WEBVTT - Fashion Expert Kathryn Eisman On Reading A Person Through Their Outfit 

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<v Speaker 1>You're listening to a Mom with mea podcast.

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<v Speaker 2>Whoever said orange is a new pink with seriously disturbed.

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<v Speaker 1>Laurels for spraying groundbreaking? Oh my god, you have to

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<v Speaker 1>do it. You live for fashion.

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<v Speaker 2>Hello, and welcome to Nothing to Wear, the podcast that

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<v Speaker 2>solves fashion.

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<v Speaker 1>Problems and levels up your wardrobe.

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<v Speaker 2>I'm Lee Campbell, and today I'm joined by a guest

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<v Speaker 2>with a very special talent. Today I'm joined by Katherine Eisman,

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<v Speaker 2>an Emmy nominator journalist and author and the founder of

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<v Speaker 2>fashion label High Heel Jungle. Katherine has an uncanny knack.

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<v Speaker 2>She can look at an accessory someone's wearing and tell

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<v Speaker 2>everything about them. So we're going to talk through the

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<v Speaker 2>micro data points we wear without even knowing it and

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<v Speaker 2>what it says about us.

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<v Speaker 1>Plus how to go.

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<v Speaker 2>Into our own wardrobes and work out who we really

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<v Speaker 2>are right now and make sure that's reflected in what

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<v Speaker 2>we wear.

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<v Speaker 1>Catherine, Welcome for Nothing to Wear. Thank you so much

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<v Speaker 1>for having me. We have so much to cover, but

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<v Speaker 1>let's start at the start. Who are you and where

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<v Speaker 1>did your career begin? Okay, well who am I? That

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<v Speaker 1>I can't answer? But where are the career began? Are

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<v Speaker 1>you today exactly in this moment. I started my career

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<v Speaker 1>the very beginning, as a model, average one, and I

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<v Speaker 1>studied communications and journalism. And actually it was while I

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<v Speaker 1>was modeling that I discovered this. I was sitting on

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<v Speaker 1>the floor and I saw these men's shoes walking past,

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<v Speaker 1>and I was playing a game with myself, like I

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<v Speaker 1>bet it's this guy, I bet it's that guy, and

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<v Speaker 1>thinking about characteristics. Anyway, see the shoes. I could only

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<v Speaker 1>see the.

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<v Speaker 2>Shin date that show blind date, but yeah, exactly, and

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<v Speaker 2>then I would look up and be like, oh, I

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<v Speaker 2>test myself anyway. That became the beginning of what became

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<v Speaker 2>my career, I guess was my first book a long

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<v Speaker 2>time ago, called How to Tell a Man by His

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<v Speaker 2>Shoes and this lifelong passion that I've had for connecting

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<v Speaker 2>the clothes that we wear and the deepest parts of

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<v Speaker 2>who we are as people. And I went to New

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<v Speaker 2>York on that book tour, ended up beaming a reporter

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<v Speaker 2>for NBC New York, and.

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<v Speaker 1>Which was not part of the plan. I'm guessing it

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<v Speaker 1>wasn't had so many different plans, and back in the day,

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<v Speaker 1>I felt that you really had to pick a lane.

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<v Speaker 1>It wasn't like now where you can become your own industry.

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<v Speaker 1>I wanted to write. I loved writing, but I also

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<v Speaker 1>did love television.

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<v Speaker 2>And I and with the you know, the education after modeling,

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<v Speaker 2>it makes sense.

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<v Speaker 1>But yeah, I write place right time exactly. I wrote

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<v Speaker 1>the book. The book became a bestseller. It really changed

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<v Speaker 1>my life in many ways. I moved to New York

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<v Speaker 1>and had the most extraordinary time working as a reporter

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<v Speaker 1>journalist for NBC at thirty Rock and just learning so

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<v Speaker 1>much so quickly. And then I ended up working television

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<v Speaker 1>a long time, writing columns, writing books, doing a TV

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<v Speaker 1>series called Undressed, all about the link between the clothing

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<v Speaker 1>that we were in the person we are. Worked for

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<v Speaker 1>E News, had a fashion and lifestyle and then launched

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<v Speaker 1>High Hill Jungle by Katherine Eisband, which is my brand now.

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<v Speaker 2>So we're going to talk more about that later because

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<v Speaker 2>I love what I've seen so far. But I want

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<v Speaker 2>to ask a few more questions about kind of this

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<v Speaker 2>talent that you've got, so more on this skill of

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<v Speaker 2>you know, seeing a shoe and then kind of guessing

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<v Speaker 2>who the man is it's wearing them, that you got

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<v Speaker 2>it pretty right most of the time. How did that

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<v Speaker 2>evolve and how have you used that in your career since?

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<v Speaker 1>Oh gosh, okay. Well, the first time I realized I

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<v Speaker 1>had this ability in a very pragmatic way was I

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<v Speaker 1>was on holiday with my dad in Italy and some

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<v Speaker 1>guy came up to me to ask for directions at

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<v Speaker 1>a train station Italy in Italian. Unfortunately I don't speak Italian.

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<v Speaker 1>I would like to obviously looked you know, you weren't

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<v Speaker 1>looking touristy, though you obviously looked the pace. I think

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<v Speaker 1>when you hear the rest of the story, I looked

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<v Speaker 1>very too. It's really interesting because I remember staring at

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<v Speaker 1>him and reading what he was wearing and this oversized

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<v Speaker 1>camel Kashmir code, and remember his brown monk strap leather shoes,

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<v Speaker 1>and I remember thinking there was this really big disconnect

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<v Speaker 1>between his face and hiss these very plush, beautiful, elegant clothes.

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<v Speaker 1>My father came back and we really that the video

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<v Speaker 1>cam quarter back in the day that had our whole

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<v Speaker 1>holidays memories on it was missing, and I remember saying

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<v Speaker 1>to my dad, I don't know how because I only

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<v Speaker 1>saw one person, but it must have been this guy

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<v Speaker 1>because his clothes didn't match his face. And the vibe

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<v Speaker 1>you got when it was starting exactly I think we

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<v Speaker 1>all get and to varying degrees, have this ability to

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<v Speaker 1>read a person. There's so much that happens that's energetic

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<v Speaker 1>and not necessarily what someone says. That's such a small

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<v Speaker 1>part of it. But I never noticed their clothes. So

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<v Speaker 1>this is where it gets interesting. And the clothing is

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<v Speaker 1>really I think of clothing and it is is the

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<v Speaker 1>external manifestation of your internal world. And there are so

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<v Speaker 1>many clues that we don't realize that we're giving off.

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<v Speaker 1>And it's not anything to do with how much money

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<v Speaker 1>you spent or how fashionable or on trend you are,

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<v Speaker 1>other than it maybe being that you want to be

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<v Speaker 1>part of something and feel a sense of belonging, and

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<v Speaker 1>maybe there is a certain kind of interest in newness

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<v Speaker 1>and also a lack of kind of confident. There's different

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<v Speaker 1>aspects to act, but it's really about are you dressing

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<v Speaker 1>to be seen? Are you dressing to disappear? Are you

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<v Speaker 1>kind of thrown together and creative and kind of have

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<v Speaker 1>hazard and or are you very structured and buttoned up?

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<v Speaker 1>What colors you wear? You know, what shapes. There's so

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<v Speaker 1>many little iterations of clothing that really reveal how we're feeling,

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<v Speaker 1>not just how we want to be perceived in the world,

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<v Speaker 1>because I think a lot of people think of clothing

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<v Speaker 1>when they think of it one step further than it

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<v Speaker 1>being superficient. They think, Oh, it's about making a great impression.

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<v Speaker 2>I'll look powerful, but maybe you're not feeling that, And yeah,

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<v Speaker 2>and it's really about when you look in the mirror,

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<v Speaker 2>are you seeing an authentic, positive representation of who you want?

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<v Speaker 1>Because when that aligns, that's when someone has incredible personal style.

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<v Speaker 1>That's when someone feels aligned. And so that's how I've

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<v Speaker 1>always seen fashion as a form of empowerment and creative

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<v Speaker 1>self expression and taking it away from people feeling judged

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<v Speaker 1>or fearful of it. Yeah.

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<v Speaker 2>So, however, those years, you know, you've had this talent

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<v Speaker 2>for a long time, how has that influenced what you wear?

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<v Speaker 2>Do you think about it more or you don't have

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<v Speaker 2>to think about it, because I surely you've been through

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<v Speaker 2>different life stages and ups and downs. How has that

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<v Speaker 2>been reflected in how you've presented yourself with your outfits.

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<v Speaker 1>Well, it's such a great question, because you really, even

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<v Speaker 1>though I'm so hyper aware of it and I do

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<v Speaker 1>read people, and it's a different kind of depth of

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<v Speaker 1>insight that I have when I look at it through

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<v Speaker 1>that land. I still am at the mercy of clothing

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<v Speaker 1>expressing parts of me, the highs and the lows, so

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<v Speaker 1>I can look like all of us. I can look

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<v Speaker 1>through my wardrobe and see these very clearly defined chapters.

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<v Speaker 1>And I often think, you know, the name of your

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<v Speaker 1>podcast is like nothing to wear. And people often will say, oh,

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<v Speaker 1>I have a you know, water full of clothes and

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<v Speaker 1>nothing to wear. What you're really saying is that I

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<v Speaker 1>don't know who to be. I don't know who to

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<v Speaker 1>be today in this moment, and maybe the things that

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<v Speaker 1>I'm seeing reflected back at me are an old version

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<v Speaker 1>of myself that doesn't feel aligned in what I've had.

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<v Speaker 1>That even when I came back. I went from Sydney,

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<v Speaker 1>where I was wearing colorful, pretty dresses. I was twenty

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<v Speaker 1>one when I moved to New York. I arrived in

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<v Speaker 1>New York winter. Wow. You know, I feel like the

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<v Speaker 1>tan leached out of my skin on entry, and within

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<v Speaker 1>a couple, you know, a year, I was wearing all black.

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<v Speaker 1>And then I moved to LA and was and worked

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<v Speaker 1>so very different so different, and it worked in entertainment.

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<v Speaker 1>I was at E News and it was the you know,

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<v Speaker 1>the time where everyone was wearing I don't know if

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<v Speaker 1>you remember, like it was the Galaxy dress, which was

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<v Speaker 1>and then there was like a cheaper version of it,

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<v Speaker 1>which was the black halo Jackie O dress, which was

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<v Speaker 1>this kind of very body conscious and you had it

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<v Speaker 1>in every color and I had that.

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<v Speaker 2>You know, especially when you're on TV, that's a whole

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<v Speaker 2>other degree, I think, when you're being seen by so

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<v Speaker 2>many people all the time and wearing things new before

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<v Speaker 2>social media when everyone wants new things for their grid post.

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<v Speaker 2>But that was a whole different time, one hundred percent,

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<v Speaker 2>so you and you can see that, and then you

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<v Speaker 2>can also see when I came back to Australia, that

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<v Speaker 2>whole wardrobe just felt so wrong here everyone was wearing

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<v Speaker 2>fifty shades of beige when I felt like and it

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<v Speaker 2>was everything's very oversized and more relaxed and natural fibers

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<v Speaker 2>and many beautiful things. But this whole very Hollywood outfit,

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<v Speaker 2>you know, wardrobe I had just felt so wrong. Yeah,

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<v Speaker 2>and I had to refine myself as a person and

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<v Speaker 2>also as a dresser in that version. But I think

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<v Speaker 2>it's really exciting to like look at your wardrobe as

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<v Speaker 2>chapters in your book.

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<v Speaker 1>Of your life like a diary. It's a diary.

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<v Speaker 2>I love that will be back with more of Catherine's

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<v Speaker 2>incredible insights right after the break. I think also people

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<v Speaker 2>might make the mistake where they have things in their

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<v Speaker 2>wardrobe that they've had for a while, or even shopping now,

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<v Speaker 2>I still do this. I buy things for who I

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<v Speaker 2>want to be and it's just not realistic, it's not practical.

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<v Speaker 2>I want to be comfortable, or I get it home

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<v Speaker 2>and I think, you know, I'm forty four, can I

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<v Speaker 2>wear that?

