30:05,542 Speaker 2: just want to get roles from my acting. And then 630 00:30:05,862 --> 00:30:08,422 Speaker 2: the funny part about her talking about her looks would 631 00:30:08,422 --> 00:30:10,102 Speaker 2: always be done in a way where she's in on 632 00:30:10,142 --> 00:30:12,582 Speaker 2: the joke, like when she was on SNL and things like. 633 00:30:12,542 --> 00:30:14,702 Speaker 1: That, he talks about a booth yeah, yeah. 634 00:30:14,742 --> 00:30:17,461 Speaker 2: And then now that she's making money off this, it 635 00:30:17,502 --> 00:30:20,422 Speaker 2: feels like that the joke has escaped her in a way. Yeah, 636 00:30:20,462 --> 00:30:22,302 Speaker 2: and I'm going back to talking about her looks and 637 00:30:22,342 --> 00:30:23,862 Speaker 2: she's like infiltrated that. 638 00:30:23,942 --> 00:30:28,182 Speaker 1: Well, not even her looks, more like rubbing her, yeah, 639 00:30:28,222 --> 00:30:31,702 Speaker 1: her sexuality, rubbing her on your body. But couldn't you say, well, 640 00:30:31,782 --> 00:30:33,342 Speaker 1: good for her, she's making the money. 641 00:30:33,502 --> 00:30:34,782 Speaker 2: If she was just making money and it was just 642 00:30:34,822 --> 00:30:36,661 Speaker 2: a bar soap that you're selling to everyone. But because 643 00:30:36,702 --> 00:30:40,262 Speaker 2: the soap is marketed towards men, that's where I felt 644 00:30:40,342 --> 00:30:42,982 Speaker 2: really weird about it. It's like she's trying. 645 00:30:42,822 --> 00:30:44,262 Speaker 1: Because it touched her naked body. 646 00:30:44,422 --> 00:30:47,142 Speaker 3: Yeah, and it's like a company owned by men. It's 647 00:30:47,142 --> 00:30:50,502 Speaker 3: not like a women own Sydney Sweeney owned brand entirely. 648 00:30:50,742 --> 00:30:52,221 Speaker 3: It feels like I felt icky. 649 00:30:52,262 --> 00:30:54,582 Speaker 2: And even all the comments from men who weren't able 650 00:30:54,622 --> 00:30:56,982 Speaker 2: to buy the soap were really weird, like they missed 651 00:30:57,022 --> 00:30:59,342 Speaker 2: out on Beyonce tickets or something like. I saw her 652 00:30:59,382 --> 00:31:03,022 Speaker 2: comments of men going I tried from minute one, no chance, 653 00:31:03,222 --> 00:31:04,102 Speaker 2: what a joke. 654 00:31:04,142 --> 00:31:05,822 Speaker 1: Like ause if they have owner sp it's like they're 655 00:31:05,902 --> 00:31:08,742 Speaker 1: so upset that they didn't get away soap. It also 656 00:31:08,862 --> 00:31:12,502 Speaker 1: is in a month where we've had a stalker crash 657 00:31:12,502 --> 00:31:16,382 Speaker 1: into Jennifer Andiston's house and be arrested. Taylor Swift has 658 00:31:16,422 --> 00:31:18,862 Speaker 1: just been you know, her stalk has been in court 659 00:31:18,902 --> 00:31:22,542 Speaker 1: as well. We know that famous women are sexualized and 660 00:31:22,622 --> 00:31:24,661 Speaker 1: stalked a lot. 661 00:31:24,582 --> 00:31:25,902 Speaker 5: And people want a piece of them. 662 00:31:26,062 --> 00:31:28,502 Speaker 1: Yeah, and it's just I mean, I guess you could 663 00:31:28,542 --> 00:31:32,182 Speaker 1: say it's incredibly subversive, but it Yeah, it does make 664 00:31:32,182 --> 00:31:32,982 Speaker 1: me uncomfortable. 665 00:31:33,182 --> 00:31:33,462 Speaker 5: Yeah. 666 00:31:33,542 --> 00:31:36,022 Speaker 3: So I am now about to take you into a 667 00:31:36,022 --> 00:31:39,342 Speaker 3: whole other stratosphere right and explained to a story that 668 00:31:39,382 --> 00:31:41,622 Speaker 3: has dominated TikTok over the last few days. Then I'm 669 00:31:41,622 --> 00:31:43,542 Speaker 3: going to explain how these things I think are related. 