WEBVTT - Leg Hair Harassment & The Age We’d Be Again

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<v Speaker 1>Hello, and welcome to bathera mea out loud.

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<v Speaker 2>It's what women are actually talking about on Friday, the

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<v Speaker 2>thirty first of July.

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<v Speaker 1>My name's Holly Wayine Wright.

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<v Speaker 3>I'm me a Friedman and I'm.

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<v Speaker 1>M Vernham and here's what made our gender.

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<v Speaker 4>For today's show, Dolly Alderton has shared her single women

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<v Speaker 4>manifesto for anyone who is struggling with dating right now,

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<v Speaker 4>which I think is every single person.

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<v Speaker 1>Well, I'm not really you're not a single person.

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<v Speaker 3>Oh yeah, I'm not a single Oh every single person.

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<v Speaker 1>I'm a single He's.

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<v Speaker 2>An English fun The biggest best selling books tend to

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<v Speaker 2>have one thing in common, and it's not great news

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<v Speaker 2>for women.

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<v Speaker 3>Or is it. And it's Friday, so we've got the

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<v Speaker 3>things that we've actually been buying and wearing and slapping

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<v Speaker 3>on our faces. Yay, it's recos.

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<v Speaker 2>But first Emily Vernon, Oh my god, are actually Oh?

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<v Speaker 1>But first me a Friedman?

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<v Speaker 3>No Christ on a bike. This is what happens when

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<v Speaker 3>I don't have a fidget toy. Things just turn to

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<v Speaker 3>ship and.

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<v Speaker 1>You've got a seating chart update for me.

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<v Speaker 5>I'm so.

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<v Speaker 1>Friday. It's Friday.

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<v Speaker 3>I cannot work with amateurs.

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<v Speaker 1>I'm thinking about as much. I'm so sorry.

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<v Speaker 4>We do have a seating update, so if you if

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<v Speaker 4>you don't know, you should have because last week we

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<v Speaker 4>talked about where we sit on the podcast and Holly

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<v Speaker 4>said quite aggressively that she'd love to sit in the

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<v Speaker 4>middle seat. There's a power seat, the seed that I'm

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<v Speaker 4>sitting in currently, that me and you were sitting in

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<v Speaker 4>last week.

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<v Speaker 3>I was, but then I remember that I prefer my

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<v Speaker 3>profile to my front on, so it's not the power

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<v Speaker 3>seat for me.

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<v Speaker 4>You wanted to give it to me, So we did

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<v Speaker 4>a poll out louders on our Instagram. Also, if you

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<v Speaker 4>don't follow us on Instagram, please follow us because we

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<v Speaker 4>do a lot of socials on that behind the scenes,

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<v Speaker 4>lot of behind the scenes, and we asked you to

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<v Speaker 4>vote on who you think should get the middle seat.

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<v Speaker 4>Eighty seven percent of people vot and thinks you should

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<v Speaker 4>be here.

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<v Speaker 3>That's not fair.

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<v Speaker 1>I'm here, and yet here I am.

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<v Speaker 3>Well, that's like us bringing a knife to a gunfight

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<v Speaker 3>because Holly is always the favorite. Like whatever time, anyway,

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<v Speaker 3>wait taken, keep voting, keep voting.

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<v Speaker 1>Maybe one day we'll get that.

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<v Speaker 3>Anyway, In case you missed it, I have news about

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<v Speaker 3>leg hair. Tokyo is having a very brutal summer. I

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<v Speaker 3>was there probably about a month or six weeks ago,

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<v Speaker 3>and I crammed my trip in quickly because I knew

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<v Speaker 3>it was going to be super hot at this time

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<v Speaker 3>of year. And so it is forty degrees over forty

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<v Speaker 3>degrees most days, and the governor has told public servants

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<v Speaker 3>that they can ditch the suit and wear shorts to work. Oh, however,

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<v Speaker 3>it's not that nice. Thirty percent of Japanese women say

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<v Speaker 3>they I don't like it, and some are even claiming

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<v Speaker 3>leg hair harassment.

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<v Speaker 1>Oh, leg hair harassment. How does that go?

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<v Speaker 3>Well, there is a word for it, which I love.

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<v Speaker 3>It's called sunnihara, and that buying the Japanese words for

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<v Speaker 3>shin and harassment together, which I love. But the twist

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<v Speaker 3>is that this term was actually not coined by women.

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<v Speaker 3>It was pioneered by men's hair removal clinic in Japan

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<v Speaker 3>in twenty fourteen. So it's like the manufactured insecurity playbook

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<v Speaker 3>aimed at men for once welcome boys. We've been here

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<v Speaker 3>since about nineteen twenty exactly.

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<v Speaker 1>God, I love.

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<v Speaker 4>When I was reading about this, I saw an interview

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<v Speaker 4>with someone who does work at a hair removal clinic

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<v Speaker 4>in Japan, and they said that they have had an

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<v Speaker 4>uptick in men wanting to remove their leg hair to

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<v Speaker 4>make the women around them feel more comfortable.

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<v Speaker 3>It's true because Japanese people are very polite. I'm here

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<v Speaker 3>to testify. I experienced it myself.

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<v Speaker 2>I'm still stuck on what leg hair harassment looks like.

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<v Speaker 2>Is it that you might be on a train and

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<v Speaker 2>their leg hair may rub up against your leg or

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<v Speaker 2>is it just looking at it?

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<v Speaker 3>Looking at it's visual? I think it's visual. I don't know.

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<v Speaker 3>They wouldn't be touching on a train. I mean, even

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<v Speaker 3>though the train can be quite crowded. It's not so

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<v Speaker 3>much that I think that it's just they don't want

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<v Speaker 3>to see it. It's considered too intimate. They don't want

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<v Speaker 3>to see men's leg hair.

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<v Speaker 1>I like a hairy leg on a man. I I'm

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<v Speaker 1>just going to say it.

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<v Speaker 3>I do.

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<v Speaker 1>What's the feeling about it? I mean, I know you

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<v Speaker 1>like hairy chat.

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<v Speaker 2>I like it's just the general hairiness. The thing that's

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<v Speaker 2>funny is that Brent, my partner, he hates wearing long pants.

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<v Speaker 2>It's like one of those schoolboys who would just like

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<v Speaker 2>to wear shorts all the time. And so there is

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<v Speaker 2>like one month in the middle of winter in it

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<v Speaker 2>now where he will have to wear long pants and

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<v Speaker 2>he just it's like he's a dog wearing clothes. You

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<v Speaker 2>know how you always say about Jesse when she's wearing Yeah,

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<v Speaker 2>it's just like he's always like pulling out it, like

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<v Speaker 2>he would wear shorts all the time. And sometimes you

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<v Speaker 2>just have to say not appropriate. Baby, if we're going

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<v Speaker 2>to a fancy restaurant, you're going to a wedding, something

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<v Speaker 2>no one needs to see you. So I'm happy to

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<v Speaker 2>hear about this because now I've got a new term

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<v Speaker 2>to say, don't harass people.

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<v Speaker 1>True if you like hair.

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<v Speaker 3>The great news about Brent is that it's actually the

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<v Speaker 3>same pair of pants just zips the bottom to the shorts.

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<v Speaker 3>You know, the pants like cargoy pants that zip and

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<v Speaker 3>become musical.

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<v Speaker 2>He pulls them off like he's a bushwalker. And they

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<v Speaker 2>have those like pants that can be short or can

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<v Speaker 2>be long.

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<v Speaker 3>Can also be made into a tint if you need

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<v Speaker 3>shelter in an emergency.

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<v Speaker 1>Same, Oh my god, I want a pay bless him.

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<v Speaker 1>Keep your leg hair to yourself.

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<v Speaker 2>You might have seen some headlines around about the UK

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<v Speaker 2>book charts and specifically the takeaway that dead women sell books.

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<v Speaker 2>Author Wendy Jones made an Instagram post that traveled with

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<v Speaker 2>speed about how on any given week, So the particular

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<v Speaker 2>week that she was talking about. In Britain, they post

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<v Speaker 2>the Sunday Times bestseller list every week. We don't really

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<v Speaker 2>have an exact equivalent of that here, but they post

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<v Speaker 2>a Sunday Times bestseller list every week. And she wrote

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<v Speaker 2>a post and then subsequently a Financial Times feature about

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<v Speaker 2>how in that particular week, but pretty much in every week.

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<v Speaker 2>Seven to nine of the books in the top ten

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<v Speaker 2>fiction all featured a dead woman of some kind. Now, right,

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<v Speaker 2>so everybody goes, WHOA, that's terrible, and obviously it is.

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<v Speaker 2>Titles range from historical fiction to domestic noire, police procedurals,

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<v Speaker 2>so on and so on and so on. Writers from

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<v Speaker 2>Robert Galbraith, who is JK Rowling, She's in the top ten,

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<v Speaker 2>but also Lisa Jewel, Dan Brown, lots of different kinds

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<v Speaker 2>of writers.

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<v Speaker 3>Now, sorry, did you say that JK Rowling is Robert Gulbraith. Yes,

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<v Speaker 3>she doesn't write under her name.

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<v Speaker 2>Well, she has a series of books like crime books

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<v Speaker 2>that she writes under Robert Galbraith, and they do very

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<v Speaker 2>well and she's in the top ten. Okay, right, So

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<v Speaker 2>Wendy wrote this post. She said, eighty four percent of

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<v Speaker 2>the books people brought and read in the UK this

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<v Speaker 2>week involved a woman being murdered for entertainment. What is

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<v Speaker 2>going on here?

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<v Speaker 1>Now?

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<v Speaker 2>On the face of it, that's very confronting. We've talked

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<v Speaker 2>a lot about people talk a lot about how throwing

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<v Speaker 2>a body in the beginning of a TV show or

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<v Speaker 2>a movie, and very often the female body is a

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<v Speaker 2>trope that's been with us forever and it's kind of disgusting.

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<v Speaker 2>But the nuance in this list, a lot of writers

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<v Speaker 2>came out and said, hold on. Most of the people

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<v Speaker 2>who've written these books, not necessarily these specific books, but

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<v Speaker 2>the books that populate these lists are written by women.

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<v Speaker 2>Most of the people who buy these books are women.

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<v Speaker 2>More than eighty percent of the fiction buying public a

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<v Speaker 2>female right. So if women are writing these books and

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<v Speaker 2>women are consuming these books, what does that say about

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<v Speaker 2>the idea that a lot of them are about female crime?

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<v Speaker 2>Because it kind of up ends the neat narrative that

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<v Speaker 2>like men are using violence against women as a tantalizing

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<v Speaker 2>plot point before I get into whether or not the

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<v Speaker 2>same is true here in Australia, What are our first

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<v Speaker 2>thoughts about that?

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<v Speaker 4>Well, when I was reading about this, I was thinking

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<v Speaker 4>of my favorite books, and two books I came into

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<v Speaker 4>mind was Mela Luca that we did for book club

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<v Speaker 4>and a book that I've given for the book giveaway

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<v Speaker 4>that we're doing right now at Mama Mia Yellow Face

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<v Speaker 4>by R. F. Kuan, and they both center around a

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<v Speaker 4>woman's death. And when I was trying to analyze why

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<v Speaker 4>I found those books so appealing and why they're my

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<v Speaker 4>favorite books, I think it's because it's when I read

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<v Speaker 4>about a woman's death in a book and a novel,

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<v Speaker 4>it's so different to what we experience in real life,

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<v Speaker 4>where the whole story is revolved around that and her life,

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<v Speaker 4>and like the investigation into a death and like the

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<v Speaker 4>ramifications of what happens after she dies. It's like a

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<v Speaker 4>full story with all of these characters just focusing on

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<v Speaker 4>her death and her as a person, and that's never

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<v Speaker 4>reflected in real life, where it's kind of like feels

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<v Speaker 4>a bit of like a takeaway moment.

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<v Speaker 3>What do you mean I don't understand?

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<v Speaker 4>As in, like when a character dies in a book

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<v Speaker 4>and that whole story's revolved around that death. It's something

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<v Speaker 4>that I've never seen happen in real life, where if

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<v Speaker 4>a woman dies in real life, we just know her name,

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<v Speaker 4>what happened, and then we move on to the next woman.