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<v Speaker 1>Which is a whole other dilemma as you can.

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<v Speaker 2>But yes, that's what I tell everyone here, but you know,

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<v Speaker 2>it still goes through my head. So not only do

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<v Speaker 2>we have things from our past, but we kind of

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<v Speaker 2>are projecting where.

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<v Speaker 1>We thought our life would be it would like to be.

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<v Speaker 1>Do you see that as well? One hundred percent? Yeah,

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<v Speaker 1>you really can see different versions of who you want

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<v Speaker 1>to be, not just who you've outgrown sometimes, which is

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<v Speaker 1>definitely the case. But I think it's really interesting when

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<v Speaker 1>you look in your wordsrop and you see the pieces

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<v Speaker 1>that still have the tags on them, because that was

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<v Speaker 1>that was some fantasy, a version of me and version

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<v Speaker 1>of you that you felt like you want to buy

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<v Speaker 1>into it quite literally at ever, and it's not you,

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<v Speaker 1>you know, And every time you've tried to put it on,

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<v Speaker 1>you've taken it off and put it back. What does

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<v Speaker 1>that say? And that says, well, it depends what it is,

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<v Speaker 1>but it definitely sometimes there's a version waiting for us

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<v Speaker 1>to discover that we do want to be and that

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<v Speaker 1>just like anything that fears holding us back and we

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<v Speaker 1>are scared to stay. And in that case then you

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<v Speaker 1>really have to rip the tag off and put it on. Yeah.

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<v Speaker 1>And there are other times where you're dressing, often for

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<v Speaker 1>someone else's ideas or that's what you think you should

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<v Speaker 1>wear because you saw, you know, four hundred people wearing

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<v Speaker 1>on your Instagram feed that morning and you went out

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<v Speaker 1>and bought it, and then you just realize it wasn't you.

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<v Speaker 1>And that's where it feels inauthentic. And in those cases

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<v Speaker 1>I was like, sell it, given it a way to

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<v Speaker 1>a friend who it might be, because I have had

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<v Speaker 1>that time where you put on that dress, you go

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<v Speaker 1>to an event or whatever it is, and you just

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<v Speaker 1>want to go home. Yes, and take it off because

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<v Speaker 1>you're so it's so wrong for you, and I have

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<v Speaker 1>a like, if it feels wrong at home, it's going

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<v Speaker 1>to feel ten times worse when you're out at an event.

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<v Speaker 1>But yeah, I think you've got to be honest with

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<v Speaker 1>yourself and say, is this someone that I want to

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<v Speaker 1>be but I'm afraid to or is this someone that

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<v Speaker 1>I thought I had to be that I don't want

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<v Speaker 1>to be, and then make judgments according to that.

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<v Speaker 2>Such a good point with the tag on and you've

0:11:00.634 --> 0:11:02.594
<v Speaker 2>not worn it yet because I've got several things that

0:11:02.634 --> 0:11:05.314
<v Speaker 2>I've put on, put back, put on, put back.

0:11:05.354 --> 0:11:06.594
<v Speaker 1>When am I going to wear that? I'm not.

0:11:06.674 --> 0:11:08.074
<v Speaker 2>I just need to let go of the guilt of

0:11:08.074 --> 0:11:10.434
<v Speaker 2>spending the money or not being her or whatever it

0:11:10.474 --> 0:11:12.874
<v Speaker 2>is and move it on so it's not in the way.

0:11:13.114 --> 0:11:15.154
<v Speaker 2>But it's funny because I think we marry, you know,

0:11:15.554 --> 0:11:17.634
<v Speaker 2>failure to the clothes that we've bought but haven't worn

0:11:17.714 --> 0:11:19.514
<v Speaker 2>for certain reasons.

0:11:19.314 --> 0:11:22.634
<v Speaker 1>One hundred percent, because everyone, no matter what your budget is,

0:11:23.074 --> 0:11:25.954
<v Speaker 1>it's so wasteful. It's kind of like the fashion version

0:11:26.034 --> 0:11:30.034
<v Speaker 1>of throwing out a half eaten plant of food. And

0:11:30.074 --> 0:11:32.274
<v Speaker 1>your parents were telling you, like it's a waste. There

0:11:32.274 --> 0:11:33.634
<v Speaker 1>are kids that are starving and.

0:11:33.674 --> 0:11:35.274
<v Speaker 2>Ordering a coffee when you keep cups in the car

0:11:35.314 --> 0:11:36.754
<v Speaker 2>and you just couldn't be bothered to go and get it.

0:11:36.794 --> 0:11:38.194
<v Speaker 1>You know, I've done that times, going oh my god,

0:11:38.194 --> 0:11:40.274
<v Speaker 1>I feel so bad, but it's much worse. Yeah, it's

0:11:40.354 --> 0:11:43.834
<v Speaker 1>like that. So and I think, look, everyone's allowed to

0:11:43.914 --> 0:11:48.154
<v Speaker 1>have some mistakes. And I think that your wardrobe. What

0:11:48.194 --> 0:11:50.794
<v Speaker 1>would be worse is to not be experimenting at all,

0:11:50.914 --> 0:11:54.234
<v Speaker 1>to be so stuck in a way of dressing and

0:11:54.314 --> 0:11:57.154
<v Speaker 1>a way of thinking that you're not evolving. So I

0:11:57.154 --> 0:11:58.794
<v Speaker 1>think you've got to give yourself a little bit of

0:11:58.834 --> 0:12:01.754
<v Speaker 1>grace and so at least I was trying to be,

0:12:02.114 --> 0:12:04.834
<v Speaker 1>you know, for whatever reason. And I think the worst

0:12:04.914 --> 0:12:08.514
<v Speaker 1>thing would be to never change is a person. Yeah,

0:12:08.554 --> 0:12:10.594
<v Speaker 1>I think that's when and you do see that in

0:12:10.674 --> 0:12:14.194
<v Speaker 1>close in people, whether people feel stuck and how that manifests.

0:12:14.274 --> 0:12:16.554
<v Speaker 2>And unfortunately, I think as us women age, we feel

0:12:16.594 --> 0:12:18.994
<v Speaker 2>like we need to shrink, so we get less experimental.

0:12:19.794 --> 0:12:22.514
<v Speaker 2>We look for more comfort, which is wonderful. But you

0:12:22.554 --> 0:12:25.674
<v Speaker 2>can be comfortable and stylish and experiment and it doesn't

0:12:25.674 --> 0:12:27.234
<v Speaker 2>mean because you're getting older that you can't wear that

0:12:27.394 --> 0:12:29.994
<v Speaker 2>like you just said before, even though in my head, oh,

0:12:30.034 --> 0:12:31.354
<v Speaker 2>I sometimes tell myself that.

0:12:31.474 --> 0:12:33.434
<v Speaker 1>Yeah, absolutely. I always feel like there's this thing called

0:12:33.434 --> 0:12:36.394
<v Speaker 1>repetitious wardrobes interrome. I made it up, but I like

0:12:36.474 --> 0:12:38.634
<v Speaker 1>that tell us more about it, and so the brain

0:12:38.914 --> 0:12:40.354
<v Speaker 1>likes to do the same things at the same time.

0:12:40.354 --> 0:12:42.314
<v Speaker 1>We love routine, you know, in a world where there's

0:12:42.354 --> 0:12:44.714
<v Speaker 1>so many choices and decisions we have to make and

0:12:44.754 --> 0:12:48.194
<v Speaker 1>it's exhausting, we do love to like get have the

0:12:48.234 --> 0:12:51.514
<v Speaker 1>same coffee order, you know, get up ideally at the

0:12:51.514 --> 0:12:54.394
<v Speaker 1>same time, have the same breakfast and how we dress.

0:12:54.394 --> 0:12:57.474
<v Speaker 1>Repetious wardrobes is is that part of that, and it

0:12:57.514 --> 0:13:01.714
<v Speaker 1>can be useful in terms of like having your uniform

0:13:01.754 --> 0:13:04.634
<v Speaker 1>that yeah, like Steve Jobs did. Like Steve Jobs exactly,

0:13:04.834 --> 0:13:10.314
<v Speaker 1>everyone listening, get a black and you're good and make billions.

0:13:11.154 --> 0:13:13.994
<v Speaker 1>But I think and Obama had the same thing, President Obama.

0:13:14.114 --> 0:13:17.114
<v Speaker 1>So people can have those choices. Usually men happy women

0:13:17.194 --> 0:13:18.554
<v Speaker 1>have a version of it. Might be a pair of

0:13:18.634 --> 0:13:21.034
<v Speaker 1>jeans and a blazer or whatever it might be, or

0:13:21.114 --> 0:13:23.314
<v Speaker 1>the same three suits that they're on rotation. But I

0:13:23.354 --> 0:13:26.074
<v Speaker 1>think that we can become a bit of a broken record.

0:13:26.434 --> 0:13:29.514
<v Speaker 1>And there's this other thing where people get stuck at

0:13:29.554 --> 0:13:31.554
<v Speaker 1>an era, so you can look at people and you

0:13:31.554 --> 0:13:35.034
<v Speaker 1>couldn't see and it's often when they felt most connected

0:13:35.074 --> 0:13:36.154
<v Speaker 1>to the music.

0:13:35.794 --> 0:13:38.554
<v Speaker 2>When they felt most alive. So you can often see

0:13:38.554 --> 0:13:41.274
<v Speaker 2>the purple patch. Things were going well, they were feeling good.

0:13:41.754 --> 0:13:44.594
<v Speaker 1>Yes, and you can look at someone and say like, oh,

0:13:44.634 --> 0:13:48.634
<v Speaker 1>clearly like the eighties were their moment, the nineties which

0:13:48.634 --> 0:13:52.154
<v Speaker 1>are back, you know. I think the part that I

0:13:52.234 --> 0:13:56.034
<v Speaker 1>am upset about is that the messaging to yourself is

0:13:56.034 --> 0:13:59.194
<v Speaker 1>that the best years are behind you. Gosh, yes, I'm

0:13:59.234 --> 0:14:01.914
<v Speaker 1>relating to that right now, and that is not true.

0:14:02.034 --> 0:14:04.953
<v Speaker 1>The best years are right now. The day that you

0:14:05.034 --> 0:14:07.714
<v Speaker 1>get to get dressed and breathe and wake up, that's

0:14:07.794 --> 0:14:10.994
<v Speaker 1>the day. And that idea of not saving your clothing

0:14:11.354 --> 0:14:14.514
<v Speaker 1>for some future thing or thinking that that was when

0:14:14.514 --> 0:14:17.194
<v Speaker 1>you had it all together, it's now. Yeah, I can't

0:14:17.194 --> 0:14:20.674
<v Speaker 1>go back. You can't go back, and you actually wouldn't

0:14:20.674 --> 0:14:22.714
<v Speaker 1>want it. We all romanced, like even New York I

0:14:22.834 --> 0:14:24.074
<v Speaker 1>romanticized about it.

0:14:24.194 --> 0:14:25.514
<v Speaker 2>I don't when you go back to an X and

0:14:25.554 --> 0:14:26.954
<v Speaker 2>you think it'll be great, then you're like, actually, you're

0:14:26.954 --> 0:14:30.034
<v Speaker 2>a dickhead. You know, you forgot because you romanticized it.

0:14:30.034 --> 0:14:32.514
<v Speaker 2>It was bad things back then. That's why we broke up.

0:14:32.554 --> 0:14:36.274
<v Speaker 1>And you've learnt so much since that wonderful version of

0:14:36.314 --> 0:14:38.794
<v Speaker 1>you that you thought was so perfect. You're at a peak.

0:14:39.114 --> 0:14:41.234
<v Speaker 1>You are a better version of yourself. Not you so true?

0:14:41.274 --> 0:14:44.114
<v Speaker 1>Why is a smarter? Whatever it is? And so I

0:14:44.194 --> 0:14:46.714
<v Speaker 1>always feel like saying, who do I want to be

0:14:47.354 --> 0:14:50.154
<v Speaker 1>right now? Like? Who am I? What are the three

0:14:50.234 --> 0:14:52.834
<v Speaker 1>things that make me feel yes?

