WEBVTT - Jennifer "Suddenly 30 Is Problematic" Garner

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<v Speaker 1>You're listening to a Muma Mia podcast. Mom and Maya

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<v Speaker 1>acknowledges the traditional owners of land and waters that this

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<v Speaker 1>podcast is recorded on Hello and welcome to cancel the

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<v Speaker 1>podcast that looks at silly celebrity crimes and assigence charges

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<v Speaker 1>and sentences to them so we can all move on

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<v Speaker 1>with our lives. I'm Klaire Stevens and I'm joined by

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<v Speaker 1>Jesse Stevens and Jesse do you have a lazy girl

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<v Speaker 1>story for us? I do. I have one which I

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<v Speaker 1>feel like is going to be particularly relatable to both

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<v Speaker 1>of us. It is from Claire. Oh but not you,

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<v Speaker 1>it hasn't I. My wedding dress was very fancy, with

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<v Speaker 1>hand beating all over in a big train. At the

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<v Speaker 1>end of the reception, I finally had time for something

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<v Speaker 1>to eat, and I scoffed a few chocolate tarts, inadvertently

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<v Speaker 1>dripping quite a bit of gin ash down the bodice

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<v Speaker 1>of my dress. Because I'm a messy girl as well

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<v Speaker 1>as a lazy girl. Bad Combo tried to wipe up

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<v Speaker 1>the mess the napkin bad idea chocolate now spread over

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<v Speaker 1>a large portion of bodice and embedded in beadwork and

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<v Speaker 1>lace very bad. When I returned from my honeymoon, I

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<v Speaker 1>thought about getting the dress dry cleaned, quoted as three

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<v Speaker 1>hundred and fifty dollars ridiculous. I thought I would just

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<v Speaker 1>wash it in my bath tub with some sad wonder

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<v Speaker 1>soap as a friend had done. Has turned out okay.

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<v Speaker 1>I never got around to it, and the wedding dress

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<v Speaker 1>is still hanging in its bag in my wardrobe. This

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<v Speaker 1>year is my twentieth wedding out of entry. I refuse

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<v Speaker 1>to throw out the dress, as I might still get

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<v Speaker 1>around to it one day. She's a lazy girl. Oh wow,

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<v Speaker 1>how long did it take you to dry clean your dress?

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<v Speaker 1>Very long time? And my dress was just in my boot.

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<v Speaker 1>The amount of women with their wedding dress and their

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<v Speaker 1>boot still. Oh you got married weeks ago. Oh your

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<v Speaker 1>children have left time. Oh I know where your wedding

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<v Speaker 1>dress is crumpled in the boot. If you are a

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<v Speaker 1>robber listening, yes, rob cars, rob car? No, because then

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<v Speaker 1>a rubber would rob a car. Take the dress and

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<v Speaker 1>be like, got to get it dry clean before I

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<v Speaker 1>sell it. I know this might be a you know,

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<v Speaker 1>thousands of dollars this dress is worth. It's only going

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<v Speaker 1>to take a few hundred to dry clean it. You

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<v Speaker 1>do make a profit, but there's a job involved. There

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<v Speaker 1>is a job involved, and the job of smelling men

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<v Speaker 1>low because you know I sent my address to Norway.

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<v Speaker 1>You did you sold your dress? Okay, here's something we've

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<v Speaker 1>never talked about. I put mine up, being like anyone

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<v Speaker 1>want to buy no bites? Shit? Well mine only had

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<v Speaker 1>the one bite and she was in Norway? Okay? Was

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<v Speaker 1>I offended? Yeah? You think you're going to put your

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<v Speaker 1>wedding dress up and everyone's going to go this is

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<v Speaker 1>the most beautiful wedding dress ever. I want to look

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<v Speaker 1>like this on my day and everyone's everyone's like, oh nah,

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<v Speaker 1>I think it's dakyo. I'll have a sitting in my wardrobe.

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<v Speaker 1>I would really like the cash. The issue with the

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<v Speaker 1>job of dry cleaning it is an issue of deadline

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<v Speaker 1>because there's no dead There is no deadline. It's just

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<v Speaker 1>my to do list has about four or five jobs

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<v Speaker 1>of which they're just not to a clear deadline. So

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<v Speaker 1>it's like, why would I do that today when I

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<v Speaker 1>could do it tomorrow? Will you do it tomorrow? And no,

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<v Speaker 1>because why would I do that tomorrow when I could

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<v Speaker 1>do it later? And so life goes, and then what

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<v Speaker 1>you've done is you die, and you've left someone the

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<v Speaker 1>job of cleaning your wedding dress, and that person goes,

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<v Speaker 1>why do today when I could do it later? And

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<v Speaker 1>so no, no, what do we hand down through the

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<v Speaker 1>family at your nash covered wedding dress? So lovely?

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<v Speaker 2>You are about to enter the canceled courtroom. The defendants

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<v Speaker 2>are celebrities, the chargers are petty, the rulings are final.

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<v Speaker 1>Jeffy, Today we're talking about Jennifer Ghana. Hi, I'm jen

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<v Speaker 1>Jennifer Garner.

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<v Speaker 3>I just watched this down below kissing, and I just floated.

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<v Speaker 2>Home on a cloud.

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<v Speaker 1>Please welcome Jennifer Garner, Jennifer and Ghana. He is an

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<v Speaker 1>American actress who you probably know from her roles in

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<v Speaker 1>TV shows like A Liz and movies like Suddenly Thirty Juno,

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<v Speaker 1>Ghosts of Girlfriend's Past, Valentine's Day, Daredevil, Dallas Fires Club,

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<v Speaker 1>and so on. How many Jennifers have we done? Okay,

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<v Speaker 1>Jennifer Lopez, Jennifer Lawrence, Jennifer Anist, Jennifer Aniston for all

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<v Speaker 1>the famous Jennifers. Do you know many in your life? Nah?

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<v Speaker 1>I don't. I think it's a generational thing. I think

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<v Speaker 1>it's a disproportionate amount of Jennifers that'd become famous. Mary

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<v Speaker 1>ben affleck care I said it great point. Jesse, what

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<v Speaker 1>is your favorite Jennifer Ghaner movie? And or role? Was

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<v Speaker 1>she in Pearl Harbor? We have discussed that minor role,

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<v Speaker 1>minor role, minor role, but I did like that. I'm

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<v Speaker 1>gonna say something un popular. I didn't mind. Suddenly thirty,

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<v Speaker 1>Jenna Rink couldn't grow up fast enough, so on her thirteenth.

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<v Speaker 2>Birthday, check us out wishing dust.

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<v Speaker 1>She only made one wish. I a thirteen. I just

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<v Speaker 1>want to be grin. But I struggle with getting my

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<v Speaker 1>head around magic in a film. Yeah, because I'm trying

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<v Speaker 1>to go in order to keep watching this like Freaky Friday,

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<v Speaker 1>in order to keep watching this, I have to I

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<v Speaker 1>have to suspend my belief of how the world works,

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<v Speaker 1>because this isn't possible what's happening. But I've got to

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<v Speaker 1>be invested in you, in your feelings. It feels like

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<v Speaker 1>a plot device, but you've all either had a psychotic

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<v Speaker 1>break in which case that's a plot point, or you're

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<v Speaker 1>gonna wake up. It was all the dream, which is

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<v Speaker 1>deeply unsatisfying, or I've just got to play this game.

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<v Speaker 1>I don't know if I can play this game. It's

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<v Speaker 1>not real. So I don't know about that film. Okay,

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<v Speaker 1>we'll talk more about that film. But my favorite Jennifer

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<v Speaker 1>gana role where I think she just really was herself,

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<v Speaker 1>like this is who I believe her to beat. Was

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<v Speaker 1>her role in Juno.

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<v Speaker 2>Hi Brings You to them All Today.

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<v Speaker 3>I was just shocking, you know, it's my girlfriend.

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<v Speaker 1>I thought she played that so well. Is an excellent film.

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<v Speaker 1>It is that I want to watch again, and I think, Yeah,

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<v Speaker 1>Jennifer Garner in it was just so believable. A note

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<v Speaker 1>on Valentine's Day, Yeah, she was in it, along with

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<v Speaker 1>literally everyone else Jesse simply everyone, simply everyone. There's also

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<v Speaker 1>a movie called Mother's Day, celebrate the one day no

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<v Speaker 1>matter what's happened between us, here always my mother that

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<v Speaker 1>connects us off or not. Who the world thinks we.

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<v Speaker 3>Are Mother's Day?

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<v Speaker 1>Oh? Yeah, people in that Julia Roberts, Oh gee, lots

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<v Speaker 1>of people. Julia Roberts with a terrible haircut. Okay, because

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<v Speaker 1>the other film, just like Valentine's Day in terms of

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<v Speaker 1>everyone being in it was of course he's just not

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<v Speaker 1>that into And New Year's Eve and News Eve that

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<v Speaker 1>was we went through a stage where was in a

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<v Speaker 1>film and you know what, it was based on Love

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<v Speaker 1>act Love actually. Because on that they will like, imagine

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<v Speaker 1>a film where you just have heaps of famous actors

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<v Speaker 1>on the poster. Yeah, that isn't what made Love actually great.