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<v Speaker 3>Well, so you feel like it's behind the scenes a

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<v Speaker 3>little I feel like it's behind.

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<v Speaker 4>The scenes a little bit. And it also like shows

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<v Speaker 4>that when you immerse yourself in a story, you feel

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<v Speaker 4>like that there are all these people that exist who

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<v Speaker 4>want to find out why she died, how she died,

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<v Speaker 4>what her life.

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<v Speaker 3>But couldn't you do that without immerse yourself in a

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<v Speaker 3>story without someone dying.

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<v Speaker 1>I don't think so.

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<v Speaker 4>I think it's more about like the control, and it's

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<v Speaker 4>something that's so different that's reflected in real life. And

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<v Speaker 4>I think it's similar to why so many women love

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<v Speaker 4>true crime in the same vein, because there's all this

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<v Speaker 4>research and attention put on the story that they haven't seen.

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<v Speaker 3>Yes, there's a name for this, and it's called threat rehearsal.

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<v Speaker 3>So it's that women we're sort of programmed in a

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<v Speaker 3>way to retell stories about terrible things happening to other

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<v Speaker 3>women and read them and you know, through word of mouth,

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<v Speaker 3>rehearse and prepare ourselves and protect ourselves against that happening

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<v Speaker 3>to us.

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<v Speaker 4>Yeah, maybe it's that, But I also think it's just

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<v Speaker 4>about the focus, Like it's just the focus on the

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<v Speaker 4>woman's life, and I find that.

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<v Speaker 1>Like always just a character.

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<v Speaker 2>Like it's interesting because some of the writers who've come

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<v Speaker 2>out to defend, well, not defend, I don't want this

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<v Speaker 2>to sound in any way like people are defending frivolous

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<v Speaker 2>use of women's lives or violence against women or whatever,

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<v Speaker 2>but defend the fact that this is such an explored

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<v Speaker 2>topic in fiction. Some of them have said something very

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<v Speaker 2>similar to what you're saying, and which is that The

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<v Speaker 2>thing is is that very often in true crime detective

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<v Speaker 2>procedural books, you get an answer, so you get you

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<v Speaker 2>get the crime, and then you get investigation of it,

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<v Speaker 2>and then you get the baddie gets caught. Like that's

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<v Speaker 2>nearly always what happens, right, and that's very satisfying, and

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<v Speaker 2>we like stories that like justice is done, good bang.

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<v Speaker 2>And the thing is too is a lot of these

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<v Speaker 2>books are very different in terms, even the two you

0:10:56.679 --> 0:10:59.680
<v Speaker 2>mentioned then, right, Samala Luka, which was the biggest selling

0:10:59.760 --> 0:11:03.640
<v Speaker 2>day in Australia last year, written by an Indigenous author.

0:11:03.760 --> 0:11:07.040
<v Speaker 2>It focused on the death of an Indigenous woman investigated

0:11:07.040 --> 0:11:10.560
<v Speaker 2>by an Indigenous cop. It was really interesting about a

0:11:10.559 --> 0:11:14.760
<v Speaker 2>particular community yellow Face. That's an accidental death, different thing altogether, right,

0:11:14.800 --> 0:11:18.000
<v Speaker 2>So it's in a way saying all these books have

0:11:18.040 --> 0:11:21.520
<v Speaker 2>something in common. It isn't necessarily true in Australia though,

0:11:21.600 --> 0:11:23.000
<v Speaker 2>right If you look at the best selling books of

0:11:23.040 --> 0:11:26.640
<v Speaker 2>last year, they do bear this out, generally speaking. Jane

0:11:26.640 --> 0:11:29.760
<v Speaker 2>Harper last one out right crime book, Gravity, Let Me

0:11:29.800 --> 0:11:33.880
<v Speaker 2>Go by Trent Dalton crime book, right, Mad Mabel by

0:11:33.880 --> 0:11:36.959
<v Speaker 2>Sally Herpworth Crime Book. But those three books are so different,

0:11:37.160 --> 0:11:39.120
<v Speaker 2>like they're so different in what they are, what they're

0:11:39.160 --> 0:11:41.920
<v Speaker 2>trying to say, how they explore it, the tone. It

0:11:42.000 --> 0:11:46.000
<v Speaker 2>feels like a very simplistic way to look at that,

0:11:46.200 --> 0:11:48.440
<v Speaker 2>because if women are writing most of these books and

0:11:48.480 --> 0:11:51.000
<v Speaker 2>buying most of these books for all kinds of different reasons.

0:11:51.320 --> 0:11:55.520
<v Speaker 2>Another reason is just about stakes, right, is that when

0:11:55.600 --> 0:11:58.560
<v Speaker 2>you're writing or reading fiction, you often want the stakes

0:11:58.600 --> 0:12:01.440
<v Speaker 2>to be very high. And the true crime obsession that

0:12:01.480 --> 0:12:04.120
<v Speaker 2>has sort of gripped everybody over the past twenty years

0:12:04.280 --> 0:12:07.520
<v Speaker 2>has spun off into lots of different directions, and it

0:12:07.679 --> 0:12:12.240
<v Speaker 2>feels like something that we want to investigate for the

0:12:12.240 --> 0:12:14.760
<v Speaker 2>reason that you said threat rehearsal. We want to see

0:12:14.800 --> 0:12:18.040
<v Speaker 2>resolutions too, but also we know that it's real life

0:12:18.040 --> 0:12:18.440
<v Speaker 2>as well.

0:12:18.720 --> 0:12:19.520
<v Speaker 1>It's relatable.

0:12:19.760 --> 0:12:22.480
<v Speaker 4>Yeah, and it's kind of like proof too when it

0:12:22.520 --> 0:12:24.520
<v Speaker 4>does happen in real life. It's kind of proof of

0:12:24.559 --> 0:12:29.240
<v Speaker 4>like when you sear these stories of you going like oh,

0:12:29.360 --> 0:12:31.520
<v Speaker 4>when I hear these stories, it's like, I want to

0:12:31.559 --> 0:12:33.720
<v Speaker 4>know what to do if I'm in that situation. Yeah,

0:12:33.840 --> 0:12:35.760
<v Speaker 4>or it's proved that, like it does happen to women

0:12:35.840 --> 0:12:36.600
<v Speaker 4>in real life as well.

0:12:37.240 --> 0:12:39.320
<v Speaker 2>That's what Sally said. I asked, So, I asked Sally Hepworth.

0:12:39.600 --> 0:12:42.000
<v Speaker 2>She has got obviously one of the best selling books

0:12:42.080 --> 0:12:45.240
<v Speaker 2>of last year. I'd Mabel still is in the best

0:12:45.240 --> 0:12:48.520
<v Speaker 2>selling top ten. That book has been so huge. She

0:12:48.600 --> 0:12:51.320
<v Speaker 2>often writes crime, not always women on women, but she

0:12:51.360 --> 0:12:53.800
<v Speaker 2>writes crime, but her books are so much more than that.

0:12:54.240 --> 0:12:56.280
<v Speaker 2>And I said to her, why do you think women

0:12:57.080 --> 0:12:59.719
<v Speaker 2>love to read about this? And she said pretty much

0:12:59.760 --> 0:13:01.719
<v Speaker 2>what he has said. She said, we know it's a

0:13:01.760 --> 0:13:04.360
<v Speaker 2>real life threat in our lives. We know it's something

0:13:04.360 --> 0:13:08.080
<v Speaker 2>that happens and we want to protect ourselves almost by

0:13:08.080 --> 0:13:10.679
<v Speaker 2>exploring it in a way that is safe and accessible.

0:13:10.920 --> 0:13:14.920
<v Speaker 3>It's not just novels, though, And what disturbs me more

0:13:15.320 --> 0:13:19.120
<v Speaker 3>is the genre of TV shows which have been going

0:13:19.120 --> 0:13:22.720
<v Speaker 3>for a really long time. And Laura in Order, for example,

0:13:22.880 --> 0:13:26.360
<v Speaker 3>is pretty much always that it's a what's called procedural

0:13:27.080 --> 0:13:29.640
<v Speaker 3>there's a murder at the beginning, it's almost always a woman.

0:13:29.840 --> 0:13:33.760
<v Speaker 3>True crime podcasts almost always tell gruesome stories about women.

0:13:33.960 --> 0:13:35.080
<v Speaker 1>What disturbs me the.

0:13:34.920 --> 0:13:38.839
<v Speaker 3>Most, and I can't believe this is actually on air,

0:13:39.559 --> 0:13:43.920
<v Speaker 3>is Laura and Order SVU. I can't like Special Victims Unit.

0:13:44.640 --> 0:13:48.880
<v Speaker 3>That's a show entirely about the crimes around sexual assault

0:13:49.040 --> 0:13:53.200
<v Speaker 3>murder of women. And to me, that is just the

0:13:53.240 --> 0:13:56.439
<v Speaker 3>most I mean, I guess it's an aspect of threat rehearsal,

0:13:56.480 --> 0:13:59.880
<v Speaker 3>and I don't know what the demographic breakdown is between

0:14:00.360 --> 0:14:03.560
<v Speaker 3>male and female viewers of that, but to me, that

0:14:03.760 --> 0:14:09.120
<v Speaker 3>is just like sexual assault porn. It's I find that

0:14:09.200 --> 0:14:10.080
<v Speaker 3>really grotesque.

0:14:10.240 --> 0:14:13.839
<v Speaker 2>I agree, And I also think when we were just

0:14:13.880 --> 0:14:16.960
<v Speaker 2>talking about why women are the biggest consumers of true

0:14:16.960 --> 0:14:20.080
<v Speaker 2>crime content, which they generally are, and the biggest readers

0:14:20.080 --> 0:14:24.400
<v Speaker 2>of these kind of crime books, women are smart Newsplash.

0:14:23.880 --> 0:14:25.320
<v Speaker 1>I don't know if anyone needing that book.

0:14:25.760 --> 0:14:30.640
<v Speaker 2>And we can tell when we're consuming content whether our

0:14:30.760 --> 0:14:35.280
<v Speaker 2>lives and our safety is being taken almost in a

0:14:35.320 --> 0:14:39.000
<v Speaker 2>titillating fashion. If you watch like old movies from the

0:14:39.040 --> 0:14:42.480
<v Speaker 2>seventies and eighties about that have crimes in them, the

0:14:42.560 --> 0:14:44.960
<v Speaker 2>gratuitous nature of the way that women will turn up

0:14:44.960 --> 0:14:49.160
<v Speaker 2>in those shows horor in horrific circumstances, you can almost

0:14:49.200 --> 0:14:54.120
<v Speaker 2>feel that it is designed to be exciting, right, what

0:14:54.160 --> 0:14:57.560
<v Speaker 2>do you mean exploitative? So it'll be you know, let's

0:14:57.640 --> 0:14:59.760
<v Speaker 2>open on a shot of a naked woman in a

0:14:59.800 --> 0:15:01.800
<v Speaker 2>shit and then something terrible happens to her.

0:15:02.000 --> 0:15:04.360
<v Speaker 1>You know, it's still that like those shows are.

0:15:04.880 --> 0:15:07.320
<v Speaker 2>But I feel like what I'm getting to is that

0:15:07.360 --> 0:15:11.440
<v Speaker 2>I think that women can understand deeply the difference between

0:15:11.480 --> 0:15:15.360
<v Speaker 2>that kind of exploitative violence and reading a book that

0:15:15.520 --> 0:15:20.000
<v Speaker 2>thoughtfully explains a story that does feature a death.

0:15:20.120 --> 0:15:21.720
<v Speaker 1>Do you know what I mean? They're not necessarily the

0:15:21.760 --> 0:15:22.240
<v Speaker 1>same thing.

0:15:22.320 --> 0:15:24.240
<v Speaker 3>Do you have pressure to put dead bodies in your

0:15:24.280 --> 0:15:26.800
<v Speaker 3>stories in your novel I have had.