0:14:52.874 --> 0:14:54.594
<v Speaker 2>Because I think we hear a lot on this podcast

0:14:54.594 --> 0:14:57.194
<v Speaker 2>that women want to develop personal style. They don't know

0:14:57.234 --> 0:14:59.154
<v Speaker 2>what to wear. Either they've got usually they've got too

0:14:59.234 --> 0:15:01.794
<v Speaker 2>many clothes ye, or they've just yeah, they're stuck in

0:15:01.914 --> 0:15:04.634
<v Speaker 2>a safe zone. How can someone sit down with themselves

0:15:04.634 --> 0:15:06.714
<v Speaker 2>and go, right, who do I want to be right now?

0:15:06.794 --> 0:15:09.154
<v Speaker 2>Or where am I realistically in my life? Maybe that's

0:15:09.194 --> 0:15:11.394
<v Speaker 2>not exactly where they want to be, and then get

0:15:11.474 --> 0:15:14.114
<v Speaker 2>dressed accordingly because that can be confronting.

0:15:13.794 --> 0:15:16.274
<v Speaker 1>One hundred percent, And you're so right. It's often too

0:15:16.314 --> 0:15:18.954
<v Speaker 1>many clothes not we often think, oh, the solutions to

0:15:18.994 --> 0:15:21.554
<v Speaker 1>buy more. I've even fallen like, oh, oh, I'm like

0:15:21.594 --> 0:15:24.434
<v Speaker 1>that right now. I'll give you a few tips that

0:15:24.474 --> 0:15:27.154
<v Speaker 1>I think are really helpful if you do buy something. Yes,

0:15:27.434 --> 0:15:31.434
<v Speaker 1>I often say buy something that is a complete outfit,

0:15:32.314 --> 0:15:34.794
<v Speaker 1>because we have this thing I've kind of thought of.

0:15:34.834 --> 0:15:37.554
<v Speaker 1>This is like a bower bird shopping habit where you

0:15:37.594 --> 0:15:40.794
<v Speaker 1>see something shiny or whatever it is, and you love

0:15:40.834 --> 0:15:43.514
<v Speaker 1>it and it doesn't work with pretty much anything else

0:15:43.514 --> 0:15:45.274
<v Speaker 1>in your wardrobe. And you have this wardrobe full of

0:15:45.274 --> 0:15:47.434
<v Speaker 1>all these beautiful pieces and none of them go and

0:15:47.474 --> 0:15:49.754
<v Speaker 1>you really do have nothing to wear. Yes, So I

0:15:49.794 --> 0:15:52.914
<v Speaker 1>always feel like, in the name of simplicity, we're all

0:15:53.074 --> 0:15:56.594
<v Speaker 1>so stretched too thin. We have very little band with

0:15:56.634 --> 0:15:58.634
<v Speaker 1>Even if you love fashion as much as we do,

0:15:58.714 --> 0:16:01.474
<v Speaker 1>and so many people listening do, we don't have time

0:16:01.514 --> 0:16:05.674
<v Speaker 1>to reimagine an entirely unique wardrobe choice every morning. So

0:16:05.794 --> 0:16:09.194
<v Speaker 1>if you have like a complete set, you know that

0:16:09.314 --> 0:16:11.914
<v Speaker 1>no matter what, just put that on and yes, ideally

0:16:11.994 --> 0:16:13.794
<v Speaker 1>you can mix it with three other things. In your words,

0:16:13.954 --> 0:16:16.674
<v Speaker 1>I always love that, But you have that done. I

0:16:16.714 --> 0:16:21.354
<v Speaker 1>love that game on. The Next thing is asking yourself like, Okay,

0:16:21.394 --> 0:16:23.834
<v Speaker 1>what are the three kind of like style power words

0:16:23.834 --> 0:16:26.194
<v Speaker 1>that I want to feel? And it can be different.

0:16:26.194 --> 0:16:27.914
<v Speaker 1>We're not one thing. This is the thing I have

0:16:28.074 --> 0:16:30.874
<v Speaker 1>People say, just be yourself and I'm like, which one? Yeah?

0:16:30.914 --> 0:16:31.154
<v Speaker 2>Who?

0:16:31.194 --> 0:16:33.234
<v Speaker 1>Which one? What time in my cycle. I don't know,

0:16:33.674 --> 0:16:36.434
<v Speaker 1>there's so many, and it's like, but that's okay. I

0:16:36.434 --> 0:16:38.394
<v Speaker 1>think you could think of three words and they can

0:16:38.474 --> 0:16:41.754
<v Speaker 1>be almost contradictory, like you are a contradiction, like you am.

0:16:42.114 --> 0:16:44.714
<v Speaker 2>You're very like like classic and androgynists, but then I

0:16:44.834 --> 0:16:47.594
<v Speaker 2>like to be different and sometimes feminine.

0:16:47.714 --> 0:16:49.554
<v Speaker 1>Yeah, I think you have like I see with you

0:16:49.634 --> 0:16:52.314
<v Speaker 1>more than you realize, is like a rebellious streak to

0:16:52.354 --> 0:16:53.634
<v Speaker 1>you of kind.

0:16:53.394 --> 0:16:56.354
<v Speaker 2>Of so true, like I won't jaywalk, but I will

0:16:56.554 --> 0:16:59.314
<v Speaker 2>let my clothes be a little bit not following the rules.

0:16:59.434 --> 0:17:02.714
<v Speaker 1>Yeah, yeah, you know the rules. You're also have this

0:17:02.834 --> 0:17:05.033
<v Speaker 1>kind of a bit of a renegade spirit to you,

0:17:05.074 --> 0:17:07.674
<v Speaker 1>of like trying new things and wanting to like be

0:17:07.754 --> 0:17:09.634
<v Speaker 1>okay with being a little bit scared. So I see

0:17:09.634 --> 0:17:12.474
<v Speaker 1>them not be bored, Ye, not be bored exactly, and

0:17:12.554 --> 0:17:16.354
<v Speaker 1>so okay. Three words so you say, like who are they?

0:17:16.394 --> 0:17:20.834
<v Speaker 1>So it might be creative, it might be confident, and

0:17:20.914 --> 0:17:24.314
<v Speaker 1>it might be feminine or whatever it is. And edit

0:17:24.354 --> 0:17:26.994
<v Speaker 1>your wardrobe and does it now? Great if it falls

0:17:27.034 --> 0:17:30.434
<v Speaker 1>into AU three, unlikely, But otherwise, if it falls into

0:17:30.514 --> 0:17:33.154
<v Speaker 1>any one of those three, it gets to stay. If

0:17:33.154 --> 0:17:35.513
<v Speaker 1>it is none of those things that you want to feel.

0:17:35.594 --> 0:17:37.994
<v Speaker 1>It should be it's an emotion. Like if you do

0:17:38.114 --> 0:17:41.794
<v Speaker 1>not feel any of those things, it has to go

0:17:42.474 --> 0:17:44.354
<v Speaker 1>and give it to someone else that may be their

0:17:44.594 --> 0:17:47.954
<v Speaker 1>wonderful word. Yes, And I think there's this wonderful just

0:17:47.994 --> 0:17:49.434
<v Speaker 1>like you know when they talk about money, and it's

0:17:49.474 --> 0:17:52.394
<v Speaker 1>like there's a real flow to it. And if you're

0:17:52.434 --> 0:17:55.314
<v Speaker 1>trying to ware attention goes energy flows something like that. Yeah,

0:17:55.474 --> 0:17:56.434
<v Speaker 1>that's I like that.

0:17:56.834 --> 0:17:59.714
<v Speaker 2>And also flow your clothes onto someone else who will

0:17:59.714 --> 0:18:01.034
<v Speaker 2>give them attention exactly.

0:18:01.234 --> 0:18:03.994
<v Speaker 1>And I think that if you don't hold onto things

0:18:03.994 --> 0:18:06.514
<v Speaker 1>so tightly, it creates space for new things and new

0:18:06.594 --> 0:18:08.834
<v Speaker 1>versions of yourself to it to come into your life

0:18:08.834 --> 0:18:12.394
<v Speaker 1>as well. So I just did a massive wardrobe claar out.

0:18:12.434 --> 0:18:14.714
<v Speaker 1>Now the clothes are still in the bag. I haven't

0:18:14.754 --> 0:18:16.714
<v Speaker 1>been able to like quite get them other house, okay,

0:18:16.754 --> 0:18:17.634
<v Speaker 1>but they're in the bag.

0:18:17.794 --> 0:18:19.914
<v Speaker 2>And I sometimes do a maybe pile, like a maybe

0:18:19.954 --> 0:18:22.394
<v Speaker 2>pile or a maybe you know, vacuum thing in the

0:18:22.434 --> 0:18:25.554
<v Speaker 2>spare room cupboard, and nine times out of ten I

0:18:25.594 --> 0:18:27.034
<v Speaker 2>don't remember what's in there, and then I take it

0:18:27.074 --> 0:18:28.434
<v Speaker 2>to donate or to sell later.

0:18:28.594 --> 0:18:30.394
<v Speaker 1>But for me it just feels a little bit safer.

0:18:30.594 --> 0:18:32.954
<v Speaker 2>Yeah, that it hasn't fully gone in case who I

0:18:33.194 --> 0:18:35.794
<v Speaker 2>was in that moment when I made that decision. Yes,

0:18:35.954 --> 0:18:38.554
<v Speaker 2>you know I leave when someone else comes back. Yeah,

0:18:38.594 --> 0:18:40.793
<v Speaker 2>it feels a little bit less final. And to me

0:18:40.874 --> 0:18:43.634
<v Speaker 2>because I do make a lot of emotional purchases or

0:18:43.674 --> 0:18:45.914
<v Speaker 2>have you know, keep things for a long time, it

0:18:45.914 --> 0:18:46.874
<v Speaker 2>feels a little bit safer.

0:18:47.034 --> 0:18:49.354
<v Speaker 1>That's a really great thing too, because everyone always says

0:18:49.434 --> 0:18:50.714
<v Speaker 1>just put in the bag and throw it out, but

0:18:50.754 --> 0:18:53.594
<v Speaker 1>there's actually I think it would be really horrible and

0:18:53.634 --> 0:18:57.474
<v Speaker 1>haunting people to regret the things. Okay, so from my

0:18:57.594 --> 0:19:02.154
<v Speaker 1>four bags actually that I have. Last weekend I got

0:19:02.194 --> 0:19:06.033
<v Speaker 1>two outfits out of fancy and I wore them. But

0:19:06.154 --> 0:19:09.074
<v Speaker 1>had I not done this massive wardrobe plane out, I

0:19:09.074 --> 0:19:11.874
<v Speaker 1>would not be aware that they were even there. And

0:19:12.394 --> 0:19:16.513
<v Speaker 1>I wore them with intention. I enjoyed them, And so

0:19:16.554 --> 0:19:18.994
<v Speaker 1>it's a really great thing to do. It's almost like

0:19:19.034 --> 0:19:20.474
<v Speaker 1>you give yourself two steps.

0:19:20.514 --> 0:19:21.874
<v Speaker 2>You know. It's like a bit of a stock take

0:19:21.914 --> 0:19:23.553
<v Speaker 2>Who am I now? Who do I want to be?

0:19:23.754 --> 0:19:24.714
<v Speaker 2>Am I close to being her?

0:19:24.754 --> 0:19:27.434
<v Speaker 1>What have I got? Yeah? And bringing a piece or

0:19:27.474 --> 0:19:30.834
<v Speaker 1>an outfit in that just gently pushes you more towards

0:19:30.874 --> 0:19:33.594
<v Speaker 1>that version, because which as we said, we're constantly evolving.

0:19:33.874 --> 0:19:38.834
<v Speaker 1>There is something we're getting to, yes, and that's exciting,

0:19:39.314 --> 0:19:42.874
<v Speaker 1>and so you're allowed to just edge a little forward

0:19:42.874 --> 0:19:46.274
<v Speaker 1>towards that version and try something new. And I always say,

0:19:46.354 --> 0:19:48.033
<v Speaker 1>because we go into shops and I call it like

0:19:48.114 --> 0:19:51.114
<v Speaker 1>fashion blinkers, where you walk in and you if you

0:19:51.234 --> 0:19:53.874
<v Speaker 1>love black, you kind of just naturally go to the black,

0:19:53.954 --> 0:19:54.954
<v Speaker 1>or if you love what it's going to be.

