1 00:00:08,234 --> 00:00:10,914 Speaker 1: You're listening to a mom with Me podcast? 2 00:00:15,914 --> 00:00:19,194 Speaker 2: Whoever said orange is a new pink with seriously disturbed. 3 00:00:18,914 --> 00:00:21,274 Speaker 3: Laurels for spraying groundbreaking? 4 00:00:21,553 --> 00:00:23,354 Speaker 1: Oh my god, you have to do it. 5 00:00:23,394 --> 00:00:24,634 Speaker 2: You live for fashion. 6 00:00:26,634 --> 00:00:29,234 Speaker 4: Hello and welcome to Nathan Thwear, the podcast that solves 7 00:00:29,234 --> 00:00:31,234 Speaker 4: fashion problems and levels up your wardrobe. 8 00:00:31,354 --> 00:00:32,793 Speaker 2: I'm Chelsea Hoy and each. 9 00:00:32,594 --> 00:00:34,873 Speaker 4: Week we talk about all things fashion to help us 10 00:00:34,914 --> 00:00:36,634 Speaker 4: work out how to get more out of the clothes 11 00:00:36,674 --> 00:00:39,473 Speaker 4: we already own and what is and isn't worth adding 12 00:00:39,513 --> 00:00:42,793 Speaker 4: to your wardrobe. Now. Today is one of my absolute 13 00:00:43,034 --> 00:00:44,913 Speaker 4: favorite days to be in the MoMA Mer. 14 00:00:44,714 --> 00:00:48,513 Speaker 2: Office because everyone it's Met Gala Day. 15 00:00:50,314 --> 00:00:51,993 Speaker 4: So at the time of this recording, we've had a 16 00:00:51,994 --> 00:00:54,154 Speaker 4: little bit of time to sit with our thoughts, have 17 00:00:54,194 --> 00:00:56,714 Speaker 4: a look at all the looks that the celebrities turned out, 18 00:00:56,794 --> 00:00:58,273 Speaker 4: and we're going to unpack all of. 19 00:00:58,234 --> 00:00:59,114 Speaker 2: That with you today. 20 00:00:59,114 --> 00:01:03,154 Speaker 4: I'm joined by esteemed fashion writer and commentator Glennis Trail Nash, 21 00:01:03,194 --> 00:01:05,954 Speaker 4: and having had years and years in the fashion industry, 22 00:01:06,034 --> 00:01:08,393 Speaker 4: She's going to take us through everything Mett Gala related, 23 00:01:08,474 --> 00:01:11,074 Speaker 4: including why we care about this event, how it's going 24 00:01:11,114 --> 00:01:14,474 Speaker 4: to influence fashion, and all the secret meetings behind. 25 00:01:14,274 --> 00:01:14,914 Speaker 1: All the looks. 26 00:01:15,034 --> 00:01:15,994 Speaker 2: So let's get into it. 27 00:01:16,714 --> 00:01:20,554 Speaker 4: Gleness, welcome back to Nothing to Wear. Thank you, very 28 00:01:20,594 --> 00:01:23,194 Speaker 4: excited to have you here. But before we dive into 29 00:01:23,274 --> 00:01:27,034 Speaker 4: all things met Gala, I'm very excited for our newer listeners. 30 00:01:27,114 --> 00:01:28,994 Speaker 4: Can you talk a little bit about what you do 31 00:01:29,114 --> 00:01:30,114 Speaker 4: in the world of fashion. 32 00:01:30,474 --> 00:01:30,953 Speaker 1: I can. 33 00:01:31,154 --> 00:01:34,914 Speaker 3: I've been a fashion journalist for alarmingly twenty two years now, 34 00:01:35,114 --> 00:01:38,114 Speaker 3: which is terrifying. I've had a few gigs at newspapers 35 00:01:38,154 --> 00:01:40,754 Speaker 3: and things, including ten years at The Australian, and I'm 36 00:01:40,794 --> 00:01:43,834 Speaker 3: now freelancing for all manner of people, everyone from Harper's 37 00:01:43,874 --> 00:01:48,314 Speaker 3: to Women's Weekly, the Nightly Business of Fashion, all sorts 38 00:01:48,314 --> 00:01:48,674 Speaker 3: of people. 39 00:01:48,834 --> 00:01:52,594 Speaker 4: Wow, well you are our fashion expert. So in a nutshell, 40 00:01:52,634 --> 00:01:54,954 Speaker 4: can you talk about why the met Gala is so 41 00:01:55,034 --> 00:01:56,594 Speaker 4: important in the world of fashion. 42 00:01:56,874 --> 00:01:58,594 Speaker 1: Look. It's been going since nineteen forty eight. 43 00:01:58,594 --> 00:02:01,714 Speaker 3: It first started as a charity fundraiser for the Metropolitan 44 00:02:01,794 --> 00:02:04,914 Speaker 3: Museum of Art in New York and particularly their Costume Institute. 45 00:02:05,154 --> 00:02:08,034 Speaker 3: And when Diana Vreeland took over at then that became 46 00:02:08,114 --> 00:02:11,314 Speaker 3: more of an event, and then Under and a Winter's 47 00:02:11,394 --> 00:02:14,594 Speaker 3: Rain at Vogue. It has become Fashions Night of Nights, 48 00:02:14,594 --> 00:02:16,434 Speaker 3: Fashion's Oscars, as they like to say. 49 00:02:16,554 --> 00:02:19,954 Speaker 4: Yeah, like the biggest night of year, make Galamunday. Before 50 00:02:19,954 --> 00:02:22,874 Speaker 4: we dive into our thoughts on all the looks this year, 51 00:02:22,994 --> 00:02:26,073 Speaker 4: I want your thoughts on the theme Costume r and 52 00:02:26,114 --> 00:02:28,434 Speaker 4: also the dress code Fashion is Art. 53 00:02:28,794 --> 00:02:31,514 Speaker 3: So yeah, so this event always sort of heralds the 54 00:02:31,634 --> 00:02:34,394 Speaker 3: opening of the exhibition, the fashion exhibition they have at 55 00:02:34,394 --> 00:02:37,194 Speaker 3: the Met, which this year is called Costume Art, and 56 00:02:37,234 --> 00:02:39,913 Speaker 3: therefore the theme is called Fashion is Art. There was 57 00:02:39,914 --> 00:02:42,554 Speaker 3: an interview the other day about this and they were saying, basically, 58 00:02:42,554 --> 00:02:45,353 Speaker 3: it involves it sort of the typology of the body, 59 00:02:45,394 --> 00:02:47,354 Speaker 3: I think they described it, and the relationship between the 60 00:02:47,354 --> 00:02:51,274 Speaker 3: body and how it's represented in fashion in art. And 61 00:02:51,354 --> 00:02:56,834 Speaker 3: so fashion is Art as a theme is pretty quite broad, 62 00:02:56,994 --> 00:02:59,514 Speaker 3: quite broad, and I think everybody was a little bit 63 00:02:59,554 --> 00:03:03,554 Speaker 3: excited as to how outrageous the outfits might be or 64 00:03:03,594 --> 00:03:06,354 Speaker 3: how literal they might be. I mean, I think there 65 00:03:06,434 --> 00:03:10,194 Speaker 3: was some very little expressions on this theme and often 66 00:03:10,274 --> 00:03:10,994 Speaker 3: quite beautiful. 67 00:03:11,034 --> 00:03:12,913 Speaker 1: I'm not going to diss that at all. I don't 68 00:03:12,954 --> 00:03:15,874 Speaker 1: think we had that many outrageous moments. I don't think 69 00:03:15,874 --> 00:03:16,594 Speaker 1: we had many at all. 70 00:03:16,714 --> 00:03:19,554 Speaker 2: No, I think everyone did play it quite safe this year. 71 00:03:19,674 --> 00:03:21,954 Speaker 3: Yeah, I mean the Madonna entrance with all the people 72 00:03:21,994 --> 00:03:25,234 Speaker 3: holding the organza or the Chiffon train and the ship 73 00:03:25,274 --> 00:03:28,514 Speaker 3: head piece which was a direct reference to a painting. 74 00:03:28,794 --> 00:03:31,954 Speaker 3: That was a moment, you know, But we didn't have 75 00:03:32,074 --> 00:03:32,874 Speaker 3: that many of those. 76 00:03:33,074 --> 00:03:35,634 Speaker 4: Yeah, not a lot of performance art, and I always 77 00:03:35,794 --> 00:03:38,474 Speaker 4: admire at the Madgala. Yeah. Now, before we jump in, 78 00:03:38,874 --> 00:03:40,954 Speaker 4: I want to talk to you about a major change 79 00:03:40,994 --> 00:03:44,434 Speaker 4: this year, which is the Bezoses sort of being the 80 00:03:44,474 --> 00:03:47,194 Speaker 4: main sponsors of the event, which is kind of uncommon, 81 00:03:47,234 --> 00:03:49,914 Speaker 4: I would say, for two individuals to sponsor the event, 82 00:03:49,994 --> 00:03:53,434 Speaker 4: and obviously the ticket prices being more than a house deposit. 83 00:03:53,474 --> 00:03:56,354 Speaker 4: That's always sparked a lot of controversy online. What are 84 00:03:56,394 --> 00:03:57,234 Speaker 4: your thoughts on this? 85 00:03:57,874 --> 00:03:59,634 Speaker 3: Well, I have many thoughts on this, many of which 86 00:03:59,634 --> 00:04:01,594 Speaker 3: we probably won't be able to go into today in 87 00:04:01,674 --> 00:04:05,714 Speaker 3: Polite Company. But I first remember the discussion around this 88 00:04:06,434 --> 00:04:08,994 Speaker 3: imbalance going back actually I can't remember what year this 89 00:04:09,034 --> 00:04:10,914 Speaker 3: one was, but when they had the Gilded Age Exhibition 90 00:04:11,034 --> 00:04:13,234 Speaker 3: and that dress code. Because at that time, you know, 91 00:04:13,314 --> 00:04:15,754 Speaker 3: this inequality between Rich and Paul was really starting to 92 00:04:15,754 --> 00:04:19,753 Speaker 3: play out in America and New York particularly, So these 93 00:04:19,794 --> 00:04:22,873 Speaker 3: conversations have already been a bit of a thing. 