0:15:27.120 --> 0:15:31.560
<v Speaker 2>I have had that because the thing that's interesting is

0:15:31.600 --> 0:15:35.720
<v Speaker 2>that crime as a genre has become so enormous. Remember,

0:15:35.720 --> 0:15:39.600
<v Speaker 2>publishing is a business, right, So most publishers want, obviously

0:15:39.600 --> 0:15:42.440
<v Speaker 2>one to published books that sell, and the most sure

0:15:42.480 --> 0:15:44.440
<v Speaker 2>fire way of doing that, in as far as anything

0:15:44.480 --> 0:15:45.440
<v Speaker 2>is sure fire, is to.

0:15:45.440 --> 0:15:46.480
<v Speaker 1>Look at what's sold before.

0:15:46.520 --> 0:15:50.040
<v Speaker 2>So that's why when there is one, you know, cozy

0:15:50.080 --> 0:15:52.280
<v Speaker 2>crime as they call it, that's what Richard Osmond writes.

0:15:52.280 --> 0:15:57.400
<v Speaker 3>For example, he doesn't write books where women are murdered.

0:15:57.760 --> 0:15:59.000
<v Speaker 1>Well, a lot.

0:15:58.960 --> 0:16:02.000
<v Speaker 2>Different people are murdered, sometimes women, sometimes men, but they're

0:16:02.040 --> 0:16:06.240
<v Speaker 2>not it's they call it cozy crime. And sal might

0:16:06.360 --> 0:16:08.360
<v Speaker 2>be a little bit cozy crime in what she does,

0:16:08.400 --> 0:16:10.720
<v Speaker 2>which is that there might be there'll probably be a

0:16:10.760 --> 0:16:13.160
<v Speaker 2>crime as part of the storyline. Yeah, but they're very

0:16:13.240 --> 0:16:19.640
<v Speaker 2>character whosome. It's not gratuitous, it's not gory. And then

0:16:19.720 --> 0:16:23.120
<v Speaker 2>the plot of the book is much more about the characters,

0:16:23.160 --> 0:16:25.920
<v Speaker 2>the procedures that they'll have something to say. If you

0:16:25.920 --> 0:16:28.560
<v Speaker 2>think about Mad Mabel by Sally Hepworth, right, there is

0:16:28.600 --> 0:16:30.920
<v Speaker 2>a woman's death in that book, but that book has

0:16:31.000 --> 0:16:33.320
<v Speaker 2>so many interesting things to say about what can happen

0:16:33.400 --> 0:16:35.920
<v Speaker 2>to a young woman. And the hero is female and

0:16:35.960 --> 0:16:38.360
<v Speaker 2>all the great characters are female, and it's a very

0:16:39.400 --> 0:16:43.040
<v Speaker 2>it's a very feminist book, right, really anyway, crime being

0:16:43.080 --> 0:16:47.239
<v Speaker 2>massive and now splintering off into some kind of procedural cozy,

0:16:47.360 --> 0:16:49.960
<v Speaker 2>all these kinds of genres. Everybody's like, we want more

0:16:49.960 --> 0:16:52.160
<v Speaker 2>of that, more of that. I kind of think maybe

0:16:52.200 --> 0:16:54.080
<v Speaker 2>we're getting to a tipping point with it.

0:16:54.120 --> 0:16:58.360
<v Speaker 3>To me, it's about what is propulsive about a book

0:16:58.520 --> 0:17:02.000
<v Speaker 3>is mystery and unraveling a mystery, so you keep turning

0:17:02.040 --> 0:17:04.879
<v Speaker 3>the pages to find out what happened. Like even with Yesteryear,

0:17:05.280 --> 0:17:07.239
<v Speaker 3>I can't remember if anyone was murdered in that or not,

0:17:07.280 --> 0:17:10.639
<v Speaker 3>but I kept turning the pages to find out how

0:17:10.680 --> 0:17:14.400
<v Speaker 3>this time shift thing happened and to unravel the mystery

0:17:14.440 --> 0:17:17.439
<v Speaker 3>of what was seated at the beginning. And there's no

0:17:17.640 --> 0:17:21.760
<v Speaker 3>higher stakes than someone dying, And particularly when you then

0:17:21.840 --> 0:17:23.879
<v Speaker 3>get to know their character through the course of the

0:17:23.920 --> 0:17:26.919
<v Speaker 3>book and you know that someone's died or you know

0:17:26.960 --> 0:17:30.800
<v Speaker 3>that they've died, then it's really propulsive. So isn't it,

0:17:30.880 --> 0:17:35.320
<v Speaker 3>in part way just a fictional device. It's a plot device.

0:17:35.560 --> 0:17:36.520
<v Speaker 1>It absolutely is.

0:17:36.600 --> 0:17:38.359
<v Speaker 2>But then I think that's one of the things that

0:17:38.359 --> 0:17:40.840
<v Speaker 2>people object to, is they like, we're using.

0:17:41.119 --> 0:17:43.840
<v Speaker 3>We care more about the murder of women than we

0:17:43.920 --> 0:17:46.679
<v Speaker 3>do about the murder of men. Is that when I

0:17:46.720 --> 0:17:49.800
<v Speaker 3>say we care more, I mean it feels higher stakes,

0:17:50.160 --> 0:17:53.119
<v Speaker 3>like or is it that women relate more? Because well,

0:17:53.160 --> 0:17:55.240
<v Speaker 3>I think female readers, and.

0:17:55.240 --> 0:17:58.880
<v Speaker 4>If the audience is female readers, I personally would care

0:17:58.960 --> 0:18:01.240
<v Speaker 4>more if it was woman who died versus a man

0:18:01.280 --> 0:18:03.960
<v Speaker 4>who died. But I understand what you were saying about

0:18:04.000 --> 0:18:08.040
<v Speaker 4>comparing it with the TV show. I do feel like

0:18:08.359 --> 0:18:12.240
<v Speaker 4>they're two separate audiences. And with the TV show, like,

0:18:12.240 --> 0:18:14.879
<v Speaker 4>even when I see these books get made into movies

0:18:14.880 --> 0:18:17.400
<v Speaker 4>and TV show, I noticed that they have to lean

0:18:17.480 --> 0:18:20.600
<v Speaker 4>way more into the cozy to not make it so extrested.

0:18:20.680 --> 0:18:24.160
<v Speaker 4>I was thinking about that with The Thursday Murder Club,

0:18:24.440 --> 0:18:26.000
<v Speaker 4>and they had to in the show. They had to

0:18:26.040 --> 0:18:29.080
<v Speaker 4>really lean into the cozy element of it and the

0:18:29.119 --> 0:18:31.840
<v Speaker 4>setup and the set design and stuff for the death

0:18:31.920 --> 0:18:33.400
<v Speaker 4>to not seem so like.

0:18:33.840 --> 0:18:36.280
<v Speaker 3>So it's not it's the death almost is not a

0:18:36.320 --> 0:18:38.160
<v Speaker 3>main character. Like when you just said that about Mad

0:18:38.200 --> 0:18:42.119
<v Speaker 3>Mabel and sales books, I was like, wait, did people

0:18:42.680 --> 0:18:45.080
<v Speaker 3>just sell it write books where women die? Like I

0:18:45.119 --> 0:18:48.679
<v Speaker 3>couldn't even think of a single yeah example of that,

0:18:48.760 --> 0:18:51.959
<v Speaker 3>Because you're right, that's not the point. That's kind of

0:18:52.040 --> 0:18:54.720
<v Speaker 3>like a plot point, but it is not the point,

0:18:54.800 --> 0:18:56.360
<v Speaker 3>it's not the central narrative.

0:18:56.520 --> 0:19:00.600
<v Speaker 4>No, exactly out loud as in a moment, a single

0:19:00.680 --> 0:19:03.520
<v Speaker 4>girl's manifesto that everyone needs to read.

0:19:04.000 --> 0:19:06.600
<v Speaker 3>You keep saying manifesto, but maybe that's okay?

0:19:07.440 --> 0:19:14.639
<v Speaker 4>Is it manifesto? Manifest isn't there an esther? No, so good? Okra,

0:19:15.080 --> 0:19:17.560
<v Speaker 4>Sorry wait wait, I've got the giggles.

0:19:17.560 --> 0:19:28.199
<v Speaker 3>Wait you can have the giggles. It's sorry, Okay, okay, okay, manifesto. Sorry, sorry,

0:19:28.760 --> 0:19:30.040
<v Speaker 3>you thought it was manifesto.

0:19:30.160 --> 0:19:31.360
<v Speaker 1>I thought it was manifesto.

0:19:31.640 --> 0:19:33.639
<v Speaker 2>It is really not like this is in my mind

0:19:33.800 --> 0:19:35.800
<v Speaker 2>it's manifesto.

0:19:36.119 --> 0:19:37.080
<v Speaker 3>There is in it.

0:19:37.119 --> 0:19:40.800
<v Speaker 4>There's just not two manifesto manifesto.

0:19:41.280 --> 0:19:45.000
<v Speaker 1>Moving on now, she's got the giggle.

0:19:45.600 --> 0:19:47.520
<v Speaker 3>It's okay. We'll add it to the list of things

0:19:47.560 --> 0:19:48.479
<v Speaker 3>none of us can pronounce.

0:19:48.520 --> 0:19:49.960
<v Speaker 1>To say this word so many more time.

0:19:50.040 --> 0:19:51.439
<v Speaker 3>Do you have other words that you can't pronounce?

0:19:51.440 --> 0:19:51.520
<v Speaker 5>Oh?

0:19:51.560 --> 0:19:57.200
<v Speaker 1>Yeah, permanent, I say sometimes say is a permanent? But

0:19:57.320 --> 0:19:59.360
<v Speaker 1>it's fine. You're amongst friends.

0:19:59.640 --> 0:20:04.240
<v Speaker 3>Oh, exciting news for me. The premiere of Victoria and

0:20:04.320 --> 0:20:05.040
<v Speaker 3>resigned this week.

0:20:05.080 --> 0:20:06.960
<v Speaker 1>We can't go back there, come back there.

0:20:08.359 --> 0:20:09.760
<v Speaker 5>No, I don't want to be thirty again, but I

0:20:09.800 --> 0:20:11.960
<v Speaker 5>would take forty four. I think I think it's life

0:20:11.960 --> 0:20:12.800
<v Speaker 5>starts at forty four.

0:20:12.960 --> 0:20:15.560
<v Speaker 1>Who tell me why why forty four was so good?

0:20:15.680 --> 0:20:18.480
<v Speaker 5>Because you come into yourself in a way that you're

0:20:18.520 --> 0:20:23.119
<v Speaker 5>not You're no longer trying to please everybody else. I

0:20:23.160 --> 0:20:25.919
<v Speaker 5>do have some girls now that I've mentored who are

0:20:25.960 --> 0:20:28.960
<v Speaker 5>in their early thirties who've gotten to it sooner, But

0:20:29.119 --> 0:20:31.520
<v Speaker 5>for me, it was forty four where I lucked in.

0:20:32.240 --> 0:20:35.919
<v Speaker 3>That was Oprah on Keihy Palmer's podcast last week. She

0:20:36.119 --> 0:20:39.920
<v Speaker 3>was asked by Keiki if she'd go back to being thirty.

0:20:40.080 --> 0:20:41.919
<v Speaker 3>I don't know what the context is, but it was

0:20:41.960 --> 0:20:47.879
<v Speaker 3>a really interesting question because what she said about the

0:20:47.960 --> 0:20:53.840
<v Speaker 3>ideal age, she was very specific forty four, and it

0:20:53.960 --> 0:20:58.120
<v Speaker 3>made me think and wonder about that, about the age

0:20:58.119 --> 0:21:00.560
<v Speaker 3>that you'd go back to if you could choose, And

0:21:00.600 --> 0:21:03.880
<v Speaker 3>I really liked her reasoning. You know, there was recently

0:21:03.920 --> 0:21:06.520
<v Speaker 3>a survey where two thousand people in America, men and women,

0:21:06.560 --> 0:21:09.760
<v Speaker 3>were asked what age they'd be forever if they could choose.

0:21:11.000 --> 0:21:14.280
<v Speaker 3>And what's really interesting is that it was thirty.

0:21:14.000 --> 0:21:15.600
<v Speaker 1>Six, thirty six.