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<v Speaker 1>It was a great film, absolutely, And then the Americans

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<v Speaker 1>were like, we can do it. We've got twelve actors. Well,

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<v Speaker 1>why don't you sit and write a script for a minute,

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<v Speaker 1>Why don't you write a good script because Valentine's Day

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<v Speaker 1>it doesn't work. They got a bot to do it.

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<v Speaker 1>They got a bot to do it, and it showed tonight.

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<v Speaker 1>The chef is featuring a dish that he likes to

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<v Speaker 1>call the lime Stinking Pig. Also a note, Jennifer Ghana

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<v Speaker 1>was married to Ben Affleck between two thousand and five

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<v Speaker 1>and twenty eighteen, long time, and they have three kids together.

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<v Speaker 1>And there are currently rumors you would know that Ben

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<v Speaker 1>Affleck and j Lo are on the rocks. Yeah, I

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<v Speaker 1>believe it. And yeah, the theory is that Jennifer Ghana

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<v Speaker 1>has been speaking to Jennifer Lopez and like helping her

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<v Speaker 1>through this and is also speaking to Ben and encouraging

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<v Speaker 1>Ben to stay with Jen because Jen, she's such an

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<v Speaker 1>marriage counselor, is very good for Ben. Jenny is good

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<v Speaker 1>for Ben and she supported him through his addictions. Jen

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<v Speaker 1>lo Pez is good. Oh I think Jenna good for

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<v Speaker 1>Ben too. Yeah. She says Ben, you need Jen, and

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<v Speaker 1>he says, which Jen. She says Jen you're currently married to,

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<v Speaker 1>just for logistical purposes, the one you're that that gen.

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<v Speaker 1>Also for context. She does a lot of gardening on tiktop. Hello, squash,

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<v Speaker 1>there is not your dad. I've been waiting for the

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<v Speaker 1>sunflower seeds to be ready. Cash. She's popping up very hosh.

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<v Speaker 1>Couldn't be less like j Loo. And I don't mean

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<v Speaker 1>that as a slide, No, I just mean that as

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<v Speaker 1>she's in a different place, whereas j Loo is like,

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<v Speaker 1>this is me now on the met Gala garpet. Yeah,

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<v Speaker 1>where's Ben, Jen? Where's my Ben? You're Ben? He was

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<v Speaker 1>my Ben. I'm a different Gen. Ben, go back to Jen?

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<v Speaker 1>Which Gen, et cetera? Yeah, it is. My structure for

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<v Speaker 1>today is as follows an awkward call out, a late

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<v Speaker 1>night interview, an uncomfortable question. I love the ambiguity of

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<v Speaker 1>all somebody and suddenly thirty okay good an awkward call out.

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<v Speaker 1>It's two thousand and three. Jennifer Ganna is starring in Alias,

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<v Speaker 1>and she's very, very famous. Jesse, did you ever watch Alias?

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<v Speaker 1>I didn't, but there were girls at school who really

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<v Speaker 1>liked it, and I kind of put it in the

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<v Speaker 1>Buffy camp. M you were an Alias personal? You were

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<v Speaker 1>an Alias person? Was she a spy? Yes? It sounds

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<v Speaker 1>like I would have liked that. I know, I know,

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<v Speaker 1>I feel like do I feel like she was a

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<v Speaker 1>magic spye? I feel like there was something in it

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<v Speaker 1>that I just couldn't fully get around. Yeah, I watched it. No,

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<v Speaker 1>I never watched it, but I never watched Buffy either. No.

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<v Speaker 1>So she was doing the rounds because as well as

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<v Speaker 1>promoting Alias, she was promoting her new movie Daredevil, which

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<v Speaker 1>Ben Affleck was also in, and so she was on

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<v Speaker 1>Conan O'Brien. He She asked her if during Alias she

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<v Speaker 1>used any spy skills she learnt from the show in

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<v Speaker 1>real life, and she tells a story about how they

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<v Speaker 1>kept the show's twists from her, like the scripts ahead

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<v Speaker 1>of time. They don't want you to know. Writer's Room

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<v Speaker 1>and it's completely closed off, particularly to actors, particularly to me.

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<v Speaker 1>So she went into the writer's room and read all

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<v Speaker 1>the notes about what was to come, and she used

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<v Speaker 1>spy skills to get into the writer's room. That was

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<v Speaker 1>the story. Christ Sorry. But as she's telling the story,

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<v Speaker 1>Conan O'Brien says.

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<v Speaker 4>Well, there's a time when you snuck into the room.

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<v Speaker 1>And she says, snuck isn't a word, Conan, and you

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<v Speaker 1>went to Harvard and you should know that that's funny. The

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<v Speaker 1>audience cheers, collaps. She finishes the story. Then, after the

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<v Speaker 1>ad break, ConA O'Brien returns holding a dictionary. He points

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<v Speaker 1>out that snuck is a word. It is the past

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<v Speaker 1>tense of sneak. According to Miriam Webster, the original past

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<v Speaker 1>tense of sneak was sneaked, following the pattern of other

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<v Speaker 1>regular verbs. However, snuck began to be used as an

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<v Speaker 1>altar her native past tense form in the eighteen hundreds

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<v Speaker 1>and is now very common. Would you say snuck or sneaked,

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<v Speaker 1>I'd say snuck. I'd say snuck, But I will say

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<v Speaker 1>it's very a white man, I think it's she corrected

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<v Speaker 1>him in the first place. Yeah, but where'd you get

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<v Speaker 1>a dictionary? Like apparently one of the writers run it

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<v Speaker 1>down during the ad break. He does it very well

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<v Speaker 1>because he points it out. She does a bit of

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<v Speaker 1>like an awkward face and then he does like a

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<v Speaker 1>cackle like villain laugh, knuck, pass and pass part of sneak.

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<v Speaker 1>It's not mean to her the way he does it.

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<v Speaker 1>It's like expert, Oh how he does it? Okay, alright, alright,

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<v Speaker 1>So she looks awkward, like purposely performatively awkward. And this

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<v Speaker 1>clip has done the rounds on TikTok and YouTube, and

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<v Speaker 1>a lot of people comment saying she didn't even apologize.

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<v Speaker 1>She didn't even admit she was wrong, and it's like,

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<v Speaker 1>I think it wasn't meant to be funny. It's a show.

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<v Speaker 1>She's acting awkward, it's humor. I will say, I don't

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<v Speaker 1>enjoy being corrected on my past tense in a social setting.

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<v Speaker 1>I don't. And that's what people are saying. They're like,

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<v Speaker 1>she tried to correct him and she was wrong. I mean,

0:12:25.429 --> 0:12:27.669
<v Speaker 1>it was obviously a public interview and she was quite

0:12:27.709 --> 0:12:29.309
<v Speaker 1>funny bring up a Harvard thing. But like I have

0:12:29.429 --> 0:12:33.909
<v Speaker 1>been in conversations and people like it's Luca and I oh,

0:12:33.949 --> 0:12:37.989
<v Speaker 1>and I'm like, okay, me and Luke went to the zoo. Yeah, yeah,

0:12:38.029 --> 0:12:40.709
<v Speaker 1>you know what, I am my English teacher. I don't

0:12:40.789 --> 0:12:43.749
<v Speaker 1>like it exactly. So yeah, people do get riled up

0:12:43.749 --> 0:12:47.109
<v Speaker 1>about that, think that she's a bit of a princess.

0:12:47.389 --> 0:12:50.509
<v Speaker 1>But I say it's an interesting little back and forth

0:12:50.589 --> 0:12:54.509
<v Speaker 1>and it's just a silly interview. Moving on a late

0:12:54.589 --> 0:13:00.909
<v Speaker 1>night interview. During the same interview, she told a story

0:13:01.149 --> 0:13:04.029
<v Speaker 1>that has gone viral for all the wrong reasons. Speaking

0:13:04.029 --> 0:13:07.469
<v Speaker 1>about Daredevil, she shared an anecdote about how her co

0:13:07.589 --> 0:13:11.109
<v Speaker 1>star Colin Farrell got a bit too aggressive in a

0:13:11.149 --> 0:13:13.389
<v Speaker 1>scene where they were supposed to be kissing and she

0:13:13.589 --> 0:13:16.029
<v Speaker 1>ended up with a swollen lip. The next day, he

0:13:16.229 --> 0:13:18.589
<v Speaker 1>was biting her lip, and she goes on to tell

0:13:18.589 --> 0:13:21.469
<v Speaker 1>this whole story. Was she saying it lightheartedly? Yes, okay.

0:13:21.749 --> 0:13:24.669
<v Speaker 1>She then joked that by the end of shooting the scene,

0:13:24.669 --> 0:13:26.829
<v Speaker 1>Pharrell was treating her lip like a meal and pulling

0:13:26.869 --> 0:13:28.789
<v Speaker 1>it out and putting ketchup on it like a joke

0:13:28.829 --> 0:13:30.749
<v Speaker 1>about how much he was just eating her bottom lip.