0:19:54.954 --> 0:19:57.234
<v Speaker 2>My next question, why do I keep buying denim chean

0:19:57.274 --> 0:19:59.634
<v Speaker 2>bray shirts. I love them, but I don't need another

0:19:59.674 --> 0:20:01.914
<v Speaker 2>one and the three I love the most are enough?

0:20:01.954 --> 0:20:04.754
<v Speaker 2>But do you find that people either have more than

0:20:04.794 --> 0:20:06.874
<v Speaker 2>they need of one item? And is that a safety thing?

0:20:07.114 --> 0:20:08.194
<v Speaker 2>What does that kind of mean?

0:20:08.234 --> 0:20:11.794
<v Speaker 1>Do you think? Yeah, absolutely, most people will have many

0:20:11.914 --> 0:20:15.394
<v Speaker 1>versions of the same thing in their wardrobe. And look,

0:20:15.434 --> 0:20:17.273
<v Speaker 1>there's an element of it being practical because you know,

0:20:17.314 --> 0:20:19.593
<v Speaker 1>you love it, it works on you, and you're probably

0:20:19.594 --> 0:20:21.793
<v Speaker 1>gonna wear it. But there's also a thing I'm not

0:20:21.834 --> 0:20:24.674
<v Speaker 1>I don't need thirty and that's getting weird. And that's

0:20:24.714 --> 0:20:28.394
<v Speaker 1>where it is like for me, shoes, Like there's only

0:20:28.554 --> 0:20:31.394
<v Speaker 1>two feet that I have, but I you can only

0:20:31.434 --> 0:20:34.754
<v Speaker 1>wear two shoes a day. I know, exactly. Well, you

0:20:34.834 --> 0:20:35.794
<v Speaker 1>might wear odd ones.

0:20:35.634 --> 0:20:37.434
<v Speaker 2>So that you can at least get two pairs ticked off.

0:20:37.434 --> 0:20:38.794
<v Speaker 2>But yeah, but you're realistic.

0:20:39.194 --> 0:20:41.914
<v Speaker 1>So I think that we have these kind of soft

0:20:41.914 --> 0:20:45.634
<v Speaker 1>spots with different things, and it's often something that we

0:20:45.714 --> 0:20:48.434
<v Speaker 1>think looks good on us so and often connected even

0:20:48.474 --> 0:20:50.234
<v Speaker 1>to like a body part that you feel good with. Like,

0:20:50.274 --> 0:20:52.794
<v Speaker 1>so some people they love their upper body, so you'll

0:20:52.794 --> 0:20:54.874
<v Speaker 1>see them buy like so many of the same kind

0:20:54.914 --> 0:20:57.394
<v Speaker 1>of different versions of that top. Yes, some people love

0:20:57.754 --> 0:21:00.434
<v Speaker 1>pants and they'll have forty different pairs of jeans because

0:21:00.474 --> 0:21:02.354
<v Speaker 1>they love their bart or legs or whatever is. Yeah,

0:21:02.354 --> 0:21:04.634
<v Speaker 1>for me, it's shoes, you know, I love it, and

0:21:04.714 --> 0:21:07.714
<v Speaker 1>I think that it shows you where you're comfort is

0:21:07.754 --> 0:21:09.513
<v Speaker 1>and where you know you're going to look good. It

0:21:09.554 --> 0:21:12.514
<v Speaker 1>takes out the fear of you looking at being unflattering.

0:21:12.634 --> 0:21:15.394
<v Speaker 1>You know. It works. But the same time, it is

0:21:15.434 --> 0:21:16.914
<v Speaker 1>like a bit of a stuck in a right. It's

0:21:16.914 --> 0:21:18.874
<v Speaker 1>a bit of that broken record that's playing the same

0:21:18.874 --> 0:21:21.394
<v Speaker 1>thing and you need say like no, and you only

0:21:21.434 --> 0:21:24.354
<v Speaker 1>wear your favorite version of it anyway, So it's just wasteful.

0:21:24.354 --> 0:21:25.674
<v Speaker 1>So you have to just at some point put a

0:21:25.714 --> 0:21:27.273
<v Speaker 1>quota and say, like I'm.

0:21:27.154 --> 0:21:31.954
<v Speaker 2>Allowed however many So you mentioned micro data points in

0:21:31.994 --> 0:21:33.674
<v Speaker 2>what people wear, you can see those.

0:21:33.874 --> 0:21:36.194
<v Speaker 1>What's a micro data point? Okay, so you know the

0:21:36.234 --> 0:21:39.194
<v Speaker 1>idea of the subconscious mind and how when you get

0:21:39.194 --> 0:21:42.954
<v Speaker 1>a gut instinct about someone, it's really based on so

0:21:43.194 --> 0:21:48.554
<v Speaker 1>many very complex psychological analysis that you've done that express

0:21:48.594 --> 0:21:50.954
<v Speaker 1>itself in a moment as a gut reaction.

0:21:51.154 --> 0:21:53.874
<v Speaker 2>Yes, which is always right, by the way, always. I

0:21:53.874 --> 0:21:55.994
<v Speaker 2>don't know about for men, but my gut is always right,

0:21:56.034 --> 0:21:58.073
<v Speaker 2>and when you get older you learn to trust it.

0:21:58.634 --> 0:22:01.154
<v Speaker 2>So I have that same thing when it comes to clothing,

0:22:01.274 --> 0:22:03.634
<v Speaker 2>and it's not just me, like I've been able to

0:22:03.754 --> 0:22:07.874
<v Speaker 2>articulate it and explain it to people, but all of

0:22:07.954 --> 0:22:10.194
<v Speaker 2>us judge each other within a tenth of a second,

0:22:10.594 --> 0:22:12.954
<v Speaker 2>and we do it without me to don't judge a

0:22:12.954 --> 0:22:15.114
<v Speaker 2>book by its cover. But I think it's a survival

0:22:15.234 --> 0:22:16.754
<v Speaker 2>thing from like primal days.

0:22:16.794 --> 0:22:18.754
<v Speaker 1>It is okay, good, Yeah, it's like are they going

0:22:18.794 --> 0:22:22.954
<v Speaker 1>to eat me? Should I run? Exactly? And sometimes you should,

0:22:22.994 --> 0:22:26.553
<v Speaker 1>especially when it comes to dating. But yeah, So really,

0:22:26.634 --> 0:22:29.794
<v Speaker 1>what I've found is that when I look at someone's clothing,

0:22:30.394 --> 0:22:35.234
<v Speaker 1>I will notice the smallest microdata points. So it might

0:22:35.314 --> 0:22:38.594
<v Speaker 1>be the condition of their shoes, the shape of it.

0:22:38.674 --> 0:22:41.353
<v Speaker 1>Are they square toe they pointy? Are they brown? Are

0:22:41.354 --> 0:22:44.154
<v Speaker 1>they black? Are they more conservative? What kind of jeens?

0:22:44.354 --> 0:22:46.794
<v Speaker 1>Are they going baggy? Is it distress? Is it completely

0:22:46.834 --> 0:22:48.674
<v Speaker 1>on trend? Is it the it gene? They need to

0:22:48.674 --> 0:22:51.434
<v Speaker 1>have an ass today? Are they dress conservative but they

0:22:51.474 --> 0:22:55.033
<v Speaker 1>have wild manicures? Is there kind of some contrast contradiction

0:22:55.154 --> 0:22:57.073
<v Speaker 1>of like who they have to be, but who they

0:22:57.114 --> 0:23:00.074
<v Speaker 1>really are that's fighting through? Do they have a necklace

0:23:00.114 --> 0:23:02.714
<v Speaker 1>that is you know, a big name brand that's kind

0:23:02.714 --> 0:23:06.194
<v Speaker 1>of subscribing to that version of what's considered you know,

0:23:06.474 --> 0:23:08.754
<v Speaker 1>aspiration or is it sentimental?

0:23:08.914 --> 0:23:09.074
<v Speaker 3>Is it?

0:23:09.114 --> 0:23:11.033
<v Speaker 1>Was it a family heirloom? And that's the kind of

0:23:11.314 --> 0:23:15.674
<v Speaker 1>so you can get a sense of there are really,

0:23:15.754 --> 0:23:21.234
<v Speaker 1>depending on what you're wearing, potentially thousands of microdata points

0:23:21.314 --> 0:23:25.634
<v Speaker 1>that reveal different decision making processes. It occurred because every

0:23:25.674 --> 0:23:29.033
<v Speaker 1>time you get dressed, whether you are aware of it

0:23:29.154 --> 0:23:32.874
<v Speaker 1>or not, there is a subconscious decision making process that

0:23:32.954 --> 0:23:35.474
<v Speaker 1>says a word of infinite choices at pretty much every

0:23:35.514 --> 0:23:38.834
<v Speaker 1>price point these days, Yes, I am choosing to wear

0:23:39.074 --> 0:23:42.274
<v Speaker 1>this as a second skin as I walk through my life. Yes,

0:23:42.514 --> 0:23:46.394
<v Speaker 1>And so it's not so much the clothing. It's the

0:23:46.434 --> 0:23:49.394
<v Speaker 1>decision that drew that person to that piece. Yes, to

0:23:49.394 --> 0:23:52.754
<v Speaker 1>say that you're able to analyze that, So I have

0:23:53.034 --> 0:23:56.474
<v Speaker 1>had this, I think a truly god given worst kind

0:23:56.474 --> 0:23:57.994
<v Speaker 1>of analysis.

0:23:58.474 --> 0:24:01.754
<v Speaker 2>In off it sounds exhausting. I'm the least observant person

0:24:01.794 --> 0:24:03.434
<v Speaker 2>in the world. But I'm just if you said you

0:24:03.474 --> 0:24:06.194
<v Speaker 2>know that dress you all yesterdaily, I wouldn't remember. I'd

0:24:06.234 --> 0:24:07.754
<v Speaker 2>like to be a bit more observed. But for you,

0:24:07.834 --> 0:24:10.474
<v Speaker 2>it sounds so intrinsic that it just happens almost subconsciously.

0:24:10.514 --> 0:24:12.514
<v Speaker 1>It does, It really does. But there's also the thing

0:24:12.554 --> 0:24:14.634
<v Speaker 1>where because when you write a book, how to tell

0:24:14.634 --> 0:24:16.194
<v Speaker 1>them my shoes, how to tell them by your handbag,

0:24:16.194 --> 0:24:19.114
<v Speaker 1>when you do a TV show undress chatronized, where you

0:24:19.194 --> 0:24:22.754
<v Speaker 1>read people strangers, and of course when you go to

0:24:22.794 --> 0:24:25.634
<v Speaker 1>a party you become like it's like, yes, it's like

0:24:25.834 --> 0:24:27.513
<v Speaker 1>if you learn if you're like a croupier, you know

0:24:27.554 --> 0:24:29.634
<v Speaker 1>what I mean, it's a dangerous thing to go to

0:24:29.714 --> 0:24:32.513
<v Speaker 1>like a cards night anyway, So people will ask me.

0:24:32.994 --> 0:24:35.914
<v Speaker 1>And so even though I'm always reading people, and we're

0:24:35.994 --> 0:24:39.114
<v Speaker 1>all all reading people to varying degrees, like you may

0:24:39.114 --> 0:24:42.114
<v Speaker 1>not realize it, but you by the way might not

0:24:42.354 --> 0:24:45.434
<v Speaker 1>remember what they were were I they made me feel,

0:24:45.714 --> 0:24:48.154
<v Speaker 1>but you remember what you and also not just how

0:24:48.314 --> 0:24:50.714
<v Speaker 1>they made you feel, but also like how you felt

0:24:50.714 --> 0:24:54.394
<v Speaker 1>about them and how you position them and which category

0:24:54.434 --> 0:24:57.474
<v Speaker 1>of person you put very very true, and you won't

0:24:57.514 --> 0:25:01.394
<v Speaker 1>have realized why you came to that conclusion, but that

0:25:01.514 --> 0:25:04.594
<v Speaker 1>is occurring for you. I've just verbalized it in a

0:25:04.634 --> 0:25:08.674
<v Speaker 1>way that you probably internalized, and so I think that

0:25:09.274 --> 0:25:11.914
<v Speaker 1>it's a really interesting skill. But when I am asked

0:25:11.954 --> 0:25:15.034
<v Speaker 1>to read someone, I kind of go into a different

0:25:15.074 --> 0:25:17.194
<v Speaker 1>part of myself. It's it's almost like it's really bad

0:25:17.194 --> 0:25:19.833
<v Speaker 1>to film because I really go like, no, I love it.

