WEBVTT - UNPACKED: Famesick - Lena Dunham

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<v Speaker 1>You're listening to a Mother and mea podcast. Hello out

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<v Speaker 1>loud as a gangzel Here, we've got a full house

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<v Speaker 1>today joining me, Holly Wayne Wright, Amelia Lester, m Vernon.

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<v Speaker 2>Hello, Hello, Hello, And we're here to talk.

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<v Speaker 1>About Lena Dunham's Fame Sick. And we've got a very

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<v Speaker 1>crowded desk because everybody has thoughts.

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<v Speaker 2>Everybody wants to talk about.

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<v Speaker 1>It, and we had to lock the studio so Kleas

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<v Speaker 1>Stevens could again. We have all read Lena Dunham's second

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<v Speaker 1>memoir before we get to it and how we felt

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<v Speaker 1>about it. It's called Fame Sick, and it's about the

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<v Speaker 1>time in her life when she was both becoming famous

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<v Speaker 1>and also becoming and staying sick. Really, it transitions the

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<v Speaker 1>Girl's era, what happened after Girls, her relationship with Jack Antonov,

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<v Speaker 1>her relationship with Jenny Connor, who was her executive producer

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<v Speaker 1>and creative partner through the Girls years and afterwards, and

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<v Speaker 1>the progression of a series of terrible illnesses that climaxed

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<v Speaker 1>well it was unrelated really, but when she set herself

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<v Speaker 1>on fire, but we'll get to that first. I wanted

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<v Speaker 1>to just check in with any of you whether you

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<v Speaker 1>read the first memoir, because I know Amelia and I did,

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<v Speaker 1>and we didn't love it. Not that kind of girl.

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<v Speaker 1>And it was when Girls was peaking, and yet it finished.

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<v Speaker 1>It was really just about a childhood and it finished

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<v Speaker 1>when Girls started, and that was incredibly disappointing to me.

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<v Speaker 1>Oh did you read it?

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<v Speaker 2>I did not read it. Not a complete tst you.

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<v Speaker 1>Missed out or nothing.

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<v Speaker 2>I read about it a lot same.

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<v Speaker 3>I didn't read it either, And what I read about

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<v Speaker 3>it was a lot of people didn't like it.

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<v Speaker 1>Why didn't we like it? Amelia?

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<v Speaker 4>First of all, I had to say, I went to

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<v Speaker 4>the book party. What did her first book party?

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<v Speaker 1>The actual one, the actual irl.

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<v Speaker 4>It was held at New York editor David Bremnick's house or.

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<v Speaker 1>His apartment, the most incredible, and he.

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<v Speaker 4>Has bookshelves that have ladders. I'm just going to say that,

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<v Speaker 4>which I know is holly history.

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<v Speaker 2>I would love that.

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<v Speaker 4>And the funny thing was reading this book, I realized

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<v Speaker 4>that when that book came out, she was at the

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<v Speaker 4>peak of that toxic fame era. She was really in

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<v Speaker 4>a mess, and you could tell at the party. I'd

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<v Speaker 4>never met her before, but I went up to introduce

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<v Speaker 4>myself because I was a big fan and she kind

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<v Speaker 4>of treated me like she was uncomfortable with the praise.

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<v Speaker 4>She didn't really want to hear from me. She thought

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<v Speaker 4>that I was like one of the obsessive fans who

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<v Speaker 4>maybe comes up to her on the street. She kind

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<v Speaker 4>of shunted me aside, and I was a little offended.

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<v Speaker 4>But now I've made this whole thing about me, because

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<v Speaker 4>now I've read this book and I realized it wasn't

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<v Speaker 4>about me. It was that she was going through so

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<v Speaker 4>much stuff, and then when someone praised her or complimented

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<v Speaker 4>her at the time, she couldn't even take it on board.

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<v Speaker 5>That was peak irritation with Lena Dutton. One of the

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<v Speaker 5>things that makes this book so great is she's coming back,

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<v Speaker 5>you know, almost a decade later and looking back at

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<v Speaker 5>all that time, with all the perspective, and I think

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<v Speaker 5>the world was ready to hear it. I think at

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<v Speaker 5>the time no one wanted to hear more. They felt

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<v Speaker 5>like they'd heard so much Lena. Everywhere they looked. She

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<v Speaker 5>had her newsletter. Then she was writing all the times

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<v Speaker 5>she was the queen of and it was what you

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<v Speaker 5>have to do. But like processing life while you're living

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<v Speaker 5>life forgetting it all out there, and it's not. It

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<v Speaker 5>just drove everybody crazy, which is not her fault. I

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<v Speaker 5>think it was internet culture of the Internet culture.

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<v Speaker 2>Of the moment.

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<v Speaker 5>But now I think the world is ready to hear

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<v Speaker 5>this story, and that's why it's so well received, and

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<v Speaker 5>the fact that she's always just been the most incredible writer.

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<v Speaker 1>She has been. There's a new generation that's also rediscovering girls.

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<v Speaker 2>Yeah, and also with John said.

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<v Speaker 1>General watching it, are you?

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<v Speaker 3>I watched it, I think after it came out a

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<v Speaker 3>few years, like five or six years after, and it's

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<v Speaker 3>now one of my constant rewatches. But what was really

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<v Speaker 3>interesting that I learned about fame seeking this memoir is

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<v Speaker 3>that a lot of younger girls, even some my age,

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<v Speaker 3>who didn't know Lena Dunham at all, are kind of

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<v Speaker 3>reading it in their book clubs, and they're reading it

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<v Speaker 3>like a novel, because it does read like a novel,

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<v Speaker 3>like it reads like a piece of fiction from a

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<v Speaker 3>first person point of view. And I'm finding it so

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<v Speaker 3>interesting that people are reading a memoir without actually knowing

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<v Speaker 3>the person.

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<v Speaker 1>What do you mean?

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<v Speaker 3>Because I've seen it on a New York Times bestsellers

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<v Speaker 3>list and they're just like I just want to read

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<v Speaker 3>this book. And I think when we go to read

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<v Speaker 3>a memoirs, you kind of know who that person is

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<v Speaker 3>and they don't know.

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<v Speaker 1>How So you mean like jen Z's reading it just

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<v Speaker 1>as a bit say.

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<v Speaker 4>I also want to on that point, that's really interesting

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<v Speaker 4>about how people are reading it as a novel. It's

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<v Speaker 4>very revealing to me that the cover is sort of

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<v Speaker 4>an Alice in Wonderland trope of legs falling down.

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<v Speaker 1>They're not her eggs.

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<v Speaker 4>What an interesting choice for a memoir to not have

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<v Speaker 4>the person pose on the cover.

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<v Speaker 5>I don't know they weren't heleg I assumed they were

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<v Speaker 5>her legs.

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<v Speaker 1>Look, this is our forensic journalist here.

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<v Speaker 5>I believe Amelia, though I will definitely be trusting.

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<v Speaker 1>She did an interview with the New York Times just

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<v Speaker 1>when the book came out, and again it has been

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<v Speaker 1>a very corrective reception for her, I would say, because

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<v Speaker 1>the book and the tour and her legacy has been

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<v Speaker 1>so well received pretty much unanimously. And she was talking

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<v Speaker 1>about this compulsive need she has to express herself and

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<v Speaker 1>making it about me for a second, I related to

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<v Speaker 1>she kept putting her foot in it, and she kept

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<v Speaker 1>getting canceled, and she said, I just kept trying to explain,

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<v Speaker 1>and every time I tried to explain, I made it worse.

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<v Speaker 1>And I'm like, ah, I've been there, So I want

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<v Speaker 1>to kind of look at this in a structure of four.

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<v Speaker 1>The four sort of buckets I put this into when

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<v Speaker 1>I was reading it was family, her, particularly her relations

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<v Speaker 1>with their parents, Fame the whole Girl's Year and becoming

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<v Speaker 1>incredibly famous and becoming such a lightning rod in culture.

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<v Speaker 1>Then also her relationships with Jack and Jenny, the two

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<v Speaker 1>pivotal relationships that she had partner and her creative partner,

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<v Speaker 1>magic and creative partners during that time, both of which

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<v Speaker 1>imploded at a similar stage after Girls finished. And then

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<v Speaker 1>finally or maybe in no order, in particular her chronic

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<v Speaker 1>illness and the way that is such a through line,

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<v Speaker 1>and she does some beautiful writing about exploring the parallels

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<v Speaker 1>between fame and chronic illness. Before I throw it to

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<v Speaker 1>a U whole for what you felt about the family,

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<v Speaker 1>I listened to it an audiobook at your suggestion, Amelia,

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<v Speaker 1>did you guys read or listen?

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<v Speaker 2>Listen? Listen? Yeah, we all did.

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<v Speaker 5>The audio sales of this book are going to be

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<v Speaker 5>absolutely huge.

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<v Speaker 1>Why do you think we did? Because she is a

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<v Speaker 1>beautiful writer. And I said to you, Amelia, now I's

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<v Speaker 1>going to read it because she's a beautiful writer.

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<v Speaker 4>But you said, well, because she's famous for writing people talking.

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<v Speaker 4>She's a green writers. So I wanted to hear her

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<v Speaker 4>say the words.

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<v Speaker 1>And I do love listening to memoirs that are read

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<v Speaker 1>by the TOFA.

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<v Speaker 5>It's like listening to a really long podcast, and you

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<v Speaker 5>can do it in chunks and you can sort of

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<v Speaker 5>pace yourself with it.

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<v Speaker 4>You feel like you're also gleaning a little bit of

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<v Speaker 4>extra information from how they read certain.

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<v Speaker 1>Sections on that. A friend asked me if she should listen,

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<v Speaker 1>and I said, yes, but don't try to binge it.

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<v Speaker 1>I wasn't able to binge it. I had to have breaks.

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<v Speaker 1>Did you find that I pretty.

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<v Speaker 2>Much binged it?

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<v Speaker 5>I have to say I listened to it pretty solidly

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<v Speaker 5>on a few long drives, and I just I was

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<v Speaker 5>hungry for it. I read it cleaning and I read

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<v Speaker 5>it packing, and I wanted to get there. I found

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<v Speaker 5>it quite propulsive, like I was dying to get.

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<v Speaker 4>It's one of those books that's so good that when

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<v Speaker 4>you finish you feel a bit sad.

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<v Speaker 1>I did feel a bit sad you warned me about that.

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<v Speaker 3>I binged it up until we got to the part

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<v Speaker 3>where she started talking about her addiction and she was

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<v Speaker 3>in rehab. I found that I found that kind of

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<v Speaker 3>like a sub story within the memoir, like it felt

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<v Speaker 3>like it could be your own standalone piece. And I

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<v Speaker 3>found that very hard to listen to because I think

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<v Speaker 3>that was the time where I started learning about her

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<v Speaker 3>when I was younger, and I remember, and I remember

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<v Speaker 3>when it got leaked that she was in rehab, and

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<v Speaker 3>just like listening to her thoughts and what was happening

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<v Speaker 3>while she was in there just felt like I needed

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<v Speaker 3>to give it space.

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<v Speaker 1>It felt like to me. The book ended a number

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<v Speaker 1>of times and then kept going, and I thought that

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<v Speaker 1>was quite evocative of chronic illness and perhaps the cycle

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<v Speaker 1>of fame. But what did you take away about her

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<v Speaker 1>relationship with her parents?

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<v Speaker 5>One of the things I thought, because so she's very,

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<v Speaker 5>very close to her family, right, and she that's not

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<v Speaker 5>a secret about her and her parents are They're kind

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<v Speaker 5>of arty New Yorkers.

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<v Speaker 2>Aren't they right?