0:21:15.680 --> 0:21:18.560
<v Speaker 3>What happens at thirty six, Well, it's a little hard

0:21:18.560 --> 0:21:22.080
<v Speaker 3>to say, because if you had separated that between men

0:21:22.119 --> 0:21:25.760
<v Speaker 3>and women, It would probably be different because women are

0:21:25.760 --> 0:21:29.119
<v Speaker 3>more likely if you say what age would they like

0:21:29.200 --> 0:21:31.080
<v Speaker 3>to be and what age do they think is the

0:21:31.119 --> 0:21:33.919
<v Speaker 3>best age if you ask them sort of obviously the

0:21:33.960 --> 0:21:36.439
<v Speaker 3>older they are, the more ages they have to choose from.

0:21:36.520 --> 0:21:42.399
<v Speaker 3>But women who are older will say fifties, and that's

0:21:42.680 --> 0:21:47.600
<v Speaker 3>much older than men will say usually a younger age.

0:21:48.160 --> 0:21:51.440
<v Speaker 3>And the reason this is, which I think is so interesting,

0:21:52.760 --> 0:21:56.800
<v Speaker 3>it's around freedom. But it's sort of been speculated that

0:21:56.800 --> 0:22:00.960
<v Speaker 3>that's the first time than it's not about your body

0:22:00.960 --> 0:22:03.480
<v Speaker 3>and how you look. It's the first time people aren't

0:22:03.480 --> 0:22:06.879
<v Speaker 3>demanding things of you because your kids have grown up,

0:22:07.119 --> 0:22:09.119
<v Speaker 3>you might be divorced, or you might you're not in

0:22:09.160 --> 0:22:12.919
<v Speaker 3>that kind of high need state if you've had kids,

0:22:13.200 --> 0:22:16.080
<v Speaker 3>and if you haven't had kids, you're not probably thinking

0:22:16.080 --> 0:22:19.159
<v Speaker 3>about having kids because that's off the table. So it's

0:22:19.640 --> 0:22:23.200
<v Speaker 3>really interesting because you might think that every person would

0:22:23.240 --> 0:22:26.280
<v Speaker 3>say the age that society tells you you're most valuable,

0:22:26.280 --> 0:22:28.760
<v Speaker 3>which for women would be probably twenties, right.

0:22:29.680 --> 0:22:30.280
<v Speaker 1>Interesting.

0:22:30.880 --> 0:22:34.159
<v Speaker 4>I love this question. It's a question that I always

0:22:34.160 --> 0:22:37.000
<v Speaker 4>play with like my extended family, like we always do

0:22:37.080 --> 0:22:39.400
<v Speaker 4>this at every family Readunia, and there's so many of us.

0:22:39.720 --> 0:22:42.959
<v Speaker 4>But It's really interesting when I ask like my older

0:22:43.040 --> 0:22:47.280
<v Speaker 4>aunties and uncles, especially all of them above fifty, because

0:22:47.280 --> 0:22:49.960
<v Speaker 4>I've noticed a lot of my uncles would say their

0:22:50.200 --> 0:22:52.560
<v Speaker 4>age that they'd go back to, or their like glory

0:22:52.640 --> 0:22:56.480
<v Speaker 4>age was always in their twenties or like late teens,

0:22:56.520 --> 0:23:00.359
<v Speaker 4>and it's always around like friends, being in school, doing bought,

0:23:00.640 --> 0:23:03.879
<v Speaker 4>being like the best in college, no responsibilities, no responsibilities.

0:23:03.880 --> 0:23:06.560
<v Speaker 4>And for all my aunties, it's always in their like

0:23:06.880 --> 0:23:09.720
<v Speaker 4>mid thirties early forties, where they still have their kids

0:23:09.760 --> 0:23:12.679
<v Speaker 4>at home and it's always surrounded my family. And for men,

0:23:12.760 --> 0:23:16.800
<v Speaker 4>it's like when I was single, and yeah, that's to

0:23:16.800 --> 0:23:17.320
<v Speaker 4>look after.

0:23:17.880 --> 0:23:18.640
<v Speaker 1>That's interesting.

0:23:18.640 --> 0:23:20.399
<v Speaker 2>What about how do you feel about the idea that

0:23:20.440 --> 0:23:22.800
<v Speaker 2>life starts at forty four, which is still fourteen years

0:23:22.840 --> 0:23:25.120
<v Speaker 2>away for you, so you're not even living real life here.

0:23:26.119 --> 0:23:28.000
<v Speaker 4>I feel like the older I get, the further it

0:23:28.040 --> 0:23:30.320
<v Speaker 4>moves up, Like you guys like, oh no, it's actually fifty.

0:23:30.359 --> 0:23:31.560
<v Speaker 1>Oh no, it's actually sixty.

0:23:31.800 --> 0:23:31.960
<v Speaker 2>Oh.

0:23:32.000 --> 0:23:35.080
<v Speaker 3>What do you think about the trade off between as

0:23:35.119 --> 0:23:39.560
<v Speaker 3>a woman, Obviously, if you're younger, your body might look better,

0:23:39.640 --> 0:23:44.040
<v Speaker 3>so physically you might get more validation from society about

0:23:44.080 --> 0:23:48.760
<v Speaker 3>how you look, but mentally is your twenties, your happiest.

0:23:48.800 --> 0:23:51.480
<v Speaker 2>Well, I know any women who would say twenties exactly,

0:23:51.560 --> 0:23:52.680
<v Speaker 2>I wouldn't say twenties.

0:23:52.720 --> 0:23:54.440
<v Speaker 1>I would like, it wouldn't even occur to me.

0:23:54.440 --> 0:23:57.439
<v Speaker 3>But for me, and women don't. Women don't take twenties generally.

0:23:57.600 --> 0:24:00.560
<v Speaker 2>So I think that tells you that that isn't important, really,

0:24:00.600 --> 0:24:03.240
<v Speaker 2>isn't it, Because when I think about what age I

0:24:03.240 --> 0:24:06.159
<v Speaker 2>would go back to, it's impossible to unpick it from

0:24:06.200 --> 0:24:09.240
<v Speaker 2>your own life, because I think I might choose to

0:24:09.280 --> 0:24:11.280
<v Speaker 2>go to freedom years, in which case it would be

0:24:11.320 --> 0:24:14.360
<v Speaker 2>about thirty two for me definitely at post thirty would

0:24:14.400 --> 0:24:17.280
<v Speaker 2>have to be And then I think, oh, but what

0:24:17.320 --> 0:24:19.399
<v Speaker 2>about little kid these years? Because now I'm old, My

0:24:19.480 --> 0:24:20.280
<v Speaker 2>kids are old enough that.

0:24:20.240 --> 0:24:22.320
<v Speaker 3>I would nostalgic for those, So I'm like.

0:24:22.280 --> 0:24:23.280
<v Speaker 1>That would be forty two.

0:24:23.320 --> 0:24:25.240
<v Speaker 2>And then I think, maybe like when my parents are

0:24:25.240 --> 0:24:27.320
<v Speaker 2>really healthy, you know what I mean, Like I can.

0:24:27.840 --> 0:24:31.359
<v Speaker 2>It's about traveling back to a time in your life,

0:24:32.000 --> 0:24:37.359
<v Speaker 2>and I think to Oprah's point, I mean, it's it

0:24:37.400 --> 0:24:39.760
<v Speaker 2>would be very cheesy to say right now, I'm living

0:24:39.760 --> 0:24:42.280
<v Speaker 2>my best life right now, but in lots of ways

0:24:42.320 --> 0:24:44.720
<v Speaker 2>I am like, you know, she's right about your feeling

0:24:45.240 --> 0:24:47.560
<v Speaker 2>a certain level of self assurance, and you know your

0:24:47.560 --> 0:24:49.679
<v Speaker 2>careers in a certain place, and you're doing things you

0:24:49.720 --> 0:24:50.919
<v Speaker 2>want to do and all those things.

0:24:51.520 --> 0:24:52.480
<v Speaker 1>But yeah, I do.

0:24:54.119 --> 0:24:56.879
<v Speaker 2>And all the young petarents who we work with would

0:24:57.040 --> 0:24:59.040
<v Speaker 2>kill me for that answer. But there is a bit

0:24:59.080 --> 0:25:01.560
<v Speaker 2>of me these days. I watched the kids move away.

0:25:01.560 --> 0:25:03.480
<v Speaker 2>That's like I'd like to travel back to them being

0:25:03.520 --> 0:25:06.320
<v Speaker 2>really little. I'd like to take a holiday there. I'd

0:25:06.359 --> 0:25:07.960
<v Speaker 2>like to, like, yes, the year, you know, I'd like

0:25:08.000 --> 0:25:11.240
<v Speaker 2>to take a holiday for just a few days when

0:25:11.240 --> 0:25:13.560
<v Speaker 2>the kids were really little and cute, and take a

0:25:13.600 --> 0:25:16.400
<v Speaker 2>holiday when I was like, my parents are really well

0:25:16.400 --> 0:25:18.760
<v Speaker 2>and we were having lots of adventures together, and I'd

0:25:18.760 --> 0:25:20.960
<v Speaker 2>love to take little holidays in bits.

0:25:20.720 --> 0:25:22.840
<v Speaker 3>Of Oh, that would be so lovely. I mean, that's

0:25:22.840 --> 0:25:25.800
<v Speaker 3>what grandparenting is, I guess it is. It's like taking

0:25:25.880 --> 0:25:29.800
<v Speaker 3>a little holiday in little children so you.

0:25:29.760 --> 0:25:30.440
<v Speaker 1>Can give them back.

0:25:30.600 --> 0:25:33.120
<v Speaker 3>Yeah, I think that. It's so interesting what you said.

0:25:33.119 --> 0:25:36.960
<v Speaker 3>I'm about men say teens or early twenties. No, women, no,

0:25:37.160 --> 0:25:40.560
<v Speaker 3>say that. So the biggest group was women, saying fifties

0:25:41.040 --> 0:25:46.080
<v Speaker 3>and twenties were the smallest group out of four hundred

0:25:46.119 --> 0:25:48.720
<v Speaker 3>and sixty sixth women who asked the question. Eleven said

0:25:48.760 --> 0:25:52.640
<v Speaker 3>they were happiest before they were twenty eleven women, do.

0:25:52.640 --> 0:25:55.040
<v Speaker 2>You think that part of that twenty Do you think

0:25:55.080 --> 0:25:59.520
<v Speaker 2>that tells us that the whole idea of the youth

0:25:59.560 --> 0:26:02.240
<v Speaker 2>and beauty piece that you mentioned before me that.

0:26:02.359 --> 0:26:05.159
<v Speaker 1>It just fucks with us. Yeah, so like one.

0:26:05.000 --> 0:26:09.480
<v Speaker 2>Of us ever feel fontiful. So when you're wrestling with

0:26:09.520 --> 0:26:11.400
<v Speaker 2>all that and am I enough? And am I good enough?

0:26:11.800 --> 0:26:14.280
<v Speaker 2>Which which I'm not going to pretend goes away magically,

0:26:14.359 --> 0:26:16.399
<v Speaker 2>I don't think that's true. I think you're always wrestling

0:26:16.400 --> 0:26:20.040
<v Speaker 2>with it to a point. But it's interesting that when

0:26:20.040 --> 0:26:22.600
<v Speaker 2>we've got the most of that, we're still really riddled

0:26:22.600 --> 0:26:25.600
<v Speaker 2>with anxiety about it. We don't long for those days.

0:26:25.720 --> 0:26:27.479
<v Speaker 2>How many times people say I wouldn't be a teenager

0:26:27.520 --> 0:26:28.440
<v Speaker 2>again for a quid?

0:26:28.920 --> 0:26:31.400
<v Speaker 3>I think what's interesting also about your fifties is that

0:26:31.440 --> 0:26:34.320
<v Speaker 3>a lot of your choices have closed off right, and

0:26:34.680 --> 0:26:37.520
<v Speaker 3>there can be a lot of angst with a lot

0:26:37.560 --> 0:26:40.080
<v Speaker 3>of choice. That's why women should never have been given

0:26:40.119 --> 0:26:43.160
<v Speaker 3>the vote or control over our own finances or deciding

0:26:43.359 --> 0:26:47.240
<v Speaker 3>we marry. So in your twenties it's about who you're

0:26:47.280 --> 0:26:49.840
<v Speaker 3>going to be, and in your thirties, You're a bit

0:26:49.920 --> 0:26:54.119
<v Speaker 3>like am I doing this right? And the very wise stage?

