1 00:00:08,234 --> 00:00:17,113 Speaker 1: You're listening to a MoMA Mia podcast. 2 00:00:18,674 --> 00:00:21,593 Speaker 2: From MoMA Mia. Welcome to the Spill, your daily pop 3 00:00:21,634 --> 00:00:23,674 Speaker 2: culture fix. I'm Laura Brodnick. 4 00:00:23,434 --> 00:00:24,474 Speaker 1: And I'm Dinner Promus. 5 00:00:24,794 --> 00:00:27,394 Speaker 2: So it's Thursday, and we are diving into all of 6 00:00:27,434 --> 00:00:29,954 Speaker 2: the drama of this week of Married at First Site 7 00:00:29,994 --> 00:00:32,513 Speaker 2: because a lot has happened. But first we need to 8 00:00:32,554 --> 00:00:35,714 Speaker 2: talk about some very real life important news that came 9 00:00:35,754 --> 00:00:38,194 Speaker 2: out this week, and that is the very sad news 10 00:00:38,234 --> 00:00:40,674 Speaker 2: that Mel Shilling, who has been on Married at First 11 00:00:40,674 --> 00:00:43,993 Speaker 2: Side as a beloved expert for twelve years, very sadly 12 00:00:43,994 --> 00:00:47,554 Speaker 2: passed away this week. Her husband Gareth posted to Instagram 13 00:00:47,913 --> 00:00:50,673 Speaker 2: and announced that she had sadly passed away at just 14 00:00:50,793 --> 00:00:53,713 Speaker 2: fifty four years old, which is so so young. This 15 00:00:53,794 --> 00:00:56,713 Speaker 2: news comes just two weeks after she revealed herself that 16 00:00:56,754 --> 00:00:59,514 Speaker 2: her colon cancer had spread to her brain and she 17 00:00:59,594 --> 00:01:02,434 Speaker 2: was feeling very unwell and a lot of people and 18 00:01:02,474 --> 00:01:05,114 Speaker 2: fans have been like really supportive in following her journey. 19 00:01:05,194 --> 00:01:08,234 Speaker 2: So her husband wanted to share some news about what 20 00:01:08,314 --> 00:01:10,754 Speaker 2: their family has been through in her final moments, and 21 00:01:11,234 --> 00:01:13,674 Speaker 2: there was just this out pouring from not just the 22 00:01:13,674 --> 00:01:16,234 Speaker 2: Married at First Sight film and TV family, but from 23 00:01:16,314 --> 00:01:18,954 Speaker 2: viewers on the show, from people and other reality TV shows, 24 00:01:19,034 --> 00:01:21,154 Speaker 2: from people across the world that had watched her marrit 25 00:01:21,194 --> 00:01:23,354 Speaker 2: at first sight, that was just outpouring of love for her, 26 00:01:23,994 --> 00:01:25,914 Speaker 2: and I thought it was really lovely. Some of the 27 00:01:25,954 --> 00:01:29,514 Speaker 2: words that her husband Gareth used to describe her, talking 28 00:01:29,594 --> 00:01:31,754 Speaker 2: about the fact that she was his soulmate and how 29 00:01:31,834 --> 00:01:33,714 Speaker 2: much she meant to their daughter Mattie, who was only 30 00:01:33,754 --> 00:01:36,234 Speaker 2: eleven years old. So we're thinking of her. There's no 31 00:01:36,394 --> 00:01:38,794 Speaker 2: age that's good to lose your parents, but eleven years 32 00:01:38,834 --> 00:01:43,074 Speaker 2: old so young. And so he wrote an instagram of Mel, 33 00:01:43,194 --> 00:01:44,994 Speaker 2: you know, sort of these beautiful things about her in 34 00:01:45,034 --> 00:01:47,474 Speaker 2: her final days. But he also said, this is a 35 00:01:47,474 --> 00:01:49,874 Speaker 2: woman who became a new mum and a TV star 36 00:01:49,994 --> 00:01:52,754 Speaker 2: at forty two, and she nailed both. This is a 37 00:01:52,754 --> 00:01:55,874 Speaker 2: woman who, through two years of chemotherapy when she could 38 00:01:55,874 --> 00:01:58,554 Speaker 2: barely lift her head from her pillow, never complained and 39 00:01:58,634 --> 00:02:02,914 Speaker 2: never stopped showing courage, grace, compassionate empathy, and also never 40 00:02:02,954 --> 00:02:05,394 Speaker 2: missed a day of filming. And I thought this was 41 00:02:05,434 --> 00:02:07,034 Speaker 2: really lovely as well. He said, to most of you, 42 00:02:07,394 --> 00:02:09,914 Speaker 2: she was Mel Shilling, matriarch of maths and queen of 43 00:02:09,954 --> 00:02:13,113 Speaker 2: reality TV. To Mattie and me. She was our wee Melsie, 44 00:02:13,114 --> 00:02:15,234 Speaker 2: incredible mum, role model and soulmate. 45 00:02:15,434 --> 00:02:17,994 Speaker 1: Oh my gosh, emotional words hearing that. 46 00:02:18,394 --> 00:02:20,834 Speaker 3: Yeah, I think to your point, the outpour of love 47 00:02:20,954 --> 00:02:22,994 Speaker 3: is such a testament to the kind of person she 48 00:02:23,274 --> 00:02:26,154 Speaker 3: was and shows what an impact she kind of made 49 00:02:26,194 --> 00:02:27,554 Speaker 3: beyond the maths world. 50 00:02:27,954 --> 00:02:31,594 Speaker 2: Yeah. I was reading a beautiful statement from Elizabeth Day, 51 00:02:31,634 --> 00:02:35,274 Speaker 2: who is a British podcast host and author and really 52 00:02:35,314 --> 00:02:37,793 Speaker 2: beloved personality, and she was really good friends with Mel 53 00:02:37,834 --> 00:02:40,314 Speaker 2: and they have a podcast together, and she was talking 54 00:02:40,354 --> 00:02:43,154 Speaker 2: about mel finding out that her cancer had come back 55 00:02:43,194 --> 00:02:45,394 Speaker 2: the day before their launch party, but still showing up 56 00:02:45,394 --> 00:02:47,514 Speaker 2: in this gold sequin dress and cutting the cake and 57 00:02:47,514 --> 00:02:49,514 Speaker 2: being on the dance floor and being like, but I'm 58 00:02:49,554 --> 00:02:51,754 Speaker 2: here to celebrate. And I was reading through all the 59 00:02:51,794 --> 00:02:55,474 Speaker 2: comments under her husband's statement, but also just across all 60 00:02:55,514 --> 00:02:57,594 Speaker 2: the different news outlets and merit at first Sight, and 61 00:02:57,994 --> 00:03:00,514 Speaker 2: what really struck you was how many past contestants, Because 62 00:03:00,514 --> 00:03:02,394 Speaker 2: as we know, a lot of past contestants have a 63 00:03:02,394 --> 00:03:05,154 Speaker 2: really difficult time on this show one because they're put 64 00:03:05,194 --> 00:03:08,874 Speaker 2: into this intense situation. Sometimes they're paired with someone who 65 00:03:08,914 --> 00:03:11,274 Speaker 2: they don't get along with. Often they fight with other 66 00:03:11,314 --> 00:03:13,794 Speaker 2: cast members, and I thought it was really telling how 67 00:03:13,794 --> 00:03:16,314 Speaker 2: many cast members talked about mel being really kind to 68 00:03:16,314 --> 00:03:19,594 Speaker 2: them onset, but also like following up with them afterwards 69 00:03:19,914 --> 00:03:21,994 Speaker 2: and to make sure they were okay once filming had 70 00:03:22,034 --> 00:03:24,194 Speaker 2: stopped or once the show had aired, and sort of 71 00:03:24,234 --> 00:03:26,994 Speaker 2: like not just being like camera off, we're done. And 72 00:03:27,034 --> 00:03:28,714 Speaker 2: to me, I thought that's very telling of the kind 73 00:03:28,754 --> 00:03:32,034 Speaker 2: of person that she was, that she was just as 74 00:03:32,114 --> 00:03:34,754 Speaker 2: kind behind the camera as she came across on camera. 75 00:03:35,234 --> 00:03:35,714 Speaker 1: Totally. 76 00:03:35,834 --> 00:03:38,034 Speaker 3: I think again, like it just shows how she was 77 00:03:38,074 --> 00:03:42,034 Speaker 3: such a genuine person. Like obviously it's a production, it's 78 00:03:42,034 --> 00:03:45,074 Speaker 3: a reality show, but that level of like you know, 79 00:03:45,234 --> 00:03:48,914 Speaker 3: engagement with contestants beyond the experience, and I think that's 80 00:03:48,954 --> 00:03:53,314 Speaker 3: really special because it does this show does result in relationships. 81 00:03:53,314 --> 00:03:55,274 Speaker 1: You know, you've got Michael Brenelli and Martha. 