670 00:31:44,142 --> 00:31:45,102 Speaker 5: Do we remember. 671 00:31:44,822 --> 00:31:46,862 Speaker 3: Bonnie Blue sex troll Sextroll. 672 00:31:46,982 --> 00:31:48,421 Speaker 5: Interesting title. She'd love that. 673 00:31:48,582 --> 00:31:52,582 Speaker 3: She's a twenty six year old OnlyFans creator. She's British six. 674 00:31:52,982 --> 00:31:55,742 Speaker 1: She's twenty six. Sorry I'm putting it out there. I 675 00:31:55,782 --> 00:31:57,221 Speaker 1: don't think she's twenty six anyway. 676 00:31:57,502 --> 00:32:00,102 Speaker 3: She's twenty six according to the Google, but Mea said 677 00:32:00,142 --> 00:32:02,062 Speaker 3: she's not. So you know, who would you listen to? 678 00:32:02,661 --> 00:32:04,582 Speaker 3: She is British, which she's been living in Australia and 679 00:32:04,622 --> 00:32:07,382 Speaker 3: a little while ago, remember she got deported from Fiji 680 00:32:07,422 --> 00:32:09,542 Speaker 3: and then Australia. So like working visa. 681 00:32:09,382 --> 00:32:11,981 Speaker 1: Ish shoes and school is school is. 682 00:32:12,102 --> 00:32:15,142 Speaker 3: She wants barely llegal men to be part of her 683 00:32:15,502 --> 00:32:16,902 Speaker 3: Only Fans channel and she films them. 684 00:32:16,942 --> 00:32:18,461 Speaker 5: Blah blah blah. Highly controversial. 685 00:32:19,182 --> 00:32:22,502 Speaker 3: So this was the latest stunt that she was promoting. 686 00:32:22,782 --> 00:32:25,902 Speaker 6: What challenges do you have next, Bonnie Blues petting Zoo. 687 00:32:26,142 --> 00:32:28,582 Speaker 6: I am going to be in a glass box tied 688 00:32:28,702 --> 00:32:30,822 Speaker 6: up and it's going to be open for the public. 689 00:32:31,462 --> 00:32:34,421 Speaker 5: Oh my god, meet in the barks. 690 00:32:34,422 --> 00:32:37,382 Speaker 6: But people can join me to may touch me, just 691 00:32:37,462 --> 00:32:39,502 Speaker 6: look at me. Where I'm going to be in the 692 00:32:39,502 --> 00:32:40,822 Speaker 6: center of London in a house. 693 00:32:41,142 --> 00:32:44,782 Speaker 5: Oh oh okay, right, okay. So I was seeing like 694 00:32:44,862 --> 00:32:46,782 Speaker 5: David Blaine. I mean, I'd love to be on the 695 00:32:46,822 --> 00:32:48,222 Speaker 5: back of a lorry in a glass. 696 00:32:47,902 --> 00:32:51,421 Speaker 6: Box my way through the London, right, that would probably 697 00:32:51,422 --> 00:32:52,462 Speaker 6: be illegal. 698 00:32:52,302 --> 00:32:54,462 Speaker 5: Probably I want to do two thousand. 699 00:32:54,422 --> 00:32:58,702 Speaker 3: People were horrified. They said that this promotes rape culture, 700 00:32:58,782 --> 00:33:02,582 Speaker 3: and videos have been circulating on TikTok contrasting her statements 701 00:33:02,582 --> 00:33:06,462 Speaker 3: with like historical images from the Suffragettes or the way 702 00:33:06,502 --> 00:33:09,542 Speaker 3: in which women would be punished in the town square 703 00:33:09,742 --> 00:33:11,062 Speaker 3: and how that would turn sexual. 704 00:33:12,062 --> 00:33:13,142 Speaker 5: And it might seem unusual. 705 00:33:13,222 --> 00:33:14,862 Speaker 1: What's it good to do with the suffragettes? 706 00:33:15,142 --> 00:33:16,102 Speaker 5: Well, I think it's like. 707 00:33:16,262 --> 00:33:18,982 Speaker 3: This is what our grandmothers, our grandmothers fork for us 708 00:33:19,342 --> 00:33:22,862 Speaker 3: to have sexual freedom and empowerment, but also the like. 709 00:33:23,222 --> 00:33:25,622 Speaker 1: To be molested by two thousand men in a glass box. 710 00:33:25,702 --> 00:33:26,342 Speaker 5: Yeah, exactly. 