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<v Speaker 5>They weren't famous, but they were respected in their fields.

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<v Speaker 5>And she grew up in Manhattan, a very atypical upbringing,

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<v Speaker 5>really growing up in Manhattan and in Brooklyn and in

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<v Speaker 5>this ARTI world and going to very liberal schools and everything.

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<v Speaker 5>But I felt like her family saved her because at

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<v Speaker 5>the beginning of the book she dedicates it to all

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<v Speaker 5>the people who didn't survive fame, So everyone from Marilyn

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<v Speaker 5>Monroe to Amy Winehouse to Peaches gelled Off to Liam Payne,

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<v Speaker 5>all these people, famous people who died in various ways.

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<v Speaker 5>And I kept thinking, I wonder how many of those

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<v Speaker 5>didn't have the kind of family that can swoop in

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<v Speaker 5>and pick you up every.

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<v Speaker 2>Time you fall, which she did have.

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<v Speaker 5>And it was you know, the number of times she

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<v Speaker 5>would go back to her parents' place, stay there. They'd

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<v Speaker 5>put her back together, they'd know her back to health,

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<v Speaker 5>they'd send her back out into the world. They were

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<v Speaker 5>always her first call when things went wrong. They always

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<v Speaker 5>forgave it. They're kind of tough love in some ways,

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<v Speaker 5>but not ever in a way that they might take

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<v Speaker 5>it back, you know, retract their love for her, And

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<v Speaker 5>I thought they were probably what saved her. To be honest,

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<v Speaker 5>as much as the dynamic is relatively enmeshed and complicated,

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<v Speaker 5>I think that so often when young people get completely lost.

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<v Speaker 5>It's because they do not have that base. That's what

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<v Speaker 5>I thought. I thought it was I think a love Love.

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<v Speaker 5>Loved the part about her mom getting really pissed off

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<v Speaker 5>with her daughter's fame.

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<v Speaker 2>I thought it was so interesting, so well written, and

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<v Speaker 2>so insightful.

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<v Speaker 5>So because her mom was an artist, as I said,

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<v Speaker 5>and had not really a level of fame, but a

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<v Speaker 5>level of fame in the art world, and suddenly your

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<v Speaker 5>daughter is this absolute lightning rod and journals are going

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<v Speaker 5>to your shows to try and glean secrets and make judgments,

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<v Speaker 5>and your Lena Dunham's mother instead of being yourself, And

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<v Speaker 5>how annoying that would be. I could really relate to that.

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<v Speaker 5>That would be so annoying. And I loved how honest

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<v Speaker 5>she was about all that and about them coming back together.

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<v Speaker 5>I thought she wrote about them with really clear eyes.

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<v Speaker 3>She describes her parents as helicopter parents, but you could

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<v Speaker 3>also tell with the way she talks about them that

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<v Speaker 3>she was very much leaning into it and very much

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<v Speaker 3>wanted that.

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<v Speaker 1>That part where.

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<v Speaker 3>She came out of one of her surgeries and she

0:11:08.554 --> 0:11:11.354
<v Speaker 3>said she could have chosen to go home with Jack,

0:11:11.394 --> 0:11:13.834
<v Speaker 3>who was there waiting for her and she chose to

0:11:13.834 --> 0:11:15.914
<v Speaker 3>stay with a parent and would message him and say,

0:11:16.154 --> 0:11:18.714
<v Speaker 3>I need one more day with my parents before I

0:11:18.754 --> 0:11:20.794
<v Speaker 3>come home. It was like she would always use a

0:11:20.914 --> 0:11:22.834
<v Speaker 3>parent as kind of a safety blanket.

0:11:22.954 --> 0:11:25.234
<v Speaker 5>Does it arrest your development though? Does it stop you

0:11:25.234 --> 0:11:25.914
<v Speaker 5>from growing up?

0:11:25.994 --> 0:11:28.914
<v Speaker 4>I disagree with you. Oh yeah, I think it does.

0:11:29.034 --> 0:11:31.354
<v Speaker 4>I think it's interesting to say it was clear eyed.

0:11:31.514 --> 0:11:35.834
<v Speaker 4>I actually thought it was lacking in a willingness to

0:11:36.034 --> 0:11:39.474
<v Speaker 4>question or interrogate the way she was brought up. It

0:11:39.594 --> 0:11:41.474
<v Speaker 4>was like this was the best possible way it could

0:11:41.514 --> 0:11:43.914
<v Speaker 4>be brought up. There were no trade offs, Like, yes,

0:11:43.994 --> 0:11:47.074
<v Speaker 4>say her dad comes in swoops into rescue her when

0:11:47.074 --> 0:11:48.954
<v Speaker 4>she gets a Q tip stuck in her ear, when

0:11:48.994 --> 0:11:52.714
<v Speaker 4>she is literally making a show on HBO, Like that's

0:11:52.834 --> 0:11:55.474
<v Speaker 4>probably one of the most adult tasks you could ever

0:11:55.514 --> 0:11:57.953
<v Speaker 4>be given. And he's still coming in to get the

0:11:58.034 --> 0:12:00.434
<v Speaker 4>Q tip out of her ear. And I just wondered

0:12:00.474 --> 0:12:03.274
<v Speaker 4>at moments like that, where the questioning of that kind

0:12:03.354 --> 0:12:09.514
<v Speaker 4>of ameshment and that slightly overbearing presence that did to her,

0:12:09.594 --> 0:12:11.274
<v Speaker 4>whether it did arrest her development.

0:12:11.474 --> 0:12:14.634
<v Speaker 1>I'll be harsher. I think she is a failure to launch.

0:12:15.674 --> 0:12:22.594
<v Speaker 1>I think that she has this very infantilized role that

0:12:22.714 --> 0:12:25.714
<v Speaker 1>she still plays with her parents. You know the fact

0:12:25.754 --> 0:12:28.474
<v Speaker 1>that she's in an adult relationship with a man who

0:12:28.514 --> 0:12:31.914
<v Speaker 1>she lives with. She has surgery, and she goes home

0:12:31.954 --> 0:12:36.474
<v Speaker 1>to her parents constantly through the book, and I get

0:12:36.514 --> 0:12:38.994
<v Speaker 1>that Jack was off and away, but sometimes he wasn't.

0:12:39.074 --> 0:12:42.674
<v Speaker 1>And I went back and listened to the interview she

0:12:42.714 --> 0:12:44.954
<v Speaker 1>did with The New York Times again after I'd read

0:12:44.954 --> 0:12:47.874
<v Speaker 1>the book, and she says in that and I've heard

0:12:47.914 --> 0:12:50.394
<v Speaker 1>her say it many times, my dad is my best friend.

0:12:51.794 --> 0:12:55.714
<v Speaker 1>And I find that I've been really thinking about that.

0:12:55.914 --> 0:12:58.674
<v Speaker 1>And I can think of two other women, famous women

0:12:58.714 --> 0:13:02.434
<v Speaker 1>who say that, Gwyneth Paltrow and Nicole Kidman, and both

0:13:02.434 --> 0:13:04.314
<v Speaker 1>of them have lost their fathers, but they said it

0:13:04.474 --> 0:13:06.354
<v Speaker 1>very much when their fathers were alive, and they talk

0:13:06.354 --> 0:13:09.234
<v Speaker 1>about being daddy's girls. And I think if a woman

0:13:09.314 --> 0:13:12.394
<v Speaker 1>says that her dad is her best friend, it's not

0:13:12.474 --> 0:13:16.194
<v Speaker 1>very adult. Because dads think their daughters are perfect. They

0:13:16.234 --> 0:13:19.274
<v Speaker 1>have very unquestioning They don't make demands of their daughters

0:13:19.354 --> 0:13:22.194
<v Speaker 1>on generalizing. But in the cases of you know, anyone

0:13:22.234 --> 0:13:25.234
<v Speaker 1>that says their dad is their best friend, their dad

0:13:25.274 --> 0:13:27.114
<v Speaker 1>thinks the moon and the stars of them now that

0:13:27.274 --> 0:13:30.314
<v Speaker 1>is not an adult it's not an adult friendship, and

0:13:30.394 --> 0:13:34.354
<v Speaker 1>it's certainly not a basis for a romantic relationship with

0:13:34.394 --> 0:13:34.674
<v Speaker 1>a man.

0:13:34.794 --> 0:13:36.514
<v Speaker 5>It's not what I would want. I mean when I

0:13:36.594 --> 0:13:38.514
<v Speaker 5>say that I think it saved her. I don't mean

0:13:38.554 --> 0:13:41.594
<v Speaker 5>to say that I think it was entirely positive and healthy.

0:13:41.714 --> 0:13:45.394
<v Speaker 5>I just mean in terms of the context of fame, drugs,

0:13:45.674 --> 0:13:49.434
<v Speaker 5>that world, having that saf nest, even whether that's a

0:13:49.474 --> 0:13:50.953
<v Speaker 5>good thing or a bad thing to keep going back to,

0:13:50.994 --> 0:13:54.274
<v Speaker 5>it is something that makes the difference so many times

0:13:54.314 --> 0:13:55.474
<v Speaker 5>about how lost you can get.

0:13:55.714 --> 0:13:58.514
<v Speaker 1>I think it saved her, but it also stunted.

0:13:58.034 --> 0:14:00.314
<v Speaker 4>Her, and it also maybe led her down that path

0:14:00.394 --> 0:14:03.554
<v Speaker 4>in some ways as well. Like I mean, I feel

0:14:03.594 --> 0:14:05.514
<v Speaker 4>like it's interesting that you said that she said he

0:14:05.914 --> 0:14:08.674
<v Speaker 4>her best friend. He would not say that she was

0:14:08.674 --> 0:14:11.114
<v Speaker 4>his best friend. In fact, what came through to me

0:14:11.394 --> 0:14:14.834
<v Speaker 4>was a curious asymmetry in that relationship. Remember when she

0:14:14.874 --> 0:14:18.594
<v Speaker 4>first gets the girl's deal and he says something like

0:14:18.754 --> 0:14:20.874
<v Speaker 4>is that a good thing? And it's like, come on,

0:14:21.074 --> 0:14:22.114
<v Speaker 4>you know what's a good thing.

0:14:22.274 --> 0:14:25.154
<v Speaker 5>I love that about them that they're always like unimpressed.

0:14:25.874 --> 0:14:30.434
<v Speaker 1>Yeah, not in a gas lighty mean way. It's just

0:14:30.514 --> 0:14:31.514
<v Speaker 1>not their current.

0:14:31.514 --> 0:14:35.114
<v Speaker 2>Their world.

0:14:32.154 --> 0:14:38.194
<v Speaker 4>They I wonder if that relationship dynamic with her parents

0:14:38.274 --> 0:14:40.354
<v Speaker 4>is one where when she does have a Q tip

0:14:40.394 --> 0:14:42.674
<v Speaker 4>stuck in her ear, or when she is at rock bottom,

0:14:42.954 --> 0:14:47.354
<v Speaker 4>they're very comfortable taking care of her, but they seem

0:14:47.394 --> 0:14:49.994
<v Speaker 4>patently less comfortable when she's succeeding.

0:14:50.354 --> 0:14:52.834
<v Speaker 3>Yeah, exactly, but like, what else are they meant to

0:14:52.834 --> 0:14:53.954
<v Speaker 3>do if she gets.

0:14:54.034 --> 0:14:56.074
<v Speaker 4>Maybe not say is that a good thing when she

0:14:56.114 --> 0:14:57.834
<v Speaker 4>gets a TV deal? You don't have to be in

0:14:57.874 --> 0:15:00.074
<v Speaker 4>that world to know that that's an impressive achievement.