82 00:03:55,594 --> 00:03:58,114 Speaker 3: He left a really sweet comment on there, thanking her 83 00:03:58,154 --> 00:04:00,354 Speaker 3: for everything that she did for them. They've got a 84 00:04:00,354 --> 00:04:03,074 Speaker 3: family off the back of this show. It creates, you know, 85 00:04:03,154 --> 00:04:07,114 Speaker 3: some really special relationships, and she was part of that journey. Yeah. 86 00:04:07,194 --> 00:04:08,914 Speaker 2: I thought it was really nice how Michael said, because 87 00:04:09,034 --> 00:04:10,594 Speaker 2: as you said, they're married from the show now, like 88 00:04:10,594 --> 00:04:11,434 Speaker 2: they got real married. 89 00:04:11,474 --> 00:04:11,954 Speaker 1: They are married. 90 00:04:12,114 --> 00:04:14,154 Speaker 2: That's crazy, Yeah, exactly, And he was like, when we 91 00:04:14,154 --> 00:04:16,993 Speaker 2: tell our kids how we met, we'll tell them about you, 92 00:04:17,034 --> 00:04:19,553 Speaker 2: which is really nice. So so many thoughts go out 93 00:04:19,594 --> 00:04:22,954 Speaker 2: Toimel's family and friends, everyone who knew her. It's just very, 94 00:04:22,993 --> 00:04:30,313 Speaker 2: very devastating. Okay, married at first sight, homestays, home weeks something. 95 00:04:30,794 --> 00:04:33,313 Speaker 1: Home stay week, Yes, getting down to the points. 96 00:04:33,433 --> 00:04:35,794 Speaker 2: On The Bachelor they call it hometowns, right, and this 97 00:04:35,873 --> 00:04:38,234 Speaker 2: is home stay, so everyone gets to go and have 98 00:04:38,274 --> 00:04:40,273 Speaker 2: a little taste of like what it would look like 99 00:04:40,354 --> 00:04:43,073 Speaker 2: if they actually were together in the real world, which 100 00:04:43,073 --> 00:04:45,154 Speaker 2: is very smart, except I still think this is quite 101 00:04:45,193 --> 00:04:47,234 Speaker 2: primed for drama. The way they do it, they will 102 00:04:47,313 --> 00:04:49,834 Speaker 2: still don't know what they're in for. But here we go. 103 00:04:49,993 --> 00:04:52,234 Speaker 2: Shall we start with a little pleasant surprise before we 104 00:04:52,274 --> 00:04:54,873 Speaker 2: get into some of the drama, which is Rachel and 105 00:04:54,914 --> 00:04:59,433 Speaker 2: Stephen did not see these guys making it to the 106 00:04:59,513 --> 00:05:01,714 Speaker 2: finish line. And I'm still not convinced that there are 107 00:05:01,993 --> 00:05:03,553 Speaker 2: anything couplely between them. 108 00:05:03,513 --> 00:05:05,394 Speaker 3: I just think they're two nice people, and I think 109 00:05:05,433 --> 00:05:07,234 Speaker 3: if you're two nice people, you can make it on 110 00:05:07,234 --> 00:05:08,434 Speaker 3: a show like Maps because the. 111 00:05:08,393 --> 00:05:11,074 Speaker 2: Bar is very Yeah, I think they're having a nice 112 00:05:11,073 --> 00:05:13,073 Speaker 2: time together. I think they like each other. I hope 113 00:05:13,073 --> 00:05:16,033 Speaker 2: that they get romantically involved. I'll eat my words if so, 114 00:05:16,193 --> 00:05:17,834 Speaker 2: because I'm the one who said that they weren't going 115 00:05:17,873 --> 00:05:19,914 Speaker 2: to make it only because I felt like he was 116 00:05:19,914 --> 00:05:22,153 Speaker 2: there because he felt like he was being forced by 117 00:05:22,154 --> 00:05:24,394 Speaker 2: his family and friends like, oh, so weird, you're not dating, 118 00:05:24,433 --> 00:05:26,193 Speaker 2: you have to go on the show. And I was like, 119 00:05:26,234 --> 00:05:28,034 Speaker 2: don't bring this poor woman into your drama. 120 00:05:28,034 --> 00:05:30,753 Speaker 3: She seems way more into it, like throughout theramount. 121 00:05:30,794 --> 00:05:32,794 Speaker 2: But they seem to have quite a nice time. They 122 00:05:32,794 --> 00:05:34,593 Speaker 2: won the boat. The only bit of drama was when 123 00:05:34,594 --> 00:05:36,234 Speaker 2: he brought no wine on the boat, which I would 124 00:05:36,274 --> 00:05:38,714 Speaker 2: have jumped off that boat and swam for sure. Office 125 00:05:39,234 --> 00:05:41,354 Speaker 2: in a boat though, Yeah with alcohol? 126 00:05:41,433 --> 00:05:43,153 Speaker 1: Yeah, put me in a boat with alcohol and hang 127 00:05:43,234 --> 00:05:43,713 Speaker 1: out with anyone. 128 00:05:44,834 --> 00:05:46,634 Speaker 2: Honestly, if you have a boat, you invite tire and 129 00:05:46,674 --> 00:05:51,513 Speaker 2: I will be there anyone, no questions are. You'd be 130 00:05:51,633 --> 00:05:54,674 Speaker 2: misogynistic as you want if there's a boat involved. Now 131 00:05:54,753 --> 00:05:56,313 Speaker 2: we've got that out of the way, and hopefully that 132 00:05:56,354 --> 00:05:58,513 Speaker 2: gets spread around. Who else do we have on the docket? 133 00:05:58,513 --> 00:05:58,633 Speaker 1: Oh? 134 00:05:58,714 --> 00:06:01,713 Speaker 2: Jar and Scott had They at first felt like they 135 00:06:01,714 --> 00:06:03,393 Speaker 2: were going to be the drama of the week because 136 00:06:03,433 --> 00:06:06,674 Speaker 2: she arrived at his home and was instantly said it 137 00:06:06,714 --> 00:06:07,113 Speaker 2: was dirty. 138 00:06:07,274 --> 00:06:09,073 Speaker 1: She was instantly disgusted. 139 00:06:09,274 --> 00:06:12,073 Speaker 3: Yeah, to be fair, he did sell himself as like 140 00:06:12,274 --> 00:06:13,074 Speaker 3: a millionaire. 141 00:06:13,674 --> 00:06:16,513 Speaker 2: Oh, I thought she was more upset by the actual dirt. 142 00:06:16,513 --> 00:06:17,753 Speaker 2: And can I say, why don't think? 143 00:06:17,753 --> 00:06:17,993 Speaker 1: Girls? 144 00:06:19,034 --> 00:06:20,794 Speaker 2: I mean, I'm sure you've been in the same boat 145 00:06:20,834 --> 00:06:22,514 Speaker 2: as me. Sometimes you wore a man who lives a load. 146 00:06:22,594 --> 00:06:24,394 Speaker 2: Sometimes you walk into his home and you just like 147 00:06:25,193 --> 00:06:26,834 Speaker 2: this is not only do I not want to date you, 148 00:06:26,914 --> 00:06:28,914 Speaker 2: but I want to call like a who do you 149 00:06:28,914 --> 00:06:33,194 Speaker 2: call if someone's living in like mum? What do you call? 150 00:06:33,234 --> 00:06:35,194 Speaker 2: If someone's living in a level of filth that could 151 00:06:35,234 --> 00:06:37,514 Speaker 2: affect the whole, like the town around them. 152 00:06:37,553 --> 00:06:39,034 Speaker 1: I have been in a man's house and he had 153 00:06:39,034 --> 00:06:41,953 Speaker 1: no toilet paper. I was looking at the handtower like 154 00:06:42,834 --> 00:06:44,474 Speaker 1: this to do. 155 00:06:44,513 --> 00:06:45,954 Speaker 2: And if he brought it to him, he would not 156 00:06:45,953 --> 00:06:47,074 Speaker 2: think that that was a big deal. 157 00:06:47,393 --> 00:06:47,753 Speaker 1: Damn. 158 00:06:48,154 --> 00:06:50,234 Speaker 2: Oh just or I once want your guy's house who 159 00:06:50,234 --> 00:06:51,953 Speaker 2: had no like dish soaper anything. He would just like 160 00:06:51,953 --> 00:06:53,593 Speaker 2: put it under cold water and put on the rack. 161 00:06:53,714 --> 00:06:54,393 Speaker 1: Oh my god. 162 00:06:54,553 --> 00:06:56,313 Speaker 2: And there were so many other things. This is what 163 00:06:56,393 --> 00:07:00,954 Speaker 2: I mean. So Scott pillowcases. Scott had haven't you seen 164 00:07:00,993 --> 00:07:01,393 Speaker 2: that before? 165 00:07:02,354 --> 00:07:03,474 Speaker 1: That's coming to different places. 166 00:07:03,594 --> 00:07:06,553 Speaker 2: Keep keep dating into your thirty you're going to hit 167 00:07:07,834 --> 00:07:10,514 Speaker 2: it's going to look forward to what's left. But yeah, 168 00:07:10,554 --> 00:07:14,434 Speaker 2: when I saw that Scott had pillowcases, he had framed photos, 169 00:07:14,794 --> 00:07:16,514 Speaker 2: he had some plants, he has some plants. 170 00:07:16,594 --> 00:07:20,634 Speaker 1: Here's a waterfront view and a walk in wardrobe. Yeah, 171 00:07:21,074 --> 00:07:22,434 Speaker 1: so I think let's give him that. 172 00:07:22,754 --> 00:07:24,074 Speaker 2: Well. I think she was having a bit of a 173 00:07:24,074 --> 00:07:27,833 Speaker 2: meltdown about the space, which I actually think, like, I mean, 174 00:07:27,914 --> 00:07:29,554 Speaker 2: I have a lot of issues with gr as does 175 00:07:29,554 --> 00:07:31,434 Speaker 2: the rest of Australia at this point in time. I 176 00:07:31,474 --> 00:07:33,594 Speaker 2: think what she was actually getting upset about was all 177 00:07:33,634 --> 00:07:35,554 Speaker 2: of a sudden, it felt real and she wasn't in 178 00:07:35,594 --> 00:07:38,393 Speaker 2: this kind of like TV holiday, not. 179 00:07:39,154 --> 00:07:41,114 Speaker 1: Her meriton sweet yes exactly. 