0:26:54.160 --> 0:26:56.000
<v Speaker 3>Jennifer and Neiston once said you need to have therapin

0:26:56.080 --> 0:26:58.679
<v Speaker 3>your thirties so that you can enjoy your forties. And

0:26:58.760 --> 0:27:01.879
<v Speaker 3>I think that's true too, because by you forties, I

0:27:01.960 --> 0:27:04.800
<v Speaker 3>get why Oprah said forty four, because I think when

0:27:04.800 --> 0:27:09.720
<v Speaker 3>you go into your late forties, I personally had a

0:27:09.760 --> 0:27:12.320
<v Speaker 3>lot of doubt creep back in again, like I found

0:27:12.840 --> 0:27:16.920
<v Speaker 3>with perimenopause and everything. Who am I identity? I got

0:27:17.040 --> 0:27:20.280
<v Speaker 3>really lost again in my late forties and early fifties.

0:27:20.800 --> 0:27:24.359
<v Speaker 3>I feel like I'm getting back to it mostly now,

0:27:25.000 --> 0:27:29.600
<v Speaker 3>but I found that time almost reminiscent of my twenties

0:27:30.480 --> 0:27:33.120
<v Speaker 3>in that who am I? Am I doing this right?

0:27:33.200 --> 0:27:35.359
<v Speaker 3>What am I meant to be? I'm not really sure.

0:27:35.840 --> 0:27:38.560
<v Speaker 2>Does this make you hopeful for your future?

0:27:38.760 --> 0:27:41.200
<v Speaker 1>For my forties? Yeah, can't wait?

0:27:41.280 --> 0:27:43.720
<v Speaker 3>Yeah, way, forties are really good.

0:27:44.440 --> 0:27:47.879
<v Speaker 4>Also, Dolly Alderton has an agony on column in the

0:27:47.920 --> 0:27:51.639
<v Speaker 4>Sunday Times where she answers dilemmas, and last week someone

0:27:51.640 --> 0:27:54.800
<v Speaker 4>wrote in saying, dear Dolly, I'm thirty two with a

0:27:54.920 --> 0:27:59.400
<v Speaker 4>great career, but very very single. So this woman who

0:27:59.400 --> 0:28:03.200
<v Speaker 4>wrote in say that she loves her career. She's found

0:28:03.200 --> 0:28:05.800
<v Speaker 4>her place at work, but it's not the source of

0:28:05.840 --> 0:28:07.880
<v Speaker 4>her joy, and all she wants to do is get

0:28:07.920 --> 0:28:11.320
<v Speaker 4>into a long term loving relationship. And she also has

0:28:11.440 --> 0:28:13.800
<v Speaker 4>kids on her mind, and she says that she doesn't

0:28:13.800 --> 0:28:17.480
<v Speaker 4>want kids unless she finds someone who's like a partner

0:28:17.520 --> 0:28:20.360
<v Speaker 4>that she can have kids with. So Dolly gave a

0:28:20.400 --> 0:28:22.720
<v Speaker 4>list of advice, and some of the things she says

0:28:23.080 --> 0:28:24.920
<v Speaker 4>was get ahead of your fertility, like.

0:28:25.000 --> 0:28:26.480
<v Speaker 3>Just her manifesto, not.

0:28:26.400 --> 0:28:28.160
<v Speaker 1>Yet, it's not her manifesto yet.

0:28:28.240 --> 0:28:29.880
<v Speaker 4>Some of the other things she said was get ahead

0:28:29.920 --> 0:28:33.240
<v Speaker 4>of your fertility, make single girlfriends who are also in

0:28:33.280 --> 0:28:33.800
<v Speaker 4>their thirties.

0:28:33.840 --> 0:28:37.399
<v Speaker 2>Sorry, what does that mean, get ahead of your fertility,

0:28:37.560 --> 0:28:41.120
<v Speaker 2>freeze your eggs, or just like check it out, just get.

0:28:41.040 --> 0:28:43.080
<v Speaker 4>Get a handle and get a handle on it before

0:28:43.120 --> 0:28:46.800
<v Speaker 4>you meet someone. Make single girlfriends who are also in

0:28:46.840 --> 0:28:49.360
<v Speaker 4>their thirties asked to be set up, which I know

0:28:49.400 --> 0:28:50.920
<v Speaker 4>Amelia would definitely say yes.

0:28:50.960 --> 0:28:52.920
<v Speaker 1>To change the pattern.

0:28:53.000 --> 0:28:55.200
<v Speaker 4>So don't just date your type or people in your

0:28:55.240 --> 0:28:57.400
<v Speaker 4>area or people on the same app that you're using.

0:28:57.800 --> 0:29:01.480
<v Speaker 4>Don't obsess over your age. And then she wrote, write

0:29:01.480 --> 0:29:06.400
<v Speaker 4>a single girl's manifesto. So she said when in years

0:29:06.400 --> 0:29:08.840
<v Speaker 4>even twenty twenty two, she got together with a friend

0:29:09.240 --> 0:29:12.520
<v Speaker 4>over Spicy Marks and they wrote everything that they wanted

0:29:12.560 --> 0:29:16.120
<v Speaker 4>from dating, and she said the premise was what we

0:29:16.160 --> 0:29:18.680
<v Speaker 4>would accept from dating and what we wouldn't how we

0:29:18.720 --> 0:29:21.120
<v Speaker 4>wanted to balance the task of looking for a partner

0:29:21.240 --> 0:29:24.200
<v Speaker 4>while remaining present and grateful in our lives as they were.

0:29:24.600 --> 0:29:27.320
<v Speaker 3>I love that because it's not about what they wanted

0:29:27.320 --> 0:29:30.400
<v Speaker 3>in a man particularly or a partner. It was what

0:29:30.440 --> 0:29:31.680
<v Speaker 3>they wanted in the process, in.

0:29:31.720 --> 0:29:34.320
<v Speaker 4>The process of dating, And she says, I think it

0:29:34.400 --> 0:29:37.520
<v Speaker 4>helped us shed some panic and find more calm, joyful

0:29:37.520 --> 0:29:41.000
<v Speaker 4>intention in our single dim. When I read this manifesto

0:29:41.880 --> 0:29:45.000
<v Speaker 4>exactly what she said, I immediately felt calm, Like it's

0:29:45.040 --> 0:29:47.640
<v Speaker 4>one of those big pieces where you read all of

0:29:47.640 --> 0:29:49.600
<v Speaker 4>these little points that she has and it makes you

0:29:49.680 --> 0:29:52.360
<v Speaker 4>realize there are women also in their thirties who are

0:29:52.360 --> 0:29:55.080
<v Speaker 4>going through the same thing you're going through mentally we're dating,

0:29:55.480 --> 0:29:57.479
<v Speaker 4>and then putting it all on a piece of paper

0:29:57.600 --> 0:30:01.120
<v Speaker 4>just makes you go, okay, okay, kind of tellus, tell

0:30:01.160 --> 0:30:04.080
<v Speaker 4>us what's on there. So she shared hers and her friends,

0:30:04.400 --> 0:30:06.880
<v Speaker 4>and she said, we are open to connecting with people

0:30:06.960 --> 0:30:09.640
<v Speaker 4>we least expect. We are not driven by long held

0:30:09.680 --> 0:30:11.920
<v Speaker 4>ideas of who our future partners should be.

0:30:12.920 --> 0:30:18.160
<v Speaker 3>No DJs, no preconceptions except DJs.

0:30:18.800 --> 0:30:19.400
<v Speaker 1>DJs.

0:30:19.680 --> 0:30:22.880
<v Speaker 4>We recognize that any self esteem issues and past experience

0:30:22.920 --> 0:30:25.800
<v Speaker 4>with rejection are entirely our jobs to address and not

0:30:25.840 --> 0:30:27.440
<v Speaker 4>the responsibility of a man.

0:30:27.360 --> 0:30:31.200
<v Speaker 1>We are dating. That's very therapy, that's very therapy.

0:30:31.440 --> 0:30:33.680
<v Speaker 4>We do not convince ourselves that we like a man

0:30:33.800 --> 0:30:36.960
<v Speaker 4>we are not interested in because he has withdrawn his attention.

0:30:37.120 --> 0:30:40.920
<v Speaker 3>Yes, yes, Or I would always like people just because

0:30:40.920 --> 0:30:44.200
<v Speaker 3>they liked me. I felt this was somehow obliged to

0:30:44.360 --> 0:30:44.960
<v Speaker 3>like them back.

0:30:45.440 --> 0:30:48.480
<v Speaker 1>Really yeah, somebody like.

0:30:47.880 --> 0:30:49.920
<v Speaker 3>Yeah, I'm like, oh, he likes me, And it didn't

0:30:49.920 --> 0:30:51.959
<v Speaker 3>occur to me that you don't like him, I think

0:30:51.960 --> 0:30:54.320
<v Speaker 3>because I'd internalized that idea about you don't want to

0:30:54.320 --> 0:30:57.760
<v Speaker 3>make him out uncomfortable or embarrassed. You don't want to

0:30:57.760 --> 0:30:59.280
<v Speaker 3>disappoint a man.

0:30:59.480 --> 0:30:59.920
<v Speaker 5>So to.

0:31:03.240 --> 0:31:05.720
<v Speaker 4>We know that Aaron Taylor Johnson is the exception and

0:31:05.800 --> 0:31:07.880
<v Speaker 4>not the rule, and that most men under the age

0:31:07.880 --> 0:31:10.680
<v Speaker 4>of thirty two are not emotionally advanced or equipped with

0:31:10.840 --> 0:31:13.000
<v Speaker 4>enough self knowledge to commit in the way we want

0:31:13.040 --> 0:31:13.520
<v Speaker 4>to deserve.

0:31:15.000 --> 0:31:17.880
<v Speaker 2>So that is her stay away from younger men. So

0:31:18.080 --> 0:31:22.600
<v Speaker 2>Aaron Taylor Johnson is a young British actor who ran

0:31:22.680 --> 0:31:27.440
<v Speaker 2>away with the director Sam Wood. She's called Yeah Yes,

0:31:27.640 --> 0:31:30.520
<v Speaker 2>and he starred in a movie that she made and

0:31:30.560 --> 0:31:31.600
<v Speaker 2>he was really young.

0:31:31.680 --> 0:31:32.840
<v Speaker 3>I think he was like nineteen.

0:31:32.920 --> 0:31:33.760
<v Speaker 1>He was really young.

0:31:33.760 --> 0:31:37.400
<v Speaker 2>And yeah, so they're still married to the age difference

0:31:37.440 --> 0:31:41.560
<v Speaker 2>was really significant and they're very happy, happily married and

0:31:41.640 --> 0:31:44.520
<v Speaker 2>have kids whatever. And I think the point of that

0:31:45.000 --> 0:31:47.880
<v Speaker 2>is that when a lot of women get newly single

0:31:47.960 --> 0:31:51.160
<v Speaker 2>and they get you get into some situationships with hot

0:31:51.200 --> 0:31:51.640
<v Speaker 2>young men.

0:31:52.640 --> 0:31:56.320
<v Speaker 1>He's a bit of a like a patron stay. They're like, yeah,

0:31:56.320 --> 0:31:58.120
<v Speaker 1>but look at what happened with Aaron Taylor Wood.

0:31:58.160 --> 0:32:01.080
<v Speaker 2>And I think she's making the point. Yeah, but that's

0:32:01.200 --> 0:32:03.840
<v Speaker 2>not the normal. Yeah, they're usually just trying a few

0:32:03.880 --> 0:32:07.200
<v Speaker 2>things on Bridget Jones four, one hundred and two.

0:32:08.240 --> 0:32:10.640
<v Speaker 4>What about we run a mile from men who are

0:32:10.720 --> 0:32:13.280
<v Speaker 4>nasty about their ex girl, that's a huge one.

0:32:13.320 --> 0:32:16.600
<v Speaker 2>You should have that tattooed on your hands and mother's

0:32:16.760 --> 0:32:19.440
<v Speaker 2>that's the other thing one of the lines that my

0:32:19.840 --> 0:32:20.280
<v Speaker 2>I think my.