0:25:19.834 --> 0:25:24.594
<v Speaker 1>It's fascinating because I then really seek to understand that person.

0:25:24.954 --> 0:25:26.553
<v Speaker 2>And if someone knows they're going to meet you, I

0:25:26.554 --> 0:25:28.634
<v Speaker 2>wonder if that's a bit tricky. I think you would

0:25:28.634 --> 0:25:31.314
<v Speaker 2>probably tell more about someone on how they dress day

0:25:31.314 --> 0:25:33.474
<v Speaker 2>to day rather than what they choose to wear to

0:25:33.514 --> 0:25:36.514
<v Speaker 2>that wedding. You know that oftentimes you would encounter people,

0:25:36.554 --> 0:25:38.234
<v Speaker 2>but it's surely it's the day to day stuff that

0:25:38.274 --> 0:25:39.754
<v Speaker 2>we put on that's really who we are.

0:25:39.994 --> 0:25:42.114
<v Speaker 1>Yes, it is, but it's both, you know, because then

0:25:42.154 --> 0:25:43.793
<v Speaker 1>you can put in the context of like Okay for

0:25:43.834 --> 0:25:46.714
<v Speaker 1>a fancy dress event they've chosen to wear that. That's true.

0:25:46.754 --> 0:25:48.954
<v Speaker 1>There's a lot of so you know, so there's it's interesting,

0:25:48.954 --> 0:25:51.313
<v Speaker 1>but I always it's so funny. You always meet people

0:25:51.354 --> 0:25:53.634
<v Speaker 1>and often men will be like, oh no, no, no,

0:25:53.714 --> 0:25:55.954
<v Speaker 1>I never wear these, and I'm looking at the shoes.

0:25:55.994 --> 0:25:58.994
<v Speaker 1>I'm like, well someone is they're not brand new? Yeah, yeah,

0:25:58.994 --> 0:26:00.593
<v Speaker 1>And it's really fun. It's always I always have this

0:26:00.594 --> 0:26:03.234
<v Speaker 1>thing where it's like, whatever I find you wearing is

0:26:03.234 --> 0:26:06.074
<v Speaker 1>what I meant to see you in. And it's never judgmental.

0:26:06.114 --> 0:26:08.554
<v Speaker 1>That's the thing. I think action could be so judgmental.

0:26:08.594 --> 0:26:10.914
<v Speaker 1>And even with creating high Hill Jungle, I want it

0:26:10.954 --> 0:26:15.154
<v Speaker 1>to be freedom, not restriction. I want us to feel seen,

0:26:15.314 --> 0:26:15.954
<v Speaker 1>not judged.

0:26:15.994 --> 0:26:18.514
<v Speaker 2>And that's because that's why so many people do play

0:26:18.514 --> 0:26:20.714
<v Speaker 2>it safe or get stuck as they do feel judged.

0:26:20.514 --> 0:26:24.234
<v Speaker 1>One hundred percent. Not people think it's fashion is not

0:26:24.474 --> 0:26:27.754
<v Speaker 1>something that they know about. Yeah, and never have.

0:26:27.714 --> 0:26:31.313
<v Speaker 2>Permission that although'll be superficial. You know, often we all

0:26:31.354 --> 0:26:34.554
<v Speaker 2>have to wear clothes. So you've been many people over

0:26:34.794 --> 0:26:39.593
<v Speaker 2>your life and continually troublesomewhere. Make it to my husband

0:26:39.674 --> 0:26:42.434
<v Speaker 2>for yourself, I know mine too, and you can see

0:26:42.434 --> 0:26:44.194
<v Speaker 2>that reflected in your wardrobe, as you said, So, what's

0:26:44.234 --> 0:26:46.914
<v Speaker 2>an item that's kind of been with you on the journey.

0:26:46.594 --> 0:26:49.474
<v Speaker 1>Or that you haven't gotten rid of yet? And why?

0:26:49.754 --> 0:26:53.634
<v Speaker 1>I have this incredible burbery trench coat that belonged to

0:26:53.634 --> 0:26:57.874
<v Speaker 1>my mother and she bought it in London and it's

0:26:57.914 --> 0:27:02.354
<v Speaker 1>in perfect condition and I love it, you know, And

0:27:02.394 --> 0:27:06.274
<v Speaker 1>it's just one of those pieces that is as timeless

0:27:06.314 --> 0:27:08.874
<v Speaker 1>now as it was. Then Do you wear it? I

0:27:08.914 --> 0:27:10.554
<v Speaker 1>do wear it. I do wear it. I don't. I

0:27:10.794 --> 0:27:14.354
<v Speaker 1>think if I live somewhere other than Sydney, I would

0:27:14.354 --> 0:27:15.034
<v Speaker 1>wear it more.

0:27:15.314 --> 0:27:18.313
<v Speaker 3>So maybe I'm just go to London and recreate the

0:27:18.354 --> 0:27:20.154
<v Speaker 3>sixties or seventies there.

0:27:20.394 --> 0:27:22.834
<v Speaker 1>But I love it, and I think clothing carries so

0:27:22.874 --> 0:27:25.794
<v Speaker 1>many memories. Sometimes cool say that's like a photograph and

0:27:25.874 --> 0:27:28.154
<v Speaker 1>your wardrobe it is. It's a photograph and it's a

0:27:28.154 --> 0:27:30.674
<v Speaker 1>beautiful piece that takes me My mom passed away a

0:27:30.714 --> 0:27:34.234
<v Speaker 1>few years ago, and it's She's there in my wardrobe

0:27:34.274 --> 0:27:37.114
<v Speaker 1>and so I love it. So there are some pieces

0:27:37.354 --> 0:27:39.513
<v Speaker 1>that I do wear and is such a time of things,

0:27:39.554 --> 0:27:41.354
<v Speaker 1>But you don't have to get rid of things that

0:27:41.754 --> 0:27:44.593
<v Speaker 1>hold beautiful memories, as you said, like a photograph. There

0:27:44.634 --> 0:27:46.354
<v Speaker 1>are some pieces that I allow, just like with your

0:27:46.434 --> 0:27:48.874
<v Speaker 1>kid's clothing or whatever it is, I'm allowed. They're not

0:27:48.914 --> 0:27:53.074
<v Speaker 1>going to fit into a clear out. And I think

0:27:53.114 --> 0:27:55.354
<v Speaker 1>you're allowed to have that because I think you know,

0:27:55.474 --> 0:27:57.874
<v Speaker 1>scent is so closely connected to memory, but I think

0:27:57.914 --> 0:28:00.074
<v Speaker 1>clothing is as well. For sure. Oh I love that.

0:28:00.394 --> 0:28:03.914
<v Speaker 2>But speaking of your shoes and your brand, High Heeled Jungle,

0:28:04.034 --> 0:28:05.194
<v Speaker 2>So how did that come about?

0:28:05.274 --> 0:28:09.234
<v Speaker 1>And tell us more well? So I was working as

0:28:09.474 --> 0:28:13.434
<v Speaker 1>a reporter covering entertainment, and many times a day I

0:28:13.434 --> 0:28:16.194
<v Speaker 1>would have to change my clothes, and I thought this

0:28:16.234 --> 0:28:19.034
<v Speaker 1>is really, first of all, exhausting, unsustainable, It's terrible. I thought,

0:28:19.034 --> 0:28:21.793
<v Speaker 1>wouldn't it be great if I could just literally change

0:28:21.794 --> 0:28:24.074
<v Speaker 1>like one thing and I had a whole new I

0:28:24.114 --> 0:28:28.914
<v Speaker 1>won't say dress, put on like some And I started

0:28:28.954 --> 0:28:34.754
<v Speaker 1>making these really incredible socks and then tights that were

0:28:34.914 --> 0:28:37.674
<v Speaker 1>just a real point of view, that were this kind

0:28:37.674 --> 0:28:42.194
<v Speaker 1>of glitch in the matrix to my outfit and punctuated

0:28:42.194 --> 0:28:43.874
<v Speaker 1>it without me having to buy a whole new wardrobe.

0:28:43.874 --> 0:28:45.514
<v Speaker 2>And when you say making them, like literally at the

0:28:45.554 --> 0:28:47.994
<v Speaker 2>start physically making it, you start making them for myself.

0:28:48.834 --> 0:28:53.114
<v Speaker 1>I was living in La and What happened immediately was

0:28:53.914 --> 0:28:56.634
<v Speaker 1>some of the biggest stars in the world would stop

0:28:56.834 --> 0:29:00.234
<v Speaker 1>mid interview and be like, just what are those like

0:29:00.354 --> 0:29:02.594
<v Speaker 1>sheer socks you're wearing with those heels or what are they?

0:29:02.634 --> 0:29:05.594
<v Speaker 1>I need them? And I have all these videos where

0:29:05.594 --> 0:29:08.194
<v Speaker 1>I'm like, please don't use up my five minue, we'll

0:29:09.074 --> 0:29:11.594
<v Speaker 1>exactly where they're like socks, socks, socks and that. I

0:29:11.634 --> 0:29:13.874
<v Speaker 1>would literally take them off and they would put them

0:29:13.874 --> 0:29:15.634
<v Speaker 1>on mid interview. They love them so much because it

0:29:15.634 --> 0:29:18.274
<v Speaker 1>was so different. It was wild, you know. And so

0:29:18.754 --> 0:29:21.994
<v Speaker 1>I started producing them and making and bringing it to set,

0:29:22.154 --> 0:29:25.874
<v Speaker 1>and very very quickly, you know. I remember Zoe Saldana

0:29:26.234 --> 0:29:28.554
<v Speaker 1>post was one of the first to post this thing,

0:29:28.634 --> 0:29:30.834
<v Speaker 1>just like obsessed with these socks. And then we got

0:29:30.834 --> 0:29:32.794
<v Speaker 1>picked up by a big store at the time in

0:29:32.874 --> 0:29:35.234
<v Speaker 1>La called fred Siegel. And this was when you weren't

0:29:35.234 --> 0:29:37.874
<v Speaker 1>making them handmade. No. Now I'd gone introduction and I

0:29:37.914 --> 0:29:40.754
<v Speaker 1>went into production. Exactly, I can't give interview making something

0:29:40.794 --> 0:29:41.594
<v Speaker 1>I'm bleeding.

0:29:41.354 --> 0:29:46.394
<v Speaker 3>Exactly learning damn those crystals maybe more simple?

0:29:46.794 --> 0:29:50.434
<v Speaker 1>Why so intricate? And so the business just really started

0:29:50.434 --> 0:29:52.834
<v Speaker 1>from that, and I really thought, you know, clothing and fashion,

0:29:52.914 --> 0:29:58.514
<v Speaker 1>it's really such an oversaturated market and amazing socks, tights, accessories, gloves,

0:29:58.514 --> 0:30:01.594
<v Speaker 1>all these pieces that really, as I say, like punctuate

0:30:01.674 --> 0:30:04.154
<v Speaker 1>and outfit and give you a point of view without

0:30:04.154 --> 0:30:06.954
<v Speaker 1>you having to buy an entire wardrobe. Was such a

0:30:07.194 --> 0:30:10.914
<v Speaker 1>overlook sleepy category that was just totally completely everyone was

0:30:10.954 --> 0:30:12.434
<v Speaker 1>just like a nude, you.

0:30:12.394 --> 0:30:16.394
<v Speaker 2>Know, royal family style thing or like there was just

0:30:16.474 --> 0:30:17.554
<v Speaker 2>nothing but your black pegs.