180 00:07:41,554 --> 00:07:43,434 Speaker 2: She wasn't in a little claustrophobic suite, and all of 181 00:07:43,434 --> 00:07:46,794 Speaker 2: a sudden the realness of the situation hit her and 182 00:07:46,834 --> 00:07:50,233 Speaker 2: she was like, oh, I'm potentially leaving my state, my town, 183 00:07:50,474 --> 00:07:53,674 Speaker 2: my home, my house where my daughter lives, to move 184 00:07:53,754 --> 00:07:55,994 Speaker 2: into this man's place. And I just I don't know 185 00:07:56,034 --> 00:07:58,794 Speaker 2: if anything would have which I do feel for her 186 00:07:58,834 --> 00:08:00,914 Speaker 2: in that moment, so I don't think anything would have 187 00:08:01,874 --> 00:08:03,954 Speaker 2: made her feel at home if she was all of 188 00:08:03,953 --> 00:08:05,314 Speaker 2: a sudden hit with that realization. 189 00:08:05,594 --> 00:08:08,034 Speaker 3: Yeah, I think it's also very in her to have 190 00:08:08,074 --> 00:08:11,914 Speaker 3: that like strong reaction, and just the time they've had 191 00:08:11,914 --> 00:08:14,434 Speaker 3: together over the past week. I feel like Scott has 192 00:08:14,514 --> 00:08:18,034 Speaker 3: been silenced, like he's walking on eggshells. He can't really 193 00:08:18,474 --> 00:08:22,194 Speaker 3: express himself about g getting quite defensive, which obviously comes 194 00:08:22,234 --> 00:08:25,234 Speaker 3: back to her having reality set in and this is 195 00:08:25,314 --> 00:08:27,994 Speaker 3: now potentially going to be her life. 196 00:08:28,234 --> 00:08:31,714 Speaker 2: Yeah, exactly. Here's an investigative question for you before we 197 00:08:31,754 --> 00:08:34,994 Speaker 2: move on to another drama fill couple. Do you think 198 00:08:35,074 --> 00:08:37,514 Speaker 2: that travel pillow, the pink travel pillow that caused all 199 00:08:37,554 --> 00:08:39,954 Speaker 2: the issues, do you think that belonged to an next girlfriend? 200 00:08:39,994 --> 00:08:41,754 Speaker 3: Do you think that was his Okay, I think in 201 00:08:41,794 --> 00:08:43,874 Speaker 3: one hundred percent belonged to an ex. 202 00:08:43,914 --> 00:08:44,474 Speaker 1: So I don't know. 203 00:08:44,434 --> 00:08:47,634 Speaker 3: Why he's dying on the hill, But I don't think 204 00:08:47,714 --> 00:08:50,034 Speaker 3: Gia should crucify Scott for having. 205 00:08:49,914 --> 00:08:52,074 Speaker 1: A pink neck pillow because we all have a past. 206 00:08:52,394 --> 00:08:54,514 Speaker 1: You have a daughter, you have a daughter, he's got 207 00:08:54,554 --> 00:08:55,074 Speaker 1: a neck pillow. 208 00:08:55,074 --> 00:08:56,514 Speaker 2: Did you just compare her daughter to a next y 209 00:08:57,474 --> 00:09:00,154 Speaker 2: E comes to something? Here's my thought, Well, yeah, I 210 00:09:00,194 --> 00:09:01,994 Speaker 2: was like, look it probably is an next girlfriend, but 211 00:09:02,154 --> 00:09:04,474 Speaker 2: she's clearly not in the house right now. She's killing 212 00:09:04,474 --> 00:09:07,074 Speaker 2: on around. I doubt he's keeping it for sentimental reason, 213 00:09:07,154 --> 00:09:08,914 Speaker 2: and so I don't Again, I think it was a 214 00:09:08,954 --> 00:09:12,074 Speaker 2: bigger issue. My second thought was, who keeps a travel pillow? 215 00:09:12,634 --> 00:09:16,514 Speaker 3: Like they don't keep a travel it won't be a 216 00:09:16,554 --> 00:09:17,154 Speaker 3: travel pillar. 217 00:09:17,274 --> 00:09:18,754 Speaker 1: I have a consistent travel pillow. 218 00:09:19,114 --> 00:09:20,994 Speaker 2: Don't you think it's disgusting? After being on a long 219 00:09:20,994 --> 00:09:23,034 Speaker 2: haul flight and being planes are the dirtiest place in 220 00:09:23,034 --> 00:09:25,114 Speaker 2: the world and they're so full of germs. I throw 221 00:09:25,154 --> 00:09:27,394 Speaker 2: that ship out after the plane. Think about it. 222 00:09:27,834 --> 00:09:29,234 Speaker 1: Think about that, then sit with that one. 223 00:09:29,314 --> 00:09:30,554 Speaker 2: Next time you go to put your head on that 224 00:09:30,594 --> 00:09:32,634 Speaker 2: travel pillow, just think about what was on the plane, 225 00:09:32,714 --> 00:09:34,034 Speaker 2: what was on the plane seat, and what. 226 00:09:34,314 --> 00:09:38,514 Speaker 3: Otherwise my head's just on the dirty plane seat. Okay, 227 00:09:38,754 --> 00:09:40,394 Speaker 3: this doesn't feel best for the environment. 228 00:09:40,594 --> 00:09:43,354 Speaker 1: I wanted to invent something like a travel pillow case. 229 00:09:44,074 --> 00:09:50,834 Speaker 2: I'm pretty sure that otherwise that Amazon boyd do we 230 00:09:50,874 --> 00:09:51,833 Speaker 2: have a pitch. 231 00:09:51,674 --> 00:09:53,674 Speaker 1: For you your ex? 232 00:09:53,874 --> 00:09:56,634 Speaker 2: Because you could just come change the colors. So who 233 00:09:56,634 --> 00:09:58,714 Speaker 2: would have thought a travel pillow could unravel? 234 00:09:59,234 --> 00:10:02,074 Speaker 1: A couple travel pillow cases were invented, and I'm. 235 00:10:01,954 --> 00:10:03,714 Speaker 2: Just saying, next time you pull that travel pillar out, 236 00:10:03,754 --> 00:10:05,994 Speaker 2: just just think about where it's been before you put 237 00:10:05,994 --> 00:10:09,234 Speaker 2: your head on it. Choices also Beck and Danny, who 238 00:10:09,674 --> 00:10:13,154 Speaker 2: seemed at first that they were having like quite a 239 00:10:13,274 --> 00:10:16,274 Speaker 2: nice homestay. So her house is a lovely house. I 240 00:10:16,274 --> 00:10:16,953 Speaker 2: will go hang out. 241 00:10:16,954 --> 00:10:21,074 Speaker 3: There's gorgeous. That's like a dream house, Australian dreamhouse. Like 242 00:10:21,154 --> 00:10:23,674 Speaker 3: the dog, the backyard fire. 243 00:10:23,514 --> 00:10:26,674 Speaker 1: Pit, the fire pits, gorge love it, no wonder she loves. 244 00:10:26,674 --> 00:10:28,274 Speaker 2: That's the way looking at and everyone else is like 245 00:10:28,314 --> 00:10:28,914 Speaker 2: the drama. 246 00:10:29,154 --> 00:10:32,034 Speaker 1: I know. I'm like, that's a lovely house. Yeah, I'll be. 247 00:10:31,954 --> 00:10:35,194 Speaker 2: Like, well it started off all of like romantic and 248 00:10:35,234 --> 00:10:36,434 Speaker 2: they were having a lovely time. 249 00:10:36,514 --> 00:10:39,754 Speaker 3: The illusion of being a great couple, Like I feel 250 00:10:39,754 --> 00:10:42,794 Speaker 3: like every week they fall apart and then they tie 251 00:10:42,834 --> 00:10:44,833 Speaker 3: it back up in a nice boat, like before the 252 00:10:44,874 --> 00:10:45,514 Speaker 3: dinner party. 253 00:10:45,754 --> 00:10:47,874 Speaker 2: Yeah, they're a great couple as long as they're not 254 00:10:48,154 --> 00:10:51,034 Speaker 2: interacting with other people or each other or each other. 255 00:10:52,354 --> 00:10:54,953 Speaker 2: That's the thing. I believe her, I know we said 256 00:10:54,954 --> 00:10:57,034 Speaker 2: this last week. I believe her when she says that 257 00:10:57,074 --> 00:10:59,274 Speaker 2: she's in love with him. I cannot get a read 258 00:10:59,354 --> 00:11:01,594 Speaker 2: on that man. No, and I think whether he even 259 00:11:01,754 --> 00:11:02,114 Speaker 2: likes her. 260 00:11:02,274 --> 00:11:04,394 Speaker 3: A lot of their issues at the moment are spucking 261 00:11:04,434 --> 00:11:09,394 Speaker 3: from him, cracking jokes in serious situations and serious conversations. 