711 00:33:26,382 --> 00:33:26,701 Speaker 6: Money. 712 00:33:27,262 --> 00:33:30,622 Speaker 3: Now, it might seem strange to put these two stories together, 713 00:33:30,702 --> 00:33:33,182 Speaker 3: and of course we should say as well. Bonnie Blue 714 00:33:33,182 --> 00:33:35,981 Speaker 3: has since canceled her glass box stunt. 715 00:33:36,182 --> 00:33:37,181 Speaker 5: But hear me out. 716 00:33:37,382 --> 00:33:40,221 Speaker 3: These are two women in very different ways for filling 717 00:33:40,222 --> 00:33:42,941 Speaker 3: male fantasies for money. So they are profiting off the 718 00:33:42,982 --> 00:33:47,342 Speaker 3: sexualization of women or themselves the consumers of both of 719 00:33:47,382 --> 00:33:48,142 Speaker 3: these products. 720 00:33:48,542 --> 00:33:48,782 Speaker 5: Men. 721 00:33:49,062 --> 00:33:50,542 Speaker 3: I wouldn't want to be stuck in a lift with 722 00:33:51,062 --> 00:33:54,022 Speaker 3: But in a way, both of these decisions are positioned 723 00:33:54,222 --> 00:33:56,902 Speaker 3: as empowering to some. These women would describe what they're 724 00:33:56,902 --> 00:34:00,102 Speaker 3: doing as empowering, right, And they cash. 725 00:33:59,902 --> 00:34:03,142 Speaker 1: Why would they describe it as empowering because they're making money. 726 00:34:03,142 --> 00:34:06,222 Speaker 1: They're making money off their bodies instead of men making 727 00:34:06,782 --> 00:34:08,942 Speaker 1: money off their sexual. 728 00:34:08,661 --> 00:34:11,261 Speaker 3: Yeah, and they would say, agency I'm making a choice. 729 00:34:11,462 --> 00:34:12,861 Speaker 3: This has nothing to do with anyone else. 730 00:34:12,902 --> 00:34:15,341 Speaker 1: We would have been making money off their bodies and 731 00:34:15,702 --> 00:34:19,462 Speaker 1: from sex and sexuality since the beginning of time. But 732 00:34:19,741 --> 00:34:21,821 Speaker 1: just because you're making money out of something, does that 733 00:34:22,022 --> 00:34:24,862 Speaker 1: mean that it's empowering? Well, I guess, And what is 734 00:34:24,902 --> 00:34:25,941 Speaker 1: empowering even means? 735 00:34:25,982 --> 00:34:28,902 Speaker 3: And it's been rebranded as empowerment. It didn't used to 736 00:34:29,382 --> 00:34:32,701 Speaker 3: one hundred, two hundred years ago be branded as empowerment, right, 737 00:34:32,781 --> 00:34:35,822 Speaker 3: And so I want to know, is this hurting the cause? 738 00:34:35,942 --> 00:34:39,022 Speaker 3: Is this hurting the feminist cause? Or can it kind 739 00:34:39,062 --> 00:34:43,701 Speaker 3: of be defended with the language of like girl boss feminism? 740 00:34:43,982 --> 00:34:44,902 Speaker 5: And what do you think? 741 00:34:45,422 --> 00:34:48,902 Speaker 2: I actually, I don't think it's hurting the feminine cause, 742 00:34:49,142 --> 00:34:52,982 Speaker 2: but I do think what you did the comparison with Playboy, 743 00:34:53,542 --> 00:34:56,422 Speaker 2: it is similar, but not to this extent, like I 744 00:34:56,462 --> 00:34:59,702 Speaker 2: think for me, it's the men who are so upset 745 00:34:59,701 --> 00:35:01,941 Speaker 2: about not buying the soap bars, similar to the men 746 00:35:02,102 --> 00:35:06,461 Speaker 2: standing in lines to go have sex with women. It's 747 00:35:06,822 --> 00:35:09,741 Speaker 2: the fact that when now realizing that the demand and 748 00:35:09,862 --> 00:35:12,982 Speaker 2: for these acts are still so so high with men 749 00:35:13,342 --> 00:35:15,301 Speaker 2: that we probably might know through a friend of a 750 00:35:15,302 --> 00:35:18,261 Speaker 2: friend of a friend, and that kind of terrifies. 