0:15:00.274 --> 0:15:02.514
<v Speaker 3>I reckon, No, I reckon, Like my dad would say

0:15:02.514 --> 0:15:02.994
<v Speaker 3>the same thing.

0:15:05.354 --> 0:15:08.314
<v Speaker 4>Individual relationships with so one of me. It struck me

0:15:08.314 --> 0:15:10.874
<v Speaker 4>as an asymmetry and affection between her and her dad.

0:15:10.914 --> 0:15:13.154
<v Speaker 5>But I think it's interesting because the other piece to

0:15:13.194 --> 0:15:15.074
<v Speaker 5>this that's interesting about her mom. So you know, she

0:15:15.074 --> 0:15:17.714
<v Speaker 5>obviously has that piece where she talks about their relationships

0:15:17.754 --> 0:15:20.474
<v Speaker 5>had difficult times, but she also makes it very clear

0:15:20.514 --> 0:15:22.594
<v Speaker 5>that from the minute she was walking and talking, her

0:15:22.634 --> 0:15:26.274
<v Speaker 5>mom was telling everyone how great she was, Like when

0:15:26.274 --> 0:15:29.034
<v Speaker 5>she said her teachers were was a drama teacher or

0:15:29.074 --> 0:15:32.234
<v Speaker 5>something who was like criticizing Lena, and her mum was

0:15:32.234 --> 0:15:34.474
<v Speaker 5>always in her court. I say, well, clearly there's something

0:15:34.474 --> 0:15:34.914
<v Speaker 5>wrong with you.

0:15:35.354 --> 0:15:37.794
<v Speaker 1>So I think, yeah, but that's because she's her creation.

0:15:38.114 --> 0:15:40.194
<v Speaker 4>Like when she's a kid in drama class and the

0:15:40.274 --> 0:15:44.394
<v Speaker 4>drama teacher doesn't recognize Lena's like obvious genius. That's a

0:15:44.434 --> 0:15:46.714
<v Speaker 4>reflection on Laurie Simmons. I mean, I don't want to

0:15:46.714 --> 0:15:50.074
<v Speaker 4>criticize them as people. I'm just finding what's interesting is

0:15:50.114 --> 0:15:53.194
<v Speaker 4>that she doesn't ever reckon or grapple with any of

0:15:53.234 --> 0:15:56.514
<v Speaker 4>these questions around to what extent was it helpful that

0:15:56.594 --> 0:15:59.074
<v Speaker 4>they were so homesh amesh Why did she go home

0:15:59.074 --> 0:16:01.874
<v Speaker 4>with her parents instead of her boyfriend. I just thought,

0:16:01.874 --> 0:16:06.234
<v Speaker 4>for someone who's so unguarded and so frank in talking

0:16:06.274 --> 0:16:09.554
<v Speaker 4>about sex, talking about other relationships, this is one area

0:16:09.634 --> 0:16:10.914
<v Speaker 4>where she doesn't want to delve.

0:16:11.394 --> 0:16:14.194
<v Speaker 1>Yeah, And I found what was also missing for me

0:16:14.394 --> 0:16:17.994
<v Speaker 1>is that phase in life where you go from thinking

0:16:18.034 --> 0:16:21.594
<v Speaker 1>your parents are your heroes and they're perfect, to becoming

0:16:21.634 --> 0:16:25.514
<v Speaker 1>aware that they're very human, and then as you get older,

0:16:26.634 --> 0:16:30.354
<v Speaker 1>feeling a level of responsibility for them. And maybe it's

0:16:30.434 --> 0:16:34.474
<v Speaker 1>just that she's younger than and I don't even mean

0:16:34.474 --> 0:16:37.954
<v Speaker 1>that they're getting sick, but she's like a lack of

0:16:38.034 --> 0:16:42.034
<v Speaker 1>sort of protection she's always she's quite babyish with them,

0:16:42.434 --> 0:16:46.154
<v Speaker 1>and it's interesting her she had a sibling who transitioned

0:16:46.754 --> 0:16:49.714
<v Speaker 1>and that was really interesting too. She had to be

0:16:49.794 --> 0:16:51.954
<v Speaker 1>very careful how she talked about that and the big

0:16:51.994 --> 0:16:54.994
<v Speaker 1>falling out that they had over something that she wrote

0:16:55.034 --> 0:16:59.634
<v Speaker 1>in her first memoir, and how they really detached themselves

0:17:00.114 --> 0:17:02.874
<v Speaker 1>from her her brother over this time.

0:17:03.034 --> 0:17:05.793
<v Speaker 4>I sensed every word she wrote about Cyrus her brother

0:17:06.434 --> 0:17:10.994
<v Speaker 4>was agon. I think that relationship has been through the wars.

0:17:11.514 --> 0:17:14.594
<v Speaker 5>Yeah, but I think that's clear right. She talks in

0:17:14.634 --> 0:17:18.874
<v Speaker 5>the book about how much her brother's respect is all

0:17:18.914 --> 0:17:22.394
<v Speaker 5>she wants. A lot of her relationships have all been

0:17:22.434 --> 0:17:25.394
<v Speaker 5>about that, and I find I think it's interesting too

0:17:25.434 --> 0:17:28.474
<v Speaker 5>to think that she did move to London so well

0:17:28.594 --> 0:17:30.394
<v Speaker 5>as a mister she is with her family.

0:17:30.634 --> 0:17:31.194
<v Speaker 1>That's true.

0:17:31.314 --> 0:17:34.434
<v Speaker 5>She actually did when she was finally getting through this

0:17:34.594 --> 0:17:38.114
<v Speaker 5>incredibly because she was so young when all this happened.

0:17:38.154 --> 0:17:40.674
<v Speaker 5>She still was a kid, you know, And I think

0:17:40.714 --> 0:17:43.314
<v Speaker 5>that in a way, the fact that she actually did

0:17:43.354 --> 0:17:46.754
<v Speaker 5>remove herself from that family probably tells you a lot.

0:17:46.794 --> 0:17:49.394
<v Speaker 5>It's so interesting memoir, how you there are some things

0:17:49.394 --> 0:17:50.994
<v Speaker 5>in here that you think, as a parent, you'd be

0:17:50.994 --> 0:17:55.874
<v Speaker 5>devastated to read, but you also know that broadly speaking,

0:17:56.074 --> 0:17:58.273
<v Speaker 5>she's not going to throw them under any boses.

0:18:00.714 --> 0:18:05.594
<v Speaker 1>Let's talk about Jack and Jenny. Oh so good, Amelia

0:18:05.634 --> 0:18:08.794
<v Speaker 1>in my Roman Empire hat for a long time has

0:18:08.834 --> 0:18:12.794
<v Speaker 1>been the fallout of Jenny Connor and Lena Dunham's relationship,

0:18:13.394 --> 0:18:15.874
<v Speaker 1>and it's always pained us deeply that we would never

0:18:15.994 --> 0:18:18.714
<v Speaker 1>know why, because it seemed like there were a lot

0:18:18.714 --> 0:18:21.954
<v Speaker 1>of NDAs and they just seem like they never talk

0:18:21.994 --> 0:18:25.514
<v Speaker 1>about it, And here we are, Amelia or not to.

0:18:25.554 --> 0:18:28.313
<v Speaker 4>Explain, I got to get your So we've already disagreed

0:18:28.354 --> 0:18:31.874
<v Speaker 4>about this because to me, she hates Jenny, and Jenny

0:18:31.874 --> 0:18:32.714
<v Speaker 4>comes across as a gool.

0:18:32.794 --> 0:18:35.674
<v Speaker 1>But wait, you need to take people on the journey

0:18:35.914 --> 0:18:37.354
<v Speaker 1>of who is Jenny Connor?

0:18:37.554 --> 0:18:40.033
<v Speaker 4>Who is Jenny Connor? So she What I didn't realize

0:18:40.074 --> 0:18:42.714
<v Speaker 4>is that Jenny Connor came from a Hollywood family. Her

0:18:42.754 --> 0:18:46.714
<v Speaker 4>father wrote for the Sopranos, Her uncle lived next door

0:18:46.794 --> 0:18:49.514
<v Speaker 4>to Lena's family, which I thought was a crazy coincidence.

0:18:50.114 --> 0:18:54.874
<v Speaker 4>And basically jud Apatow was close with Jenny, and when

0:18:54.914 --> 0:18:58.954
<v Speaker 4>Tiny Furniture came out, jud was like, you're really talented

0:18:58.994 --> 0:19:03.274
<v Speaker 4>and essentially broken a relationship between Jenny and Lena.

0:19:03.114 --> 0:19:07.394
<v Speaker 1>Because HBO gave her this deal. She was an executives,

0:19:07.434 --> 0:19:13.273
<v Speaker 1>a director, writer, star, but she'd never done anything before really,

0:19:13.434 --> 0:19:17.554
<v Speaker 1>and so they needed she needed a chaperone, essentially, and

0:19:18.194 --> 0:19:23.394
<v Speaker 1>Jenny had executive produced on other shows and had more

0:19:23.434 --> 0:19:25.674
<v Speaker 1>experience and was a lot older, So she was about

0:19:25.674 --> 0:19:28.474
<v Speaker 1>thirty eight and Lena was twenty four when they met,

0:19:28.514 --> 0:19:31.154
<v Speaker 1>and Lena chose her. So she interviewed a number of

0:19:31.434 --> 0:19:35.114
<v Speaker 1>potential creative partners and she chose Jenny.

0:19:35.674 --> 0:19:38.754
<v Speaker 4>Jenny was giving Cheryl Samberg and Kellless People to me.

0:19:38.914 --> 0:19:41.754
<v Speaker 4>Has anyone read Kellless People, Sarah Wynn William's book about

0:19:41.794 --> 0:19:44.834
<v Speaker 4>working at Facebook. There's this kind of, I'm going to

0:19:44.914 --> 0:19:47.674
<v Speaker 4>say it, a bit of a gen X woman vibe here,

0:19:47.794 --> 0:19:52.354
<v Speaker 4>like there's no boundaries. There's a sort of like ambition

0:19:52.994 --> 0:19:59.914
<v Speaker 4>and unbridled ambition. But maybe that's why I didn't. I

0:20:00.074 --> 0:20:02.634
<v Speaker 4>came through thinking I was fully on Lina's side, but

0:20:02.794 --> 0:20:03.754
<v Speaker 4>you were a bit more.

0:20:03.834 --> 0:20:06.714
<v Speaker 2>Oh, I on Jenny's version of this?

0:20:07.234 --> 0:20:07.994
<v Speaker 4>What did you think?

0:20:08.034 --> 0:20:10.914
<v Speaker 1>I feel like I could tell Jenny's version of its fame, So,

0:20:11.114 --> 0:20:14.354
<v Speaker 1>em if you can explain how the relationship was depicted

0:20:14.434 --> 0:20:17.114
<v Speaker 1>from Lina's point of view for people who perhaps haven't

0:20:17.114 --> 0:20:17.674
<v Speaker 1>read the book.