262 00:11:09,434 --> 00:11:12,674 Speaker 3: But I think they're serious to Beck. They're not serious 263 00:11:12,714 --> 00:11:13,074 Speaker 3: to him. 264 00:11:12,994 --> 00:11:14,874 Speaker 2: Because it's like I'm on a TV show, because he's. 265 00:11:14,754 --> 00:11:17,354 Speaker 3: On a TV show, and it feels like he's very 266 00:11:17,514 --> 00:11:20,354 Speaker 3: aware of that. And there were even some comments made 267 00:11:20,474 --> 00:11:23,394 Speaker 3: during the home stay. You know, he cracks a joke 268 00:11:23,554 --> 00:11:25,954 Speaker 3: while they're in the middle of a serious conversation where 269 00:11:25,994 --> 00:11:28,754 Speaker 3: Beck thinks he is about to confess his love for 270 00:11:28,874 --> 00:11:31,114 Speaker 3: sitting around the fire pit, but instead he makes a 271 00:11:31,194 --> 00:11:34,554 Speaker 3: joke about how her cousin fancies him, which does go 272 00:11:34,634 --> 00:11:35,034 Speaker 3: down that way. 273 00:11:35,074 --> 00:11:36,914 Speaker 2: No, I didn't go down well, this is the biggest 274 00:11:36,914 --> 00:11:38,994 Speaker 2: thing that I don't think. Again, I don't know this people. 275 00:11:39,074 --> 00:11:40,354 Speaker 2: I only know what I see on maths, but I've 276 00:11:40,354 --> 00:11:43,474 Speaker 2: seen quite a bit. The reason these two won't work, 277 00:11:43,514 --> 00:11:45,194 Speaker 2: even if they're all together at the show, why they 278 00:11:45,194 --> 00:11:48,074 Speaker 2: won't work long term, is that they have such different 279 00:11:48,114 --> 00:11:50,234 Speaker 2: sense of humor, and it leads to a fight every 280 00:11:50,274 --> 00:11:53,674 Speaker 2: time he says something funny and then she gets really 281 00:11:53,754 --> 00:11:55,834 Speaker 2: upset and they both get upset, and then, in her words, 282 00:11:55,874 --> 00:11:56,953 Speaker 2: they just go to bed. And they wake up in 283 00:11:56,994 --> 00:11:58,994 Speaker 2: the morning and they don't talk about it. Now, I'm 284 00:11:59,034 --> 00:12:01,914 Speaker 2: no like relationship expert, but that sounds bad. Yeah. 285 00:12:01,954 --> 00:12:04,354 Speaker 3: I think it also reminds me when you have a 286 00:12:04,394 --> 00:12:07,034 Speaker 3: conversation with like a girlfriend and they're talking about like 287 00:12:07,154 --> 00:12:10,114 Speaker 3: a situationship and like they have all of these like 288 00:12:10,194 --> 00:12:12,953 Speaker 3: really toxic patterns happen and then they just glaze over 289 00:12:12,994 --> 00:12:14,114 Speaker 3: and like but it's fine. 290 00:12:14,194 --> 00:12:16,954 Speaker 1: That's how I feel every week when I come back, she's. 291 00:12:16,794 --> 00:12:19,514 Speaker 2: Like, we're fine, though, I'm like, oh my gosh, that's 292 00:12:19,554 --> 00:12:22,034 Speaker 2: so true. She is that friend who like drunk calls 293 00:12:22,074 --> 00:12:23,833 Speaker 2: you really know at night, like I hate him, he 294 00:12:23,914 --> 00:12:25,953 Speaker 2: is awful, And in the morning you're like, all right, 295 00:12:26,114 --> 00:12:27,714 Speaker 2: tell me where to go. I'll come get your help, 296 00:12:27,714 --> 00:12:28,474 Speaker 2: you out your stuff out. 297 00:12:28,394 --> 00:12:28,994 Speaker 1: Let's do this. 298 00:12:29,074 --> 00:12:31,194 Speaker 2: And she's like, no, no, no, where at breakfast together 299 00:12:31,234 --> 00:12:33,474 Speaker 2: it's fine, like completely forgets the whole situation. 300 00:12:33,714 --> 00:12:35,434 Speaker 1: Yeah, totally, That's what I'm getting from Beck. 301 00:12:35,674 --> 00:12:38,194 Speaker 2: So it's interesting because I'm just like, is he behaving 302 00:12:38,194 --> 00:12:40,994 Speaker 2: this way because he's so aware he's on TV and 303 00:12:41,034 --> 00:12:43,194 Speaker 2: he's sort of wanting to sort of just finish out 304 00:12:43,194 --> 00:12:45,874 Speaker 2: of the show in a kind of a I guess 305 00:12:45,994 --> 00:12:47,874 Speaker 2: come out in a nice way and just keep the 306 00:12:47,914 --> 00:12:50,914 Speaker 2: peace and then make a change when filming stops. 307 00:12:51,074 --> 00:12:53,234 Speaker 3: When they do have this argument over the cousin, he 308 00:12:53,234 --> 00:12:55,594 Speaker 3: there makes a comment about, you know how when they 309 00:12:55,594 --> 00:12:57,554 Speaker 3: have an argument, like he's going to come out bad in. 310 00:12:57,474 --> 00:12:59,074 Speaker 1: The edit or something to that effect. 311 00:12:59,274 --> 00:13:01,594 Speaker 3: Yeah, so you can tell that it is something he's 312 00:13:01,634 --> 00:13:04,953 Speaker 3: thinking about. And Beck comes back and says like, this 313 00:13:04,994 --> 00:13:06,954 Speaker 3: is my life, this is real life, this is real 314 00:13:06,994 --> 00:13:07,354 Speaker 3: for me. 315 00:13:07,594 --> 00:13:09,754 Speaker 2: Those That's why I thought was interesting is that this 316 00:13:09,834 --> 00:13:11,594 Speaker 2: is one of the first times in this whole season 317 00:13:11,594 --> 00:13:13,874 Speaker 2: we've seen them not just obviously they referenced the show, 318 00:13:13,914 --> 00:13:15,834 Speaker 2: and they reference the producers, and like a lot of 319 00:13:15,834 --> 00:13:18,953 Speaker 2: the time at the commitment ceremonies, they'll reference wanting to 320 00:13:19,034 --> 00:13:21,074 Speaker 2: leave filming. But that's different because because. 321 00:13:21,034 --> 00:13:23,554 Speaker 1: An experiment the commitment, because. 322 00:13:23,354 --> 00:13:25,994 Speaker 2: The commitment ceremony is more of a TV thing. But 323 00:13:26,114 --> 00:13:27,994 Speaker 2: they're sitting out in the backyard of her house, like 324 00:13:28,034 --> 00:13:31,034 Speaker 2: in her actual home, and then their fight turns towards 325 00:13:31,314 --> 00:13:32,914 Speaker 2: him saying why would you say that to me when 326 00:13:32,914 --> 00:13:34,194 Speaker 2: I've got a camera in my face? And She's like, 327 00:13:34,234 --> 00:13:35,714 Speaker 2: why would you say that to me when I've got 328 00:13:35,754 --> 00:13:37,034 Speaker 2: a camera in my face? And I was like, wow, 329 00:13:37,314 --> 00:13:39,074 Speaker 2: if you guys are on a TV show, not even 330 00:13:39,114 --> 00:13:41,274 Speaker 2: pretending you're on a TV shonual. But I honestly think 331 00:13:41,274 --> 00:13:44,034 Speaker 2: that was almost the most real them referencing the cameras 332 00:13:44,114 --> 00:13:47,034 Speaker 2: was the most real moment because they obviously did forget 333 00:13:47,034 --> 00:13:48,994 Speaker 2: a little bit that they were filming, and they just 334 00:13:49,074 --> 00:13:52,474 Speaker 2: veered into having almost like a real couple fight of saying, like, 335 00:13:52,554 --> 00:13:54,114 Speaker 2: we know we're going to have a moment away from 336 00:13:54,154 --> 00:13:56,754 Speaker 2: the cameras, can't you wait until then? And the answer 337 00:13:56,794 --> 00:13:58,994 Speaker 2: was no, So maybe it was actually a really real 338 00:13:59,074 --> 00:13:59,834 Speaker 2: moment from them. 339 00:13:59,994 --> 00:14:02,914 Speaker 3: Yeah, I think like nothing good is coming from it, 340 00:14:02,994 --> 00:14:04,874 Speaker 3: and I just don't trust Danny, and I think he 341 00:14:04,994 --> 00:14:06,914 Speaker 3: is just trying to like go through the motions and 342 00:14:06,954 --> 00:14:08,953 Speaker 3: get to the end, and I think she's sweeping a 343 00:14:08,954 --> 00:14:10,874 Speaker 3: lot under the rug and he's happy to do so 344 00:14:10,994 --> 00:14:13,994 Speaker 3: because he doesn't see like a real future in it. 345 00:14:14,274 --> 00:14:19,114 Speaker 2: Yeah. Those poor kids. And so before we get to 346 00:14:19,154 --> 00:14:23,474 Speaker 2: the kind of most surprising dramatic breakup of this episode, 347 00:14:23,834 --> 00:14:26,234 Speaker 2: one of our golden couples, Alyssa and David had a 348 00:14:26,234 --> 00:14:28,554 Speaker 2: bit of a bad home stage situation. 349 00:14:28,874 --> 00:14:31,114 Speaker 1: Yeah, I thought they were in her mother. 350 00:14:31,274 --> 00:14:33,994 Speaker 3: No, I mean, I do not like I'm sorry, I 351 00:14:34,034 --> 00:14:37,594 Speaker 3: don't like your mom, Lisa on the camera right down 352 00:14:37,594 --> 00:14:38,034 Speaker 3: the barrel. 