94 00:04:23,113 --> 00:04:25,353 Speaker 4: And also the fact that you know that's been talks 95 00:04:25,354 --> 00:04:28,433 Speaker 4: of how one ticket is one hundred thousand dollars, which 96 00:04:28,474 --> 00:04:31,354 Speaker 4: is apparently seventy five thousand dollars up from the previous year, 97 00:04:31,393 --> 00:04:34,113 Speaker 4: and with the cost of living crisis, I think it's 98 00:04:34,274 --> 00:04:36,353 Speaker 4: very hard for people to swallow. 99 00:04:36,193 --> 00:04:37,113 Speaker 2: That amount of money. 100 00:04:37,193 --> 00:04:38,474 Speaker 1: Oh, there is no doubt. 101 00:04:38,513 --> 00:04:40,073 Speaker 2: It's been kind of crazy. 102 00:04:40,274 --> 00:04:43,033 Speaker 4: Yeah, So on a lie and note, let's jump into 103 00:04:43,313 --> 00:04:45,633 Speaker 4: everything that happened at the met gala. I'm dying to 104 00:04:45,714 --> 00:04:47,873 Speaker 4: know what were some of the stand up looks for 105 00:04:47,914 --> 00:04:49,393 Speaker 4: you that really stick in your mind. 106 00:04:50,393 --> 00:04:53,514 Speaker 3: I mean Sarah Paulson's look, which was she was kind 107 00:04:53,513 --> 00:04:56,914 Speaker 3: of a late you know, pop up on my feed, 108 00:04:57,714 --> 00:04:59,913 Speaker 3: and it was a beautiful dress. It's by a brand 109 00:05:00,873 --> 00:05:04,914 Speaker 3: called Mattie Facal, which basically means fequal matter, and it 110 00:05:04,953 --> 00:05:08,354 Speaker 3: was from their Autumn Winter twenty six collection, which was 111 00:05:08,834 --> 00:05:10,553 Speaker 3: the one Percent I think is what it's called, and 112 00:05:10,674 --> 00:05:13,993 Speaker 3: it was discussing all of these issues and so it 113 00:05:14,034 --> 00:05:17,553 Speaker 3: was a beautiful, you know, gray chiffon gown, very classic 114 00:05:17,914 --> 00:05:20,073 Speaker 3: with a one dollar note cross the eyes as a 115 00:05:20,073 --> 00:05:22,953 Speaker 3: blind old mask, you know, which was quite something. 116 00:05:23,354 --> 00:05:25,034 Speaker 1: I mean, I love Janelle Monet. 117 00:05:25,193 --> 00:05:30,034 Speaker 3: I always loved always exactly, and the post apocalyptic vibe 118 00:05:30,113 --> 00:05:33,113 Speaker 3: of this Christian Seriano also seemed to appropriate. I mean 119 00:05:33,154 --> 00:05:37,034 Speaker 3: it was kind of, you know, moss mixed with electrical cable, 120 00:05:37,154 --> 00:05:39,473 Speaker 3: so it was kind of this idea of like everything's 121 00:05:39,513 --> 00:05:41,913 Speaker 3: gone to hell, but now nature is taking over again. 122 00:05:42,073 --> 00:05:44,914 Speaker 1: So yes, there's a bit of positivity in that. That's good. 123 00:05:45,594 --> 00:05:48,113 Speaker 2: I loved her look and the bits as well. I 124 00:05:48,113 --> 00:05:49,313 Speaker 2: love how dramatic that was. 125 00:05:49,794 --> 00:05:52,113 Speaker 4: I did. Also we talked a little about Madonna. Yeah, 126 00:05:52,753 --> 00:05:55,914 Speaker 4: and the massive veil, the mass seven ladies and waiting 127 00:05:56,154 --> 00:05:58,794 Speaker 4: and seeing the comparison to the painting that eagle eye 128 00:05:58,873 --> 00:05:59,913 Speaker 4: view stunning. 129 00:05:59,953 --> 00:06:02,193 Speaker 1: I love beautiful, beautiful. I love that idea. Yeah, the 130 00:06:02,193 --> 00:06:03,394 Speaker 1: water and everything is gorgeous. 131 00:06:03,474 --> 00:06:07,234 Speaker 4: I also really liked Lisa from Black Pink War, but 132 00:06:07,313 --> 00:06:10,234 Speaker 4: one design who I feel like he really won this year. 133 00:06:10,354 --> 00:06:13,674 Speaker 4: I feel like there were some incredible looks from that designer. 134 00:06:13,753 --> 00:06:16,274 Speaker 4: She had that kind of veil over the face and 135 00:06:16,313 --> 00:06:18,793 Speaker 4: then the sculptural arms, oh my god, yeah. 136 00:06:18,594 --> 00:06:20,433 Speaker 2: Above the head, which I loved. 137 00:06:20,474 --> 00:06:22,794 Speaker 4: And the thing I really loved about it was they 138 00:06:22,794 --> 00:06:25,873 Speaker 4: actually three D printed her own own arms and it 139 00:06:25,953 --> 00:06:28,674 Speaker 4: was supposed to be kind of a little nod to 140 00:06:29,113 --> 00:06:32,513 Speaker 4: traditional tie dance positions. So she's tie and I love that. 141 00:06:32,513 --> 00:06:34,273 Speaker 4: I love the meeting behind it. I felt like it 142 00:06:34,313 --> 00:06:37,113 Speaker 4: was on Themeea, very rob at one. When I saw it, 143 00:06:37,113 --> 00:06:38,633 Speaker 4: it feels like very true to that designer. 144 00:06:38,834 --> 00:06:41,874 Speaker 3: Yeah, there are a lot of limbs and hands and 145 00:06:43,274 --> 00:06:45,993 Speaker 3: someone had like animated hands. 146 00:06:45,674 --> 00:06:48,313 Speaker 1: Which was fat creepy. Yeah, really creepy. 147 00:06:48,433 --> 00:06:48,993 Speaker 2: I love that. 148 00:06:49,313 --> 00:06:50,794 Speaker 1: Yeah, so that was interesting. 149 00:06:51,073 --> 00:06:53,113 Speaker 4: And Beyonce. What did we think of Beyonces? She was 150 00:06:53,113 --> 00:06:54,633 Speaker 4: obviously a coach had this year, she's kind of been 151 00:06:54,674 --> 00:06:57,553 Speaker 4: in ten years. Yeah, I was like waiting with baited breath. 152 00:06:57,633 --> 00:07:02,433 Speaker 3: Big return, big return for Beyonce, I what I mean. 153 00:07:02,474 --> 00:07:03,674 Speaker 1: Obviously it was a very. 154 00:07:05,274 --> 00:07:09,153 Speaker 3: One could say regal, I guess, you know, outfit. But 155 00:07:09,234 --> 00:07:13,273 Speaker 3: this crystal skeletal thing was quite great. But it was 156 00:07:13,314 --> 00:07:16,554 Speaker 3: also very on point with the exhibition because there are 157 00:07:16,554 --> 00:07:19,874 Speaker 3: sections of the exhibition where it's it's literally looking at blood, 158 00:07:19,914 --> 00:07:23,434 Speaker 3: veins and skeletons and how that's imposed on the human body. 159 00:07:23,474 --> 00:07:27,994 Speaker 1: And yeah, it was really great. I thought, very show stopping. 160 00:07:28,114 --> 00:07:31,354 Speaker 3: And that feather train cape amazing. 161 00:07:31,474 --> 00:07:32,914 Speaker 1: A lot of feathers tonight. 162 00:07:32,754 --> 00:07:34,754 Speaker 2: Yes, a lot of feathers, a lot of feathers. Yeah. 163 00:07:34,794 --> 00:07:36,754 Speaker 4: I love the cape though, but the drama of it, 164 00:07:36,834 --> 00:07:38,114 Speaker 4: and it felt very true to Beyonce. 165 00:07:38,554 --> 00:07:39,754 Speaker 2: The outfit felt like something. 166 00:07:41,074 --> 00:07:43,794 Speaker 4: Brand I also want to get your thoughts on obviously 167 00:07:43,834 --> 00:07:47,713 Speaker 4: the Kardashian Jenna Klan who all wore nippless. 168 00:07:49,953 --> 00:07:51,314 Speaker 1: That was really curious to me. 169 00:07:51,393 --> 00:07:54,354 Speaker 3: I was like, is this because of Kim's Skim's nipples 170 00:07:55,274 --> 00:07:57,754 Speaker 3: And I'm like, but no, you know, none of them 171 00:07:57,794 --> 00:08:00,554 Speaker 3: to my knowledge, Kendall's was underneath it. 172 00:08:00,594 --> 00:08:01,154 Speaker 1: I don't think so. 173 00:08:01,274 --> 00:08:03,714 Speaker 3: Yeah, but yeah, that was interesting that they all wore 174 00:08:03,754 --> 00:08:06,953 Speaker 3: these kind of molded breastplates with nipples. And Kim's was 175 00:08:07,114 --> 00:08:09,874 Speaker 3: actually apparently an artists from the sixties and it was 176 00:08:09,874 --> 00:08:12,994 Speaker 3: the original so nothing well. 177 00:08:12,794 --> 00:08:14,914 Speaker 1: That wasn't modeled on her, you know what I mean. 178 00:08:14,953 --> 00:08:17,194 Speaker 1: So it was interesting. And and then you had Kylie 179 00:08:17,234 --> 00:08:18,874 Speaker 1: as the Venus de Milo. 180 00:08:19,274 --> 00:08:25,114 Speaker 3: Inrelli and with that unpeeling of the dress and again 181 00:08:25,234 --> 00:08:26,194 Speaker 3: molded with nipples. 182 00:08:26,274 --> 00:08:28,393 Speaker 2: Yeah, I thought they were all at least on theme. 183 00:08:28,554 --> 00:08:29,994 Speaker 1: Yeah, I think I appreciate family. 184 00:08:30,274 --> 00:08:34,473 Speaker 2: Yeah, family about Chris, but you know, I love that. 185 00:08:34,634 --> 00:08:36,274 Speaker 4: I also want to say I did love the makeup 186 00:08:36,594 --> 00:08:38,874 Speaker 4: this year. Across the board. We kind of got rid 187 00:08:38,914 --> 00:08:39,154 Speaker 4: of that. 188 00:08:39,154 --> 00:08:40,154 Speaker 2: Clean, giral aesthetic. 