0:20:17.754 --> 0:20:20.954
<v Speaker 3>So I remember when I learned about this relationship, and

0:20:21.554 --> 0:20:25.474
<v Speaker 3>very much the headlines were Lina Jenny best friends, worked

0:20:25.474 --> 0:20:27.314
<v Speaker 3>on girls together, and then they broke up and had

0:20:27.314 --> 0:20:29.394
<v Speaker 3>a falling out, and everyone was just like, oh, it's

0:20:29.394 --> 0:20:32.234
<v Speaker 3>because friends should never work on a show together. After

0:20:32.274 --> 0:20:37.314
<v Speaker 3>reading this, I didn't realize how much of Jenny's life

0:20:37.394 --> 0:20:41.553
<v Speaker 3>was embedded in Lina's. And reading this I kind of

0:20:41.594 --> 0:20:45.794
<v Speaker 3>felt a bit cringed towards Lina because it seemed like

0:20:45.954 --> 0:20:48.834
<v Speaker 3>Lina saw Jenny as her very, very best friend in

0:20:48.874 --> 0:20:51.834
<v Speaker 3>the whole world, and she thought that Jenny was someone

0:20:51.874 --> 0:20:54.714
<v Speaker 3>that should be across every inch of Lina's life, and

0:20:54.834 --> 0:20:57.994
<v Speaker 3>Jenny was very much like, I have my own life,

0:20:58.074 --> 0:20:59.994
<v Speaker 3>you're only a tiny part of it, which is the

0:21:00.034 --> 0:21:03.594
<v Speaker 3>work part of my life. And Lina didn't get that well.

0:21:03.674 --> 0:21:06.114
<v Speaker 1>I think that no, I don't think she was that

0:21:06.314 --> 0:21:09.154
<v Speaker 1>at start. I think that it was a fast and

0:21:09.234 --> 0:21:12.994
<v Speaker 1>furious friendship. It was very intimate. They both sort of

0:21:13.034 --> 0:21:16.154
<v Speaker 1>accelerated to this level of intimacy where they were having

0:21:16.154 --> 0:21:19.674
<v Speaker 1>sleepovers at each other's house and giving each other these

0:21:20.154 --> 0:21:23.674
<v Speaker 1>gifts that were like engraved and like almost a love affair,

0:21:23.994 --> 0:21:28.034
<v Speaker 1>and Holly and I concerned how we roll. We can

0:21:28.114 --> 0:21:32.194
<v Speaker 1>certainly attest for that might seem really weird to people,

0:21:32.274 --> 0:21:35.714
<v Speaker 1>the enmeshment, but when you work in an intense environment

0:21:35.874 --> 0:21:39.234
<v Speaker 1>around well, it's like a form of women's media essentially,

0:21:39.914 --> 0:21:40.514
<v Speaker 1>it can.

0:21:40.394 --> 0:21:42.954
<v Speaker 5>Be that totally could see how it can see that too.

0:21:43.074 --> 0:21:45.313
<v Speaker 5>I could see how, and I am sure that it

0:21:45.394 --> 0:21:47.914
<v Speaker 5>was in many ways when times were good, that was

0:21:47.954 --> 0:21:51.194
<v Speaker 5>an even It felt at least like an even thing.

0:21:51.394 --> 0:21:52.513
<v Speaker 2>Yeah, but Lena.

0:21:52.754 --> 0:21:55.034
<v Speaker 5>The simplistic way of looking at it, right is Lena

0:21:55.154 --> 0:21:57.114
<v Speaker 5>was the creative genius and Jenny was brought in to

0:21:57.114 --> 0:21:59.714
<v Speaker 5>be the business babysitter. Right, so HBO had to deliver

0:21:59.794 --> 0:22:02.514
<v Speaker 5>how to get their pound of flesh. Jenny knew how

0:22:02.514 --> 0:22:05.114
<v Speaker 5>to do that, knew how to run a show. But

0:22:05.234 --> 0:22:08.154
<v Speaker 5>Lena was obviously the creative genius who had made this

0:22:08.194 --> 0:22:10.834
<v Speaker 5>amazing movie in their life. So that was the dynamic.

0:22:11.514 --> 0:22:14.994
<v Speaker 5>And then if that gets stirred into this very intense

0:22:15.034 --> 0:22:18.394
<v Speaker 5>friendship living in each other's pockets all the time, how

0:22:18.474 --> 0:22:20.714
<v Speaker 5>is that not going to blow up at some point?

0:22:21.194 --> 0:22:21.874
<v Speaker 2>How is that not?

0:22:22.234 --> 0:22:25.593
<v Speaker 5>Because what I kept thinking, I mean, I found it

0:22:25.634 --> 0:22:28.073
<v Speaker 5>really interesting and I could see how hurtful. It was

0:22:28.514 --> 0:22:32.554
<v Speaker 5>when the business side of Jenny reared up and shocked Lena,

0:22:32.714 --> 0:22:34.674
<v Speaker 5>like when she tells her to put weight on in

0:22:34.714 --> 0:22:35.634
<v Speaker 5>the first season of.

0:22:35.594 --> 0:22:36.914
<v Speaker 4>Girls, put food in your mouth.

0:22:37.034 --> 0:22:40.034
<v Speaker 5>Just put food in your mouth, because that was really interesting.

0:22:40.074 --> 0:22:42.874
<v Speaker 5>How they were saying, your body isn't interesting if it's skinny,

0:22:42.954 --> 0:22:45.554
<v Speaker 5>like this show doesn't work if you're hot, is basically

0:22:45.594 --> 0:22:49.114
<v Speaker 5>what they were saying. So get fatter so that this

0:22:49.234 --> 0:22:50.674
<v Speaker 5>show becomes edgy again.

0:22:51.154 --> 0:22:51.914
<v Speaker 2>Eat some food.

0:22:52.194 --> 0:22:54.394
<v Speaker 5>I can see how much that must have That would

0:22:54.394 --> 0:22:56.834
<v Speaker 5>have been devastating for Lena, for her bestie to suddenly

0:22:56.834 --> 0:23:00.034
<v Speaker 5>rear up with the business brain, but also inevitable. How

0:23:00.034 --> 0:23:02.714
<v Speaker 5>could it have gone any other way? And to be honest,

0:23:02.754 --> 0:23:05.553
<v Speaker 5>by the time it all falls apart. I can't remember

0:23:05.594 --> 0:23:08.234
<v Speaker 5>exactly what was happening in Lena's life, but there's a

0:23:08.274 --> 0:23:11.474
<v Speaker 5>moment when Lena calls Jenny. I think she might have

0:23:11.514 --> 0:23:14.234
<v Speaker 5>been recovering from a surgery or going through her pill withdrawal,

0:23:14.674 --> 0:23:18.114
<v Speaker 5>and Jenny says to her, and Lena describes it very clearly,

0:23:18.354 --> 0:23:21.313
<v Speaker 5>very kindly, very firmly, this is too much for me.

0:23:21.594 --> 0:23:24.474
<v Speaker 5>You need you need to talk to a professional. I

0:23:24.594 --> 0:23:25.594
<v Speaker 5>can't handle this.

0:23:25.754 --> 0:23:26.594
<v Speaker 2>I have a life.

0:23:26.754 --> 0:23:27.754
<v Speaker 1>That to me was the.

0:23:27.754 --> 0:23:31.194
<v Speaker 5>Kindest, just boundary, Like what else was she supposed to

0:23:31.394 --> 0:23:34.513
<v Speaker 5>She would have by that time spent a decade being

0:23:34.834 --> 0:23:36.634
<v Speaker 5>on the end of the phone for every one of

0:23:36.714 --> 0:23:39.394
<v Speaker 5>Lena's dramas, and Lena's dramas are relentles.

0:23:39.554 --> 0:23:43.114
<v Speaker 4>Okay, I hear you on that, But as a counter argument,

0:23:43.314 --> 0:23:45.354
<v Speaker 4>Jenny was the one. You can't have it both ways.

0:23:45.394 --> 0:23:47.994
<v Speaker 4>You can't say this is just purely a professional arrange.

0:23:48.034 --> 0:23:48.994
<v Speaker 2>No, no, I don't think, she said.

0:23:49.074 --> 0:23:52.513
<v Speaker 4>When it comes to the pay issue, she insists that

0:23:52.554 --> 0:23:56.313
<v Speaker 4>they go in there together, like, I agree with you,

0:23:56.394 --> 0:23:59.234
<v Speaker 4>and then Lina ends up having to take a pay cut,

0:23:59.434 --> 0:24:01.114
<v Speaker 4>presumably because Jenny's.

0:24:00.754 --> 0:24:03.234
<v Speaker 1>Like, but we're best buddies, we're best mates, Like you

0:24:03.354 --> 0:24:03.994
<v Speaker 1>just can't have.

0:24:04.034 --> 0:24:05.714
<v Speaker 2>It both I agree it was toxic.

0:24:05.794 --> 0:24:08.594
<v Speaker 5>I think the whole situation was toxic, but I'm sure

0:24:08.594 --> 0:24:12.154
<v Speaker 5>the manipulated each because that is shocking. By the end,

0:24:12.274 --> 0:24:15.154
<v Speaker 5>when Jenny insists on pay parody with Lena, it is

0:24:15.274 --> 0:24:16.434
<v Speaker 5>really shocking.

0:24:16.154 --> 0:24:19.074
<v Speaker 1>And the scenior described whole because I was really struck

0:24:19.114 --> 0:24:22.554
<v Speaker 1>by that too, Because things kept happening to Lena, either

0:24:22.594 --> 0:24:25.554
<v Speaker 1>illnesses or she'd slip and she'd break her elbow, and

0:24:26.674 --> 0:24:29.954
<v Speaker 1>I could really relate to the key man pressure of

0:24:30.034 --> 0:24:32.273
<v Speaker 1>Lena Dunham of being the star of this show but

0:24:32.314 --> 0:24:36.154
<v Speaker 1>also the writer and just being the person essentially responsible.

0:24:36.194 --> 0:24:39.834
<v Speaker 1>I mean, Jenny could have left, but Lena couldn't go anywhere.

0:24:39.834 --> 0:24:41.714
<v Speaker 1>Like if Jenny got sick, the show could go on,

0:24:41.874 --> 0:24:44.914
<v Speaker 1>but with Lena it couldn't. And there were hundreds of

0:24:44.954 --> 0:24:48.234
<v Speaker 1>people whose livelihoods depended on her being on set. And

0:24:48.554 --> 0:24:51.154
<v Speaker 1>you know, if a show goes even a couple of

0:24:51.154 --> 0:24:54.914
<v Speaker 1>hours over a time lit alone days or weeks because

0:24:55.234 --> 0:24:59.354
<v Speaker 1>the star is unwell and the writer can be ruinous

0:24:59.394 --> 0:25:02.434
<v Speaker 1>for budgets, because a show is a business. And so

0:25:02.874 --> 0:25:07.114
<v Speaker 1>Lena wanted a mother. She wanted Jenny to be her parents,

0:25:07.514 --> 0:25:10.754
<v Speaker 1>like her parents, but Jenny had to also be the

0:25:11.234 --> 0:25:14.273
<v Speaker 1>designated driver of that show and keep the train on

0:25:14.314 --> 0:25:16.914
<v Speaker 1>the tracks. And in the scene you describe hole, she

0:25:16.994 --> 0:25:22.594
<v Speaker 1>was recovering from another surgery and she was having very

0:25:22.634 --> 0:25:27.194
<v Speaker 1>sort of a post traumatic response and remembering sexual assault

0:25:27.274 --> 0:25:31.114
<v Speaker 1>that she'd experienced by her babysitter and comparing it to

0:25:31.154 --> 0:25:33.194
<v Speaker 1>how she felt now, and all of that was really

0:25:33.194 --> 0:25:36.114
<v Speaker 1>really valid, But she was screaming down the phone at Jenny.

0:25:36.234 --> 0:25:39.114
<v Speaker 1>No one protected me, then no one's protecting me now.

0:25:39.354 --> 0:25:43.434
<v Speaker 1>And Jenny is like, as I said, I completely empathize

0:25:43.474 --> 0:25:45.914
<v Speaker 1>with Jenny, which is this is too much for me. Lena,

0:25:46.274 --> 0:25:49.354
<v Speaker 1>you have to speak to a therapist. Did you empathize

0:25:49.354 --> 0:25:50.314
<v Speaker 1>with Jenny in that moment?