353 00:14:38,274 --> 00:14:39,514 Speaker 1: I really think. 354 00:14:39,354 --> 00:14:41,194 Speaker 2: It was such a mum thing to say. Though. 355 00:14:41,474 --> 00:14:43,794 Speaker 3: Yeah, I think the pressure she put on Alyssa, and 356 00:14:43,834 --> 00:14:46,994 Speaker 3: obviously I think Alyssa shares some of those values. 357 00:14:47,234 --> 00:14:48,594 Speaker 1: But to look at your daughter. 358 00:14:48,514 --> 00:14:51,314 Speaker 3: And be like your time is running out, like speaking 359 00:14:51,314 --> 00:14:52,834 Speaker 3: to her as though she has no time left. 360 00:14:53,074 --> 00:14:53,874 Speaker 1: She's thirty three. 361 00:14:54,434 --> 00:14:57,074 Speaker 2: Yes, I mean, yes, obviously fertility is a real thing. 362 00:14:57,114 --> 00:14:59,834 Speaker 2: Everyone should speak to a medical professional. But can I 363 00:14:59,874 --> 00:15:02,514 Speaker 2: just say there's no hard and fast rule of like 364 00:15:02,714 --> 00:15:04,834 Speaker 2: that you have to get pregnant at a certain age. 365 00:15:04,914 --> 00:15:06,634 Speaker 2: And I say that as someone whose mother had like 366 00:15:06,674 --> 00:15:08,154 Speaker 2: my mum had me and her forties and she had 367 00:15:08,194 --> 00:15:10,034 Speaker 2: two more kids. I don't know that's not the norm 368 00:15:10,074 --> 00:15:12,234 Speaker 2: for everyone, but probably a lot of conception, for a 369 00:15:12,234 --> 00:15:14,994 Speaker 2: lot of families, that is the norm. So I didn't Also, yeah, 370 00:15:14,994 --> 00:15:16,834 Speaker 2: I didn't love her saying to her mum like I'm 371 00:15:16,834 --> 00:15:19,714 Speaker 2: introducing you, reintroducing you, because obviously they't a chance like 372 00:15:19,714 --> 00:15:21,594 Speaker 2: talk at the wedding or anything like that, the fake wedding. 373 00:15:21,874 --> 00:15:24,074 Speaker 2: But then this is a high stakes thing because at 374 00:15:24,074 --> 00:15:25,754 Speaker 2: the wedding that was very much a TV show I 375 00:15:25,794 --> 00:15:27,874 Speaker 2: just met this man, and now she's like, we've been 376 00:15:27,954 --> 00:15:30,114 Speaker 2: living as a couple, actually care about it, and we're 377 00:15:30,154 --> 00:15:32,634 Speaker 2: actually planning to move together. And all her mother can 378 00:15:32,634 --> 00:15:35,074 Speaker 2: say is, well, you better hop to it unless you 379 00:15:35,114 --> 00:15:37,194 Speaker 2: want to be barren and not have children. Oh my god, 380 00:15:37,274 --> 00:15:39,634 Speaker 2: which then made her daughter so upset and had this 381 00:15:39,834 --> 00:15:41,834 Speaker 2: like and I understand her saying like, well, you know 382 00:15:41,914 --> 00:15:44,074 Speaker 2: there's certain things you want, like you want a family, 383 00:15:44,594 --> 00:15:46,834 Speaker 2: so fair, so you have to be thinking of that, 384 00:15:46,954 --> 00:15:50,114 Speaker 2: but she made it sound like an ultimatum, like shut 385 00:15:50,154 --> 00:15:52,034 Speaker 2: up and make this work or you'll never have kids. 386 00:15:52,114 --> 00:15:54,594 Speaker 1: There are also so many other routes in now. 387 00:15:54,874 --> 00:15:56,594 Speaker 3: Yet there are other ways to go about it, and 388 00:15:56,634 --> 00:15:59,194 Speaker 3: you can't just you can't skip to that part, like 389 00:15:59,234 --> 00:16:01,714 Speaker 3: if you want your daughter to like be happy, you know, 390 00:16:01,874 --> 00:16:04,514 Speaker 3: find this connection and have a family, which is the 391 00:16:04,514 --> 00:16:07,514 Speaker 3: path she's already working towards. There's no reason isn't to 392 00:16:07,554 --> 00:16:10,914 Speaker 3: like have that added layer of pressure and expectation. 393 00:16:11,594 --> 00:16:13,554 Speaker 1: And I think the main goal was she just wants 394 00:16:13,554 --> 00:16:15,554 Speaker 1: her to come back and live in Adelaide. 395 00:16:15,074 --> 00:16:17,594 Speaker 2: Yeah, and have a baby with any man, but anyone's 396 00:16:17,674 --> 00:16:17,954 Speaker 2: right here. 397 00:16:18,234 --> 00:16:21,634 Speaker 3: Well, I think also the conversation that comes up between 398 00:16:21,634 --> 00:16:24,234 Speaker 3: the couples. Usually everyone lands on Sydney like they all 399 00:16:24,234 --> 00:16:24,954 Speaker 3: want to move to Sydney. 400 00:16:24,954 --> 00:16:25,794 Speaker 1: It's a central place. 401 00:16:26,714 --> 00:16:28,434 Speaker 2: Don't do it. You're going to be way more upset 402 00:16:28,434 --> 00:16:30,434 Speaker 2: when you're in a terrible run to with mold everywhere. 403 00:16:30,634 --> 00:16:32,514 Speaker 2: Let me tell you, don't stay away. 404 00:16:33,274 --> 00:16:36,074 Speaker 3: I would question that a lot of them are already 405 00:16:36,114 --> 00:16:38,074 Speaker 3: planning on moving to Sydney. When you do a show 406 00:16:38,154 --> 00:16:41,634 Speaker 3: like Mass, yeah, I live the influence, natural progression for 407 00:16:41,714 --> 00:16:45,354 Speaker 3: the influencer life. You go on Mass, you move to Sydney, you'll. 408 00:16:45,114 --> 00:16:46,194 Speaker 1: Hang out and get. 409 00:16:46,154 --> 00:16:47,754 Speaker 2: Like, oh my god, you come to all the movie 410 00:16:47,794 --> 00:16:49,554 Speaker 2: premieres and stand in front of me and take to 411 00:16:49,594 --> 00:16:51,434 Speaker 2: me photos and all I wanted to go, I just 412 00:16:51,474 --> 00:16:53,594 Speaker 2: want my popcorn and went on side don't. 413 00:16:53,474 --> 00:16:55,394 Speaker 1: Ruin my life. 414 00:16:56,034 --> 00:16:57,594 Speaker 2: So they had a little bit of a blip, but 415 00:16:57,634 --> 00:16:59,074 Speaker 2: it looks like they're going to be sorting things out. 416 00:16:59,114 --> 00:17:01,034 Speaker 2: But a lot of their drama happened, or not drama, 417 00:17:01,074 --> 00:17:02,754 Speaker 2: but a lot more of their conversation happened at the 418 00:17:02,794 --> 00:17:05,553 Speaker 2: dinner party, which are about to move into because we 419 00:17:05,634 --> 00:17:08,474 Speaker 2: have to talk about Chris and Sam. Chris, I'm sorry 420 00:17:08,714 --> 00:17:10,874 Speaker 2: you and I have two people ever been more wrong. 421 00:17:11,434 --> 00:17:13,273 Speaker 2: When these guys came on the show. We were like, 422 00:17:13,314 --> 00:17:16,034 Speaker 2: we love them, this is our golden couple. They made 423 00:17:16,114 --> 00:17:17,434 Speaker 2: up work feeding. 424 00:17:17,994 --> 00:17:19,114 Speaker 1: It was too good to be true. 425 00:17:19,234 --> 00:17:20,714 Speaker 2: It was too good to be see good to be true. 426 00:17:20,714 --> 00:17:22,354 Speaker 3: I thought, because they were late commers that they were 427 00:17:22,354 --> 00:17:23,434 Speaker 3: just going to ride that wave. 428 00:17:23,874 --> 00:17:26,594 Speaker 1: I think there was time on the clock, give another 429 00:17:26,794 --> 00:17:27,634 Speaker 1: curveball in. 430 00:17:27,514 --> 00:17:29,513 Speaker 2: There exactly, and they went through that whole big thing 431 00:17:29,514 --> 00:17:31,874 Speaker 2: about his secret children that are coming and that they 432 00:17:31,914 --> 00:17:34,273 Speaker 2: were fine with that, and then just all kind of 433 00:17:34,354 --> 00:17:36,954 Speaker 2: unraveled later on. Can I also just say, Chris is 434 00:17:36,994 --> 00:17:40,074 Speaker 2: farm delightful? That's the China farm. I would love to 435 00:17:40,114 --> 00:17:41,074 Speaker 2: I would go stay there. 436 00:17:40,994 --> 00:17:43,074 Speaker 1: Honestly, gorgeous, adorable. 