189 00:08:40,194 --> 00:08:41,554 Speaker 4: I feel like there were a lot of kind of 190 00:08:41,634 --> 00:08:43,154 Speaker 4: intense makeup looks. 191 00:08:43,194 --> 00:08:46,314 Speaker 3: A lot like didn't Kendall have an eye or Kylie 192 00:08:46,314 --> 00:08:47,593 Speaker 3: have an eyebrow missing. 193 00:08:47,474 --> 00:08:50,114 Speaker 2: Yes, bleached eyebrows or back. 194 00:08:50,354 --> 00:08:52,274 Speaker 4: I think one of the models had like kind of 195 00:08:52,314 --> 00:08:55,034 Speaker 4: like bronze tears. I really I loved that a little 196 00:08:55,034 --> 00:08:56,274 Speaker 4: bit of drama on the face. 197 00:08:56,594 --> 00:08:59,474 Speaker 3: Yeah, I think Gwendolen looks so I mean, you talk 198 00:08:59,514 --> 00:09:02,874 Speaker 3: about clean has gone, but she's just so kind of 199 00:09:03,074 --> 00:09:04,074 Speaker 3: it's a white our m. 200 00:09:04,234 --> 00:09:07,594 Speaker 1: She's so pale. And then the dark lips. Yeah, loved that. 201 00:09:08,234 --> 00:09:11,274 Speaker 4: Okay, So when it comes to the met Gala, there 202 00:09:11,274 --> 00:09:13,914 Speaker 4: are always the people that were looking out for every 203 00:09:13,954 --> 00:09:15,674 Speaker 4: year that were like, okay, we know they're going to 204 00:09:15,714 --> 00:09:17,714 Speaker 4: turn out a look, who are the people that you 205 00:09:17,794 --> 00:09:19,314 Speaker 4: look out for? And did they do it for you 206 00:09:19,354 --> 00:09:19,714 Speaker 4: this year? 207 00:09:20,594 --> 00:09:20,714 Speaker 3: Well? 208 00:09:20,754 --> 00:09:23,594 Speaker 1: Janelle Monae was definitely one, and I do. 209 00:09:23,674 --> 00:09:25,394 Speaker 3: I just think she brings it on the red carpet 210 00:09:25,434 --> 00:09:29,434 Speaker 3: and she always pushes boundaries. She's happy to experiment, she's 211 00:09:29,474 --> 00:09:31,154 Speaker 3: happy to become kind of a bit of a vessel 212 00:09:31,314 --> 00:09:35,034 Speaker 3: in a sense to designers, which is unusual. You know, 213 00:09:35,194 --> 00:09:40,473 Speaker 3: most people are even with a slightly crazier theme. Sometimes 214 00:09:40,514 --> 00:09:43,394 Speaker 3: they're still wanting to obviously look hot or whatever, you know, 215 00:09:43,474 --> 00:09:46,474 Speaker 3: But I don't ever get that sense with her. She's 216 00:09:46,514 --> 00:09:48,714 Speaker 3: so confident. She's just like, what do you want to 217 00:09:48,714 --> 00:09:50,434 Speaker 3: do with me? What can we say here? What can 218 00:09:50,474 --> 00:09:55,274 Speaker 3: we express? So I thought she was amazing, and I mean, 219 00:09:55,274 --> 00:09:59,034 Speaker 3: Elizabeth Vicky is exquisite. She was so comfortable in that 220 00:09:59,074 --> 00:10:00,754 Speaker 3: Greeci and there was so much Grecian and we can 221 00:10:00,794 --> 00:10:01,994 Speaker 3: get onto that in a minute. 222 00:10:01,754 --> 00:10:05,194 Speaker 1: Always if you like. But there were so many Grecian references. 223 00:10:04,714 --> 00:10:07,714 Speaker 3: To the statute in the met But she was wearing 224 00:10:07,954 --> 00:10:11,994 Speaker 3: this fantastic I think it was Vira Wang, Yes, relaxed 225 00:10:12,514 --> 00:10:16,953 Speaker 3: Grecian kind of draped thing with sandals, sandals, that nice, 226 00:10:17,154 --> 00:10:19,114 Speaker 3: just flowing it, which we don't always see from her. 227 00:10:19,954 --> 00:10:22,234 Speaker 1: Very undone. She was going to have a great night. 228 00:10:22,434 --> 00:10:23,353 Speaker 1: There was nothing. 229 00:10:23,314 --> 00:10:26,194 Speaker 2: Comfort, it's nothing restrict about that. A love that. 230 00:10:26,714 --> 00:10:29,034 Speaker 4: And the last one to pull up onto the carpet 231 00:10:29,354 --> 00:10:31,074 Speaker 4: was Rihanna, and everyone was. 232 00:10:31,034 --> 00:10:34,674 Speaker 1: Waiting for her to show up. I only just saw 233 00:10:34,674 --> 00:10:35,914 Speaker 1: that while I was waiting to come in, and I 234 00:10:35,954 --> 00:10:37,074 Speaker 1: thought that was a real late entry. 235 00:10:37,194 --> 00:10:38,874 Speaker 4: Yes, I didn't know if she was going to come 236 00:10:38,914 --> 00:10:40,834 Speaker 4: because everyone had kind of walked the carpet the live 237 00:10:40,874 --> 00:10:45,394 Speaker 4: fim had ended. She was wearing custom Majella and it's 238 00:10:45,394 --> 00:10:47,314 Speaker 4: sort of this metallic. 239 00:10:47,194 --> 00:10:50,994 Speaker 2: Kind of metallic, wasn't it. Yeah, yeah, yeah, metallic gown. 240 00:10:51,034 --> 00:10:53,154 Speaker 4: I had this kind of big I don't know what 241 00:10:53,194 --> 00:10:57,674 Speaker 4: you call that around the almost. I think she looked 242 00:10:57,674 --> 00:11:00,794 Speaker 4: beautiful and apparently that was sculpted by hand from Dutchess 243 00:11:00,794 --> 00:11:04,194 Speaker 4: woven silk and recycled threads used in computer wiring. 244 00:11:04,594 --> 00:11:05,674 Speaker 2: So I think there is a kind of. 245 00:11:07,274 --> 00:11:09,554 Speaker 1: It's the tech infiltration on all levels. 246 00:11:09,794 --> 00:11:10,914 Speaker 2: It definitely is. 247 00:11:11,074 --> 00:11:14,434 Speaker 1: We even saw the robot. Oh yes, yes, very right, 248 00:11:14,474 --> 00:11:14,954 Speaker 1: that's right. 249 00:11:15,274 --> 00:11:17,034 Speaker 4: I feel like a lot of designers kind of had 250 00:11:17,034 --> 00:11:19,594 Speaker 4: a very on the nose kind of interpretation of theme 251 00:11:19,634 --> 00:11:21,914 Speaker 4: and you the controversy kind of going in and kind 252 00:11:21,914 --> 00:11:24,194 Speaker 4: of put that into their designs. Another woman I really 253 00:11:24,234 --> 00:11:25,234 Speaker 4: love is Cardi b. 254 00:11:25,514 --> 00:11:26,674 Speaker 2: I feel like she did. 255 00:11:26,714 --> 00:11:27,354 Speaker 1: I miss her. 256 00:11:28,154 --> 00:11:32,034 Speaker 4: So she was wearing Mark Jacobs. Very artistic, very creative, 257 00:11:32,074 --> 00:11:33,794 Speaker 4: and a little bit uncomfortable to look at. You've got 258 00:11:33,834 --> 00:11:35,514 Speaker 4: to take a moment to look at what she was wearing. 259 00:11:35,554 --> 00:11:37,794 Speaker 4: It's kind of a mesh dress but with like these 260 00:11:37,874 --> 00:11:40,953 Speaker 4: skin colored, fleshy looking bits kind of coming off of her, 261 00:11:40,994 --> 00:11:42,674 Speaker 4: and I kind of felt like maybe it was an 262 00:11:42,714 --> 00:11:46,394 Speaker 4: interpretation of the theme like the body becoming fashion, Yeah, 263 00:11:46,474 --> 00:11:48,674 Speaker 4: felt a bit like body Horror. 264 00:11:49,114 --> 00:11:51,754 Speaker 1: Yeah, which you know has had a bit of a moment. 265 00:11:51,954 --> 00:11:52,714 Speaker 1: Exactly true. 266 00:11:52,754 --> 00:11:54,914 Speaker 4: But I do like that She's another person that I 267 00:11:54,954 --> 00:11:57,914 Speaker 4: feel like isn't so set on looking hot necessarily for 268 00:11:57,914 --> 00:12:00,434 Speaker 4: the Metgala. It's really just letting the fashion and the 269 00:12:00,474 --> 00:12:02,594 Speaker 4: messaging speak for itself, which I love. 270 00:12:02,754 --> 00:12:03,794 Speaker 3: And I mean that was one of the things I 271 00:12:03,794 --> 00:12:06,594 Speaker 3: think about Lauren Sanchez because everyone was thinking of. 272 00:12:06,554 --> 00:12:08,274 Speaker 1: All the people or what is she get to wear, 273 00:12:08,394 --> 00:12:10,874 Speaker 1: because you know, you've got all the money in the 274 00:12:10,874 --> 00:12:15,034 Speaker 1: world and effectively owning this year. And she did an homage, as. 275 00:12:14,914 --> 00:12:17,514 Speaker 3: Did at least one other person, Julianne Moore as well, 276 00:12:17,514 --> 00:12:19,194 Speaker 3: I think, And I think I saw a third one 277 00:12:19,274 --> 00:12:23,234 Speaker 3: just quickly before to the Madam X portrait by John 278 00:12:23,234 --> 00:12:28,314 Speaker 3: Singer Sergeant. Now, someone pointed out, which is very true, 279 00:12:28,554 --> 00:12:32,074 Speaker 3: that dress is absolutely not a not a leap for her. 280 00:12:32,154 --> 00:12:39,234 Speaker 3: That's exactly the silhouette she likes. It's just the pneumatic silhouette. Great, yeah, 281 00:12:39,314 --> 00:12:41,234 Speaker 3: but really, is that all you've got for us? 282 00:12:41,274 --> 00:12:43,914 Speaker 4: All that commotion, and I was quite sure to see 283 00:12:43,914 --> 00:12:47,474 Speaker 4: that decision. I'm talking about Lauren Sanchez, and I think 284 00:12:47,474 --> 00:12:49,034 Speaker 4: a lot of people had a similar reaction to you 285 00:12:49,074 --> 00:12:52,034 Speaker 4: seeing that dress on the carpet, which looks do you 286 00:12:52,194 --> 00:12:55,994 Speaker 4: feel like did not necessarily kneel the brief. 