751 00:35:17,781 --> 00:35:20,901 Speaker 3: Me, Like I'm thinking of the Bonnie Blue example and 752 00:35:21,382 --> 00:35:26,142 Speaker 3: basically putting her body on the line to fulfill a 753 00:35:26,422 --> 00:35:30,821 Speaker 3: male rape fantasy in a public place with a big 754 00:35:30,862 --> 00:35:34,382 Speaker 3: smile on her face, as though that isn't something that 755 00:35:34,422 --> 00:35:37,582 Speaker 3: women have been subjected to that is the most traumatic 756 00:35:37,942 --> 00:35:41,381 Speaker 3: incident of their lives. And then to make money off 757 00:35:41,422 --> 00:35:43,261 Speaker 3: it or to platform it, like it just feels so 758 00:35:44,221 --> 00:35:44,942 Speaker 3: sickening to me. 759 00:35:45,142 --> 00:35:47,542 Speaker 1: Can we take feminism completely out of it because it 760 00:35:47,622 --> 00:35:50,381 Speaker 1: drives me crazy when a woman does a thing and 761 00:35:50,422 --> 00:35:53,062 Speaker 1: we use it as a way to debate whether feminism 762 00:35:53,102 --> 00:35:57,542 Speaker 1: works or not. Because feminism is just about men and 763 00:35:57,582 --> 00:36:01,422 Speaker 1: women having equal rights. That's literally all it is. Now, 764 00:36:01,661 --> 00:36:03,901 Speaker 1: just because a woman does a thing, it doesn't mean 765 00:36:03,942 --> 00:36:06,261 Speaker 1: that thing is a feminist thing because a woman did it. 766 00:36:06,902 --> 00:36:09,741 Speaker 1: This is just about capitalism. It's just about money. It's 767 00:36:09,781 --> 00:36:13,022 Speaker 1: about Sidney Sweeney making money off her body, which she 768 00:36:13,102 --> 00:36:15,782 Speaker 1: has every right to do, and it is about Bonnie 769 00:36:15,781 --> 00:36:18,461 Speaker 1: Blue making money off her body, which she has every 770 00:36:18,542 --> 00:36:21,221 Speaker 1: right to do, and to try and dress it up 771 00:36:21,382 --> 00:36:23,582 Speaker 1: or dress it down or turn it into something that 772 00:36:23,622 --> 00:36:28,622 Speaker 1: it's not in terms of feminism and being empowering or 773 00:36:28,661 --> 00:36:29,622 Speaker 1: not empowering. 774 00:36:29,701 --> 00:36:33,301 Speaker 3: I mean, but what happens when Sidney Sweeney then, and 775 00:36:33,342 --> 00:36:35,821 Speaker 3: she's talked about this in the context of Hollywood, when 776 00:36:35,862 --> 00:36:37,661 Speaker 3: she says I want to be taken seriously, which is 777 00:36:37,661 --> 00:36:39,502 Speaker 3: something that she said, I want to be taken seriously 778 00:36:39,582 --> 00:36:40,862 Speaker 3: as a producer. 779 00:36:40,982 --> 00:36:43,742 Speaker 1: Although she's getting very bad advice, and I shouldn't patron 780 00:36:43,741 --> 00:36:46,661 Speaker 1: I say she's making very bad decisions because I think 781 00:36:46,701 --> 00:36:51,142 Speaker 1: that making money is not the same as being empowered. Well, 782 00:36:51,181 --> 00:36:53,982 Speaker 1: I guess it is for some people, but you know, 783 00:36:54,102 --> 00:36:58,022 Speaker 1: the word empowered makes it seem like something much bigger 784 00:36:58,022 --> 00:37:00,582 Speaker 1: than it is. I mean, yes, power in our society 785 00:37:00,622 --> 00:37:04,302 Speaker 1: comes from having money and having attention, and Sidney Sweeney 786 00:37:04,302 --> 00:37:06,702 Speaker 1: and Bonnie Blue both know how to do those