437 00:17:43,354 --> 00:17:46,354 Speaker 2: I know it looked lovely. I was like when Sam left, 438 00:17:46,394 --> 00:17:48,234 Speaker 2: I was like, dude, just stay for the rest of 439 00:17:48,234 --> 00:17:50,434 Speaker 2: the tree and have a nice time and then break 440 00:17:50,474 --> 00:17:52,274 Speaker 2: up with him when you get back to the Meridian 441 00:17:52,314 --> 00:17:57,994 Speaker 2: Sweets whatever they're called little those little kind of square 442 00:17:58,234 --> 00:18:01,994 Speaker 2: holeless little boxes that they make everyone's office. Yeah. 443 00:18:02,274 --> 00:18:04,313 Speaker 3: Yeah, I think these are just two people who are 444 00:18:04,314 --> 00:18:06,234 Speaker 3: not meant to be together, and they obviously have two 445 00:18:06,474 --> 00:18:10,273 Speaker 3: very different ways to deal with conflict. You've got Sam 446 00:18:10,354 --> 00:18:12,834 Speaker 3: who really wants to talk things through and like hash 447 00:18:12,874 --> 00:18:15,513 Speaker 3: it all out, yeah, which probably he's hashed it out 448 00:18:15,554 --> 00:18:16,074 Speaker 3: too many. 449 00:18:15,874 --> 00:18:17,954 Speaker 2: Times when he put that list and he's like, number one, 450 00:18:18,074 --> 00:18:20,634 Speaker 2: do you take full responsibility for your behavior to night? 451 00:18:20,674 --> 00:18:22,674 Speaker 2: And I was like, oh, dude. 452 00:18:22,434 --> 00:18:24,514 Speaker 1: It's a been condescending. I love Sam. I'm like dying 453 00:18:24,554 --> 00:18:28,794 Speaker 1: on the hill that way, right Sam. Yeah, I love Sam. 454 00:18:28,874 --> 00:18:30,674 Speaker 1: Unfortunately I'm not gonna happen. 455 00:18:32,154 --> 00:18:32,834 Speaker 2: If he's a brother. 456 00:18:33,634 --> 00:18:37,114 Speaker 3: True, we should research this, but yeah, I think I 457 00:18:37,154 --> 00:18:39,234 Speaker 3: was like dying on that hill to defend him. But 458 00:18:39,274 --> 00:18:42,234 Speaker 3: then when you do look at it from his perspective, 459 00:18:42,314 --> 00:18:45,353 Speaker 3: like how many more apologies can you give? And how 460 00:18:45,474 --> 00:18:48,394 Speaker 3: much more can you be like reprimanded by something? And 461 00:18:48,434 --> 00:18:51,313 Speaker 3: he obviously just wants to have fun and enjoy the 462 00:18:51,354 --> 00:18:52,314 Speaker 3: farm and bringing. 463 00:18:52,194 --> 00:18:52,754 Speaker 1: Into this world. 464 00:18:52,834 --> 00:18:55,594 Speaker 3: I think it's just that situation of context versus reality. 465 00:18:55,634 --> 00:18:57,954 Speaker 3: I think Sam thought he was heading into like a 466 00:18:58,034 --> 00:19:00,514 Speaker 3: really romantic weekend. 467 00:19:00,114 --> 00:19:02,874 Speaker 1: Away and he was really excited when he got there. 468 00:19:02,794 --> 00:19:05,154 Speaker 3: Because there was a little card that was there for him, 469 00:19:05,194 --> 00:19:06,354 Speaker 3: and he thought it was going to have like a 470 00:19:06,354 --> 00:19:11,794 Speaker 3: really heartfelt but it actually just said welcome to the farm. 471 00:19:11,874 --> 00:19:14,994 Speaker 3: And it's written really in big letters like a child's 472 00:19:15,114 --> 00:19:16,793 Speaker 3: I mean, look I'm still. 473 00:19:16,554 --> 00:19:18,553 Speaker 2: Cute card now and we don't do it. It's a 474 00:19:18,554 --> 00:19:18,994 Speaker 2: lost skill. 475 00:19:19,114 --> 00:19:20,314 Speaker 1: I think it's quite cute. 476 00:19:20,474 --> 00:19:24,634 Speaker 2: Yeah expensive these days, Yeah, okay, but I was so low. 477 00:19:25,034 --> 00:19:26,234 Speaker 2: Do you know what I thought when I saw that 478 00:19:26,274 --> 00:19:29,034 Speaker 2: scene of them driving there together in the farm, just 479 00:19:29,154 --> 00:19:32,234 Speaker 2: the two of them in absolute silence. That is the 480 00:19:32,234 --> 00:19:34,274 Speaker 2: most I burst out laughing because I obviously felt bad 481 00:19:34,274 --> 00:19:35,954 Speaker 2: for this two hot men, but also I was like, 482 00:19:35,954 --> 00:19:37,794 Speaker 2: that is the most awkward thing. It made me think 483 00:19:37,834 --> 00:19:40,954 Speaker 2: of that scene from Ladybird where Social's carriage just opens 484 00:19:40,994 --> 00:19:43,314 Speaker 2: the door and like throws herself out of the car. 485 00:19:43,874 --> 00:19:45,194 Speaker 2: I was like, oh God, that would have been me. 486 00:19:45,434 --> 00:19:45,714 Speaker 1: Hello. 487 00:19:45,754 --> 00:19:48,194 Speaker 2: So then they both decide to go to the dinner 488 00:19:48,234 --> 00:19:51,634 Speaker 2: party separately, and I love I love the sassy drama 489 00:19:51,674 --> 00:19:54,394 Speaker 2: in this because they're both like, I'm telling my side 490 00:19:54,434 --> 00:19:56,394 Speaker 2: of the story. He is not going to turn everyone 491 00:19:56,394 --> 00:19:59,314 Speaker 2: against me, and so which brings us to the dinner party. 492 00:19:59,594 --> 00:20:01,234 Speaker 1: I wonder if they had to fight to who goes 493 00:20:01,274 --> 00:20:01,793 Speaker 1: in first. 494 00:20:02,194 --> 00:20:04,513 Speaker 2: Potentially, I mean, as we know that the producers had 495 00:20:04,514 --> 00:20:06,394 Speaker 2: them all lined up in their cars outside, it would 496 00:20:06,434 --> 00:20:08,314 Speaker 2: have been very so hegic of when they go in, 497 00:20:08,514 --> 00:20:10,434 Speaker 2: and of course the producers would have been so thrilled 498 00:20:10,474 --> 00:20:12,154 Speaker 2: they were both going to have a throw down. 499 00:20:12,314 --> 00:20:13,594 Speaker 1: I'm glad that they both went. 500 00:20:13,794 --> 00:20:16,154 Speaker 3: I was started to say goodbye to Sam because he 501 00:20:16,234 --> 00:20:18,434 Speaker 3: was like trailing off into the distance with his suitcase. 502 00:20:18,474 --> 00:20:19,794 Speaker 1: I was like, oh no, and then they're just they 503 00:20:19,874 --> 00:20:21,234 Speaker 1: just meet back up at the dinner party. 504 00:20:21,314 --> 00:20:24,194 Speaker 2: Yeah, did he walk back to Sydney. 505 00:20:24,394 --> 00:20:26,434 Speaker 1: Yeah, with his suitcase, his suit and he gets the 506 00:20:26,434 --> 00:20:28,513 Speaker 1: dinner house, wasn't driving him. You saw how awkward that. 507 00:20:28,674 --> 00:20:30,354 Speaker 2: You know, they couldn't get back in that car together 508 00:20:31,314 --> 00:20:33,354 Speaker 2: so much to unpack. So then they had it out 509 00:20:33,394 --> 00:20:35,794 Speaker 2: at the dinner table, and I feel like a lot 510 00:20:35,834 --> 00:20:38,114 Speaker 2: of people on Chris's side. Yeah, I thought it. 511 00:20:38,074 --> 00:20:38,834 Speaker 1: Was really interesting. 512 00:20:38,874 --> 00:20:41,474 Speaker 3: I wonder what the relationships are that they share with 513 00:20:41,594 --> 00:20:43,954 Speaker 3: the other maps contested, Like if Chris has a much 514 00:20:44,354 --> 00:20:46,434 Speaker 3: stronger bond with them, because I think from what we've 515 00:20:46,434 --> 00:20:49,033 Speaker 3: seen and conversations I've had with people and what I've 516 00:20:49,074 --> 00:20:52,313 Speaker 3: seen online and what we've chatted about here, everybody is 517 00:20:52,354 --> 00:20:55,434 Speaker 3: like on Sam's side. But then at the dinner party, 518 00:20:55,514 --> 00:20:58,114 Speaker 3: a lot of people are rushing to Chris's defense and 519 00:20:58,154 --> 00:21:00,634 Speaker 3: you know, saying that like Sam hasn't given him enough 520 00:21:00,634 --> 00:21:04,314 Speaker 3: of a chance, and apologized and just like I feel 521 00:21:04,354 --> 00:21:06,794 Speaker 3: like a lot of people feel as though Sam's holding 522 00:21:06,834 --> 00:21:09,074 Speaker 3: Chris to a really high stand at that he was 523 00:21:09,314 --> 00:21:09,994 Speaker 3: never going to reach. 524 00:21:10,434 --> 00:21:13,074 Speaker 2: Yeah, exactly. Kind of. It's so hard because like again, 525 00:21:13,154 --> 00:21:14,914 Speaker 2: as listen so many times, they have all these like 526 00:21:14,954 --> 00:21:17,354 Speaker 2: group chats and interactions and stuff that we're not privy to. 527 00:21:17,594 --> 00:21:20,554 Speaker 2: So who is the fan favorite? Which is I think 528 00:21:20,594 --> 00:21:22,714 Speaker 2: you're right is Sam is so different to who is 529 00:21:22,754 --> 00:21:25,793 Speaker 2: like the contestant favorite, which kind of came across as Chris. 