287 00:12:55,994 --> 00:12:57,074 Speaker 1: Amanda is so free. 288 00:12:57,914 --> 00:12:58,874 Speaker 2: She's also on my list. 289 00:12:59,514 --> 00:13:01,473 Speaker 1: She was just like, I mean, you're gorgeous. 290 00:13:01,674 --> 00:13:04,994 Speaker 2: I lost her. She looks stunning, maybe. 291 00:13:04,114 --> 00:13:06,474 Speaker 1: Totally, but not for this event. 292 00:13:06,514 --> 00:13:08,154 Speaker 3: Although I did that she was the only one that 293 00:13:08,154 --> 00:13:09,634 Speaker 3: acknowledged that she was wearing spanks. 294 00:13:10,274 --> 00:13:11,994 Speaker 1: I love that, thank you. Yeah. 295 00:13:12,194 --> 00:13:14,314 Speaker 4: I also found another really funny one is I don't 296 00:13:14,314 --> 00:13:16,074 Speaker 4: know if you saw Ben Stiller who was in a 297 00:13:16,114 --> 00:13:18,154 Speaker 4: suit and just an orange. 298 00:13:17,754 --> 00:13:20,594 Speaker 2: Tie, and I thought, I wonder what this man in 299 00:13:20,634 --> 00:13:23,874 Speaker 2: his stylist were thinking when they Yeah. 300 00:13:23,434 --> 00:13:26,074 Speaker 1: I mean a lot of the guys played it pretty safe. 301 00:13:26,274 --> 00:13:28,674 Speaker 3: I sort of think men's wear has been really interesting 302 00:13:28,754 --> 00:13:30,874 Speaker 3: in the last five to ten years. I sort of 303 00:13:30,874 --> 00:13:33,874 Speaker 3: feel like they've been kind of going ahead in leaps 304 00:13:33,874 --> 00:13:36,314 Speaker 3: and bounds and sort of finding more avenues for expression 305 00:13:36,394 --> 00:13:39,434 Speaker 3: and all the rest of late. But this year wasn't 306 00:13:39,434 --> 00:13:40,994 Speaker 3: the year for this event. 307 00:13:41,154 --> 00:13:42,154 Speaker 1: Yeh, really, I mean. 308 00:13:41,994 --> 00:13:44,674 Speaker 3: We had some homages to Tom of Finland. We did 309 00:13:44,754 --> 00:13:49,034 Speaker 3: have Ben Platt in the kind of George suit based 310 00:13:49,074 --> 00:13:52,994 Speaker 3: on one of Sarah's paintings. And yeah, otherwise, I mean, 311 00:13:53,034 --> 00:13:56,554 Speaker 3: Coleman Domingo is one of my top picks always. 312 00:13:57,074 --> 00:13:59,794 Speaker 1: This was a little bit jestif me liking I think. 313 00:13:59,594 --> 00:14:03,194 Speaker 4: For Coleman Domingo, I was a little bit disappointed, just 314 00:14:03,194 --> 00:14:05,154 Speaker 4: because he's Coleman Domingo and he always kind of carries 315 00:14:05,194 --> 00:14:05,874 Speaker 4: an eye on his back. 316 00:14:05,954 --> 00:14:08,954 Speaker 2: Yeah, but to summ up the other man that showed up, 317 00:14:08,954 --> 00:14:10,034 Speaker 2: I feel like he always. 318 00:14:09,834 --> 00:14:13,394 Speaker 3: Put in and Adrian Brody always looks so sad every 319 00:14:13,594 --> 00:14:16,634 Speaker 3: pain always. I thought what was good for the guys 320 00:14:16,634 --> 00:14:20,514 Speaker 3: at least was like the brooch is still going strong, 321 00:14:20,554 --> 00:14:23,274 Speaker 3: going strong. I think that's great that guys are embracing 322 00:14:23,274 --> 00:14:26,674 Speaker 3: a bit of embellishment, you know, but could have done 323 00:14:26,714 --> 00:14:28,194 Speaker 3: with more across before too. 324 00:14:28,354 --> 00:14:31,394 Speaker 4: I did quite like Jeremy Pope, who's an actor. He 325 00:14:31,434 --> 00:14:35,354 Speaker 4: wore Archival Vivian Westward and it was like a jacket 326 00:14:35,394 --> 00:14:37,874 Speaker 4: that had like all this beating that kind of and 327 00:14:37,874 --> 00:14:40,634 Speaker 4: like pearls that created this like muscly body. 328 00:14:40,994 --> 00:14:43,274 Speaker 1: Yeah, yeah, which that was quite cool. 329 00:14:43,034 --> 00:14:45,034 Speaker 4: Like we saw some of the women do like anatomic 330 00:14:45,034 --> 00:14:46,994 Speaker 4: Hall things like No. Miss Saka did a great one 331 00:14:47,034 --> 00:14:49,434 Speaker 4: as well, but I think for the men that was 332 00:14:49,594 --> 00:14:52,034 Speaker 4: kind of one of the standouts for me. One person 333 00:14:52,074 --> 00:14:55,154 Speaker 4: that I found quite disappointing was kind of story from 334 00:14:55,354 --> 00:14:56,234 Speaker 4: Heat Rivalry. 335 00:14:56,434 --> 00:14:58,674 Speaker 2: Yeah, yeah, and that pains me to say. 336 00:14:58,914 --> 00:15:01,354 Speaker 1: I know, I got to watch that series. I haven't yet. 337 00:15:01,434 --> 00:15:03,794 Speaker 1: Probably the only person in Australia that hasn't seen it yet. 338 00:15:04,114 --> 00:15:04,954 Speaker 1: I've read all about it. 339 00:15:05,074 --> 00:15:06,834 Speaker 2: Yes, you must, you're missing out. 340 00:15:07,154 --> 00:15:10,434 Speaker 4: He's so good and he's usually quite a fashion guy, 341 00:15:10,594 --> 00:15:13,314 Speaker 4: you know, he's a brand ambastad for San Lauren's. Obviously 342 00:15:13,314 --> 00:15:15,634 Speaker 4: he was wearing Siluran, but I was quite disappointed. It 343 00:15:15,674 --> 00:15:17,154 Speaker 4: was just kind of like a hole to neck top. 344 00:15:17,354 --> 00:15:20,074 Speaker 3: Yeah, it was better without the jacket, so you did 345 00:15:20,114 --> 00:15:21,034 Speaker 3: see the whole to necktop. 346 00:15:21,114 --> 00:15:23,114 Speaker 4: I also quite like the Hudson Williams wore quite a 347 00:15:23,154 --> 00:15:25,714 Speaker 4: lot of like makeup. It was inspired by lax One 348 00:15:25,714 --> 00:15:28,354 Speaker 4: and I'm like, I like that more men at the 349 00:15:28,394 --> 00:15:31,194 Speaker 4: met Gala should be wearing makeup and do kind of 350 00:15:31,234 --> 00:15:33,034 Speaker 4: fun things. This year, I feel like it was a 351 00:15:33,074 --> 00:15:36,674 Speaker 4: little bit lackluster yea from some of the guys speaking 352 00:15:36,714 --> 00:15:40,434 Speaker 4: of you know, crazy makeup. We can't talk about the 353 00:15:40,474 --> 00:15:43,474 Speaker 4: Met Gala this year and not talk about Heidi Quinn. 354 00:15:45,034 --> 00:15:48,914 Speaker 1: Feely. I mean, Halloween came early this year, you know 355 00:15:48,954 --> 00:15:49,394 Speaker 1: what I mean. 356 00:15:49,554 --> 00:15:53,074 Speaker 3: We love Heidi's Halloween outfits, and this was this was 357 00:15:53,114 --> 00:15:56,394 Speaker 3: an early interpretation from her. I mean, dressed at literally 358 00:15:56,434 --> 00:15:58,274 Speaker 3: as a marble Grecian statue. 359 00:15:58,554 --> 00:15:59,354 Speaker 1: Yeah, I mean it was. 360 00:15:59,394 --> 00:16:02,674 Speaker 3: It was kind of apparently she kind of demonstrated that 361 00:16:02,674 --> 00:16:05,234 Speaker 3: she could move quite relatively easily, and it was kind 362 00:16:05,234 --> 00:16:06,914 Speaker 3: of latex and foam and all sorts of things, but 363 00:16:07,194 --> 00:16:08,594 Speaker 3: fully merged into her face. 364 00:16:08,674 --> 00:16:11,834 Speaker 4: So and if you look at the reference, yeah, I 365 00:16:11,874 --> 00:16:14,114 Speaker 4: mean it's on bang, but I think it's you know, 366 00:16:14,234 --> 00:16:16,874 Speaker 4: a little bit haunting to see two human eyes staring 367 00:16:17,434 --> 00:16:19,874 Speaker 4: you through that totally. 368 00:16:19,474 --> 00:16:21,794 Speaker 3: And it was not so much tomploy as just like 369 00:16:22,434 --> 00:16:24,714 Speaker 3: just like you are a statue. 370 00:16:25,314 --> 00:16:29,194 Speaker 4: I love that she always puts in total brings it, 371 00:16:29,194 --> 00:16:32,554 Speaker 4: which I really love. We also saw this year kind 372 00:16:32,594 --> 00:16:34,634 Speaker 4: of a Grecian vibe. 373 00:16:34,874 --> 00:16:38,234 Speaker 3: Yeah, so many, so many Grecian references to these kind 374 00:16:38,234 --> 00:16:40,234 Speaker 3: of statues, which you know, if you've been to the 375 00:16:40,234 --> 00:16:42,954 Speaker 3: Met Museum, there's this great gallery with them all, and 376 00:16:42,994 --> 00:16:45,234 Speaker 3: so that was an inspiration for a lot of people. 377 00:16:45,834 --> 00:16:48,754 Speaker 3: Obviously very literally in Heidi's case, but and Elizabeth de 378 00:16:48,834 --> 00:16:51,474 Speaker 3: Vicky as we touched on before, but also Ao a 379 00:16:51,554 --> 00:16:54,514 Speaker 3: dibbery from the Bear, which I loved. 