things 787 00:37:06,942 --> 00:37:10,142 Speaker 1: really really, really well. But it's very cheating. I mean, 788 00:37:10,181 --> 00:37:13,782 Speaker 1: I've got different problems with obviously, it's hard to compare 789 00:37:14,022 --> 00:37:16,942 Speaker 1: both of them, but the whole Bonnie Blue and Annie 790 00:37:16,982 --> 00:37:18,861 Speaker 1: Knight does it as well. The good news is that 791 00:37:19,022 --> 00:37:22,821 Speaker 1: Bonnie Blue's now been removed from Only Fans because this 792 00:37:22,942 --> 00:37:27,261 Speaker 1: extreme challenge content Only Fans has happily decided that that's 793 00:37:27,302 --> 00:37:30,701 Speaker 1: not good for the world, and so they've removed her. 794 00:37:30,942 --> 00:37:34,102 Speaker 1: But you know, last week, Annie Knight did a stunt 795 00:37:34,142 --> 00:37:36,422 Speaker 1: where she wanted to sleep with one thousand men in 796 00:37:36,422 --> 00:37:38,221 Speaker 1: a day, and she ended up in hospital and that 797 00:37:38,382 --> 00:37:43,342 Speaker 1: was everywhere, and it's like, I just find it grotesque 798 00:37:43,382 --> 00:37:46,062 Speaker 1: this thing that they have to do these stunts because 799 00:37:46,102 --> 00:37:48,221 Speaker 1: everything in the world has to be more and more 800 00:37:48,261 --> 00:37:51,502 Speaker 1: extreme to get attention, right, It's not enough to just 801 00:37:51,701 --> 00:37:54,261 Speaker 1: have sex with one person on camera. You have to 802 00:37:54,302 --> 00:37:56,901 Speaker 1: have sex with one hundred people. And then when I 803 00:37:56,942 --> 00:37:59,861 Speaker 1: interviewed Annie a year or two ago, she was having 804 00:37:59,902 --> 00:38:03,221 Speaker 1: sex with like five hundred people in a year. Now 805 00:38:03,261 --> 00:38:06,102 Speaker 1: it's one thousand people in a day, and now Bonnie 806 00:38:06,102 --> 00:38:09,142 Speaker 1: Blue wants to top that by being two thousand people. Firstly, 807 00:38:09,181 --> 00:38:11,582 Speaker 1: I don't believe it's actually happening, and it's just like 808 00:38:11,622 --> 00:38:14,902 Speaker 1: I don't believe Body Blues twenty six. And secondly, I 809 00:38:14,902 --> 00:38:18,622 Speaker 1: think it's debasing, dehumanizing, extremism. 810 00:38:18,982 --> 00:38:21,261 Speaker 2: Yeah, I actually change my answer. I do think it 811 00:38:21,302 --> 00:38:25,701 Speaker 2: is harming feminism because I think exactly what you said, Jesse, like, 812 00:38:25,781 --> 00:38:30,102 Speaker 2: it is perpetuating this male rape fantasy, and by them 813 00:38:30,261 --> 00:38:33,462 Speaker 2: doing this, we actually see how many men have this 814 00:38:33,582 --> 00:38:36,702 Speaker 2: fantasis and are now really open with that fantasy because 815 00:38:36,781 --> 00:38:38,781 Speaker 2: it's framed in a way where they're saying, no, I'm 816 00:38:38,822 --> 00:38:42,102 Speaker 2: empowering her because she feels empowered when this happens, and 817 00:38:42,142 --> 00:38:44,062 Speaker 2: I think that is what's impacting everything. 818 00:38:44,261 --> 00:38:47,381 Speaker 1: Yeah, and I also think remember that that's also not feminism. 819 00:38:47,382 --> 00:38:49,502 Speaker 1: To be clear, that is a bad thing for women 820 00:38:49,622 --> 00:38:53,422 Speaker 1: and a bad thing for and men understanding consent. But 821 00:38:53,701 --> 00:38:54,982 Speaker 1: that's not what feminism is. 822 00:38:55,022 --> 00:38:56,582 Speaker 5: I suppose it's like put women aside. 