0:25:50.434 --> 0:25:53.154
<v Speaker 4>I think I'm sort of playing a part here on

0:25:53.234 --> 0:25:56.794
<v Speaker 4>behalf of millennials. I think she is an exhausting presence,

0:25:56.834 --> 0:26:00.314
<v Speaker 4>and she knows that about herself too. She is very

0:26:00.354 --> 0:26:04.594
<v Speaker 4>open about that. One interesting chapter we should touch on

0:26:04.954 --> 0:26:09.234
<v Speaker 4>relates to the letter that Jenny and Lena put.

0:26:08.994 --> 0:26:12.274
<v Speaker 1>Out, The Big Bad. Yeah, the Big Bad.

0:26:12.354 --> 0:26:15.394
<v Speaker 4>So basically what happened was Lena was on day one

0:26:15.714 --> 0:26:19.114
<v Speaker 4>recovering from her hysterectomy at home at her parents' house,

0:26:19.714 --> 0:26:22.634
<v Speaker 4>and Jenny comes over, and the net result of what

0:26:22.714 --> 0:26:24.474
<v Speaker 4>happens in that meeting is that the two of them

0:26:24.514 --> 0:26:29.194
<v Speaker 4>release a joint statement saying that a professional associate of

0:26:29.194 --> 0:26:30.634
<v Speaker 4>theirs named Murray.

0:26:30.354 --> 0:26:32.634
<v Speaker 1>Miller, one of the writers on one of.

0:26:32.634 --> 0:26:36.594
<v Speaker 4>The writers on Girls, was not guilty of an allegation

0:26:36.674 --> 0:26:39.834
<v Speaker 4>that had been put forward that he had sexually assaulted someone.

0:26:39.954 --> 0:26:42.273
<v Speaker 4>He denied the claims. They backed him up on that

0:26:42.354 --> 0:26:45.874
<v Speaker 4>denial and said, essentially, mostly we should listen to women

0:26:45.994 --> 0:26:49.394
<v Speaker 4>except when we know the man involved. It was devastating

0:26:49.434 --> 0:26:51.994
<v Speaker 4>for both her brand. I'm sure it was also devastating

0:26:51.994 --> 0:26:53.994
<v Speaker 4>in a personal sense, but that went to the heart

0:26:54.034 --> 0:26:57.234
<v Speaker 4>of her brand because to say we believe all women

0:26:57.394 --> 0:27:00.834
<v Speaker 4>except when we know the man that was so bad undercuts.

0:27:00.394 --> 0:27:02.554
<v Speaker 1>Years of work. What do you think am about how

0:27:02.594 --> 0:27:05.674
<v Speaker 1>she spoke about that in the book, Well.

0:27:05.554 --> 0:27:08.474
<v Speaker 3>She spoke about it away where she was still going

0:27:08.514 --> 0:27:10.394
<v Speaker 3>through and I think that was also time where her

0:27:10.434 --> 0:27:13.514
<v Speaker 3>relationship with Jenny was still a bit fraught. So when

0:27:13.514 --> 0:27:15.914
<v Speaker 3>she talked about doing the letter, it did sound like

0:27:15.994 --> 0:27:17.794
<v Speaker 3>it was like a business deal that they were doing

0:27:17.794 --> 0:27:20.314
<v Speaker 3>it together, not as like friends getting together to do it.

0:27:20.754 --> 0:27:24.714
<v Speaker 3>But the way she talked about how Jenny's reaction to

0:27:25.634 --> 0:27:29.394
<v Speaker 3>the outcry from the letter and how she was absolutely

0:27:29.394 --> 0:27:33.033
<v Speaker 3>beside herself and crying was kind of interesting because it

0:27:33.114 --> 0:27:36.354
<v Speaker 3>was during that time where people started to not like

0:27:36.634 --> 0:27:40.514
<v Speaker 3>Lena Dunham as we were mentioning before and Lena only

0:27:40.554 --> 0:27:42.554
<v Speaker 3>talked I felt like and Lena was only talking about

0:27:42.674 --> 0:27:45.274
<v Speaker 3>Jenny in that moment. Because Lena has apologized for this

0:27:45.394 --> 0:27:48.154
<v Speaker 3>publicly and she says that it is one thing that

0:27:48.194 --> 0:27:52.033
<v Speaker 3>she shouldn't have done. But it was really interesting to

0:27:52.034 --> 0:27:56.234
<v Speaker 3>see also Jenny for the first time getting that backlash.

0:27:56.314 --> 0:27:58.914
<v Speaker 3>That's something that Lena had been going through here, and

0:27:58.994 --> 0:27:59.994
<v Speaker 3>she's experiencing it.

0:28:00.034 --> 0:28:03.874
<v Speaker 5>Because part of the pressure on Lena. Also to your

0:28:03.914 --> 0:28:08.434
<v Speaker 5>point about Keyman Maya, is that every miss in Inverted Commas,

0:28:08.434 --> 0:28:12.874
<v Speaker 5>every misstep, every issue, she cops it. She's the famous

0:28:12.874 --> 0:28:15.154
<v Speaker 5>person and she's the one with the following and she's

0:28:15.154 --> 0:28:17.314
<v Speaker 5>so they can publish Lenny and Mia.

0:28:17.114 --> 0:28:18.794
<v Speaker 2>Would relate to this very strongly.

0:28:19.034 --> 0:28:21.234
<v Speaker 5>They can publish Lenny letters about all kinds of things,

0:28:21.274 --> 0:28:22.674
<v Speaker 5>and if it's a bit on the nose, it's not

0:28:22.794 --> 0:28:27.474
<v Speaker 5>Jenny who's getting their reputational drag, it's Lena. So that

0:28:27.554 --> 0:28:32.874
<v Speaker 5>relationship was always going to be so uneven, so complicated,

0:28:33.554 --> 0:28:37.194
<v Speaker 5>so devastating. It's really at the end of that when

0:28:37.194 --> 0:28:40.234
<v Speaker 5>they sort of break up in a therapist's office and

0:28:40.274 --> 0:28:41.674
<v Speaker 5>then walk away on.

0:28:41.754 --> 0:28:44.874
<v Speaker 1>Seven seven minutes into a joint therapy.

0:28:45.954 --> 0:28:49.234
<v Speaker 5>And they never see each other again, is wild.

0:28:50.114 --> 0:28:52.754
<v Speaker 1>What do you think Jenny does now? You think her

0:28:52.794 --> 0:28:56.954
<v Speaker 1>career is ruined, But it's a little tangent. She was

0:28:56.994 --> 0:28:59.754
<v Speaker 1>brought in to do a similar thing on Nobody Wants

0:28:59.794 --> 0:29:02.274
<v Speaker 1>This in season two because in season one. It was

0:29:02.314 --> 0:29:06.634
<v Speaker 1>a similar situation with a creator writer, first time TV

0:29:06.634 --> 0:29:10.354
<v Speaker 1>show run. And even though season one of Nobody Wants

0:29:10.394 --> 0:29:15.194
<v Speaker 1>This was phenomenal was very well received, behind the scenes

0:29:15.194 --> 0:29:17.794
<v Speaker 1>apparently it was chaos. So the network was like, we

0:29:17.834 --> 0:29:20.274
<v Speaker 1>want season two, but you need a babysitter. So Jenny

0:29:20.354 --> 0:29:24.274
<v Speaker 1>was brought in in the same capacity, and interestingly, season

0:29:24.314 --> 0:29:25.234
<v Speaker 1>two wasn't very good.

0:29:25.314 --> 0:29:26.994
<v Speaker 2>It was really bad. It was really bad.

0:29:27.154 --> 0:29:29.594
<v Speaker 5>It Also, I didn't know what Jenny was doing anymore,

0:29:30.074 --> 0:29:31.754
<v Speaker 5>so when I was reading the book, she was like

0:29:31.794 --> 0:29:33.634
<v Speaker 5>a fictional character to me, and I was like, I

0:29:33.794 --> 0:29:36.234
<v Speaker 5>just hope she's like taken all the money and she

0:29:36.394 --> 0:29:39.074
<v Speaker 5>just lies on an island taking ayahuasca or something like.

0:29:40.074 --> 0:29:42.314
<v Speaker 5>I just wanted her to like not have to deal

0:29:42.354 --> 0:29:45.234
<v Speaker 5>with any more drama.

0:29:45.354 --> 0:29:50.314
<v Speaker 1>What about Jack jack Antonov, who is famous, Well, I

0:29:50.394 --> 0:29:52.634
<v Speaker 1>first got to know him when he started dating Lena.

0:29:53.034 --> 0:29:56.394
<v Speaker 1>That was before I was very into I got to

0:29:56.394 --> 0:29:59.594
<v Speaker 1>know him as a as a person we're best Subsequently,

0:29:59.674 --> 0:30:01.474
<v Speaker 1>that was before I was really into Taylor Swift, and

0:30:01.514 --> 0:30:05.554
<v Speaker 1>so I subsequently understood the role that he played as

0:30:05.594 --> 0:30:09.434
<v Speaker 1>a musician and a collaborative creative partner of Taylor Swift

0:30:09.474 --> 0:30:12.754
<v Speaker 1>for many many years and many other artists as well.

0:30:13.354 --> 0:30:16.034
<v Speaker 1>She talks about how they were very much the cool kids,

0:30:16.074 --> 0:30:18.554
<v Speaker 1>the kind of cool indie kids. He's got this very

0:30:18.594 --> 0:30:21.434
<v Speaker 1>nerdy sort of image, but he's like.

0:30:21.754 --> 0:30:23.674
<v Speaker 4>He dated scholleto Hudson in high school.

0:30:23.754 --> 0:30:27.154
<v Speaker 1>So you have to take that with a grain of salt. Yeah,

0:30:27.314 --> 0:30:31.034
<v Speaker 1>and tell me how you think he was sort of

0:30:31.074 --> 0:30:33.954
<v Speaker 1>portrayed in the book And what did you take away

0:30:33.954 --> 0:30:36.034
<v Speaker 1>about their relationship. Is it what you thought it was

0:30:36.074 --> 0:30:36.594
<v Speaker 1>at the time.

0:30:37.234 --> 0:30:37.634
<v Speaker 2>I don't know.

0:30:37.714 --> 0:30:39.834
<v Speaker 3>He was like guy in Fun. Like I remember the

0:30:39.874 --> 0:30:42.874
<v Speaker 3>band Fun because it was huge when I was younger,

0:30:42.914 --> 0:30:44.834
<v Speaker 3>and then they had like one big song and then

0:30:44.834 --> 0:30:45.834
<v Speaker 3>they kind of disappeared.

0:30:47.314 --> 0:30:47.994
<v Speaker 1>We are young?

0:30:48.114 --> 0:30:48.714
<v Speaker 3>Were you we are?

0:30:54.634 --> 0:30:57.234
<v Speaker 2>It's terrible. Yeah, everybody's just turned off.

0:30:58.754 --> 0:31:01.274
<v Speaker 3>Yeah. I like that, thank you, thank you so much.

0:31:01.554 --> 0:31:03.554
<v Speaker 3>So I remember him because he was like the guy

0:31:03.594 --> 0:31:06.154
<v Speaker 3>in the white shirt playing the guitar, wearing the glasses.