380 00:16:54,474 --> 00:16:55,234 Speaker 1: And she looked great. 381 00:16:55,274 --> 00:16:58,394 Speaker 3: And Kendall Jenner of course, as we've mentioned in Zach Posen, 382 00:16:58,554 --> 00:17:02,114 Speaker 3: which was a really relaxed take on it. Actually it 383 00:17:02,114 --> 00:17:04,034 Speaker 3: was kind of T shirt jersey. 384 00:17:04,114 --> 00:17:05,074 Speaker 1: Yeah, so that was. 385 00:17:05,594 --> 00:17:08,593 Speaker 3: An obvious sort of line of dressing for a lot 386 00:17:08,634 --> 00:17:10,474 Speaker 3: of people, but it was an easy one and I 387 00:17:10,554 --> 00:17:12,554 Speaker 3: just think those guys would have been having a great night. 388 00:17:12,874 --> 00:17:15,434 Speaker 1: Yeah. I thought one of my favorites actually was Gracie 389 00:17:15,474 --> 00:17:16,274 Speaker 1: Abrams in that. 390 00:17:16,554 --> 00:17:20,674 Speaker 4: The Chanelle Cling Yeah inspired dress, Yeah, stunning. 391 00:17:20,914 --> 00:17:21,234 Speaker 1: Yeah. 392 00:17:21,314 --> 00:17:23,033 Speaker 4: Upon first book, it's like, oh okay, and then you 393 00:17:23,034 --> 00:17:26,474 Speaker 4: look closer, so much detailing. 394 00:17:26,914 --> 00:17:29,513 Speaker 1: Beautiful painting, bog of stuff climped. So that was a knockout, 395 00:17:29,554 --> 00:17:30,794 Speaker 1: but yet quite a lot of gold. 396 00:17:30,634 --> 00:17:31,914 Speaker 2: Lot of a lot of metallics. 397 00:17:32,554 --> 00:17:35,234 Speaker 4: We've got some fab bougie to budget recommendations at the 398 00:17:35,314 --> 00:17:37,874 Speaker 4: end of the show, but after the break, we're turning 399 00:17:37,874 --> 00:17:40,354 Speaker 4: our attention to all the Aussies who made an appearance 400 00:17:40,354 --> 00:17:42,834 Speaker 4: on the steps and whether the met Gala actually has 401 00:17:42,874 --> 00:17:43,714 Speaker 4: any influence on. 402 00:17:43,754 --> 00:17:45,234 Speaker 2: The wider world of fashion. 403 00:17:45,514 --> 00:17:48,754 Speaker 4: Plus Glynnis is dishing the goss on the upcoming Australian fashion. 404 00:17:54,194 --> 00:17:57,114 Speaker 4: It's obvious even a big year for Ossie talent globally 405 00:17:57,234 --> 00:18:00,274 Speaker 4: and pop culture. We've had Jacob Lordie and Margot Robbie 406 00:18:00,314 --> 00:18:02,994 Speaker 4: and Wuthering Heights. Patrick Rammle being kind of the main 407 00:18:03,074 --> 00:18:05,714 Speaker 4: love interest in The Devil was part of two. What 408 00:18:05,834 --> 00:18:08,434 Speaker 4: did you think of the Ossie this year at the 409 00:18:08,434 --> 00:18:08,954 Speaker 4: met Gala? 410 00:18:09,474 --> 00:18:11,833 Speaker 3: Well, there were so many, plus the one we were 411 00:18:11,874 --> 00:18:17,794 Speaker 3: all waiting for Anthony Pratt crazy when he came. 412 00:18:17,674 --> 00:18:18,754 Speaker 1: Up the stairs. 413 00:18:18,754 --> 00:18:21,033 Speaker 3: I was just like, of course, billionaires attract billionaires, but 414 00:18:21,074 --> 00:18:22,874 Speaker 3: I was just like, wow, we didn't know we were 415 00:18:22,874 --> 00:18:23,833 Speaker 3: waiting for this anyway. 416 00:18:23,834 --> 00:18:24,234 Speaker 1: There you go. 417 00:18:24,354 --> 00:18:28,034 Speaker 3: In Future Pink Blazer, they go fantastic button look. Nicole 418 00:18:28,074 --> 00:18:30,954 Speaker 3: looked fantastic in the red Chanelle sequence and feathers beautiful 419 00:18:31,034 --> 00:18:36,634 Speaker 3: CoA chair Margot Robbie probably the least inspiring actually Chanel 420 00:18:36,874 --> 00:18:37,514 Speaker 3: and it. 421 00:18:37,514 --> 00:18:39,634 Speaker 2: Was just like a gold again gold sort of. 422 00:18:39,594 --> 00:18:42,593 Speaker 3: Like strapless thing with the back ruffle, sort of petal 423 00:18:42,594 --> 00:18:43,674 Speaker 3: detailing down the back. 424 00:18:43,554 --> 00:18:46,033 Speaker 4: Ground after the Watering Heights premiere, but I felt like 425 00:18:46,074 --> 00:18:48,434 Speaker 4: we kind of expected more. 426 00:18:48,274 --> 00:18:50,634 Speaker 3: Exactly, especially she's kind of known for the method dressing, 427 00:18:50,714 --> 00:18:52,434 Speaker 3: So I just thought she would have kind of. 428 00:18:52,634 --> 00:18:56,674 Speaker 4: Done something interesting with the art ref but no, we 429 00:18:56,714 --> 00:18:58,354 Speaker 4: all missed it. One of the looks that she wore 430 00:18:58,354 --> 00:19:00,434 Speaker 4: on the Wathering Heights premiere that really sticks in my 431 00:19:00,474 --> 00:19:04,114 Speaker 4: mind was the one by Delara Fandcolu, which was like 432 00:19:04,594 --> 00:19:07,354 Speaker 4: this dress with all these different like fake hairind of. 433 00:19:07,354 --> 00:19:09,994 Speaker 2: Like greater and I feel like, you know, for this 434 00:19:10,074 --> 00:19:12,634 Speaker 2: theme the body that you know, we could have done 435 00:19:12,674 --> 00:19:13,394 Speaker 2: something a little. 436 00:19:13,234 --> 00:19:15,674 Speaker 1: Could have done anything, anything, anything. 437 00:19:17,274 --> 00:19:20,194 Speaker 3: Baz Luhrmann and Catherine Martin were there. Do you know 438 00:19:20,234 --> 00:19:21,273 Speaker 3: who looked great? 439 00:19:21,474 --> 00:19:24,594 Speaker 1: Actually? Who I loved? Out of the Aussies choice of arm. 440 00:19:25,194 --> 00:19:26,954 Speaker 2: Yes, we must talk about choice of one. 441 00:19:26,994 --> 00:19:29,274 Speaker 4: I feel like maybe out of all the Aussies potentially 442 00:19:29,274 --> 00:19:30,273 Speaker 4: best stressed. 443 00:19:30,314 --> 00:19:33,994 Speaker 3: I reckon definitely one of the best dressed. Also, good 444 00:19:34,114 --> 00:19:37,034 Speaker 3: interpretation of the theme. I thought apparently he was kind 445 00:19:37,034 --> 00:19:40,874 Speaker 3: of inspired by Robert mapplethought photographer. It was really again 446 00:19:40,914 --> 00:19:45,154 Speaker 3: relaxed sort of outfit with that kind of fantastic blazer 447 00:19:45,234 --> 00:19:48,634 Speaker 3: with the details sort of embroidered detailing and jeans sort 448 00:19:48,634 --> 00:19:52,874 Speaker 3: of QUI yeah, straggly Quiff was kind of like, yeah, 449 00:19:52,914 --> 00:19:55,674 Speaker 3: this is a great look. Naomi Watts was also there. 450 00:19:55,794 --> 00:19:59,074 Speaker 3: I wasn't mad about that. Actually, flowers, yeah, I. 451 00:19:58,994 --> 00:20:01,674 Speaker 1: Was just like yeah, and all the flowers in the hair. 452 00:20:01,914 --> 00:20:03,394 Speaker 1: I was just like, you know, me too. 453 00:20:03,514 --> 00:20:06,314 Speaker 4: I liked her one couple that you know, I love, 454 00:20:06,674 --> 00:20:08,793 Speaker 4: I love them, but I wasn't. 455 00:20:08,554 --> 00:20:12,394 Speaker 2: Sure about the outfits. Hugh Jackman and Sunton Fossis. 456 00:20:12,514 --> 00:20:15,793 Speaker 3: Yeah, I mean again, everyone loves Hugh and with his 457 00:20:15,914 --> 00:20:18,194 Speaker 3: new lady love out at you now, I suppose, but 458 00:20:18,234 --> 00:20:19,114 Speaker 3: again very safe. 459 00:20:19,274 --> 00:20:20,394 Speaker 1: Yeah, just a. 460 00:20:20,434 --> 00:20:24,033 Speaker 2: Tux, like a nice gold guest for her. Yeah, yeah, 461 00:20:24,074 --> 00:20:24,714 Speaker 2: that's tired. 462 00:20:24,874 --> 00:20:29,354 Speaker 3: Yeah, I do love them as totally a cash she's 463 00:20:29,394 --> 00:20:32,954 Speaker 3: like eight months pregnant, spectacular, like she's just in this 464 00:20:33,034 --> 00:20:36,194 Speaker 3: beautiful black gown and it kind of fully covered her 465 00:20:36,234 --> 00:20:38,194 Speaker 3: bump in sort of flower details. 466 00:20:38,194 --> 00:20:40,954 Speaker 1: And Tom Brown she was wearing beautiful. 467 00:20:41,274 --> 00:20:42,874 Speaker 4: I think that this also would have been a great 468 00:20:42,954 --> 00:20:44,674 Speaker 4: year because obviously with the bodies, there's a lot of 469 00:20:44,674 --> 00:20:48,234 Speaker 4: different interpretations of that, like pregnant bodies, aging bodies. 470 00:20:47,874 --> 00:20:50,553 Speaker 3: All different and disabled bodies. There's a whole section in 471 00:20:50,594 --> 00:20:54,513 Speaker 3: the exhibition about this. And Burke was speaking beforehand. I 472 00:20:54,554 --> 00:20:57,994 Speaker 3: saw her consultancy was consulting to the met on the exhibition. 