0:32:20.280 --> 0:32:21.360
<v Speaker 1>Mother probably told me.

0:32:21.400 --> 0:32:23.959
<v Speaker 2>Of course, like a man who isn't nice to his

0:32:24.000 --> 0:32:25.280
<v Speaker 2>mother one hundred percent.

0:32:25.960 --> 0:32:27.760
<v Speaker 4>This has become such a thing. When I was having

0:32:27.840 --> 0:32:29.960
<v Speaker 4>drinks with my friends. My friend had just gone on

0:32:30.000 --> 0:32:31.080
<v Speaker 4>a date with this guy and she was like, it

0:32:31.080 --> 0:32:34.440
<v Speaker 4>was perfect, it was amazing. He called his ex girlfriend crazy,

0:32:34.480 --> 0:32:35.960
<v Speaker 4>and then we were like, ah, yeah, so you.

0:32:36.200 --> 0:32:38.200
<v Speaker 1>See him again. I went on a date with a

0:32:38.200 --> 0:32:38.600
<v Speaker 1>guy once.

0:32:38.640 --> 0:32:40.360
<v Speaker 2>We went to yom Cha, right, and he was putting

0:32:40.400 --> 0:32:42.600
<v Speaker 2>loads of chili on his dumplings and he was saying, Oh,

0:32:42.640 --> 0:32:44.000
<v Speaker 2>it's so nice to be able to put chili on

0:32:44.000 --> 0:32:47.239
<v Speaker 2>my dumplings because my ex girlfriend hated chili. And then

0:32:47.240 --> 0:32:49.200
<v Speaker 2>he said, so sometimes I just put it in things

0:32:49.240 --> 0:32:50.360
<v Speaker 2>just to piss her off because she.

0:32:50.320 --> 0:32:54.800
<v Speaker 3>Was all which is very okay. I think it's very

0:32:54.840 --> 0:32:57.200
<v Speaker 3>Brad Pitt coated as well. We're talking about that on

0:32:57.320 --> 0:33:00.960
<v Speaker 3>yesterday's subscriber episode about how well wouldn't that be a

0:33:01.000 --> 0:33:04.840
<v Speaker 3>red flag for his new girlfriend that none of his

0:33:05.360 --> 0:33:08.160
<v Speaker 3>keeps trying to sue his ex wife and none of

0:33:08.200 --> 0:33:09.320
<v Speaker 3>his kids are speaking to him.

0:33:09.760 --> 0:33:11.959
<v Speaker 4>We hope and wish that the women we know and

0:33:12.000 --> 0:33:14.360
<v Speaker 4>love are granted all the things we want most. We

0:33:14.440 --> 0:33:17.200
<v Speaker 4>celebrate when these things happen. We know that it takes

0:33:17.240 --> 0:33:18.880
<v Speaker 4>nothing from us and our future.

0:33:19.000 --> 0:33:21.440
<v Speaker 2>That's a mantra that you repeat to yourself while rocking

0:33:21.440 --> 0:33:23.760
<v Speaker 2>in a corner because your friend is, you know, having

0:33:23.800 --> 0:33:24.480
<v Speaker 2>something that you want.

0:33:24.520 --> 0:33:27.400
<v Speaker 4>But it's such a it's such a very true and

0:33:27.480 --> 0:33:32.000
<v Speaker 4>Dolly said that two months after they both wrote this manifesto,

0:33:32.520 --> 0:33:34.000
<v Speaker 4>friend met her husband.

0:33:34.760 --> 0:33:37.840
<v Speaker 3>I really like this because what it does is that

0:33:37.920 --> 0:33:44.080
<v Speaker 3>it really formalizes an attitude about a process. Rather than

0:33:44.240 --> 0:33:46.560
<v Speaker 3>looking at the end point of that process and the

0:33:46.640 --> 0:33:50.000
<v Speaker 3>outcome that you want, it's actually looking at the journey

0:33:50.080 --> 0:33:52.360
<v Speaker 3>and the experience that you want to have along the way,

0:33:52.440 --> 0:33:55.680
<v Speaker 3>and how you can try and make sure you don't

0:33:55.760 --> 0:33:58.880
<v Speaker 3>sort of make too many wrong turns and go down

0:33:58.920 --> 0:34:01.360
<v Speaker 3>to too many dead ends. And it's about it's all

0:34:01.400 --> 0:34:05.560
<v Speaker 3>about we. It's about what we want, not what he

0:34:05.640 --> 0:34:08.200
<v Speaker 3>should be. Jesse made a list.

0:34:07.960 --> 0:34:09.120
<v Speaker 1>But she did make the list.

0:34:09.360 --> 0:34:11.520
<v Speaker 2>She Didni Boley told her to do it because she

0:34:11.560 --> 0:34:12.600
<v Speaker 2>also made a list.

0:34:13.200 --> 0:34:14.399
<v Speaker 1>But yeah, Jesse wrote a list.

0:34:14.400 --> 0:34:16.200
<v Speaker 2>And then she said that when she and Lucramen dating

0:34:16.200 --> 0:34:18.600
<v Speaker 2>for a while and she looked back at the list, Yeah, a.

0:34:18.560 --> 0:34:20.000
<v Speaker 1>Lot of the things were on there.

0:34:19.880 --> 0:34:22.200
<v Speaker 3>That was more about what she wanted in a partner,

0:34:22.280 --> 0:34:26.279
<v Speaker 3>Wasn't it like humor? I just think kindness is the

0:34:26.280 --> 0:34:31.120
<v Speaker 3>most top underrated virtue in a partner. Kindness top of

0:34:31.160 --> 0:34:33.800
<v Speaker 3>the list every time, and nice shoulders.

0:34:34.480 --> 0:34:35.360
<v Speaker 1>And leg hair.

0:34:39.960 --> 0:34:43.120
<v Speaker 4>After the break, our very best rerecos to help set

0:34:43.200 --> 0:34:44.480
<v Speaker 4>up your weekend.

0:34:45.840 --> 0:34:49.720
<v Speaker 5>Vibes, ideas, atmosphere, something casual, something fun.

0:34:50.239 --> 0:34:51.759
<v Speaker 3>This is my best recommendation.

0:34:52.760 --> 0:34:54.640
<v Speaker 4>It is Friday, and we want to set up your

0:34:54.640 --> 0:34:57.120
<v Speaker 4>weekend with our very best recommendations.

0:34:57.320 --> 0:34:59.759
<v Speaker 1>Who wants to go? I will?

0:35:00.120 --> 0:35:04.880
<v Speaker 2>Mine's a little bit funny on first pass. It's do

0:35:04.920 --> 0:35:08.839
<v Speaker 2>you call them hairbands, hair elastics, hair ties, hair tied?

0:35:09.120 --> 0:35:12.000
<v Speaker 3>I never say hair ties. I think that feels American.

0:35:11.560 --> 0:35:14.160
<v Speaker 4>Hair is a big one you put over your Yeah,

0:35:14.239 --> 0:35:19.640
<v Speaker 4>that's hair tie, elastics, hair elastic.

0:35:20.120 --> 0:35:24.400
<v Speaker 3>No, maybe I say hair band in headband is the

0:35:24.400 --> 0:35:25.879
<v Speaker 3>one that you put over their hair band?

0:35:25.920 --> 0:35:29.080
<v Speaker 1>I say a hairband, They say hair lackeys. I'm pretty

0:35:29.080 --> 0:35:30.640
<v Speaker 1>sure short for elastic.

0:35:31.600 --> 0:35:35.280
<v Speaker 3>Anyway. I know that sounds a little bit like sad

0:35:35.600 --> 0:35:38.560
<v Speaker 3>just saying it's a hair tye. But I have found

0:35:38.719 --> 0:35:41.279
<v Speaker 3>a type of hair tie that is a cult and

0:35:41.320 --> 0:35:45.120
<v Speaker 3>a collectible. There are seven hundred color combinations and there

0:35:45.160 --> 0:35:50.520
<v Speaker 3>are seasonal drops. What I know they're called kiniki headbands

0:35:50.520 --> 0:35:52.960
<v Speaker 3>wire hair bands, which almost always makes me think of

0:35:53.600 --> 0:35:56.320
<v Speaker 3>Kiniki and Grease, the character the kind of do weeby one.

0:35:56.840 --> 0:35:59.440
<v Speaker 3>I first discovered them when I ordered a bunch of

0:35:59.520 --> 0:36:03.920
<v Speaker 3>pillows from a friend of the pod Jumbled, which is

0:36:03.960 --> 0:36:07.399
<v Speaker 3>a fantastic store in Orange and they're online. They self

0:36:07.440 --> 0:36:10.919
<v Speaker 3>fashion Homewar's art. I buy loads of things from there,

0:36:11.280 --> 0:36:12.960
<v Speaker 3>and so I ordered a whole lot of pillows for

0:36:13.080 --> 0:36:17.480
<v Speaker 3>my couch and they they sent just a few of

0:36:17.520 --> 0:36:21.560
<v Speaker 3>these just as a little present. And I've never seen

0:36:21.600 --> 0:36:23.480
<v Speaker 3>anything like them. They are brightly colored.

0:36:23.719 --> 0:36:26.680
<v Speaker 1>I thought they were like bracelets, yes.

0:36:26.440 --> 0:36:29.360
<v Speaker 3>And that's why I like them. They're brightly colored, they

0:36:29.520 --> 0:36:33.359
<v Speaker 3>have a backstory. They're woven, not molded, so they're very

0:36:33.480 --> 0:36:35.719
<v Speaker 3>very good and gentle on your hair. There they have

0:36:35.840 --> 0:36:40.120
<v Speaker 3>over sixty interwoven threads and they are made on Korean

0:36:40.160 --> 0:36:43.480
<v Speaker 3>vintage looms from the nineteen sixties that were originally built

0:36:43.480 --> 0:36:47.440
<v Speaker 3>to make upholstery webbing. That's some little fun fact research

0:36:47.840 --> 0:36:50.920
<v Speaker 3>no metal, no snag, no crease, but the fact that

0:36:50.960 --> 0:36:53.279
<v Speaker 3>they come in all these amazing colors. I wear them

0:36:53.320 --> 0:36:56.799
<v Speaker 3>all day every day, like I just choose some nice

0:36:56.840 --> 0:37:00.560
<v Speaker 3>colored ones and it doesn't leave that sort of red

0:37:01.760 --> 0:37:05.360
<v Speaker 3>you know, valley around your cut off your circulation around

0:37:05.400 --> 0:37:06.799
<v Speaker 3>your wrist. They're decoratives.

0:37:06.840 --> 0:37:08.400
<v Speaker 1>They're like thin scrunchies.

0:37:08.520 --> 0:37:10.680
<v Speaker 3>Yeah, and they don't crease your hair when you put.

0:37:10.520 --> 0:37:11.040
<v Speaker 1>By like that.

0:37:11.520 --> 0:37:14.839
<v Speaker 2>So the thing that I lose most often in my house.

0:37:14.880 --> 0:37:16.960
<v Speaker 2>I'm always running around my house going has anyone seen

0:37:17.000 --> 0:37:17.880
<v Speaker 2>a hair tie?

0:37:18.080 --> 0:37:18.959
<v Speaker 1>I need some of those.

0:37:19.360 --> 0:37:24.520
<v Speaker 3>Yeah, a word for the feeling, the very specific, intense

0:37:24.560 --> 0:37:27.360
<v Speaker 3>feeling of when you need a hair tye because you

0:37:27.480 --> 0:37:30.560
<v Speaker 3>just have to put your hair back. I feel like

0:37:30.600 --> 0:37:32.560
<v Speaker 3>there needs to be a word for that out louders

0:37:32.640 --> 0:37:36.200
<v Speaker 3>help us out because it is. It's such a specific

0:37:36.280 --> 0:37:39.040
<v Speaker 3>feeling and it's actually quite unbearable. It is that you

0:37:39.080 --> 0:37:40.360
<v Speaker 3>can't find the hair tye.

0:37:40.440 --> 0:37:41.320
<v Speaker 1>Really angry.

0:37:41.360 --> 0:37:43.680
<v Speaker 3>It does desperate even.

0:37:43.640 --> 0:37:47.360
<v Speaker 4>Yes, I'm also recommending a product. It is a blush.