0:13:31.709 --> 0:13:34.069
<v Speaker 1>She says that she woke up the next morning and

0:13:34.109 --> 0:13:36.989
<v Speaker 1>she walks into the living room and her husband at

0:13:36.989 --> 0:13:39.869
<v Speaker 1>the time Scott, who she left and ended up with

0:13:39.909 --> 0:13:44.829
<v Speaker 1>Ben Affleck was sitting there in shock, and she says

0:13:45.189 --> 0:13:48.349
<v Speaker 1>that her lip looked like one of those African women

0:13:48.469 --> 0:13:51.469
<v Speaker 1>with a plate in their mouths. Oh no, okay. This

0:13:51.829 --> 0:13:54.669
<v Speaker 1>was two thousand and three, all right, all right, two

0:13:54.709 --> 0:13:56.909
<v Speaker 1>thousand and three, And what has happened is people have

0:13:57.589 --> 0:14:01.949
<v Speaker 1>taken this interview, resurfaced it, put it everywhere. You wouldn't

0:14:01.949 --> 0:14:04.429
<v Speaker 1>say it now, You wouldn't say it now. I understand

0:14:04.469 --> 0:14:07.669
<v Speaker 1>why it's offensive, because it's saying like, my injury and

0:14:07.749 --> 0:14:11.989
<v Speaker 1>me when I've hurt myself is the same as cultural practice. Yeah, yeah,

0:14:12.029 --> 0:14:14.909
<v Speaker 1>it's quite degrading to the cultural practice. I totally get that.

0:14:15.229 --> 0:14:18.829
<v Speaker 1>But I also see the context and also knowing how

0:14:18.869 --> 0:14:21.549
<v Speaker 1>those interviews are conducted, like that story would have been

0:14:21.589 --> 0:14:23.989
<v Speaker 1>designed by a PR team and she's just kind of

0:14:24.429 --> 0:14:26.829
<v Speaker 1>delivering on it, and it looks a lot worse being

0:14:26.829 --> 0:14:29.149
<v Speaker 1>thrust into our context than it might have. Do you

0:14:29.229 --> 0:14:30.829
<v Speaker 1>know at the time, if it got any backlash?

0:14:31.229 --> 0:14:31.349
<v Speaker 3>No?

0:14:31.749 --> 0:14:34.109
<v Speaker 1>Yeah, no, no, no backlash in two thousand and three.

0:14:34.149 --> 0:14:37.189
<v Speaker 1>And I think that's also because people weren't online, people

0:14:37.229 --> 0:14:40.309
<v Speaker 1>just watching things on a late night show, seeing a comment,

0:14:40.589 --> 0:14:43.789
<v Speaker 1>maybe thinking e and then're moving on. Yeah, so it

0:14:43.949 --> 0:14:49.069
<v Speaker 1>kind of got resurfaced and made into a very intentional

0:14:49.349 --> 0:14:54.829
<v Speaker 1>significant thing and has then been combined with a few

0:14:54.829 --> 0:14:57.829
<v Speaker 1>other things that she said, Okay, moving on to an

0:14:57.869 --> 0:15:02.669
<v Speaker 1>uncomfortable question. The other problematic moment that has been resurfaced

0:15:02.909 --> 0:15:07.109
<v Speaker 1>comes from a twenty seventeen chat show. During an episode

0:15:07.149 --> 0:15:11.389
<v Speaker 1>of comedian Chelsea Handler's Netflix talk show Helsey, there are

0:15:11.429 --> 0:15:13.989
<v Speaker 1>a bunch of celebrities sitting around at a dinner party,

0:15:14.229 --> 0:15:17.909
<v Speaker 1>and Handler says, let's talk about our families first, where

0:15:17.949 --> 0:15:21.629
<v Speaker 1>we came from, where our parents came from. Actor Regina King,

0:15:21.829 --> 0:15:24.429
<v Speaker 1>who is black, tells the group that she's from LA

0:15:24.629 --> 0:15:27.229
<v Speaker 1>and she starts talking about how so many people live there. Oh,

0:15:27.269 --> 0:15:29.509
<v Speaker 1>I think I've seen this, yes, but not that many

0:15:29.509 --> 0:15:31.349
<v Speaker 1>people actually grew up in LA.

0:15:31.869 --> 0:15:34.349
<v Speaker 3>And she's saying, one of the few people that are

0:15:34.349 --> 0:15:36.829
<v Speaker 3>born and bred in LA. So that's I think, a

0:15:36.949 --> 0:15:38.429
<v Speaker 3>very cool thing and I kind of wear it on

0:15:38.429 --> 0:15:41.789
<v Speaker 3>my chest very proudly because so many people say, oh,

0:15:41.989 --> 0:15:43.429
<v Speaker 3>LA is in LA? Is it?

0:15:43.789 --> 0:15:46.669
<v Speaker 1>And she talks about how it's interesting being the only

0:15:46.709 --> 0:15:49.429
<v Speaker 1>person who's able to kind of truly say what is

0:15:49.469 --> 0:15:52.589
<v Speaker 1>and isn't La because she had her childhood. There sitting

0:15:52.589 --> 0:15:55.309
<v Speaker 1>across the table from her, Ghana asks, but do you

0:15:55.349 --> 0:15:57.109
<v Speaker 1>know where your ancestors are from?

0:15:57.189 --> 0:16:00.469
<v Speaker 4>King says, oh, well, yeah, we're part of the triangle

0:16:00.549 --> 0:16:05.749
<v Speaker 4>slavery from sier early on, Liberia and Synegal, but my

0:16:05.789 --> 0:16:08.269
<v Speaker 4>parents are both from the South met each other here.

0:16:08.629 --> 0:16:12.949
<v Speaker 1>People got really angry about this, and it was originally

0:16:12.989 --> 0:16:16.989
<v Speaker 1>tweeted with the caption, oh I see why Ben left

0:16:17.029 --> 0:16:21.949
<v Speaker 1>her ass about Jennifer Ganner. Okay, as though Ben Affleck

0:16:22.029 --> 0:16:26.349
<v Speaker 1>who got married in a plantation, it was just so

0:16:26.509 --> 0:16:30.229
<v Speaker 1>much fun. Was the best? Is the gold standard when

0:16:30.229 --> 0:16:33.189
<v Speaker 1>it comes to conversations about race. Yeah, there's been lots

0:16:33.189 --> 0:16:37.349
<v Speaker 1>of analysis about her facial expression and her ignorance in

0:16:37.429 --> 0:16:42.349
<v Speaker 1>this really really short clip, and I completely appreciate that

0:16:42.389 --> 0:16:45.949
<v Speaker 1>it may have been an insensitive or inappropriate question, but

0:16:46.069 --> 0:16:49.349
<v Speaker 1>we don't have all the context. It's edited when not

0:16:49.429 --> 0:16:52.709
<v Speaker 1>seeing a natural conversation. Something I want to point out

0:16:53.189 --> 0:16:57.589
<v Speaker 1>is that Regina King hasn't said anything. Regina King hasn't

0:16:57.589 --> 0:17:00.549
<v Speaker 1>come out I said. Sometimes you can use these clips, though,

0:17:00.549 --> 0:17:02.389
<v Speaker 1>if you're a person of color, you might be using

0:17:02.429 --> 0:17:08.269
<v Speaker 1>this clip to illustrate how uncomfortable that question is and

0:17:08.309 --> 0:17:11.509
<v Speaker 1>how it is asked more of some people than of others,

0:17:11.709 --> 0:17:14.429
<v Speaker 1>because if Jennifer Garanna, for example, had said I'm from

0:17:14.589 --> 0:17:17.389
<v Speaker 1>New York or I'm from New Jersey or whatever, no

0:17:17.469 --> 0:17:20.349
<v Speaker 1>one at the table would have said, yeah, but where

0:17:20.349 --> 0:17:22.869
<v Speaker 1>are your ancestors from? Why? Because she's white, and because

0:17:23.109 --> 0:17:28.309
<v Speaker 1>you associate whiteness with being American, which is inherently racist. Like,

0:17:28.349 --> 0:17:32.029
<v Speaker 1>I do understand the commentary, and I don't think that

0:17:32.109 --> 0:17:36.349
<v Speaker 1>Jennifer Ganner's subjectivity as a white woman in that context

0:17:36.669 --> 0:17:39.269
<v Speaker 1>makes it look good. I'm sure that she would regret

0:17:39.389 --> 0:17:41.149
<v Speaker 1>the way that came across. I think it's an interesting

0:17:41.189 --> 0:17:45.829
<v Speaker 1>example because it really may have been that it was inappropriate. Ye,

0:17:45.989 --> 0:17:49.469
<v Speaker 1>But the context is interesting because some people pointed out

0:17:49.509 --> 0:17:51.749
<v Speaker 1>that her question made a lot more sense in the

0:17:51.789 --> 0:17:56.229
<v Speaker 1>overall context of the show, which was titled My American Experience,

0:17:56.509 --> 0:18:00.709
<v Speaker 1>where the guests were encouraged to discuss their roots, patriotism, religion,

0:18:00.829 --> 0:18:03.829
<v Speaker 1>and modern America's complexities, and they were asked how their

0:18:03.909 --> 0:18:06.389
<v Speaker 1>parents got to America. So she felt like she had

0:18:06.389 --> 0:18:08.229
<v Speaker 1>a license yeah to ask that.