823 00:38:56,582 --> 00:38:57,821 Speaker 3: And I actually want to talk about the men for 824 00:38:57,822 --> 00:39:01,861 Speaker 3: a minute, because the cultural conversations that happened after adolescence, right, 825 00:39:01,902 --> 00:39:07,102 Speaker 3: we're about young boys who are lonely, who are being 826 00:39:07,221 --> 00:39:10,982 Speaker 3: radicalized online, toxic masculine, all of those things that have 827 00:39:11,102 --> 00:39:13,582 Speaker 3: been discussed, and we go, how do we fix this? 828 00:39:13,622 --> 00:39:15,341 Speaker 3: It's one of the biggest Every time Mum Maya writes 829 00:39:15,342 --> 00:39:19,182 Speaker 3: an article about the crisis of young boys, it goes 830 00:39:19,181 --> 00:39:22,381 Speaker 3: off because people are really invested in this question. Now, 831 00:39:22,462 --> 00:39:24,941 Speaker 3: capitalism has its clause in it, and it's going you're 832 00:39:24,942 --> 00:39:29,301 Speaker 3: telling me there's a demographic of like disenfranchised young men 833 00:39:29,422 --> 00:39:32,461 Speaker 3: who have these revolting fantasies. I've got an idea sell 834 00:39:32,502 --> 00:39:35,421 Speaker 3: to them, Like, let's not try and change them, and 835 00:39:35,462 --> 00:39:38,701 Speaker 3: not only let's sell to them, let's get women to 836 00:39:38,781 --> 00:39:39,381 Speaker 3: sell to them. 837 00:39:39,661 --> 00:39:40,981 Speaker 5: Like that to me is. 838 00:39:41,102 --> 00:39:43,301 Speaker 1: Yeah, and gas lighting us further by going under the 839 00:39:43,342 --> 00:39:44,982 Speaker 1: guise of female empower. 840 00:39:45,102 --> 00:39:48,901 Speaker 3: Yeah, exactly, exactly, as if Sidney Sweeney is the winner here. 841 00:39:49,221 --> 00:39:51,342 Speaker 5: No, I don't think Sidney Sweeney is the winner. 842 00:39:51,382 --> 00:39:53,622 Speaker 3: I think it's the dirty guy who's like, I've got 843 00:39:53,622 --> 00:39:56,422 Speaker 3: some of Sydney Sweeney's bath and licking it. It's like, 844 00:39:56,542 --> 00:40:01,261 Speaker 3: you're disgusting. If I went to Luca's search history and 845 00:40:01,342 --> 00:40:04,102 Speaker 3: I saw Sidney Sweeney's bathwater and he spent two thousand 846 00:40:04,102 --> 00:40:06,862 Speaker 3: dollars amount money on that woman's bathwater, I would. 847 00:40:06,622 --> 00:40:07,982 Speaker 1: Go, now, how much the soap is? 848 00:40:08,062 --> 00:40:08,181 Speaker 4: Now? 849 00:40:08,261 --> 00:40:10,941 Speaker 3: Well, with the resale value value, I would go, Look, 850 00:40:11,102 --> 00:40:13,461 Speaker 3: we need to have a serious dinner table conversation because 851 00:40:13,462 --> 00:40:14,181 Speaker 3: I'm not impressed. 852 00:40:14,942 --> 00:40:18,902 Speaker 2: Before we go, have you two heard about the haunted 853 00:40:18,982 --> 00:40:22,542 Speaker 2: house trends, So you start by saying a haunted house, 854 00:40:22,701 --> 00:40:24,942 Speaker 2: but and then you fill in the blank with something 855 00:40:24,982 --> 00:40:28,062 Speaker 2: that haunts you but isn't typically scary. So, for example, 856 00:40:28,661 --> 00:40:30,702 Speaker 2: a haunted house, but it's a room full of people 857 00:40:30,781 --> 00:40:32,982 Speaker 2: asking you to tell them a fun fact about yourself, 858 00:40:34,542 --> 00:40:34,982 Speaker 2: and this. 859 00:40:34,902 --> 00:40:36,582 Speaker 5: Lie two triths in a line, So good. 860 00:40:36,902 --> 00:40:39,422 Speaker 2: A haunted house, but it's just you and another person 861 00:40:39,502 --> 00:40:41,701 Speaker 2: in adjoining bathroom stalls, and both of you need to 862 00:40:41,741 --> 00:40:43,622 Speaker 2: poop but are waiting for the other person to leave. 