0:37:47.440 --> 0:37:50.839
<v Speaker 4>I'm wearing it right now. It's from Merit and it's

0:37:50.840 --> 0:37:53.560
<v Speaker 4>in the color Fox, but they have thirteen different shades.

0:37:53.600 --> 0:37:55.920
<v Speaker 2>Can I put my hand up and ask what merit is?

0:37:55.960 --> 0:37:58.000
<v Speaker 2>Because I've seen this everywhere, but I've never.

0:37:58.000 --> 0:37:58.560
<v Speaker 1>It's seen it.

0:37:58.680 --> 0:38:00.919
<v Speaker 4>You would have seen it all over your TikTok. It's

0:38:00.960 --> 0:38:05.080
<v Speaker 4>like the It's Girl beauty brand of the season. It

0:38:05.360 --> 0:38:08.799
<v Speaker 4>came into Australia recently in the past few years. You

0:38:08.840 --> 0:38:11.239
<v Speaker 4>can buy their products from their website and they now

0:38:11.280 --> 0:38:15.160
<v Speaker 4>ship directly to Australia. It is kind of I would

0:38:15.200 --> 0:38:18.320
<v Speaker 4>say pricey aside, the blush itself is forty eight dollars.

0:38:18.560 --> 0:38:20.960
<v Speaker 1>That is exy rasy for me. It's fine for some

0:38:21.000 --> 0:38:21.600
<v Speaker 1>other people.

0:38:21.800 --> 0:38:23.080
<v Speaker 3>Did you buy it from the website?

0:38:23.120 --> 0:38:27.239
<v Speaker 4>I bought it from the website when they came into Australia.

0:38:27.280 --> 0:38:29.520
<v Speaker 1>But it's one of those blushes that I use for everything.

0:38:29.640 --> 0:38:30.839
<v Speaker 3>Is there anywhere I can touch it?

0:38:31.160 --> 0:38:32.200
<v Speaker 1>I've got it on my desk.

0:38:32.440 --> 0:38:35.000
<v Speaker 3>No, But like, is it sold in a shop or only.

0:38:34.960 --> 0:38:35.600
<v Speaker 1>You can't get it?

0:38:35.640 --> 0:38:37.200
<v Speaker 4>I thought you could get into four but it's only

0:38:37.280 --> 0:38:40.359
<v Speaker 4>in the USA, so it's only their website you can

0:38:40.400 --> 0:38:44.080
<v Speaker 4>get it from. I bought it after our beauty editor

0:38:44.200 --> 0:38:45.399
<v Speaker 4>Aaron recommended it.

0:38:45.560 --> 0:38:47.640
<v Speaker 3>How did you know if you were buying online what

0:38:47.800 --> 0:38:50.600
<v Speaker 3>color to get? If there were thirteen different colors.

0:38:50.280 --> 0:38:50.800
<v Speaker 1>Of blood have?

0:38:50.880 --> 0:38:52.960
<v Speaker 4>They put them in like little category so they have

0:38:53.080 --> 0:38:55.000
<v Speaker 4>like a pop of color category, and then in a

0:38:55.040 --> 0:38:57.320
<v Speaker 4>neutrals category and then in a darker category. And I

0:38:57.360 --> 0:38:59.360
<v Speaker 4>always go neutraols with blush because I feel like with

0:38:59.400 --> 0:39:01.719
<v Speaker 4>my skin tone and they sit better. So this is

0:39:01.800 --> 0:39:03.879
<v Speaker 4>kind of like a warm talk. You can also see

0:39:03.880 --> 0:39:05.719
<v Speaker 4>which ones are cool which ones are warm depending on

0:39:05.719 --> 0:39:07.239
<v Speaker 4>your color here and is it a stick, is it

0:39:07.239 --> 0:39:09.600
<v Speaker 4>a powder? What is it's a little pot. It's a

0:39:09.640 --> 0:39:12.200
<v Speaker 4>cream blush. I've also got it on my eyelids and

0:39:12.280 --> 0:39:14.280
<v Speaker 4>on my lips, so I use it for all three.

0:39:14.920 --> 0:39:17.480
<v Speaker 4>And that's why I feel like I will keep buying

0:39:17.480 --> 0:39:19.360
<v Speaker 4>it because the price point for me is extually.

0:39:19.360 --> 0:39:21.520
<v Speaker 1>But because I use it for all three, I like it.

0:39:21.680 --> 0:39:23.920
<v Speaker 3>Have you got anything on over it on your lips?

0:39:24.000 --> 0:39:26.200
<v Speaker 1>Just lined it. I've just lined my lips.

0:39:25.920 --> 0:39:27.359
<v Speaker 3>And then it looks quite moist.

0:39:27.520 --> 0:39:29.120
<v Speaker 1>It's all in the middle. Yeah, because it's creamy.

0:39:29.320 --> 0:39:31.640
<v Speaker 2>Then you've got a bit of a shimmer on your cheek.

0:39:31.840 --> 0:39:34.160
<v Speaker 2>It's very nice, I have to say.

0:39:34.880 --> 0:39:36.560
<v Speaker 4>And then because it's so good for travel, you just

0:39:36.600 --> 0:39:39.279
<v Speaker 4>need the one pot for all three. They have so

0:39:39.400 --> 0:39:41.440
<v Speaker 4>many different shades. So if you want to check it out,

0:39:41.520 --> 0:39:43.520
<v Speaker 4>highly recommend it to marry It will put a link

0:39:43.560 --> 0:39:44.600
<v Speaker 4>to the website for you.

0:39:45.120 --> 0:39:48.120
<v Speaker 2>I am recommending something that I have a suspicion i've

0:39:48.160 --> 0:39:50.520
<v Speaker 2>recommended before, but that's because I love it and it's

0:39:50.520 --> 0:39:52.399
<v Speaker 2>been a way a long time and it's back. And

0:39:52.440 --> 0:39:56.920
<v Speaker 2>that is the new season of Kitchen Cabinet with Annabel Crab.

0:39:57.000 --> 0:39:58.120
<v Speaker 3>Who's she interviewing.

0:39:59.000 --> 0:40:02.560
<v Speaker 2>First episode was the Prime Minister Now, so em said

0:40:02.600 --> 0:40:04.960
<v Speaker 2>to me, what's kitchen cabinet?

0:40:05.080 --> 0:40:06.399
<v Speaker 1>And I went, what do you mean?

0:40:06.480 --> 0:40:09.760
<v Speaker 2>And then our social producer test was like, what's kitchen cabinet?

0:40:09.760 --> 0:40:12.120
<v Speaker 2>And they thought it was a cooking show. So I

0:40:12.200 --> 0:40:14.799
<v Speaker 2>need to just quickly explain me and I would know

0:40:14.880 --> 0:40:16.759
<v Speaker 2>that it's not quite a cooking show. And it kind

0:40:16.760 --> 0:40:19.560
<v Speaker 2>of is too. It's a show where Annimal Crab who

0:40:19.600 --> 0:40:22.440
<v Speaker 2>obviously has all the credibility as a political reporter at

0:40:22.440 --> 0:40:24.839
<v Speaker 2>the ABC. She was for years, so she's very well

0:40:24.920 --> 0:40:25.800
<v Speaker 2>versed in that world.

0:40:25.680 --> 0:40:28.520
<v Speaker 3>And also someone who is an outstanding cook.

0:40:28.719 --> 0:40:30.360
<v Speaker 1>Yes, loves cooking and baking.

0:40:30.840 --> 0:40:32.200
<v Speaker 3>She's author of cookbooks.

0:40:32.239 --> 0:40:34.680
<v Speaker 2>She has a show that she's been doing for years

0:40:34.719 --> 0:40:38.480
<v Speaker 2>and years where she goes to a politician's house and

0:40:38.600 --> 0:40:42.160
<v Speaker 2>they have to cook her dinner and she brings dessert

0:40:42.400 --> 0:40:45.120
<v Speaker 2>and over the course of this quite short half hour,

0:40:45.560 --> 0:40:48.920
<v Speaker 2>over the course of the episode, they have dinner and

0:40:48.960 --> 0:40:50.839
<v Speaker 2>she you know, gets to the bottom of them.

0:40:50.960 --> 0:40:52.520
<v Speaker 1>Right, do they talk politics?

0:40:52.560 --> 0:40:52.799
<v Speaker 4>Well.

0:40:52.880 --> 0:40:55.200
<v Speaker 2>The thing that's interesting about the show is in recent

0:40:55.320 --> 0:40:59.160
<v Speaker 2>years it became quite it's become quite controversial because they

0:40:59.200 --> 0:41:02.680
<v Speaker 2>do talk politics, but it isn't seven thirty, like she

0:41:02.760 --> 0:41:06.520
<v Speaker 2>isn't grilling them. So, for example, the first episode of

0:41:06.560 --> 0:41:08.600
<v Speaker 2>this one was with the Prime Minister as it should be,

0:41:08.760 --> 0:41:11.760
<v Speaker 2>I guess, and she goes to the lodge and Albo

0:41:11.880 --> 0:41:13.440
<v Speaker 2>cooks for her in the lodge kitchen.

0:41:13.560 --> 0:41:14.160
<v Speaker 3>What does he cook?

0:41:14.239 --> 0:41:16.520
<v Speaker 2>And they so the politician chooses what they're going to cook,

0:41:16.520 --> 0:41:19.720
<v Speaker 2>and they always choose something that's going to tell us story.

0:41:20.000 --> 0:41:23.240
<v Speaker 2>So he cooks a traditional Italian or a keta actually

0:41:23.239 --> 0:41:26.720
<v Speaker 2>my mom makes this, or a ketti pasta with broccoli

0:41:26.760 --> 0:41:30.840
<v Speaker 2>and Anchovi's, Oh, we love. He makes that, and obviously

0:41:30.840 --> 0:41:33.480
<v Speaker 2>he has Italian heritage, so that's his thing. And she

0:41:33.719 --> 0:41:37.319
<v Speaker 2>brings him homemade wagon Wheel biscuits because he grew up

0:41:37.320 --> 0:41:40.480
<v Speaker 2>near a biscuit factory in Marrickville. Right over the course

0:41:40.520 --> 0:41:44.439
<v Speaker 2>of this short interview, you discover that Albo is very

0:41:44.480 --> 0:41:47.200
<v Speaker 2>anal like obsessed with the.

0:41:47.040 --> 0:41:50.680
<v Speaker 3>Word I didn't expect to hear. I'm just imagining. I

0:41:50.680 --> 0:41:53.360
<v Speaker 3>was thinking about wagon wheel to say that, and I

0:41:53.480 --> 0:41:57.600
<v Speaker 3>was thinking about beautiful pasta, and now we're talking about.

0:41:58.000 --> 0:42:00.880
<v Speaker 1>He is obsessed with prosit process.

0:42:00.920 --> 0:42:02.879
<v Speaker 2>He doesn't like any of his food to touch each

0:42:02.880 --> 0:42:06.040
<v Speaker 2>other except for Pastor that's allowed obviously, and he doesn't

0:42:06.120 --> 0:42:07.960
<v Speaker 2>like Amanavella in his kitchen with him.

0:42:08.280 --> 0:42:11.399
<v Speaker 1>So, like, it's one of those shows watching you just.

0:42:11.480 --> 0:42:14.719
<v Speaker 2>Learn about the person and then when they sit down,

0:42:14.800 --> 0:42:16.520
<v Speaker 2>she does grill him a bit on politics in terms

0:42:16.560 --> 0:42:18.399
<v Speaker 2>of she says, what do you think young Albo would think?

0:42:18.440 --> 0:42:21.000
<v Speaker 2>You know, the one who protested about X y Z.

0:42:21.120 --> 0:42:22.560
<v Speaker 2>What do you think he'd think about you?

0:42:22.600 --> 0:42:22.799
<v Speaker 5>Now?

0:42:22.880 --> 0:42:24.520
<v Speaker 2>Like, so she doesn't age would you like to go

0:42:24.560 --> 0:42:27.680
<v Speaker 2>back to Yes, she does bring that, but it's not

0:42:28.080 --> 0:42:28.600
<v Speaker 2>a grilling.

0:42:28.680 --> 0:42:28.839
<v Speaker 5>Now.