0:30:17.954 --> 0:30:20.434
<v Speaker 1>She is great, You're done exactly, And I thought, what

0:30:20.474 --> 0:30:23.234
<v Speaker 1>if you just injected some personality and personal style so

0:30:23.274 --> 0:30:25.434
<v Speaker 1>you could even if you didn't feel like taking a

0:30:25.474 --> 0:30:28.554
<v Speaker 1>big risk, you could wear whatever it is even you're

0:30:28.634 --> 0:30:32.594
<v Speaker 1>like loafers and added like a beautiful glitter sock or something.

0:30:32.914 --> 0:30:35.474
<v Speaker 1>And so that's how High Hill Jungle started. And then

0:30:35.634 --> 0:30:37.794
<v Speaker 1>we just got start. Roughly how long ago we talking.

0:30:37.794 --> 0:30:39.874
<v Speaker 1>I could tell exactly when it was. It was eight

0:30:39.954 --> 0:30:43.354
<v Speaker 1>years ago because I was nine months pregnant with my

0:30:43.474 --> 0:30:46.714
<v Speaker 1>second child, and I remember Lapid in the Youngest Style

0:30:46.834 --> 0:30:49.434
<v Speaker 1>is coming up to me pointing at my socks and

0:30:49.474 --> 0:30:53.194
<v Speaker 1>saying they're amazing, like I can't remember which one I.

0:30:53.154 --> 0:30:56.354
<v Speaker 3>Know, and I said, oh, I launch a launch in

0:30:56.394 --> 0:30:58.714
<v Speaker 3>a month, and he looked at me like I was

0:30:58.754 --> 0:31:00.314
<v Speaker 3>going to launch.

0:30:59.994 --> 0:31:04.514
<v Speaker 1>The baby Aline and I literally was like I did

0:31:04.554 --> 0:31:06.754
<v Speaker 1>launch both of them at the same time. And now

0:31:06.754 --> 0:31:09.714
<v Speaker 1>it's kind of became all encompassing, and it's become because

0:31:09.754 --> 0:31:11.434
<v Speaker 1>it's a lot more than that. Now. So where are

0:31:11.434 --> 0:31:14.074
<v Speaker 1>we at now? So now we're you know, one of

0:31:14.074 --> 0:31:18.074
<v Speaker 1>the fastest growing accessory and hosary brands in America. So

0:31:18.114 --> 0:31:21.474
<v Speaker 1>we're a nord stream and free people in anthropology and topology.

0:31:21.514 --> 0:31:23.834
<v Speaker 1>I love anthropology, but it's more than stockings and socks.

0:31:23.834 --> 0:31:27.114
<v Speaker 1>What else do you Okay, so amazing socks and tights,

0:31:27.314 --> 0:31:31.554
<v Speaker 1>beautiful like leather gloves, some lace pants which had become

0:31:31.874 --> 0:31:35.914
<v Speaker 1>hugely popular. We just had the fastest Australian woman ever

0:31:36.034 --> 0:31:37.874
<v Speaker 1>just wore it in the cover, which is.

0:31:37.834 --> 0:31:42.714
<v Speaker 2>Really leather jacket, leather and leather jacket and designing.

0:31:42.874 --> 0:31:46.954
<v Speaker 1>The perfect forever leather jacket, the one that you will

0:31:46.994 --> 0:31:49.154
<v Speaker 1>not ever get out of your wach you can stop searching.

0:31:49.234 --> 0:31:52.034
<v Speaker 1>It was that so fun. It was so fun because.

0:31:51.834 --> 0:31:55.194
<v Speaker 2>I've had like, just like you with your shirt, my

0:31:55.274 --> 0:31:55.874
<v Speaker 2>leather jackets.

0:31:55.874 --> 0:31:57.834
<v Speaker 1>I must say, yeah, so I had spent my whole

0:31:57.834 --> 0:32:00.354
<v Speaker 1>life and it's an expensive thing to get wrong, you know,

0:32:00.594 --> 0:32:03.514
<v Speaker 1>So I kept on buying again. And again the leather

0:32:03.554 --> 0:32:06.874
<v Speaker 1>jacket just and it wasn't just exactly right. And then

0:32:06.874 --> 0:32:08.594
<v Speaker 1>I think this is what I do. I have a

0:32:08.634 --> 0:32:11.514
<v Speaker 1>fashion label. I'm just even though it didn't clearly make

0:32:11.594 --> 0:32:14.314
<v Speaker 1>sense connected it, I was like, I just have to make.

0:32:14.194 --> 0:32:16.514
<v Speaker 2>This, and I for me on the outside, it does

0:32:16.514 --> 0:32:18.514
<v Speaker 2>because you know that didn't exist, so you made it

0:32:18.554 --> 0:32:20.794
<v Speaker 2>that didn't exist, So you made it, yes, And I

0:32:20.834 --> 0:32:23.154
<v Speaker 2>think that's the way if you live your life that way,

0:32:23.354 --> 0:32:25.354
<v Speaker 2>that you're not the only person that.

0:32:25.394 --> 0:32:27.154
<v Speaker 1>Is also looking for that or didn't even know they

0:32:27.154 --> 0:32:29.194
<v Speaker 1>were until you made it. So so it's called the

0:32:29.194 --> 0:32:32.314
<v Speaker 1>Margo leather jacket, and I use the best Italian leather

0:32:32.474 --> 0:32:32.874
<v Speaker 1>in the world.

0:32:32.914 --> 0:32:35.554
<v Speaker 2>I did to stroke you before. It was delicious. It's

0:32:35.594 --> 0:32:36.274
<v Speaker 2>like edible.

0:32:37.274 --> 0:32:38.674
<v Speaker 1>I didn't want to keep touching it, but I didn't

0:32:38.674 --> 0:32:40.514
<v Speaker 1>want to be unprofessional. No, I would have loved that.

0:32:41.514 --> 0:32:43.234
<v Speaker 2>Tell me more about your brand. So you mentioned, you know,

0:32:43.234 --> 0:32:46.994
<v Speaker 2>it's casually dropped a few names there, CELEBSA celebs. I

0:32:46.994 --> 0:32:48.954
<v Speaker 2>hate saying CELEBSA. You know, people that we love and

0:32:48.994 --> 0:32:50.674
<v Speaker 2>follow have worn the brand. So tell me a little

0:32:50.714 --> 0:32:51.074
<v Speaker 2>bit more.

0:32:51.554 --> 0:32:56.314
<v Speaker 1>Well, it's it's really wild, to be honest, because every day, No,

0:32:56.394 --> 0:32:58.674
<v Speaker 1>I would say, twice a week, okay, twice a week,

0:32:58.754 --> 0:33:01.994
<v Speaker 1>I will get an email in my inbox from the

0:33:01.994 --> 0:33:05.474
<v Speaker 1>biggest stylists in the world saying, can we I can't

0:33:05.514 --> 0:33:07.834
<v Speaker 1>say what I got last night in a class, but

0:33:08.234 --> 0:33:14.714
<v Speaker 1>it's insane. Last week it was dressed sure, and it

0:33:14.794 --> 0:33:18.074
<v Speaker 1>makes total sense. Doja cat her whole world tour, her

0:33:18.154 --> 0:33:21.674
<v Speaker 1>amazing styles. Literally, Doja loves it wood, so she she

0:33:21.834 --> 0:33:25.154
<v Speaker 1>wore high Hill Jungle of her entire world to and.

0:33:25.434 --> 0:33:27.874
<v Speaker 2>You do a collaboration with Share and her like fishnets

0:33:27.874 --> 0:33:29.114
<v Speaker 2>from that boat video.

0:33:29.314 --> 0:33:31.274
<v Speaker 1>I know, isn't that good? That's all I think of

0:33:31.314 --> 0:33:32.954
<v Speaker 1>When you just said that, I was like, that's perfect. Well,

0:33:32.954 --> 0:33:35.754
<v Speaker 1>they are her stylist whose iconic patty was said, oh,

0:33:35.834 --> 0:33:37.834
<v Speaker 1>can we hang on to them so we can wear

0:33:37.954 --> 0:33:39.394
<v Speaker 1>I was like, yes, you can hang on to them.

0:33:39.794 --> 0:33:47.074
<v Speaker 1>But I mean, you know, yes, exactly we've got But

0:33:47.314 --> 0:33:49.314
<v Speaker 1>you know, but the Kardashians when I first launched, we

0:33:49.394 --> 0:33:52.474
<v Speaker 1>got an email saying that they wanted to all wear

0:33:52.514 --> 0:33:54.514
<v Speaker 1>it for the opening credits of Keeping Up with the Kardashians,

0:33:54.554 --> 0:33:57.594
<v Speaker 1>and they've since worn it various things that Kylie and

0:33:57.594 --> 0:34:01.674
<v Speaker 1>and Kim and Haley Bieber and Doja cat I told you,

0:34:01.754 --> 0:34:05.594
<v Speaker 1>but like Chapel Rome, Sabrina Carpenter, like everyone, and it's

0:34:05.594 --> 0:34:08.474
<v Speaker 1>so amazing because what's really cool, So these people often

0:34:08.473 --> 0:34:11.634
<v Speaker 1>get paid to wear brands and they can have access

0:34:11.754 --> 0:34:14.994
<v Speaker 1>to everything in the world, and it's such a huge

0:34:14.994 --> 0:34:19.314
<v Speaker 1>compliment that they have found high Hell Jungle sorted out,

0:34:19.834 --> 0:34:22.754
<v Speaker 1>emailed and asked can we wear it for these huge

0:34:22.834 --> 0:34:25.554
<v Speaker 1>you know, usbo covers and things like that, and it's

0:34:25.754 --> 0:34:28.074
<v Speaker 1>I'm always like, how did you find? It's always so

0:34:28.154 --> 0:34:30.834
<v Speaker 1>amazing to see that. I was trying to understand why

0:34:30.834 --> 0:34:32.234
<v Speaker 1>they would do it, you know, because it was just

0:34:32.274 --> 0:34:34.034
<v Speaker 1>on the cover the Push Skep Doles just wore it

0:34:34.074 --> 0:34:35.874
<v Speaker 1>all on the cover and it's us in Saint Lauren

0:34:35.954 --> 0:34:40.034
<v Speaker 1>and it's these stylus and these artists aren't looking to

0:34:40.114 --> 0:34:44.514
<v Speaker 1>necessarily follow trends. They really are icons in fashion because

0:34:44.554 --> 0:34:47.873
<v Speaker 1>they create the trends and they're looking for something that's new,

0:34:47.954 --> 0:34:52.393
<v Speaker 1>that's ancie everywhere, and so you know, we've had enormous

0:34:52.474 --> 0:34:54.754
<v Speaker 1>you know, we've been so lucky and we've never paid anyone.

0:34:54.794 --> 0:34:56.473
<v Speaker 1>It's been totally organic and they love it and it's

0:34:56.474 --> 0:34:58.474
<v Speaker 1>a huge compliment. But it's equally a compliment when I

0:34:58.474 --> 0:35:01.913
<v Speaker 1>walk down the street and I see some woman, you know,

0:35:01.994 --> 0:35:04.154
<v Speaker 1>in Sydney or wherever it is, who's gone out and

0:35:04.194 --> 0:35:04.993
<v Speaker 1>of all the things she.

0:35:04.954 --> 0:35:07.554
<v Speaker 2>Could have bought, bought our brand, see it in the

0:35:07.554 --> 0:35:08.954
<v Speaker 2>wild and still pretty cool, the.

0:35:10.554 --> 0:35:12.834
<v Speaker 1>Coolest. Yeah, I've got a very small skincare brand.

0:35:12.834 --> 0:35:15.154
<v Speaker 2>But I was driving somewhere, you know, half an hour

0:35:15.194 --> 0:35:16.714
<v Speaker 2>away from my home the other day, and I saw

0:35:16.754 --> 0:35:18.514
<v Speaker 2>one of our like crumpled up boxes sitting on the

0:35:18.514 --> 0:35:19.314
<v Speaker 2>top of someone's.

0:35:19.074 --> 0:35:21.913
<v Speaker 1>Bin, and I was like, oh, to provide it's in

0:35:22.034 --> 0:35:25.674
<v Speaker 1>the wild. I don't know who lives here. Yeah, we're

0:35:25.674 --> 0:35:28.433
<v Speaker 1>going to get a restraining on, but I know it is.