863 00:40:45,342 --> 00:40:46,622 Speaker 5: Okay, I've got one. I've got one. 864 00:40:46,741 --> 00:40:50,062 Speaker 3: My haunted house is walking in and seeing all the 865 00:40:50,102 --> 00:40:53,582 Speaker 3: text messages that I sent to someone who dumped me 866 00:40:53,701 --> 00:40:58,062 Speaker 3: after dark, especially after midnight, like all the text messages 867 00:40:58,062 --> 00:41:00,821 Speaker 3: that I sent maybe after a drink or two. That 868 00:41:00,902 --> 00:41:03,022 Speaker 3: to me is something I never need to confront. That's 869 00:41:03,022 --> 00:41:04,142 Speaker 3: scarier than any ghost. 870 00:41:04,382 --> 00:41:08,102 Speaker 1: So mine would be a haunted house full of people 871 00:41:08,102 --> 00:41:11,941 Speaker 1: who canceled me. That's such a good one. And I've 872 00:41:11,942 --> 00:41:17,261 Speaker 1: got another one, A haunted house full of people scrolling 873 00:41:17,302 --> 00:41:20,102 Speaker 1: through their phones looking for something that they really need 874 00:41:20,142 --> 00:41:22,901 Speaker 1: to show me, and I just have to stand there 875 00:41:22,982 --> 00:41:25,661 Speaker 1: while they all scroll and they can't find it. 876 00:41:25,781 --> 00:41:28,221 Speaker 3: Then they all find the YouTube video, which actually is 877 00:41:28,261 --> 00:41:30,142 Speaker 3: three and a half minutes long, but you'll like it. 878 00:41:30,221 --> 00:41:33,142 Speaker 5: Just just keep keep, just wait till the end. Just wait. 879 00:41:33,261 --> 00:41:37,582 Speaker 3: Mine is also seeing my legs poke through my jeans 880 00:41:37,582 --> 00:41:39,261 Speaker 3: in the middle of winter when I've not looked at 881 00:41:39,261 --> 00:41:41,102 Speaker 3: them for a while, and the like texture of my 882 00:41:41,181 --> 00:41:43,262 Speaker 3: skin and also just like a little bit of shocking 883 00:41:43,342 --> 00:41:45,542 Speaker 3: ankle hair Like that's pretty terrifying. 884 00:41:45,741 --> 00:41:46,661 Speaker 5: How about you, em. 885 00:41:46,781 --> 00:41:49,821 Speaker 2: Okay, mine would be a haunted house full of the 886 00:41:49,942 --> 00:41:52,461 Speaker 2: men who rejected me by saying they found someone else 887 00:41:52,582 --> 00:41:53,381 Speaker 2: with the someone else. 888 00:41:54,942 --> 00:41:56,261 Speaker 5: That's so true. 889 00:41:56,661 --> 00:41:58,622 Speaker 1: Out Louders, we want to hear what your haunted house 890 00:41:58,661 --> 00:42:01,461 Speaker 1: would be. Tell us on Instagram or in the out 891 00:42:01,462 --> 00:42:02,461 Speaker 1: Louders Facebook group. 892 00:42:02,982 --> 00:42:04,861 Speaker 3: A big thank you to all of you the out 893 00:42:04,862 --> 00:42:07,582 Speaker 3: Louders for listening to today's show and our fabulous team 894 00:42:07,701 --> 00:42:11,622 Speaker 3: for putting this show together. Studios are styled with furniture 895 00:42:11,622 --> 00:42:14,462 Speaker 3: from Fenton and Fenton. Visit Fenton and Fenton dot com 896 00:42:14,502 --> 00:42:17,502 Speaker 3: dot au. We will be back in your ears tomorrow. 897 00:42:17,542 --> 00:42:19,381 Speaker 5: Bye bye. 898 00:42:20,022 --> 00:42:23,301 Speaker 1: Shout out to any Muma Miya subscribers listening. If you 899 00:42:23,422 --> 00:42:25,782 Speaker 1: love the show and want to support us as well, 900 00:42:25,982 --> 00:42:28,502 Speaker 1: subscribing to Mama Miya is the very best way to 901 00:42:28,542 --> 00:42:30,942 Speaker 1: do so. There is a link in the episode description.