0:18:08.429 --> 0:18:08.549
<v Speaker 3>Ye.

0:18:08.629 --> 0:18:10.709
<v Speaker 1>Yeah, that's interesting and it was kind of part of

0:18:10.709 --> 0:18:14.509
<v Speaker 1>the broader conversation. Then again, I do think sometimes it's

0:18:14.549 --> 0:18:17.709
<v Speaker 1>okay to use an example of something and analyze it

0:18:17.869 --> 0:18:18.989
<v Speaker 1>to a straighter point.

0:18:19.149 --> 0:18:19.349
<v Speaker 3>Yeah.

0:18:19.429 --> 0:18:20.949
<v Speaker 1>Yeah, And I think that's what a lot of people

0:18:20.949 --> 0:18:23.429
<v Speaker 1>were doing, saying, this is my experience. People ask me

0:18:23.469 --> 0:18:26.269
<v Speaker 1>this question and it's friggin inappropriate, and you wouldn't ask

0:18:26.349 --> 0:18:28.829
<v Speaker 1>it the other way around. So I think that's also fair.

0:18:29.109 --> 0:18:32.349
<v Speaker 1>I also think it's worth acknowledging that the question doesn't

0:18:32.389 --> 0:18:35.829
<v Speaker 1>mean the same thing to everyone. Yeah, so people asking

0:18:35.869 --> 0:18:39.829
<v Speaker 1>me where are your parents from? Where are your ancestors from?

0:18:40.149 --> 0:18:43.309
<v Speaker 1>Doesn't have the kind of emotional salience that may for

0:18:43.349 --> 0:18:56.429
<v Speaker 1>somebody else. Jesse Suddenly thirty like your shoes, Thanks? I

0:18:56.549 --> 0:18:59.349
<v Speaker 1>like your dress because they've got these incredible boobs to

0:18:59.389 --> 0:19:03.149
<v Speaker 1>fill it out. Suddenly thirty, for reasons unknown, is called

0:19:03.189 --> 0:19:07.149
<v Speaker 1>thirteen going on thirty in the US. Actually, it made

0:19:07.189 --> 0:19:10.549
<v Speaker 1>me slightly intrigued, so I googled it. The movie is

0:19:10.629 --> 0:19:14.669
<v Speaker 1>called thirteen going on thirty in almost every place. Why

0:19:14.669 --> 0:19:17.469
<v Speaker 1>did we call it suddenly thirty here? It makes it

0:19:17.509 --> 0:19:21.389
<v Speaker 1>difficult to have conversations with Americans. Yes, it's thirteen going

0:19:21.389 --> 0:19:24.749
<v Speaker 1>on thirty, I'm pretty sure everywhere except Australian Why because

0:19:24.789 --> 0:19:30.949
<v Speaker 1>distributors thought Australians wouldn't understand. Oh no, the concept slash

0:19:31.069 --> 0:19:34.429
<v Speaker 1>phrase of thirteen going on thirty. They thought we wouldn't

0:19:34.469 --> 0:19:34.789
<v Speaker 1>get that.

0:19:34.949 --> 0:19:39.149
<v Speaker 2>Australians have proven we can understand phrases.

0:19:38.909 --> 0:19:42.429
<v Speaker 1>So they were like, suddenly, thirty, I'm modified. Okay, that's

0:19:42.469 --> 0:19:45.389
<v Speaker 1>a phrase though, Yeah, thirteen going on, I mean, and

0:19:45.429 --> 0:19:47.989
<v Speaker 1>this is the thing. It's like, Oh, don't get me wrong.

0:19:48.549 --> 0:19:51.669
<v Speaker 1>I still don't fully understand the premise. Maybe it's an

0:19:51.669 --> 0:19:54.389
<v Speaker 1>Australian thing. Maybe everyone else in the world is like, oh,

0:19:54.429 --> 0:19:58.949
<v Speaker 1>it totally makes sense. I think it's unrealistic. Yeah, yeah, yeah,

0:19:58.989 --> 0:20:01.669
<v Speaker 1>but it's not the title. No, It's like they think

0:20:01.709 --> 0:20:04.789
<v Speaker 1>we don't say going on, But like I listened to

0:20:04.869 --> 0:20:06.749
<v Speaker 1>the Sound of Music soundtrack a lot, and it's like,

0:20:06.869 --> 0:20:11.749
<v Speaker 1>I am sixteen going on seventeen. That's fine, I understand it.

0:20:12.029 --> 0:20:14.869
<v Speaker 1>I can read between the line it means you're sixteen

0:20:14.909 --> 0:20:17.189
<v Speaker 1>and soon you will be seventeen, whereas the title of

0:20:17.189 --> 0:20:19.629
<v Speaker 1>this movie means you're thirteen and oh my gosh, soon

0:20:19.669 --> 0:20:23.909
<v Speaker 1>you'll be thirty because of magic. Yes, now there are

0:20:23.989 --> 0:20:26.389
<v Speaker 1>other movies where this has happened as well. You know

0:20:26.869 --> 0:20:29.949
<v Speaker 1>one of our favorite films, Bad Neighbors. Yes, yes, what

0:20:29.989 --> 0:20:30.469
<v Speaker 1>are you doing.

0:20:30.789 --> 0:20:32.589
<v Speaker 2>We're throwing a Robert de Niro party.

0:20:33.189 --> 0:20:34.829
<v Speaker 1>Should be pretty fucking loud.

0:20:35.189 --> 0:20:37.309
<v Speaker 2>It's probably gonna go pretty fucking late too.

0:20:37.469 --> 0:20:43.989
<v Speaker 1>It was just called neighbors that is in American. In America,

0:20:44.109 --> 0:20:46.429
<v Speaker 1>she is confusing because I'm not going to the movies

0:20:46.469 --> 0:20:49.749
<v Speaker 1>to watch neighbors. Okay, that's on the TV. It's like,

0:20:50.229 --> 0:20:53.029
<v Speaker 1>was it bad neighbors here to avoid confusion with neighbors?

0:20:53.709 --> 0:20:56.869
<v Speaker 1>Or was it bad neighbors here because they're like Australians

0:20:56.869 --> 0:21:00.189
<v Speaker 1>won't understand they're bad. Yeah, yeah, I'll think this is

0:21:00.229 --> 0:21:03.949
<v Speaker 1>just normal neighbors. He They've got to really really make

0:21:04.029 --> 0:21:06.789
<v Speaker 1>things clear for them. These neighbors are bad because they're

0:21:06.789 --> 0:21:09.549
<v Speaker 1>disruptive and they're partying. Or is in Australia that's just

0:21:09.589 --> 0:21:12.789
<v Speaker 1>a neighbor. You don't know me, Yeah, you don't know

0:21:12.869 --> 0:21:15.789
<v Speaker 1>my neighbors. Anyway. It's very very odd and it's quite

0:21:15.789 --> 0:21:19.589
<v Speaker 1>embarrassing that Australia needed a different title. AnyWho, that's not

0:21:19.629 --> 0:21:22.509
<v Speaker 1>why we're here. We're here because Jennifer Gannah stars in it.

0:21:22.509 --> 0:21:25.229
<v Speaker 1>It's arguably her most famous role and there's a lot

0:21:25.229 --> 0:21:26.869
<v Speaker 1>of feelings about I didn't like that scene where she

0:21:26.869 --> 0:21:29.429
<v Speaker 1>did the dance I didn't like it. It made me uncomfortable. Well,

0:21:29.469 --> 0:21:32.349
<v Speaker 1>I'll get to that. Mark Ruffalo's in it. He's hot, man,

0:21:32.389 --> 0:21:35.789
<v Speaker 1>Mark Ruffalo, more like Mark Buffalo. Sometimes you forget that

0:21:35.829 --> 0:21:39.389
<v Speaker 1>Mark Ruffalo's in it and he's very sexy. For those

0:21:39.429 --> 0:21:42.909
<v Speaker 1>who haven't seen it, Suddenly thirty, it's a romantic comedy

0:21:43.149 --> 0:21:45.909
<v Speaker 1>and Mark Ruffalo plays love interest Matty. Wh's the thing

0:21:46.029 --> 0:21:48.709
<v Speaker 1>is everyone's seen it? Find me a person hasn't seen it.