0:31:06.194 --> 0:31:07.634
<v Speaker 3>And then it came out that he was one who

0:31:07.674 --> 0:31:13.514
<v Speaker 3>was writing all the songs. And when she describes their relationship,

0:31:14.074 --> 0:31:17.714
<v Speaker 3>it does seem like a relationship that she needed to

0:31:18.154 --> 0:31:20.354
<v Speaker 3>kind of like for a valid for validation, which I

0:31:20.354 --> 0:31:23.754
<v Speaker 3>think she has spoken about in the past. She wanted

0:31:23.794 --> 0:31:26.874
<v Speaker 3>that validation because every time she described him, especially when

0:31:26.874 --> 0:31:29.234
<v Speaker 3>they were out in public, it was always through the

0:31:29.274 --> 0:31:31.914
<v Speaker 3>eyes of another girl, Like it was always through the

0:31:31.954 --> 0:31:35.034
<v Speaker 3>supermodels were like talking to him, Like whenever he stopped

0:31:35.074 --> 0:31:37.634
<v Speaker 3>filming for his music videos, the girls were looking at

0:31:37.714 --> 0:31:41.074
<v Speaker 3>him from the crowd, and even towards the end, when

0:31:41.314 --> 0:31:43.914
<v Speaker 3>she starts talking about the breakup and what that meant

0:31:43.954 --> 0:31:47.274
<v Speaker 3>to her, when she speaks about Margaret Qualley as like

0:31:47.794 --> 0:31:49.874
<v Speaker 3>the girl known for the big laugh.

0:31:49.994 --> 0:31:51.354
<v Speaker 1>She doesn't mention her by name.

0:31:51.714 --> 0:31:54.154
<v Speaker 3>She just describes her laugh and saying she's likening for

0:31:54.234 --> 0:31:57.314
<v Speaker 3>having a quirky laugh and how like her. One thing

0:31:57.354 --> 0:31:59.674
<v Speaker 3>she wishes is that they hope that she's not jealous

0:31:59.714 --> 0:32:02.594
<v Speaker 3>of their relationship. It just seems to me that she

0:32:03.034 --> 0:32:07.034
<v Speaker 3>just wanted that relationship to feel that validation, and because

0:32:07.034 --> 0:32:10.394
<v Speaker 3>she got the hot guy, she was able to be like, yes,

0:32:10.434 --> 0:32:11.634
<v Speaker 3>this is like such a.

0:32:11.514 --> 0:32:14.394
<v Speaker 4>Good point because remember they were breaking up. The thing

0:32:14.434 --> 0:32:16.874
<v Speaker 4>that she's most worried about is not like I might

0:32:16.994 --> 0:32:20.434
<v Speaker 4>lose the love of my life. It's but people thought

0:32:20.434 --> 0:32:22.994
<v Speaker 4>that I was okay because I was with him and

0:32:23.034 --> 0:32:25.354
<v Speaker 4>because he chose me. And what's it going to mean

0:32:25.394 --> 0:32:26.954
<v Speaker 4>when he's no longer choosing me.

0:32:28.554 --> 0:32:30.874
<v Speaker 5>I feel like I owe him an apology because when

0:32:30.914 --> 0:32:34.394
<v Speaker 5>we talked about this book before we'd read the book

0:32:34.474 --> 0:32:38.514
<v Speaker 5>we did, we talked about it the Lord Power Corlis gossip.

0:32:38.554 --> 0:32:41.354
<v Speaker 5>We talked about the Lord PowerPoint and the part that

0:32:41.394 --> 0:32:44.714
<v Speaker 5>had been leaked from the book about how Lena, you know,

0:32:44.754 --> 0:32:46.834
<v Speaker 5>the teenage pop star, was in the other room and

0:32:46.874 --> 0:32:49.754
<v Speaker 5>it gave much sleasier vibes than it did when you

0:32:49.874 --> 0:32:51.434
<v Speaker 5>actually in context.

0:32:51.554 --> 0:32:53.434
<v Speaker 2>I think he actually comes out of it pretty well.

0:32:53.514 --> 0:32:53.954
<v Speaker 2>I'm going to.

0:32:53.994 --> 0:32:57.514
<v Speaker 5>Say, I think it seemed to me like a relationship.

0:32:58.034 --> 0:33:00.434
<v Speaker 5>It was longer than it should have been, so much

0:33:00.514 --> 0:33:04.874
<v Speaker 5>longer than it should have been. Both got what they

0:33:04.954 --> 0:33:06.434
<v Speaker 5>needed out of it, to a point in that she

0:33:06.514 --> 0:33:08.874
<v Speaker 5>had been in all the the awful relationships where she'd

0:33:08.994 --> 0:33:12.154
<v Speaker 5>been literally, quite literally abused by dodgy.

0:33:11.834 --> 0:33:13.154
<v Speaker 2>Guys, and he was a good guy.

0:33:13.194 --> 0:33:14.834
<v Speaker 5>And she talks a lot about how he was very

0:33:14.834 --> 0:33:16.874
<v Speaker 5>invested in seeing himself as a good guy too, but

0:33:16.914 --> 0:33:19.554
<v Speaker 5>that also worked for her. They were the hot thing

0:33:19.554 --> 0:33:22.914
<v Speaker 5>around town. It seemed very genuine best friends, but that

0:33:22.994 --> 0:33:26.474
<v Speaker 5>it really overran its course. Would I don't imagine how

0:33:26.474 --> 0:33:28.594
<v Speaker 5>difficult it would have been to be in a relationship

0:33:28.634 --> 0:33:31.314
<v Speaker 5>with her for no fault of her own. But she's

0:33:31.394 --> 0:33:35.354
<v Speaker 5>always sick, she's always in hospital, she's always working like

0:33:35.394 --> 0:33:36.834
<v Speaker 5>that would have been a tough gig.

0:33:37.074 --> 0:33:40.114
<v Speaker 1>Yeah, And I think that I really appreciated the clear

0:33:40.154 --> 0:33:44.714
<v Speaker 1>eyed way she described the relationship throughout the book in

0:33:44.834 --> 0:33:49.034
<v Speaker 1>terms of her culpability is a strong word, but it

0:33:49.114 --> 0:33:51.634
<v Speaker 1>wasn't he was a dirty dog. Like At one point

0:33:51.354 --> 0:33:54.474
<v Speaker 1>she echoes exactly what you say, which is yet another

0:33:54.514 --> 0:33:56.434
<v Speaker 1>reason why you should always write from a scar, not

0:33:56.474 --> 0:34:00.354
<v Speaker 1>a wound. She says, we should have just broken up,

0:34:00.474 --> 0:34:03.314
<v Speaker 1>but we were acting as though we had six kids

0:34:03.354 --> 0:34:05.514
<v Speaker 1>and would lose all custody of them to the state

0:34:05.594 --> 0:34:07.594
<v Speaker 1>if we broke up like that. There were these stakes

0:34:07.634 --> 0:34:10.633
<v Speaker 1>that there were, she said, we had no dependents. And

0:34:11.514 --> 0:34:14.074
<v Speaker 1>I thought that he wouldn't end the relationship when it

0:34:14.074 --> 0:34:17.914
<v Speaker 1>should have ended, because she was always in a crisis.

0:34:18.314 --> 0:34:20.913
<v Speaker 1>And I think that probably the reason that it could

0:34:21.074 --> 0:34:22.993
<v Speaker 1>last is that he did have to travel so much.

0:34:22.994 --> 0:34:23.913
<v Speaker 1>He was always on tour.

0:34:24.114 --> 0:34:24.714
<v Speaker 2>That's why I was going.

0:34:24.834 --> 0:34:26.433
<v Speaker 3>Because it felt like they just didn't see each other

0:34:26.514 --> 0:34:28.674
<v Speaker 3>that often. Yeah, so they were living together, but they

0:34:28.714 --> 0:34:29.194
<v Speaker 3>really were.

0:34:29.354 --> 0:34:33.834
<v Speaker 5>I think that's famous people Like one of my favorite

0:34:34.154 --> 0:34:37.034
<v Speaker 5>scenes that I will always carry from this book is

0:34:37.034 --> 0:34:39.714
<v Speaker 5>they've broken up and she's in London, and she's supposedly

0:34:39.794 --> 0:34:42.634
<v Speaker 5>okay now, but she's at a party with Bruce Springsteen.

0:34:44.234 --> 0:34:45.393
<v Speaker 1>So this is so.

0:34:46.994 --> 0:34:49.954
<v Speaker 2>She had just I think maybe after she'd set herself

0:34:49.994 --> 0:34:50.794
<v Speaker 2>on fire or something.

0:34:50.794 --> 0:34:54.114
<v Speaker 5>Anyway, she and Jack had just started talking again or something.

0:34:54.314 --> 0:34:57.234
<v Speaker 5>But anyway, she knows that Jack knows Bruce Springsteen, and

0:34:57.554 --> 0:35:00.194
<v Speaker 5>Bruce Springsteen leans across to her and says, you know,

0:35:00.514 --> 0:35:03.073
<v Speaker 5>Jack's become a very important person to me, we really,

0:35:03.074 --> 0:35:06.114
<v Speaker 5>you know, and Lean just goes off, well, I'm glad

0:35:06.154 --> 0:35:08.474
<v Speaker 5>he's nice to you. I'm glad he's a very important

0:35:08.474 --> 0:35:11.474
<v Speaker 5>person to you. Actually he's abuse of shit, who remember,

0:35:11.514 --> 0:35:14.234
<v Speaker 5>And you're just like, oh my god. And I think

0:35:14.274 --> 0:35:16.474
<v Speaker 5>Bruce says something really wise and really.

0:35:16.674 --> 0:35:18.714
<v Speaker 4>What it was, I don't but but I love that

0:35:18.754 --> 0:35:22.154
<v Speaker 4>scene too. But you know what's unsaid and very interesting

0:35:22.234 --> 0:35:25.714
<v Speaker 4>about that scene. She has a very good friend who

0:35:25.754 --> 0:35:28.434
<v Speaker 4>was not mentioned in the book apart from in the acknowledgments,

0:35:28.714 --> 0:35:32.474
<v Speaker 4>who was also very close to Jack Antonoff. I speak

0:35:32.514 --> 0:35:36.714
<v Speaker 4>of Taylor Swift. So clearly, Bruce Springsteen was not the

0:35:36.754 --> 0:35:40.034
<v Speaker 4>first mega famous person that she encountered in her life,

0:35:40.274 --> 0:35:42.114
<v Speaker 4>who was very close with her exploit.

0:35:41.914 --> 0:35:44.914
<v Speaker 1>There wasn't a single mention of Taylor. No, why is that, Amelia.

0:35:45.074 --> 0:35:46.953
<v Speaker 4>I guess she probably just told her I don't want

0:35:46.994 --> 0:35:48.393
<v Speaker 4>you to mention me, right, I.

0:35:48.314 --> 0:35:51.553
<v Speaker 1>Think it's just unspoken, particularly after the Black Lively shit.

0:35:52.274 --> 0:35:55.514
<v Speaker 1>You do not like first rule of Bean Taylor Swift's friend.

0:35:55.594 --> 0:35:57.714
<v Speaker 1>You don't talk about Bean Taylor Swift's friend.

0:35:57.914 --> 0:35:58.274
<v Speaker 2>You know what.

0:35:58.354 --> 0:36:00.674
<v Speaker 5>I think jack Antonoff has done well out of this though,

0:36:00.674 --> 0:36:03.473
<v Speaker 5>because I was thinking about so. He's on a press

0:36:03.514 --> 0:36:04.873
<v Speaker 5>tour of his own at the moment, because he's got

0:36:04.874 --> 0:36:07.514
<v Speaker 5>a new album out with the band Bleachers, who I

0:36:07.594 --> 0:36:09.473
<v Speaker 5>had never listened to, but now that I've gone down

0:36:09.554 --> 0:36:11.234
<v Speaker 5>that rabbit hole from this, I've started listening to and

0:36:11.314 --> 0:36:13.634
<v Speaker 5>they're amazing. So I'm like, well done. Jackie's got new

0:36:13.674 --> 0:36:17.074
<v Speaker 5>fans from Lena's book. But also he has not mentioned

0:36:17.074 --> 0:36:19.554
<v Speaker 5>her once. I listened to an hour and a half

0:36:19.674 --> 0:36:23.314
<v Speaker 5>with him and Dak Shepard last week. Lena's name does

0:36:23.354 --> 0:36:25.274
<v Speaker 5>not come up, not in a mean way or anything,

0:36:25.314 --> 0:36:27.073
<v Speaker 5>but it's very classically not going.