473 00:20:58,594 --> 00:21:00,994 Speaker 3: She was amazing, like the MET had commissioned all these 474 00:21:01,274 --> 00:21:05,354 Speaker 3: new mannequins, and apparently they've also Sade's interviews. She was 475 00:21:05,394 --> 00:21:08,594 Speaker 3: sort of saying that actually consulted also about literal accessibility 476 00:21:08,794 --> 00:21:12,154 Speaker 3: into the exhibition. So that's all great news, and it's 477 00:21:12,194 --> 00:21:15,114 Speaker 3: just good to see all sorts of bodies reflected to 478 00:21:15,154 --> 00:21:16,114 Speaker 3: all sorts of people. 479 00:21:16,274 --> 00:21:16,914 Speaker 2: Yeah, I agree. 480 00:21:16,994 --> 00:21:18,554 Speaker 4: I think there were a lot of looks this year 481 00:21:18,554 --> 00:21:20,593 Speaker 4: that I feel like, Yeah, across the board, I think 482 00:21:20,594 --> 00:21:22,994 Speaker 4: showcase a lot of different types of bodies and how 483 00:21:23,074 --> 00:21:25,154 Speaker 4: different designs kind of work across the board, and I 484 00:21:25,194 --> 00:21:29,394 Speaker 4: love that. And obviously massive day for pop culture and fashion. 485 00:21:29,434 --> 00:21:31,594 Speaker 4: The MET Gala will be talking about it for weeks. 486 00:21:32,154 --> 00:21:35,234 Speaker 4: How much, in your experience having worked in fashion, how 487 00:21:35,274 --> 00:21:39,033 Speaker 4: much does it actually influence fashion trends kind of for 488 00:21:39,074 --> 00:21:40,114 Speaker 4: the next few seasons. 489 00:21:40,754 --> 00:21:42,914 Speaker 3: Look, I would never say that the Met is actually 490 00:21:42,954 --> 00:21:48,714 Speaker 3: a massive influence on mainstream fashion, often because the interpretations 491 00:21:48,914 --> 00:21:53,474 Speaker 3: are a bit more fantastical at times. Although that said, 492 00:21:53,594 --> 00:21:55,874 Speaker 3: this year we have a lot of crossover, which is 493 00:21:56,554 --> 00:21:59,674 Speaker 3: with things that are currently happening in fashion taken to 494 00:21:59,754 --> 00:22:03,554 Speaker 3: more extreme levels, slightly more extreme levels, So for example, 495 00:22:03,554 --> 00:22:06,194 Speaker 3: the surface embellishment thing at the moment we saw that 496 00:22:06,314 --> 00:22:08,434 Speaker 3: in abundant and so that's I think going to be 497 00:22:08,754 --> 00:22:11,314 Speaker 3: continue to be a big trend, the molded body plate 498 00:22:11,394 --> 00:22:14,434 Speaker 3: breastplate thing. I mean, we saw so much of that 499 00:22:14,474 --> 00:22:17,114 Speaker 3: and the whole Trumpolouy thing as well that I think 500 00:22:17,554 --> 00:22:19,474 Speaker 3: really could kind of. 501 00:22:19,554 --> 00:22:21,033 Speaker 1: Play into a bit more fashion. 502 00:22:21,194 --> 00:22:23,553 Speaker 3: Yeah, I mean, my favorite one of those actually was 503 00:22:23,554 --> 00:22:27,554 Speaker 3: Hailey Bieber because see what was interesting for me was Salarn. 504 00:22:27,954 --> 00:22:31,114 Speaker 3: They really tapped into the archives of Salurate because if 505 00:22:31,154 --> 00:22:34,434 Speaker 3: Salarn himself was massively influenced by art, and he's got 506 00:22:34,474 --> 00:22:37,513 Speaker 3: many many collections where he does literal interpretations like he 507 00:22:37,554 --> 00:22:40,154 Speaker 3: did this whole series of like sequent and beaded jackets 508 00:22:40,514 --> 00:22:43,874 Speaker 3: like of the Irises and Van Goff's sunflowers and things 509 00:22:43,954 --> 00:22:46,634 Speaker 3: like that, and so there was a collection where he 510 00:22:46,754 --> 00:22:50,394 Speaker 3: referenced quite a lot George bruck painting of two Birds, 511 00:22:50,674 --> 00:22:52,754 Speaker 3: and so we saw that on. 512 00:22:52,594 --> 00:22:54,194 Speaker 1: One of the dresses for Salauran. 513 00:22:54,474 --> 00:22:57,754 Speaker 3: But Hailey Bieber's one was interesting because that tied back 514 00:22:57,794 --> 00:23:01,434 Speaker 3: to I think it was like a late sixties, like 515 00:23:01,474 --> 00:23:04,394 Speaker 3: sixty nine seventy design that he did, which was a 516 00:23:04,474 --> 00:23:07,553 Speaker 3: gold molded breastplate which would be molded on very who 517 00:23:07,594 --> 00:23:09,994 Speaker 3: was that massive model at the time with this Eve 518 00:23:10,074 --> 00:23:14,513 Speaker 3: Climb blue kind of skirt and head scarf, and that 519 00:23:14,634 --> 00:23:18,034 Speaker 3: was a very literal interpretation of that piece. And then 520 00:23:18,034 --> 00:23:20,513 Speaker 3: we had this interpretation of the brac collection with the 521 00:23:20,554 --> 00:23:24,033 Speaker 3: other piece with the bird applicate. So I thought the 522 00:23:24,074 --> 00:23:27,594 Speaker 3: Salar stuff was interesting because there's such history with the 523 00:23:27,634 --> 00:23:29,794 Speaker 3: house with art already. 524 00:23:30,434 --> 00:23:31,234 Speaker 1: I loved all of that. 525 00:23:31,474 --> 00:23:32,994 Speaker 4: Yeah, and you do you think we'll see kind of 526 00:23:33,074 --> 00:23:35,674 Speaker 4: versions of like breastplates and those kind of like harder 527 00:23:35,714 --> 00:23:36,914 Speaker 4: corset type designs. 528 00:23:37,074 --> 00:23:39,674 Speaker 1: Certainly corsets, Absolutely, corsets. 529 00:23:39,714 --> 00:23:41,074 Speaker 3: I mean they're having a bit of a moment, but 530 00:23:41,114 --> 00:23:42,714 Speaker 3: I think they'll definitely continue to have a bit of 531 00:23:42,714 --> 00:23:43,114 Speaker 3: a moment. 532 00:23:43,154 --> 00:23:45,314 Speaker 1: I mean, Eve Climb blue is an easy wind. 533 00:23:45,314 --> 00:23:47,754 Speaker 3: It's a difficult color, but it's an easy way to 534 00:23:48,114 --> 00:23:50,034 Speaker 3: take something because we saw quite a bit of that 535 00:23:50,714 --> 00:23:51,474 Speaker 3: this year. 536 00:23:51,634 --> 00:23:53,714 Speaker 1: But also peplums. Well, in the. 537 00:23:53,634 --> 00:23:56,354 Speaker 4: Spirit of the Met Gala, let's talk about event dressing. 538 00:23:56,914 --> 00:23:59,754 Speaker 4: I always find it quite tricky during the winter time. 539 00:24:00,514 --> 00:24:03,154 Speaker 4: What are some of the trending styles that we're seeing 540 00:24:03,194 --> 00:24:03,714 Speaker 4: at the moment. 541 00:24:04,114 --> 00:24:08,354 Speaker 3: Well, the embellishment thing huge, So a sequin dress is 542 00:24:08,514 --> 00:24:11,754 Speaker 3: always or a beata dress always an easy option, always 543 00:24:11,754 --> 00:24:13,954 Speaker 3: says evening. You know, I feel like we don't have 544 00:24:13,994 --> 00:24:16,834 Speaker 3: that many opportunities in Australia to really wear the full 545 00:24:16,914 --> 00:24:20,273 Speaker 3: length like a black tie events pretty rare, you know, 546 00:24:20,594 --> 00:24:23,273 Speaker 3: but there you can find those dresses around the place. 547 00:24:23,354 --> 00:24:25,754 Speaker 3: But a more mid length or a knee length for 548 00:24:25,794 --> 00:24:29,074 Speaker 3: a cocktail perfect in a sequin dress. I think the 549 00:24:29,114 --> 00:24:33,354 Speaker 3: thing I love at the moment, the big trend is 550 00:24:33,394 --> 00:24:36,793 Speaker 3: for the statement skirt and the simple top. Now for winter, 551 00:24:37,434 --> 00:24:40,114 Speaker 3: that is too easy. Like if you just get a 552 00:24:40,154 --> 00:24:43,234 Speaker 3: great embellish skirt whatever length. I mean, if it's a 553 00:24:43,234 --> 00:24:45,754 Speaker 3: really formal event, great a super long one. Corlors and 554 00:24:45,794 --> 00:24:48,994 Speaker 3: Patil have you covered, you know, with a chic cashmire 555 00:24:49,074 --> 00:24:51,513 Speaker 3: jumper or an Angora jumper, like for a bit of 556 00:24:51,554 --> 00:24:54,674 Speaker 3: extra texture, you know, that softness. So that's to me 557 00:24:55,154 --> 00:24:58,594 Speaker 3: super super easy, like and what a relaxed way to 558 00:24:58,594 --> 00:24:59,474 Speaker 3: look spectacular. 559 00:24:59,554 --> 00:25:00,553 Speaker 1: I sort of think a. 560 00:25:00,554 --> 00:25:01,994 Speaker 2: Perfect way for like winter dressing. 561 00:25:02,194 --> 00:25:03,634 Speaker 1: Yeah. Yeah. 562 00:25:03,794 --> 00:25:05,513 Speaker 4: One that I've really been loving is sort of like 563 00:25:05,674 --> 00:25:08,313 Speaker 4: the faux fur trims have been really coming back, but 564 00:25:08,394 --> 00:25:12,634 Speaker 4: like really dramatized, yeah, like really dramatic kind. 565 00:25:12,554 --> 00:25:15,553 Speaker 1: Of faux fo like collars, yeah. 566 00:25:15,034 --> 00:25:18,194 Speaker 4: Cuffs and then even at the bottom of skirts, hands 567 00:25:18,234 --> 00:25:19,833 Speaker 4: like I love that and I think perfect for kind 568 00:25:19,834 --> 00:25:20,553 Speaker 4: of winter dressing. 