0:21:48.709 --> 0:21:52.029
<v Speaker 1>But sometimes people forget the details, all right. A nerdy

0:21:52.109 --> 0:21:55.149
<v Speaker 1>thirteen year old named Jenna desperately wants to be popular,

0:21:55.709 --> 0:21:57.349
<v Speaker 1>so she gets the popular group to come to her

0:21:57.389 --> 0:22:00.989
<v Speaker 1>thirteenth birthday by doing their homework. Her best friend and

0:22:01.109 --> 0:22:04.429
<v Speaker 1>extraor neighbor, Matty, has made a doll house for her

0:22:04.629 --> 0:22:07.629
<v Speaker 1>with his bare hands, and he sprinkles the roof with

0:22:07.789 --> 0:22:11.829
<v Speaker 1>magic wishing dust. I think you're a little bit old

0:22:11.869 --> 0:22:14.229
<v Speaker 1>for a doll's house at thirteen. I think you are two.

0:22:14.509 --> 0:22:16.669
<v Speaker 1>And I think that for the audience who was watching this,

0:22:17.269 --> 0:22:19.109
<v Speaker 1>Like I was a teenager when I watched it, and

0:22:19.189 --> 0:22:21.309
<v Speaker 1>I was like, look, two years ago I believed in magic.

0:22:21.389 --> 0:22:25.749
<v Speaker 1>Does that as moved on? I've moved on. I was,

0:22:25.829 --> 0:22:28.349
<v Speaker 1>you know, still ten believing that my dolls talked to

0:22:28.349 --> 0:22:30.349
<v Speaker 1>each other when I left the room, Like, absolutely, I'll

0:22:30.389 --> 0:22:34.949
<v Speaker 1>play that game as an adolescent. It's been quite beaten

0:22:34.989 --> 0:22:37.749
<v Speaker 1>out of me. And it's like, at thirteen, clearly this

0:22:37.789 --> 0:22:39.789
<v Speaker 1>girl is feeling some things in her pants because she

0:22:39.789 --> 0:22:41.829
<v Speaker 1>wants to hook up with this hot guy. And then

0:22:41.869 --> 0:22:44.749
<v Speaker 1>you've got this boy next door giving you a doll's house,

0:22:44.869 --> 0:22:46.949
<v Speaker 1>and you're like, well, that's a big social obligation to

0:22:47.349 --> 0:22:50.549
<v Speaker 1>act really amazed by your doll's house when really, I

0:22:50.589 --> 0:22:52.629
<v Speaker 1>think you spent a lot of time on that. I

0:22:52.629 --> 0:22:55.469
<v Speaker 1>actually think that's way too full on. It's way too

0:22:55.469 --> 0:22:57.989
<v Speaker 1>full on. It's I don't care about dolls anymore. You

0:22:57.989 --> 0:23:00.869
<v Speaker 1>don't know me. I didn't want that gift. There's something

0:23:00.949 --> 0:23:03.709
<v Speaker 1>very past aggressive about going over the top with a gift. Yeah.

0:23:03.989 --> 0:23:06.829
<v Speaker 1>The popular girls arrive with a group of boys, including

0:23:06.949 --> 0:23:10.709
<v Speaker 1>Jenna's crush Chris, and trick Jenna into believe he's going

0:23:10.749 --> 0:23:13.989
<v Speaker 1>to kiss her in a closet while they leave with

0:23:14.069 --> 0:23:15.989
<v Speaker 1>the completely home work.

0:23:16.509 --> 0:23:17.029
<v Speaker 4>That's right.

0:23:17.749 --> 0:23:22.109
<v Speaker 1>When she discovers what's happened, she gets upset and she says.

0:23:22.029 --> 0:23:25.749
<v Speaker 4>I want to be thirty, thirty and flirty and thriving.

0:23:26.389 --> 0:23:29.269
<v Speaker 1>Would you ever have used those words when you're thirteen?

0:23:29.389 --> 0:23:33.229
<v Speaker 1>I just want to be thirty, flirty and thriving. I've

0:23:33.269 --> 0:23:38.709
<v Speaker 1>been used in many an Instagram all thirtieth birthdays. I

0:23:38.749 --> 0:23:42.829
<v Speaker 1>think at thirteen, I thought thirty was geriatric. Oh yes,

0:23:42.949 --> 0:23:46.429
<v Speaker 1>thirty wasn't fun. Thirty no, no, no no. I won't have

0:23:46.469 --> 0:23:49.269
<v Speaker 1>two working knays. I want how to hit replacement. I'll

0:23:49.309 --> 0:23:53.389
<v Speaker 1>be boring, ugly, but I will have carcies and unlimited

0:23:53.389 --> 0:23:58.709
<v Speaker 1>access to McDonald's, which are true. I get McDonald's today.

0:23:58.709 --> 0:24:03.429
<v Speaker 1>I want to see personally. I never forget. I never

0:24:03.709 --> 0:24:05.469
<v Speaker 1>Sometimes I forget, and then I think you're an adult.

0:24:05.469 --> 0:24:06.989
<v Speaker 1>You can get McDonald's a few times a day. I

0:24:06.989 --> 0:24:08.869
<v Speaker 1>think I can go buy a packet of Lolly's, and

0:24:08.909 --> 0:24:11.309
<v Speaker 1>I do, and I et them, and I think too many.

0:24:11.589 --> 0:24:13.869
<v Speaker 1>That's why I feel sick. That's me, my mum. Yeah.

0:24:14.629 --> 0:24:18.509
<v Speaker 1>Now the magic wishing dust falls on her. The following morning,

0:24:18.549 --> 0:24:21.709
<v Speaker 1>she wakes up in an amazing New York apartment, and

0:24:21.789 --> 0:24:25.509
<v Speaker 1>she's thirty, thirty and thriving. She's dating a man she

0:24:25.549 --> 0:24:29.029
<v Speaker 1>doesn't recognize and has no memory of the last seventeen years.

0:24:29.349 --> 0:24:31.709
<v Speaker 1>It turns out she's now best friends with the popular

0:24:31.749 --> 0:24:34.149
<v Speaker 1>girl who is mean to her on her thirteenth birthday,

0:24:34.269 --> 0:24:38.269
<v Speaker 1>and they're both editors at Poise magazine. Oh, Jesse, here

0:24:38.309 --> 0:24:41.949
<v Speaker 1>are some of the ways people find suddenly thirty problematic.

0:24:42.029 --> 0:24:44.189
<v Speaker 1>Now I want to laugh about this, but I also

0:24:44.189 --> 0:24:47.149
<v Speaker 1>want to point out I have massively contributed to this

0:24:47.229 --> 0:24:52.189
<v Speaker 1>culture of over things and tearing them apart. It's fun,

0:24:52.389 --> 0:24:55.509
<v Speaker 1>it's fun, but it is also silly. This is what

0:24:55.549 --> 0:24:59.589
<v Speaker 1>the internet has said. Why didn't anyone express serious concern

0:24:59.709 --> 0:25:02.629
<v Speaker 1>when Jenna just woke up one day and didn't remember

0:25:02.709 --> 0:25:05.789
<v Speaker 1>anything from the age of thirteen. Should she have gone

0:25:05.829 --> 0:25:08.069
<v Speaker 1>to hospital? I would have taken you to hospital if

0:25:08.149 --> 0:25:11.309
<v Speaker 1>I acted like a thirteen year old didn't recognize we've

0:25:11.349 --> 0:25:15.789
<v Speaker 1>both had concussions relatively recently recently, and if those symptoms

0:25:15.869 --> 0:25:18.829
<v Speaker 1>had started bubbling to the surface, I'd say, yeah, it's

0:25:18.829 --> 0:25:21.229
<v Speaker 1>time for brain scam. Yeah, she wakes up the morning

0:25:21.669 --> 0:25:31.069
<v Speaker 1>and she screams, she shrieks at her partner. She generally

0:25:31.429 --> 0:25:33.749
<v Speaker 1>like a bit of an idiot, So her friends are like, oh,

0:25:33.789 --> 0:25:37.029
<v Speaker 1>this is just general normal, normal jenner bag. Yeah, she

0:25:37.229 --> 0:25:40.069
<v Speaker 1>hangs out with other thirteen year olds because she's a

0:25:40.109 --> 0:25:43.069
<v Speaker 1>thirteen year old in her soul, But do you think

0:25:43.189 --> 0:25:46.389
<v Speaker 1>grown ups would have thought that was weird? Imagine So

0:25:46.429 --> 0:25:47.949
<v Speaker 1>I turn up to work today and I'm like, hey,

0:25:48.109 --> 0:25:52.349
<v Speaker 1>I don't remember anything post thirteen. Yeah. Also, here's my friend,

0:25:52.789 --> 0:25:55.229
<v Speaker 1>she's thirteen. Yeah, I want to play in a doll's house.