0:36:27.114 --> 0:36:29.314
<v Speaker 4>And he must have said to them before that interview,

0:36:29.354 --> 0:36:31.874
<v Speaker 4>don't bring her up. Mia, you said something really interesting

0:36:32.034 --> 0:36:34.553
<v Speaker 4>about we were talking about the fact that she does

0:36:34.594 --> 0:36:37.473
<v Speaker 4>not hold back from criticizing Journey, but she does hold

0:36:37.474 --> 0:36:39.433
<v Speaker 4>back from criticizing Jack, and you had a theory as

0:36:39.474 --> 0:36:40.074
<v Speaker 4>to why.

0:36:40.794 --> 0:36:41.794
<v Speaker 1>I can't remember what it was.

0:36:41.834 --> 0:36:43.913
<v Speaker 4>The theory was that she's already worked all of that

0:36:44.074 --> 0:36:45.993
<v Speaker 4>out in her TV show.

0:36:46.794 --> 0:36:50.073
<v Speaker 1>Oh of course, So yes, she had her revenge on

0:36:50.634 --> 0:36:55.433
<v Speaker 1>Jack when she made too much the Megan Stalter which

0:36:55.554 --> 0:36:58.393
<v Speaker 1>was a little bit patchy, but thought it was very

0:36:58.394 --> 0:37:00.714
<v Speaker 1>well written. But there's one sort of bottle episode that

0:37:00.794 --> 0:37:03.114
<v Speaker 1>goes back in time and looks at the start of

0:37:03.154 --> 0:37:06.314
<v Speaker 1>her relationship sorry Megan Stalter, who's a bit of a

0:37:06.354 --> 0:37:11.274
<v Speaker 1>stand in for and the relationship with her boyfriend, and

0:37:11.314 --> 0:37:14.994
<v Speaker 1>then he starts dating this much younger woman. And the

0:37:15.034 --> 0:37:18.754
<v Speaker 1>actor she chose to play this version of Jack looked

0:37:18.754 --> 0:37:19.834
<v Speaker 1>a lot like him, and.

0:37:21.194 --> 0:37:23.473
<v Speaker 4>Emily Rattakowski looks not.

0:37:23.554 --> 0:37:27.674
<v Speaker 1>Unlike Megan qually, and she basically made it seem like

0:37:27.714 --> 0:37:31.114
<v Speaker 1>he was a gas lighting toxic. All these awful things

0:37:31.434 --> 0:37:35.634
<v Speaker 1>we haven't touched on. Adam Driver and someone else that

0:37:35.714 --> 0:37:41.953
<v Speaker 1>she is not completely unflinching about, but is not judgmental.

0:37:42.074 --> 0:37:44.473
<v Speaker 1>Over there's been a lot of I thought this might

0:37:44.554 --> 0:37:47.354
<v Speaker 1>end up blowing up, but it hasn't. He's another person

0:37:47.394 --> 0:37:49.874
<v Speaker 1>that hasn't discussed it at all, but she talks about

0:37:49.954 --> 0:37:52.194
<v Speaker 1>he of course played the character of Adam, who is

0:37:52.354 --> 0:37:55.514
<v Speaker 1>Hannah's love interest on the show over all the seasons,

0:37:55.514 --> 0:37:57.033
<v Speaker 1>and she said he was only meant to be there

0:37:57.034 --> 0:37:58.354
<v Speaker 1>for like you know, it was going to be like

0:37:58.394 --> 0:37:59.873
<v Speaker 1>Sex and the City and he was going to be

0:37:59.914 --> 0:38:01.433
<v Speaker 1>boyfriend of the week kind of thing, but that he

0:38:01.594 --> 0:38:05.914
<v Speaker 1>was so good and she discovered him as you reminded me, Ameilia.

0:38:05.954 --> 0:38:08.674
<v Speaker 1>He's now in Star Wars and huge, massive style, and

0:38:09.074 --> 0:38:10.993
<v Speaker 1>she said he's stuck it out. Even though he got

0:38:10.994 --> 0:38:14.354
<v Speaker 1>so famous, he honored his commitment to the character and

0:38:14.394 --> 0:38:17.354
<v Speaker 1>to the show and was part of it for all

0:38:17.674 --> 0:38:21.074
<v Speaker 1>six or seven seasons. And she does talk about his

0:38:21.194 --> 0:38:23.754
<v Speaker 1>volatility though, and on set at one point he threw

0:38:23.794 --> 0:38:27.234
<v Speaker 1>a chair it missed her, but she was protective of

0:38:27.314 --> 0:38:29.594
<v Speaker 1>him in interviews because of course a lot of interviewers

0:38:29.634 --> 0:38:32.834
<v Speaker 1>have asked about that, trying to get her to diss him,

0:38:33.154 --> 0:38:35.433
<v Speaker 1>and she said, look, I just have to say we

0:38:35.434 --> 0:38:38.594
<v Speaker 1>were very different. We had very different approaches to our art,

0:38:38.114 --> 0:38:41.554
<v Speaker 1>and Adam did honor the show and his character, and

0:38:41.994 --> 0:38:43.834
<v Speaker 1>I needed to be very close and he needed a

0:38:43.874 --> 0:38:45.754
<v Speaker 1>lot of space, and he had very good aim, and

0:38:45.794 --> 0:38:48.474
<v Speaker 1>the chair did not hurt me. And what did you

0:38:48.514 --> 0:38:51.033
<v Speaker 1>think about that whole Because some of my friends who've

0:38:51.034 --> 0:38:53.234
<v Speaker 1>read the book have been like, oh, she's still protecting him.

0:38:53.594 --> 0:38:55.594
<v Speaker 5>This is what I liked about the book because like,

0:38:55.834 --> 0:38:59.514
<v Speaker 5>we have all these complicated relationships, particularly at that age,

0:38:59.754 --> 0:39:03.473
<v Speaker 5>with the kind of world that they're in, that yeah,

0:39:03.514 --> 0:39:05.873
<v Speaker 5>he behaved really badly, but she was not about she

0:39:06.594 --> 0:39:08.873
<v Speaker 5>was crossing boundaries all the time too. There would have

0:39:08.874 --> 0:39:09.913
<v Speaker 5>been no boundaries on that.

0:39:09.874 --> 0:39:11.554
<v Speaker 2>Sete best friends in the cast.

0:39:11.994 --> 0:39:14.674
<v Speaker 5>Her and Adam are obviously sort of having the bit

0:39:14.714 --> 0:39:17.714
<v Speaker 5>of a dance with their sexual tension. The only reason

0:39:17.754 --> 0:39:20.274
<v Speaker 5>they don't consummate that is actually because she decides not to.

0:39:20.434 --> 0:39:22.114
<v Speaker 5>She doesn't answer the door on that night that he

0:39:22.154 --> 0:39:26.074
<v Speaker 5>comes calling. And I think it was obviously very complicated.

0:39:26.114 --> 0:39:29.913
<v Speaker 5>I don't think she wanted to annihilate his reputation. But

0:39:29.994 --> 0:39:32.874
<v Speaker 5>it's interesting that she kept the chair throwing in because again,

0:39:33.074 --> 0:39:35.674
<v Speaker 5>like the jack anentered off Lord thing, taken straight from

0:39:35.714 --> 0:39:38.433
<v Speaker 5>the pages you just read that, you're like, what, yeah,

0:39:38.874 --> 0:39:41.914
<v Speaker 5>terrible human. But I have seen a bit of commentary

0:39:41.914 --> 0:39:45.074
<v Speaker 5>that's like he should mention her and give her credit

0:39:45.114 --> 0:39:47.514
<v Speaker 5>for his career in every interview he does because she

0:39:47.594 --> 0:39:50.354
<v Speaker 5>discovered him, to your point, and he doesn't. But then,

0:39:50.394 --> 0:39:53.154
<v Speaker 5>to be honest, he's not that guy like he doesn't.

0:39:53.234 --> 0:39:55.953
<v Speaker 5>He talks about almost nothing except the art.

0:39:56.274 --> 0:39:58.754
<v Speaker 3>Everyone's talking about the chair. That wasn't even the worst

0:39:58.794 --> 0:40:00.794
<v Speaker 3>thing in the book for me. It was remember when

0:40:00.794 --> 0:40:03.433
<v Speaker 3>she was talking about that sex scene where she was like,

0:40:03.474 --> 0:40:06.473
<v Speaker 3>there was before we had intimacy coordinators, so she because

0:40:06.514 --> 0:40:08.433
<v Speaker 3>of the director, she had to tell everyone what to do,

0:40:08.754 --> 0:40:10.474
<v Speaker 3>and she was describing the sex scene that she was

0:40:10.514 --> 0:40:12.114
<v Speaker 3>having with him, and she's like, you do this, and

0:40:12.114 --> 0:40:13.433
<v Speaker 3>then you flip me, and then you do this, and

0:40:13.474 --> 0:40:15.073
<v Speaker 3>then you and then it's over, and then.

0:40:14.994 --> 0:40:16.873
<v Speaker 2>He kind of took creative direction. That's true.

0:40:16.954 --> 0:40:19.234
<v Speaker 3>I'm like, that would have been such a scary thing

0:40:19.274 --> 0:40:21.913
<v Speaker 3>to go through, especially being the first time naked on

0:40:22.074 --> 0:40:26.034
<v Speaker 3>camera as a young woman. And she explained how at

0:40:26.074 --> 0:40:28.794
<v Speaker 3>the end she was just so shell shocked that the

0:40:28.834 --> 0:40:31.074
<v Speaker 3>only reassurance she had was the crew just started laughing

0:40:31.154 --> 0:40:33.513
<v Speaker 3>and were like, that's great, and she just had no way.

0:40:33.594 --> 0:40:35.514
<v Speaker 3>She completely blanked from that moment, had no idea what

0:40:35.554 --> 0:40:37.754
<v Speaker 3>had happened because she wasn't expecting it at all.

0:40:38.074 --> 0:40:40.433
<v Speaker 4>But I think, Holly, one thing you just said, I

0:40:40.434 --> 0:40:43.034
<v Speaker 4>really want to draw out where you said. She just

0:40:43.154 --> 0:40:47.474
<v Speaker 4>allows for complexity. It's why she's such a like enduring artist.

0:40:47.794 --> 0:40:50.674
<v Speaker 4>Because the thing that happened with Adam last time she

0:40:50.714 --> 0:40:53.034
<v Speaker 4>saw Adam was when he kissed her on the cheek

0:40:53.074 --> 0:40:54.953
<v Speaker 4>and said I'll always love you, and then they never

0:40:54.954 --> 0:40:55.754
<v Speaker 4>saw each other again.

0:40:55.834 --> 0:40:58.114
<v Speaker 1>On the last day, I fielm me, Yeah.