0:35:28.674 --> 0:35:30.873
<v Speaker 1>It's the coolest thing. And that's the coolest thing. And

0:35:30.994 --> 0:35:32.953
<v Speaker 1>if you look at like your career, micro and all

0:35:32.994 --> 0:35:34.994
<v Speaker 1>this thing, it's like the idea that something starts in

0:35:34.994 --> 0:35:36.834
<v Speaker 1>your head and then you get to like bring it

0:35:36.874 --> 0:35:39.674
<v Speaker 1>into the world and then someone likes it, do what

0:35:39.994 --> 0:35:42.674
<v Speaker 1>likes it. It's so it's so exciting for all the

0:35:42.674 --> 0:35:45.393
<v Speaker 1>hard work, you just think, oh, I'm so lucky. Yeah. Yeah,

0:35:45.474 --> 0:35:48.074
<v Speaker 1>and talented, you're very talented. You're very talented too.

0:35:48.394 --> 0:35:50.194
<v Speaker 2>Coming up after the break, we're going to cover Boogie

0:35:50.194 --> 0:35:53.754
<v Speaker 2>to Budget. Catherine is telling us about three amazing leather jackets,

0:35:53.794 --> 0:35:56.394
<v Speaker 2>and I've got a mishmash of accessories for this weird

0:35:56.434 --> 0:35:57.074
<v Speaker 2>time of year.

0:36:15.674 --> 0:36:22.234
<v Speaker 1>It's very expensive. How wud are these bougie and budget time?

0:36:22.274 --> 0:36:22.754
<v Speaker 1>My friend?

0:36:22.994 --> 0:36:25.234
<v Speaker 2>Well, you've wore the most incredible leather jacket in here,

0:36:25.234 --> 0:36:26.953
<v Speaker 2>which I think you're going to talk about. So your

0:36:26.994 --> 0:36:29.234
<v Speaker 2>category is leather jackets. Do you want to start at

0:36:29.234 --> 0:36:31.154
<v Speaker 2>the affordable end or the expensive end?

0:36:31.474 --> 0:36:34.154
<v Speaker 1>Oh? What do you think? Let's start low?

0:36:34.234 --> 0:36:36.794
<v Speaker 2>Okay, let's start low and then go to unders. Okay,

0:36:36.994 --> 0:36:39.434
<v Speaker 2>what's your affordable? Affordable leather jacket?

0:36:39.474 --> 0:36:43.554
<v Speaker 1>Is by Meshki. It's the faux leather crop jacket. It's

0:36:43.594 --> 0:36:47.513
<v Speaker 1>called Page and it comes in a cherry brown. It's

0:36:47.594 --> 0:36:50.354
<v Speaker 1>two hundred and thirty nine dollars. It is faux leather. Yeah,

0:36:50.674 --> 0:36:54.434
<v Speaker 1>so people some people prefer that. But it's cute. It's cropped,

0:36:54.834 --> 0:36:58.674
<v Speaker 1>it has the kind of crossover button here, it has

0:36:58.714 --> 0:37:01.714
<v Speaker 1>the elasticized waist, but it's a little bit oversized.

0:37:01.714 --> 0:37:04.314
<v Speaker 2>So it's that bombas style bombs, not biker, because I've

0:37:04.354 --> 0:37:05.794
<v Speaker 2>buy some bikers from before.

0:37:06.034 --> 0:37:08.354
<v Speaker 1>Bikers are a current having a little break.

0:37:08.554 --> 0:37:11.274
<v Speaker 2>Okay, I've got an extensive biker so it's staying in

0:37:11.314 --> 0:37:12.034
<v Speaker 2>the wardrobe.

0:37:12.114 --> 0:37:12.873
<v Speaker 1>It will come back.

0:37:13.194 --> 0:37:15.234
<v Speaker 2>It has to because I spent way too much on

0:37:15.274 --> 0:37:17.834
<v Speaker 2>that jacket. Amazing, and you know what, you're also wearing

0:37:17.834 --> 0:37:20.074
<v Speaker 2>Meshki today. I love Mesheki and forgot about it, so

0:37:20.154 --> 0:37:21.914
<v Speaker 2>thank you. Really good quality for the price.

0:37:21.994 --> 0:37:24.114
<v Speaker 1>One hundred percent. I agree, I love it. No, I

0:37:24.114 --> 0:37:25.754
<v Speaker 1>think it's a really you don't have to spend a

0:37:25.794 --> 0:37:29.554
<v Speaker 1>fortune to look expens middle of the road. Tell me

0:37:29.594 --> 0:37:32.834
<v Speaker 1>about this guy exactly. It's anything but middle of the road.

0:37:33.674 --> 0:37:37.154
<v Speaker 1>Its approaching. It is high hill jungles. The Margo Nappa

0:37:37.234 --> 0:37:40.394
<v Speaker 1>leather jacket as this is a jacket that is forever.

0:37:40.834 --> 0:37:43.794
<v Speaker 1>It's the softest Italian n Apple leather. It's like butter.

0:37:43.994 --> 0:37:46.714
<v Speaker 1>It will get better with years and years, ten twenty

0:37:46.794 --> 0:37:49.393
<v Speaker 1>years from their own. It has a funnel neck if

0:37:49.434 --> 0:37:50.794
<v Speaker 1>you want it to be, but it can wear it

0:37:50.834 --> 0:37:54.393
<v Speaker 1>down so when that style isn't so hot, it will

0:37:54.474 --> 0:37:58.913
<v Speaker 1>still be timeless. Slightly oversized, bomber Lasser size ways. You

0:37:58.954 --> 0:38:01.754
<v Speaker 1>can wear it so many different ways, and it is

0:38:01.794 --> 0:38:04.514
<v Speaker 1>something that you can wear. It's got a beautiful pebbled

0:38:04.594 --> 0:38:05.393
<v Speaker 1>leather to it.

0:38:05.994 --> 0:38:08.114
<v Speaker 2>And I love repass that you speak with. I can

0:38:08.154 --> 0:38:10.433
<v Speaker 2>tell why you designed her. You needed her to be

0:38:10.474 --> 0:38:12.674
<v Speaker 2>all of these elements, and so you made her exactly.

0:38:12.794 --> 0:38:15.594
<v Speaker 1>I want it to be tactile, I want to smell delicious.

0:38:15.674 --> 0:38:17.234
<v Speaker 1>I want it to be soft. I want to wear

0:38:17.234 --> 0:38:19.594
<v Speaker 1>it with jeaned I want to wear it with over

0:38:19.634 --> 0:38:20.993
<v Speaker 1>a suit. I want to wear it over a slip

0:38:21.034 --> 0:38:23.913
<v Speaker 1>dress to an evening function. It's that piece that I

0:38:23.994 --> 0:38:26.834
<v Speaker 1>will cost per wear is going to be the best investment, right,

0:38:26.914 --> 0:38:29.234
<v Speaker 1>hit me with the cost twenty two hundred.

0:38:29.354 --> 0:38:33.354
<v Speaker 2>Great, now you're bougie, let's go higher. Tell me how

0:38:33.474 --> 0:38:34.354
<v Speaker 2>high can you go?

0:38:34.714 --> 0:38:37.714
<v Speaker 1>Seriously? But you really can? You really can. When it

0:38:37.714 --> 0:38:40.114
<v Speaker 1>comes to a leather jacket, because it is that forever piece.

0:38:40.434 --> 0:38:44.354
<v Speaker 1>So it's Saint Laurent. It is their bomber jacket, very

0:38:44.354 --> 0:38:47.314
<v Speaker 1>good quality leather. The midway run is a little bit better,

0:38:47.394 --> 0:38:51.194
<v Speaker 1>but it's got a really cool oversized cut to it.

0:38:50.594 --> 0:38:54.234
<v Speaker 1>It's a little bit larger and so it's really kind

0:38:54.234 --> 0:38:56.714
<v Speaker 1>of going down that direction, a little less timeless, but

0:38:56.874 --> 0:38:58.954
<v Speaker 1>got a lot of edge, a lot of fashion cred,

0:38:59.314 --> 0:39:01.994
<v Speaker 1>a little like off duty model, off Judy look, and

0:39:02.154 --> 0:39:04.634
<v Speaker 1>very very cool. What are we talking for a Saint

0:39:04.674 --> 0:39:09.074
<v Speaker 1>Laurent leather jacket these days? That is drum roll please,

0:39:10.994 --> 0:39:12.354
<v Speaker 1>nearly eleven thousand, oh, my.

0:39:12.394 --> 0:39:16.754
<v Speaker 2>Godfather, nearly eleven thousand dollars. Well, I mean, I guess

0:39:16.794 --> 0:39:18.234
<v Speaker 2>if you win the lotto.

0:39:18.434 --> 0:39:21.794
<v Speaker 1>Exactly, you could like a house or a new car

0:39:21.874 --> 0:39:23.714
<v Speaker 1>for your child, or love.

0:39:23.714 --> 0:39:27.393
<v Speaker 2>Education, yes, school books, don't know you know, I get

0:39:27.434 --> 0:39:29.274
<v Speaker 2>it and it's there and some people might buy.

0:39:29.274 --> 0:39:29.993
<v Speaker 1>And that's why we do.

0:39:30.034 --> 0:39:34.154
<v Speaker 2>Booshie your budget one hundred percent, no judge, you can exactly,

0:39:34.354 --> 0:39:34.994
<v Speaker 2>no judgment.

0:39:35.074 --> 0:39:36.913
<v Speaker 1>We all love fashion. Just make sure you wear it

0:39:36.954 --> 0:39:38.714
<v Speaker 1>and take the tag off my boosie.

0:39:38.714 --> 0:39:41.114
<v Speaker 2>And budget's a bit of a mistil, well, because we're

0:39:41.114 --> 0:39:44.034
<v Speaker 2>in this time of year where you want winter to

0:39:44.034 --> 0:39:45.794
<v Speaker 2>be over, but realistically it's still winter here.

0:39:46.114 --> 0:39:47.274
<v Speaker 1>You're not going to buy any new winter.

0:39:47.474 --> 0:39:49.754
<v Speaker 2>Some summer drops are happening, but you can't picture who

0:39:49.794 --> 0:39:52.314
<v Speaker 2>you are in summer yet, so you're not shopping and

0:39:52.354 --> 0:39:55.034
<v Speaker 2>you maybe just want to wear what you've got accessories

0:39:55.154 --> 0:39:56.913
<v Speaker 2>is the outside. That's what I did today. I'm wearing

0:39:56.994 --> 0:39:59.074
<v Speaker 2>quite a boring outfit. We've discussed. It looks like black

0:39:59.114 --> 0:40:01.714
<v Speaker 2>pants and a blazer, but I chucked on some yellow heels.

0:40:01.754 --> 0:40:03.194
<v Speaker 1>I've got a yellow bag, and then I chucked on

0:40:03.194 --> 0:40:05.874
<v Speaker 1>some necklaces. So these aren't new, they're from my wardrobes.

0:40:05.914 --> 0:40:09.794
<v Speaker 2>I've got. You know version of my Bougie is the

0:40:09.874 --> 0:40:11.114
<v Speaker 2>Mason to Say Bye.

0:40:11.154 --> 0:40:12.553
<v Speaker 1>It's called the soft Trio Bag.

0:40:12.674 --> 0:40:15.594
<v Speaker 2>It is five hundred and fifty nine dollars for a

0:40:15.634 --> 0:40:20.274
<v Speaker 2>bright yellow handbag. It's a functional size. You will have

0:40:20.354 --> 0:40:22.433
<v Speaker 2>it forever if you like color or like me. You know,

0:40:22.474 --> 0:40:25.834
<v Speaker 2>we talked about my fancy yellow bag. At the moment,

0:40:26.554 --> 0:40:28.754
<v Speaker 2>it's not a trend. It's actually quite hard to find

0:40:28.794 --> 0:40:30.913
<v Speaker 2>yellow at the moment. They're still burgened everywhere. There's still

0:40:30.954 --> 0:40:32.634
<v Speaker 2>chocolate everywhere, and it's.