0:25:55.349 --> 0:25:58.349
<v Speaker 1>We're having a sleepover. Yeah. I don't want you sleeping

0:25:58.389 --> 0:26:01.429
<v Speaker 1>in the Yeah, my daughters. Yeah. Yeah. So she has

0:26:01.469 --> 0:26:03.629
<v Speaker 1>a sleepover with a thirteen year old who lives in

0:26:03.669 --> 0:26:06.349
<v Speaker 1>her building, and all her friends and people have said,

0:26:07.069 --> 0:26:11.269
<v Speaker 1>should we be normalized? Thirty year old having a sleep

0:26:11.269 --> 0:26:12.989
<v Speaker 1>over with thirteen year olds? And to that I say,

0:26:13.029 --> 0:26:15.189
<v Speaker 1>I don't know if we are normalized. If it's just

0:26:15.229 --> 0:26:18.989
<v Speaker 1>a mover, This is the point before I go any

0:26:19.029 --> 0:26:21.869
<v Speaker 1>further that I will point out it is simply just

0:26:21.949 --> 0:26:25.229
<v Speaker 1>a movement, and it is made up for purposes of

0:26:25.389 --> 0:26:29.309
<v Speaker 1>fun and for laughing, because the other criticism is that

0:26:29.549 --> 0:26:34.429
<v Speaker 1>it's creepy that Mark Ruffalo's character kisses her when he

0:26:34.709 --> 0:26:39.789
<v Speaker 1>knows she's really thirteen in her mind, Hey you get

0:26:39.869 --> 0:26:40.229
<v Speaker 1>home here.

0:26:42.869 --> 0:26:43.629
<v Speaker 2>It's never quick.

0:26:43.629 --> 0:26:44.709
<v Speaker 3>Got that reaction.

0:26:44.589 --> 0:26:49.229
<v Speaker 1>Before, ah, And it's like, hm, yes, predatory, But should

0:26:49.229 --> 0:26:51.229
<v Speaker 1>we get hung up on it being creepy in that

0:26:51.309 --> 0:26:54.989
<v Speaker 1>it's a scenario that doesn't really have any parallel to

0:26:55.109 --> 0:27:00.189
<v Speaker 1>real life in that it involves magic. What do you think?

0:27:00.269 --> 0:27:02.509
<v Speaker 1>Do you think it's creepy? I hear what they're saying,

0:27:02.549 --> 0:27:05.749
<v Speaker 1>because you know, we are familiar with courtrooms. And if

0:27:05.789 --> 0:27:09.989
<v Speaker 1>there's a situation where someone says I'm a subject to magic, dust,

0:27:11.109 --> 0:27:13.549
<v Speaker 1>I went from thirteen to thirty, but I wasn't mentally thirty.

0:27:13.589 --> 0:27:17.509
<v Speaker 1>I was mentally thirteen because of aforementioned mathematic Dust. Then

0:27:17.549 --> 0:27:19.029
<v Speaker 1>I think you've got to know how to prosecute it.

0:27:19.029 --> 0:27:21.869
<v Speaker 1>So we need to have these ethical conversations because where

0:27:21.909 --> 0:27:24.029
<v Speaker 1>do we land in her body? Yes, she is thirty,

0:27:24.509 --> 0:27:26.469
<v Speaker 1>but in her mind. I think it's a fun chat.

0:27:26.589 --> 0:27:30.149
<v Speaker 1>It's an ethical conundrum Jesse. As you touched on before,

0:27:30.629 --> 0:27:35.389
<v Speaker 1>when you think about the dancers that everyone knows just Thriller,

0:27:37.549 --> 0:27:41.669
<v Speaker 1>Just Thriller, come to mine? Yeah, you know every move

0:27:41.709 --> 0:27:45.829
<v Speaker 1>to Thriller. Oh okay, if I was to I'm going

0:27:45.869 --> 0:27:47.869
<v Speaker 1>to do at the Nutbush, you'll probably be mine. But

0:27:47.909 --> 0:27:50.109
<v Speaker 1>I think the Nutbush is only an Australian thing. But

0:27:50.389 --> 0:27:52.949
<v Speaker 1>they should have adjusted it for Australian audiences and just

0:27:52.989 --> 0:28:01.469
<v Speaker 1>done the nut hood, nutfoot, all thea. That's it, Jesse.

0:28:01.869 --> 0:28:04.269
<v Speaker 1>This is a work party where she's like, h We're

0:28:04.269 --> 0:28:06.109
<v Speaker 1>gonna dance. It's really I don't know. No, I'm gonna

0:28:06.149 --> 0:28:10.069
<v Speaker 1>argue with you on this, idiot, you idiot. The whole

0:28:10.269 --> 0:28:12.749
<v Speaker 1>thing is that it was their childhood, you know how

0:28:12.789 --> 0:28:16.749
<v Speaker 1>every Yeah, but I know people of that generation and Thriller,

0:28:17.229 --> 0:28:20.149
<v Speaker 1>they still don't know what Soldier Boy.

0:28:21.149 --> 0:28:25.669
<v Speaker 2>Soldier Boy.

0:28:26.269 --> 0:28:31.349
<v Speaker 1>Okay, we need to redo it from memory? How we

0:28:31.429 --> 0:28:34.789
<v Speaker 1>need to make that song Soldier Boy. Speaking of problematic,

0:28:34.869 --> 0:28:38.869
<v Speaker 1>there was something about white women doing Soldier Boy on

0:28:38.909 --> 0:28:42.509
<v Speaker 1>stage at that high school. The probably felt we felt

0:28:42.549 --> 0:28:49.749
<v Speaker 1>that felt weird. Then I think, I think, is it

0:28:49.829 --> 0:28:53.749
<v Speaker 1>that not everybody knew Thriller? Or is it that I'm

0:28:53.869 --> 0:28:56.669
<v Speaker 1>just not that connected with the culture, because, for example,

0:28:57.349 --> 0:29:00.349
<v Speaker 1>everyone in our generation could do Soldier Boy. I can't

0:29:00.389 --> 0:29:03.749
<v Speaker 1>do Soldier Boy. I know the basic moves because my

0:29:03.789 --> 0:29:06.669
<v Speaker 1>body is going in the opposite direction plans. That's what

0:29:06.669 --> 0:29:10.589
<v Speaker 1>I'll say about. Okay, I'm doing a bit now, Okay, yes,

0:29:11.069 --> 0:29:12.989
<v Speaker 1>if there was a remake, you just do sold boys.

0:29:13.029 --> 0:29:16.309
<v Speaker 1>I have a question anybody who is the exact same

0:29:16.349 --> 0:29:19.909
<v Speaker 1>age as Jenna in that Filema, which is very close

0:29:19.949 --> 0:29:24.669
<v Speaker 1>to Jennifer Garner's age, which is about fifty. Yep, do

0:29:24.709 --> 0:29:27.389
<v Speaker 1>you know all the moves to thriller? Not just the

0:29:27.429 --> 0:29:31.189
<v Speaker 1>general vibe? Do you know it in that you could

0:29:31.269 --> 0:29:35.709
<v Speaker 1>perform it's semi professionally. Here's the other thing, though, that

0:29:35.909 --> 0:29:39.949
<v Speaker 1>person that you're asking has years in years of memories

0:29:39.949 --> 0:29:43.189
<v Speaker 1>in the way of the thriller. No, no, I know that,

0:29:43.269 --> 0:29:46.989
<v Speaker 1>But so do the people in the movie, because everyone

0:29:47.069 --> 0:29:50.909
<v Speaker 1>in the room can do I'm not questioning that, Jenna, No,

0:29:50.989 --> 0:29:55.669
<v Speaker 1>they're not. They all know it, and they're doing a thing. Okay.

0:29:55.749 --> 0:29:57.989
<v Speaker 1>I think what we should do is find a fifty

0:29:58.029 --> 0:30:00.509
<v Speaker 1>year year old like go and speak to our boss

0:30:00.549 --> 0:30:02.589
<v Speaker 1>mayor Yeah, Holly, and say can you do the thriller

0:30:02.829 --> 0:30:08.069
<v Speaker 1>the whole thing, the whole thing immediately? Yeah? Good point. Investigation. Now,

0:30:08.269 --> 0:30:10.269
<v Speaker 1>at the end of the movie, she comes up up

0:30:10.309 --> 0:30:14.069
<v Speaker 1>with an innovative idea to save the magazine. This innovative

0:30:14.109 --> 0:30:17.989
<v Speaker 1>idea is as follows. She stages a high school yearbook

0:30:17.989 --> 0:30:21.749
<v Speaker 1>photo with non famous people like my best friend's sister

0:30:22.269 --> 0:30:26.509
<v Speaker 1>and your next door neighbor. And it's like, why would

0:30:26.509 --> 0:30:28.749
<v Speaker 1>I buy a magazine with no one I know want to?

0:30:28.749 --> 0:30:31.309
<v Speaker 1>Who'll look at strangers pretending to be in high school

0:30:31.349 --> 0:30:33.829
<v Speaker 1>that are ordinary that's not a thing. It's not a

0:30:33.869 --> 0:30:37.549
<v Speaker 1>good pitch, which brings us to the worst pitch that

0:30:37.589 --> 0:30:41.829
<v Speaker 1>you and I often talk about. So with work often

0:30:42.029 --> 0:30:44.429
<v Speaker 1>like you need to come up with ideas for brands,

0:30:45.349 --> 0:30:49.549
<v Speaker 1>and we have a visceral distaste for one idea. You

0:30:49.589 --> 0:30:51.749
<v Speaker 1>see it everywhere. Every brand comes up with it. Every

0:30:51.749 --> 0:30:54.629
<v Speaker 1>brand comes up with it. They think it's original, they

0:30:54.629 --> 0:30:58.309
<v Speaker 1>think it's powerful, and even though it's worthy, no one cares.