530 00:21:26,194 --> 00:21:27,474 Speaker 2: I don't know. But I also think they're all just 531 00:21:27,514 --> 00:21:29,954 Speaker 2: also dealing with their own drama because anytime any one 532 00:21:29,954 --> 00:21:32,594 Speaker 2: of the contestants jumped in, they brought it back to themselves. 533 00:21:32,634 --> 00:21:35,914 Speaker 2: And we saw that with Beck and Danny. Yeah exactly, 534 00:21:36,074 --> 00:21:38,073 Speaker 2: they're just all ready to go. I thought like it 535 00:21:38,074 --> 00:21:40,313 Speaker 2: was Beck and Danny because then they were talking at 536 00:21:40,314 --> 00:21:42,154 Speaker 2: their homestay and they kept saying, like, what did she 537 00:21:42,194 --> 00:21:45,634 Speaker 2: call it? Was a little blip, a little something strange, 538 00:21:45,634 --> 00:21:48,634 Speaker 2: like that's like bebo yeah, a little bop do be yeah? 539 00:21:49,274 --> 00:21:52,914 Speaker 2: Anything to avoid saying fight, argument, reckoning, throw down. 540 00:21:53,594 --> 00:21:56,474 Speaker 1: It was never heard anyone use the term used. 541 00:21:56,394 --> 00:21:58,354 Speaker 2: Like she's like a bing bong or something like that 542 00:21:58,874 --> 00:22:01,994 Speaker 2: it wasn't that, but it was similar anyway, something for 543 00:22:02,034 --> 00:22:03,594 Speaker 2: you all to go and research in your own time. 544 00:22:03,714 --> 00:22:05,674 Speaker 2: But they didn't want to call it a fight. But 545 00:22:05,674 --> 00:22:07,954 Speaker 2: then it kind of escalated all fight with the whole 546 00:22:07,994 --> 00:22:10,714 Speaker 2: table because Danny was talking about the fact that he 547 00:22:10,834 --> 00:22:13,154 Speaker 2: was so keen to move in with her, And then 548 00:22:13,194 --> 00:22:16,034 Speaker 2: when they had the whatever they called it wasn't a 549 00:22:16,074 --> 00:22:17,674 Speaker 2: fight if it was, but they were calling it some 550 00:22:17,754 --> 00:22:20,434 Speaker 2: nonsensical word to make it seem less dramatic. He's like, 551 00:22:20,474 --> 00:22:22,114 Speaker 2: once we had that, then I started to have second 552 00:22:22,154 --> 00:22:24,674 Speaker 2: thoughts because I would be uncomfortable Beck's home and this 553 00:22:24,714 --> 00:22:27,793 Speaker 2: is my Rachel was actually my MVP the whole this 554 00:22:27,834 --> 00:22:29,994 Speaker 2: whole week because she's just having a lovely time. 555 00:22:31,114 --> 00:22:33,514 Speaker 1: Just like cuddling, like well, no, because she was having 556 00:22:33,514 --> 00:22:34,314 Speaker 1: something like she. 557 00:22:34,354 --> 00:22:36,914 Speaker 2: Was hasing some good calls and saying what I was thinking. 558 00:22:37,194 --> 00:22:39,514 Speaker 2: When Chris and Sam walked in solo, she goes, oh shit, 559 00:22:42,314 --> 00:22:44,994 Speaker 2: I was like, yeah, girl, that's correct. And then when 560 00:22:45,074 --> 00:22:47,314 Speaker 2: Beck and Danny were having their like back and forth, 561 00:22:47,354 --> 00:22:49,234 Speaker 2: and He's like, I wouldn't feel comfortable, and Rachel was like, 562 00:22:49,394 --> 00:22:51,314 Speaker 2: what he's trying to say is that he wouldn't feel 563 00:22:51,314 --> 00:22:53,354 Speaker 2: comfortable because you know, it's not his space and he 564 00:22:53,394 --> 00:22:55,674 Speaker 2: wants to feel at home, and Danny goes, yeah, and 565 00:22:55,714 --> 00:22:57,514 Speaker 2: I'd feel real like a real bitch of a sade 566 00:22:57,514 --> 00:23:00,354 Speaker 2: a woman's house. And then Rachel's like, oh no, that's 567 00:23:00,394 --> 00:23:02,914 Speaker 2: not That's not what I was saying. No, no, no, no no. 568 00:23:03,634 --> 00:23:06,513 Speaker 2: She's like, you're on your own with that situation. Yeah, 569 00:23:06,674 --> 00:23:08,874 Speaker 2: Danny's showing me his true colors. What do we think 570 00:23:08,874 --> 00:23:10,714 Speaker 2: of that? I would feel like a bitch moving into 571 00:23:10,754 --> 00:23:11,434 Speaker 2: a woman's home. 572 00:23:11,514 --> 00:23:12,954 Speaker 1: I absolutely hate that. 573 00:23:13,074 --> 00:23:15,354 Speaker 3: And then it kind of led into this big discussion 574 00:23:15,354 --> 00:23:16,914 Speaker 3: of you know, he just wants to be in his 575 00:23:17,114 --> 00:23:20,474 Speaker 3: masculine energy. I feel like it's such a buzzword at 576 00:23:20,474 --> 00:23:22,874 Speaker 3: the moment, like your feminine energy are musculine. 577 00:23:22,514 --> 00:23:24,794 Speaker 2: Energy, And I honestly just don't think any of them 578 00:23:24,834 --> 00:23:27,954 Speaker 2: know what that means. And they throwed around the wrong content. 579 00:23:28,034 --> 00:23:30,594 Speaker 3: What are we talking about? Like, it doesn't feel like 580 00:23:30,594 --> 00:23:32,274 Speaker 3: it's the right context. You's talk about gender roles? 581 00:23:32,274 --> 00:23:33,314 Speaker 1: What are we talking about? 582 00:23:33,434 --> 00:23:36,434 Speaker 3: Like? It just feels like making excuses for something. And 583 00:23:36,914 --> 00:23:39,074 Speaker 3: I don't like where Danny has gone with this. I 584 00:23:39,074 --> 00:23:41,994 Speaker 3: think I always suspected that of him, But why should 585 00:23:42,034 --> 00:23:45,154 Speaker 3: you be emasculated? That like Beck has this like beautiful 586 00:23:45,154 --> 00:23:47,634 Speaker 3: home that she's tried so hard to welcome you into. 587 00:23:48,154 --> 00:23:50,234 Speaker 2: Well a little bit like Rachel. I was a bit 588 00:23:50,314 --> 00:23:52,594 Speaker 2: on his side when he first brought it up, because 589 00:23:52,634 --> 00:23:54,434 Speaker 2: I think what he was trying to say is it 590 00:23:54,434 --> 00:23:57,154 Speaker 2: can't be our home when we're happy, and then your 591 00:23:57,234 --> 00:24:00,394 Speaker 2: home where I feel very uncomfortable, because if you're at 592 00:24:00,434 --> 00:24:03,034 Speaker 2: someone's house and then you have something like an altercation argument, 593 00:24:03,074 --> 00:24:04,314 Speaker 2: it's so uncomfortable. 594 00:24:03,874 --> 00:24:06,034 Speaker 1: And it's the first time they've at each other's house. 595 00:24:06,034 --> 00:24:08,434 Speaker 2: It's not your space, it's not your home, like he 596 00:24:08,474 --> 00:24:10,553 Speaker 2: doesn't have his people around him. If he had said, like, 597 00:24:10,874 --> 00:24:12,914 Speaker 2: it can't be our home when we're happy, in your 598 00:24:12,954 --> 00:24:15,834 Speaker 2: home when something goes wrong, I would totally understand that. 599 00:24:16,034 --> 00:24:17,434 Speaker 2: But when he was like, oh, it's kind of like 600 00:24:17,474 --> 00:24:19,274 Speaker 2: a bitch, like it makes me look weak to move 601 00:24:19,274 --> 00:24:21,594 Speaker 2: into a woman's home, I was like, there's the man 602 00:24:21,634 --> 00:24:24,074 Speaker 2: that he never lets out on TV because he's so 603 00:24:24,194 --> 00:24:25,314 Speaker 2: aware he's being filmed. 