0:40:32.514 --> 0:40:35.194
<v Speaker 1>Not buttery yellow. It's not budy yellow, which is also everywhere.

0:40:35.274 --> 0:40:37.674
<v Speaker 2>Yeah, and I enjoy Yeah, but I just thought, I'm

0:40:37.754 --> 0:40:39.234
<v Speaker 2>so bored of my wardrobe getting rest.

0:40:39.274 --> 0:40:39.553
<v Speaker 1>This s wrning.

0:40:39.554 --> 0:40:41.554
<v Speaker 2>So I grabbed a bright yellow bag and some you know,

0:40:41.754 --> 0:40:44.634
<v Speaker 2>yellow shoes. So it's a pretty beautiful bag. And their

0:40:44.754 --> 0:40:47.634
<v Speaker 2>bags are very good quality, and you could spend three

0:40:47.634 --> 0:40:48.514
<v Speaker 2>thousand easily.

0:40:48.674 --> 0:40:50.754
<v Speaker 1>See that's great. I love that, and I think it's

0:40:50.874 --> 0:40:55.274
<v Speaker 1>I love that it's expensive but fun ye playful, because

0:40:55.314 --> 0:40:57.634
<v Speaker 1>I think we never want to not be fun and playful,

0:40:57.714 --> 0:40:59.234
<v Speaker 1>so that's never good and not brandy.

0:40:59.354 --> 0:41:01.234
<v Speaker 2>I feel like, you know, you don't want to scream

0:41:01.274 --> 0:41:03.754
<v Speaker 2>a brand if you are also doing color, and also

0:41:03.754 --> 0:41:04.794
<v Speaker 2>if you just want to keep it forever.

0:41:04.954 --> 0:41:07.754
<v Speaker 1>I completely agree, and it's very chic. You not have

0:41:08.074 --> 0:41:09.873
<v Speaker 1>thank you. I mean, I don't know this, I don't

0:41:09.914 --> 0:41:10.714
<v Speaker 1>own this bad I'm.

0:41:10.594 --> 0:41:13.634
<v Speaker 3>Giving you full credit, this fictitious outfit and piece that

0:41:13.674 --> 0:41:14.114
<v Speaker 3>you don't know.

0:41:14.354 --> 0:41:15.994
<v Speaker 1>Now my middle of the road. It is my shoe.

0:41:16.074 --> 0:41:18.354
<v Speaker 2>So the brand is Lost Carbos. It's on the Iconic

0:41:18.434 --> 0:41:20.834
<v Speaker 2>and it's called the Zane Mule. It comes in a

0:41:20.834 --> 0:41:23.554
<v Speaker 2>bunch of different colors. Yeah, seventy nine ninety five. It's

0:41:23.874 --> 0:41:26.993
<v Speaker 2>a bright canary yellow Swede and it's literally a low,

0:41:27.034 --> 0:41:30.794
<v Speaker 2>little block heel slip it on. Not my favorite style

0:41:30.834 --> 0:41:32.674
<v Speaker 2>of shoe normally if it was a boring color.

0:41:32.714 --> 0:41:34.634
<v Speaker 1>It's a block heel, you see. Yeah, it's a block.

0:41:34.434 --> 0:41:37.354
<v Speaker 2>Heel like yeah, kind of kitten height, yeah, but instead

0:41:37.354 --> 0:41:39.154
<v Speaker 2>of a stiletto block heel and then just that one

0:41:39.154 --> 0:41:41.834
<v Speaker 2>sort of thick strap. There are some safer colors, but

0:41:41.914 --> 0:41:44.274
<v Speaker 2>I think in the canary yellow you can walk. Yes.

0:41:44.474 --> 0:41:47.194
<v Speaker 2>The color does the talking yes, and they're really comfortable.

0:41:47.354 --> 0:41:49.393
<v Speaker 2>I like it, and I think when you commit to

0:41:49.434 --> 0:41:51.194
<v Speaker 2>something that's so bright like that. It's almost like, you

0:41:51.234 --> 0:41:53.314
<v Speaker 2>know how leopard print is a neutral.

0:41:53.674 --> 0:41:55.954
<v Speaker 1>I think if you go like so bright with a

0:41:56.034 --> 0:41:58.114
<v Speaker 1>color like a yellow, yes, you're not trying. You're not

0:41:58.114 --> 0:42:00.754
<v Speaker 1>gonna wear an all yellow outfit exactly. You're allowed for

0:42:00.794 --> 0:42:02.754
<v Speaker 1>it to clash and not go with anything else, so

0:42:02.794 --> 0:42:04.553
<v Speaker 1>it kind of becomes a weird neutral as well.

0:42:04.594 --> 0:42:06.473
<v Speaker 2>That's exactly my thought. You know, it's that whole wrong

0:42:06.514 --> 0:42:08.914
<v Speaker 2>shoe theory, A we're doing whole wrong accessory theorist.

0:42:08.954 --> 0:42:10.954
<v Speaker 1>It's all wrong and it couldn't be all right. But

0:42:10.994 --> 0:42:13.034
<v Speaker 1>if you get yellow and too high, you're not going

0:42:13.114 --> 0:42:13.473
<v Speaker 1>to wear them.

0:42:13.514 --> 0:42:15.834
<v Speaker 2>If they're yellow and comfortable, at least you'll wear them

0:42:15.874 --> 0:42:17.714
<v Speaker 2>because you don't want to take and yellow too.

0:42:17.674 --> 0:42:21.034
<v Speaker 1>High could go very wrong very quickly. You know. That

0:42:21.154 --> 0:42:23.354
<v Speaker 1>was a little bit like a tweatybird with a little

0:42:23.354 --> 0:42:23.914
<v Speaker 1>bit of porn.

0:42:24.194 --> 0:42:26.514
<v Speaker 2>I bought them for a fancy dress party exactly, and

0:42:26.554 --> 0:42:28.634
<v Speaker 2>then my budget is it's actually one necklace. I was

0:42:28.674 --> 0:42:31.154
<v Speaker 2>inspired by what I put on this morning. So interestingly,

0:42:31.314 --> 0:42:33.553
<v Speaker 2>when you said people will wear a sentimental peace Since

0:42:33.554 --> 0:42:35.594
<v Speaker 2>my mom passed away this year, I've not taken off

0:42:35.634 --> 0:42:38.474
<v Speaker 2>her little coin necklace that she wore every day of

0:42:38.514 --> 0:42:42.073
<v Speaker 2>my whole life. But I was like, come on, put

0:42:42.074 --> 0:42:44.433
<v Speaker 2>something on these a set of three that I'm wearing

0:42:44.514 --> 0:42:44.714
<v Speaker 2>right now.

0:42:44.754 --> 0:42:47.914
<v Speaker 1>They're from Kmart. I just didn't put the third one. Wow,

0:42:48.074 --> 0:42:50.354
<v Speaker 1>I know, really can I noticed them minute I saw you,

0:42:50.354 --> 0:42:52.553
<v Speaker 1>and my son made me buy them because he's seven,

0:42:52.554 --> 0:42:54.074
<v Speaker 1>and we go to Camart to get lego and then

0:42:54.114 --> 0:42:56.913
<v Speaker 1>of course I have to look at things so they're available.

0:42:56.914 --> 0:42:59.154
<v Speaker 2>But also there's something beautiful on eahem at the moment.

0:42:59.154 --> 0:43:01.433
<v Speaker 2>They've just had a new I guess their first spring

0:43:01.474 --> 0:43:03.554
<v Speaker 2>summer drop. But I just looked at the accessories. It's

0:43:03.594 --> 0:43:05.953
<v Speaker 2>the H and M heart chain necklace. It's thirty four

0:43:05.954 --> 0:43:08.114
<v Speaker 2>to ninety nine. It's just a big, sort of chunky,

0:43:08.594 --> 0:43:11.274
<v Speaker 2>almost like choka, and each big heart is.

0:43:11.234 --> 0:43:13.674
<v Speaker 1>Silver and gold silver, gold, silver. Girl, I feel like

0:43:13.674 --> 0:43:15.474
<v Speaker 1>I want to see this. I have to show you

0:43:15.514 --> 0:43:15.914
<v Speaker 1>a photo.

0:43:16.154 --> 0:43:19.234
<v Speaker 2>It's thirty five dollars and it's just a really great

0:43:19.234 --> 0:43:20.913
<v Speaker 2>way this time of year to go.

0:43:21.074 --> 0:43:23.154
<v Speaker 1>I'm so bored. There's something fun.

0:43:23.474 --> 0:43:24.794
<v Speaker 2>We look at each other in the eye, so it's

0:43:24.834 --> 0:43:27.433
<v Speaker 2>nice to, you know, add something a bit exciting near

0:43:27.474 --> 0:43:28.434
<v Speaker 2>the face, near the face.

0:43:28.634 --> 0:43:30.474
<v Speaker 1>I love it. You know what I love about your selection?

0:43:31.194 --> 0:43:32.474
<v Speaker 1>It's like unapologetic.

0:43:32.634 --> 0:43:35.794
<v Speaker 2>Yes there's something just really I just know what I

0:43:35.874 --> 0:43:37.314
<v Speaker 2>like and I don't well, I do care if it's

0:43:37.314 --> 0:43:40.194
<v Speaker 2>really expensive, but I am very I love going to

0:43:40.234 --> 0:43:42.794
<v Speaker 2>came out and going that was seven dollars, because anyone

0:43:42.794 --> 0:43:45.194
<v Speaker 2>can spend three hundred dollars on something nice.

0:43:45.274 --> 0:43:47.314
<v Speaker 1>But when it's cheap and good, no, do you know?

0:43:47.474 --> 0:43:50.473
<v Speaker 1>I have the same. I constantly try and imagine I'm

0:43:50.514 --> 0:43:52.834
<v Speaker 1>in some television challenge where I have to go into

0:43:53.274 --> 0:43:56.314
<v Speaker 1>market and be like, let me put together the best outfit.

0:43:56.394 --> 0:43:58.754
<v Speaker 1>I find the T shirts that came up an amazing

0:43:58.914 --> 0:44:02.074
<v Speaker 1>quite good quality cotton. I love it. I think if

0:44:02.074 --> 0:44:04.594
<v Speaker 1>you really love fashion, if you really do have a

0:44:04.634 --> 0:44:08.234
<v Speaker 1>sense of personal style, you can do something anywhere, almost anywhere.

0:44:08.234 --> 0:44:09.674
<v Speaker 1>I agree, you're amazing.

0:44:09.674 --> 0:44:10.873
<v Speaker 2>Oh my gosh, I want to take you around the

0:44:10.874 --> 0:44:12.994
<v Speaker 2>office and find out all more about my coworkers.

0:44:12.994 --> 0:44:14.714
<v Speaker 1>You'll have to join me again soon. But thank you

0:44:14.794 --> 0:44:16.634
<v Speaker 1>so much for coming on Nothing to Wear, Thank you

0:44:16.634 --> 0:44:18.594
<v Speaker 1>so much for having me the best time. You're wonderful.

0:44:18.874 --> 0:44:20.794
<v Speaker 2>Thank you so much for joining me. And don't forget

0:44:20.834 --> 0:44:22.634
<v Speaker 2>all of the links to the products we talked about

0:44:22.674 --> 0:44:24.953
<v Speaker 2>today are in the show notes, and we've got an

0:44:24.954 --> 0:44:27.674
<v Speaker 2>amazing newsletter that we'll get delivered straight to inbox every

0:44:27.674 --> 0:44:29.873
<v Speaker 2>single week and it's free, so you can sign up.

0:44:29.754 --> 0:44:31.034
<v Speaker 1>To get that in the show notes.

0:44:31.314 --> 0:44:32.954
<v Speaker 2>If you want more Nothing to Wear Don't Forget, you

0:44:32.954 --> 0:44:36.354
<v Speaker 2>can follow us on YouTube, Instagram, and TikTok. Our handle

0:44:36.434 --> 0:44:44.314
<v Speaker 2>is Nothing to Wear Pod. See you next time. Mama

0:44:44.354 --> 0:44:46.873
<v Speaker 2>Mia acknowledges the traditional owners of the land on which

0:44:46.874 --> 0:44:48.274
<v Speaker 2>we recorded this podcast.