0:42:28.880 --> 0:42:32.200
<v Speaker 2>That's why it became kind of controversial in recent years

0:42:32.200 --> 0:42:35.440
<v Speaker 2>because I think as our political discourse has become more heated,

0:42:35.920 --> 0:42:39.560
<v Speaker 2>a lot of people are like, how very dare you

0:42:39.600 --> 0:42:42.320
<v Speaker 2>go to this person's house and present them like a human.

0:42:42.440 --> 0:42:44.759
<v Speaker 2>So during the course of this season, she's going to

0:42:44.840 --> 0:42:47.200
<v Speaker 2>go to all the politicians' houses. Right, whether or not

0:42:47.239 --> 0:42:50.040
<v Speaker 2>she's got Hanson, nobody quite knows. Maybe me or no,

0:42:50.160 --> 0:42:52.080
<v Speaker 2>She's not going to tell me, but she's the second

0:42:52.120 --> 0:42:54.200
<v Speaker 2>one was with Angus Taylor, said, the leader of the opposition.

0:42:54.239 --> 0:42:56.279
<v Speaker 2>In the past, she's been to Barnaby Joyce's house, she's

0:42:56.280 --> 0:42:58.640
<v Speaker 2>been to Scomo's house, she's been a Pete Dunton's house.

0:42:58.760 --> 0:42:59.759
<v Speaker 2>She goes to everyone's house.

0:42:59.840 --> 0:43:00.000
<v Speaker 3>Yeah.

0:43:00.280 --> 0:43:02.799
<v Speaker 1>And the reason I like it do you get to

0:43:02.800 --> 0:43:04.719
<v Speaker 1>see the house? A You get to see the house.

0:43:04.960 --> 0:43:07.239
<v Speaker 2>And the thing that's funny about this is Albo's dog

0:43:07.360 --> 0:43:09.919
<v Speaker 2>is just constantly running up and down the stairs behind them.

0:43:11.760 --> 0:43:13.160
<v Speaker 3>And you're just getting steps in.

0:43:13.640 --> 0:43:15.399
<v Speaker 1>What's Toto doing?

0:43:15.440 --> 0:43:18.800
<v Speaker 2>I don't know anyway, But is that, even without the grilling,

0:43:19.400 --> 0:43:22.160
<v Speaker 2>you learn so much about somebody. So I remember in

0:43:22.160 --> 0:43:25.080
<v Speaker 2>Pete Dutton's one, she was asking him questions about his

0:43:25.160 --> 0:43:28.120
<v Speaker 2>time as a police officer and stuff that was really

0:43:28.160 --> 0:43:31.120
<v Speaker 2>revealing to his character without her sitting there and going

0:43:31.480 --> 0:43:33.439
<v Speaker 2>you think this, and you think that. So I find

0:43:33.480 --> 0:43:36.480
<v Speaker 2>it really interesting. I also think it never does any

0:43:36.520 --> 0:43:38.959
<v Speaker 2>harm us any harm to remember that everybody is human,

0:43:38.960 --> 0:43:42.440
<v Speaker 2>whether you like them or not, or agree them or not.

0:43:43.040 --> 0:43:45.880
<v Speaker 2>And I really find it. I really like the format.

0:43:45.960 --> 0:43:48.200
<v Speaker 2>I really like that. Not everybody does, but I do anyway.

0:43:48.280 --> 0:43:48.839
<v Speaker 1>So it's back.

0:43:48.880 --> 0:43:50.439
<v Speaker 2>It's been off air for a year, for a good

0:43:50.440 --> 0:43:53.120
<v Speaker 2>few years. I'm delighted to see it back. The first

0:43:53.200 --> 0:43:55.399
<v Speaker 2>two are up and then it's going to drop week

0:43:55.440 --> 0:43:55.759
<v Speaker 2>to week.

0:43:56.120 --> 0:43:57.080
<v Speaker 1>Yeah, I watch this.

0:43:57.160 --> 0:44:00.200
<v Speaker 3>I agree with you. I have absolutely no time for

0:44:00.360 --> 0:44:06.799
<v Speaker 3>people who want to not humanize anyone not you know

0:44:06.840 --> 0:44:09.440
<v Speaker 3>that everything has to be antagonistic, and that if you

0:44:09.600 --> 0:44:13.560
<v Speaker 3>somehow talk to someone you don't agree with, that means

0:44:13.560 --> 0:44:17.520
<v Speaker 3>you're endorsing everything they've ever said, everything they've ever done.

0:44:17.680 --> 0:44:19.440
<v Speaker 2>And even if you watch it, like I think I've

0:44:19.480 --> 0:44:23.120
<v Speaker 2>probably watched all of them, and I never walk away going, oh,

0:44:23.160 --> 0:44:24.880
<v Speaker 2>you know what, I really agree with all that guy's

0:44:24.920 --> 0:44:27.000
<v Speaker 2>policies now that I really couldn't agree with before, because

0:44:27.000 --> 0:44:29.319
<v Speaker 2>I'm a smart human being who can handle that, and

0:44:29.400 --> 0:44:32.120
<v Speaker 2>most people are like I can handle hearing that point

0:44:32.120 --> 0:44:34.759
<v Speaker 2>of view without it meaning that I've signed off on

0:44:34.840 --> 0:44:35.480
<v Speaker 2>that point of view.

0:44:35.560 --> 0:44:38.359
<v Speaker 3>Yeah. It drives me crazy because these people only say

0:44:38.400 --> 0:44:40.800
<v Speaker 3>it about the people they disagree with. They're very happy

0:44:41.200 --> 0:44:44.040
<v Speaker 3>for the people they agree with to be portrayed in

0:44:44.400 --> 0:44:48.000
<v Speaker 3>whatever positive light, but if they don't agree somehow, it

0:44:48.080 --> 0:44:50.879
<v Speaker 3>means that that can't No one can have a comboise so.

0:44:51.080 --> 0:44:53.840
<v Speaker 2>Be I mean, you know, Annabel Krab, who has bags

0:44:53.880 --> 0:44:58.000
<v Speaker 2>of credibility in political reporting, she like, her questions are great.

0:44:58.080 --> 0:45:00.960
<v Speaker 2>She's not you know, she's not in any way letting

0:45:00.960 --> 0:45:03.279
<v Speaker 2>everybody off the hook. Like and also she does it

0:45:03.440 --> 0:45:06.279
<v Speaker 2>very She always does across the political spectrum. So she'll

0:45:06.320 --> 0:45:08.680
<v Speaker 2>going to a Green's house, a national house, a labor house,

0:45:08.680 --> 0:45:12.600
<v Speaker 2>a liberal house. It's like, I find that really interesting. Yeah, anyway,

0:45:12.640 --> 0:45:14.640
<v Speaker 2>it's a great show. It's back and also part of

0:45:14.680 --> 0:45:16.840
<v Speaker 2>the fun it is seeing what Annabel bakes. How is

0:45:16.880 --> 0:45:19.680
<v Speaker 2>she such a good baker who makes their own wagon wheel?

0:45:19.760 --> 0:45:22.160
<v Speaker 4>That's insane. I need to see those immediately. It's on

0:45:22.200 --> 0:45:23.480
<v Speaker 4>ABC IVW Friends.

0:45:23.800 --> 0:45:25.200
<v Speaker 3>She's just phenomenal.

0:45:25.880 --> 0:45:28.440
<v Speaker 2>Oh, We've got one more reco because there's a new

0:45:28.480 --> 0:45:30.640
<v Speaker 2>Mama Mia show this week, and I believe that it's

0:45:30.719 --> 0:45:32.560
<v Speaker 2>for your people, em and by that I mean the

0:45:32.640 --> 0:45:33.160
<v Speaker 2>young one.

0:45:33.239 --> 0:45:37.560
<v Speaker 4>So Mom and Mia, we have a new gen Z podcast.

0:45:37.600 --> 0:45:41.120
<v Speaker 4>It's a comedy podcast. It's hosted by two girls here

0:45:41.160 --> 0:45:41.760
<v Speaker 4>in the office.

0:45:41.840 --> 0:45:42.439
<v Speaker 1>Live and Live.

0:45:42.600 --> 0:45:44.920
<v Speaker 2>Oh you'll know at least one of the Lives because

0:45:44.960 --> 0:45:47.800
<v Speaker 2>she is so great on social it's so funny.

0:45:48.760 --> 0:45:51.399
<v Speaker 4>Live James if you you might know her name. She's

0:45:51.440 --> 0:45:54.160
<v Speaker 4>always on our Instagram. She does these video explainers and

0:45:54.200 --> 0:45:57.280
<v Speaker 4>she's so good at them. Live Coleman also really funny.

0:45:57.320 --> 0:45:59.880
<v Speaker 4>They're both in their twenties and what they do is

0:46:00.120 --> 0:46:03.280
<v Speaker 4>they go through the comments and all of these viral

0:46:03.400 --> 0:46:07.200
<v Speaker 4>tiktoks and viral Instagram videos and they kind of do

0:46:07.280 --> 0:46:10.800
<v Speaker 4>it a big explainer on what's happening about this viral

0:46:10.880 --> 0:46:14.960
<v Speaker 4>moment just through the comments and the dynamic is so good,

0:46:15.400 --> 0:46:16.280
<v Speaker 4>so funny.

0:46:16.520 --> 0:46:18.440
<v Speaker 1>I think the first episode comes out this week.

0:46:18.520 --> 0:46:22.359
<v Speaker 3>It does came out yesterday. It's I love this show

0:46:22.400 --> 0:46:25.759
<v Speaker 3>because I learn, like I don't understand a lot of it. Yeah,

0:46:25.760 --> 0:46:27.960
<v Speaker 3>but it's you know how sometimes you can just be like,

0:46:28.600 --> 0:46:31.360
<v Speaker 3>what's that I don't understand? And I just listened to

0:46:31.400 --> 0:46:34.200
<v Speaker 3>this and it keeps me. I feel like it keeps

0:46:34.239 --> 0:46:36.920
<v Speaker 3>me in touch with what gen Z's are talking about.

0:46:36.680 --> 0:46:37.960
<v Speaker 1>And they're so themselves.

0:46:38.320 --> 0:46:42.720
<v Speaker 4>Live James recently did an explainer on The Odyssey before

0:46:42.760 --> 0:46:44.600
<v Speaker 4>you go watch it. Oh, I loved it, and it's

0:46:44.760 --> 0:46:47.520
<v Speaker 4>so funny because she pronounces all the names wrong and

0:46:47.520 --> 0:46:48.879
<v Speaker 4>she's like, you know what, I don't care.

0:46:49.200 --> 0:46:50.080
<v Speaker 1>It went absolutely via.

0:46:50.160 --> 0:46:52.520
<v Speaker 2>I love that. We said that in the promo for

0:46:52.600 --> 0:46:54.560
<v Speaker 2>it was like with Sada, there weren't enough shows out

0:46:54.560 --> 0:46:56.759
<v Speaker 2>there that were hosted by two.

0:46:56.320 --> 0:46:59.000
<v Speaker 1>Two women called live in their twenties. Try to get

0:46:59.000 --> 0:47:00.680
<v Speaker 1>it's true. You have to find a gap in the mask.

0:47:00.880 --> 0:47:03.480
<v Speaker 3>Now I have a listen, we'll put a link in

0:47:03.560 --> 0:47:04.400
<v Speaker 3>our show notes.

0:47:04.680 --> 0:47:06.080
<v Speaker 1>That is all we have time for today.

0:47:06.120 --> 0:47:08.440
<v Speaker 2>Out loudert, thank you for being with us all week.

0:47:08.680 --> 0:47:10.719
<v Speaker 2>It has been a joy as ever. Thank you to

0:47:10.760 --> 0:47:12.640
<v Speaker 2>our team and we will be back into your ears

0:47:12.640 --> 0:47:13.120
<v Speaker 2>on Monday.

0:47:13.320 --> 0:47:15.120
<v Speaker 1>Bye bye bye.

0:47:16.080 --> 0:47:18.920
<v Speaker 4>Mamma Maya acknowledges the traditional owners of the land on

0:47:19.000 --> 0:47:20.640
<v Speaker 4>which we have recorded this podcast.