0:30:58.429 --> 0:31:00.989
<v Speaker 1>No one. I'm so sorry, no one cares. What is it?

0:31:01.109 --> 0:31:06.309
<v Speaker 1>Every day here? Everyday heroes? Local heroes?

0:31:07.069 --> 0:31:07.469
<v Speaker 3>Heroes?

0:31:07.629 --> 0:31:10.989
<v Speaker 1>You know what local heroes make the world? What it

0:31:11.069 --> 0:31:15.989
<v Speaker 1>is so important to a community? Will they get people

0:31:16.069 --> 0:31:20.469
<v Speaker 1>to click? Unfortunately, if I said to you, I want

0:31:20.469 --> 0:31:22.869
<v Speaker 1>to tell you about a local hero, you tune out.

0:31:23.549 --> 0:31:27.869
<v Speaker 1>Sou sounds great, tell Danny, I say, well done, Yeah,

0:31:27.989 --> 0:31:31.109
<v Speaker 1>but it's just not. If the world cared more about

0:31:31.109 --> 0:31:33.069
<v Speaker 1>local heroes, I have no doubt we'd live in a

0:31:33.109 --> 0:31:35.029
<v Speaker 1>better place, Like the world would be a better place.

0:31:35.069 --> 0:31:36.909
<v Speaker 1>They just don't. The thing I'd like to point out

0:31:36.909 --> 0:31:39.589
<v Speaker 1>we have actually been in a situation writing a TV

0:31:39.709 --> 0:31:42.189
<v Speaker 1>show where part of the plot is she has a

0:31:42.189 --> 0:31:46.469
<v Speaker 1>big idea. I've never found anything harder because it's got

0:31:46.509 --> 0:31:47.989
<v Speaker 1>to be it's got to be a good idea. It's

0:31:47.989 --> 0:31:49.789
<v Speaker 1>got to make sense to everyone, and it's going to

0:31:49.869 --> 0:31:52.989
<v Speaker 1>work within the world. Yeah, and it's really hard and

0:31:53.069 --> 0:31:55.149
<v Speaker 1>you think, well, can it just be a shit idea

0:31:55.189 --> 0:31:56.549
<v Speaker 1>that we put nice music under?

0:31:56.669 --> 0:31:56.749
<v Speaker 4>No?

0:31:58.109 --> 0:32:01.549
<v Speaker 1>Can, no, No, It's got to be quite a good idea.

0:32:01.549 --> 0:32:03.589
<v Speaker 1>And it's like, well, if I had a million dollar idea,

0:32:03.869 --> 0:32:06.829
<v Speaker 1>would be giving it to you, would I'd be selling

0:32:06.869 --> 0:32:10.389
<v Speaker 1>it for one million dollars. But in this film, they

0:32:10.509 --> 0:32:12.309
<v Speaker 1>failed to come up with a good idea. They came

0:32:12.389 --> 0:32:15.749
<v Speaker 1>up with a bad idea. Beautiful music, beautiful facial reactor.

0:32:15.789 --> 0:32:17.229
<v Speaker 1>We're not convinced. Who are these women?

0:32:18.709 --> 0:32:24.349
<v Speaker 4>I want to see my best friend's big sister and.

0:32:25.869 --> 0:32:28.789
<v Speaker 1>The girls from the soccer team. Now. This is taken

0:32:28.829 --> 0:32:32.149
<v Speaker 1>from an article online that sums up the absurdity of

0:32:32.229 --> 0:32:34.949
<v Speaker 1>looking at a fictional movie and getting mad about the

0:32:34.949 --> 0:32:38.389
<v Speaker 1>ply Okay, okay. This says. At one point, Jennifer Ghana

0:32:38.549 --> 0:32:40.869
<v Speaker 1>is told that a man at a restaurant is checking

0:32:40.869 --> 0:32:43.469
<v Speaker 1>her out. Rather than going over to flirt with him,

0:32:43.869 --> 0:32:47.189
<v Speaker 1>she asks out a thirteen year old boy at the table,

0:32:47.349 --> 0:32:48.069
<v Speaker 1>I actually.

0:32:47.869 --> 0:32:51.029
<v Speaker 4>Came over here because I think you're really cute.

0:32:51.389 --> 0:32:55.389
<v Speaker 1>So do you want to go out sometimes? Yeah? Now

0:32:55.669 --> 0:32:57.709
<v Speaker 1>do you want to go to jail? It is clearly

0:32:57.709 --> 0:33:01.349
<v Speaker 1>supposed to be a joke but also extremely disturbing. But

0:33:01.469 --> 0:33:03.829
<v Speaker 1>then it also would have been very disturbing if this

0:33:03.989 --> 0:33:06.429
<v Speaker 1>child mind in an adult body had hooked up with

0:33:06.469 --> 0:33:08.789
<v Speaker 1>an adult man. I guess they're supposed to be a

0:33:08.789 --> 0:33:12.029
<v Speaker 1>loophole because these children have adult bodies. But if you

0:33:12.069 --> 0:33:14.509
<v Speaker 1>meet someone who keeps insisting they are a child and

0:33:14.549 --> 0:33:18.629
<v Speaker 1>an adult body, maybe do not unhesitatingly have sex with them.

0:33:18.629 --> 0:33:22.349
<v Speaker 1>You need to touch grass. You need to go touch grass.

0:33:22.349 --> 0:33:26.429
<v Speaker 1>Take a deep breath and look at the sun again. Again,

0:33:26.549 --> 0:33:29.709
<v Speaker 1>there is magic involved. Again, it is just a story.

0:33:30.229 --> 0:33:33.429
<v Speaker 1>It is okay, It is just fine. But I think

0:33:33.509 --> 0:33:36.789
<v Speaker 1>that scene where she's in a restaurant and they say

0:33:36.989 --> 0:33:38.589
<v Speaker 1>someone's checking you out and she goes up to the

0:33:38.589 --> 0:33:41.789
<v Speaker 1>thirteen year old boy and flirts, that's hilarious. And I

0:33:41.789 --> 0:33:44.789
<v Speaker 1>think it's actually clever because it's a gender reverseal, because

0:33:44.829 --> 0:33:47.349
<v Speaker 1>it's a woman going up to a thirteen year old

0:33:47.349 --> 0:33:48.669
<v Speaker 1>born And you know why it's funny because that would

0:33:48.709 --> 0:33:52.509
<v Speaker 1>never happen. That's why it's funny. Yeah, exactly, Okay, hold

0:33:52.549 --> 0:33:56.589
<v Speaker 1>on it has happened in very rare cases. Yes, very rare.

0:33:56.629 --> 0:33:58.989
<v Speaker 1>But I just think that we should be able to

0:33:59.029 --> 0:34:01.669
<v Speaker 1>look at that and think it's funny because it is fiction,

0:34:01.869 --> 0:34:07.389
<v Speaker 1>because of magic, very dust. Some other headlines, why thirteen

0:34:07.509 --> 0:34:12.229
<v Speaker 1>going on thirty is actually anti feminist? Thirteen going on

0:34:12.269 --> 0:34:15.029
<v Speaker 1>thirty maybe a rom com classic, but is it the

0:34:15.029 --> 0:34:20.549
<v Speaker 1>most feminist? I didn't want to be them. No it's not.

0:34:20.789 --> 0:34:32.469
<v Speaker 1>And you know what, that's okay, it's absolutely just why

0:34:33.389 --> 0:34:37.629
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<v Speaker 1>it's time for charges and sentences, okay, Jesse, my charch

0:36:20.629 --> 0:36:24.789
<v Speaker 1>I have a couple. Firstly, comments aging badly and actually,

0:36:24.829 --> 0:36:27.349
<v Speaker 1>when I say aging badly, the one on the Chelsea

0:36:27.429 --> 0:36:30.429
<v Speaker 1>Handler Show was not that long ago, so maybe just

0:36:30.749 --> 0:36:35.309
<v Speaker 1>some bad comment. Yeah, they just weren't good. No. My

0:36:35.469 --> 0:36:38.509
<v Speaker 1>sentence for that is I think she needs to redo

0:36:39.469 --> 0:36:42.749
<v Speaker 1>that Conan interview. Yeah. You know when you've had a

0:36:42.749 --> 0:36:45.749
<v Speaker 1>shit day at work and you're like, I didn't nail it,

0:36:46.749 --> 0:36:49.229
<v Speaker 1>didn't nail it that day. No, I was having a

0:36:49.269 --> 0:36:52.069
<v Speaker 1>bad day. Yeah, I said things that I now regret.

0:36:52.709 --> 0:36:57.749
<v Speaker 1>Doesn't Conan do some kind of riding a car? Yeah?