569 00:25:20,634 --> 00:25:23,354 Speaker 3: Absolutely, and again, so many feathers, like we were talking 570 00:25:23,354 --> 00:25:25,914 Speaker 3: about before, Like feathers are not the huge thing. I 571 00:25:25,914 --> 00:25:28,634 Speaker 3: think it's scan It's got some fantastic pink feathered top 572 00:25:28,674 --> 00:25:31,074 Speaker 3: and skirt at the moment of the upward feathers which 573 00:25:31,154 --> 00:25:33,234 Speaker 3: is just quite kind of framing the face as well, 574 00:25:33,274 --> 00:25:34,154 Speaker 3: which is quite fun. 575 00:25:34,554 --> 00:25:37,273 Speaker 4: Moving on to kind of Australian Fashion Week, So the 576 00:25:37,314 --> 00:25:41,634 Speaker 4: schedule has been released. Which designers are you personally really 577 00:25:41,634 --> 00:25:43,954 Speaker 4: excited to see? Are there any shows we should be 578 00:25:43,994 --> 00:25:47,234 Speaker 4: really paying close attention to, Any newcomers that you're really 579 00:25:47,234 --> 00:25:48,273 Speaker 4: excited about we'd love to know. 580 00:25:48,634 --> 00:25:52,154 Speaker 3: Well, I mean, I think the most exciting news, certainly 581 00:25:52,194 --> 00:25:54,994 Speaker 3: in my mind at least few other people as well, 582 00:25:55,234 --> 00:25:57,154 Speaker 3: is that Tony Mattichevsky's coming back for the first time 583 00:25:57,274 --> 00:25:58,074 Speaker 3: in ten years. 584 00:25:58,154 --> 00:26:00,114 Speaker 1: Yeah. Yeah, so like. 585 00:26:00,074 --> 00:26:04,594 Speaker 3: We've only been waiting that long Tony, So that's super 586 00:26:04,634 --> 00:26:07,474 Speaker 3: exciting because I mean, his work plays in all of 587 00:26:07,474 --> 00:26:10,114 Speaker 3: these things. His work is so sculptural and artistic, like 588 00:26:10,154 --> 00:26:12,354 Speaker 3: he's an artist, and we don't I don't think we 589 00:26:12,434 --> 00:26:16,474 Speaker 3: have enough of those who are commercially successful in Australia, 590 00:26:16,594 --> 00:26:19,194 Speaker 3: so he is absolutely top of my list on that front. 591 00:26:19,674 --> 00:26:21,634 Speaker 3: I have no doubt that they will create a moment 592 00:26:21,754 --> 00:26:24,674 Speaker 3: around it that I can't wait for. We've got a 593 00:26:24,674 --> 00:26:28,354 Speaker 3: lot of really good, strong names, so We've got Age, 594 00:26:28,354 --> 00:26:30,874 Speaker 3: We've got Buncle Spender, We've got Lee Matthews and Gary Bushaney. 595 00:26:30,954 --> 00:26:33,353 Speaker 3: They'll all be great and they've all been, you know, 596 00:26:33,434 --> 00:26:36,754 Speaker 3: doing great work for God, you know, fifteen to twenty 597 00:26:36,834 --> 00:26:38,714 Speaker 3: years now. I guess a lot of. 598 00:26:38,674 --> 00:26:39,593 Speaker 1: Them another one. 599 00:26:39,594 --> 00:26:42,033 Speaker 3: I'm really looking forward to those Essay who I just 600 00:26:42,034 --> 00:26:44,754 Speaker 3: think Charlotte does the most. And again on the evening 601 00:26:44,834 --> 00:26:49,313 Speaker 3: dressing thing, that surface embellishment thing is obviously huge. But 602 00:26:50,074 --> 00:26:52,114 Speaker 3: if you want to go the minimalist route, because we've 603 00:26:52,114 --> 00:26:54,754 Speaker 3: also got that happening at the moment, especially after the 604 00:26:54,834 --> 00:26:56,914 Speaker 3: kind of love story series and everything on there, you know, 605 00:26:56,994 --> 00:27:00,313 Speaker 3: Carolyn set Kennedy business coming back again and that nineties 606 00:27:00,314 --> 00:27:04,194 Speaker 3: minimalism thing having a bit of a moment. Essay does beautiful, 607 00:27:04,434 --> 00:27:09,594 Speaker 3: like exquisitely cut simply, but it is the most elegant 608 00:27:09,914 --> 00:27:11,194 Speaker 3: chic thing possible. 609 00:27:11,274 --> 00:27:12,594 Speaker 1: So I can't wait for that show. 610 00:27:12,874 --> 00:27:15,914 Speaker 3: I mean, there's a few new indigenous designers, Blue Miry 611 00:27:15,954 --> 00:27:19,354 Speaker 3: if I'm pronouncing that correctly. Is one that'll be the 612 00:27:19,394 --> 00:27:22,634 Speaker 3: first show off the rank, after the Welcome to Country, 613 00:27:22,794 --> 00:27:26,513 Speaker 3: she says, drawing on the PDF in her brain. One, 614 00:27:27,154 --> 00:27:32,833 Speaker 3: followed by another indigenous swimwear label called van ermel chera charer. 615 00:27:33,274 --> 00:27:35,594 Speaker 3: Not sure on the pronunciation of that one. So that'll 616 00:27:35,634 --> 00:27:37,793 Speaker 3: kick off proceedings on Monday morning. 617 00:27:38,274 --> 00:27:39,794 Speaker 1: Then we've got the. 618 00:27:39,914 --> 00:27:44,274 Speaker 3: Tafe Fashion Design Studio show The Innovators, which is always 619 00:27:44,314 --> 00:27:46,754 Speaker 3: an exciting one to see because that's the super super 620 00:27:46,754 --> 00:27:48,714 Speaker 3: fresh talent, right Okay. 621 00:27:48,474 --> 00:27:48,994 Speaker 1: I love that. 622 00:27:49,154 --> 00:27:49,674 Speaker 2: Thank you well. 623 00:27:49,714 --> 00:27:52,034 Speaker 4: Looking forward to Australian Fashion Week and all your thoughts 624 00:27:52,074 --> 00:27:53,754 Speaker 4: on it, I'm sure as it kind of goes along. 625 00:27:54,154 --> 00:27:57,634 Speaker 4: So for anyone who's listening from home, how can they 626 00:27:57,714 --> 00:28:00,354 Speaker 4: tune in to Australian Fashion Week, how can they be involved? 627 00:28:00,354 --> 00:28:01,634 Speaker 4: How can they kind of see what's going on? 628 00:28:01,754 --> 00:28:02,313 Speaker 1: So there are a. 629 00:28:02,354 --> 00:28:04,794 Speaker 3: Number of shows in the evening, so number of brands 630 00:28:04,834 --> 00:28:06,594 Speaker 3: are doing two shows, so they're doing like an industry 631 00:28:06,594 --> 00:28:08,513 Speaker 3: show and then doing an open show that you can 632 00:28:08,514 --> 00:28:11,394 Speaker 3: buy tickets to, so that would be through the Australian 633 00:28:11,394 --> 00:28:15,434 Speaker 3: Fashion Week website, I believe, and then also on the Friday, 634 00:28:15,714 --> 00:28:17,553 Speaker 3: I believe that there is going to be and I 635 00:28:17,554 --> 00:28:19,634 Speaker 3: think this is an eBay event, but there's there are 636 00:28:19,634 --> 00:28:24,034 Speaker 3: two sessions of a vintage shopping fair market some such things, 637 00:28:24,154 --> 00:28:26,834 Speaker 3: so get amongst it that way as well. And of 638 00:28:26,874 --> 00:28:29,434 Speaker 3: course there's always a bit of like let's just go 639 00:28:29,474 --> 00:28:31,194 Speaker 3: and see who's arriving and all the rest down at 640 00:28:31,194 --> 00:28:33,314 Speaker 3: the MCA this year, which is a new venue, which 641 00:28:33,354 --> 00:28:34,634 Speaker 3: is going to be I think a bit of a 642 00:28:34,634 --> 00:28:35,273 Speaker 3: game changer. 643 00:28:35,474 --> 00:28:37,154 Speaker 4: We're going to take a quick break, but after the 644 00:28:37,194 --> 00:28:40,794 Speaker 4: break we have Bougie to Budget. I'm sharing the most 645 00:28:40,794 --> 00:28:44,394 Speaker 4: perfect blazer I found that's under seventy dollars, and Glynnis 646 00:28:44,514 --> 00:28:52,434 Speaker 4: is sharing three different types of sequence skirts. 647 00:28:52,794 --> 00:28:56,874 Speaker 1: It's very expensive. How much are these twenty five percent? 648 00:28:59,194 --> 00:29:01,634 Speaker 4: So moving on to Bougie to Budget now, which each 649 00:29:01,634 --> 00:29:04,194 Speaker 4: of us will provide three items of the same type 650 00:29:04,314 --> 00:29:09,754 Speaker 4: products at three different price points. So I'll do blazers 651 00:29:10,194 --> 00:29:12,434 Speaker 4: and Glynnis will be doing sequence skirts. Do you want 652 00:29:12,474 --> 00:29:14,394 Speaker 4: to start with your affordable pick and we can kind 653 00:29:14,394 --> 00:29:15,074 Speaker 4: of go back and forth. 654 00:29:15,314 --> 00:29:17,834 Speaker 3: Certainly, we've spoken a lot about the sequence tonight and 655 00:29:17,874 --> 00:29:19,994 Speaker 3: the statement skirts, so I thought what better thing to 656 00:29:20,234 --> 00:29:22,314 Speaker 3: kind of bring to the table than a sequence skirt? 