604 00:24:25,594 --> 00:24:28,513 Speaker 3: I wonder if he says that to kind of mask 605 00:24:29,154 --> 00:24:32,754 Speaker 3: what we initially suspected. You know, obviously he feels a 606 00:24:32,794 --> 00:24:35,834 Speaker 3: bit vulnerable because he doesn't have a support system in place, 607 00:24:36,114 --> 00:24:39,674 Speaker 3: But does he feel more comfortable to say he doesn't 608 00:24:39,674 --> 00:24:41,354 Speaker 3: want to feel like a bitch living in her house, 609 00:24:41,434 --> 00:24:45,754 Speaker 3: maybe masking the real feeling or maybe not even understanding 610 00:24:45,914 --> 00:24:47,074 Speaker 3: why he feels that way. 611 00:24:47,154 --> 00:24:49,274 Speaker 2: Yeah, maybe he did feel that that was the more 612 00:24:49,354 --> 00:24:52,674 Speaker 2: like masculine and acceptable thing to say, to be like, 613 00:24:52,914 --> 00:24:54,754 Speaker 2: I want to be paying my own way to kind 614 00:24:54,754 --> 00:24:56,634 Speaker 2: of I guess give him the benefit of doubt, and 615 00:24:56,714 --> 00:24:57,793 Speaker 2: not that he was saying that, but I think he 616 00:24:57,834 --> 00:24:59,354 Speaker 2: was saying, like, I want to be like, you know, look, 617 00:24:59,394 --> 00:25:01,474 Speaker 2: the one who looks after the woman, not the one 618 00:25:01,514 --> 00:25:03,394 Speaker 2: who moves into his home. And he thought that that 619 00:25:03,434 --> 00:25:06,634 Speaker 2: was more masculine quote unquote than saying like I feel 620 00:25:06,674 --> 00:25:09,154 Speaker 2: out of death because I'm in your world not the 621 00:25:09,194 --> 00:25:10,834 Speaker 2: other way around. And then I love how Beck just 622 00:25:10,874 --> 00:25:12,874 Speaker 2: goes into like real estate mode. She's like, well, why 623 00:25:12,874 --> 00:25:14,594 Speaker 2: would you want to live there? Five minutes from the city, 624 00:25:14,994 --> 00:25:17,434 Speaker 2: Seventy six thousand dollars mortgage left on a three million 625 00:25:17,434 --> 00:25:20,554 Speaker 2: dollar home a backyard. I was like, okay, okay. 626 00:25:21,154 --> 00:25:22,194 Speaker 1: Selling him this house. 627 00:25:22,314 --> 00:25:25,034 Speaker 2: Yeah, and so knock me over with a feather if 628 00:25:25,034 --> 00:25:26,954 Speaker 2: we cut to now, because obviously this was filmed a 629 00:25:26,994 --> 00:25:28,914 Speaker 2: long time ago, Like, not me done with a feather? 630 00:25:28,954 --> 00:25:30,634 Speaker 2: If it comes out of these two are still living 631 00:25:30,674 --> 00:25:34,154 Speaker 2: together happily. If they are, it's under jurists, let me 632 00:25:34,194 --> 00:25:34,434 Speaker 2: tell you. 633 00:25:34,834 --> 00:25:36,834 Speaker 1: Yeah, no that someone check on that mat. 634 00:25:36,874 --> 00:25:39,234 Speaker 2: Yeah, and her as well. Like, I mean, I don't 635 00:25:39,274 --> 00:25:40,994 Speaker 2: particularly like either of them, but I just feel like 636 00:25:40,994 --> 00:25:42,314 Speaker 2: there are this no win situation. 637 00:25:42,634 --> 00:25:45,034 Speaker 3: Yeah, and I think knowing how invested she is week 638 00:25:45,114 --> 00:25:48,594 Speaker 3: after week, like just seeing how much her light kind 639 00:25:48,634 --> 00:25:52,234 Speaker 3: of gets dimmed by it because you can tell that 640 00:25:52,314 --> 00:25:53,514 Speaker 3: she does love him. 641 00:25:54,154 --> 00:25:55,954 Speaker 2: Yeah, no, but you know what, I think she just 642 00:25:55,994 --> 00:25:58,754 Speaker 2: really loves the idea of you. And again, I know 643 00:25:58,794 --> 00:26:00,754 Speaker 2: we're only seeing a very small part, so I could 644 00:26:00,754 --> 00:26:02,754 Speaker 2: be wrong, But like, when do we see these guys 645 00:26:02,794 --> 00:26:05,714 Speaker 2: like share jokes because they have different sens of humor, 646 00:26:05,874 --> 00:26:09,234 Speaker 2: share like stories share. They're only from the same page 647 00:26:09,234 --> 00:26:10,954 Speaker 2: where they're talking about the fact that we need to 648 00:26:10,994 --> 00:26:13,714 Speaker 2: be on the same page. They don't seem to enjoy 649 00:26:13,754 --> 00:26:14,553 Speaker 2: each other's company. 650 00:26:14,634 --> 00:26:15,594 Speaker 1: Yeah, we don't see much. 651 00:26:15,674 --> 00:26:17,354 Speaker 2: But that's what Merrett first like does to you. I 652 00:26:17,354 --> 00:26:19,114 Speaker 2: think it puts you in this crazy bubble and you 653 00:26:19,154 --> 00:26:21,313 Speaker 2: either sink or swim, and then you talk yourself into it, 654 00:26:21,354 --> 00:26:23,914 Speaker 2: and then when you get out, you see things differently. 655 00:26:24,154 --> 00:26:26,074 Speaker 2: When you get some Instagram followers and you get invited 656 00:26:26,114 --> 00:26:26,554 Speaker 2: to an event. 657 00:26:26,794 --> 00:26:28,513 Speaker 1: I think that would have very different worlds as well. 658 00:26:28,954 --> 00:26:31,634 Speaker 1: We saw his friends at the star at the wedding. 659 00:26:31,754 --> 00:26:34,114 Speaker 2: Oh my god, I forgot about that. Yeah, the guy 660 00:26:34,154 --> 00:26:36,513 Speaker 2: who looked like Channing Tater stripper. Yeah, the stripper. 661 00:26:36,594 --> 00:26:37,074 Speaker 1: The stripper. 662 00:26:37,154 --> 00:26:39,434 Speaker 2: Oh, that was breaking out with them. That was great 663 00:26:39,474 --> 00:26:41,074 Speaker 2: TV moment when Beck was like, you slept with my 664 00:26:41,074 --> 00:26:43,634 Speaker 2: friend the other I didn't call her. Gosh. Well, as 665 00:26:43,634 --> 00:26:46,154 Speaker 2: a society, we skated over that too fast. So that's 666 00:26:46,194 --> 00:26:48,314 Speaker 2: where kind of where we landed. Christ and Sam have 667 00:26:48,434 --> 00:26:50,994 Speaker 2: broken up. But good news for you know, everyone else 668 00:26:50,994 --> 00:26:52,794 Speaker 2: out in the dating scene of those two sexy men 669 00:26:52,794 --> 00:26:54,714 Speaker 2: are out of that again. If anyone wants to go 670 00:26:54,834 --> 00:26:58,634 Speaker 2: stay on a farm. And Sam's samily is not a sharehouse, 671 00:26:58,754 --> 00:27:01,434 Speaker 2: as he pointed out, so that's fine too. 672 00:27:01,514 --> 00:27:02,514 Speaker 1: Shades to the sharehouse. 673 00:27:02,674 --> 00:27:04,273 Speaker 2: No, he's with my friends, And I was like, I 674 00:27:04,314 --> 00:27:05,553 Speaker 2: can't believe this is where we're at that he has 675 00:27:05,594 --> 00:27:06,594 Speaker 2: to defend living with a friend. 676 00:27:07,394 --> 00:27:07,834 Speaker 1: My god. 677 00:27:08,394 --> 00:27:11,033 Speaker 2: And so now we move into the No one will 678 00:27:11,074 --> 00:27:12,914 Speaker 2: tell us exactly when the last episode is, but we're 679 00:27:12,914 --> 00:27:16,394 Speaker 2: in the final final day and I just think there's 680 00:27:16,434 --> 00:27:18,594 Speaker 2: going to be a lot more drama to come, and 681 00:27:19,074 --> 00:27:20,754 Speaker 2: a lot of these. God speed to these we need 682 00:27:20,794 --> 00:27:23,314 Speaker 2: to get to. We need to get speed to know. 683 00:27:23,234 --> 00:27:26,194 Speaker 1: What's going to happen. I'm getting more invested. 684 00:27:26,434 --> 00:27:28,914 Speaker 2: I was already a bit like lukewarm about you know, dating, 685 00:27:28,914 --> 00:27:31,793 Speaker 2: and now I'm just really good for me. I'm not 686 00:27:31,874 --> 00:27:33,834 Speaker 2: good out there. Thank you Send me to a farm, 687 00:27:34,234 --> 00:27:34,834 Speaker 2: be so happy. 688 00:27:34,914 --> 00:27:37,834 Speaker 1: Yeah, let's hit up Chris. Thanks so much for listening 689 00:27:37,874 --> 00:27:38,754 Speaker 1: to the Spill today. 690 00:27:38,874 --> 00:27:40,994 Speaker 3: If you enjoyed this episode, the best way you could 691 00:27:40,994 --> 00:27:42,634 Speaker 3: support is give us a five. 692 00:27:42,434 --> 00:27:43,793 Speaker 1: Star rating wherever you listen. 693 00:27:44,034 --> 00:27:46,154 Speaker 3: It goes a long way in helping us to get 694 00:27:46,194 --> 00:27:49,154 Speaker 3: you guys the best content. And we have your weekend 695 00:27:49,274 --> 00:27:52,914 Speaker 3: viewing sorted with our Weekend Watch episode dropping tomorrow at 696 00:27:52,954 --> 00:27:53,513 Speaker 3: six a m. 697 00:27:53,794 --> 00:27:55,034 Speaker 1: The Spill is produced. 698 00:27:54,674 --> 00:27:57,674 Speaker 3: By Minishia Swarrant, with audio production by Scott Stronik and 699 00:27:57,794 --> 00:27:59,434 Speaker 3: video production by Michael Kaine. 700 00:27:59,594 --> 00:28:11,954 Speaker 2: Bye Bye, l Mamma Mia acknowledges the traditional owners of 701 00:28:11,994 --> 00:28:14,914 Speaker 2: the land. We have recorded this podcast on the Gadigal 702 00:28:14,954 --> 00:28:18,074 Speaker 2: people of the oronation. We pay our respects to their 703 00:28:18,114 --> 00:28:20,994 Speaker 2: elders past and present, and extend that respect to all 704 00:28:21,074 --> 00:28:23,274 Speaker 2: Aboriginal and Torres Strait Islander cultures,