0:36:57.869 --> 0:37:00.669
<v Speaker 1>Or is that Jerry? Jerry gets a coffee in a

0:37:00.709 --> 0:37:05.389
<v Speaker 1>car with the Candian Yeah, and Letterman sits on Netflix

0:37:05.389 --> 0:37:08.629
<v Speaker 1>with them, So I feel like Conan would maybe go

0:37:08.669 --> 0:37:12.149
<v Speaker 1>for a walk, play around a golf Yeah. Yeah. I

0:37:12.189 --> 0:37:15.109
<v Speaker 1>think she needs to redo that interview with Conan, and

0:37:15.149 --> 0:37:18.469
<v Speaker 1>she needs to say, hey, Conan, I'm sorry for correcting

0:37:18.509 --> 0:37:21.509
<v Speaker 1>you and using your education against you. Yeah, because the

0:37:21.549 --> 0:37:23.989
<v Speaker 1>correct word is snuck. And then maybe they can have

0:37:24.029 --> 0:37:27.949
<v Speaker 1>a whole conversation about correct past dance verbs, yeah, because

0:37:27.949 --> 0:37:29.629
<v Speaker 1>that's important for people to know so they don't have

0:37:29.749 --> 0:37:34.069
<v Speaker 1>arguments in their own lives. And then she needs to

0:37:34.429 --> 0:37:38.469
<v Speaker 1>clear up just a few of those comments and probably

0:37:38.509 --> 0:37:41.309
<v Speaker 1>admit that she's got some blind spots when it comes

0:37:41.349 --> 0:37:44.709
<v Speaker 1>to me talking about race. Yeah, maybe that would be handy.

0:37:45.509 --> 0:37:50.069
<v Speaker 1>Now she's also upset people with fiction. Yeah, yeah, with

0:37:50.229 --> 0:37:53.309
<v Speaker 1>Suddenly thirty. And so I did think. I was like, well,

0:37:53.349 --> 0:37:55.709
<v Speaker 1>do we need to redo it and explore it more

0:37:55.749 --> 0:37:59.309
<v Speaker 1>in a serious way? And then I thought it's been done.

0:37:59.469 --> 0:38:02.829
<v Speaker 1>For anyone who has seen the movie Poor Things, it

0:38:02.909 --> 0:38:08.629
<v Speaker 1>is very much yeah thirteen going on thirty, fatus going

0:38:08.669 --> 0:38:13.869
<v Speaker 1>on thirty. Yes, yeah, right, but taken more seriously. And

0:38:13.949 --> 0:38:17.629
<v Speaker 1>Mark Ruffalo is and Mark Ruffalo plays a slightly different character,

0:38:18.349 --> 0:38:22.069
<v Speaker 1>but he's there. He's there, and it is about special

0:38:22.109 --> 0:38:24.909
<v Speaker 1>interest in women that appear thirty that are in fact

0:38:25.109 --> 0:38:25.829
<v Speaker 1>younger mentally.

0:38:25.989 --> 0:38:26.509
<v Speaker 2>Mm hmmm.

0:38:26.789 --> 0:38:29.669
<v Speaker 1>Actually, if you're upset about Suddenly thirty, you'll probably also

0:38:29.749 --> 0:38:32.789
<v Speaker 1>be infuriated by Poor Things. Yeah. Yeah, So I suggest

0:38:32.829 --> 0:38:37.029
<v Speaker 1>you watch it. Good idea, just to get kind of annoyed.

0:38:37.109 --> 0:38:40.989
<v Speaker 1>All right, Well, my charge is to do with Suddenly thirty.

0:38:41.349 --> 0:38:46.309
<v Speaker 1>It's broadly an issue with Magic, the movie What Women Want?

0:38:47.189 --> 0:38:50.549
<v Speaker 1>Do you remember that with Mel Gibson, the movie Freaky Friday.

0:38:51.589 --> 0:38:53.709
<v Speaker 1>My issue, when I really interrogate it and I sit

0:38:53.789 --> 0:38:57.749
<v Speaker 1>with myself, is that with films that involve magic, where

0:38:57.749 --> 0:39:00.309
<v Speaker 1>does the magic begin and end? Because every scene I'm going,

0:39:00.309 --> 0:39:03.669
<v Speaker 1>well is this magic? Yeah? Okay, this magic? Do I believe?

0:39:03.709 --> 0:39:03.869
<v Speaker 3>Oh?

0:39:03.949 --> 0:39:07.309
<v Speaker 1>So this is real? But I meant to just accept

0:39:07.349 --> 0:39:09.669
<v Speaker 1>the magic that God is here. There's also a lot

0:39:09.669 --> 0:39:14.629
<v Speaker 1>of lodge problems with magic. So in What Women Want,

0:39:15.229 --> 0:39:19.269
<v Speaker 1>he can read women's minds. But what I always thought

0:39:19.269 --> 0:39:22.589
<v Speaker 1>watching that movie, I'm like, hmm, minds aren't just a

0:39:22.709 --> 0:39:27.229
<v Speaker 1>clear voice of chatter of chatter? Yeah? What about when

0:39:27.229 --> 0:39:29.789
<v Speaker 1>you're thinking in images? Can he see them? Yeah? It's

0:39:29.829 --> 0:39:31.589
<v Speaker 1>a great can you only hear your thoughts?

0:39:31.949 --> 0:39:32.389
<v Speaker 3>Yeah?

0:39:32.389 --> 0:39:36.869
<v Speaker 1>And great premise. I suppose you just you tie yourself in?

0:39:36.949 --> 0:39:40.709
<v Speaker 1>Not you tie yourself? Do you do? And I suppose

0:39:40.709 --> 0:39:42.669
<v Speaker 1>that my sentence, I know what you're saying about poor things,

0:39:43.029 --> 0:39:45.989
<v Speaker 1>but there is a very real fallout to lose seventeen

0:39:46.069 --> 0:39:50.109
<v Speaker 1>years of memory, absolute tragedy. You don't know who? Do

0:39:50.149 --> 0:39:54.709
<v Speaker 1>you love your husband? I also wonder those movies involving

0:39:54.749 --> 0:39:59.109
<v Speaker 1>magic are they dangerous? Because what women want it starts

0:39:59.229 --> 0:40:03.589
<v Speaker 1>with a hair dryer and he electrocutes and people what

0:40:03.749 --> 0:40:05.629
<v Speaker 1>they think that if they electrocute themselves in the bath,

0:40:05.669 --> 0:40:07.469
<v Speaker 1>they're just gonna be able to read minds.

0:40:07.269 --> 0:40:09.309
<v Speaker 2>Please don't electrocute yourself.

0:40:09.429 --> 0:40:12.029
<v Speaker 1>And then I think it's like, if you're reading minds,

0:40:12.189 --> 0:40:14.869
<v Speaker 1>then the correct thing to do is maybe you'll like

0:40:14.909 --> 0:40:16.989
<v Speaker 1>tricking yourself again. It's always you got to do the

0:40:17.029 --> 0:40:20.909
<v Speaker 1>magic again at the end to get back away. Imagine

0:40:20.989 --> 0:40:25.749
<v Speaker 1>being stuck in an unending magic loop. See that's stressful.

0:40:26.829 --> 0:40:28.869
<v Speaker 1>How does she get out of it in suddenly thirty?

0:40:28.949 --> 0:40:31.389
<v Speaker 1>Oh my gosh. Okay, So at the end, it's Maddie's

0:40:31.429 --> 0:40:34.269
<v Speaker 1>wedding day and she goes and then he gives her

0:40:34.549 --> 0:40:38.469
<v Speaker 1>the house thing again. More magic dust wakes up in

0:40:38.549 --> 0:40:42.229
<v Speaker 1>the closet back at thirteen, and she kisses Maddie got

0:40:42.629 --> 0:40:51.189
<v Speaker 1>magic again. You're smiling with such joy. I like ours.

0:40:51.389 --> 0:40:54.589
<v Speaker 1>I like it. Yeah, I like it because then she

0:40:54.669 --> 0:40:57.109
<v Speaker 1>ends up with mikcrafflo oh, and then it flashes to

0:40:57.229 --> 0:40:59.789
<v Speaker 1>the future. Yeah, and she ends up with mirk Raffalo,

0:41:00.109 --> 0:41:03.029
<v Speaker 1>and she changes her future ends up in a house

0:41:03.349 --> 0:41:07.109
<v Speaker 1>that looks like the house he made her. Wow. Yeah,

0:41:07.389 --> 0:41:14.989
<v Speaker 1>beautiful Phila. Yeah, long life, isn't it? Calling back and forward,

0:41:15.109 --> 0:41:19.349
<v Speaker 1>back and forward. We just do this chronologically, very confused.

0:41:19.909 --> 0:41:22.949
<v Speaker 1>That's all we've got time for. On canceled this week.

0:41:23.069 --> 0:41:26.069
<v Speaker 1>The executive producer of canceled is to Lisciitis as with

0:41:26.149 --> 0:41:36.949
<v Speaker 1>audio editing by Tom Lyon. We will be back next week. Bye.