657 00:29:22,594 --> 00:29:24,954 Speaker 3: The statement sequence skirt, and these ones are all kind 658 00:29:24,994 --> 00:29:28,154 Speaker 3: of silvery toned. My first one, for one hundred and 659 00:29:28,194 --> 00:29:31,514 Speaker 3: twenty nine dollars, is from Marks and Spencer Love Marks 660 00:29:31,554 --> 00:29:33,634 Speaker 3: and Spencer, and I actually think this is probably my 661 00:29:33,714 --> 00:29:36,914 Speaker 3: favorite of the three because it's not only got the 662 00:29:37,114 --> 00:29:39,194 Speaker 3: silver sequence, it's also got some kind of more three 663 00:29:39,274 --> 00:29:41,634 Speaker 3: D floral silver sequencing on it. 664 00:29:41,874 --> 00:29:43,194 Speaker 2: Love that. I love some detailing. 665 00:29:43,714 --> 00:29:46,474 Speaker 4: So my affordable pick, the first one is a Lily 666 00:29:46,514 --> 00:29:49,634 Speaker 4: Love's rap tied detail blazer, which is only sixty dollars. 667 00:29:50,234 --> 00:29:52,714 Speaker 4: I think it looks very expensive. I own a few 668 00:29:52,714 --> 00:29:56,154 Speaker 4: things from Lily Loves and it feels quite expensive. The 669 00:29:56,194 --> 00:29:58,874 Speaker 4: material doesn't feel like something that's a little bit more affordable. 670 00:29:59,114 --> 00:30:01,314 Speaker 4: I've had a jacket that I've had for years now 671 00:30:01,354 --> 00:30:04,034 Speaker 4: and it kind of has really good wear and I 672 00:30:04,074 --> 00:30:05,874 Speaker 4: think it's just great one to dress up any any 673 00:30:05,914 --> 00:30:06,434 Speaker 4: sort of outfit. 674 00:30:07,274 --> 00:30:09,514 Speaker 3: Blazer, yeah, I can never for that one can go 675 00:30:09,794 --> 00:30:11,554 Speaker 3: and it goes great with silver sea. 676 00:30:12,594 --> 00:30:13,994 Speaker 1: This is a perfect match exactly. 677 00:30:14,554 --> 00:30:15,754 Speaker 2: And what is your mid range? 678 00:30:15,834 --> 00:30:19,194 Speaker 3: My mid range one is not that much more expensive, actually, 679 00:30:19,274 --> 00:30:21,914 Speaker 3: I think it's one hundred and seventy nine and it 680 00:30:21,994 --> 00:30:24,874 Speaker 3: is from Age. And what I like about this one 681 00:30:25,754 --> 00:30:27,714 Speaker 3: is that it's sort of a bit of a MIDI 682 00:30:27,834 --> 00:30:32,354 Speaker 3: length pencil skirt shape, but it's got that slightly larger 683 00:30:32,434 --> 00:30:35,914 Speaker 3: sequence and it's a mat sequence. And I do like 684 00:30:36,274 --> 00:30:40,074 Speaker 3: a map sequin me too, because it still says fun 685 00:30:40,074 --> 00:30:42,234 Speaker 3: and you'll hear you, you'll hear someone coming. 686 00:30:41,994 --> 00:30:44,114 Speaker 1: If they're wearing it. I always like that about these. 687 00:30:44,154 --> 00:30:46,634 Speaker 1: But yeah, it's quite textural this one. 688 00:30:46,674 --> 00:30:48,674 Speaker 3: It's not flat at all. It's like really three D. 689 00:30:48,754 --> 00:30:50,514 Speaker 3: Those sequence get really chopped up. 690 00:30:50,554 --> 00:30:50,994 Speaker 1: It's great. 691 00:30:51,114 --> 00:30:54,034 Speaker 4: I also love Ash like, yes a brand in general. Yeah, 692 00:30:54,074 --> 00:30:56,634 Speaker 4: have so many pieces that I wear so often. Now. 693 00:30:56,674 --> 00:30:59,154 Speaker 2: My midrange pick is from Zara one hundred. 694 00:30:58,874 --> 00:31:02,394 Speaker 4: And eighty five dollars and it's a lace blazer, which 695 00:31:02,394 --> 00:31:03,314 Speaker 4: I think is a fun one. 696 00:31:03,714 --> 00:31:05,274 Speaker 2: You know, something a little bit different. 697 00:31:05,554 --> 00:31:07,714 Speaker 1: Is it lined or is it contract? 698 00:31:08,434 --> 00:31:11,434 Speaker 4: It's quite sheer, so I think it's a fun one 699 00:31:11,754 --> 00:31:15,354 Speaker 4: to in like the transitional seasons. And yeah, more of 700 00:31:15,394 --> 00:31:17,514 Speaker 4: like a statement piece I would say to kind of 701 00:31:17,514 --> 00:31:19,634 Speaker 4: throw on top, but because it's black, it kind. 702 00:31:19,474 --> 00:31:20,674 Speaker 2: Of goes with a lot of things as well. 703 00:31:21,314 --> 00:31:25,394 Speaker 4: Nice okay, and your final pick your high end item. 704 00:31:25,754 --> 00:31:28,794 Speaker 3: My high end item is from Scanlan Theatre and it 705 00:31:28,994 --> 00:31:33,194 Speaker 3: is again a sort of column middi length sequence skirt. 706 00:31:33,274 --> 00:31:35,914 Speaker 3: I think from memory it is it's silvery, but it 707 00:31:35,994 --> 00:31:39,154 Speaker 3: almost is leaning into something a bit gold. It looks 708 00:31:39,154 --> 00:31:43,194 Speaker 3: super lux and again perfect with like a simple top, 709 00:31:43,514 --> 00:31:46,594 Speaker 3: a beautiful nitch, or a matching top. I think there's 710 00:31:46,594 --> 00:31:48,074 Speaker 3: a matching top for this one as well. 711 00:31:48,154 --> 00:31:49,554 Speaker 2: I love that. I always get the match. 712 00:31:50,234 --> 00:31:52,474 Speaker 1: It's a full look. You just never know. Yeah, you'll 713 00:31:52,514 --> 00:31:55,034 Speaker 1: kick yourself if you don't love that. And I think 714 00:31:55,034 --> 00:31:56,914 Speaker 1: that's eight hundred dollars. 715 00:31:56,394 --> 00:32:00,114 Speaker 2: Okay, yes, more of a wishless item, yeah, totally. 716 00:32:00,354 --> 00:32:01,474 Speaker 3: I mean we could have gone a three and a 717 00:32:01,514 --> 00:32:03,394 Speaker 3: half grand dol Tern Javarna, but I didn't think in 718 00:32:03,434 --> 00:32:05,554 Speaker 3: this climate that that is probably no way to go. 719 00:32:06,634 --> 00:32:08,354 Speaker 2: Okay, Well, my final pick is from Q. 720 00:32:08,594 --> 00:32:11,874 Speaker 4: Actually it's a pinstripe hourglass blazer three hundred and sixty 721 00:32:11,954 --> 00:32:15,114 Speaker 4: nine dollars. That hourglass shape really is just trending. 722 00:32:15,354 --> 00:32:17,354 Speaker 1: And they do they do cut well, Q. 723 00:32:17,714 --> 00:32:19,114 Speaker 2: They do, they do cut really well. 724 00:32:19,194 --> 00:32:21,634 Speaker 4: And I love something with like a firmer shoulder, a 725 00:32:21,674 --> 00:32:25,514 Speaker 4: little bit of structure. I think if you're thinking of 726 00:32:25,554 --> 00:32:27,394 Speaker 4: how to kind of level up your wardrobe a little bit. 727 00:32:27,434 --> 00:32:30,194 Speaker 4: For me, I usually stick to quite a neutral color palette. 728 00:32:30,234 --> 00:32:33,234 Speaker 4: But playing with shape and like an hourglass shape, whether 729 00:32:33,274 --> 00:32:35,394 Speaker 4: it's like wider shoulder, something that really nips in. I 730 00:32:35,394 --> 00:32:37,514 Speaker 4: think that's a fun way to still feel like a 731 00:32:37,514 --> 00:32:37,954 Speaker 4: bit a. 732 00:32:37,914 --> 00:32:39,994 Speaker 1: Bit fashion, you know, yeah, totally. 733 00:32:40,674 --> 00:32:42,354 Speaker 2: Thank you so much for joining us, Illness. 734 00:32:42,354 --> 00:32:43,914 Speaker 4: It was so great to hear all of your metgal 735 00:32:43,994 --> 00:32:46,034 Speaker 4: insights and we will one hundred percent be tuning in 736 00:32:46,074 --> 00:32:48,794 Speaker 4: to see all of your perspectives and things to say 737 00:32:48,834 --> 00:32:50,154 Speaker 4: about Australian Fashion Week. 738 00:32:50,314 --> 00:32:51,954 Speaker 1: Thank you for having me. It's been so much fun. 739 00:32:52,634 --> 00:32:54,554 Speaker 4: That's all we have time for today. Thank you so 740 00:32:54,674 --> 00:32:56,634 Speaker 4: much for listening to Nothing to Wear. Don't forget to 741 00:32:56,674 --> 00:32:58,554 Speaker 4: sign up to our Nothing to Wear a newsletter. There's 742 00:32:58,594 --> 00:33:00,674 Speaker 4: a link in the show notes, and don't forget to 743 00:33:00,674 --> 00:33:02,914 Speaker 4: watch us on YouTube and follow us on Instagram at 744 00:33:02,914 --> 00:33:03,714 Speaker 4: Nothing to Wear Pod. 745 00:33:03,954 --> 00:33:04,714 Speaker 1: Will you that soon? 746 00:33:04,954 --> 00:33:13,394 Speaker 4: Bye, Mamma MEA acknowledges the traditional owners of the land. 747 00:33:13,434 --> 00:33:16,074 Speaker 4: We have recorded this podcast on the Gadigal people of 748 00:33:16,114 --> 00:33:19,754 Speaker 4: the Urination. We pay respects to their elders past and present, 749 00:33:19,914 --> 00:33:23,474 Speaker 4: and extend that respect to all Aboriginal and Torrestrate islander cultures.