0:40:57.554 --> 0:41:00.074
<v Speaker 4>It gave me goosebumps because it's just like you do

0:41:00.234 --> 0:41:02.834
<v Speaker 4>have these like confusing relationships where if you put it

0:41:02.914 --> 0:41:05.634
<v Speaker 4>all down on paper, it might look one way, but

0:41:05.714 --> 0:41:08.834
<v Speaker 4>then you feel like for different ways. Sometimes you feel up,

0:41:08.874 --> 0:41:11.994
<v Speaker 4>sometimes you feel down. And I love that she is

0:41:11.994 --> 0:41:14.674
<v Speaker 4>in a culture where we always want to reduce everything

0:41:14.714 --> 0:41:18.993
<v Speaker 4>to a label, like Adam is a complicated figure and

0:41:19.154 --> 0:41:21.434
<v Speaker 4>I just think that's why she's so fascinating, because she

0:41:21.474 --> 0:41:22.874
<v Speaker 4>doesn't try and label things.

0:41:24.194 --> 0:41:27.114
<v Speaker 1>I just want to end by talking about chronic illness.

0:41:27.154 --> 0:41:31.354
<v Speaker 1>I mean, I knew she'd written and spoken about having endometriosis.

0:41:31.394 --> 0:41:34.354
<v Speaker 1>She's written beautifully about her hysterectomy and her decision to

0:41:34.394 --> 0:41:37.274
<v Speaker 1>do that despite really wanting to have children. I learned

0:41:37.314 --> 0:41:40.394
<v Speaker 1>other things about how she tried to harvest her eggs

0:41:41.034 --> 0:41:45.034
<v Speaker 1>after the hystoricctomy because she still had ovaries left, and

0:41:46.114 --> 0:41:51.594
<v Speaker 1>she's since been diagnosed with this complex autoimmune condition which

0:41:51.714 --> 0:41:56.314
<v Speaker 1>is lifelong and there is no cure for I found

0:41:57.034 --> 0:42:00.634
<v Speaker 1>her depiction of chronic illness, and it's such a good title,

0:42:00.674 --> 0:42:05.393
<v Speaker 1>famesick to be really helpful in the sense that it

0:42:05.514 --> 0:42:08.234
<v Speaker 1>was exhausting, and I found myself rolling that and going, oh,

0:42:08.274 --> 0:42:11.394
<v Speaker 1>not again, and then I kept saying, well that imagine

0:42:11.394 --> 0:42:14.314
<v Speaker 1>being her, like that is chronic illness for you. There's

0:42:14.394 --> 0:42:16.314
<v Speaker 1>no tying it up in a bow. And then I

0:42:16.474 --> 0:42:20.714
<v Speaker 1>was fixed because I found that drumbeat of relentless illness

0:42:20.794 --> 0:42:25.433
<v Speaker 1>throughout it to be really the foundation of the whole book, and.

0:42:25.314 --> 0:42:28.274
<v Speaker 5>Then just incredible that she achieved so much and was

0:42:28.314 --> 0:42:30.794
<v Speaker 5>working through so hard through all of that. Whether that

0:42:30.834 --> 0:42:32.874
<v Speaker 5>should be incredible or not, I guess she would probably

0:42:32.914 --> 0:42:36.474
<v Speaker 5>argue with that, but also what was really and I

0:42:36.474 --> 0:42:38.594
<v Speaker 5>think a lot of people who live with chronic illness

0:42:38.674 --> 0:42:40.473
<v Speaker 5>or have loved ones to do would recognize this, even

0:42:40.514 --> 0:42:42.634
<v Speaker 5>though on a very different scale. Because one of the

0:42:42.674 --> 0:42:44.433
<v Speaker 5>things I also loved about this book is just the

0:42:44.474 --> 0:42:47.914
<v Speaker 5>sort of pervy factor of seeing the lives of the

0:42:48.034 --> 0:42:51.354
<v Speaker 5>rich and famous, because that's amazing. She has a specialist

0:42:51.434 --> 0:42:54.994
<v Speaker 5>doctor in every city. She has a psychopharmacologist, which is

0:42:54.994 --> 0:42:57.474
<v Speaker 5>a name I'd never even heard before. She has a

0:42:57.514 --> 0:43:00.433
<v Speaker 5>million different healers and treats and all these things, and

0:43:00.554 --> 0:43:04.954
<v Speaker 5>yet she couldn't get a diagnosis, she couldn't get reliable treatment.

0:43:05.034 --> 0:43:07.754
<v Speaker 5>It actually took an email from like a sort of

0:43:07.794 --> 0:43:11.474
<v Speaker 5>second removed friend of a trend a fan who is like,

0:43:11.594 --> 0:43:15.393
<v Speaker 5>I think you might actually have what I've got, and

0:43:15.514 --> 0:43:18.433
<v Speaker 5>which is called Ella's dane Los syndrome EDS, and it's

0:43:18.554 --> 0:43:22.674
<v Speaker 5>very rare, but all of Lena's public facing symptoms seemed

0:43:22.674 --> 0:43:24.754
<v Speaker 5>to point to this. So it actually took an email

0:43:24.754 --> 0:43:27.194
<v Speaker 5>from a stranger to give her some of the answers,

0:43:27.234 --> 0:43:30.634
<v Speaker 5>the fact that she wasn't being taken seriously by medical doctors,

0:43:30.674 --> 0:43:33.514
<v Speaker 5>despite all the money, despite all the status, and the

0:43:33.594 --> 0:43:36.554
<v Speaker 5>little things like she has one of her procedures, but

0:43:36.634 --> 0:43:38.834
<v Speaker 5>she's still working at there at the Sunset Tower, her

0:43:38.834 --> 0:43:40.554
<v Speaker 5>and Jack, and she has to wrap her middle in

0:43:41.034 --> 0:43:43.634
<v Speaker 5>cling wrap, and so it gets delivered.

0:43:43.194 --> 0:43:44.994
<v Speaker 2>By room service on a silver train.

0:43:46.074 --> 0:43:49.513
<v Speaker 5>It's just like this very bizarre world where you've got

0:43:49.594 --> 0:43:51.994
<v Speaker 5>everything but your body is still betraying.

0:43:53.474 --> 0:43:55.834
<v Speaker 1>Chop it out to hire a plane or something.

0:43:55.634 --> 0:43:57.594
<v Speaker 2>And then poor old Jack. It's like I just wanted

0:43:57.674 --> 0:44:02.114
<v Speaker 2>Ald and it's just I don't know.

0:44:02.194 --> 0:44:07.554
<v Speaker 5>I found that's all so beautifully depicted and what I wanted.

0:44:07.754 --> 0:44:09.714
<v Speaker 5>And I don't know if this is true or not,

0:44:09.794 --> 0:44:11.873
<v Speaker 5>but what I wanted for her at the end of

0:44:11.914 --> 0:44:14.834
<v Speaker 5>the memoir is a happy not ending, but a happy

0:44:14.874 --> 0:44:17.993
<v Speaker 5>resting point. And I feel like you kind of get

0:44:18.034 --> 0:44:22.994
<v Speaker 5>it London, the new husband, the acceptance of her sick

0:44:23.114 --> 0:44:25.034
<v Speaker 5>body and what it can do and what it can't,

0:44:25.154 --> 0:44:29.314
<v Speaker 5>and I felt like she's happy.

0:44:29.634 --> 0:44:30.474
<v Speaker 2>Did we think that?

0:44:31.074 --> 0:44:31.434
<v Speaker 1>Yeah?

0:44:31.474 --> 0:44:34.274
<v Speaker 3>I think like I would like a part two memoir.

0:44:34.714 --> 0:44:37.674
<v Speaker 5>I reckon you'll get it in another Yeah.

0:44:37.994 --> 0:44:40.433
<v Speaker 1>I don't know. I feel like for a memoir to

0:44:40.474 --> 0:44:46.314
<v Speaker 1>be good, there has to be complexity and challenges and

0:44:46.474 --> 0:44:51.914
<v Speaker 1>complications and triumphinger over tragedy and hardships. And I feel

0:44:51.954 --> 0:44:56.754
<v Speaker 1>like the tumultuous nature of the last sort of fifteen

0:44:56.834 --> 0:45:00.393
<v Speaker 1>years of her life, I don't know if that's going

0:45:00.474 --> 0:45:03.274
<v Speaker 1>to be repeated, and you wouldn't want that to be repeated.

0:45:03.394 --> 0:45:07.874
<v Speaker 1>She seems very content with her musician husband and living

0:45:07.914 --> 0:45:11.593
<v Speaker 1>in the UK, having escaped the Lena Dunham of it all,

0:45:11.674 --> 0:45:13.593
<v Speaker 1>and she says that if she got to a point

0:45:13.594 --> 0:45:17.154
<v Speaker 1>where her own name was even irritating her because it

0:45:17.234 --> 0:45:22.073
<v Speaker 1>was just symbolic for millennial entitenment or all different kinds

0:45:22.074 --> 0:45:25.634
<v Speaker 1>of things, people had projected so much onto it. So, Yeah,

0:45:26.154 --> 0:45:28.794
<v Speaker 1>I felt very satisfied at the end.

0:45:29.074 --> 0:45:31.674
<v Speaker 4>Yeah, I'm glad that she felt able to be so

0:45:31.834 --> 0:45:34.354
<v Speaker 4>honest with us all after being through so much shit

0:45:34.514 --> 0:45:36.873
<v Speaker 4>and having so many people assume the worst of her.

0:45:37.354 --> 0:45:40.114
<v Speaker 4>I'm just grateful that she put it all down.

0:45:40.394 --> 0:45:43.034
<v Speaker 1>So loud as We very much recommend this book, whether

0:45:43.074 --> 0:45:45.074
<v Speaker 1>Elena found or not, whether you don't even know who

0:45:45.154 --> 0:45:47.234
<v Speaker 1>she is. And I've gone back and started watching Girls

0:45:47.234 --> 0:45:50.074
<v Speaker 1>again because I realized, is it good? I'm loving it

0:45:50.154 --> 0:45:54.034
<v Speaker 1>in the midst of all the drama, because like I

0:45:54.074 --> 0:45:56.993
<v Speaker 1>also just got irritated by the whole leanness of it,

0:45:57.274 --> 0:45:59.794
<v Speaker 1>and I stopped watching the show, did you? Yeah? And

0:45:59.874 --> 0:46:02.074
<v Speaker 1>I barely even realized that I'd stopped watching it. But

0:46:02.114 --> 0:46:05.194
<v Speaker 1>I've gone back from about season three and I caught

0:46:05.234 --> 0:46:07.554
<v Speaker 1>the odd episode, but a lot of the episodes I missed,

0:46:07.914 --> 0:46:10.314
<v Speaker 1>And so I've got three seasons to watch it. And

0:46:10.594 --> 0:46:14.714
<v Speaker 1>my god, she is brilliant, not just as an actor,

0:46:14.834 --> 0:46:18.594
<v Speaker 1>but as a creator, a writer. It's phenomenal. So out

0:46:18.594 --> 0:46:20.834
<v Speaker 1>loud as if there's another book that you would like

0:46:20.954 --> 0:46:25.194
<v Speaker 1>us to discuss, or perhaps a particular TV show that's

0:46:25.234 --> 0:46:27.794
<v Speaker 1>in the zeitgeist that all I want to do after

0:46:27.834 --> 0:46:30.674
<v Speaker 1>I watch something or read something or listen to an

0:46:30.714 --> 0:46:33.474
<v Speaker 1>audiobook is to listen to people talk about it, and

0:46:33.514 --> 0:46:35.953
<v Speaker 1>we'd like to be those people for you. So there's

0:46:35.954 --> 0:46:38.033
<v Speaker 1>a link in the show notes you can email us

0:46:38.274 --> 0:46:41.954
<v Speaker 1>your suggestions at at loud at mamamea dot com dot au.

0:46:43.114 --> 0:46:46.114
<v Speaker 1>Mammamea acknowledges the traditional owners of the land on which

0:46:46.114 --> 0:46:47.594
<v Speaker 1>we have recorded this podcast.